1 00:00:02,040 --> 00:00:12,840 Speaker 1: This is a headgun podcast. Celebrity book Club. Who's that 2 00:00:13,000 --> 00:00:16,160 Speaker 1: knocking at the door. It's all your friends, your filthy horse, 3 00:00:16,280 --> 00:00:18,800 Speaker 1: your husband's gone, and we've got books and a bottle 4 00:00:18,840 --> 00:00:22,840 Speaker 1: of wine to kill. It's Hollywood, it's books, it's gossip. 5 00:00:23,079 --> 00:00:30,440 Speaker 1: I'm shook. It's memoirs, Marteenie clebrit Book Club can read 6 00:00:30,520 --> 00:00:34,640 Speaker 1: it while it's hot. Celebrity Book Club, Tell your secrets. 7 00:00:34,680 --> 00:00:40,360 Speaker 1: We won't talk celebrity books. No boys are Alloud. Celebrit 8 00:00:40,440 --> 00:00:45,000 Speaker 1: Book Club Say it Loud and Cloud Celebrity book Club. 9 00:00:45,800 --> 00:00:49,960 Speaker 1: Buzz Man. I brought the Queer Voe Hey best friend 10 00:00:50,840 --> 00:00:54,959 Speaker 1: are am I God, Lily, Stephen Phillips Horse, He's talking Rod. 11 00:00:55,000 --> 00:00:57,520 Speaker 1: I'm so excited to see you. I feel like it's 12 00:00:57,520 --> 00:01:00,320 Speaker 1: been months since we left recording and now, oh, I 13 00:01:00,400 --> 00:01:02,960 Speaker 1: know it always feels this way where it's like we 14 00:01:03,040 --> 00:01:05,399 Speaker 1: did this last week and I'm just like, but have 15 00:01:05,560 --> 00:01:08,560 Speaker 1: I seen you? So much has happened just in terms 16 00:01:08,600 --> 00:01:11,440 Speaker 1: of the world. Oh my god, yeah, sort of mask 17 00:01:11,600 --> 00:01:15,440 Speaker 1: mandates coming down. I'm going to the gym now sans 18 00:01:15,520 --> 00:01:18,679 Speaker 1: mask and it's so liberating. Wait, really it was so 19 00:01:18,760 --> 00:01:20,839 Speaker 1: fab and can I say this? Sorry not to brag 20 00:01:20,880 --> 00:01:22,880 Speaker 1: but literally my first day at the gym without a mask, 21 00:01:22,959 --> 00:01:26,600 Speaker 1: I got recognized stop yes by just like a guy. 22 00:01:26,640 --> 00:01:29,560 Speaker 1: I mean, yes, he was a good and I'm not 23 00:01:29,640 --> 00:01:31,440 Speaker 1: just missing. He was a fan and he was like 24 00:01:31,480 --> 00:01:33,200 Speaker 1: he came up to he was just like are you Stephen? 25 00:01:33,240 --> 00:01:34,600 Speaker 1: And I was like, he was like, well, first of all, 26 00:01:34,600 --> 00:01:36,080 Speaker 1: he said this weird thing. He was like, I used 27 00:01:36,080 --> 00:01:38,440 Speaker 1: to follow you online and I was like, who you 28 00:01:38,480 --> 00:01:41,560 Speaker 1: used to? No people do that like I had. I 29 00:01:41,680 --> 00:01:43,800 Speaker 1: feel like girl come up to me at the Honey's 30 00:01:43,920 --> 00:01:47,680 Speaker 1: Holiday Fair not to name drop an amazing local business, 31 00:01:48,600 --> 00:01:51,360 Speaker 1: and she was like, oh my god, you're so funny. 32 00:01:51,440 --> 00:01:54,400 Speaker 1: Someone once showed me your Instagram and then I never 33 00:01:54,440 --> 00:01:57,080 Speaker 1: followed you. She told you she didn't follow you, yeah, 34 00:01:57,120 --> 00:01:59,080 Speaker 1: but that it was funny when someone showed it to me. 35 00:01:59,160 --> 00:02:01,720 Speaker 1: It's that's like he said that he was this big 36 00:02:01,760 --> 00:02:04,240 Speaker 1: fan and he would show his friends on my videos. 37 00:02:04,240 --> 00:02:06,400 Speaker 1: With this whole story, I think maybe he was implying 38 00:02:06,400 --> 00:02:08,880 Speaker 1: that he had like wasn't on social media anymore. Something 39 00:02:08,960 --> 00:02:14,680 Speaker 1: totally kind. This is no pity party here. Whatever literally 40 00:02:15,040 --> 00:02:19,600 Speaker 1: gave your life unplug go to an ashram. So anyway, 41 00:02:19,680 --> 00:02:21,560 Speaker 1: it's been a crazy week and I think what we're 42 00:02:21,560 --> 00:02:23,960 Speaker 1: trying to say, but we should probably. I was so 43 00:02:24,040 --> 00:02:26,160 Speaker 1: happy for you, Yes, thank you, and I'm happy that 44 00:02:26,200 --> 00:02:27,919 Speaker 1: you got to hear that story. And I just think 45 00:02:27,960 --> 00:02:29,880 Speaker 1: like one of the reasons this week has been craziest 46 00:02:29,880 --> 00:02:36,239 Speaker 1: because we read a really psychotically amazing epic Sauce Cuckoo 47 00:02:36,560 --> 00:02:39,080 Speaker 1: book that is a saga of New York City and 48 00:02:39,120 --> 00:02:44,320 Speaker 1: I think really speaks to California, Syracuse. Yeah, I mean 49 00:02:44,400 --> 00:02:46,919 Speaker 1: places that we all have real connections. Also, it's an 50 00:02:46,919 --> 00:02:51,959 Speaker 1: Italian American book, and I am a proud, proud Italian Americans. Yes, 51 00:02:52,040 --> 00:02:56,480 Speaker 1: everyone knows that you are extremely proud. But we shouldn't 52 00:02:56,520 --> 00:03:00,080 Speaker 1: shoot our guest. Yes, So we decided to bring on 53 00:03:00,200 --> 00:03:03,680 Speaker 1: someone for this very special episode who also intersects with 54 00:03:03,680 --> 00:03:05,639 Speaker 1: a lot of these worlds that we're talking about. Fashion, 55 00:03:05,680 --> 00:03:10,080 Speaker 1: pr downtown, New York City, et cetera. Actress, jew actress, 56 00:03:10,080 --> 00:03:12,200 Speaker 1: the two thousands, the two thousand and tens, the twenty 57 00:03:12,440 --> 00:03:21,880 Speaker 1: twenty clothing. Um, Okay, she's coming out from behind the curtain, 58 00:03:21,919 --> 00:03:23,520 Speaker 1: even though she's not supposed to yet because we haven't 59 00:03:23,520 --> 00:03:27,720 Speaker 1: opened debt and her name is Ladies and gentlemen none 60 00:03:27,800 --> 00:03:31,680 Speaker 1: other than know her from from the podcast Red Scare. 61 00:03:31,880 --> 00:03:34,240 Speaker 1: You know her from soon you will know her from 62 00:03:34,240 --> 00:03:37,560 Speaker 1: the HBO show Succession, which Steve and I famously fought about. 63 00:03:37,720 --> 00:03:40,600 Speaker 1: And I have to eat your ship because I'm still 64 00:03:40,600 --> 00:03:42,800 Speaker 1: not going to admit that I watch it. You don't 65 00:03:42,800 --> 00:03:45,840 Speaker 1: watch I literally don't watch it, and I watch. And 66 00:03:46,160 --> 00:03:49,440 Speaker 1: now she can add director, filmmaker, writer to her resume. 67 00:03:49,600 --> 00:03:52,680 Speaker 1: She is a very good urban horror flick called The 68 00:03:52,720 --> 00:03:55,560 Speaker 1: Scary of sixty first Ladies and Gentlemen. We are talking, 69 00:03:55,560 --> 00:04:00,000 Speaker 1: of course, about Dasha Nescarova. Wait. I said that completely 70 00:04:00,120 --> 00:04:05,800 Speaker 1: you wrong, Necrosova. Sorry, Okay, I went silent because I 71 00:04:05,840 --> 00:04:07,720 Speaker 1: was like, I know you told it to me, but 72 00:04:07,800 --> 00:04:11,480 Speaker 1: it just left my brain. It's you think it's too foreign, Necrosova. 73 00:04:11,680 --> 00:04:14,640 Speaker 1: Do you think it's because I deliberated changing it when 74 00:04:14,720 --> 00:04:19,359 Speaker 1: I was entering Ellis Island when the entertainment Wait, so 75 00:04:19,480 --> 00:04:22,839 Speaker 1: you were going to be so like oh Hollywood and 76 00:04:22,880 --> 00:04:26,400 Speaker 1: like you know, like Carry Grant is actually like Carrie whatever, 77 00:04:26,600 --> 00:04:32,400 Speaker 1: just like Shapira. Yeah no, you will not change yourself. 78 00:04:32,440 --> 00:04:34,239 Speaker 1: Well what were you going to change it? Too? Well? 79 00:04:34,360 --> 00:04:37,839 Speaker 1: My parents also like softly disowned me in my mid 80 00:04:37,880 --> 00:04:41,400 Speaker 1: twenties because I was such a loser, kind of late bloomer, 81 00:04:41,760 --> 00:04:43,719 Speaker 1: and they were really disappointed in me, and I kind 82 00:04:43,720 --> 00:04:45,840 Speaker 1: of wanted to change my name inspite them, and I 83 00:04:45,880 --> 00:04:48,960 Speaker 1: was going to change it to Dasha Bugdanovich. And then 84 00:04:49,000 --> 00:04:51,600 Speaker 1: when people would ask me if, like Peter Bugdanovich was 85 00:04:51,640 --> 00:04:53,280 Speaker 1: my dad or related to me, I would just say, 86 00:04:53,320 --> 00:04:56,520 Speaker 1: I don't want to talk about my family, sorry, people. Yeah, 87 00:04:56,520 --> 00:05:04,440 Speaker 1: who I'm thinking of? Rob more Chicago heads over here? 88 00:05:04,600 --> 00:05:07,560 Speaker 1: He is he equally like Mired and scandal this person. No, 89 00:05:07,600 --> 00:05:09,920 Speaker 1: he's a filmmaker, Okay, yeah, Oh so it's a little 90 00:05:09,960 --> 00:05:12,560 Speaker 1: more like fuck you mom and dad. Like I'm actually 91 00:05:12,600 --> 00:05:15,480 Speaker 1: like this, like I'm the wayward child of like Jim 92 00:05:15,560 --> 00:05:20,839 Speaker 1: Jarmusch or whatever is it that steven seventies. He's known 93 00:05:20,880 --> 00:05:23,080 Speaker 1: for his work in the in the seventies with like 94 00:05:23,120 --> 00:05:26,440 Speaker 1: Sybil Shepherd and stuff. Whatever, it doesn't matter. He hasn't 95 00:05:26,440 --> 00:05:29,520 Speaker 1: directed Cameron Diaz, not as far as this is why 96 00:05:29,560 --> 00:05:31,480 Speaker 1: I don't know who he is. I became a Sibyl 97 00:05:31,600 --> 00:05:34,520 Speaker 1: head from the L Word, and then I started watching 98 00:05:35,040 --> 00:05:38,080 Speaker 1: this year her sitcom Sibyl. Oh, I haven't, I haven't 99 00:05:38,080 --> 00:05:40,840 Speaker 1: seen it. It's about her being an actress, you might 100 00:05:42,240 --> 00:05:44,560 Speaker 1: and it's all of her ex husbands are like coming 101 00:05:44,600 --> 00:05:47,159 Speaker 1: in and out, which is very that's so fun. The 102 00:05:47,200 --> 00:05:50,360 Speaker 1: author of our book, the book that we read this 103 00:05:50,400 --> 00:05:55,120 Speaker 1: week that our guests has also read three times, is 104 00:05:55,880 --> 00:06:03,360 Speaker 1: by Kelly Katrone pr Maven, fashion publicist rock Star. You 105 00:06:03,360 --> 00:06:05,240 Speaker 1: know her from the show Cow on Earth, which was 106 00:06:05,279 --> 00:06:09,440 Speaker 1: eight episodes Mama Wolf. She was also on the City 107 00:06:09,600 --> 00:06:12,680 Speaker 1: for the Hills and the Hills and her book is 108 00:06:12,720 --> 00:06:15,760 Speaker 1: called If you have to Cry, Go Outside and Other 109 00:06:15,800 --> 00:06:19,360 Speaker 1: Things your Mother Never Told You, which is basically the 110 00:06:19,400 --> 00:06:22,360 Speaker 1: same title formation as the Barbara Corcorne book we read, 111 00:06:22,480 --> 00:06:24,520 Speaker 1: and Judge Judy's book, which we haven't done, which is 112 00:06:24,560 --> 00:06:27,080 Speaker 1: if you're pissing on my leg, don't tell me it's raining. 113 00:06:27,720 --> 00:06:29,800 Speaker 1: I like the way that you sort of rephrase that 114 00:06:29,839 --> 00:06:31,440 Speaker 1: it's don't piss on my leg and tell me it's 115 00:06:31,520 --> 00:06:36,080 Speaker 1: raining kind of made it present tense, like its present 116 00:06:36,080 --> 00:06:38,760 Speaker 1: in my mind. I feel like you did the thing 117 00:06:38,800 --> 00:06:40,840 Speaker 1: that like people are accusing the New York Times of 118 00:06:41,000 --> 00:06:44,640 Speaker 1: doing like to like changing the present tense to make 119 00:06:44,760 --> 00:06:48,000 Speaker 1: Israel like not culpable for its crimes. When people start 120 00:06:48,040 --> 00:06:52,840 Speaker 1: canceling people for grammar online, I'm like topping out. Yeah, 121 00:06:52,920 --> 00:06:56,360 Speaker 1: you're like sorry, is this I'm not a Grammary. Yeah. 122 00:06:56,520 --> 00:06:58,760 Speaker 1: So Dasha, will you tell us how many times you've 123 00:06:58,760 --> 00:07:02,240 Speaker 1: read this book three times? Which is not I mean, 124 00:07:02,279 --> 00:07:04,000 Speaker 1: it's a pretty short book. And the first time I 125 00:07:04,040 --> 00:07:08,000 Speaker 1: read it was years ago. And then I was rereading 126 00:07:08,000 --> 00:07:12,040 Speaker 1: it because I play a publicist on succession, which Stephen 127 00:07:12,080 --> 00:07:14,360 Speaker 1: doesn't much. But you do um icon by the way, 128 00:07:14,920 --> 00:07:18,640 Speaker 1: thank you. But I was, you know, I was trying 129 00:07:18,680 --> 00:07:22,440 Speaker 1: to do some like character work, kind of like that 130 00:07:22,480 --> 00:07:24,119 Speaker 1: she's on the show because she didn't make the show. 131 00:07:24,680 --> 00:07:26,840 Speaker 1: Icon that she's on the show. Okay, true, but it 132 00:07:26,960 --> 00:07:33,000 Speaker 1: wasn't my commitment to not happening. So I was rereading it, 133 00:07:33,040 --> 00:07:35,840 Speaker 1: and then I had been listening to your podcast, big fan, 134 00:07:36,000 --> 00:07:39,120 Speaker 1: and so I texted Stephen and suggested that you talk 135 00:07:39,160 --> 00:07:41,440 Speaker 1: about it, and then he invited me on. He said, 136 00:07:41,480 --> 00:07:44,520 Speaker 1: get on, bitch, he said, let's fucking do this thing. 137 00:07:45,000 --> 00:07:48,480 Speaker 1: And so then I read it again like last night 138 00:07:48,520 --> 00:07:52,080 Speaker 1: this morning to people say like I heard someone say once, like, 139 00:07:52,400 --> 00:07:55,160 Speaker 1: you know, people make fun of people for rereading books, 140 00:07:55,160 --> 00:07:56,920 Speaker 1: but they don't make fun of people for listening to 141 00:07:57,120 --> 00:08:02,160 Speaker 1: the same song over and over again. I do. Yeah, 142 00:08:02,200 --> 00:08:04,800 Speaker 1: that was a little insane. I love that you know, 143 00:08:04,880 --> 00:08:09,760 Speaker 1: because the song's three minutes and commitment. In the second 144 00:08:09,800 --> 00:08:11,800 Speaker 1: I open it, I'm like, oh, life is finite. And 145 00:08:12,000 --> 00:08:14,560 Speaker 1: I'm obsessed that this is the book that's you're rereading book, 146 00:08:14,600 --> 00:08:16,960 Speaker 1: because I feel like most people are always like, oh, 147 00:08:17,000 --> 00:08:20,480 Speaker 1: it's some old man in the sea or whatever. I 148 00:08:20,520 --> 00:08:24,120 Speaker 1: read that every year Liddle School English class book. Um, 149 00:08:24,600 --> 00:08:28,600 Speaker 1: you know, just like a random classic. Yes, but I 150 00:08:28,600 --> 00:08:30,160 Speaker 1: think I'm going to read this book every year. I 151 00:08:30,160 --> 00:08:32,800 Speaker 1: would say it's a classic. Well, I think what's interesting 152 00:08:32,800 --> 00:08:34,360 Speaker 1: you were saying, like you use it at different times 153 00:08:34,400 --> 00:08:35,880 Speaker 1: in your life. One was when you wanted to like 154 00:08:36,000 --> 00:08:37,880 Speaker 1: figure out what you were going to do with yourself. 155 00:08:37,920 --> 00:08:39,960 Speaker 1: It was recommended to me, and I actually had it 156 00:08:39,960 --> 00:08:42,880 Speaker 1: in hardcover and I took the book jack it off, 157 00:08:42,880 --> 00:08:44,880 Speaker 1: so it had like a black hard bound with like 158 00:08:44,960 --> 00:08:48,080 Speaker 1: golds like if you have to cry, go outside where 159 00:08:48,080 --> 00:08:52,840 Speaker 1: it's like what's the word? And my diniverse and boss whatever? Yeah, 160 00:08:52,840 --> 00:08:55,280 Speaker 1: And I was just kind of at like a transitional 161 00:08:55,360 --> 00:08:58,320 Speaker 1: period in my life. I had graduated college like four 162 00:08:58,400 --> 00:09:00,720 Speaker 1: years ago, so I didn't really know whatever. And it 163 00:09:00,800 --> 00:09:02,760 Speaker 1: makes sense. So she's a very you know, she has 164 00:09:02,800 --> 00:09:07,520 Speaker 1: an unorthodox road to stardom and success HELLI yeah, talks 165 00:09:07,520 --> 00:09:11,240 Speaker 1: about every paragraph in this book. Yeah, and her whole 166 00:09:11,280 --> 00:09:14,199 Speaker 1: thing is being like, yeah, sorry, I did everything backwards. 167 00:09:14,600 --> 00:09:18,000 Speaker 1: Launched my own company, then had a controversial art opening, 168 00:09:18,240 --> 00:09:21,040 Speaker 1: then became addicted to drugs, then had a baby, then 169 00:09:21,200 --> 00:09:24,720 Speaker 1: got married. Yeah sorry sue me. I was like so 170 00:09:24,840 --> 00:09:30,000 Speaker 1: obsessed with her because like every line she's just like, um, yeah, sorry. 171 00:09:30,080 --> 00:09:32,200 Speaker 1: I was living the Lorrie side and I had to 172 00:09:32,200 --> 00:09:36,040 Speaker 1: take tequila shots to even walk home because I lived 173 00:09:36,080 --> 00:09:41,959 Speaker 1: amongst punk rockers, artists, junkies. So she moves to the 174 00:09:42,559 --> 00:09:48,000 Speaker 1: tribal council. Sorry, okay, So she says this concept. She's like, 175 00:09:48,080 --> 00:09:49,720 Speaker 1: you need to have a tribal council of elders of 176 00:09:49,760 --> 00:09:52,760 Speaker 1: like people who are your mentors, who tell you what 177 00:09:52,840 --> 00:09:55,320 Speaker 1: to do at all, who can you can rely on 178 00:09:55,400 --> 00:09:59,520 Speaker 1: that lion and like in hard time yea. So there's 179 00:09:59,520 --> 00:10:01,599 Speaker 1: the tribal counsel, and then there's the well, there's the 180 00:10:01,640 --> 00:10:03,559 Speaker 1: wolf pack, which is all the like girls who live 181 00:10:03,559 --> 00:10:06,280 Speaker 1: in her live work space, her big so hold off 182 00:10:06,320 --> 00:10:09,840 Speaker 1: where she's like, I still can't believe the elevator opens 183 00:10:09,920 --> 00:10:14,440 Speaker 1: up into my live work space. But then you watch 184 00:10:14,440 --> 00:10:16,599 Speaker 1: the show kell on Earth and it's the most chaotically, 185 00:10:17,120 --> 00:10:19,319 Speaker 1: like she's still the opposite of Bethany. Bethie is like 186 00:10:19,320 --> 00:10:21,000 Speaker 1: a psycho in her business, doesn't do anything, and like 187 00:10:21,000 --> 00:10:23,120 Speaker 1: her office is empty and just has like four couches 188 00:10:23,160 --> 00:10:25,680 Speaker 1: and like one gay and like the kell on Earth 189 00:10:25,720 --> 00:10:28,720 Speaker 1: office is like there's so much shit everywhere. It's like 190 00:10:28,760 --> 00:10:30,760 Speaker 1: there's so many it's like almost like a joke about 191 00:10:30,800 --> 00:10:33,320 Speaker 1: a newspaper office from the seventies, and just like every 192 00:10:33,400 --> 00:10:36,400 Speaker 1: corner is cram with papers and stickers and just like 193 00:10:36,720 --> 00:10:39,040 Speaker 1: straight girls crying and you're like, oh my god, Like 194 00:10:39,080 --> 00:10:42,360 Speaker 1: it's very stressful to yeah, bags and bags and bags 195 00:10:42,360 --> 00:10:46,480 Speaker 1: and bags stuff that the interns have to reorganize constantly. 196 00:10:46,760 --> 00:10:50,480 Speaker 1: The interns are really like a lot more. They're more 197 00:10:50,600 --> 00:10:53,640 Speaker 1: what's the word, like well, I think wasn't a show 198 00:10:53,760 --> 00:10:56,560 Speaker 1: on kind of in like the height of intern life, 199 00:10:57,080 --> 00:10:58,600 Speaker 1: you know what I mean? Like I feel like there 200 00:10:58,640 --> 00:11:02,240 Speaker 1: was again interns Revolt that was I'm sorry, I will 201 00:11:02,440 --> 00:11:06,839 Speaker 1: not intern nine hours a day like that is okay, 202 00:11:07,000 --> 00:11:11,080 Speaker 1: internships go. What were yours? I worked at a contemporary 203 00:11:11,320 --> 00:11:18,080 Speaker 1: art magazine called Extra, and when I moved to Los Angeles, 204 00:11:18,480 --> 00:11:25,240 Speaker 1: you were an intern for an La Arte Extra? Wow? Yeah, 205 00:11:25,640 --> 00:11:27,680 Speaker 1: And I had to climb up ladders to get like 206 00:11:27,720 --> 00:11:30,439 Speaker 1: old back issues and stuff, and sometimes I would fantasize 207 00:11:30,440 --> 00:11:35,239 Speaker 1: about like falling and getting hurt, really getting getting Workmen's 208 00:11:35,280 --> 00:11:40,200 Speaker 1: cos he was unpaid. I mean how many hours? Yeah, 209 00:11:40,559 --> 00:11:42,920 Speaker 1: how many hours were you clocking in an extra day? 210 00:11:43,080 --> 00:11:46,360 Speaker 1: Like I mean twenty a week? Okay, Like was this 211 00:11:46,520 --> 00:11:49,480 Speaker 1: for college credit? No? This was post college. This was 212 00:11:49,520 --> 00:11:52,679 Speaker 1: me trying to like post college, you took an unpaid internship. 213 00:11:53,000 --> 00:11:54,959 Speaker 1: I mean, I I was so lost. That's why I 214 00:11:57,280 --> 00:11:59,640 Speaker 1: remember what to do. I was offered an unpaid internship 215 00:11:59,679 --> 00:12:03,520 Speaker 1: at Fingon Post after college, and I turned it down 216 00:12:03,720 --> 00:12:07,040 Speaker 1: because I said, I'm supposed to get a job. Someone said, like, 217 00:12:07,080 --> 00:12:09,640 Speaker 1: get a job after college. Well, both these I can't 218 00:12:10,080 --> 00:12:13,240 Speaker 1: things are very Kelly Catrone because you getting a job 219 00:12:13,360 --> 00:12:17,320 Speaker 1: is very her Italian American Syracuse parents being like, you 220 00:12:17,480 --> 00:12:20,040 Speaker 1: go to nurse school and you make money, like we're 221 00:12:20,120 --> 00:12:22,240 Speaker 1: not going to support you. But then she's also as 222 00:12:22,240 --> 00:12:25,280 Speaker 1: always like I'm a mama wolf and like you need 223 00:12:25,320 --> 00:12:27,280 Speaker 1: to find out what you want to do before you're 224 00:12:27,320 --> 00:12:31,040 Speaker 1: thirty five, and like whether that's visiting a temple or 225 00:12:31,640 --> 00:12:39,240 Speaker 1: conversing with LGBT people. Just remember the line I forget 226 00:12:39,640 --> 00:12:41,560 Speaker 1: when she was just like she's talking about the kind 227 00:12:41,600 --> 00:12:44,240 Speaker 1: of like interns whose applications she accepts, or like we'll 228 00:12:44,280 --> 00:12:46,240 Speaker 1: be willing to read how to Write an Evil, which 229 00:12:46,240 --> 00:12:49,079 Speaker 1: Barbara Corgrin also does in her book. They're very like 230 00:12:49,160 --> 00:12:52,199 Speaker 1: women of a certain era who say that they're such 231 00:12:52,240 --> 00:12:55,079 Speaker 1: like ballbusters and so like anti conformist, but actually want 232 00:12:55,120 --> 00:13:00,240 Speaker 1: a very specific thing out of their young, thin female applicants. Yes, 233 00:13:00,360 --> 00:13:02,840 Speaker 1: and she's like, I don't care if you went to 234 00:13:03,160 --> 00:13:07,200 Speaker 1: Harvard or Radcliff or Pokeepsie or whatever. Like if you 235 00:13:07,240 --> 00:13:09,920 Speaker 1: send me an email saying that you raise seven hundred 236 00:13:09,960 --> 00:13:12,640 Speaker 1: and thirty five dollars because you were inspired by one 237 00:13:12,720 --> 00:13:16,880 Speaker 1: of my YouTube fashion shows and you raise that money 238 00:13:16,920 --> 00:13:20,960 Speaker 1: for a women's battered shelter, then I will open that 239 00:13:21,040 --> 00:13:23,880 Speaker 1: email and hire you. And it's like, wait, what Well. 240 00:13:23,920 --> 00:13:27,280 Speaker 1: I was watching a clip of her on just like 241 00:13:27,400 --> 00:13:29,440 Speaker 1: Chelsea Lately or The Hills or one of the things, 242 00:13:29,480 --> 00:13:33,080 Speaker 1: and she was like, uh, I don't read resumes, which 243 00:13:33,080 --> 00:13:36,000 Speaker 1: also feels very Bethany. She boss just so kind of 244 00:13:36,040 --> 00:13:39,320 Speaker 1: like what are you bringing to me? You know? Then 245 00:13:39,720 --> 00:13:42,680 Speaker 1: very also like Bethany sh But sometimes I will read 246 00:13:42,720 --> 00:13:45,760 Speaker 1: a resume and I will call you back on the phone, 247 00:13:46,040 --> 00:13:47,920 Speaker 1: and I will like ream out a girl in front 248 00:13:47,920 --> 00:13:50,920 Speaker 1: of everyone else, and like writing phone is a big 249 00:13:51,400 --> 00:13:55,640 Speaker 1: part of the Kelly she's obsessed with. I mean, what's funny. 250 00:13:55,640 --> 00:13:57,679 Speaker 1: So this book was written in twenty ten. Yeah, big 251 00:13:58,280 --> 00:14:00,800 Speaker 1: ten vibes across the board, which I want to get 252 00:14:00,800 --> 00:14:04,400 Speaker 1: into in a bigger way in terms of style and 253 00:14:04,440 --> 00:14:06,960 Speaker 1: restaurants and fashion brands that she works with. Yeah, but 254 00:14:08,040 --> 00:14:12,440 Speaker 1: she bemoans the loss of voice communication and she's like, 255 00:14:13,040 --> 00:14:15,679 Speaker 1: I hate looking at us office of all these PR 256 00:14:15,720 --> 00:14:21,359 Speaker 1: girls and everyone's click clacking away in their laptop sending emails. 257 00:14:21,800 --> 00:14:24,200 Speaker 1: No one's picking up the phone. She also references, which 258 00:14:24,240 --> 00:14:27,920 Speaker 1: is very twenty ten. She's like, and oh, everyone is 259 00:14:28,000 --> 00:14:31,880 Speaker 1: just on their BlackBerry. It's such a BlackBerry book. Well, 260 00:14:31,880 --> 00:14:34,640 Speaker 1: you know when I started working in politics, I had 261 00:14:34,640 --> 00:14:37,120 Speaker 1: a BlackBerry. And I started working in politics in two 262 00:14:37,160 --> 00:14:38,960 Speaker 1: thousand and nine, which was actually after I turned down 263 00:14:39,000 --> 00:14:42,240 Speaker 1: the Huffington Post internship. Good for you, thank you well, 264 00:14:42,240 --> 00:14:45,120 Speaker 1: because I had applied to be the like business editor, 265 00:14:45,480 --> 00:14:47,160 Speaker 1: like I like went to the office to have this 266 00:14:47,200 --> 00:14:49,600 Speaker 1: interview and they were like, wait, sorry, you're twenty two, 267 00:14:49,960 --> 00:14:52,800 Speaker 1: you're not You're not the business editor. You don't know 268 00:14:52,880 --> 00:14:55,480 Speaker 1: anything about business. You just went to NYU and like 269 00:14:55,560 --> 00:14:58,040 Speaker 1: majored in nothing, Like you can't be the business. But 270 00:14:58,080 --> 00:15:00,720 Speaker 1: thank Kelly Cotrone at twenty three, his head of PR 271 00:15:00,800 --> 00:15:04,440 Speaker 1: for Spin magazine. So it's also like head of PR 272 00:15:04,600 --> 00:15:07,320 Speaker 1: four Spin for a magazine for a magaze, Like a 273 00:15:07,360 --> 00:15:09,800 Speaker 1: magazine's already a magazine. So you're just trying to get 274 00:15:09,880 --> 00:15:14,400 Speaker 1: articles of Spin written in what I feel like you're 275 00:15:14,440 --> 00:15:21,120 Speaker 1: more interfacing with other publicists maybe who want things. Yeah, yeah, 276 00:15:21,160 --> 00:15:23,760 Speaker 1: it's more like yes, like but if your PR for Spin, 277 00:15:23,800 --> 00:15:26,000 Speaker 1: you're trying to get good press four Spin um Field 278 00:15:26,040 --> 00:15:28,800 Speaker 1: Apple's people are reaching out to her and then like 279 00:15:29,000 --> 00:15:33,560 Speaker 1: they're all meeting it like some weird lounge. Yeah, yeah, exactly. 280 00:15:33,560 --> 00:15:36,720 Speaker 1: There's also a ton though, when they were just more jobs, 281 00:15:36,960 --> 00:15:39,160 Speaker 1: when you could just be, when you could just be. 282 00:15:39,200 --> 00:15:42,000 Speaker 1: Like when she's like I was watching Kell and Earth 283 00:15:42,000 --> 00:15:43,520 Speaker 1: and she was like this, my friend, he's done the 284 00:15:43,600 --> 00:15:45,160 Speaker 1: Q and A in the back of Vanity Fair for 285 00:15:45,160 --> 00:15:47,920 Speaker 1: twenty five years. When doing the Q and A in 286 00:15:48,040 --> 00:15:51,119 Speaker 1: Vanity Fair was a job that you got paid for regularly, 287 00:15:51,120 --> 00:15:54,960 Speaker 1: and like that was it? Well yeah, well clickbaticon and 288 00:15:59,400 --> 00:16:02,200 Speaker 1: hid right now, I know it's very wet. People on 289 00:16:02,240 --> 00:16:06,480 Speaker 1: Twitter like calculate how much carry would make now They're like, sorry, 290 00:16:06,520 --> 00:16:10,000 Speaker 1: if Carrie is making like two dollars per word, Like 291 00:16:10,080 --> 00:16:16,080 Speaker 1: how does she a partner apartments as a carry a 292 00:16:16,160 --> 00:16:19,280 Speaker 1: case someone who literally has a column and wears expensive clothes. 293 00:16:19,400 --> 00:16:22,320 Speaker 1: I will say that I have a secret copywriting job. 294 00:16:22,400 --> 00:16:25,200 Speaker 1: So maybe Carrie was literally being a copyright at their 295 00:16:25,200 --> 00:16:28,600 Speaker 1: whole time when they never showed it. Um, would it be? Ghosh? 296 00:16:28,680 --> 00:16:30,720 Speaker 1: I know we're kind of pass the subject, but I 297 00:16:30,760 --> 00:16:35,360 Speaker 1: didn't get to say, what my internship, We're still on 298 00:16:35,400 --> 00:16:38,400 Speaker 1: the subject. Yeah, we're still in this tangent. I interned 299 00:16:38,400 --> 00:16:40,400 Speaker 1: for the Jury Springer Show. It's kind of my claim 300 00:16:40,440 --> 00:16:44,240 Speaker 1: to fame in life. So that's very cool. Yeah, And 301 00:16:44,280 --> 00:16:49,520 Speaker 1: it was very like twelve hours a day like sod unpaid. 302 00:16:49,640 --> 00:16:51,160 Speaker 1: It was like, oh, this is supposed to be twenty 303 00:16:51,160 --> 00:16:53,480 Speaker 1: hours a week, but they didn't like allow me to 304 00:16:53,560 --> 00:16:56,320 Speaker 1: leave till like the day was done, right, and they 305 00:16:56,320 --> 00:16:59,040 Speaker 1: filmed three shows a day, three shows and down. So 306 00:16:59,080 --> 00:17:05,359 Speaker 1: sometimes I would was that, oh eight wow, I really 307 00:17:05,600 --> 00:17:08,359 Speaker 1: I feel like the Jerry Springer Show if we had it, 308 00:17:08,440 --> 00:17:11,359 Speaker 1: if it was on TV now, we wouldn't have such 309 00:17:11,359 --> 00:17:15,000 Speaker 1: a like contentious discourse and culture because we would all 310 00:17:15,040 --> 00:17:19,879 Speaker 1: be blowing off steam watching stuff exactly well. It just 311 00:17:19,920 --> 00:17:22,320 Speaker 1: seemed like a much more healthy and vibrant way of 312 00:17:22,359 --> 00:17:26,160 Speaker 1: like processing. But the thing about the Stringer show, though, 313 00:17:26,160 --> 00:17:29,679 Speaker 1: it was, I mean, you were at the Scott Stringer 314 00:17:29,760 --> 00:17:32,800 Speaker 1: show another who is my form of oss? But that's Finny. 315 00:17:32,800 --> 00:17:35,679 Speaker 1: I work for Scus Stringer. You worked for Jerry Jerry. No, 316 00:17:35,800 --> 00:17:41,680 Speaker 1: I mean it's it's Sperry. So but you like what 317 00:17:41,760 --> 00:17:44,840 Speaker 1: you saw was a very exploited of economy. No, I 318 00:17:44,880 --> 00:17:47,960 Speaker 1: would you were finding these two people from Kentucky who 319 00:17:47,960 --> 00:17:50,479 Speaker 1: were so sad and like opies and like fucking their 320 00:17:50,480 --> 00:17:52,600 Speaker 1: sister or whatever, and then my job was to like 321 00:17:52,800 --> 00:17:54,800 Speaker 1: take them out. They would get flown to Chicago, was 322 00:17:54,800 --> 00:17:56,360 Speaker 1: the first thing they'd ever been in a plane, first 323 00:17:56,480 --> 00:17:58,320 Speaker 1: nevers in the city, and Lily would take them to 324 00:17:58,440 --> 00:18:02,120 Speaker 1: like outback steakhouse and they would be like them Chicago 325 00:18:02,240 --> 00:18:05,520 Speaker 1: as like they're like this water so cold. No, like 326 00:18:05,600 --> 00:18:07,080 Speaker 1: this woman, So I would like, I was taking this 327 00:18:07,119 --> 00:18:09,480 Speaker 1: woman who had like very like one sprig of hair 328 00:18:09,640 --> 00:18:12,359 Speaker 1: for like a makeover in Chicago, and it was like 329 00:18:12,359 --> 00:18:16,080 Speaker 1: a revolving door and she was being very just like, oh, 330 00:18:16,240 --> 00:18:19,800 Speaker 1: I don't I've never seen one of those, and just 331 00:18:19,840 --> 00:18:22,119 Speaker 1: like I had to like emotionally guide her through the 332 00:18:22,240 --> 00:18:26,480 Speaker 1: revolving mall door. That is, because she was being very 333 00:18:26,520 --> 00:18:31,240 Speaker 1: just like that's a witch door. Why is it moving 334 00:18:31,359 --> 00:18:34,320 Speaker 1: on its own? But then it was also like and 335 00:18:34,440 --> 00:18:36,879 Speaker 1: we'll move on. But it was very like seeing everyone 336 00:18:37,080 --> 00:18:38,680 Speaker 1: was like I then you know, you have to take 337 00:18:38,680 --> 00:18:40,640 Speaker 1: everyone out, And it was like I was taking out 338 00:18:40,680 --> 00:18:44,199 Speaker 1: this guy who was accused of shaking his baby so 339 00:18:44,280 --> 00:18:47,560 Speaker 1: much that it gave the baby autism. And we went 340 00:18:47,640 --> 00:18:52,639 Speaker 1: to go see resident every different they no I know, 341 00:18:52,760 --> 00:18:55,400 Speaker 1: And I was like, I could talk about Jerry's springer. Yeah, 342 00:18:55,400 --> 00:18:56,960 Speaker 1: we could go on about that. So and you know, 343 00:18:57,000 --> 00:18:59,680 Speaker 1: of course I interned for CNA and famously before Anderson 344 00:18:59,720 --> 00:19:02,360 Speaker 1: Cooper was out, and we would make eye contact on 345 00:19:02,520 --> 00:19:05,440 Speaker 1: the newsroom floor when we were both gay, and we 346 00:19:05,520 --> 00:19:07,359 Speaker 1: did the eye contact that gays do when it's like 347 00:19:07,560 --> 00:19:09,760 Speaker 1: he knows that I know that he is gay, you 348 00:19:09,800 --> 00:19:12,040 Speaker 1: knew he was gay? Well, yeah, well it was rumored 349 00:19:12,040 --> 00:19:13,600 Speaker 1: that he was gay at the time, but he wasn't out. 350 00:19:14,000 --> 00:19:16,960 Speaker 1: We would both be gay walking at like the fastest pace, 351 00:19:17,600 --> 00:19:20,480 Speaker 1: just like literally almost like running like that Olympic sport 352 00:19:20,520 --> 00:19:22,360 Speaker 1: like speed walking or whatever, like that's what we were 353 00:19:22,400 --> 00:19:27,119 Speaker 1: both doing. It's lear sport because it's like the gas, 354 00:19:27,280 --> 00:19:29,399 Speaker 1: like your foot can't touch the ground or whatever at 355 00:19:29,400 --> 00:19:31,320 Speaker 1: the same time, or it's there's some weird rule about it. 356 00:19:31,440 --> 00:19:35,320 Speaker 1: But like we would literally be just like making eye 357 00:19:35,320 --> 00:19:37,640 Speaker 1: contact in and like with our eyes alone, I would 358 00:19:37,640 --> 00:19:43,240 Speaker 1: be like, I know you around in a way like 359 00:19:43,440 --> 00:19:46,080 Speaker 1: paper as I'm walking by, papers are flying off people's 360 00:19:46,080 --> 00:19:48,879 Speaker 1: desks because I'm like have like such an air speed 361 00:19:48,920 --> 00:19:52,040 Speaker 1: behind me, just like the full wind tunnel. And then 362 00:19:52,080 --> 00:19:54,600 Speaker 1: like in our eyes alone, it would be him being 363 00:19:54,640 --> 00:19:57,399 Speaker 1: like I know that you know that I'm gay, and 364 00:19:57,520 --> 00:19:59,719 Speaker 1: you can't say anything. And there was like four other 365 00:20:00,000 --> 00:20:02,560 Speaker 1: silver Foxes on his staff that were all his like 366 00:20:02,600 --> 00:20:06,960 Speaker 1: top deputies also cycles. So are we in his area 367 00:20:07,080 --> 00:20:10,800 Speaker 1: right now? We're in middle aged, Yeah, we're in silver 368 00:20:10,880 --> 00:20:15,560 Speaker 1: Fox Silver Fox. Was there ever a moment in the bathroom? No, okay, 369 00:20:15,560 --> 00:20:18,639 Speaker 1: it's just not problem. I'm sure he used a different bathroom. Yeah, 370 00:20:18,640 --> 00:20:22,919 Speaker 1: he wasn't using the like public facing intern used bathroom. Okay. 371 00:20:23,040 --> 00:20:26,800 Speaker 1: Speaking of and Cooper in the news, can we talk 372 00:20:26,800 --> 00:20:30,520 Speaker 1: about how Kelly Coultrone talks about how brave she was 373 00:20:30,760 --> 00:20:32,920 Speaker 1: for putting on the Rachel Comey show on the one 374 00:20:33,000 --> 00:20:42,360 Speaker 1: year anniversary. Yeah, she killed fashion. She's too scared. Ever, 375 00:20:42,440 --> 00:20:45,160 Speaker 1: it was so nervous to put on a fashion show 376 00:20:45,160 --> 00:20:46,560 Speaker 1: in the tense at Brian Park, and she was like, 377 00:20:46,600 --> 00:20:48,959 Speaker 1: I'm sorry New York has to come back to life. 378 00:20:48,840 --> 00:20:52,840 Speaker 1: We're doing he could give people beauty. Hell, yes, what 379 00:20:52,920 --> 00:20:57,840 Speaker 1: we need after nine to eleven is Rachel fucking Wait. Also, 380 00:20:58,280 --> 00:21:00,720 Speaker 1: because she loves counsels and I feel like she's like 381 00:21:01,119 --> 00:21:04,119 Speaker 1: and a bunch of us fashion insiders had a meeting 382 00:21:04,320 --> 00:21:08,800 Speaker 1: right after nine to eleven to discuss the fashion week. Yeah, 383 00:21:08,840 --> 00:21:11,640 Speaker 1: she goes. We wondered, where's the rule Brik for this? 384 00:21:12,200 --> 00:21:14,639 Speaker 1: Are we allowed to do something so frivolous in shallow 385 00:21:14,640 --> 00:21:17,480 Speaker 1: as a fashion show on the first anniversary of such 386 00:21:17,520 --> 00:21:20,159 Speaker 1: a tragedy with so many people to be honored and 387 00:21:20,240 --> 00:21:24,120 Speaker 1: so many families feelings to be respected. But then she goes. 388 00:21:24,160 --> 00:21:25,800 Speaker 1: I thought fashion week was a great way to bring 389 00:21:25,840 --> 00:21:28,960 Speaker 1: beauty back into the world. So while my competitors backed 390 00:21:29,000 --> 00:21:31,360 Speaker 1: off the fashion show time slots at the Brian Park 391 00:21:31,359 --> 00:21:34,560 Speaker 1: tents on September eleven, two thousand and two, I made 392 00:21:34,560 --> 00:21:37,440 Speaker 1: a deal with IMG the company that produces Fashion Week 393 00:21:37,560 --> 00:21:40,560 Speaker 1: to take all three tenths from my clients and produce 394 00:21:40,600 --> 00:21:43,560 Speaker 1: an arduous load of six shows on the same day 395 00:21:43,760 --> 00:21:48,119 Speaker 1: among them as for Jeremy Scott, Alexandra Herschevitz, and Rachel Komy, 396 00:21:48,400 --> 00:21:52,600 Speaker 1: that day being nine eleven, nine eleven, nine eleven, I 397 00:21:52,720 --> 00:21:55,919 Speaker 1: was just like two two thousand and two Jeremy Scott. 398 00:21:56,000 --> 00:22:01,240 Speaker 1: It's like long black t shirts, big boom, stomping down 399 00:22:01,280 --> 00:22:04,919 Speaker 1: and She's like, this is what this fucking city is about. 400 00:22:05,040 --> 00:22:09,000 Speaker 1: Call yeah, we won't cower. Beauty, I mean the beauty 401 00:22:09,040 --> 00:22:11,399 Speaker 1: of Rachel Komy. I'd that Rachel Komi was around in 402 00:22:11,400 --> 00:22:16,960 Speaker 1: two thousand and one. I walked Rachel Komi okay to 403 00:22:18,440 --> 00:22:23,160 Speaker 1: runway model and your bio pat and me sorry but yeah, 404 00:22:23,320 --> 00:22:28,159 Speaker 1: so wow wow Nacho, one up you. But I've cleaned 405 00:22:28,240 --> 00:22:35,520 Speaker 1: the Rachel Komey store. Pick your fighter. Oh wait, and 406 00:22:35,680 --> 00:22:39,680 Speaker 1: I weirdly played like Glockenspiel at a weird art opening there, 407 00:22:40,640 --> 00:22:45,119 Speaker 1: So right, that's what your connection to the Komey store is. 408 00:22:45,560 --> 00:22:52,680 Speaker 1: Celebrity book Club. 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The show Kellen Earth the City, the 441 00:25:02,080 --> 00:25:05,800 Speaker 1: other reality show that she was on Your Internship, Your Internship, 442 00:25:05,880 --> 00:25:10,760 Speaker 1: My Internship at CNN My Internships Your took place in 443 00:25:10,800 --> 00:25:13,679 Speaker 1: the late two thousands, early twenty tens, sort of the 444 00:25:14,200 --> 00:25:19,600 Speaker 1: Purple magazine Heyday, end of the American apparel era. Like 445 00:25:19,800 --> 00:25:24,040 Speaker 1: this was a cheesy, cheesy time when like I mean, 446 00:25:24,160 --> 00:25:26,800 Speaker 1: I lost my virginiaty after going to the Miss Shapes party, 447 00:25:26,840 --> 00:25:30,439 Speaker 1: Like this was the time of headbands, and this was 448 00:25:30,480 --> 00:25:33,840 Speaker 1: the time of me going into an American apparel where 449 00:25:33,880 --> 00:25:36,960 Speaker 1: my friends were to American apparel, saying no one's looking 450 00:25:37,280 --> 00:25:43,919 Speaker 1: and walking right, stuffing walking out with like two fucking 451 00:25:43,960 --> 00:25:47,920 Speaker 1: cargo bags for one Christmas I gave my sister and mom, 452 00:25:48,119 --> 00:25:51,080 Speaker 1: talking about Mom's getting stuffed. I was giving her American 453 00:25:51,119 --> 00:25:55,840 Speaker 1: apparel that Christmas, that it helped her out those thigh 454 00:25:55,920 --> 00:26:02,040 Speaker 1: highs deep vs to my dad. But when she starts 455 00:26:02,040 --> 00:26:04,359 Speaker 1: her new PR company on her like second career poster 456 00:26:04,520 --> 00:26:08,560 Speaker 1: meth in la movie People's Revolution, People's Revolution, which is 457 00:26:08,640 --> 00:26:13,080 Speaker 1: so like Red the charity like in parentheses read which, 458 00:26:13,200 --> 00:26:15,680 Speaker 1: by the way, my phone is a red phone, which 459 00:26:15,720 --> 00:26:18,320 Speaker 1: still exists, by the way. Well, she says, I named 460 00:26:18,320 --> 00:26:23,199 Speaker 1: my company People's Revolution not because I'm a communist a 461 00:26:23,400 --> 00:26:30,040 Speaker 1: popular popular misconcert. Everyone thinks she's a communist, but because 462 00:26:30,040 --> 00:26:32,120 Speaker 1: I happen to believe that the world will change all 463 00:26:32,200 --> 00:26:35,320 Speaker 1: new me change ourselves, and that starts with finding ourselves, 464 00:26:35,359 --> 00:26:39,280 Speaker 1: and that starts with listening to ourselves. What the ideas 465 00:26:39,520 --> 00:26:41,959 Speaker 1: the world only changes when you do PR for Steve Madden, 466 00:26:42,440 --> 00:26:46,280 Speaker 1: it's like what, it's so crazy because the companies that 467 00:26:46,320 --> 00:26:48,600 Speaker 1: she represents are all these super changes. They're all these 468 00:26:48,600 --> 00:26:53,040 Speaker 1: like mid market level brands, Like you're a communist, She's 469 00:26:53,320 --> 00:26:56,480 Speaker 1: like she's she's a publicist for Jeremy Scott and she says, 470 00:26:56,560 --> 00:26:59,960 Speaker 1: jeremysl Sassin Bide's like anything that will be carried at interimate. 471 00:27:00,280 --> 00:27:02,639 Speaker 1: I feel like that's very the brand. The episode I 472 00:27:02,680 --> 00:27:04,919 Speaker 1: watched she was it was like Deacon five. There were 473 00:27:04,920 --> 00:27:08,520 Speaker 1: so many fires to put up because the Genetic Denim 474 00:27:08,560 --> 00:27:11,520 Speaker 1: show was going up, and they had a tree made 475 00:27:11,560 --> 00:27:13,719 Speaker 1: out of denim and it was just like in this 476 00:27:13,800 --> 00:27:15,880 Speaker 1: random room and it's like, what is this brand? It's 477 00:27:15,880 --> 00:27:18,199 Speaker 1: the most like two thousand and nine to twenty fourteen 478 00:27:18,200 --> 00:27:21,760 Speaker 1: brand of like kind of loose denim that's actually founded 479 00:27:21,760 --> 00:27:23,960 Speaker 1: by a straight guy. Like this was also such a 480 00:27:24,000 --> 00:27:28,480 Speaker 1: like Diesel Jean. It was Diesel. It was Diesel used aftermaths. 481 00:27:28,480 --> 00:27:30,440 Speaker 1: They weren't even that whiskered though. They were just kind 482 00:27:30,480 --> 00:27:34,119 Speaker 1: of like tight and like loose and like and they 483 00:27:34,119 --> 00:27:37,720 Speaker 1: would kind of be influencery today. You know, long torsos 484 00:27:37,720 --> 00:27:40,440 Speaker 1: were very in at that time, Like torsos have never 485 00:27:40,520 --> 00:27:43,560 Speaker 1: been longer than twenty ten. When like Nikki Hilton would 486 00:27:43,560 --> 00:27:46,520 Speaker 1: wear like a wife beater, that was just like well yeah, 487 00:27:46,760 --> 00:27:49,560 Speaker 1: because it's like the hottest thing you could do was 488 00:27:49,680 --> 00:27:52,359 Speaker 1: show that bit of skin. Did you ever do that 489 00:27:52,359 --> 00:27:54,439 Speaker 1: where it's like the tank it's hard to kind of 490 00:27:54,520 --> 00:27:57,920 Speaker 1: toward listeners. But even that's strip that's like right here, 491 00:27:58,320 --> 00:28:01,359 Speaker 1: yeah you have the tank top thing riffs, No, because 492 00:28:01,359 --> 00:28:05,440 Speaker 1: it's not like you're showing just a little above crotch 493 00:28:05,560 --> 00:28:08,480 Speaker 1: and a little below belly button. I'd also just like 494 00:28:08,560 --> 00:28:10,640 Speaker 1: to point out that I did wear all black. Wait, 495 00:28:10,720 --> 00:28:16,240 Speaker 1: like Kelly Trump, yeah, oh you black? Yeah, I feel 496 00:28:16,240 --> 00:28:19,600 Speaker 1: like that I'm not in all black occur right now. 497 00:28:19,800 --> 00:28:21,520 Speaker 1: Didn't even occur to me. I was like, what am 498 00:28:21,520 --> 00:28:23,440 Speaker 1: I going to wear the podcast? I was like, I'll 499 00:28:23,440 --> 00:28:27,240 Speaker 1: wear all black, of course, because it's an event, of course. 500 00:28:27,320 --> 00:28:29,440 Speaker 1: And she makes all her girls were all black at 501 00:28:29,440 --> 00:28:33,240 Speaker 1: an event and she only wears black always always. What 502 00:28:33,320 --> 00:28:35,600 Speaker 1: she says is because she doesn't look good in color, 503 00:28:36,880 --> 00:28:42,360 Speaker 1: but can't be true. Well, she is also beautiful Italian woman. 504 00:28:42,640 --> 00:28:45,440 Speaker 1: The end also, but it gets so just like the 505 00:28:46,160 --> 00:28:48,240 Speaker 1: all of a sudden, it's just like and the cannolis 506 00:28:48,280 --> 00:28:51,080 Speaker 1: and the pepperonies and the cold cuts were flowing through 507 00:28:51,200 --> 00:28:54,560 Speaker 1: like it gets like so just like full Mob Wives 508 00:28:54,560 --> 00:28:57,520 Speaker 1: where she's like, my father looks like a baked brand 509 00:28:57,680 --> 00:29:04,600 Speaker 1: Zeno as he was dying. Because she's like not at 510 00:29:04,640 --> 00:29:07,360 Speaker 1: all being that Italian. Ever, she's like not speaking with 511 00:29:07,480 --> 00:29:11,000 Speaker 1: the accent, which she really denounced it and kind of 512 00:29:11,040 --> 00:29:15,320 Speaker 1: favored this like okay, wait, so this passage really associate 513 00:29:15,360 --> 00:29:17,280 Speaker 1: that I want to discuss where she talks about being 514 00:29:17,280 --> 00:29:19,920 Speaker 1: a mamawa. It won't surprise you that when we order 515 00:29:20,000 --> 00:29:22,880 Speaker 1: catering during fashion week to sustain us through the long 516 00:29:23,040 --> 00:29:26,080 Speaker 1: nights we spend in the office seating shows and putting 517 00:29:26,080 --> 00:29:29,520 Speaker 1: out fires, Robin, Emilie and I always eat before the 518 00:29:29,560 --> 00:29:33,000 Speaker 1: mid level team, which eats before the assistants who aren't 519 00:29:33,000 --> 00:29:35,040 Speaker 1: allowed to touch the food until the rest of us 520 00:29:35,040 --> 00:29:37,960 Speaker 1: have taken what we want. The senior team brings in 521 00:29:38,040 --> 00:29:40,680 Speaker 1: the clients after all, and the clients pay for the food. 522 00:29:41,000 --> 00:29:44,760 Speaker 1: Like wolves, we share our kill with our children. Oh my, 523 00:29:44,960 --> 00:29:47,520 Speaker 1: I mean that's very Mead Springer, because I would deliver 524 00:29:48,600 --> 00:29:51,560 Speaker 1: deep dish pizza and McDonald's to the guests and the producers. 525 00:29:51,760 --> 00:29:54,480 Speaker 1: Sorry with the producers eat first and then the mid 526 00:29:54,520 --> 00:29:56,960 Speaker 1: like the mid level associate pro It was more about 527 00:29:56,960 --> 00:29:59,760 Speaker 1: me delivering food to all the like scary guests and 528 00:29:59,800 --> 00:30:02,080 Speaker 1: I'm been living them like Sacks and McDonald's. But then 529 00:30:02,240 --> 00:30:05,120 Speaker 1: also the entire staff also ate the McDonald's. No one 530 00:30:05,200 --> 00:30:07,160 Speaker 1: was like salad. For me. It was like McDonald's deep 531 00:30:07,160 --> 00:30:08,960 Speaker 1: dish pizza, and I would deliver it and then while 532 00:30:09,040 --> 00:30:12,080 Speaker 1: running through the rooms, I would like take my deep 533 00:30:12,120 --> 00:30:16,680 Speaker 1: dish like that secretly and just at the BMI of 534 00:30:16,760 --> 00:30:20,360 Speaker 1: the Springer staff. We oh, I mean it was a 535 00:30:20,360 --> 00:30:23,520 Speaker 1: hot staff. I was like horny for all of them. 536 00:30:23,560 --> 00:30:28,400 Speaker 1: They were like hot, cheesy cheesy one of I mean, 537 00:30:28,480 --> 00:30:31,920 Speaker 1: CNN was all full of the cheesiest cheeka. TV is 538 00:30:31,960 --> 00:30:34,920 Speaker 1: a lot of like straight girls with knockers and like, 539 00:30:35,040 --> 00:30:38,280 Speaker 1: oh yeah, I mean I think because the guy who's 540 00:30:38,320 --> 00:30:41,480 Speaker 1: the executive prinstar of Spring was like fully like the 541 00:30:41,680 --> 00:30:46,440 Speaker 1: most disgusting Ron who's the famous print star Ron Jeremy 542 00:30:47,080 --> 00:30:51,640 Speaker 1: Jeremy Um. Anyway, I actually lost ten pounds working Spring 543 00:30:51,680 --> 00:30:53,480 Speaker 1: because I was running so much, which is very your 544 00:30:53,520 --> 00:30:56,960 Speaker 1: theory calorising colors out Yes, McDonald's, but I was running 545 00:30:56,960 --> 00:31:01,920 Speaker 1: around true caloris. I mean, it's so much a theory 546 00:31:01,960 --> 00:31:06,280 Speaker 1: as it is just like how the body works. Yeah, 547 00:31:06,600 --> 00:31:09,920 Speaker 1: let's like actually talk about pr girls for a second. No, 548 00:31:10,080 --> 00:31:12,920 Speaker 1: let's cut the shucking cut this shit, as fucking Kelly 549 00:31:13,000 --> 00:31:17,000 Speaker 1: Cotron would do. And I have insights into publicity because 550 00:31:17,000 --> 00:31:19,880 Speaker 1: I play a publicist on succession one of the best. 551 00:31:19,960 --> 00:31:24,000 Speaker 1: What are your what are your insights? Here's okay, let 552 00:31:24,040 --> 00:31:30,280 Speaker 1: me person our publicist and maybe bleep out her name 553 00:31:30,360 --> 00:31:32,000 Speaker 1: or whatever, because I feel like she doesn't want people 554 00:31:32,040 --> 00:31:35,480 Speaker 1: to know that she's a publicist. But she is incredibly talented. 555 00:31:36,080 --> 00:31:38,680 Speaker 1: She's really good, and eventually I do want to hire 556 00:31:38,720 --> 00:31:40,479 Speaker 1: her as my hopeless I just have not yet, and 557 00:31:40,520 --> 00:31:44,400 Speaker 1: I'm waiting for her her memoir, which obviously will have 558 00:31:44,600 --> 00:31:46,880 Speaker 1: She's a maven. Yeah, she's a maven. It'll happen and 559 00:31:46,960 --> 00:31:49,880 Speaker 1: it'll be Kate on Earth. But what she does, though, 560 00:31:49,960 --> 00:31:52,240 Speaker 1: which is I think what Kelly does when she's actually 561 00:31:52,280 --> 00:31:55,920 Speaker 1: being a publicist, is you are pitching press. You are 562 00:31:55,960 --> 00:31:59,040 Speaker 1: calling it reporters that you have her an existing relationship, 563 00:31:59,240 --> 00:32:01,720 Speaker 1: and you were saying this person is interesting for X 564 00:32:01,840 --> 00:32:04,680 Speaker 1: y Z reasons, and you need to write about them, 565 00:32:04,720 --> 00:32:06,920 Speaker 1: and you need to do it fucking now because they're 566 00:32:07,080 --> 00:32:10,120 Speaker 1: hot shit. And it's like, that is a real job, 567 00:32:10,520 --> 00:32:13,080 Speaker 1: that is a real skill set to have. It requires 568 00:32:13,160 --> 00:32:17,560 Speaker 1: fucking balls of steel and requires like shamelessness, and it 569 00:32:17,600 --> 00:32:20,600 Speaker 1: requires a confidence and you also kind of have to 570 00:32:20,640 --> 00:32:22,880 Speaker 1: make a name around yourself, which you also does so 571 00:32:23,120 --> 00:32:25,960 Speaker 1: people like actually take your word to be legitimate. Well, 572 00:32:25,960 --> 00:32:29,880 Speaker 1: that's a very like Kelly Catrone method of doing, because 573 00:32:29,960 --> 00:32:32,640 Speaker 1: lots of PR girls who I have met are very 574 00:32:32,680 --> 00:32:35,200 Speaker 1: like demure and kind of like subdued and a little 575 00:32:35,240 --> 00:32:38,160 Speaker 1: like maybe in their professional lives they are more ball zy, 576 00:32:38,320 --> 00:32:41,360 Speaker 1: but they're not doing the Caitlin and you know, and 577 00:32:41,400 --> 00:32:43,080 Speaker 1: those are the girls who are emailing and not calling. 578 00:32:43,720 --> 00:32:47,160 Speaker 1: And Okay, if I reveal that I am dating a publicist, 579 00:32:47,160 --> 00:32:51,640 Speaker 1: you're dating a publicist. You're dating to publicist. It's very published. Yeah, 580 00:32:51,920 --> 00:32:55,160 Speaker 1: it's very different than Kelen Narth. She's a publicist for books. 581 00:32:55,360 --> 00:32:58,600 Speaker 1: There is also another breed of girl who is on 582 00:32:58,640 --> 00:33:00,760 Speaker 1: the city a lot and is in this city, New 583 00:33:00,840 --> 00:33:03,320 Speaker 1: York go on, who is not a publicist, who does 584 00:33:03,360 --> 00:33:06,200 Speaker 1: not call reporters and pitch things, who is basically a 585 00:33:06,240 --> 00:33:10,680 Speaker 1: glorified door girl. And these girls have some power visa 586 00:33:10,720 --> 00:33:14,080 Speaker 1: VI events and they work at event planning, but they 587 00:33:14,160 --> 00:33:17,320 Speaker 1: like do not have you know, seven brain cells to 588 00:33:17,360 --> 00:33:21,040 Speaker 1: rub together, other than the ability to just like use 589 00:33:21,160 --> 00:33:24,120 Speaker 1: power when they have it, yeah, and like use it 590 00:33:24,160 --> 00:33:26,920 Speaker 1: over people and hold an iPad at a door and 591 00:33:26,960 --> 00:33:30,160 Speaker 1: like have a guest list or respond to guest list whatever. 592 00:33:30,240 --> 00:33:32,200 Speaker 1: I just I think that that is a narrower slice, 593 00:33:32,200 --> 00:33:34,120 Speaker 1: and like with Cotrone is weird about it. There's like 594 00:33:34,520 --> 00:33:39,520 Speaker 1: her business is both event production and pr and that's 595 00:33:40,040 --> 00:33:43,400 Speaker 1: I feel like that's actually not really how it works usually. Yeah, 596 00:33:43,440 --> 00:33:46,040 Speaker 1: I think it's a mix because but like we know 597 00:33:46,120 --> 00:33:50,560 Speaker 1: someone who does fashion production who produces all of Ecasladas shows. 598 00:33:50,560 --> 00:33:54,200 Speaker 1: She's not also called emailing the Vogue being like oh no, right, 599 00:33:54,240 --> 00:33:56,400 Speaker 1: it's like separate. And I used to briefly to the 600 00:33:56,400 --> 00:33:59,160 Speaker 1: guy who does tell far As shows. He's not sending 601 00:33:59,200 --> 00:34:03,200 Speaker 1: a bag of like, well, I jeans to like some random, 602 00:34:04,440 --> 00:34:07,240 Speaker 1: very different world. So, like my girlfriend does like publicity 603 00:34:07,280 --> 00:34:10,000 Speaker 1: for like comics, So she does comic con stuff, and 604 00:34:10,080 --> 00:34:12,919 Speaker 1: so she's doing the cults whatever. She's on the phone 605 00:34:12,920 --> 00:34:15,440 Speaker 1: with like Entertainment Tonight being like Marvel blah blah blah. 606 00:34:15,480 --> 00:34:20,200 Speaker 1: But then she's also like raining in nerds at comic 607 00:34:20,239 --> 00:34:23,200 Speaker 1: con being she's doing event work. Yeah, she doing event work, 608 00:34:23,239 --> 00:34:26,320 Speaker 1: being like no, you actually have to wait here before 609 00:34:26,360 --> 00:34:32,640 Speaker 1: you like attack the Stephen universe whatever or something like that. 610 00:34:32,760 --> 00:34:40,799 Speaker 1: So I think it depends the last thing I want 611 00:34:40,800 --> 00:34:43,839 Speaker 1: to talk about before we get into Segments is her 612 00:34:44,120 --> 00:34:48,799 Speaker 1: amazing gallery show she puts on in the early nineties 613 00:34:48,880 --> 00:34:52,440 Speaker 1: during the height of the culture War. What would that 614 00:34:52,480 --> 00:34:55,480 Speaker 1: be like to be at a culture war. I'm desperately 615 00:34:55,520 --> 00:34:58,000 Speaker 1: always trying to like reignite the culture wars. I feel 616 00:34:58,000 --> 00:35:00,239 Speaker 1: like you are too like you, you know you we're 617 00:35:00,239 --> 00:35:04,080 Speaker 1: in the culture are we are currently in the nineties, 618 00:35:04,120 --> 00:35:08,359 Speaker 1: like conservative Republicans were like, we're like batting down the 619 00:35:08,440 --> 00:35:11,560 Speaker 1: doors of like the art galleries and like the museums, 620 00:35:11,600 --> 00:35:13,520 Speaker 1: and like there was such an insane war and like 621 00:35:13,640 --> 00:35:17,439 Speaker 1: gave a different you know, like and Kipper Gore was like, 622 00:35:17,719 --> 00:35:23,120 Speaker 1: I will not listen to this public enemy. Yes, right, 623 00:35:23,480 --> 00:35:27,680 Speaker 1: Like Joe Lieberman was just like video games destroying our community. 624 00:35:27,880 --> 00:35:31,240 Speaker 1: Now we just have Megan McCann being like my great 625 00:35:31,480 --> 00:35:36,160 Speaker 1: great father figure. Joe Lieberman was an amazing friend of 626 00:35:36,239 --> 00:35:43,239 Speaker 1: my late great father. I also love my gay hairstyle. Yes, 627 00:35:43,719 --> 00:35:46,600 Speaker 1: it's like the culture was are much more narrow nowadays, 628 00:35:46,680 --> 00:35:48,520 Speaker 1: and they're not on the grand scale. They're not as 629 00:35:48,520 --> 00:35:52,000 Speaker 1: affecting as many people like they seem like pitched, but 630 00:35:52,080 --> 00:35:55,640 Speaker 1: it's only because like everything is pitched, because we're our 631 00:35:55,760 --> 00:36:01,560 Speaker 1: fucking founds. Okay, she's whipping up a meal for her 632 00:36:01,960 --> 00:36:06,080 Speaker 1: war whole husband, her first husband, Ronnie Cotrone, And she 633 00:36:06,160 --> 00:36:08,520 Speaker 1: was the hardest. I mentioned this art being so annoying, 634 00:36:09,560 --> 00:36:15,880 Speaker 1: definitely so annoyed, like pre art bro and whatever that means. Um, 635 00:36:16,680 --> 00:36:18,719 Speaker 1: I'm sure he's like has a gallery in Hudson. Now, 636 00:36:19,080 --> 00:36:24,160 Speaker 1: no offense war producer lives where any of our listeners. Um. 637 00:36:24,600 --> 00:36:27,799 Speaker 1: So it's totally a real vibrant com Again for the 638 00:36:27,840 --> 00:36:33,400 Speaker 1: Albert fans out there, the gallery show sounded so provocations, provocations. 639 00:36:33,440 --> 00:36:35,400 Speaker 1: So she did this show. Oh, she also was like 640 00:36:35,440 --> 00:36:37,160 Speaker 1: this is an example of her doing pr for herself. 641 00:36:37,160 --> 00:36:39,560 Speaker 1: But it was like literally just for herself. She was 642 00:36:39,640 --> 00:36:42,000 Speaker 1: like for her first she was just like, so I 643 00:36:42,040 --> 00:36:45,000 Speaker 1: decided to do a gallery show at a gallery in Soho, 644 00:36:45,160 --> 00:36:50,000 Speaker 1: New York City, show the show of the year. It 645 00:36:50,080 --> 00:36:51,879 Speaker 1: was the show to let It was very also sex 646 00:36:51,960 --> 00:36:53,600 Speaker 1: in the city. They're like, this is event we're all 647 00:36:53,640 --> 00:36:59,600 Speaker 1: going to. She gets three couples to lgbt Q interactional, 648 00:37:00,520 --> 00:37:05,680 Speaker 1: different genders, different, gets them to all make out naked 649 00:37:05,920 --> 00:37:13,120 Speaker 1: in this gallery with the American flag waving, and she like, 650 00:37:13,520 --> 00:37:16,000 Speaker 1: you know, printed out the press place was two so 651 00:37:16,080 --> 00:37:18,000 Speaker 1: like back then you were facing a press release to 652 00:37:18,160 --> 00:37:24,120 Speaker 1: like Oprah dream and yever else, and she gets her 653 00:37:24,200 --> 00:37:26,759 Speaker 1: name in the in the New York Post. The next day, 654 00:37:27,280 --> 00:37:29,040 Speaker 1: she gets all this press. She like does get an 655 00:37:29,200 --> 00:37:31,839 Speaker 1: y one five thousand people come to the opening. They 656 00:37:32,000 --> 00:37:35,799 Speaker 1: line up, they're streaming through soho to get in to 657 00:37:35,880 --> 00:37:39,759 Speaker 1: see this crazy show where naked people and she makes 658 00:37:39,760 --> 00:37:45,720 Speaker 1: her kissing. Yeah, they're kissing. I think it's like a couple, 659 00:37:46,080 --> 00:37:48,799 Speaker 1: a gay couple, and like it's you know what it is. 660 00:37:48,840 --> 00:37:54,120 Speaker 1: It's also very crossing and aguilarra beautiful video, yes, which 661 00:37:54,200 --> 00:37:58,640 Speaker 1: I was tittling for the Madonna American Life video. I 662 00:37:58,640 --> 00:38:01,439 Speaker 1: imagine it very okay, but that was more like fuck 663 00:38:01,480 --> 00:38:05,360 Speaker 1: Bush with like grenades and stuff. Yes, but they're naked. 664 00:38:05,640 --> 00:38:08,279 Speaker 1: They're naked, which is shocking, and this was American fight. 665 00:38:08,360 --> 00:38:12,200 Speaker 1: It was free. It was originally that your browns, your whites, 666 00:38:12,440 --> 00:38:16,000 Speaker 1: you're blacks. Like they're all kissing. They're all kissing, and 667 00:38:16,040 --> 00:38:19,680 Speaker 1: like everyone's shocked because there's nothing more shocking than an 668 00:38:19,680 --> 00:38:23,640 Speaker 1: interracial kiss. I'm not even sure if the kisses were interracial. 669 00:38:23,680 --> 00:38:26,319 Speaker 1: There just may have been a black couple. Yeah, I 670 00:38:26,360 --> 00:38:31,080 Speaker 1: could see. No, she seems so literacial mess. Yeah, did 671 00:38:31,080 --> 00:38:33,359 Speaker 1: you okay? The video I sent you last night. Yeah, 672 00:38:33,840 --> 00:38:37,680 Speaker 1: where she's shocking with the director of like Genetic Gem 673 00:38:37,960 --> 00:38:40,400 Speaker 1: about who they're going to cast on the genetic ches. 674 00:38:40,520 --> 00:38:42,560 Speaker 1: I always want to be a tribal girl or something 675 00:38:42,560 --> 00:38:45,560 Speaker 1: insane that she was like, these two girls, they're sisters. 676 00:38:45,640 --> 00:38:50,279 Speaker 1: They look really sisters, Like they've got long hair, they've 677 00:38:50,320 --> 00:38:52,840 Speaker 1: got they were gonna be wearing all black. It's tribal. 678 00:38:52,880 --> 00:38:55,360 Speaker 1: And then Collector's like, yeah, I always have wanted to 679 00:38:55,400 --> 00:38:57,680 Speaker 1: do a tribal look my whole life. And it's like, 680 00:38:57,760 --> 00:39:02,919 Speaker 1: we know, babe, You're like, so there's like seventeen black 681 00:39:02,920 --> 00:39:05,239 Speaker 1: and white photos of Europe. So her use of the 682 00:39:05,280 --> 00:39:11,520 Speaker 1: word yoga is very loosely. She's like pay in the 683 00:39:11,520 --> 00:39:16,000 Speaker 1: book that she mentioned doing yoga doesn't actually do it. 684 00:39:16,120 --> 00:39:20,640 Speaker 1: She's just a yogi. She's a yogic person. Yeah, we 685 00:39:20,680 --> 00:39:24,120 Speaker 1: were doing pr yoga. Yeah. Me doing this event for 686 00:39:24,160 --> 00:39:27,600 Speaker 1: the Red Hot Chili Peppers was basically like a yoga event. 687 00:39:27,719 --> 00:39:32,680 Speaker 1: And you're like, do you actually know what yoga is? Yeah? Right, yo, 688 00:39:32,840 --> 00:39:37,839 Speaker 1: yoga is anything fine, Young Cannibal. She mentions the fun 689 00:39:37,880 --> 00:39:42,480 Speaker 1: Young Cannibal's non stock. You guys are musiccounts, like, you know, 690 00:39:42,640 --> 00:39:45,440 Speaker 1: I don't know what that is, so you know, you know, 691 00:39:45,800 --> 00:39:51,440 Speaker 1: but you can't. I get the video. But yeah, so 692 00:39:51,480 --> 00:39:53,200 Speaker 1: she does this show at the height of the Culture 693 00:39:53,239 --> 00:39:55,560 Speaker 1: Wars and it gets and I love saying the height 694 00:39:55,600 --> 00:39:58,239 Speaker 1: of the culture Wars if you can't tell, and it 695 00:39:58,280 --> 00:40:01,399 Speaker 1: gets her in the pages the New York Post. One 696 00:40:01,440 --> 00:40:04,000 Speaker 1: thing I thought was interesting about this though, and kind 697 00:40:04,000 --> 00:40:06,480 Speaker 1: of maybe sad, was she had put on the show 698 00:40:06,560 --> 00:40:09,680 Speaker 1: with her husband at the time, ron Yeah, Ronnie, and 699 00:40:09,719 --> 00:40:12,400 Speaker 1: she was like, it was this great moment where the 700 00:40:12,440 --> 00:40:15,040 Speaker 1: person who you're romantically partner with is also your creative 701 00:40:15,040 --> 00:40:18,880 Speaker 1: partner and you have this like symbiosis and the like, 702 00:40:18,920 --> 00:40:21,200 Speaker 1: and I've never had that again. Didn't that make you 703 00:40:21,239 --> 00:40:23,440 Speaker 1: so sad? I know? And she was like, that's what 704 00:40:23,520 --> 00:40:26,520 Speaker 1: true love is. But then I do think not to 705 00:40:26,600 --> 00:40:30,560 Speaker 1: be so whatever her teachings, it was like I feel 706 00:40:30,560 --> 00:40:33,840 Speaker 1: like her alternative family lifestyle where she's like, yeah, some nights, 707 00:40:34,000 --> 00:40:37,080 Speaker 1: maybe I'm working and my intern is taking a shower 708 00:40:37,120 --> 00:40:41,160 Speaker 1: and my ex husband is playing checkers with my current 709 00:40:41,239 --> 00:40:44,360 Speaker 1: lover and they're teaching my daughter and checkers. Yeah, She's like, 710 00:40:44,400 --> 00:40:47,160 Speaker 1: there's a male model on the couch and like he 711 00:40:47,640 --> 00:40:51,680 Speaker 1: was like playing fake swords with my daughter and her 712 00:40:51,760 --> 00:40:54,480 Speaker 1: husband and like his dad. She's kind of being very 713 00:40:54,520 --> 00:40:56,520 Speaker 1: lesbian about it, just being so like all my exes 714 00:40:56,520 --> 00:41:01,279 Speaker 1: are here and they're playing check Badness. Yes, you know 715 00:41:01,320 --> 00:41:03,200 Speaker 1: it is sad because she's like, I know it's cool. 716 00:41:03,280 --> 00:41:06,040 Speaker 1: I like don't need to, Like she does a lot 717 00:41:06,040 --> 00:41:07,719 Speaker 1: in the book, do this thing where she's like, yeah, 718 00:41:07,719 --> 00:41:09,680 Speaker 1: and maybe I don't need a partner and yeah, maybe 719 00:41:09,719 --> 00:41:14,239 Speaker 1: if I find someone who's like totally and that would 720 00:41:14,280 --> 00:41:17,280 Speaker 1: be great, but like I don't have that, and that's fine, 721 00:41:18,400 --> 00:41:21,839 Speaker 1: and that's okay for me because I'm a mama and 722 00:41:21,920 --> 00:41:26,120 Speaker 1: I'm doing is totally fine. If the perfect guy came along, 723 00:41:26,200 --> 00:41:28,160 Speaker 1: he had a huge stick and he was my husband anyway, 724 00:41:28,200 --> 00:41:29,920 Speaker 1: he didn't mind that I have like my own career 725 00:41:30,000 --> 00:41:32,439 Speaker 1: and I'm doing any thing, like why would I want 726 00:41:32,440 --> 00:41:34,400 Speaker 1: to like go to a movie at night, or if 727 00:41:34,400 --> 00:41:38,040 Speaker 1: a guy came home like oh yeah, like actually I 728 00:41:38,080 --> 00:41:40,000 Speaker 1: wort two am and I said with my bupberry, so 729 00:41:40,160 --> 00:41:42,719 Speaker 1: like I don't need some guy to be like, hey, 730 00:41:42,760 --> 00:41:46,200 Speaker 1: let's go to dinner point five Jundre and blah blah. 731 00:41:46,760 --> 00:41:49,640 Speaker 1: When wash the sheets, when I'm putting out fires for 732 00:41:49,719 --> 00:41:53,320 Speaker 1: the Steve Madden Show, I don't need a husband texting 733 00:41:53,400 --> 00:41:55,399 Speaker 1: me pick up the kids. But if a man were 734 00:41:55,440 --> 00:41:57,759 Speaker 1: there and we're supporting me, maybe that would be doing 735 00:41:57,800 --> 00:42:02,880 Speaker 1: gallery show like mama wolf life. Honestly, I mean question 736 00:42:02,960 --> 00:42:05,319 Speaker 1: for you guys one, do you feel like you have 737 00:42:05,360 --> 00:42:07,680 Speaker 1: a tribal counsel too? Do you identify as a mama 738 00:42:07,719 --> 00:42:10,719 Speaker 1: wolf orre you still more like warrior and not a 739 00:42:10,760 --> 00:42:14,359 Speaker 1: mama wolf yet? If this is too personal, I'll leave 740 00:42:14,440 --> 00:42:17,479 Speaker 1: the podcast. I don't think I'm a mama wolf yet. 741 00:42:18,040 --> 00:42:21,680 Speaker 1: I hope I'm not a mama wolf yet. Last my check, 742 00:42:21,680 --> 00:42:24,040 Speaker 1: I don't have many kids. I have like a yeah, 743 00:42:24,080 --> 00:42:26,320 Speaker 1: I mean, I love my I love my friends. I 744 00:42:28,880 --> 00:42:31,360 Speaker 1: agree with tribal counsel. Do you feel like an obligation 745 00:42:31,480 --> 00:42:34,719 Speaker 1: to like younger folk who like message you and ask 746 00:42:34,840 --> 00:42:41,200 Speaker 1: for like advice or whatever the face you just made. 747 00:42:41,719 --> 00:42:45,760 Speaker 1: I'm very happy that I have an audience of young people, 748 00:42:46,719 --> 00:42:50,600 Speaker 1: because when I was young and like trying to find 749 00:42:50,640 --> 00:42:53,000 Speaker 1: my way in the world, I distinctly remember having this 750 00:42:53,080 --> 00:42:56,399 Speaker 1: feeling of like, wow, there's like no women that I 751 00:42:56,440 --> 00:42:59,640 Speaker 1: like admire, look up to, or like can kind of 752 00:42:59,680 --> 00:43:02,680 Speaker 1: like aspire to be like. And so to have an 753 00:43:02,680 --> 00:43:06,239 Speaker 1: audience that feels some kind of way you were like, 754 00:43:06,360 --> 00:43:09,560 Speaker 1: d I mean, Lucy Low at age twenty two, you're 755 00:43:09,560 --> 00:43:11,640 Speaker 1: an artist or an actress or all of the above, 756 00:43:11,719 --> 00:43:15,120 Speaker 1: but you were reading this book many many times. So yeah, 757 00:43:15,520 --> 00:43:18,479 Speaker 1: I mean well I thought, yeah, you're not a Mama 758 00:43:18,520 --> 00:43:23,160 Speaker 1: Wolf at all. Maybe I say you're a older sister Wolf. 759 00:43:23,480 --> 00:43:28,760 Speaker 1: I'm an aspiring Mama Wolf. Okay for sure, Yeah older sister. 760 00:43:29,320 --> 00:43:34,280 Speaker 1: That sounds even older than Mama Wolf. It's so great Auntia, 761 00:43:34,560 --> 00:43:38,040 Speaker 1: great aunt Wolf. I'm very happy to have had any 762 00:43:38,120 --> 00:43:40,600 Speaker 1: kind of like influence in the lives of like young 763 00:43:40,800 --> 00:43:44,640 Speaker 1: people whatever. That's so fab Yeah, it's beautiful. But at 764 00:43:44,640 --> 00:43:47,399 Speaker 1: the same time, sometimes the requests you're like, Okay, why 765 00:43:47,400 --> 00:43:51,520 Speaker 1: don't you simmer down. Well, I'm not directly responded. I'm 766 00:43:51,840 --> 00:43:54,840 Speaker 1: having an ambient I am happy to have the support, 767 00:43:54,920 --> 00:43:58,520 Speaker 1: but like every time I m I'm not let someone 768 00:43:58,600 --> 00:44:01,560 Speaker 1: live in my apartment, you know. I mean sometimes like 769 00:44:01,560 --> 00:44:03,239 Speaker 1: I got a message their day that was just like 770 00:44:03,280 --> 00:44:05,840 Speaker 1: I'm in Senegal and I'm persecuted from a sexuality, and 771 00:44:05,880 --> 00:44:09,600 Speaker 1: I was like, that's a beautiful story. Yeah, but that's crazy. 772 00:44:10,040 --> 00:44:16,799 Speaker 1: Sorry from my bisexuality. Oh shout out towards Senegal. These 773 00:44:16,840 --> 00:44:29,359 Speaker 1: bis segment boots. What does she eat, what does she wear? 774 00:44:29,840 --> 00:44:32,680 Speaker 1: Does she live? Okay, what does she eat? What does 775 00:44:32,719 --> 00:44:37,879 Speaker 1: she aw? Yeah? What she mentions having that spiritual moment 776 00:44:37,920 --> 00:44:40,719 Speaker 1: outside of Rawan. I'm outside of a health food store 777 00:44:40,760 --> 00:44:45,040 Speaker 1: in La called A. She's definitely eating health foods. She's 778 00:44:45,040 --> 00:44:48,719 Speaker 1: taking a lot of supplement to. I mean, she's obsessed 779 00:44:48,760 --> 00:44:53,600 Speaker 1: with being on office Chica, which means eating quickly, running around, 780 00:44:54,040 --> 00:44:58,320 Speaker 1: sending the intern to get your cards. She's very pree Jordan. 781 00:44:58,360 --> 00:45:00,640 Speaker 1: I feel like she's so bike messenger in this very 782 00:45:00,719 --> 00:45:03,319 Speaker 1: oh nine way. But Lily, do you feel like she 783 00:45:03,400 --> 00:45:08,200 Speaker 1: ever does kind of like a spaghetti like look hall yet? 784 00:45:08,320 --> 00:45:12,400 Speaker 1: I think I think when she's in Syracuse with family, 785 00:45:12,640 --> 00:45:14,520 Speaker 1: she's like, I'm not gonna hold back, like I'm not 786 00:45:14,520 --> 00:45:16,480 Speaker 1: gonna be rude, Like I think I'm gonna eat the 787 00:45:16,640 --> 00:45:22,000 Speaker 1: chicken palm. She never cooks whatever. Her daughter, No, she's 788 00:45:22,000 --> 00:45:24,480 Speaker 1: so Bethany. I think her and Bethany are both being like, 789 00:45:24,600 --> 00:45:26,760 Speaker 1: what do you want honey like, and they're on gold 790 00:45:26,760 --> 00:45:32,040 Speaker 1: belly like getting like. I think I think she's she's 791 00:45:32,560 --> 00:45:35,439 Speaker 1: and then baking it at home. Yeah, yes, I think 792 00:45:35,480 --> 00:45:40,360 Speaker 1: she's stirred in Annie's once. Maybe yeah, and it was 793 00:45:40,400 --> 00:45:42,560 Speaker 1: the gluten free Annies. But I think when right, when 794 00:45:42,600 --> 00:45:44,919 Speaker 1: she's in Syracuse, she's like because now she's like close 795 00:45:44,920 --> 00:45:46,719 Speaker 1: to their parents. I feel like she's like and when 796 00:45:46,760 --> 00:45:49,439 Speaker 1: the peppermonies and the cannolis come, she'll do one day 797 00:45:49,440 --> 00:45:52,080 Speaker 1: of like the big palm, yeah, and the cannolies. But 798 00:45:52,200 --> 00:45:55,359 Speaker 1: when she goes back to the city, I forget about it. 799 00:45:55,360 --> 00:45:57,920 Speaker 1: It's sweet green all the way. I mean, I think 800 00:45:57,920 --> 00:46:02,279 Speaker 1: she's going to a dinner at her Bone for sure. Yeah. 801 00:46:02,360 --> 00:46:04,640 Speaker 1: I feel like also it could be she's ordering. She's like, 802 00:46:04,800 --> 00:46:10,480 Speaker 1: she's not eating. Yeah, No, she's really coveting. Then I'm 803 00:46:11,640 --> 00:46:14,200 Speaker 1: she talks about how she was like so thin and small, 804 00:46:14,239 --> 00:46:16,600 Speaker 1: and she count her twenties. I love. Oh wait, hold 805 00:46:16,640 --> 00:46:20,600 Speaker 1: on die, she says, could find She goes on her 806 00:46:20,640 --> 00:46:23,280 Speaker 1: whole fucking we're hand about the eating square farmer's market, 807 00:46:23,360 --> 00:46:27,680 Speaker 1: like she's the only person who's ever been there. She's like, 808 00:46:27,920 --> 00:46:31,600 Speaker 1: uh yeah, grocery stores be gone. Anyway. I think she's 809 00:46:31,600 --> 00:46:34,640 Speaker 1: fucking random, and she's not eating, doesn't care and cooking, 810 00:46:35,160 --> 00:46:37,959 Speaker 1: never cooking. She's she's buying. She's a un square farmers market. 811 00:46:38,080 --> 00:46:40,760 Speaker 1: She eats to live. She doesn't live to eat exactly. 812 00:46:40,760 --> 00:46:44,000 Speaker 1: She's buying apples. She's getting like a gluten free apple crumb, 813 00:46:44,080 --> 00:46:47,400 Speaker 1: saying for avon giving it to her like this delicious 814 00:46:47,440 --> 00:46:50,200 Speaker 1: is awful. Take it away from me, yes, because she's like, oh, 815 00:46:50,360 --> 00:46:54,920 Speaker 1: they have those sick turkeys and cages. Oh, and we're 816 00:46:55,000 --> 00:47:00,200 Speaker 1: supposed to fucking celebrate. Wait, wasn't Thanksgiving? She does do 817 00:47:00,239 --> 00:47:05,879 Speaker 1: any vegan signaling so that you know, eat like whatever? Yeah? 818 00:47:06,120 --> 00:47:08,279 Speaker 1: Was it not? Was in another book where she was like, 819 00:47:08,920 --> 00:47:11,000 Speaker 1: go online and look up what they do to chickens 820 00:47:11,080 --> 00:47:14,400 Speaker 1: or something that wasn't this book. Okay, sorry, listen, a 821 00:47:14,440 --> 00:47:19,600 Speaker 1: lot of these ladies are okay, but I think the 822 00:47:19,680 --> 00:47:22,960 Speaker 1: interns right are whipping up the Annie's for Eva and 823 00:47:23,080 --> 00:47:25,480 Speaker 1: they're ordering. And then she brags about going to the 824 00:47:25,480 --> 00:47:28,319 Speaker 1: farmer's market, but I'm sure it's you know. Once. She 825 00:47:28,400 --> 00:47:31,040 Speaker 1: also does something once and then says it's a lifestyle, 826 00:47:31,160 --> 00:47:34,160 Speaker 1: like she will go and be like everyone should go. 827 00:47:34,239 --> 00:47:37,760 Speaker 1: It's amazing. There's vegetables everywhere. She gave muffins to homeless 828 00:47:37,760 --> 00:47:41,480 Speaker 1: people want and then and then she's just like and 829 00:47:41,560 --> 00:47:47,400 Speaker 1: I'd often be found through Tompkins Square Park handing out muffins. 830 00:47:47,440 --> 00:47:50,879 Speaker 1: So the homeless folk. There they go, there she goes again, 831 00:47:51,000 --> 00:47:54,759 Speaker 1: the muffin Lady. It's happen once. I also, I'm sure 832 00:47:54,800 --> 00:47:57,640 Speaker 1: she's fucking going to that Whole Foods on Houston. I 833 00:47:57,719 --> 00:48:01,000 Speaker 1: do not believe that, Like every single day she's at 834 00:48:01,040 --> 00:48:03,960 Speaker 1: that Union Square Farmers market list. I was there the 835 00:48:03,960 --> 00:48:07,680 Speaker 1: other day. I bought busy. Yeah, busy, she's doing the buffet. 836 00:48:07,760 --> 00:48:10,759 Speaker 1: She's gonna you know, yeah, okay, what does she wear? 837 00:48:10,960 --> 00:48:17,520 Speaker 1: Obviously black teas out black. She's also into like very 838 00:48:17,560 --> 00:48:22,600 Speaker 1: forgiving things, tunics. She's very into Indian and yoga, garb throngs, 839 00:48:23,000 --> 00:48:26,240 Speaker 1: big like punches and tunics. And I mean when she's pregnant, 840 00:48:26,320 --> 00:48:28,000 Speaker 1: she has the whole section where she's like, my friend 841 00:48:28,080 --> 00:48:30,400 Speaker 1: told me to go buy like I couldn't wear, like 842 00:48:30,440 --> 00:48:33,239 Speaker 1: I couldn't wear maternity clothes. Oh, she buys like these 843 00:48:33,520 --> 00:48:41,200 Speaker 1: awesome sauce as like yeah, like Ashram gear or whatever. Yeah, 844 00:48:41,239 --> 00:48:44,280 Speaker 1: and I guess and not to be look cist or whatever, 845 00:48:44,480 --> 00:48:47,239 Speaker 1: but yeah, I do feel like on the show like 846 00:48:47,320 --> 00:48:52,040 Speaker 1: she is mad greasy. Well yeah, thing is her thing 847 00:48:52,160 --> 00:48:56,719 Speaker 1: is not wearing makeup because she's honest and other and 848 00:48:56,920 --> 00:48:59,719 Speaker 1: busy and busy. She's honest and busy, and she's honest 849 00:48:59,760 --> 00:49:02,320 Speaker 1: about busy she is, but she could wear a little 850 00:49:02,360 --> 00:49:08,520 Speaker 1: more make people are I don't know. But like the 851 00:49:08,600 --> 00:49:10,800 Speaker 1: first question in the little Like Q and a portion 852 00:49:10,840 --> 00:49:12,719 Speaker 1: of the book is like, do you brush her hair? 853 00:49:13,280 --> 00:49:15,680 Speaker 1: And she's like, I brush it once and I get 854 00:49:15,719 --> 00:49:18,800 Speaker 1: to work and I whatever, like I put in a ponytawel. 855 00:49:18,840 --> 00:49:22,000 Speaker 1: Maybe I don't. And it's like but always, always, always 856 00:49:21,760 --> 00:49:25,000 Speaker 1: it looks so stringy and greasy, like I don't know 857 00:49:25,040 --> 00:49:28,280 Speaker 1: her string we ultimo. I mean she's also a rocker. 858 00:49:29,040 --> 00:49:30,920 Speaker 1: I would. But at some point in the book she 859 00:49:30,960 --> 00:49:34,279 Speaker 1: alludes to wearing wigs. Yes, at the height of the 860 00:49:34,280 --> 00:49:39,040 Speaker 1: culture wars and why not wigs? It was wearing wigs 861 00:49:39,040 --> 00:49:41,720 Speaker 1: all the time, And at that opening she was wearing 862 00:49:41,760 --> 00:49:45,839 Speaker 1: a wig. Why not a wig? Then when she's well, 863 00:49:45,880 --> 00:49:48,319 Speaker 1: because I think she found then why every time we 864 00:49:48,360 --> 00:49:50,839 Speaker 1: see her she had so greasy okay, because she had 865 00:49:50,880 --> 00:49:54,200 Speaker 1: not yet decided that part of her brand was being honest. 866 00:49:54,280 --> 00:49:56,360 Speaker 1: Because the only about PRS she calls people on the 867 00:49:56,360 --> 00:49:58,520 Speaker 1: phone and she's like, listen, I'm gonna level you with you. 868 00:49:59,760 --> 00:50:02,680 Speaker 1: Not good, but this rocker, someone you want to write about, 869 00:50:02,719 --> 00:50:05,319 Speaker 1: He's going to be the next biggest things, like she 870 00:50:05,640 --> 00:50:08,040 Speaker 1: is the only honest pr woman in all of New York. 871 00:50:09,080 --> 00:50:14,200 Speaker 1: An order to make that brand consistent, she has to 872 00:50:14,280 --> 00:50:17,480 Speaker 1: on her reality show not wear makeup and have greasy hair. Well, 873 00:50:17,520 --> 00:50:19,800 Speaker 1: she says. So there's a chapter about building your brand, 874 00:50:20,239 --> 00:50:23,560 Speaker 1: and in it she says, I describe my brand today 875 00:50:23,800 --> 00:50:31,200 Speaker 1: as renegade, strategically, kookie, ballsy, bohemian, intuitive, ruthless, and loving. 876 00:50:31,880 --> 00:50:36,719 Speaker 1: So those are the adjectives that she's been really positive 877 00:50:36,880 --> 00:50:42,680 Speaker 1: towards herself. She's not using oily. I have to know 878 00:50:42,800 --> 00:50:48,480 Speaker 1: a nice you know, Hamish, she says, Amish witch at 879 00:50:48,520 --> 00:50:53,040 Speaker 1: some point, and she constantly says when they're either witches 880 00:50:53,160 --> 00:50:56,640 Speaker 1: or cunts. All throughout history, all they know how to 881 00:50:56,640 --> 00:50:58,600 Speaker 1: do is say that we're witches, are cuts and any 882 00:50:58,600 --> 00:51:00,640 Speaker 1: other country, if you were black, you're a witch, You're 883 00:51:00,640 --> 00:51:04,160 Speaker 1: a cunt. Not in New York City, baby, Like, it's 884 00:51:04,200 --> 00:51:06,600 Speaker 1: always witches and cunts. When she like takes her daughter 885 00:51:06,640 --> 00:51:10,239 Speaker 1: to Salem every year because she loves she loves that. 886 00:51:10,280 --> 00:51:13,120 Speaker 1: They say that yeah, which actually means woman in total 887 00:51:13,160 --> 00:51:18,640 Speaker 1: control of her So, yeah, she wants to impart that 888 00:51:18,719 --> 00:51:21,920 Speaker 1: lesson on to her daughter. I do because ava is 889 00:51:21,960 --> 00:51:25,719 Speaker 1: what in Kellen her seven, So I want to know 890 00:51:25,760 --> 00:51:30,040 Speaker 1: what Eva's up to. Her has a aspiring modeling career. 891 00:51:30,719 --> 00:51:35,239 Speaker 1: From looking at her, I follow Kelly on. Okay, so 892 00:51:35,239 --> 00:51:39,920 Speaker 1: it's daughter vibe. Now that Ava's like coming of age, 893 00:51:39,960 --> 00:51:43,080 Speaker 1: she's really like angling for her to be Can I 894 00:51:43,120 --> 00:51:46,560 Speaker 1: ask what the tits situation is of Ava? Yeah, I 895 00:51:46,600 --> 00:51:51,080 Speaker 1: don't know. I think normal, like not okay, I don't know. No, 896 00:51:51,160 --> 00:51:54,120 Speaker 1: she's not incredibly bust. Well that's good if she wants 897 00:51:54,120 --> 00:51:55,920 Speaker 1: to be. Well, I was going to say, because I 898 00:51:56,000 --> 00:51:58,880 Speaker 1: was like, she's Italiana, so I actually was thinking that 899 00:51:58,920 --> 00:52:03,680 Speaker 1: she might be the last here rock and Stock. She's nineteen. 900 00:52:04,000 --> 00:52:07,640 Speaker 1: She did a photo shoot for Vogue recently, and oh, 901 00:52:07,840 --> 00:52:12,080 Speaker 1: very beautiful. I'm not seeing that. I mean, it's just hard. 902 00:52:12,160 --> 00:52:16,440 Speaker 1: It's talents not transmittable. No, well, I mean it's not 903 00:52:16,480 --> 00:52:18,520 Speaker 1: like Kelly Coudrom was a model. So I don't know why. 904 00:52:19,160 --> 00:52:21,919 Speaker 1: But even with like Kate Moss's daughter, you know, it's 905 00:52:21,920 --> 00:52:23,840 Speaker 1: like we're like all like entertaining and being like ha 906 00:52:24,000 --> 00:52:28,359 Speaker 1: ha yeah, like open me and you're like, what are 907 00:52:28,400 --> 00:52:33,279 Speaker 1: you thinking of these ka I think charmless, none of them. 908 00:52:33,320 --> 00:52:35,320 Speaker 1: I said this on Twitter the old day. I'll repeat myself. 909 00:52:35,800 --> 00:52:38,719 Speaker 1: None of the new girls have an ounce of compelling 910 00:52:38,760 --> 00:52:41,759 Speaker 1: attitude at all. They don't do anything. And when you 911 00:52:41,800 --> 00:52:43,560 Speaker 1: look at the way that models, who's supposed and you 912 00:52:43,560 --> 00:52:46,200 Speaker 1: look at these old pictures of Jana, she was like 913 00:52:46,440 --> 00:52:49,239 Speaker 1: having fun and being crazy and making different expressions and 914 00:52:49,239 --> 00:52:52,280 Speaker 1: moving her body in different ways. And I'm sorry, Kaya Bella, 915 00:52:52,480 --> 00:52:57,319 Speaker 1: Gigi Kendall, this girl Lila Moss like, okay, sorry, they're 916 00:52:57,360 --> 00:53:02,160 Speaker 1: a daughter looks like a slightly hotter than this viral 917 00:53:02,239 --> 00:53:07,600 Speaker 1: makeup artist that we love, Michaela the Boston Boston Bass 918 00:53:07,680 --> 00:53:10,320 Speaker 1: like Mua, yeah, like she was like a less crazy 919 00:53:10,360 --> 00:53:14,760 Speaker 1: looking Michaela. Oh, she looks like a Pittsburgh based Moa. 920 00:53:15,360 --> 00:53:20,480 Speaker 1: I'm not saying it. She's got it's that thing where 921 00:53:20,560 --> 00:53:22,399 Speaker 1: to get your mom's in fashion? I don't know, it's 922 00:53:22,400 --> 00:53:26,080 Speaker 1: like I want her to. I mean, she's nineteen, she 923 00:53:26,120 --> 00:53:28,399 Speaker 1: needs to obviously go on her journey. But I think 924 00:53:28,440 --> 00:53:30,480 Speaker 1: these girls who's stopp being models, And you know that 925 00:53:30,520 --> 00:53:32,960 Speaker 1: I'm very open about my issue with allahm Off. I'm 926 00:53:33,000 --> 00:53:35,680 Speaker 1: just kind of just like, if your mom is famous, 927 00:53:36,000 --> 00:53:39,040 Speaker 1: you should be like think that that's not cool, Like 928 00:53:39,080 --> 00:53:41,520 Speaker 1: you should be like, yeah, it's fucking embarrassing their mom 929 00:53:41,600 --> 00:53:44,160 Speaker 1: is like famous, Like I'm actually interested in other stuff. 930 00:53:44,200 --> 00:53:48,600 Speaker 1: You should not be like courting media attention, Like that's horrifying. No, 931 00:53:49,640 --> 00:53:52,840 Speaker 1: that's she's not punk. Yeah, she should be, like in 932 00:53:53,200 --> 00:53:55,800 Speaker 1: I mean, Kelly Kat should no better. At least I 933 00:53:56,080 --> 00:54:00,920 Speaker 1: claims her daughter is fucking Willow. And she says she's 934 00:54:00,960 --> 00:54:02,840 Speaker 1: such a punk who wears all black and like dated 935 00:54:02,840 --> 00:54:05,239 Speaker 1: that punk eye in Syracuse or whatever, and like the 936 00:54:05,400 --> 00:54:10,799 Speaker 1: Ramones and loves Fanny what they called the dead the 937 00:54:10,800 --> 00:54:13,239 Speaker 1: full metal Jackets. What were you guys saying that band? Fine? 938 00:54:13,280 --> 00:54:17,080 Speaker 1: Young can find she was a publicistan for them. Whatever. 939 00:54:17,320 --> 00:54:19,120 Speaker 1: She thinks she's so cool to be punk, and yet 940 00:54:19,120 --> 00:54:26,040 Speaker 1: she's letting her daughter like that's not punk. No, she 941 00:54:26,120 --> 00:54:29,160 Speaker 1: should be I don't know, more like her conservative Italian 942 00:54:29,200 --> 00:54:31,279 Speaker 1: father who's just being like your mom was in New 943 00:54:31,360 --> 00:54:33,200 Speaker 1: York City. He has a two thousand dollars check and 944 00:54:33,239 --> 00:54:35,319 Speaker 1: you don't ever ask me for anything else, you know, 945 00:54:35,440 --> 00:54:38,239 Speaker 1: And it's like yeah no, because it's like I want 946 00:54:38,280 --> 00:54:45,360 Speaker 1: to see this hard lessons teach the daughter lessons please, Okay, 947 00:54:45,520 --> 00:54:48,480 Speaker 1: how does she live? I don't know? Again, massive boots, 948 00:54:48,560 --> 00:54:52,560 Speaker 1: how much? Just say it? One two, three, Buddha, like 949 00:54:52,760 --> 00:54:56,120 Speaker 1: she's so Buddha. She's yeah, she's so much more boot 950 00:54:56,239 --> 00:54:58,440 Speaker 1: It's like we've said Buddha, Buddha, Buddha, but it's like 951 00:54:58,760 --> 00:55:01,000 Speaker 1: every other page of this book. Well, okay, do you 952 00:55:01,080 --> 00:55:04,880 Speaker 1: think she lives in LA or New York? Truly? I 953 00:55:04,960 --> 00:55:07,919 Speaker 1: know she's by Costal. I think she lives in New York. 954 00:55:08,239 --> 00:55:11,840 Speaker 1: I kind of I think Gosh is right. I don't. 955 00:55:12,200 --> 00:55:14,399 Speaker 1: I think that she's LA now. I think that I 956 00:55:14,400 --> 00:55:19,960 Speaker 1: think she likes the like spacious caravan and like she's 957 00:55:20,520 --> 00:55:22,239 Speaker 1: because people in New York would call her on her 958 00:55:22,280 --> 00:55:24,120 Speaker 1: bullshit too much, so she has to be in LA. 959 00:55:24,480 --> 00:55:26,760 Speaker 1: She was like working as pr for like Michael Jackson's 960 00:55:26,760 --> 00:55:29,319 Speaker 1: only in the early nineties. She's only come down the 961 00:55:29,400 --> 00:55:32,120 Speaker 1: ladder since the nineties. So at a certain point, you 962 00:55:32,160 --> 00:55:34,160 Speaker 1: can't be still living in New York and have like 963 00:55:34,560 --> 00:55:37,160 Speaker 1: used to represent Steve Madden ten years ago. It's kind 964 00:55:37,160 --> 00:55:39,719 Speaker 1: of just like but in LA, no one's going to 965 00:55:39,800 --> 00:55:41,640 Speaker 1: judge you for that, and it's fine. You don't feel 966 00:55:41,680 --> 00:55:44,840 Speaker 1: the need to be like as with it and contemporary. 967 00:55:45,040 --> 00:55:48,840 Speaker 1: I mean, and the Hills is a lot, right. I 968 00:55:48,840 --> 00:55:51,520 Speaker 1: think she says New York, but I feel like she 969 00:55:51,680 --> 00:55:55,960 Speaker 1: just has more cachet. People's revolution. It's the most as 970 00:55:55,960 --> 00:56:00,560 Speaker 1: a brands more like Los Angeles. La is more. You 971 00:56:00,600 --> 00:56:04,400 Speaker 1: guys are fully right. And I'm gonna rescind what I said. 972 00:56:04,680 --> 00:56:09,759 Speaker 1: And I think when I'm um, I think it's like 973 00:56:09,840 --> 00:56:11,680 Speaker 1: she's so La and it's like you guys are so 974 00:56:11,840 --> 00:56:15,759 Speaker 1: right and just every second she can in La, she 975 00:56:15,920 --> 00:56:20,480 Speaker 1: references like living on the avenue see yes Yes. Speaking 976 00:56:20,480 --> 00:56:24,719 Speaker 1: of bocab, Kelly Kittron was the first person who, in 977 00:56:24,760 --> 00:56:26,879 Speaker 1: my initial reading of her book, was the first person 978 00:56:26,880 --> 00:56:31,440 Speaker 1: I ever heard used the word bookoo. Wait what is 979 00:56:31,440 --> 00:56:34,960 Speaker 1: boo in the thirties less? She says, when you're in 980 00:56:34,960 --> 00:56:39,640 Speaker 1: your thirties living in bookoo money boko boko, You're the 981 00:56:39,640 --> 00:56:46,280 Speaker 1: French word. It means a lot in French. Bookoo sounds 982 00:56:44,080 --> 00:56:56,040 Speaker 1: like it's a bookoo money tonight. Are you at a restaurant? Like, yeah, 983 00:56:56,800 --> 00:57:00,000 Speaker 1: boo tonight you get that. I learned that from Kelly 984 00:57:00,040 --> 00:57:03,120 Speaker 1: good Trout, and I've been saying bookoo. The check clears, 985 00:57:03,280 --> 00:57:07,000 Speaker 1: you're like, oh we I'm like, oh my god, I'm 986 00:57:07,000 --> 00:57:11,560 Speaker 1: making bookoo money Okay, but boku got it real bookoo hours? 987 00:57:11,600 --> 00:57:18,040 Speaker 1: Who up? Boku? I guess her. I guess. Okay, the 988 00:57:18,120 --> 00:57:21,000 Speaker 1: other just only reason I will defend my answer why 989 00:57:21,040 --> 00:57:24,080 Speaker 1: I said, you're already resonded. I did restond. But I've 990 00:57:24,120 --> 00:57:28,000 Speaker 1: also seen her in Pickepsie and COVID vote mask. Yeah, 991 00:57:28,040 --> 00:57:35,080 Speaker 1: she's dead, no question. She had a vote mask and 992 00:57:35,120 --> 00:57:40,680 Speaker 1: then she threw it into a landfill. She gave it 993 00:57:40,680 --> 00:57:43,880 Speaker 1: to a homeless person and Talking Square Park, she handed 994 00:57:43,920 --> 00:57:49,080 Speaker 1: out vote masks she bought. She went to RBG dot 995 00:57:49,080 --> 00:57:52,640 Speaker 1: com order the pack of twelves and started just giving 996 00:57:52,680 --> 00:57:57,360 Speaker 1: them about homeless people. Okay, who are you in the 997 00:57:57,440 --> 00:58:03,160 Speaker 1: book Cast of Honor Josha. I mean, so you're studying 998 00:58:03,200 --> 00:58:08,400 Speaker 1: to be Kelly ConTroll my because my character is not 999 00:58:08,520 --> 00:58:11,840 Speaker 1: Kelly Cotron. She's not like a high power publicists. She's 1000 00:58:11,880 --> 00:58:17,160 Speaker 1: like a middling assistant girl. Oh okay, um. But also 1001 00:58:17,400 --> 00:58:20,440 Speaker 1: I think I'm the intern who wrote the blog post 1002 00:58:20,800 --> 00:58:25,800 Speaker 1: oh my detail fired. Yeah, yeah, I'm the I'm the 1003 00:58:25,840 --> 00:58:28,520 Speaker 1: internro wrote the blog post about how terrible it was 1004 00:58:28,560 --> 00:58:32,320 Speaker 1: to work for People's revolution. That then the phone inside 1005 00:58:32,640 --> 00:58:37,240 Speaker 1: you signed an NDA. I'm gonna sit you violated the NDA. 1006 00:58:37,400 --> 00:58:41,640 Speaker 1: I'm the bitch who violated the NDA. Yeah that's I 1007 00:58:42,000 --> 00:58:45,160 Speaker 1: love that you know. I mean, because you're known for 1008 00:58:45,320 --> 00:58:51,200 Speaker 1: your mouth. That controversial bitch. She'll let anything fall out 1009 00:58:51,240 --> 00:58:58,880 Speaker 1: of those lips. Gets so it gets so many Yeah, blogger, 1010 00:58:59,440 --> 00:59:02,760 Speaker 1: you like you make up bail and see about my 1011 00:59:02,920 --> 00:59:08,160 Speaker 1: time with Callie, Like, well, you're incredibly low level interactions. 1012 00:59:08,160 --> 00:59:11,600 Speaker 1: But exactly, I'm like, I met, I saw Callie today. 1013 00:59:11,640 --> 00:59:15,680 Speaker 1: She fell down in her product boot Like I'm yeah, 1014 00:59:15,760 --> 00:59:19,720 Speaker 1: that's definitely your friend is leaving wasteland. Hey, Dasha, have 1015 00:59:19,800 --> 00:59:23,560 Speaker 1: you seen the blocks You're blowing up? But you're like, wait, 1016 00:59:23,600 --> 00:59:26,840 Speaker 1: I'm just making up Like wait what open that? Like? 1017 00:59:26,920 --> 00:59:30,160 Speaker 1: He like, I get that call, I get the call. 1018 00:59:31,080 --> 00:59:33,680 Speaker 1: I'm gonna see your whole family, And I'm like, oh 1019 00:59:33,720 --> 00:59:36,520 Speaker 1: my god, I better take it down real quick. I 1020 00:59:36,560 --> 00:59:38,520 Speaker 1: love what she says. I'm gonna sue your whole family. 1021 00:59:40,080 --> 00:59:43,360 Speaker 1: That's Italian. No, that's so shoue. All of a sudden 1022 00:59:43,360 --> 00:59:45,560 Speaker 1: the end of the book, it gets like full mob wobs. 1023 00:59:45,600 --> 00:59:49,240 Speaker 1: She's like that's Italian, and that's Talian and that's Italian. 1024 00:59:49,240 --> 00:59:55,640 Speaker 1: And you're like, okay, pies on um. Stephen, you one 1025 00:59:55,680 --> 00:59:58,560 Speaker 1: of the interbles who was like making out in the 1026 00:59:58,600 --> 01:00:06,880 Speaker 1: gallery and then your okay, Steven, I think you're the 1027 01:00:07,200 --> 01:00:12,840 Speaker 1: gay partner becomes the heart. Oh yeah, who Then she 1028 01:00:12,960 --> 01:00:17,920 Speaker 1: sells the company, Yeah, Ken or whatever we call like 1029 01:00:18,120 --> 01:00:22,080 Speaker 1: mix something. I'm so spying the company. She was like, 1030 01:00:22,240 --> 01:00:24,400 Speaker 1: I'm sorry, I'm super stressed. Will you buy this for 1031 01:00:24,440 --> 01:00:26,800 Speaker 1: me for forty five thousand dollars? Oh? Let me look 1032 01:00:26,840 --> 01:00:30,640 Speaker 1: my wallet, actually a forty five thousand dollars sparing cash. 1033 01:00:30,680 --> 01:00:33,640 Speaker 1: I can actually do that today. Weird, okay, but yeah, 1034 01:00:33,720 --> 01:00:36,160 Speaker 1: I am that gay and I also picture that gay. 1035 01:00:36,240 --> 01:00:39,120 Speaker 1: Like so this is partly because I'm watching Bethanese show, 1036 01:00:39,360 --> 01:00:42,040 Speaker 1: but there's a gay on Bethanese show who unfortunately identify with, 1037 01:00:42,080 --> 01:00:45,760 Speaker 1: who has like the most just like you know, shaped eyebrows, 1038 01:00:45,840 --> 01:00:49,240 Speaker 1: and like is wearing like so like wearing like makeup 1039 01:00:49,280 --> 01:00:51,680 Speaker 1: for men in that way that like make men now 1040 01:00:51,760 --> 01:00:54,880 Speaker 1: do where they're wearing like just enough concealer. It's like 1041 01:00:54,920 --> 01:00:59,160 Speaker 1: a spread on concealer. Um, I mean. And he writes Bethany, 1042 01:00:59,240 --> 01:01:01,520 Speaker 1: that's really obscene queus letter because she fires him, and 1043 01:01:01,560 --> 01:01:04,919 Speaker 1: then he's just like, I admire you and I love 1044 01:01:04,920 --> 01:01:07,600 Speaker 1: you so much, and I think you're an incredible entrepreneur 1045 01:01:07,720 --> 01:01:09,400 Speaker 1: and I want the chance to work for you again. 1046 01:01:09,440 --> 01:01:12,080 Speaker 1: And she rehires him. You are that, but you're also 1047 01:01:12,120 --> 01:01:16,120 Speaker 1: what you said you. Kelly Catrone is working door, one 1048 01:01:16,120 --> 01:01:19,800 Speaker 1: of her girls are working door, and you are you 1049 01:01:19,920 --> 01:01:24,000 Speaker 1: who gets like into the exclusive random mercer party. Could 1050 01:01:25,040 --> 01:01:28,720 Speaker 1: Weinberg and associate Weinberg. I've been craving a partner who 1051 01:01:28,720 --> 01:01:31,520 Speaker 1: could have len professional support and fetch with me over 1052 01:01:31,560 --> 01:01:34,280 Speaker 1: the insane people in situations that filled my day. Jason 1053 01:01:34,360 --> 01:01:37,640 Speaker 1: was Jewish, gay, charming and dashing, and what we lacked 1054 01:01:37,640 --> 01:01:39,880 Speaker 1: in knowledge me more than made up for an attitude 1055 01:01:39,960 --> 01:01:42,440 Speaker 1: the way that that's the way that so many girls 1056 01:01:42,440 --> 01:01:46,160 Speaker 1: have described me as Jewish and dashing. Ironically, even though 1057 01:01:46,160 --> 01:01:48,120 Speaker 1: it was all you Jewish, I was so. I was 1058 01:01:48,160 --> 01:01:50,800 Speaker 1: called anti Semitic today by someone who was trying to 1059 01:01:50,800 --> 01:01:57,160 Speaker 1: cancel me post by this person just la. But most 1060 01:01:57,200 --> 01:01:59,680 Speaker 1: people think I'm Jewish, yea many most of my close 1061 01:01:59,720 --> 01:02:03,400 Speaker 1: friend I don't. But I would say thank you with 1062 01:02:03,400 --> 01:02:06,360 Speaker 1: that would sound anti sematic. But I grew up in 1063 01:02:06,480 --> 01:02:09,480 Speaker 1: Jewish now. I grew up in a Jewish neighborhood. I 1064 01:02:09,600 --> 01:02:12,240 Speaker 1: was a very familiar culture quit now, but I could 1065 01:02:12,480 --> 01:02:15,800 Speaker 1: I would imagine that a Kelly Cotrone like person would 1066 01:02:15,840 --> 01:02:23,800 Speaker 1: just be like, oh, another gay Joe, who I can great. Yeah, yeah, 1067 01:02:24,280 --> 01:02:28,120 Speaker 1: he's got a little like leather bound folio with Well, 1068 01:02:28,240 --> 01:02:30,040 Speaker 1: here's the thing. You have a satchel and she you know, 1069 01:02:30,120 --> 01:02:32,880 Speaker 1: she takes no shit and she talks crazy and that's 1070 01:02:32,880 --> 01:02:34,760 Speaker 1: the thing that's like, and you don't mind talking crazy 1071 01:02:34,800 --> 01:02:38,080 Speaker 1: to her. That's something going. I can give it. I 1072 01:02:38,080 --> 01:02:40,600 Speaker 1: can dish it like I can take it. Yeah, who 1073 01:02:40,920 --> 01:02:45,080 Speaker 1: am I? In the book? Who are you? Um? Okay, 1074 01:02:45,120 --> 01:02:47,400 Speaker 1: I'll say it. It's not in the let's just say 1075 01:02:47,480 --> 01:02:50,120 Speaker 1: she doesn't like know oh wait, she like doesn't know 1076 01:02:50,160 --> 01:02:53,880 Speaker 1: any lesbians, but she referenced references that one lesbian couple 1077 01:02:53,880 --> 01:02:56,400 Speaker 1: who thinks it's her competition to get into a prot's 1078 01:02:56,400 --> 01:02:59,160 Speaker 1: a private school. She's like, and that's your worst enemy 1079 01:02:59,160 --> 01:03:01,600 Speaker 1: in interracial as being a couple for a private school. 1080 01:03:01,920 --> 01:03:05,240 Speaker 1: Who I don't. I don't think I am. I think 1081 01:03:05,480 --> 01:03:07,880 Speaker 1: my former cleaning company that I used to work for. 1082 01:03:08,080 --> 01:03:11,680 Speaker 1: I think they're sending me to Kelly Catrone's People's Revolution 1083 01:03:11,760 --> 01:03:15,280 Speaker 1: Loft office. And she's saying very nervous about price, do 1084 01:03:15,520 --> 01:03:18,680 Speaker 1: details do this? I'm going once and Kelly Cotrone is 1085 01:03:18,960 --> 01:03:22,440 Speaker 1: complaining about me so so much, and she's like, this 1086 01:03:22,480 --> 01:03:25,520 Speaker 1: person is disgusting. Um, they missed the bathroom, they missed 1087 01:03:25,520 --> 01:03:28,360 Speaker 1: the corner, and then she's still rehiring you. Yeah, and 1088 01:03:28,440 --> 01:03:30,080 Speaker 1: I'm going back and I have to and they're like, 1089 01:03:30,280 --> 01:03:34,680 Speaker 1: and I'm going back randomly for free to clean my mistakes, 1090 01:03:35,080 --> 01:03:38,880 Speaker 1: and then maybe a third time and then but then 1091 01:03:39,080 --> 01:03:43,640 Speaker 1: Kelly is taking you to like the muffin place. Maybe 1092 01:03:43,640 --> 01:03:46,880 Speaker 1: she's gotten me. I'm giving my homeless maid here. You 1093 01:03:46,960 --> 01:03:49,760 Speaker 1: got here, here's your muffin and this is your lesson 1094 01:03:50,040 --> 01:03:53,400 Speaker 1: and you're going to conquer the world and email and 1095 01:03:53,800 --> 01:03:56,919 Speaker 1: you're not really cut out for this, but I see 1096 01:03:56,960 --> 01:04:03,800 Speaker 1: something melts in you. Well, I think we nailed at Yeah, y'all. 1097 01:04:03,960 --> 01:04:06,320 Speaker 1: I give us a freaking ten out of ten. I'm 1098 01:04:07,320 --> 01:04:09,760 Speaker 1: I mean, as as our guests has noted, it's the 1099 01:04:09,840 --> 01:04:12,840 Speaker 1: kind of book you can read three people four times, 1100 01:04:12,840 --> 01:04:16,040 Speaker 1: just revisited over and over over the course of your life. 1101 01:04:16,400 --> 01:04:20,200 Speaker 1: And like pay potentially advice that Kelly has to give 1102 01:04:20,240 --> 01:04:25,440 Speaker 1: you because it's taken me really hard, like succession, and 1103 01:04:25,800 --> 01:04:28,960 Speaker 1: ultimately you're on succession. Like and I do think you 1104 01:04:28,960 --> 01:04:31,240 Speaker 1: know one of her main things is like, go do 1105 01:04:31,280 --> 01:04:33,320 Speaker 1: that thing you think you might want to do. Like 1106 01:04:33,800 --> 01:04:35,600 Speaker 1: I feel like she has something I feel some cut off. 1107 01:04:35,600 --> 01:04:38,760 Speaker 1: She's like, until you're like thirty five or whatever. Yeah, yeah, which, 1108 01:04:38,760 --> 01:04:41,600 Speaker 1: and yeah, that's true. It's really a book for people 1109 01:04:41,640 --> 01:04:45,919 Speaker 1: like in their twenties early thirties, our loss and that's 1110 01:04:46,040 --> 01:04:48,080 Speaker 1: when I read it and look at me. Now, that's 1111 01:04:48,280 --> 01:04:49,920 Speaker 1: very much the age of us and the age of 1112 01:04:49,960 --> 01:04:52,000 Speaker 1: our listeners. And I think that like, pack it up 1113 01:04:52,040 --> 01:04:54,960 Speaker 1: if you have any even scant idea in your head 1114 01:04:55,000 --> 01:04:57,800 Speaker 1: of like, oh, I want to record a reggae album 1115 01:04:57,880 --> 01:05:01,600 Speaker 1: in Vancouver. I want to marry like a musclely Greek guy. 1116 01:05:01,720 --> 01:05:04,320 Speaker 1: I want to be in a thruple and sell polo. 1117 01:05:04,480 --> 01:05:07,920 Speaker 1: Like do those things now and figure out if you 1118 01:05:08,120 --> 01:05:11,200 Speaker 1: like them or not, because she says the more you 1119 01:05:11,280 --> 01:05:14,480 Speaker 1: find out actually that that thing doesn't work for you, 1120 01:05:14,640 --> 01:05:16,560 Speaker 1: then the clothes you get to the thing that doesn't 1121 01:05:16,560 --> 01:05:20,080 Speaker 1: want It's like great, So you actually don't like fixing 1122 01:05:20,160 --> 01:05:22,959 Speaker 1: muscle cars. Now you know you're not going to wonder 1123 01:05:23,120 --> 01:05:28,360 Speaker 1: till you're ag Yeah. Wow, okay, Well go to sell polo. 1124 01:05:28,680 --> 01:05:31,440 Speaker 1: As Megan McCain says, buy the ticket, take the ride, 1125 01:05:32,160 --> 01:05:37,120 Speaker 1: Hall yeah, Hall yes, horns up. Megan. I would like 1126 01:05:37,200 --> 01:05:39,840 Speaker 1: to thank our guests so much for joining. Thank you 1127 01:05:40,200 --> 01:05:43,200 Speaker 1: so much for coming' happy to be here. I love 1128 01:05:43,280 --> 01:05:48,840 Speaker 1: the pod. It's really the only pot I listened to. Okay, huge, Wow. 1129 01:05:48,960 --> 01:05:51,919 Speaker 1: Do you even listen to your own? No? Yeah, same, 1130 01:05:52,360 --> 01:05:54,680 Speaker 1: I don't listen to my pody either. My boyfriend's from 1131 01:05:54,680 --> 01:05:58,080 Speaker 1: Boston's there's like something for everyone. Oh wait, get out, 1132 01:05:58,640 --> 01:06:02,040 Speaker 1: get out? No, sir, does he listen? Yeah? Yeah, I 1133 01:06:02,080 --> 01:06:04,080 Speaker 1: listened to it with my friend when we like drive places. 1134 01:06:04,880 --> 01:06:07,480 Speaker 1: See that's so hot when your boyfriend has a car 1135 01:06:08,760 --> 01:06:12,439 Speaker 1: and drive. We just listened to it and we laugh 1136 01:06:12,480 --> 01:06:14,400 Speaker 1: a lot and we have a good time. Yeah, I'm 1137 01:06:14,440 --> 01:06:17,240 Speaker 1: not so cute. Okay, that's the cutest thing I've ever 1138 01:06:17,360 --> 01:06:20,640 Speaker 1: heard of, a couple where one person is from Boston 1139 01:06:20,680 --> 01:06:29,200 Speaker 1: and they listen because I'm a friendly. Can I get 1140 01:06:29,240 --> 01:06:31,240 Speaker 1: your contract? Infoe? I would love to put you in 1141 01:06:31,280 --> 01:06:36,440 Speaker 1: a gallery show I'm thinking of. Yeah, listen to us 1142 01:06:36,520 --> 01:06:39,880 Speaker 1: or whatever. Um leave a review at CBC the pod. Yes, 1143 01:06:40,040 --> 01:06:45,120 Speaker 1: thank you so much. Joshas to review for Red Scare. 1144 01:06:45,200 --> 01:06:51,919 Speaker 1: Leave a review for Succession on iTunes. Um, get those 1145 01:06:51,960 --> 01:06:55,800 Speaker 1: eight Peo Max subscriptions. Fired up bitches. Hell yeah, we 1146 01:06:55,960 --> 01:06:59,600 Speaker 1: doing this bright new now, um and we will see 1147 01:06:59,640 --> 01:07:04,520 Speaker 1: you next next week and our next book is Ellen 1148 01:07:04,640 --> 01:07:11,800 Speaker 1: DeGeneres Design Designer Something Designers. We'll tell you in later, 1149 01:07:12,760 --> 01:07:15,120 Speaker 1: but like you'll get you get the idea. UM, thank 1150 01:07:15,120 --> 01:07:17,160 Speaker 1: you so much. We love you, We love you best. 1151 01:07:17,160 --> 01:07:33,480 Speaker 1: Best Celebrity Book Club is presented by Prologue Projects and 1152 01:07:33,600 --> 01:07:36,920 Speaker 1: had Gum. The show is produced by Meg Murnane, My 1153 01:07:37,080 --> 01:07:41,200 Speaker 1: Warrior and my Sister, with editorial support from Leon nay Falk, 1154 01:07:41,280 --> 01:07:45,960 Speaker 1: my ex husband, Andrew Parsons and Madeline Kaplan. Our production 1155 01:07:46,000 --> 01:07:50,200 Speaker 1: manager is Perceive Verlin Engineering by Farris manche I don't 1156 01:07:50,240 --> 01:07:53,600 Speaker 1: work with him anymore. UM. Original theme signed by Steven Phillips, 1157 01:07:53,600 --> 01:07:56,480 Speaker 1: Horse is such a fucking rock Star. Our work by 1158 01:07:56,520 --> 01:07:59,640 Speaker 1: Teddy Blanks at Chips and why. Follow us on Twitter 1159 01:07:59,680 --> 01:08:02,959 Speaker 1: at CBC the Pod, Subscribe on your favorite podcast app, 1160 01:08:03,240 --> 01:08:04,960 Speaker 1: leave us a review, and don't forget to tell your 1161 01:08:04,960 --> 01:08:25,719 Speaker 1: friends about us. That was a hit Gun Podcast