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Speaker 1: Should we do the entire episode today in bad British

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Speaker 1: accents and just never mention it.

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Speaker 2: I think that'd be funny. We just won't even bring

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Speaker 2: it up.

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Speaker 1: That was a right good episode today, wasn't it like

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Speaker 1: just offer Super Company?

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Speaker 2: Even good?

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Speaker 1: Yeah, mister Feeney was a whole It was great steps.

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Speaker 2: We won't bring it up.

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Speaker 3: Oh my gosh, hello, brought me twelve.

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Speaker 2: This is right? Is strong? That's right?

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Speaker 4: Danielle official, Dane official, and I'm wild and the other

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Speaker 4: guy right, Roger happy to be today, not an h said.

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Speaker 2: In the next hour.

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Speaker 3: So I have a question for you guys. I, as

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Speaker 3: you may or may not know, we had to We

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Speaker 3: had a beautiful little two day trip.

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Speaker 2: To Disneyland planned that needed.

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Speaker 3: To get canceled at the last second so that Jensen

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Speaker 3: could go in for emergency gall bladder removal surgery.

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Speaker 2: And it got me thinking.

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Speaker 3: We talk a lot about trips we've been on or

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Speaker 3: fun trips we've taken.

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Speaker 2: Do you guys have like a worst vacation ever? Multiple

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Speaker 2: hormal vacations as a kid.

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Speaker 5: The way you said that was like, do you have

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Speaker 5: a good vacation that you can remember? Okay, I started

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Speaker 5: the contemporary, Like, I mean, this summer was brutal. I've

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Speaker 5: talked about that.

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Speaker 2: Yeah, it was.

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Speaker 6: It was just way too much, six weeks on the

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Speaker 6: road in an RV. But when I look back at

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Speaker 6: it now, I'm like, oh we did we went whitewater rafting,

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Speaker 6: like we had so many great experiences. It was just

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Speaker 6: exhausting and like I came back, you know, traumatized. Right

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Speaker 6: when I was a kid, we went backpacking in Yosemite

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Speaker 6: and everything went wrong. My parents hadn't had planned. We

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Speaker 6: we got burrows animals to carry to carry our equipment

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Speaker 6: because we were backpacking and I was only like eight,

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Speaker 6: and my parents were like, oh, it'll be easier, we'll

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Speaker 6: have We'll get these animals to you know, like they're

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Speaker 6: they're basically donkeys to carry your your gear so we

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Speaker 6: don't have to pack as much. And these where we

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Speaker 6: got them didn't have Like it was everything was a disaster.

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Speaker 6: Everything went wrong and nothing was according to plan, and

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Speaker 6: these animals refused to walk for us. So my mom

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Speaker 6: was like in the Semite valley, polling on this burrow

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Speaker 6: and all these like tourists are taking pictures of well

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Speaker 6: across a bridge.

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Speaker 2: Yeah, I think we only made it two nights into

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Speaker 2: Yosemite and then my parents are like, forget it, We're

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Speaker 2: turning around. And when we went home and we have

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Speaker 2: such different vacation stories.

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Speaker 1: Yeah, yeah, but no, I've been thinking about it. We know,

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Speaker 1: we took the same trip every year when I was

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Speaker 1: a kid growing up. We always went to Santabal Island, Florida.

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Speaker 1: We did that for, you know, our week vacation that

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Speaker 1: we always had. It was always fun. And I'm one

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Speaker 1: of those guys it's and I don't want to jinx myself,

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Speaker 1: but even if everything's going horribly wrong, I can still

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Speaker 1: find the comedy and the fun in it.

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Speaker 2: So usually, like you know, Sue and I will take trips.

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Speaker 1: To Europe every once in a while and maybe everything

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Speaker 1: isn't perfect, or you know, we at one time we're

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Speaker 1: going to go on a wine tasting that then we

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Speaker 1: read the thing and it was starting at like eight

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Speaker 1: thirty in the morning, and we're like, why are we

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Speaker 1: going to be drinking wine? And then the van pulled

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Speaker 1: up to get us, and it was a van. There's

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Speaker 1: like fifteen people in a six person van, and I

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Speaker 1: just remember going getting in there and she was like,

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Speaker 1: I'm not getting in that, so we were like, no,

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Speaker 1: pass us along, but we always find the comedy in it.

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Speaker 1: So no, I've never had like one of those. And

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Speaker 1: I've just jinxed it because we're about to travel again.

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Speaker 1: So I'm sure that something horrible, but it's you know,

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Speaker 1: losing bag, stuff like that will happen. But I haven't

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Speaker 1: had one of those stereotypically really bad vacations.

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Speaker 2: Yeah, yeah, I mean, I don't get me wrong.

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Speaker 3: I also think like for writer, he's talking about his

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Speaker 3: summer this being brutal, like he's already able to look

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Speaker 3: back on it and be like, actually, in hindsight, a

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Speaker 3: large part.

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Speaker 2: Of it was fun. It was great.

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Speaker 3: Yeah, Jensen and I took a terrible vacation to Thailand.

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Speaker 2: It was truly. You talked about this in your wedding

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Speaker 2: vol It was our.

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Speaker 3: Wedding, Yeah, it was. It was a large subject of

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Speaker 3: our wedding vows. And yet it's maybe my favorite vacation

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Speaker 3: I've ever been on. I don't I don't want to

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Speaker 3: do it again because it wasn't good, but like the

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Speaker 3: memory about it, well, so we had heard from everybody

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Speaker 3: that they that Thailand was they wanted tourists, and that

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Speaker 3: they'd be really happy to see you, and we just

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Speaker 3: didn't feel that way. We felt like no one wanted

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Speaker 3: us there, and we were like should we leave? Like

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Speaker 3: I don't understand. We would ask people a question about like.

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Speaker 2: Where did you go? Did you just go to Bangkok?

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Speaker 2: Or no, Well we started in Bangkok.

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Speaker 3: We had two days in Bangkok, which is forty six

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Speaker 3: hours too many in Bangkok.

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Speaker 2: Oh, it's not Bangkok's amazing. No, it's not.

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Speaker 3: No time in Bangkok. You do not need to spend

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Speaker 3: any time there.

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Speaker 6: Time my Thai experience. I showed up in Thailand in

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Speaker 6: nineteen ninety. I flew to meet friends who were living

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Speaker 6: there for the summer. I travel, I left with forty

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Speaker 6: eight hour notice. I decided to go to Thailand, ended

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Speaker 6: up on a motorcycle getting offered drugs.

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Speaker 2: I have a great story about Tyler. Anyway, I had

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Speaker 2: a great time, but it.

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Speaker 6: Was completely like on my own, like no plan, no

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Speaker 6: idea where I was going, and had the best best summer.

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Speaker 2: It was so much fun. Yeah, that was not our experience.

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Speaker 2: We did not enjoy it.

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Speaker 3: We had two full days in Bangkok over New Year's

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Speaker 3: so and you know we're we're not big New Year's people.

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Speaker 3: We're also not big party people, uh, and so we

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Speaker 3: were both we were asleep by like nine. We woke

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Speaker 3: up shortly after midnight, looked at each other and we're like, hey,

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Speaker 3: happy New Year.

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Speaker 2: Let's get out of Bangkok. And then we went up north.

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Speaker 2: We went to change My.

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Speaker 3: We did actually really amazing, gorgeous we love We did

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Speaker 3: enjoy Change Mine.

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Speaker 2: We liked it there, but you know, we went.

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Speaker 3: I normally really will plan a vacation, like what are

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Speaker 3: we going to do every day? Kind of at least

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Speaker 3: have like a really everyday sort of loose idea itinerary.

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Speaker 3: And for this one, I was like, let's just wander

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Speaker 3: around and see what we see and find what we

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Speaker 3: find and just kind of immerse ourselves in the culture.

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Speaker 3: And that was a terrible idea. It was just a

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Speaker 3: truly terrible idea. And yeah, we just did not It

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Speaker 3: was not for us. We did not enjoy it.

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Speaker 6: Thailand is so friendly in my experience, like it was

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Speaker 6: the most touristy friendly place I've ever been.

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Speaker 3: And that's what everyone had trouble we ended up figuring

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Speaker 3: out was that it depends on when you go. When

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Speaker 3: we were there, they had just had like a regime change,

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Speaker 3: and the people were actually very unhappy and the they

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Speaker 3: were like truly living in very extreme poverty that they

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Speaker 3: had not been living in before. And and it was

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Speaker 3: like they were like, oh yeah, no, right now it's

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Speaker 3: different than it ever used to be.

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Speaker 2: And that is how we felt.

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Speaker 3: It was like this this I mean, it was a

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Speaker 3: it's a it's very hard for me to enjoy a

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Speaker 3: vacation when I feel like the people are truly suffering.

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Speaker 3: And like I'm like, maybe this tourism, tourism, you want

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Speaker 3: it there because you want to bring money into the place.

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Speaker 3: But then also it felt like very much like the

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Speaker 3: it was just I don't know, it just I felt

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Speaker 3: awful there and I anyway, long story short, we did

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Speaker 3: not enjoy Thailand, and yet my favorite vacation of all

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Speaker 3: time wed We bonded in incredibly. We had different times

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Speaker 3: where we both broke down, I just want to go home,

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Speaker 3: but they were at totally different times of the trip,

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Speaker 3: and so it was like we were able to, you know,

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Speaker 3: give each other a pep talk to continue the vacation.

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Speaker 2: Go buckers, buck up, buckers, You're gonna make it.

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Speaker 1: No.

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Speaker 6: I think that that's the key, Like I mean for

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Speaker 6: me now with my wife, like she wants to plan everything.

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Speaker 6: She wants to like book everything ahead of time and

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Speaker 6: like know where we're staying.

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Speaker 2: And I'm like, because I was.

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Speaker 6: Always flying by the seat of my pants, which you know,

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Speaker 6: like I've talked about in my child who was not great,

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Speaker 6: it was very stressful. But I think as an adult

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Speaker 6: it can be really fun to do that. So we're

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Speaker 6: always trying to find the balance.

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Speaker 1: You know.

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Speaker 6: It's like I want to plan ahead, but I also

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Speaker 6: want a little bit of freedom, because it's true, like

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Speaker 6: those disasters are the times that you come together or

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Speaker 6: that you know, end up memory remembering for the rest

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Speaker 6: of your life.

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Speaker 1: Like those Yeah, we plan, we plan, we plan, and

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Speaker 1: it's not down to the minute. But there's things we

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Speaker 1: want to do in every city, Like for instance, we

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Speaker 1: want to hit the best restaurants we can, So we

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Speaker 1: plan ahead and we book the tables in those restaurants

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Speaker 1: that we want to go to, because we know in

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Speaker 1: London or in Paris or any of these places in

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Speaker 1: Italy they're going to book up. So here's the restaurants

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Speaker 1: we're going to go to at such and such a time.

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Speaker 2: We love this thing. We found called with locals.

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Speaker 1: So with locals, as you go to these cities and

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Speaker 1: you get some kid who's twenty five, twenty six, who's

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Speaker 1: you know, a student usually who will meet you somewhere

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Speaker 1: and we'll walk it around to all the best places.

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Speaker 1: It's like taking a walking tour of the city, but

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Speaker 1: you're not with a group of people. It's just the

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Speaker 1: two of you and one guide and they you can

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Speaker 1: figure out which one of the tours you want, so

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Speaker 1: you can do an architecture tour, you can do a

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Speaker 1: shopping tour, you can do bars and restaurants, you can

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Speaker 1: do so it's we love hitting that stuff up in

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Speaker 1: every kind of city we go to. And then we

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Speaker 1: usually take like a free day. We're we're gonna sleep in,

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Speaker 1: we're gonna do whatever we kind of want to do.

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Speaker 1: But we like to we like to know what we're doing,

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Speaker 1: like to use our time. We also, the older we're

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Speaker 1: getting our big fans of doing one place at a time.

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Speaker 1: So it's like you get to a hotel and you

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Speaker 1: get to park your stuff there. It's not we're here

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Speaker 1: for two days and then we're on the train, and

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Speaker 1: then we're here for three days and then we're on

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Speaker 1: the train and then we're here.

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Speaker 2: We would like to here's a hotel.

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Speaker 1: We're gonna explore this city for four or five days,

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Speaker 1: and then we're gonna go home.

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Speaker 2: We're big fans of that now. Anyway, welcome Tou Pond

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Speaker 2: meets World. I'm Daniel Fishl, I'm Rider Strong, and I'm Wilfordell.

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Speaker 3: So today we are here to recap season three, episode eighteen,

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Speaker 3: Life Lessons. It originally aired February twenty third, nineteen ninety six.

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Speaker 3: The synopsis tensions run high as exam week looms near.

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Speaker 3: When mister Feenie refuses to alter the exam schedule, a

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Speaker 3: group of thugs trash his house. It was directed by

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Speaker 3: Jeff McCracken. It was written by Jeff C.

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Speaker 2: Sherman. What did you guys think? Bizarre episode?

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Speaker 1: Actually it was bizarre, I actually, and we'll get into it,

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Speaker 1: other than a completely unnecessary and useless best story that

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Speaker 1: just should not have been there for any reason whatsoever.

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Speaker 1: Anytime Bill is driving the story, I'm in yes, oh yeah.

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Speaker 2: I mean it was cool to have a Feenie episode,

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00:11:06,640 --> 00:11:07,079
Speaker 2: for sure.

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Speaker 1: Finally, the thugs in the leather a new set of

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00:11:10,160 --> 00:11:15,640
Speaker 1: thous It's so ridiculous and the bat story shouldn't have

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Speaker 1: been there at all.

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Speaker 2: But anytime I can watch Bill Act, I'm one hundred

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Speaker 2: percent it is super interesting.

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Speaker 6: I wonder if this pitch originated with the regular bullies,

235
00:11:23,840 --> 00:11:27,520
Speaker 6: like because there's three guys, there's yep, there's three dudes.

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Speaker 6: Introduced Patrick Renner, by the way, I didn't remember it

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Speaker 6: was on our show, Like, yeah, he was sometimes you

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Speaker 6: Switch on our show, did you know? I don't forgot

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Speaker 6: that I knew I remembered him. I mean obviously I

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Speaker 6: knew him, but I didn't realize he was ever on

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Speaker 6: our show.

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Speaker 2: It was so weird. I was like, what he didn't

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Speaker 2: even speak for the first.

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Speaker 3: Like three Like what I actually was wondering through halfway

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Speaker 3: through the episode?

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Speaker 2: Was he a background actor on the show?

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Speaker 1: Like he didn't speak for someone I thought I knew

248
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Speaker 1: he was on the show. I thought when I saw him,

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Speaker 1: I was like, oh, this is the one that Ryder

250
00:11:58,080 --> 00:12:00,120
Speaker 1: must have where he met originally.

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Speaker 6: Because I had already done Summertime Switch after the first season,

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Speaker 6: so I had already known him and hung out with

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Speaker 6: him and like we've been friends, like we'd hung out,

254
00:12:06,640 --> 00:12:08,320
Speaker 6: But I completely forgot that he was ever on Boy

255
00:12:08,320 --> 00:12:12,280
Speaker 6: Mets World, the other guy, Aaron Metchik Is there's an

256
00:12:12,280 --> 00:12:15,880
Speaker 6: interesting story. He's not the main bullies, the other like sidekick.

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Speaker 6: He was my pen pal when I was nine years

258
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Speaker 6: old and lay Miz because he was in a touring

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Speaker 6: company of Lei Miz, so he was Camvroche and he

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Speaker 6: was the same age. So at the same time that

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Speaker 6: he that I was performing Laymz in San Francisco, he

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Speaker 6: was doing it in Washington, d C. On a tour,

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Speaker 6: and so we would we would send letters to each other,

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Speaker 6: like we found out that these other yeah, so like

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Speaker 6: Larissa and me and like the other kids that were

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Speaker 6: doing leay Miz would have we were pen pals with the.

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Speaker 2: Other Layman's kids.

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Speaker 6: And then we eventually got we I eventually met each

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Speaker 6: other after we had finished doing the show, and I

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Speaker 6: saw him perform lay Miz because he was still doing

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Speaker 6: it after I had quit.

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Speaker 2: And then yeah, and then.

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Speaker 6: He ended up guests starring on Boy Meets World. And

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Speaker 6: I remember this week hanging out with him. I remember

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Speaker 6: driving him home one night with Rachel was in my car.

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Speaker 6: So it's the three of us, and but I don't

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Speaker 6: think i've seen him since so this might have been

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Speaker 6: the last time I saw him.

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Speaker 2: So you saw you saw him perform in the role

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Speaker 2: you did? Yeah, who was who was better? I mean,

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Speaker 2: obviously no, I don't obviously you know.

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Speaker 6: I was never a good singer, so I was never

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Speaker 6: a good Gavroche when it came to singing. But it Yeah,

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Speaker 6: I mean I remember liking his performance.

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Speaker 2: He was great. It was super fun. I really enjoyed

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Speaker 2: this episode. I really liked it.

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Speaker 3: I think the B storyline is crazy, yeah, and just

288
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Speaker 3: unnecessarily bad.

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Speaker 6: The B storyline just comes out of nowhere, and I

290
00:13:40,120 --> 00:13:42,280
Speaker 6: was like, I literally thought I had missed.

291
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Speaker 2: The first scene of me is so weird.

292
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Speaker 6: I think they just like, I think they rewrote this

293
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Speaker 6: episode last man or something weird happened it.

294
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Speaker 2: Oh was it? Let's do a B story where Eric

295
00:13:54,440 --> 00:13:57,720
Speaker 2: dates Amy's friend. Yeah, And it's.

296
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Speaker 1: Also I we talk about them writing from life for

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Speaker 1: writer and I always dated older women.

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Speaker 2: I mean I think they started writing to I think

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00:14:09,440 --> 00:14:12,000
Speaker 2: that's what it was. I mean because although, who were

300
00:14:12,040 --> 00:14:13,040
Speaker 2: you dating at this time?

301
00:14:14,440 --> 00:14:18,160
Speaker 1: I I might have been with Jill at this time. No,

302
00:14:18,240 --> 00:14:22,040
Speaker 1: I couldn't have been. She was so Yeah, I don't know.

303
00:14:22,520 --> 00:14:28,160
Speaker 1: I honestly don't know, but it was pre love, so

304
00:14:28,280 --> 00:14:30,440
Speaker 1: I'm not entirely sure who it was, but.

305
00:14:30,600 --> 00:14:32,880
Speaker 2: Yeah, but it was just so I like you writer.

306
00:14:32,920 --> 00:14:35,040
Speaker 1: I was like, did I we like hopped in the

307
00:14:35,040 --> 00:14:36,160
Speaker 1: middle of this storyline?

308
00:14:36,280 --> 00:14:38,920
Speaker 2: I missed that's first scene with her. I was like, what.

309
00:14:39,240 --> 00:14:43,040
Speaker 6: Yeah, you guys keep referencing things that happened off camera,

310
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Speaker 6: and I was like, did I miss I literally rewound

311
00:14:45,520 --> 00:14:48,800
Speaker 6: I was I missed the scene where Yeah, so I

312
00:14:48,840 --> 00:14:52,040
Speaker 6: think it was just it's just a poor beginning to

313
00:14:52,080 --> 00:14:55,840
Speaker 6: that storyline. She's amazing, she's great, and I remember an

314
00:14:55,840 --> 00:14:58,360
Speaker 6: actor God remember her? And so when she does that

315
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Speaker 6: take when she looks at the the picture and realizes

316
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Speaker 6: who you are, Yes, it was such a great acting bait.

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Speaker 6: I was like, this woman's incredible.

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Speaker 2: She was she was great. No, I remember her specifically,

319
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Speaker 2: but we'll get we'll get into all.

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Speaker 3: Yes, Yeah, okay, so guest starring Lisa Aki or Aky,

321
00:15:14,360 --> 00:15:16,560
Speaker 3: that is the woman we're talking about as Brenda Marsh

322
00:15:16,600 --> 00:15:18,840
Speaker 3: she would have later. She would later appear on shows

323
00:15:18,920 --> 00:15:22,440
Speaker 3: Fraser Time, Cop Sliders, and three episodes of The Sentinel.

324
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Speaker 3: Ian Bowen as Denny. He has worked steadily since the

325
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Speaker 3: nineties and now currently plays Ryan on Yellowstone, one of

326
00:15:28,920 --> 00:15:35,240
Speaker 3: TV's biggest shows. Aaron Michael Metchik as Jake, so Michael

327
00:15:35,480 --> 00:15:38,240
Speaker 3: Jacobs knew him from The Torkal Sens where he played

328
00:15:38,480 --> 00:15:39,640
Speaker 3: Steven Torklsen.

329
00:15:40,000 --> 00:15:40,840
Speaker 2: Oh, that's right.

330
00:15:41,160 --> 00:15:45,520
Speaker 3: And Patrick Renna as Kyle. Another Sandlot alum, joins the cast.

331
00:15:45,560 --> 00:15:48,200
Speaker 3: He played Ham in the movie and is now very

332
00:15:48,880 --> 00:15:51,800
Speaker 3: very good on TikTok. If you guys are ever on

333
00:15:51,840 --> 00:15:55,440
Speaker 3: TikTok oh, Yeah, he's incredible on TikTok. And then we

334
00:15:55,480 --> 00:15:59,360
Speaker 3: have Anastacia Horne. She returns as Christy, which is very

335
00:15:59,440 --> 00:16:02,320
Speaker 3: rare for Boy Meets World, a small female character who

336
00:16:02,360 --> 00:16:05,520
Speaker 3: has come back with the same name. Yeah, she was

337
00:16:05,560 --> 00:16:07,760
Speaker 3: in What I Meant to Say, where Corey told Topanga

338
00:16:07,840 --> 00:16:10,320
Speaker 3: he loved her. She's the one who became clingy and

339
00:16:10,400 --> 00:16:12,800
Speaker 3: forced Eric to say it too. You may know her

340
00:16:12,840 --> 00:16:15,800
Speaker 3: from Kids Incorporated before she was on Boy Meets World.

341
00:16:16,040 --> 00:16:20,720
Speaker 2: Okay, I d s oh, looks like we made Sorry,

342
00:16:21,240 --> 00:16:24,560
Speaker 2: oh kids Incorporated, it's incorporated names. Yeah course, sorry. I

343
00:16:24,560 --> 00:16:28,160
Speaker 2: didn't know that very much Kids Incorporated growing up, I didn't. Okay.

344
00:16:28,840 --> 00:16:30,480
Speaker 2: I think maybe I was a little too young for it,

345
00:16:30,920 --> 00:16:32,520
Speaker 2: were you maybe? Maybe, maybe that was.

346
00:16:32,560 --> 00:16:33,800
Speaker 1: I think that was one of those shows, like The

347
00:16:33,800 --> 00:16:36,240
Speaker 1: Mickey Mouse Club, that they kept doing different versions of

348
00:16:36,480 --> 00:16:37,200
Speaker 1: over the years.

349
00:16:37,320 --> 00:16:37,600
Speaker 2: Yeah.

350
00:16:37,640 --> 00:16:39,920
Speaker 3: So we start our recap in the school hallway, Corey, Sean,

351
00:16:39,960 --> 00:16:42,880
Speaker 3: and Topanga stumble upon a teacher hanging up the final

352
00:16:42,920 --> 00:16:45,680
Speaker 3: exam schedule. Corey is worried he didn't see it coming.

353
00:16:45,920 --> 00:16:48,920
Speaker 3: Topanga is panicking. Three in one day, Sean reads on

354
00:16:49,000 --> 00:16:52,160
Speaker 3: English chemistry and history with only ten minutes in between.

355
00:16:52,240 --> 00:16:53,480
Speaker 2: That's not enough time to study.

356
00:16:53,760 --> 00:16:56,040
Speaker 3: I thought, is a really funny Sean joke that that's

357
00:16:56,080 --> 00:16:59,120
Speaker 3: where you find all your time to study for the exams.

358
00:16:59,080 --> 00:16:59,960
Speaker 2: And to pack us back.

359
00:17:00,320 --> 00:17:03,320
Speaker 3: Yeah, I mean just welcome back, Welcome back to Panga,

360
00:17:03,360 --> 00:17:05,159
Speaker 3: and I loved that was. I think one of the

361
00:17:05,200 --> 00:17:07,320
Speaker 3: things I liked about this episode. Although there are some

362
00:17:07,359 --> 00:17:10,320
Speaker 3: weird little critiques I'll mention as we go through, but

363
00:17:10,640 --> 00:17:12,440
Speaker 3: one of the things I loved is that this was

364
00:17:12,480 --> 00:17:14,320
Speaker 3: one of the things I have liked in the past

365
00:17:14,320 --> 00:17:16,479
Speaker 3: when to Panga has been there, just seeing her as

366
00:17:16,480 --> 00:17:19,720
Speaker 3: one of the gang, not tied to how she pertains

367
00:17:19,720 --> 00:17:21,760
Speaker 3: to Penga, Corey's girlfriend.

368
00:17:21,840 --> 00:17:24,639
Speaker 6: She's just one of the three of us, like you know,

369
00:17:24,760 --> 00:17:26,360
Speaker 6: taking the stand at the end I thought was great.

370
00:17:26,359 --> 00:17:29,560
Speaker 6: It was like, oh, this is the trio. It felt like, yeah,

371
00:17:29,680 --> 00:17:30,520
Speaker 6: that was nice.

372
00:17:30,760 --> 00:17:31,360
Speaker 2: I liked it.

373
00:17:31,560 --> 00:17:35,440
Speaker 3: There were some odd choices to still exclude me, which

374
00:17:35,480 --> 00:17:39,119
Speaker 3: i'll i'll talk about, but overall felt really nice, like

375
00:17:39,160 --> 00:17:41,639
Speaker 3: felt really nice to be there. So Tapega says, do

376
00:17:41,720 --> 00:17:43,320
Speaker 3: not even try to call me for the next two weeks.

377
00:17:43,359 --> 00:17:46,000
Speaker 3: I will be in Communicado, and I break Did you

378
00:17:46,000 --> 00:17:46,840
Speaker 3: see me?

379
00:17:48,000 --> 00:17:51,440
Speaker 2: I missed it. She's walking away, she's laughing. I can't

380
00:17:51,480 --> 00:17:53,919
Speaker 2: give you. I can't look Ben in the eye. It's

381
00:17:53,960 --> 00:17:55,719
Speaker 2: a joke between you and Ben, I think, because you

382
00:17:55,760 --> 00:18:02,119
Speaker 2: say yes and she is losing it. I am just

383
00:18:02,200 --> 00:18:04,480
Speaker 2: I'm so glad you noticed that. I watched it twice, like,

384
00:18:06,240 --> 00:18:07,320
Speaker 2: oh my gosh, it's so funny.

385
00:18:07,359 --> 00:18:10,320
Speaker 3: I totally break uh to Peanga leaves, Sean says, wow,

386
00:18:10,359 --> 00:18:13,240
Speaker 3: that's guts. We're studying and she's off to Mexico. The

387
00:18:13,280 --> 00:18:15,520
Speaker 3: crowd of kids around Corey and Shawn all grown about

388
00:18:15,560 --> 00:18:17,760
Speaker 3: the schedule, and Corey assures them, if we devote the

389
00:18:17,760 --> 00:18:19,960
Speaker 3: next two weeks to studying in the library.

390
00:18:19,520 --> 00:18:22,200
Speaker 2: We got no problem. And just in time, we get

391
00:18:22,200 --> 00:18:23,240
Speaker 2: an optical flip.

392
00:18:23,480 --> 00:18:26,399
Speaker 3: The camera cuts to Corey and Sean various locations with

393
00:18:26,440 --> 00:18:29,040
Speaker 3: their unopened books and their laps not studying, and they're

394
00:18:29,080 --> 00:18:32,000
Speaker 3: at home watching TV, at Turner's watching TV, at Chubby's

395
00:18:32,000 --> 00:18:32,480
Speaker 3: watching TV.

396
00:18:32,600 --> 00:18:36,480
Speaker 2: Job has a TV. Suddenly that's where you go for

397
00:18:36,640 --> 00:18:38,960
Speaker 2: everything in this town. It does make.

398
00:18:38,800 --> 00:18:42,320
Speaker 3: Sense that Chubby's would be the sports bar burger place

399
00:18:42,440 --> 00:18:44,040
Speaker 3: that like that they would have a TV for that

400
00:18:44,119 --> 00:18:44,520
Speaker 3: kind of thing.

401
00:18:44,560 --> 00:18:46,399
Speaker 2: We've just never utilized it. So I love that they

402
00:18:46,480 --> 00:18:49,120
Speaker 2: did it, and we probably never will again, probably never

403
00:18:49,160 --> 00:18:50,320
Speaker 2: not see it. No, never.

404
00:18:50,440 --> 00:18:52,679
Speaker 3: And now we are at the school cafeteria, Corey and

405
00:18:52,680 --> 00:18:55,320
Speaker 3: Sewn are finally studying, and Corey announces final start in

406
00:18:55,359 --> 00:18:57,359
Speaker 3: two days. How did this sneak up on us? What

407
00:18:57,520 --> 00:18:59,640
Speaker 3: kind of sick evil mind would think of a final

408
00:18:59,680 --> 00:19:02,520
Speaker 3: schedule like this? And right on time, Feene walks by,

409
00:19:02,600 --> 00:19:06,320
Speaker 3: slyly saying hi gang, and for the first time we

410
00:19:06,400 --> 00:19:09,040
Speaker 3: see the Topanga is sitting with them, which I thought

411
00:19:09,080 --> 00:19:12,800
Speaker 3: was a very weird director's choice to not open on

412
00:19:12,880 --> 00:19:16,520
Speaker 3: an establishing shot of the three of them, like it's

413
00:19:16,600 --> 00:19:19,560
Speaker 3: the two of you, and he's like, Sean, it's snuck

414
00:19:19,640 --> 00:19:19,920
Speaker 3: up on this.

415
00:19:20,080 --> 00:19:20,879
Speaker 2: How do we not see this?

416
00:19:20,960 --> 00:19:23,440
Speaker 3: And then when we see Phoene walk by we realize, oh,

417
00:19:23,480 --> 00:19:24,360
Speaker 3: Tapega's there too.

418
00:19:24,760 --> 00:19:27,359
Speaker 6: Yeah, yeah, we should have actually been included in the

419
00:19:27,400 --> 00:19:30,480
Speaker 6: montag montage, but they couldn't rationalize that because.

420
00:19:30,720 --> 00:19:34,320
Speaker 2: Pa would study study. Yeah, right, So it's a little bit.

421
00:19:35,040 --> 00:19:39,480
Speaker 3: It's a little bit weird because Tapanga is both involved

422
00:19:39,520 --> 00:19:42,399
Speaker 3: in this storyline of the final schedule being not great,

423
00:19:42,760 --> 00:19:45,320
Speaker 3: but also not a part of it in the sense

424
00:19:45,359 --> 00:19:47,520
Speaker 3: that she's not slacking off like they are.

425
00:19:47,560 --> 00:19:49,280
Speaker 2: So it feels a little like.

426
00:19:49,760 --> 00:19:52,639
Speaker 3: What's going on, but still happy to be there, not

427
00:19:52,640 --> 00:19:56,040
Speaker 3: going to be there exactly. Corey stands up to Feenie

428
00:19:56,040 --> 00:19:57,920
Speaker 3: and about this final schedule. It's either got to be

429
00:19:57,960 --> 00:20:00,000
Speaker 3: a mistake or a joke and Shawn, Butson, let's say

430
00:20:00,359 --> 00:20:04,000
Speaker 3: you're not really funny. Phoene responds, and you're not really studying?

431
00:20:04,080 --> 00:20:06,760
Speaker 3: I suggest you do, and he walks away. Tapanga tells

432
00:20:06,760 --> 00:20:08,399
Speaker 3: the guys, you know, if we buckle down and study,

433
00:20:08,400 --> 00:20:10,080
Speaker 3: I'm sure we would have no problem at all.

434
00:20:10,440 --> 00:20:11,760
Speaker 2: And I did think there.

435
00:20:12,560 --> 00:20:16,399
Speaker 3: So was Topanga not studying these last two weeks or

436
00:20:16,480 --> 00:20:17,920
Speaker 3: is she just what has she been doing?

437
00:20:17,960 --> 00:20:20,240
Speaker 2: She wasn't watching TV. She had to have been studying.

438
00:20:20,240 --> 00:20:22,600
Speaker 2: I mean, she's Topanga. Well, that next scene you're like

439
00:20:22,880 --> 00:20:26,800
Speaker 2: breaking down and reciting phrase words. So I think the

440
00:20:26,800 --> 00:20:32,160
Speaker 2: idea is that you're rattled in you were there and yeah, yeah,

441
00:20:32,200 --> 00:20:34,400
Speaker 2: I just feel like it's a small little thing.

442
00:20:34,440 --> 00:20:36,240
Speaker 3: But maybe had she just said, you know what, guys,

443
00:20:36,440 --> 00:20:38,520
Speaker 3: I bet if you just buckle down for the next

444
00:20:38,560 --> 00:20:40,720
Speaker 3: two days, she could have made it a little more

445
00:20:40,720 --> 00:20:41,400
Speaker 3: about them.

446
00:20:41,440 --> 00:20:43,240
Speaker 2: And I don't know, I know she's rattled and she

447
00:20:43,800 --> 00:20:46,080
Speaker 2: it's such a small try to figure out. They're still

448
00:20:46,119 --> 00:20:48,200
Speaker 2: trying to figure out how does Topanga?

449
00:20:48,320 --> 00:20:50,840
Speaker 3: How is Topanga super smart and a good student but

450
00:20:50,920 --> 00:20:54,560
Speaker 3: also part of the storylines that really put against the

451
00:20:54,840 --> 00:20:59,320
Speaker 3: exactly right, so exactly yes, yes, so just then a

452
00:20:59,520 --> 00:21:02,440
Speaker 3: guy in a leather jacket.

453
00:21:02,240 --> 00:21:05,800
Speaker 2: Leather jacket alert real girl.

454
00:21:07,440 --> 00:21:09,720
Speaker 3: And then a fast girl who's really a guy in

455
00:21:09,800 --> 00:21:14,040
Speaker 3: a leather jacket and his gang member friends walk up, telling.

456
00:21:14,119 --> 00:21:15,879
Speaker 2: So many gangs in this school.

457
00:21:16,119 --> 00:21:18,960
Speaker 1: By the way, there's so many bully clicks that are

458
00:21:18,960 --> 00:21:19,800
Speaker 1: going around.

459
00:21:20,280 --> 00:21:22,800
Speaker 2: It's insane. It's pretty crazy. This school.

460
00:21:22,840 --> 00:21:25,200
Speaker 3: That's it's a leaning tower. They each have their each

461
00:21:25,280 --> 00:21:26,240
Speaker 3: floor has its.

462
00:21:26,040 --> 00:21:28,879
Speaker 1: Own bullies, set of bullies everything, and they don't know

463
00:21:28,920 --> 00:21:30,800
Speaker 1: each the tower exactly.

464
00:21:30,960 --> 00:21:33,040
Speaker 6: But also at the trailer barg I mean like everywhere

465
00:21:33,080 --> 00:21:34,760
Speaker 6: has that's.

466
00:21:34,680 --> 00:21:38,680
Speaker 2: Just jackets, bullies that are three or four member gangs.

467
00:21:38,920 --> 00:21:41,800
Speaker 3: Everything in the Matthews live on the one nice street

468
00:21:41,840 --> 00:21:43,199
Speaker 3: in this neighborhood.

469
00:21:42,840 --> 00:21:43,840
Speaker 2: Entire neighborhood.

470
00:21:44,320 --> 00:21:49,160
Speaker 1: It is so strange, all these small little gang clicks that.

471
00:21:48,440 --> 00:21:51,320
Speaker 3: This new leather jacket gang comes up saying that the

472
00:21:51,400 --> 00:21:53,960
Speaker 3: problem will disappear when you get rid of FENI.

473
00:21:55,359 --> 00:21:59,680
Speaker 1: I'm sorry, that's that's what the plan is. These three

474
00:21:59,680 --> 00:22:02,439
Speaker 1: students com we have to get rid of the teacher

475
00:22:02,520 --> 00:22:05,080
Speaker 1: that's been here for thirty five years. This is the plan.

476
00:22:07,080 --> 00:22:10,640
Speaker 1: Are they threatening to murder this guy?

477
00:22:10,960 --> 00:22:14,359
Speaker 3: I meant a very dark storyline?

478
00:22:14,640 --> 00:22:16,800
Speaker 1: What they have they put a hit on mister Foenie.

479
00:22:16,840 --> 00:22:19,080
Speaker 1: Is that the leather Clad gang really going to do something?

480
00:22:19,200 --> 00:22:21,920
Speaker 6: I was relieved to find out they just I was like, oh,

481
00:22:22,040 --> 00:22:23,919
Speaker 6: they just break a window, because the way that this

482
00:22:23,960 --> 00:22:27,320
Speaker 6: scene goes was like, are they talking about knocking them

483
00:22:27,320 --> 00:22:28,920
Speaker 6: out or getting killed this guy?

484
00:22:29,040 --> 00:22:30,400
Speaker 2: You know what they're going to there?

485
00:22:30,440 --> 00:22:32,879
Speaker 3: Actually, this is this is the first storyline where we

486
00:22:32,920 --> 00:22:36,600
Speaker 3: talk about murdering Phoenix exactly. You'll be surprised to know

487
00:22:36,680 --> 00:22:38,960
Speaker 3: this repeats many times throughout the series.

488
00:22:39,040 --> 00:22:41,119
Speaker 1: Once it just made you get long for the days

489
00:22:41,160 --> 00:22:43,720
Speaker 1: of the old bullies that would just threaten to punch

490
00:22:43,720 --> 00:22:46,080
Speaker 1: you in the face as opposed to actually putting murder

491
00:22:46,200 --> 00:22:47,439
Speaker 1: hits out on mister Phoene.

492
00:22:47,600 --> 00:22:50,760
Speaker 3: Yeah, well why they walk away after threatening to murder

493
00:22:50,840 --> 00:22:53,640
Speaker 3: him to Panga shivers and she admits, those guys give

494
00:22:53,680 --> 00:22:57,040
Speaker 3: me the creeps. Finally somebody says it, and then Corey

495
00:22:57,080 --> 00:22:59,880
Speaker 3: announces to the whole cafeteria, you know, gang, the only

496
00:23:00,200 --> 00:23:03,320
Speaker 3: feenie will listen as if we organize and show strength, right,

497
00:23:03,680 --> 00:23:06,360
Speaker 3: And this feels like a callback to The Union's episode

498
00:23:06,400 --> 00:23:09,520
Speaker 3: where Corey gathered everyone together. The whole cafeteria cheers and

499
00:23:09,600 --> 00:23:12,199
Speaker 3: Corey asks, so you're with me? The camera cuts to

500
00:23:12,240 --> 00:23:14,920
Speaker 3: the entire group of kids now at Chubby's. I am

501
00:23:14,960 --> 00:23:19,640
Speaker 3: not there again, just nub studying. Everyone is watching TV

502
00:23:19,720 --> 00:23:22,960
Speaker 3: and not studying for the upcoming finals. And I thought, here,

503
00:23:23,359 --> 00:23:26,800
Speaker 3: it's funny that a TV show would do a storyline

504
00:23:26,920 --> 00:23:30,400
Speaker 3: around how watching television takes.

505
00:23:30,119 --> 00:23:32,440
Speaker 2: You away from your studying.

506
00:23:33,119 --> 00:23:35,720
Speaker 3: It's such a distraction and it's such an addiction that

507
00:23:35,840 --> 00:23:38,520
Speaker 3: even when you know you shouldn't be doing it.

508
00:23:38,960 --> 00:23:40,040
Speaker 2: You have to do it.

509
00:23:40,600 --> 00:23:42,480
Speaker 3: So then we're in the school hallway, Corey shan in

510
00:23:42,520 --> 00:23:45,800
Speaker 3: the entire massive anti Finals crew, a lot of kid

511
00:23:45,880 --> 00:23:49,679
Speaker 3: background actors this week. They approach Turner and Corey tells them,

512
00:23:49,720 --> 00:23:51,639
Speaker 3: we go to school all year, and I'll be honest,

513
00:23:51,680 --> 00:23:53,520
Speaker 3: we don't like it. And now it's the end of

514
00:23:53,520 --> 00:23:55,240
Speaker 3: the year and we got to take all these finals

515
00:23:55,280 --> 00:23:57,919
Speaker 3: about stuff we've learned and have naturally forgotten about.

516
00:23:58,119 --> 00:23:59,560
Speaker 2: We're very upset.

517
00:24:00,359 --> 00:24:02,119
Speaker 3: The rest of the kids not an agree in unison,

518
00:24:02,160 --> 00:24:04,000
Speaker 3: and Turner tells them it's a tough schedule, but that's

519
00:24:04,000 --> 00:24:06,520
Speaker 3: what school is all about, and Corey whispers, well, people

520
00:24:06,520 --> 00:24:08,919
Speaker 3: are starting to crack. Just then to pank the speeds

521
00:24:08,920 --> 00:24:11,840
Speaker 3: by reciting elements from the periodic table and super speed.

522
00:24:12,080 --> 00:24:14,680
Speaker 3: Corey whispers to Turner, and she's not even in chemistry.

523
00:24:15,119 --> 00:24:18,160
Speaker 3: Shawn adds, Phoenie's schedule is a conspiracy. Man. It's exactly

524
00:24:18,200 --> 00:24:20,320
Speaker 3: like the government not telling us about the aliens living

525
00:24:20,359 --> 00:24:23,480
Speaker 3: in our old trailer park. Corey nods and smiles. Mister

526
00:24:23,600 --> 00:24:26,520
Speaker 3: and missus Monroe, Sean nods and ads and their little

527
00:24:26,560 --> 00:24:31,200
Speaker 3: dog too. Sean was a little tommed along before his time.

528
00:24:32,000 --> 00:24:34,439
Speaker 2: I don't know who that is. Who it's you know what?

529
00:24:34,480 --> 00:24:36,200
Speaker 2: I knew it I wrote right here. They won't know

530
00:24:36,240 --> 00:24:36,879
Speaker 2: who this is.

531
00:24:37,160 --> 00:24:41,720
Speaker 3: He's a lead singer and guitarist for Blink one eighty two.

532
00:24:42,680 --> 00:24:45,240
Speaker 3: He okay, okay, good, we're on something.

533
00:24:45,600 --> 00:24:50,879
Speaker 2: He Oh, he's an alien guy. Yes, he's been into aliens.

534
00:24:51,000 --> 00:24:53,080
Speaker 2: And when they were when all.

535
00:24:52,920 --> 00:24:55,879
Speaker 3: Of the talk of aliens was all very very conspiracy theory,

536
00:24:55,920 --> 00:24:59,640
Speaker 3: and oh, you're a wacko schmacko for believing in aliens.

537
00:24:59,640 --> 00:25:03,000
Speaker 3: And then this past year he was rather vindicated a

538
00:25:03,040 --> 00:25:06,359
Speaker 3: few times about his his alien stuff. Anyway, little history

539
00:25:06,400 --> 00:25:07,040
Speaker 3: lesson there for you?

540
00:25:07,359 --> 00:25:09,960
Speaker 2: For you boys? Pop culture? Is that really history or

541
00:25:10,080 --> 00:25:12,359
Speaker 2: just pop culture history? Pop culture?

542
00:25:12,359 --> 00:25:12,560
Speaker 1: Sure?

543
00:25:12,880 --> 00:25:14,920
Speaker 2: I think the story, Yeah, I think you're more.

544
00:25:14,920 --> 00:25:20,480
Speaker 1: Tom Green frankly writer.

545
00:25:21,040 --> 00:25:23,160
Speaker 2: He was a lead singer. No, I'm kidding. Hum. Green

546
00:25:23,240 --> 00:25:25,439
Speaker 2: was a comedian. Comedian. Okay.

547
00:25:25,600 --> 00:25:27,800
Speaker 3: Corey says it's not enough. We're taking all these finals,

548
00:25:27,840 --> 00:25:30,000
Speaker 3: but why does he have to jam them together? Turner

549
00:25:30,000 --> 00:25:32,399
Speaker 3: tells them it's a reasonable question. I'll talk to Feenie

550
00:25:32,440 --> 00:25:33,919
Speaker 3: and I'll get a reasonable answer.

551
00:25:34,119 --> 00:25:35,800
Speaker 2: And then Tony had a haircut.

552
00:25:35,840 --> 00:25:38,240
Speaker 1: You can tell Tony has had Oh, yeah, he definitely

553
00:25:38,240 --> 00:25:38,840
Speaker 1: had a haircut.

554
00:25:38,880 --> 00:25:41,880
Speaker 2: I didn't, so he must have gone. Yeah, he had.

555
00:25:41,880 --> 00:25:44,359
Speaker 6: I've also decided to tuck in my shirts. This is

556
00:25:44,480 --> 00:25:46,800
Speaker 6: entire episode your shirt talking.

557
00:25:47,080 --> 00:25:48,960
Speaker 1: I know why because it was written on the card

558
00:25:49,040 --> 00:25:51,639
Speaker 1: that we would have hanging in our clothes shirt.

559
00:25:51,720 --> 00:25:55,320
Speaker 6: I have a completely new look, like I'm finally wearing

560
00:25:55,400 --> 00:25:57,000
Speaker 6: open shirts and tucked in with.

561
00:25:56,960 --> 00:25:59,320
Speaker 2: The didn't notice an open shirt episode. I was like,

562
00:25:59,359 --> 00:26:00,639
Speaker 2: what is this a new style?

563
00:26:00,680 --> 00:26:02,760
Speaker 6: I wonder if that was like me making that choice

564
00:26:02,840 --> 00:26:04,919
Speaker 6: or no, No, probably.

565
00:26:04,600 --> 00:26:05,880
Speaker 2: No, definitely, probably.

566
00:26:07,920 --> 00:26:10,960
Speaker 3: Absolutely talk insure fuse belt where this shirt opens.

567
00:26:11,000 --> 00:26:12,960
Speaker 2: That's what happened year, and.

568
00:26:12,920 --> 00:26:15,320
Speaker 3: Then we smashed that to Feenie's classroom. It's another little

569
00:26:15,320 --> 00:26:18,359
Speaker 3: optical flip. Phoene says no, and Turner tries to reason

570
00:26:18,400 --> 00:26:20,600
Speaker 3: with him, but Phoene doubles down. I am not changing

571
00:26:20,640 --> 00:26:22,800
Speaker 3: my finals policy to suit the whims of a few

572
00:26:22,840 --> 00:26:26,399
Speaker 3: disgruntled students. Turner argues the students may have a point.

573
00:26:26,560 --> 00:26:28,520
Speaker 3: Wouldn't it be easier if they spread them out a bit,

574
00:26:28,720 --> 00:26:30,760
Speaker 3: and Phoene says, yes, that would be much easier. And

575
00:26:30,760 --> 00:26:33,000
Speaker 3: if we ask them simpler questions, that would be easier.

576
00:26:33,040 --> 00:26:36,119
Speaker 3: Still if we had no tests, I know, it's so

577
00:26:36,320 --> 00:26:39,359
Speaker 3: good if we just happened, if we just put on

578
00:26:39,440 --> 00:26:41,399
Speaker 3: party hats and played the hokey pokey.

579
00:26:41,440 --> 00:26:50,320
Speaker 7: They might even load party costumes.

580
00:26:51,080 --> 00:26:52,480
Speaker 2: No, but that whole.

581
00:26:52,680 --> 00:26:55,879
Speaker 1: But it's also this is the the kind of the

582
00:26:55,880 --> 00:26:59,560
Speaker 1: the new school teaching versus old school teaching, and you know,

583
00:26:59,680 --> 00:27:01,720
Speaker 1: what is it to be a teacher? And yes it

584
00:27:01,760 --> 00:27:03,439
Speaker 1: is easier on the students, but are we supposed to be?

585
00:27:03,520 --> 00:27:05,439
Speaker 1: I love just kind of them going after each other

586
00:27:05,440 --> 00:27:07,000
Speaker 1: where it's like, no, I think the students might have

587
00:27:07,040 --> 00:27:08,880
Speaker 1: a point and he's like, no, but that's.

588
00:27:08,640 --> 00:27:10,359
Speaker 2: Not where we're here. We're here to I don't know.

589
00:27:10,359 --> 00:27:12,560
Speaker 1: It was cool because you're seeing some of that in

590
00:27:12,560 --> 00:27:14,320
Speaker 1: school now, where it's like, well, we're taking away some

591
00:27:14,440 --> 00:27:16,159
Speaker 1: testing and we don't need to do this and we

592
00:27:16,160 --> 00:27:17,600
Speaker 1: don't need to study this kind of stuff.

593
00:27:17,640 --> 00:27:20,040
Speaker 2: And it's like is that good? Is that bad?

594
00:27:19,800 --> 00:27:19,840
Speaker 1: What?

595
00:27:20,359 --> 00:27:22,159
Speaker 2: What are we going to find out? As? What's the

596
00:27:22,200 --> 00:27:23,080
Speaker 2: future going to show us?

597
00:27:23,119 --> 00:27:25,240
Speaker 3: It's one of my favorite things about Boy Meets World

598
00:27:25,240 --> 00:27:28,280
Speaker 3: when the adults both have reasonable points and there really

599
00:27:28,359 --> 00:27:30,240
Speaker 3: is no right and there really is no wrong, but

600
00:27:30,280 --> 00:27:31,480
Speaker 3: you see them talking it out.

601
00:27:31,800 --> 00:27:33,080
Speaker 2: Yes, it's so great.

602
00:27:33,800 --> 00:27:36,760
Speaker 3: So Turner points out, if you lose the hokey pokey thing,

603
00:27:36,760 --> 00:27:39,000
Speaker 3: I think you're onto something. He asks Phoenie can't you

604
00:27:39,040 --> 00:27:41,200
Speaker 3: at least hear them out in Phoenie size, I will

605
00:27:41,240 --> 00:27:44,040
Speaker 3: always have time to listen to my students, which I love.

606
00:27:44,440 --> 00:27:46,159
Speaker 3: Then Turner walks out of the classroom to give the

607
00:27:46,160 --> 00:27:49,679
Speaker 3: students eagerly waiting outside the news, and Corey asks if

608
00:27:49,680 --> 00:27:52,399
Speaker 3: the schedule has changed. Turner explains, he agreed to listen

609
00:27:52,400 --> 00:27:54,479
Speaker 3: to one of you, so a point a leader.

610
00:27:55,280 --> 00:27:57,880
Speaker 2: Do you hear that? He said a point leada because

611
00:27:57,880 --> 00:27:58,880
Speaker 2: he couldn't talk about his sister.

612
00:28:00,080 --> 00:28:02,879
Speaker 3: Students all awkwardly wait around until Corey steps out of

613
00:28:02,880 --> 00:28:06,640
Speaker 3: the group to pick up a quarta and he notices

614
00:28:06,680 --> 00:28:09,119
Speaker 3: a quarter on the floor, and then all of the

615
00:28:09,119 --> 00:28:11,200
Speaker 3: students step away and they start to applaud him.

616
00:28:11,560 --> 00:28:15,640
Speaker 2: Got him, ha ha, what a weird bit. We're so bizarre.

617
00:28:16,200 --> 00:28:17,119
Speaker 2: It was so bizarre.

618
00:28:17,400 --> 00:28:18,720
Speaker 1: So I thought it was just going to be they

619
00:28:18,760 --> 00:28:20,719
Speaker 1: were going to step back and leave Corey there by himself.

620
00:28:20,840 --> 00:28:22,800
Speaker 6: This is where if the whole episode just doesn't I

621
00:28:22,800 --> 00:28:24,520
Speaker 6: don't know, Like this is where the episode feels weird.

622
00:28:24,760 --> 00:28:28,320
Speaker 6: I love Phoene storyline, but I feel like the problem

623
00:28:28,440 --> 00:28:31,720
Speaker 6: is the tension, Like you have to introduce three new

624
00:28:31,760 --> 00:28:33,960
Speaker 6: thugs we've never met before in order to propel the

625
00:28:34,040 --> 00:28:38,680
Speaker 6: story right, and basically like Corey, Seanpanga don't have much

626
00:28:38,800 --> 00:28:42,280
Speaker 6: to do, Like we're just kind of bystanders until that

627
00:28:42,360 --> 00:28:46,480
Speaker 6: final scene. I don't know, It's just it's like it

628
00:28:46,520 --> 00:28:49,080
Speaker 6: would be better if Sean was the one actually teeping

629
00:28:49,560 --> 00:28:52,320
Speaker 6: the house or doing you know, but because because like

630
00:28:52,320 --> 00:28:54,640
Speaker 6: we've said before, Seawan can never actually be a bad kid.

631
00:28:54,680 --> 00:28:56,640
Speaker 6: He's always got to be like on the verge of

632
00:28:56,640 --> 00:28:59,160
Speaker 6: being a bad kid. But actually, like it would have

633
00:28:59,160 --> 00:29:01,560
Speaker 6: been better if he was the one doing it, Like, actually,

634
00:29:01,920 --> 00:29:03,880
Speaker 6: I don't think Sean would ever do that to Feoene's

635
00:29:03,880 --> 00:29:04,320
Speaker 6: house though.

636
00:29:04,560 --> 00:29:07,600
Speaker 1: I think then the storyline becomes you don't know what

637
00:29:07,680 --> 00:29:10,760
Speaker 1: you're doing with these new thugs and you end up

638
00:29:10,760 --> 00:29:12,479
Speaker 1: at Foene's house and are you gounn you are?

639
00:29:12,640 --> 00:29:14,240
Speaker 2: Are you not gonna do? But then it becomes a

640
00:29:14,280 --> 00:29:16,720
Speaker 2: Sean episode, which we've already.

641
00:29:16,440 --> 00:29:18,320
Speaker 3: Had a ton of in a row, and then we

642
00:29:18,360 --> 00:29:21,040
Speaker 3: would be like, oh, here we go again, where Sean?

643
00:29:21,160 --> 00:29:22,040
Speaker 2: What is Sean gonna do?

644
00:29:22,080 --> 00:29:24,040
Speaker 3: If you don't if you don't change the schedule, I'm

645
00:29:24,120 --> 00:29:26,680
Speaker 3: running away now you're gonna threaten delete.

646
00:29:26,440 --> 00:29:28,800
Speaker 2: What is doing? What is Corey doing in this episode?

647
00:29:28,800 --> 00:29:32,240
Speaker 2: Like he's just trying to convince he's reluctantly the leader.

648
00:29:32,240 --> 00:29:36,000
Speaker 2: He doesn't actually lead this rebellion. He's not studying, but

649
00:29:36,000 --> 00:29:37,960
Speaker 2: he also kind of knows he has to do the

650
00:29:38,080 --> 00:29:41,480
Speaker 2: work anyway. So it's like it's it's it's it's like

651
00:29:41,560 --> 00:29:44,480
Speaker 2: he's sort of in between, like he doesn't stand for anything,

652
00:29:44,840 --> 00:29:47,320
Speaker 2: and as a result, the episode doesn't have like this

653
00:29:47,480 --> 00:29:50,640
Speaker 2: narrative propulsion, like it should be him standing up to Feenian,

654
00:29:50,720 --> 00:29:53,880
Speaker 2: like actually organizing the kids to do something and I'm protesting,

655
00:29:53,960 --> 00:29:55,080
Speaker 2: like the union episode.

656
00:29:55,160 --> 00:29:58,600
Speaker 6: But instead he's he's just reluctantly over their quarter. Now

657
00:29:58,600 --> 00:30:00,640
Speaker 6: he's the leader. So it just feels weird.

658
00:30:00,680 --> 00:30:03,360
Speaker 2: It just doesn't feel pointed. I don't know it needed

659
00:30:03,360 --> 00:30:03,960
Speaker 2: a little bit more.

660
00:30:04,280 --> 00:30:06,680
Speaker 3: I agree with you if Corey. If Corey had been

661
00:30:07,280 --> 00:30:08,880
Speaker 3: so riled up, you know what we need to do.

662
00:30:08,920 --> 00:30:10,520
Speaker 3: We need to take it to let's take it to

663
00:30:10,600 --> 00:30:13,200
Speaker 3: his house. And then they vandalized it and he was

664
00:30:13,240 --> 00:30:14,920
Speaker 3: like whoa, whoaah, this was too far and it was

665
00:30:15,000 --> 00:30:19,320
Speaker 3: really on his shoulders. But instead they didn't want to

666
00:30:19,360 --> 00:30:21,840
Speaker 3: put that on because then you really do like this

667
00:30:21,880 --> 00:30:26,400
Speaker 3: is this becomes a dislikable kid. So then they needed

668
00:30:26,400 --> 00:30:28,959
Speaker 3: to have well, Corey is a reluctant leader of a

669
00:30:29,000 --> 00:30:33,240
Speaker 3: group that has a potential rival leader, where the rival

670
00:30:33,320 --> 00:30:36,120
Speaker 3: leader wants to take things too far where Corey would

671
00:30:36,120 --> 00:30:41,720
Speaker 3: never take it. It is a messy storyline that would

672
00:30:41,760 --> 00:30:43,760
Speaker 3: have been better a little simplified, but also would have

673
00:30:43,760 --> 00:30:46,480
Speaker 3: made it difficult to raise the stakes enough.

674
00:30:46,520 --> 00:30:49,040
Speaker 1: I also I kind of like the messiness in this

675
00:30:49,080 --> 00:30:52,160
Speaker 1: one though, because I like that Corey was never the

676
00:30:52,160 --> 00:30:56,480
Speaker 1: one in this episode who was passionate about moving the exams.

677
00:30:57,000 --> 00:30:59,320
Speaker 1: He was like, yeah, we got a bunch of exams,

678
00:30:59,320 --> 00:31:00,920
Speaker 1: and yeah, you got to move it, or we got

679
00:31:00,960 --> 00:31:02,800
Speaker 1: to do something. He's like, wait, what what do you

680
00:31:02,800 --> 00:31:05,080
Speaker 1: guys talk? And then he's now the leader. He kind

681
00:31:05,120 --> 00:31:07,960
Speaker 1: of gives a half assed kind of stab it. Let's

682
00:31:08,000 --> 00:31:10,480
Speaker 1: get them, let's get it moved, and then he walks out.

683
00:31:10,480 --> 00:31:11,760
Speaker 1: He's like, yeah, I got, I got nothing.

684
00:31:11,800 --> 00:31:13,400
Speaker 6: Like he doesn't want a mentionine to do with this,

685
00:31:13,720 --> 00:31:16,520
Speaker 6: but imagine if he did, Like, because right now, the

686
00:31:16,560 --> 00:31:20,360
Speaker 6: big emotional weight is Phoene's retirement, right Like, that's the turn,

687
00:31:20,720 --> 00:31:23,480
Speaker 6: but Corey doesn't have any responsibility for that. Wouldn't it

688
00:31:23,480 --> 00:31:27,640
Speaker 6: be great if Corey was somewhat responsible for FIENI wanting

689
00:31:27,680 --> 00:31:30,880
Speaker 6: to retire. Instead, it's like he's not, he's completely absolved.

690
00:31:30,920 --> 00:31:32,680
Speaker 6: He's just a bystander this entire.

691
00:31:32,720 --> 00:31:34,840
Speaker 1: I kind of liked him being a bystander in this one,

692
00:31:34,840 --> 00:31:36,800
Speaker 1: if I'm honest, because it's like, I don't want to

693
00:31:36,840 --> 00:31:39,040
Speaker 1: see him like we've seen the one where he gets

694
00:31:39,080 --> 00:31:41,560
Speaker 1: the Union kids together and he's leading the rebellion, Like

695
00:31:41,680 --> 00:31:43,480
Speaker 1: I've seen that already. I kind of like him just

696
00:31:43,520 --> 00:31:46,960
Speaker 1: being a dude in school who's watching this happen and

697
00:31:47,000 --> 00:31:51,600
Speaker 1: then watching his neighbor go through this existential crisis that

698
00:31:52,000 --> 00:31:54,880
Speaker 1: he's involved in. But because then we have that scene

699
00:31:54,920 --> 00:31:56,880
Speaker 1: later in the hallway where he's like, you know, you

700
00:31:57,320 --> 00:31:59,120
Speaker 1: knew this was going to happen, Sean, and you didn't

701
00:31:59,160 --> 00:32:02,040
Speaker 1: do anything about it. And you're the one who's like, wait, wait,

702
00:32:02,040 --> 00:32:03,640
Speaker 1: you started this whole thing, and he's like, oh, yeah,

703
00:32:03,680 --> 00:32:05,920
Speaker 1: I guess it's kind of my responsibility too. He doesn't

704
00:32:05,960 --> 00:32:08,000
Speaker 1: realize he was a part of it because he kind

705
00:32:08,000 --> 00:32:09,719
Speaker 1: of wasn't yeah, And I like that.

706
00:32:09,760 --> 00:32:11,360
Speaker 2: I like that he's just more the leaf on the

707
00:32:11,360 --> 00:32:12,000
Speaker 2: wind in this one.

708
00:32:12,040 --> 00:32:14,280
Speaker 1: Instead of the driving force of we've got to oh

709
00:32:14,360 --> 00:32:16,160
Speaker 1: and now it's gone too far, it's more just like,

710
00:32:16,200 --> 00:32:19,560
Speaker 1: I'm a dude watching this guy who I grew up

711
00:32:19,600 --> 00:32:22,720
Speaker 1: next to go through this crisis, and it's because all

712
00:32:22,720 --> 00:32:25,920
Speaker 1: of us have as students have changed in his mind. Yeah,

713
00:32:26,000 --> 00:32:28,920
Speaker 1: and so there's something to that more than Corey being

714
00:32:28,960 --> 00:32:30,040
Speaker 1: the lynchpin of Yeah.

715
00:32:30,080 --> 00:32:31,760
Speaker 2: I was like, kind I kind of liked it. Frankly,

716
00:32:31,880 --> 00:32:32,760
Speaker 2: I liked that as I.

717
00:32:32,800 --> 00:32:35,160
Speaker 3: Did enjoy just I was invested to see what was

718
00:32:35,200 --> 00:32:38,000
Speaker 3: going to happen. I didn't feel bored. I didn't feel

719
00:32:38,040 --> 00:32:40,200
Speaker 3: like this is too messy and convoluted and all over

720
00:32:40,240 --> 00:32:42,880
Speaker 3: the place. I kind of just liked, like, ooh, how

721
00:32:42,960 --> 00:32:45,160
Speaker 3: is this gonna how is this going to resolve?

722
00:32:46,160 --> 00:32:48,200
Speaker 2: And I also love the idea of.

723
00:32:49,520 --> 00:32:52,960
Speaker 3: Seeing the dynamic between somebody who's been doing a job

724
00:32:53,040 --> 00:32:56,720
Speaker 3: for a very long time giving themselves their own little

725
00:32:56,760 --> 00:33:00,400
Speaker 3: test of like, have I am I no longer a five?

726
00:33:00,720 --> 00:33:03,000
Speaker 3: Am I no longer in touch?

727
00:33:03,600 --> 00:33:05,640
Speaker 2: Was there something in my dinosaur? Yeah?

728
00:33:05,720 --> 00:33:07,880
Speaker 3: Am I a dinosaur? Am I not the best person

729
00:33:07,920 --> 00:33:11,440
Speaker 3: to deliver this message anymore? Have I aged out of this?

730
00:33:12,280 --> 00:33:14,920
Speaker 2: And? I love I didn't. I did enjoy that. So

731
00:33:15,400 --> 00:33:16,400
Speaker 2: but here's my.

732
00:33:16,400 --> 00:33:20,320
Speaker 1: Question, Because we keep getting leather jacketed thugs, why.

733
00:33:20,120 --> 00:33:22,200
Speaker 2: Can't they just be like jocks.

734
00:33:22,720 --> 00:33:24,320
Speaker 1: Why can they just be like the three of the

735
00:33:24,320 --> 00:33:25,840
Speaker 1: football guys or wrestling guy?

736
00:33:25,880 --> 00:33:26,640
Speaker 2: Why do we have.

737
00:33:26,720 --> 00:33:30,360
Speaker 1: To keep creating these leather jacket Well, that's what I wonder.

738
00:33:30,360 --> 00:33:32,920
Speaker 6: If he was waiting for Danny and the guys and

739
00:33:32,920 --> 00:33:35,040
Speaker 6: they were just realized like, oh, we can't keep bringing

740
00:33:35,040 --> 00:33:36,880
Speaker 6: them back for some reason, or I don't know, like.

741
00:33:37,120 --> 00:33:40,160
Speaker 2: Where's where's Stanky for Keno? Now? Like Ry isn't he

742
00:33:40,280 --> 00:33:40,960
Speaker 2: around at least?

743
00:33:41,040 --> 00:33:44,520
Speaker 1: Like what's going on at the Yeah? Just seeing those

744
00:33:44,560 --> 00:33:45,840
Speaker 1: three thugs again, I.

745
00:33:45,760 --> 00:33:49,560
Speaker 3: Know I'm ready to I'm ready to stop seeing new

746
00:33:49,800 --> 00:33:53,040
Speaker 3: jacket gangs. I am you exactly, I'm ready to I'm

747
00:33:53,080 --> 00:33:56,600
Speaker 3: ready to enter nineteen ninety six, yes, and leave the

748
00:33:56,640 --> 00:33:59,160
Speaker 3: fifties leather jacket gangs behind.

749
00:33:59,040 --> 00:34:01,920
Speaker 2: Sorry to become one of the I've ever seen.

750
00:34:03,520 --> 00:34:03,720
Speaker 1: So.

751
00:34:03,760 --> 00:34:06,800
Speaker 3: Sean happily announces, all right, Corey, you're our leader, the

752
00:34:06,880 --> 00:34:09,520
Speaker 3: tough guy. Denny tells Corey, if you can't change that

753
00:34:09,560 --> 00:34:13,200
Speaker 3: old dinosaur's mind, we will, And again he's back to

754
00:34:13,320 --> 00:34:19,480
Speaker 3: just chilling Phoenie. He's gone take out the darkest storyline god.

755
00:34:20,040 --> 00:34:22,680
Speaker 3: Corey tries calming him down, saying, listen, I've known Phoene

756
00:34:22,800 --> 00:34:24,960
Speaker 3: since I was in diapers. He adds, I ate his

757
00:34:25,000 --> 00:34:28,000
Speaker 3: dirt for crying out loud, and then we're in Phoenie's classroom.

758
00:34:28,000 --> 00:34:30,719
Speaker 3: Phoene greets Corey as he enters. I understand you have

759
00:34:30,800 --> 00:34:34,439
Speaker 3: some concerns about the finals. Corey stutters, yes, yes, I do,

760
00:34:34,520 --> 00:34:36,520
Speaker 3: because you gotta admit three finals in one day is

761
00:34:36,600 --> 00:34:39,320
Speaker 3: kind of tough. Phoene asks how long has the exam

762
00:34:39,320 --> 00:34:41,920
Speaker 3: schedule been posted? Corey says a couple of days, and

763
00:34:41,960 --> 00:34:45,520
Speaker 3: Phoene corrects him two weeks. Phoene then asks how long

764
00:34:45,560 --> 00:34:47,520
Speaker 3: have you had to study the material? And Corey says

765
00:34:47,640 --> 00:34:51,000
Speaker 3: two weeks and Phoene corrects him again all semester and

766
00:34:51,040 --> 00:34:52,880
Speaker 3: you come to me now, how can I take you?

767
00:34:52,920 --> 00:34:53,440
Speaker 2: Seriously?

768
00:34:53,880 --> 00:34:58,000
Speaker 3: Corey starts a very bad argument with Okay, I didn't

769
00:34:58,040 --> 00:35:01,319
Speaker 3: want to use this, but we're neighbors, right, Remember when

770
00:35:01,360 --> 00:35:02,640
Speaker 3: I was a kid and I ate all that dirt

771
00:35:02,640 --> 00:35:04,400
Speaker 3: and you were good enough to call boys in control?

772
00:35:04,640 --> 00:35:06,960
Speaker 3: And Phoene confesses I wanted my dirt back.

773
00:35:07,120 --> 00:35:10,640
Speaker 2: I love that line so funny. I wanted my dirt back. Oh,

774
00:35:10,680 --> 00:35:11,800
Speaker 2: it was so funny.

775
00:35:11,800 --> 00:35:15,239
Speaker 3: And of course Bill with the perfect delivery, and it

776
00:35:15,360 --> 00:35:18,840
Speaker 3: had just enough mustard on it that you knew he

777
00:35:19,040 --> 00:35:19,680
Speaker 3: was covering.

778
00:35:20,239 --> 00:35:21,879
Speaker 2: Yeah, I love that. This is a scene you can

779
00:35:21,920 --> 00:35:25,640
Speaker 2: see from the pilot. This is this is the pilot

780
00:35:25,719 --> 00:35:27,560
Speaker 2: scene over again, dancing.

781
00:35:28,000 --> 00:35:30,120
Speaker 6: I just love seeing Corey and Phoenie back in this

782
00:35:30,160 --> 00:35:31,799
Speaker 6: situation being like, yeah, but come on.

783
00:35:31,760 --> 00:35:35,440
Speaker 2: You like me. I just love it it, I love it.

784
00:35:35,880 --> 00:35:37,759
Speaker 3: So Corey goes on, well, I guess I want you

785
00:35:37,840 --> 00:35:40,320
Speaker 3: to do that again, you know, one lifelong friend to another.

786
00:35:40,520 --> 00:35:46,719
Speaker 3: Phoene Lenz leans in and says Corey. Corey casually responds, George.

787
00:35:46,040 --> 00:35:49,239
Speaker 1: How often has Bill called him Corey? I think is

788
00:35:49,239 --> 00:35:51,319
Speaker 1: this is the first time or one of the one

789
00:35:51,320 --> 00:35:52,000
Speaker 1: of the first times?

790
00:35:52,080 --> 00:35:54,759
Speaker 2: Right, Wow, that didn't even hit me. You're right always.

791
00:35:56,080 --> 00:35:56,200
Speaker 1: Too.

792
00:35:56,280 --> 00:35:59,480
Speaker 2: When he said Corey, he's like, oh, it's always, mister Matthews. Yeah,

793
00:35:59,520 --> 00:36:02,200
Speaker 2: so yeah, I did not. That didn't even hit me.

794
00:36:02,800 --> 00:36:04,880
Speaker 3: So then Foene points to the door and tells him

795
00:36:04,920 --> 00:36:06,920
Speaker 3: to get out, and we're back in the school hallway

796
00:36:06,960 --> 00:36:09,000
Speaker 3: and as Corey walks out, all of the students are

797
00:36:09,000 --> 00:36:11,719
Speaker 3: applodding and cheery, cheering. One of the tough guys who

798
00:36:11,800 --> 00:36:15,600
Speaker 3: is not the main guy, Denny and not Patrick, Renna asks, so,

799
00:36:15,800 --> 00:36:18,479
Speaker 3: what's the new schedule look like, Corey announces to many

800
00:36:18,520 --> 00:36:20,720
Speaker 3: of you, it will look much like the old schedule.

801
00:36:20,960 --> 00:36:24,520
Speaker 2: But I, as your leader, I got nothing.

802
00:36:24,880 --> 00:36:28,200
Speaker 3: Denny tells Corey, You've had your chance. Now it's time

803
00:36:28,239 --> 00:36:29,600
Speaker 3: to do things my way.

804
00:36:30,840 --> 00:36:31,640
Speaker 2: Very scary.

805
00:36:32,760 --> 00:36:35,200
Speaker 3: Corey asks what his way is, and Denny responds, Phoene

806
00:36:35,280 --> 00:36:39,399
Speaker 3: has made our lives miserable, h forever and.

807
00:36:39,400 --> 00:36:42,000
Speaker 2: Now great lines I react to back.

808
00:36:42,280 --> 00:36:44,200
Speaker 3: And now it's time to give him back a little

809
00:36:44,200 --> 00:36:45,840
Speaker 3: of what he gave us. The rest of the crowd

810
00:36:45,920 --> 00:36:48,680
Speaker 3: cheers him on like an angry mob on January sixth,

811
00:36:48,920 --> 00:36:54,960
Speaker 3: and the entire group follows. The entire group follows after Denny,

812
00:36:55,080 --> 00:36:57,799
Speaker 3: even Sean. Corey stops Sean and asks what he's doing,

813
00:36:57,840 --> 00:37:01,560
Speaker 3: and Sean admits, Corey, I hate these exams, and he

814
00:37:01,640 --> 00:37:02,240
Speaker 3: walks away.

815
00:37:03,719 --> 00:37:06,560
Speaker 2: Wow, I doesn't want to get his learn on Sean.

816
00:37:06,920 --> 00:37:09,120
Speaker 2: He's not there. He's going to go grab his leather jacket.

817
00:37:09,239 --> 00:37:13,359
Speaker 1: He's about to joining the leather gang, the leather jacket gang.

818
00:37:13,680 --> 00:37:16,120
Speaker 3: And then we are back in the Matthew's house. The

819
00:37:16,160 --> 00:37:18,120
Speaker 3: doorbell rings and Eric opens the door to a pri.

820
00:37:18,840 --> 00:37:22,000
Speaker 2: Like, did we miss a scene? Why is Eric gertude

821
00:37:22,000 --> 00:37:24,719
Speaker 2: the door to miss random woman and referencing all this

822
00:37:24,840 --> 00:37:29,759
Speaker 2: conversation that happened without us seeing sitting by himself on

823
00:37:29,800 --> 00:37:33,439
Speaker 2: the couch reading Shakespeare. I know I said the same thing.

824
00:37:33,440 --> 00:37:35,319
Speaker 2: I was like what, and then I was like, oh,

825
00:37:35,360 --> 00:37:36,160
Speaker 2: I guess.

826
00:37:35,880 --> 00:37:39,560
Speaker 3: Because there's finals we know that Eric also has vinyls.

827
00:37:39,719 --> 00:37:43,560
Speaker 2: Yeah, that makes sense. But it was just it was jarring. Yes,

828
00:37:44,080 --> 00:37:45,240
Speaker 2: the whole thing was jarring.

829
00:37:45,640 --> 00:37:49,400
Speaker 1: I remember working with her very briefly, obviously, and I

830
00:37:49,480 --> 00:37:54,040
Speaker 1: remember actually as actors working on the scenes, and it

831
00:37:54,120 --> 00:37:56,279
Speaker 1: was one of the few times where a guest star

832
00:37:56,440 --> 00:38:00,120
Speaker 1: came in and we spent time with the director and

833
00:38:00,160 --> 00:38:02,120
Speaker 1: spend time afterwards kind of well, if I move here,

834
00:38:02,160 --> 00:38:02,719
Speaker 1: if I do this.

835
00:38:02,760 --> 00:38:03,880
Speaker 2: We were ad libbing stuff.

836
00:38:03,920 --> 00:38:06,000
Speaker 1: It was. Working with her was really fun, and I

837
00:38:06,000 --> 00:38:09,239
Speaker 1: remember distinctly thinking, wow, I wish we had more to do,

838
00:38:09,920 --> 00:38:12,320
Speaker 1: Like I wish we had more scenes, because there's something

839
00:38:12,719 --> 00:38:14,400
Speaker 1: I felt, very relaxed, very comfortable.

840
00:38:14,600 --> 00:38:17,279
Speaker 2: She was giving as much as she was taking. It

841
00:38:17,320 --> 00:38:20,560
Speaker 2: was great. She was she was She was a lot

842
00:38:20,560 --> 00:38:20,799
Speaker 2: of fun.

843
00:38:20,840 --> 00:38:23,600
Speaker 1: I mean the the scene the last line of this

844
00:38:23,640 --> 00:38:25,920
Speaker 1: where I say, hey, let's let's leave before you get

845
00:38:25,920 --> 00:38:27,520
Speaker 1: any older, and she's like, hey, that's funny.

846
00:38:27,719 --> 00:38:29,920
Speaker 2: That was the two of us just riffing at the end.

847
00:38:30,280 --> 00:38:32,400
Speaker 1: Wow, And so that was none of that was written,

848
00:38:33,080 --> 00:38:34,680
Speaker 1: and she was the first one to kind of shoot

849
00:38:34,680 --> 00:38:36,439
Speaker 1: it back as she got us like, oh wow she's good.

850
00:38:36,520 --> 00:38:40,080
Speaker 2: Yeah, really funny. I loved that. Yeah.

851
00:38:40,120 --> 00:38:42,799
Speaker 3: So a pretty older woman there by the way, very

852
00:38:42,840 --> 00:38:44,560
Speaker 3: reminiscent of Maitland Award.

853
00:38:44,960 --> 00:38:50,520
Speaker 2: I saw her and I was like, wow, she interesting.

854
00:38:50,719 --> 00:38:55,040
Speaker 3: Okay, so she says hi. She shakes Eric's hand, telling

855
00:38:55,080 --> 00:38:58,560
Speaker 3: a surprise Eric. Her name is Brenda. Eric realizes who

856
00:38:58,600 --> 00:39:00,600
Speaker 3: she is and says, oh you are be didn't get

857
00:39:00,600 --> 00:39:03,680
Speaker 3: the message from his mom. They had car trouble and

858
00:39:03,800 --> 00:39:06,359
Speaker 3: can't make it. Where are they coming from?

859
00:39:06,400 --> 00:39:09,640
Speaker 2: There? None of them? I don't get what's happening. If

860
00:39:09,680 --> 00:39:15,040
Speaker 2: she's setting her up with Turner, which is why there?

861
00:39:15,600 --> 00:39:17,600
Speaker 2: And why are did she meeting.

862
00:39:17,320 --> 00:39:20,600
Speaker 1: At Turner's house or are they meeting somewhere neutral? Why

863
00:39:20,600 --> 00:39:22,040
Speaker 1: are they coming to the Matthew?

864
00:39:22,160 --> 00:39:23,880
Speaker 2: They were having a double date. They were going to

865
00:39:23,960 --> 00:39:28,200
Speaker 2: have a double dates, were going to go out.

866
00:39:28,360 --> 00:39:30,799
Speaker 3: She was going to introduce them on a double date.

867
00:39:31,320 --> 00:39:34,040
Speaker 3: Way did they say that or did you guys just know.

868
00:39:34,400 --> 00:39:35,319
Speaker 2: We had to figure this out.

869
00:39:35,440 --> 00:39:37,920
Speaker 6: That's where I was sitting there, going what scene I missed?

870
00:39:37,960 --> 00:39:39,440
Speaker 6: You just set up this scene.

871
00:39:39,800 --> 00:39:42,040
Speaker 2: It's I didn't put that together. You both did. There

872
00:39:42,160 --> 00:39:45,480
Speaker 2: probably was a morning scene written where, like, you know,

873
00:39:45,520 --> 00:39:47,960
Speaker 2: Corey was getting breakfast and they talked all this out

874
00:39:48,000 --> 00:39:50,800
Speaker 2: and they just decided to cut it and explain it

875
00:39:50,840 --> 00:39:52,719
Speaker 2: all on this scene and it doesn't work.

876
00:39:52,840 --> 00:39:55,560
Speaker 1: It's like started in the middle.

877
00:39:55,960 --> 00:39:57,960
Speaker 3: Yeah, because then she says, you know, they have car

878
00:39:58,080 --> 00:40:01,080
Speaker 3: trouble and they can't make it, and so Brenda takes

879
00:40:01,120 --> 00:40:05,000
Speaker 3: off her jacket, revealing a short red skirt and says, oh, well,

880
00:40:05,040 --> 00:40:05,960
Speaker 3: I guess it's just you.

881
00:40:05,960 --> 00:40:09,359
Speaker 2: And me, Which was my question. Why isn't it just

882
00:40:09,400 --> 00:40:10,040
Speaker 2: the two of them?

883
00:40:10,160 --> 00:40:12,160
Speaker 3: If it was going to be a setup for them,

884
00:40:12,520 --> 00:40:16,200
Speaker 3: why not still let Turner come over and just sorry, guys,

885
00:40:16,239 --> 00:40:19,160
Speaker 3: we have car trouble wherever we are, who knows where

886
00:40:19,200 --> 00:40:21,080
Speaker 3: we are before this day ahead with your date, but

887
00:40:21,160 --> 00:40:23,480
Speaker 3: go ahead, sorry, we won't be able to make it tonight.

888
00:40:23,640 --> 00:40:27,320
Speaker 3: So anyway, totally understand why she thinks you are Jonathan Turner.

889
00:40:27,480 --> 00:40:30,760
Speaker 1: Wait do you that's I'm asking do if you walked

890
00:40:30,760 --> 00:40:34,120
Speaker 1: in and saw me, did I look like at that

891
00:40:34,280 --> 00:40:36,239
Speaker 1: age I could be old enough to be a high

892
00:40:36,239 --> 00:40:37,120
Speaker 1: school teacher?

893
00:40:37,320 --> 00:40:41,799
Speaker 3: I don't think you look young enough to be her

894
00:40:41,880 --> 00:40:42,719
Speaker 3: teenage son.

895
00:40:43,040 --> 00:40:44,960
Speaker 2: Okay, bye bye that she.

896
00:40:45,160 --> 00:40:51,000
Speaker 3: Sees you and doesn't like stare you down and go hello, teenager,

897
00:40:51,480 --> 00:40:52,880
Speaker 3: I can see how that could happen.

898
00:40:52,960 --> 00:40:55,440
Speaker 2: Gotcha, gotcha? Gotcha? Okay, I was wondering about that.

899
00:40:55,520 --> 00:40:59,480
Speaker 3: But so she walks past the couch and Eric responds, yeah,

900
00:40:59,680 --> 00:41:01,960
Speaker 3: just you and me and the collected works of Billie

901
00:41:01,960 --> 00:41:05,760
Speaker 3: Bob Shakespeare as he holds up his book, and Brenda laughs,

902
00:41:05,800 --> 00:41:08,200
Speaker 3: Amy told me you're very devoted to your work. She

903
00:41:08,320 --> 00:41:11,959
Speaker 3: then notices the family photo of the Matthews and realizes

904
00:41:12,040 --> 00:41:14,640
Speaker 3: who she is flirting with, and this moment where she

905
00:41:14,760 --> 00:41:16,360
Speaker 3: realizes it is great.

906
00:41:16,520 --> 00:41:18,680
Speaker 2: She's great. She said, that's a hard thing to sell,

907
00:41:18,760 --> 00:41:21,200
Speaker 2: and yes, pulls it off. It's funny, it's natural.

908
00:41:21,440 --> 00:41:24,399
Speaker 3: Yep, great actor, really really great, and she says, oh

909
00:41:24,440 --> 00:41:26,879
Speaker 3: my god. Eric laughs, Yeah, I know, I was hitting

910
00:41:26,920 --> 00:41:30,600
Speaker 3: puberty the exact moment they took that picture, and Brenda clarifies, Oh, no,

911
00:41:30,760 --> 00:41:33,160
Speaker 3: I thought you were Jonathan Turner. Your mother was fixing

912
00:41:33,239 --> 00:41:36,399
Speaker 3: us up tonight. Brenda admits she feels very stupid. Eric

913
00:41:36,400 --> 00:41:39,160
Speaker 3: assures her, I'm actually kind of flattered. Look my mom

914
00:41:39,200 --> 00:41:41,920
Speaker 3: called and canceled mister Turner, which is now why we

915
00:41:42,040 --> 00:41:43,879
Speaker 3: this is the first time we figure out that that's

916
00:41:43,920 --> 00:41:47,360
Speaker 3: why he isn't here. So okay, a lot of just

917
00:41:47,760 --> 00:41:48,959
Speaker 3: exposition to tell us.

918
00:41:48,840 --> 00:41:51,120
Speaker 1: What's going on here, and also pre cell phone, so

919
00:41:51,160 --> 00:41:53,799
Speaker 1: it wouldn't be like you'd get a text a call saying, hey,

920
00:41:53,840 --> 00:41:55,200
Speaker 1: this has been canceled.

921
00:41:55,000 --> 00:41:59,120
Speaker 3: Right right, and I haven't had dinner yet. So let's

922
00:41:59,160 --> 00:42:02,040
Speaker 3: say we go. Great, I have a bite ski the

923
00:42:02,360 --> 00:42:04,880
Speaker 3: confidence I know on this.

924
00:42:04,960 --> 00:42:11,400
Speaker 2: Kid, shoot your shot sometimes really just oh.

925
00:42:11,440 --> 00:42:13,160
Speaker 3: He grabs his coat and he says, let's get out

926
00:42:13,160 --> 00:42:15,600
Speaker 3: of here before you get any older. She follows and says,

927
00:42:15,840 --> 00:42:16,480
Speaker 3: that's funny.

928
00:42:16,719 --> 00:42:17,200
Speaker 2: That's fine.

929
00:42:17,320 --> 00:42:20,000
Speaker 3: She get the sense that she doesn't really think it's

930
00:42:20,000 --> 00:42:22,200
Speaker 3: that funny, really really good.

931
00:42:22,640 --> 00:42:24,319
Speaker 2: Uh, this is quite a storyline.

932
00:42:24,920 --> 00:42:28,040
Speaker 8: Just this is quite a storyline, a storyline twenty eight

933
00:42:28,120 --> 00:42:29,640
Speaker 8: and eighteen, twenty eight.

934
00:42:29,560 --> 00:42:32,080
Speaker 2: And eighteen, and she very quickly was like, yeah, all right,

935
00:42:32,160 --> 00:42:33,040
Speaker 2: let's go on a date kid.

936
00:42:34,040 --> 00:42:38,680
Speaker 8: That's there was not a second of hesitation. Yeah, put

937
00:42:38,320 --> 00:42:41,680
Speaker 8: the year old gay, my friend's son. I'll take my

938
00:42:41,719 --> 00:42:44,160
Speaker 8: friend son. I will I'll do it. Yep, you know

939
00:42:44,200 --> 00:42:46,040
Speaker 8: what you called my blood, I'll do it.

940
00:42:46,800 --> 00:42:49,959
Speaker 2: There's no hesitation. Let's go grab a mike.

941
00:42:50,160 --> 00:42:53,719
Speaker 3: Okay, I'm in done, done, let's do bit. I'm into

942
00:42:53,719 --> 00:42:54,240
Speaker 3: bite skings.

943
00:42:54,320 --> 00:42:56,719
Speaker 2: Let's do it. You and me chuck e cheese right now.

944
00:42:58,840 --> 00:43:00,360
Speaker 3: They won't let me leave unless we've both have the

945
00:43:00,360 --> 00:43:04,960
Speaker 3: same numbers on an exactly I'm this is.

946
00:43:04,920 --> 00:43:05,960
Speaker 2: The child you came in with.

947
00:43:06,920 --> 00:43:11,200
Speaker 1: Yes, very strange storyline for a number of reasons, like

948
00:43:11,640 --> 00:43:15,120
Speaker 1: just thrown in there. The story just starts in the middle.

949
00:43:15,360 --> 00:43:18,560
Speaker 1: It's a weird age difference. Dating the kit It's not

950
00:43:18,600 --> 00:43:23,919
Speaker 1: even a random date. It's dating Amy's Fred. Whole thing's

951
00:43:24,120 --> 00:43:25,800
Speaker 1: very strange, very strange.

952
00:43:37,440 --> 00:43:39,200
Speaker 3: So then we're in the Matthew's kitchen. It's later in

953
00:43:39,200 --> 00:43:41,040
Speaker 3: the night. Corey walks into the kitchen and here's a

954
00:43:41,080 --> 00:43:45,719
Speaker 3: loud commotion coming from the backyard. Kids are vandalizing Phoene's

955
00:43:45,760 --> 00:43:49,000
Speaker 3: house with toilet paper, shaving cream, and wet paper towels.

956
00:43:49,239 --> 00:43:51,560
Speaker 3: They smash a window and the lights turn on. Phoene

957
00:43:51,680 --> 00:43:54,920
Speaker 3: quickly runs outside, but the perpetrators have run off. Corey

958
00:43:54,960 --> 00:43:57,680
Speaker 3: watches the entire thing happen from inside the kitchen. Phoene

959
00:43:57,800 --> 00:44:01,640
Speaker 3: looks shocked and very upset, and we hear sad ass

960
00:44:01,760 --> 00:44:08,080
Speaker 3: music sad and Sad as music witnessing, they lock eyes

961
00:44:08,120 --> 00:44:11,520
Speaker 3: with each other. It's just fu Peenie and a salad

962
00:44:11,600 --> 00:44:12,680
Speaker 3: for one was in a rout.

963
00:44:12,840 --> 00:44:16,560
Speaker 6: So we've completely lost the boy's bedroom like this entire season.

964
00:44:16,600 --> 00:44:20,239
Speaker 3: Yeah, you're right, never no no jacket. Uh No, that

965
00:44:20,239 --> 00:44:21,920
Speaker 3: was INA's room Vegas.

966
00:44:22,239 --> 00:44:24,720
Speaker 2: Yeah, so we have been We've lost the boys bedroom

967
00:44:24,920 --> 00:44:25,960
Speaker 2: and gain Chubbies.

968
00:44:26,160 --> 00:44:29,160
Speaker 1: You wonder if it's if that's what they swapped they

969
00:44:29,160 --> 00:44:31,360
Speaker 1: did for now. They turned the boys bedroom into a

970
00:44:31,360 --> 00:44:34,440
Speaker 1: swing set and Chubbies was more a every week kind

971
00:44:34,440 --> 00:44:34,719
Speaker 1: of thing.

972
00:44:34,960 --> 00:44:37,520
Speaker 2: And here's where I'll tell you, I think one of

973
00:44:37,520 --> 00:44:40,799
Speaker 2: the strengths of the storyline was doesn't necessarily have an

974
00:44:40,800 --> 00:44:43,279
Speaker 2: amazing payoff, but one of the strengths of the storyline

975
00:44:43,320 --> 00:44:46,040
Speaker 2: was the only thing I cared about through the rest

976
00:44:46,080 --> 00:44:51,360
Speaker 2: of this episode was was Sean there? I'm kick his.

977
00:44:52,840 --> 00:44:56,080
Speaker 3: Oh if was part of the van Sean was there

978
00:44:56,440 --> 00:45:01,120
Speaker 3: and whip creaming or shaving creaming Poenie's house. I was

979
00:45:01,200 --> 00:45:03,520
Speaker 3: gonna I was going to be furious at you. I

980
00:45:03,680 --> 00:45:07,560
Speaker 3: figured they weren't doing it, but like they set it up,

981
00:45:07,640 --> 00:45:09,640
Speaker 3: they want us to think that maybe you were there.

982
00:45:10,040 --> 00:45:12,560
Speaker 3: You left with them, you said I hate these exams,

983
00:45:13,080 --> 00:45:15,600
Speaker 3: and and you left with them, and the next time

984
00:45:15,600 --> 00:45:18,280
Speaker 3: we see them, this is going on, and and Sean,

985
00:45:18,600 --> 00:45:19,600
Speaker 3: you weren't with Corey.

986
00:45:20,160 --> 00:45:23,480
Speaker 2: Corey walks in from wherever he's been, and so I

987
00:45:23,600 --> 00:45:26,240
Speaker 2: was like, oh my gosh.

988
00:45:25,880 --> 00:45:28,160
Speaker 3: If this is the moment where they do have Sean

989
00:45:28,239 --> 00:45:31,520
Speaker 3: act like a bad guy and now feeling pretty comfortable

990
00:45:31,560 --> 00:45:34,960
Speaker 3: now speaking as an audience surrogate, if they do have

991
00:45:35,080 --> 00:45:38,719
Speaker 3: Sean actually do something bad instead of just saying he's

992
00:45:38,719 --> 00:45:40,960
Speaker 3: always on the cusp of doing something bad, I can

993
00:45:41,000 --> 00:45:44,759
Speaker 3: tell you I don't like you. I was so inside

994
00:45:45,000 --> 00:45:48,439
Speaker 3: thinking what if Sean's there. I was like, if that kid,

995
00:45:48,560 --> 00:45:50,400
Speaker 3: if that kid, I was so I was going to.

996
00:45:50,440 --> 00:45:51,560
Speaker 2: Be actually and.

997
00:45:53,960 --> 00:45:56,440
Speaker 1: Oh man, they did set it up to where you

998
00:45:56,440 --> 00:45:59,560
Speaker 1: could easily have been a member of the new LJG Gang.

999
00:46:00,600 --> 00:46:03,760
Speaker 1: I mean it absolutely could have been there for leather Jacket,

1000
00:46:04,120 --> 00:46:10,319
Speaker 1: because hair guys there LJG Baby for this school, so

1001
00:46:10,920 --> 00:46:13,000
Speaker 1: you could have. But I don't think they were going

1002
00:46:13,000 --> 00:46:15,120
Speaker 1: with that. I think they were going with it was

1003
00:46:15,160 --> 00:46:17,360
Speaker 1: all about FIENI at this point. That's what the story

1004
00:46:17,400 --> 00:46:18,480
Speaker 1: shifted to, and.

1005
00:46:18,840 --> 00:46:22,440
Speaker 2: Just Bill being built, just all the music, Yes, a

1006
00:46:22,520 --> 00:46:24,680
Speaker 2: little much, a little much but I still like it.

1007
00:46:24,760 --> 00:46:27,160
Speaker 2: I loved it. And all the emotion that plays across

1008
00:46:27,200 --> 00:46:29,520
Speaker 2: his face. You read everything on his face. It was

1009
00:46:29,560 --> 00:46:30,040
Speaker 2: so good.

1010
00:46:30,080 --> 00:46:34,239
Speaker 1: He was disappointed and sad and I can't believe it happened.

1011
00:46:33,880 --> 00:46:35,400
Speaker 2: And you were Oh god, I was there for all

1012
00:46:35,440 --> 00:46:37,000
Speaker 2: of it. I was there for all it. Any of

1013
00:46:37,040 --> 00:46:42,800
Speaker 2: you ever vandalized a house? No, do you have a house? Well,

1014
00:46:42,840 --> 00:46:46,280
Speaker 2: I guess you have a story. Well, Will has a story.

1015
00:46:46,400 --> 00:46:48,279
Speaker 2: Well I don't have No, I have no stories. You

1016
00:46:49,040 --> 00:46:51,920
Speaker 2: must have egged the house. Well, tell us a hypothetical story,

1017
00:46:52,120 --> 00:46:55,799
Speaker 2: hypothetical story about you. Halloween back in Connecticut could get

1018
00:46:55,800 --> 00:46:58,920
Speaker 2: a little crazy. Really, there were times that I had

1019
00:46:58,960 --> 00:47:04,040
Speaker 2: friends that had friends. You had friends girls. Let's put

1020
00:47:04,040 --> 00:47:07,160
Speaker 2: it this way. No, I think we've established that. All right,

1021
00:47:07,160 --> 00:47:08,640
Speaker 2: you're done. We got our own.

1022
00:47:08,600 --> 00:47:11,680
Speaker 1: Version of l j G back back, and yes, of

1023
00:47:11,680 --> 00:47:16,640
Speaker 1: course we t peed and we and smoked cigarettes. And

1024
00:47:17,080 --> 00:47:20,040
Speaker 1: when my friends then got into grabbing, like you know,

1025
00:47:20,160 --> 00:47:23,040
Speaker 1: wanting to uh do like cherry bombs and stuff like that,

1026
00:47:23,120 --> 00:47:27,000
Speaker 1: I was out, like I'm not good with with on fire.

1027
00:47:27,640 --> 00:47:29,960
Speaker 3: I had a I had had a cool ant, like

1028
00:47:30,000 --> 00:47:31,680
Speaker 3: a cool ant you know, uh huh.

1029
00:47:32,480 --> 00:47:35,239
Speaker 2: She would let us go te ping. Wait, she'd let

1030
00:47:35,320 --> 00:47:35,560
Speaker 2: you go.

1031
00:47:37,200 --> 00:47:40,080
Speaker 3: She got paper and she'd take us, she'd drop us off.

1032
00:47:40,480 --> 00:47:42,279
Speaker 3: She parked the car nearby so in case we got

1033
00:47:42,320 --> 00:47:45,280
Speaker 3: caught run away car.

1034
00:47:45,920 --> 00:47:49,480
Speaker 2: You kidding me? Yeah? Wow? Yeah. What do you do

1035
00:47:49,520 --> 00:47:52,000
Speaker 2: when you TP out? You're just like covering the house.

1036
00:47:51,840 --> 00:47:56,040
Speaker 3: And you're just throwing it over the trees and it

1037
00:47:56,080 --> 00:47:58,799
Speaker 3: gets stuck and it's like all there everywhere to do

1038
00:47:58,880 --> 00:48:03,120
Speaker 3: some like elevated ruder stuff like take saran wrap and

1039
00:48:03,120 --> 00:48:05,440
Speaker 3: put it like the combine the two door that the

1040
00:48:05,480 --> 00:48:07,799
Speaker 3: front doors together so that they can't open their front

1041
00:48:07,840 --> 00:48:08,879
Speaker 3: door the front door.

1042
00:48:08,960 --> 00:48:11,600
Speaker 2: That's a good one. Yeah, you can do.

1043
00:48:11,760 --> 00:48:14,000
Speaker 3: We never did anything like that. We just t peed,

1044
00:48:14,080 --> 00:48:16,000
Speaker 3: and we always picked somebody that we had a crush

1045
00:48:16,040 --> 00:48:19,960
Speaker 3: on to TP like something like a good sign. He

1046
00:48:20,280 --> 00:48:23,759
Speaker 3: usually usually meant there was something we had a crush

1047
00:48:23,800 --> 00:48:24,040
Speaker 3: on you.

1048
00:48:24,320 --> 00:48:26,560
Speaker 1: He's like, Wow, if this guy likes me, he's gonna

1049
00:48:26,560 --> 00:48:28,920
Speaker 1: have to spend all tomorrow with his parents cleaning this out,

1050
00:48:28,960 --> 00:48:29,560
Speaker 1: cleaning this up.

1051
00:48:29,600 --> 00:48:31,640
Speaker 3: Yeah, it's gonna he's gonna, he's gonna, he's gonna he's

1052
00:48:31,640 --> 00:48:32,920
Speaker 3: gonna be so happy I did this.

1053
00:48:33,000 --> 00:48:37,200
Speaker 2: He's really gonna like me. Trying to get this thing

1054
00:48:37,239 --> 00:48:41,200
Speaker 2: out of this land and David. This is what I

1055
00:48:41,239 --> 00:48:44,719
Speaker 2: didn't know where David lived. G P Jonathan Taylor Thomas's house.

1056
00:48:44,920 --> 00:48:45,840
Speaker 2: That would be amazing.

1057
00:48:47,960 --> 00:48:49,480
Speaker 3: I do have a really great picture of me though,

1058
00:48:49,480 --> 00:48:52,480
Speaker 3: in a huge oversized sweatshirt and sweatpants, and we had

1059
00:48:52,520 --> 00:48:54,520
Speaker 3: we got caught pretty early on this one time, and

1060
00:48:54,560 --> 00:48:56,839
Speaker 3: we had still the four packs of toilet paper were

1061
00:48:56,840 --> 00:48:59,840
Speaker 3: still in their like plastic wrap, and I was grabbing

1062
00:48:59,880 --> 00:49:01,719
Speaker 3: all of them to not leave the evidence behind. And

1063
00:49:01,760 --> 00:49:04,080
Speaker 3: we have a picture of me running down the street

1064
00:49:04,080 --> 00:49:06,720
Speaker 3: looking like the stapeoff marshmallow man with all the things

1065
00:49:06,719 --> 00:49:11,799
Speaker 3: of Tepe's second my sweatshirt. It's pretty great. Yeah, wow, right,

1066
00:49:11,960 --> 00:49:14,960
Speaker 3: you missed out. You were just feeding your horse, Susie,

1067
00:49:15,080 --> 00:49:16,920
Speaker 3: you were, and with the dead.

1068
00:49:16,719 --> 00:49:19,799
Speaker 1: Body in it, making dead bodies and yeah, doing your

1069
00:49:19,840 --> 00:49:21,120
Speaker 1: magic show.

1070
00:49:21,680 --> 00:49:22,920
Speaker 2: That's it. That's how it is.

1071
00:49:23,400 --> 00:49:26,680
Speaker 3: So then before we are in Phoene's classroom, we have

1072
00:49:26,800 --> 00:49:31,640
Speaker 3: a wild exterior. We like tilt and zoom into a

1073
00:49:31,680 --> 00:49:33,600
Speaker 3: window of the exterior of the school.

1074
00:49:33,800 --> 00:49:37,360
Speaker 2: Is Corey Matthews doing the camera work here? It seemed

1075
00:49:37,400 --> 00:49:41,279
Speaker 2: a little jarring. It was jarning. Yep.

1076
00:49:41,719 --> 00:49:44,800
Speaker 3: Well, Phoene is teaching a class about abolitionists and John Brown,

1077
00:49:45,160 --> 00:49:47,320
Speaker 3: who thought he was a hero because of his night rates,

1078
00:49:47,320 --> 00:49:50,399
Speaker 3: and he adds John was eventually captured and hanged by

1079
00:49:50,440 --> 00:49:52,960
Speaker 3: the neck for his crimes. While walking by the three

1080
00:49:53,000 --> 00:49:56,320
Speaker 3: thugs in class, he then says that will conclude the semester.

1081
00:49:56,840 --> 00:49:59,279
Speaker 3: Phoene reminds them finals are tomorrow, and I want to

1082
00:49:59,320 --> 00:50:01,680
Speaker 3: wish you all the best of luck. The students boo

1083
00:50:01,800 --> 00:50:03,920
Speaker 3: him as he says this. Then Tapanga walks up to

1084
00:50:03,960 --> 00:50:06,560
Speaker 3: mister Phoene, asking will the chapter on the Continental Congress

1085
00:50:06,600 --> 00:50:09,640
Speaker 3: be included in the test. Phoenie chuckles and says ms Lawrence.

1086
00:50:09,800 --> 00:50:12,480
Speaker 3: Tapanga abruptly stops him and says wait, wait, as she

1087
00:50:12,520 --> 00:50:15,440
Speaker 3: holds a voice recorder up to his mouth. Phoene assures her,

1088
00:50:15,520 --> 00:50:17,919
Speaker 3: you've done the work all semester. I have no doubt

1089
00:50:17,960 --> 00:50:20,840
Speaker 3: that everything you need to know you already know. Topega

1090
00:50:20,920 --> 00:50:23,560
Speaker 3: yells back, Continental Congress, yes or no. Phoene speaks into

1091
00:50:23,600 --> 00:50:26,799
Speaker 3: the recorder and says yes, Miss Lawrence, and she leaves.

1092
00:50:26,840 --> 00:50:31,759
Speaker 1: I don't know why, but I remembered that. Really I don't.

1093
00:50:31,800 --> 00:50:34,040
Speaker 1: I cannot tell you why. It was because I remembered.

1094
00:50:34,160 --> 00:50:37,440
Speaker 1: I remembered my b storyline because of the woman that

1095
00:50:37,480 --> 00:50:40,400
Speaker 1: I worked with. I remembered nothing from the A story,

1096
00:50:40,480 --> 00:50:42,680
Speaker 1: and then I remembered you with the tape recorder.

1097
00:50:42,960 --> 00:50:45,359
Speaker 2: I'm like, wait, is this the Continental Congress? And You're

1098
00:50:45,400 --> 00:50:45,840
Speaker 2: like Continental.

1099
00:50:46,120 --> 00:50:48,319
Speaker 1: I was like, I don't know why I remember this line,

1100
00:50:48,320 --> 00:50:51,480
Speaker 1: but I fully remembered that line stuck in my head.

1101
00:50:51,520 --> 00:50:54,960
Speaker 2: Don't know why. Well, you're a fan of US history.

1102
00:50:55,280 --> 00:50:57,400
Speaker 2: Yeah that's true. Maybe that's what it is. Yeah, I

1103
00:50:57,440 --> 00:50:58,640
Speaker 2: am I love you as sisty.

1104
00:50:59,120 --> 00:51:01,160
Speaker 3: So Corey then walk except to Phenie and says, look

1105
00:51:01,200 --> 00:51:03,520
Speaker 3: what happened last night? I was at the library, and

1106
00:51:03,560 --> 00:51:05,680
Speaker 3: Phoenie tells him, no one is accusing you. I know

1107
00:51:05,719 --> 00:51:08,160
Speaker 3: you better than that. Corey admits I think what those

1108
00:51:08,160 --> 00:51:10,760
Speaker 3: idiots did was way out of line, and Feenie nods,

1109
00:51:10,840 --> 00:51:13,600
Speaker 3: I must agree. I haven't always been popular with my students,

1110
00:51:13,600 --> 00:51:16,399
Speaker 3: but I have always had their respect until last night.

1111
00:51:16,920 --> 00:51:19,560
Speaker 3: And now my poor little heart is just even more

1112
00:51:19,560 --> 00:51:22,359
Speaker 3: broken for Feenie. Feenie goes on forty years ago, when

1113
00:51:22,400 --> 00:51:24,320
Speaker 3: I was a new teacher, there was a very small

1114
00:51:24,360 --> 00:51:26,680
Speaker 3: faction of students who were frustrated, but the majority of

1115
00:51:26,719 --> 00:51:29,560
Speaker 3: them wanted to learn. Now, with each passing year, I

1116
00:51:29,600 --> 00:51:32,520
Speaker 3: find that authority and respect have wrought it away and

1117
00:51:32,560 --> 00:51:36,719
Speaker 3: that small faction is now the majority, and Feenie.

1118
00:51:36,440 --> 00:51:40,319
Speaker 1: Continues, I watch our show, Phoenie, yep, oh, I don't

1119
00:51:40,360 --> 00:51:46,680
Speaker 1: write sixties. Sixties A new teacher, oh, trying to get

1120
00:51:46,719 --> 00:51:51,319
Speaker 1: their respect, and the small faction of Leather Jacket Gang

1121
00:51:51,360 --> 00:51:53,200
Speaker 1: there actually like.

1122
00:51:53,200 --> 00:51:56,920
Speaker 2: Belong right when there was still a thing. Oh, got

1123
00:51:56,920 --> 00:51:57,120
Speaker 2: it be?

1124
00:51:57,200 --> 00:52:05,560
Speaker 1: So you have like Frankie Stakeino's grandfather is one you

1125
00:52:05,560 --> 00:52:07,719
Speaker 1: could have. You could bring in random characters that were like,

1126
00:52:07,760 --> 00:52:10,719
Speaker 1: he's been teaching them their family for generations.

1127
00:52:11,000 --> 00:52:16,799
Speaker 2: Yeah, Leslie, Leslie's Wesley's dad. Yeah, Leslie's dad. Really good.

1128
00:52:17,000 --> 00:52:19,440
Speaker 2: That show we haven't written or created yet is so good.

1129
00:52:19,680 --> 00:52:21,640
Speaker 2: It's amazing in my head. Yeah, I've already. I'm on

1130
00:52:21,719 --> 00:52:29,600
Speaker 2: season three.

1131
00:52:33,760 --> 00:52:36,040
Speaker 3: So Phoene continues, You know, mister Matthews. At the end

1132
00:52:36,040 --> 00:52:38,440
Speaker 3: of each school year, I also take a final exam.

1133
00:52:38,520 --> 00:52:40,880
Speaker 3: I examined my effectiveness as a teacher, and I wonder

1134
00:52:41,120 --> 00:52:44,160
Speaker 3: what have I taught? Who have I reached this year? Well,

1135
00:52:44,239 --> 00:52:46,080
Speaker 3: this year, after seeing what was done to my house,

1136
00:52:46,120 --> 00:52:49,239
Speaker 3: I realize they have finally reached me. Cory asks what

1137
00:52:49,280 --> 00:52:52,200
Speaker 3: he means, and Phoene says, I believe the term was dinosaur,

1138
00:52:52,320 --> 00:52:54,839
Speaker 3: wasn't it. I'm an old dinosaur. Corey tries to tell.

1139
00:52:54,800 --> 00:52:56,839
Speaker 2: Him that's a good thing. People love dinosaurs.

1140
00:52:56,880 --> 00:52:59,640
Speaker 3: You got your Barney's, your Jurassic Parks, and who could

1141
00:52:59,640 --> 00:53:03,320
Speaker 3: forget about Dino Flynnstone as he mimics Dino's barking noises

1142
00:53:04,719 --> 00:53:07,320
Speaker 3: so cute. Phoenie reveals I'm retiring at.

1143
00:53:07,160 --> 00:53:09,320
Speaker 2: The end of the year. Bu bom bomb.

1144
00:53:10,120 --> 00:53:13,320
Speaker 3: The official announcement will be very soon. Just then, Denny

1145
00:53:13,360 --> 00:53:16,840
Speaker 3: and his stupid leather jacket and his stupid leather jacket

1146
00:53:16,840 --> 00:53:19,680
Speaker 3: friends walk into Poenie's classroom and Denny threatens, if you

1147
00:53:19,719 --> 00:53:22,080
Speaker 3: don't move it until later in the week, feoene, we

1148
00:53:22,120 --> 00:53:27,000
Speaker 3: ain't gonna show. Finally, I was like, that's a reasonable threat. Yes, yess,

1149
00:53:27,080 --> 00:53:29,879
Speaker 3: that makes sense. I'm not coming as opposed to take

1150
00:53:29,920 --> 00:53:30,600
Speaker 3: care of it mine.

1151
00:53:30,640 --> 00:53:32,680
Speaker 2: You're going to kill you? Yeah, ash.

1152
00:53:33,320 --> 00:53:36,400
Speaker 6: But then also the obvious response is like you just

1153
00:53:36,920 --> 00:53:38,520
Speaker 6: if you don't show up for the desk.

1154
00:53:40,480 --> 00:53:41,759
Speaker 2: Okay exactly what he says.

1155
00:53:41,840 --> 00:53:44,040
Speaker 3: Yeah, well that's right, And of course if you don't

1156
00:53:44,040 --> 00:53:46,319
Speaker 3: take the exam, it is my right to fail you.

1157
00:53:47,320 --> 00:53:49,920
Speaker 3: So we see that Sean is now a new addition

1158
00:53:50,000 --> 00:53:52,160
Speaker 3: to this group. Makes sense though, because we know he

1159
00:53:52,200 --> 00:53:56,080
Speaker 3: has a leather jacket, and Denny addition, is a group right, Wow,

1160
00:53:56,760 --> 00:53:59,160
Speaker 3: that works too, and Denny adds, I wish I could

1161
00:53:59,160 --> 00:54:00,920
Speaker 3: have seen his face when he saw his house, and

1162
00:54:00,960 --> 00:54:02,560
Speaker 3: Corey tells Denny I did.

1163
00:54:03,040 --> 00:54:05,239
Speaker 2: Jake goes up to him and asks, Matthews, you kiss up?

1164
00:54:05,239 --> 00:54:05,920
Speaker 2: What'd you tell him?

1165
00:54:05,920 --> 00:54:07,560
Speaker 3: He starts to put his hands on Corey, but Sean

1166
00:54:07,600 --> 00:54:09,759
Speaker 3: breaks it up, telling him Corey's cool. He wouldn't have

1167
00:54:09,760 --> 00:54:12,600
Speaker 3: squealed and I liked this part. Corey laughs and says,

1168
00:54:12,600 --> 00:54:13,439
Speaker 3: does that make me cool?

1169
00:54:13,440 --> 00:54:15,320
Speaker 2: Sean? Is that what makes you so cool?

1170
00:54:15,400 --> 00:54:18,120
Speaker 3: And he walks away from the group, including Sean. Then

1171
00:54:18,160 --> 00:54:20,279
Speaker 3: we're in the school hallway. Sean follows after Corey, telling

1172
00:54:20,360 --> 00:54:21,680
Speaker 3: him to lighten up. You're the one who said we

1173
00:54:21,680 --> 00:54:23,799
Speaker 3: should stand up to Feeni and Corey Eel's back. I

1174
00:54:23,800 --> 00:54:26,440
Speaker 3: didn't say to vandalize his home. Sean gets defensive.

1175
00:54:26,600 --> 00:54:28,240
Speaker 2: I wasn't there. I didn't do anything.

1176
00:54:28,280 --> 00:54:30,560
Speaker 3: And this is where I wanted it to be a

1177
00:54:30,600 --> 00:54:35,120
Speaker 3: bigger kind of a reveal that you weren't there, Like

1178
00:54:35,360 --> 00:54:37,000
Speaker 3: I was hoping for there to be more of a

1179
00:54:37,040 --> 00:54:39,600
Speaker 3: moment about you not being there instead of that's fine.

1180
00:54:39,640 --> 00:54:41,239
Speaker 2: That makes sense. I didn't even think that though. I

1181
00:54:41,280 --> 00:54:44,120
Speaker 2: was so just there was no chance Sean was over there.

1182
00:54:44,160 --> 00:54:46,920
Speaker 2: But I guess he just knew. I didn't.

1183
00:54:47,160 --> 00:54:49,000
Speaker 3: I wanted to know for sure, but it was such

1184
00:54:49,000 --> 00:54:50,600
Speaker 3: a kind of a throwaway line. I wasn't there, I

1185
00:54:50,600 --> 00:54:53,080
Speaker 3: didn't do anything. It's like, oh, thank God. I literally

1186
00:54:53,120 --> 00:54:56,920
Speaker 3: was like, hallelujah. I still like this kid. Corey pokes him,

1187
00:54:56,960 --> 00:54:59,080
Speaker 3: but you knew about it, and Sean asks, what was

1188
00:54:59,080 --> 00:55:00,919
Speaker 3: he supposed to do? Stand up and says stay away

1189
00:55:00,920 --> 00:55:03,800
Speaker 3: from Phoene's house, and Corey says, you didn't stop them, Sean,

1190
00:55:03,880 --> 00:55:06,680
Speaker 3: and I think that makes you responsible. And Sean follows up, well,

1191
00:55:06,680 --> 00:55:09,400
Speaker 3: you're the one who started this whole thing, and Corey nods,

1192
00:55:09,760 --> 00:55:12,920
Speaker 3: I think that makes me responsible too, And then very

1193
00:55:13,160 --> 00:55:18,320
Speaker 3: loud guitar music plays, just extremely loud guitar music plays

1194
00:55:18,320 --> 00:55:20,799
Speaker 3: there for some reason. Then we're in Phoene's house, Alan,

1195
00:55:20,920 --> 00:55:23,120
Speaker 3: or we're outside Phoene's house. Alan and Feenie. You are

1196
00:55:23,120 --> 00:55:26,000
Speaker 3: finishing up cleaning the last of the vandalism out there,

1197
00:55:26,080 --> 00:55:28,719
Speaker 3: and Phoene thanks him, and Alan admits he couldn't reach

1198
00:55:28,760 --> 00:55:30,360
Speaker 3: the eggs towards the very top of the house. But

1199
00:55:30,360 --> 00:55:31,880
Speaker 3: a Feoene throws a bunch of cheese up there. On

1200
00:55:31,920 --> 00:55:33,840
Speaker 3: a hot day, he'll have one heck of an omelet,

1201
00:55:34,160 --> 00:55:37,719
Speaker 3: and Phoenie laughs, you're one funny man, Alan, Alan reminds him,

1202
00:55:37,840 --> 00:55:39,920
Speaker 3: I know this bothers you, but remember it wasn't the

1203
00:55:39,960 --> 00:55:43,080
Speaker 3: whole school, just a couple of kids, and Phoenie responds, well,

1204
00:55:43,160 --> 00:55:46,360
Speaker 3: you're right, but it really bothers me. And then Alan,

1205
00:55:46,520 --> 00:55:50,480
Speaker 3: who is in a sensible denim jacket. Yeah he's a

1206
00:55:50,480 --> 00:55:52,719
Speaker 3: good guy, turns out a good guy who's in a

1207
00:55:52,920 --> 00:55:57,200
Speaker 3: leather jacket, but walks down. But they put him in

1208
00:55:57,239 --> 00:56:00,360
Speaker 3: a slightly gang Yeah it's a busy it's more of

1209
00:56:00,360 --> 00:56:02,719
Speaker 3: a bomber jacket, exactly.

1210
00:56:03,280 --> 00:56:03,840
Speaker 2: Yeah.

1211
00:56:04,200 --> 00:56:05,879
Speaker 3: So he walks up to Phenie and he looks around

1212
00:56:05,880 --> 00:56:07,960
Speaker 3: the house, asking what's going on in PHOENI jokes, we

1213
00:56:08,000 --> 00:56:10,439
Speaker 3: had a wild toga party, mister Turner, sorry we didn't

1214
00:56:10,480 --> 00:56:13,520
Speaker 3: invite you. Turner confronts him, I heard this rumor you're retiring.

1215
00:56:13,520 --> 00:56:16,279
Speaker 3: What's that all about? And Phoene says he's worked long enough.

1216
00:56:16,320 --> 00:56:18,440
Speaker 3: This just feels right now. He adds to finally have

1217
00:56:18,480 --> 00:56:20,600
Speaker 3: time to garden, to read a good book, to travel,

1218
00:56:21,160 --> 00:56:23,680
Speaker 3: to eat a salad alone for dinner. Okay, he didn't

1219
00:56:23,680 --> 00:56:26,120
Speaker 3: say that part, but I added that part to do

1220
00:56:26,280 --> 00:56:29,200
Speaker 3: the things that I love. Turner clarifies, you love teaching.

1221
00:56:29,320 --> 00:56:31,480
Speaker 3: Come on, don't give these goons the power to change

1222
00:56:31,480 --> 00:56:34,640
Speaker 3: your life. And Phoenie asks, you don't garden, do you, Jonathan?

1223
00:56:34,920 --> 00:56:37,080
Speaker 3: He says no, but I can see where that toilet

1224
00:56:37,080 --> 00:56:40,200
Speaker 3: paper plant would come in handy sometimes, and Phoenie declares,

1225
00:56:40,520 --> 00:56:45,520
Speaker 3: I am surrounded by funny men, so good, and then

1226
00:56:45,520 --> 00:56:48,640
Speaker 3: Turner apologizes. Phoene continues, here in the garden, at the

1227
00:56:48,760 --> 00:56:50,880
Speaker 3: end of each season, you see the results of the

1228
00:56:50,920 --> 00:56:54,200
Speaker 3: seeds that you planted, and even on a particularly bad season,

1229
00:56:54,320 --> 00:56:57,680
Speaker 3: there was still growth. So mister Turner, sorry, but I

1230
00:56:57,760 --> 00:57:01,200
Speaker 3: must admit these days I prefer the garden.

1231
00:57:02,960 --> 00:57:07,200
Speaker 2: Boy. The only thing missing was an art Garfunkle song exactly.

1232
00:57:08,080 --> 00:57:10,000
Speaker 2: I would have really been hooked. That was it? Just

1233
00:57:10,120 --> 00:57:10,919
Speaker 2: crying all night?

1234
00:57:11,040 --> 00:57:13,000
Speaker 1: Just that's how I know when I see Daniel crying,

1235
00:57:13,000 --> 00:57:15,239
Speaker 1: I'm like our Garfunkley.

1236
00:57:15,320 --> 00:57:18,080
Speaker 3: Well, then we're in the Matthew's kitchen. In case you forgot,

1237
00:57:18,200 --> 00:57:21,120
Speaker 3: Eric is dating Amy's friend. Eric walks down in a

1238
00:57:21,240 --> 00:57:24,520
Speaker 3: very structure mall store, shoulder.

1239
00:57:24,200 --> 00:57:27,640
Speaker 1: Pad and suit it was like I went to a

1240
00:57:27,680 --> 00:57:28,760
Speaker 1: Talking Heads concert.

1241
00:57:29,160 --> 00:57:32,840
Speaker 2: Yes, yes, and stole his suit as I walked out.

1242
00:57:32,960 --> 00:57:36,360
Speaker 2: Was like, what am I? A bunch of small children

1243
00:57:36,440 --> 00:57:43,400
Speaker 2: packed together? It's perfect because it's overdone? Is trying just

1244
00:57:43,480 --> 00:57:44,000
Speaker 2: too hard?

1245
00:57:45,160 --> 00:57:45,720
Speaker 9: Too much?

1246
00:57:46,160 --> 00:57:49,640
Speaker 2: It was good, but the biggest gray suit they can

1247
00:57:49,880 --> 00:57:53,160
Speaker 2: get a circus tent. It was pretty big.

1248
00:57:53,480 --> 00:57:56,000
Speaker 3: So then Eric asks, can you see it your little

1249
00:57:56,000 --> 00:57:59,080
Speaker 3: boys in love? Alan asks, so, really, what's this one's name?

1250
00:57:59,400 --> 00:58:02,760
Speaker 3: Eric responds, Brenda Brenda Marsh. Amy looks up from cooking

1251
00:58:02,760 --> 00:58:04,160
Speaker 3: and says, oh, that's funny because I work with a

1252
00:58:04,200 --> 00:58:07,040
Speaker 3: Brenda Marsh and then her eyes go wide as she

1253
00:58:07,120 --> 00:58:10,720
Speaker 3: realizes what is happening. Eric smiles as Amy pleads Eric, no,

1254
00:58:10,880 --> 00:58:15,160
Speaker 3: you can't date Brenda Marsh. Eric asks it's because she's Canadian, right,

1255
00:58:15,240 --> 00:58:18,920
Speaker 3: and Amy clarifies no, because she's older than you. Alan

1256
00:58:19,000 --> 00:58:22,680
Speaker 3: asks an older woman, huh, Eric adds an older foreign woman.

1257
00:58:23,520 --> 00:58:25,720
Speaker 3: Amy groans to Alan he cannot go out with her.

1258
00:58:25,760 --> 00:58:28,560
Speaker 3: I was setting her up with Jonathan, which is a

1259
00:58:28,600 --> 00:58:32,280
Speaker 3: fair argument here. Yeah, yes, yeah, Eric, buts in, hey,

1260
00:58:32,480 --> 00:58:35,040
Speaker 3: now she showed up and he didn't find does key

1261
00:58:35,160 --> 00:58:41,760
Speaker 3: buzz loses wee bus, which, although it rhymes is not

1262
00:58:42,120 --> 00:58:43,479
Speaker 3: a very good argument here.

1263
00:58:43,640 --> 00:58:45,400
Speaker 2: No, no, it's not.

1264
00:58:46,000 --> 00:58:46,320
Speaker 1: It is.

1265
00:58:46,440 --> 00:58:48,880
Speaker 6: It is a argument would just be like, we get along,

1266
00:58:48,920 --> 00:58:52,120
Speaker 6: we were actually interested in each other, so who cares?

1267
00:58:52,160 --> 00:58:55,160
Speaker 2: But I do like that he is eighteen, right.

1268
00:58:55,080 --> 00:58:59,560
Speaker 1: But your your dad doesn't bat an eyelash at eighteen

1269
00:58:59,600 --> 00:59:00,320
Speaker 1: and twenty seven?

1270
00:59:00,440 --> 00:59:07,680
Speaker 3: Well, but that's their they're dudes, but even dads.

1271
00:59:07,520 --> 00:59:09,880
Speaker 2: He takes a moment and then he's like, all right,

1272
00:59:09,880 --> 00:59:12,760
Speaker 2: here's the wallet, here's yeah. I think my dad would

1273
00:59:12,760 --> 00:59:17,680
Speaker 2: have said something had happened. He stops. Eric, how old

1274
00:59:17,760 --> 00:59:19,960
Speaker 2: is she? Eric smiles, didn't twenty seven year old when

1275
00:59:19,960 --> 00:59:20,440
Speaker 2: you were eighteen?

1276
00:59:20,520 --> 00:59:24,360
Speaker 1: Will? My parents didn't know I was dating seven year old?

1277
00:59:24,640 --> 00:59:27,520
Speaker 1: There is a very big difference. She was also thirty.

1278
00:59:27,760 --> 00:59:30,480
Speaker 2: Yeah, yeah, so yeah.

1279
00:59:30,320 --> 00:59:32,480
Speaker 6: I only dated older women and to no one cares

1280
00:59:32,520 --> 00:59:35,240
Speaker 6: at the time. I mean sometimes, I mean I would,

1281
00:59:35,480 --> 00:59:37,560
Speaker 6: I would. I would pursue women that would care, that

1282
00:59:37,600 --> 00:59:40,400
Speaker 6: would be like, you're too young for me. But as

1283
00:59:40,440 --> 00:59:42,120
Speaker 6: long as the woman didn't care, no one would bad

1284
00:59:42,120 --> 00:59:42,840
Speaker 6: deny about me.

1285
00:59:43,440 --> 00:59:47,360
Speaker 2: This is a really good opportunity to talk about that.

1286
00:59:47,560 --> 00:59:50,480
Speaker 6: The double standard there, double stand there double standard that

1287
00:59:50,600 --> 00:59:51,720
Speaker 6: huge doublestand.

1288
00:59:51,360 --> 00:59:56,960
Speaker 3: Oftentimes dudes have no problem and actively seek out women

1289
00:59:57,040 --> 00:59:59,920
Speaker 3: that are significantly younger than them. That an eighteen year

1290
01:00:00,080 --> 01:00:03,480
Speaker 3: old girl would be a totally acceptable person for a

1291
01:00:03,520 --> 01:00:06,320
Speaker 3: twenty seven year old guy to date, and yet in

1292
01:00:06,400 --> 01:00:09,760
Speaker 3: the reverse it would be maybe talked about and she

1293
01:00:09,880 --> 01:00:13,240
Speaker 3: would probably be given ish for it. And it's one

1294
01:00:13,280 --> 01:00:17,480
Speaker 3: of those things where I say, it's funny that the

1295
01:00:17,640 --> 01:00:19,920
Speaker 3: issue is not like, well, if guys can do it,

1296
01:00:20,000 --> 01:00:22,520
Speaker 3: I can do it too, as opposed to maybe what

1297
01:00:22,520 --> 01:00:29,480
Speaker 3: we should say is it's generally inappropriate. Now it's a

1298
01:00:29,520 --> 01:00:35,040
Speaker 3: pretty big over generalization to say every single person is

1299
01:00:35,640 --> 01:00:39,200
Speaker 3: you know, and every single time it's inappropriate. But I

1300
01:00:39,280 --> 01:00:43,600
Speaker 3: feel pretty confident saying if Adler were a twenty seven

1301
01:00:43,640 --> 01:00:47,120
Speaker 3: year old dude, I would in no way, shape or

1302
01:00:47,160 --> 01:00:50,280
Speaker 3: form be happy if he decided to date a fresh

1303
01:00:50,360 --> 01:00:54,320
Speaker 3: out of high school or in this case, a currently

1304
01:00:54,600 --> 01:00:59,480
Speaker 3: in high school person. Ye, Alan stops Eric, how old

1305
01:00:59,480 --> 01:01:02,680
Speaker 3: does she? Air smiles twenty seven? Alan responds, oh, well,

1306
01:01:02,720 --> 01:01:05,000
Speaker 3: in that case, well you can't date her a lot.

1307
01:01:05,560 --> 01:01:08,960
Speaker 3: Which again this is now just the storyline that Alan

1308
01:01:09,120 --> 01:01:12,400
Speaker 3: is a bro dude, and he he's got to be.

1309
01:01:12,520 --> 01:01:13,840
Speaker 2: He's pretty much fine with it.

1310
01:01:13,840 --> 01:01:15,960
Speaker 3: It's just the mom who's gonna have a problem with this,

1311
01:01:16,240 --> 01:01:19,880
Speaker 3: amials Alan, she is too old for Eric. Alan stops her. Honey,

1312
01:01:19,880 --> 01:01:21,720
Speaker 3: hold on a second, Eric, how old are you now?

1313
01:01:21,720 --> 01:01:25,280
Speaker 3: Twenty four, twenty five forty? She sighs he's eighteen. Alan

1314
01:01:25,360 --> 01:01:29,440
Speaker 3: pretends to gasp. No, he's laughing through this again, Cuz.

1315
01:01:30,200 --> 01:01:32,840
Speaker 2: Dude, Rose dads crow dats yep.

1316
01:01:33,440 --> 01:01:35,080
Speaker 3: Eric gets in the middle of them. Come on, she's

1317
01:01:35,120 --> 01:01:37,400
Speaker 3: okay with it. I'm okay with it. When two mature

1318
01:01:37,400 --> 01:01:40,240
Speaker 3: adults make a connection, oh, come on, you never got

1319
01:01:40,240 --> 01:01:43,720
Speaker 3: me a pony. The Matthews were no Lennon king stronger

1320
01:01:44,760 --> 01:01:45,160
Speaker 3: thing down.

1321
01:01:45,200 --> 01:01:47,480
Speaker 2: I was like, I got no Susie. I got no

1322
01:01:47,520 --> 01:01:48,160
Speaker 2: Susie here.

1323
01:01:48,640 --> 01:01:50,480
Speaker 1: Also, did you hear what I did with my voice?

1324
01:01:50,520 --> 01:01:51,800
Speaker 1: I don't know why I was doing that. When I

1325
01:01:51,840 --> 01:01:54,680
Speaker 1: was like when two adults, well, first, I deepen does

1326
01:01:54,720 --> 01:01:57,440
Speaker 1: like when two adotes get together over that pony, I

1327
01:01:57,480 --> 01:01:57,720
Speaker 1: was like.

1328
01:01:57,680 --> 01:02:01,320
Speaker 2: Oh, starting my voice work, well, I like it.

1329
01:02:01,680 --> 01:02:04,600
Speaker 3: Amy grabs Eric Brenda is older than you, more sophisticated,

1330
01:02:04,640 --> 01:02:05,400
Speaker 3: more experienced.

1331
01:02:05,400 --> 01:02:06,360
Speaker 2: Does this make sense?

1332
01:02:06,560 --> 01:02:08,800
Speaker 3: Alan hands Eric has wallet in his keys and tells

1333
01:02:08,880 --> 01:02:10,959
Speaker 3: him to wake up. When he gets in, Amy looks

1334
01:02:10,960 --> 01:02:13,080
Speaker 3: at Eric dejected, saying he'll be the one on the

1335
01:02:13,120 --> 01:02:16,520
Speaker 3: couch and like that. There is just nothing Amy can

1336
01:02:16,560 --> 01:02:19,400
Speaker 3: do to stop her son from dating her work friend.

1337
01:02:20,120 --> 01:02:23,480
Speaker 2: It's very strange, such a weird storyline. Also, where is

1338
01:02:23,520 --> 01:02:25,959
Speaker 2: her work? What is her work? Do we know she's

1339
01:02:26,280 --> 01:02:30,360
Speaker 2: she's the gallery, but she's a lady and she's.

1340
01:02:30,240 --> 01:02:33,800
Speaker 6: Working at brick Split levels been around for a while.

1341
01:02:34,440 --> 01:02:37,640
Speaker 3: So then they're in Chubbies. Obviously it's the only place

1342
01:02:37,640 --> 01:02:39,960
Speaker 3: you can go. Brenda and Eric are on their date

1343
01:02:40,000 --> 01:02:42,280
Speaker 3: and she tells them this place is kind of funky.

1344
01:02:42,640 --> 01:02:45,280
Speaker 3: Eric explains, I tried to get reservations at that restaurant

1345
01:02:45,280 --> 01:02:48,160
Speaker 3: you like so much, and she clarifies, oh, Chateau le

1346
01:02:48,320 --> 01:02:53,760
Speaker 3: Fondula and Eric ya nods, yeah, okay. Eric asks, did

1347
01:02:53,800 --> 01:02:56,040
Speaker 3: I mention you look lovely tonight? And she says, yeah,

1348
01:02:56,520 --> 01:02:56,840
Speaker 3: you did.

1349
01:02:56,960 --> 01:02:57,160
Speaker 1: Eric.

1350
01:02:57,400 --> 01:03:00,560
Speaker 2: Thanks. She continues, so tell me what do you do

1351
01:03:00,600 --> 01:03:01,560
Speaker 2: when you're not in school?

1352
01:03:01,600 --> 01:03:12,920
Speaker 7: Which, oh, that's got you, no, no, no.

1353
01:03:16,760 --> 01:03:18,960
Speaker 2: What do you do when you're not in school? What

1354
01:03:18,960 --> 01:03:22,000
Speaker 2: do you do when your teacher isn't giving you homework?

1355
01:03:23,920 --> 01:03:27,800
Speaker 3: Oh my gosh, she says it, like that's not already

1356
01:03:27,800 --> 01:03:28,600
Speaker 3: the deal breaker?

1357
01:03:31,520 --> 01:03:34,240
Speaker 2: Do you travel? What do you think? He lives at

1358
01:03:34,240 --> 01:03:36,920
Speaker 2: home with his mom? Is daddy, what kind of stupid

1359
01:03:36,960 --> 01:03:39,200
Speaker 2: question is this? Have you been to Europe?

1360
01:03:39,240 --> 01:03:39,560
Speaker 9: I love?

1361
01:03:39,760 --> 01:03:43,040
Speaker 2: I love that Europe is like the height of world.

1362
01:03:43,840 --> 01:03:48,600
Speaker 2: Going to Europe you have around?

1363
01:03:49,720 --> 01:03:52,440
Speaker 3: So Eric scoffs, you kidden last summer, I bummed my

1364
01:03:52,480 --> 01:03:55,240
Speaker 3: way through Pittsburgh. Brenda starts laughing and Eric has to

1365
01:03:55,280 --> 01:03:58,120
Speaker 3: clarify I'm serious. Brenda asks, have you been to Europe?

1366
01:03:58,200 --> 01:04:00,400
Speaker 3: Feels like she already knows this answer, and he just

1367
01:04:00,440 --> 01:04:02,160
Speaker 3: tells her no, just Pittsburgh, but there is a large

1368
01:04:02,200 --> 01:04:04,960
Speaker 3: Polish community there. Eric says, I just realized why the

1369
01:04:05,000 --> 01:04:07,120
Speaker 3: service here is so slow. They don't have any waiters.

1370
01:04:07,160 --> 01:04:08,920
Speaker 3: So I'm going to go up there and order as something.

1371
01:04:09,400 --> 01:04:11,800
Speaker 3: Eric approaches the counter and then Turner walks over because

1372
01:04:11,800 --> 01:04:12,840
Speaker 3: where else would he be?

1373
01:04:13,480 --> 01:04:15,040
Speaker 1: See, that's the thing that was weird is I was

1374
01:04:15,080 --> 01:04:17,600
Speaker 1: going to say, it makes perfect sense that Eric would

1375
01:04:17,640 --> 01:04:19,400
Speaker 1: bring her to Chubbies because he's a kid and he's

1376
01:04:19,440 --> 01:04:21,880
Speaker 1: young and does to show how young he is. But

1377
01:04:21,960 --> 01:04:29,200
Speaker 1: then guy.

1378
01:04:28,920 --> 01:04:31,840
Speaker 3: So uh, Turner says, Eric looks sick. He said what

1379
01:04:31,840 --> 01:04:33,240
Speaker 3: did you order? So I don't get the same thing?

1380
01:04:33,280 --> 01:04:36,200
Speaker 3: And Eric asks, mister Turner, you ever been to Europe?

1381
01:04:36,440 --> 01:04:38,480
Speaker 3: And Turner responds yeah, oh, but the food here is

1382
01:04:38,520 --> 01:04:40,680
Speaker 3: nothing like it. Eric grabs Turner and brings him over

1383
01:04:40,760 --> 01:04:44,160
Speaker 3: to his booth with Brenda. Eric announces Jonathan Turner Brenda Marsh.

1384
01:04:44,360 --> 01:04:47,160
Speaker 3: Turner smiles and shakes her hand. Oh yeah, hey from

1385
01:04:47,200 --> 01:04:50,280
Speaker 3: almost the other night. Brenda stands up and smiles as

1386
01:04:50,280 --> 01:04:53,400
Speaker 3: she shakes his hand back, and then she giggles at

1387
01:04:53,520 --> 01:04:56,080
Speaker 3: absolutely nothing because she is turned.

1388
01:04:55,760 --> 01:04:58,240
Speaker 9: On by That's right.

1389
01:05:00,200 --> 01:05:03,800
Speaker 3: Really really nice of her though, to give her work friends,

1390
01:05:03,880 --> 01:05:06,640
Speaker 3: high school son a chance. She you know, I thought

1391
01:05:06,720 --> 01:05:10,240
Speaker 3: so that was really nice. She at least was like, listen,

1392
01:05:10,880 --> 01:05:11,960
Speaker 3: who am I to judge?

1393
01:05:12,120 --> 01:05:14,320
Speaker 2: Yes? Right? What do you do when you're not doing

1394
01:05:14,360 --> 01:05:15,800
Speaker 2: your homework? What do you do when you have to

1395
01:05:15,880 --> 01:05:18,680
Speaker 2: color outside the line? She wanted to get inside that

1396
01:05:18,760 --> 01:05:19,440
Speaker 2: giant suit.

1397
01:05:19,520 --> 01:05:23,760
Speaker 3: I can't help it. Eric breaks the silence. All right,

1398
01:05:23,760 --> 01:05:25,880
Speaker 3: I'm gonna go. I've got a study, you know, exams.

1399
01:05:25,960 --> 01:05:27,800
Speaker 3: He leans into Turner and asks if you guys hit

1400
01:05:27,840 --> 01:05:29,960
Speaker 3: it off, will this help me? And Turner immediately says no.

1401
01:05:30,560 --> 01:05:32,800
Speaker 3: As Eric's walking away, a girl runs up to him

1402
01:05:32,840 --> 01:05:35,280
Speaker 3: to say hi, and Eric asks her, so, Christy, you

1403
01:05:35,320 --> 01:05:37,320
Speaker 3: ever been to Europe? She says no, but during the

1404
01:05:37,360 --> 01:05:40,000
Speaker 3: summer her family's going to Pittsburgh. He nods and asks

1405
01:05:40,080 --> 01:05:41,480
Speaker 3: marry me, and.

1406
01:05:41,440 --> 01:05:42,080
Speaker 2: Then they cut it.

1407
01:05:42,120 --> 01:05:47,040
Speaker 1: You can actually see her she says okay as they're

1408
01:05:47,080 --> 01:05:49,040
Speaker 1: cutting away, which was a great line that she just

1409
01:05:49,040 --> 01:05:52,280
Speaker 1: adds in so they you can see the visual of it.

1410
01:05:52,320 --> 01:05:54,240
Speaker 2: But they took out the audio as they're cutting away.

1411
01:05:54,440 --> 01:05:56,160
Speaker 2: They didn't want people to then be like, what's going

1412
01:05:56,240 --> 01:05:57,600
Speaker 2: to happen with that storyline?

1413
01:05:57,640 --> 01:05:57,800
Speaker 1: Now?

1414
01:05:57,920 --> 01:05:59,840
Speaker 2: Is Eric getting married? But it was great?

1415
01:06:00,040 --> 01:06:02,320
Speaker 3: Yuh So, then we're in the Matthew's kitchen to Panga

1416
01:06:02,320 --> 01:06:04,120
Speaker 3: and Corey are studying, and she asks him to tell

1417
01:06:04,120 --> 01:06:06,960
Speaker 3: her about the great Gatsby. Corey proudly says, the best

1418
01:06:07,080 --> 01:06:10,240
Speaker 3: hockey player of all time? Next, writer, who are they

1419
01:06:10,280 --> 01:06:10,920
Speaker 3: talking about?

1420
01:06:11,760 --> 01:06:15,680
Speaker 2: Wayne Gretzky? Wow? Yes, wow, wow, that's amazing.

1421
01:06:15,680 --> 01:06:18,480
Speaker 1: And how many touchdowns did Wayne Gretzky score in his career?

1422
01:06:18,840 --> 01:06:22,440
Speaker 2: He? Uh, he had? He was called for I seemed

1423
01:06:22,480 --> 01:06:26,360
Speaker 2: the most on the cupcakes I've noted. Did he do

1424
01:06:26,440 --> 01:06:29,120
Speaker 2: something great? He was? He was the great one. He

1425
01:06:29,240 --> 01:06:31,520
Speaker 2: was great. He's the best of all time. Yeah.

1426
01:06:31,680 --> 01:06:34,080
Speaker 3: Then Sean runs through the door. They're at school, Denny

1427
01:06:34,080 --> 01:06:35,680
Speaker 3: and those jerks, and they've got a bunch of people

1428
01:06:35,720 --> 01:06:40,600
Speaker 3: with them too. They're up to something something bad.

1429
01:06:41,040 --> 01:06:43,520
Speaker 2: I like though that. Sean is like you, yeah, right,

1430
01:06:43,680 --> 01:06:46,320
Speaker 2: let's go. Let's go make sure it was just like that.

1431
01:06:46,400 --> 01:06:49,320
Speaker 2: We're gang. The three of us are all in this together. Yes,

1432
01:06:49,520 --> 01:06:50,720
Speaker 2: the lamest meeting.

1433
01:06:52,120 --> 01:06:54,320
Speaker 3: And I also have a denim jacket on, so you

1434
01:06:54,400 --> 01:06:55,560
Speaker 3: know I'm a good person.

1435
01:06:56,000 --> 01:07:07,240
Speaker 9: Yeah.

1436
01:07:07,760 --> 01:07:10,360
Speaker 2: So we all go running out of the house to school.

1437
01:07:10,800 --> 01:07:13,600
Speaker 2: New set alert. Yeah, this new set alert outside of

1438
01:07:13,640 --> 01:07:20,280
Speaker 2: John Adams the same spot where different different different exterior YEP,

1439
01:07:20,760 --> 01:07:23,480
Speaker 2: with some spray paint. Oh yeah.

1440
01:07:24,040 --> 01:07:26,960
Speaker 3: When they arrived, it has a real twenty one jump

1441
01:07:27,000 --> 01:07:30,400
Speaker 3: street vibe. There's spray paint everywhere. Teenagers are yelling and

1442
01:07:30,520 --> 01:07:34,120
Speaker 3: slamming garbage cans to the ground. It's like bringing to noise,

1443
01:07:34,200 --> 01:07:37,840
Speaker 3: bring in defunk. There's painting all over the walls. They're

1444
01:07:37,880 --> 01:07:44,120
Speaker 3: throwing traffic cones everywhere. Someone even wrote die Die Die

1445
01:07:44,320 --> 01:07:46,800
Speaker 3: Die Feene was another one on the other side.

1446
01:07:47,120 --> 01:07:49,080
Speaker 2: It's like this is real.

1447
01:07:49,480 --> 01:07:54,720
Speaker 3: Yeah, man level, Sean says he's going to call the cops.

1448
01:07:54,960 --> 01:07:57,520
Speaker 3: Sean says, there's no time. This is our school. I'm

1449
01:07:57,520 --> 01:08:00,080
Speaker 3: not turning my back. I sleep here every day. It

1450
01:08:00,240 --> 01:08:04,040
Speaker 3: does a great and great mix of you showing passion

1451
01:08:04,200 --> 01:08:07,640
Speaker 3: and reality for the situation, and also still being able

1452
01:08:07,680 --> 01:08:09,320
Speaker 3: to throw a joke in there that actually will be

1453
01:08:09,320 --> 01:08:12,440
Speaker 3: a lot funny, very funny. Corey tells him, but the

1454
01:08:12,440 --> 01:08:15,480
Speaker 3: police are trained in handling unruly crowds, and Sean scoffs, oh,

1455
01:08:15,480 --> 01:08:18,200
Speaker 3: come on, and I could have used a really nice, quirky,

1456
01:08:18,240 --> 01:08:19,200
Speaker 3: dorky call back here.

1457
01:08:19,240 --> 01:08:20,400
Speaker 2: I still love that nickname.

1458
01:08:20,520 --> 01:08:23,679
Speaker 3: Corey says, all right, I'm right behind you, and Sean

1459
01:08:23,760 --> 01:08:26,160
Speaker 3: yells out, hey, Denny. Denny turns around and says, hey,

1460
01:08:26,200 --> 01:08:28,960
Speaker 3: hunter man, you're just in time. Here's your spray can. Sean,

1461
01:08:29,160 --> 01:08:31,759
Speaker 3: with the power of the leather jacket, smacks the spray

1462
01:08:31,800 --> 01:08:34,000
Speaker 3: can out of his hands and says, I don't think so.

1463
01:08:34,600 --> 01:08:36,920
Speaker 3: Denny pushes a pair of pliers against Sean, sending him

1464
01:08:36,920 --> 01:08:40,040
Speaker 3: stumbling backwards, and he asks, you're gonna stop me. Denny says,

1465
01:08:40,120 --> 01:08:42,840
Speaker 3: I didn't think so. Corey steps in and yells, guys,

1466
01:08:42,880 --> 01:08:45,599
Speaker 3: come on, why are you doing this. Patrick Renna, who's

1467
01:08:45,600 --> 01:08:48,160
Speaker 3: barely said a word up until this point, explains to

1468
01:08:48,200 --> 01:08:50,439
Speaker 3: show Feeni, We're not going to take his stinking tests,

1469
01:08:50,760 --> 01:08:52,640
Speaker 3: and Denny adds, oh, yeah, we are. We're going to

1470
01:08:52,720 --> 01:08:58,559
Speaker 3: take his stinking tests. Right off his stinkin' desk. STI tests,

1471
01:08:58,760 --> 01:08:59,840
Speaker 3: stinkin guy.

1472
01:09:00,040 --> 01:09:02,559
Speaker 2: We're not just gonna vanalyze the school. We're gonna take

1473
01:09:02,600 --> 01:09:07,240
Speaker 2: the test. The stinking desk, stinking off the stinking desk,

1474
01:09:07,640 --> 01:09:12,920
Speaker 2: that stinking Phoenie. Thank you for stinky.

1475
01:09:12,520 --> 01:09:18,719
Speaker 1: Phoenie, stinking stinky thanky for keo say that's five times fast.

1476
01:09:20,280 --> 01:09:23,519
Speaker 2: Panga asks, I so look out of place here. I

1477
01:09:25,720 --> 01:09:26,920
Speaker 2: thank god we've got to peg it.

1478
01:09:27,040 --> 01:09:32,559
Speaker 1: She's got our back here with my new How.

1479
01:09:32,439 --> 01:09:35,000
Speaker 2: About you guys, You guys just tried studying. Oh no,

1480
01:09:35,080 --> 01:09:36,639
Speaker 2: to pego, We've never thought of that.

1481
01:09:36,800 --> 01:09:42,520
Speaker 3: Thanks for that suggestion, you and your stupid stinky denim jacket.

1482
01:09:42,280 --> 01:09:44,880
Speaker 2: Stinking denim jacket, good girl denim.

1483
01:09:45,920 --> 01:09:48,080
Speaker 3: Now, Renna is on a roll and he responds, who

1484
01:09:48,080 --> 01:09:50,519
Speaker 3: needs that phoene teaching anyway? It's all about dead old

1485
01:09:50,560 --> 01:09:53,240
Speaker 3: guys like him, And Denny tells him he doesn't teach history.

1486
01:09:53,320 --> 01:09:54,559
Speaker 2: He is history.

1487
01:09:54,920 --> 01:09:58,280
Speaker 3: He doesn't care about us your heels, of course, he

1488
01:09:58,360 --> 01:09:59,080
Speaker 3: cares about you.

1489
01:09:59,439 --> 01:09:59,839
Speaker 2: Writers.

1490
01:10:00,040 --> 01:10:05,160
Speaker 6: Just watch Grease over and over and over again, and

1491
01:10:05,160 --> 01:10:07,280
Speaker 6: it's like we never never got out of that.

1492
01:10:08,280 --> 01:10:11,880
Speaker 1: Boy boy, crazy boy, Like what are you gonna break

1493
01:10:11,880 --> 01:10:20,160
Speaker 1: into song? It's so strange all the way, like, what.

1494
01:10:20,080 --> 01:10:21,679
Speaker 2: Are they doing? It's crazy.

1495
01:10:22,479 --> 01:10:25,800
Speaker 1: It is so like waiting for I'm telling you, we

1496
01:10:25,840 --> 01:10:27,599
Speaker 1: don't get Feenie out of here. See, we're gonna punch

1497
01:10:27,640 --> 01:10:30,320
Speaker 1: him in the mug, like, what the hell is happenings?

1498
01:10:32,960 --> 01:10:37,040
Speaker 1: Talk about them stinking tests.

1499
01:10:37,200 --> 01:10:40,280
Speaker 3: I love imagining all of our writers watching Greece at lunch.

1500
01:10:43,240 --> 01:10:45,920
Speaker 2: It's all right, we got to watch Greece again again.

1501
01:10:46,240 --> 01:10:46,880
Speaker 2: Let's watch what.

1502
01:10:49,120 --> 01:10:49,240
Speaker 1: Too.

1503
01:10:49,360 --> 01:10:51,519
Speaker 2: We're taking this to the second level to everybody.

1504
01:10:52,160 --> 01:10:57,080
Speaker 1: Really, oh man, oh my gosh.

1505
01:10:57,240 --> 01:10:58,920
Speaker 2: Corey yells, of course he cares about you.

1506
01:10:58,960 --> 01:11:01,840
Speaker 3: He's trying to push this little nugget of education past

1507
01:11:01,920 --> 01:11:04,120
Speaker 3: your baseball statistics and your criminal record.

1508
01:11:04,200 --> 01:11:05,879
Speaker 2: Right here, An he Pokestanny on the forehead.

1509
01:11:06,120 --> 01:11:08,400
Speaker 3: Denny scals, if you touch my head again, I will

1510
01:11:08,439 --> 01:11:11,439
Speaker 3: break your stinking finger. He hasn't say stinking, but Corey

1511
01:11:11,520 --> 01:11:13,920
Speaker 3: takes his hand away. You see, I learned something, Sean says.

1512
01:11:14,000 --> 01:11:15,639
Speaker 3: Let me tell you something I learned from Phoenie.

1513
01:11:15,680 --> 01:11:15,960
Speaker 2: This year.

1514
01:11:16,120 --> 01:11:18,080
Speaker 3: You guys can come down to the school yard because

1515
01:11:18,120 --> 01:11:21,120
Speaker 3: you've got freedom of assembly. I'm talking about Amendment one

1516
01:11:21,160 --> 01:11:24,240
Speaker 3: of the Bill of Rights, and Corey questions Sean. Sean

1517
01:11:24,280 --> 01:11:27,960
Speaker 3: admits accidentally read the chapter. Sean continues, I learned they've

1518
01:11:27,960 --> 01:11:30,240
Speaker 3: got the right to peaceably assemble. But the second you

1519
01:11:30,320 --> 01:11:32,600
Speaker 3: guys broke that lock, you broke the law, and I

1520
01:11:32,680 --> 01:11:34,120
Speaker 3: got the right to call the cops.

1521
01:11:34,360 --> 01:11:35,000
Speaker 4: Oh yeah.

1522
01:11:36,000 --> 01:11:38,200
Speaker 3: Denny asks about Phoenie, why are you defending him? What

1523
01:11:38,240 --> 01:11:40,200
Speaker 3: has he ever done for you? Sean points to the

1524
01:11:40,240 --> 01:11:42,599
Speaker 3: bolt cutters in Denny's hand and asks, you see how

1525
01:11:42,640 --> 01:11:45,040
Speaker 3: I don't have any in mine. That's what he's done

1526
01:11:45,080 --> 01:11:45,320
Speaker 3: for me.

1527
01:11:46,120 --> 01:11:48,080
Speaker 1: This is also two episodes in a row where Sean

1528
01:11:48,160 --> 01:11:49,719
Speaker 1: is threatened to call the cops on somebody.

1529
01:11:50,120 --> 01:11:52,160
Speaker 2: Yes, you're right, because.

1530
01:11:51,880 --> 01:11:55,680
Speaker 1: When we're at this swinging trailer park you were, you

1531
01:11:55,800 --> 01:11:58,160
Speaker 1: were also having to call the cops.

1532
01:11:58,920 --> 01:12:01,720
Speaker 6: Yeahe let's go to now is I'm just gonna drop

1533
01:12:01,800 --> 01:12:05,000
Speaker 6: a dime and very I you know again, confrontations with

1534
01:12:05,080 --> 01:12:09,719
Speaker 6: a thug like right, gangsters everywhere, and y Sean standing

1535
01:12:09,800 --> 01:12:10,240
Speaker 6: up to them.

1536
01:12:10,439 --> 01:12:11,320
Speaker 2: I'm going to call the pol.

1537
01:12:11,439 --> 01:12:13,519
Speaker 1: We're going to leave this swinging party in a half

1538
01:12:13,600 --> 01:12:16,000
Speaker 1: hour forty five minutes, and I'm going to call the cops.

1539
01:12:16,120 --> 01:12:20,120
Speaker 2: Yes, And mister Feeney opens the door and asks.

1540
01:12:19,960 --> 01:12:22,360
Speaker 3: Breaking down the door to take your finals, mister Burgess

1541
01:12:22,640 --> 01:12:25,360
Speaker 3: This makes all the kids run away, leaving behind Jess, Corey, Seawan,

1542
01:12:25,439 --> 01:12:28,400
Speaker 3: and Tapanga. Mister Phoene asks, so, mister Hunter, you do

1543
01:12:28,600 --> 01:12:31,920
Speaker 3: listen in class sometimes, Sean responds, some days you're talking

1544
01:12:32,000 --> 01:12:34,479
Speaker 3: so much, I can't sleep. I cross my arms here

1545
01:12:34,720 --> 01:12:38,519
Speaker 3: for everyone to gather that it's cooled outside, because I

1546
01:12:38,680 --> 01:12:40,680
Speaker 3: will probably not speak again at all for the rest

1547
01:12:40,720 --> 01:12:42,720
Speaker 3: of the scene. But I need to act alive, and

1548
01:12:42,880 --> 01:12:46,240
Speaker 3: so what I do is I cross my arms with

1549
01:12:46,320 --> 01:12:47,160
Speaker 3: a little bit of a shiver.

1550
01:12:47,320 --> 01:12:49,360
Speaker 2: Okay, you've got a jacket on, so you're working your

1551
01:12:49,400 --> 01:12:49,720
Speaker 2: way through.

1552
01:12:49,760 --> 01:12:51,720
Speaker 3: I'm having a hard time. I'm having I'm having a

1553
01:12:51,760 --> 01:12:52,800
Speaker 3: hard time acting in this show.

1554
01:12:53,000 --> 01:12:54,000
Speaker 2: Acting day for Danielle.

1555
01:12:54,040 --> 01:12:56,200
Speaker 3: It's just it was hard and I wanted you guys

1556
01:12:56,280 --> 01:12:59,320
Speaker 3: to know that the nott those guys give me the creeps.

1557
01:12:59,360 --> 01:13:01,600
Speaker 2: But it's a little and those guys give me the

1558
01:13:01,640 --> 01:13:02,280
Speaker 2: eb gbs.

1559
01:13:02,439 --> 01:13:07,360
Speaker 1: So now are they going to jail? Because opens the door,

1560
01:13:07,520 --> 01:13:10,160
Speaker 1: he knows who they are. They have bolt cutters, they've

1561
01:13:10,160 --> 01:13:13,280
Speaker 1: written die on the school. They've vandalized him. Do you

1562
01:13:13,360 --> 01:13:15,080
Speaker 1: think Phoenie then calls the cops.

1563
01:13:15,280 --> 01:13:17,960
Speaker 3: Well, it kills him because we don't ever see these

1564
01:13:17,960 --> 01:13:18,720
Speaker 3: guys acounts.

1565
01:13:19,080 --> 01:13:24,320
Speaker 2: I think, I think a body count between the Matthews

1566
01:13:24,360 --> 01:13:29,639
Speaker 2: houses exactly. That's why all dead kids. It's all fertilized kids.

1567
01:13:29,800 --> 01:13:37,799
Speaker 2: I love about his gard metaphor, and they grow. Jonathan,

1568
01:13:37,880 --> 01:13:45,680
Speaker 2: you are better than others because I was just now

1569
01:13:45,760 --> 01:13:48,120
Speaker 2: it's a majority of kids in my garden, and I

1570
01:13:48,200 --> 01:13:51,200
Speaker 2: don't have a big enough garden for the Did you

1571
01:13:51,400 --> 01:14:00,880
Speaker 2: enjoy the tomatoes, Jonathan, that's a great like. We've picked

1572
01:14:00,960 --> 01:14:07,160
Speaker 2: up on an underlying theme here, murder kids and using

1573
01:14:07,240 --> 01:14:09,040
Speaker 2: them to plan to plan his garden.

1574
01:14:09,280 --> 01:14:12,000
Speaker 3: Oh Man Sokry asks Feenie what he's doing here so late,

1575
01:14:12,040 --> 01:14:14,240
Speaker 3: and Phoene tells them, I'm preparing your final exams.

1576
01:14:14,240 --> 01:14:16,280
Speaker 2: You're not the only ones who worked hard on these STPs.

1577
01:14:18,400 --> 01:14:19,200
Speaker 2: Sean smiles.

1578
01:14:19,400 --> 01:14:21,240
Speaker 3: I heard Phoene's making them real hard so we can

1579
01:14:21,320 --> 01:14:23,599
Speaker 3: cram some more of that knowledge stuff into our heads.

1580
01:14:23,880 --> 01:14:26,120
Speaker 3: Phoene responds, you think these are tough, mister Hunter, wait

1581
01:14:26,200 --> 01:14:27,519
Speaker 3: until you see what I have in mind for.

1582
01:14:27,560 --> 01:14:28,439
Speaker 2: You next year.

1583
01:14:29,080 --> 01:14:32,639
Speaker 3: Kory asks next year, and Phoenie confirms yes, mister Matthews,

1584
01:14:32,960 --> 01:14:35,599
Speaker 3: perhaps this old dinosaur still has a few hundred million

1585
01:14:35,720 --> 01:14:37,840
Speaker 3: years left in him. Sean adds, we got to be

1586
01:14:37,840 --> 01:14:40,799
Speaker 3: out of high school by then, And I chuckle because

1587
01:14:40,840 --> 01:14:43,559
Speaker 3: even though I am on the show, I am sometimes mute,

1588
01:14:43,720 --> 01:14:45,000
Speaker 3: and I must act.

1589
01:14:44,920 --> 01:14:48,559
Speaker 2: My only decision, like it would be nice if it was.

1590
01:14:48,720 --> 01:14:51,640
Speaker 3: Responsive or it is in response to us, but it

1591
01:14:51,840 --> 01:14:55,680
Speaker 3: isn't really super clear, but it is that it is

1592
01:14:55,720 --> 01:14:56,479
Speaker 3: in response to us.

1593
01:14:57,600 --> 01:15:00,599
Speaker 1: Yeah, he also made it off camera, which is strange,

1594
01:15:01,000 --> 01:15:03,719
Speaker 1: but that's like me dating an older woman all off.

1595
01:15:03,640 --> 01:15:06,120
Speaker 3: Camera, right, all, yeah, exactly to make the decision off

1596
01:15:06,160 --> 01:15:10,320
Speaker 3: Well he did or did he just make the decision

1597
01:15:11,040 --> 01:15:11,439
Speaker 3: right now?

1598
01:15:11,560 --> 01:15:12,720
Speaker 2: Which is what I think it is.

1599
01:15:12,880 --> 01:15:14,960
Speaker 3: I think it is that he was on the other

1600
01:15:15,000 --> 01:15:17,400
Speaker 3: side of the door, heard what Sean had to say,

1601
01:15:17,680 --> 01:15:20,200
Speaker 3: heard what Corey had to say, heard me say.

1602
01:15:20,120 --> 01:15:23,360
Speaker 2: How about you lady, You gentlemen just study, and he

1603
01:15:23,560 --> 01:15:27,160
Speaker 2: was like, Wow, those three I'm going to follow them

1604
01:15:27,200 --> 01:15:29,600
Speaker 2: to college. Yeah, that's what I think. I'm going to

1605
01:15:29,680 --> 01:15:31,800
Speaker 2: raise their children, and we're all going to be together forever.

1606
01:15:31,880 --> 01:15:33,720
Speaker 3: We're all going to be together forever. But the other

1607
01:15:33,800 --> 01:15:36,439
Speaker 3: kids and the other kids make for great mulch. Yeah,

1608
01:15:36,880 --> 01:15:39,320
Speaker 3: So Phoene smiles. He shooes us all off, and he

1609
01:15:39,360 --> 01:15:41,160
Speaker 3: looks around at all the damage to his school, and

1610
01:15:41,200 --> 01:15:43,240
Speaker 3: he starts to clean up. Just as he starts, we

1611
01:15:43,360 --> 01:15:45,160
Speaker 3: see a piece of garbage held out to him and

1612
01:15:45,240 --> 01:15:48,080
Speaker 3: re reveal it's Corey. Still with Sean and Tapanga. We

1613
01:15:48,200 --> 01:15:50,599
Speaker 3: all band together to help him clean up the mess.

1614
01:15:50,880 --> 01:15:52,240
Speaker 1: No, it's nice.

1615
01:15:52,520 --> 01:15:53,960
Speaker 2: And then we're in the school hallway.

1616
01:15:54,080 --> 01:15:55,920
Speaker 3: Everyone once again runs up to a piece of paper

1617
01:15:55,960 --> 01:15:58,479
Speaker 3: on the wall with their final exam scores. Corey covers

1618
01:15:58,520 --> 01:16:00,800
Speaker 3: his eyes until Shawne can't look to Penga starts reading

1619
01:16:00,840 --> 01:16:03,800
Speaker 3: out all of the grades C, C, C D. Sean

1620
01:16:03,880 --> 01:16:06,400
Speaker 3: Lasson says, boy, to Pega, you did pretty lousy. She explains,

1621
01:16:06,439 --> 01:16:09,200
Speaker 3: those are your grades, Sean, He exclaims in true happiness,

1622
01:16:09,360 --> 01:16:13,240
Speaker 3: Oh yes, she's very cute. Corey reads his grades next

1623
01:16:13,360 --> 01:16:16,200
Speaker 3: B B, B minus C plus B to Pega nudges

1624
01:16:16,240 --> 01:16:18,280
Speaker 3: him and says, boy, Corey, you did better than you thought.

1625
01:16:18,520 --> 01:16:21,439
Speaker 3: And Corey says, you know this is encouraging. He yells

1626
01:16:21,479 --> 01:16:24,120
Speaker 3: to all the students, people studying really is the way

1627
01:16:24,160 --> 01:16:24,320
Speaker 3: to go.

1628
01:16:24,479 --> 01:16:25,280
Speaker 2: Are you guys with me?

1629
01:16:25,560 --> 01:16:28,760
Speaker 3: They all scream yeah in unison, he yells, then follow me,

1630
01:16:30,160 --> 01:16:32,679
Speaker 3: and who needs to know what Tapenga got on her finals?

1631
01:16:32,800 --> 01:16:33,120
Speaker 1: Not me?

1632
01:16:33,360 --> 01:16:34,320
Speaker 2: Who the hell cares?

1633
01:16:34,720 --> 01:16:37,080
Speaker 3: We are back at Chubbies they're all gathered around the

1634
01:16:37,120 --> 01:16:39,920
Speaker 3: TV again with no books in sight, and I'm finally

1635
01:16:40,000 --> 01:16:42,760
Speaker 3: there for this one, y Panga is there? I am

1636
01:16:42,880 --> 01:16:46,240
Speaker 3: watching TV and the episode.

1637
01:16:46,240 --> 01:16:48,040
Speaker 2: What do you think the cast of Boy Mets World watches?

1638
01:16:48,840 --> 01:16:52,679
Speaker 2: What's what was our? What TV shows were we watching?

1639
01:16:53,360 --> 01:16:54,479
Speaker 2: Seinfilm Friends?

1640
01:16:54,520 --> 01:16:55,880
Speaker 1: Well, no, it would have been would have been right

1641
01:16:55,960 --> 01:16:57,720
Speaker 1: after school, right, Isn't that where he leaves, So it's

1642
01:16:57,760 --> 01:16:59,080
Speaker 1: like three four o'clock in the afternoon.

1643
01:16:59,120 --> 01:17:01,120
Speaker 2: There was no TVO you weren't. It was whatever was on,

1644
01:17:01,320 --> 01:17:03,840
Speaker 2: So it's probably like a Judge Judy kind of thing.

1645
01:17:06,080 --> 01:17:08,400
Speaker 1: Yeah, something along those lines is probably what's on People's

1646
01:17:08,400 --> 01:17:10,439
Speaker 1: Court back in the days, right, right, some sort of

1647
01:17:10,880 --> 01:17:14,840
Speaker 1: TV that's weird between say two thirty and five thirty.

1648
01:17:15,080 --> 01:17:17,360
Speaker 2: You would know you are the TV expert here, It's true,

1649
01:17:17,400 --> 01:17:19,040
Speaker 2: so you back in the day you had to it was.

1650
01:17:19,400 --> 01:17:21,840
Speaker 1: Yeah, you find that kind of stuff because because your

1651
01:17:21,960 --> 01:17:26,080
Speaker 1: your soap operas were done already and primetime hadn't started,

1652
01:17:26,560 --> 01:17:28,639
Speaker 1: so it was that kind of like you know, game

1653
01:17:28,720 --> 01:17:30,120
Speaker 1: show lull.

1654
01:17:30,160 --> 01:17:33,120
Speaker 2: Yeah, right before you get into the evening news correct correct,

1655
01:17:33,200 --> 01:17:35,040
Speaker 2: People's Court ish kind of stuff like that. A lot

1656
01:17:35,080 --> 01:17:38,240
Speaker 2: of talk shows stuff like that. Rickey Lake things like that.

1657
01:17:38,600 --> 01:17:42,120
Speaker 3: Yeah, okay, all right, Well, thank you all for joining

1658
01:17:42,200 --> 01:17:44,360
Speaker 3: us for this episode of Podmeets World. As always, you

1659
01:17:44,400 --> 01:17:46,840
Speaker 3: can follow us on Instagram pod Meets World Show. You

1660
01:17:46,920 --> 01:17:49,200
Speaker 3: can send us your emails podmeets World Show at gmail

1661
01:17:49,240 --> 01:17:51,080
Speaker 3: dot com, and we have merch.

1662
01:17:52,240 --> 01:17:55,160
Speaker 2: If you don't take care of that march, we will.

1663
01:17:56,240 --> 01:17:58,000
Speaker 2: Oh We're gonna kill that march.

1664
01:17:58,240 --> 01:17:58,439
Speaker 1: Yep.

1665
01:17:59,120 --> 01:18:01,320
Speaker 3: So join us for our next recap episode, which is

1666
01:18:01,360 --> 01:18:04,920
Speaker 3: season three episode nineteen, I Was a Teenage Spy, which

1667
01:18:04,960 --> 01:18:06,520
Speaker 3: originally aired April.

1668
01:18:06,240 --> 01:18:08,679
Speaker 2: Twenty sixth, nineteen ninety six.

1669
01:18:08,880 --> 01:18:12,679
Speaker 3: Yes, we're getting into our first yeah time travel episode.

1670
01:18:12,800 --> 01:18:15,920
Speaker 2: I cannot any weight? Yeah, does it go back to

1671
01:18:15,960 --> 01:18:17,840
Speaker 2: the fifties? This is Yeah, I think this is the show.

1672
01:18:17,840 --> 01:18:18,680
Speaker 2: We're just continuing the.

1673
01:18:18,680 --> 01:18:21,880
Speaker 6: Grease stuff they were really actually really want And then

1674
01:18:21,960 --> 01:18:25,880
Speaker 6: they were casting I think has everybody from like Happy

1675
01:18:26,000 --> 01:18:26,800
Speaker 6: Days Yeah and all.

1676
01:18:26,960 --> 01:18:30,120
Speaker 2: Yeah, Oh my god, this is so funny. They were

1677
01:18:30,160 --> 01:18:33,760
Speaker 2: going through with fifties teenage whatever. Yeah. Yeah, weird.

1678
01:18:33,920 --> 01:18:36,479
Speaker 3: And I don't I mean, I don't mean to make

1679
01:18:36,560 --> 01:18:38,840
Speaker 3: us feel old or anything. But we had a group

1680
01:18:38,880 --> 01:18:40,920
Speaker 3: of kids come to the house for Halloween, but we

1681
01:18:41,000 --> 01:18:43,680
Speaker 3: had somebody notice our jukebox and they were like, is

1682
01:18:43,720 --> 01:18:45,640
Speaker 3: that a juke box? We said yeah, and he was like,

1683
01:18:45,720 --> 01:18:47,439
Speaker 3: is it from the seventies? And we said it's actually

1684
01:18:47,479 --> 01:18:50,600
Speaker 3: from the sixties. And then another kid who was with

1685
01:18:50,760 --> 01:18:52,240
Speaker 3: the group of kids said, did you see they have

1686
01:18:52,320 --> 01:18:57,280
Speaker 3: a jukebox from the nineties? And I realized the nineties

1687
01:18:57,800 --> 01:19:01,479
Speaker 3: are as far away from them as the sixties were

1688
01:19:01,680 --> 01:19:04,599
Speaker 3: for us when we were so you think about how

1689
01:19:04,680 --> 01:19:08,400
Speaker 3: we feel about the nineties, that is how our writers

1690
01:19:08,439 --> 01:19:09,280
Speaker 3: were feeling.

1691
01:19:09,400 --> 01:19:13,040
Speaker 2: About the sixties. Six sixties. Yeah, it's a little crazy.

1692
01:19:13,680 --> 01:19:16,719
Speaker 2: So anyways, sense LGG.

1693
01:19:17,040 --> 01:19:19,439
Speaker 3: When you're red Chet, You're red Chet all the way,

1694
01:19:22,520 --> 01:19:29,720
Speaker 3: easy action, great, We love you all, pod dismissed. Pod

1695
01:19:29,800 --> 01:19:32,439
Speaker 3: Meets World is an iHeart podcast produced and hosted by

1696
01:19:32,520 --> 01:19:36,559
Speaker 3: Danielle Fischel, Wilfredell and writer Strong Executive producers Jensen Karp

1697
01:19:36,640 --> 01:19:39,880
Speaker 3: and Amy Sugarman, Executive in charge of production, Danielle Romo,

1698
01:19:40,200 --> 01:19:44,439
Speaker 3: producer and editor, Tara sudbachsch producer, Maddy Moore, engineer and

1699
01:19:44,560 --> 01:19:47,760
Speaker 3: Boy Meets World super fan Easton Allen. Our theme song

1700
01:19:47,880 --> 01:19:50,679
Speaker 3: is by Kyle Morton of Typhoon. Follow us on Instagram

1701
01:19:50,840 --> 01:19:53,160
Speaker 3: at Pod Meets World Show or email us at Pod

1702
01:19:53,240 --> 01:19:53,920
Speaker 3: Meets World Show.

1703
01:19:53,920 --> 01:19:54,880
Speaker 2: At gmail dot com.