1 00:00:00,280 --> 00:00:04,359 Speaker 1: Hello the Internet, and welcome to this week trend episode 2 00:00:04,400 --> 00:00:10,840 Speaker 1: of The Guys Stay production of iHeartRadio. It is Monday, 3 00:00:11,240 --> 00:00:15,800 Speaker 1: January twenty ninth, twenty twenty four. I believe is the year. 4 00:00:15,960 --> 00:00:18,520 Speaker 1: My name is Jack. That is Miles. 5 00:00:18,880 --> 00:00:20,920 Speaker 2: Yes, Yeah, this is the episode. 6 00:00:20,520 --> 00:00:22,560 Speaker 1: Where we tell you what was trending over the weekend. 7 00:00:22,640 --> 00:00:27,040 Speaker 1: What's trending on this Monday, Monday morning? Miles, you are 8 00:00:27,680 --> 00:00:31,200 Speaker 1: out of pocket right now? You're in you min out area. 9 00:00:31,720 --> 00:00:34,560 Speaker 3: Yeah, I'm in the Great North aka the Bay Area, 10 00:00:34,760 --> 00:00:38,640 Speaker 3: yay area. We be to wrap what kibi to Locke, 11 00:00:39,080 --> 00:00:44,320 Speaker 3: as the famous forty flip sample says, it's beautiful. 12 00:00:44,720 --> 00:00:45,680 Speaker 2: I'm in Japantown. 13 00:00:45,800 --> 00:00:48,320 Speaker 3: I was just up here obviously for the Situation Room 14 00:00:48,360 --> 00:00:52,040 Speaker 3: Pods live show for Sketch Fest. It's always so funny, dude, 15 00:00:52,080 --> 00:00:54,720 Speaker 3: Like because it's a comedy festival. People like local people 16 00:00:54,840 --> 00:00:57,680 Speaker 3: just buy tickets and like show up thinking like, yeah, 17 00:00:57,680 --> 00:00:59,800 Speaker 3: it could be funny. And there are some people in 18 00:00:59,800 --> 00:01:02,200 Speaker 3: the eye who are not ready for like me talking 19 00:01:02,200 --> 00:01:05,080 Speaker 3: about like DNC text messages and how they were doing 20 00:01:05,120 --> 00:01:08,080 Speaker 3: my head in or just any of the geopolitical stuff 21 00:01:08,080 --> 00:01:10,280 Speaker 3: we're talking about. I feel like that happened even like 22 00:01:10,280 --> 00:01:12,600 Speaker 3: in our Daily Zeke show a couple couple of years 23 00:01:12,640 --> 00:01:14,920 Speaker 3: ago to where you had people who been like, oh cool, 24 00:01:15,000 --> 00:01:16,840 Speaker 3: like the interesting comedy. 25 00:01:16,480 --> 00:01:20,319 Speaker 2: Show and they're like, what is this political thunder dome? 26 00:01:20,400 --> 00:01:22,840 Speaker 2: I've wandered? So it was nice. 27 00:01:22,840 --> 00:01:24,520 Speaker 3: But also shout out to everybody that was there. A 28 00:01:24,520 --> 00:01:27,080 Speaker 3: couple people from Zigang shout out to you all. I 29 00:01:27,080 --> 00:01:29,880 Speaker 3: had some really nice conversations with you, so thank you 30 00:01:29,959 --> 00:01:32,640 Speaker 3: for showing up supporting there you go. 31 00:01:33,640 --> 00:01:36,240 Speaker 1: All right, well this is the episode where we talked 32 00:01:36,240 --> 00:01:38,720 Speaker 1: about what's trending, but first we let you get to 33 00:01:38,720 --> 00:01:41,400 Speaker 1: know us a little bit better by telling you some 34 00:01:41,520 --> 00:01:46,240 Speaker 1: things that we think are overrated and underrated. Miles, do 35 00:01:46,240 --> 00:01:47,600 Speaker 1: you want to kick us off with something you think 36 00:01:47,640 --> 00:01:48,360 Speaker 1: is overrated? 37 00:01:48,600 --> 00:01:48,960 Speaker 2: Sure? 38 00:01:49,640 --> 00:01:51,960 Speaker 3: Just you know, we were talking a little bit about, 39 00:01:52,400 --> 00:01:55,160 Speaker 3: I think on the trending episode about how civil war 40 00:01:55,280 --> 00:01:58,360 Speaker 3: was trending and all these governors are sending, you know, 41 00:01:58,480 --> 00:02:00,960 Speaker 3: support to Greg Abbott. Is he causes some kind of 42 00:02:01,000 --> 00:02:05,320 Speaker 3: constitutional crisis? And now we have reports of a new 43 00:02:05,840 --> 00:02:09,240 Speaker 3: a new freedom truck fuckfest coming to the border near 44 00:02:09,320 --> 00:02:13,440 Speaker 3: you next week. Yeah, we do convoy. Do new convoy 45 00:02:13,520 --> 00:02:17,440 Speaker 3: just fucking dropped And guess the kinds of people that 46 00:02:17,520 --> 00:02:21,959 Speaker 3: are behind this one. Yes, you're right, racist grifters again, 47 00:02:22,240 --> 00:02:24,840 Speaker 3: We're just it's like this will be a peaceful event 48 00:02:25,240 --> 00:02:29,600 Speaker 3: with like retired law enforcement military, truckers, bikers, like they're 49 00:02:29,639 --> 00:02:32,440 Speaker 3: always throwing bikers, which I love for these kinds of things, 50 00:02:33,840 --> 00:02:38,120 Speaker 3: and you know, it's just another opportunity to grift, and 51 00:02:38,280 --> 00:02:40,600 Speaker 3: you know, especially from people that believe the solution to 52 00:02:40,720 --> 00:02:42,960 Speaker 3: illegal immigration is to like just have a bunch of 53 00:02:43,000 --> 00:02:47,440 Speaker 3: bikers pull up with guns doing border patrol cosplay, and 54 00:02:47,440 --> 00:02:50,000 Speaker 3: that's kind of like what this thing is now. I 55 00:02:50,040 --> 00:02:53,359 Speaker 3: think obviously this could have the potential to turn violent, 56 00:02:53,480 --> 00:02:55,400 Speaker 3: since the mindset of a lot of these people is. 57 00:02:55,400 --> 00:02:57,400 Speaker 2: That they are protecting our nation. 58 00:02:58,280 --> 00:03:01,760 Speaker 3: And also there's like a lot of military jargon being 59 00:03:01,880 --> 00:03:04,640 Speaker 3: used by like the people that are organizing it to 60 00:03:04,680 --> 00:03:06,720 Speaker 3: describe like sort of what their plans are, how they're 61 00:03:06,760 --> 00:03:10,160 Speaker 3: going to help out like you know, constitutionally sound law 62 00:03:10,240 --> 00:03:14,360 Speaker 3: enforcement officials. So I don't think that part is overrated. 63 00:03:14,360 --> 00:03:16,200 Speaker 3: But however, I know this is also part of like 64 00:03:16,720 --> 00:03:21,560 Speaker 3: a larger scheme clearly to create a total crisis at 65 00:03:21,600 --> 00:03:24,240 Speaker 3: the border while Biden is in office and just put 66 00:03:24,320 --> 00:03:26,600 Speaker 3: everything on that because you know, there's a border deal 67 00:03:26,760 --> 00:03:32,200 Speaker 3: that's really super really great sweet deal for the Conservatives 68 00:03:33,040 --> 00:03:34,640 Speaker 3: that Joe Biden is like, yeah. 69 00:03:34,440 --> 00:03:36,080 Speaker 1: This could be good, this could be good trying to 70 00:03:36,120 --> 00:03:39,440 Speaker 1: put it through. So just yeah, the headlines. 71 00:03:39,760 --> 00:03:41,480 Speaker 2: He's getting dragged to the right on this. 72 00:03:41,800 --> 00:03:45,800 Speaker 3: And Donald Trump is also begging other politicians, especially in 73 00:03:45,800 --> 00:03:48,720 Speaker 3: the Senate, to not vote for this because he doesn't 74 00:03:48,760 --> 00:03:51,520 Speaker 3: want anything to get fixed, so he can just point 75 00:03:51,560 --> 00:03:54,800 Speaker 3: to the massive whatever rot that is happening or perceived 76 00:03:54,880 --> 00:03:58,640 Speaker 3: rot at the border. So you know, I think while 77 00:03:58,680 --> 00:04:01,920 Speaker 3: Biden's primary rep been, it looks like going into this 78 00:04:02,040 --> 00:04:05,760 Speaker 3: is not talking about the future or sustainable economies or 79 00:04:05,960 --> 00:04:08,400 Speaker 3: the climate or things like that, and just talking about Row. 80 00:04:08,880 --> 00:04:11,360 Speaker 3: The Republicans it looks like they're going all in on 81 00:04:11,400 --> 00:04:15,560 Speaker 3: a xenophobia CounterPunch. Yeah, because it seems to be like 82 00:04:15,560 --> 00:04:17,800 Speaker 3: they're for them to like, maybe if we can ignore 83 00:04:17,800 --> 00:04:19,400 Speaker 3: all the other fucked up things you do and just 84 00:04:19,480 --> 00:04:23,719 Speaker 3: make it about fear of a brown country, then that'll 85 00:04:23,720 --> 00:04:24,680 Speaker 3: motivate people enough. 86 00:04:24,760 --> 00:04:28,000 Speaker 1: So yeah, the original conflict that like got Civil War 87 00:04:28,160 --> 00:04:31,280 Speaker 1: trending was they want to put they Texas has put 88 00:04:31,839 --> 00:04:35,360 Speaker 1: razor wire like on the other side of a river. 89 00:04:35,720 --> 00:04:38,880 Speaker 1: It is caused able to you know, die in the river, 90 00:04:39,440 --> 00:04:43,120 Speaker 1: and the Supreme Court ruled like that it could be 91 00:04:43,200 --> 00:04:46,520 Speaker 1: taken down by federal government employees. 92 00:04:46,560 --> 00:04:48,800 Speaker 3: And that's that's the. 93 00:04:48,839 --> 00:04:51,280 Speaker 1: Thing that they're They're on the side of, let us 94 00:04:51,440 --> 00:04:54,320 Speaker 1: keep razor wire up to drown the innocent people. 95 00:04:55,360 --> 00:04:57,200 Speaker 2: Yeah, so that's what it's. That's what it could all 96 00:04:57,680 --> 00:04:59,640 Speaker 2: boil down to. But I think it. 97 00:05:00,000 --> 00:05:02,120 Speaker 3: I feel like they're really trying to just test if 98 00:05:02,160 --> 00:05:05,440 Speaker 3: this is unifying enough of you know, a moment to. 99 00:05:05,400 --> 00:05:07,400 Speaker 2: Be like, Okay, we got something we can we can 100 00:05:07,480 --> 00:05:10,440 Speaker 2: run on. Now just keep hammering away at the border. 101 00:05:10,480 --> 00:05:12,839 Speaker 3: Because even with that one quote when we were talking 102 00:05:12,839 --> 00:05:16,480 Speaker 3: about Trump when he was like describing like the iron 103 00:05:16,520 --> 00:05:18,720 Speaker 3: dome and how that works like boo b b b 104 00:05:18,960 --> 00:05:22,920 Speaker 3: b shoche boom done, big brains, big muscles up here. 105 00:05:23,160 --> 00:05:25,160 Speaker 3: That was like when he was saying the southern border 106 00:05:25,200 --> 00:05:29,120 Speaker 3: needed an iron dome system because we're like, yeah, because 107 00:05:29,120 --> 00:05:32,680 Speaker 3: there's so much rocket fire coming in from wades or something. 108 00:05:32,760 --> 00:05:37,040 Speaker 1: What were you talking about. Yeah, just he the cruelty 109 00:05:37,120 --> 00:05:39,839 Speaker 1: is the point with him. He wants yeah, absolutely absolutely 110 00:05:40,040 --> 00:05:43,560 Speaker 1: do Star Wars on. Uh, you know people who are 111 00:05:43,680 --> 00:05:48,720 Speaker 1: trying to enter the country. Yeah, desperation. Well, my overrated 112 00:05:49,160 --> 00:05:54,320 Speaker 1: is a little less serious. I had a uh Sublime 113 00:05:54,920 --> 00:05:56,960 Speaker 1: AKA this past week, so I was listening to that 114 00:05:57,080 --> 00:06:00,240 Speaker 1: song uh what I Got for the first time in 115 00:06:00,279 --> 00:06:02,560 Speaker 1: a while, and I have to say, I feel like 116 00:06:02,760 --> 00:06:08,279 Speaker 1: the riotousness of the guitar solo after he says he 117 00:06:08,320 --> 00:06:15,719 Speaker 1: can play the guitar like a motherfucking riot is slightly overrated. Yeah, 118 00:06:15,760 --> 00:06:18,200 Speaker 1: it's like, I mean, it reminds me of like the 119 00:06:18,240 --> 00:06:20,479 Speaker 1: Devil went down to Georgia, where there's like all this 120 00:06:20,520 --> 00:06:23,920 Speaker 1: build up where the Devil's like, wha boy, I'm gonna 121 00:06:23,920 --> 00:06:28,880 Speaker 1: play this here fiddle boy, and he's gonna blow fire chass, 122 00:06:29,200 --> 00:06:32,599 Speaker 1: and then he like plays it and it's like there's 123 00:06:32,600 --> 00:06:35,520 Speaker 1: like a long rhythm guitar thing that opens it and 124 00:06:35,520 --> 00:06:38,520 Speaker 1: then it's like five seconds of screeching fiddle like. It's 125 00:06:38,560 --> 00:06:42,440 Speaker 1: like the the guitar solo just sounds like, I don't know, 126 00:06:42,560 --> 00:06:46,040 Speaker 1: it sounds to me like if rain drops. 127 00:06:45,800 --> 00:06:48,280 Speaker 2: Keep falling on my head had a guitar solo in. 128 00:06:48,279 --> 00:06:51,080 Speaker 3: It, it sounds like it sounds like some shit Jack 129 00:06:51,200 --> 00:06:54,200 Speaker 3: Johnson would have thrown away, like in an idea pile, 130 00:06:54,640 --> 00:06:55,160 Speaker 3: you know what I mean. 131 00:06:55,200 --> 00:06:59,040 Speaker 1: Like it feels like like a little mistick. Like the 132 00:06:59,040 --> 00:07:01,440 Speaker 1: fact that he's like gadding along and doing a little 133 00:07:01,520 --> 00:07:06,640 Speaker 1: like while he's doing it makes it funnier. 134 00:07:07,040 --> 00:07:12,200 Speaker 3: Yeah, I mean also too, because famously riot Is guitar 135 00:07:12,280 --> 00:07:15,440 Speaker 3: solos are filled with the background whistling too, because someone's 136 00:07:15,480 --> 00:07:17,920 Speaker 3: also like whistling along to I think it might be 137 00:07:17,960 --> 00:07:21,480 Speaker 3: Bradley or whatever. I got a Dalmatian and I can 138 00:07:21,520 --> 00:07:25,240 Speaker 3: still get high. I can play the guitar like another 139 00:07:25,280 --> 00:07:26,360 Speaker 3: fucking Riot. 140 00:07:26,600 --> 00:07:37,040 Speaker 4: Boom boom boom boom boom boom boom boom. 141 00:07:38,000 --> 00:07:40,160 Speaker 3: But also like later that when and that, after that 142 00:07:40,240 --> 00:07:44,240 Speaker 3: rap verse, he brings the Riot theme back because he's 143 00:07:44,240 --> 00:07:46,280 Speaker 3: like trying test that you're bound to get served. 144 00:07:46,440 --> 00:07:47,360 Speaker 2: Loves what I got. 145 00:07:47,480 --> 00:07:51,040 Speaker 3: Don't start a hot when that dance gets hot? 146 00:07:51,560 --> 00:07:54,920 Speaker 2: Dumb. Yeah, I don't know. 147 00:07:55,000 --> 00:07:58,280 Speaker 1: It just feels like when you're you don't need to 148 00:07:58,320 --> 00:08:04,160 Speaker 1: tell people that you're about to unleash yeah hell on them. 149 00:08:04,240 --> 00:08:07,120 Speaker 1: With this upcoming guitar solo, it really does remind me 150 00:08:07,160 --> 00:08:10,200 Speaker 1: of we always I always refer to this fucking Will 151 00:08:10,240 --> 00:08:14,120 Speaker 1: Ferrell Garth Brooks sketch where Will Ferrell's like the devil 152 00:08:15,720 --> 00:08:18,280 Speaker 1: and he Garth Brooks is like trying to buy a 153 00:08:18,280 --> 00:08:21,440 Speaker 1: song in exchange for a soul that will be a hit, and. 154 00:08:21,400 --> 00:08:22,840 Speaker 2: The Devil's songs all suck. 155 00:08:23,720 --> 00:08:28,280 Speaker 1: They're all just like not good songs because there's a 156 00:08:28,280 --> 00:08:30,560 Speaker 1: lot of that where he's like big build up, where 157 00:08:30,600 --> 00:08:31,000 Speaker 1: he's like. 158 00:08:31,560 --> 00:08:37,040 Speaker 5: It's hell Casts Jack Come On from the City, nine 159 00:08:37,160 --> 00:08:40,160 Speaker 5: Ears and Sleek Die Thirst On the Music that could 160 00:08:40,200 --> 00:08:43,240 Speaker 5: force Keys to their knees, and Oceans. 161 00:08:42,720 --> 00:08:46,360 Speaker 3: To Boil Bold, the song that will take you to 162 00:08:46,440 --> 00:08:50,440 Speaker 3: the top of the charts. There's a guy named Fred 163 00:08:50,480 --> 00:08:52,000 Speaker 3: and he's got a pair of slacks. 164 00:08:53,080 --> 00:08:57,360 Speaker 1: Fred's got slacked, like I'm sorry. 165 00:08:57,400 --> 00:09:02,400 Speaker 2: Oceans to Boil Bild a little bit of false advertising. 166 00:09:02,679 --> 00:09:06,120 Speaker 1: Okay, Anyways, it's a great song, the Sublime song. It's 167 00:09:06,160 --> 00:09:10,720 Speaker 1: just funny. I hadn't really noticed how uh, how big, 168 00:09:11,040 --> 00:09:13,520 Speaker 1: how hard he comes into that solo and then it's 169 00:09:13,600 --> 00:09:18,000 Speaker 1: just like a little like jazzy acoustic guitar whistle number. 170 00:09:18,640 --> 00:09:18,880 Speaker 4: Yeah. 171 00:09:18,960 --> 00:09:20,960 Speaker 3: I mean, look, this is this is the problem when 172 00:09:21,320 --> 00:09:24,440 Speaker 3: that you're doing as much drugs and drinking as Bradley was, 173 00:09:24,520 --> 00:09:30,160 Speaker 3: because sometimes the lyrics definitely get away from you, like, 174 00:09:30,240 --> 00:09:32,400 Speaker 3: you know, it's just so weird because like when you 175 00:09:32,400 --> 00:09:36,920 Speaker 3: think about like the songs like I think Wrong Way 176 00:09:37,120 --> 00:09:39,680 Speaker 3: was also like another huge that was like a huge 177 00:09:39,800 --> 00:09:43,200 Speaker 3: track like on that album that they played like that 178 00:09:43,320 --> 00:09:45,280 Speaker 3: got a lot of commercial play, you know. 179 00:09:46,040 --> 00:09:49,040 Speaker 2: And the first line to that song is and. 180 00:09:49,160 --> 00:09:52,800 Speaker 1: He's twelve years old and two more She'll be a whore. 181 00:09:53,320 --> 00:09:56,200 Speaker 3: And you're like, uh no, you were just talking about 182 00:09:56,200 --> 00:10:00,000 Speaker 3: playing the guitar, like Bradley, what we loved that last song? 183 00:10:00,240 --> 00:10:02,760 Speaker 2: What's the book? Dude? Check this next track I got 184 00:10:03,080 --> 00:10:06,640 Speaker 2: And He's twelve years old? You don't like that? No, no, no, 185 00:10:06,800 --> 00:10:12,760 Speaker 2: you don't like that riotous guitar solo? Oh about this Bradley? 186 00:10:13,320 --> 00:10:15,960 Speaker 1: Anyway, I will say that the exception while my Guitar 187 00:10:16,040 --> 00:10:18,760 Speaker 1: Gently Weeps has some good guitar solos in it. So 188 00:10:19,520 --> 00:10:21,920 Speaker 1: you know, sometimes you can talk that shit and back 189 00:10:21,960 --> 00:10:24,360 Speaker 1: it up, but you just gotta most. 190 00:10:24,240 --> 00:10:26,880 Speaker 2: People do Most people do? Most people do? They know 191 00:10:27,080 --> 00:10:27,520 Speaker 2: you can't. 192 00:10:27,559 --> 00:10:30,319 Speaker 3: You can't talk up a solo and then hit them 193 00:10:30,320 --> 00:10:33,200 Speaker 3: with some Jack Johnsony good Times vibes. 194 00:10:33,240 --> 00:10:35,520 Speaker 2: But look, no, no disrespect to that track because the 195 00:10:35,520 --> 00:10:36,000 Speaker 2: shit goes. 196 00:10:36,360 --> 00:10:40,600 Speaker 3: Yeah, what what's something you think is underrated? Miles? I've 197 00:10:40,600 --> 00:10:43,440 Speaker 3: been watching I've just been watching a lot of local 198 00:10:43,520 --> 00:10:45,520 Speaker 3: news clips over the weekend. 199 00:10:45,800 --> 00:10:47,320 Speaker 2: I went down a weird rabbit hole. 200 00:10:47,360 --> 00:10:50,599 Speaker 3: That's no need to really discuss it. It started for 201 00:10:50,720 --> 00:10:52,480 Speaker 3: me seeing something on Reddit and then I just kind 202 00:10:52,480 --> 00:10:54,880 Speaker 3: of like the algorithm on YouTube just kept showing me 203 00:10:54,960 --> 00:10:57,840 Speaker 3: like local news things. But then I just started watching 204 00:10:57,840 --> 00:11:02,600 Speaker 3: them with this like really weird feeling. But I think 205 00:11:02,679 --> 00:11:07,320 Speaker 3: it's just really creepy how local newscaster energy is. 206 00:11:08,200 --> 00:11:10,040 Speaker 2: Like it's. 207 00:11:12,040 --> 00:11:13,959 Speaker 3: I don't know, it's like that they're on air presence 208 00:11:14,040 --> 00:11:16,720 Speaker 3: is like actually becoming more terrifying to me now. It 209 00:11:16,720 --> 00:11:20,240 Speaker 3: feels like AI or something, because there's something about having 210 00:11:20,240 --> 00:11:22,640 Speaker 3: to sound and look a certain way when reporting the 211 00:11:22,679 --> 00:11:25,400 Speaker 3: news in this sort of very specific way that just 212 00:11:25,480 --> 00:11:29,840 Speaker 3: feels off. And I get like the professionalism, journalistic integrity 213 00:11:29,960 --> 00:11:32,319 Speaker 3: or whatever, like you don't want to inject commentary by 214 00:11:32,320 --> 00:11:34,920 Speaker 3: being like too emotional or whatever, but it's like do 215 00:11:35,000 --> 00:11:38,360 Speaker 3: you have to talk like people that don't exist at 216 00:11:38,400 --> 00:11:39,520 Speaker 3: all on the planet. 217 00:11:39,960 --> 00:11:40,120 Speaker 2: Right. 218 00:11:40,360 --> 00:11:43,880 Speaker 3: That's where it's just sort of this way that we 219 00:11:44,080 --> 00:11:48,600 Speaker 3: found a way to deliver news that feels like this, 220 00:11:49,440 --> 00:11:52,360 Speaker 3: and it's just this I don't know, there's something about 221 00:11:52,400 --> 00:11:55,000 Speaker 3: it that I the more I watch it, it just 222 00:11:55,000 --> 00:11:57,120 Speaker 3: like was making me feel creeped. 223 00:11:56,760 --> 00:11:59,360 Speaker 2: Down with it. Just was noting me in this word, 224 00:11:59,600 --> 00:12:00,760 Speaker 2: I think just because I think. 225 00:12:00,640 --> 00:12:04,000 Speaker 3: Of like what what's going on, you know, in the 226 00:12:04,000 --> 00:12:07,760 Speaker 3: world and stuff like that. But even like older news coverage, 227 00:12:07,800 --> 00:12:10,360 Speaker 3: like people would say like the most grim shit and 228 00:12:10,360 --> 00:12:14,320 Speaker 3: then like pivot to some other story much like this show, 229 00:12:14,800 --> 00:12:18,079 Speaker 3: but in a way that's like so unaware and made 230 00:12:18,120 --> 00:12:23,040 Speaker 3: super sanitarizy. Yeah, and just it's it's a lost art form. Honestly, 231 00:12:23,080 --> 00:12:26,480 Speaker 3: I think it's it's very underrated. How you kind of 232 00:12:26,480 --> 00:12:28,280 Speaker 3: have to go out of body, I think to be 233 00:12:28,400 --> 00:12:29,280 Speaker 3: like that on camera. 234 00:12:29,840 --> 00:12:30,280 Speaker 2: Yeah. 235 00:12:30,960 --> 00:12:35,600 Speaker 1: I feel like now that we have YouTube things and 236 00:12:35,679 --> 00:12:41,440 Speaker 1: podcasts covering the news and we've seen people like talk 237 00:12:41,480 --> 00:12:46,360 Speaker 1: about it as humans reacting to the news, it now 238 00:12:46,480 --> 00:12:50,120 Speaker 1: feels even weirder to like watch somebody do this. 239 00:12:50,720 --> 00:12:53,720 Speaker 2: Yeah, that that whole bit of like. 240 00:12:54,120 --> 00:12:59,440 Speaker 1: Being a disembodied you know, human who is like and 241 00:12:59,520 --> 00:13:03,160 Speaker 1: I won't tell you how I feel about this, but yeah, 242 00:13:03,440 --> 00:13:06,840 Speaker 1: just here it is, folks. And then there's like, especially 243 00:13:06,840 --> 00:13:12,360 Speaker 1: with local news, just such a barely concealed agenda, you know, 244 00:13:12,760 --> 00:13:14,200 Speaker 1: right below the surface. 245 00:13:13,920 --> 00:13:18,360 Speaker 3: There, Like local land developers believe the new affordable housing 246 00:13:18,559 --> 00:13:23,720 Speaker 3: will affect local prices, that's why they are opposed to it. Meanwhile, 247 00:13:23,840 --> 00:13:27,840 Speaker 3: these unprotected individuals are languishing in the street. Now here's 248 00:13:27,920 --> 00:13:29,599 Speaker 3: rob you madea with the weather. 249 00:13:30,920 --> 00:13:34,920 Speaker 1: Right, very weird, very surreal, all right, from my underrated 250 00:13:35,200 --> 00:13:38,720 Speaker 1: I just I had this experience whereas outside my house 251 00:13:39,000 --> 00:13:43,040 Speaker 1: and heard a what sounded like a UFO float past 252 00:13:43,080 --> 00:13:47,280 Speaker 1: my house, like you know, it's an electric vehicle, but 253 00:13:47,559 --> 00:13:53,120 Speaker 1: like one of those highly choreographed sounds that electric vehicles make. 254 00:13:53,160 --> 00:13:57,200 Speaker 1: Obviously I've heard them before, but just without the visual, 255 00:13:57,520 --> 00:14:01,800 Speaker 1: it just reemphasized how weird the whole thing is. Like 256 00:14:02,440 --> 00:14:05,520 Speaker 1: I think the one that I heard was maybe a BMW, 257 00:14:05,600 --> 00:14:09,560 Speaker 1: but it was like this high pitched coral crescendo like 258 00:14:09,720 --> 00:14:14,559 Speaker 1: that in another context could be out of a horror movie, like. 259 00:14:14,960 --> 00:14:20,040 Speaker 3: Yeah, you know, yeah like it, but it's like a 260 00:14:20,120 --> 00:14:23,520 Speaker 3: multi voice. It's like there's like sixteen pitches happening at 261 00:14:23,520 --> 00:14:25,800 Speaker 3: the same time. Like sort of I think there's a 262 00:14:26,240 --> 00:14:29,600 Speaker 3: there's someone when I've walked my dog and stuff in 263 00:14:29,640 --> 00:14:32,320 Speaker 3: a Volkswagen electric vehicle that has. 264 00:14:32,160 --> 00:14:35,360 Speaker 2: Like this very weird harmonic pitch to it. 265 00:14:35,720 --> 00:14:36,200 Speaker 3: Yeah, it might. 266 00:14:36,720 --> 00:14:40,520 Speaker 1: And even I've definitely like stopped some of the times 267 00:14:40,560 --> 00:14:42,520 Speaker 1: when I've been like what the fuck is and then 268 00:14:42,560 --> 00:14:45,440 Speaker 1: like turned it's been a Volkswagen for sure, I don't 269 00:14:45,520 --> 00:14:47,640 Speaker 1: I don't know if that, And like there's definitely some 270 00:14:47,800 --> 00:14:53,240 Speaker 1: like Thermin like Ufo from a nineteen sixties movie type 271 00:14:53,280 --> 00:14:58,720 Speaker 1: things happening in the soundscape. It's just it's it's an 272 00:14:58,720 --> 00:15:01,560 Speaker 1: interesting like I started doing research on it after this 273 00:15:01,720 --> 00:15:05,160 Speaker 1: to just see like what the process has been like. 274 00:15:05,240 --> 00:15:08,120 Speaker 1: And some people are just like, yeah, make you know, 275 00:15:08,520 --> 00:15:11,400 Speaker 1: get a speaker that plays the sound of a fucking 276 00:15:11,520 --> 00:15:15,800 Speaker 1: car engine just roaring, and that's that's how we do it. 277 00:15:16,120 --> 00:15:18,880 Speaker 3: But then there's just this. 278 00:15:18,800 --> 00:15:22,720 Speaker 1: Other world where they're like, yeah, man, we got really 279 00:15:22,720 --> 00:15:23,800 Speaker 1: fucking trippy with it. 280 00:15:25,480 --> 00:15:29,960 Speaker 2: BMW hired Hans Zimmer to create one. Oh. 281 00:15:30,000 --> 00:15:32,440 Speaker 1: They made it sound like what they describe as an 282 00:15:32,440 --> 00:15:36,600 Speaker 1: electrified orchestra warming up for a performance, and said, we 283 00:15:36,720 --> 00:15:40,200 Speaker 1: conceived a sound to celebrate the car intended as a 284 00:15:40,320 --> 00:15:43,359 Speaker 1: highly complex performative art installation. 285 00:15:43,960 --> 00:15:48,240 Speaker 3: That is okay, just fucking make it easier so when 286 00:15:48,240 --> 00:15:50,840 Speaker 3: I'm walking down the street, I know a fucking car 287 00:15:50,920 --> 00:15:53,600 Speaker 3: is behind me or something, because that's like I think, 288 00:15:53,640 --> 00:15:55,520 Speaker 3: like Tesla's don't make a lot of sound. 289 00:15:56,720 --> 00:15:58,720 Speaker 1: Now I feel like, yeah, but Tesla's have like a 290 00:15:58,720 --> 00:16:02,320 Speaker 1: weird like soul sound. I guess it only is low 291 00:16:02,360 --> 00:16:07,120 Speaker 1: speeds that it has to become a problem, but that 292 00:16:07,160 --> 00:16:10,600 Speaker 1: it has to like be engineered because at higher speeds 293 00:16:10,600 --> 00:16:13,880 Speaker 1: you can actually like hear them whistling through the air. 294 00:16:13,920 --> 00:16:18,120 Speaker 1: But the I'm kind of on board with it, Like 295 00:16:18,160 --> 00:16:21,240 Speaker 1: I think it's interesting things that they didn't all just 296 00:16:21,360 --> 00:16:25,400 Speaker 1: go sound of car engine, like play that through a speaker. 297 00:16:26,400 --> 00:16:30,040 Speaker 1: That they that, like some of them just decided to 298 00:16:30,160 --> 00:16:34,200 Speaker 1: go in a really weird direction, which I was thinking 299 00:16:34,200 --> 00:16:37,800 Speaker 1: about the Harley, Like a Harley Davidson drove past me 300 00:16:38,040 --> 00:16:41,840 Speaker 1: on the highway and my cousin who drove a Harley 301 00:16:42,040 --> 00:16:44,440 Speaker 1: always told me He's like, yeah, man, those that sound 302 00:16:44,880 --> 00:16:48,920 Speaker 1: that like basically smacks you in the face. It's so loud, 303 00:16:49,280 --> 00:16:53,760 Speaker 1: like getting smacked by a fucking car engine that that 304 00:16:53,840 --> 00:16:57,560 Speaker 1: actually saves lives because it's like so loud that everybody 305 00:16:57,560 --> 00:17:02,280 Speaker 1: hears it coming and resent to so it's like in 306 00:17:02,320 --> 00:17:06,000 Speaker 1: their mind, which that that is like what kills people 307 00:17:06,160 --> 00:17:09,480 Speaker 1: is they just like don't notice motorcycles coming. 308 00:17:09,840 --> 00:17:12,879 Speaker 2: Hey, you gotta respect. Respect your cousin. Man, he was 309 00:17:13,000 --> 00:17:13,880 Speaker 2: riding to Harley. 310 00:17:13,920 --> 00:17:16,840 Speaker 3: Man, he wasn't driving it all right, right, He's rides 311 00:17:16,880 --> 00:17:19,879 Speaker 3: a Harley the bikeers out there, you know on the 312 00:17:19,880 --> 00:17:22,480 Speaker 3: Freedom Convoy right now, who are listening, you know, respect 313 00:17:22,480 --> 00:17:22,960 Speaker 3: to you guys. 314 00:17:23,000 --> 00:17:24,280 Speaker 2: We don't want to. We don't want to you know, 315 00:17:24,800 --> 00:17:25,720 Speaker 2: mess up what you do. 316 00:17:26,200 --> 00:17:29,200 Speaker 3: But I think there's also like, I honest, I feel like, 317 00:17:29,320 --> 00:17:31,520 Speaker 3: correct me if I'm wrong. I feel like the cop 318 00:17:31,600 --> 00:17:34,280 Speaker 3: cars and all the cars in Demolition Man kind of 319 00:17:34,280 --> 00:17:37,560 Speaker 3: sounded like this, Oh right, Yeah, they were kind of 320 00:17:37,600 --> 00:17:40,399 Speaker 3: like this, like high pitch were like kind of sound. 321 00:17:40,480 --> 00:17:42,280 Speaker 3: I think they might look I think everything is just 322 00:17:42,280 --> 00:17:44,960 Speaker 3: turning to Demolition Man. To be honest, have you seen 323 00:17:45,000 --> 00:17:48,440 Speaker 3: that clip of like will I Am driving a Mercedes 324 00:17:48,480 --> 00:17:52,720 Speaker 3: that he designed the in like internal audio for No, 325 00:17:53,359 --> 00:17:56,199 Speaker 3: there's this clip of like apparently will I Am I 326 00:17:56,359 --> 00:17:59,480 Speaker 3: like worked on some sort of like sound design for 327 00:17:59,560 --> 00:18:02,239 Speaker 3: this MERC eighties that when you drive, it based on 328 00:18:02,280 --> 00:18:05,879 Speaker 3: how quickly you're driving, Like a soundtrack builds based on 329 00:18:05,920 --> 00:18:08,920 Speaker 3: what's going on, So like when you're going at low speeds, 330 00:18:09,000 --> 00:18:11,320 Speaker 3: like it like brings in one layer of the track 331 00:18:11,359 --> 00:18:13,560 Speaker 3: and then as you accelerate, it's like adding more to 332 00:18:13,680 --> 00:18:17,520 Speaker 3: create this like very interactive soundtrack. But it's like, if 333 00:18:17,560 --> 00:18:21,399 Speaker 3: you don't like fucking futuristic edm like you're gonna be like, 334 00:18:21,680 --> 00:18:25,080 Speaker 3: turned this shit off but a lot as your only option. 335 00:18:25,600 --> 00:18:28,840 Speaker 1: Yeah exactly. Yeah, you don't like get to choose your 336 00:18:28,840 --> 00:18:32,159 Speaker 1: own music. It's just like a will I Am performance 337 00:18:32,200 --> 00:18:34,359 Speaker 1: are sound soundscape. 338 00:18:34,640 --> 00:18:36,640 Speaker 3: You get to do molly with Will I Am as 339 00:18:36,680 --> 00:18:39,520 Speaker 3: your chauffeur, basically, is what I mean. 340 00:18:39,560 --> 00:18:43,640 Speaker 1: They there are reports that like, lack of an electric 341 00:18:43,680 --> 00:18:45,879 Speaker 1: car is forty percent more likely to hit a pedestrian 342 00:18:45,960 --> 00:18:49,160 Speaker 1: than a normal car. For visually impaired population, the number 343 00:18:49,240 --> 00:18:52,920 Speaker 1: jumps to ninety three percent. So they I mean that 344 00:18:52,920 --> 00:18:55,520 Speaker 1: that was early days, and they've recognized that and tried 345 00:18:55,560 --> 00:18:58,800 Speaker 1: to put it. It feels like one of the solutions 346 00:18:58,880 --> 00:19:00,840 Speaker 1: instead of just being like, yeah, make a sound so 347 00:19:00,880 --> 00:19:04,600 Speaker 1: people hear you, is like we should evoke like existential 348 00:19:04,680 --> 00:19:09,119 Speaker 1: direct just like weird people out, uh with their with 349 00:19:09,200 --> 00:19:12,159 Speaker 1: their soundscape. Yeah, maybe that's the point. Maybe that's the 350 00:19:12,200 --> 00:19:16,600 Speaker 1: equivalent of the Harley the Harley engine smacking you on 351 00:19:16,640 --> 00:19:18,400 Speaker 1: the on the face as it drives. Buy. 352 00:19:18,840 --> 00:19:21,000 Speaker 2: Yeah, just give you existential future, drid. 353 00:19:21,359 --> 00:19:23,960 Speaker 1: That's right, all right, let's take a quick break. We'll 354 00:19:24,000 --> 00:19:37,680 Speaker 1: be right back, and we're back, And thank you to Brian, 355 00:19:37,800 --> 00:19:42,359 Speaker 1: the editor who forwarded along a fact check on my 356 00:19:42,520 --> 00:19:47,040 Speaker 1: cousin from Auto Week that says loud pipes don't actually 357 00:19:47,119 --> 00:19:51,159 Speaker 1: save lives. I'm gonna go with my cousin on this one. 358 00:19:51,480 --> 00:19:52,200 Speaker 2: Yeah, you know, his. 359 00:19:52,200 --> 00:19:55,439 Speaker 3: Cousin rides a Harley Man like you, he'd get he 360 00:19:55,480 --> 00:19:58,200 Speaker 3: can't go against I've gotta go with you, cousin. 361 00:19:58,280 --> 00:19:58,920 Speaker 2: That is the number. 362 00:19:59,000 --> 00:20:02,600 Speaker 1: That's the most irrefutable source that you can have. 363 00:20:04,119 --> 00:20:06,760 Speaker 3: It's your older cousin. Yeah, my older cousin. Oh hell yeah, 364 00:20:06,880 --> 00:20:09,720 Speaker 3: I'm like, that's fucking that's the that's like God telling 365 00:20:09,760 --> 00:20:11,760 Speaker 3: you straight facts from the Bible. 366 00:20:11,640 --> 00:20:14,399 Speaker 1: At least a decade older than me, and he's like 367 00:20:14,920 --> 00:20:18,800 Speaker 1: seen guns and Roses like live three hundred times, So 368 00:20:19,160 --> 00:20:21,239 Speaker 1: oh my god, you think he doesn't know a thing 369 00:20:21,320 --> 00:20:23,280 Speaker 1: or two about like my older cousin who gave me 370 00:20:23,320 --> 00:20:26,080 Speaker 1: my first drummend based album, Dude in the fucking in 371 00:20:26,160 --> 00:20:26,800 Speaker 1: ninety five. 372 00:20:27,119 --> 00:20:29,440 Speaker 2: Yeah, dude, this is just so fucking next level. Bro 373 00:20:30,200 --> 00:20:30,920 Speaker 2: oh man. 374 00:20:31,480 --> 00:20:34,000 Speaker 1: When told me how many times they'd see guns and roses, 375 00:20:34,040 --> 00:20:35,520 Speaker 1: And that was at a time when I would go 376 00:20:35,600 --> 00:20:38,440 Speaker 1: into Sam Goodie and just see if they had released 377 00:20:38,520 --> 00:20:43,000 Speaker 1: like a new album, like hey, that new uh cover 378 00:20:43,080 --> 00:20:46,959 Speaker 1: of Knocking on Heaven's door come out. Yet Wow, They're like, 379 00:20:47,119 --> 00:20:52,119 Speaker 1: you were seven, get the fuck out of here. But wow, 380 00:20:52,240 --> 00:20:57,600 Speaker 1: I was impressed. And so sorry, Brian the editor, you're 381 00:20:57,720 --> 00:21:00,480 Speaker 1: you're lying. So it's been over a week by where 382 00:21:00,480 --> 00:21:02,800 Speaker 1: he got this bullshit from the sanctity. 383 00:21:02,320 --> 00:21:03,240 Speaker 2: Of the older cousin. 384 00:21:04,200 --> 00:21:08,399 Speaker 1: All right, let's uh, should we talk about this popcorn 385 00:21:09,800 --> 00:21:17,760 Speaker 1: popcorn collectible bucket? It's important, but the AMC is dropping 386 00:21:17,800 --> 00:21:21,359 Speaker 1: a bucket on all of our asses that looks like 387 00:21:21,480 --> 00:21:28,160 Speaker 1: a people are saying a vagina dentata. 388 00:21:28,400 --> 00:21:29,800 Speaker 3: Some people are saying butthole. 389 00:21:30,560 --> 00:21:35,080 Speaker 1: Some people are saying haunted flesh light like orifice, like 390 00:21:35,160 --> 00:21:41,480 Speaker 1: if the guy who designed if Geiger designed a flesh. 391 00:21:41,280 --> 00:21:45,880 Speaker 3: Light This is kind of what it would look like if. Yeah, 392 00:21:45,920 --> 00:21:49,160 Speaker 3: so this is I didn't realize there was a trend 393 00:21:49,400 --> 00:21:54,240 Speaker 3: of like overpriced popcorn fucking buckets like I can, we can. 394 00:21:54,320 --> 00:21:55,160 Speaker 2: I completely missed. 395 00:21:55,200 --> 00:21:57,800 Speaker 3: I didn't know there was some special edition Barbie corvette 396 00:21:57,840 --> 00:22:00,520 Speaker 3: you could eat fucking popcorn out of, like Barbie came 397 00:22:00,520 --> 00:22:03,080 Speaker 3: out that came with a Barbie and AMC was charging 398 00:22:03,200 --> 00:22:05,840 Speaker 3: sixty five dollars. This seems like the exact kind of 399 00:22:05,880 --> 00:22:07,200 Speaker 3: story we would have been covering on this. 400 00:22:07,160 --> 00:22:09,440 Speaker 1: Show, so I probably knew it. There's a lot going 401 00:22:09,520 --> 00:22:11,240 Speaker 1: on back in the Barbenheimer days. 402 00:22:11,720 --> 00:22:12,159 Speaker 2: I don't know. 403 00:22:12,240 --> 00:22:14,640 Speaker 3: I don't think there was, man, I can't even think 404 00:22:14,640 --> 00:22:17,880 Speaker 3: of one thing, but we fucked up there. But also, 405 00:22:17,960 --> 00:22:19,919 Speaker 3: like I'm kind of mad at that Barbie car design 406 00:22:20,000 --> 00:22:22,720 Speaker 3: because it has like two rows of seats in it, 407 00:22:22,800 --> 00:22:24,640 Speaker 3: and I fail to see how you could actually eat 408 00:22:24,640 --> 00:22:28,000 Speaker 3: any like substantial amount of popcorn out of it, Like 409 00:22:28,080 --> 00:22:31,560 Speaker 3: it fails as a convey like a vessel for popcorn. 410 00:22:31,720 --> 00:22:36,959 Speaker 1: Yeah, completely a complete l on the on the design. 411 00:22:37,080 --> 00:22:40,639 Speaker 1: I'm assuming that that part is removable because it goes 412 00:22:41,200 --> 00:22:43,639 Speaker 1: like you can see a version of it where it 413 00:22:43,640 --> 00:22:45,919 Speaker 1: appears to have like a lot of popcorn inside of it. 414 00:22:46,000 --> 00:22:49,560 Speaker 1: But Jack, you know that's the doctor Like that defies 415 00:22:49,600 --> 00:22:53,159 Speaker 1: the laws of physics. That impage Like, I don't think 416 00:22:53,400 --> 00:22:55,600 Speaker 1: it's they have it stacked like that. I think they 417 00:22:55,800 --> 00:22:57,560 Speaker 1: just cut and pasted. But whatever. 418 00:22:57,600 --> 00:23:01,440 Speaker 3: Anyway, So now this bucket is what's like the name 419 00:23:01,480 --> 00:23:04,640 Speaker 3: for the sandworm in Dune Brian, what's it. 420 00:23:04,600 --> 00:23:09,560 Speaker 2: Called Shi hallued Bro That's what it is? The fucking I. 421 00:23:09,560 --> 00:23:12,760 Speaker 1: Don't know, yeah, anyway of the sandworm. 422 00:23:13,000 --> 00:23:17,200 Speaker 3: They're saying that's they made a shy hallued fucking bucket 423 00:23:17,520 --> 00:23:20,280 Speaker 3: where Yeah, I don't know why they thought this could 424 00:23:20,920 --> 00:23:24,600 Speaker 3: This feels like a troll, to be honest, but I mean, 425 00:23:25,119 --> 00:23:27,760 Speaker 3: I guess all the world's atrol these days. 426 00:23:27,960 --> 00:23:32,560 Speaker 1: On the other hand, it does feel like I mean, 427 00:23:32,560 --> 00:23:34,680 Speaker 1: first of all, it's got the little like mouth fiber 428 00:23:34,760 --> 00:23:37,359 Speaker 1: things around it, the thing that makes it look like 429 00:23:37,400 --> 00:23:42,359 Speaker 1: a butthole being stretched out like that keeps it is 430 00:23:42,400 --> 00:23:45,719 Speaker 1: going to keep your popcorn in, you know. Yeah, but 431 00:23:45,880 --> 00:23:50,280 Speaker 1: there are some aspects of this that make me think, Wow, 432 00:23:50,640 --> 00:23:54,760 Speaker 1: they've upped the popcorn bucket game a little bit. 433 00:23:55,160 --> 00:23:58,760 Speaker 3: I definitely like, I like where we're going with this, 434 00:23:59,080 --> 00:24:02,600 Speaker 3: you know, like but like the little mouth barnacles or whatever. 435 00:24:02,680 --> 00:24:04,720 Speaker 3: It feels like now as a parent, like one of 436 00:24:04,720 --> 00:24:07,480 Speaker 3: those like snack cups you give a toddler where yes, 437 00:24:07,840 --> 00:24:10,960 Speaker 3: exact goes in, but the snacks ain't coming out if 438 00:24:10,960 --> 00:24:12,760 Speaker 3: you turn it upside down kind of vibe. 439 00:24:13,480 --> 00:24:14,159 Speaker 2: So I like that. 440 00:24:14,480 --> 00:24:18,640 Speaker 3: I like the intersection of toddler snack technology with movie bucket. 441 00:24:20,720 --> 00:24:23,400 Speaker 1: But yeah, I guess it also seems like it could 442 00:24:23,440 --> 00:24:25,120 Speaker 1: be a trap because I like to get a real 443 00:24:25,200 --> 00:24:28,359 Speaker 1: big handful of popcorn and I don't know if my 444 00:24:28,440 --> 00:24:30,680 Speaker 1: hand's making it through that bad boy with all the 445 00:24:30,720 --> 00:24:32,160 Speaker 1: popcorn that I don't put in it. 446 00:24:32,280 --> 00:24:36,080 Speaker 3: And how rigid are those like little things like like 447 00:24:36,119 --> 00:24:39,320 Speaker 3: are you just gonna like get blisters like from like 448 00:24:39,520 --> 00:24:42,040 Speaker 3: repetition blisters from putting your hand in and out of 449 00:24:42,080 --> 00:24:44,560 Speaker 3: this as they call it a quote tight hole. 450 00:24:45,080 --> 00:24:50,359 Speaker 1: Yeah, hey, man, the way I eat popcorn, maybe it 451 00:24:50,520 --> 00:24:55,440 Speaker 1: might just yeah, to quote this article, it looks like 452 00:24:55,480 --> 00:24:58,560 Speaker 1: a fleshlight or a puckered butthole or a vagina dent 453 00:24:58,680 --> 00:25:02,879 Speaker 1: tanta ever, filthy little connection it makes in your mind. 454 00:25:02,960 --> 00:25:05,880 Speaker 1: It has the unmistakable look of something people will try 455 00:25:05,880 --> 00:25:08,320 Speaker 1: to stick their dick in. That is from the New 456 00:25:08,400 --> 00:25:11,880 Speaker 1: York Times. No, no, I'm sorry that's TMC. 457 00:25:12,560 --> 00:25:15,600 Speaker 2: But I mean they interchangeable at this point. 458 00:25:16,480 --> 00:25:19,119 Speaker 1: Yeah, just a lot of jokes about dune fans fucking 459 00:25:19,160 --> 00:25:20,560 Speaker 1: the thing, right. 460 00:25:20,480 --> 00:25:24,439 Speaker 3: Look like I get it it it's it doesn't look great, 461 00:25:26,080 --> 00:25:28,760 Speaker 3: But honestly, I think it's about the idea, man, It's 462 00:25:28,760 --> 00:25:29,640 Speaker 3: about the idea. 463 00:25:29,880 --> 00:25:31,160 Speaker 2: It's about where we're headed. 464 00:25:31,600 --> 00:25:34,800 Speaker 3: Because I feel like this like part of me is like, damn, 465 00:25:34,800 --> 00:25:37,000 Speaker 3: we like do we kind of fuck up here? 466 00:25:38,480 --> 00:25:41,000 Speaker 2: Always? Along? Is what it feels like to me. 467 00:25:41,520 --> 00:25:44,119 Speaker 1: Yeah, it feels like we should have been eating popcorn 468 00:25:44,160 --> 00:25:48,480 Speaker 1: out of like beheaded stormtrooper helmets at like the ones 469 00:25:48,520 --> 00:25:50,600 Speaker 1: that walks are playing the drums on and return to 470 00:25:50,600 --> 00:25:53,000 Speaker 1: the Jedi, you know. 471 00:25:53,040 --> 00:25:56,679 Speaker 3: Or like the mechanical rhinoceros. Jim Carrey was in an 472 00:25:57,840 --> 00:26:03,040 Speaker 3: region the hole. Yeah, that was that's right there, right there, 473 00:26:03,680 --> 00:26:05,080 Speaker 3: fucking it for seven. 474 00:26:05,280 --> 00:26:06,520 Speaker 2: It's a cardboard box. 475 00:26:07,560 --> 00:26:12,879 Speaker 3: Wow, you know what's in the Yeah, it's or your 476 00:26:12,880 --> 00:26:14,880 Speaker 3: wife's or your wife's disembodied head. 477 00:26:14,960 --> 00:26:19,800 Speaker 1: I don't know, there's a I could have seen them 478 00:26:19,840 --> 00:26:23,439 Speaker 1: like making the shark deep throat your hand from Jaws 479 00:26:23,800 --> 00:26:26,160 Speaker 1: like that would although that could kind of suck because 480 00:26:26,200 --> 00:26:28,520 Speaker 1: it would have been rubbery and would have like kind 481 00:26:28,560 --> 00:26:31,520 Speaker 1: of drawn attention to the fact that the actual shark 482 00:26:31,600 --> 00:26:33,000 Speaker 1: in the movie is a little rubbery. 483 00:26:34,280 --> 00:26:36,560 Speaker 3: I like how you really were like looking at the 484 00:26:36,840 --> 00:26:39,560 Speaker 3: like the third rail ideas here for Jaws, Like, I 485 00:26:39,560 --> 00:26:41,560 Speaker 3: don't know, but I don't also want to like fuck 486 00:26:41,640 --> 00:26:43,520 Speaker 3: up the perception of the beloved film. 487 00:26:43,600 --> 00:26:45,960 Speaker 1: Yeah, but like I'm a couple of design charts deep 488 00:26:46,000 --> 00:26:48,879 Speaker 1: on this, yeah, or could it just be the boat 489 00:26:49,000 --> 00:26:49,520 Speaker 1: that they're on? 490 00:26:50,200 --> 00:26:52,680 Speaker 3: Yeah, the boat would have made sense. That's probably better 491 00:26:52,720 --> 00:26:54,560 Speaker 3: because then you can be like, hey, and if you 492 00:26:54,560 --> 00:26:58,040 Speaker 3: want a little more popcorn, you're gonna need a bigger boat. 493 00:26:58,320 --> 00:26:58,520 Speaker 1: Ah. 494 00:26:59,680 --> 00:27:01,360 Speaker 2: You know, the marketing stress is. 495 00:27:01,280 --> 00:27:02,720 Speaker 3: Why you're the best of the business. 496 00:27:02,880 --> 00:27:03,320 Speaker 2: This is. 497 00:27:05,520 --> 00:27:12,160 Speaker 1: Have you ever seen the jar jar binks like tongue lollipop? Yes, yeah, 498 00:27:12,280 --> 00:27:15,439 Speaker 1: I feel like having again just making jar jar banks 499 00:27:15,480 --> 00:27:17,840 Speaker 1: deep throat your fist every time you want to scoop 500 00:27:17,880 --> 00:27:19,720 Speaker 1: a popcorn would be fun. 501 00:27:20,359 --> 00:27:22,520 Speaker 2: That thing also looks like a fucked up sex toy. 502 00:27:22,720 --> 00:27:26,480 Speaker 3: Yeah, it does, like and we don't need to expand 503 00:27:26,520 --> 00:27:29,679 Speaker 3: on that further, but do or do not search jar 504 00:27:29,760 --> 00:27:32,400 Speaker 3: jar Binks lollipop and then figure out how you want 505 00:27:32,440 --> 00:27:32,800 Speaker 3: to use it. 506 00:27:33,600 --> 00:27:38,160 Speaker 1: The Mona Lisa got souped by climate activists over the weekend. 507 00:27:38,640 --> 00:27:44,320 Speaker 1: Protesters from the group Food counter Attack is the English translation. 508 00:27:45,880 --> 00:27:48,399 Speaker 1: I'll let you guys look up the French translation, so 509 00:27:48,440 --> 00:27:51,879 Speaker 1: I'm not just like blowing blowing it on my French. 510 00:27:51,960 --> 00:27:56,879 Speaker 1: But they threw soup at the Mona Lisa, which not 511 00:27:56,960 --> 00:27:58,639 Speaker 1: that you'd even know it, because I don't know if 512 00:27:58,640 --> 00:28:01,520 Speaker 1: you saw the picture of like before and after the 513 00:28:01,560 --> 00:28:08,119 Speaker 1: attack quit the Louver staff swooped in and erected like 514 00:28:08,480 --> 00:28:11,560 Speaker 1: the most inadequate cloth barriers you've ever seen. 515 00:28:12,600 --> 00:28:17,439 Speaker 3: It's so like, if you're over five feet tall, you're like, 516 00:28:17,480 --> 00:28:19,320 Speaker 3: why they put that thing? I can wis all the 517 00:28:19,400 --> 00:28:22,520 Speaker 3: soup on the Mona Lisa, Like it wouldn't have stopped. 518 00:28:23,800 --> 00:28:25,960 Speaker 2: I'm hideous, man. 519 00:28:26,160 --> 00:28:28,320 Speaker 3: And then so they threw the soup on it. 520 00:28:28,400 --> 00:28:30,560 Speaker 1: They then stood in front of the paintings saying what 521 00:28:30,680 --> 00:28:33,119 Speaker 1: is more important art or the right to a healthy 522 00:28:33,119 --> 00:28:39,520 Speaker 1: and sustainable food. France's Minister for Culture claimed that there 523 00:28:39,600 --> 00:28:42,320 Speaker 1: was no cause to ever target the Mona Lisa. 524 00:28:42,640 --> 00:28:46,920 Speaker 3: It belongs to future generations. It's not even a good 525 00:28:47,040 --> 00:28:48,120 Speaker 3: fucking painting. 526 00:28:48,840 --> 00:28:49,240 Speaker 2: I know. 527 00:28:49,640 --> 00:28:53,000 Speaker 3: And I just watched that Kevin Hart movie on Netflix 528 00:28:53,080 --> 00:28:57,160 Speaker 3: that's so fucking terrible about fucking Ripbot, like where they 529 00:28:57,160 --> 00:28:59,880 Speaker 3: have to jack like a whole bunch of gold and 530 00:29:00,160 --> 00:29:03,200 Speaker 3: from an airliner in mid air. It's the movie's so 531 00:29:03,320 --> 00:29:06,400 Speaker 3: fucking bad. Do not watch it. But there's like a 532 00:29:06,440 --> 00:29:07,080 Speaker 3: whole part was. 533 00:29:07,080 --> 00:29:09,400 Speaker 6: Like the Mona Lisa, man, like you got it was 534 00:29:09,440 --> 00:29:12,680 Speaker 6: only popular after somebody stole it, and that's what made 535 00:29:12,720 --> 00:29:14,800 Speaker 6: it popular. So that's what we're gonna do when they 536 00:29:14,840 --> 00:29:17,920 Speaker 6: steal a fucking nft in like the first scene, and 537 00:29:17,960 --> 00:29:19,760 Speaker 6: it's so fucking stupid. 538 00:29:19,880 --> 00:29:21,640 Speaker 2: I can't even I can't get that. 539 00:29:22,560 --> 00:29:28,040 Speaker 3: Smart, and like, dude, yes, it's like it's so it's 540 00:29:28,080 --> 00:29:31,440 Speaker 3: so fucking off base, it's so far off from reality. 541 00:29:31,520 --> 00:29:34,000 Speaker 3: But they're like, I'm sure when they wrote this script 542 00:29:34,040 --> 00:29:37,640 Speaker 3: fucking four years ago they were like, oh my god, dude, 543 00:29:37,880 --> 00:29:42,040 Speaker 3: steal an NFT to make the price go up. But yeah, 544 00:29:42,080 --> 00:29:46,320 Speaker 3: like the Mona Lisa is whatever. I mean, I've all 545 00:29:46,360 --> 00:29:48,200 Speaker 3: I hear bad things about it. I have not seen 546 00:29:48,240 --> 00:29:51,040 Speaker 3: it in the flesh, but I hear it's one of 547 00:29:51,080 --> 00:29:53,680 Speaker 3: the more underwhelming pieces of art that we sort of 548 00:29:53,720 --> 00:29:55,280 Speaker 3: like lawed as these masterpieces. 549 00:29:55,440 --> 00:29:59,360 Speaker 1: Yeah, I've been to see it many years ago, and 550 00:29:59,440 --> 00:30:02,240 Speaker 1: you're changed, you know, just imagining having to tell my 551 00:30:02,360 --> 00:30:06,080 Speaker 1: grandkids that they lost out on the ability to go 552 00:30:06,280 --> 00:30:10,160 Speaker 1: have one of the most underwhelming cultural experiences of all 553 00:30:10,280 --> 00:30:14,520 Speaker 1: time because museum officials got tired of cleaning soup off. 554 00:30:14,520 --> 00:30:20,520 Speaker 1: The bulletproof glass protecting the tiny painting is heartbreaking. First 555 00:30:20,520 --> 00:30:22,360 Speaker 1: of all, the monese not even the size of a 556 00:30:22,360 --> 00:30:25,560 Speaker 1: big screen TV bro. Yeah, which is what I was 557 00:30:25,600 --> 00:30:28,160 Speaker 1: loudly saying, uh when I saw it. 558 00:30:29,360 --> 00:30:32,680 Speaker 3: That's why I fuck with the Guernico man. Yeah, that 559 00:30:32,920 --> 00:30:35,440 Speaker 3: I mean, I think so fucking big. I'm like, dude, 560 00:30:35,440 --> 00:30:38,440 Speaker 3: this is art, dude, because it's so big. I'm a mac. 561 00:30:38,480 --> 00:30:40,200 Speaker 3: I'm a I'm a size queen, you know. 562 00:30:40,720 --> 00:30:43,000 Speaker 1: But yeah, I mean if the monal Lisa burned tomorrow 563 00:30:43,480 --> 00:30:47,000 Speaker 1: and also like every piece of it was digitally erased 564 00:30:47,000 --> 00:30:49,440 Speaker 1: from the Internet, like people would be able to repaint 565 00:30:49,440 --> 00:30:53,800 Speaker 1: that shit from memory, that's like so burnt into our. 566 00:30:54,160 --> 00:30:56,840 Speaker 3: But also like, would anyone even be like, we gotta 567 00:30:56,960 --> 00:30:59,680 Speaker 3: let's let's recreate the monalesa people like, man, shut up 568 00:30:59,720 --> 00:31:01,320 Speaker 3: with that dumb ass painting. 569 00:31:01,760 --> 00:31:02,800 Speaker 2: Nobody gives a fuck. 570 00:31:03,800 --> 00:31:07,240 Speaker 1: I do feel like the when the you know, vicious 571 00:31:07,360 --> 00:31:12,560 Speaker 1: cycle of hypercapitalism and climate catastrophe and the collapsing media, 572 00:31:13,280 --> 00:31:17,440 Speaker 1: you know, communication, central nervous system of our civilization finally 573 00:31:17,520 --> 00:31:21,520 Speaker 1: destroys the planet, the only thing that will be left 574 00:31:21,720 --> 00:31:25,040 Speaker 1: is the Mona Lisa, like behind a piece of like 575 00:31:25,240 --> 00:31:27,960 Speaker 1: protective cutting edge technology like. 576 00:31:27,960 --> 00:31:29,040 Speaker 2: That and the Constitution. 577 00:31:29,720 --> 00:31:32,560 Speaker 3: They're like, wow, these people are really weird about their 578 00:31:32,600 --> 00:31:33,520 Speaker 3: pieces of paper. 579 00:31:34,480 --> 00:31:37,920 Speaker 2: Yeah, why did they? Why did they save their planet? 580 00:31:38,400 --> 00:31:40,840 Speaker 3: So this is this is the best you got, all right, 581 00:31:40,920 --> 00:31:44,480 Speaker 3: So this piece of paper gets oxygen, but the people didn't. 582 00:31:44,760 --> 00:31:48,120 Speaker 2: Okay, well what a what a backwards place this was. 583 00:31:48,560 --> 00:31:51,120 Speaker 1: Yeah, let's uh, let's take a quick break and then 584 00:31:51,160 --> 00:31:55,600 Speaker 1: we'll come back and talk Benjapiro being my new favorite MC. 585 00:31:55,920 --> 00:32:10,920 Speaker 1: We'll be right back, and we're back. We're back, and yeah, 586 00:32:11,080 --> 00:32:17,360 Speaker 1: Ben Shapiro has topped the charts with a rap song 587 00:32:18,000 --> 00:32:21,360 Speaker 1: that is I don't know it's it's with the guy 588 00:32:21,600 --> 00:32:26,000 Speaker 1: from a he's like been fame. He made that song. 589 00:32:26,400 --> 00:32:31,080 Speaker 1: Uh so his name is Tom McDonald. He made the 590 00:32:31,120 --> 00:32:37,760 Speaker 1: song Coronavirus, which warranted the Dallas Observer's headline, rapper Tom 591 00:32:37,840 --> 00:32:43,479 Speaker 1: McDonald's song Coronavirus might be worse than the actual coronavirus. Man, 592 00:32:43,840 --> 00:32:46,280 Speaker 1: not fair. 593 00:32:46,360 --> 00:32:47,880 Speaker 2: That's a low blow. Low blow. 594 00:32:48,040 --> 00:32:52,240 Speaker 3: Also, I have to respect somebody who has their face 595 00:32:52,360 --> 00:32:55,760 Speaker 3: covered in fucking tattoos and you got your hair all 596 00:32:55,800 --> 00:32:58,480 Speaker 3: braided up as shit, trying to look like whatever, like 597 00:32:58,680 --> 00:33:03,960 Speaker 3: nightmare Travis Scott. And your mc name is just your 598 00:33:03,960 --> 00:33:05,840 Speaker 3: fucking name, Tom McDonald. 599 00:33:07,040 --> 00:33:09,880 Speaker 2: It's not even like t mac or something like that. Like, 600 00:33:10,080 --> 00:33:11,959 Speaker 2: and I'm Tom McDonald, right. 601 00:33:12,720 --> 00:33:15,240 Speaker 3: You know, I promised my mom I wouldn't I wouldn't 602 00:33:15,280 --> 00:33:17,760 Speaker 3: change my name to something weird despite having all these 603 00:33:17,880 --> 00:33:21,120 Speaker 3: head tattoos. Yeah, he's got like, I I feel like 604 00:33:21,160 --> 00:33:26,719 Speaker 3: he has eyelid tattoos. We had Jack there for decoration. 605 00:33:27,680 --> 00:33:29,080 Speaker 2: Yeah, no, I mean I respect this. 606 00:33:29,120 --> 00:33:32,360 Speaker 1: It's like it reminds me of that student who has 607 00:33:32,400 --> 00:33:36,040 Speaker 1: a crush on uh Indiana Jones and writes love you 608 00:33:36,320 --> 00:33:39,960 Speaker 1: on her eyelids. Oh strong move by. 609 00:33:39,880 --> 00:33:40,560 Speaker 2: All right dad? 610 00:33:41,960 --> 00:33:47,640 Speaker 1: Anyways? Uh, it's the song is I was kind of 611 00:33:47,640 --> 00:33:49,720 Speaker 1: a little taken aback. I've never listened to one of 612 00:33:49,720 --> 00:33:55,160 Speaker 1: these this guy's songs, but it's just like such straightforward 613 00:33:55,800 --> 00:33:58,840 Speaker 1: Fox News talking points, Like I assumed they would have 614 00:33:58,880 --> 00:34:02,480 Speaker 1: like a different or something, but he's like complaining that 615 00:34:02,520 --> 00:34:05,400 Speaker 1: people don't put the American flag up anymore. 616 00:34:05,800 --> 00:34:06,000 Speaker 2: Yeah. 617 00:34:06,080 --> 00:34:09,480 Speaker 3: Now it's all blm and rainbows. Wow, what the hell 618 00:34:09,560 --> 00:34:13,080 Speaker 3: happened to this place? And I mean, I'm not gonna lie. 619 00:34:13,120 --> 00:34:16,120 Speaker 3: He's probably one of the in terms of what I've 620 00:34:16,120 --> 00:34:19,200 Speaker 3: seen for rap performance, probably one of the better. Matt 621 00:34:19,360 --> 00:34:24,439 Speaker 3: like he like for Giato blow Uh, mister Auto Trader Grandkid. Yeah, 622 00:34:24,440 --> 00:34:27,839 Speaker 3: that guy, that guy in coming close to Tom McDonald's. 623 00:34:28,280 --> 00:34:30,080 Speaker 2: I hate admit that, but it's. 624 00:34:29,920 --> 00:34:32,799 Speaker 3: The featured rapper on this track that really has us 625 00:34:32,880 --> 00:34:39,320 Speaker 3: all completely out of our seats. Just big Bennyes, Okay, 626 00:34:39,719 --> 00:34:40,560 Speaker 3: super fat. 627 00:34:41,880 --> 00:34:44,759 Speaker 2: Rap music isn't music, it's garbage. 628 00:34:44,880 --> 00:34:47,680 Speaker 3: It's actually anti music, and it is a disservice to 629 00:34:47,719 --> 00:34:50,520 Speaker 3: people that listen to it. It's not music and discussed, 630 00:34:50,520 --> 00:34:53,120 Speaker 3: it's discussing and that's all. It's a medium that's used 631 00:34:53,120 --> 00:34:55,120 Speaker 3: to promote the degradation of society. 632 00:34:54,800 --> 00:34:57,480 Speaker 1: Unless white people are doing it, and unless it's me, 633 00:34:58,120 --> 00:35:00,960 Speaker 1: and then I will fat shame and e racist stand 634 00:35:01,040 --> 00:35:05,360 Speaker 1: duhle bunch of other shit. So how are you reviewing 635 00:35:05,480 --> 00:35:08,560 Speaker 1: his I mean, I will say, like in the the video, 636 00:35:09,719 --> 00:35:14,839 Speaker 1: the like charismatic void coming off the screen from him 637 00:35:15,239 --> 00:35:19,680 Speaker 1: is pretty wild. Like there's certain performances in the annals 638 00:35:19,719 --> 00:35:23,319 Speaker 1: of filmed media that have to be cut around so 639 00:35:23,520 --> 00:35:26,680 Speaker 1: much that it really like sparks my imagination of like 640 00:35:26,800 --> 00:35:30,160 Speaker 1: how bad that performance must have been? Right, right, some 641 00:35:30,200 --> 00:35:32,880 Speaker 1: of the shots of like Henry cavill and like the 642 00:35:32,960 --> 00:35:36,080 Speaker 1: early Superman movies where he was first playing Superman, they 643 00:35:36,160 --> 00:35:39,240 Speaker 1: just like cut around his face like they like treat 644 00:35:39,280 --> 00:35:42,640 Speaker 1: his acting like it's the shark nd Jaws, and just 645 00:35:42,640 --> 00:35:46,880 Speaker 1: like they're like, what if we just don't show him? Yeah, 646 00:35:46,920 --> 00:35:49,760 Speaker 1: and like that's what that's kind of how they treat 647 00:35:49,800 --> 00:35:53,759 Speaker 1: a lot of Ben Shapiro's bars, which that's you know, 648 00:35:54,080 --> 00:35:58,000 Speaker 1: the whole point of the songs that Ben Shapiro's is rapping. 649 00:35:58,000 --> 00:36:00,640 Speaker 1: And at some point they like cut away from him 650 00:36:01,160 --> 00:36:05,040 Speaker 1: to Tom McDonald like singing along to his verse. 651 00:36:05,560 --> 00:36:09,760 Speaker 3: Yeah it's bad, dude, and he's so stiff the whole time. 652 00:36:10,040 --> 00:36:10,320 Speaker 2: Yeah. 653 00:36:10,360 --> 00:36:15,000 Speaker 3: You know, like if one, if anybody who has rapped 654 00:36:15,000 --> 00:36:17,560 Speaker 3: along to a song, even like from memory, you get 655 00:36:17,560 --> 00:36:19,879 Speaker 3: a little, you get a little, you get you start 656 00:36:19,920 --> 00:36:22,960 Speaker 3: the gesticulations that becomes part of it. 657 00:36:23,239 --> 00:36:25,560 Speaker 2: You gotta have a little bit of a body rock. 658 00:36:25,920 --> 00:36:32,080 Speaker 3: This dude is so fucking stiff, and it to me, 659 00:36:32,239 --> 00:36:33,640 Speaker 3: first of all, I think we were kind of having 660 00:36:33,640 --> 00:36:36,239 Speaker 3: this debate before is whether or not he wrote this 661 00:36:36,360 --> 00:36:39,600 Speaker 3: or he had a ghost writer. I now let me 662 00:36:39,760 --> 00:36:43,320 Speaker 3: just as Tom McDonald wrote it. But my my feeling, 663 00:36:43,840 --> 00:36:46,279 Speaker 3: my feeling on this is that this is one percent 664 00:36:46,280 --> 00:36:51,680 Speaker 3: Ben Shapiro wrote this because it it feels like like 665 00:36:52,000 --> 00:36:55,879 Speaker 3: when I first started like recording rap songs in high 666 00:36:55,920 --> 00:36:58,000 Speaker 3: school and shit, like when like the kids who had 667 00:36:58,080 --> 00:37:00,719 Speaker 3: no business wanted to rap were like I wrote something. 668 00:37:01,400 --> 00:37:03,640 Speaker 1: Right, And it's like this is a no way compliment 669 00:37:03,719 --> 00:37:08,520 Speaker 1: to him, like to the quality of the rapp or no, no, no, 670 00:37:08,800 --> 00:37:11,600 Speaker 1: it's just I feel like he wrote a very basic 671 00:37:11,719 --> 00:37:13,240 Speaker 1: rap for Ben Japiro. 672 00:37:13,280 --> 00:37:15,040 Speaker 3: Of course, listen, listen to this, because we're not going 673 00:37:15,080 --> 00:37:16,680 Speaker 3: to play the fucking song for you. We just can't 674 00:37:16,680 --> 00:37:17,200 Speaker 3: go that far. 675 00:37:17,280 --> 00:37:17,920 Speaker 2: But I will. 676 00:37:18,040 --> 00:37:20,000 Speaker 3: I will impersonate him for you. This is literally, this 677 00:37:20,040 --> 00:37:22,280 Speaker 3: is these are the actually lyrics. Let's look at the stats. 678 00:37:22,320 --> 00:37:24,400 Speaker 3: I've got the facts. My money like Lozzo, my pockets 679 00:37:24,400 --> 00:37:26,719 Speaker 3: are fat, Homie, I'm epic, don't be a wap dog 680 00:37:26,680 --> 00:37:29,000 Speaker 3: gets a yamaka homie, no cap. Look at the graphs, 681 00:37:29,000 --> 00:37:31,400 Speaker 3: look at my charts. You're blowing money on strippers and cars. 682 00:37:31,480 --> 00:37:34,200 Speaker 3: You're going to prison. I'm on television, dob, No one 683 00:37:34,320 --> 00:37:38,240 Speaker 3: knows who you are. Keep hating on me on the internet. 684 00:37:38,480 --> 00:37:42,960 Speaker 3: My comment section all, well, Karen's I make racksoft compound interest. 685 00:37:43,200 --> 00:37:45,120 Speaker 3: There's like he's doing like a triplet thing, which is 686 00:37:45,280 --> 00:37:48,239 Speaker 3: very not good. Y'all live with your parents. Nicky takes 687 00:37:48,280 --> 00:37:50,759 Speaker 3: some notes. I just did this for fun. All my 688 00:37:50,840 --> 00:37:55,440 Speaker 3: people download this. Let's get a Billboard number one. Yeah, 689 00:37:55,480 --> 00:37:57,920 Speaker 3: and again, the reason why I think he wrote this 690 00:37:58,320 --> 00:38:01,000 Speaker 3: is because he can't perfer for it. It's like he 691 00:38:01,160 --> 00:38:04,480 Speaker 3: knows his his shit is on the line and he 692 00:38:05,600 --> 00:38:08,719 Speaker 3: it's just so wild to see someone so absolutely rhythmless 693 00:38:08,719 --> 00:38:11,040 Speaker 3: and lacking charisma to try and get through an entire 694 00:38:11,160 --> 00:38:13,800 Speaker 3: rap verse because this man is a robot. 695 00:38:14,040 --> 00:38:16,760 Speaker 2: Like, this guy has no He's just a fucking robot. 696 00:38:16,800 --> 00:38:19,200 Speaker 3: And I know this because he had to reroute all 697 00:38:19,239 --> 00:38:22,680 Speaker 3: of his processing power to his mouth just to like 698 00:38:23,239 --> 00:38:25,520 Speaker 3: just to get that like performance off for camera, while 699 00:38:25,520 --> 00:38:28,239 Speaker 3: the rest of his body was in total paralysis. Like 700 00:38:28,440 --> 00:38:32,120 Speaker 3: he get his hands in his pockets rapping, right, who 701 00:38:32,160 --> 00:38:34,000 Speaker 3: the fuck does that? 702 00:38:34,840 --> 00:38:37,880 Speaker 1: He's rapping a little bit like he's like embarrassed to 703 00:38:37,960 --> 00:38:38,520 Speaker 1: be rapping. 704 00:38:38,800 --> 00:38:42,360 Speaker 3: It feels like the energy, which makes sense. I guess 705 00:38:42,560 --> 00:38:44,360 Speaker 3: there's another one too, where he's like sitting at his 706 00:38:44,480 --> 00:38:46,400 Speaker 3: desk and it's clear it's like, maybe we should just 707 00:38:46,480 --> 00:38:48,799 Speaker 3: do it like the show where he reads from a teleprompter, 708 00:38:49,000 --> 00:38:51,440 Speaker 3: and if we can get it to do it semi rhythmically, 709 00:38:51,520 --> 00:38:54,239 Speaker 3: we can make it look like he's rapping. But then 710 00:38:54,280 --> 00:38:56,560 Speaker 3: part of me just thought they were animating the mouth 711 00:38:56,600 --> 00:39:01,880 Speaker 3: of like a still photo. Right, how like rigid he was. 712 00:39:02,480 --> 00:39:04,799 Speaker 1: I mean, we've talked before about the bad parts of 713 00:39:04,840 --> 00:39:08,799 Speaker 1: the eighties being on a comeback, and this is a 714 00:39:09,320 --> 00:39:14,120 Speaker 1: suspiciously popular novelty rap song by a non rapper, which 715 00:39:14,600 --> 00:39:16,520 Speaker 1: was a thing that happened a lot in the eighties 716 00:39:16,640 --> 00:39:18,759 Speaker 1: when like that first became a thing and they were like, 717 00:39:19,120 --> 00:39:24,400 Speaker 1: if Rodney Dangerfield had a rap song, hey speaking of respect? Yeah, 718 00:39:24,560 --> 00:39:25,000 Speaker 1: did he have. 719 00:39:24,920 --> 00:39:28,879 Speaker 2: A track about respect? So didn't he? I have no idea. 720 00:39:28,920 --> 00:39:30,360 Speaker 2: I mean, like, wait, when did he rap? 721 00:39:31,120 --> 00:39:34,720 Speaker 3: It could be it could be rap in Rodney. Oh no, 722 00:39:35,840 --> 00:39:38,399 Speaker 3: oh shit, I remember this album cover where he had 723 00:39:38,400 --> 00:39:39,719 Speaker 3: the boombox and shit. 724 00:39:39,960 --> 00:39:42,560 Speaker 1: Yeah, yeah, yeah, pretty good. 725 00:39:42,920 --> 00:39:44,919 Speaker 2: It's all right, pretty good. 726 00:39:46,040 --> 00:39:48,879 Speaker 1: And then like Nicki Minaj responded and was like, hey, 727 00:39:48,960 --> 00:39:53,920 Speaker 1: actually pretty impressive because she was dropping something and you know, 728 00:39:54,000 --> 00:39:55,240 Speaker 1: could appreciate the attention. 729 00:39:55,400 --> 00:39:57,000 Speaker 2: I think, uh, and. 730 00:39:57,040 --> 00:39:59,920 Speaker 3: Did you listen to that tracks Coming At, Coming At 731 00:40:00,200 --> 00:40:04,839 Speaker 3: and The Stallion. No, it's so fucking bad. That's like 732 00:40:04,880 --> 00:40:09,040 Speaker 3: we got hit with two absolute rap turns this weekend. Wow, 733 00:40:09,400 --> 00:40:11,680 Speaker 3: she had to drop the thing called Bigfoot because she's 734 00:40:11,760 --> 00:40:15,360 Speaker 3: making just talking about the fact that making the Stallion 735 00:40:15,480 --> 00:40:19,160 Speaker 3: was shot in her own cool, no fault of her own, 736 00:40:19,200 --> 00:40:21,600 Speaker 3: but being like, yeah, because you got shot and it's 737 00:40:21,640 --> 00:40:24,640 Speaker 3: like what and it has like it's just weird. The 738 00:40:24,719 --> 00:40:26,799 Speaker 3: quality is like really bad. A lot of people were like, 739 00:40:26,840 --> 00:40:32,120 Speaker 3: put the cocaine down, Nikki. It's sounding a little too frantic, 740 00:40:32,239 --> 00:40:34,560 Speaker 3: but yeah, I think that's where their their vent diagram 741 00:40:34,600 --> 00:40:38,080 Speaker 3: overlapped this weekend, all right. 742 00:40:38,320 --> 00:40:38,800 Speaker 2: Uh. 743 00:40:38,840 --> 00:40:43,240 Speaker 1: In less fun news, Uh, there was a drone attack Biden, 744 00:40:43,880 --> 00:40:47,680 Speaker 1: Uh that that killed three US soldiers. Biden has vowed 745 00:40:47,680 --> 00:40:53,560 Speaker 1: that the US shall responds, and you know, dozens of 746 00:40:53,560 --> 00:40:56,480 Speaker 1: people were wounded at a military base in Jordan or 747 00:40:56,520 --> 00:41:00,480 Speaker 1: maybe Syria. Biden blamed the incident on Iran backed militia 748 00:41:00,520 --> 00:41:03,560 Speaker 1: groups and iron said they have no connection to the attack. 749 00:41:04,520 --> 00:41:06,080 Speaker 2: But yeah, yeah, because. 750 00:41:05,840 --> 00:41:09,080 Speaker 1: If you even over like where it happened, Jordanians are 751 00:41:10,600 --> 00:41:15,880 Speaker 1: Americans don't want to admit that they are fighting in Syria, 752 00:41:16,560 --> 00:41:18,880 Speaker 1: and so you know that this is right. 753 00:41:18,719 --> 00:41:22,040 Speaker 3: On the border of Syria. Yeah, So I mean it's wild. 754 00:41:22,080 --> 00:41:24,200 Speaker 3: How like to the Jordanians were like none, this was 755 00:41:24,239 --> 00:41:25,759 Speaker 3: that was not Jordan's right. 756 00:41:26,160 --> 00:41:28,879 Speaker 2: Yeah. I don't don't get us involved with this, but yeah, 757 00:41:28,920 --> 00:41:31,879 Speaker 2: I just things are getting more intense. It's just weird 758 00:41:31,920 --> 00:41:32,200 Speaker 2: to see. 759 00:41:32,200 --> 00:41:36,600 Speaker 3: Also, like how the when I like, as it was 760 00:41:36,640 --> 00:41:38,200 Speaker 3: being reported, a lot of people are saying, like, you know, 761 00:41:38,239 --> 00:41:41,840 Speaker 3: this is this marks like the first time that American 762 00:41:41,880 --> 00:41:44,000 Speaker 3: soldiers have been killed since and I was like, yeah, 763 00:41:44,000 --> 00:41:45,960 Speaker 3: in the they're like in the Middle East since and 764 00:41:45,960 --> 00:41:49,160 Speaker 3: they're like October seventh, and I was like, oh right, 765 00:41:49,200 --> 00:41:51,279 Speaker 3: because it was like it hasn't been that long of 766 00:41:51,320 --> 00:41:53,200 Speaker 3: a time, Like what are we like, what are we 767 00:41:53,280 --> 00:41:55,640 Speaker 3: using to say, like how much fighting the US has 768 00:41:55,640 --> 00:41:57,439 Speaker 3: been doing in the Middle East and how many people 769 00:41:57,520 --> 00:42:01,360 Speaker 3: have died? And I was like, yeah, it's continues, our 770 00:42:01,440 --> 00:42:05,600 Speaker 3: presence continues. But now it's a it's just ramping up 771 00:42:05,600 --> 00:42:08,000 Speaker 3: because now you have like fucking Lindsey Graham being like, 772 00:42:08,000 --> 00:42:10,799 Speaker 3: we just have to bomb around now right immediately, and. 773 00:42:10,800 --> 00:42:14,239 Speaker 1: They, I mean immediately. I think they recognize. The Republicans 774 00:42:14,239 --> 00:42:17,440 Speaker 1: recognized that it would both be you know, they love 775 00:42:17,480 --> 00:42:21,440 Speaker 1: a war, but they also, you know, recognize that people 776 00:42:21,840 --> 00:42:25,759 Speaker 1: do not want Americans don't want to be involved, like no, 777 00:42:26,360 --> 00:42:29,640 Speaker 1: to be bombing Iran, and so it be terrible for Biden. 778 00:42:29,719 --> 00:42:33,359 Speaker 1: But it's also terrible terrible for Biden if they, you know, 779 00:42:33,680 --> 00:42:36,799 Speaker 1: keep being like why aren't you doing anything? Huh, what 780 00:42:36,800 --> 00:42:38,920 Speaker 1: are you scared? And he does nothing. 781 00:42:39,680 --> 00:42:42,040 Speaker 3: So I mean there's already a majority of people who 782 00:42:42,040 --> 00:42:45,640 Speaker 3: are like yeah, yeah, a majority of Americans that don't 783 00:42:45,640 --> 00:42:49,200 Speaker 3: even want to be arming the Israeli government. So if 784 00:42:49,200 --> 00:42:50,440 Speaker 3: you want to take that a step for it, like, 785 00:42:50,480 --> 00:42:53,160 Speaker 3: should we just go into a hot war now in 786 00:42:53,200 --> 00:42:56,959 Speaker 3: the Middle East? Again, I'm not sure. Aside from the 787 00:42:57,040 --> 00:43:01,040 Speaker 3: Raytheon crew of voters, you're going to have much support. 788 00:43:01,640 --> 00:43:04,920 Speaker 2: Yeah, but any man, it's great. It's you Love Award 789 00:43:05,000 --> 00:43:08,680 Speaker 2: during a during election, don't you Good times? 790 00:43:09,800 --> 00:43:14,239 Speaker 1: And we do now have the super Bowl coming up. 791 00:43:14,880 --> 00:43:17,480 Speaker 1: We know who's going to be in it, Taylor something 792 00:43:17,480 --> 00:43:22,799 Speaker 1: that will be starting at quarterback. For uh, the way 793 00:43:22,840 --> 00:43:28,759 Speaker 1: it's being covered, people are acting like this whole thing 794 00:43:29,640 --> 00:43:33,600 Speaker 1: has been scripted to make it so Taylor Swift is 795 00:43:34,400 --> 00:43:38,960 Speaker 1: going to be at the super Bowl basically just just 796 00:43:38,960 --> 00:43:41,440 Speaker 1: so they can get cut away shots of her. They've 797 00:43:41,560 --> 00:43:46,120 Speaker 1: they've scripted the entirety of the playoffs so that Travis 798 00:43:46,160 --> 00:43:49,480 Speaker 1: Kelsey's team, her boyfriend's team, will be in the super Bowl. 799 00:43:50,719 --> 00:43:54,400 Speaker 3: But I mean, but when when she throws that super 800 00:43:54,400 --> 00:43:57,680 Speaker 3: Bowl winning touchdown pass to Travis, oh my god, because 801 00:43:57,920 --> 00:44:01,839 Speaker 3: Mahomes gets injured in the game, it's I'm telling you, 802 00:44:02,000 --> 00:44:04,680 Speaker 3: And then like she's gonna take her helmet off and 803 00:44:04,719 --> 00:44:07,520 Speaker 3: be wearing a Biden twenty twenty four do rag underneath 804 00:44:07,880 --> 00:44:11,400 Speaker 3: its Yeah, that seems to be the theory. It's wild 805 00:44:11,440 --> 00:44:13,480 Speaker 3: how many people are like it's scripted. And also this 806 00:44:13,560 --> 00:44:16,920 Speaker 3: is because Biden, like everybuddy's fucking freaking out on the. 807 00:44:16,960 --> 00:44:23,760 Speaker 1: Right, Yeah, the right. It's I'm strictly in the Uh. 808 00:44:23,920 --> 00:44:26,960 Speaker 1: It would be really hard to script the NFL camp 809 00:44:27,680 --> 00:44:31,920 Speaker 1: of this, of this whole thing. Yeah, and also like 810 00:44:31,960 --> 00:44:35,200 Speaker 1: the conspiracy theories don't really hold together, Like some some 811 00:44:35,239 --> 00:44:39,640 Speaker 1: people were claiming that a Canadian TV station was given 812 00:44:39,800 --> 00:44:41,840 Speaker 1: the info of who was in the Super Bowl weeks 813 00:44:41,840 --> 00:44:47,840 Speaker 1: ago because somebody said, uh, Reba McIntyre, Usher and Post 814 00:44:47,880 --> 00:44:50,920 Speaker 1: Malone are slated to perform at San Francisco forty nine 815 00:44:51,000 --> 00:44:54,640 Speaker 1: Ers and Baltimore Ravens super Bowl matchup on February eleventh, 816 00:44:55,680 --> 00:44:57,720 Speaker 1: But that isn't what ended up happening. 817 00:44:57,800 --> 00:44:58,640 Speaker 2: There was also. 818 00:45:00,160 --> 00:45:04,080 Speaker 1: A piece of Aaron Rodgers had a theory about who 819 00:45:04,160 --> 00:45:05,799 Speaker 1: was going to the Super Bowl. He also thought it 820 00:45:05,800 --> 00:45:08,040 Speaker 1: was gonna be the Baltimore Ravens because the logo for 821 00:45:08,160 --> 00:45:12,160 Speaker 1: the Super Bowl had their color in it, and that 822 00:45:12,200 --> 00:45:15,160 Speaker 1: has happened in the past that the color of the 823 00:45:15,200 --> 00:45:16,080 Speaker 1: logo matches up. 824 00:45:16,040 --> 00:45:16,600 Speaker 3: With the teams. 825 00:45:17,600 --> 00:45:19,319 Speaker 1: He's like, just look at the colors. Man, just look 826 00:45:19,320 --> 00:45:21,840 Speaker 1: at hey, just look at mine. Do your own research. 827 00:45:22,040 --> 00:45:24,759 Speaker 3: I'm all the saying is I'm a fucking expert when 828 00:45:24,760 --> 00:45:27,800 Speaker 3: it comes to semiotics and like breaking down symbolism and imagery. 829 00:45:28,000 --> 00:45:30,640 Speaker 3: So I'm just telling you, like the colors here already 830 00:45:30,920 --> 00:45:32,400 Speaker 3: presaged everything. 831 00:45:33,520 --> 00:45:34,680 Speaker 2: Cool cool. 832 00:45:35,080 --> 00:45:38,360 Speaker 1: One conservative commentator, as you were referring to, posted that 833 00:45:38,400 --> 00:45:41,680 Speaker 1: it's all rigged in an effort to spread Democrat propaganda, 834 00:45:42,080 --> 00:45:45,040 Speaker 1: and the halftime show will find Taylor Swift endorsing Joe 835 00:45:45,120 --> 00:45:48,200 Speaker 1: Biden despite the fact that she's not actually performing at 836 00:45:48,200 --> 00:45:52,400 Speaker 1: the halftime show. So I don't know, I don't know 837 00:45:52,400 --> 00:45:54,520 Speaker 1: who'll believe here. To be honest with you, it's because 838 00:45:55,480 --> 00:45:56,800 Speaker 1: Vivek has. 839 00:45:57,080 --> 00:46:00,719 Speaker 3: The most disgusting people on Twitter formally known as are 840 00:46:00,760 --> 00:46:05,200 Speaker 3: like also chiming in, creepy ass Jack psobiac like think 841 00:46:05,840 --> 00:46:08,640 Speaker 3: just tweeted thinking about when Taylor Swift called out the 842 00:46:08,680 --> 00:46:11,239 Speaker 3: Soros family in twenty nineteen for buying the rights to 843 00:46:11,280 --> 00:46:14,080 Speaker 3: her music, and then how she came out a super 844 00:46:14,120 --> 00:46:18,880 Speaker 3: liberal in twenty twenty, and then Uncle Viv chimed in 845 00:46:18,920 --> 00:46:21,799 Speaker 3: and said, I wonder who's going to win the Super 846 00:46:21,800 --> 00:46:24,040 Speaker 3: Bowl next month? And I wonder if there's a major 847 00:46:24,120 --> 00:46:28,280 Speaker 3: presidential endorsement coming from an artificially culturally propped up couple. 848 00:46:28,320 --> 00:46:31,520 Speaker 3: This fall just some wild speculation over here. Let's see 849 00:46:31,560 --> 00:46:35,560 Speaker 3: how age is over the next eight months. So it's 850 00:46:35,560 --> 00:46:40,160 Speaker 3: just wild too because conservatives they modulate between she's irrelevant 851 00:46:40,600 --> 00:46:44,719 Speaker 3: and talentless and like a loser and or she's the 852 00:46:44,760 --> 00:46:49,120 Speaker 3: biggest threat to the MAGA takeover. So again with all y'all, 853 00:46:49,160 --> 00:46:51,560 Speaker 3: just please pick one and just I mean, I know 854 00:46:51,600 --> 00:46:54,640 Speaker 3: it's you guys, blow wherever the wind blows you, but 855 00:46:55,920 --> 00:46:57,120 Speaker 3: just stick to one. 856 00:46:57,239 --> 00:46:59,560 Speaker 2: Can we just stick to Maga downfall like that's what 857 00:46:59,600 --> 00:46:59,920 Speaker 2: she is? 858 00:47:00,200 --> 00:47:03,360 Speaker 1: Yeah, it would just be helpful from our perspective for 859 00:47:03,440 --> 00:47:04,640 Speaker 1: like narrative purposes. 860 00:47:05,000 --> 00:47:06,839 Speaker 3: And speaking of pick one, Taylor, if you. 861 00:47:06,760 --> 00:47:09,440 Speaker 1: Could tell me who to vote for as soon as possible, 862 00:47:09,480 --> 00:47:11,160 Speaker 1: I'm just getting a little antsy over here. 863 00:47:11,200 --> 00:47:13,279 Speaker 2: I could use your guidance. Can you help me pick 864 00:47:13,400 --> 00:47:14,279 Speaker 2: one prop bet? 865 00:47:14,360 --> 00:47:17,319 Speaker 3: I should go all in onto because you probably have 866 00:47:17,360 --> 00:47:18,000 Speaker 3: the insight. 867 00:47:17,800 --> 00:47:21,520 Speaker 1: Info girl, So one prop bet that doctors don't want 868 00:47:21,520 --> 00:47:26,040 Speaker 1: you to know about all right, shot, those are some 869 00:47:26,080 --> 00:47:29,239 Speaker 1: of the things that are trending on this Monday, January 870 00:47:29,280 --> 00:47:29,960 Speaker 1: twenty ninth. 871 00:47:30,320 --> 00:47:31,920 Speaker 3: We are back. 872 00:47:31,640 --> 00:47:35,239 Speaker 1: Tomorrow with a whole last episode of the show. Until then, 873 00:47:35,280 --> 00:47:37,919 Speaker 1: be kind to each other, be kind to yourself, get 874 00:47:37,960 --> 00:47:41,200 Speaker 1: the vaccine, don't do nothing about white supremacy, and we 875 00:47:41,239 --> 00:47:42,240 Speaker 1: will talk to you all tomorrow. 876 00:47:42,320 --> 00:47:47,520 Speaker 3: Bye bye,