1 00:00:01,760 --> 00:00:04,800 Speaker 1: Hey, discos, need a little more Disgraceland in your life, 2 00:00:05,160 --> 00:00:08,039 Speaker 1: just to touch to get you through. Yeah, me too. 3 00:00:08,760 --> 00:00:11,200 Speaker 1: This is the podcast that comes after the podcast. 4 00:00:11,640 --> 00:00:26,799 Speaker 2: Welcome to Disgraceland, the after Party. 5 00:00:28,200 --> 00:00:31,200 Speaker 1: Welcome to the Disgraceland bonus episode, a little thing we 6 00:00:31,320 --> 00:00:33,880 Speaker 1: like to call the after party. This is the show 7 00:00:33,920 --> 00:00:36,520 Speaker 1: after the show, the party after the party, the bridge 8 00:00:36,520 --> 00:00:38,960 Speaker 1: to get from one full episode of Disgraceland to the other. 9 00:00:39,120 --> 00:00:42,159 Speaker 1: The backyard, to dig into the dirt, our mission to 10 00:00:42,240 --> 00:00:45,320 Speaker 1: uncover the truth, to confront the myth, to reclaim the story. 11 00:00:45,360 --> 00:00:49,120 Speaker 1: On this bonus episode, we're discussing some wild Grammy snubs, 12 00:00:49,159 --> 00:00:52,040 Speaker 1: what's up in Metallica, and talking Run Run Run Runaways. 13 00:00:52,200 --> 00:00:55,600 Speaker 1: Hello Joan Jet Leader Forward. In our exclusive section for 14 00:00:55,720 --> 00:00:58,319 Speaker 1: All Access members, we dive into some of the more 15 00:00:58,400 --> 00:01:02,279 Speaker 1: scandalous happenings from a awards shows passed, and we get 16 00:01:02,320 --> 00:01:05,800 Speaker 1: into your emails, comments, dms, and as always, a whole 17 00:01:05,880 --> 00:01:08,760 Speaker 1: lot of rosie. This is the podcast for the musically obsessed, 18 00:01:08,840 --> 00:01:11,640 Speaker 1: the outsiders, the independent thinkers who know that the best 19 00:01:11,680 --> 00:01:14,840 Speaker 1: history is a history that gets buried. Disgrace Land is 20 00:01:14,880 --> 00:01:17,080 Speaker 1: where I tell the stories they didn't want told, the 21 00:01:17,160 --> 00:01:19,560 Speaker 1: kind you'll end up telling someone else all right, disc goes, 22 00:01:19,880 --> 00:01:37,640 Speaker 1: Let's get into it. Jone Jet of the Runaways was 23 00:01:37,720 --> 00:01:41,800 Speaker 1: nominated at the nineteen eighty nine Grammy Awards and the 24 00:01:41,920 --> 00:01:46,440 Speaker 1: category of Best Rock Performance by a Duo or Group 25 00:01:46,640 --> 00:01:50,720 Speaker 1: with Vocal for her song I Hate Myself for Loving You. 26 00:01:51,200 --> 00:01:54,560 Speaker 1: She did not win that award. You two song Desire 27 00:01:54,720 --> 00:01:57,440 Speaker 1: from the album Rattle On Home Took It Home. Other 28 00:01:57,560 --> 00:02:01,680 Speaker 1: artists nominated, though, were in Excess, Little Feet and Midnight Oil. 29 00:02:02,360 --> 00:02:05,000 Speaker 1: I mentioned this because Jon Jet was part of the 30 00:02:05,040 --> 00:02:08,200 Speaker 1: group The Runaways, who we cover in this week's full 31 00:02:08,240 --> 00:02:11,800 Speaker 1: episode of Disgraceland, and because the Grammys are coming up now. 32 00:02:11,919 --> 00:02:15,520 Speaker 1: The Runaways were never nominated for a Grammy. They were 33 00:02:15,639 --> 00:02:19,400 Speaker 1: much too fringe. Lead a Ford, another Runaway, however, was 34 00:02:19,480 --> 00:02:23,760 Speaker 1: nominated one more time actually than joone Jet, for Best 35 00:02:23,880 --> 00:02:27,399 Speaker 1: Rock Performance Female and Best Single. She lost both times. 36 00:02:28,000 --> 00:02:29,920 Speaker 1: The Grammys are on my mind, like I said, because 37 00:02:29,919 --> 00:02:31,880 Speaker 1: they're coming up in a couple weeks, and I find 38 00:02:31,880 --> 00:02:36,640 Speaker 1: the Grammys most interesting when they mess up, like Jethro 39 00:02:36,800 --> 00:02:41,040 Speaker 1: Tull being chosen over Metallica. So I was kind of 40 00:02:41,040 --> 00:02:45,080 Speaker 1: surprised to see that not one, but two Runaways were 41 00:02:45,160 --> 00:02:49,799 Speaker 1: eventually nominated now. In this week's rebind episode of Disgraceland, 42 00:02:49,960 --> 00:02:54,760 Speaker 1: we feature NWA. In nineteen eighty eight, the Compton Group 43 00:02:54,800 --> 00:02:58,400 Speaker 1: of MCS released the incredible album Straight out of Compton. 44 00:02:58,520 --> 00:03:03,440 Speaker 1: Not surprisingly, given how subversive and controversial the group was 45 00:03:03,639 --> 00:03:06,880 Speaker 1: at the time, the Grammys did not touch Straight Out 46 00:03:06,880 --> 00:03:11,000 Speaker 1: of Compton or NWA. Despite how well the band in 47 00:03:11,080 --> 00:03:16,120 Speaker 1: that record sold, and despite how impactful that album was 48 00:03:16,320 --> 00:03:19,520 Speaker 1: at the time. Straight Out of Compton went platinum and 49 00:03:19,600 --> 00:03:23,120 Speaker 1: it hit the Top forty despite being an independent album. 50 00:03:23,160 --> 00:03:26,920 Speaker 1: And that's an incredible accomplishment. But that shouldn't matter. The 51 00:03:26,960 --> 00:03:31,080 Speaker 1: twelve thousand plus voting members, a group of music professionals 52 00:03:31,080 --> 00:03:35,400 Speaker 1: including performers, songwriters, producers, and engineers, are supposed to nominate 53 00:03:35,800 --> 00:03:40,160 Speaker 1: and award winners based solely on artistic and technical merit. 54 00:03:40,280 --> 00:03:42,920 Speaker 1: By what technical measurement? Is the right hand rhythm guitar 55 00:03:42,960 --> 00:03:45,880 Speaker 1: playing of Martin bar from Jethro tal better than James 56 00:03:45,880 --> 00:03:49,920 Speaker 1: Headfield's from Metallica? In what world? Is Jethro Tull's album 57 00:03:50,000 --> 00:03:53,200 Speaker 1: Crest of a Knave better than Metallica's and Justice for All. 58 00:03:53,240 --> 00:03:55,200 Speaker 1: It's been thirty nine years, guys, and I'm still not 59 00:03:55,240 --> 00:03:57,840 Speaker 1: going to let this one go. But back to NWA's 60 00:03:57,880 --> 00:04:02,480 Speaker 1: Straight out of Compton sales, you can't mess with the 61 00:04:02,560 --> 00:04:06,560 Speaker 1: album's artistic or technical merit. And making the snub even 62 00:04:06,600 --> 00:04:09,680 Speaker 1: more egregious is the fact that in nineteen eighty nine, 63 00:04:10,080 --> 00:04:12,360 Speaker 1: that was the year that they added the Best Rap 64 00:04:12,400 --> 00:04:17,080 Speaker 1: Performance category. Now the nominees for that DJJZ Jeff and 65 00:04:17,120 --> 00:04:20,680 Speaker 1: The Fresh Prince with Parents Just Don't Understand, Supersonic by 66 00:04:20,760 --> 00:04:24,479 Speaker 1: JJ Fad, Wild wild West by Tone Loke, going back 67 00:04:24,480 --> 00:04:27,840 Speaker 1: to Cali by LL cool J, Push It by Salt 68 00:04:27,839 --> 00:04:31,960 Speaker 1: and Peppa. Now, all of these songs or performances as 69 00:04:31,960 --> 00:04:37,200 Speaker 1: they term them, are Capital G great, especially JJ Fad, 70 00:04:37,240 --> 00:04:41,279 Speaker 1: Supersonic DJJZ Jeff and The Fresh Prince won and I 71 00:04:41,279 --> 00:04:44,520 Speaker 1: can accept that because Parents just Don't understand was everywhere 72 00:04:44,920 --> 00:04:47,440 Speaker 1: the year that it was released. Come on, the Grammys, 73 00:04:47,440 --> 00:04:50,480 Speaker 1: couldn't make Tone looks Wild wild West just you know, 74 00:04:50,640 --> 00:04:53,080 Speaker 1: go hang out somewhere else, and let's Straight out of 75 00:04:53,080 --> 00:04:57,320 Speaker 1: Compton be on the ballot. I don't understand that. I mean, 76 00:04:57,360 --> 00:04:59,960 Speaker 1: I guess I do. I guess I do. Would never 77 00:05:00,000 --> 00:05:03,719 Speaker 1: what happened now, But then nineteen eighty nine much different time. 78 00:05:04,600 --> 00:05:06,920 Speaker 1: Nineteen eighty nine was a weird year for the Grammys, 79 00:05:07,320 --> 00:05:10,040 Speaker 1: George Michael's Faith one Album of the Year, beating out 80 00:05:10,040 --> 00:05:15,800 Speaker 1: Tracy Chapman's self titled album, Bobby mcpherrin's Simple Pleasures Stings 81 00:05:15,839 --> 00:05:18,760 Speaker 1: Nothing Like the Sun, and Steve Winwood's Roll with It 82 00:05:18,839 --> 00:05:22,200 Speaker 1: pretty much lame city all around, aside from the Greek 83 00:05:22,200 --> 00:05:25,080 Speaker 1: god of tight fitting blue Jeans and his record Faith. 84 00:05:25,720 --> 00:05:28,719 Speaker 1: Leada Ford did present an award that year, though, along 85 00:05:28,760 --> 00:05:34,760 Speaker 1: with Alice Cooper, for another new category, Best Hard Rock Metal. Okay, 86 00:05:34,800 --> 00:05:37,680 Speaker 1: another new category in nineteen eighty nine, Best Hard Rock 87 00:05:37,760 --> 00:05:40,880 Speaker 1: and Metal, and Leada Ford and Alice Cooper gave that 88 00:05:40,920 --> 00:05:43,720 Speaker 1: award to, Like I said, jeth Hotel, not Metallica. Have 89 00:05:43,760 --> 00:05:46,120 Speaker 1: I mentioned yet how ridiculous it was that the Grammys 90 00:05:46,160 --> 00:05:50,400 Speaker 1: gave the award to jeth Hotel that year and not Metallica. Again, 91 00:05:50,440 --> 00:05:54,000 Speaker 1: I'm not over it. This, of course, wasn't the first 92 00:05:54,160 --> 00:05:57,839 Speaker 1: or the last time that the Grammys messed up during 93 00:05:57,880 --> 00:06:02,640 Speaker 1: their entire long, strain trippy run. Despite being arguably the 94 00:06:02,680 --> 00:06:05,960 Speaker 1: greatest American rock and roll band ever, the Grateful Dead 95 00:06:06,080 --> 00:06:09,440 Speaker 1: were never nominated for a Grammy, even when their single 96 00:06:09,520 --> 00:06:12,039 Speaker 1: Touch of Gray cracked the top ten on the Billboard 97 00:06:12,080 --> 00:06:16,800 Speaker 1: Hot one hundred. Bob Marley Global Superstar revolutionized music at 98 00:06:16,839 --> 00:06:22,280 Speaker 1: the time. No awards. Jimmy Hendrix arguably, actually no, there's 99 00:06:22,279 --> 00:06:26,400 Speaker 1: no argument, definitively the greatest guitar player to ever be 100 00:06:26,480 --> 00:06:30,719 Speaker 1: involved with popular music. No Grammys for Hendricks. All these artists, 101 00:06:30,800 --> 00:06:35,000 Speaker 1: including The Who and Diana Ross, they were all eventually 102 00:06:35,040 --> 00:06:40,320 Speaker 1: awarded something called the Lifetime Achievement Grammy Award after their 103 00:06:40,480 --> 00:06:44,000 Speaker 1: quote unquote active careers in pop music had slowed down, 104 00:06:44,560 --> 00:06:47,359 Speaker 1: and the Grammys did the same thing for NWA in 105 00:06:47,400 --> 00:06:51,080 Speaker 1: twenty twenty four that gave them the Lifetime Achievement Award. 106 00:06:51,600 --> 00:06:54,320 Speaker 1: The Lifetime Achievement Award at the Grammys is kind of 107 00:06:54,360 --> 00:06:56,599 Speaker 1: like the oh shit, we fucked up and we're making 108 00:06:56,600 --> 00:07:00,200 Speaker 1: it right award. I kind of like it. It's better 109 00:07:00,240 --> 00:07:04,680 Speaker 1: than nothing. This year's Lifetime Achievement Award nominees at the 110 00:07:04,720 --> 00:07:09,960 Speaker 1: sixty eighth Annual Grammys are Carlos Santana, Sha Ka Khan, 111 00:07:10,240 --> 00:07:15,080 Speaker 1: chare Fala Couti, Paul Simon, and Whitney Houston. Carlos Santana 112 00:07:15,200 --> 00:07:18,040 Speaker 1: already has ten Grammys. In two thousand and he won 113 00:07:18,240 --> 00:07:22,440 Speaker 1: eight on the same night. Paul Simon has sixteen Grammys, 114 00:07:22,920 --> 00:07:27,800 Speaker 1: Shaka Khan has ten, Whitney Houston has six, Cher has won, 115 00:07:28,120 --> 00:07:33,560 Speaker 1: Falakuti has zero, So you can pretty much guarantee Falakuti 116 00:07:33,680 --> 00:07:36,960 Speaker 1: is gonna win this award in a couple of weeks. Again, 117 00:07:37,200 --> 00:07:39,920 Speaker 1: the Lifetime Achievement Award kind of like, hey, we messed up, 118 00:07:39,920 --> 00:07:42,320 Speaker 1: We're gonna We're gonna fix it. And again I like that. 119 00:07:43,200 --> 00:07:44,840 Speaker 1: What kind of award though, are they gonna give for 120 00:07:44,920 --> 00:07:47,880 Speaker 1: messing up that whole Milli Vanilli thing? You know that 121 00:07:47,960 --> 00:07:50,880 Speaker 1: time they gave the vocal duo the Best New Artist 122 00:07:50,960 --> 00:07:53,720 Speaker 1: Award in nineteen ninety, only for it later to be 123 00:07:54,040 --> 00:07:58,480 Speaker 1: revealed that Milli Vanilli didn't actually sing their own songs. Well, 124 00:07:58,520 --> 00:08:01,560 Speaker 1: that award was eventually stripped by the Grammy Recording Academy's 125 00:08:01,600 --> 00:08:05,760 Speaker 1: Board of trustees. So you know, bad Millie Vanilli, no 126 00:08:05,880 --> 00:08:11,600 Speaker 1: award for you unless you wait long enough. Unless Millie Vanilli, 127 00:08:12,000 --> 00:08:15,360 Speaker 1: you wait until twenty twenty six. Because that's right, ladies 128 00:08:15,400 --> 00:08:18,400 Speaker 1: and gentlemen, and a world where the most ridiculous and 129 00:08:18,680 --> 00:08:22,920 Speaker 1: or ironic outcome is almost always guaranteed. Fab more van 130 00:08:22,960 --> 00:08:26,040 Speaker 1: if I'm pronouncing that correctly, One of the air quote 131 00:08:26,080 --> 00:08:30,040 Speaker 1: singers from Milli Vanilli is nominated for a Grammy this 132 00:08:30,160 --> 00:08:36,640 Speaker 1: year for Best Audiobook Narration and Storytelling for his memoir 133 00:08:37,120 --> 00:08:40,280 Speaker 1: You Know It's True, The Real Story of Milli Vanilli, 134 00:08:40,360 --> 00:08:43,719 Speaker 1: And yes, before you ask, it's definitely his voice used 135 00:08:43,760 --> 00:08:47,520 Speaker 1: in the audiobook. So please God, let the Grammys give 136 00:08:47,559 --> 00:08:49,880 Speaker 1: the award to the Milli Vanilli guy. It is right 137 00:08:49,920 --> 00:08:52,440 Speaker 1: and just I don't know why, it just is now. 138 00:08:52,480 --> 00:08:55,080 Speaker 1: The Milli Vanilli story is one of the most shocking 139 00:08:55,120 --> 00:08:57,880 Speaker 1: things to have ever happened at the Grammys, and it's 140 00:08:57,960 --> 00:09:02,320 Speaker 1: kind of why I love Award shows, for the unexpected, 141 00:09:02,480 --> 00:09:05,280 Speaker 1: for the mess ups, for the screw ups. So on 142 00:09:05,360 --> 00:09:07,800 Speaker 1: that note, Zeth and I are going to be discussing 143 00:09:07,840 --> 00:09:12,200 Speaker 1: some of the wildest Award show events that have ever happened, 144 00:09:12,320 --> 00:09:16,040 Speaker 1: from dust ups with Soyboy and Dylan, to Jarvis Cocker 145 00:09:16,080 --> 00:09:19,360 Speaker 1: and Michael Jackson to Courtney and Axel and David Niven 146 00:09:19,440 --> 00:09:22,160 Speaker 1: and the Naked Dude. Go to Disgrace ampod dot com 147 00:09:22,160 --> 00:09:25,079 Speaker 1: to sign up for Disgrace an all access to unlock 148 00:09:25,160 --> 00:09:28,040 Speaker 1: this content and more. All Right, I really kind of 149 00:09:28,040 --> 00:09:31,760 Speaker 1: wish I did a Million Vanilli episode for Grammy Week. 150 00:09:33,679 --> 00:09:36,240 Speaker 1: Maybe next year instead, though this week we've got a 151 00:09:36,240 --> 00:09:40,400 Speaker 1: two part story on another Grammy nominee, Lady Gaga, And 152 00:09:40,440 --> 00:09:43,120 Speaker 1: if you're a fan of German sex clubs and the 153 00:09:43,160 --> 00:09:46,640 Speaker 1: Bavarian Illuminati not to mention dangerous hangs on the roof 154 00:09:46,679 --> 00:09:49,520 Speaker 1: of the Staten Island Hotel, you are not going to 155 00:09:49,600 --> 00:09:53,720 Speaker 1: want to miss this story. These Gaga episodes deal almost 156 00:09:53,920 --> 00:09:58,280 Speaker 1: entirely with the wild conspiracy theories surrounding the global superstar. 157 00:09:58,679 --> 00:10:01,280 Speaker 1: And when you're listening, be thinking about those theories and 158 00:10:01,320 --> 00:10:04,840 Speaker 1: whether or not you think that there's any truth to them, 159 00:10:05,240 --> 00:10:08,760 Speaker 1: any evidence, evidence that you think supports them, evidence that 160 00:10:08,880 --> 00:10:11,040 Speaker 1: you know. I kind of well, I put it all 161 00:10:11,040 --> 00:10:13,720 Speaker 1: out there. You'll hear lots of people believe this stuff, 162 00:10:14,480 --> 00:10:17,160 Speaker 1: and I'm not judging. I mean, I'm judging by the facts. 163 00:10:17,200 --> 00:10:20,520 Speaker 1: I'm not judging the people who believe what they believe. Anyways, 164 00:10:20,640 --> 00:10:23,000 Speaker 1: when you're listening, I want to know, do you find 165 00:10:23,000 --> 00:10:25,600 Speaker 1: any truth in these theories? And if so, why hit 166 00:10:25,640 --> 00:10:27,760 Speaker 1: me up at six one seven nine oh six six 167 00:10:27,880 --> 00:10:31,160 Speaker 1: six three eight to discuss. Leave a voicemail or send 168 00:10:31,200 --> 00:10:33,240 Speaker 1: me a text and you might hear your voice and 169 00:10:33,400 --> 00:10:36,880 Speaker 1: or your texted answer on next week's after Party. Before 170 00:10:37,000 --> 00:10:39,840 Speaker 1: Lady Gagado coming up in the rewind slot right after 171 00:10:39,880 --> 00:10:43,280 Speaker 1: this after party is like I mentioned those two NWA episodes, 172 00:10:43,320 --> 00:10:45,839 Speaker 1: be sure to give those a spin. You're gonna dig them. 173 00:10:45,960 --> 00:10:48,480 Speaker 1: And I'll be back right after this with you guys, 174 00:10:48,520 --> 00:11:09,440 Speaker 1: with your voicemails, texts, email, say more. All right, welcome back. 175 00:11:09,440 --> 00:11:11,880 Speaker 1: I appreciate you, guys. Six one seven, nine oh six 176 00:11:12,000 --> 00:11:15,520 Speaker 1: six six three eight, voicemail and text At disgrace lam 177 00:11:15,640 --> 00:11:17,120 Speaker 1: Pod on the socials, you guys want to get in 178 00:11:17,200 --> 00:11:20,480 Speaker 1: touch about anything. We're talking specifically this week about the Runaways. 179 00:11:20,960 --> 00:11:23,760 Speaker 1: They're the subject of our new full episode, and at 180 00:11:23,800 --> 00:11:26,360 Speaker 1: the end of that episode, I asked the question, which 181 00:11:26,440 --> 00:11:29,440 Speaker 1: female artists do you guys want to hear covered in Disgraceland, 182 00:11:29,840 --> 00:11:32,839 Speaker 1: And on that subject, we heard from the three oh seven. 183 00:11:32,920 --> 00:11:33,680 Speaker 1: Let's check it out. 184 00:11:34,760 --> 00:11:37,400 Speaker 3: Hey, Jake, this is Kara down in Austin, Texas, and 185 00:11:37,440 --> 00:11:41,120 Speaker 3: you asked about suggestions for female episodes. I'm gonna have 186 00:11:41,160 --> 00:11:44,320 Speaker 3: to stay as plasmatics. Everybody talks about their influence on 187 00:11:44,440 --> 00:11:47,559 Speaker 3: gwar and their stage show, but that sound was iconic, 188 00:11:48,040 --> 00:11:53,120 Speaker 3: is iconic and influence a generation of like metal, hardcore punk, 189 00:11:53,720 --> 00:11:54,079 Speaker 3: all of. 190 00:11:54,040 --> 00:11:59,679 Speaker 4: It, beautiful, windy, story, insane, absolutely insane. One other thing 191 00:11:59,679 --> 00:12:02,240 Speaker 4: I want to to put you on, if you haven't 192 00:12:02,240 --> 00:12:06,559 Speaker 4: already heard about it, Jerry Lane from Poison Ideas trilogy, 193 00:12:07,080 --> 00:12:10,800 Speaker 4: Blackhart Fades Blue. I've read a lot of rock bios. 194 00:12:10,920 --> 00:12:14,080 Speaker 4: I have read a lot of junkie bios. That is 195 00:12:14,320 --> 00:12:17,280 Speaker 4: the most depraved shit I've ever heard in my life. 196 00:12:17,320 --> 00:12:21,880 Speaker 3: So check it out if you're interested. But anyways, keep 197 00:12:21,960 --> 00:12:24,359 Speaker 3: up the good work. Appear from you later. 198 00:12:24,320 --> 00:12:26,920 Speaker 1: All right, Carara in the three ZHO seven bring in 199 00:12:26,960 --> 00:12:30,440 Speaker 1: that depraved energy from Austin. Cara, I don't know anything 200 00:12:30,480 --> 00:12:35,440 Speaker 1: about Jerry Lane and Poison Idea. I should so I'm 201 00:12:35,559 --> 00:12:38,600 Speaker 1: very interested and happy you pointed this out. Can't wait 202 00:12:38,640 --> 00:12:40,520 Speaker 1: to check out. What did you say was the black 203 00:12:40,559 --> 00:12:44,880 Speaker 1: Heart Blackhart Fades Blue? That's uh, it's a great title. 204 00:12:45,240 --> 00:12:49,120 Speaker 1: And on the Plasmatics, yes, you're not the first nor 205 00:12:49,200 --> 00:12:51,720 Speaker 1: the last bunch of people this week actually have brought 206 00:12:51,800 --> 00:12:56,000 Speaker 1: up Wendy, Wendy or Williams Plasmatics and or Wendy I'm 207 00:12:56,000 --> 00:12:58,160 Speaker 1: not sure which. Probably a Wendy episode going to the 208 00:12:58,200 --> 00:13:01,400 Speaker 1: top of the list. Karen, thank you. I'm not sure 209 00:13:01,400 --> 00:13:04,439 Speaker 1: if you'd find this interesting. Perhaps you will, judging by 210 00:13:05,080 --> 00:13:09,479 Speaker 1: your taste here. We've got a gets Miyaza Patta episode 211 00:13:10,040 --> 00:13:13,040 Speaker 1: in the works. I'm going to record that this afternoon. 212 00:13:13,080 --> 00:13:15,760 Speaker 1: That's coming in a couple of weeks. So you got 213 00:13:15,760 --> 00:13:17,960 Speaker 1: that to look forward to if you are a Miyaza 214 00:13:18,040 --> 00:13:22,679 Speaker 1: Patta fan, a fan of nineties hard rock, grunge or 215 00:13:22,679 --> 00:13:25,520 Speaker 1: whatever you want to call it, punk alternative, that'll be 216 00:13:25,520 --> 00:13:28,280 Speaker 1: coming soon. All right, let's check out this one from 217 00:13:28,320 --> 00:13:29,480 Speaker 1: the two to seven No. 218 00:13:30,960 --> 00:13:34,199 Speaker 5: Hey double Elvis's seven Oh todd head and called it 219 00:13:34,280 --> 00:13:39,520 Speaker 5: while always listen. And you've made by week with the 220 00:13:39,600 --> 00:13:44,760 Speaker 5: Johnny Thunders episode. Thank you so much. You've done Mark 221 00:13:44,760 --> 00:13:48,720 Speaker 5: Plan again. You've done Johnny Thunders. Maybe a Jeffrey Lee 222 00:13:48,760 --> 00:13:51,400 Speaker 5: Piers in the future my life would be complete. But 223 00:13:51,520 --> 00:13:55,720 Speaker 5: Johnny Thunders, you said it best. His influenced, Like people 224 00:13:56,559 --> 00:13:59,839 Speaker 5: imitate him and they don't even know that they are. 225 00:14:00,960 --> 00:14:04,360 Speaker 5: I just ironically heard an interview last week with Stephen 226 00:14:04,440 --> 00:14:09,480 Speaker 5: Pearcy of RATT. He was on Billy Corgan's podcast and 227 00:14:09,559 --> 00:14:11,560 Speaker 5: he was, you know, admitting that in the Hate, you know, 228 00:14:11,559 --> 00:14:14,800 Speaker 5: they were trying to look like pirates, Well they were 229 00:14:14,800 --> 00:14:18,960 Speaker 5: trying to look like Johnny Thunders. So cool, so influential. 230 00:14:19,440 --> 00:14:21,280 Speaker 5: I love the Dolls as well that some of that 231 00:14:21,360 --> 00:14:25,560 Speaker 5: Johnny Thunders solo stuff. And as you said, the sololone 232 00:14:25,640 --> 00:14:31,120 Speaker 5: album had so many top notch legends on there with him, 233 00:14:31,600 --> 00:14:37,680 Speaker 5: other tragic figures too, Bill Lyne Marriott. Just so many 234 00:14:37,720 --> 00:14:41,240 Speaker 5: people loved the episode. I've been playing a lot of 235 00:14:41,280 --> 00:14:44,680 Speaker 5: Johnny Thunders and the Heartbreakers ever since I listened to it. 236 00:14:45,320 --> 00:14:46,240 Speaker 5: Keep up the good work. 237 00:14:46,280 --> 00:14:49,960 Speaker 1: Thank you, Thanks for the call. Appreciate you. Yes, Johnny 238 00:14:50,040 --> 00:14:53,720 Speaker 1: was a huge, huge, huge influence still is to this day. 239 00:14:54,520 --> 00:14:56,720 Speaker 1: I feel like Guns n' Roses should have been sending 240 00:14:56,800 --> 00:15:01,080 Speaker 1: him royalty checks while he was alive. Love the idea 241 00:15:01,200 --> 00:15:05,960 Speaker 1: for a future Jeffery Lee Pierce gun Club episode. We 242 00:15:06,000 --> 00:15:09,920 Speaker 1: are digging deep into the punk rock influence here with 243 00:15:10,400 --> 00:15:13,760 Speaker 1: gun Club in the Plasmatics and the gits, which is 244 00:15:13,800 --> 00:15:16,840 Speaker 1: of course a good counter to the Lady Gagas and 245 00:15:17,000 --> 00:15:21,200 Speaker 1: NWA's of the world. Appreciate the suggestions, guys always six 246 00:15:21,240 --> 00:15:25,080 Speaker 1: point seven nine oh six sixty six three eight voicemail 247 00:15:25,160 --> 00:15:27,240 Speaker 1: and text Anthony text in from the seven to two 248 00:15:27,240 --> 00:15:29,280 Speaker 1: to four. Hey, Jake, it's Anthony. I'm gonna be a 249 00:15:29,280 --> 00:15:32,080 Speaker 1: bit behind on podcasts, but listening to last week's Thursday 250 00:15:32,120 --> 00:15:35,640 Speaker 1: episode and asking for more female subjects. I know I 251 00:15:35,680 --> 00:15:39,320 Speaker 1: once suggested Dolores or Reardon for the Cranberrys and you 252 00:15:39,440 --> 00:15:42,000 Speaker 1: said it was a little too soon. I'm not sure 253 00:15:42,000 --> 00:15:44,360 Speaker 1: if enough time has passed. I know her stories are 254 00:15:44,400 --> 00:15:47,800 Speaker 1: more personal, but she has that air rage incident and 255 00:15:47,840 --> 00:15:51,400 Speaker 1: of course zombie inspired by the Troubles in a bombing event. 256 00:15:51,800 --> 00:15:54,000 Speaker 1: Just thought I put the suggestion in again. Good health 257 00:15:54,040 --> 00:15:56,880 Speaker 1: to you and yours and later days, Jake seven two four. 258 00:15:56,920 --> 00:16:00,080 Speaker 1: I love it. Yeah, enough time has passed. I think 259 00:15:59,720 --> 00:16:01,840 Speaker 1: I think we can get into the cranberries. I think 260 00:16:01,880 --> 00:16:04,800 Speaker 1: we can get in more specifically to Dolores o Weird 261 00:16:05,640 --> 00:16:08,120 Speaker 1: in her history. You know, I missed her at the 262 00:16:08,120 --> 00:16:10,160 Speaker 1: studio once the studio I was working on. I missed 263 00:16:10,160 --> 00:16:12,840 Speaker 1: her by about five minutes. I showed up and she 264 00:16:12,960 --> 00:16:15,200 Speaker 1: was gone, and everybody there was buzzing because she was 265 00:16:15,280 --> 00:16:18,840 Speaker 1: just there. And I thought, man, that would have been 266 00:16:18,880 --> 00:16:24,080 Speaker 1: cool to me, Dolores from the Cranberries. And then she 267 00:16:24,200 --> 00:16:26,520 Speaker 1: was gone. And it's sad, but you know what, I'm 268 00:16:26,520 --> 00:16:29,080 Speaker 1: gonna steal myself and I can dig into the research, 269 00:16:29,840 --> 00:16:34,720 Speaker 1: and personally I'm interested in the troubles in Irish history. 270 00:16:34,800 --> 00:16:39,000 Speaker 1: So this is this is in my wheelhouse. Thanks for 271 00:16:39,040 --> 00:16:42,000 Speaker 1: reminding me seven two four. I appreciate it. Two five oh, 272 00:16:42,040 --> 00:16:44,560 Speaker 1: writes in with another suggestion, Hey, Jake just listened to 273 00:16:44,600 --> 00:16:47,480 Speaker 1: the Runaways pod and heard the request for more female groups. 274 00:16:47,520 --> 00:16:51,600 Speaker 1: I'd love to hear a dive on the Slits, thank you. 275 00:16:51,640 --> 00:16:54,280 Speaker 1: Two five oh. I know very little about the Slits, 276 00:16:54,880 --> 00:16:57,600 Speaker 1: very little, so I'm down to learn and down to 277 00:16:57,600 --> 00:17:01,120 Speaker 1: bring you guys what I find two writes in, Simply 278 00:17:01,320 --> 00:17:04,760 Speaker 1: Emmy Lou Harris, and this is a great idea because 279 00:17:04,800 --> 00:17:08,960 Speaker 1: it opens up a new lane into Graham Parsons through 280 00:17:09,000 --> 00:17:13,240 Speaker 1: Emmy Lu's point of view, which I'm not familiar with. I've, 281 00:17:13,280 --> 00:17:16,160 Speaker 1: of course read some quotes, read some things she said 282 00:17:16,160 --> 00:17:20,200 Speaker 1: about Graham in my research of Graham, most of it positive. 283 00:17:21,280 --> 00:17:24,480 Speaker 1: Emmy Lou seems like a real class act. I wonder 284 00:17:24,520 --> 00:17:26,840 Speaker 1: what's out there for her history. I wonder if she's 285 00:17:26,840 --> 00:17:31,520 Speaker 1: written an autobiography anyway. Very intrigued. Emmy Lou could make 286 00:17:31,600 --> 00:17:34,480 Speaker 1: for a great subject. I gotta write these down, some 287 00:17:34,560 --> 00:17:39,000 Speaker 1: great subjects this week. Great recommendations, guys six point seven 288 00:17:39,119 --> 00:17:42,920 Speaker 1: nine oh six six' six three Eight appreciate it. All 289 00:17:44,000 --> 00:17:47,679 Speaker 1: jackie over On patreon writes in the, chat actually not 290 00:17:47,720 --> 00:17:51,240 Speaker 1: in the, chat she's commented on the post for our 291 00:17:51,480 --> 00:17:55,119 Speaker 1: ad free episode of The runaways. Story jackie writes, In, 292 00:17:55,240 --> 00:17:58,800 Speaker 1: hey having listen to this episode and still thinking about 293 00:17:58,840 --> 00:18:03,159 Speaker 1: your punk question, previously which was jumping in. Here this 294 00:18:03,200 --> 00:18:05,159 Speaker 1: is Not jackie, speaking this is. Me this is the 295 00:18:05,240 --> 00:18:08,880 Speaker 1: question from the question prompted from That Johnny thunder's, episode 296 00:18:09,040 --> 00:18:16,840 Speaker 1: was which first generation punk group was most. Influential jackie writes, 297 00:18:16,880 --> 00:18:20,320 Speaker 1: In i've been thinking about The, slits a great punk, 298 00:18:20,359 --> 00:18:23,280 Speaker 1: band And i'd love you to cover this, Story, Jake 299 00:18:23,359 --> 00:18:26,479 Speaker 1: but don't think that they have any crimes associated with 300 00:18:26,560 --> 00:18:31,360 Speaker 1: them other than misogyny within the punk. Scene. Jackie we 301 00:18:31,440 --> 00:18:33,399 Speaker 1: might be able to find something. There we might be 302 00:18:33,440 --> 00:18:37,760 Speaker 1: able to find some crime to associate with the, story 303 00:18:37,920 --> 00:18:41,440 Speaker 1: something that's. Related maybe it's, just you, know once, removed 304 00:18:41,960 --> 00:18:44,960 Speaker 1: we'll look into. It appreciate the comment and the, Suggestion, 305 00:18:45,080 --> 00:18:49,919 Speaker 1: jackie this is. Interesting we're not all that self referential 306 00:18:49,960 --> 00:18:53,719 Speaker 1: here At Double. Elvis but on that same, Thread Matt boden, 307 00:18:53,760 --> 00:18:56,640 Speaker 1: writes and of, course those of you who Know Matt 308 00:18:56,680 --> 00:18:59,320 Speaker 1: boden works here At Double, elvis he's producing this show right, 309 00:18:59,320 --> 00:19:02,680 Speaker 1: now this. Episode BUT i hadn't seen this comment until just, now, 310 00:19:02,760 --> 00:19:06,640 Speaker 1: Says hey just wanted to point out Another jeopardy Slash disgraceland. 311 00:19:06,640 --> 00:19:10,840 Speaker 1: Connection Jackie fox basis for The, runaways was a three 312 00:19:10,960 --> 00:19:14,760 Speaker 1: Time jeopardy champion a few years, back competing under her 313 00:19:14,800 --> 00:19:18,520 Speaker 1: real Name Jackie. Fuchs Mac go's hones, SAY i think 314 00:19:18,600 --> 00:19:20,960 Speaker 1: she was on some other game shows as. Well she 315 00:19:21,000 --> 00:19:24,080 Speaker 1: also designed a well regarded board game based around nineteen 316 00:19:24,119 --> 00:19:27,639 Speaker 1: seventies rock called Rock hard nineteen seventy. Seven great to 317 00:19:27,640 --> 00:19:30,320 Speaker 1: see that after everything she and the Other runaways went, 318 00:19:30,320 --> 00:19:33,240 Speaker 1: through she was able to come out the other, Side, matt. 319 00:19:33,440 --> 00:19:38,000 Speaker 1: Amazing somebody posted the comment On instagram about Rock hard 320 00:19:38,080 --> 00:19:40,119 Speaker 1: nineteen seventy seven the board, game AND i thought they 321 00:19:40,160 --> 00:19:44,040 Speaker 1: were fucking with. Me this is amazing. History love The jeopardy. 322 00:19:44,040 --> 00:19:46,439 Speaker 1: Connection of, course of those of you who don't know 323 00:19:46,640 --> 00:19:52,760 Speaker 1: The Jeopardy disgraceland connection That matt's, referencing we Were disgraceland 324 00:19:52,840 --> 00:19:54,600 Speaker 1: was a clue On jeopardy a couple of weeks, ago 325 00:19:54,600 --> 00:19:56,639 Speaker 1: which was pretty. Awesome if you want to see, that 326 00:19:56,680 --> 00:19:58,760 Speaker 1: you can just go to Our instagram. Page it's pinned 327 00:19:58,800 --> 00:20:01,720 Speaker 1: at the top At grace Lampod what else are you 328 00:20:01,720 --> 00:20:04,399 Speaker 1: guys talking about On. Patreon over in the, Chat susan, 329 00:20:04,480 --> 00:20:06,800 Speaker 1: writes just listen to The runaways. Episode there's a pretty 330 00:20:06,800 --> 00:20:09,520 Speaker 1: good movie from twenty ten About The runaways With Kristin 331 00:20:09,560 --> 00:20:14,240 Speaker 1: Stewart Dakota, fanning Titled The. Runaways All, Right, susan listen 332 00:20:14,600 --> 00:20:18,080 Speaker 1: if you say. So, OKAY i have been repelled by 333 00:20:18,080 --> 00:20:20,080 Speaker 1: this film for some. REASON i don't know. Why maybe 334 00:20:20,080 --> 00:20:22,720 Speaker 1: it's Because Kristin stewart was coming sort of off that 335 00:20:22,760 --> 00:20:24,760 Speaker 1: Whole twilight thing at the, time AND i JUST i 336 00:20:24,880 --> 00:20:28,119 Speaker 1: just couldn't see. It But i'm gonna take your word for, 337 00:20:28,160 --> 00:20:31,160 Speaker 1: it And i'm gonna check it. Out i'm just gonna 338 00:20:31,200 --> 00:20:34,720 Speaker 1: put it on maybe this. AFTERNOON i read A Greta 339 00:20:34,760 --> 00:20:36,720 Speaker 1: girway quote. Yesterday it said the best time to watch 340 00:20:36,760 --> 00:20:38,600 Speaker 1: movies at ten am and four. Pm And i'm, like, 341 00:20:38,640 --> 00:20:40,120 Speaker 1: yeah that's good of you, know it's to fucking work 342 00:20:40,160 --> 00:20:43,920 Speaker 1: for a. Living but you, know four pm, today, Well 343 00:20:44,000 --> 00:20:45,879 Speaker 1: i'm sort of you, know end of my. DAY i 344 00:20:45,960 --> 00:20:49,280 Speaker 1: go into My, okay let's let's jump online and see 345 00:20:49,280 --> 00:20:51,000 Speaker 1: what people are talking about and get in there and 346 00:20:51,000 --> 00:20:55,679 Speaker 1: talk to you, guys And i'll Throw i'll throw The Kristin, 347 00:20:55,760 --> 00:21:01,159 Speaker 1: Stewart Dakota Fanning Runaways. BIOPICON i like To Coda fanning a. 348 00:21:01,160 --> 00:21:03,960 Speaker 1: Lot she's. Great susan goes on to, SAY i Remember 349 00:21:04,000 --> 00:21:06,439 Speaker 1: Leeda Ford's Kissed Me deadly? Video oh so DO i 350 00:21:06,480 --> 00:21:10,359 Speaker 1: as a young, Boy, Susan And susan goes on to, 351 00:21:10,359 --> 00:21:12,919 Speaker 1: say and as a young adult, FEMALE i was so 352 00:21:13,160 --> 00:21:15,200 Speaker 1: pissed that she was crawling on the floor of the. 353 00:21:15,320 --> 00:21:21,480 Speaker 1: Video oh, AnyWho there's a female. GUITARIST i highly recommend 354 00:21:21,520 --> 00:21:25,399 Speaker 1: you look Up Nita. Strauss she's been On Alice cooper's 355 00:21:25,440 --> 00:21:28,280 Speaker 1: tour for years and is. Amazing, YEAH i know who she. 356 00:21:28,359 --> 00:21:30,800 Speaker 1: Is i've seen her On. Instagram she's incredible AND i 357 00:21:30,840 --> 00:21:32,600 Speaker 1: LOVE i got a side. NOTE i love That Alice 358 00:21:32,640 --> 00:21:35,360 Speaker 1: cooper is still out there slinging. It miranda And nicole 359 00:21:35,480 --> 00:21:37,760 Speaker 1: in the chat is asking if anybody has seen The 360 00:21:37,760 --> 00:21:41,840 Speaker 1: scorsese directed documentary About David johansson, Yet and you know, 361 00:21:41,920 --> 00:21:45,520 Speaker 1: what damn, IT i. Haven't AND i was so Excited 362 00:21:45,720 --> 00:21:48,040 Speaker 1: miranda when this came. Out we talked about it. HERE 363 00:21:48,480 --> 00:21:52,399 Speaker 1: i was. Pumped thank you for reminding. ME i check that. 364 00:21:52,480 --> 00:21:55,640 Speaker 1: Out my question to, You miranda, is have have you seen? 365 00:21:55,680 --> 00:21:58,320 Speaker 1: It let us? Know let us know on The patreon 366 00:21:58,359 --> 00:21:59,840 Speaker 1: chat or give us a call six point seven nine 367 00:22:00,080 --> 00:22:04,000 Speaker 1: six six sixty three eight voicemail. Text you might hear 368 00:22:04,040 --> 00:22:07,920 Speaker 1: yourself on next Week's After Party bonus. Episode All, RIGHT 369 00:22:08,160 --> 00:22:10,199 Speaker 1: i get this. EMAIL i want to read to you 370 00:22:10,240 --> 00:22:13,080 Speaker 1: guys from one of you. Guys hold, tight let me find. 371 00:22:13,119 --> 00:22:13,239 Speaker 3: It. 372 00:22:13,560 --> 00:22:17,560 Speaker 1: Okay this email comes From, john And john writes In Hey, Jake, 373 00:22:17,760 --> 00:22:21,600 Speaker 1: john here reaching out From, Morrison. Colorado i'm a huge 374 00:22:21,640 --> 00:22:24,040 Speaker 1: fan Of, disgraceland AND i love the way you blend 375 00:22:24,119 --> 00:22:26,959 Speaker 1: music history with true. Crime i've also been hearing you 376 00:22:27,000 --> 00:22:30,000 Speaker 1: plug this film should be played, loud and seeing that 377 00:22:30,040 --> 00:22:33,440 Speaker 1: you Covered goodfellas really struck a chord with. Me that 378 00:22:33,560 --> 00:22:36,000 Speaker 1: movie in the world around it is a big part 379 00:22:36,040 --> 00:22:39,200 Speaker 1: of my. UPBRINGING i can't wait to watch. IT a little. 380 00:22:39,200 --> 00:22:42,200 Speaker 1: Background i'm a carpenter by, trade but a lifelong punk 381 00:22:42,240 --> 00:22:44,840 Speaker 1: guitar player and lover of all. Music i'm from The, 382 00:22:44,840 --> 00:22:48,359 Speaker 1: bronx originally raised In North. Jersey my father had ties 383 00:22:48,400 --> 00:22:51,040 Speaker 1: to The genevies crime. Family not a made, man but 384 00:22:51,200 --> 00:22:54,240 Speaker 1: a highly ranking. Associate it's a wild part of my 385 00:22:54,320 --> 00:22:56,200 Speaker 1: upbringing AND i have a feeling it's part of why 386 00:22:56,240 --> 00:22:58,879 Speaker 1: so many of your stories feel oddly comforting to me 387 00:22:58,960 --> 00:23:01,320 Speaker 1: in the same way that the work Of David chase. 388 00:23:01,359 --> 00:23:04,400 Speaker 1: Does one THING i always find funny is that despite 389 00:23:04,480 --> 00:23:06,560 Speaker 1: all the TEASING i got for liking, punk, YEAH i 390 00:23:06,560 --> 00:23:09,280 Speaker 1: got called all sorts of. Names my tough guy gangster 391 00:23:09,440 --> 00:23:12,480 Speaker 1: dad would still drive down to trash In vaudeville On 392 00:23:12,560 --> 00:23:15,639 Speaker 1: Saint Mark's place and pick up CDs and band tees for. 393 00:23:15,800 --> 00:23:18,199 Speaker 1: Me the first thing he ever bought me was The 394 00:23:18,240 --> 00:23:21,440 Speaker 1: New York dolls self titled. Record he had no idea 395 00:23:21,480 --> 00:23:23,800 Speaker 1: what it. WAS i didn't asked for. It he just, 396 00:23:23,840 --> 00:23:25,639 Speaker 1: said there's a couple of freaks on, it and it 397 00:23:25,640 --> 00:23:29,680 Speaker 1: Says New york life. Changing and speaking of interesting, characters 398 00:23:29,760 --> 00:23:32,200 Speaker 1: one of the guys my dad worked For angelo Prisco 399 00:23:32,320 --> 00:23:35,119 Speaker 1: A cappo and The genevese family was involved in an 400 00:23:35,160 --> 00:23:38,960 Speaker 1: extortion case With Steven. Segaal it's public, information but still 401 00:23:39,000 --> 00:23:42,000 Speaker 1: one of those, wild almost absurd stories that feels right 402 00:23:42,040 --> 00:23:46,359 Speaker 1: in your. Wheelhouse maybe Some Hollywood land material. There johnny 403 00:23:46,359 --> 00:23:50,040 Speaker 1: goes on to suggest doing A Jerry Nolan Jerry nolan 404 00:23:50,080 --> 00:23:52,879 Speaker 1: from The New York dolls, episode which would be. Fantastic 405 00:23:52,920 --> 00:23:56,439 Speaker 1: that'll give, us that'll make The dolls a trilogy of 406 00:23:56,520 --> 00:23:58,760 Speaker 1: stories In disgrace AND i love this. Idea and he 407 00:23:58,800 --> 00:24:01,399 Speaker 1: also Mentions Warren, zevon AND i think there's something From 408 00:24:01,440 --> 00:24:05,080 Speaker 1: Warren zevon's, past his upbringing actually with his. FATHER i 409 00:24:04,359 --> 00:24:09,679 Speaker 1: THINK i think his old man was an associate Of Mickey, 410 00:24:09,720 --> 00:24:12,400 Speaker 1: cohen the gangster From Los angeles back in the nineteen, 411 00:24:12,560 --> 00:24:17,679 Speaker 1: forties so that could be very. Interesting, Anyways johnny signs 412 00:24:17,720 --> 00:24:21,919 Speaker 1: off rock and Rolla Johnny nuts. Ps i'm including a 413 00:24:21,960 --> 00:24:24,040 Speaker 1: link to a music video for my. BAND i think 414 00:24:24,080 --> 00:24:25,919 Speaker 1: he'll at least get a laugh out of. It not 415 00:24:26,000 --> 00:24:28,440 Speaker 1: looking for a shout, out just love the rock and roll. 416 00:24:28,480 --> 00:24:31,160 Speaker 1: Thing i'm the guy with a tvl Les paul. Knockoff 417 00:24:31,480 --> 00:24:38,440 Speaker 1: johnny's band is Called hell To, Pay like To, pay 418 00:24:38,520 --> 00:24:41,879 Speaker 1: like the Hair. Piece pretty. Funny check that, out all, 419 00:24:41,920 --> 00:24:45,400 Speaker 1: Right Johnny, nuts thank you. Buddy what a crazy upbringing you've, 420 00:24:45,400 --> 00:24:49,800 Speaker 1: had fascinating your. Dad sounds like a cool, guy AND 421 00:24:49,960 --> 00:24:53,280 Speaker 1: i love that HE i love the how did you 422 00:24:53,280 --> 00:24:56,120 Speaker 1: put it? Here they're From New york and they got 423 00:24:56,119 --> 00:24:58,639 Speaker 1: a couple of. FREAKS i love. That it's so. COOL 424 00:24:58,920 --> 00:25:01,760 Speaker 1: i miss trash And vaudeville as. Well great store On 425 00:25:01,800 --> 00:25:04,600 Speaker 1: Saint Mark's. Place In New. YORK i, SAY i miss 426 00:25:04,640 --> 00:25:06,400 Speaker 1: it like it's not there. Anymore it could be. THERE 427 00:25:06,440 --> 00:25:07,920 Speaker 1: i don't. KNOW i don't get To New york much. 428 00:25:07,960 --> 00:25:11,480 Speaker 1: ANYMORE i don't think it's. There, Guys DISGRACE mpod at 429 00:25:11,600 --> 00:25:13,879 Speaker 1: gmail dot, com you want to hit me up about, 430 00:25:13,920 --> 00:25:16,840 Speaker 1: anything maybe you get a gangster. DAD i doubt. It 431 00:25:17,160 --> 00:25:19,480 Speaker 1: not everybody can be Like Johnny. Nuts but if you, 432 00:25:19,520 --> 00:25:22,080 Speaker 1: do or if you, don't send us an, email all, 433 00:25:22,200 --> 00:25:25,240 Speaker 1: right real. Quick johnny had mentioned this film should be played. 434 00:25:25,280 --> 00:25:29,280 Speaker 1: Loud he's referencing our new video, podcast which is available 435 00:25:29,400 --> 00:25:34,520 Speaker 1: exclusively for Our All access members over On. Patreon our 436 00:25:34,520 --> 00:25:38,480 Speaker 1: first episode was On. Goodfellas our second episode is on Train. 437 00:25:38,640 --> 00:25:44,520 Speaker 1: Spotting this podcast combines mine and doctor Z Eth lundy's 438 00:25:45,200 --> 00:25:49,240 Speaker 1: love for music in. Film we look at one film 439 00:25:49,560 --> 00:25:54,119 Speaker 1: for each episode and discuss the music in that, film 440 00:25:54,160 --> 00:25:58,360 Speaker 1: the great music in that, film, okay and given our 441 00:25:58,440 --> 00:26:00,880 Speaker 1: tastes and what we do. HERE a lot of these, 442 00:26:00,920 --> 00:26:03,280 Speaker 1: films as we're sort of deciding what we're going to, 443 00:26:03,359 --> 00:26:06,760 Speaker 1: cover are crime, based so it's you, know it's all 444 00:26:06,800 --> 00:26:10,040 Speaker 1: sort of in the world Of disgraceland and Hollywood, land 445 00:26:10,600 --> 00:26:14,720 Speaker 1: but we're not dissecting the filmmaking that. Much we're more 446 00:26:14,760 --> 00:26:20,440 Speaker 1: dissecting how the music is impacting the, filmmaking the, scoring 447 00:26:20,760 --> 00:26:25,040 Speaker 1: the needle, drops the, soundtracks all of. That so Obviously 448 00:26:25,119 --> 00:26:30,440 Speaker 1: goodfellas incredible music and an incredible approach to music in that. 449 00:26:30,520 --> 00:26:36,080 Speaker 1: Film and same goes For Train, spotting which we just 450 00:26:36,280 --> 00:26:40,080 Speaker 1: filmed The Train spotting episode last. Week the. EDIT i 451 00:26:40,119 --> 00:26:42,560 Speaker 1: think the edit is done and it's coming out for 452 00:26:42,640 --> 00:26:47,760 Speaker 1: you guys On, Wednesday so before you get the next after, 453 00:26:47,880 --> 00:26:51,879 Speaker 1: party the New This Film should Be Played loud will 454 00:26:51,920 --> 00:26:55,879 Speaker 1: be released. Now if you guys are Already patreon, members 455 00:26:55,880 --> 00:26:57,480 Speaker 1: we've got a couple different. Tiers you can be a 456 00:26:57,520 --> 00:26:59,800 Speaker 1: free member and that gets you just you, know you 457 00:26:59,800 --> 00:27:02,400 Speaker 1: can sort of like check out everything we got going 458 00:27:02,440 --> 00:27:04,840 Speaker 1: on over. There you can be a member for a 459 00:27:04,920 --> 00:27:07,840 Speaker 1: dollar a month and that'll allow you access to the, 460 00:27:07,920 --> 00:27:10,480 Speaker 1: chat you can get to talk to the disco. Community 461 00:27:10,920 --> 00:27:12,760 Speaker 1: you be a five dollars, member that gets you a 462 00:27:12,800 --> 00:27:16,640 Speaker 1: bunch of exclusive content ad free listening gets you a. Lot, 463 00:27:16,680 --> 00:27:19,600 Speaker 1: actually but do you get this Film should Be Played? 464 00:27:19,640 --> 00:27:21,240 Speaker 1: Loud you got to be a member at the ten 465 00:27:21,280 --> 00:27:23,120 Speaker 1: dollar tier and you get some extra things as. Well 466 00:27:23,160 --> 00:27:26,600 Speaker 1: you get the video version of the exclusive section of 467 00:27:26,640 --> 00:27:30,560 Speaker 1: the after. Party you get invited to a meeting of 468 00:27:30,600 --> 00:27:34,160 Speaker 1: The disgraceland Brain trust a couple times a year where 469 00:27:34,160 --> 00:27:38,040 Speaker 1: we're gonna sit down and we're gonna formally choose which 470 00:27:38,119 --> 00:27:42,120 Speaker 1: episodes will be researching and. Releasing and LIKE i, said 471 00:27:42,240 --> 00:27:44,680 Speaker 1: you get this film should be played. Loud so my, 472 00:27:44,800 --> 00:27:47,720 Speaker 1: point if you're not a member Of All access at 473 00:27:47,760 --> 00:27:51,480 Speaker 1: the ten dollars level the quote unquote sound in fury, 474 00:27:51,600 --> 00:27:55,560 Speaker 1: tier head over To disgrace lampod dot com and sign 475 00:27:55,640 --> 00:28:00,399 Speaker 1: up and know that you are super appreciated recording our 476 00:28:00,400 --> 00:28:03,680 Speaker 1: show On patreon Or apple. Podcasts it helps us make 477 00:28:03,840 --> 00:28:07,399 Speaker 1: all this additional, content which is something that we obviously 478 00:28:07,760 --> 00:28:11,280 Speaker 1: love to do for you. Guys, again That's disgrace lampod 479 00:28:11,359 --> 00:28:14,320 Speaker 1: dot com to sign. Up i'll be back right after 480 00:28:14,359 --> 00:28:18,119 Speaker 1: this with a, little, little, tiny tiny little sports update 481 00:28:18,280 --> 00:28:32,440 Speaker 1: And mark all, right we are. Back thanks for hanging 482 00:28:32,440 --> 00:28:35,480 Speaker 1: with us here in this after party bonus episode Of. Disgraceland, 483 00:28:35,480 --> 00:28:37,520 Speaker 1: Listen i'm A patriots, fan you guys know, that AND 484 00:28:37,560 --> 00:28:40,840 Speaker 1: i cannot believe what is happening this. Season you, KNOW 485 00:28:40,880 --> 00:28:42,600 Speaker 1: i like to jump on the mic occasionally and get 486 00:28:42,600 --> 00:28:44,320 Speaker 1: in here and do these sports rants and just you, 487 00:28:44,320 --> 00:28:46,600 Speaker 1: know kind of give you about, say thirty to sixty 488 00:28:46,600 --> 00:28:51,720 Speaker 1: seconds of My New england sports. Cynicism BUT i gotta 489 00:28:51,760 --> 00:28:55,320 Speaker 1: say right, now not a lot to complain. About basically 490 00:28:55,480 --> 00:28:58,479 Speaker 1: a rookie, quarterback second year and we're going to THE 491 00:28:58,600 --> 00:29:03,440 Speaker 1: Afc championship. GAME i cannot believe where we are. At and, 492 00:29:03,560 --> 00:29:05,600 Speaker 1: LISTEN i want to frame. THIS i don't want to. Boast. 493 00:29:05,640 --> 00:29:09,040 Speaker 1: OKAY i saw a stat yesterday that said that The 494 00:29:09,080 --> 00:29:13,040 Speaker 1: New England patriots after this championship game will have been 495 00:29:13,160 --> 00:29:17,920 Speaker 1: fully in fifty percent of the championship games played in 496 00:29:17,920 --> 00:29:23,360 Speaker 1: THE nfl in this. Century that is. Incredible we obviously 497 00:29:23,400 --> 00:29:26,400 Speaker 1: had a fall from greatness When Tom brady, left and 498 00:29:27,720 --> 00:29:30,360 Speaker 1: we were down in the hole looking, up AND i 499 00:29:30,360 --> 00:29:32,560 Speaker 1: didn't know how long it was going to take for 500 00:29:32,760 --> 00:29:36,400 Speaker 1: some sort of rebuild to. Happen it happened way quicker 501 00:29:36,440 --> 00:29:39,640 Speaker 1: THAN i think anybody. Anticipated AND i just have to 502 00:29:39,680 --> 00:29:42,840 Speaker 1: say my heart goes out for all of you with 503 00:29:42,920 --> 00:29:47,560 Speaker 1: football franchises in your. Hometowns The jets, fans The bills, 504 00:29:47,640 --> 00:29:50,560 Speaker 1: FANS i, mean, hell even The steelers fans out, there 505 00:29:51,080 --> 00:29:54,280 Speaker 1: The browns, fans all of you guys who are just 506 00:29:54,480 --> 00:29:58,000 Speaker 1: getting your heart broken year after, year either in either 507 00:29:58,080 --> 00:30:00,960 Speaker 1: in the playoffs and coming off short like you guys In, 508 00:30:01,000 --> 00:30:04,000 Speaker 1: buffalo or just maybe you're just, like, LIKE i got 509 00:30:04,000 --> 00:30:06,000 Speaker 1: a friend down here who's A jets, fan AND i 510 00:30:06,080 --> 00:30:08,800 Speaker 1: just cannot. Believe i'm, like, dude how how do you do? 511 00:30:08,880 --> 00:30:11,760 Speaker 1: IT i feel for you? Guys all, Right i'm not, boasting, 512 00:30:12,400 --> 00:30:17,000 Speaker 1: Literally i'm. Empathizing, okay that, said Go. PATS i had 513 00:30:17,040 --> 00:30:19,400 Speaker 1: to get that off my. Chest do we do some 514 00:30:19,400 --> 00:30:23,479 Speaker 1: sports here? Occasionally LIKE i, said thirty thirty to sixty, 515 00:30:23,520 --> 00:30:26,560 Speaker 1: seconds not trying to get it. Twisted and that wasn't a, 516 00:30:26,640 --> 00:30:28,200 Speaker 1: ramp by the, way that was the opposite of a. 517 00:30:28,280 --> 00:30:31,240 Speaker 1: RANT i apologize if you hear anything banging around the 518 00:30:31,280 --> 00:30:35,520 Speaker 1: background here in the middle of a little studio, reorganization 519 00:30:36,280 --> 00:30:38,360 Speaker 1: doing a little bit of A i don't want to 520 00:30:38,360 --> 00:30:41,400 Speaker 1: call it a, rebuild but things are definitely in, flux 521 00:30:42,680 --> 00:30:45,800 Speaker 1: getting this space set up to do a lot more. 522 00:30:45,880 --> 00:30:51,840 Speaker 1: Video And i'm actually recording super early. Today And i'm 523 00:30:51,880 --> 00:30:54,560 Speaker 1: recording early BECAUSE i gotta go to the. DOCTOR i 524 00:30:54,680 --> 00:30:57,880 Speaker 1: gotta get a stress. Test is that all? About i'm not, 525 00:30:58,000 --> 00:31:02,360 Speaker 1: stressed but you know what they, say stress is the silent. 526 00:31:02,480 --> 00:31:05,920 Speaker 1: KILLER i, guess so it doesn't hurt to get that checked. 527 00:31:05,920 --> 00:31:09,040 Speaker 1: Out i'm trying to turn this into a public service. 528 00:31:09,080 --> 00:31:11,720 Speaker 1: Announcement i'm just trying to kill some time WHILE i 529 00:31:11,960 --> 00:31:16,959 Speaker 1: cruise through my computer here and find the next the 530 00:31:17,000 --> 00:31:20,840 Speaker 1: outline of this of this. Episode oh, yes here we. Go, 531 00:31:20,880 --> 00:31:22,360 Speaker 1: okay what WAS i gonna? SAY i was going to 532 00:31:22,440 --> 00:31:25,160 Speaker 1: direct you guys to the Hollywood land. Podcast you know 533 00:31:25,200 --> 00:31:28,040 Speaker 1: about the Hollywood land, podcast hosted by Doctor Zeth, lundy 534 00:31:28,360 --> 00:31:31,280 Speaker 1: my partner in. Crime Hollywood land is available now for you, 535 00:31:31,320 --> 00:31:34,640 Speaker 1: guys three times a. Week if you can believe. That film, 536 00:31:34,680 --> 00:31:40,120 Speaker 1: fans we have our classic archive episodes giving you the 537 00:31:40,120 --> 00:31:45,000 Speaker 1: true crime biographies of some of your favorite, actors actresses and. 538 00:31:45,120 --> 00:31:48,600 Speaker 1: Directors and then we take that episode and use it 539 00:31:48,640 --> 00:31:50,640 Speaker 1: as a jumping off. POINT i say WE i should 540 00:31:50,640 --> 00:31:52,680 Speaker 1: Say zas because he's the, guy LIKE i, said helming 541 00:31:52,720 --> 00:31:55,880 Speaker 1: things over. There Then zev gets into a discussion about 542 00:31:55,960 --> 00:31:59,800 Speaker 1: that artist about their, crimes and another episode called The 543 00:32:00,160 --> 00:32:04,440 Speaker 1: party and the Wrap, party of, course leads into the Screening, 544 00:32:04,520 --> 00:32:07,960 Speaker 1: room which ties that artist in subject matter to some 545 00:32:08,480 --> 00:32:12,440 Speaker 1: in subject matter to something a little more. Topical it 546 00:32:12,520 --> 00:32:16,800 Speaker 1: is a weekly tripod Of hollywood and crime. Awesomeness go 547 00:32:16,840 --> 00:32:20,840 Speaker 1: to The Hollywood land feed to subscribe and follow On apple, Podcasts, 548 00:32:21,040 --> 00:32:24,760 Speaker 1: spotify or wherever you get your. Podcasts speaking Of apple, 549 00:32:24,800 --> 00:32:30,720 Speaker 1: podcasts speaking Of, spotify, guys appreciate the. REVIEWS a couple 550 00:32:30,720 --> 00:32:32,720 Speaker 1: of you have reached out to me with your, addresses 551 00:32:33,680 --> 00:32:35,880 Speaker 1: those of you whose REVIEWS i read on the show 552 00:32:35,920 --> 00:32:38,120 Speaker 1: in the last few. Weeks for those of you in 553 00:32:38,160 --> 00:32:40,200 Speaker 1: the audience who are, like what the hell is he talking? About, 554 00:32:40,240 --> 00:32:42,920 Speaker 1: well if you leave a review For disgraceland On Apple 555 00:32:42,960 --> 00:32:45,920 Speaker 1: podcasts AND i find it AND i read it here 556 00:32:45,920 --> 00:32:48,480 Speaker 1: on the, show and you hear, it and you get 557 00:32:48,480 --> 00:32:50,600 Speaker 1: in touch with me and let me know six one 558 00:32:50,680 --> 00:32:53,040 Speaker 1: seven nine oh six sixty six three eight voicemail and, 559 00:32:53,200 --> 00:32:56,080 Speaker 1: TEXT i will then get back to you and get 560 00:32:56,080 --> 00:32:58,760 Speaker 1: you some merch as a thank. You the reviews help With. 561 00:32:58,840 --> 00:33:02,479 Speaker 1: Discovery they Are, ruschelford an independent show like, ours and 562 00:33:02,520 --> 00:33:06,440 Speaker 1: that's why we are pimping ourselves out. Here and this 563 00:33:06,480 --> 00:33:13,960 Speaker 1: review is just, perfect absolutely. Perfect the user name j 564 00:33:14,120 --> 00:33:17,800 Speaker 1: t jt JT j t jt JT. JR i THINK 565 00:33:17,800 --> 00:33:20,840 Speaker 1: i got that, right says just listen five. Stars if 566 00:33:20,840 --> 00:33:23,600 Speaker 1: you miss that feeling from grade school when that one 567 00:33:23,680 --> 00:33:26,680 Speaker 1: kid with the weird parents told you About ozzy snorting 568 00:33:26,680 --> 00:33:29,000 Speaker 1: a line of, ants Or Bo jackson killing a cow 569 00:33:29,040 --> 00:33:31,880 Speaker 1: with a, rock Or Marilyn manson in his surgically removed. 570 00:33:31,960 --> 00:33:35,600 Speaker 1: Rib this is the podcast for. You jake is a 571 00:33:35,680 --> 00:33:40,000 Speaker 1: great storyteller and the writing is. Captivating Like, rapp listen 572 00:33:40,000 --> 00:33:42,360 Speaker 1: to any of The Wu tang, episodes Like, Country please 573 00:33:42,440 --> 00:33:44,800 Speaker 1: listen to The Willie nelson. Episodes listen to The Jerry 574 00:33:44,880 --> 00:33:46,960 Speaker 1: Lee lewis, episode or The Tom petty app or The 575 00:33:46,960 --> 00:33:49,480 Speaker 1: Merrel haggard app or the Jaz. Yup, well just pick 576 00:33:49,520 --> 00:33:52,160 Speaker 1: one you kind of can't. Miss you nailed it there 577 00:33:52,600 --> 00:33:56,120 Speaker 1: by the kid with the weird parents told you About 578 00:33:56,120 --> 00:33:59,000 Speaker 1: ozzy snorting a line of. Ants that was absolutely me 579 00:33:59,200 --> 00:34:02,520 Speaker 1: in grade, school getting a lot of this information from my. 580 00:34:02,640 --> 00:34:05,600 Speaker 1: Dad so, yeah there we. Go my, dad who is 581 00:34:05,640 --> 00:34:09,320 Speaker 1: a researcher for Double, elvis kind of comes full. Circle 582 00:34:09,960 --> 00:34:12,960 Speaker 1: get in. TOUCH JT J T J t six one 583 00:34:13,000 --> 00:34:15,879 Speaker 1: seven nine oh six six six three. Eight Spencer loud 584 00:34:15,960 --> 00:34:19,000 Speaker 1: ninety five rights On spotify on The Johnny thunders episode 585 00:34:19,000 --> 00:34:22,160 Speaker 1: best episode in a long, Time great, storytelling And johnny 586 00:34:22,200 --> 00:34:25,520 Speaker 1: is the perfect subject For. Disgraceland wonder what happened to his. 587 00:34:25,560 --> 00:34:29,719 Speaker 1: GUITARS i do, too imagine Having Johnny thunder's. Guitars oh my. 588 00:34:29,840 --> 00:34:33,520 Speaker 1: Goodness get in, Touch Spencer gay some. Merch all, right 589 00:34:33,520 --> 00:34:35,400 Speaker 1: we're about to get into the exclusive section of this 590 00:34:35,440 --> 00:34:38,480 Speaker 1: after party and talk about some of the wilder events 591 00:34:38,520 --> 00:34:41,160 Speaker 1: that have gone down at award shows pass not just The. 592 00:34:41,200 --> 00:34:43,440 Speaker 1: Grammys he gonna be an All access member to cop that. 593 00:34:43,480 --> 00:34:46,279 Speaker 1: Content go to disgrace lampod dot com to sign up 594 00:34:46,280 --> 00:34:51,000 Speaker 1: and get all access exclusive, material ad free listening and. 595 00:34:51,160 --> 00:35:08,920 Speaker 1: More all, right, guys thanks for joining us for another 596 00:35:09,040 --> 00:35:14,000 Speaker 1: episode of The disgraceland After party bonus. Show we mentioned 597 00:35:14,080 --> 00:35:17,600 Speaker 1: in Excess, Metallica The, Who Whitney, Houston George, michael all 598 00:35:17,800 --> 00:35:21,040 Speaker 1: artists who have been covered In disgraceland. Before check out 599 00:35:21,040 --> 00:35:24,480 Speaker 1: our archive for these stories and. More matt will have 600 00:35:24,640 --> 00:35:28,560 Speaker 1: the episode information in the show. Notes all, right let's, 601 00:35:28,560 --> 00:35:31,239 Speaker 1: recap shall? We number? One this? Week our new episode 602 00:35:31,280 --> 00:35:33,319 Speaker 1: on The runaways is available for you guys to listen 603 00:35:33,360 --> 00:35:35,920 Speaker 1: to right. Now number two in the rewind slot this. 604 00:35:35,960 --> 00:35:38,239 Speaker 1: Week coming up right after this bonus, episode we've got 605 00:35:38,320 --> 00:35:41,600 Speaker 1: part one And part two OF nwa number three next, 606 00:35:41,640 --> 00:35:44,520 Speaker 1: week another two parter On Lady. Gaga that's a new 607 00:35:44,600 --> 00:35:47,439 Speaker 1: Episode number, Four zeth gives you Those hollywood and crime 608 00:35:47,520 --> 00:35:50,280 Speaker 1: vibes And hollywood lands to make sure you're. Subscribed number. 609 00:35:50,280 --> 00:35:52,839 Speaker 1: Five this film should be played. Loud our new video, 610 00:35:52,960 --> 00:35:57,360 Speaker 1: podcast episode two is coming next week on Train. Spotting 611 00:35:57,400 --> 00:35:59,520 Speaker 1: go to disgracelandpod dot com to sign up and become 612 00:35:59,560 --> 00:36:01,080 Speaker 1: An All ACT CEUs member so you can get that. 613 00:36:01,160 --> 00:36:03,480 Speaker 1: Content number six, six one, seven nine oh six six 614 00:36:03,600 --> 00:36:06,200 Speaker 1: six three eight your. Voice it keeps us digging into 615 00:36:06,239 --> 00:36:09,040 Speaker 1: the dark corners of music. History so keep, calling texting 616 00:36:09,080 --> 00:36:11,000 Speaker 1: with your answers to this week's question of the, week 617 00:36:11,120 --> 00:36:13,000 Speaker 1: with whatever else you want to talk. About number. Seven 618 00:36:13,040 --> 00:36:16,120 Speaker 1: don't forget. Discos this isn't just. Content it's a, community 619 00:36:16,320 --> 00:36:19,200 Speaker 1: a community of the. Obsessed no one cares about, music, 620 00:36:19,200 --> 00:36:21,439 Speaker 1: books records and all the crime and grime that ties 621 00:36:21,440 --> 00:36:23,560 Speaker 1: them all together like you. Do and well that's a, 622 00:36:23,680 --> 00:36:27,640 Speaker 1: disgrace all. Right march, sixteenth nineteen seventy. Six that was 623 00:36:27,680 --> 00:36:31,200 Speaker 1: the day this week's full episode subject Of, Disgraceland The, 624 00:36:31,320 --> 00:36:34,800 Speaker 1: runaways released their debut Album this is What america was 625 00:36:34,840 --> 00:36:37,920 Speaker 1: listening to on that, day according to The Billboard charts 626 00:36:39,560 --> 00:36:43,520 Speaker 1: number One december nineteen sixty. Three Oh what A, Night 627 00:36:43,800 --> 00:36:48,920 Speaker 1: the Four seasons last week one peak position one weeks 628 00:36:48,960 --> 00:36:54,280 Speaker 1: On chart, thirteen number, Two all By, Myself Eric carmis 629 00:36:54,719 --> 00:36:58,879 Speaker 1: last week number, two peak position two weeks On chart, 630 00:36:59,320 --> 00:37:04,480 Speaker 1: fourteen last number, Three Dream, Weaves Gary wright weeks last 631 00:37:04,560 --> 00:37:09,440 Speaker 1: year number, six peak positions three weeks On charts, twelve 632 00:37:10,000 --> 00:37:13,239 Speaker 1: number four peak Take it to The limit weeks As, 633 00:37:13,320 --> 00:37:18,759 Speaker 1: eagles last week for peak position four weeks On shark 634 00:37:19,239 --> 00:37:37,640 Speaker 1: fourteen number five only ninete stage of, fast quit talking 635 00:37:37,920 --> 00:37:38,560 Speaker 1: and start. 636 00:37:38,840 --> 00:37:39,320 Speaker 3: Mixing