1 00:00:01,080 --> 00:00:02,200 Speaker 1: Damn that he hogged. 2 00:00:03,680 --> 00:00:06,640 Speaker 2: It's time for donkeys the King. I ain't trying to 3 00:00:06,640 --> 00:00:07,880 Speaker 2: be donkey today no more. 4 00:00:07,920 --> 00:00:10,120 Speaker 3: They should be embarrassed by what they already did. I'm 5 00:00:10,119 --> 00:00:11,480 Speaker 3: not making these people do these days. 6 00:00:11,440 --> 00:00:14,280 Speaker 4: Called Donkey of the Day and it really caught me 7 00:00:14,320 --> 00:00:14,880 Speaker 4: off guard. 8 00:00:15,000 --> 00:00:18,439 Speaker 3: Damn Charla Man who got the donkey out the day today? 9 00:00:19,880 --> 00:00:20,920 Speaker 2: Well, just hilarious. 10 00:00:21,160 --> 00:00:24,040 Speaker 3: Donkey of Today from Monday, December second goes to Aubrey 11 00:00:24,440 --> 00:00:26,680 Speaker 3: Drake Graham. We was on vacation all last week, so 12 00:00:26,680 --> 00:00:28,800 Speaker 3: I didn't get the opportunity to properly give Drake the 13 00:00:28,800 --> 00:00:30,360 Speaker 3: credit he deserves for being stupid. 14 00:00:30,400 --> 00:00:33,640 Speaker 2: But if you haven't heard, last week, Frozen. 15 00:00:33,240 --> 00:00:36,320 Speaker 3: Moments LLC, a company managed by Drake, filed a petition 16 00:00:36,479 --> 00:00:39,880 Speaker 3: in the New York Supreme Court accusing UMG and Spotify 17 00:00:40,000 --> 00:00:43,559 Speaker 3: of engaging in a scheme to ensure Kendrick Lamars Not 18 00:00:43,720 --> 00:00:46,839 Speaker 3: Like Us broke through on multiple screaming platforms. According to 19 00:00:46,880 --> 00:00:49,960 Speaker 3: the petition, Aubrey Graham claimed the label used dis honest 20 00:00:50,000 --> 00:00:52,440 Speaker 3: tactics to increase the number of listeners for Not Like 21 00:00:52,560 --> 00:00:56,240 Speaker 3: Us on Spotify and radio stations. He also filed another 22 00:00:56,280 --> 00:00:59,960 Speaker 3: petition against UMG, alleging defamation and claiming that the label 23 00:01:00,000 --> 00:01:02,280 Speaker 3: could have stopped the release of not Like Us, which 24 00:01:02,320 --> 00:01:04,679 Speaker 3: the rappers said in the document is a song falsely 25 00:01:04,720 --> 00:01:06,720 Speaker 3: accusing him of being a sex offender. 26 00:01:06,840 --> 00:01:08,479 Speaker 2: Let's go to ABC News for the report. Please. 27 00:01:08,680 --> 00:01:11,959 Speaker 5: Drake is filing a petition against Universal Music Group and Spotify, 28 00:01:12,000 --> 00:01:15,560 Speaker 5: accusing the companies of quote artificially inflating the spread of 29 00:01:15,640 --> 00:01:18,039 Speaker 5: not Like Us by Kendrick Lamar. In the New York 30 00:01:18,040 --> 00:01:21,640 Speaker 5: Court filing, Drake alleges you UMG and Spotify quote deceived 31 00:01:21,680 --> 00:01:24,720 Speaker 5: consumers into believing the song was more popular than it was, 32 00:01:25,240 --> 00:01:28,520 Speaker 5: manipulating the streaming services to make the song go viral. 33 00:01:29,080 --> 00:01:32,000 Speaker 5: UMG released a statement saying, in part, the suggestion that 34 00:01:32,120 --> 00:01:35,240 Speaker 5: UMG would do anything to undermine any of its artists 35 00:01:35,560 --> 00:01:37,360 Speaker 5: is offensive and untrue. 36 00:01:38,600 --> 00:01:40,679 Speaker 3: Now I told y'all back in May on my Brilliant 37 00:01:40,680 --> 00:01:42,560 Speaker 3: Idious podcast. I might have even said it here on 38 00:01:42,600 --> 00:01:44,760 Speaker 3: Breakfast Club. I don't remember, but I told Y'alldrake was 39 00:01:44,760 --> 00:01:47,600 Speaker 3: gonna follow lawsuit. I told you Drake was gonna sue. 40 00:01:47,600 --> 00:01:50,360 Speaker 3: He is a multi billion dollar entity. No multi billion 41 00:01:50,400 --> 00:01:52,040 Speaker 3: dollar entity is going to allow you to call him 42 00:01:52,080 --> 00:01:54,600 Speaker 3: a pedophile or a sex offender and not take some 43 00:01:54,640 --> 00:01:55,480 Speaker 3: sort of legal action. 44 00:01:55,560 --> 00:01:56,120 Speaker 2: But here's the thing. 45 00:01:56,400 --> 00:01:58,440 Speaker 3: The person who has the real defamation case in this 46 00:01:58,520 --> 00:02:02,120 Speaker 3: situation is Kendrick woman, because Drake not only said Kendrick 47 00:02:02,240 --> 00:02:04,480 Speaker 3: was beating on her, he said that Dave Free, Kendrick's 48 00:02:04,480 --> 00:02:06,880 Speaker 3: business partner and friend, was the real father to one 49 00:02:06,880 --> 00:02:10,480 Speaker 3: of Kendrick's kids. So if you're gonna accuse somebody of defamation, 50 00:02:10,800 --> 00:02:15,040 Speaker 3: you must first make sure you too aren't guilty of defamation. Okay, 51 00:02:15,120 --> 00:02:18,280 Speaker 3: Drake saying that Kendrick defamed him is indeed the pot 52 00:02:18,320 --> 00:02:20,600 Speaker 3: calling the kettle bage. But that's not even why I'm 53 00:02:20,600 --> 00:02:22,920 Speaker 3: giving him donkey of the day. Okay, I'm giving him 54 00:02:22,960 --> 00:02:25,000 Speaker 3: donkey of the day because Drake is proving, without a 55 00:02:25,040 --> 00:02:28,959 Speaker 3: shadow of a doubt, that he simply doesn't understand culture. 56 00:02:29,520 --> 00:02:32,040 Speaker 3: I used to debate with my man Glasses Malone Drop 57 00:02:32,040 --> 00:02:35,119 Speaker 3: on the Clues Bombs for Glasses alone. You can listen 58 00:02:35,200 --> 00:02:37,320 Speaker 3: to his No Sealers podcasts on the Black Effect iHeart 59 00:02:37,400 --> 00:02:40,200 Speaker 3: Radio podcast network. I used to debate with Glasses when 60 00:02:40,240 --> 00:02:42,800 Speaker 3: he would say things like Drake is in hip hop. 61 00:02:43,240 --> 00:02:45,800 Speaker 3: He would say Drake is not culture. Glasses would actually 62 00:02:45,840 --> 00:02:50,120 Speaker 3: say Drake is Madonna, He's pop he's manufactured. And you know, 63 00:02:50,320 --> 00:02:54,080 Speaker 3: after this lawsuit, I have to say I agree, because 64 00:02:54,160 --> 00:02:56,760 Speaker 3: Drake doesn't understand how any of this works. Number one, 65 00:02:57,680 --> 00:03:01,359 Speaker 3: Not Like Us was very popular. Ok it's still very popular. 66 00:03:01,680 --> 00:03:04,280 Speaker 3: It was an instant smash, all right. Not Like Us 67 00:03:04,360 --> 00:03:08,760 Speaker 3: isn't just a hit record. It's a rare cultural phenomenon. 68 00:03:08,960 --> 00:03:12,480 Speaker 3: Records like that don't come along too often. Records like 69 00:03:12,560 --> 00:03:14,840 Speaker 3: that can't be programmed. I don't care how much money 70 00:03:14,880 --> 00:03:18,000 Speaker 3: you spend that radio or on playlist, whatever it is. 71 00:03:18,120 --> 00:03:22,480 Speaker 3: When something is a cultural phenomenon, you can't buy that, Okay, 72 00:03:22,520 --> 00:03:26,080 Speaker 3: you can't buy culture. Drake Not Like Us was a 73 00:03:26,160 --> 00:03:30,600 Speaker 3: cultural identifier for a whole coast. I wouldn't be surprised 74 00:03:31,360 --> 00:03:34,400 Speaker 3: if California made the state model they Not Like Us 75 00:03:34,440 --> 00:03:37,760 Speaker 3: one day. Right now, their state model is Eureka, so 76 00:03:37,840 --> 00:03:39,680 Speaker 3: they need an upgrader, Okay, and they Not Like Us 77 00:03:39,680 --> 00:03:41,960 Speaker 3: would absolutely be a better model. But that's what Drake 78 00:03:42,000 --> 00:03:44,800 Speaker 3: doesn't understand. Because Drake is absolutely one of the biggest 79 00:03:44,840 --> 00:03:47,400 Speaker 3: artists in the world. Okay, he has a cult like following, 80 00:03:47,440 --> 00:03:49,600 Speaker 3: not just the colt like following. He has some of 81 00:03:49,640 --> 00:03:52,520 Speaker 3: the most loyal d riders on the planet. In fact, 82 00:03:52,600 --> 00:03:54,400 Speaker 3: drop on the clues bombs for Drake's d Riders. 83 00:03:55,480 --> 00:03:56,480 Speaker 2: There are people. 84 00:03:56,200 --> 00:03:58,440 Speaker 3: Amongst us who sit on Drake's penis the way Drake 85 00:03:58,560 --> 00:04:01,720 Speaker 3: was sitting on the siantawer on have used album cover. Okay, 86 00:04:02,040 --> 00:04:04,280 Speaker 3: but even with Drake's huge fan base, don't think for 87 00:04:04,360 --> 00:04:08,080 Speaker 3: one second, whatever the label UMG was doing to promote 88 00:04:09,000 --> 00:04:12,480 Speaker 3: you know, not like us, they were doing the same thing. 89 00:04:12,320 --> 00:04:14,240 Speaker 2: For you your whole career. Okay. 90 00:04:14,280 --> 00:04:16,560 Speaker 3: If one of those diss records you put out would 91 00:04:16,560 --> 00:04:19,320 Speaker 3: have taken off and been a cultural phenomenon like not 92 00:04:19,440 --> 00:04:21,400 Speaker 3: like us, the record label would have pushed that to 93 00:04:22,080 --> 00:04:23,280 Speaker 3: how would. 94 00:04:23,120 --> 00:04:24,760 Speaker 2: You be clowning Kendrick right now? 95 00:04:24,800 --> 00:04:27,760 Speaker 3: If Kendrick said, you know, UMG, you didn't have to 96 00:04:27,839 --> 00:04:29,640 Speaker 3: let Drake put that record out of choosing me, of 97 00:04:29,720 --> 00:04:31,560 Speaker 3: beating my lady. You didn't have to let Drake put 98 00:04:31,560 --> 00:04:34,560 Speaker 3: that record out saying my child isn't really mine. I'm 99 00:04:34,640 --> 00:04:36,919 Speaker 3: trying to get you to see why you look like 100 00:04:36,960 --> 00:04:39,839 Speaker 3: a complete and total sucker Drake. Okay, not to mention 101 00:04:39,960 --> 00:04:42,440 Speaker 3: once again, you are a huge artist, but don't believe 102 00:04:42,480 --> 00:04:45,520 Speaker 3: your own hype too much because those same tricks you 103 00:04:45,560 --> 00:04:48,560 Speaker 3: are accusing UMG of doing for not like us. They 104 00:04:48,600 --> 00:04:51,760 Speaker 3: have done for you your whole career. There was a 105 00:04:51,800 --> 00:04:54,960 Speaker 3: time when Drake was on the cover of every playlist 106 00:04:55,200 --> 00:04:56,960 Speaker 3: on the browser page of Spotify. 107 00:04:57,400 --> 00:04:59,159 Speaker 2: Okay, they did it with Apple two. 108 00:04:59,160 --> 00:05:01,080 Speaker 3: I think it was called School and Season or something 109 00:05:01,080 --> 00:05:03,240 Speaker 3: like that, and he took over multiple playlists on the 110 00:05:03,279 --> 00:05:06,000 Speaker 3: same day. All I'm saying, Aubrey is stop acting like 111 00:05:06,040 --> 00:05:09,480 Speaker 3: you haven't been the beneficiary of record label technology. Okay, 112 00:05:09,560 --> 00:05:13,480 Speaker 3: you being a whole hole simply because you lost, simply 113 00:05:13,520 --> 00:05:15,920 Speaker 3: because Kendrick Lamar kicked your ass. 114 00:05:15,640 --> 00:05:18,120 Speaker 2: Lyrically, mentally, spiritually, and emotionally. 115 00:05:18,279 --> 00:05:21,080 Speaker 3: And anybody acting like this is anything more than Drake's 116 00:05:21,080 --> 00:05:24,080 Speaker 3: feelings being hurt. You a hoe to a ov ho 117 00:05:24,279 --> 00:05:27,240 Speaker 3: to be exact. Okay, he's fighting the same war that 118 00:05:27,279 --> 00:05:30,560 Speaker 3: Michael Jackson fought. Drake is taking a stand for the 119 00:05:30,680 --> 00:05:33,359 Speaker 3: art and the artist. People who are running with that 120 00:05:33,520 --> 00:05:36,920 Speaker 3: narrative would hold Drake's penis while he peas and shake 121 00:05:36,960 --> 00:05:39,240 Speaker 3: it for him when he's finished. Okay, Drake has been 122 00:05:39,240 --> 00:05:42,640 Speaker 3: handling this terribly since not like us dropped, and please 123 00:05:42,720 --> 00:05:46,279 Speaker 3: let's keep this in mind. Drake, You're in this position 124 00:05:46,600 --> 00:05:49,880 Speaker 3: because you tapped out. Okay, you chose to tap out 125 00:05:50,160 --> 00:05:52,640 Speaker 3: after you heard not like us, Kendrick dropped too much 126 00:05:52,640 --> 00:05:55,480 Speaker 3: tune for your head top Okay, he gave you Euphoria 127 00:05:55,760 --> 00:05:58,279 Speaker 3: six one six in La Meet the Grams and not 128 00:05:58,440 --> 00:06:00,880 Speaker 3: like us. It was too much for you because you 129 00:06:00,960 --> 00:06:03,640 Speaker 3: didn't have to tap out after the hard part six. 130 00:06:03,839 --> 00:06:05,560 Speaker 3: You could have went in the studio and gave us 131 00:06:05,560 --> 00:06:07,839 Speaker 3: a bop you the bop guy. You could have got 132 00:06:07,839 --> 00:06:09,880 Speaker 3: with some ghost riders, went in the studio and wrote 133 00:06:09,880 --> 00:06:13,040 Speaker 3: it hit the combat not like us, but you chose 134 00:06:13,200 --> 00:06:16,960 Speaker 3: not to get tapped out Kendrick one and he told 135 00:06:17,000 --> 00:06:19,479 Speaker 3: you to squabble up, not lawyer up. But you chose 136 00:06:19,520 --> 00:06:22,000 Speaker 3: to get the lawyers because you lost the squabble. 137 00:06:22,720 --> 00:06:26,320 Speaker 2: Please give Aubrey Drake cram to sweet Sounds of the Hamiltons. 138 00:06:26,600 --> 00:06:39,880 Speaker 1: You, Oh the day, Oh the day. 139 00:06:41,160 --> 00:06:47,640 Speaker 3: Ye. And I'm gonna tell Drake exactly, you know what 140 00:06:47,680 --> 00:06:49,960 Speaker 3: I've been telling him since the summer. Take a break, 141 00:06:50,640 --> 00:06:54,080 Speaker 3: go away, let nostalgia bring you back. People will miss you. 142 00:06:54,080 --> 00:06:56,120 Speaker 3: You see what Jay Cole is doing. People don't even 143 00:06:56,160 --> 00:06:58,479 Speaker 3: care he tapped out of the rap battle anymore. Yeah, 144 00:06:58,600 --> 00:07:00,640 Speaker 3: you know what I'm saying, because he taking folks memory 145 00:07:00,720 --> 00:07:03,560 Speaker 3: lane with the audio scripted series he's doing. He got 146 00:07:03,560 --> 00:07:07,480 Speaker 3: the ten year anniversary of uh Forest Hill Drives coming in. 147 00:07:07,440 --> 00:07:08,279 Speaker 2: A couple of weeks. 148 00:07:08,880 --> 00:07:12,400 Speaker 3: Just announced Dreamville, just announced Dreamville fast like yo, people 149 00:07:12,560 --> 00:07:15,760 Speaker 3: will nostalgia will bring you back. You have that much 150 00:07:16,560 --> 00:07:19,120 Speaker 3: history in the game, Drake. But right now you need 151 00:07:19,160 --> 00:07:20,880 Speaker 3: to take a break because this Kendrick tied away ain't 152 00:07:20,880 --> 00:07:21,840 Speaker 3: stopping those times soon. 153 00:07:21,960 --> 00:07:23,240 Speaker 2: What was Michael Jackson fighting for? 154 00:07:25,040 --> 00:07:27,640 Speaker 4: Oh, they said they were taking Michael Jackson down because 155 00:07:27,680 --> 00:07:28,800 Speaker 4: he owned. 156 00:07:28,480 --> 00:07:32,840 Speaker 3: All account He owned half of Sony ATV's publishing. Yeah, 157 00:07:32,920 --> 00:07:34,960 Speaker 3: so he owned like damned the half of all the 158 00:07:35,000 --> 00:07:36,120 Speaker 3: publishing and the music indust So. 159 00:07:36,120 --> 00:07:38,280 Speaker 4: They said they were taking him down, and that I 160 00:07:38,400 --> 00:07:41,440 Speaker 4: believe though, Yeah, that's the he said that somebody was 161 00:07:41,560 --> 00:07:44,040 Speaker 4: touching the kids and because of. 162 00:07:44,040 --> 00:07:46,760 Speaker 2: That, I remember, oh, I remember all that. 163 00:07:46,880 --> 00:07:50,400 Speaker 4: But okay, compared all right, well, let's open up the 164 00:07:50,400 --> 00:07:53,120 Speaker 4: phone lines. What's your thoughts? Eight hundred five eight five 165 00:07:53,200 --> 00:07:56,280 Speaker 4: one o five one? Do you believe this lawsuit is warranted? 166 00:07:56,320 --> 00:07:56,440 Speaker 5: Now? 167 00:07:56,480 --> 00:07:59,080 Speaker 4: The lawsuit is not going at Kendrick is going at 168 00:07:59,160 --> 00:08:01,560 Speaker 4: UMG please And what he's saying. 169 00:08:01,320 --> 00:08:03,320 Speaker 3: That's like shooting up a building. Knowing Kendrick in there 170 00:08:03,600 --> 00:08:05,000 Speaker 3: was saying, I wasn't shooting at Kendrick. I was just 171 00:08:05,000 --> 00:08:05,760 Speaker 3: shooting up the building. 172 00:08:06,000 --> 00:08:09,120 Speaker 4: And what he's saying is that he's in renegotiation contract 173 00:08:09,240 --> 00:08:11,600 Speaker 4: and and they are trying to pretty much. 174 00:08:11,680 --> 00:08:13,160 Speaker 3: I haven't heard him say this is this because it 175 00:08:13,200 --> 00:08:15,240 Speaker 3: sounds like what the ov holds is saying. It's like this, 176 00:08:15,560 --> 00:08:17,520 Speaker 3: this would It sounds like all you you Drake stands are. 177 00:08:17,400 --> 00:08:17,960 Speaker 2: Saying that. 178 00:08:19,560 --> 00:08:21,800 Speaker 4: Believe that he's in the middle of nego. 179 00:08:22,040 --> 00:08:24,080 Speaker 2: Sources page I don't know. 180 00:08:24,880 --> 00:08:27,960 Speaker 4: Sources say that he's in the negotiation of a new 181 00:08:28,080 --> 00:08:30,960 Speaker 4: contract and that he believes that they are trying to 182 00:08:31,160 --> 00:08:34,240 Speaker 4: hurt his uh negotiation skills by calling him a pedophile 183 00:08:34,320 --> 00:08:35,800 Speaker 4: and saying all these things that aren't true. 184 00:08:36,040 --> 00:08:36,800 Speaker 2: So he is suing. 185 00:08:36,960 --> 00:08:38,920 Speaker 4: So let's open up the phone lines and say what's 186 00:08:38,960 --> 00:08:41,800 Speaker 4: your thoughts? Eight hundred five eight five one oh five one. 187 00:08:41,840 --> 00:08:44,559 Speaker 4: He's suing UMG and Spotify, spot so we're asking what 188 00:08:44,679 --> 00:08:45,080 Speaker 4: your thoughts. 189 00:08:45,120 --> 00:08:48,520 Speaker 2: Let's discuss Spotify got to do with this, seriously, what 190 00:08:48,559 --> 00:08:49,079 Speaker 2: does Spotify? 191 00:08:49,120 --> 00:08:51,640 Speaker 4: I think the Spotify thing was when you say certified 192 00:08:51,679 --> 00:08:53,400 Speaker 4: love a boy and it goes right, everything goes to 193 00:08:53,800 --> 00:08:54,320 Speaker 4: what it does. 194 00:08:54,280 --> 00:08:57,680 Speaker 2: For any any song if you say the. 195 00:08:59,200 --> 00:09:01,040 Speaker 1: Record this ir. 196 00:09:04,480 --> 00:09:06,320 Speaker 4: What I'm trying to give people a thing when they 197 00:09:06,320 --> 00:09:08,480 Speaker 4: can call up here, get more both sides. Eight hundred 198 00:09:08,600 --> 00:09:11,160 Speaker 4: five eight five one five. They're saying not only because 199 00:09:11,160 --> 00:09:13,679 Speaker 4: of that, also because of the streams as well, or screams. 200 00:09:13,920 --> 00:09:16,680 Speaker 4: I guess they're saying they're patting the streams, not like. 201 00:09:18,200 --> 00:09:18,240 Speaker 3: Me. 202 00:09:18,320 --> 00:09:20,079 Speaker 1: I'm just telling people get sides. 203 00:09:20,160 --> 00:09:20,800 Speaker 2: I'm not arguing. 204 00:09:20,840 --> 00:09:23,880 Speaker 3: I'm saying, not like us, was a cultural phenomenon, like 205 00:09:24,240 --> 00:09:26,600 Speaker 3: like records like that are rare. That's like dad is bro, 206 00:09:27,120 --> 00:09:28,319 Speaker 3: like what else like that? 207 00:09:29,240 --> 00:09:31,320 Speaker 2: Like that, it was a cultural phenomenon. 208 00:09:31,600 --> 00:09:34,880 Speaker 3: Proparraise. I don't know if it. 209 00:09:34,920 --> 00:09:40,080 Speaker 2: Popparay was there in the club, in the club, No, no, bro, 210 00:09:40,960 --> 00:09:41,719 Speaker 2: I don't think so. 211 00:09:43,800 --> 00:09:48,000 Speaker 4: That ass up swag surfing as up. No, but don't no, 212 00:09:48,240 --> 00:09:52,160 Speaker 4: not like not like us swag surfing. No, no, no, 213 00:09:52,480 --> 00:09:55,840 Speaker 4: Tall Swift was doing the swag surfing. Twenty years later, 214 00:09:56,080 --> 00:09:56,880 Speaker 4: Still still here? 215 00:09:56,920 --> 00:09:57,199 Speaker 3: What's not? 216 00:09:57,760 --> 00:10:00,160 Speaker 4: Still here's up the phone line? Skitchen through. It's just 217 00:10:00,160 --> 00:10:00,880 Speaker 4: the breakfast club. 218 00:10:00,760 --> 00:10:03,840 Speaker 3: Of Morning Donkey Today is sponsored by renowned personal injury 219 00:10:03,880 --> 00:10:06,240 Speaker 3: attorney Michael to Bull Lamb is soft. Don't be a 220 00:10:06,320 --> 00:10:08,360 Speaker 3: donkey when you need a fighter on your side. If 221 00:10:08,400 --> 00:10:10,240 Speaker 3: you're ever injured, go to Michael to bull dot com. 222 00:10:10,360 --> 00:10:12,080 Speaker 3: That's Michael to bull dot com. And when you mess 223 00:10:12,120 --> 00:10:18,000 Speaker 3: with the bull, you get the horns. Wake that ass 224 00:10:18,120 --> 00:10:20,439 Speaker 3: up in the morning. The Breakfast Club