1 00:00:01,280 --> 00:00:02,880 Speaker 1: It's one of two point seven kiss I've been in 2 00:00:02,880 --> 00:00:05,200 Speaker 1: Los Angeles. Let's get into it right now. It's time 3 00:00:05,280 --> 00:00:09,200 Speaker 1: for Ryan's roses. Ryan says, Tany I threw my husband 4 00:00:09,240 --> 00:00:11,479 Speaker 1: out a few days ago. We have not spoken since 5 00:00:11,520 --> 00:00:13,080 Speaker 1: I saw his car a few blocks over at a 6 00:00:13,080 --> 00:00:15,280 Speaker 1: woman's house. I want to see if he does the 7 00:00:15,320 --> 00:00:17,960 Speaker 1: right thing and sends me the roses. So it's a test. 8 00:00:18,520 --> 00:00:21,800 Speaker 1: She wants to test him. Brianna, thank you for coming 9 00:00:21,800 --> 00:00:23,800 Speaker 1: on just quickly. We understand what you want to do. 10 00:00:23,840 --> 00:00:26,200 Speaker 1: We understand the test you want to send to your husband. 11 00:00:26,440 --> 00:00:28,960 Speaker 1: Why are you guys fighting? What's the big issue here? 12 00:00:32,000 --> 00:00:34,440 Speaker 2: Well, we've been together for a very long time, and 13 00:00:35,000 --> 00:00:38,960 Speaker 2: our relationship has been qualatile pretty much the whole time. 14 00:00:39,600 --> 00:00:44,000 Speaker 2: We've had ups and downs, blow ups, you know, But 15 00:00:45,000 --> 00:00:50,559 Speaker 2: this last time it was really bad and he just 16 00:00:50,840 --> 00:00:54,280 Speaker 2: he went too far. I don't want to get into 17 00:00:54,280 --> 00:00:57,600 Speaker 2: the details or anything, but you know, it wasn't abusive. 18 00:00:57,640 --> 00:01:00,800 Speaker 2: It's never been abuse, abusive to each other. Just got 19 00:01:01,400 --> 00:01:02,680 Speaker 2: awful and nasty and. 20 00:01:02,640 --> 00:01:08,160 Speaker 1: Disrespect anybody another person involved, Like what frame it up? 21 00:01:09,360 --> 00:01:09,480 Speaker 3: All? 22 00:01:09,560 --> 00:01:09,800 Speaker 1: Right? 23 00:01:09,840 --> 00:01:12,399 Speaker 2: So after the fight, I told him to leave. 24 00:01:12,760 --> 00:01:13,279 Speaker 3: He left. 25 00:01:14,319 --> 00:01:16,360 Speaker 2: This was about a week and a half ago and 26 00:01:17,280 --> 00:01:20,120 Speaker 2: a couple of days ago, I drove by our friend Maggie. 27 00:01:20,319 --> 00:01:24,080 Speaker 2: She lives a couple you know, streets down and his 28 00:01:24,200 --> 00:01:29,360 Speaker 2: car was there and I haven't spoken to him. He 29 00:01:29,400 --> 00:01:31,319 Speaker 2: has spoken to me. I don't know where he's staying, 30 00:01:32,120 --> 00:01:35,120 Speaker 2: and so that made me, you know, start thinking like, 31 00:01:37,040 --> 00:01:38,880 Speaker 2: I don't know. I'd reach out to you. Guys, if 32 00:01:38,880 --> 00:01:40,880 Speaker 2: you can send them the roses and if. 33 00:01:40,760 --> 00:01:46,040 Speaker 1: He kis, then you'll know. Okay. By the way, Crystal clear, Ran, 34 00:01:46,120 --> 00:01:48,920 Speaker 1: I need you to say, Ryan, you have my permission 35 00:01:48,920 --> 00:01:51,200 Speaker 1: to call, and then his name on a kiss FM. 36 00:01:51,360 --> 00:01:57,720 Speaker 2: Go ahead, Ryan, you have my permission to call on guys. 37 00:01:57,560 --> 00:01:59,760 Speaker 1: Been made a long time, big fight. This is a 38 00:01:59,760 --> 00:02:02,160 Speaker 1: really big fight. You kicked him out, you said go away. 39 00:02:02,640 --> 00:02:04,680 Speaker 1: Then you see his car a couple of streets over 40 00:02:04,920 --> 00:02:07,440 Speaker 1: in front of a woman named Maggie's house. Is Maggie's single? 41 00:02:07,440 --> 00:02:08,160 Speaker 1: Who's Maggie? 42 00:02:09,639 --> 00:02:12,280 Speaker 2: Maggie's our friend. I know she's divorced, but I don't 43 00:02:12,320 --> 00:02:13,880 Speaker 2: know her status. 44 00:02:14,520 --> 00:02:16,680 Speaker 1: You're saying to us, I want to call him. I 45 00:02:16,680 --> 00:02:18,960 Speaker 1: want to find out if he's offered roses. Does he 46 00:02:19,040 --> 00:02:20,920 Speaker 1: think of me, does he think of her? Does he 47 00:02:20,919 --> 00:02:22,800 Speaker 1: think of somebody else? Like what's his Where is he 48 00:02:22,880 --> 00:02:25,080 Speaker 1: right now? Where is his head? That's what we're doing Brown, 49 00:02:25,200 --> 00:02:26,840 Speaker 1: So be very quiet. We're gonna call him now and 50 00:02:26,840 --> 00:02:29,760 Speaker 1: see we can find out. Okay, good luck, thank you. 51 00:02:41,280 --> 00:02:43,560 Speaker 4: Hello, Hi, can I speak to Marcos please? 52 00:02:45,120 --> 00:02:46,440 Speaker 5: Has Hi? 53 00:02:46,520 --> 00:02:48,760 Speaker 4: My name is Kelly. I'm calling from the O C. Flores. 54 00:02:48,800 --> 00:02:49,840 Speaker 4: How you doing this morning? 55 00:02:53,040 --> 00:02:54,560 Speaker 5: I'm doing all right? What's going on? 56 00:02:54,639 --> 00:02:54,760 Speaker 1: Well? 57 00:02:54,800 --> 00:02:57,040 Speaker 4: You know, we're offering a promotion for local residents. 58 00:02:57,040 --> 00:02:58,640 Speaker 6: So it's a three dozen red roses that you can 59 00:02:58,680 --> 00:02:59,920 Speaker 6: send to anybody that you'd like. 60 00:03:00,040 --> 00:03:01,000 Speaker 4: They're absolutely free. 61 00:03:01,040 --> 00:03:02,919 Speaker 6: Just trying to promote our business right now head of 62 00:03:03,000 --> 00:03:06,200 Speaker 6: Valentine's Day. It's something that we do to kind of 63 00:03:06,200 --> 00:03:08,040 Speaker 6: get the word out. And I don't need cash from 64 00:03:08,080 --> 00:03:10,239 Speaker 6: you or anything like that. They are absolutely free. Is 65 00:03:10,280 --> 00:03:11,760 Speaker 6: there anybody you'd want to send flowers to? 66 00:03:13,639 --> 00:03:13,839 Speaker 5: Free? 67 00:03:14,160 --> 00:03:23,120 Speaker 4: Free ros It's a dozen a dozen red long stem roses. Actually, wow, okay, okay, 68 00:03:23,200 --> 00:03:24,680 Speaker 4: we can start with the name of the person you 69 00:03:24,680 --> 00:03:25,280 Speaker 4: want to send them to. 70 00:03:26,919 --> 00:03:31,080 Speaker 5: So I think I'm gonna send them to my wife, Brianna. 71 00:03:33,080 --> 00:03:36,080 Speaker 5: You know, it's complicated. We gotten like a huge fight. 72 00:03:36,120 --> 00:03:37,520 Speaker 5: It's kind of good time. We got into like a 73 00:03:37,600 --> 00:03:43,320 Speaker 5: huge fight and uh, you know. Unfortunately, she she threw 74 00:03:43,400 --> 00:03:47,000 Speaker 5: me out and uh, we're you know, we're cooling down. 75 00:03:47,080 --> 00:03:51,800 Speaker 5: She's not speaking, you know, I don't know. I don't 76 00:03:51,840 --> 00:03:53,640 Speaker 5: know how to look if I send her a dozen roses? 77 00:03:54,640 --> 00:03:56,920 Speaker 4: Okay? And what would you like to put on the card? 78 00:03:59,760 --> 00:04:04,400 Speaker 5: Uh? Tell you know what. Let's just put missing you. 79 00:04:05,440 --> 00:04:06,000 Speaker 4: Missing you? 80 00:04:06,400 --> 00:04:11,160 Speaker 1: Okay, Marco's got it. 81 00:04:12,360 --> 00:04:12,560 Speaker 5: Yeah. 82 00:04:12,600 --> 00:04:15,880 Speaker 1: Hello, your voice is being broadcast on the radio. My 83 00:04:15,960 --> 00:04:18,599 Speaker 1: name is Ryan. I have Sistani and Tanya with me 84 00:04:18,720 --> 00:04:26,200 Speaker 1: here on the air. I have your wife on the line, Brianna. Uh, Brianna. 85 00:04:26,520 --> 00:04:30,080 Speaker 1: Just so Marc goes full disclosure, your wife explained to 86 00:04:30,240 --> 00:04:32,679 Speaker 1: us here, which is why we're calling that you guys 87 00:04:32,680 --> 00:04:34,719 Speaker 1: had a big fight. You've had your ups and downs, 88 00:04:34,760 --> 00:04:37,000 Speaker 1: You've had a big fight. But she saw your car 89 00:04:37,040 --> 00:04:41,760 Speaker 1: in front of Maggie's house and that's why we're calling. 90 00:04:42,320 --> 00:04:45,160 Speaker 1: Can you take this moment? Things are going well on 91 00:04:45,200 --> 00:04:47,680 Speaker 1: this call, but can you take this moment to tell 92 00:04:47,720 --> 00:04:51,800 Speaker 1: your wife what's going on? Anything with you and Maggie? 93 00:04:53,240 --> 00:04:58,279 Speaker 5: Yeah? No, Uh, there's nothing going on between me and Maggie. 94 00:04:58,360 --> 00:04:59,559 Speaker 1: What were you doing with Magie? 95 00:04:59,760 --> 00:04:59,920 Speaker 5: Think? 96 00:05:00,720 --> 00:05:02,600 Speaker 1: Because your car was there, so why why were you 97 00:05:02,680 --> 00:05:04,120 Speaker 1: what was going on? What were you there for? 98 00:05:05,520 --> 00:05:09,440 Speaker 5: No, that honestly, the whole neighborhood knows. I was kicked 99 00:05:09,440 --> 00:05:11,600 Speaker 5: out of the house, and so she just thinks she 100 00:05:11,680 --> 00:05:13,480 Speaker 5: invited she invited me for dinner. 101 00:05:14,040 --> 00:05:16,800 Speaker 1: Okay, So for clarity, you're not having an affair with her. 102 00:05:17,680 --> 00:05:21,520 Speaker 5: No, I'm not having an affair with her. She's got 103 00:05:21,520 --> 00:05:24,520 Speaker 5: her own boyfriend. His name is Jake. He's a really 104 00:05:24,600 --> 00:05:28,240 Speaker 5: nice guy. No, it's not like that at all. 105 00:05:29,480 --> 00:05:34,840 Speaker 1: In the spirit of productivity, Brianna Marcos, do you want 106 00:05:34,920 --> 00:05:38,800 Speaker 1: to find a solution or resolution to make up for 107 00:05:38,880 --> 00:05:42,479 Speaker 1: this fight and continue down the path together? Brianna Marcus, 108 00:05:43,000 --> 00:05:43,960 Speaker 1: what do you want to do here? 109 00:05:46,760 --> 00:05:49,680 Speaker 5: Of course? Oh no, I've been I've been trying to 110 00:05:49,680 --> 00:05:52,839 Speaker 5: talk to her since it happened. No, babe, give me 111 00:05:52,880 --> 00:05:55,799 Speaker 5: a call. No, I'm not cheating, I'm not doing anything. 112 00:05:55,920 --> 00:05:57,840 Speaker 5: I want us to get back together. 113 00:05:59,760 --> 00:06:06,479 Speaker 2: Yeah, I'm sure you guys can see why this relationship 114 00:06:06,520 --> 00:06:10,280 Speaker 2: has been tough. But at the end of the day, 115 00:06:10,320 --> 00:06:14,839 Speaker 2: you know, he sent me the flowers and Marcos, I 116 00:06:14,839 --> 00:06:16,760 Speaker 2: do miss you. I want you to come home. 117 00:06:17,520 --> 00:06:20,520 Speaker 5: But if I miss you, okay, well let's go. 118 00:06:20,320 --> 00:06:23,400 Speaker 2: We got to do better, you know, we got to 119 00:06:23,440 --> 00:06:25,800 Speaker 2: do better than how we've been. 120 00:06:27,800 --> 00:06:30,040 Speaker 5: I agree, but we got to do better. No, no, 121 00:06:30,160 --> 00:06:30,960 Speaker 5: I'm all in. 122 00:06:31,720 --> 00:06:34,200 Speaker 1: Okay, I'm We're gone. We're leaving you guys. This is 123 00:06:34,200 --> 00:06:36,599 Speaker 1: what we wanted to accomplish. Good luck to both of you. Okay, 124 00:06:36,640 --> 00:06:41,320 Speaker 1: thank you very much Mahda for reaching out. Uh success. 125 00:06:41,520 --> 00:06:42,479 Speaker 4: Yeah, I think so too. 126 00:06:42,880 --> 00:06:48,080 Speaker 1: Here here, Yes, I think we should change Ryan's roses 127 00:06:48,120 --> 00:06:50,440 Speaker 1: to something like that. Now, let's talk about it coming 128 00:06:50,520 --> 00:06:51,520 Speaker 1: up on kiss. 129 00:06:53,440 --> 00:06:53,640 Speaker 7: Sign. 130 00:07:01,160 --> 00:07:05,400 Speaker 8: But then you saw me cut your bossing pies A 131 00:07:05,400 --> 00:07:06,640 Speaker 8: singles team. 132 00:07:06,680 --> 00:07:08,279 Speaker 9: Drop on me from your heart. 133 00:07:09,800 --> 00:07:12,240 Speaker 7: I know, I think. 134 00:07:17,720 --> 00:07:25,800 Speaker 8: I don't think a cross when I re you could 135 00:07:25,800 --> 00:07:29,800 Speaker 8: have asked me why I broke your hot. You could 136 00:07:29,800 --> 00:07:34,080 Speaker 8: have told me that you fell about what you lost 137 00:07:34,280 --> 00:07:39,360 Speaker 8: best music. I wasn't it and just pretended like you 138 00:07:39,520 --> 00:07:40,640 Speaker 8: did this Cada. 139 00:07:41,880 --> 00:07:42,560 Speaker 1: I don't know. 140 00:07:43,840 --> 00:07:51,520 Speaker 10: I don't thinking about it. I don't think your crowds when 141 00:07:52,360 --> 00:07:58,760 Speaker 10: I know, says back. 142 00:07:58,960 --> 00:08:03,440 Speaker 7: Because I want to see your tea in store and 143 00:08:04,520 --> 00:08:07,360 Speaker 7: say your teas. 144 00:08:07,160 --> 00:08:16,280 Speaker 9: Or another day your teas are another day? 145 00:08:21,600 --> 00:08:25,880 Speaker 8: Did you think that I would always know said some 146 00:08:26,320 --> 00:08:30,640 Speaker 8: things that I should never say. Your eye broke your heart, 147 00:08:30,840 --> 00:08:32,440 Speaker 8: le Mondy to morning. 148 00:08:33,600 --> 00:08:36,720 Speaker 9: Now you would love me for a second time? 149 00:08:37,960 --> 00:08:40,400 Speaker 7: I don't know what I say. 150 00:08:45,920 --> 00:08:53,880 Speaker 9: I'll figure rife when I don't know it, go see 151 00:08:54,000 --> 00:08:58,840 Speaker 9: me back, because I want to say see your tears 152 00:08:59,160 --> 00:09:06,720 Speaker 9: for another A pal said a much you guess serve 153 00:09:07,120 --> 00:09:09,040 Speaker 9: someone did say. 154 00:09:10,720 --> 00:09:14,400 Speaker 4: Tease on another day, but. 155 00:09:17,720 --> 00:09:20,400 Speaker 1: No teas on another day. 156 00:09:26,040 --> 00:09:43,360 Speaker 7: I'll make you cry when I'm said close chase on 157 00:09:43,559 --> 00:09:50,439 Speaker 7: another day, said said close. 158 00:09:50,800 --> 00:10:04,080 Speaker 10: Tet on under the times. 159 00:09:58,800 --> 00:10:15,560 Speaker 1: Tas savy tears the weekend one or two point seven 160 00:10:15,640 --> 00:10:20,439 Speaker 1: kiss have them interesting? Ryan's roses. That ended in a 161 00:10:20,559 --> 00:10:23,800 Speaker 1: productive positive way because we worked out a fight between 162 00:10:23,840 --> 00:10:25,520 Speaker 1: a couple. I wonder if there's a layer to that 163 00:10:25,640 --> 00:10:27,960 Speaker 1: that we should do more often. Let me think, let's 164 00:10:27,960 --> 00:10:31,040 Speaker 1: think out loud on it eight hundred five to two 165 00:10:31,080 --> 00:10:32,520 Speaker 1: seven times like. 166 00:10:33,240 --> 00:10:36,040 Speaker 6: Yeah, like not, Well, it's more like if you guys 167 00:10:36,080 --> 00:10:37,840 Speaker 6: are broken up already and you want to see if 168 00:10:37,880 --> 00:10:38,520 Speaker 6: you want to get. 169 00:10:38,400 --> 00:10:44,240 Speaker 1: Back together or fighting broken up fighting like Ryan Hope's test, 170 00:10:44,400 --> 00:10:46,280 Speaker 1: Ryan's no, it's like a hopeful call. 171 00:10:46,559 --> 00:10:48,960 Speaker 4: Ryan's hope, Ryan's reconciliation. 172 00:10:50,400 --> 00:10:51,160 Speaker 1: I can't even say. 173 00:10:51,160 --> 00:10:52,400 Speaker 4: It's a long word. 174 00:10:53,120 --> 00:10:53,800 Speaker 1: Ryan's hope. 175 00:10:54,120 --> 00:10:54,840 Speaker 4: Are squared. 176 00:10:56,080 --> 00:10:58,559 Speaker 1: Sure, Let's get to the headlines. We'll come back. It's 177 00:10:58,600 --> 00:10:59,400 Speaker 1: a work in progress. 178 00:11:00,360 --> 00:11:03,880 Speaker 6: Headlines with siciny Well Moholland Drive in Studio City remains 179 00:11:03,880 --> 00:11:07,400 Speaker 6: closed this morning after several months. Likes yesterday force officials 180 00:11:07,440 --> 00:11:10,720 Speaker 6: to shut down a half mile stretch between Skyline Drive 181 00:11:11,080 --> 00:11:14,520 Speaker 6: and Beaumont Drive. A bronze statue honoring Kobe Bryant will 182 00:11:14,520 --> 00:11:17,800 Speaker 6: be unveiled today outside Crypto dot Com Arena. Today's date 183 00:11:18,000 --> 00:11:20,800 Speaker 6: two eight twenty four represents both the numbers Kobe war 184 00:11:20,840 --> 00:11:22,880 Speaker 6: as a player eight and twenty four and the number 185 00:11:22,960 --> 00:11:24,360 Speaker 6: two which his daughter Gianna wore. 186 00:11:25,040 --> 00:11:26,080 Speaker 4: No winner has claimed. 187 00:11:26,080 --> 00:11:29,240 Speaker 6: The Superlato Plus lottery ticket sold at an LA store 188 00:11:29,360 --> 00:11:32,439 Speaker 6: worth twenty million. The ticket was sold at Y and 189 00:11:32,600 --> 00:11:35,040 Speaker 6: Y Market on West thirty ninth Street in South LA. 190 00:11:35,760 --> 00:11:39,319 Speaker 6: And Taylor Swift's tour movie has found a home on 191 00:11:39,480 --> 00:11:42,680 Speaker 6: Disney Plus. The concert film will be available to stream 192 00:11:42,760 --> 00:11:45,840 Speaker 6: on March fifteenth, with five additional songs. 193 00:11:45,679 --> 00:11:48,520 Speaker 4: Included in Taylor's version of the film. 194 00:11:49,000 --> 00:11:52,160 Speaker 6: And now look at traffic with KTLA's Ginger Chan five 195 00:11:52,200 --> 00:11:54,200 Speaker 6: Freeway heading south, you guys to the onetend south. 196 00:11:54,240 --> 00:11:55,280 Speaker 4: That closure is still here. 197 00:11:55,360 --> 00:11:57,240 Speaker 6: I mean this landslide was the same one that we 198 00:11:57,320 --> 00:11:59,000 Speaker 6: had last time around when we had storms like a 199 00:11:59,080 --> 00:12:02,000 Speaker 6: year ago. The netting just didn't hold up and the 200 00:12:02,160 --> 00:12:04,760 Speaker 6: mess is still here, and so that means at five 201 00:12:04,840 --> 00:12:08,080 Speaker 6: Freeway is so busy. Of course, the domino effect onto 202 00:12:08,120 --> 00:12:09,160 Speaker 6: the one thirty four as well. 203 00:12:09,160 --> 00:12:11,920 Speaker 3: All right, four or five south and about Sunset Boulevard, 204 00:12:12,200 --> 00:12:15,640 Speaker 3: it's just a stall, but it's still sitting at the exus, 205 00:12:15,679 --> 00:12:17,560 Speaker 3: so it's part of the reason it's a little bit 206 00:12:17,600 --> 00:12:19,120 Speaker 3: of a slow ride. I'm just looking at some of 207 00:12:19,200 --> 00:12:21,559 Speaker 3: the other things that are popping up in La County 208 00:12:21,559 --> 00:12:23,160 Speaker 3: because it's been a tough one, whether it's on the 209 00:12:23,200 --> 00:12:26,520 Speaker 3: one o one through areas of Studio City because of 210 00:12:26,559 --> 00:12:29,000 Speaker 3: an earlier wreck. Now I'm getting reports fifty seven south 211 00:12:29,040 --> 00:12:33,360 Speaker 3: at Imperial Highway, Yike's The potholes here are about two 212 00:12:33,400 --> 00:12:36,079 Speaker 3: and a half feet wide one foot deep, and that 213 00:12:36,280 --> 00:12:39,360 Speaker 3: is the reason everybody is slowing down. That's a nasty drive. 214 00:12:39,480 --> 00:12:41,920 Speaker 3: Now sixty east before you get to about Market Street. 215 00:12:41,960 --> 00:12:44,079 Speaker 3: That wreck now clear to the shoulder. This report is 216 00:12:44,120 --> 00:12:46,840 Speaker 3: brought to you buy Moms Against Drunk Driving. For victims 217 00:12:46,840 --> 00:12:49,199 Speaker 3: of drunk and drug driving. Your grief is unique, but 218 00:12:49,280 --> 00:12:51,720 Speaker 3: sure not alone. You always have a place at MAD 219 00:12:52,000 --> 00:12:55,120 Speaker 3: called the twenty four Hour Victim Helpline eight seven seven Madhelp. 220 00:12:54,880 --> 00:12:56,200 Speaker 4: Mad dot Org. 221 00:12:56,400 --> 00:13:00,120 Speaker 3: I'm Ginger chan you on air with Ryan Seacrest two 222 00:13:00,120 --> 00:13:01,120 Speaker 3: point seven Kiss FM. 223 00:13:01,559 --> 00:13:04,400 Speaker 6: Thank you Ginger Cold. Today attempt are gonna be in 224 00:13:04,400 --> 00:13:06,480 Speaker 6: the mid fifties. To me, that is chili, but still 225 00:13:06,559 --> 00:13:09,199 Speaker 6: some sunshine and maybe like a drop or two of 226 00:13:09,320 --> 00:13:12,559 Speaker 6: rain in some areas, especially in the mountain areas. Burbank 227 00:13:12,600 --> 00:13:15,000 Speaker 6: a high fifty five. Los Salamados a high sixty. Right 228 00:13:15,080 --> 00:13:16,680 Speaker 6: now it's forty four in Hollywood. 229 00:13:16,880 --> 00:13:25,079 Speaker 4: Kiss Hi, Los Angeles. Start your day with Ryan Seacrest. 230 00:13:24,920 --> 00:13:27,800 Speaker 2: Or get the podcast on demand with our free IR 231 00:13:27,920 --> 00:13:31,960 Speaker 2: radio app Kiss FMS. 232 00:13:32,600 --> 00:13:34,800 Speaker 1: Just a few days to Valentine's Day and seventy one 233 00:13:34,920 --> 00:13:39,440 Speaker 1: until Torture Poet's Department's out. I mean, all this speculation 234 00:13:39,679 --> 00:13:45,600 Speaker 1: about the songs, the size of a man, Oh good? 235 00:13:46,960 --> 00:13:47,120 Speaker 9: Right? 236 00:13:48,520 --> 00:13:48,720 Speaker 7: Wait? 237 00:13:48,880 --> 00:13:51,000 Speaker 1: And what a curveball? Love it so much? Taylor Swift? 238 00:13:51,120 --> 00:13:55,120 Speaker 1: Is it over now? Super Bowl? This weekend? So much happening. 239 00:13:55,200 --> 00:13:56,079 Speaker 1: This is kiss. 240 00:13:57,320 --> 00:13:57,720 Speaker 5: That's all. 241 00:14:00,800 --> 00:14:10,319 Speaker 11: With the wilt of the road, I slept alone. You 242 00:14:10,520 --> 00:14:17,600 Speaker 11: still wouldn't go. Let's pass forward to three hundred takeout 243 00:14:17,720 --> 00:14:23,560 Speaker 11: copies later. I see you prefer your smile on unsuspecting waiters. 244 00:14:23,920 --> 00:14:26,920 Speaker 11: You dream of my mouth before it called you a 245 00:14:27,200 --> 00:14:32,160 Speaker 11: lion Trader, You searching every maid in bed for something greater. 246 00:14:32,480 --> 00:14:37,000 Speaker 12: Baby wasn't over when she laid down on your God 247 00:14:37,960 --> 00:14:41,840 Speaker 12: wasn't over when he unbuttoned my gloves. 248 00:14:42,800 --> 00:14:44,720 Speaker 11: Come here, I spurt in your ear. 249 00:14:44,600 --> 00:14:46,360 Speaker 4: And you dreamless, you passed out. 250 00:14:46,640 --> 00:14:48,520 Speaker 1: Baby wasn't over. 251 00:14:49,040 --> 00:14:52,400 Speaker 11: Man's a over down. 252 00:14:57,520 --> 00:14:59,320 Speaker 13: When you lost control? 253 00:15:02,320 --> 00:15:08,800 Speaker 11: Red blood, white snow, blue dress on a bowl. 254 00:15:10,640 --> 00:15:13,840 Speaker 4: O you new girl, it's my cloon. 255 00:15:15,280 --> 00:15:17,560 Speaker 8: Did you go in the city a little lashing light? 256 00:15:17,760 --> 00:15:19,920 Speaker 11: At least I had the decency to came by night 257 00:15:20,040 --> 00:15:22,400 Speaker 11: out sight on the room was down, my hip, synthighs 258 00:15:22,440 --> 00:15:25,560 Speaker 11: and my whispered stock. Oh lord, I think about jumping 259 00:15:26,560 --> 00:15:29,400 Speaker 11: up a berry tell some things, just to see you 260 00:15:29,560 --> 00:15:33,800 Speaker 11: come running and see the one thing I've been wanting. 261 00:15:33,960 --> 00:15:38,320 Speaker 12: But no, let's press forward to three hundred upwards nine 262 00:15:38,400 --> 00:15:41,440 Speaker 12: days later. If she's got blue eyes saw it was 263 00:15:41,600 --> 00:15:45,240 Speaker 12: some myst she'll probably dat you dream of my. 264 00:15:45,520 --> 00:15:47,800 Speaker 4: Not being bar and called you a lie. 265 00:15:48,160 --> 00:15:48,480 Speaker 7: Jader. 266 00:15:49,000 --> 00:15:52,560 Speaker 12: You searching every bottle's bed for something great? 267 00:15:52,880 --> 00:15:54,600 Speaker 4: Baby was over? 268 00:15:55,440 --> 00:15:59,360 Speaker 11: Would she laid down on your house? Was it over 269 00:16:00,200 --> 00:16:02,160 Speaker 11: when he unbuts him my blouse? 270 00:16:03,200 --> 00:16:04,040 Speaker 1: Come here around? 271 00:16:04,200 --> 00:16:05,920 Speaker 4: But the nuclear and your dream as. 272 00:16:05,880 --> 00:16:09,200 Speaker 1: You pressed out was over. 273 00:16:11,240 --> 00:16:11,960 Speaker 7: And is it over? 274 00:16:31,240 --> 00:16:32,080 Speaker 4: Think idn't see you? 275 00:16:32,160 --> 00:16:33,320 Speaker 11: They were flashing lights. 276 00:16:33,440 --> 00:16:35,280 Speaker 4: At least I had the decency to keep on. 277 00:16:35,440 --> 00:16:38,200 Speaker 12: Lights out of selling rumbles that might have a sanitized and. 278 00:16:38,240 --> 00:16:39,240 Speaker 13: I whisper sized. 279 00:16:39,320 --> 00:16:41,280 Speaker 2: Oh, I think of that jumping. 280 00:16:42,160 --> 00:16:45,360 Speaker 4: I'll prepay till somethings just to see you come. 281 00:16:45,520 --> 00:16:49,400 Speaker 11: Run run, I say, the one thing I've been wanting. 282 00:16:49,600 --> 00:16:51,920 Speaker 10: But no flashes. 283 00:16:55,800 --> 00:16:56,200 Speaker 9: That's not. 284 00:17:09,400 --> 00:17:11,760 Speaker 1: Okay. I want to play some Travis. It's one of 285 00:17:11,840 --> 00:17:14,240 Speaker 1: two point seven kiss up in Los Angeles. I'm about 286 00:17:14,280 --> 00:17:16,080 Speaker 1: to also pay another bill. We're doing that all day. 287 00:17:16,640 --> 00:17:19,640 Speaker 1: What do you think this? Ryan's roses? It was productive. 288 00:17:20,280 --> 00:17:22,960 Speaker 1: The premise was to find out if there was still 289 00:17:23,080 --> 00:17:27,600 Speaker 1: hope in the relationship, and they made progress on a 290 00:17:27,680 --> 00:17:30,720 Speaker 1: fight that they were having. Come back to that next, 291 00:17:30,960 --> 00:17:32,120 Speaker 1: tell me she still. 292 00:17:34,040 --> 00:17:35,159 Speaker 13: Tell me? 293 00:17:35,520 --> 00:17:36,120 Speaker 1: We still. 294 00:17:38,960 --> 00:17:41,639 Speaker 13: Tell me it must do him? Tell me you just 295 00:17:43,040 --> 00:17:46,119 Speaker 13: you said it's just a Jose And I know, I know, 296 00:17:46,840 --> 00:17:49,119 Speaker 13: I know, I know, I know, I know I know 297 00:17:51,200 --> 00:18:00,520 Speaker 13: a lot too before before before you intruble. Then again, 298 00:18:00,600 --> 00:18:04,239 Speaker 13: I can be drunk. Maybe I don't want to sound right. 299 00:18:04,359 --> 00:18:06,680 Speaker 13: Just I got twenty took it like b since I 300 00:18:06,880 --> 00:18:08,960 Speaker 13: just ene many many roll the dight since I been. 301 00:18:11,040 --> 00:18:12,520 Speaker 4: She ain't even really my typing. 302 00:18:12,600 --> 00:18:15,000 Speaker 13: Now your she ben losing that sault to the night ship. 303 00:18:15,119 --> 00:18:21,480 Speaker 13: She losing herself in n A And you've been fighting 304 00:18:21,600 --> 00:18:24,480 Speaker 13: for your shot and you've been searching for your spider. 305 00:18:24,720 --> 00:18:25,480 Speaker 6: I fit it. 306 00:18:26,720 --> 00:18:30,520 Speaker 13: I fit it, but you need you got your cue. 307 00:18:30,840 --> 00:18:36,080 Speaker 13: But you want someone like you? Tell me she still 308 00:18:36,160 --> 00:18:39,680 Speaker 13: love probably I I'm drunk right now, tell me we 309 00:18:39,800 --> 00:18:43,359 Speaker 13: still one on one. I'm in there, so tell me 310 00:18:43,480 --> 00:18:46,800 Speaker 13: in must shoom telling you just how I feel right now. 311 00:18:47,119 --> 00:18:49,960 Speaker 13: He said, it's just the drugs. And I know, I 312 00:18:50,000 --> 00:18:50,280 Speaker 13: don't know. 313 00:18:50,920 --> 00:18:51,280 Speaker 8: I don't know. 314 00:18:51,440 --> 00:18:51,760 Speaker 11: I don't know. 315 00:18:52,080 --> 00:18:52,800 Speaker 7: I know. 316 00:18:55,359 --> 00:18:58,720 Speaker 13: A lot too before before. 317 00:19:00,080 --> 00:19:04,240 Speaker 5: You like this, something like some money man. 318 00:19:04,320 --> 00:19:07,840 Speaker 13: And again I can be drunk. Yeah, I know, my mean, 319 00:19:08,000 --> 00:19:11,120 Speaker 13: I know it's two way am those stress start three 320 00:19:11,200 --> 00:19:14,440 Speaker 13: that kick caring in thursdays and feel you best. 321 00:19:14,720 --> 00:19:15,720 Speaker 8: I've turned my old. 322 00:19:15,600 --> 00:19:16,600 Speaker 1: Spot the crucial. 323 00:19:16,680 --> 00:19:17,320 Speaker 13: It's crucial. 324 00:19:17,480 --> 00:19:21,480 Speaker 1: The way I love affairs is like the Lord a little. 325 00:19:21,200 --> 00:19:22,360 Speaker 7: Bit the best. 326 00:19:22,520 --> 00:19:24,639 Speaker 13: I'm looking at her and her son and turning to 327 00:19:24,760 --> 00:19:26,639 Speaker 13: you now you're starting to put my mind is in 328 00:19:26,760 --> 00:19:29,600 Speaker 13: you as there we probably try to the birds turning 329 00:19:29,720 --> 00:19:31,359 Speaker 13: now not just to catch you, hear her. 330 00:19:31,520 --> 00:19:32,400 Speaker 1: It's not enough stairs. 331 00:19:32,440 --> 00:19:32,880 Speaker 6: It's a leak. 332 00:19:33,040 --> 00:19:34,840 Speaker 13: I don't make it squeak, make it squeak, I make 333 00:19:34,920 --> 00:19:38,520 Speaker 13: it beat. But went up sleep in this lode, the streets, 334 00:19:38,600 --> 00:19:41,240 Speaker 13: it takes it in this especially in discapalat Chief and 335 00:19:41,400 --> 00:19:43,960 Speaker 13: JA make the creeks lead the gate over through the 336 00:19:44,040 --> 00:19:46,359 Speaker 13: south Dlama Creek? Are you bouy the torrell? And now 337 00:19:46,400 --> 00:19:49,000 Speaker 13: the kids downs is asleep and now you upset by yourself. 338 00:19:49,119 --> 00:19:51,320 Speaker 13: A minute from there, it's just a room for me 339 00:19:51,720 --> 00:19:56,200 Speaker 13: maybe to tell the tails. Tell me that you still 340 00:19:56,320 --> 00:19:59,920 Speaker 13: love father. And I'm drunk right now. Tell me he's 341 00:20:00,400 --> 00:20:05,520 Speaker 13: used to tell me it must do zoom. Tell me 342 00:20:05,640 --> 00:20:08,159 Speaker 13: you just out here. And he said, it's just a 343 00:20:08,359 --> 00:20:11,879 Speaker 13: jos And I know, I know, I know, I know, 344 00:20:12,160 --> 00:20:12,920 Speaker 13: I know, I know. 345 00:20:13,160 --> 00:20:13,440 Speaker 5: I know. 346 00:20:15,480 --> 00:20:24,760 Speaker 13: Ah too before before before you had this. But then again, 347 00:20:24,840 --> 00:20:25,639 Speaker 13: I can be drunk. 348 00:20:28,080 --> 00:20:30,639 Speaker 1: It's one or two point seven, Kim. Now let's go 349 00:20:30,720 --> 00:20:33,119 Speaker 1: back to this, Ryan Roses. So you know, always at 350 00:20:33,160 --> 00:20:35,399 Speaker 1: the public service, if you think somebody's cheating, ors, try 351 00:20:35,440 --> 00:20:37,160 Speaker 1: and get to the bottom of it. We'll find out. 352 00:20:37,240 --> 00:20:40,600 Speaker 1: We'll make the call. That's a given. This one was 353 00:20:40,640 --> 00:20:44,280 Speaker 1: a little different. Brihanna and her husband Marcos had a 354 00:20:44,359 --> 00:20:46,639 Speaker 1: big fight, she kicked him out. It didn't sound like 355 00:20:46,680 --> 00:20:49,480 Speaker 1: there was infidelity as part of the fight, No, it didn't. 356 00:20:49,520 --> 00:20:51,520 Speaker 6: But she also made it a point to say, we 357 00:20:51,680 --> 00:20:56,200 Speaker 6: have been fighting since the beginning of our relationship, volatile, disrespectful. 358 00:20:57,000 --> 00:20:59,080 Speaker 1: But she did say I want to find out if 359 00:20:59,119 --> 00:21:01,960 Speaker 1: he's thinking, you know, positive thoughts and good things and 360 00:21:02,080 --> 00:21:06,520 Speaker 1: wants to make amends. And when we offered in the roses, 361 00:21:06,600 --> 00:21:11,040 Speaker 1: he sent them heartfelt lee to his wife Brianna, right, 362 00:21:11,240 --> 00:21:13,080 Speaker 1: and we got to the place where they both came 363 00:21:13,160 --> 00:21:16,600 Speaker 1: on the air and they talked it out and they said, look, 364 00:21:16,720 --> 00:21:18,399 Speaker 1: we got to do better as a couple and not 365 00:21:18,520 --> 00:21:20,760 Speaker 1: fight so much and not kick each other out, like 366 00:21:20,920 --> 00:21:26,879 Speaker 1: we can do this. And I liked the hopeful productivity. 367 00:21:26,520 --> 00:21:27,240 Speaker 5: Of that call. 368 00:21:27,880 --> 00:21:30,720 Speaker 1: Is there a world where we do calls more like that? 369 00:21:30,920 --> 00:21:37,560 Speaker 1: Sometimes we could? Hope? Yeah, because what I left feeling good, like, 370 00:21:37,640 --> 00:21:39,880 Speaker 1: here's two people that were not speaking. And then after 371 00:21:39,960 --> 00:21:42,960 Speaker 1: that call, they said the precious words, the good the 372 00:21:43,040 --> 00:21:47,040 Speaker 1: words that you want to hear. We have to do better, 373 00:21:47,680 --> 00:21:49,520 Speaker 1: that's all you want to hear from your partner. 374 00:21:49,640 --> 00:21:52,000 Speaker 4: And I hope they do. I hope they do change 375 00:21:52,280 --> 00:21:54,919 Speaker 4: and do better, because I think was they were they 376 00:21:54,960 --> 00:21:55,359 Speaker 4: were talking. 377 00:21:55,440 --> 00:21:57,600 Speaker 1: They weren't yelling, they were talking, they were they were calm. 378 00:21:58,280 --> 00:21:59,880 Speaker 4: Maybe it could be Ryan's reset. 379 00:22:00,840 --> 00:22:01,880 Speaker 1: You don't like Ryan's Hope? 380 00:22:03,040 --> 00:22:06,280 Speaker 4: That doesn't really doesn't really like I have a cheeky 381 00:22:06,720 --> 00:22:07,359 Speaker 4: yeah vibe. 382 00:22:08,040 --> 00:22:12,520 Speaker 1: It was a soap opera? Oh, really hugely popular? What 383 00:22:12,760 --> 00:22:16,000 Speaker 1: year Ryan's Hope background? 384 00:22:16,119 --> 00:22:16,680 Speaker 4: Not one person? 385 00:22:17,000 --> 00:22:18,800 Speaker 1: No, not one Mark, Yeah, of course I. 386 00:22:18,920 --> 00:22:25,080 Speaker 6: Do, Mark, Mark remembers you and Mark seventies name eight 387 00:22:26,000 --> 00:22:27,360 Speaker 6: Hope is actually a thing. 388 00:22:28,200 --> 00:22:29,040 Speaker 1: It was a soap opa. 389 00:22:29,119 --> 00:22:30,880 Speaker 4: Ryan's Hope sounds like I need to donate money. 390 00:22:31,400 --> 00:22:34,280 Speaker 1: Yeah, no, it was Mark Please who was in it? 391 00:22:34,880 --> 00:22:37,119 Speaker 1: Maybe a bunch of soap operactors that I'm not feel 392 00:22:37,280 --> 00:22:40,680 Speaker 1: like Patrick muldoon or ran until nineteen eighty nine. 393 00:22:41,440 --> 00:22:43,680 Speaker 4: Oh boy, I was more of a Passions girl, you know. 394 00:22:44,160 --> 00:22:47,920 Speaker 1: Oh I know that, I know, I know Passions on NBC. 395 00:22:48,760 --> 00:22:50,520 Speaker 4: Yes, what was the lead guy's name? 396 00:22:50,840 --> 00:22:54,960 Speaker 1: What was a girl's name? Passions was so good? 397 00:22:55,080 --> 00:22:59,680 Speaker 4: Yeah, we get home from school and watch pas NBC 398 00:23:01,400 --> 00:23:04,159 Speaker 4: because it was a new cool one and Timmy remember. 399 00:23:03,920 --> 00:23:07,160 Speaker 1: To loved it. I loved it so much. Okay, wait, 400 00:23:07,200 --> 00:23:08,120 Speaker 1: that's not what we're talking about. 401 00:23:08,720 --> 00:23:11,200 Speaker 4: Uh, had were totally sidetragged. 402 00:23:10,960 --> 00:23:13,639 Speaker 1: So Marravel, So what did you think about Ryne droes Is. 403 00:23:13,760 --> 00:23:16,720 Speaker 1: I liked it because the steaks were either they're getting 404 00:23:16,800 --> 00:23:18,800 Speaker 1: back together or they're going to take steps to resolve 405 00:23:18,840 --> 00:23:21,080 Speaker 1: their fight. It ended up that they are now finally 406 00:23:21,200 --> 00:23:23,040 Speaker 1: talking and they want to work it out together, which 407 00:23:23,080 --> 00:23:24,560 Speaker 1: I loved. What'd you think? 408 00:23:25,640 --> 00:23:27,960 Speaker 5: I mean, yeah, I guess, but like, these are the 409 00:23:28,000 --> 00:23:30,880 Speaker 5: couples that, like me and my friends dread having over. 410 00:23:31,520 --> 00:23:33,159 Speaker 4: You know, they always end up getting. 411 00:23:32,880 --> 00:23:36,680 Speaker 2: In five, that one throws a drinks, that one's always crying, 412 00:23:36,920 --> 00:23:40,600 Speaker 2: and it's just like takes an amazing fun night. 413 00:23:40,600 --> 00:23:42,400 Speaker 5: And just always ends in a disaster. 414 00:23:42,720 --> 00:23:46,680 Speaker 6: You know, Like if I thought if I threw him out, 415 00:23:46,760 --> 00:23:47,840 Speaker 6: we would be done, like. 416 00:23:47,880 --> 00:23:48,640 Speaker 2: He could come back. 417 00:23:49,040 --> 00:23:51,000 Speaker 1: But she didn't want it to be done. She acted 418 00:23:51,119 --> 00:23:52,760 Speaker 1: in a moment of passion. She didn't want it to 419 00:23:52,800 --> 00:23:54,159 Speaker 1: be done. That's why she called us to try and 420 00:23:54,200 --> 00:23:55,480 Speaker 1: see if he was willing to work it out. The 421 00:23:55,520 --> 00:23:57,520 Speaker 1: door is open, and you. 422 00:23:57,520 --> 00:23:59,359 Speaker 4: Know, I think what Marvel is trying to say is 423 00:23:59,400 --> 00:24:03,200 Speaker 4: like it sticks now. But I don't think it's fa No. 424 00:24:03,400 --> 00:24:05,560 Speaker 2: I think that they they're like a couple of you 425 00:24:05,640 --> 00:24:08,040 Speaker 2: guys that like they crave off of. 426 00:24:08,240 --> 00:24:11,119 Speaker 1: Like chaos do you know what I mean, drama. They 427 00:24:11,280 --> 00:24:12,919 Speaker 1: thrive off of the drama. 428 00:24:13,480 --> 00:24:16,160 Speaker 4: I know those couples. I know exactly who you're talking about. 429 00:24:17,400 --> 00:24:19,000 Speaker 1: Yeah, you watched the show Vanderplump. 430 00:24:19,520 --> 00:24:23,000 Speaker 6: Well that's a little different. But even in my own world, 431 00:24:23,320 --> 00:24:25,120 Speaker 6: he's not with her anymore. But one of my best 432 00:24:25,160 --> 00:24:27,640 Speaker 6: guy friends was dating this one girl and they fought 433 00:24:27,800 --> 00:24:29,400 Speaker 6: all the time, to the point where I was like, look, 434 00:24:29,440 --> 00:24:31,119 Speaker 6: I can't invite you to my birthday party or like 435 00:24:31,200 --> 00:24:33,480 Speaker 6: things they were doing embarrassing you. Guys always end up 436 00:24:33,520 --> 00:24:34,800 Speaker 6: fighting and it turns into a whole thing. 437 00:24:35,080 --> 00:24:40,359 Speaker 2: Yeahs the the party and it's like it's too. 438 00:24:40,320 --> 00:24:44,200 Speaker 1: Much, Maryville, Thank you very much for calling. No patience 439 00:24:44,240 --> 00:24:45,760 Speaker 1: for that. Maryville's got no patience for that. 440 00:24:46,000 --> 00:24:46,520 Speaker 7: Not ve been here. 441 00:24:47,040 --> 00:24:51,919 Speaker 1: That's Ryan's Roses, Mondays and Thursdays on Kiss coming back 442 00:24:51,920 --> 00:24:52,400 Speaker 1: to pay a bill.