1
00:00:01,760 --> 00:00:04,439
Speaker 1: And that's what you really missed with Jenna.

2
00:00:04,480 --> 00:00:07,280
Speaker 2: And Kevin an iHeartRadio.

3
00:00:06,600 --> 00:00:11,000
Speaker 1: Podcast Welcome to You, and That's what you Really missed

4
00:00:11,160 --> 00:00:21,640
Speaker 1: podcast The Tour and You Warner Kevin mom mom, tour manager,

5
00:00:22,239 --> 00:00:26,400
Speaker 1: tour manager extraordinari, the person we would be lost without

6
00:00:26,440 --> 00:00:28,600
Speaker 1: literally in the middle of the country somewhere.

7
00:00:28,680 --> 00:00:31,200
Speaker 2: So so the person who I do not know how

8
00:00:31,200 --> 00:00:32,400
Speaker 2: she did what she did.

9
00:00:33,080 --> 00:00:36,839
Speaker 1: That's look I like. I like controlling things and planning

10
00:00:36,880 --> 00:00:40,520
Speaker 1: and having a million things to juggle. That's the next level.

11
00:00:40,640 --> 00:00:41,840
Speaker 1: That is the level.

12
00:00:42,120 --> 00:00:45,080
Speaker 2: She was with us twenty four hours a day for

13
00:00:45,159 --> 00:00:49,479
Speaker 2: almost seven weeks on the second tour. Forced tour was shorter,

14
00:00:50,120 --> 00:00:53,360
Speaker 2: but when you're a tour manager, you don't leave. You're

15
00:00:53,400 --> 00:00:56,240
Speaker 2: not off the clock. And she dealt with all of us,

16
00:00:56,400 --> 00:00:59,560
Speaker 2: everyone behind the scenes. We'll get into it, but she

17
00:00:59,720 --> 00:01:02,680
Speaker 2: is us the best and that's why everyone in the

18
00:01:02,760 --> 00:01:06,640
Speaker 2: music industry works with her because there's nobody that does

19
00:01:06,680 --> 00:01:08,640
Speaker 2: what she does to the level that she does it.

20
00:01:09,000 --> 00:01:14,280
Speaker 2: So this is the world's best tour manager that we

21
00:01:14,319 --> 00:01:19,160
Speaker 2: got to work with. Andie Warner, Hi, Angie, so good

22
00:01:19,160 --> 00:01:20,800
Speaker 2: to see you.

23
00:01:20,920 --> 00:01:25,200
Speaker 3: Hi. Children, No mom my tour babies.

24
00:01:25,760 --> 00:01:29,160
Speaker 2: You have to have the most amount of babies anyone

25
00:01:29,440 --> 00:01:30,119
Speaker 2: has ever had.

26
00:01:30,480 --> 00:01:33,640
Speaker 3: I do have a lot of babies.

27
00:01:34,480 --> 00:01:36,640
Speaker 1: It's good to see you. Good to see you too,

28
00:01:38,440 --> 00:01:40,679
Speaker 1: that's nice. Where are you right now? Are you home?

29
00:01:40,880 --> 00:01:41,880
Speaker 1: Are you on the road?

30
00:01:42,280 --> 00:01:46,479
Speaker 3: I'm home. I live in Nashville, Tennessee. Now, my four

31
00:01:46,560 --> 00:01:49,240
Speaker 3: legged fur babies right here next to me on the floor.

32
00:01:50,160 --> 00:01:52,800
Speaker 3: Your childre out or also be barking, But I'm home.

33
00:01:52,840 --> 00:01:55,080
Speaker 3: I'm working for Keith Urban now, so I'm in the

34
00:01:55,080 --> 00:01:55,800
Speaker 3: country world.

35
00:01:56,200 --> 00:01:56,440
Speaker 2: Wow.

36
00:01:57,520 --> 00:02:00,960
Speaker 3: Decided to down a little and kind of normalize my

37
00:02:01,040 --> 00:02:03,280
Speaker 3: life some and it's kind of came at a good time.

38
00:02:03,440 --> 00:02:06,600
Speaker 3: So you know, I love the pop and rock world.

39
00:02:06,640 --> 00:02:09,560
Speaker 3: But lord man, I'm fifty four, so this has been

40
00:02:09,560 --> 00:02:10,200
Speaker 3: a good shift.

41
00:02:11,200 --> 00:02:14,280
Speaker 2: I'm We're both so excited to talk to you a

42
00:02:14,360 --> 00:02:17,639
Speaker 2: number of reasons. Obviously just to see you, because we're

43
00:02:17,680 --> 00:02:20,800
Speaker 2: obsessed with you and love you, but also because I

44
00:02:20,800 --> 00:02:24,400
Speaker 2: think you have, out of anybody who's been on here

45
00:02:24,400 --> 00:02:27,600
Speaker 2: thus far, I think one of like the craziest job.

46
00:02:28,520 --> 00:02:31,880
Speaker 2: And I don't know if like the general public knows

47
00:02:31,919 --> 00:02:35,720
Speaker 2: what goes on in like your world you're in, Like

48
00:02:35,760 --> 00:02:37,600
Speaker 2: you just said, you're in the country world now, but

49
00:02:37,720 --> 00:02:42,119
Speaker 2: you've worked for everyone every genre under the sun. You've

50
00:02:42,120 --> 00:02:47,000
Speaker 2: won every award for tour managing because you are that good.

51
00:02:47,040 --> 00:02:49,720
Speaker 2: That's why it doesn't matter what genre it is. People

52
00:02:49,800 --> 00:02:50,760
Speaker 2: just want to work with you.

53
00:02:51,360 --> 00:02:53,080
Speaker 1: Yeah, you are the tour manager.

54
00:02:53,280 --> 00:02:55,520
Speaker 2: Yeah, like I don't. There's nobody else.

55
00:02:56,720 --> 00:03:01,280
Speaker 3: Shoulders off people. Yeah, I am. You know, It's funny

56
00:03:01,280 --> 00:03:04,520
Speaker 3: because it hasn't been until recently that I've started to

57
00:03:04,600 --> 00:03:07,520
Speaker 3: really sort of really pay attention to my career, to

58
00:03:07,639 --> 00:03:11,240
Speaker 3: sort of really appreciate it and understand it more instead

59
00:03:11,240 --> 00:03:13,679
Speaker 3: of being in a tunnel, you know, which we do

60
00:03:14,040 --> 00:03:16,600
Speaker 3: so long on the road. But you know, I've been

61
00:03:16,760 --> 00:03:19,600
Speaker 3: very lucky and very blessed. And it's a couple of

62
00:03:19,680 --> 00:03:22,720
Speaker 3: years ago I did a really really hard tour and

63
00:03:22,800 --> 00:03:25,679
Speaker 3: after that I was like, I'm good, Like I'm good

64
00:03:25,720 --> 00:03:27,639
Speaker 3: at Yeah, you know, I can do No one else

65
00:03:27,639 --> 00:03:30,480
Speaker 3: could have ran that tour. I'm I'm the one the

66
00:03:30,520 --> 00:03:32,480
Speaker 3: only one who could have done it. And so it

67
00:03:32,560 --> 00:03:34,720
Speaker 3: really sort of just reinforced that I'm in the right

68
00:03:34,760 --> 00:03:37,120
Speaker 3: field for what I was supposed to do. And you know,

69
00:03:37,160 --> 00:03:39,960
Speaker 3: the career path I chose was the perfect one for me.

70
00:03:40,880 --> 00:03:44,760
Speaker 1: I don't think I even knew what a tour manager

71
00:03:44,840 --> 00:03:49,200
Speaker 1: did before the Glee tour like I don't. I never

72
00:03:49,320 --> 00:03:53,480
Speaker 1: I didn't. I don't think I understood tours. Yeah, and

73
00:03:53,520 --> 00:03:57,480
Speaker 1: obviously I want to get into like our tour obviously,

74
00:03:58,440 --> 00:04:01,160
Speaker 1: but I would just love to hear from you, like

75
00:04:01,920 --> 00:04:05,760
Speaker 1: the highlights of which, like what does a tour manager do?

76
00:04:06,400 --> 00:04:08,280
Speaker 1: What does your day to day look like? Is it

77
00:04:08,360 --> 00:04:11,520
Speaker 1: different for each I'm sure it's different for each band

78
00:04:11,640 --> 00:04:14,520
Speaker 1: or artist, Like, can you just give us kind of

79
00:04:14,560 --> 00:04:17,680
Speaker 1: an overview of like what your job description is?

80
00:04:18,000 --> 00:04:20,840
Speaker 3: Yeah, mainly a lot of times you're hired just for

81
00:04:20,960 --> 00:04:24,360
Speaker 3: a tour. So jay Z I was hired for tours.

82
00:04:24,400 --> 00:04:28,440
Speaker 3: I wasn't really hired with an in you know, an

83
00:04:28,480 --> 00:04:30,960
Speaker 3: indefinite sort of time period. Or I was hired for

84
00:04:31,000 --> 00:04:33,200
Speaker 3: BP three and then I was hired for Watch the Throne.

85
00:04:33,320 --> 00:04:36,720
Speaker 3: So you're hired, you put the tour together, meaning you

86
00:04:36,760 --> 00:04:40,159
Speaker 3: do budgets for hotels, logistics such as moving the artists,

87
00:04:40,240 --> 00:04:44,080
Speaker 3: the crew. You deal with the venues daily. You deal

88
00:04:44,120 --> 00:04:47,839
Speaker 3: with the hotels daily, You do with drivers with private planes,

89
00:04:47,880 --> 00:04:52,560
Speaker 3: commercial jets, you know, commercial flights. You deal with venue people,

90
00:04:52,600 --> 00:04:54,919
Speaker 3: you deal with management, you deal with the artists, you

91
00:04:54,960 --> 00:04:58,039
Speaker 3: deal with the artist teams, you deal with wardrobe, you

92
00:04:58,080 --> 00:05:01,880
Speaker 3: deal with everybody, and that's mainly overseeing that everybody's doing

93
00:05:01,960 --> 00:05:05,120
Speaker 3: their job, because one person not doing their job means

94
00:05:05,120 --> 00:05:10,320
Speaker 3: ten people get behind. You oversee the morale of the tour.

95
00:05:11,279 --> 00:05:15,120
Speaker 3: You oversee making sure people are a good reflection of

96
00:05:15,160 --> 00:05:17,600
Speaker 3: who the artist is, which I'm really big on these

97
00:05:17,720 --> 00:05:23,159
Speaker 3: days is making sure everybody is being respectful because everybody

98
00:05:23,200 --> 00:05:25,880
Speaker 3: that you encounter is working hard to make that one

99
00:05:25,960 --> 00:05:26,680
Speaker 3: show work.

100
00:05:27,279 --> 00:05:27,599
Speaker 1: Local.

101
00:05:29,600 --> 00:05:32,080
Speaker 3: You make sure your artist has everything that they need,

102
00:05:32,120 --> 00:05:34,120
Speaker 3: and that could change, you know, with you guys, it

103
00:05:34,160 --> 00:05:37,960
Speaker 3: was more than one person. It's one, you know, with

104
00:05:38,120 --> 00:05:41,800
Speaker 3: Post it was one. With Keith, it's one. But sometimes

105
00:05:41,880 --> 00:05:44,600
Speaker 3: Dragons it was a full band, you know, so everything

106
00:05:45,240 --> 00:05:49,400
Speaker 3: is every shifts and then you sort of are filling

107
00:05:49,440 --> 00:05:53,919
Speaker 3: in holes where stuff isn't happening. And I'm being general

108
00:05:54,000 --> 00:05:57,520
Speaker 3: because management teams are very different with every other artist.

109
00:05:57,640 --> 00:06:00,200
Speaker 3: So you feel in like, well, who's doing ticketing? I

110
00:06:00,240 --> 00:06:02,320
Speaker 3: don't know, Okay, I guess I'm doing it. So you

111
00:06:02,760 --> 00:06:04,800
Speaker 3: kind of just pick up all those pieces.

112
00:06:05,279 --> 00:06:10,320
Speaker 1: Wow. Do you hire on people on your team or people?

113
00:06:10,440 --> 00:06:12,760
Speaker 1: Do they have people in place? Does that also differ

114
00:06:12,839 --> 00:06:13,680
Speaker 1: based on the artist?

115
00:06:13,800 --> 00:06:16,920
Speaker 3: Things different? Yeah. I don't usually have an assistant I

116
00:06:16,960 --> 00:06:20,040
Speaker 3: do when the tours are bigger, or I'll hire somebody

117
00:06:20,120 --> 00:06:21,960
Speaker 3: if I'm dealing with an artist and they decide they're

118
00:06:21,960 --> 00:06:23,680
Speaker 3: going to bring out a band, so then I'll hire

119
00:06:23,720 --> 00:06:27,520
Speaker 3: somebody to oversee the band, or and do ticketing, kind

120
00:06:27,520 --> 00:06:30,640
Speaker 3: of put some of the work on them. Or I'm

121
00:06:30,720 --> 00:06:32,520
Speaker 3: kind of a control freak in the sense that I

122
00:06:32,560 --> 00:06:34,479
Speaker 3: like to know everything that's going on, so I like

123
00:06:34,560 --> 00:06:37,359
Speaker 3: to be responsible for it because I'm the one to

124
00:06:37,400 --> 00:06:40,479
Speaker 3: answer for it to management. So it's just I don't

125
00:06:40,520 --> 00:06:44,760
Speaker 3: mind that being overworked. It's because then I know all

126
00:06:44,800 --> 00:06:45,360
Speaker 3: the answers.

127
00:06:45,920 --> 00:06:49,920
Speaker 1: So right, so you're in the loop, You're you're kept

128
00:06:49,960 --> 00:06:51,240
Speaker 1: in the know for everything.

129
00:06:51,600 --> 00:06:53,880
Speaker 3: Yeah, why did this happen?

130
00:06:54,520 --> 00:06:57,760
Speaker 2: I'll right, yeah, right, how did you get into this

131
00:06:58,720 --> 00:06:59,440
Speaker 2: from the start?

132
00:07:00,440 --> 00:07:04,039
Speaker 3: So I long story short, I was working locally in

133
00:07:04,160 --> 00:07:06,240
Speaker 3: Charlotte as a booking agent. So I used to book

134
00:07:06,279 --> 00:07:10,000
Speaker 3: bands on side stages at the Amphitheater, so you guys

135
00:07:10,000 --> 00:07:13,440
Speaker 3: have the outdoor sheds. And one day somebody says, do

136
00:07:13,440 --> 00:07:15,240
Speaker 3: you want to come work backstage? I need some help,

137
00:07:15,240 --> 00:07:17,240
Speaker 3: and I was like, sure, I'll come do it. Well,

138
00:07:17,240 --> 00:07:20,400
Speaker 3: it was called the Further Festival, so it was ziggy

139
00:07:20,440 --> 00:07:22,440
Speaker 3: Marley Bob Weir. It was kind of hippie band.

140
00:07:22,560 --> 00:07:23,000
Speaker 2: Oh yeah.

141
00:07:23,200 --> 00:07:25,760
Speaker 3: I was backstage watching all these artists walk by, and

142
00:07:25,760 --> 00:07:27,760
Speaker 3: I was like, this is really cool. So I shut

143
00:07:27,800 --> 00:07:30,400
Speaker 3: my agency down and became a runner, which is the

144
00:07:30,520 --> 00:07:35,320
Speaker 3: peoe of a venue, you know, twenty hour days. I

145
00:07:35,360 --> 00:07:37,600
Speaker 3: made one hundred and twenty five bucks a day before taxes,

146
00:07:37,960 --> 00:07:40,640
Speaker 3: So I was broke all the time, but I have job.

147
00:07:41,120 --> 00:07:43,600
Speaker 3: And then a few years later somebody said do you

148
00:07:43,600 --> 00:07:45,280
Speaker 3: want to go out on tour? And I went, sure,

149
00:07:45,400 --> 00:07:47,560
Speaker 3: what tour? And they're like in sync and I was like,

150
00:07:47,640 --> 00:07:52,520
Speaker 3: oh my god, it no strings attached. Oh my god,

151
00:07:52,720 --> 00:07:54,600
Speaker 3: I want to get stadium tour ever.

152
00:07:54,880 --> 00:08:01,000
Speaker 2: Oh my god. That was my third concert ever really

153
00:08:01,720 --> 00:08:04,120
Speaker 2: been That concert changed my life, yes.

154
00:08:04,240 --> 00:08:08,000
Speaker 3: Yeah, changed my career, changed my path wow. Yeah. And

155
00:08:08,040 --> 00:08:10,560
Speaker 3: it was probably the most fun because it was a

156
00:08:10,600 --> 00:08:12,960
Speaker 3: first one and the boys are so much fun. And

157
00:08:13,000 --> 00:08:15,040
Speaker 3: I'm still close with a lot of that team as

158
00:08:15,080 --> 00:08:18,200
Speaker 3: well as Chris, Joey and Lance, so I still see

159
00:08:18,240 --> 00:08:20,840
Speaker 3: them a lot. Yeah. Wow, a lot of fun.

160
00:08:21,600 --> 00:08:23,640
Speaker 1: And were you on tour? Like have you been on

161
00:08:23,680 --> 00:08:25,400
Speaker 1: tour most of your life? Now?

162
00:08:25,960 --> 00:08:28,400
Speaker 3: Well, I'm going to be fifty four tomorrow, so no,

163
00:08:28,640 --> 00:08:33,400
Speaker 3: I've only worked I feel like it. I started when

164
00:08:33,400 --> 00:08:34,839
Speaker 3: I was thirty, that was my first.

165
00:08:34,559 --> 00:08:36,120
Speaker 2: Tour, wow.

166
00:08:36,559 --> 00:08:38,280
Speaker 3: But I've been in the business since I was twenty,

167
00:08:38,320 --> 00:08:42,520
Speaker 3: So I've always around bands with bands for bands, you know,

168
00:08:42,760 --> 00:08:45,280
Speaker 3: firing because back in the day, we didn't have social media,

169
00:08:45,679 --> 00:08:49,720
Speaker 3: so you actually sent postcards out and walked around clubs

170
00:08:49,800 --> 00:08:52,240
Speaker 3: and put flyers on, you know, the windshields of cars.

171
00:08:52,559 --> 00:08:54,160
Speaker 3: So I did that because I grew up in Jersey,

172
00:08:54,200 --> 00:08:56,480
Speaker 3: So I was in Naspberry Park a lot, hanging out

173
00:08:56,480 --> 00:08:59,480
Speaker 3: with flyers and then I'd get like a free guestless

174
00:08:59,520 --> 00:09:02,160
Speaker 3: spot watch the show Crazy Wow.

175
00:09:02,480 --> 00:09:05,800
Speaker 2: So from no shings attached, then it's just like you

176
00:09:06,800 --> 00:09:09,480
Speaker 2: if anyone who knows you obviously why you've had such

177
00:09:09,480 --> 00:09:13,000
Speaker 2: like an incredible career, you're like the nicest, most competent

178
00:09:13,440 --> 00:09:17,160
Speaker 2: and like even keeled person, which I feel like you

179
00:09:17,280 --> 00:09:20,600
Speaker 2: have to, like you have to be that way otherwise

180
00:09:21,679 --> 00:09:25,720
Speaker 2: who knows. But I imagine you do no shings attached

181
00:09:26,480 --> 00:09:28,720
Speaker 2: and you meet a bunch of people who probably do

182
00:09:28,760 --> 00:09:31,719
Speaker 2: tours regularly and like, oh, Angie's great, we need to

183
00:09:31,760 --> 00:09:33,320
Speaker 2: hire her for this next thing we're doing.

184
00:09:33,679 --> 00:09:36,960
Speaker 3: Yep, that's how it works. So I had met so

185
00:09:37,040 --> 00:09:39,400
Speaker 3: many people as a runner because you're the local, so

186
00:09:39,440 --> 00:09:43,040
Speaker 3: all these tours are coming through. Once I toured, then

187
00:09:43,080 --> 00:09:45,160
Speaker 3: I got a call for Dave Matthews to go out

188
00:09:45,280 --> 00:09:48,760
Speaker 3: doing max coordinator a job for that, and then from

189
00:09:48,840 --> 00:09:51,320
Speaker 3: there I got asked to Britney and then Britney Spears

190
00:09:51,360 --> 00:09:53,760
Speaker 3: to Madonna because I happened to be at a table

191
00:09:54,240 --> 00:09:56,240
Speaker 3: when somebody got a phone call that they were looking

192
00:09:56,280 --> 00:09:59,839
Speaker 3: for somebody. But this was all the great production coordinator work,

193
00:10:00,160 --> 00:10:02,840
Speaker 3: so you know, just you know, kind of moving up

194
00:10:02,840 --> 00:10:06,200
Speaker 3: the chain basically, so then you know, that's how it went.

195
00:10:06,280 --> 00:10:08,880
Speaker 3: I just went from tour to tour to tour.

196
00:10:09,400 --> 00:10:12,720
Speaker 2: And with each tour sort of gaining new responsibilities, working

197
00:10:12,720 --> 00:10:13,320
Speaker 2: your way up.

198
00:10:13,320 --> 00:10:18,240
Speaker 3: Abilities new team, being around new people, learning as much

199
00:10:18,240 --> 00:10:18,800
Speaker 3: as I could.

200
00:10:18,960 --> 00:10:19,240
Speaker 2: I was.

201
00:10:19,360 --> 00:10:21,840
Speaker 3: I was so active. I was on my feet all

202
00:10:21,840 --> 00:10:25,160
Speaker 3: the time, which I loved, you know, getting to know

203
00:10:25,280 --> 00:10:29,319
Speaker 3: the locals, especially in the local promoters. So I mean,

204
00:10:29,360 --> 00:10:32,360
Speaker 3: I'm older now, I forget a lot, but I knew everybody.

205
00:10:32,480 --> 00:10:34,679
Speaker 3: So it was good for me to kind of go, yeah,

206
00:10:34,720 --> 00:10:36,960
Speaker 3: I'm looking for work in six months, and so I

207
00:10:37,000 --> 00:10:40,120
Speaker 3: did job after job after job.

208
00:10:40,480 --> 00:10:44,440
Speaker 1: And what was your first tour manager position? Which tour

209
00:10:44,880 --> 00:10:48,400
Speaker 1: dancing with the stars. WHOA, that's a lot of people.

210
00:10:48,679 --> 00:10:49,520
Speaker 3: That's a lot of people.

211
00:10:49,600 --> 00:10:51,800
Speaker 1: Did you have it by that point? Did you have

212
00:10:51,880 --> 00:10:54,040
Speaker 1: it like in your back pocket at that point as

213
00:10:54,080 --> 00:10:56,600
Speaker 1: tour manager or was that like chaotic for you to

214
00:10:56,720 --> 00:10:57,720
Speaker 1: be the tour manager?

215
00:10:57,880 --> 00:11:00,280
Speaker 3: It was it was chaotic. They it was this second

216
00:11:00,400 --> 00:11:03,520
Speaker 3: tour and they weren't going to hire the person back.

217
00:11:04,120 --> 00:11:07,080
Speaker 3: So I Harry Sandler at the time, who worked for

218
00:11:07,160 --> 00:11:10,160
Speaker 3: azof Head, said I was like, I should do it.

219
00:11:10,200 --> 00:11:11,839
Speaker 3: You should let me do it. He goes, I think

220
00:11:11,880 --> 00:11:14,080
Speaker 3: you're too nice, And I said, I think that's what

221
00:11:14,160 --> 00:11:17,560
Speaker 3: this tour needs. Okay, I'll give you a shot. And

222
00:11:17,559 --> 00:11:19,440
Speaker 3: then at the end he said, Yep, that's exactly what

223
00:11:19,440 --> 00:11:25,160
Speaker 3: it needed. Because like for Glee, you have ballroom dancers

224
00:11:25,400 --> 00:11:28,400
Speaker 3: are your stars, plus you have five celebrities at the

225
00:11:28,400 --> 00:11:30,920
Speaker 3: time and you're teaching like we had Joey and Lance

226
00:11:30,920 --> 00:11:33,920
Speaker 3: ferm and sinc we had Drew Lache, Marley Mattlin, but

227
00:11:33,960 --> 00:11:35,719
Speaker 3: we had, you know, an Olympic runner. We had all

228
00:11:35,720 --> 00:11:38,000
Speaker 3: of these people who had never toured and at the

229
00:11:38,040 --> 00:11:40,160
Speaker 3: same time with Glee, I'm going I'm going to teach

230
00:11:40,160 --> 00:11:42,160
Speaker 3: you what it's like to do a rock tour, this

231
00:11:42,240 --> 00:11:44,640
Speaker 3: is how, this is what you need to do. But

232
00:11:44,679 --> 00:11:47,800
Speaker 3: I was good at talking to all of the different

233
00:11:47,880 --> 00:11:51,000
Speaker 3: artists and celebrities in different ways to make them all

234
00:11:51,080 --> 00:11:53,520
Speaker 3: understand in the way that they needed to hear it.

235
00:11:53,679 --> 00:11:58,080
Speaker 3: And I think it became my strong point and people

236
00:11:58,200 --> 00:11:59,839
Speaker 3: just grew to like me. But then when I needed

237
00:11:59,840 --> 00:12:02,680
Speaker 3: to part, not harsh, but I had to be stern,

238
00:12:03,120 --> 00:12:06,880
Speaker 3: they listened, came in and you were rude the whole time.

239
00:12:06,880 --> 00:12:08,720
Speaker 3: They're just gonna like brush you off. But I feel

240
00:12:08,720 --> 00:12:11,600
Speaker 3: like I got the balance, and that's the Jersey side

241
00:12:11,640 --> 00:12:14,440
Speaker 3: of me and the Southern side working in harmony.

242
00:12:14,960 --> 00:12:19,080
Speaker 2: Yeah. You know, in hindsight of looking back at the

243
00:12:19,080 --> 00:12:23,040
Speaker 2: Glee tour, I don't think and like Jenna said, we

244
00:12:23,040 --> 00:12:26,400
Speaker 2: didn't necessarily even realize what and I had done smaller

245
00:12:26,440 --> 00:12:29,160
Speaker 2: tours before Preglee, but nothing of the scale that we did.

246
00:12:29,720 --> 00:12:32,600
Speaker 2: But I think a testament to your ability is you

247
00:12:32,640 --> 00:12:39,000
Speaker 2: don't even necessarily know everything you're doing because there is

248
00:12:39,040 --> 00:12:42,480
Speaker 2: never any drama. It's always easy. You always seem calm

249
00:12:42,600 --> 00:12:45,200
Speaker 2: and everything just runs smoothly. And if there is, if

250
00:12:45,280 --> 00:12:48,000
Speaker 2: we have questions, we have concerns, we can get into it.

251
00:12:48,080 --> 00:12:52,679
Speaker 2: The days that we were not all, well, you step up,

252
00:12:52,840 --> 00:12:54,520
Speaker 2: you show up, and you're like, how can we fix this?

253
00:12:54,679 --> 00:12:58,160
Speaker 2: And I think in hindsight, if someone was not of

254
00:12:58,240 --> 00:13:01,640
Speaker 2: the ability in caliber that you are, that we would

255
00:13:01,640 --> 00:13:06,120
Speaker 2: have felt that yeah, in every capacity, because you've just

256
00:13:06,160 --> 00:13:08,600
Speaker 2: explained there's nothing you don't necessarily have your fingers in

257
00:13:08,760 --> 00:13:13,520
Speaker 2: because you've got to make sure everybody's working harmoniously hear everything.

258
00:13:13,640 --> 00:13:16,080
Speaker 3: It's kind of like, well, that's the maternal side. I

259
00:13:16,080 --> 00:13:19,679
Speaker 3: think that's why I believe that females make great tour managers.

260
00:13:21,400 --> 00:13:24,200
Speaker 3: There's this maternal side that keeps your ear to the

261
00:13:24,200 --> 00:13:27,200
Speaker 3: ground so you hear everything, even though it's not said

262
00:13:27,240 --> 00:13:30,800
Speaker 3: to you. You hear everything, you know, So I knew

263
00:13:30,840 --> 00:13:33,320
Speaker 3: I had my finger on the pulse with everybody's bitches

264
00:13:33,400 --> 00:13:37,160
Speaker 3: and complaints or we're not feeling well, like I knew.

265
00:13:37,480 --> 00:13:40,080
Speaker 3: It's not that I had people telling me. I just knew,

266
00:13:40,559 --> 00:13:44,120
Speaker 3: and that was that maternal side being fulfilled for me.

267
00:13:44,360 --> 00:13:47,480
Speaker 3: But also, like, what made it good for me to

268
00:13:47,520 --> 00:13:50,240
Speaker 3: be in that role with you guys or with Dancing

269
00:13:50,280 --> 00:13:52,800
Speaker 3: with the Stars is because I kind of just read

270
00:13:52,960 --> 00:13:55,840
Speaker 3: energy a lot better than people and kind of was

271
00:13:55,920 --> 00:13:59,920
Speaker 3: around and you guys trusted me and that's that was huge.

272
00:14:00,120 --> 00:14:02,560
Speaker 1: And that's really big. Yeah, and you have to do

273
00:14:02,600 --> 00:14:07,160
Speaker 1: that really quickly. You have to like gain trust really quickly. Yeah,

274
00:14:07,240 --> 00:14:08,920
Speaker 1: And I'm not something that I'm not sure that's something

275
00:14:08,920 --> 00:14:11,000
Speaker 1: you can teach a tour manager or anybody in a

276
00:14:11,040 --> 00:14:17,040
Speaker 1: leadership role. That's something that's kind of either Nate Nate.

277
00:14:17,640 --> 00:14:19,880
Speaker 3: That's what the road is like. You either have it

278
00:14:19,920 --> 00:14:21,640
Speaker 3: either a lot better you don't. If you don't love it,

279
00:14:22,040 --> 00:14:23,480
Speaker 3: then don't be on the road because you're going to

280
00:14:23,520 --> 00:14:24,040
Speaker 3: make somebody.

281
00:14:24,400 --> 00:14:26,240
Speaker 2: Oh yeah, I mean you have to love it. The

282
00:14:26,240 --> 00:14:30,760
Speaker 2: amount of yeah hours, I mean it's never ending. You're

283
00:14:30,760 --> 00:14:32,760
Speaker 2: on call, You'll be you could be on tour for

284
00:14:32,760 --> 00:14:35,160
Speaker 2: a full year and you're always on call. Like I

285
00:14:35,200 --> 00:14:38,200
Speaker 2: don't know how I've I've had friends who have hit

286
00:14:38,240 --> 00:14:40,200
Speaker 2: you up in other countries for tickets and things and

287
00:14:40,320 --> 00:14:42,720
Speaker 2: like how is she still on tour? How is she?

288
00:14:43,760 --> 00:14:45,200
Speaker 2: But you have to love to love it.

289
00:14:45,520 --> 00:14:48,320
Speaker 3: Yeah, And it's a twenty four to seven kig. It's

290
00:14:48,360 --> 00:14:50,840
Speaker 3: not a day off, it's a non show day and

291
00:14:51,240 --> 00:14:53,720
Speaker 3: that's just the role you sign up for. So I

292
00:14:53,800 --> 00:14:56,760
Speaker 3: mean to do lighting and only work on show days

293
00:14:56,800 --> 00:14:58,760
Speaker 3: and have like a real day off, But I would,

294
00:14:59,680 --> 00:15:03,880
Speaker 3: I would, I would be so yeah. With the trust side,

295
00:15:04,720 --> 00:15:07,880
Speaker 3: it also meant that when you guys came into my office,

296
00:15:08,040 --> 00:15:10,240
Speaker 3: I stop what I'm doing. There's a reason you're there.

297
00:15:10,440 --> 00:15:12,200
Speaker 3: You know that you need something or you want to

298
00:15:12,240 --> 00:15:13,000
Speaker 3: talk or something.

299
00:15:13,160 --> 00:15:17,320
Speaker 2: A couple of those times I do remember, like walking

300
00:15:17,320 --> 00:15:20,120
Speaker 2: into your office just to like hang, and then that's

301
00:15:20,120 --> 00:15:23,760
Speaker 2: when I would realize how busy you actually were, because

302
00:15:24,040 --> 00:15:25,920
Speaker 2: I could see it on your face. I'm like, oh,

303
00:15:25,960 --> 00:15:28,240
Speaker 2: she's really Oh I should go. Oh, she's doing a

304
00:15:28,240 --> 00:15:28,600
Speaker 2: good job.

305
00:15:28,600 --> 00:15:33,840
Speaker 1: But everyone loves to hang. She has the Glee sign.

306
00:15:33,960 --> 00:15:37,000
Speaker 1: It's called the Principal's office, which was your office because

307
00:15:37,040 --> 00:15:39,280
Speaker 1: you were the principal on our tour.

308
00:15:40,600 --> 00:15:43,080
Speaker 2: Called the Shots Like we just wanted to be around

309
00:15:43,120 --> 00:15:45,600
Speaker 2: you like that you saved it, like you were running.

310
00:15:45,680 --> 00:15:48,640
Speaker 2: You're basically like president. It's like, yeah, it's like a

311
00:15:48,680 --> 00:15:52,800
Speaker 2: micro presidency because you were in control of everything, and

312
00:15:52,840 --> 00:15:54,560
Speaker 2: we would just like want to come kick it, like, oh,

313
00:15:54,560 --> 00:15:57,320
Speaker 2: never mind, she's running this whole ship. We have to Yeah.

314
00:15:57,360 --> 00:15:59,920
Speaker 3: I was there as a representative for a's off manner,

315
00:16:00,280 --> 00:16:03,080
Speaker 3: like Jared Paul who was working rays Off at the time,

316
00:16:03,240 --> 00:16:06,480
Speaker 3: so if he wasn't around, everything was going through me.

317
00:16:06,840 --> 00:16:09,680
Speaker 3: Plus a look at the Paramount people were around as well,

318
00:16:09,960 --> 00:16:12,480
Speaker 3: and the show, you know, producers, Ryan would come out

319
00:16:12,480 --> 00:16:15,320
Speaker 3: and Dante and everyone, so all of that stuff also

320
00:16:15,360 --> 00:16:18,560
Speaker 3: came through me too, So it was it was a contor,

321
00:16:18,960 --> 00:16:22,440
Speaker 3: you know. Yeah, I remember minded to your travel with men,

322
00:16:22,560 --> 00:16:24,680
Speaker 3: Like with Paramount, I had to use the Paramount agent

323
00:16:25,200 --> 00:16:27,520
Speaker 3: and it was like, not like, hey, can you book

324
00:16:27,560 --> 00:16:31,240
Speaker 3: Kevin on this flight? It was okay, here's the email. Okay,

325
00:16:31,240 --> 00:16:33,680
Speaker 3: here's the approval, Okay, here's this. It was like five

326
00:16:33,800 --> 00:16:35,760
Speaker 3: or six different chiets of paper that had to get

327
00:16:35,760 --> 00:16:38,960
Speaker 3: signed for like one flight. I would be like, oh gosh, wow,

328
00:16:39,280 --> 00:16:40,120
Speaker 3: but we did it.

329
00:16:40,320 --> 00:16:51,120
Speaker 1: We did it. I want to know how Glee came

330
00:16:51,400 --> 00:16:56,240
Speaker 1: to you, and I want to know about how Glee

331
00:16:56,280 --> 00:16:59,320
Speaker 1: differed from other tours you had been on previously, or

332
00:16:59,320 --> 00:17:02,280
Speaker 1: how it sounds like Dancing with the Stars set you

333
00:17:02,360 --> 00:17:04,560
Speaker 1: up for us. But I'm just curious to hear your

334
00:17:04,600 --> 00:17:05,879
Speaker 1: experience Dancing with.

335
00:17:05,920 --> 00:17:09,040
Speaker 3: The Stars did because Jared was involved, because that all

336
00:17:09,200 --> 00:17:11,679
Speaker 3: also went through A's off at the time, and so

337
00:17:11,800 --> 00:17:14,119
Speaker 3: Jared knew me from that and said, would you have

338
00:17:14,160 --> 00:17:18,119
Speaker 3: any interest in doing this Glee tour? And I'm like, Okay,

339
00:17:18,280 --> 00:17:21,760
Speaker 3: what's Glee? And it was, you know, so new and

340
00:17:21,800 --> 00:17:24,159
Speaker 3: you're on the road. You don't watch television often. I

341
00:17:24,200 --> 00:17:27,280
Speaker 3: was more of a reader, and then I start watching.

342
00:17:27,320 --> 00:17:28,760
Speaker 3: I was like, oh, this is going to be fun

343
00:17:28,800 --> 00:17:32,280
Speaker 3: because it was so popular, and you know, I thought

344
00:17:32,320 --> 00:17:33,960
Speaker 3: it was great because I love the singing and the

345
00:17:34,400 --> 00:17:37,480
Speaker 3: dancing part of it all. And I was like, great,

346
00:17:37,520 --> 00:17:40,720
Speaker 3: that'll be fun, and it was like it was kind

347
00:17:40,760 --> 00:17:43,920
Speaker 3: of it's always hard when you're dealing with the network

348
00:17:43,960 --> 00:17:47,520
Speaker 3: as well, because everyone has this different idea of how

349
00:17:47,520 --> 00:17:49,520
Speaker 3: stuff is structured. But once you get it into a

350
00:17:49,640 --> 00:17:52,000
Speaker 3: venue and then you're basically like, this can't work, this

351
00:17:52,040 --> 00:17:54,800
Speaker 3: can't work, this can't work, and then they really listen.

352
00:17:55,359 --> 00:17:57,160
Speaker 3: Then you're like, great, let's put this on the road.

353
00:17:57,400 --> 00:18:00,000
Speaker 3: And I thought it was a blast because you guys

354
00:18:00,200 --> 00:18:05,160
Speaker 3: were so fresh for that first tour that everyone statement

355
00:18:05,280 --> 00:18:07,919
Speaker 3: was there, you know, and it just it was a

356
00:18:07,960 --> 00:18:11,240
Speaker 3: theater size so it was manageable.

357
00:18:11,440 --> 00:18:13,280
Speaker 1: Yes, that's so much fun.

358
00:18:13,640 --> 00:18:17,000
Speaker 3: I mean I remember coming out in Chicago to remember

359
00:18:17,040 --> 00:18:20,600
Speaker 3: the fans that lined the party and everything. I used

360
00:18:20,600 --> 00:18:23,640
Speaker 3: to go around and sign and take photos. I remember

361
00:18:23,720 --> 00:18:27,560
Speaker 3: Corey specifically doing it, and then all all the time

362
00:18:27,680 --> 00:18:30,840
Speaker 3: I just thought that was fantastic. You know, no one

363
00:18:30,880 --> 00:18:32,800
Speaker 3: had cell phones. I mean, if they did, they didn't

364
00:18:32,840 --> 00:18:33,680
Speaker 3: have cameras on them.

365
00:18:33,840 --> 00:18:34,199
Speaker 2: Yeah.

366
00:18:34,400 --> 00:18:38,359
Speaker 3: No, it was such an engaging process. The way to

367
00:18:38,359 --> 00:18:40,479
Speaker 3: connect with the fans. I thought that was. You know,

368
00:18:40,560 --> 00:18:43,360
Speaker 3: I got emotional when you guys would perform, and that's

369
00:18:43,680 --> 00:18:46,680
Speaker 3: when I knew, like I loved it because you guys

370
00:18:46,760 --> 00:18:49,760
Speaker 3: started and your excitement is part of the excitement you

371
00:18:49,800 --> 00:18:53,119
Speaker 3: guys have, and I just you know, never needed to

372
00:18:53,160 --> 00:18:54,840
Speaker 3: be on stage. I just had to be part of it.

373
00:18:55,480 --> 00:18:55,800
Speaker 3: M hm.

374
00:18:56,400 --> 00:18:57,160
Speaker 1: So interesting.

375
00:18:57,440 --> 00:19:00,720
Speaker 2: We talked about like Corey always, especially that first tour

376
00:19:00,880 --> 00:19:05,000
Speaker 2: in that hotel in Phoenix, once fans found out where

377
00:19:05,040 --> 00:19:09,000
Speaker 2: we were staying, he would be in that lobby for hours,

378
00:19:09,720 --> 00:19:13,119
Speaker 2: just signing things, and it would be either Angie usually

379
00:19:13,160 --> 00:19:16,119
Speaker 2: Angie or Telly or Megan who would have to like

380
00:19:16,240 --> 00:19:19,720
Speaker 2: go get him because he would never leave unless he

381
00:19:19,800 --> 00:19:21,479
Speaker 2: was forced to, Like, no, we actually have to like

382
00:19:21,600 --> 00:19:24,800
Speaker 2: go do a show, or we have to go to rehearsal,

383
00:19:25,080 --> 00:19:27,240
Speaker 2: Like there's the work to do, and you would have to,

384
00:19:27,600 --> 00:19:29,119
Speaker 2: like you would be the best person to just go

385
00:19:29,160 --> 00:19:31,080
Speaker 2: do it. You're like, I got it. So you guys

386
00:19:31,119 --> 00:19:32,760
Speaker 2: go get in the van. I'll go get him.

387
00:19:32,920 --> 00:19:36,119
Speaker 3: And that's how Cory and I started a tradition of

388
00:19:36,160 --> 00:19:40,760
Speaker 3: going and getting coffee before lobby call to kind of

389
00:19:40,800 --> 00:19:43,480
Speaker 3: get him out of that lobby. And it also created

390
00:19:44,080 --> 00:19:48,480
Speaker 3: and then a great relationship, you know. He he by

391
00:19:48,520 --> 00:19:50,800
Speaker 3: the end of the tours was like my little brother,

392
00:19:51,200 --> 00:19:54,000
Speaker 3: you know, and we continued that coffee tradition after a

393
00:19:54,040 --> 00:19:55,600
Speaker 3: tour too, and we meet.

394
00:19:55,480 --> 00:19:56,440
Speaker 2: Him so sweet.

395
00:19:56,880 --> 00:19:59,280
Speaker 1: Yeah, yeah, so nice.

396
00:20:00,320 --> 00:20:03,960
Speaker 2: It's interesting hearing you say that you would like watch

397
00:20:04,040 --> 00:20:09,560
Speaker 2: the shows and get emotional, you know, watching it when

398
00:20:09,600 --> 00:20:14,680
Speaker 2: you're doing other tours. How important is it to you

399
00:20:14,760 --> 00:20:18,080
Speaker 2: if at all that you do enjoy that side of it,

400
00:20:18,160 --> 00:20:19,879
Speaker 2: Like do you care if you enjoyed the music or

401
00:20:19,920 --> 00:20:22,360
Speaker 2: you're connect to it anyway, or is it about this

402
00:20:22,400 --> 00:20:24,520
Speaker 2: is a new challenge, this is not you know, genre

403
00:20:24,640 --> 00:20:27,480
Speaker 2: and normally listen to new experience and then you learn

404
00:20:27,560 --> 00:20:30,320
Speaker 2: to love it or appreciate it in different ways. Is

405
00:20:30,320 --> 00:20:32,919
Speaker 2: that something you take into consideration when you're doing these tours.

406
00:20:33,200 --> 00:20:36,360
Speaker 3: Yeah, And when I stop really feeling that, I kind

407
00:20:36,359 --> 00:20:39,679
Speaker 3: of will reassess where I am in my life and

408
00:20:39,680 --> 00:20:41,440
Speaker 3: where I am in my career and if it still

409
00:20:41,440 --> 00:20:44,320
Speaker 3: brings me joy, and you know, after some tours. I

410
00:20:44,359 --> 00:20:46,280
Speaker 3: have taken a few months off just to sort of

411
00:20:46,720 --> 00:20:50,280
Speaker 3: put my foot back around and figure out like the

412
00:20:50,320 --> 00:20:53,600
Speaker 3: next path. And you know when I was because I

413
00:20:53,640 --> 00:20:58,040
Speaker 3: worked for postmlone for five years, I started to feel

414
00:20:58,320 --> 00:21:01,440
Speaker 3: after COVID. We worked a lot through COVID, so we've

415
00:21:01,440 --> 00:21:05,280
Speaker 3: were NonStop no matter what. But after I could feel

416
00:21:05,280 --> 00:21:07,880
Speaker 3: myself shifting, and it was mainly like, dude, I want

417
00:21:07,880 --> 00:21:09,960
Speaker 3: to have a life, you know. I want to find

418
00:21:10,000 --> 00:21:11,800
Speaker 3: something that's not going to keep me away all the time,

419
00:21:11,840 --> 00:21:13,960
Speaker 3: because you know, he's twenty eight and he's the biggest

420
00:21:13,960 --> 00:21:15,960
Speaker 3: thing in the world and he is constantly stuff.

421
00:21:16,240 --> 00:21:16,680
Speaker 1: I love.

422
00:21:17,040 --> 00:21:19,480
Speaker 3: I love the camp. I love everything about it. But

423
00:21:19,560 --> 00:21:22,600
Speaker 3: I also was like, I'm not going to have somebody

424
00:21:22,600 --> 00:21:24,240
Speaker 3: make this decision for me in a couple of years.

425
00:21:24,240 --> 00:21:26,960
Speaker 3: I want to do it myself and prop off. Now

426
00:21:27,160 --> 00:21:29,919
Speaker 3: take another job that'll bring me home. And because I

427
00:21:29,960 --> 00:21:33,600
Speaker 3: started going, god, I just I don't want to I

428
00:21:33,640 --> 00:21:36,600
Speaker 3: want to have something that's related to me that's not

429
00:21:36,720 --> 00:21:41,920
Speaker 3: touring instead of Andrew Werena the tour manager. I wanted

430
00:21:41,920 --> 00:21:45,360
Speaker 3: to start to kind of find projects to get involved

431
00:21:45,359 --> 00:21:48,200
Speaker 3: in that pulled me away and have a different identity

432
00:21:48,480 --> 00:21:49,760
Speaker 3: I think is what I'm trying to sink.

433
00:21:49,920 --> 00:21:51,919
Speaker 2: What would some of those projects like, what does that

434
00:21:51,960 --> 00:21:52,359
Speaker 2: look like?

435
00:21:53,720 --> 00:21:58,560
Speaker 3: I am I love dogs now because I have a dog,

436
00:21:58,840 --> 00:22:01,440
Speaker 3: but I would love to I donate all my money

437
00:22:01,520 --> 00:22:04,640
Speaker 3: to the shelters in the area. So I would love

438
00:22:04,680 --> 00:22:07,120
Speaker 3: to start fostering. If I could be home more and

439
00:22:07,600 --> 00:22:10,480
Speaker 3: volunteering and doing all of that. That that's really my

440
00:22:10,560 --> 00:22:11,520
Speaker 3: goal post.

441
00:22:11,600 --> 00:22:12,120
Speaker 1: Dad and I.

442
00:22:12,240 --> 00:22:15,960
Speaker 3: Talked about getting a farm and doing like a senior dog,

443
00:22:16,720 --> 00:22:20,200
Speaker 3: you know, like in Montana, something that was our dream,

444
00:22:20,520 --> 00:22:22,359
Speaker 3: and that's I could still do something.

445
00:22:22,480 --> 00:22:27,320
Speaker 1: Yeah, Beautiful Jane takes in a lot of senior dogs.

446
00:22:27,359 --> 00:22:29,399
Speaker 1: I mean she takes in dogs of all ages, but

447
00:22:29,480 --> 00:22:31,520
Speaker 1: she takes in some senior dogs too. It just breaks

448
00:22:31,520 --> 00:22:32,920
Speaker 1: my heart. It's like the sweetest thing.

449
00:22:33,400 --> 00:22:35,840
Speaker 3: Yeah, So at anytime, I'm like, oh, okay, give him

450
00:22:35,840 --> 00:22:39,440
Speaker 3: another hundred dollars. Okay, do you know? That's that's the thing.

451
00:22:39,480 --> 00:22:44,680
Speaker 3: And you know, having having Stony has literally changed my life.

452
00:22:44,720 --> 00:22:46,800
Speaker 3: It's like having a kid. No, I have to go

453
00:22:47,160 --> 00:22:48,119
Speaker 3: to have a dog.

454
00:22:48,160 --> 00:22:50,359
Speaker 1: Yes, exactly, that's responsibility.

455
00:22:50,720 --> 00:22:54,360
Speaker 3: You have to Yeah, and he does travel, he travels

456
00:22:54,400 --> 00:22:57,520
Speaker 3: with us. He was so he's great on the road.

457
00:22:57,840 --> 00:23:00,359
Speaker 1: But at the same time, you have to have a

458
00:23:00,400 --> 00:23:01,760
Speaker 1: dog on the road.

459
00:23:02,080 --> 00:23:05,000
Speaker 3: Yeah, he's good and he's a little celebrity. I'll show

460
00:23:05,040 --> 00:23:05,879
Speaker 3: you him, I'm sure.

461
00:23:06,040 --> 00:23:09,159
Speaker 1: Okay, do you have any memories of stick out in

462
00:23:09,200 --> 00:23:14,800
Speaker 1: your mind of our tour? Are particularly like our stadium tour.

463
00:23:15,400 --> 00:23:16,919
Speaker 3: Of the tour itself, or what we would do on

464
00:23:16,960 --> 00:23:17,480
Speaker 3: the off time.

465
00:23:17,760 --> 00:23:24,879
Speaker 2: Oh yeah, so like after we did the smaller tour? Yeah,

466
00:23:24,880 --> 00:23:26,399
Speaker 2: real quick? Did you know there was going to be

467
00:23:26,440 --> 00:23:29,119
Speaker 2: another tour? Like, were you told, like next summer we

468
00:23:29,160 --> 00:23:31,320
Speaker 2: may do the same thing, like hope you're available?

469
00:23:31,720 --> 00:23:33,960
Speaker 3: No, they I knew that they were talking about it,

470
00:23:34,040 --> 00:23:36,520
Speaker 3: but I didn't know that it was a definite thing

471
00:23:36,600 --> 00:23:39,600
Speaker 3: until a few months before. And then it was oh no,

472
00:23:39,680 --> 00:23:42,120
Speaker 3: this isn't just a theater tour, this is an arena

473
00:23:42,200 --> 00:23:45,159
Speaker 3: tour and we're going to the UK. You ended up

474
00:23:45,520 --> 00:23:48,560
Speaker 3: doing twenty wait, I had to look it up to

475
00:23:48,560 --> 00:23:51,920
Speaker 3: get the count. Twenty one cities, thirty one shows?

476
00:23:52,400 --> 00:23:55,159
Speaker 2: Oh my god, I think and I think we ended

477
00:23:55,240 --> 00:23:57,760
Speaker 2: up doing thirty one shows domestically. I think it ended

478
00:23:57,840 --> 00:24:02,560
Speaker 2: up being forty four shows with the Yeah, yeah, the UK,

479
00:24:02,720 --> 00:24:07,359
Speaker 2: I think, oh god, it's nuts. In six weeks.

480
00:24:07,800 --> 00:24:10,880
Speaker 3: Yeah, and because we were doing two shows in a day.

481
00:24:11,560 --> 00:24:14,600
Speaker 2: Yeah, was that was dancing with the started doing matinees.

482
00:24:16,040 --> 00:24:19,440
Speaker 3: No, we weren't doing matinees, so that was just us cool.

483
00:24:19,680 --> 00:24:25,119
Speaker 1: Just doing eleven a M one one pm shows. Different

484
00:24:25,160 --> 00:24:26,720
Speaker 1: crowd for sure.

485
00:24:27,320 --> 00:24:30,320
Speaker 3: But we set the record at the O two. Oh

486
00:24:30,359 --> 00:24:33,640
Speaker 3: my god, you have the slush I have the slushy.

487
00:24:33,960 --> 00:24:36,800
Speaker 3: This is probably one of the coolest awards.

488
00:24:37,520 --> 00:24:38,960
Speaker 1: We never caught mine.

489
00:24:38,840 --> 00:24:40,520
Speaker 2: Yeah you did say no, no.

490
00:24:40,920 --> 00:24:42,840
Speaker 3: I wonder whether well they went somewhere.

491
00:24:43,400 --> 00:24:44,640
Speaker 2: Yeah, somebody's got them.

492
00:24:44,840 --> 00:24:45,600
Speaker 3: Somebody got them.

493
00:24:45,800 --> 00:24:46,639
Speaker 1: That's a cool one.

494
00:24:47,160 --> 00:24:49,440
Speaker 3: Yeah, that was a good one one. I remember the

495
00:24:49,520 --> 00:24:51,560
Speaker 3: Wow some chemical that was made.

496
00:24:51,400 --> 00:24:53,600
Speaker 2: To it was sort of like, okay, I trained you

497
00:24:53,720 --> 00:24:58,680
Speaker 2: kids on this theater tour. Now welcome to my Welcome

498
00:24:58,760 --> 00:25:00,679
Speaker 2: to the big Because we would to cities and you'd

499
00:25:00,680 --> 00:25:02,560
Speaker 2: be like, Okay, here's where we're going. There was a

500
00:25:02,560 --> 00:25:04,160
Speaker 2: time we were in Philly and you're like, I'm taking

501
00:25:04,200 --> 00:25:07,879
Speaker 2: you to this Philly cheese steak place. And we got

502
00:25:08,200 --> 00:25:10,760
Speaker 2: and I'm looking at the street because the whole plane

503
00:25:10,800 --> 00:25:12,399
Speaker 2: You're like, I got to take you guys. So we

504
00:25:12,440 --> 00:25:14,960
Speaker 2: all coordinated. We all went and I'm looking across the

505
00:25:15,000 --> 00:25:19,320
Speaker 2: street and this looks familiar. I don't know why And

506
00:25:19,560 --> 00:25:22,760
Speaker 2: I go outside and I recognized this sort of like theater,

507
00:25:23,040 --> 00:25:26,240
Speaker 2: not even a theater, it's like a club. And I

508
00:25:26,280 --> 00:25:30,040
Speaker 2: was like, oh my god. I performed there on tour

509
00:25:30,280 --> 00:25:34,160
Speaker 2: with the boy band like three years ago, and here

510
00:25:34,200 --> 00:25:37,600
Speaker 2: I am like with you, like a our tour manager

511
00:25:37,640 --> 00:25:39,760
Speaker 2: were performing at the arena tonight, and it was this

512
00:25:39,840 --> 00:25:44,399
Speaker 2: really surreal, like coincidence that you happened to bring us there.

513
00:25:44,440 --> 00:25:46,560
Speaker 2: I was like, this is one of those check in

514
00:25:46,640 --> 00:25:48,640
Speaker 2: moments of like, my life's gotten a little crazy.

515
00:25:48,880 --> 00:25:52,840
Speaker 3: We went to on South Street. Yes, yes, it's still

516
00:25:52,840 --> 00:25:53,880
Speaker 3: my favorite spot there.

517
00:25:54,560 --> 00:25:56,720
Speaker 1: I'll never forget that one so good.

518
00:25:57,640 --> 00:25:59,440
Speaker 3: I don't know if I should bring this up. Do

519
00:25:59,480 --> 00:26:01,359
Speaker 3: you remember New York City when we all went and

520
00:26:01,400 --> 00:26:03,119
Speaker 3: got colonics.

521
00:26:03,800 --> 00:26:09,720
Speaker 1: And a really janky It was a really questionable spot

522
00:26:09,760 --> 00:26:12,040
Speaker 1: on the Lower East Side, and I really thought, should

523
00:26:12,040 --> 00:26:13,719
Speaker 1: I be here in this apartment right now?

524
00:26:13,760 --> 00:26:17,440
Speaker 3: Getting Jenna? You and I went together, and I remember

525
00:26:17,640 --> 00:26:19,360
Speaker 3: I went back and I was like, I need coffee.

526
00:26:19,400 --> 00:26:22,400
Speaker 3: And I remember in like five minutes later, going, oh,

527
00:26:22,440 --> 00:26:25,640
Speaker 3: should I think I'm buzzing? Because it just went right

528
00:26:25,680 --> 00:26:29,840
Speaker 3: into my bloodstream. That was so that was so funny.

529
00:26:30,280 --> 00:26:32,800
Speaker 1: It was really funny. I forgot.

530
00:26:33,160 --> 00:26:35,560
Speaker 2: I'm still pissitting it to go. I canceled last minute

531
00:26:35,560 --> 00:26:37,680
Speaker 2: because I had to go do something and somebody else

532
00:26:37,720 --> 00:26:44,000
Speaker 2: took my I hear all the stories, very suspicious for

533
00:26:44,080 --> 00:26:44,440
Speaker 2: the best.

534
00:26:45,080 --> 00:26:46,480
Speaker 1: Yeah, it was suspicious.

535
00:26:46,720 --> 00:26:51,840
Speaker 3: It was funny though. Yeah. So now you remember Toronto.

536
00:26:52,520 --> 00:26:57,040
Speaker 3: We were staying at the Four Seasons. The hotel was closed,

537
00:26:57,080 --> 00:27:00,520
Speaker 3: like they were re building the Four Seasons, another part

538
00:27:00,520 --> 00:27:02,960
Speaker 3: of Toronto. So the staff just didn't give a shit.

539
00:27:03,040 --> 00:27:04,760
Speaker 1: Can I corry?

540
00:27:04,800 --> 00:27:09,520
Speaker 3: And they let all the fans in the lobby. So

541
00:27:09,560 --> 00:27:11,760
Speaker 3: we got overrun and they were running the hallways, and

542
00:27:11,800 --> 00:27:13,639
Speaker 3: I think some of you went and got rooms across

543
00:27:13,680 --> 00:27:20,359
Speaker 3: the street at the Hazelton Hotels. I was I was

544
00:27:20,480 --> 00:27:23,000
Speaker 3: so mad. That's when that hard side of me comes out.

545
00:27:23,080 --> 00:27:25,120
Speaker 3: I was like, what the what's going on here?

546
00:27:25,800 --> 00:27:29,720
Speaker 1: Yes, there was a journalist who leaked where we were staying,

547
00:27:30,840 --> 00:27:34,399
Speaker 1: and when we got to the hotel, I remember all

548
00:27:34,440 --> 00:27:36,800
Speaker 1: the fans were outside. But then when we got inside

549
00:27:36,840 --> 00:27:39,480
Speaker 1: the hotel, they were not only in the lobby, they

550
00:27:39,520 --> 00:27:44,040
Speaker 1: were scouring the floors of the hotel where the rooms are,

551
00:27:44,760 --> 00:27:48,719
Speaker 1: putting notes under the doors and shouting names. And we

552
00:27:48,720 --> 00:27:50,280
Speaker 1: were like, we got to get out of here. So

553
00:27:50,320 --> 00:27:51,919
Speaker 1: we went across the street. There was a few of us.

554
00:27:52,119 --> 00:27:54,000
Speaker 2: I think it was like did Leah get a room?

555
00:27:55,240 --> 00:27:57,840
Speaker 2: And so like we all went and like had like

556
00:27:57,880 --> 00:27:59,159
Speaker 2: a slumber party because we're.

557
00:27:59,040 --> 00:28:01,680
Speaker 1: Like, let's just yeah, there was a few people who

558
00:28:01,680 --> 00:28:03,639
Speaker 1: got rooms there and there was a pool, so at

559
00:28:03,720 --> 00:28:04,720
Speaker 1: least we went and swam.

560
00:28:06,000 --> 00:28:06,600
Speaker 2: It was fun.

561
00:28:07,080 --> 00:28:09,280
Speaker 1: Yeah, it was fun, but that was crazy.

562
00:28:09,359 --> 00:28:10,840
Speaker 2: We were breaking the rules though, it was like we

563
00:28:10,840 --> 00:28:12,480
Speaker 2: were sneaking it with like Mom's going to get mad.

564
00:28:14,160 --> 00:28:16,119
Speaker 3: I was already mad at the hotel. I mean, I

565
00:28:16,160 --> 00:28:19,680
Speaker 3: think that was the last time with the last year

566
00:28:19,720 --> 00:28:21,280
Speaker 3: that it was open. I mean, the New Force is

567
00:28:21,480 --> 00:28:23,520
Speaker 3: beautiful in Toronto. I go there all the time, but

568
00:28:25,040 --> 00:28:28,000
Speaker 3: I just remember that I was like, well they should

569
00:28:28,040 --> 00:28:30,760
Speaker 3: be you know, yeah a lot.

570
00:28:31,320 --> 00:28:35,280
Speaker 2: Yep. There were also times so like there was a

571
00:28:35,320 --> 00:28:38,680
Speaker 2: passport issue with Diana getting in and out of Canada.

572
00:28:40,160 --> 00:28:42,720
Speaker 3: She had her passport.

573
00:28:43,320 --> 00:28:46,000
Speaker 2: Yeah, was something that like, yeah, she forgot to bring it.

574
00:28:46,160 --> 00:28:48,800
Speaker 3: Got to bring it somehow. I don't remember how we

575
00:28:48,840 --> 00:28:51,440
Speaker 3: got her in. Maybe it took a day.

576
00:28:51,640 --> 00:28:53,200
Speaker 1: She got stuck, didn't she get.

577
00:28:53,080 --> 00:28:56,880
Speaker 3: Stuck coming after? Somebody had to FedEx a tour I think,

578
00:28:57,160 --> 00:28:58,880
Speaker 3: And that's right. We had to come in.

579
00:28:59,600 --> 00:29:02,040
Speaker 2: Yeah, oh my god, because I and I was Heather

580
00:29:02,080 --> 00:29:04,480
Speaker 2: and I went two days early because we went on

581
00:29:04,520 --> 00:29:05,880
Speaker 2: the dancer bus.

582
00:29:06,440 --> 00:29:06,920
Speaker 3: That's right.

583
00:29:07,120 --> 00:29:08,960
Speaker 2: Because some of you guys hung out in New York.

584
00:29:09,480 --> 00:29:13,360
Speaker 2: We went straight to Toronto and had a full time

585
00:29:13,640 --> 00:29:14,480
Speaker 2: to the city.

586
00:29:15,760 --> 00:29:17,080
Speaker 1: I I some of.

587
00:29:17,040 --> 00:29:19,960
Speaker 3: The best times were the parties that we had. So

588
00:29:20,000 --> 00:29:23,400
Speaker 3: we had a party in New York City at the end, which,

589
00:29:23,400 --> 00:29:26,880
Speaker 3: first off, Radio City Music Hall was still some memorile.

590
00:29:26,920 --> 00:29:29,400
Speaker 3: Remember we got up, they sat on the roof and

591
00:29:29,440 --> 00:29:30,560
Speaker 3: all the fans are all.

592
00:29:30,400 --> 00:29:33,200
Speaker 1: The three Yes, that's that was kind of cool.

593
00:29:33,760 --> 00:29:42,200
Speaker 3: At that time. Gibson Amphitheater was cool. But yeah, but

594
00:29:42,320 --> 00:29:44,840
Speaker 3: I still loved Radio City Music Hall because that was

595
00:29:44,840 --> 00:29:48,080
Speaker 3: such a that was such a you know spot.

596
00:29:48,360 --> 00:29:51,240
Speaker 2: Had you been on a tour there was that your first.

597
00:29:51,560 --> 00:29:53,480
Speaker 3: Was the first time I've ever done a show there.

598
00:29:53,680 --> 00:29:57,600
Speaker 1: Wow, I feel like, you know all the stadiums and

599
00:29:57,640 --> 00:30:00,680
Speaker 1: arenas at this point though, relieve I know.

600
00:30:00,600 --> 00:30:03,120
Speaker 3: Where all the rooms are, all the dead bodies are buried, you.

601
00:30:03,080 --> 00:30:06,200
Speaker 1: Know, yeah, all the secrets.

602
00:30:06,400 --> 00:30:08,000
Speaker 3: But yeah, and then we went to the party in

603
00:30:08,080 --> 00:30:09,960
Speaker 3: Dublin when we closed down that bar.

604
00:30:10,520 --> 00:30:13,240
Speaker 2: Yes, that was the best, and I.

605
00:30:13,160 --> 00:30:15,880
Speaker 3: Had amber drinking Amber and I were drinking the baby

606
00:30:15,920 --> 00:30:16,920
Speaker 3: Guinness shots.

607
00:30:17,240 --> 00:30:19,800
Speaker 2: Yes I have the glass still.

608
00:30:19,920 --> 00:30:20,840
Speaker 3: I stole one of them.

609
00:30:21,640 --> 00:30:23,480
Speaker 2: I should have done that too. I remember you showed

610
00:30:23,480 --> 00:30:25,280
Speaker 2: I didn't know that existed, and you showed me like

611
00:30:25,320 --> 00:30:30,960
Speaker 2: the little little baby pints, a little baby.

612
00:30:30,480 --> 00:30:34,960
Speaker 3: Ambria or whatever that is similar to and Bailey's on top.

613
00:30:35,240 --> 00:30:38,880
Speaker 3: They were so good. And Megan and I went out

614
00:30:38,880 --> 00:30:43,880
Speaker 3: with Naya drinking down to like a bar and it

615
00:30:43,920 --> 00:30:44,520
Speaker 3: was fun.

616
00:30:45,040 --> 00:30:47,240
Speaker 2: Fun getting we were all seeing each other pictures. I

617
00:30:47,240 --> 00:30:50,840
Speaker 2: feel like we all factioned off. Yes, and then because

618
00:30:50,840 --> 00:30:52,720
Speaker 2: we had we had a day or two free and

619
00:30:52,800 --> 00:30:54,400
Speaker 2: Dublin we first got we got in.

620
00:30:54,560 --> 00:30:57,560
Speaker 1: Yes, we ran into a bunch of the dancers on

621
00:30:57,640 --> 00:30:59,840
Speaker 1: Temple Street, but we went and they had like the

622
00:31:00,240 --> 00:31:02,760
Speaker 1: at the tables, which was like mind blowing where you

623
00:31:02,760 --> 00:31:04,760
Speaker 1: could like y pour your own pint.

624
00:31:05,440 --> 00:31:11,320
Speaker 2: It's like everybody emotionally left themselves in London, and so

625
00:31:11,360 --> 00:31:13,280
Speaker 2: the time we got to Dublin, everyone had like shed

626
00:31:13,400 --> 00:31:16,040
Speaker 2: all of that what was happening, and so we were just.

627
00:31:15,960 --> 00:31:18,560
Speaker 1: Like near the end is near, let's go.

628
00:31:19,040 --> 00:31:21,960
Speaker 3: We all drank yeah, because it lended up at the

629
00:31:22,000 --> 00:31:24,240
Speaker 3: same bar and then split up and I think met

630
00:31:24,320 --> 00:31:25,120
Speaker 3: up later.

631
00:31:25,240 --> 00:31:27,120
Speaker 2: Yes, at the schoolhouse bar.

632
00:31:27,480 --> 00:31:29,280
Speaker 1: Yes, so much fun.

633
00:31:29,360 --> 00:31:31,600
Speaker 3: Oh my god. And then the party at the O

634
00:31:31,720 --> 00:31:34,200
Speaker 3: two that we had because I have some oh yeah,

635
00:31:34,720 --> 00:31:37,480
Speaker 3: any pictures because we all had like dance offs that night.

636
00:31:37,800 --> 00:31:41,560
Speaker 1: Yep, I don't remember where that one was. It was pictures.

637
00:31:41,560 --> 00:31:44,800
Speaker 3: I would actually in the venue there was like a.

638
00:31:44,760 --> 00:31:46,600
Speaker 2: Bar slash like club looking room.

639
00:31:47,560 --> 00:31:50,760
Speaker 1: Okay, okay, Jacko memory a little bit, but yeah, okay

640
00:31:50,880 --> 00:31:51,960
Speaker 1: something how fun?

641
00:31:52,440 --> 00:32:04,520
Speaker 2: Yeah, I forgot about that. You were saying that the

642
00:32:04,600 --> 00:32:08,000
Speaker 2: challenges of you have to go through like paramount travel,

643
00:32:08,000 --> 00:32:12,040
Speaker 2: you're dealing with the network, probably the studio, the executives

644
00:32:12,120 --> 00:32:14,960
Speaker 2: coming in and out for different shows. Then we got

645
00:32:14,960 --> 00:32:17,440
Speaker 2: to London. There was also like additional press we were

646
00:32:17,440 --> 00:32:21,440
Speaker 2: doing for Was it the movie? Is that what we

647
00:32:21,440 --> 00:32:22,960
Speaker 2: were doing press like we were or was it just

648
00:32:22,960 --> 00:32:24,200
Speaker 2: for the tour? I don't know what we were doing

649
00:32:24,240 --> 00:32:24,680
Speaker 2: press for.

650
00:32:25,280 --> 00:32:26,400
Speaker 3: Probably for the movie.

651
00:32:27,120 --> 00:32:36,480
Speaker 2: Yeah, oh yeah, that was a whole other thing. Yeah, Like,

652
00:32:36,520 --> 00:32:39,080
Speaker 2: how do you even manage because it takes so long

653
00:32:39,160 --> 00:32:42,200
Speaker 2: in London the arena everybody performs out as the O two,

654
00:32:42,640 --> 00:32:45,080
Speaker 2: but there's so much traffic and you've just been You've

655
00:32:45,080 --> 00:32:47,719
Speaker 2: seen pictures of like Rihanna taking the tube to go

656
00:32:47,760 --> 00:32:50,080
Speaker 2: to O two because it's just wild. It's like one

657
00:32:50,120 --> 00:32:52,880
Speaker 2: day when we did press with the hotel we were

658
00:32:52,880 --> 00:32:55,880
Speaker 2: staying at was on the river and so a boat

659
00:32:55,880 --> 00:33:00,840
Speaker 2: could pull up and that it was absolute most time.

660
00:33:01,160 --> 00:33:04,760
Speaker 1: Didn't we do our Vogue September issue in London as well?

661
00:33:05,000 --> 00:33:05,720
Speaker 2: In Manchester?

662
00:33:06,360 --> 00:33:07,880
Speaker 1: Is in Manchester? Okay? Sorry?

663
00:33:08,080 --> 00:33:10,960
Speaker 3: So in London we stayed at the Savoy and they

664
00:33:11,000 --> 00:33:12,880
Speaker 3: have a boat, but it's like a block away from

665
00:33:12,880 --> 00:33:15,520
Speaker 3: the boat landing and the boat right to the venue.

666
00:33:16,160 --> 00:33:16,360
Speaker 2: Yeah.

667
00:33:17,320 --> 00:33:19,840
Speaker 3: Nice, it's the best. It's the best and only way

668
00:33:19,880 --> 00:33:21,240
Speaker 3: you send an artist, you know that just.

669
00:33:21,840 --> 00:33:24,680
Speaker 2: Decide, Like, is that you figuring that out?

670
00:33:24,840 --> 00:33:25,000
Speaker 1: Yeah?

671
00:33:25,000 --> 00:33:25,200
Speaker 2: I can.

672
00:33:25,400 --> 00:33:28,240
Speaker 3: Yeah, if we figured that out, and then it's just

673
00:33:28,280 --> 00:33:30,280
Speaker 3: whether or not the weather is good enough for for

674
00:33:30,360 --> 00:33:32,080
Speaker 3: you guys to do it or for whoever to do it.

675
00:33:32,120 --> 00:33:34,240
Speaker 3: We did it with them. Did we do it with BTS?

676
00:33:34,240 --> 00:33:36,040
Speaker 3: I can't remember. I feel like we did.

677
00:33:36,200 --> 00:33:37,320
Speaker 2: You did BTS as well?

678
00:33:37,600 --> 00:33:40,120
Speaker 3: I did BTS. I still I still do some of

679
00:33:40,160 --> 00:33:43,800
Speaker 3: the K pop stuff with their sideks. Yeah. I don't

680
00:33:43,800 --> 00:33:46,280
Speaker 3: go out on all of them, but I'll put the

681
00:33:46,280 --> 00:33:50,560
Speaker 3: team together and advance it. That's besides like the Glee

682
00:33:50,680 --> 00:33:53,320
Speaker 3: and the pop stuff. That I've done. That's probably one

683
00:33:53,320 --> 00:33:53,960
Speaker 3: of my favorites.

684
00:33:54,960 --> 00:33:56,479
Speaker 2: Amazing, that's great to hear.

685
00:33:56,560 --> 00:33:59,880
Speaker 1: Yeah, that's a good one. It's so much fun in London. Yeah,

686
00:34:00,440 --> 00:34:01,400
Speaker 1: probably too much fun.

687
00:34:03,240 --> 00:34:08,440
Speaker 2: I mean, so how do you deal with the different

688
00:34:08,719 --> 00:34:11,520
Speaker 2: personalities because there's a lot of us, Like you were saying,

689
00:34:11,560 --> 00:34:15,719
Speaker 2: sometimes it's just a singer and then you come into

690
00:34:15,800 --> 00:34:18,000
Speaker 2: us and by the second tour we're all more comfortable.

691
00:34:18,600 --> 00:34:21,840
Speaker 2: We're more comfortable probably being honest, it's more of us.

692
00:34:22,040 --> 00:34:26,640
Speaker 2: There are more of us, more, there's more of everything, right,

693
00:34:26,719 --> 00:34:29,760
Speaker 2: Like the stakes are higher, the venues are higher, the

694
00:34:29,800 --> 00:34:33,280
Speaker 2: fame is higher, which has some sort of psychological impact.

695
00:34:33,800 --> 00:34:37,680
Speaker 3: Yeah, everyone feels that they need more than the other person,

696
00:34:37,960 --> 00:34:40,880
Speaker 3: or deserve more attention than the other person. You just

697
00:34:41,480 --> 00:34:43,480
Speaker 3: I mean, is there a right way to handle all

698
00:34:43,520 --> 00:34:43,759
Speaker 3: of that?

699
00:34:44,640 --> 00:34:44,680
Speaker 1: No?

700
00:34:44,840 --> 00:34:49,400
Speaker 3: I mean yes, case basically situation by situation, you know,

701
00:34:49,560 --> 00:34:51,719
Speaker 3: you do you just kind of deal with the moment.

702
00:34:51,800 --> 00:34:53,960
Speaker 3: You learn to say no, You learn to like look

703
00:34:54,000 --> 00:34:55,640
Speaker 3: at somebody in the eye and make kind of go

704
00:34:55,760 --> 00:34:58,680
Speaker 3: that's not doable, you know, that's that's not feasible. It's

705
00:34:58,680 --> 00:35:01,479
Speaker 3: not feasible to send you home in between shows because

706
00:35:01,480 --> 00:35:05,720
Speaker 3: of the traffic, London, right, stuff like that, and then

707
00:35:06,120 --> 00:35:13,960
Speaker 3: you always have the but you just you just I

708
00:35:13,960 --> 00:35:15,840
Speaker 3: don't know, you just learn. You just you kind of

709
00:35:15,960 --> 00:35:18,279
Speaker 3: learn what to say and how to say it to

710
00:35:18,440 --> 00:35:22,600
Speaker 3: make the person the other person kind of stop because

711
00:35:23,080 --> 00:35:25,799
Speaker 3: you can't appease everybody. We're not there to try to

712
00:35:25,840 --> 00:35:28,640
Speaker 3: appease everybody or try to there to make everybody happy

713
00:35:29,080 --> 00:35:30,880
Speaker 3: and good, but we're also there to do a show.

714
00:35:31,440 --> 00:35:35,080
Speaker 3: So keeping everybody on that work balance as well as

715
00:35:35,120 --> 00:35:37,960
Speaker 3: the friendship balance because we all became friends at the

716
00:35:38,000 --> 00:35:38,520
Speaker 3: same time.

717
00:35:38,800 --> 00:35:39,760
Speaker 1: Yeah, but we're.

718
00:35:39,560 --> 00:35:41,520
Speaker 3: Also here because hey, you need to get into glam.

719
00:35:41,560 --> 00:35:43,600
Speaker 3: You need to be doing this and keeping.

720
00:35:43,440 --> 00:35:47,080
Speaker 1: Up that's our job. Do your job? Do you often

721
00:35:47,160 --> 00:35:49,960
Speaker 1: become friends with the artists and the people like it,

722
00:35:50,080 --> 00:35:52,719
Speaker 1: because it felt like pretty quickly like we were all

723
00:35:52,760 --> 00:35:56,000
Speaker 1: going to do yoga together, going to get cheesesteaks sandwiches together,

724
00:35:56,080 --> 00:35:58,520
Speaker 1: and like you're kind of showing us the ropes. Does

725
00:35:58,520 --> 00:36:00,800
Speaker 1: that happen all the time on your tours?

726
00:36:02,880 --> 00:36:05,560
Speaker 3: No, not all of them. I become close with the artists,

727
00:36:05,600 --> 00:36:09,640
Speaker 3: but I don't always hang out with them. I never

728
00:36:09,640 --> 00:36:12,720
Speaker 3: really hung out with Post, but he's family for life,

729
00:36:12,760 --> 00:36:15,960
Speaker 3: you know. Yeah, Guns and roses guys, I've worked with

730
00:36:16,080 --> 00:36:18,160
Speaker 3: a bunch of times over the years, so I consider

731
00:36:18,320 --> 00:36:20,560
Speaker 3: you know, Duff and Slash our brothers. You know, I

732
00:36:20,560 --> 00:36:22,520
Speaker 3: don't get to hang out with them, or you know,

733
00:36:22,520 --> 00:36:24,359
Speaker 3: we would just go have dinner. It all depends on,

734
00:36:25,080 --> 00:36:27,600
Speaker 3: you know, with vibe of like yeah, and I just

735
00:36:27,640 --> 00:36:30,880
Speaker 3: felt with you guys, I could show you experiences in

736
00:36:30,960 --> 00:36:34,000
Speaker 3: different cities and we could you know, do them together.

737
00:36:34,480 --> 00:36:36,719
Speaker 3: And when you find somebody that likes to go to yoga,

738
00:36:36,800 --> 00:36:38,759
Speaker 3: let's go, because that's going to be one thing that's

739
00:36:38,760 --> 00:36:41,840
Speaker 3: going to help us balance our days. Huge for me,

740
00:36:41,960 --> 00:36:46,279
Speaker 3: like salsa dancing, Okay, yes, yeah, so I always love

741
00:36:46,360 --> 00:36:49,279
Speaker 3: to go salsa dancing, so I usually bond with dancers

742
00:36:49,320 --> 00:36:51,040
Speaker 3: that would like to go do it. Do you remember

743
00:36:51,160 --> 00:36:56,600
Speaker 3: Todd Fox, who you guys hot Toddy. He was a

744
00:36:56,600 --> 00:37:00,080
Speaker 3: good salsa dancer and when we were in Toronto, we

745
00:37:00,160 --> 00:37:01,839
Speaker 3: all went to this club that was right by the

746
00:37:01,880 --> 00:37:05,320
Speaker 3: hotels and I'm like, you have to come and because

747
00:37:05,360 --> 00:37:07,640
Speaker 3: of the issues with the fans, he was dealing with

748
00:37:07,680 --> 00:37:11,040
Speaker 3: all of that. But turn around and he comes running

749
00:37:11,440 --> 00:37:14,240
Speaker 3: and he grabbed me, does one song and he's like, okay,

750
00:37:14,440 --> 00:37:16,480
Speaker 3: I gotta go buy it. He runs back to the hotel.

751
00:37:16,640 --> 00:37:22,239
Speaker 1: I was like, no way, yeah, saddy.

752
00:37:21,000 --> 00:37:23,239
Speaker 2: Wow, because he was the one that was sneaking us

753
00:37:23,280 --> 00:37:25,759
Speaker 2: out and like going to the other hotel because he's like,

754
00:37:26,000 --> 00:37:28,120
Speaker 2: I know a hotel to go to. It's where Janet stays.

755
00:37:28,520 --> 00:37:31,760
Speaker 2: So we like hopped in the car and go across

756
00:37:31,800 --> 00:37:32,240
Speaker 2: the street.

757
00:37:32,600 --> 00:37:34,760
Speaker 1: Yes, oh my gosh, wow.

758
00:37:35,160 --> 00:37:36,880
Speaker 2: I can't believe he's a salsa dancer.

759
00:37:37,320 --> 00:37:39,279
Speaker 3: Yeah. I don't know if he does it like all

760
00:37:39,320 --> 00:37:40,279
Speaker 3: the time, but he was.

761
00:37:40,400 --> 00:37:43,160
Speaker 1: He's a som he's a salsa dancer. You gotta like

762
00:37:43,840 --> 00:37:45,640
Speaker 1: entertain yourself somewhere creatively.

763
00:37:45,800 --> 00:37:49,720
Speaker 2: The memories are funny. I remember I think, I remember

764
00:37:49,719 --> 00:37:52,319
Speaker 2: when you guys went out salsa dancing, and I think

765
00:37:52,400 --> 00:37:54,800
Speaker 2: Telly and Megan were with you, and I was texting

766
00:37:54,880 --> 00:37:57,160
Speaker 2: Telly and that's when I learned about like how to

767
00:37:57,200 --> 00:37:59,400
Speaker 2: drink Martinez, because he was texting me what he was drinking.

768
00:37:59,640 --> 00:38:02,440
Speaker 2: And then I think I came in after. Sorry, this

769
00:38:02,520 --> 00:38:04,399
Speaker 2: is not even a good story. I just it's all

770
00:38:04,400 --> 00:38:07,120
Speaker 2: flooding back. Now I'm tasting like jin Martini for the

771
00:38:07,120 --> 00:38:10,359
Speaker 2: first time. It's like, this is disgusting. He's like, don't worry.

772
00:38:10,400 --> 00:38:14,320
Speaker 2: By THENTO of the tour, will get you on it and.

773
00:38:12,080 --> 00:38:16,680
Speaker 3: Her celebrated call first twenty first birthday on tour and

774
00:38:16,719 --> 00:38:22,400
Speaker 3: I have photo strips of that. I will never share photos.

775
00:38:22,440 --> 00:38:23,400
Speaker 3: It was so much fun.

776
00:38:24,120 --> 00:38:24,600
Speaker 1: Wow.

777
00:38:24,760 --> 00:38:29,080
Speaker 2: Were you there when bon Jovi was also staying at.

778
00:38:28,600 --> 00:38:30,279
Speaker 3: The Savoy Hotel Savoy we.

779
00:38:30,239 --> 00:38:33,640
Speaker 2: All hung out in that beautiful bar. Yeah, because I

780
00:38:33,640 --> 00:38:35,880
Speaker 2: feel like you either knew them or somebody's working on

781
00:38:35,920 --> 00:38:37,200
Speaker 2: their tour. No.

782
00:38:37,239 --> 00:38:40,760
Speaker 3: My my great school friend is married to David Bryan,

783
00:38:40,960 --> 00:38:44,560
Speaker 3: who's the keyboard player. And I remember we pulled you

784
00:38:44,640 --> 00:38:46,720
Speaker 3: out in the hallway Kevin and you got a photo

785
00:38:46,760 --> 00:38:47,160
Speaker 3: with him.

786
00:38:47,600 --> 00:38:48,359
Speaker 1: Yes, yea.

787
00:38:49,200 --> 00:38:53,160
Speaker 2: Also you pulled me out to meet Maxwell. Do you

788
00:38:53,200 --> 00:38:54,319
Speaker 2: remember that bar?

789
00:38:54,560 --> 00:38:54,880
Speaker 3: Right?

790
00:38:55,120 --> 00:38:55,200
Speaker 1: No?

791
00:38:55,360 --> 00:38:57,560
Speaker 2: Maxwell was in LA during rehearsal.

792
00:38:57,719 --> 00:38:58,839
Speaker 3: Oh, during rehearsals.

793
00:38:58,920 --> 00:39:01,080
Speaker 2: Yeah, he was. Oh my, you pulled Amber and I

794
00:39:01,200 --> 00:39:04,719
Speaker 2: out because we're like, oh my god, Maxwell's rehearsing, and

795
00:39:04,760 --> 00:39:07,480
Speaker 2: then you're like, come with me. No, no, no, no,

796
00:39:07,480 --> 00:39:14,040
Speaker 2: no no no. You also did that the first tour

797
00:39:14,120 --> 00:39:19,239
Speaker 2: with was it Smashing Pumpkins? Do you remember that? Were

798
00:39:19,280 --> 00:39:19,640
Speaker 2: you there?

799
00:39:20,400 --> 00:39:20,680
Speaker 3: Wait?

800
00:39:20,760 --> 00:39:22,919
Speaker 2: Because I think you walked us. I think you walked

801
00:39:23,000 --> 00:39:24,920
Speaker 2: us into that room. They're rehearsing again at the same

802
00:39:24,960 --> 00:39:28,719
Speaker 2: place we were, and then told somebody for us to

803
00:39:28,760 --> 00:39:32,960
Speaker 2: come over and like listen to them do a song.

804
00:39:33,960 --> 00:39:38,960
Speaker 3: Maybe that's center stage, weren't we a yeah, yeah, maybe

805
00:39:39,320 --> 00:39:39,680
Speaker 3: could be.

806
00:39:41,880 --> 00:39:45,160
Speaker 2: You were the curator of the best adventures that you're

807
00:39:45,200 --> 00:39:46,920
Speaker 2: attached to all, even if you are, like even if

808
00:39:46,920 --> 00:39:49,840
Speaker 2: it wasn't you who pulled us into the room and

809
00:39:49,880 --> 00:39:51,640
Speaker 2: my memory, you're attached to it, it was me.

810
00:39:51,920 --> 00:39:55,480
Speaker 3: Thanks, well, I was the one responsible for us going

811
00:39:55,520 --> 00:39:57,880
Speaker 3: to that London show of Beyonce. Remember Beyonce?

812
00:39:58,600 --> 00:39:59,839
Speaker 2: Wait, you got us into that?

813
00:40:00,080 --> 00:40:02,960
Speaker 3: Oh I just thought you would want me to have the.

814
00:40:04,600 --> 00:40:05,560
Speaker 2: I would have believed it.

815
00:40:05,880 --> 00:40:08,040
Speaker 3: I don't remember how we got all we all got

816
00:40:08,040 --> 00:40:09,920
Speaker 3: in there, but we all went to go see Beyonce.

817
00:40:10,040 --> 00:40:12,880
Speaker 2: Because we had the same label. I think it was

818
00:40:12,880 --> 00:40:13,520
Speaker 2: because we had.

819
00:40:13,400 --> 00:40:15,040
Speaker 1: The same team, that's right.

820
00:40:15,520 --> 00:40:17,120
Speaker 2: But also getting us in and out of there what

821
00:40:17,200 --> 00:40:17,720
Speaker 2: a nightmare.

822
00:40:18,200 --> 00:40:21,640
Speaker 1: Yes, everything was a nightmare in London, getting in and

823
00:40:21,640 --> 00:40:23,920
Speaker 1: out everything.

824
00:40:24,040 --> 00:40:25,719
Speaker 2: Yeah, but that's so great, Like we had you know,

825
00:40:25,800 --> 00:40:29,600
Speaker 2: different family members come to different things, and you just

826
00:40:30,840 --> 00:40:32,960
Speaker 2: is not go unnoticed how easy you made all of

827
00:40:33,000 --> 00:40:35,160
Speaker 2: that because there was already a billion of us to

828
00:40:35,239 --> 00:40:40,200
Speaker 2: keep track of and then like hey I have four yeah,

829
00:40:40,239 --> 00:40:43,239
Speaker 2: Like can you you know in two months when we

830
00:40:43,280 --> 00:40:46,120
Speaker 2: get to this spot, can you make sure or do

831
00:40:46,120 --> 00:40:49,080
Speaker 2: you Like when we were packing, we packed a suitcase

832
00:40:49,120 --> 00:40:52,239
Speaker 2: for North America and then we had another suitcase that

833
00:40:52,239 --> 00:40:54,480
Speaker 2: we wouldn't really get into until we got to Europe,

834
00:40:54,800 --> 00:40:57,359
Speaker 2: and like coordinating those things. I remember being like, oh

835
00:40:57,400 --> 00:40:58,680
Speaker 2: my god, I need to get something out of the

836
00:40:58,719 --> 00:41:02,960
Speaker 2: Europe bag. Can you somehow all those little things.

837
00:41:03,320 --> 00:41:05,239
Speaker 3: I also think I sent out an email like hey,

838
00:41:05,560 --> 00:41:08,840
Speaker 3: don't pack this, pack this, don't pack this, think about

839
00:41:08,880 --> 00:41:12,720
Speaker 3: this package the shirts. Take one out before leave space

840
00:41:12,760 --> 00:41:13,600
Speaker 3: because you're all going to.

841
00:41:13,520 --> 00:41:16,319
Speaker 1: Go shopping and shopping, Yeah, which we did.

842
00:41:16,760 --> 00:41:20,160
Speaker 3: Yeah, that's one thing I still after twenty four years,

843
00:41:20,160 --> 00:41:22,719
Speaker 3: still overpack. You know, I had two shows. I still

844
00:41:22,719 --> 00:41:26,520
Speaker 3: had a full suitcase. You'll never ever look at me

845
00:41:26,560 --> 00:41:28,080
Speaker 3: and go look at chill and brought a carry on,

846
00:41:28,800 --> 00:41:32,959
Speaker 3: not even for one. It's not going to happen. What if?

847
00:41:33,000 --> 00:41:33,560
Speaker 1: But what if?

848
00:41:34,000 --> 00:41:34,600
Speaker 3: But what if?

849
00:41:34,960 --> 00:41:36,640
Speaker 1: I know exactly, but how.

850
00:41:36,480 --> 00:41:38,319
Speaker 2: Many times have you been caught out? Like how many

851
00:41:38,320 --> 00:41:41,879
Speaker 2: times have you gotten to the end of a tour

852
00:41:42,040 --> 00:41:43,520
Speaker 2: and then all of a sudden or has this happened

853
00:41:43,520 --> 00:41:45,360
Speaker 2: to you where somebody called me like, oh my god,

854
00:41:45,920 --> 00:41:48,360
Speaker 2: we need you as soon as you're done, can you

855
00:41:48,400 --> 00:41:51,600
Speaker 2: hop on this other tour without going home first? Did

856
00:41:51,600 --> 00:41:52,440
Speaker 2: that ever happened to you?

857
00:41:53,760 --> 00:41:56,440
Speaker 3: I did it. I went from Glee and I think

858
00:41:56,520 --> 00:41:59,239
Speaker 3: I went home for twelve hours to switch my bag out,

859
00:41:59,280 --> 00:42:01,280
Speaker 3: and then that's when I went started Lady Gaga.

860
00:42:01,560 --> 00:42:04,439
Speaker 2: Yes, oh that's right, that's right, because then I saw

861
00:42:04,520 --> 00:42:07,040
Speaker 2: you like a couple weeks after in Australia.

862
00:42:07,360 --> 00:42:09,840
Speaker 3: Yeah, and you came to yeah the promo shows.

863
00:42:10,080 --> 00:42:12,440
Speaker 2: Yes, you got me and Marco into one of the

864
00:42:12,480 --> 00:42:14,279
Speaker 2: coolest Gaga performances I've ever seen.

865
00:42:14,680 --> 00:42:14,919
Speaker 3: Yep.

866
00:42:15,440 --> 00:42:16,520
Speaker 2: It was amazing.

867
00:42:17,239 --> 00:42:17,479
Speaker 3: Yep.

868
00:42:18,280 --> 00:42:21,080
Speaker 2: I couldn't believe it. I was like, let me tell you,

869
00:42:21,160 --> 00:42:22,719
Speaker 2: I have the hookup of the year.

870
00:42:25,080 --> 00:42:25,440
Speaker 3: Mama.

871
00:42:26,080 --> 00:42:29,000
Speaker 2: Yeah, Mama is getting into this exclusive Lady Gaga show

872
00:42:29,360 --> 00:42:30,759
Speaker 2: and this amazing venue.

873
00:42:31,000 --> 00:42:34,800
Speaker 3: Oh my god. Oh That's why I think it's crazy

874
00:42:34,840 --> 00:42:39,239
Speaker 3: because the music you guys did on the show. You

875
00:42:39,280 --> 00:42:43,600
Speaker 3: did jay Z song, you did Imagine Dragons on this

876
00:42:43,960 --> 00:42:47,200
Speaker 3: I mean you play you performed songs from so many

877
00:42:47,320 --> 00:42:50,799
Speaker 3: artists that I worked for that I actually that is like,

878
00:42:51,480 --> 00:42:53,560
Speaker 3: I don't know, it's just this kind of aw full

879
00:42:53,560 --> 00:42:56,360
Speaker 3: circle moment. And then when I got hired for Dragons

880
00:42:56,400 --> 00:42:59,440
Speaker 3: in twenty thirteen. The only song I knew was the

881
00:42:59,480 --> 00:43:02,600
Speaker 3: song from them do Began.

882
00:43:02,560 --> 00:43:04,520
Speaker 1: Is you know the Restaurant?

883
00:43:05,239 --> 00:43:08,080
Speaker 3: Yeah, but I was like, oh wait, they that on Glee, Yeah,

884
00:43:08,080 --> 00:43:10,919
Speaker 3: and I had never heard it. I was like, yeah,

885
00:43:10,920 --> 00:43:11,600
Speaker 3: I know who they are.

886
00:43:14,640 --> 00:43:14,799
Speaker 1: Well.

887
00:43:15,520 --> 00:43:19,399
Speaker 3: Yeah. And one of the I'm telling moments I love.

888
00:43:19,480 --> 00:43:21,759
Speaker 3: I had this photo when you were doing New York

889
00:43:21,800 --> 00:43:26,160
Speaker 3: State of Mind. There's a photo that with somebody took

890
00:43:26,239 --> 00:43:29,800
Speaker 3: that's a professional photo and it's all the fans wearing

891
00:43:29,800 --> 00:43:32,640
Speaker 3: the Warbler jackets and ties throwing diamonds.

892
00:43:32,920 --> 00:43:33,080
Speaker 2: Yes.

893
00:43:33,440 --> 00:43:36,360
Speaker 3: You and I used to do that all the time. Yeah,

894
00:43:36,400 --> 00:43:38,839
Speaker 3: And I love it because kids aren't holding phones up,

895
00:43:38,880 --> 00:43:41,000
Speaker 3: so it was like one of those last years before

896
00:43:41,280 --> 00:43:44,080
Speaker 3: phone came out with pictures, before everybody had their cameras up,

897
00:43:44,480 --> 00:43:46,960
Speaker 3: and all the girls have their you know, the diamonds

898
00:43:47,040 --> 00:43:49,000
Speaker 3: up and they've got their Warbler ties on.

899
00:43:50,120 --> 00:43:52,799
Speaker 2: I love that because I started doing that and I

900
00:43:52,840 --> 00:43:54,600
Speaker 2: was like, I don't know if I can like steal

901
00:43:54,680 --> 00:44:00,239
Speaker 2: this from Jazon whatever, And I didn't know if like

902
00:44:00,320 --> 00:44:02,040
Speaker 2: any of the audience was going to know what it was.

903
00:44:02,719 --> 00:44:04,439
Speaker 2: And then I remember you coming up to me after

904
00:44:04,480 --> 00:44:06,280
Speaker 2: one of those shows be like that was so cool.

905
00:44:06,360 --> 00:44:08,600
Speaker 2: All these little kids doing like the rock and I'm like,

906
00:44:08,880 --> 00:44:12,319
Speaker 2: it's wild, isn't it great? SOB, I have no idea

907
00:44:12,400 --> 00:44:16,080
Speaker 2: what it is. That's like I would geek out, and

908
00:44:16,120 --> 00:44:18,359
Speaker 2: I'm sure we all did with you because you'd worked

909
00:44:18,360 --> 00:44:21,240
Speaker 2: with everyone. When you would tell some of those stories

910
00:44:21,960 --> 00:44:23,920
Speaker 2: like wash The Throne was one of my favorite shows

911
00:44:23,920 --> 00:44:26,080
Speaker 2: I've ever been to. I went twice in LA.

912
00:44:26,520 --> 00:44:29,040
Speaker 3: And one of the best shows I've done.

913
00:44:29,560 --> 00:44:30,360
Speaker 1: That show was so.

914
00:44:33,560 --> 00:44:37,160
Speaker 2: And it was Oh that show was game changing, and

915
00:44:37,960 --> 00:44:40,799
Speaker 2: I just remember I would have to stop myself from

916
00:44:40,840 --> 00:44:44,279
Speaker 2: asking you too many questions because I didn't want to,

917
00:44:44,320 --> 00:44:47,600
Speaker 2: like be annoying, but I was just obsessed. Were texting

918
00:44:47,600 --> 00:44:49,879
Speaker 2: some of my friends like she didn't watch the Throne tour,

919
00:44:50,160 --> 00:44:53,520
Speaker 2: just just what this said that? And it was just

920
00:44:54,200 --> 00:45:05,000
Speaker 2: unreal because you worked with all of our favorites. Did

921
00:45:05,000 --> 00:45:07,680
Speaker 2: you notice a difference, because like when you were Normally

922
00:45:07,680 --> 00:45:09,440
Speaker 2: people you work with are going on tour of their own,

923
00:45:09,520 --> 00:45:14,160
Speaker 2: like choosing, it's their career, They're going out there to

924
00:45:14,239 --> 00:45:17,880
Speaker 2: promote their music. We were in a very different position.

925
00:45:18,480 --> 00:45:21,359
Speaker 2: We were contracted. We were actors who were going on

926
00:45:22,040 --> 00:45:24,560
Speaker 2: to promote a show that we were on, but did

927
00:45:24,600 --> 00:45:27,440
Speaker 2: not create it's a very different dynamic. Did you notice

928
00:45:27,480 --> 00:45:30,160
Speaker 2: any difference, Like, for example, by the time we got

929
00:45:30,200 --> 00:45:32,600
Speaker 2: to London and half of us lost our minds because

930
00:45:32,760 --> 00:45:36,319
Speaker 2: I just want to go home, I'm like out. Yeah, yeah,

931
00:45:36,400 --> 00:45:39,719
Speaker 2: Like does that happen. I'm sure burnout happens in every tour,

932
00:45:40,280 --> 00:45:44,320
Speaker 2: but if the artist is choosing to do it. And

933
00:45:44,360 --> 00:45:47,160
Speaker 2: don't get me wrong, I love tour, but just coming

934
00:45:47,200 --> 00:45:49,239
Speaker 2: into it from very different sides of it, did you

935
00:45:49,320 --> 00:45:50,120
Speaker 2: notice a difference.

936
00:45:50,640 --> 00:45:55,960
Speaker 3: Yeah, well, yeah, because when you have the contracted artists

937
00:45:56,000 --> 00:45:58,360
Speaker 3: that have to tour, they're not giving me the breaks

938
00:45:58,400 --> 00:46:01,640
Speaker 3: you need. You're going right from filming right into I

939
00:46:01,680 --> 00:46:03,960
Speaker 3: think you guys were doing what is the thing in

940
00:46:04,000 --> 00:46:08,520
Speaker 3: New York the upfronts into rehearsals right into tour, so

941
00:46:08,600 --> 00:46:11,000
Speaker 3: you're not even given time to catch your breath after

942
00:46:11,360 --> 00:46:14,400
Speaker 3: doing how many episodes of the show you had, singing

943
00:46:14,880 --> 00:46:18,840
Speaker 3: every single day, recording all the time. So when you

944
00:46:18,880 --> 00:46:21,080
Speaker 3: come into our world, even though you love tour, like

945
00:46:21,400 --> 00:46:25,120
Speaker 3: there were you know, the new characters that were coming

946
00:46:25,120 --> 00:46:27,360
Speaker 3: out on tour that were like green and like this

947
00:46:27,440 --> 00:46:30,200
Speaker 3: is amazing, this is so much fun, and then having

948
00:46:30,239 --> 00:46:32,120
Speaker 3: to play you know, once you got caught up they

949
00:46:32,160 --> 00:46:36,760
Speaker 3: were also getting tired. But I saw it with everybody.

950
00:46:36,760 --> 00:46:39,040
Speaker 3: Everybody had their own version of it. But you know,

951
00:46:39,520 --> 00:46:42,319
Speaker 3: there are some of the characters that just came into

952
00:46:42,360 --> 00:46:46,439
Speaker 3: it already tired, already like kind of against being out there,

953
00:46:46,680 --> 00:46:50,480
Speaker 3: especially the second Yes, but yeah, you see it all

954
00:46:50,520 --> 00:46:54,040
Speaker 3: the time, but more so with you guys, because you didn't.

955
00:46:54,200 --> 00:46:55,920
Speaker 3: I don't even think you had a break in between

956
00:46:56,160 --> 00:46:59,440
Speaker 3: tour number one, going right back into filming, going into

957
00:46:59,719 --> 00:47:03,399
Speaker 3: the big tour that happened that year. You know, set

958
00:47:03,480 --> 00:47:04,919
Speaker 3: records on that tour.

959
00:47:05,040 --> 00:47:06,480
Speaker 1: It was wild top.

960
00:47:07,280 --> 00:47:09,040
Speaker 3: It was the top of all the charts. I mean,

961
00:47:09,040 --> 00:47:12,080
Speaker 3: we were selling, we were breaking records for merch sales

962
00:47:12,600 --> 00:47:17,160
Speaker 3: and venue. So I saw it happen a lot quicker

963
00:47:17,200 --> 00:47:20,600
Speaker 3: on that second tour from some but then, yeah, you're right,

964
00:47:20,840 --> 00:47:22,640
Speaker 3: by the time everybody got to London, you could just

965
00:47:22,640 --> 00:47:24,040
Speaker 3: see everybody start to fall apart.

966
00:47:24,760 --> 00:47:26,880
Speaker 1: Yes, everybody lost their minds a little bit.

967
00:47:26,920 --> 00:47:30,640
Speaker 3: But even the musicians, the other artists, they're having to

968
00:47:30,640 --> 00:47:33,919
Speaker 3: tourn out to make money, so you see it, they

969
00:47:34,239 --> 00:47:36,160
Speaker 3: want a tour, most of them just have to be

970
00:47:36,200 --> 00:47:38,120
Speaker 3: out there because that's really the book of the money

971
00:47:38,160 --> 00:47:38,720
Speaker 3: that they're making.

972
00:47:38,760 --> 00:47:43,720
Speaker 1: Now, Yes, exactly, You know you.

973
00:47:43,080 --> 00:47:44,960
Speaker 3: Were you're an artist, and you can say, well, I

974
00:47:44,960 --> 00:47:46,239
Speaker 3: don't want to do three in a row, I want

975
00:47:46,239 --> 00:47:48,560
Speaker 3: to do two in a row, day off one. So

976
00:47:48,600 --> 00:47:51,400
Speaker 3: there's plenty to at least try to call the shots

977
00:47:51,400 --> 00:47:51,920
Speaker 3: on how.

978
00:47:51,800 --> 00:47:52,239
Speaker 2: They do it.

979
00:47:53,040 --> 00:47:53,400
Speaker 1: That's right.

980
00:47:53,600 --> 00:47:55,399
Speaker 2: We were learning that with you, Like I didn't even

981
00:47:55,480 --> 00:47:58,319
Speaker 2: realize because we were just like, yeah, this is what

982
00:47:58,320 --> 00:48:00,360
Speaker 2: we have to do. I remember when we got demanded Chester,

983
00:48:00,560 --> 00:48:04,200
Speaker 2: and I think it was like our first two consecutive

984
00:48:04,239 --> 00:48:06,960
Speaker 2: days off maybe since we had left the West Coast,

985
00:48:07,960 --> 00:48:10,600
Speaker 2: and you're like, well, normally you do have like three

986
00:48:10,640 --> 00:48:13,239
Speaker 2: days on, one day off or two days off and

987
00:48:13,280 --> 00:48:16,560
Speaker 2: for it, and we weren't really following that normal schedule.

988
00:48:16,960 --> 00:48:25,280
Speaker 2: Oh And I was like, oh.

989
00:48:19,760 --> 00:48:24,799
Speaker 3: Well, yeah, you've got somebody looking at a schedule, put

990
00:48:24,800 --> 00:48:27,400
Speaker 3: in together what could potentially be made, and then they

991
00:48:27,440 --> 00:48:29,480
Speaker 3: have to get it approved by more people because you

992
00:48:29,520 --> 00:48:33,360
Speaker 3: have more people involved on your side from the network paramount,

993
00:48:33,400 --> 00:48:35,640
Speaker 3: everybody having to sign off on all that.

994
00:48:36,040 --> 00:48:37,879
Speaker 2: And we're only contracted for a certain amount of time,

995
00:48:37,960 --> 00:48:40,080
Speaker 2: so it's like two x amount of shows to be

996
00:48:40,120 --> 00:48:41,359
Speaker 2: profitable in this amount of time.

997
00:48:41,400 --> 00:48:43,040
Speaker 1: Yet, and so we're going to do two shows in

998
00:48:43,080 --> 00:48:45,560
Speaker 1: a day, you know, which was a surprise to us

999
00:48:45,600 --> 00:48:46,000
Speaker 1: as well.

1000
00:48:48,960 --> 00:48:51,040
Speaker 2: Yeah, how did you feel doing that? What was like

1001
00:48:51,320 --> 00:48:54,840
Speaker 2: showing up for matinee? Because I imagine you're used to,

1002
00:48:54,880 --> 00:48:56,600
Speaker 2: like normal Broadway show up later.

1003
00:48:56,920 --> 00:48:59,359
Speaker 3: It's like Broadway. It didn't bother me. I mean, we

1004
00:48:59,360 --> 00:49:01,239
Speaker 3: were there, we were we were staying for the day.

1005
00:49:01,520 --> 00:49:04,560
Speaker 3: It just made the load they might have loaded in

1006
00:49:04,600 --> 00:49:06,040
Speaker 3: the day before for that.

1007
00:49:07,040 --> 00:49:09,239
Speaker 1: Yeah. But gosh, you.

1008
00:49:09,200 --> 00:49:11,560
Speaker 3: Know, I'm I'm very lucky on that tour because I

1009
00:49:11,600 --> 00:49:16,960
Speaker 3: had Molly out as the assistant to assistant principle and

1010
00:49:17,000 --> 00:49:20,880
Speaker 3: then you know, she was great with the band and dancers.

1011
00:49:22,000 --> 00:49:23,000
Speaker 1: And a lot of people.

1012
00:49:23,520 --> 00:49:26,319
Speaker 2: Such a great crew though, didn't we team the war?

1013
00:49:27,000 --> 00:49:31,719
Speaker 3: Yes, the audio to everybody and then any of us

1014
00:49:32,000 --> 00:49:33,680
Speaker 3: got up on stage and danced with you.

1015
00:49:34,640 --> 00:49:37,040
Speaker 1: Yes, how much fun was that?

1016
00:49:37,040 --> 00:49:39,160
Speaker 2: That was also like we got permission from the parents

1017
00:49:39,120 --> 00:49:41,319
Speaker 2: to make Okay, you guys can get crazy this last show.

1018
00:49:41,719 --> 00:49:44,200
Speaker 3: Yeah, because we're going to be involved, because.

1019
00:49:43,960 --> 00:49:46,839
Speaker 1: I exactly people showed up in safety dance. People showed

1020
00:49:46,920 --> 00:49:48,640
Speaker 1: up and I want to hold your hand. People showed

1021
00:49:48,719 --> 00:49:50,640
Speaker 1: up and like me, it was so much fun.

1022
00:49:50,960 --> 00:49:53,719
Speaker 2: But you there was a report going back to somebody

1023
00:49:54,080 --> 00:49:56,360
Speaker 2: official somewhere after each show and I remember it was

1024
00:49:56,400 --> 00:49:59,360
Speaker 2: either you or jud or somebody's like, there's no report

1025
00:49:59,360 --> 00:50:00,000
Speaker 2: going back this time.

1026
00:50:00,600 --> 00:50:04,440
Speaker 3: No, that's not saying anything.

1027
00:50:05,000 --> 00:50:05,920
Speaker 2: Yeah, No.

1028
00:50:06,040 --> 00:50:08,440
Speaker 3: And there's maybe like one or two clips on YouTube.

1029
00:50:08,480 --> 00:50:12,799
Speaker 3: I think I looked, you know, Yeah, yes I do.

1030
00:50:12,880 --> 00:50:15,680
Speaker 3: I have some. I have some really cute ones from Yeah,

1031
00:50:15,760 --> 00:50:18,799
Speaker 3: and that was so much fun. I just and that's

1032
00:50:18,880 --> 00:50:20,640
Speaker 3: like even on Dancing with the Stars, I got up

1033
00:50:20,680 --> 00:50:22,120
Speaker 3: at one of the shows and put on one of

1034
00:50:22,120 --> 00:50:23,960
Speaker 3: Sheryl Burke's outfits.

1035
00:50:23,480 --> 00:50:27,920
Speaker 1: And amazing hot out you know, but because.

1036
00:50:27,920 --> 00:50:34,520
Speaker 3: Yeah, that's just my little fifteen seconds of Hurrah Hurrah. Yeah.

1037
00:50:34,600 --> 00:50:38,600
Speaker 2: Do you have any favorite venues like or specific shows

1038
00:50:38,600 --> 00:50:42,480
Speaker 2: that you've gotten to tour manage that? Yeah, you always

1039
00:50:42,480 --> 00:50:43,799
Speaker 2: think about I've been.

1040
00:50:44,080 --> 00:50:46,640
Speaker 3: I mean I always think about the Glee tour. I

1041
00:50:46,680 --> 00:50:51,920
Speaker 3: think those, to me are the most memorable because we

1042
00:50:51,960 --> 00:50:55,920
Speaker 3: went through a theater tour to some of the biggest

1043
00:50:55,920 --> 00:50:58,920
Speaker 3: shows I've ever done with you guys, and the fact

1044
00:50:59,040 --> 00:51:01,480
Speaker 3: that I've stayed from and close with you guys for

1045
00:51:01,520 --> 00:51:06,600
Speaker 3: so long after you know, I miss Corey every day,

1046
00:51:07,360 --> 00:51:11,120
Speaker 3: every Naya the same, you know, because I talked for

1047
00:51:11,280 --> 00:51:15,160
Speaker 3: a ton and Corey was just you know, it was

1048
00:51:15,200 --> 00:51:21,240
Speaker 3: really special for one of them, you know, but that tour,

1049
00:51:21,520 --> 00:51:23,359
Speaker 3: I don't know. I just look and people go, oh

1050
00:51:23,360 --> 00:51:25,800
Speaker 3: my god, you did Glee, Like they get really excited.

1051
00:51:26,200 --> 00:51:27,640
Speaker 3: Well is that like? And I'm like, oh, it was

1052
00:51:27,640 --> 00:51:31,279
Speaker 3: a blast because it was fun, Like we wanted to

1053
00:51:31,280 --> 00:51:34,440
Speaker 3: make it fun. We had fun, We had pranks on

1054
00:51:34,480 --> 00:51:37,759
Speaker 3: each other backstage, we were always we just had a

1055
00:51:37,760 --> 00:51:41,080
Speaker 3: good time. It was a good era, you know, Yeah.

1056
00:51:41,040 --> 00:51:41,440
Speaker 1: It was.

1057
00:51:42,239 --> 00:51:42,439
Speaker 3: Yeah.

1058
00:51:42,480 --> 00:51:45,399
Speaker 2: I didn't feel like it was built out to be fun, like, yeah,

1059
00:51:45,560 --> 00:51:47,799
Speaker 2: take a load off, it's gonna be hard.

1060
00:51:47,840 --> 00:51:52,120
Speaker 1: But like, yeah, we had xboxes, you know, yeah, we

1061
00:51:52,600 --> 00:51:53,080
Speaker 1: did at.

1062
00:51:53,000 --> 00:51:56,480
Speaker 3: Least yeah smart trying to do whatever we especially on

1063
00:51:56,480 --> 00:51:58,120
Speaker 3: those Mattine days to kind of keep us.

1064
00:51:59,680 --> 00:52:03,480
Speaker 1: Yeah, but there are Monday We ask everybody on the

1065
00:52:03,480 --> 00:52:08,759
Speaker 1: podcast before at the end, what is the feeling that

1066
00:52:08,840 --> 00:52:09,920
Speaker 1: Glee leaves you with.

1067
00:52:11,280 --> 00:52:13,000
Speaker 3: When you look when I look at a tour and

1068
00:52:13,040 --> 00:52:14,879
Speaker 3: I look at the beginning and the end of it,

1069
00:52:15,040 --> 00:52:19,200
Speaker 3: that was That's a very proud moment for me because

1070
00:52:19,239 --> 00:52:22,440
Speaker 3: I'm proud of what we did in that short period

1071
00:52:22,440 --> 00:52:24,640
Speaker 3: of time. I'm proud of the records we said. I'm

1072
00:52:24,680 --> 00:52:28,560
Speaker 3: proud of working with Jared polines Off at that time

1073
00:52:29,360 --> 00:52:32,000
Speaker 3: and working with Paramount. I just you know, it all

1074
00:52:32,480 --> 00:52:35,560
Speaker 3: meshed together really well. I'm proud of who you all

1075
00:52:35,600 --> 00:52:39,040
Speaker 3: have become. I'm proud to say that I got to

1076
00:52:39,080 --> 00:52:42,520
Speaker 3: be your mom on that tour because it was such

1077
00:52:42,560 --> 00:52:45,560
Speaker 3: a unique moment and it never going to be recreated again.

1078
00:52:45,880 --> 00:52:47,400
Speaker 3: No one's ever going to be able to do that,

1079
00:52:48,360 --> 00:52:50,719
Speaker 3: you know, but I was very proud of it. I

1080
00:52:50,760 --> 00:52:54,879
Speaker 3: was very proud of that tour. I'm proud of our team. Yeah,

1081
00:52:54,920 --> 00:52:57,040
Speaker 3: I'm proud of you kids.

1082
00:52:57,239 --> 00:52:59,439
Speaker 2: Working out of you. Are you kidding me? The things

1083
00:52:59,480 --> 00:53:04,920
Speaker 2: you have done and the experiences you've been able to

1084
00:53:04,960 --> 00:53:08,160
Speaker 2: help make happen for millions of fans around the world,

1085
00:53:08,840 --> 00:53:11,680
Speaker 2: because it takes someone like you to put those shows together,

1086
00:53:11,719 --> 00:53:14,880
Speaker 2: and that affects the people who go on stage, that

1087
00:53:15,000 --> 00:53:18,680
Speaker 2: affects the morale of everyone. And you know, when you're

1088
00:53:18,719 --> 00:53:22,400
Speaker 2: at a show, you can feel that energy from the

1089
00:53:22,400 --> 00:53:25,879
Speaker 2: people on stage. And you made us better, You made

1090
00:53:25,880 --> 00:53:28,720
Speaker 2: the experience. Look, I know we could be a handful,

1091
00:53:28,880 --> 00:53:32,040
Speaker 2: and you made it as easy as possible for all

1092
00:53:32,040 --> 00:53:34,840
Speaker 2: of us. It made it a joy. And you know,

1093
00:53:35,080 --> 00:53:38,560
Speaker 2: thank god you were that was hired, because I don't

1094
00:53:38,560 --> 00:53:39,680
Speaker 2: know what we would have done without you.

1095
00:53:40,560 --> 00:53:41,720
Speaker 1: Would have a different experience.

1096
00:53:41,960 --> 00:53:45,800
Speaker 3: That's definitely my forte is doing tours like that. So yeah,

1097
00:53:45,960 --> 00:53:47,800
Speaker 3: I'm glad that there was nobody who could compete me

1098
00:53:47,880 --> 00:53:48,600
Speaker 3: with me at that time.

1099
00:53:48,880 --> 00:53:52,440
Speaker 2: Specialist that sort of thing.

1100
00:53:53,120 --> 00:53:55,920
Speaker 1: People, that's sort of thing. Well, we love you, Angie.

1101
00:53:55,960 --> 00:53:56,839
Speaker 1: It was so good to see you.

1102
00:53:57,320 --> 00:53:58,640
Speaker 3: It's so good to see you too.

1103
00:53:58,920 --> 00:54:00,400
Speaker 1: Joining us time.

1104
00:54:01,000 --> 00:54:04,880
Speaker 3: I am honored. Bye guys, Oh.

1105
00:54:04,719 --> 00:54:09,359
Speaker 1: Angie, it's so good to see her. It's like such

1106
00:54:09,400 --> 00:54:11,359
Speaker 1: a specific amount of time that we spent with her,

1107
00:54:11,360 --> 00:54:13,839
Speaker 1: and it was fairly short to feel so close to her,

1108
00:54:14,120 --> 00:54:14,400
Speaker 1: do you know.

1109
00:54:14,400 --> 00:54:19,160
Speaker 2: What I mean. Yeah, But it's a pattern with us, yeah,

1110
00:54:19,280 --> 00:54:21,319
Speaker 2: or it may be a pattern I think with the

1111
00:54:21,440 --> 00:54:26,040
Speaker 2: entertainment business where you have these these very intense situations

1112
00:54:26,080 --> 00:54:29,600
Speaker 2: and I think you experience a lot. It's like when

1113
00:54:29,640 --> 00:54:31,239
Speaker 2: you go travel with a friend, even if you go

1114
00:54:31,320 --> 00:54:34,680
Speaker 2: travel for a week, you've now made these specific memories

1115
00:54:34,680 --> 00:54:37,560
Speaker 2: that only the two of you can recall together. And

1116
00:54:37,960 --> 00:54:43,320
Speaker 2: we're doing these sort of very extraordinary things in multiple countries.

1117
00:54:44,000 --> 00:54:46,400
Speaker 2: And like how we were with a lot of our

1118
00:54:46,440 --> 00:54:49,879
Speaker 2: crew that we've had on and Telly and Megan, when

1119
00:54:49,880 --> 00:54:52,920
Speaker 2: we found our people, we all just like clung to

1120
00:54:53,000 --> 00:54:58,200
Speaker 2: each other and Angie is no exception, so it was like, oh,

1121
00:54:58,200 --> 00:55:01,319
Speaker 2: she's good people, She's taking care care of us and

1122
00:55:01,640 --> 00:55:05,239
Speaker 2: was really the curator of like a great time as well.

1123
00:55:05,239 --> 00:55:06,760
Speaker 2: It would not running the whole tour.

1124
00:55:07,120 --> 00:55:09,000
Speaker 1: It would not have been in the same experience without her.

1125
00:55:09,280 --> 00:55:11,719
Speaker 2: No, Yeah, and we are just like if she worked

1126
00:55:11,760 --> 00:55:15,320
Speaker 2: on the TV show Bonded for Life.

1127
00:55:15,120 --> 00:55:21,040
Speaker 1: Bonded Forever. Yeah, that tour is a very very special,

1128
00:55:21,120 --> 00:55:21,839
Speaker 1: isolated time.

1129
00:55:23,200 --> 00:55:26,800
Speaker 2: I loved. I did not know. We keep a running

1130
00:55:27,040 --> 00:55:32,200
Speaker 2: total of how many almost secret and special relationships Corey

1131
00:55:32,239 --> 00:55:33,200
Speaker 2: had with people.

1132
00:55:34,200 --> 00:55:37,600
Speaker 1: Yes, every person comes on here and we learned something

1133
00:55:37,600 --> 00:55:39,960
Speaker 1: about how nice he was to them, how good he

1134
00:55:40,080 --> 00:55:42,759
Speaker 1: was taking them to lunch like Sam Marson going to

1135
00:55:42,800 --> 00:55:46,600
Speaker 1: coffee beats at Angie like he it wasn't show for him,

1136
00:55:46,800 --> 00:55:47,960
Speaker 1: like that's who he was.

1137
00:55:48,560 --> 00:55:52,000
Speaker 2: He really running on Beyonce hours, like there's more hours

1138
00:55:52,040 --> 00:55:54,439
Speaker 2: in a day for Beyonce, and Corey was the same way,

1139
00:55:54,560 --> 00:55:59,400
Speaker 2: and he was making time to spend with people connect. Yeah,

1140
00:56:00,080 --> 00:56:02,120
Speaker 2: thank you, Angie, we love you so much. Thanks for

1141
00:56:02,160 --> 00:56:04,160
Speaker 2: coming on. And I love that she still has all

1142
00:56:04,200 --> 00:56:06,400
Speaker 2: the Glee stuff, the principal office sign.

1143
00:56:06,320 --> 00:56:07,960
Speaker 1: And I love that it's like one of the more

1144
00:56:08,000 --> 00:56:10,520
Speaker 1: and of her like fondest tour memory. It's like she

1145
00:56:10,560 --> 00:56:11,239
Speaker 1: thinks about please.

1146
00:56:11,360 --> 00:56:13,320
Speaker 2: That means a lot. She's been on everything.

1147
00:56:13,800 --> 00:56:17,560
Speaker 1: Literally, she's worked with everybody. She's worked with everybody, the

1148
00:56:17,640 --> 00:56:20,279
Speaker 1: Watch and the Throne. Are you kidding?

1149
00:56:21,120 --> 00:56:23,360
Speaker 2: And I like she says, like us and BTS are

1150
00:56:23,440 --> 00:56:25,279
Speaker 2: up there for her. That's love.

1151
00:56:25,560 --> 00:56:26,000
Speaker 1: You love that?

1152
00:56:26,200 --> 00:56:26,680
Speaker 2: Okay?

1153
00:56:26,880 --> 00:56:28,880
Speaker 1: Yeah, Well, thanks for listening you guys. I hope you

1154
00:56:28,960 --> 00:56:31,560
Speaker 1: enjoyed that episode. Angie. Thank you, Angie. We love you.

1155
00:56:31,880 --> 00:56:33,680
Speaker 1: And that's what you really missed.

1156
00:56:33,640 --> 00:56:37,560
Speaker 2: Ye, thanks for listening and follow us on Instagram at

1157
00:56:37,600 --> 00:56:39,840
Speaker 2: and That's what you really miss pod. Make sure to

1158
00:56:39,840 --> 00:56:42,239
Speaker 2: write us a review and leave us five stars. See

1159
00:56:42,280 --> 00:56:42,759
Speaker 2: you next time,