WEBVTT - The Girlfriends S3/E3: He Said, She Said

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<v Speaker 1>Hey, girlfriend, it's Anna here giving you a quick heads

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<v Speaker 1>up on what to expect in this episode. We're going

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<v Speaker 1>to talk about the night of the murder a lot

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<v Speaker 1>and in detail, and I want to warn you that

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<v Speaker 1>there's going to be some mentions of domestic abuse, sexual assault,

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<v Speaker 1>and suicide. But we'll also get the chance to dive

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<v Speaker 1>into the weeds of the police investigation to learn more

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<v Speaker 1>about the case against Kelly and the holes in it.

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<v Speaker 1>If you feel impacted by some of the themes in

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<v Speaker 1>this show, you can reach out to No More. There

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<v Speaker 1>are domestic violence charity with a lot of great resources

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<v Speaker 1>to help.

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<v Speaker 2>You or your loved ones.

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<v Speaker 1>You can search No More dot org and we've also

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<v Speaker 1>put a link to their website in the episode description. Plus,

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<v Speaker 1>as always, there'll be more than a few swear words

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<v Speaker 1>for Kelly Harnett's brother, Ronnie. July seventh, twenty ten, was

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<v Speaker 1>a totally normal day.

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<v Speaker 3>I was on my way back from work and I

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<v Speaker 3>had are you know how they in a union square

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<v Speaker 3>and things like that they have the village Voice or whatever,

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<v Speaker 3>so their newspaper.

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<v Speaker 1>He picks it up and sits down, leaving through like

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<v Speaker 1>he would any other time, and there printed in black

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<v Speaker 1>and white is a headline that reads something like, please

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<v Speaker 1>arrest two individuals after a murder.

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<v Speaker 2>In a story of Queens.

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<v Speaker 3>I was looking at people next to me. I said,

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<v Speaker 3>you believe this in our neighborhood? And I showed them

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<v Speaker 3>and they looked at it and they just shook their heads.

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<v Speaker 3>They were like, what's this world coming to?

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<v Speaker 1>Ronnie doesn't think any more of it other than what

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<v Speaker 1>a shame it is that the place he once knew

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<v Speaker 1>as a safe family neighborhood seems to be going to

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<v Speaker 1>the dogs.

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<v Speaker 4>So I go home.

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<v Speaker 3>My mother's like, yeah, you might want to sit down.

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<v Speaker 3>I was like, am I just telling me what's going on?

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<v Speaker 3>And I never a billion years did crossed my mind

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<v Speaker 3>what I read? You know. So she's like, Kelly, she

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<v Speaker 3>got arrested, and I said, for what she said, for murder,

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<v Speaker 3>shocking is an understatement. I started getting dizzy. I started

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<v Speaker 3>seeing stars and I was like, WHOA. But I knew,

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<v Speaker 3>I said, I know my sister, she didn't do this.

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<v Speaker 3>I know she didn't do it.

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<v Speaker 1>I'm Annisonfield and from the teams at novel and iHeart Podcasts,

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<v Speaker 1>this is the girlfriend's jailhouse lawyer. Yes, episode three, he

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<v Speaker 1>said she said. It's around four am on July seventh,

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<v Speaker 1>twenty ten, when Kelly Hannette first arrives at the one

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<v Speaker 1>hundred and fourteenth Precinct. She's immediately processed as a suspect

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<v Speaker 1>in the murder of Reuben Angel Vargas.

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<v Speaker 5>They took all of my clothes from me, including my

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<v Speaker 5>bride under her. They put me in a white paper suit.

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<v Speaker 2>Kelly can't believe what's happening to her.

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<v Speaker 1>She's just witnessed her boyfriend Tommy Donovan kill a man

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<v Speaker 1>right in front of her before threatening that she would

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<v Speaker 1>be next, but no one seems to be treating her

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<v Speaker 1>like the victim.

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<v Speaker 5>She is.

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<v Speaker 2>Sitting in her cell.

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<v Speaker 1>Feeling like the world is against her. Kelly decides to

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<v Speaker 1>do something reckless, something that will warp and color every

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<v Speaker 1>memory she tells me from this time. Somehow she's managed

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<v Speaker 1>to smuggle in a huge amount of xanax, and she

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<v Speaker 1>knows she needs to get rid of them.

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<v Speaker 2>Before they're discovered by the police.

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<v Speaker 1>But she also just wants to escape this situation somehow,

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<v Speaker 1>And right there in the palm of her hand, she

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<v Speaker 1>sees a solution.

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<v Speaker 4>Down the hair they go and there was a lot

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<v Speaker 4>and I didn't care if it was a suicide attempt.

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<v Speaker 2>Or what the hell it was.

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<v Speaker 4>Whatever happens happens, because it sounds like my life just

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<v Speaker 4>got ripped from under me because of something that I

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<v Speaker 4>didn't even do.

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<v Speaker 6>I was like, look if I die, I die.

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<v Speaker 1>From there, things just get worse for Kelly. Not only

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<v Speaker 1>is she now really high in police custody, but she's

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<v Speaker 1>also withdrawing. She tells the police she needs her methodone.

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<v Speaker 1>She's on that huge one hundred and seventy milligram daily dose,

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<v Speaker 1>but she's been without it for days because Tommy wouldn't

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<v Speaker 1>let her go to the clinic. Kelly's hoping now she's

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<v Speaker 1>in official police custody that they'll give her what she needs,

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<v Speaker 1>but they refuse. On top of this, Kelly suffers from

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<v Speaker 1>what's called grand mal seizures, she says. She asks repeatedly

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<v Speaker 1>for her seizure medication, which is in police possession, but

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<v Speaker 1>they say they'll only give it to her if she

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<v Speaker 1>writes a statement. She has multiple seizures while in custody.

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<v Speaker 2>She also gets her period.

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<v Speaker 1>She asks the cops for some sanitary but they refuse

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<v Speaker 1>those two They leave her bleeding into her white paper

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<v Speaker 1>suit it soaks right through and is visible to anyone

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<v Speaker 1>who sees her. And because she hasn't got anything on underneath,

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<v Speaker 1>every time she goes to the bathroom, she has to

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<v Speaker 1>strip down completely naked.

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<v Speaker 2>Kelly says.

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<v Speaker 1>Male staff gather around to watch, making comments about her body.

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<v Speaker 5>I'm bleeding everywhere, but you're talking about my breasts and

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<v Speaker 5>calling your friends in because it's a free show.

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<v Speaker 2>Discusting pigs.

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<v Speaker 5>I have absolutely no no respect for them. I'm sorry,

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<v Speaker 5>but they were disgusting to me. I didn't even fucking

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<v Speaker 5>commit this crime. How dare you? How fucking dare you?

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<v Speaker 1>It should be clear to anyone that Kelly is in

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<v Speaker 1>no fit state to give a reliable account of what's happened,

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<v Speaker 1>and yet four hours after her arrest, cops take down

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<v Speaker 1>an oral statement. Here's a quick reminder of how Kelly

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<v Speaker 1>described the knight of the murder.

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<v Speaker 2>Back in episode one.

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<v Speaker 1>Kelly and Tommy met Angel and they decided to drink

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<v Speaker 1>together while Tommy went off to buy the three of

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<v Speaker 1>them beers. Kelly says Angels sexually assaulted her. When Tommy returned,

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<v Speaker 1>Kelly told him what happened. Tommy then attacked and choked Angel.

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<v Speaker 1>Kelly tried to get him to stop, but Tommy pushed

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<v Speaker 1>her away and threatened that she would be next. After that,

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<v Speaker 1>Tommy forced Kelly to hand over her shoelace. He then

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<v Speaker 1>attempted to use it to strangle Angel, but it snapped. Next,

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<v Speaker 1>Kelly witnessed Tommy put his belt around Angel's neck and

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<v Speaker 1>finally kill him. That's what Kelly said to me in

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<v Speaker 1>twenty twenty four, but it's not what she told the

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<v Speaker 1>police back in twenty ten.

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<v Speaker 4>I was woken up frantically by my boyfriend Tommy Danovan,

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<v Speaker 4>stating we got to get out of here now, and

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<v Speaker 4>then they put in.

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<v Speaker 1>Kelly is reading from her original oral statement, which was

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<v Speaker 1>taken at around eight am on July seventh. In it,

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<v Speaker 1>Kelly says that she didn't witness the crime at all. Instead,

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<v Speaker 1>she's woken up by Tommy, who tells her that he'd

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<v Speaker 1>seen a guy who'd stolen his shoes the previous day

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<v Speaker 1>and choked him unconscious.

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<v Speaker 6>He then tells her start packing your crap up.

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<v Speaker 1>Kelly starts gathering her things, and while she's doing that,

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<v Speaker 1>Kelly says, Tommy takes her shoelace out of her sneaker

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<v Speaker 1>and takes it over to the guy who's on the ground.

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<v Speaker 4>A male Hispanic wearing a dark collared shirt was lying

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<v Speaker 4>down moving in that Tommy grabbed him from behind around

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<v Speaker 4>the neck and choked him again for proximately ten seconds.

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<v Speaker 4>Kelly states that Tommy told her to kick said mail

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<v Speaker 4>Hispanic and that she didn't. Kelly states that Tommy let

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<v Speaker 4>said male Hispanic go and he fell to the ground lifeless.

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<v Speaker 4>You're doing okay, Yeah, it was just the part that

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<v Speaker 4>started because you know, the beginning is what I told

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<v Speaker 4>the detectives, because I was just afraid, you know, there

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<v Speaker 4>was no truth to it. But the part that got

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<v Speaker 4>me was when it became truthful that he had the

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<v Speaker 4>mail and that he fell lifeless.

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<v Speaker 6>That that gets me.

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<v Speaker 1>Yeah, of course, you know, because no matter what he tried,

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<v Speaker 1>meaning the sexual assault.

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<v Speaker 6>That's still a life.

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<v Speaker 4>At the end of the day, he's still someone's brother,

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<v Speaker 4>he's someone's son, possibly father.

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<v Speaker 2>You know, so.

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<v Speaker 6>Terrible.

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<v Speaker 1>In a written statement she gives about an hour or

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<v Speaker 1>so later, at about nine thirty am, Kelly sounds like

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<v Speaker 1>she's really grappling with the horrors of the previous night.

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<v Speaker 1>It honestly does read like she's high in a disjointed

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<v Speaker 1>stream of consciousness, where she veers from talking about her

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<v Speaker 1>mum's back injury, to her college scholarships to how religious

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<v Speaker 1>she is. Kelly writes about how putrid she feels about

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<v Speaker 1>all of this, and how going down for Tommy's stupidity

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<v Speaker 1>is such an awful feeling. I take all of that

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<v Speaker 1>into account, and I really do feel for the Kelly

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<v Speaker 1>of twenty ten. But I can't pretend that all the

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<v Speaker 1>inconsistencies between the story Kelly told me and the story

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<v Speaker 1>in these statements don't give me pause, especially this one

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<v Speaker 1>detail she's never told me before that Tommy ordered her

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<v Speaker 1>to kick Angel. In the statements from twenty ten, she

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<v Speaker 1>says she didn't do it, so I don't really understand

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<v Speaker 1>why she left it out when she told me her

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<v Speaker 1>version years later. For the first time, I'm grappling with

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<v Speaker 1>the possibility that Kelly isn't being fully open with me.

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<v Speaker 1>We both have stories to tell here, but I do

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<v Speaker 1>have this fear that they're not the same one.

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<v Speaker 2>Before I can go.

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<v Speaker 1>Any further, I need to understand more about what happened

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<v Speaker 1>that night, this time from Tommy's perspective. Can I just

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<v Speaker 1>read you this statement from Tommy?

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<v Speaker 2>There's some stuff that's really horrible.

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<v Speaker 1>I'm sack with my producer Jake in our midtown airbnb.

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<v Speaker 1>Tommy Donovan's statement in front of us. It's one of

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<v Speaker 1>a few that he gave that day. One is an

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<v Speaker 1>oral statement taken according to the police documents, at around

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<v Speaker 1>four thirty pm on July seventh, the day of the murder.

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<v Speaker 1>It looks like it was typed up the next day

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<v Speaker 1>on the eighth. With all of this confusion swirling around

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<v Speaker 1>in my mind, I want to look at what Tommy

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<v Speaker 1>had to say about what happened in the part that night.

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<v Speaker 1>Believe me when I say that I am not predisposed

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<v Speaker 1>to trust this man, but I'm working with what I've got,

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<v Speaker 1>and what immediately stands out to me is the weird

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<v Speaker 1>and colorful context Tommy seems to add to that night

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<v Speaker 1>in the park. So this is obviously written from the

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<v Speaker 1>perspective of the cop noting it down. Mister Donovan informed

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<v Speaker 1>me that over the past few nights they had had

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<v Speaker 1>problems with perverse trying to watch them having sex, and

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<v Speaker 1>that they had even named them nightcrawlers. Yeah, mister Donovan.

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<v Speaker 1>It goes on to talk about how Tommy and Kelly

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<v Speaker 1>were attempting to fall around on a makeshift bed under

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<v Speaker 1>health skatebridge. When Kelly noticed one of these night crawlers,

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<v Speaker 1>she stormed up and slapped him around the face, which

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<v Speaker 1>then prompted Tommy to chase him seventy feet across the park.

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<v Speaker 1>On the way back, he spotted a Hispanic man sitting

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<v Speaker 1>on a park bench, who said, that's not right that

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<v Speaker 1>they try to watch you sit and have a beer.

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<v Speaker 1>So can we just stop there for a minute because

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<v Speaker 1>it feels very made up.

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<v Speaker 7>Yeah, that's like somebody trying to write like a bad

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<v Speaker 7>script of what this kind of moment could be like.

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<v Speaker 7>And I'm like really trying to keep in mind that

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<v Speaker 7>this is what he's saying, hours after all this just happened.

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<v Speaker 1>Yeah, I think Kelly also told me about how she

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<v Speaker 1>had to translate between Tommy and Angel, who spoke Spanish,

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<v Speaker 1>but there's no language barrier problem in this retellinger. Mister

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<v Speaker 1>Donovan states that he accepted the man's offer and took

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<v Speaker 1>a Morello beer. Kelly then walked over and the man

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<v Speaker 1>offered her a beer as well, which he accepted. Mister

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<v Speaker 1>Donovan informed me that the three of them had a

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<v Speaker 1>beer or two each while discussing different types of beers

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<v Speaker 1>and agreeing on how Morello is much better than Corona.

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<v Speaker 2>I don't have a lot to say about that, but

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<v Speaker 2>it's weird.

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<v Speaker 7>The only other thing I was thinking is like, it's

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<v Speaker 7>really hard for me to wrap my mind around whether

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<v Speaker 7>the fact that there is so much detail makes it

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<v Speaker 7>more or less plausible.

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<v Speaker 1>Mister Donovan further states that the man they had just

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<v Speaker 1>met introduced himself as Angel and was now asking him

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<v Speaker 1>to run to the bodega and buy some more beer,

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<v Speaker 1>and had stated, don't worry about it, I have money

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<v Speaker 1>and you can take my bike. Mister Donovan states that

0:14:33.400 --> 0:14:35.680
<v Speaker 1>he jumped on Angel's bike and quickly rode up to

0:14:35.720 --> 0:14:38.680
<v Speaker 1>the bodega, where he purchased six Loco beers.

0:14:39.080 --> 0:14:40.320
<v Speaker 2>So that's where the loko comes in.

0:14:41.120 --> 0:14:43.600
<v Speaker 1>He then quickly rode by Tommy Stateman then says that

0:14:43.640 --> 0:14:46.360
<v Speaker 1>when he returned, Kelly and Angel were in the same

0:14:46.440 --> 0:14:47.560
<v Speaker 1>spot he had left the men.

0:14:48.280 --> 0:14:50.080
<v Speaker 2>He says he asked Kelly if she was okay.

0:14:50.720 --> 0:14:53.000
<v Speaker 1>She stated that she was fine, and they went on

0:14:53.040 --> 0:14:55.800
<v Speaker 1>to drink the beers they bought while chatting about various topics.

0:14:56.400 --> 0:14:59.720
<v Speaker 1>Mister Donovan states that after a while, according to Tommy's statement,

0:15:00.080 --> 0:15:02.440
<v Speaker 1>he and Kelly decided they wanted to get back to

0:15:02.520 --> 0:15:06.280
<v Speaker 1>falling around under the bridge, but Angel wouldn't leave them alone.

0:15:06.880 --> 0:15:09.400
<v Speaker 1>He's begging them not to go and offering to buy

0:15:09.400 --> 0:15:13.520
<v Speaker 1>more drinks and food, eventually following them to their makeshift bed.

0:15:14.320 --> 0:15:17.280
<v Speaker 1>So Tommy told Kelly to pretend she was sleeping while

0:15:17.280 --> 0:15:20.880
<v Speaker 1>he went to pee on the woodchip pile nearby. While

0:15:20.920 --> 0:15:23.880
<v Speaker 1>he was peeing, he heard Kelly's voice and she sounded upset.

0:15:24.280 --> 0:15:27.200
<v Speaker 1>He stopped peeing in midstream and walked back over to Kelly.

0:15:27.920 --> 0:15:30.680
<v Speaker 1>Once there, Kelly informed him that Angel had just offered

0:15:30.680 --> 0:15:33.160
<v Speaker 1>her money for sex, and he had stated to her,

0:15:33.280 --> 0:15:33.760
<v Speaker 1>I want to.

0:15:33.720 --> 0:15:35.400
<v Speaker 2>Lick your pussy. I'm good at it.

0:15:36.160 --> 0:15:38.680
<v Speaker 1>Kelly further stated that Angel had said to her, I

0:15:38.720 --> 0:15:40.920
<v Speaker 1>have money and a job. I can take care of you.

0:15:41.440 --> 0:15:44.080
<v Speaker 1>Kelly informed him that Angel had just grabbed her crotch

0:15:44.200 --> 0:15:47.560
<v Speaker 1>and was visibly upset, just a warning that. The next

0:15:47.600 --> 0:15:53.320
<v Speaker 1>section talks about the murder itself. Mister Donovan states that

0:15:53.360 --> 0:15:56.120
<v Speaker 1>he became very angry, walked over to him, and pushed

0:15:56.160 --> 0:15:58.960
<v Speaker 1>him the two of them. The statement then goes on

0:15:59.040 --> 0:16:02.200
<v Speaker 1>to say that tom and Angel started wrestling on the

0:16:02.240 --> 0:16:08.200
<v Speaker 1>ground throwing and not landing punches. Eventually, Tommy gets Angel

0:16:08.320 --> 0:16:11.680
<v Speaker 1>into a chokehold with his right arm, but it wasn't working.

0:16:14.280 --> 0:16:17.280
<v Speaker 1>It doesn't specify where Kelly is, but it must be

0:16:17.360 --> 0:16:20.280
<v Speaker 1>right next to them, as it then says, Tommy tells

0:16:20.360 --> 0:16:25.040
<v Speaker 1>Kelly to kick Angel, then to kick him harder, which

0:16:25.080 --> 0:16:28.560
<v Speaker 1>it says she does numerous times in the groin.

0:16:30.000 --> 0:16:31.640
<v Speaker 2>This is where it gets kind of crazy.

0:16:32.360 --> 0:16:35.240
<v Speaker 1>Mister Donovan further stated that he then told Kelly to

0:16:35.280 --> 0:16:38.520
<v Speaker 1>give him her shoe string. He stated that she removed

0:16:38.520 --> 0:16:40.920
<v Speaker 1>her shoe string from her shoe and wrapped it around

0:16:40.960 --> 0:16:44.560
<v Speaker 1>his neck, pulling it tight and handing it to him.

0:16:45.120 --> 0:16:48.080
<v Speaker 1>He then choked him with it until he became limp

0:16:52.440 --> 0:16:55.560
<v Speaker 1>Once Angel was unconscious, and again this is coming from

0:16:55.600 --> 0:16:59.360
<v Speaker 1>Tommy's typed up oral statement, Tommy told Kelly that they

0:16:59.400 --> 0:17:01.760
<v Speaker 1>needed to get the hell out of there and started

0:17:01.800 --> 0:17:05.200
<v Speaker 1>gathering up his things. Then he walked away, and when

0:17:05.240 --> 0:17:07.520
<v Speaker 1>he looked back, he saw that Kelly was on top

0:17:07.560 --> 0:17:12.760
<v Speaker 1>of Angel, strangling him to death. He ran over and

0:17:12.840 --> 0:17:15.160
<v Speaker 1>yelled at her to go, and on their way out

0:17:15.200 --> 0:17:16.760
<v Speaker 1>of the park, Donovan.

0:17:16.359 --> 0:17:19.520
<v Speaker 2>Says he noticed Kelly took Angel's wallet and cash.

0:17:20.400 --> 0:17:22.440
<v Speaker 1>Mister Donovan stated that he did not want to get

0:17:22.520 --> 0:17:27.000
<v Speaker 1>arrested for robbery. Really small concern there, so he grabbed

0:17:27.000 --> 0:17:29.040
<v Speaker 1>the wallet from her, threw it on the rocks, and

0:17:29.040 --> 0:17:32.679
<v Speaker 1>put the money in his pocket. They both then crossed

0:17:32.680 --> 0:17:35.240
<v Speaker 1>the street towards the water, where they were immediately stopped

0:17:35.320 --> 0:17:37.520
<v Speaker 1>by the police, resulting in them getting arrested.

0:17:40.520 --> 0:17:40.879
<v Speaker 5>Wow.

0:17:49.080 --> 0:17:53.040
<v Speaker 1>Okay, let's digest all of that properly, because it was

0:17:53.600 --> 0:17:58.720
<v Speaker 1>a lot. The inconsistencies between Kelly and Tommy's twenty ten

0:17:58.760 --> 0:18:03.560
<v Speaker 1>statements ranged from from minor to glaring. Both Tommy and

0:18:03.640 --> 0:18:07.679
<v Speaker 1>Kelly's statements mentioned the shoelace, although he says she handed

0:18:07.680 --> 0:18:11.080
<v Speaker 1>it over and she says he took it from her,

0:18:11.640 --> 0:18:14.720
<v Speaker 1>and both of them mentioned Tommy telling Kelly to kick Angel,

0:18:15.280 --> 0:18:18.359
<v Speaker 1>although they again differ on whether Kelly actually did or

0:18:18.400 --> 0:18:21.879
<v Speaker 1>didn't do it. Kelly says she was woken by Tommy

0:18:21.880 --> 0:18:25.520
<v Speaker 1>after he admitted choking out Angel, but Tommy says Kelly

0:18:25.600 --> 0:18:28.040
<v Speaker 1>was not only awake for the attack, but that she

0:18:28.119 --> 0:18:31.960
<v Speaker 1>physically put her own shoelace around Angel's neck, pulled it tight,

0:18:32.359 --> 0:18:36.399
<v Speaker 1>and handed it to Tommy. Tommy also says that while

0:18:36.400 --> 0:18:39.880
<v Speaker 1>he choked Angel, it was only to the point of unconsciousness.

0:18:40.280 --> 0:18:43.240
<v Speaker 1>Then he walked away, and when he looked back, he

0:18:43.320 --> 0:18:46.600
<v Speaker 1>saw that Kelly was on top of Angel, strangling him

0:18:46.600 --> 0:18:50.879
<v Speaker 1>to death. And then there's the differences in Kelly's accounts,

0:18:51.119 --> 0:18:54.240
<v Speaker 1>which I understand thinking about the mindset that twenty ten

0:18:54.320 --> 0:18:59.480
<v Speaker 1>Kelly was in, traumatized, scared, not to mention high, I

0:18:59.520 --> 0:19:01.800
<v Speaker 1>can tote get why she would lie to the police

0:19:01.800 --> 0:19:05.040
<v Speaker 1>to protect herself, why she'd want to distance herself from

0:19:05.240 --> 0:19:12.119
<v Speaker 1>terrible crime. But I'm also confused about what the truth is, sure,

0:19:12.800 --> 0:19:16.400
<v Speaker 1>but also why Kelly isn't opening up to me. Could

0:19:16.480 --> 0:19:20.560
<v Speaker 1>I ask you some questions about Donovan's statement.

0:19:21.000 --> 0:19:23.120
<v Speaker 6>Sure, I've been reading through it.

0:19:24.680 --> 0:19:25.520
<v Speaker 2>There are a couple of.

0:19:25.400 --> 0:19:27.119
<v Speaker 1>Things that stood out to me that seemed to be

0:19:27.200 --> 0:19:30.920
<v Speaker 1>kind of parallels. Some stuff that came up in your

0:19:31.040 --> 0:19:34.800
<v Speaker 1>original statement that seemed to match and haven't come up

0:19:34.800 --> 0:19:40.879
<v Speaker 1>in our previous conversations, one of them being he asked

0:19:40.920 --> 0:19:47.000
<v Speaker 1>you to kick Ruben, Ruben being Reuben Angel Vargas the victim,

0:19:47.800 --> 0:19:52.840
<v Speaker 1>and then in his original statement you do that. In

0:19:52.880 --> 0:19:57.359
<v Speaker 1>your original statement, you also say that he asked you

0:19:57.440 --> 0:19:59.640
<v Speaker 1>to but you didn't do it. And then since we've

0:19:59.640 --> 0:20:02.000
<v Speaker 1>spoken and that hasn't been any mention of the kicking,

0:20:02.040 --> 0:20:03.800
<v Speaker 1>and so I just want to figure.

0:20:03.440 --> 0:20:06.240
<v Speaker 6>Out, Oh, okay, clarification, Yeah, okay.

0:20:06.520 --> 0:20:11.680
<v Speaker 4>So I remember the detective kept saying to me now

0:20:11.800 --> 0:20:14.399
<v Speaker 4>just right, that he told you to kick the victim,

0:20:14.440 --> 0:20:15.160
<v Speaker 4>and that you did.

0:20:16.119 --> 0:20:20.080
<v Speaker 6>Like nobody kicked him, not even my co defendant. What

0:20:20.320 --> 0:20:25.240
<v Speaker 6>really happened. When I was speaking to the Spanish man.

0:20:25.200 --> 0:20:28.080
<v Speaker 4>The decendent, he told both of us that he got

0:20:28.080 --> 0:20:30.359
<v Speaker 4>thrown out of the house because he was drinking too

0:20:30.440 --> 0:20:32.280
<v Speaker 4>much and that his brother beat him up and threw

0:20:32.320 --> 0:20:32.640
<v Speaker 4>him out.

0:20:33.520 --> 0:20:34.680
<v Speaker 2>So when you beat.

0:20:34.480 --> 0:20:36.800
<v Speaker 6>Someone up, clearly there's going to be bruising.

0:20:37.640 --> 0:20:41.720
<v Speaker 4>So they wanted to implicate me, just for me to

0:20:41.760 --> 0:20:47.240
<v Speaker 4>take the blame on doing something, and he yelled at

0:20:47.280 --> 0:20:52.119
<v Speaker 4>me to the point where I wrote the words just

0:20:52.200 --> 0:20:55.760
<v Speaker 4>for them to stop. I remember thinking, this is how

0:20:55.840 --> 0:20:57.800
<v Speaker 4>confessions come about.

0:20:58.520 --> 0:21:00.880
<v Speaker 2>I think Kelly means false confessions here.

0:21:01.640 --> 0:21:04.600
<v Speaker 6>The fact that I'm writing he told me to kick him.

0:21:04.840 --> 0:21:07.359
<v Speaker 6>That was a lie. That was a complete lie.

0:21:07.800 --> 0:21:09.840
<v Speaker 4>But I felt like since the word kick is in there,

0:21:09.880 --> 0:21:12.800
<v Speaker 4>they'll lay off a little bit, and they did.

0:21:13.640 --> 0:21:16.960
<v Speaker 1>The reason I ask about the kicking is because to me,

0:21:17.960 --> 0:21:23.840
<v Speaker 1>if somebody did what is said in Tommy's statement, kicking

0:21:23.840 --> 0:21:27.840
<v Speaker 1>someone to get them away is not at all a

0:21:27.880 --> 0:21:30.760
<v Speaker 1>bad things. And so I'm just saying like, if that

0:21:30.960 --> 0:21:33.080
<v Speaker 1>had happened, No, no, I would be not share the

0:21:33.160 --> 0:21:34.320
<v Speaker 1>fuck enough, you.

0:21:34.200 --> 0:21:36.720
<v Speaker 6>Know, No, No, I get it. This is what I'm

0:21:36.720 --> 0:21:39.880
<v Speaker 6>trying to say. If I kicked him one hundred percent,

0:21:40.040 --> 0:21:43.439
<v Speaker 6>I would tell you I kicked him. But if I

0:21:43.440 --> 0:21:45.680
<v Speaker 6>didn't kick him, I didn't kick him. I almost wish

0:21:45.800 --> 0:21:47.119
<v Speaker 6>I kicked him at this point.

0:21:47.320 --> 0:21:49.360
<v Speaker 4>I didn't kick him. You know why, I was too

0:21:49.480 --> 0:21:52.920
<v Speaker 4>fucking scared to kick him. I was not going back there.

0:21:53.119 --> 0:21:55.919
<v Speaker 4>You have to think of the domestic violence aspect and

0:21:56.000 --> 0:22:00.080
<v Speaker 4>not the truth finding aspect. The domestic violence aspect of

0:22:00.119 --> 0:22:02.960
<v Speaker 4>the matter is that I was afraid of Tommy.

0:22:03.640 --> 0:22:05.040
<v Speaker 6>You think I'm gonna.

0:22:04.760 --> 0:22:07.160
<v Speaker 4>Be busy trying to kick him in when I'm trying

0:22:07.200 --> 0:22:09.080
<v Speaker 4>to figure out how the hell am I going to

0:22:09.119 --> 0:22:10.040
<v Speaker 4>get out of this one?

0:22:10.119 --> 0:22:11.240
<v Speaker 2>Well, I live to see.

0:22:11.080 --> 0:22:13.520
<v Speaker 6>The next minute, of course. No, I'm not gonna worry

0:22:13.520 --> 0:22:15.080
<v Speaker 6>about going to kick someone.

0:22:15.200 --> 0:22:18.639
<v Speaker 4>I adopted what they stated just to write it, so

0:22:18.720 --> 0:22:23.160
<v Speaker 4>they leave me the fuck alone.

0:22:23.400 --> 0:22:25.199
<v Speaker 1>So I'm going to be really honest here about a

0:22:25.200 --> 0:22:29.240
<v Speaker 1>couple of things. Number one is that I'm not proud

0:22:29.240 --> 0:22:31.720
<v Speaker 1>of the take that you just heard, then I nearly

0:22:31.720 --> 0:22:36.080
<v Speaker 1>didn't include it. Number two is that I feel so

0:22:36.280 --> 0:22:42.800
<v Speaker 1>fucking out of my depth right now. In all the

0:22:42.840 --> 0:22:46.240
<v Speaker 1>years I've spent making this show, speaking to countless survivors

0:22:46.280 --> 0:22:50.359
<v Speaker 1>of domestic and gendered violence, I've never upset someone like that.

0:22:51.480 --> 0:22:54.919
<v Speaker 1>But then I've never dealt with someone as complicated as Kelly,

0:22:55.960 --> 0:22:59.840
<v Speaker 1>and I have absolutely no idea where to go from here.

0:23:15.640 --> 0:23:18.120
<v Speaker 1>I spend a lot of time running back that conversation

0:23:18.320 --> 0:23:21.359
<v Speaker 1>between me and Kelly in my head, when she spoke

0:23:21.359 --> 0:23:23.680
<v Speaker 1>about hoping that the police would leave her the fuck alone.

0:23:24.400 --> 0:23:26.399
<v Speaker 1>I can't help but feel like she was also talking

0:23:26.440 --> 0:23:31.560
<v Speaker 1>to me, which feels like shit. The last thing I

0:23:31.560 --> 0:23:35.880
<v Speaker 1>want Kelly to feel is attacked or judged, because for me,

0:23:36.080 --> 0:23:39.200
<v Speaker 1>so much of this job of interviewing people, of getting

0:23:39.240 --> 0:23:42.840
<v Speaker 1>them to share their experiences with me, it's a relationship

0:23:43.320 --> 0:23:47.359
<v Speaker 1>one based around mutual respects and trust, one that I

0:23:47.400 --> 0:23:51.360
<v Speaker 1>honestly tend to find pretty easy to build. I'm struggling

0:23:51.400 --> 0:23:57.240
<v Speaker 1>to build that mutual trust with Kelly. Sometimes I feel

0:23:57.240 --> 0:23:59.360
<v Speaker 1>like she's telling me exactly what I want to hear,

0:24:00.240 --> 0:24:02.280
<v Speaker 1>and in other times I can feel like she's keeping

0:24:02.280 --> 0:24:06.439
<v Speaker 1>me at arm's length. I'm going to go out on

0:24:06.440 --> 0:24:08.520
<v Speaker 1>a limb here and say that I do not in

0:24:08.600 --> 0:24:11.159
<v Speaker 1>any way believe the part of Tommy's statement where he

0:24:11.200 --> 0:24:15.200
<v Speaker 1>says Kelly physically strangled Angel. I think this was nothing

0:24:15.200 --> 0:24:17.320
<v Speaker 1>more than him trying to shift some of the blame

0:24:17.520 --> 0:24:21.679
<v Speaker 1>for his crime. But I can't ignore the fact that

0:24:21.760 --> 0:24:26.080
<v Speaker 1>it is possible that Kelly could have kicked Angel. It's

0:24:26.119 --> 0:24:28.800
<v Speaker 1>mentioned in both statements, so I feel like I have

0:24:28.880 --> 0:24:32.440
<v Speaker 1>to at least consider it. But even if she did

0:24:32.560 --> 0:24:36.280
<v Speaker 1>kick Angel, for me, it would just be another sign

0:24:36.320 --> 0:24:39.240
<v Speaker 1>of the terrible situation she was in and of the

0:24:39.280 --> 0:24:42.920
<v Speaker 1>power Tommy had over her, not proof that she killed anyone.

0:24:46.880 --> 0:24:49.119
<v Speaker 1>I do think Kelly has a point about the police

0:24:49.119 --> 0:24:51.879
<v Speaker 1>pushing her to write what they wanted, because when I

0:24:51.880 --> 0:24:55.000
<v Speaker 1>start looking into things a little deeper, it does feel

0:24:55.040 --> 0:24:59.199
<v Speaker 1>like there's something funny going on in these statements. This

0:24:59.280 --> 0:25:01.840
<v Speaker 1>next section gets into the weeds a little bit, but

0:25:02.480 --> 0:25:07.520
<v Speaker 1>stay with me. Remember how I said Tommy gave multiple

0:25:07.560 --> 0:25:10.800
<v Speaker 1>statements to the police. Well, one of them is a

0:25:10.840 --> 0:25:14.080
<v Speaker 1>handwritten statement, which was made at about six pm on

0:25:14.200 --> 0:25:18.920
<v Speaker 1>July seventh. In that statement, he isn't as certain about

0:25:18.960 --> 0:25:22.440
<v Speaker 1>the details. He says he couldn't remember if Kelly said

0:25:22.480 --> 0:25:25.520
<v Speaker 1>Angel tried to touch her or did touch her.

0:25:26.840 --> 0:25:28.439
<v Speaker 2>But in the officer's typed up.

0:25:28.359 --> 0:25:31.439
<v Speaker 1>Version you've just heard me and producer Jake reading, that

0:25:31.600 --> 0:25:36.720
<v Speaker 1>uncertainty is nowhere to be found. Also in the typed version,

0:25:37.119 --> 0:25:40.600
<v Speaker 1>it says Kelly kicked Angel on Tommy's orders and then

0:25:40.720 --> 0:25:43.879
<v Speaker 1>robbed Angel's dead body for good measure, But in the

0:25:43.880 --> 0:25:46.680
<v Speaker 1>written version by Tommy himself, there's no mention of the

0:25:46.760 --> 0:25:50.119
<v Speaker 1>kicking or of the robbery, which seems like a pretty

0:25:50.119 --> 0:25:51.000
<v Speaker 1>big omission to me.

0:25:52.320 --> 0:25:56.119
<v Speaker 2>Two pretty big emissions.

0:25:58.200 --> 0:26:00.919
<v Speaker 1>I know these might seem like small detail, but I

0:26:00.960 --> 0:26:05.040
<v Speaker 1>do think it's worth examining how statements can become, let's

0:26:05.119 --> 0:26:08.240
<v Speaker 1>just say, refined by police who are trying to build

0:26:08.280 --> 0:26:11.680
<v Speaker 1>an air tight case. The more I look into it,

0:26:11.920 --> 0:26:16.480
<v Speaker 1>the more confused I become. The awkward truth is, you

0:26:16.560 --> 0:26:20.720
<v Speaker 1>either believe Kelly's story now or you don't. For me,

0:26:21.000 --> 0:26:24.440
<v Speaker 1>it comes down to that trust again. I can't ignore

0:26:24.480 --> 0:26:29.840
<v Speaker 1>the possibility, However uncomfortable it is to face that Kelly

0:26:29.840 --> 0:26:33.040
<v Speaker 1>could be hiding things, things she doesn't want to say

0:26:33.080 --> 0:26:36.280
<v Speaker 1>because she thinks it makes her look bad, less like

0:26:36.320 --> 0:26:41.200
<v Speaker 1>a victim, more like a villain. Maybe, because she doesn't

0:26:41.240 --> 0:26:44.400
<v Speaker 1>trust that I'm able to understand. Doesn't think I can

0:26:44.440 --> 0:26:47.040
<v Speaker 1>extend my compassion to someone who's done a bad thing

0:26:47.320 --> 0:26:50.199
<v Speaker 1>in the name of survival, even though that's at the

0:26:50.240 --> 0:26:52.400
<v Speaker 1>heart of what I'm trying to do with this series.

0:26:53.760 --> 0:26:57.399
<v Speaker 1>But I can't say I really blame her after the

0:26:57.400 --> 0:27:05.480
<v Speaker 1>way our last conversation went down, I feel like this

0:27:05.600 --> 0:27:09.320
<v Speaker 1>story is exposing all of my blind spots. I don't

0:27:09.320 --> 0:27:12.480
<v Speaker 1>know how to tell Kelly's story. I don't know who

0:27:12.560 --> 0:27:17.320
<v Speaker 1>she is in the story. Who's the victim?

0:27:17.840 --> 0:27:22.040
<v Speaker 7>I think everybody's the victim, Like they're all the victim.

0:27:22.200 --> 0:27:24.840
<v Speaker 7>You could put everybody in a different role, you could

0:27:24.880 --> 0:27:26.400
<v Speaker 7>like make it whatever you want it to be.

0:27:26.480 --> 0:27:32.359
<v Speaker 2>But yeah, everyone's a victim. Everyone's a villain. How do

0:27:32.400 --> 0:27:32.879
<v Speaker 2>you like that?

0:27:33.160 --> 0:27:36.479
<v Speaker 7>iHeart end of series?

0:27:36.680 --> 0:27:37.960
<v Speaker 2>End of series.

0:27:38.520 --> 0:27:44.280
<v Speaker 1>Wraps, and not just yet. I'm not going to throw

0:27:44.280 --> 0:27:47.720
<v Speaker 1>in the towel that easy. So let's go back to

0:27:47.880 --> 0:27:55.080
<v Speaker 1>July twenty ten. Kelly's not sure exactly how long she'd

0:27:55.119 --> 0:27:59.160
<v Speaker 1>been at the one hundred and fourteenth Precinct for things

0:27:59.240 --> 0:28:01.680
<v Speaker 1>must be hazy as she comes down from the fistful

0:28:01.720 --> 0:28:04.080
<v Speaker 1>of xanax she swallowed when she first arrived.

0:28:04.880 --> 0:28:06.040
<v Speaker 2>But she has a rough idea.

0:28:07.080 --> 0:28:10.080
<v Speaker 5>I figured out how long I was there by touching

0:28:10.240 --> 0:28:13.640
<v Speaker 5>my legs and judging by the length of the hair

0:28:13.720 --> 0:28:17.399
<v Speaker 5>on my legs, because I shave every single day, and

0:28:17.480 --> 0:28:20.080
<v Speaker 5>I could tell I was like, I've been here for

0:28:20.160 --> 0:28:21.600
<v Speaker 5>a little bit over two days now.

0:28:22.600 --> 0:28:26.879
<v Speaker 1>Using leg hair as plock hands is honestly ingenious, and

0:28:26.960 --> 0:28:31.160
<v Speaker 1>Kelly's probably about right because according to New York law, generally,

0:28:31.280 --> 0:28:33.720
<v Speaker 1>you're only allowed to hold someone for up to seventy

0:28:33.760 --> 0:28:39.160
<v Speaker 1>two hours before you either charge them or release them. Unfortunately,

0:28:39.160 --> 0:28:47.840
<v Speaker 1>for Kelly, it's the former. Kelly's taken to be formally

0:28:47.960 --> 0:28:53.160
<v Speaker 1>charged in Queen's cord. She's still in that bloodstained paper suit.

0:28:53.920 --> 0:28:54.800
<v Speaker 2>Paper.

0:28:55.960 --> 0:29:00.840
<v Speaker 5>Nothing more than paper, not even shoes, and my own

0:29:01.000 --> 0:29:02.800
<v Speaker 5>blood coming everywhere.

0:29:03.600 --> 0:29:06.920
<v Speaker 2>She's being arraigned alongside Tommy.

0:29:07.040 --> 0:29:10.120
<v Speaker 5>The first thing I noticed, which is unbelievable and the

0:29:10.160 --> 0:29:13.600
<v Speaker 5>one fourteenth persons should be absolutely ashamed of themselves, is

0:29:13.640 --> 0:29:15.320
<v Speaker 5>that he was wearing his own clothes.

0:29:16.720 --> 0:29:19.080
<v Speaker 6>The admitted murderer.

0:29:18.920 --> 0:29:23.440
<v Speaker 5>Had his own clothes on while they took me the

0:29:23.480 --> 0:29:24.560
<v Speaker 5>female's clothes.

0:29:25.160 --> 0:29:26.000
<v Speaker 2>How dare they?

0:29:27.680 --> 0:29:30.240
<v Speaker 1>Tommy is brought up to the stand next to Kelly.

0:29:30.920 --> 0:29:34.760
<v Speaker 1>They're out side by side. She takes a moment to

0:29:34.760 --> 0:29:38.160
<v Speaker 1>look him up and down, and that's when she realizes something.

0:29:39.160 --> 0:29:41.200
<v Speaker 5>Not only did he get to keep his own clothes,

0:29:41.800 --> 0:29:43.080
<v Speaker 5>he had his belt on.

0:29:43.920 --> 0:29:47.760
<v Speaker 1>The belt that, according to Kelly, Tommy used to strangle

0:29:47.840 --> 0:29:48.720
<v Speaker 1>Angel to death.

0:29:49.800 --> 0:29:55.760
<v Speaker 5>They let him in with the weapon that killed someone,

0:29:55.960 --> 0:30:00.200
<v Speaker 5>that took someone's life.

0:30:01.200 --> 0:30:05.480
<v Speaker 1>Kelly's fuming, and I get it. The indignity she's suffered

0:30:05.480 --> 0:30:08.000
<v Speaker 1>for the past few days in the police precinct would

0:30:08.000 --> 0:30:11.120
<v Speaker 1>be hard for anyone to bear. And for the record,

0:30:11.400 --> 0:30:14.960
<v Speaker 1>I find it supremely fucked up how differently Kelly says

0:30:15.000 --> 0:30:18.480
<v Speaker 1>she and Tommy are being treated. It isn't right under

0:30:18.520 --> 0:30:22.360
<v Speaker 1>any circumstances. Whether or not you believe that Kelly kicked Angel.

0:30:23.520 --> 0:30:26.840
<v Speaker 5>I swear on my mother's ashes, I really did not

0:30:27.040 --> 0:30:30.000
<v Speaker 5>kick that man. May I go to hell for all

0:30:30.040 --> 0:30:30.720
<v Speaker 5>of it tearing me.

0:30:31.040 --> 0:30:32.520
<v Speaker 2>I did not kick that man.

0:30:32.720 --> 0:30:38.120
<v Speaker 5>But even if I did, he admittedly strangled him. Why

0:30:38.120 --> 0:30:42.760
<v Speaker 5>wouldn't you take his clothing? Even if I kicked him?

0:30:43.000 --> 0:30:45.120
<v Speaker 6>What if that had to do with my bra and pennies?

0:30:46.680 --> 0:30:50.760
<v Speaker 5>It's such a violation of every civil rate, like you

0:30:50.880 --> 0:30:53.000
<v Speaker 5>treating me less than a human being.

0:30:53.680 --> 0:30:54.960
<v Speaker 2>That's what they put me through.

0:30:55.000 --> 0:30:56.480
<v Speaker 5>This is the justice system.

0:30:57.520 --> 0:30:58.840
<v Speaker 6>In God, we trust.

0:30:59.440 --> 0:31:02.480
<v Speaker 5>No, you know you don't trust in God. If you

0:31:02.600 --> 0:31:05.880
<v Speaker 5>do that to people, there is no God there.

0:31:13.480 --> 0:31:16.160
<v Speaker 1>Once Kelly and Tommy are arraigned, they're taken out of

0:31:16.200 --> 0:31:20.240
<v Speaker 1>the courtroom and walk towards a jail transfer bus, one

0:31:20.240 --> 0:31:31.120
<v Speaker 1>that is hauntingly familiar to Kelly. When Kelly was a

0:31:31.160 --> 0:31:34.080
<v Speaker 1>little girl, she and her brother Ronnie used to play

0:31:34.080 --> 0:31:35.440
<v Speaker 1>around at their aunt's house.

0:31:36.360 --> 0:31:39.520
<v Speaker 4>She lived the house right there where you turned and

0:31:39.600 --> 0:31:41.840
<v Speaker 4>went to the bridge to go to Rikers.

0:31:42.080 --> 0:31:44.320
<v Speaker 2>As in Rikers Island jail.

0:31:45.120 --> 0:31:46.680
<v Speaker 6>And I would be playing in the front.

0:31:47.320 --> 0:31:50.400
<v Speaker 4>The Rikers Island buses used to pierced by all the

0:31:50.440 --> 0:31:54.240
<v Speaker 4>time and then curve right into where Rikers is.

0:31:55.760 --> 0:31:59.240
<v Speaker 1>As the buses crept past the two children, the passenger's

0:31:59.320 --> 0:32:00.800
<v Speaker 1>eyes turned to them.

0:32:01.160 --> 0:32:03.760
<v Speaker 4>They would be watching Ronnie and I and I would

0:32:03.760 --> 0:32:05.240
<v Speaker 4>see those buses pass all.

0:32:05.160 --> 0:32:09.440
<v Speaker 6>The time, and I was like, what's those buses? Why

0:32:09.440 --> 0:32:11.160
<v Speaker 6>do they have cages?

0:32:19.440 --> 0:32:23.600
<v Speaker 1>Now decades on, Kelly's an adult stepping onto one of

0:32:23.640 --> 0:32:27.200
<v Speaker 1>those buses, it.

0:32:27.200 --> 0:32:28.520
<v Speaker 2>Was all men and just me.

0:32:29.960 --> 0:32:34.080
<v Speaker 5>And tell me it was on the bus and all

0:32:34.120 --> 0:32:37.080
<v Speaker 5>the men were calling me a dirty bitch. Not that

0:32:37.160 --> 0:32:39.800
<v Speaker 5>I look dirty, because I take showers every day, but

0:32:40.000 --> 0:32:42.000
<v Speaker 5>because of my female.

0:32:41.640 --> 0:32:44.040
<v Speaker 2>Issue, the bloodstained paper suit.

0:32:45.040 --> 0:32:48.960
<v Speaker 5>Dirty bitch, smelly bitch, you smell like fish, just and

0:32:49.080 --> 0:32:54.440
<v Speaker 5>that I'm just waiting for time me to say something

0:32:59.160 --> 0:32:59.840
<v Speaker 5>he never did.

0:33:07.120 --> 0:33:10.520
<v Speaker 1>The bus winds through the city, passing the same garden

0:33:10.760 --> 0:33:15.360
<v Speaker 1>Kelly and her brother Ronnie played in as children, except

0:33:15.360 --> 0:33:18.240
<v Speaker 1>now it's Kelly who's looking out through a caged window

0:33:19.320 --> 0:33:21.200
<v Speaker 1>on her way to Rikers Island jail.

0:33:22.120 --> 0:33:27.280
<v Speaker 4>Rikers had seriously dangerous people and it scared the hell

0:33:27.280 --> 0:33:27.760
<v Speaker 4>out of me.

0:33:33.240 --> 0:33:37.720
<v Speaker 1>Next time, on The Girlfriend's Jailhouse Lawyer, Kelly fights to

0:33:37.760 --> 0:33:41.320
<v Speaker 1>prove her innocence and to survive life in Rikers.

0:33:41.960 --> 0:33:43.920
<v Speaker 5>Well, this was the survival of the fittest.

0:33:44.240 --> 0:33:48.760
<v Speaker 2>Only the strong survive. Our sisterhood called ourselves. The showdies.

0:33:49.440 --> 0:33:50.280
<v Speaker 2>I'm not guilty.

0:33:50.680 --> 0:33:52.720
<v Speaker 6>I plan on taking this to trial.

0:33:53.240 --> 0:33:55.560
<v Speaker 3>Don't go to child, Please, don't go to child.

0:33:56.240 --> 0:33:57.760
<v Speaker 6>She goes Harnett.

0:33:58.000 --> 0:33:59.680
<v Speaker 2>You guys, start finding your case.

0:34:00.640 --> 0:34:03.520
<v Speaker 6>If you're king the love of my life? Oh God,

0:34:03.640 --> 0:34:04.120
<v Speaker 6>how are n it?

0:34:04.480 --> 0:34:05.520
<v Speaker 2>Jelhouse Lawyer.

0:34:23.280 --> 0:34:27.680
<v Speaker 1>The Girlfriend's Jelhouse Lawyer is produced by Novel for iHeart Podcasts.

0:34:28.080 --> 0:34:32.239
<v Speaker 1>For more from Novel, visit novel Dot Audio. The show

0:34:32.280 --> 0:34:35.000
<v Speaker 1>is hosted by me Anna Sinfield and is written and

0:34:35.040 --> 0:34:38.960
<v Speaker 1>produced by me and Lee Meyer, with additional production from

0:34:39.040 --> 0:34:43.719
<v Speaker 1>Jako Taivich and Michael Jino. Our assistant producer is Madeline Parr.

0:34:44.120 --> 0:34:48.719
<v Speaker 1>The editors are Georgia Moody and me Annasinfield. Production management

0:34:48.880 --> 0:34:53.000
<v Speaker 1>from Shari Houston, Joe Savage and Charlotte Wolfe. Our fact

0:34:53.080 --> 0:34:57.600
<v Speaker 1>checker is Daniel Suleiman. Sound design, mixing and scoring by

0:34:57.680 --> 0:35:02.720
<v Speaker 1>Daniel Kempson and Nicholas Alexander. Music supervision by me Alis Infield,

0:35:02.920 --> 0:35:08.200
<v Speaker 1>Lee Meyer and Nicholas Alexander. Original music composed by Nicholas Alexander,

0:35:08.440 --> 0:35:13.160
<v Speaker 1>Daniel Kempson and Louisa Gerstein. Story development by Nell Gray

0:35:13.280 --> 0:35:18.000
<v Speaker 1>Andrews and Willard Foxton. Creative director of Novel, Max O'Brien

0:35:18.040 --> 0:35:21.920
<v Speaker 1>and Craig Strachan are executive producers for Novel, and Katrina

0:35:22.000 --> 0:35:26.120
<v Speaker 1>Norvell and Nicki Eator are the executive producers for iHeart Podcasts,

0:35:26.239 --> 0:35:29.600
<v Speaker 1>and the marketing lead is Alison Cantor. Thanks also to

0:35:29.680 --> 0:35:32.560
<v Speaker 1>Carry Lieberman and the whole team at WME