1 00:00:00,360 --> 00:00:04,000 Speaker 1: I listened to the Black Guy Who Tips podcast because 2 00:00:04,120 --> 00:00:08,600 Speaker 1: Rod and Karen are hot. Hey, welcome to another episode 3 00:00:08,640 --> 00:00:12,319 Speaker 1: of the Blackouts podcast, your host Rod and Karen, and 4 00:00:12,400 --> 00:00:17,000 Speaker 1: we are alive on a Tuesday, the last day of 5 00:00:17,079 --> 00:00:23,319 Speaker 1: twenty nineteen, doing episode twenty nineteen, which also happens to 6 00:00:23,360 --> 00:00:25,040 Speaker 1: be something that we promised. 7 00:00:25,680 --> 00:00:28,280 Speaker 2: A while ago. Yes, Walking Dair recap. 8 00:00:28,400 --> 00:00:31,639 Speaker 1: Guys, tell me y'all been waiting, you know, this is 9 00:00:31,640 --> 00:00:37,200 Speaker 1: what y'all. This is what y'all been wanting. 10 00:01:06,040 --> 00:01:06,600 Speaker 2: That's right. 11 00:01:06,920 --> 00:01:09,039 Speaker 3: Yeah, some of y'all like I've been checking my feet 12 00:01:09,280 --> 00:01:11,320 Speaker 3: and nothing. What is happening with you too? 13 00:01:11,440 --> 00:01:15,120 Speaker 1: We saw y'all out there being all pressed and we 14 00:01:15,240 --> 00:01:20,160 Speaker 1: appreciate it. It's episode episode eight of season ten, episode 15 00:01:20,160 --> 00:01:24,399 Speaker 1: one nine. Overall, it's called The World Before, directed by 16 00:01:24,480 --> 00:01:30,479 Speaker 1: John Dahl and written by Julia rich Ruschmand. And as always, 17 00:01:30,800 --> 00:01:34,040 Speaker 1: you know, we recapped the episode. We gotta start with 18 00:01:34,200 --> 00:01:36,720 Speaker 1: from the top, Karen, what do you think about this 19 00:01:36,840 --> 00:01:38,080 Speaker 1: mid season finale? 20 00:01:38,200 --> 00:01:38,760 Speaker 2: In general? 21 00:01:39,840 --> 00:01:41,480 Speaker 3: I loved it. I enjoyed it. 22 00:01:41,480 --> 00:01:43,759 Speaker 4: It's gonna be interesting to see what they do the 23 00:01:43,880 --> 00:01:47,600 Speaker 4: second half and how they kind of I'm gonna say, 24 00:01:47,600 --> 00:01:51,080 Speaker 4: wrap everything up, but make the connection with all the 25 00:01:51,360 --> 00:01:52,320 Speaker 4: everything that's happening. 26 00:01:52,800 --> 00:01:56,240 Speaker 1: Yeah, I loved it the second time I watched it 27 00:01:56,560 --> 00:01:58,400 Speaker 1: this morning, when I was, you know, doing all my 28 00:01:58,440 --> 00:02:02,600 Speaker 1: notes and stuff, I really was like, man, I actually 29 00:02:02,640 --> 00:02:06,400 Speaker 1: liked it more than I thought I did, because it 30 00:02:06,440 --> 00:02:08,880 Speaker 1: wraps up certain threads, but then it gives you a 31 00:02:08,919 --> 00:02:11,079 Speaker 1: clear direction for where it's going to season of the 32 00:02:11,120 --> 00:02:16,600 Speaker 1: second half of the season, we got some tantalizing opportunities 33 00:02:16,639 --> 00:02:19,840 Speaker 1: for how to deal with the Whisper crew now that 34 00:02:19,919 --> 00:02:23,960 Speaker 1: we didn't have before. And this episode didn't even have 35 00:02:24,080 --> 00:02:26,880 Speaker 1: to go into you know, my favorite segment of the 36 00:02:26,919 --> 00:02:29,640 Speaker 1: show right now, which is naging with them whispers, and 37 00:02:29,680 --> 00:02:33,760 Speaker 1: I still enjoyed it a lot. And they also answered 38 00:02:33,840 --> 00:02:36,240 Speaker 1: questions that we had been asking our season now. I 39 00:02:36,280 --> 00:02:38,280 Speaker 1: was like, man, this doesn't really make sense. How they're 40 00:02:38,280 --> 00:02:40,680 Speaker 1: gonna how are they gonna make this make sense? And 41 00:02:40,720 --> 00:02:43,840 Speaker 1: then boom they give us the answers and you're like, okay, 42 00:02:43,919 --> 00:02:46,760 Speaker 1: I see, like y'all, I'll see y'all writing. 43 00:02:46,520 --> 00:02:50,280 Speaker 2: On this one. I appreciate y'all. All right, So, like 44 00:02:50,320 --> 00:02:50,919 Speaker 2: I said. 45 00:02:50,720 --> 00:02:54,360 Speaker 1: The world before the name of this episode, I broke 46 00:02:54,360 --> 00:02:58,120 Speaker 1: it down in the two sections really kind of three. 47 00:02:58,200 --> 00:02:59,679 Speaker 2: But Louis is gonna say the two. 48 00:03:00,320 --> 00:03:02,920 Speaker 1: Uh, there's all the stuff that happens at ocean Side 49 00:03:03,680 --> 00:03:06,960 Speaker 1: and then there's Alexandria. We'll start an ocean side because 50 00:03:06,960 --> 00:03:11,080 Speaker 1: that's the more like boring, you know, not the main action. 51 00:03:11,560 --> 00:03:14,200 Speaker 1: You know, clearly it's not. Last time we checked in, 52 00:03:14,280 --> 00:03:17,520 Speaker 1: Sadeek got choked out and we want to know what 53 00:03:17,520 --> 00:03:19,520 Speaker 1: the fuck happened with that. But we're gonna start with 54 00:03:19,560 --> 00:03:22,280 Speaker 1: ocean Side first, which is where Macheone is. 55 00:03:23,160 --> 00:03:26,080 Speaker 2: So Luke Mashone and Judith and. 56 00:03:26,000 --> 00:03:29,919 Speaker 1: That lucky nigga that's married to Sanica Martin Green are 57 00:03:30,480 --> 00:03:33,640 Speaker 1: walking up, you know, going by horse on the road 58 00:03:33,760 --> 00:03:38,600 Speaker 1: towards ocean side. The dude I can't remember his name 59 00:03:38,600 --> 00:03:41,600 Speaker 1: with the black dude stops them and it's like, hold up, 60 00:03:41,600 --> 00:03:44,720 Speaker 1: I see some tracks here. And he's saying that he 61 00:03:44,840 --> 00:03:47,000 Speaker 1: sees some tracks going across the road and they're not 62 00:03:47,200 --> 00:03:50,840 Speaker 1: zombie tracks and all shuffling and shit like Domino Silk. 63 00:03:51,200 --> 00:03:53,920 Speaker 2: It's actual footsteps. 64 00:03:54,280 --> 00:03:58,040 Speaker 1: And he's like, so it looks like a person came 65 00:03:58,040 --> 00:04:01,760 Speaker 1: through here, like a human, and you know, Michean's like, yeah, 66 00:04:01,800 --> 00:04:03,720 Speaker 1: but we know the whispers going packed, so. 67 00:04:03,760 --> 00:04:05,160 Speaker 2: Probably ain't them. 68 00:04:05,200 --> 00:04:07,000 Speaker 1: And he's like, or it could have been one of 69 00:04:07,000 --> 00:04:13,000 Speaker 1: their scouts, and he's like, well, it could just or 70 00:04:13,000 --> 00:04:15,800 Speaker 1: it could be some other person just on foot for 71 00:04:15,920 --> 00:04:19,039 Speaker 1: a totally different group. And Michean's like, you know what, 72 00:04:19,120 --> 00:04:21,320 Speaker 1: the longer we're out here, the more likely we are 73 00:04:21,360 --> 00:04:23,440 Speaker 1: to run into him, So let's just go ahead and 74 00:04:23,520 --> 00:04:28,320 Speaker 1: get And then she acts like Michean does this cute thing. 75 00:04:28,320 --> 00:04:30,159 Speaker 2: Well, she asks like she's talking to Luke, but she's 76 00:04:30,200 --> 00:04:31,400 Speaker 2: really saying it to Judas. 77 00:04:31,400 --> 00:04:34,080 Speaker 1: But she's like, we're gonna be very quiet and not 78 00:04:34,200 --> 00:04:35,040 Speaker 1: make any noise. 79 00:04:35,560 --> 00:04:37,000 Speaker 3: And Luke, what's talking to him too? 80 00:04:37,160 --> 00:04:39,400 Speaker 2: Looks like, oh, I know that was for me, you know. 81 00:04:41,000 --> 00:04:41,960 Speaker 2: But yeah, so. 82 00:04:43,480 --> 00:04:45,760 Speaker 1: Judith asked him about a song he was singing. He 83 00:04:45,839 --> 00:04:46,919 Speaker 1: tells her about it. 84 00:04:46,920 --> 00:04:50,080 Speaker 2: It's, you know, one of them big German named songs 85 00:04:50,160 --> 00:04:52,120 Speaker 2: or some shit. You know, he's out he's a music person. 86 00:04:52,720 --> 00:04:57,560 Speaker 1: And he's like, okay, well, you know, what are you 87 00:04:57,600 --> 00:04:59,720 Speaker 1: writing down there? And she said, I'm just writing about 88 00:05:00,080 --> 00:05:03,200 Speaker 1: you know, what we're going through and stuff, and so 89 00:05:03,240 --> 00:05:06,880 Speaker 1: that maybe one day people will have these like journals 90 00:05:06,960 --> 00:05:09,480 Speaker 1: or whatever to look through. And you know, you can 91 00:05:09,520 --> 00:05:11,479 Speaker 1: see Sean was very proud of her. You gotta remember 92 00:05:11,560 --> 00:05:14,400 Speaker 1: Michean was a lawyer, so she's very proud of us, 93 00:05:14,440 --> 00:05:17,880 Speaker 1: like fact right, you know, she's so she right wrote 94 00:05:17,920 --> 00:05:20,520 Speaker 1: the original charter, so she's just had And then. 95 00:05:20,520 --> 00:05:24,720 Speaker 2: Also Luke is like, you know, well let me spell. 96 00:05:25,080 --> 00:05:25,280 Speaker 2: You know. 97 00:05:25,279 --> 00:05:28,880 Speaker 1: She's like, can you spell that song for me? He's like, yeah, 98 00:05:29,040 --> 00:05:31,240 Speaker 1: matter of fact. You know, if you're going to be 99 00:05:31,240 --> 00:05:33,279 Speaker 1: writing about history, you need to read a lot. You 100 00:05:33,320 --> 00:05:36,800 Speaker 1: need to read books. Message but you need to read 101 00:05:36,839 --> 00:05:38,279 Speaker 1: these books and stuff. And he was like, you know, 102 00:05:38,320 --> 00:05:40,360 Speaker 1: there's a library up here. We could stop by if 103 00:05:40,360 --> 00:05:43,480 Speaker 1: your mom is okay with that. And Michelle's like, I 104 00:05:43,480 --> 00:05:44,919 Speaker 1: don't know if we really got time for all that. 105 00:05:45,000 --> 00:05:46,120 Speaker 2: And he's like she's like. 106 00:05:46,160 --> 00:05:48,800 Speaker 1: You know, please, And you know, he used to be 107 00:05:48,839 --> 00:05:51,680 Speaker 1: a teacher and he's such a nerd. He's like, come on, please, 108 00:05:52,360 --> 00:05:55,080 Speaker 1: And secretly he's thinking of stopping by and getting some 109 00:05:55,160 --> 00:06:00,040 Speaker 1: music books because he's such a music nerd. And so 110 00:06:00,360 --> 00:06:01,960 Speaker 1: they're like, okay, we can do that. They go to 111 00:06:02,040 --> 00:06:06,919 Speaker 1: the library. Judah picks up a Russian to English library 112 00:06:07,160 --> 00:06:12,000 Speaker 1: dictionary because the Whites working on the Russian satellite parts 113 00:06:12,600 --> 00:06:13,559 Speaker 1: in the radio better. 114 00:06:14,800 --> 00:06:15,360 Speaker 2: Yeah. 115 00:06:15,480 --> 00:06:17,960 Speaker 1: You know, you can just tell Luke's extremely impressed or 116 00:06:17,960 --> 00:06:18,960 Speaker 1: how smart this girl was. 117 00:06:19,800 --> 00:06:23,200 Speaker 2: And oh also she called out Luke when he said 118 00:06:23,240 --> 00:06:25,520 Speaker 2: they were going up there. She was like, oh, you 119 00:06:25,560 --> 00:06:26,520 Speaker 2: want to see jewels? 120 00:06:26,880 --> 00:06:30,279 Speaker 3: Yes, you put that thing on you. 121 00:06:30,600 --> 00:06:31,920 Speaker 2: So she's very stupid. 122 00:06:32,000 --> 00:06:34,880 Speaker 1: Okay, everybody knows that he's just you know, got the 123 00:06:34,920 --> 00:06:39,640 Speaker 1: simulac behind his ears, just totally knows wide open for jewels. 124 00:06:41,160 --> 00:06:44,520 Speaker 1: And so then while they're in the library, a couple 125 00:06:44,480 --> 00:06:49,880 Speaker 1: of things happen. First of all, they split up. Luke 126 00:06:49,920 --> 00:06:54,720 Speaker 1: goes for the music books. Judas of course, is getting 127 00:06:54,760 --> 00:06:57,440 Speaker 1: her books. The black dude goes again. I hate I 128 00:06:57,440 --> 00:06:59,800 Speaker 1: can't remember his name, but they don't give enough lines 129 00:06:59,800 --> 00:07:02,440 Speaker 1: and they never say his name. But uh, the black 130 00:07:02,520 --> 00:07:06,000 Speaker 1: dude went to back of the library to look for supplies. 131 00:07:06,120 --> 00:07:08,279 Speaker 1: And then Machean was just looking through some stuff and 132 00:07:08,320 --> 00:07:11,400 Speaker 1: she gets a walking talkie call and it's an update. 133 00:07:11,480 --> 00:07:14,280 Speaker 3: That hey, uh it's Scott. Is his name? 134 00:07:14,360 --> 00:07:16,600 Speaker 2: Scott is his name? Really? I can't believe that. 135 00:07:16,960 --> 00:07:21,800 Speaker 1: Anyway, we find out that, Uh, Michean gets informed that 136 00:07:23,120 --> 00:07:25,000 Speaker 1: Seedika has been killed in Alexandria. 137 00:07:25,720 --> 00:07:27,080 Speaker 2: All right. Uh. 138 00:07:27,600 --> 00:07:32,920 Speaker 1: Meanwhile, Luke goes to the music section and he almost 139 00:07:32,960 --> 00:07:37,320 Speaker 1: got killed in the most like dumbest way. He was 140 00:07:37,360 --> 00:07:39,679 Speaker 1: looking for a book and then like a zombie grabbed 141 00:07:39,720 --> 00:07:42,200 Speaker 1: him from the behind, from the from the front at 142 00:07:42,200 --> 00:07:44,640 Speaker 1: the underneath a bookshelf or something, and. 143 00:07:44,600 --> 00:07:47,960 Speaker 2: He was like struggling to get loose, and. 144 00:07:47,440 --> 00:07:50,040 Speaker 1: And then another and while he was casually like Okay, 145 00:07:50,120 --> 00:07:52,160 Speaker 1: I'll just get this one, another one grabs him from 146 00:07:52,160 --> 00:07:54,680 Speaker 1: behind and it's like, oh, he really about to die, 147 00:07:54,800 --> 00:07:58,400 Speaker 1: just the most like like ever since Dale got a 148 00:07:58,400 --> 00:08:01,320 Speaker 1: bit on the leg, that's the most casual, like damn, 149 00:08:01,400 --> 00:08:02,560 Speaker 1: he just wasn't paying attention. 150 00:08:04,600 --> 00:08:06,160 Speaker 2: But he gets saved. 151 00:08:05,760 --> 00:08:09,320 Speaker 1: By a mysterious stranger from behind, the black dude who 152 00:08:09,360 --> 00:08:15,080 Speaker 1: grasps his the zimbie and kills it and then runs. Yeah, 153 00:08:15,200 --> 00:08:17,640 Speaker 1: Luke of course kills the zombie after yelling for help 154 00:08:17,680 --> 00:08:19,640 Speaker 1: and stuff, and everybody comes running over like what happened. 155 00:08:19,680 --> 00:08:22,280 Speaker 2: He's like, a dude just saved my life and ran away? 156 00:08:22,320 --> 00:08:22,880 Speaker 2: Who does that? 157 00:08:23,000 --> 00:08:25,560 Speaker 1: Like we should help him and we should find him 158 00:08:25,640 --> 00:08:27,520 Speaker 1: or whatever, and they look over and he left his 159 00:08:27,720 --> 00:08:30,840 Speaker 1: bag there too, So the stranger left his stuff behind, 160 00:08:31,400 --> 00:08:34,160 Speaker 1: and he's like, why wouldn't you know he stay around 161 00:08:34,280 --> 00:08:35,600 Speaker 1: or you know something? 162 00:08:36,240 --> 00:08:40,360 Speaker 2: And uh. At this point he's. 163 00:08:40,240 --> 00:08:43,080 Speaker 1: Like I'm sorry, elm shona, you all right, because She 164 00:08:43,120 --> 00:08:46,080 Speaker 1: looks very disturbed, and she's like, somebody killed the deep. 165 00:08:46,280 --> 00:08:51,360 Speaker 1: Dante kills the deep. He was a whisperer, and it's like. 166 00:08:51,480 --> 00:08:54,040 Speaker 2: Damn, so. 167 00:08:56,480 --> 00:09:01,079 Speaker 1: Uh they okay, So then Michelle and then get the 168 00:09:01,200 --> 00:09:05,280 Speaker 1: ocean side, and she's telling ocean sides people like how 169 00:09:05,280 --> 00:09:09,400 Speaker 1: are you vetting your new people, because essentially we got infiltrated, 170 00:09:09,960 --> 00:09:12,160 Speaker 1: and they're like, well, we've been really we haven't accepted 171 00:09:12,200 --> 00:09:14,560 Speaker 1: anybody knew since that fire, and she was like, no, 172 00:09:15,040 --> 00:09:19,280 Speaker 1: Dante been with us before the fire, So like even 173 00:09:19,320 --> 00:09:23,840 Speaker 1: people before the fire, y'all need to make sure today, yeah, 174 00:09:23,960 --> 00:09:27,600 Speaker 1: which is of course feeding into the paranoia, making them 175 00:09:27,640 --> 00:09:31,080 Speaker 1: suspicions of each other, you know, things that can. 176 00:09:31,000 --> 00:09:32,280 Speaker 2: Crumble a society. 177 00:09:33,280 --> 00:09:36,120 Speaker 1: Communities are built on trust and this kind of like, 178 00:09:36,720 --> 00:09:39,080 Speaker 1: I don't know, warfare is very. 179 00:09:39,040 --> 00:09:42,040 Speaker 2: Significant in this in this in this world right now. 180 00:09:42,200 --> 00:09:44,360 Speaker 4: But at the same time I understand her things. She 181 00:09:44,520 --> 00:09:46,920 Speaker 4: was like, I don't want to hide anything from y'all 182 00:09:46,920 --> 00:09:49,040 Speaker 4: because if you find out otherwise, you're gonna be like, 183 00:09:49,040 --> 00:09:51,080 Speaker 4: why y'all lie, and why don't you tell me. 184 00:09:51,160 --> 00:09:52,559 Speaker 2: I'm not talking about Mishaun howdy. 185 00:09:52,600 --> 00:09:55,719 Speaker 1: I'm saying, like, imagine you joined this group six months ago, 186 00:09:55,720 --> 00:09:57,199 Speaker 1: and then all of a sudden they start going, we 187 00:09:57,240 --> 00:09:58,199 Speaker 1: don't trust you anymore. 188 00:09:58,880 --> 00:10:00,600 Speaker 2: Yeah, yeah, yeah, you're on the upper So. 189 00:10:00,520 --> 00:10:03,640 Speaker 1: These are the kind of things that erode a community 190 00:10:04,559 --> 00:10:08,040 Speaker 1: because even if I've been proving myself it's valuable for 191 00:10:08,080 --> 00:10:11,640 Speaker 1: six months. Well that's what Dante did, so what you know? 192 00:10:11,760 --> 00:10:15,520 Speaker 1: So so we can't trust you, you know, or we 193 00:10:15,559 --> 00:10:16,800 Speaker 1: may not be able to trust you. 194 00:10:16,840 --> 00:10:17,800 Speaker 2: We don't even know for sure. 195 00:10:19,800 --> 00:10:23,120 Speaker 1: So then after she lets Ocean Side know, you know, 196 00:10:23,240 --> 00:10:26,880 Speaker 1: the deal, before they can really even finish the conversation, 197 00:10:28,600 --> 00:10:33,800 Speaker 1: a dude they've captured, the same guy stranger who saved Luke. 198 00:10:34,160 --> 00:10:36,559 Speaker 2: Turns out his name's Virgil. They captured as black man. 199 00:10:36,600 --> 00:10:38,439 Speaker 1: Oh and he played by one of my favorite actors, 200 00:10:38,480 --> 00:10:41,959 Speaker 1: the dude to play the father on Uh. 201 00:10:42,200 --> 00:10:45,280 Speaker 2: What's that? What's up? Show about drugs? Why can't I 202 00:10:45,320 --> 00:10:46,240 Speaker 2: remember the snowfall? 203 00:10:49,040 --> 00:10:54,440 Speaker 1: So he ends up captured or whatever, and he and 204 00:10:54,480 --> 00:10:58,439 Speaker 1: they're doing this thing and it's such a cliche. It's 205 00:10:58,480 --> 00:11:01,360 Speaker 1: such a cliche, not just the back and forth, but 206 00:11:01,400 --> 00:11:04,840 Speaker 1: the thing where a person is not a bad person, 207 00:11:05,000 --> 00:11:09,320 Speaker 1: but they're acting so erratic that it's almost like it 208 00:11:09,360 --> 00:11:12,880 Speaker 1: would make sense to kill them, almost because let me go, 209 00:11:13,120 --> 00:11:15,360 Speaker 1: get your hands off of me, get me, I gotta 210 00:11:15,400 --> 00:11:16,559 Speaker 1: get back, leave me alone. 211 00:11:16,640 --> 00:11:18,240 Speaker 2: It's like, well, just calm. 212 00:11:18,000 --> 00:11:20,880 Speaker 3: Down, calm down, calm down, sir. 213 00:11:21,000 --> 00:11:26,679 Speaker 1: You clearly capture can right. It's like it's like if 214 00:11:26,720 --> 00:11:28,840 Speaker 1: we just turned around and shot your ass in the head, 215 00:11:29,160 --> 00:11:31,280 Speaker 1: you know, it'd be like, yeah, it makes sense, Like 216 00:11:31,720 --> 00:11:34,360 Speaker 1: this motherfucker was crazy. Clearly he's with one of the 217 00:11:34,360 --> 00:11:37,240 Speaker 1: bad guys because he refused to explain himself, and you 218 00:11:37,280 --> 00:11:39,600 Speaker 1: know they're asking him questions like what were you doing? 219 00:11:39,640 --> 00:11:42,800 Speaker 1: And then you know they tell Michean like, just the 220 00:11:42,880 --> 00:11:45,520 Speaker 1: dude he was trying to steal a sail. He was 221 00:11:45,520 --> 00:11:48,360 Speaker 1: probably next gonna steal a boat and sell off away 222 00:11:48,360 --> 00:11:52,720 Speaker 1: from us, like steal our ship. And she's like, uh, 223 00:11:53,520 --> 00:11:57,200 Speaker 1: maybe he's a whisperer. But before he can get to that, 224 00:11:57,320 --> 00:11:59,600 Speaker 1: Luke comes over and it's like, wait, that's the dude 225 00:11:59,600 --> 00:12:02,440 Speaker 1: to save me. In the library and I look through 226 00:12:02,440 --> 00:12:04,600 Speaker 1: his stuff. He got pictures of his family, he got 227 00:12:04,600 --> 00:12:09,160 Speaker 1: all this stuff. What whisperer would do that now? And 228 00:12:09,240 --> 00:12:15,400 Speaker 1: Machean's like, but Dante infiltrated us, so how do we 229 00:12:15,440 --> 00:12:18,760 Speaker 1: know that this ain't part of some cover or some shit? Now, 230 00:12:19,200 --> 00:12:21,880 Speaker 1: obviously to me, I think this is why I'm talking 231 00:12:21,920 --> 00:12:25,480 Speaker 1: about when I say the plan of eroding their trust 232 00:12:25,520 --> 00:12:30,079 Speaker 1: and that community is working because they're so paranoid about 233 00:12:30,120 --> 00:12:33,240 Speaker 1: everyone and everything now that they can't trust each other. 234 00:12:33,600 --> 00:12:36,760 Speaker 1: They can't trust this dude, obviously, But the fact that 235 00:12:36,760 --> 00:12:39,040 Speaker 1: they thought he was a whisperer carrying around pictures of 236 00:12:39,040 --> 00:12:40,199 Speaker 1: his own family. 237 00:12:40,600 --> 00:12:44,920 Speaker 4: Is knowing that you know almost the complete opposite of 238 00:12:45,000 --> 00:12:46,800 Speaker 4: everything that you've known from these people. 239 00:12:48,400 --> 00:12:55,000 Speaker 1: So yeah, So then she's like listen, oh, and they 240 00:12:55,040 --> 00:12:57,040 Speaker 1: also say he's been messing with the security around the 241 00:12:57,040 --> 00:13:00,680 Speaker 1: perimeter and stuff, I guess, trying to sneak in, and 242 00:13:02,600 --> 00:13:05,840 Speaker 1: she's like Macheone's like, well, look, who are your people? 243 00:13:06,480 --> 00:13:08,720 Speaker 1: And she said like this is this was Michean that 244 00:13:08,760 --> 00:13:11,160 Speaker 1: her most black mama ish because she was out there. 245 00:13:10,960 --> 00:13:15,240 Speaker 2: Like who are your people like? 246 00:13:15,320 --> 00:13:18,160 Speaker 1: And she had a sword out right where you said 247 00:13:18,160 --> 00:13:20,600 Speaker 1: where your grandmama stay and where your daddy is? 248 00:13:21,640 --> 00:13:22,400 Speaker 2: And so. 249 00:13:23,679 --> 00:13:25,920 Speaker 1: While they were trying to interrogate or get ready to 250 00:13:26,000 --> 00:13:28,840 Speaker 1: question him, the zombies broke through the gate, obviously through 251 00:13:28,880 --> 00:13:32,040 Speaker 1: one of the probably breaches that he had made fucking around, 252 00:13:32,480 --> 00:13:34,720 Speaker 1: and so now they have a full on zombie fight. 253 00:13:36,000 --> 00:13:39,280 Speaker 1: They did some cool slow motion sword chopping and stuff. 254 00:13:39,559 --> 00:13:43,120 Speaker 4: Yeah, you know, Ocean Side, like the Stormtroopers, they can't 255 00:13:43,160 --> 00:13:43,800 Speaker 4: hit for shit. 256 00:13:44,160 --> 00:13:46,719 Speaker 1: Well, they didn't have guns, so they it was all 257 00:13:46,760 --> 00:13:50,080 Speaker 1: physical weapons. I don't think Ocean Side even got guns. 258 00:13:49,920 --> 00:13:51,160 Speaker 3: That's right. Their guns got taken. 259 00:13:51,400 --> 00:13:53,720 Speaker 1: Yeah, and I don't you know, at least they don't 260 00:13:53,760 --> 00:13:57,760 Speaker 1: seem that you be using them as much anyway, So 261 00:13:57,800 --> 00:14:01,320 Speaker 1: they like destroyed. I mean, they fight the zombies and 262 00:14:01,360 --> 00:14:04,160 Speaker 1: then the chaos. The black Man tries to escape. 263 00:14:04,440 --> 00:14:06,560 Speaker 3: You can tell they've been training too mm. 264 00:14:06,440 --> 00:14:07,400 Speaker 2: Hmmm mm hmm. 265 00:14:08,480 --> 00:14:11,920 Speaker 1: And then Judith cuts Virgil's leg as he tries to 266 00:14:11,960 --> 00:14:16,040 Speaker 1: make a run for it. She was like and she's like, 267 00:14:16,280 --> 00:14:20,280 Speaker 1: don't move, and then she goes and kills another zombie 268 00:14:20,840 --> 00:14:23,200 Speaker 1: and then it comes back to him and goes Mama 269 00:14:23,480 --> 00:14:29,560 Speaker 1: and her own. And then Micheon comes over and she 270 00:14:29,640 --> 00:14:31,680 Speaker 1: puts her sword at a at points it at him 271 00:14:31,720 --> 00:14:33,520 Speaker 1: while he's laying on the ground with his hurt leg, 272 00:14:33,560 --> 00:14:35,560 Speaker 1: and she's like, don't. 273 00:14:35,680 --> 00:14:42,680 Speaker 2: Move, and then she goes good girl relationship. Yes, it 274 00:14:42,880 --> 00:14:44,800 Speaker 2: is the best because it's. 275 00:14:44,600 --> 00:14:48,080 Speaker 1: Like Judith and andm Seon exemplifly. 276 00:14:48,280 --> 00:14:51,600 Speaker 2: To me, what the story is all about is the. 277 00:14:51,600 --> 00:14:54,560 Speaker 1: Bonds and stuff that that that are created when you 278 00:14:54,680 --> 00:14:59,240 Speaker 1: destroy all society, and what family means is different now. 279 00:15:00,440 --> 00:15:02,760 Speaker 3: The definition changes, baby, and. 280 00:15:02,960 --> 00:15:04,920 Speaker 1: Not that it can't mean that stuff now, but it's 281 00:15:04,960 --> 00:15:07,240 Speaker 1: like we have so much privilege and vanity and ship 282 00:15:07,520 --> 00:15:10,640 Speaker 1: now that people don't open up their heart towards people 283 00:15:10,720 --> 00:15:14,080 Speaker 1: that you know, like that's her mom for for any 284 00:15:14,200 --> 00:15:15,320 Speaker 1: all intensive. 285 00:15:14,880 --> 00:15:19,680 Speaker 4: Purposes, and you can't tell her not a goddamn thing differently, right, 286 00:15:21,080 --> 00:15:21,640 Speaker 4: And so. 287 00:15:21,720 --> 00:15:28,000 Speaker 5: Then uh, the stranger duke up in the middle of 288 00:15:28,080 --> 00:15:34,160 Speaker 5: the night and he sees he sees Judith reading a 289 00:15:34,240 --> 00:15:36,520 Speaker 5: book that he had got from the library for his daughter, 290 00:15:36,960 --> 00:15:38,200 Speaker 5: and he's like, give me that back. 291 00:15:38,280 --> 00:15:38,960 Speaker 2: That's that's my. 292 00:15:38,960 --> 00:15:42,200 Speaker 1: Property, and you can't read that book. It's from my daughter. 293 00:15:42,240 --> 00:15:45,280 Speaker 1: And she's like, uh, you know. He's like, why you're 294 00:15:45,280 --> 00:15:47,520 Speaker 1: taking my stuff? And she she's like, I didn't take this. 295 00:15:47,640 --> 00:15:51,280 Speaker 1: It fell out when you was running. And I looked 296 00:15:51,280 --> 00:15:54,119 Speaker 1: at the book. It's not your daughter's, it's the libraries. 297 00:15:54,240 --> 00:15:59,120 Speaker 1: I said, Oh my god, she's still a colonizer. The 298 00:15:59,200 --> 00:16:01,320 Speaker 1: colonizer was coming on out of her, wasn't it. 299 00:16:01,360 --> 00:16:03,480 Speaker 4: You borrowed this book from the library, so you do 300 00:16:03,600 --> 00:16:04,840 Speaker 4: not own nothing here? 301 00:16:05,360 --> 00:16:07,920 Speaker 1: Yeah, like White people get real technical when they want 302 00:16:07,960 --> 00:16:09,520 Speaker 1: to take some of your shit, don't they. 303 00:16:09,720 --> 00:16:11,720 Speaker 2: Meanwhile, she got her bag. What was you planning on? 304 00:16:11,840 --> 00:16:13,800 Speaker 1: You got a library card, You checked those books out 305 00:16:13,840 --> 00:16:14,480 Speaker 1: earlier today? 306 00:16:14,600 --> 00:16:16,760 Speaker 3: Are they gonna find you? And you were turning back 307 00:16:16,840 --> 00:16:17,320 Speaker 3: times you. 308 00:16:17,400 --> 00:16:18,360 Speaker 2: Talking about Judith. 309 00:16:18,560 --> 00:16:20,840 Speaker 1: You know, you know, you just wanted to steal that 310 00:16:20,880 --> 00:16:23,640 Speaker 1: little girl's book, m a black girl's book. 311 00:16:23,680 --> 00:16:26,960 Speaker 2: At that the devil was just all up in. Oh 312 00:16:27,000 --> 00:16:29,280 Speaker 2: my god, it's coming out of her. 313 00:16:30,600 --> 00:16:35,720 Speaker 1: I can call my father, Jesus, Jesus, how I love him? 314 00:16:35,720 --> 00:16:36,560 Speaker 2: At the trust hill. 315 00:16:39,240 --> 00:16:42,800 Speaker 1: So, uh yeah, she was trying to take his book 316 00:16:43,520 --> 00:16:46,600 Speaker 1: and he lunched at it, and she said, you're gonna 317 00:16:46,640 --> 00:16:50,360 Speaker 1: open up your stitches and uh right, then is when 318 00:16:50,360 --> 00:16:55,440 Speaker 1: Michean came up to talk to him. 319 00:16:54,080 --> 00:16:55,120 Speaker 2: Of course, and. 320 00:16:59,040 --> 00:17:01,320 Speaker 3: Judith, I give us some man. 321 00:17:08,560 --> 00:17:14,160 Speaker 1: She kept that book too. I thought, well, she said 322 00:17:14,160 --> 00:17:15,600 Speaker 1: give us something. I thought you was gonna put the 323 00:17:15,600 --> 00:17:17,040 Speaker 1: book back on this stuff. She was like, this is 324 00:17:17,080 --> 00:17:20,240 Speaker 1: my book, bitch, don't get your other leg cut. 325 00:17:20,800 --> 00:17:26,000 Speaker 2: You're fucking around with me right, sorry, it's freezing a 326 00:17:26,000 --> 00:17:26,400 Speaker 2: little bit. 327 00:17:28,359 --> 00:17:37,200 Speaker 3: Okay, so. 328 00:17:40,160 --> 00:17:41,360 Speaker 6: What are you really doing here? 329 00:17:48,320 --> 00:17:48,520 Speaker 2: Now? 330 00:17:48,520 --> 00:17:53,960 Speaker 1: This dude was not forthcoming, and it was that. Yeah, 331 00:17:54,040 --> 00:17:57,199 Speaker 1: but you I started to understand the desation, but it 332 00:17:57,280 --> 00:17:57,840 Speaker 1: was annoying. 333 00:17:58,760 --> 00:17:59,080 Speaker 2: Demon. 334 00:18:00,480 --> 00:18:06,439 Speaker 6: Yeah, like mother, like daughter, only mine won't leave anything 335 00:18:06,480 --> 00:18:11,560 Speaker 6: to heal. Now answer my damn quine. 336 00:18:13,359 --> 00:18:16,520 Speaker 1: Oh he was in leftovers too, I think, m So, 337 00:18:16,920 --> 00:18:18,320 Speaker 1: I don't know why this thing is freezing. 338 00:18:18,400 --> 00:18:25,080 Speaker 2: Guys, everything was working great. I'm second. Ago didn't mean 339 00:18:25,119 --> 00:18:27,359 Speaker 2: it in a bad way. 340 00:18:28,320 --> 00:18:32,240 Speaker 7: No way you make it this moment without being comfortable 341 00:18:32,320 --> 00:18:33,000 Speaker 7: with violence. 342 00:18:34,200 --> 00:18:37,440 Speaker 2: Now, how long have you been watching us? 343 00:18:38,280 --> 00:18:41,480 Speaker 7: I'm not watching you. I don't want to hurt anybody here. 344 00:18:44,280 --> 00:18:49,040 Speaker 7: I left home for supplies and now I'm just trying 345 00:18:49,040 --> 00:18:49,520 Speaker 7: to get back. 346 00:18:49,680 --> 00:18:53,520 Speaker 6: I swear, why did you help my friend? 347 00:18:54,560 --> 00:18:55,600 Speaker 2: Is that a part of the plate? 348 00:18:56,200 --> 00:18:57,919 Speaker 8: No, no, there's no plate. 349 00:19:02,480 --> 00:19:08,560 Speaker 1: And she clearly thinks he's a whisperer. Like she clearly 350 00:19:08,600 --> 00:19:12,600 Speaker 1: thinks he's a whisperer. And he it doesn't seem like 351 00:19:12,640 --> 00:19:16,120 Speaker 1: he even knows anything about the whisper So he don't 352 00:19:16,119 --> 00:19:18,520 Speaker 1: even know to what to be saying to make her 353 00:19:18,600 --> 00:19:21,639 Speaker 1: feel like he's not when he's just like, listen, just 354 00:19:21,760 --> 00:19:24,359 Speaker 1: let me go. I'm gonna be out of your hair. 355 00:19:24,560 --> 00:19:26,680 Speaker 1: I don't want these problems. I don't give a fuck 356 00:19:26,720 --> 00:19:29,400 Speaker 1: about any of this ship y'all going through. Just give 357 00:19:29,520 --> 00:19:33,240 Speaker 1: my ship back and I want to be out. 358 00:19:35,200 --> 00:19:38,119 Speaker 2: And Michean was like, mm hmmm, who you stay with? 359 00:19:39,720 --> 00:19:44,200 Speaker 7: He needed help, he's with what might happen to me here? 360 00:19:44,760 --> 00:19:45,760 Speaker 8: I'm glad I did it. 361 00:19:49,800 --> 00:19:57,119 Speaker 7: Mercies in short supply these days. 362 00:19:56,359 --> 00:19:58,040 Speaker 2: That touched Michean. 363 00:19:58,119 --> 00:19:59,480 Speaker 9: Maybe I don't discernment. 364 00:20:07,240 --> 00:20:12,080 Speaker 2: Something wrong, just reming to be something a friend of 365 00:20:12,119 --> 00:20:17,879 Speaker 2: mine used to say, Oh, just a friend. 366 00:20:19,600 --> 00:20:21,639 Speaker 3: Oh you say he's just a friend. 367 00:20:22,040 --> 00:20:31,960 Speaker 1: You remind me of something my baby daddy's say. But 368 00:20:32,119 --> 00:20:36,720 Speaker 1: uh yeah, it's about Rick obviously, who had that whole 369 00:20:36,760 --> 00:20:39,359 Speaker 1: season where he kept saying, man, my mercy prevailed over 370 00:20:39,400 --> 00:20:42,679 Speaker 1: my wrath, or my mercy prevails over my raft, and 371 00:20:42,680 --> 00:20:45,160 Speaker 1: he was kind of trying to wish it, to wish 372 00:20:45,200 --> 00:20:46,840 Speaker 1: it to be true because he wanted to kill the 373 00:20:46,840 --> 00:20:50,560 Speaker 1: fuck out of Knee and and all them savior and 374 00:20:50,560 --> 00:20:53,439 Speaker 1: and and that was all yead was his mercy. 375 00:20:54,480 --> 00:21:28,159 Speaker 6: My mercy prevails, so from my wrath. Hm, Okay, so 376 00:21:28,240 --> 00:21:36,040 Speaker 6: you're trying to get home, just tell me where that is. 377 00:21:37,480 --> 00:21:38,880 Speaker 10: I can't tell you where I live. 378 00:21:40,880 --> 00:21:41,479 Speaker 8: My family. 379 00:21:42,119 --> 00:21:45,160 Speaker 6: This is how you get back to them. 380 00:21:44,560 --> 00:21:46,719 Speaker 8: Or keep them safe. 381 00:21:47,440 --> 00:21:51,159 Speaker 6: Your wife and kids don't know where you are or 382 00:21:51,240 --> 00:21:55,600 Speaker 6: whether you're ever gonna come back. Don't put them through that. 383 00:21:58,000 --> 00:21:59,760 Speaker 2: And miche I don't know, because that's what she went 384 00:21:59,760 --> 00:22:04,040 Speaker 2: through for Rick. They were searching forever. I think that 385 00:22:04,160 --> 00:22:06,040 Speaker 2: might have that might have hit him with something over 386 00:22:06,080 --> 00:22:09,880 Speaker 2: the head, because then he told her where they was from. 387 00:22:10,160 --> 00:22:13,159 Speaker 1: It's like, I forget the name of a blood something 388 00:22:13,880 --> 00:22:18,920 Speaker 1: Bloodsworth Allen and the Tangier sound, and so then. 389 00:22:21,760 --> 00:22:23,919 Speaker 2: Blood's Worth and the tangier sound. 390 00:22:24,280 --> 00:22:26,520 Speaker 3: Get on your get on your raft. You just made 391 00:22:26,600 --> 00:22:28,639 Speaker 3: up there. Next mission. 392 00:22:28,880 --> 00:22:33,440 Speaker 1: Uh it's uh, the next clue is that Blood's Worth. 393 00:22:35,200 --> 00:22:39,600 Speaker 1: But yeah, so after that, he tried, uh like he 394 00:22:39,800 --> 00:22:43,680 Speaker 1: he basically says, look, I I'm on this island. It's 395 00:22:43,680 --> 00:22:46,080 Speaker 1: FORTI five is safe and that's what my family is. 396 00:22:47,640 --> 00:22:50,400 Speaker 1: But we need supplies or whatever. And she's like, okay, well, 397 00:22:50,400 --> 00:22:53,080 Speaker 1: look you gotta pay and you can't leave until you 398 00:22:53,119 --> 00:22:56,200 Speaker 1: pay for the damage done to Oceanside and we gotta 399 00:22:56,240 --> 00:22:57,800 Speaker 1: figure a way I'll forget to pay that back. 400 00:22:58,320 --> 00:23:00,560 Speaker 2: And he's like, well, maybe we can help each other 401 00:23:00,600 --> 00:23:01,320 Speaker 2: out there. 402 00:23:01,359 --> 00:23:05,160 Speaker 1: It comes to Michean telling Judith that the man lives 403 00:23:05,200 --> 00:23:07,760 Speaker 1: on a naval base. They might have weapons even big 404 00:23:07,880 --> 00:23:10,200 Speaker 1: enough to take out of her, and she says, look, 405 00:23:10,240 --> 00:23:12,560 Speaker 1: I gotta go on this mission alone. I can't take 406 00:23:12,600 --> 00:23:16,159 Speaker 1: you with me out here, but you need to go 407 00:23:16,240 --> 00:23:20,280 Speaker 1: back to Alexandria or whatever. So you know, it's a 408 00:23:20,320 --> 00:23:23,240 Speaker 1: big written and I only feel comfortable doing it by myself, 409 00:23:24,200 --> 00:23:29,880 Speaker 1: and Jesus, you know she understands, because she's like half 410 00:23:29,920 --> 00:23:30,800 Speaker 1: a fucking grown up. 411 00:23:31,680 --> 00:23:35,160 Speaker 2: Then in the morning she leaves with Virgil. 412 00:23:35,280 --> 00:23:38,320 Speaker 1: They have a cute little moment with the walkie talkie 413 00:23:38,720 --> 00:23:50,920 Speaker 1: and with the you know, now, it. 414 00:23:50,840 --> 00:23:53,480 Speaker 3: Doesn't have to be an emergency for you to check. 415 00:23:58,560 --> 00:24:03,960 Speaker 1: Oh great, you know what you too, Just do your things, 416 00:24:04,040 --> 00:24:09,640 Speaker 1: It's fine. And then that just do whatever. 417 00:24:11,880 --> 00:24:19,480 Speaker 3: You can do that every day, every hour. 418 00:24:22,160 --> 00:24:22,560 Speaker 11: Friday. 419 00:24:28,760 --> 00:24:29,480 Speaker 2: I'll see you soon. 420 00:24:33,160 --> 00:24:35,040 Speaker 3: Go ahead and get some any time. And this girl, 421 00:24:38,560 --> 00:24:39,040 Speaker 3: it's not me. 422 00:24:42,040 --> 00:24:44,080 Speaker 2: Would you be staying up all night playing that Nintendo? 423 00:24:47,440 --> 00:24:49,680 Speaker 1: And then they just have like a nice broad sweeping 424 00:24:49,880 --> 00:24:54,560 Speaker 1: like panoramic fuel of the ocean as they sell off 425 00:24:54,680 --> 00:24:57,879 Speaker 1: towards that island of military supplies. I don't know how 426 00:24:57,880 --> 00:25:00,920 Speaker 1: they planning on getting stuff back. I guess we'll see. 427 00:25:00,960 --> 00:25:03,320 Speaker 1: Hopefully this isn't the last see of Micheauan. We know 428 00:25:03,400 --> 00:25:05,880 Speaker 1: that the get Nable ship. I don't know. 429 00:25:06,160 --> 00:25:06,600 Speaker 2: We know the. 430 00:25:06,640 --> 00:25:09,640 Speaker 1: Niagarea is leaving the Rain show, So you know, every 431 00:25:09,640 --> 00:25:11,639 Speaker 1: episode I keep looking for, like how they're gonna how 432 00:25:11,640 --> 00:25:13,560 Speaker 1: they're gonna get off the show, how she's gonna leave. 433 00:25:14,000 --> 00:25:15,560 Speaker 1: You know, I doubt they're gonna kill her. I think 434 00:25:15,600 --> 00:25:19,440 Speaker 1: they learned a lesson about that kind of shit. But yeah, 435 00:25:19,480 --> 00:25:22,000 Speaker 1: I wonder what they're gonna do exactly, What does that 436 00:25:22,040 --> 00:25:22,639 Speaker 1: mean for Judith? 437 00:25:22,680 --> 00:25:25,080 Speaker 2: What does that mean for r J? All that stuff. 438 00:25:25,119 --> 00:25:28,480 Speaker 1: But and this also gives us a thread that may 439 00:25:28,520 --> 00:25:31,960 Speaker 1: come back and be relevant again, which is how do 440 00:25:32,119 --> 00:25:36,879 Speaker 1: we get how it is heard? Yeah, because that's the 441 00:25:36,920 --> 00:25:38,800 Speaker 1: main thing hanging over the crew right now, is this 442 00:25:38,840 --> 00:25:42,840 Speaker 1: big ass herd of fucking zombies just out there, and 443 00:25:43,240 --> 00:25:45,679 Speaker 1: you know, nobody really knows what the fuck to do 444 00:25:45,800 --> 00:25:46,280 Speaker 1: about it. 445 00:25:47,600 --> 00:25:49,200 Speaker 2: Everybody's kind of fucked right now. 446 00:25:49,920 --> 00:25:55,000 Speaker 1: So fully whatever ocean side of her going to h 447 00:25:55,320 --> 00:25:58,080 Speaker 1: Bloodstooth aland or what the Bloodsworth allen. 448 00:26:00,200 --> 00:26:02,359 Speaker 4: On to the next chapter in the kind of book 449 00:26:02,359 --> 00:26:07,840 Speaker 4: of the video games, Yes, but you got a half 450 00:26:07,840 --> 00:26:08,320 Speaker 4: a heart. 451 00:26:08,640 --> 00:26:12,200 Speaker 1: The princess is in another castle in Bloodstooth Island. But yeah, 452 00:26:12,240 --> 00:26:15,440 Speaker 1: before Holle whatever going on with Bloodstooth island and weaponry 453 00:26:15,480 --> 00:26:18,439 Speaker 1: and stuff is whatever is gonna help come back and 454 00:26:18,560 --> 00:26:20,400 Speaker 1: take out this herd, you. 455 00:26:20,400 --> 00:26:25,320 Speaker 2: Know, because some gotta make sense and it's not. You know, 456 00:26:25,359 --> 00:26:25,720 Speaker 2: it's not not. 457 00:26:25,960 --> 00:26:30,600 Speaker 1: Now all right, let's go to Andrea for the major 458 00:26:30,960 --> 00:26:34,600 Speaker 1: part of the story. So what I loved about this 459 00:26:34,720 --> 00:26:40,480 Speaker 1: is the code open of the show was basically Alpha 460 00:26:41,240 --> 00:26:49,600 Speaker 1: giving Dante his marching orders for how to answer so 461 00:26:49,640 --> 00:26:53,280 Speaker 1: many questions. Yeah, and what I noticed is that this 462 00:26:53,320 --> 00:26:58,600 Speaker 1: took about like maybe two minutes, three minutes, Like it 463 00:26:58,680 --> 00:27:01,720 Speaker 1: wasn't a long you know, drawn out like hopefully they 464 00:27:01,760 --> 00:27:03,000 Speaker 1: get artsy on this. 465 00:27:03,119 --> 00:27:05,120 Speaker 2: It was just like, nah, this is what you need 466 00:27:05,119 --> 00:27:07,240 Speaker 2: to know. This is uh why it's relevant. 467 00:27:07,320 --> 00:27:09,640 Speaker 3: You know, people got questions, right, you. 468 00:27:09,640 --> 00:27:11,800 Speaker 2: Know, everybody been wondering what's the timing on this ship. 469 00:27:15,080 --> 00:27:19,040 Speaker 11: I don't care if you're new to us. I don't 470 00:27:19,040 --> 00:27:23,320 Speaker 11: care what your past was. We all have a past. 471 00:27:25,160 --> 00:27:26,280 Speaker 11: None of that matters now. 472 00:27:30,920 --> 00:27:47,919 Speaker 2: I also like that she's telling them. 473 00:27:40,080 --> 00:27:41,120 Speaker 3: You did well at the barn. 474 00:27:43,840 --> 00:27:48,919 Speaker 11: Now I need something more eyes and ears, And. 475 00:27:51,200 --> 00:27:54,200 Speaker 4: That means probably nobody else knows that he's gone, right, 476 00:27:54,480 --> 00:27:55,680 Speaker 4: nobody even in the curve. 477 00:27:58,640 --> 00:28:08,920 Speaker 11: Kind of mind, no trust, practical, loyal, smart, my daughter, 478 00:28:09,000 --> 00:28:09,560 Speaker 11: Donna know you. 479 00:28:18,040 --> 00:28:19,240 Speaker 8: Where should I start. 480 00:28:21,960 --> 00:28:25,359 Speaker 3: Find some strangers enjoying. 481 00:28:33,359 --> 00:28:37,040 Speaker 2: And so we see Dante like in his whispery uniform. 482 00:28:37,680 --> 00:28:40,000 Speaker 1: You know it's it's masking ship walking in the woods 483 00:28:40,000 --> 00:28:41,200 Speaker 1: and looking for. 484 00:28:43,120 --> 00:28:45,960 Speaker 2: Some some people to join up with. Now what I 485 00:28:46,000 --> 00:28:47,200 Speaker 2: think is interesting here. 486 00:28:48,680 --> 00:28:51,680 Speaker 1: He had he was dressed kind of clean underneath his 487 00:28:51,720 --> 00:28:54,160 Speaker 1: whisper uniform, like he looked like a zombie. But then 488 00:28:54,200 --> 00:28:55,960 Speaker 1: the second that the that that he saw a group 489 00:28:56,000 --> 00:28:58,600 Speaker 1: of strangers and need you know that that he could join, 490 00:28:59,160 --> 00:29:01,240 Speaker 1: all of a sudden, he just flipped that whole outfit 491 00:29:01,280 --> 00:29:03,600 Speaker 1: out underneath he was like, you know, coming out of 492 00:29:03,640 --> 00:29:04,680 Speaker 1: straight out of gap ad. 493 00:29:05,240 --> 00:29:08,840 Speaker 4: Yeah, I think that, you know, just a TV thing, 494 00:29:08,880 --> 00:29:11,200 Speaker 4: But I think it's more to show that when people 495 00:29:11,240 --> 00:29:13,320 Speaker 4: are scared, they're not really paying attention to the to 496 00:29:13,520 --> 00:29:13,920 Speaker 4: like the. 497 00:29:13,920 --> 00:29:15,440 Speaker 3: Herd and get the fuck out of here. 498 00:29:15,480 --> 00:29:18,000 Speaker 4: So he was like, I can easily rip this off 499 00:29:18,040 --> 00:29:19,640 Speaker 4: and just join and they don't know the difference. 500 00:29:19,680 --> 00:29:22,080 Speaker 1: Also, the zombies weren't trying to eat him, even though 501 00:29:22,080 --> 00:29:24,720 Speaker 1: he wasn't like slathered in zombie guts, didn't. 502 00:29:25,120 --> 00:29:27,600 Speaker 3: Right, He also could pretend like they're following them. 503 00:29:27,520 --> 00:29:28,400 Speaker 2: Right, That's what he did. 504 00:29:28,480 --> 00:29:32,840 Speaker 1: Yeah, but yeah, he hopped in with an ususpecting group. 505 00:29:35,160 --> 00:29:36,240 Speaker 2: Of Alexandrians. 506 00:29:58,080 --> 00:30:01,760 Speaker 1: This is a bittersweet hair because he gets to Alexandria, they. 507 00:30:05,880 --> 00:30:10,960 Speaker 2: Don't meet there. We go. 508 00:30:11,280 --> 00:30:17,040 Speaker 1: Now this is him quote unquote meeting Sadik, but like 509 00:30:17,840 --> 00:30:20,160 Speaker 1: Sadiq also ended up in that. You know, he's the 510 00:30:20,160 --> 00:30:24,600 Speaker 1: person that held Sadek in that barn, like so fucking weird, 511 00:30:29,240 --> 00:30:36,239 Speaker 1: like think you're at home leaving notes in the uh 512 00:30:36,560 --> 00:30:39,000 Speaker 1: in the woods for the walk, for the whispers, And so. 513 00:30:39,000 --> 00:30:41,520 Speaker 4: That answers all those questions on how she knew that 514 00:30:41,600 --> 00:30:43,720 Speaker 4: they crossed and all that other boys knew. 515 00:30:43,840 --> 00:30:47,120 Speaker 1: She knew too many specifics and we had seen them 516 00:30:47,160 --> 00:30:52,120 Speaker 1: literally in like Florida. While and then she goes, I 517 00:30:52,160 --> 00:30:54,360 Speaker 1: know you crossed to the woods three times. It's like, 518 00:30:54,440 --> 00:30:58,800 Speaker 1: how does she fucking know those specifics? Like she's leaving 519 00:30:58,800 --> 00:31:01,160 Speaker 1: people behind. And he's like, but I saw that winter, 520 00:31:01,840 --> 00:31:03,920 Speaker 1: like the fucking zombies were frozen through. 521 00:31:04,680 --> 00:31:06,800 Speaker 2: Real people wouldn't have survived that fucking winter. 522 00:31:06,760 --> 00:31:10,600 Speaker 1: Without shelter, right, But now we know because Dante's there 523 00:31:10,760 --> 00:31:12,920 Speaker 1: being like they crossed it into the thing three times. 524 00:31:13,000 --> 00:31:14,520 Speaker 2: Look at my note and I left in the tree. 525 00:31:19,720 --> 00:31:22,320 Speaker 1: He's the one who painted silence to whisperers in the 526 00:31:22,440 --> 00:31:23,360 Speaker 1: spray paint. 527 00:31:23,960 --> 00:31:26,000 Speaker 4: Like literally all over the house and all that shit. 528 00:31:26,080 --> 00:31:27,320 Speaker 4: That makes fucking sense. 529 00:31:27,800 --> 00:31:29,840 Speaker 2: Obviously we know he fucked up the drink of water. 530 00:31:31,800 --> 00:31:33,480 Speaker 2: And then this next one was a swerve. I didn't 531 00:31:33,480 --> 00:31:49,040 Speaker 2: even see coming. I'm not gonna front. 532 00:31:51,560 --> 00:31:55,640 Speaker 3: This nigga smothered Doris, y'all write that, old lady. I 533 00:31:55,680 --> 00:31:56,640 Speaker 3: did not see that coming. 534 00:31:56,680 --> 00:32:00,360 Speaker 2: I thought she was gonna die natural anyway, he smothered her. Hmm, 535 00:32:00,840 --> 00:32:01,600 Speaker 2: what a jerk. 536 00:32:02,240 --> 00:32:04,120 Speaker 12: Welcome you home when they fall. 537 00:32:06,360 --> 00:32:08,720 Speaker 11: Well, I have a special place of mamas. 538 00:32:21,280 --> 00:32:23,400 Speaker 2: All this so he could be Delta or whatever. 539 00:32:23,840 --> 00:32:26,800 Speaker 1: Yeah, whatever the next And I also loved that crazy 540 00:32:27,000 --> 00:32:29,360 Speaker 1: that that side he let out that emotional sign when 541 00:32:29,360 --> 00:32:31,920 Speaker 1: she touched his chest, because it reminds you these niggas 542 00:32:31,920 --> 00:32:34,880 Speaker 1: are crazy, these because like up until this point, you know, 543 00:32:35,040 --> 00:32:38,400 Speaker 1: it was hard to see Dante as crazy for me, 544 00:32:38,640 --> 00:32:40,240 Speaker 1: Like I was just like, well, he don't seem like 545 00:32:40,240 --> 00:32:40,720 Speaker 1: a whisper. 546 00:32:40,720 --> 00:32:43,800 Speaker 2: Those motherfuckers are insane. And then you see. 547 00:32:43,840 --> 00:32:47,840 Speaker 1: That, Wow, he like he really just folded into society 548 00:32:47,840 --> 00:32:48,920 Speaker 1: that he don't even believe in. 549 00:32:49,000 --> 00:32:52,760 Speaker 2: No more. So. Yeah, then. 550 00:32:55,200 --> 00:32:58,680 Speaker 1: Rosita comes in to the same room after we cut 551 00:32:58,720 --> 00:33:02,840 Speaker 1: to Dante finish, like just after he finished killing Sadek 552 00:33:03,480 --> 00:33:05,480 Speaker 1: and he's about to stab the dec in the brain 553 00:33:05,640 --> 00:33:06,960 Speaker 1: so he can't turn into a zombie. 554 00:33:07,160 --> 00:33:09,160 Speaker 2: But Rosita knocks on the door and just comes right in. 555 00:33:09,400 --> 00:33:11,720 Speaker 2: He's like, oh, what's up, Rosita? 556 00:33:11,840 --> 00:33:17,680 Speaker 1: Yeah, she was like, and he was looking like sweaty, disheveled. 557 00:33:18,160 --> 00:33:19,800 Speaker 1: I'm like, the only thing he's gonna be able to 558 00:33:19,800 --> 00:33:22,240 Speaker 1: say is that they in there fucking cause he looked like, ah, 559 00:33:22,600 --> 00:33:24,960 Speaker 1: he like he've been doing push ups or something, and. 560 00:33:25,320 --> 00:33:27,080 Speaker 3: She looking like, I know that's not true. 561 00:33:27,240 --> 00:33:29,400 Speaker 2: So she came in with the baby and she's like, 562 00:33:29,600 --> 00:33:32,120 Speaker 2: what's going on? Where you know? What you doing here? 563 00:33:32,360 --> 00:33:34,360 Speaker 2: And he's like, oh, you know, me and a deacon 564 00:33:34,440 --> 00:33:35,680 Speaker 2: our love affair, ha ha ha. 565 00:33:36,240 --> 00:33:38,560 Speaker 1: And it made me think how much his humor was 566 00:33:38,640 --> 00:33:42,240 Speaker 1: always a deflection from the fact that people might be 567 00:33:42,320 --> 00:33:46,880 Speaker 1: onto him. So he just a joke, yeah, And so 568 00:33:46,920 --> 00:33:48,520 Speaker 1: she was like no, for real. He was like, oh, 569 00:33:48,520 --> 00:33:51,440 Speaker 1: he got called out. Somebody said they were sick, and 570 00:33:51,600 --> 00:33:53,920 Speaker 1: he went to go take care of him. Why is 571 00:33:53,920 --> 00:34:01,400 Speaker 1: everything okay? She's like, yeah, everything's cool or whatever. It's 572 00:34:01,440 --> 00:34:03,880 Speaker 1: just that Coco Caaine go to sleep Walk hasn't been 573 00:34:03,880 --> 00:34:08,520 Speaker 1: sleeping a lot, and you know, I'm just trying to 574 00:34:08,520 --> 00:34:10,520 Speaker 1: do that. And then she's looking at him and you 575 00:34:10,560 --> 00:34:14,359 Speaker 1: could tell she's put it together against suspicious, like right, 576 00:34:14,480 --> 00:34:17,600 Speaker 1: like I don't hear him, Like hey, well she he 577 00:34:17,640 --> 00:34:19,640 Speaker 1: said he's not there, but she's like, why would you 578 00:34:19,680 --> 00:34:20,919 Speaker 1: be in his room when he's not there? 579 00:34:21,000 --> 00:34:24,160 Speaker 2: And you know, she just has this this suspicious like 580 00:34:25,000 --> 00:34:27,480 Speaker 2: maybe she's putting two and two together. Now. I'm sure 581 00:34:27,520 --> 00:34:28,640 Speaker 2: he has a guilty conscience. 582 00:34:28,680 --> 00:34:32,160 Speaker 1: He did just kill sidep and he's probably like, Okay, 583 00:34:32,239 --> 00:34:32,960 Speaker 1: no loose ends. 584 00:34:33,239 --> 00:34:34,960 Speaker 2: I guess I gotta kill her next. 585 00:34:35,160 --> 00:34:39,480 Speaker 4: And he forgot she's been tyboing and kickboxing and like 586 00:34:39,560 --> 00:34:41,160 Speaker 4: she's like, look, I just had a baby and I 587 00:34:41,239 --> 00:34:42,839 Speaker 4: might be sick, but. 588 00:34:42,920 --> 00:34:44,640 Speaker 3: The still give you that business. 589 00:34:44,920 --> 00:34:45,080 Speaker 2: Yeah. 590 00:34:45,360 --> 00:34:48,560 Speaker 1: Rosita is always has always been one of the better 591 00:34:48,600 --> 00:34:53,319 Speaker 1: fighters on the show. So when he goes to get 592 00:34:53,320 --> 00:34:57,200 Speaker 1: the we goes to like walk towards her. She sees 593 00:34:57,239 --> 00:34:59,480 Speaker 1: he has a knife in his hand. So she says 594 00:34:59,480 --> 00:35:05,400 Speaker 1: the baby like a crib slash bathtub, and there's a 595 00:35:05,440 --> 00:35:07,200 Speaker 1: It was at this point that I realized that Dante 596 00:35:07,360 --> 00:35:07,920 Speaker 1: kind of big. 597 00:35:08,680 --> 00:35:12,080 Speaker 4: Yes he is, he's tall on the show. 598 00:35:12,280 --> 00:35:15,920 Speaker 1: They start fighting, Uh, he's got Rosie depended on her back. 599 00:35:16,160 --> 00:35:19,400 Speaker 1: He's like and then at the same time, Coco's in 600 00:35:19,480 --> 00:35:22,880 Speaker 1: the bathtub crying, and now Sadiq turns into zombie Sadik 601 00:35:23,520 --> 00:35:26,800 Speaker 1: and he starts walking towards the baby because the baby's 602 00:35:26,840 --> 00:35:31,600 Speaker 1: making out the noise, and Uh, Dante's like, it's a 603 00:35:31,880 --> 00:35:35,520 Speaker 1: sons of nature, the they you know, people eat, they eat, 604 00:35:35,560 --> 00:35:38,719 Speaker 1: the animals eat their young. And I'm like, oh, this 605 00:35:38,840 --> 00:35:43,240 Speaker 1: is crazy in him. That's something like whisper ship. 606 00:35:43,040 --> 00:35:44,960 Speaker 3: To say he's fully bought into it. 607 00:35:45,040 --> 00:35:48,640 Speaker 1: Yeah, that's that survivor, Survival of the footage, fittest, Survival 608 00:35:48,719 --> 00:35:52,759 Speaker 1: of the fittest bullshit that the whispers be all. You know, 609 00:35:52,880 --> 00:35:56,240 Speaker 1: we already knew he he you know, he was malicious 610 00:35:56,280 --> 00:35:59,440 Speaker 1: and he was a trader, a murderer, but well he 611 00:35:59,520 --> 00:36:02,000 Speaker 1: said that to the mother of a child as a 612 00:36:02,120 --> 00:36:03,319 Speaker 1: zombie was about to eat David. 613 00:36:04,880 --> 00:36:11,800 Speaker 2: I think you had to. Oh you crazy. 614 00:36:11,520 --> 00:36:11,840 Speaker 3: I have. 615 00:36:13,400 --> 00:36:17,920 Speaker 2: So she's able to break away. She knocks his knife away. 616 00:36:18,120 --> 00:36:21,920 Speaker 1: She grabs the knife, stabs the zombie Sadi before it 617 00:36:21,960 --> 00:36:24,760 Speaker 1: can eat Coco. U, can. 618 00:36:24,600 --> 00:36:25,960 Speaker 2: You have some cocoa puffs? 619 00:36:26,520 --> 00:36:30,240 Speaker 1: And Uh turns around, Oh, she stabs, Sorry, she stabs 620 00:36:30,480 --> 00:36:33,640 Speaker 1: Dante first in the shoulder, and while he's like writhing 621 00:36:33,760 --> 00:36:36,640 Speaker 1: in pain, she kills Sadig, saves Coco, and then she 622 00:36:36,680 --> 00:36:41,160 Speaker 1: turns around her knees Dante in the head, which knocks 623 00:36:41,200 --> 00:36:42,239 Speaker 1: him unconscious. 624 00:36:42,640 --> 00:36:44,960 Speaker 3: And uh, that's enough time for her to get out 625 00:36:45,000 --> 00:36:45,440 Speaker 3: the building. 626 00:36:46,000 --> 00:36:48,480 Speaker 2: Yeah, yeah, or to get help or whatever, you know. 627 00:36:49,520 --> 00:36:52,239 Speaker 2: And of course you're going to jail. We know that. 628 00:36:52,880 --> 00:36:56,040 Speaker 2: You know what that means for Dante. He's going to jail. 629 00:36:57,440 --> 00:36:59,799 Speaker 2: So then in the next scene. 630 00:37:00,840 --> 00:37:04,560 Speaker 1: Daryl, Gay, Rosita, and Carrol have Dante tied up in 631 00:37:04,640 --> 00:37:08,040 Speaker 1: the infirmary and Darryl's beating him up a little bit, 632 00:37:08,120 --> 00:37:11,399 Speaker 1: and then they started interrogating him. And as with all 633 00:37:11,440 --> 00:37:18,160 Speaker 1: these interrogations of these crazies, Ego sideways. 634 00:37:19,480 --> 00:37:28,840 Speaker 8: HM, doesn't matter, this matters watching off people. 635 00:37:33,280 --> 00:37:35,120 Speaker 2: Crazy has always got a monologue, don't they? 636 00:37:35,680 --> 00:37:38,279 Speaker 8: People getting cinerated devour line. You see how it is 637 00:37:38,280 --> 00:37:41,520 Speaker 8: getting attached to ourselves. But knowing that sets you free? 638 00:37:42,040 --> 00:37:45,080 Speaker 8: Is that what you're doing setting us free? If you 639 00:37:45,239 --> 00:37:46,759 Speaker 8: learn that lesson, it'll only help you. 640 00:37:47,480 --> 00:37:48,600 Speaker 2: Mus wouldn't be more like you. 641 00:37:50,160 --> 00:37:51,480 Speaker 8: Except the future. 642 00:37:51,800 --> 00:37:53,960 Speaker 13: Depended on you. Why put him through all that hell 643 00:37:54,000 --> 00:37:55,799 Speaker 13: in the barn just to kill him months later. I 644 00:37:55,840 --> 00:37:57,360 Speaker 13: can't see an ideology behind that. 645 00:37:57,480 --> 00:38:05,200 Speaker 10: I liked you like him. It wasn't part of the plan, 646 00:38:08,160 --> 00:38:09,640 Speaker 10: but he found out who I was, so I had 647 00:38:09,719 --> 00:38:10,280 Speaker 10: no choice. 648 00:38:11,000 --> 00:38:11,640 Speaker 2: What plan? 649 00:38:12,280 --> 00:38:14,279 Speaker 8: Encourage your paranoia about us. 650 00:38:15,080 --> 00:38:19,000 Speaker 4: You're basically telling them to play and a lot of 651 00:38:19,000 --> 00:38:21,880 Speaker 4: times when the truth is presented in a certain situations, 652 00:38:21,880 --> 00:38:23,799 Speaker 4: you could almost reject it and don't want to hear it. 653 00:38:24,160 --> 00:38:27,440 Speaker 2: Well, not just that, I mean it's been working, you know. 654 00:38:27,480 --> 00:38:30,000 Speaker 1: I've been saying that all season, Like it seemed like 655 00:38:30,040 --> 00:38:32,160 Speaker 1: a big part of this is to keep them scared 656 00:38:32,160 --> 00:38:35,719 Speaker 1: of everything you know and everybody you know. And we 657 00:38:35,800 --> 00:38:37,960 Speaker 1: find out they're behind a lot of the stuff too. 658 00:38:38,520 --> 00:38:44,480 Speaker 1: You know, it's sending waves of zombies at you know, 659 00:38:44,640 --> 00:38:51,160 Speaker 1: at at Hilltop and Alexandria, it's knocking the tree over, 660 00:38:51,760 --> 00:38:55,239 Speaker 1: it's putting him obviously inside, sabotage in the water, but 661 00:38:55,280 --> 00:38:58,360 Speaker 1: on the outside, they were the ones putting like fucking 662 00:38:58,480 --> 00:39:02,399 Speaker 1: deer zombie guts and the water and shit like. It's 663 00:39:02,440 --> 00:39:04,240 Speaker 1: a lot of like subterfuge. 664 00:39:04,680 --> 00:39:05,400 Speaker 2: Even though they. 665 00:39:05,239 --> 00:39:07,920 Speaker 1: Claimed we're leaving you alone, even though they claim as 666 00:39:07,920 --> 00:39:10,680 Speaker 1: long as you don't cross our borders, you're fine. Nah, 667 00:39:10,800 --> 00:39:13,719 Speaker 1: there is not They really want to eradicate this society 668 00:39:13,719 --> 00:39:16,040 Speaker 1: from the inside out and keep attacking it. 669 00:39:16,640 --> 00:39:19,680 Speaker 4: And to an extent, they didn't want to hear what 670 00:39:19,760 --> 00:39:22,040 Speaker 4: Karen had to say. And I understand it, but no, 671 00:39:22,160 --> 00:39:24,759 Speaker 4: the bitch got to die, like y'all don't understand. She 672 00:39:25,000 --> 00:39:28,560 Speaker 4: will not leave us alone. She keeps right, making the 673 00:39:28,600 --> 00:39:29,520 Speaker 4: border smaller. 674 00:39:29,800 --> 00:39:31,759 Speaker 3: She keep these fucked up lalls. 675 00:39:31,640 --> 00:39:34,879 Speaker 4: Like you're monitoring us, and she's like, no, it's gonna 676 00:39:34,920 --> 00:39:36,440 Speaker 4: be a time where we're gonna have to confront her 677 00:39:36,520 --> 00:39:39,239 Speaker 4: and live and let live if that shit is out, Like, no, 678 00:39:39,280 --> 00:39:40,200 Speaker 4: that don't exist no more. 679 00:39:40,320 --> 00:39:42,400 Speaker 1: There's only one part of this whole thing that bothers 680 00:39:42,440 --> 00:39:45,319 Speaker 1: me and doesn't make sense, and that is And I 681 00:39:45,360 --> 00:39:47,480 Speaker 1: get why when I say it doesn't make sense, I 682 00:39:47,520 --> 00:39:50,920 Speaker 1: don't mean it doesn't make sense narratively. I get exactly 683 00:39:50,960 --> 00:39:53,480 Speaker 1: why this character would be motivated to beat this way. 684 00:39:53,560 --> 00:39:56,040 Speaker 1: But I'm just saying the plan is gonna fall apart 685 00:39:56,080 --> 00:40:01,880 Speaker 1: at some point because Alpha didn't kill Lydia, correct, And 686 00:40:01,960 --> 00:40:04,920 Speaker 1: so even if she gets everything she wants to eradicate 687 00:40:04,960 --> 00:40:07,839 Speaker 1: this society blah blah blah, when her followers find out 688 00:40:08,040 --> 00:40:11,759 Speaker 1: her daughter is alive, she's still a liar. It's like 689 00:40:11,840 --> 00:40:13,880 Speaker 1: she would be better off to lead the people alone. 690 00:40:14,400 --> 00:40:16,280 Speaker 1: But I don't think she can do that, and especially 691 00:40:16,280 --> 00:40:19,239 Speaker 1: with Beata breathing down her neck, like you get solved, you. 692 00:40:19,200 --> 00:40:22,120 Speaker 4: Know, so he knows the truth, so he might say 693 00:40:22,160 --> 00:40:24,640 Speaker 4: something in kim'ma knows the truth now, right. But the 694 00:40:24,680 --> 00:40:27,240 Speaker 4: way she found out, she didn't find out through OUTPU. 695 00:40:27,440 --> 00:40:30,600 Speaker 4: She find out through like, oh my god, surprise, right, 696 00:40:31,600 --> 00:40:33,680 Speaker 4: it's Lydia likes a girl. 697 00:40:34,239 --> 00:40:39,240 Speaker 10: Decisions places like this her cruel promises to their people 698 00:40:39,280 --> 00:40:41,640 Speaker 10: and they crumble at the smallest nick. 699 00:40:44,080 --> 00:40:46,360 Speaker 8: Hell, I'm gonna enjoy watching and rip each other apart 700 00:40:46,360 --> 00:40:46,759 Speaker 8: over what. 701 00:40:46,760 --> 00:40:49,600 Speaker 3: To do with me, just like with Nakin. 702 00:40:50,520 --> 00:40:53,480 Speaker 13: Is that what you want? A public reckoning, a chance 703 00:40:53,560 --> 00:40:54,080 Speaker 13: to be heard? 704 00:40:54,600 --> 00:40:59,240 Speaker 8: That's what you'll give me because it's right. 705 00:41:00,680 --> 00:41:04,160 Speaker 3: We helped you, why because you wanted another doctor around? 706 00:41:04,600 --> 00:41:08,960 Speaker 8: You got something from me too. Don't pretend you didn't. 707 00:41:12,120 --> 00:41:14,920 Speaker 8: No one is actually kind. 708 00:41:15,880 --> 00:41:16,840 Speaker 2: We are selfish. 709 00:41:18,120 --> 00:41:18,920 Speaker 8: We are brutal. 710 00:41:20,000 --> 00:41:23,399 Speaker 10: Come on, even seeing all those heads on spikes didn 711 00:41:23,520 --> 00:41:24,480 Speaker 10: teach you who people are. 712 00:41:29,400 --> 00:41:32,600 Speaker 2: Rosita kicked his ass in the back and then had left. 713 00:41:34,840 --> 00:41:38,480 Speaker 1: But and that she leaves, Aaron comes in, and this 714 00:41:38,520 --> 00:41:42,480 Speaker 1: is the part that I said, it's kind of like Alexander, 715 00:41:42,520 --> 00:41:43,080 Speaker 1: but not really. 716 00:41:43,640 --> 00:41:46,480 Speaker 2: So on the bridge, Aaron. 717 00:41:46,280 --> 00:41:49,160 Speaker 1: Had met with Gamma, and Gamma basically said, came back 718 00:41:49,200 --> 00:41:51,680 Speaker 1: and said, so, do y'all had that little baby still? 719 00:41:51,760 --> 00:41:53,840 Speaker 2: He's like, yeah, the baby alive. And she's like, what 720 00:41:54,040 --> 00:41:54,799 Speaker 2: y'all name him? 721 00:41:55,000 --> 00:41:58,359 Speaker 1: And he's like, she's like, that's my nephew, and he's 722 00:41:58,400 --> 00:42:01,319 Speaker 1: like the family named him. At him that he's with, 723 00:42:01,719 --> 00:42:03,400 Speaker 1: She's like, I want to see him. He's like, I 724 00:42:03,440 --> 00:42:05,520 Speaker 1: can't let you see him. 'all niggas let him to die. 725 00:42:05,680 --> 00:42:08,560 Speaker 1: She's like, what if I give you information? And he's like, well, 726 00:42:08,560 --> 00:42:12,200 Speaker 1: if you give me information, I still can't promise anything, 727 00:42:12,680 --> 00:42:15,000 Speaker 1: but it really depends on how good the information is. 728 00:42:15,080 --> 00:42:18,040 Speaker 1: And she was like, okay, well this is the information. 729 00:42:18,520 --> 00:42:23,160 Speaker 1: Uh the herd is located in a specific area. And 730 00:42:23,280 --> 00:42:26,560 Speaker 1: so Aaron rushes to tell everybody that that's what he 731 00:42:26,560 --> 00:42:29,000 Speaker 1: tells people, and the scene like, hey, the. 732 00:42:29,000 --> 00:42:31,760 Speaker 2: Herd is in like a specific area of the forest 733 00:42:31,840 --> 00:42:38,240 Speaker 2: or whatever, and so then uh, Aaron. 734 00:42:38,960 --> 00:42:42,160 Speaker 1: One they informed Aaron that Dante killed Sad he was 735 00:42:42,200 --> 00:42:45,960 Speaker 1: a trader, and Aaron wonders, like, how didn't I realize 736 00:42:46,040 --> 00:42:47,760 Speaker 1: Dante was a trailer trader. 737 00:42:49,239 --> 00:42:51,560 Speaker 2: I let him in, I let him. 738 00:42:51,400 --> 00:42:55,080 Speaker 1: Treat Gracie, and everybody's like, don't blame yourself, there's nothing 739 00:42:55,120 --> 00:42:55,400 Speaker 1: you can do. 740 00:42:55,440 --> 00:42:57,279 Speaker 2: He food with all of us, Nan. 741 00:42:57,360 --> 00:42:59,360 Speaker 1: He tells him about you know what Mary told her, 742 00:42:59,440 --> 00:43:02,719 Speaker 1: oh to find out Gama's real name was Mary, And 743 00:43:02,760 --> 00:43:05,240 Speaker 1: so he's like, this is what Gamma slash Mary told 744 00:43:05,280 --> 00:43:07,800 Speaker 1: me out fitting keep the herd in the sunken field 745 00:43:07,800 --> 00:43:10,560 Speaker 1: on the other side of the National Forest. And Darrel's like, yeah, 746 00:43:10,640 --> 00:43:13,600 Speaker 1: clearly a trap. We shouldn't do it. Well, we should 747 00:43:13,640 --> 00:43:16,840 Speaker 1: be doing instead is going out to find Lydia. Carol 748 00:43:17,200 --> 00:43:21,080 Speaker 1: is like, fuck Lydia, Let's go get the fucking herd 749 00:43:21,520 --> 00:43:23,440 Speaker 1: because then they don't have any leverage over us if 750 00:43:23,440 --> 00:43:27,600 Speaker 1: we destroy the herd. And Darrel's like, it could be 751 00:43:27,600 --> 00:43:31,600 Speaker 1: an ambush. You know you're gonna trust a whisperer, Like 752 00:43:31,680 --> 00:43:34,759 Speaker 1: it just doesn't make sense, and Carol was like, now 753 00:43:34,920 --> 00:43:35,919 Speaker 1: we gotta give it a try. 754 00:43:36,280 --> 00:43:37,680 Speaker 2: We'll leave after the funeral for. 755 00:43:37,680 --> 00:43:40,200 Speaker 3: Sadik, yeah, because she's been on the one woman mission. 756 00:43:40,719 --> 00:43:40,959 Speaker 2: Yeah. 757 00:43:41,440 --> 00:43:43,279 Speaker 1: And so then Darrel's like, you know what, get a 758 00:43:43,280 --> 00:43:46,279 Speaker 1: group of people from Hilltop to come with us. He 759 00:43:46,320 --> 00:43:49,000 Speaker 1: tells Aaron to go get him, and then he pulls 760 00:43:49,000 --> 00:43:50,759 Speaker 1: Carol to the side and says, maybe you need to 761 00:43:50,800 --> 00:43:54,759 Speaker 1: sit this one out right, because you can't even be 762 00:43:54,800 --> 00:43:58,239 Speaker 1: honest about what happened with Lydia running away. You won't 763 00:43:58,320 --> 00:44:00,520 Speaker 1: tell me, you know, I know you did something, but 764 00:44:00,560 --> 00:44:02,080 Speaker 1: you won't tell me what you just said. She just 765 00:44:02,160 --> 00:44:06,160 Speaker 1: ran away and didn't want to come back. And he's like, 766 00:44:06,280 --> 00:44:09,439 Speaker 1: and you know what else? We not protected her? Being 767 00:44:09,480 --> 00:44:10,959 Speaker 1: here protects us, you know. 768 00:44:10,920 --> 00:44:11,680 Speaker 3: That, right? 769 00:44:12,239 --> 00:44:15,400 Speaker 2: And she's like, so is that what she's supposed to be? 770 00:44:15,960 --> 00:44:18,160 Speaker 2: Just be our shield? Just lock her up again. 771 00:44:18,680 --> 00:44:20,799 Speaker 1: I showed one of Alfa's people that she lied to 772 00:44:20,840 --> 00:44:24,000 Speaker 1: them and that was good for us, so we could 773 00:44:24,040 --> 00:44:27,480 Speaker 1: push on their wounds too. I'll help you look for her, 774 00:44:27,680 --> 00:44:30,279 Speaker 1: but I don't think she wants to be found. And 775 00:44:30,320 --> 00:44:34,759 Speaker 1: I thought to myself, what are you talking about. You 776 00:44:34,800 --> 00:44:35,960 Speaker 1: don't respect Lydia. 777 00:44:36,360 --> 00:44:36,800 Speaker 2: You weren't. 778 00:44:36,960 --> 00:44:38,719 Speaker 1: Carol didn't do this out the goodness of her heart 779 00:44:38,800 --> 00:44:41,719 Speaker 1: because she didn't want Lydia being kept in a cage. 780 00:44:41,920 --> 00:44:44,040 Speaker 1: She just wanted to use her as a weapon. 781 00:44:44,080 --> 00:44:46,960 Speaker 3: And Lydia got angry when she pisced that together. 782 00:44:47,080 --> 00:44:49,000 Speaker 1: So this is when I had this kind of deep thought. 783 00:44:49,120 --> 00:44:51,000 Speaker 1: Maybe it's not deep, but it felt deep to me 784 00:44:51,040 --> 00:44:54,279 Speaker 1: at the time. Darryl in a way is kind of 785 00:44:54,320 --> 00:44:58,480 Speaker 1: Carol's beta to Caro, Like if Carol like Carol is 786 00:44:58,520 --> 00:45:02,880 Speaker 1: acting like outfing somewhere and Darryl is the one trying 787 00:45:02,880 --> 00:45:04,680 Speaker 1: to pull her back to be like, this is not 788 00:45:04,880 --> 00:45:06,880 Speaker 1: the way that we works this, what do you know? 789 00:45:07,120 --> 00:45:07,359 Speaker 3: Right? 790 00:45:07,440 --> 00:45:09,960 Speaker 4: And I could see them having a huge fall out 791 00:45:10,000 --> 00:45:11,319 Speaker 4: in some period of time about this. 792 00:45:11,400 --> 00:45:13,520 Speaker 3: But he's gonna be like, hey, enough is enough now? 793 00:45:13,600 --> 00:45:16,360 Speaker 3: I done roll with you. But a line got to 794 00:45:16,400 --> 00:45:17,719 Speaker 3: be drawn, right. 795 00:45:18,760 --> 00:45:20,799 Speaker 1: But yeah, when she tried to act like it was 796 00:45:20,840 --> 00:45:25,319 Speaker 1: some motherfucking like I don't know, like some type of 797 00:45:25,560 --> 00:45:28,799 Speaker 1: insight or love or whatever. You know, we just got 798 00:45:28,800 --> 00:45:30,719 Speaker 1: to look out for her to be, Oh, we don't 799 00:45:30,719 --> 00:45:32,279 Speaker 1: want her to be just sitting in the cage out there. 800 00:45:32,280 --> 00:45:34,160 Speaker 2: It's like, nigga, you don't care about that. What are 801 00:45:34,160 --> 00:45:34,799 Speaker 2: you talking about? 802 00:45:35,120 --> 00:45:37,160 Speaker 4: So it's one of those things where I could see 803 00:45:38,040 --> 00:45:41,279 Speaker 4: daryling and finding her and Lydia because you know, she 804 00:45:41,280 --> 00:45:43,919 Speaker 4: trusted Darryl, you know, because he stood up for her 805 00:45:44,440 --> 00:45:49,480 Speaker 4: and because he was like, I believe her. And I 806 00:45:49,520 --> 00:45:52,800 Speaker 4: could see Lydia telling Dale the truth in him, like Okay, 807 00:45:52,880 --> 00:45:54,359 Speaker 4: Carol is a problem. Right. 808 00:45:55,920 --> 00:45:59,839 Speaker 1: So then, like I said, we asked the funeral gay. 809 00:46:00,040 --> 00:46:02,800 Speaker 1: It reminds us once again he was a Catholic priest. 810 00:46:02,840 --> 00:46:05,839 Speaker 1: Because it is quite short and not not a lot 811 00:46:05,880 --> 00:46:07,360 Speaker 1: of a lot of no, not a lot of drama. 812 00:46:07,640 --> 00:46:09,319 Speaker 3: Straight to the point and we in and out. 813 00:46:09,800 --> 00:46:10,040 Speaker 2: Yeah. 814 00:46:10,080 --> 00:46:12,080 Speaker 1: I was kind of hoping that, you know, we get 815 00:46:12,120 --> 00:46:16,600 Speaker 1: a little bit more uh something, nash, a little something 816 00:46:16,680 --> 00:46:19,480 Speaker 1: to it, but instead it was very much. 817 00:46:19,360 --> 00:46:25,279 Speaker 13: Like yeah, he was from my studies written by I. 818 00:46:25,200 --> 00:46:27,480 Speaker 2: Know you to go to the game. Guys, We're gonna 819 00:46:27,480 --> 00:46:28,760 Speaker 2: get you out of here on time. 820 00:46:28,760 --> 00:46:34,080 Speaker 13: Scholar centuries ago, who's trying to understand the impossible. 821 00:46:35,520 --> 00:46:38,920 Speaker 12: Let me live if life is better for me, and 822 00:46:39,040 --> 00:46:43,120 Speaker 12: take my life if death is better for me. He 823 00:46:43,160 --> 00:46:46,440 Speaker 12: had surrendered himself to faith because his world defied logic, 824 00:46:51,600 --> 00:46:59,640 Speaker 12: defied justice. 825 00:47:00,080 --> 00:47:03,719 Speaker 2: Mh. 826 00:47:03,840 --> 00:47:05,240 Speaker 3: We created you from it. 827 00:47:07,760 --> 00:47:12,879 Speaker 12: And return you into it, and from it we will 828 00:47:12,960 --> 00:47:14,080 Speaker 12: raise you a second time. 829 00:47:35,160 --> 00:47:43,280 Speaker 13: M h. 830 00:47:43,320 --> 00:47:43,960 Speaker 2: We belong to. 831 00:47:47,360 --> 00:47:53,080 Speaker 8: No, I'm not happy, Lord, You'll be my love. 832 00:47:53,280 --> 00:47:54,360 Speaker 3: Baby, you just. 833 00:47:56,840 --> 00:48:11,440 Speaker 1: You belong together, resting piece of deck rest mp to 834 00:48:11,560 --> 00:48:12,200 Speaker 1: a real one. 835 00:48:12,680 --> 00:48:16,040 Speaker 3: Yes, so the family is broken out. It's too dance 836 00:48:16,120 --> 00:48:17,320 Speaker 3: and the baby. 837 00:48:17,280 --> 00:48:19,719 Speaker 1: I know and I not even more really because right 838 00:48:19,760 --> 00:48:21,080 Speaker 1: after this it turns into one day. 839 00:48:21,160 --> 00:48:23,240 Speaker 2: But I remember when. 840 00:48:24,640 --> 00:48:28,480 Speaker 1: We found the deck in the woods, Carl, did you know, 841 00:48:28,920 --> 00:48:34,200 Speaker 1: Like I remember that, and and being like this nigga 842 00:48:34,239 --> 00:48:38,279 Speaker 1: got Carl killed fox a diec and you know, Rick 843 00:48:38,440 --> 00:48:41,239 Speaker 1: was mad at him and all this stuff. And now 844 00:48:41,320 --> 00:48:44,160 Speaker 1: he became like a part of the family. And now 845 00:48:44,160 --> 00:48:45,400 Speaker 1: he's gone. 846 00:48:45,719 --> 00:48:49,279 Speaker 4: Right, and he and he was a huge piece of 847 00:48:49,880 --> 00:48:53,319 Speaker 4: Carl's legacy, if that makes sense, you know, because every 848 00:48:53,360 --> 00:48:55,479 Speaker 4: time you looked at him, and and and he felt 849 00:48:55,480 --> 00:48:57,480 Speaker 4: the pressure of living up to Carl's legacy. 850 00:48:59,239 --> 00:48:59,920 Speaker 2: So then. 851 00:49:01,680 --> 00:49:03,600 Speaker 1: Well, a couple of things happened at the funeral. Once 852 00:49:03,640 --> 00:49:06,000 Speaker 1: we get a quick scene between Carolyn Zeke. Zeke still 853 00:49:06,000 --> 00:49:08,759 Speaker 1: don't tell her he got thyroid cancer. He does say 854 00:49:08,760 --> 00:49:11,960 Speaker 1: something about he thought Sadik was just gonna live forever. 855 00:49:12,040 --> 00:49:13,680 Speaker 2: You know, it's the silly blah blah blah. 856 00:49:13,760 --> 00:49:16,239 Speaker 1: Carol's like, he's like, I know, you going hunting for 857 00:49:16,280 --> 00:49:17,360 Speaker 1: that the herd. 858 00:49:17,440 --> 00:49:18,200 Speaker 2: You need some help. 859 00:49:18,280 --> 00:49:22,879 Speaker 1: She's like, no, I'm good, you Okato, And he's like, yeah, 860 00:49:22,880 --> 00:49:23,319 Speaker 1: I'm good. 861 00:49:23,560 --> 00:49:28,960 Speaker 2: And so he still doesn't tell her. Then Rosita goes walking. 862 00:49:29,840 --> 00:49:31,839 Speaker 1: She hears some zombies on the other side of the 863 00:49:31,840 --> 00:49:35,040 Speaker 1: fence and goes, let me go kill two zombies real quick. 864 00:49:35,680 --> 00:49:37,759 Speaker 1: One of them has a construction helmet on that was 865 00:49:38,200 --> 00:49:40,040 Speaker 1: I guess they were burned and it melted on to 866 00:49:40,200 --> 00:49:40,680 Speaker 1: the top. 867 00:49:40,560 --> 00:49:41,040 Speaker 2: Of their head. 868 00:49:41,560 --> 00:49:55,000 Speaker 1: Didn't see that coming, which makes it hard to kill him. 869 00:49:55,200 --> 00:49:57,919 Speaker 1: Oh and then she she tries to kill him, and 870 00:49:58,640 --> 00:50:01,279 Speaker 1: it's very hard to do it by herself. And she 871 00:50:01,440 --> 00:50:08,000 Speaker 1: starts having like flashbacks or something of like flashes ass 872 00:50:08,280 --> 00:50:11,799 Speaker 1: the zombies attacking her, thinking of Coco and taking care 873 00:50:11,800 --> 00:50:14,840 Speaker 1: of Coco and realizing like, oh shit, if I died, 874 00:50:15,120 --> 00:50:17,240 Speaker 1: fucking Coco won't have no mama. 875 00:50:17,880 --> 00:50:18,080 Speaker 2: You know. 876 00:50:18,120 --> 00:50:19,759 Speaker 1: It's a little different than when she was out here 877 00:50:20,239 --> 00:50:24,640 Speaker 1: for Dolo and by herself shooting, shooting at Niagan and 878 00:50:24,640 --> 00:50:29,000 Speaker 1: getting Spencer killed and shit like that. Like, you know, 879 00:50:29,120 --> 00:50:31,520 Speaker 1: this is a little bit different for her. Uh So, 880 00:50:31,760 --> 00:50:34,480 Speaker 1: right before she can get bit by this zombie or whatever, 881 00:50:35,920 --> 00:50:38,160 Speaker 1: Eugene comes over and knocks the zombie to the ground 882 00:50:38,200 --> 00:50:40,040 Speaker 1: and kill it together. She rips the helmet off in 883 00:50:40,080 --> 00:50:47,920 Speaker 1: a cool special effect what you got to seek, Like 884 00:50:48,000 --> 00:50:51,000 Speaker 1: the zombies flesh came off with the helmet. But the 885 00:50:51,040 --> 00:51:01,200 Speaker 1: best part is that they have a little talk afterwards. 886 00:51:01,200 --> 00:51:05,239 Speaker 9: No expressions of gratitude. Requires that's the only relieved that 887 00:51:05,280 --> 00:51:09,560 Speaker 9: happened to be crossing through on my way home, my 888 00:51:09,640 --> 00:51:11,000 Speaker 9: way back to my domina side. 889 00:51:11,160 --> 00:51:15,200 Speaker 1: Now he almost called Hilltops home. They've been kind of 890 00:51:15,480 --> 00:51:17,839 Speaker 1: he ain't coming back. That's been the whole thing over. 891 00:51:18,000 --> 00:51:21,440 Speaker 1: Is he coming back to Alexandria. She misses him, and 892 00:51:21,680 --> 00:51:24,160 Speaker 1: she feels like maybe friendship, right, Maybe I was a 893 00:51:24,200 --> 00:51:27,640 Speaker 1: little too hard on him when he you know that, 894 00:51:27,719 --> 00:51:29,960 Speaker 1: because that day we ain't have no sleep for four 895 00:51:30,040 --> 00:51:33,359 Speaker 1: days and flipped out, and you know, he's just kind 896 00:51:33,400 --> 00:51:36,279 Speaker 1: of been like, She's right, I'm never gonna be the 897 00:51:36,320 --> 00:51:39,279 Speaker 1: man for her. Let me just move my ass to 898 00:51:39,400 --> 00:51:42,000 Speaker 1: Hilltop and get the fuck, you know, move on with 899 00:51:42,120 --> 00:51:44,359 Speaker 1: my life rather than. 900 00:51:44,320 --> 00:51:46,520 Speaker 2: Be the third fourth wheel or whatever the hell is 901 00:51:46,560 --> 00:51:47,160 Speaker 2: gonna be here. 902 00:51:47,600 --> 00:51:51,759 Speaker 1: And uh, well he said home. It sounded like, oh, 903 00:51:51,760 --> 00:51:55,560 Speaker 1: he's not coming back to Alexandria. 904 00:51:56,520 --> 00:51:57,399 Speaker 3: Anna set home. 905 00:51:59,680 --> 00:52:08,359 Speaker 2: No, Yes, this nigga reflects it the lie every time. 906 00:52:09,680 --> 00:52:16,800 Speaker 9: Rosita Sdek's passion was an incomprehensible tragedy. The only wisher 907 00:52:16,840 --> 00:52:18,600 Speaker 9: was more I could offer than to pay my respects. 908 00:52:18,600 --> 00:52:22,520 Speaker 9: And the there's a few vexatious walkers in their flame 909 00:52:22,600 --> 00:52:32,919 Speaker 9: blistered crania, travel safe. I mean, I'm the one. 910 00:52:34,640 --> 00:52:35,200 Speaker 8: He's gonna be. 911 00:52:35,200 --> 00:52:43,439 Speaker 2: Traveling, and it's it's weird. 912 00:52:43,680 --> 00:52:44,560 Speaker 3: Was it was it just me? 913 00:52:44,680 --> 00:52:46,920 Speaker 2: Or was Eugenie looking more handsome than normal? 914 00:52:47,640 --> 00:52:51,120 Speaker 3: Like they cleaned him up? Yeah, like they almost like 915 00:52:51,280 --> 00:52:52,040 Speaker 3: spiced him up. 916 00:52:52,160 --> 00:52:54,120 Speaker 4: Like you know how you go out stepping on your 917 00:52:54,160 --> 00:52:56,480 Speaker 4: ex and you like, oh, I gotta be sure I'm 918 00:52:56,520 --> 00:52:57,719 Speaker 4: extra clean today. 919 00:52:57,480 --> 00:52:59,800 Speaker 1: Because like in the future, it's like he's gonna be 920 00:52:59,880 --> 00:53:03,120 Speaker 1: on Facebook like seeing my ex today. 921 00:53:03,200 --> 00:53:05,560 Speaker 2: You know, it's funny when your ex be looking. 922 00:53:05,360 --> 00:53:08,200 Speaker 1: Bad, got rashes on the chest, and her bad and 923 00:53:08,320 --> 00:53:09,680 Speaker 1: her baby daddy done died. 924 00:53:09,840 --> 00:53:11,640 Speaker 2: You know, it's funny how life is. 925 00:53:11,880 --> 00:53:13,640 Speaker 3: And I'm studing on all the exes. 926 00:53:13,719 --> 00:53:16,520 Speaker 2: Happy twenty nineteen, y'all, twenty twenty, no looking. 927 00:53:16,360 --> 00:53:19,080 Speaker 3: Back, I know, letting go the old coming into the news. 928 00:53:19,360 --> 00:53:21,759 Speaker 2: It's funny how your ex be almost about to die. 929 00:53:21,960 --> 00:53:23,720 Speaker 1: She the one that taught you how to kill zombie, 930 00:53:23,760 --> 00:53:26,120 Speaker 1: so you gotta help her kills them all while you're 931 00:53:26,120 --> 00:53:29,960 Speaker 1: wearing your tap twin colteur over here looking fresh off 932 00:53:30,040 --> 00:53:33,319 Speaker 1: for Kanye, looking fresh off for Kanye West fashion line. 933 00:53:34,960 --> 00:53:38,080 Speaker 1: But then Gabe, she comes back home. Gabe is looking 934 00:53:38,160 --> 00:53:41,640 Speaker 1: at the entrance video for Dante. Apparently they still keep 935 00:53:41,719 --> 00:53:44,000 Speaker 1: that tradition. Going to Alexandria, they film all the the 936 00:53:44,120 --> 00:53:46,800 Speaker 1: people and Dante was lying his ass off and he 937 00:53:47,000 --> 00:53:49,040 Speaker 1: and Gabe's looking at her trying to catch like one. 938 00:53:49,000 --> 00:53:50,560 Speaker 3: Because I think he was doing interviewing him. 939 00:53:50,840 --> 00:53:53,000 Speaker 2: He was he must have. 940 00:53:53,080 --> 00:53:55,640 Speaker 1: Been, yeah, he was, he was, yeah, I remember his voice. 941 00:53:55,920 --> 00:53:57,640 Speaker 1: And he's just trying to see you could tell you're 942 00:53:57,640 --> 00:53:59,880 Speaker 1: trying to see, like where did I go wrong? And 943 00:54:00,239 --> 00:54:03,800 Speaker 1: he's got like the chord out for the to power 944 00:54:03,960 --> 00:54:06,800 Speaker 1: the thing like and it's funny too, because I was 945 00:54:06,880 --> 00:54:09,040 Speaker 1: realizing this is the way that they must watch porn 946 00:54:09,200 --> 00:54:09,839 Speaker 1: in the z pop. 947 00:54:10,120 --> 00:54:12,279 Speaker 2: Of course, you need a you need a camera with 948 00:54:12,400 --> 00:54:15,040 Speaker 2: a screen thing on it, you need a chord the power. 949 00:54:16,880 --> 00:54:20,640 Speaker 1: But yeah, so Rosita walks in and he's very and 950 00:54:20,800 --> 00:54:24,520 Speaker 1: Gabe is very frustrated and obviously right, and he's obviously 951 00:54:24,719 --> 00:54:28,480 Speaker 1: just going over and over his mind, blaming himself because 952 00:54:28,840 --> 00:54:29,600 Speaker 1: I'm the one who. 953 00:54:29,600 --> 00:54:31,719 Speaker 2: Let this man in, right, And so. 954 00:54:33,200 --> 00:54:35,719 Speaker 1: She comes in and she's like, he's like, what's up, 955 00:54:35,800 --> 00:54:37,680 Speaker 1: Well you've been or whatever. She was like, I was 956 00:54:37,800 --> 00:54:41,480 Speaker 1: just out helping Eugene kill some zombies. He was like, 957 00:54:41,480 --> 00:54:43,719 Speaker 1: all right, cool did she turned around like no, no, 958 00:54:43,880 --> 00:54:48,200 Speaker 1: that's not true. He helped me kill some zombies. He's like, okay, 959 00:54:49,040 --> 00:54:53,080 Speaker 1: no big deal. Yeah, And it's it's weird because Gabe 960 00:54:53,280 --> 00:54:57,960 Speaker 1: is supremely secure in his relationship with Rosita, which is 961 00:54:58,760 --> 00:55:01,560 Speaker 1: not something I would ever hall for gave. I just 962 00:55:01,600 --> 00:55:06,880 Speaker 1: feel like gave such a weirdo and and and Meddler 963 00:55:07,040 --> 00:55:09,520 Speaker 1: and all the shit and kind of hmming and holling 964 00:55:09,560 --> 00:55:12,160 Speaker 1: all the time. And he's just like he don't give 965 00:55:12,200 --> 00:55:13,800 Speaker 1: a fuck about He's like, I trust you. 966 00:55:13,880 --> 00:55:14,560 Speaker 2: That's the end of it. 967 00:55:14,840 --> 00:55:17,120 Speaker 3: Yeah, I chose to be here, and I'm here right. 968 00:55:17,880 --> 00:55:19,520 Speaker 2: You said you like me. That was it. 969 00:55:19,800 --> 00:55:20,600 Speaker 3: That's all I needed. 970 00:55:20,800 --> 00:55:26,480 Speaker 2: And so then she's like, well, yeah he was. 971 00:55:27,040 --> 00:55:30,239 Speaker 1: He was helping me. I couldn't even kill these two 972 00:55:30,280 --> 00:55:33,520 Speaker 1: walkers because I froze. I started thinking about Coco and 973 00:55:33,600 --> 00:55:36,160 Speaker 1: who's gonna be here for her because she depended. 974 00:55:35,800 --> 00:55:39,920 Speaker 2: On me and I can't die. And he's like he 975 00:55:40,280 --> 00:55:42,279 Speaker 2: did that thing where someone. 976 00:55:42,400 --> 00:55:45,040 Speaker 1: Is telling you something kind of important, but either you're 977 00:55:45,080 --> 00:55:46,799 Speaker 1: in your own head or whatever, you just. 978 00:55:46,760 --> 00:55:48,200 Speaker 2: Don't want to hear that shit. It's like your girl 979 00:55:48,280 --> 00:55:50,680 Speaker 2: come home from work, like girl, you guess it just 980 00:55:50,719 --> 00:55:51,520 Speaker 2: bitch did today. 981 00:55:51,600 --> 00:55:54,960 Speaker 1: She wouldn't turn in their TPS reports on time, trying 982 00:55:54,960 --> 00:55:57,080 Speaker 1: to make me look bad. And you're like in the 983 00:55:57,160 --> 00:56:00,239 Speaker 1: middle of an NBA two K Live game with your 984 00:56:00,280 --> 00:56:02,520 Speaker 1: homies and this in the fourth quarter and you can't 985 00:56:02,560 --> 00:56:04,600 Speaker 1: pouse it because it's it's one of those games it's 986 00:56:04,719 --> 00:56:09,560 Speaker 1: like online and uh, it's playing in real time. And 987 00:56:09,680 --> 00:56:11,400 Speaker 1: he basically hit her with that where he was just like, 988 00:56:11,840 --> 00:56:13,840 Speaker 1: all right, then, cool, well you'll get over it, and 989 00:56:13,880 --> 00:56:15,960 Speaker 1: she was like, no, I'm saying I don't think I'm 990 00:56:16,000 --> 00:56:16,759 Speaker 1: ever gonna get over it. 991 00:56:16,880 --> 00:56:17,880 Speaker 2: I just had this baby. 992 00:56:18,320 --> 00:56:22,759 Speaker 1: I'm now mother is changing everything. And he's like, yeah, 993 00:56:23,280 --> 00:56:27,480 Speaker 1: but I'm worried about Dante imiltrating. How are we gonna 994 00:56:27,520 --> 00:56:28,520 Speaker 1: have a tribuno again? 995 00:56:28,719 --> 00:56:30,359 Speaker 2: Like, what we're gonna do. We're gonna kill this man. 996 00:56:30,400 --> 00:56:31,680 Speaker 2: We're gonna not kill him, yeah. 997 00:56:31,560 --> 00:56:33,799 Speaker 3: Because vote for the last one, right. 998 00:56:33,840 --> 00:56:34,800 Speaker 2: He's like what. 999 00:56:35,120 --> 00:56:37,040 Speaker 1: He's like, I'm worried about some other ship over it. 1000 00:56:37,160 --> 00:56:39,840 Speaker 1: I got real problems. And she's like, Nigga, this is 1001 00:56:39,920 --> 00:56:42,600 Speaker 1: a real problem to me. And he's like to you, 1002 00:56:43,080 --> 00:56:46,840 Speaker 1: and then she's like, maybe Dante was. 1003 00:56:46,880 --> 00:56:47,560 Speaker 2: Right about us. 1004 00:56:47,880 --> 00:56:52,520 Speaker 1: We're not strong as we think we are, and you know, 1005 00:56:52,760 --> 00:56:55,200 Speaker 1: it's like they had a couple of fats fat real quick. 1006 00:56:56,719 --> 00:56:58,360 Speaker 2: She wants him to want to do the dishes. 1007 00:56:58,480 --> 00:57:04,400 Speaker 1: Okay, So then we have a real quick scene of 1008 00:57:04,560 --> 00:57:07,000 Speaker 1: Aaron hanging out with Gracie and it's kind of adorable 1009 00:57:07,000 --> 00:57:12,239 Speaker 1: because he remember, well, one, Grace is getting big she 1010 00:57:12,360 --> 00:57:15,600 Speaker 1: on that Judith. But two, remember a long time ago 1011 00:57:15,800 --> 00:57:20,040 Speaker 1: we first met Aaron. One of the things he did 1012 00:57:20,360 --> 00:57:24,040 Speaker 1: was collect license plates from cars that were from different states. 1013 00:57:24,120 --> 00:57:26,080 Speaker 1: He did. They had tons of them, and he would 1014 00:57:26,120 --> 00:57:27,920 Speaker 1: bring them back to his house and put them on 1015 00:57:28,000 --> 00:57:29,920 Speaker 1: the wall to be like, I got one from this state, 1016 00:57:29,960 --> 00:57:30,320 Speaker 1: I got one. 1017 00:57:30,320 --> 00:57:31,360 Speaker 2: He was like collecting them. 1018 00:57:31,920 --> 00:57:36,120 Speaker 1: And so now here she is just saying the capital 1019 00:57:36,200 --> 00:57:38,560 Speaker 1: from each state that he got a car, and then 1020 00:57:38,640 --> 00:57:41,200 Speaker 1: she's asking him to tell a story about each state 1021 00:57:41,480 --> 00:57:44,360 Speaker 1: that he visited or something that happened in there. And 1022 00:57:44,640 --> 00:57:46,720 Speaker 1: it was kind of cool because it told me a 1023 00:57:46,800 --> 00:57:55,960 Speaker 1: couple of things. One, Aaron's traveling proclivity, I guess his 1024 00:57:56,120 --> 00:57:57,960 Speaker 1: ability to want to go out and find people and 1025 00:57:58,040 --> 00:57:58,960 Speaker 1: bring them in and stuff. 1026 00:57:59,080 --> 00:57:59,800 Speaker 3: He still has it. 1027 00:58:00,000 --> 00:58:01,800 Speaker 2: Well, not that's not all I'm gonna say. I'm gonna 1028 00:58:01,800 --> 00:58:02,880 Speaker 2: say he seems. 1029 00:58:02,600 --> 00:58:04,640 Speaker 3: To have always Ada agree, like. 1030 00:58:04,640 --> 00:58:07,040 Speaker 1: Because this is before the epoch, and he's like, yeah, 1031 00:58:07,080 --> 00:58:09,320 Speaker 1: I was in California for this, and the fact that 1032 00:58:09,360 --> 00:58:11,120 Speaker 1: he put all these license plates up there makes it 1033 00:58:11,160 --> 00:58:12,440 Speaker 1: sound like he must have traveled. 1034 00:58:12,200 --> 00:58:14,200 Speaker 3: A lot oh okay prior to this. 1035 00:58:14,480 --> 00:58:16,080 Speaker 2: Yeah, because whatever the game is. 1036 00:58:16,280 --> 00:58:18,600 Speaker 1: He tells her a story whenever she points out a 1037 00:58:18,680 --> 00:58:22,960 Speaker 1: license plate, and so she's like, Sacramento, California's capital, So 1038 00:58:23,600 --> 00:58:25,480 Speaker 1: tell me a story, y'alla, tell me a story about it. 1039 00:58:25,520 --> 00:58:28,160 Speaker 2: And I'm like, oh, he must have really just traveled a. 1040 00:58:28,200 --> 00:58:30,360 Speaker 3: Lot in the United States if we could fly my mouse. 1041 00:58:30,680 --> 00:58:31,760 Speaker 2: And he does tell a story. 1042 00:58:32,160 --> 00:58:34,640 Speaker 1: It's kind of not that relevant, but it's like kind 1043 00:58:34,680 --> 00:58:39,040 Speaker 1: of relevant, but it's like about ancient civilization and what 1044 00:58:39,240 --> 00:58:41,480 Speaker 1: the and now that those people are dead, he was 1045 00:58:41,600 --> 00:58:43,680 Speaker 1: he was at a village thinking like what was it 1046 00:58:43,800 --> 00:58:44,560 Speaker 1: like for those people? 1047 00:58:44,720 --> 00:58:48,800 Speaker 2: And now that they're gone, you know, what were they like? 1048 00:58:49,160 --> 00:58:51,800 Speaker 4: Yeah, And in his mind he's like, basically, I'm telling 1049 00:58:51,920 --> 00:58:56,640 Speaker 4: her almost history, literally history, like I lived history, like 1050 00:58:56,800 --> 00:58:59,920 Speaker 4: she will never like that little boy Niggas talked to, 1051 00:59:00,000 --> 00:59:03,000 Speaker 4: I've never seen a plane fly. You know, there's certain 1052 00:59:03,080 --> 00:59:05,760 Speaker 4: things never you know, be able to get on a 1053 00:59:05,920 --> 00:59:09,440 Speaker 4: boat a boat and take a cruise and ride a train, 1054 00:59:09,640 --> 00:59:12,160 Speaker 4: you know, simple shit that we take for granted because 1055 00:59:12,160 --> 00:59:14,080 Speaker 4: of society tore down before she was born. 1056 00:59:14,280 --> 00:59:17,000 Speaker 2: Well here's the other thing, though, too right. I think. 1057 00:59:19,560 --> 00:59:22,360 Speaker 1: They're setting up that Walking Dead spin off, and I 1058 00:59:22,480 --> 00:59:24,680 Speaker 1: think that Walking Dead spin off is gonna be take 1059 00:59:24,720 --> 00:59:26,560 Speaker 1: place probably in a distant future or something. 1060 00:59:26,920 --> 00:59:27,920 Speaker 2: And I wonder if they're. 1061 00:59:27,720 --> 00:59:31,000 Speaker 1: Trying to allude towards like whatever this next show is, 1062 00:59:31,440 --> 00:59:34,080 Speaker 1: they'll be looking back at Alexandria. 1063 00:59:33,600 --> 00:59:36,640 Speaker 2: Like, you know, these people, like what was like like 1064 00:59:36,720 --> 00:59:43,200 Speaker 2: for them? You know? At any rate, Dante gets a 1065 00:59:43,360 --> 00:59:45,400 Speaker 2: visit in jail from Gabe. 1066 00:59:58,920 --> 00:59:59,960 Speaker 13: Did you even have a song? 1067 01:00:00,040 --> 01:00:00,240 Speaker 2: M hm? 1068 01:00:02,760 --> 01:00:03,600 Speaker 8: Why does that matter? 1069 01:00:06,440 --> 01:00:10,160 Speaker 14: I guess it doesn't. It's one of the things I 1070 01:00:10,360 --> 01:00:18,080 Speaker 14: liked about you, that my son was killed, that you 1071 01:00:18,200 --> 01:00:23,440 Speaker 14: had a family. I suppose you'd like me to never 1072 01:00:23,520 --> 01:00:24,640 Speaker 14: trust anyone ever again. 1073 01:00:28,960 --> 01:00:30,080 Speaker 8: It's a meaningless idea. 1074 01:00:33,240 --> 01:00:43,760 Speaker 2: Yeah, h. 1075 01:00:56,440 --> 01:00:57,640 Speaker 13: Is that what you're here to show us? 1076 01:00:59,280 --> 01:01:03,760 Speaker 10: Look around you, Gabriel, look what people did to the world, 1077 01:01:06,360 --> 01:01:09,680 Speaker 10: and you think we can be good, You think we 1078 01:01:09,840 --> 01:01:11,040 Speaker 10: deserve a second chance. 1079 01:01:13,200 --> 01:01:18,400 Speaker 13: I loved Sadiq like a brother. My family will never 1080 01:01:18,480 --> 01:01:22,160 Speaker 13: be the same now, his daughter will never know him. 1081 01:01:23,760 --> 01:01:26,040 Speaker 13: Maybe Rosita will blame me, and maybe she's right too. 1082 01:01:26,080 --> 01:01:31,800 Speaker 13: I didn't protect them enough. I haven't always been brave. 1083 01:01:39,440 --> 01:01:49,000 Speaker 13: Do we deserve a second chance, I don't know. Sometimes 1084 01:01:49,080 --> 01:01:49,960 Speaker 13: we get one anyway. 1085 01:01:56,960 --> 01:02:06,200 Speaker 1: Stamp stab stab sap sam sab stab stab that I'm bleeding. 1086 01:02:07,760 --> 01:02:09,080 Speaker 3: Yeah, I did not see this coming. 1087 01:02:09,320 --> 01:02:12,080 Speaker 1: He shanked this man up and then look at these 1088 01:02:12,160 --> 01:02:15,080 Speaker 1: out these these rage stabs at the end. 1089 01:02:15,880 --> 01:02:32,200 Speaker 2: Why Magnifice did not see that coming? Mm hmmm. 1090 01:02:33,640 --> 01:02:35,680 Speaker 1: I thought Dante was gonna beat his ass and escape. 1091 01:02:36,800 --> 01:02:39,720 Speaker 1: Then he started crying. That's how you know he meant 1092 01:02:39,760 --> 01:02:40,840 Speaker 1: to kill this nigga hard. 1093 01:02:41,120 --> 01:02:41,280 Speaker 2: Yeah. 1094 01:02:41,400 --> 01:02:45,240 Speaker 4: Also, the thing is Dante didn't fear him. And you 1095 01:02:45,320 --> 01:02:48,960 Speaker 4: can tell Dante never seen this coming because he basically 1096 01:02:49,280 --> 01:02:52,560 Speaker 4: opened up the gate walks in. Dante just sits there 1097 01:02:53,040 --> 01:02:57,280 Speaker 4: because he basically looking like, I don't have anything to fear, 1098 01:02:57,360 --> 01:03:00,800 Speaker 4: because you're not like Carol and there, you know, and 1099 01:03:00,920 --> 01:03:03,400 Speaker 4: the rest of them where your whole purpose is to 1100 01:03:03,520 --> 01:03:05,400 Speaker 4: quote unquote come in here and fuck me up. 1101 01:03:06,200 --> 01:03:09,080 Speaker 3: So his thing was like, the fuck is this? So 1102 01:03:09,200 --> 01:03:11,600 Speaker 3: I think that's why it completely took him all the 1103 01:03:11,680 --> 01:03:12,240 Speaker 3: way off guard. 1104 01:03:12,440 --> 01:03:14,960 Speaker 1: Well he well, you know what else it was, Dante 1105 01:03:15,160 --> 01:03:18,040 Speaker 1: told us earlier y'all gonna him in Harvard. 1106 01:03:18,080 --> 01:03:18,760 Speaker 2: What to do with me. 1107 01:03:18,840 --> 01:03:21,400 Speaker 1: It's gonna be just like Megan, cause y'all don't have 1108 01:03:21,520 --> 01:03:23,280 Speaker 1: what it takes to give. It is the blah blah blah. 1109 01:03:23,280 --> 01:03:26,680 Speaker 1: And then this motherfucker was like, wrong, bitch. Not only that, 1110 01:03:26,920 --> 01:03:29,800 Speaker 1: but the nigga you didn't think would do it, it's 1111 01:03:29,880 --> 01:03:30,680 Speaker 1: the one doing it. 1112 01:03:31,080 --> 01:03:33,960 Speaker 3: You know, like it was just and he's like, I'm talking. 1113 01:03:34,040 --> 01:03:35,880 Speaker 3: And the thing is, he's been on here, been in 1114 01:03:36,000 --> 01:03:36,520 Speaker 3: his own mind. 1115 01:03:36,520 --> 01:03:41,120 Speaker 4: And the thing is he heard Rosita without hearing Rosita 1116 01:03:41,280 --> 01:03:43,840 Speaker 4: because he however, she was saying. But it's one of 1117 01:03:43,880 --> 01:03:45,640 Speaker 4: those things like no, no, no, no, no, my nigga 1118 01:03:45,640 --> 01:03:49,439 Speaker 4: fix his motherfucking problem. This nigga destroyed my family. I'm 1119 01:03:49,520 --> 01:03:50,920 Speaker 4: the one that let him in here. He felt a 1120 01:03:50,920 --> 01:03:53,720 Speaker 4: lot of guilt, a lot of blame, you know, he 1121 01:03:53,840 --> 01:03:57,280 Speaker 4: felt like I gave you a chance, you know, and 1122 01:03:57,400 --> 01:03:58,000 Speaker 4: he felt like. 1123 01:03:58,440 --> 01:04:00,760 Speaker 3: Oh, I'm going to end this. We gonna vote for it. 1124 01:04:01,160 --> 01:04:03,760 Speaker 3: Ain't no, no, no, no, boyd. Because he's the board 1125 01:04:03,800 --> 01:04:06,080 Speaker 3: committee person. Every time some ship come up, let's go 1126 01:04:06,200 --> 01:04:08,240 Speaker 3: to the board, Let's go to the committee. Let's bring 1127 01:04:08,280 --> 01:04:10,280 Speaker 3: it all together. Let's talk about it this time he's like, no, 1128 01:04:10,520 --> 01:04:12,120 Speaker 3: fuck it, yep. 1129 01:04:12,240 --> 01:04:13,360 Speaker 2: You wasn't scared. 1130 01:04:21,560 --> 01:04:21,760 Speaker 3: Off. 1131 01:04:23,880 --> 01:04:26,439 Speaker 1: But yeah, I also liked the idea of him doing 1132 01:04:26,560 --> 01:04:31,800 Speaker 1: that because it was the thing that was the toughest 1133 01:04:31,840 --> 01:04:37,520 Speaker 1: thing to do, and it was like a situation where 1134 01:04:38,520 --> 01:04:41,200 Speaker 1: they are in a war and they now need to 1135 01:04:41,240 --> 01:04:43,720 Speaker 1: bring it the time for all this equivoc Caden and 1136 01:04:44,400 --> 01:04:47,000 Speaker 1: Pot like all that ship is over with is like 1137 01:04:47,480 --> 01:04:50,440 Speaker 1: it's now it's just fuck you. And it also explained 1138 01:04:50,480 --> 01:04:53,160 Speaker 1: why him and that Rosita got in that argument, because 1139 01:04:53,160 --> 01:04:56,080 Speaker 1: at that point I realized, oh, Gabe was actually in 1140 01:04:56,200 --> 01:04:59,520 Speaker 1: a rage when she walked in that room, Like when 1141 01:04:59,600 --> 01:05:01,280 Speaker 1: she walked in that room, and he was looking at 1142 01:05:01,280 --> 01:05:03,720 Speaker 1: that tape, looking all calm and peaceful in the gave way, 1143 01:05:04,480 --> 01:05:06,400 Speaker 1: I just assume like all this niggas. 1144 01:05:06,120 --> 01:05:06,600 Speaker 2: Being a dick. 1145 01:05:06,720 --> 01:05:09,600 Speaker 1: He didn't understand, but he was in there thinking like 1146 01:05:09,720 --> 01:05:12,720 Speaker 1: I'm gonna kill this motherfucker fuck. 1147 01:05:12,600 --> 01:05:13,640 Speaker 2: Like like this. 1148 01:05:14,040 --> 01:05:15,680 Speaker 1: How I don't know how I missed it. Maybe I 1149 01:05:15,760 --> 01:05:18,520 Speaker 1: did a bad job. I didn't protect my family from 1150 01:05:18,560 --> 01:05:18,920 Speaker 1: this man. 1151 01:05:19,000 --> 01:05:19,760 Speaker 2: It's my fault. 1152 01:05:20,200 --> 01:05:23,080 Speaker 1: But I got a second chance today, and my second 1153 01:05:23,200 --> 01:05:25,400 Speaker 1: chance I'm gonna protect everybody from your ass right now 1154 01:05:25,480 --> 01:05:26,000 Speaker 1: by killing you. 1155 01:05:26,120 --> 01:05:29,120 Speaker 2: You won't ever hurt anybody else in these gates again. 1156 01:05:29,160 --> 01:05:32,840 Speaker 3: Right, And also his thing was, I don't want to 1157 01:05:33,000 --> 01:05:35,080 Speaker 3: have to deal with you being a simple here. 1158 01:05:35,280 --> 01:05:38,160 Speaker 4: And the long as you're here, the more the distrust comes, 1159 01:05:38,240 --> 01:05:41,880 Speaker 4: the more the division comes. Why is he here and 1160 01:05:42,080 --> 01:05:45,160 Speaker 4: all this type of shit. Well, you know, people are like, 1161 01:05:45,200 --> 01:05:48,840 Speaker 4: look that that's the enemy. He can't be here, you know. 1162 01:05:49,160 --> 01:05:51,560 Speaker 3: They was like, we dealt with Lydia, but him is 1163 01:05:51,600 --> 01:05:52,880 Speaker 3: a whole different story. 1164 01:05:52,960 --> 01:05:58,160 Speaker 2: Right, And honestly, he was so crazy. 1165 01:05:58,240 --> 01:06:01,040 Speaker 1: Dante wasn't scared of jail or he wasn't even scared 1166 01:06:01,040 --> 01:06:02,360 Speaker 1: that they were gonna kill him in some. 1167 01:06:02,440 --> 01:06:03,120 Speaker 2: Type of trial. 1168 01:06:04,200 --> 01:06:06,040 Speaker 3: So they was like, you got to die. 1169 01:06:06,720 --> 01:06:06,919 Speaker 2: Yep. 1170 01:06:07,240 --> 01:06:09,800 Speaker 1: So I love that scene. That's probably my favorite scene 1171 01:06:09,840 --> 01:06:13,200 Speaker 1: of the show this week. But yeah, he killed him 1172 01:06:13,280 --> 01:06:20,640 Speaker 1: violently as ship. Then Uh in the Woods, Jerry, Connie, Kelly, 1173 01:06:20,960 --> 01:06:25,520 Speaker 1: and Magna come from uh Hilltop and they meet up 1174 01:06:25,560 --> 01:06:27,920 Speaker 1: with Darryl and Carol and. 1175 01:06:28,120 --> 01:06:30,640 Speaker 2: I can't remember if anyone else was with them before you. 1176 01:06:30,720 --> 01:06:33,240 Speaker 3: Go in things with it. I think he basically just 1177 01:06:33,360 --> 01:06:37,160 Speaker 3: walks away and just walks off. Remember if he locked 1178 01:06:37,160 --> 01:06:37,520 Speaker 3: the cage. 1179 01:06:38,120 --> 01:06:40,360 Speaker 2: We'll get to that. I think it comes back up. 1180 01:06:42,760 --> 01:06:43,800 Speaker 2: I think I wrote it down. 1181 01:06:43,920 --> 01:06:45,240 Speaker 3: Oh, that was the last last scene. 1182 01:06:45,400 --> 01:06:45,600 Speaker 2: Bad. 1183 01:06:46,480 --> 01:06:50,320 Speaker 1: Yeah, well, when he does leave, it's not the last 1184 01:06:50,400 --> 01:06:56,240 Speaker 1: last scene. But Rosita is like comforting Coco, and she 1185 01:06:56,320 --> 01:06:59,640 Speaker 1: looks out the window and sees Gabe leave, all covered 1186 01:06:59,680 --> 01:07:06,000 Speaker 1: in blue but from the prison. And then later she 1187 01:07:06,320 --> 01:07:08,760 Speaker 1: I'll just skip into it. But later she finds him 1188 01:07:08,840 --> 01:07:14,400 Speaker 1: and he's burning Dante's body outside the gates or whatever, 1189 01:07:14,640 --> 01:07:16,320 Speaker 1: or maybe he was inside the gates, but she comes 1190 01:07:16,360 --> 01:07:18,640 Speaker 1: and puts her head on his shoulder, and I think, 1191 01:07:18,960 --> 01:07:20,680 Speaker 1: you know, that's kind of a symbol that you know, 1192 01:07:20,760 --> 01:07:22,800 Speaker 1: they're gonna be all right, or at least they are 1193 01:07:22,800 --> 01:07:23,560 Speaker 1: okay for today. 1194 01:07:23,600 --> 01:07:24,040 Speaker 2: Who knows. 1195 01:07:24,520 --> 01:07:28,200 Speaker 1: It's the zombie apocalypse. And Rosita is a very coveted woman. Okay, 1196 01:07:28,360 --> 01:07:32,800 Speaker 1: so she got options, all right. He was having an attitude, 1197 01:07:32,960 --> 01:07:36,640 Speaker 1: so uh yeah. So in the woods the people I 1198 01:07:36,720 --> 01:07:40,160 Speaker 1: told y'all earlier, they meet up, they search until nighttime. Uh, 1199 01:07:40,360 --> 01:07:44,160 Speaker 1: they cross into the territory of the Whisperers, and Darryl 1200 01:07:44,720 --> 01:07:47,000 Speaker 1: has to save Carol because she almost lost her leg 1201 01:07:47,440 --> 01:07:49,480 Speaker 1: running full full steam into a. 1202 01:07:49,520 --> 01:07:52,400 Speaker 2: Trap, not paying no attention. Some I'm gonna step into 1203 01:07:52,440 --> 01:07:53,080 Speaker 2: a bear trap. 1204 01:07:54,520 --> 01:07:56,440 Speaker 1: Now I like this scene too, but not for different 1205 01:07:56,480 --> 01:08:01,640 Speaker 1: reasons then at home, Yeah, different reasons than of course 1206 01:08:03,200 --> 01:08:06,959 Speaker 1: Eugene stabbing the motherfucker up. That was had its own reason. 1207 01:08:07,040 --> 01:08:09,160 Speaker 2: I mean gave sorry. 1208 01:08:35,800 --> 01:08:41,639 Speaker 8: Wait, could have lots of foot laid traps and means 1209 01:08:41,640 --> 01:08:44,400 Speaker 8: we're getting closer. I saw something over there. 1210 01:08:44,880 --> 01:08:48,160 Speaker 1: You stop the ship now, that's the other thing. She 1211 01:08:48,240 --> 01:08:50,600 Speaker 1: didn't miss a beat because he's like, you could have 1212 01:08:50,640 --> 01:08:52,479 Speaker 1: lost the foot. She didn't go, oh shit, wow, I'm 1213 01:08:52,479 --> 01:08:52,960 Speaker 1: out of control. 1214 01:08:52,960 --> 01:08:53,639 Speaker 2: I need to slow down. 1215 01:08:53,840 --> 01:08:55,720 Speaker 1: She's like, oh cool, they got trapped at me. We're 1216 01:08:55,720 --> 01:08:57,439 Speaker 1: getting closer, Like, nigga, what are you talking about? You 1217 01:08:57,479 --> 01:08:59,640 Speaker 1: could have lost your foot. You're telling you to take 1218 01:08:59,640 --> 01:09:00,479 Speaker 1: a second and breathe. 1219 01:09:00,520 --> 01:09:01,080 Speaker 2: Look around. 1220 01:09:01,560 --> 01:09:03,840 Speaker 4: She and a one woman mission, and she's like, fuck 1221 01:09:03,960 --> 01:09:06,679 Speaker 4: everything else around me accomplishing my mission. 1222 01:09:06,880 --> 01:09:13,160 Speaker 2: I want to kill her so bad. My dick is hard, right, Please, 1223 01:09:15,240 --> 01:09:16,960 Speaker 2: you want her death so bad you don't even care 1224 01:09:17,040 --> 01:09:17,519 Speaker 2: what happens. 1225 01:09:17,600 --> 01:09:22,280 Speaker 8: Deal, It's not true. He never came off the boat. 1226 01:09:23,880 --> 01:09:30,519 Speaker 8: It's been like talking to a goddamn ghost to stake 1227 01:09:30,560 --> 01:09:33,480 Speaker 8: can I'm knowing you don't. 1228 01:09:34,760 --> 01:09:34,800 Speaker 4: Me. 1229 01:09:40,120 --> 01:09:40,920 Speaker 6: I don't know how. 1230 01:09:43,280 --> 01:09:52,679 Speaker 2: You gotta try, all right, come on, hey, hug. 1231 01:09:53,120 --> 01:09:55,560 Speaker 4: Yeah, Because he's like, I'm your best friend, like, come on, like, 1232 01:09:55,640 --> 01:09:59,200 Speaker 4: you can't keep me at the loop, right, and. 1233 01:09:59,240 --> 01:10:08,280 Speaker 2: Then she's tried real it's not dead woman anywhere with me? 1234 01:10:09,200 --> 01:10:16,679 Speaker 3: Yeah, I think you yourself, we have a future. Don't 1235 01:10:16,760 --> 01:10:17,640 Speaker 3: let her take that too. 1236 01:10:26,040 --> 01:10:26,400 Speaker 8: You're good. 1237 01:10:29,640 --> 01:10:38,479 Speaker 1: Yeah, Okay, that is the most talking real Daryl has 1238 01:10:38,520 --> 01:10:40,679 Speaker 1: ever done, because we know fake Daryl told her about 1239 01:10:40,800 --> 01:10:43,679 Speaker 1: that is David truck driver. But that's the most talking, 1240 01:10:43,840 --> 01:10:46,360 Speaker 1: real fake that that real Daryl has ever done on 1241 01:10:46,439 --> 01:10:46,760 Speaker 1: the show. 1242 01:10:47,439 --> 01:10:50,840 Speaker 2: And also like low Ki, I really go up for. 1243 01:10:50,920 --> 01:10:53,920 Speaker 1: Their platonic friendship. Like at one time, I was like 1244 01:10:54,000 --> 01:10:55,479 Speaker 1: trying to shift them. I thought it was kind of 1245 01:10:55,560 --> 01:10:56,519 Speaker 1: funny and I was like. 1246 01:10:56,560 --> 01:10:57,240 Speaker 2: I like to see that. 1247 01:10:57,960 --> 01:11:01,240 Speaker 1: But now it's like I actually really like the fact 1248 01:11:01,320 --> 01:11:06,519 Speaker 1: that they're just platonic best friends because of you know, 1249 01:11:07,040 --> 01:11:09,920 Speaker 1: their own like shared history of dealing with trauma in 1250 01:11:10,000 --> 01:11:13,920 Speaker 1: the past, their own you know, the things they've gone 1251 01:11:13,960 --> 01:11:15,760 Speaker 1: through together. Because I think on this show, by the 1252 01:11:15,840 --> 01:11:18,920 Speaker 1: time you get to all this shit, everybody's trauma bonding. 1253 01:11:19,000 --> 01:11:21,040 Speaker 2: So it's like a it's like a. 1254 01:11:21,080 --> 01:11:23,200 Speaker 1: Whole cast of Queen of Slim, it's not just one 1255 01:11:23,439 --> 01:11:27,080 Speaker 1: one couple. But like at the same time, if that's 1256 01:11:27,080 --> 01:11:28,200 Speaker 1: what passed for love on the show. 1257 01:11:28,200 --> 01:11:28,599 Speaker 2: That's fine. 1258 01:11:28,800 --> 01:11:29,320 Speaker 3: I just love it. 1259 01:11:29,400 --> 01:11:32,479 Speaker 1: There's a platonic love here that isn't one of like 1260 01:11:33,400 --> 01:11:35,880 Speaker 1: and then they have to kiss, you know, like they 1261 01:11:35,960 --> 01:11:38,680 Speaker 1: had this very intimate moment and it's just it's like 1262 01:11:38,720 --> 01:11:39,640 Speaker 1: a son looking out for. 1263 01:11:39,680 --> 01:11:45,519 Speaker 2: His mom, almost right. And then she goes off, walking off, 1264 01:11:45,600 --> 01:11:46,240 Speaker 2: and he does. 1265 01:11:46,160 --> 01:11:49,120 Speaker 1: Still look worried about her, like, yes, like she still 1266 01:11:49,600 --> 01:11:52,600 Speaker 1: kind of trudges off, very determined, and I don't so 1267 01:11:52,720 --> 01:11:55,200 Speaker 1: I don't think that this talk like cured anything. 1268 01:11:55,840 --> 01:11:58,800 Speaker 4: And he knows her, so he's like, yeah, like I 1269 01:11:58,880 --> 01:12:03,280 Speaker 4: could still see that twinkling her eye where if something happens, 1270 01:12:03,600 --> 01:12:07,479 Speaker 4: he he kind of already knew if we spot anything, 1271 01:12:07,600 --> 01:12:09,160 Speaker 4: she's gonna run forward. 1272 01:12:08,920 --> 01:12:13,120 Speaker 3: And and and and not pay attention and then not 1273 01:12:13,320 --> 01:12:15,160 Speaker 3: scout or anything. 1274 01:12:15,439 --> 01:12:18,599 Speaker 4: Like Daryl is going into this going, motherfucker is a trap, 1275 01:12:19,040 --> 01:12:21,320 Speaker 4: and she's like, fuck it, I don't care. 1276 01:12:21,720 --> 01:12:24,880 Speaker 1: So then they hunt. They look for this spot all 1277 01:12:24,920 --> 01:12:26,360 Speaker 1: the way till the morning. When they get there in 1278 01:12:26,439 --> 01:12:29,320 Speaker 1: the morning, turns out the Zignbie heard is not in 1279 01:12:29,400 --> 01:12:33,320 Speaker 1: the field, and Darryl's goes he's like he's pissed. He's like, 1280 01:12:33,400 --> 01:12:35,120 Speaker 1: we should have been looking for Lydia the whole time. 1281 01:12:35,479 --> 01:12:38,519 Speaker 1: I knew this ship was a set up. You know, 1282 01:12:38,680 --> 01:12:42,599 Speaker 1: you can't trust a whisper, you got bad information. And uh, 1283 01:12:44,160 --> 01:12:48,320 Speaker 1: Aaron's like, this doesn't mean she's lying, right, So you know, 1284 01:12:48,560 --> 01:12:51,880 Speaker 1: let's not just act like, uh, you know, this is it. 1285 01:12:52,080 --> 01:12:54,840 Speaker 2: Oh that's why I left out Aaron. Yeah. So Aaron's like, yeah, 1286 01:12:55,720 --> 01:12:57,680 Speaker 2: she could still be telling the truth. Let's go back 1287 01:12:57,720 --> 01:13:00,120 Speaker 2: and talk to her. And He's like, no, fuck that, 1288 01:13:00,240 --> 01:13:01,240 Speaker 2: we gotta find Lydia. 1289 01:13:02,880 --> 01:13:06,920 Speaker 1: And on the way back, Carol keep in mind there 1290 01:13:07,000 --> 01:13:09,080 Speaker 1: on the other side of the border, they're ending the 1291 01:13:09,160 --> 01:13:10,000 Speaker 1: Whispered territory. 1292 01:13:10,520 --> 01:13:12,160 Speaker 2: Carol sees Alpha. 1293 01:13:12,800 --> 01:13:16,759 Speaker 4: Yes, and I'm like, now, you know, if she shows herself, 1294 01:13:16,880 --> 01:13:18,920 Speaker 4: it's some bullshit behind her, Come on, doll. 1295 01:13:19,120 --> 01:13:21,320 Speaker 1: But at the same time, if she sees you on 1296 01:13:21,439 --> 01:13:24,320 Speaker 1: her side of the border, you almost gotta kill her, correct, 1297 01:13:24,360 --> 01:13:26,800 Speaker 1: because I mean, what the fuck Willi's wait for her 1298 01:13:26,840 --> 01:13:29,000 Speaker 1: to show up to talk to us. Nah, And so 1299 01:13:29,560 --> 01:13:32,120 Speaker 1: Carol goes running after her. But right before the run 1300 01:13:32,240 --> 01:13:34,760 Speaker 1: they start to chase sing there's a little bit of 1301 01:13:34,800 --> 01:13:37,599 Speaker 1: a smile on Alpha's faces if she knows, like, got. 1302 01:13:37,520 --> 01:13:40,960 Speaker 2: These motherfuckers like now to do whatever? 1303 01:13:41,200 --> 01:13:46,360 Speaker 1: So she basically leads them into a trap where they 1304 01:13:46,479 --> 01:13:49,000 Speaker 1: get into a cave and they fall deeper into this cave, 1305 01:13:49,400 --> 01:13:51,880 Speaker 1: and that's what the Horde is hitting underground, and it's 1306 01:13:51,960 --> 01:13:56,720 Speaker 1: big ass cave and our people are trapped on the 1307 01:13:56,840 --> 01:13:58,960 Speaker 1: ledge and trying, you know. 1308 01:13:59,240 --> 01:14:05,439 Speaker 2: They what they can really move anywhere without falling into 1309 01:14:05,520 --> 01:14:06,640 Speaker 2: the herd and die. 1310 01:14:06,520 --> 01:14:09,680 Speaker 4: So correct and it's one of those things where what 1311 01:14:09,840 --> 01:14:12,160 Speaker 4: Gamma was telling them may have been true. That's probably 1312 01:14:12,200 --> 01:14:14,360 Speaker 4: where they were, and they shuffled them on the ground. 1313 01:14:15,080 --> 01:14:17,840 Speaker 1: Yeah, it doesn't mean Gamma's lying, but but it does 1314 01:14:17,920 --> 01:14:21,479 Speaker 1: add another layer of was is she's still playing us? 1315 01:14:23,040 --> 01:14:27,160 Speaker 2: Could how does Alpha know we'd be there? Maybe they 1316 01:14:27,200 --> 01:14:29,639 Speaker 2: could have found her out and tortured her. They could 1317 01:14:29,680 --> 01:14:30,200 Speaker 2: have found out. 1318 01:14:30,520 --> 01:14:33,320 Speaker 1: She could have confronted Alpha already and Alpha could have 1319 01:14:33,400 --> 01:14:36,280 Speaker 1: been like, okay, bitch, what did you tell them? 1320 01:14:36,479 --> 01:14:36,680 Speaker 4: You know? 1321 01:14:36,800 --> 01:14:39,720 Speaker 1: We don't know, so And that's the thing when you 1322 01:14:39,760 --> 01:14:43,640 Speaker 1: ain't got phones and texting all the shit. Hey, I 1323 01:14:43,680 --> 01:14:46,000 Speaker 1: don't know, Like she might have betrayed you, she might not, 1324 01:14:46,240 --> 01:14:48,040 Speaker 1: like just could have been a coincidence, could have not. 1325 01:14:48,479 --> 01:14:51,519 Speaker 1: We'll find out in the second half, I'm sure. And 1326 01:14:51,720 --> 01:14:54,320 Speaker 1: of course they don't think Aaron's like, I don't think 1327 01:14:54,400 --> 01:14:55,360 Speaker 1: she would like she want. 1328 01:14:55,280 --> 01:14:56,120 Speaker 2: To see her nephew. 1329 01:14:57,880 --> 01:14:59,800 Speaker 3: And I actually believe that one mm hm. 1330 01:15:00,479 --> 01:15:02,400 Speaker 2: And we saw how she reacted when she saw Lydia. 1331 01:15:02,479 --> 01:15:03,439 Speaker 2: I don't think that was fake. 1332 01:15:04,520 --> 01:15:06,639 Speaker 1: All right, let's get the people's feedback before we get 1333 01:15:06,680 --> 01:15:09,679 Speaker 1: out of here. Ms smart Wright saying, Karen Rodd, I'm 1334 01:15:09,720 --> 01:15:12,320 Speaker 1: genuinely hyped about this Third Way into the Future. The 1335 01:15:12,360 --> 01:15:14,560 Speaker 1: Walking Dad our standalone on this. 1336 01:15:14,760 --> 01:15:15,240 Speaker 2: It's cool. 1337 01:15:15,760 --> 01:15:20,160 Speaker 1: Dante killed Cheryl because she wouldn't set out her aa 1338 01:15:20,520 --> 01:15:26,880 Speaker 1: RP certified sex Sexy Genarian cakes otherwise, otherwise, he had. 1339 01:15:26,840 --> 01:15:29,759 Speaker 2: No other reason. I call that old woman dars Cheryl, 1340 01:15:29,840 --> 01:15:30,360 Speaker 2: that was her name. 1341 01:15:30,880 --> 01:15:33,280 Speaker 1: I had no other reason because she was she was 1342 01:15:33,479 --> 01:15:38,880 Speaker 1: likely knocking on Heaven's door anyway. I have I hate 1343 01:15:38,920 --> 01:15:42,600 Speaker 1: wasted resources. Sadiq was only training en it. Had he 1344 01:15:42,760 --> 01:15:46,400 Speaker 1: been training ten people once Dante's don't even go here 1345 01:15:46,520 --> 01:15:49,599 Speaker 1: ass snuffed him out, there would be other doctor and resources. Yeah, 1346 01:15:49,600 --> 01:15:52,160 Speaker 1: they don't even have a doctor now. Now everyone will 1347 01:15:52,200 --> 01:15:54,960 Speaker 1: pull a bad case of gas or in Sarazi. If 1348 01:15:55,000 --> 01:15:57,240 Speaker 1: everyone with a bad case of gas or Saratis is 1349 01:15:57,280 --> 01:16:00,799 Speaker 1: gonna die, and it's all. It's all because the admission 1350 01:16:00,840 --> 01:16:02,680 Speaker 1: standards are way too high. It's a deep school of 1351 01:16:02,800 --> 01:16:07,360 Speaker 1: erbal medicine elitism. Much he's a capitalistist. I'd be running 1352 01:16:07,400 --> 01:16:10,479 Speaker 1: a whole medical knowledge pyramid scheme if I was, well, 1353 01:16:10,560 --> 01:16:12,880 Speaker 1: you A, that's that's a Ponzi scheme. 1354 01:16:13,000 --> 01:16:14,880 Speaker 2: I don't know that. I don't know that get any better. 1355 01:16:15,439 --> 01:16:18,160 Speaker 1: I'd be running a whole medical knowledge pyramid scheme if 1356 01:16:18,200 --> 01:16:20,479 Speaker 1: I was the lone medical student in the Tritown area. 1357 01:16:20,760 --> 01:16:23,040 Speaker 1: Tuition would be weapons, horses, bacon and cobbler. 1358 01:16:23,600 --> 01:16:23,920 Speaker 2: Aha. 1359 01:16:24,640 --> 01:16:26,519 Speaker 1: What do y'all think Nigan is going to retire to 1360 01:16:26,600 --> 01:16:29,320 Speaker 1: Alexandria hilltop of ocean side or where the council gift 1361 01:16:29,439 --> 01:16:32,200 Speaker 1: him the kingdom to repair and run as he sees fit. 1362 01:16:32,720 --> 01:16:34,800 Speaker 1: I don't think he even goes. I don't even think 1363 01:16:34,920 --> 01:16:38,200 Speaker 1: Nagan wants the league. I think he's so off of. 1364 01:16:38,200 --> 01:16:39,080 Speaker 2: That shit right now. 1365 01:16:39,479 --> 01:16:47,120 Speaker 1: You know, Niga's like, uh, Kevin Spacey and American I 1366 01:16:47,240 --> 01:16:50,479 Speaker 1: forget the name of that movie, American something. But he 1367 01:16:50,560 --> 01:16:53,200 Speaker 1: had a high pressure job as a middle aged white 1368 01:16:53,280 --> 01:16:56,040 Speaker 1: man and he was going to work every day and whatever, 1369 01:16:56,200 --> 01:16:59,160 Speaker 1: and then this motherfucker got fired from the job or lost. 1370 01:16:58,960 --> 01:16:59,519 Speaker 2: It or somehow. 1371 01:17:00,240 --> 01:17:02,640 Speaker 1: American Beauty Yeah, he lost the job and then he 1372 01:17:02,840 --> 01:17:06,720 Speaker 1: ends up getting a job at like McDonald's and it 1373 01:17:06,920 --> 01:17:10,320 Speaker 1: was the least pressure and he loved the job. Like 1374 01:17:10,400 --> 01:17:12,200 Speaker 1: he didn't even want to be a manager at McDonald's. 1375 01:17:12,200 --> 01:17:16,320 Speaker 1: He's just like, I'm good working register. It's no responsibility. 1376 01:17:16,600 --> 01:17:18,960 Speaker 1: I just come here, I do it though, I accomplish 1377 01:17:19,040 --> 01:17:21,280 Speaker 1: my thing for the day, and I go home, you 1378 01:17:21,400 --> 01:17:23,400 Speaker 1: like wash the frost mall off of me and just live. 1379 01:17:23,880 --> 01:17:26,120 Speaker 1: That's kind of how I think Nigan is now. 1380 01:17:26,600 --> 01:17:27,160 Speaker 2: I don't think he. 1381 01:17:27,240 --> 01:17:29,720 Speaker 1: Wants the pressure of like telling them, motherfucker with the 1382 01:17:29,840 --> 01:17:32,560 Speaker 1: dude people gunning for you, you got a gun for 1383 01:17:32,680 --> 01:17:33,240 Speaker 1: other people. 1384 01:17:33,920 --> 01:17:35,840 Speaker 3: He I think he's going to let somebody else make 1385 01:17:35,880 --> 01:17:36,519 Speaker 3: those decisions. 1386 01:17:36,640 --> 01:17:36,840 Speaker 2: Yeah. 1387 01:17:36,880 --> 01:17:38,759 Speaker 1: I think he's happy being like, I'll be the best 1388 01:17:39,439 --> 01:17:42,720 Speaker 1: bottom bitch of the pimping thing y'all got, you know. 1389 01:17:43,360 --> 01:17:46,080 Speaker 2: And I think if it really comes down to like him, 1390 01:17:46,439 --> 01:17:46,760 Speaker 2: because I. 1391 01:17:46,720 --> 01:17:48,360 Speaker 1: Don't think they're gonna let him in those places, I 1392 01:17:48,400 --> 01:17:51,360 Speaker 1: think he'll be roaming the countryside by himself before he'll 1393 01:17:51,439 --> 01:17:53,479 Speaker 1: really be able to have a house in any of 1394 01:17:53,520 --> 01:17:57,360 Speaker 1: those areas agreed or what a council gift in the Kingdom. 1395 01:17:57,400 --> 01:17:59,679 Speaker 1: And I notice I won't entertain the possibility. I'm staying 1396 01:17:59,680 --> 01:18:02,360 Speaker 1: with the gun ARBs Faild kids. Cheers, Miss mart y'all. 1397 01:18:02,400 --> 01:18:05,160 Speaker 1: Don't think the Garbagerail kids are even existing anymore. 1398 01:18:05,439 --> 01:18:07,200 Speaker 3: They don't own the one. Everybody else died. 1399 01:18:07,479 --> 01:18:10,040 Speaker 2: Yeah, and we don't know what Jadas. I think Jadas 1400 01:18:10,080 --> 01:18:11,639 Speaker 2: went with Rick. 1401 01:18:11,600 --> 01:18:12,559 Speaker 3: Only helicopter yep. 1402 01:18:13,680 --> 01:18:15,880 Speaker 2: Ken Wright saying, Rod and Karen. 1403 01:18:16,439 --> 01:18:18,960 Speaker 1: I really enjoyed this week's episode, but I can't help 1404 01:18:19,000 --> 01:18:20,479 Speaker 1: but wonder who was getting played the most. 1405 01:18:20,600 --> 01:18:21,719 Speaker 2: Carol or a Aron. 1406 01:18:22,240 --> 01:18:26,840 Speaker 1: Aron seemingly got bad or outdated intel from Gemma while 1407 01:18:26,920 --> 01:18:29,640 Speaker 1: Alpha is doing a two step in Carol's brain. I 1408 01:18:30,439 --> 01:18:34,679 Speaker 1: expect this from Aaron, but historically Carol has been ice 1409 01:18:34,760 --> 01:18:38,120 Speaker 1: cold and steady handed it. Carol was clearly the savior 1410 01:18:38,120 --> 01:18:40,840 Speaker 1: of Terminus, but she is clearly off balanced now. Her 1411 01:18:41,000 --> 01:18:43,320 Speaker 1: judgment can't be trusted and she is too reckless of 1412 01:18:43,400 --> 01:18:47,000 Speaker 1: the Liza other others. Alpha got her so fucked up 1413 01:18:47,080 --> 01:18:51,760 Speaker 1: that she blinded blind runs across the clearing and into 1414 01:18:51,840 --> 01:18:54,680 Speaker 1: the dark cave. If the Rubers survived, Carol got to 1415 01:18:54,720 --> 01:18:57,760 Speaker 1: pull her shit together. This pill pop and revolver Karen, 1416 01:18:57,840 --> 01:19:00,280 Speaker 1: crazy ass. Carol is bad for the team. Love case 1417 01:19:00,280 --> 01:19:04,080 Speaker 1: swag oh five to five. Well, you didn't say nothing wrong. 1418 01:19:04,200 --> 01:19:04,880 Speaker 2: I know that much. 1419 01:19:05,439 --> 01:19:05,960 Speaker 3: I agree. 1420 01:19:06,200 --> 01:19:06,439 Speaker 1: You know. 1421 01:19:08,760 --> 01:19:10,320 Speaker 2: Our girl lamn right saying a. 1422 01:19:11,920 --> 01:19:15,599 Speaker 1: Uh hey, y'all, So I wasn't one hundred percent correct, 1423 01:19:15,640 --> 01:19:18,719 Speaker 1: but I was super close. She told Dante about Lydia 1424 01:19:18,840 --> 01:19:20,960 Speaker 1: and told the rest of the Whispers that she was dead. 1425 01:19:21,479 --> 01:19:23,960 Speaker 1: I just thought Dante didn't know, or that Alpha wanted 1426 01:19:24,040 --> 01:19:26,800 Speaker 1: him to watch her. Glad they cleared that up right 1427 01:19:27,160 --> 01:19:29,519 Speaker 1: from the jump. In this episode, y'all had me wondering 1428 01:19:29,560 --> 01:19:33,760 Speaker 1: if I had the timeline wrong. Nah, I mean, we 1429 01:19:34,000 --> 01:19:36,200 Speaker 1: just couldn't have known it was. There was a lot 1430 01:19:36,240 --> 01:19:37,360 Speaker 1: of questions, and I'm. 1431 01:19:37,160 --> 01:19:38,240 Speaker 3: Glad they asked questions. 1432 01:19:38,760 --> 01:19:40,200 Speaker 1: Could have they could have written in a lot of 1433 01:19:40,240 --> 01:19:43,400 Speaker 1: different ways. Oh my god, Dante is like the Russian trolls, 1434 01:19:43,479 --> 01:19:45,000 Speaker 1: the whisperers or the ira A. 1435 01:19:45,760 --> 01:19:45,880 Speaker 8: Uh. 1436 01:19:46,400 --> 01:19:47,920 Speaker 2: That was a really good article, by. 1437 01:19:47,880 --> 01:19:53,360 Speaker 1: The way, this show and it's some similartes to real 1438 01:19:53,479 --> 01:19:57,120 Speaker 1: life issues, so good. Shout out to Rosita and Michean, 1439 01:19:57,280 --> 01:20:00,400 Speaker 1: strong mom squad. Rosita didn't even flinch she had to 1440 01:20:00,439 --> 01:20:04,160 Speaker 1: take down a walker sadik I know, and Michean getting 1441 01:20:04,240 --> 01:20:08,280 Speaker 1: those books for her baby heart emojis, but having to 1442 01:20:08,400 --> 01:20:10,439 Speaker 1: leave her baby behind sad Emoji. 1443 01:20:11,120 --> 01:20:11,240 Speaker 3: Yo. 1444 01:20:12,640 --> 01:20:14,920 Speaker 1: That scene with father Gave was amazing. I thought he 1445 01:20:15,040 --> 01:20:17,000 Speaker 1: was gonna be in there like Commissioner. 1446 01:20:16,479 --> 01:20:19,240 Speaker 2: Gordon, but he left DC and with Philil punished her 1447 01:20:19,320 --> 01:20:19,920 Speaker 2: on Dante. 1448 01:20:21,439 --> 01:20:25,120 Speaker 1: Yeah, he was Zack snyderverse, Well you found the horrid 1449 01:20:25,240 --> 01:20:27,360 Speaker 1: Carol Damn. Are you happy now? 1450 01:20:27,800 --> 01:20:30,360 Speaker 2: Right? This is great love y'all, la mine, thank you. 1451 01:20:31,560 --> 01:20:35,599 Speaker 2: I know she'll be excited to hear this. Let's see, 1452 01:20:35,680 --> 01:20:40,040 Speaker 2: Jabari writes in Walking Dead Recap, my mercy. 1453 01:20:39,800 --> 01:20:44,080 Speaker 1: Preveils over my wraft. All right, hey, Queen Karen and Rod. 1454 01:20:45,520 --> 01:20:49,679 Speaker 1: What a high octane episode for the mid season finale. 1455 01:20:49,880 --> 01:20:52,800 Speaker 1: Started off with Rosita serving hands to do Bro and 1456 01:20:52,880 --> 01:20:56,040 Speaker 1: protecting the baby from zombie Sadik. She's such a veteran 1457 01:20:56,080 --> 01:20:58,360 Speaker 1: in the game. She didn't hesitate the way most people 1458 01:20:58,400 --> 01:21:01,040 Speaker 1: who have been attached to someone on the show hesitates 1459 01:21:01,040 --> 01:21:03,560 Speaker 1: when it's the loved ones go zombie mode. But she 1460 01:21:03,680 --> 01:21:07,800 Speaker 1: didn't have the time because Gronk Doc has been hadn't 1461 01:21:07,840 --> 01:21:11,120 Speaker 1: been incapacitated yet when he learned when did he learn 1462 01:21:11,160 --> 01:21:11,880 Speaker 1: how to speak Spanish? 1463 01:21:11,920 --> 01:21:12,439 Speaker 2: Well that's the thing. 1464 01:21:12,920 --> 01:21:16,240 Speaker 1: That actor is Spanish, and that character I think has 1465 01:21:16,400 --> 01:21:17,360 Speaker 1: always been Spanish. 1466 01:21:19,240 --> 01:21:22,599 Speaker 2: But yeah, it was funny because when he really had 1467 01:21:22,600 --> 01:21:23,000 Speaker 2: a need. 1468 01:21:22,960 --> 01:21:25,120 Speaker 1: To speak it until he's in this room with Rosita 1469 01:21:25,560 --> 01:21:28,280 Speaker 1: and that's speaking Spanish back and forth. And then I 1470 01:21:28,360 --> 01:21:30,479 Speaker 1: love how once she knew he could understand her, she 1471 01:21:30,680 --> 01:21:32,639 Speaker 1: was cussing his ass out in Spanish the whole time 1472 01:21:32,720 --> 01:21:36,360 Speaker 1: during the interrogation. Uh, this is a weird, just position 1473 01:21:36,560 --> 01:21:39,759 Speaker 1: to when she goes out to rage kill those construction 1474 01:21:39,920 --> 01:21:42,919 Speaker 1: zombies and needs to be saved by Eugene with the bundles. 1475 01:21:43,400 --> 01:21:46,040 Speaker 2: Well, it's kind of weird because I not really weird. 1476 01:21:46,080 --> 01:21:46,640 Speaker 2: I feel like. 1477 01:21:48,160 --> 01:21:52,879 Speaker 1: With the zombies, she froze because she realized how important 1478 01:21:52,920 --> 01:21:55,320 Speaker 1: it was for that baby to have a parent, with 1479 01:21:55,720 --> 01:21:59,519 Speaker 1: Sadiq having died, correct, And before that, I think she 1480 01:21:59,680 --> 01:22:02,840 Speaker 1: hadn't really you know, I'm a lot of people who 1481 01:22:02,840 --> 01:22:05,080 Speaker 1: are parents probably had this realization. They're like, oh shit, 1482 01:22:05,160 --> 01:22:07,800 Speaker 1: I'm the lifeline for my kids, and they might they 1483 01:22:07,880 --> 01:22:10,200 Speaker 1: might not sink in right away, but it's sinking at. 1484 01:22:10,080 --> 01:22:12,920 Speaker 3: Some point if I go, I don't won't leave my 1485 01:22:13,080 --> 01:22:14,599 Speaker 3: children kind of out to the world. 1486 01:22:15,360 --> 01:22:17,920 Speaker 1: Spike brass knuckles seemed like a poor choice of weaponry 1487 01:22:17,960 --> 01:22:22,120 Speaker 1: wins Proximity to rock Walker's increases the likelihood of the bite. 1488 01:22:22,520 --> 01:22:24,559 Speaker 2: Sometimes you just need to punch the motherfuck at your bary. 1489 01:22:25,720 --> 01:22:27,120 Speaker 2: She she lamits the. 1490 01:22:27,120 --> 01:22:29,519 Speaker 1: Gabe that she hesitated in a moment when she usually wouldn't. 1491 01:22:29,520 --> 01:22:31,840 Speaker 1: But she didn't hesitate when everything was on the line, 1492 01:22:31,880 --> 01:22:34,960 Speaker 1: Coco was in danger. I don't know, seems strange. Uh, 1493 01:22:35,960 --> 01:22:38,240 Speaker 1: she hadn't had time to process the Dee's death until 1494 01:22:38,920 --> 01:22:39,679 Speaker 1: after the funeral. 1495 01:22:39,840 --> 01:22:40,760 Speaker 3: Yeah, she didn't have time. 1496 01:22:40,920 --> 01:22:43,160 Speaker 1: Did you notice that father gave going off the board 1497 01:22:43,240 --> 01:22:45,200 Speaker 1: with the prison shank was a nice twist. Definitely didn't 1498 01:22:45,200 --> 01:22:47,560 Speaker 1: see that coming from mister I need a Knight to 1499 01:22:47,640 --> 01:22:51,080 Speaker 1: decide Megan's fate. Also side note, what was the three 1500 01:22:51,760 --> 01:22:55,120 Speaker 1: was that three stacks in the dispatches from elsewhere? 1501 01:22:55,400 --> 01:22:58,720 Speaker 2: Trailer? I'm glad was was that three stacks in the 1502 01:22:58,800 --> 01:23:01,800 Speaker 2: dispatches from elsewhere? I don't know, I don't know. 1503 01:23:03,560 --> 01:23:08,080 Speaker 1: I'm glad Darryl finally told Grandma jack Bauer to cut 1504 01:23:08,160 --> 01:23:12,200 Speaker 1: the shit. He's the He's one of I fuck with 1505 01:23:12,280 --> 01:23:15,479 Speaker 1: Jamon Jack Bauer. I'm actually on carroll side on this one. 1506 01:23:15,960 --> 01:23:18,200 Speaker 1: He's one of the best at pulling Carrol out of 1507 01:23:18,240 --> 01:23:21,040 Speaker 1: the tunnel vision. He could definitely see she was on 1508 01:23:21,120 --> 01:23:23,759 Speaker 1: the suicide mission to take out Alpha, and like Rosita 1509 01:23:23,880 --> 01:23:28,320 Speaker 1: with Niaghan, she wasn't measuring the consequences for the rest 1510 01:23:28,360 --> 01:23:30,479 Speaker 1: of the group because she wasn't playing it on living 1511 01:23:30,560 --> 01:23:32,679 Speaker 1: past her and Alpha's collective death. 1512 01:23:33,040 --> 01:23:34,760 Speaker 2: Yeah, that's true. That's a good point. I take it back. 1513 01:23:35,160 --> 01:23:38,839 Speaker 2: Juliph has become such a g with that sword. She's adorable. 1514 01:23:38,960 --> 01:23:42,560 Speaker 1: She's so measured and rational with Michean when Machean is 1515 01:23:42,560 --> 01:23:44,040 Speaker 1: telling her she has to sell away. 1516 01:23:44,200 --> 01:23:46,839 Speaker 2: Growing up with that much loss. 1517 01:23:46,960 --> 01:23:49,320 Speaker 1: Mature as a kid in a way that Carroll was 1518 01:23:49,479 --> 01:23:53,240 Speaker 1: before he died, a car was before he died. They 1519 01:23:53,320 --> 01:23:55,160 Speaker 1: did a great job of setting he detentions in the 1520 01:23:55,240 --> 01:23:58,240 Speaker 1: final scene when they all fell into the hoard cave. 1521 01:23:58,400 --> 01:24:00,639 Speaker 1: You know, I gotta say also out to what they've 1522 01:24:00,640 --> 01:24:06,160 Speaker 1: done with Judith, because to me, Judith and Mishone makes sense. 1523 01:24:06,920 --> 01:24:09,599 Speaker 3: Like Rick and Carl, it does make sense. 1524 01:24:09,640 --> 01:24:14,320 Speaker 1: It just makes sense in a way. But Yeah, I'm 1525 01:24:14,360 --> 01:24:16,800 Speaker 1: super excited about the excited for the second half of 1526 01:24:16,880 --> 01:24:18,840 Speaker 1: the season. I don't think they would drag the plot 1527 01:24:18,920 --> 01:24:20,960 Speaker 1: line out like they did the meeting story. 1528 01:24:21,240 --> 01:24:23,479 Speaker 2: The preview clips look like every episode is gonna be 1529 01:24:23,479 --> 01:24:24,200 Speaker 2: a mile a minute. 1530 01:24:24,439 --> 01:24:26,400 Speaker 1: Thank you all for your incredible work on the recaps 1531 01:24:26,439 --> 01:24:28,400 Speaker 1: and the weekly shows can't tell you enough how great 1532 01:24:28,400 --> 01:24:31,240 Speaker 1: of a team you guys are. Best regards Jabbari at 1533 01:24:31,320 --> 01:24:36,600 Speaker 1: Two Stones, One Bird. Thanks appreciate you, y'all appreciate that emails. 1534 01:24:36,680 --> 01:24:37,360 Speaker 2: Very nice of you. 1535 01:24:39,600 --> 01:24:44,640 Speaker 1: Beth right saying hear ye hear ye uh And the 1536 01:24:44,720 --> 01:24:46,840 Speaker 1: title this email is for what for sandwiches? 1537 01:24:47,720 --> 01:24:48,000 Speaker 3: Haha. 1538 01:24:49,880 --> 01:24:53,559 Speaker 1: Rod's impression of the whisper Carol Cott is hilarious. Karen's 1539 01:24:53,560 --> 01:24:56,000 Speaker 1: impression of Alpha I crack up every time I listen 1540 01:24:56,040 --> 01:24:58,559 Speaker 1: back to that part of recap. I guess we found 1541 01:24:58,680 --> 01:24:59,200 Speaker 1: the ward. 1542 01:24:59,400 --> 01:25:01,960 Speaker 2: Good job. Everybody bonus points to Carol. Is it me? 1543 01:25:02,400 --> 01:25:04,320 Speaker 2: Or did it not look big enough to be called 1544 01:25:04,320 --> 01:25:06,080 Speaker 2: a nuclear weapon? Yeah? 1545 01:25:06,200 --> 01:25:06,360 Speaker 4: You know. 1546 01:25:06,520 --> 01:25:09,880 Speaker 2: Gotta say, though, as much as we're like Carol is 1547 01:25:09,960 --> 01:25:10,559 Speaker 2: out of control. 1548 01:25:10,680 --> 01:25:13,000 Speaker 1: She need to slow down. If Carol had to chase 1549 01:25:13,040 --> 01:25:14,400 Speaker 1: out for they would have never found a hord. 1550 01:25:15,640 --> 01:25:17,439 Speaker 2: I hate Luke. I tried to like him. 1551 01:25:17,479 --> 01:25:19,600 Speaker 1: I really did, even gave him the benefit of the 1552 01:25:19,680 --> 01:25:22,280 Speaker 1: doubt when I heard the risk whistling, like, not. 1553 01:25:22,360 --> 01:25:24,519 Speaker 2: Even Luke can be that stupid. I was wrong. He 1554 01:25:24,680 --> 01:25:25,360 Speaker 2: is that stupid? 1555 01:25:25,479 --> 01:25:28,080 Speaker 1: Why is he whistling? Why can't he be more like 1556 01:25:28,200 --> 01:25:32,760 Speaker 1: Kelly and Connie. Yeah, except Beth, I don't remember you 1557 01:25:32,880 --> 01:25:36,479 Speaker 1: getting upset that Megan was out here whistling and Nigan 1558 01:25:36,560 --> 01:25:37,400 Speaker 1: was whistling. 1559 01:25:37,040 --> 01:25:39,639 Speaker 2: For like two whole seasons a whistling. 1560 01:25:40,120 --> 01:25:42,479 Speaker 1: So I'm just saying, Beth, are we having a little 1561 01:25:42,520 --> 01:25:45,720 Speaker 1: bias against my man Luke for doing something like Luke? 1562 01:25:46,120 --> 01:25:48,000 Speaker 1: Like if he looked something, if you had a cool 1563 01:25:48,080 --> 01:25:49,920 Speaker 1: leather jacket, all of a sudden, when it to be okay, 1564 01:25:50,400 --> 01:25:52,280 Speaker 1: I just want to know, Sis, I'm just I'm just 1565 01:25:52,320 --> 01:25:56,680 Speaker 1: having I just got some questions. My initial annoyance was 1566 01:25:56,720 --> 01:25:59,439 Speaker 1: with the way he was introduced, that trope of the 1567 01:25:59,479 --> 01:26:02,080 Speaker 1: man in the group survivors blathering on about trivia. He 1568 01:26:02,200 --> 01:26:04,000 Speaker 1: was all over the place talking about a violin, the 1569 01:26:04,080 --> 01:26:06,200 Speaker 1: size and the end of all his Also, as a 1570 01:26:06,240 --> 01:26:09,080 Speaker 1: music student, I know what a strata of various violin is. 1571 01:26:09,240 --> 01:26:12,960 Speaker 1: None of it matters now he only had had it 1572 01:26:13,040 --> 01:26:16,120 Speaker 1: because he is a hoarder. What what use does a 1573 01:26:16,200 --> 01:26:20,479 Speaker 1: hoarder have in apocalypse? Well, they might got some supplies on. 1574 01:26:20,600 --> 01:26:23,920 Speaker 2: Hands and just don't know about what everything. Also, I mean, 1575 01:26:24,160 --> 01:26:26,360 Speaker 2: you know, if you run into a violin player, now 1576 01:26:26,400 --> 01:26:26,960 Speaker 2: you got a part. 1577 01:26:27,640 --> 01:26:28,200 Speaker 3: Uh hah. 1578 01:26:28,960 --> 01:26:31,680 Speaker 2: I enjoyed his flirtation at Ocera side and that he 1579 01:26:31,840 --> 01:26:37,400 Speaker 2: was whistling Rockmanov. But that's it. I still don't understand why. 1580 01:26:39,320 --> 01:26:41,200 Speaker 1: They made all that fuss about him seeing jewels and 1581 01:26:41,280 --> 01:26:42,640 Speaker 1: I just don't even remember if he saw her the 1582 01:26:42,680 --> 01:26:46,800 Speaker 1: whole episode. Yeah, it felt like they made a big deal, 1583 01:26:46,920 --> 01:26:48,519 Speaker 1: like he going up there to see that girl, y'all, 1584 01:26:48,560 --> 01:26:50,120 Speaker 1: and then it's like they never had a moment. 1585 01:26:50,560 --> 01:26:52,080 Speaker 3: I bet you they will want to come back. 1586 01:26:52,200 --> 01:26:52,760 Speaker 2: So it's got that. 1587 01:26:52,840 --> 01:26:55,639 Speaker 1: Long ass goodbye he had in Ocean Side. He told 1588 01:26:55,680 --> 01:26:56,559 Speaker 1: everybody goodbye. 1589 01:26:57,360 --> 01:26:57,479 Speaker 6: Uh. 1590 01:26:58,360 --> 01:27:00,519 Speaker 1: Anyway, next season when they find us else trapped in 1591 01:27:00,560 --> 01:27:02,479 Speaker 1: the building with Walker, there's nothing on the hills, he'll 1592 01:27:02,479 --> 01:27:02,760 Speaker 1: all be. 1593 01:27:02,880 --> 01:27:07,960 Speaker 2: Like hunter gatherers in the Serengetti. Uh uh. He'll make 1594 01:27:08,000 --> 01:27:11,240 Speaker 2: a great teacher for the kids. But that's it. Will Uh, Well, 1595 01:27:11,280 --> 01:27:13,639 Speaker 2: we need teachers. We all say teacher should be playing 1596 01:27:13,680 --> 01:27:16,080 Speaker 2: on the NBA player teacher if he lives. 1597 01:27:16,200 --> 01:27:19,880 Speaker 1: But but Kelly, Okannie dies, I'm rioting looking forward to 1598 01:27:19,960 --> 01:27:21,400 Speaker 1: your recap episode love Beth. 1599 01:27:21,680 --> 01:27:25,400 Speaker 2: Well, you know what, though, Beth, what if he use 1600 01:27:25,479 --> 01:27:27,280 Speaker 2: the strata barriers to hit the nigger side there? 1601 01:27:27,400 --> 01:27:30,000 Speaker 1: He hit the side there, then won't we all be 1602 01:27:30,080 --> 01:27:34,120 Speaker 1: foolish right. Uh, Karina Wrights in this the last one 1603 01:27:34,640 --> 01:27:37,400 Speaker 1: high Rod and Karen's side. Carol makes my head hurt. 1604 01:27:37,600 --> 01:27:40,559 Speaker 1: No one can talk any sense in her, even Darryl. 1605 01:27:40,640 --> 01:27:43,320 Speaker 1: Now everyone is trapped because Carol fell for the okie doe. 1606 01:27:43,800 --> 01:27:46,080 Speaker 1: I'm not sure if Mary is playing the long game 1607 01:27:46,280 --> 01:27:50,439 Speaker 1: or being honest. Uh, Mary is Gamma. Also, no way 1608 01:27:50,520 --> 01:27:54,160 Speaker 1: Earl is going to let her see baby Adam right, 1609 01:27:54,280 --> 01:27:57,680 Speaker 1: that old man is like f y I Earl is 1610 01:27:57,720 --> 01:27:59,800 Speaker 1: the one raising the baby. Purton extended to see the 1611 01:28:00,080 --> 01:28:02,719 Speaker 1: see for me. Oh we know, Uh that was early 1612 01:28:02,800 --> 01:28:03,760 Speaker 1: and what's her name? 1613 01:28:03,840 --> 01:28:04,040 Speaker 2: Baby? 1614 01:28:04,040 --> 01:28:06,840 Speaker 1: And then she got killed in the barn and yeah, 1615 01:28:06,920 --> 01:28:08,439 Speaker 1: he ain't never letting her see that baby. 1616 01:28:09,120 --> 01:28:11,160 Speaker 2: Uh that's why. That's why I appreciate Aaron not even 1617 01:28:11,240 --> 01:28:14,080 Speaker 2: lying to that woman, being like yeah, it was like, uh, 1618 01:28:14,479 --> 01:28:18,400 Speaker 2: probably not, but what's your information though? Uh? 1619 01:28:18,520 --> 01:28:21,360 Speaker 1: Michean said Michean, I can't see how they can wrap 1620 01:28:21,479 --> 01:28:24,400 Speaker 1: up her storyline with one episode left for the not 1621 01:28:24,560 --> 01:28:25,679 Speaker 1: oh it's only one left. 1622 01:28:25,760 --> 01:28:27,040 Speaker 3: Wow, I don't know. 1623 01:28:28,720 --> 01:28:29,280 Speaker 2: I can see it. 1624 01:28:29,840 --> 01:28:29,960 Speaker 4: Uh. 1625 01:28:30,080 --> 01:28:33,160 Speaker 1: They go to the island, they find the military weapons. 1626 01:28:34,439 --> 01:28:37,720 Speaker 1: Something happens to her where she leaves and goes with 1627 01:28:39,560 --> 01:28:42,280 Speaker 1: with goes to look for Rick or something like that. 1628 01:28:42,439 --> 01:28:48,880 Speaker 1: She gets hurt, sick, whatever, and then the new dude 1629 01:28:49,120 --> 01:28:52,519 Speaker 1: Virgil they introduced, is like, well, I'm making my mission. 1630 01:28:52,560 --> 01:28:53,559 Speaker 2: I owe it to these people. 1631 01:28:53,600 --> 01:28:56,400 Speaker 1: They saved my life, they got me back to my family. 1632 01:28:56,560 --> 01:29:00,400 Speaker 1: I'm gonna get these weapons to Alexandria. And so because 1633 01:29:00,439 --> 01:29:03,000 Speaker 1: of the actor they got I can see that because 1634 01:29:03,040 --> 01:29:05,120 Speaker 1: you just don't cast that person for one episode. 1635 01:29:05,360 --> 01:29:06,040 Speaker 3: I agreed. 1636 01:29:06,479 --> 01:29:09,280 Speaker 2: No, I agree, So that's what I would. That's my guest. 1637 01:29:09,360 --> 01:29:11,759 Speaker 1: I have no fucking idea, no inside knowledge, just guessing. 1638 01:29:12,120 --> 01:29:15,320 Speaker 1: Thanks for the recap is always, oh wait, I'm gonna 1639 01:29:15,320 --> 01:29:17,040 Speaker 1: miss my girl so much. Thanks for the recap is 1640 01:29:17,040 --> 01:29:22,240 Speaker 1: always Karina, thank you, and that's everything, and everybody, thank 1641 01:29:22,360 --> 01:29:26,559 Speaker 1: y'all for leaving feedback. I would say sorry it took 1642 01:29:26,600 --> 01:29:28,200 Speaker 1: us so long, but normally we don't do this shit 1643 01:29:28,320 --> 01:29:29,400 Speaker 1: until like February. 1644 01:29:30,200 --> 01:29:34,760 Speaker 2: So oh, so y'all welcome. All right, y'all, we'll talk 1645 01:29:34,800 --> 01:29:34,960 Speaker 2: to you. 1646 01:29:36,120 --> 01:29:39,599 Speaker 1: Episode twenty twenty, which will be in episode which will 1647 01:29:39,640 --> 01:29:43,240 Speaker 1: be in the year twenty twenty, and this twenty nineteen 1648 01:29:43,360 --> 01:29:45,200 Speaker 1: is the last episode of twenty nineteen. 1649 01:29:45,840 --> 01:29:46,760 Speaker 2: You like how we did that? 1650 01:29:47,240 --> 01:29:48,840 Speaker 1: I know, y'all like, wait, till you get the four 1651 01:29:48,920 --> 01:29:51,400 Speaker 1: thousand and fort there because from this point on, guys, 1652 01:29:51,680 --> 01:29:52,960 Speaker 1: we're doing one episode A. 1653 01:29:53,040 --> 01:29:57,360 Speaker 2: Yeah, that's right. We're gonna keep it all with the time. 1654 01:29:57,680 --> 01:29:59,360 Speaker 3: Know we are not all right, y'all. 1655 01:30:00,080 --> 01:30:00,920 Speaker 2: Until next time. 1656 01:30:01,520 --> 01:30:03,120 Speaker 3: I love you, I love you too,