1 00:00:00,240 --> 00:00:04,080 Speaker 1: Hello the Internet, and welcome to this episode of Who 2 00:00:04,200 --> 00:00:09,480 Speaker 1: Is a Rodent trend Mm hmmm, alternately who is a 3 00:00:09,560 --> 00:00:12,399 Speaker 1: road trend Man? But that I feel like that would 4 00:00:12,440 --> 00:00:16,280 Speaker 1: be hard to understand in a title Objeck that is 5 00:00:16,520 --> 00:00:20,320 Speaker 1: miles bees are some things that are trending on this 6 00:00:20,480 --> 00:00:21,960 Speaker 1: Wednesday afternoon? 7 00:00:22,400 --> 00:00:28,640 Speaker 2: Wow? Okay, a little musical little yeah, shout out to you. 8 00:00:29,000 --> 00:00:34,159 Speaker 1: So there is an article making the rounds from the 9 00:00:34,240 --> 00:00:35,199 Speaker 1: New York Times. 10 00:00:35,200 --> 00:00:37,360 Speaker 2: Oh well, yeah, the Gray Lady. 11 00:00:39,680 --> 00:00:42,800 Speaker 1: So you've seen all the President's men, like everybody's all 12 00:00:43,400 --> 00:00:47,080 Speaker 1: self serious in a newsroom, like smoking cigarettes, being like, 13 00:00:47,120 --> 00:00:49,400 Speaker 1: we got to break the rodent man's story. 14 00:00:50,159 --> 00:00:51,320 Speaker 2: So this is is like. 15 00:00:51,320 --> 00:00:54,880 Speaker 3: A humanoid that's hunting that's been seen in the background. 16 00:00:54,480 --> 00:00:58,279 Speaker 1: Of pictures like Thefman prophecy. Yeah, no, this is basically 17 00:00:59,240 --> 00:01:03,320 Speaker 1: they've taken everybody knew somebody grown up though that people 18 00:01:03,360 --> 00:01:07,280 Speaker 1: were like, okay, rat boy because they had big ears 19 00:01:07,400 --> 00:01:09,880 Speaker 1: or you know, a certain face shape and. 20 00:01:10,440 --> 00:01:11,679 Speaker 3: Know nothing about big ears. 21 00:01:12,880 --> 00:01:13,680 Speaker 2: Yeah they neither. 22 00:01:14,080 --> 00:01:19,480 Speaker 1: Yeah, but they have taken that and been like, okay, uh, 23 00:01:20,240 --> 00:01:23,440 Speaker 1: what if instead of calling them rat boy, which they 24 00:01:23,440 --> 00:01:28,600 Speaker 1: don't seem to like, called them a rodent man. And 25 00:01:28,880 --> 00:01:31,959 Speaker 1: that is so Basically this comes back to when I 26 00:01:32,000 --> 00:01:33,880 Speaker 1: heard that it was this thing that was trending and 27 00:01:33,920 --> 00:01:36,920 Speaker 1: that it was like people who it's like a. 28 00:01:36,880 --> 00:01:40,000 Speaker 2: New type of hot guy. Yeah, rodent man. 29 00:01:40,400 --> 00:01:43,919 Speaker 1: I immediately thought of the dark haired guy from Challengers. 30 00:01:44,680 --> 00:01:45,680 Speaker 1: Did you see Challengers? 31 00:01:46,120 --> 00:01:46,280 Speaker 3: Yeah? 32 00:01:46,360 --> 00:01:49,200 Speaker 2: Yeah, yeah, you know, the curly haired, dark haired guy. 33 00:01:49,400 --> 00:01:51,000 Speaker 3: I feel like they're both rat boys. 34 00:01:51,560 --> 00:01:53,640 Speaker 1: I didn't I didn't see it for the other guy, 35 00:01:53,920 --> 00:01:58,720 Speaker 1: but he is listed O'Connor. I think a rodent man, 36 00:01:59,480 --> 00:02:01,760 Speaker 1: no rat boy. I am rodent man. 37 00:02:01,840 --> 00:02:03,680 Speaker 3: I think Mike faced or whatever. 38 00:02:03,720 --> 00:02:06,640 Speaker 4: That dude also he has he has like they're I 39 00:02:06,640 --> 00:02:08,480 Speaker 4: don't know, he might one's a gray rat. 40 00:02:08,560 --> 00:02:11,600 Speaker 2: The other is like a little mountain rat. He's like 41 00:02:11,919 --> 00:02:13,760 Speaker 2: yeah yeah yeah. 42 00:02:13,160 --> 00:02:16,320 Speaker 4: So but yeah, that dude definitely got I guess what 43 00:02:16,400 --> 00:02:17,880 Speaker 4: we're calling hot rat face. 44 00:02:18,160 --> 00:02:20,520 Speaker 1: Yeah, hot rat face. People were trying to put it on. 45 00:02:20,919 --> 00:02:27,480 Speaker 1: Jeremy Allen White from Uh the Bear called it the rat. 46 00:02:28,800 --> 00:02:29,200 Speaker 2: Definitely. 47 00:02:29,600 --> 00:02:34,239 Speaker 1: It's like all different actors who could, with just make 48 00:02:34,320 --> 00:02:38,240 Speaker 1: up effects star in a live action remake of an 49 00:02:38,240 --> 00:02:40,240 Speaker 1: American tale, Fible Goes West. 50 00:02:40,480 --> 00:02:43,560 Speaker 3: Willem Dafoe is I guess also they considered that. 51 00:02:45,280 --> 00:02:50,760 Speaker 1: Find a picture of most people that will be like, Okay, yeah, 52 00:02:50,880 --> 00:02:51,400 Speaker 1: I see it. 53 00:02:51,680 --> 00:02:54,919 Speaker 4: I mean sey, wait, they're really calling Seamoulu a rat 54 00:02:54,960 --> 00:02:55,399 Speaker 4: guy too. 55 00:02:55,440 --> 00:02:56,480 Speaker 3: He's a rat boy too. 56 00:02:56,840 --> 00:03:01,360 Speaker 1: So the thing, the thing that defied winds it is 57 00:03:01,760 --> 00:03:05,799 Speaker 1: face angularity. They have to so it's important for their 58 00:03:06,160 --> 00:03:10,079 Speaker 1: According to Gina Cherlus of The New York Times, it's 59 00:03:10,080 --> 00:03:12,080 Speaker 1: important for their faces to be angular. 60 00:03:12,680 --> 00:03:12,960 Speaker 3: Uh. 61 00:03:13,000 --> 00:03:15,320 Speaker 2: That's the dead giveaway. That and big ears. 62 00:03:15,400 --> 00:03:19,480 Speaker 1: They come off as edgy and elusive just based on 63 00:03:19,720 --> 00:03:23,400 Speaker 1: that face and ear shape. So you can't have a 64 00:03:23,480 --> 00:03:27,320 Speaker 1: chiseled face like Brad Pitt or Chris Emsworth. So another 65 00:03:27,360 --> 00:03:31,359 Speaker 1: person INJW Pack says that it's sort of fanning too wide. 66 00:03:31,480 --> 00:03:33,960 Speaker 1: Like Johnny Depp has been called a rat boy. I 67 00:03:34,000 --> 00:03:36,760 Speaker 1: don't feel that. But Kieran Colkin, on the other hand, 68 00:03:36,840 --> 00:03:39,200 Speaker 1: I could see him playing a little Mouseka, well you're 69 00:03:39,200 --> 00:03:40,680 Speaker 1: a little ass, you know. 70 00:03:41,240 --> 00:03:42,280 Speaker 3: Yeah? Yeah, yeah. 71 00:03:42,520 --> 00:03:46,400 Speaker 4: What about Barry what's his face from Saltburn? He also 72 00:03:46,440 --> 00:03:47,640 Speaker 4: counts as a rat Oh yeah. 73 00:03:47,640 --> 00:03:48,160 Speaker 3: Yeah yeah. 74 00:03:49,280 --> 00:03:52,800 Speaker 1: The most what about Adams Driver? 75 00:03:52,960 --> 00:03:53,520 Speaker 2: Adam Driver? 76 00:03:53,640 --> 00:03:56,000 Speaker 1: Because I thought the dark haired guy from Challengers was 77 00:03:56,120 --> 00:03:59,520 Speaker 1: basically they were like, wait, we can't get Adam Driver. 78 00:03:59,800 --> 00:04:03,080 Speaker 1: But he's in all of these types of movies. Okay, 79 00:04:03,200 --> 00:04:06,160 Speaker 1: let's go with the other guy who I thought wonderful 80 00:04:06,200 --> 00:04:07,920 Speaker 1: by the way, Josh O'Connor. 81 00:04:08,280 --> 00:04:09,240 Speaker 3: Yeah he was great. 82 00:04:09,600 --> 00:04:10,320 Speaker 2: He was great, But. 83 00:04:10,360 --> 00:04:12,560 Speaker 1: Didn't he like don't you feel like he is of 84 00:04:12,600 --> 00:04:14,360 Speaker 1: the same facial. 85 00:04:15,440 --> 00:04:17,760 Speaker 3: There? Like yo, make Stewart. 86 00:04:17,360 --> 00:04:20,920 Speaker 4: Little kind of pop in and. 87 00:04:20,839 --> 00:04:23,160 Speaker 3: Then you get him. I get it. He has like 88 00:04:23,240 --> 00:04:26,279 Speaker 3: the sort of if you like, blurry your eyes. 89 00:04:26,040 --> 00:04:28,400 Speaker 4: And the way a child would draw a mouse or 90 00:04:28,400 --> 00:04:31,919 Speaker 4: something is like big looping ears and some kind of 91 00:04:32,279 --> 00:04:33,440 Speaker 4: pointy face. 92 00:04:34,440 --> 00:04:37,320 Speaker 2: Rider would draw Adam Driver. I feel like, like I 93 00:04:37,360 --> 00:04:37,720 Speaker 2: get that. 94 00:04:37,800 --> 00:04:41,080 Speaker 4: It said like with like affection, but just like reducing 95 00:04:41,160 --> 00:04:44,120 Speaker 4: like humans to rodents is little uh but I get 96 00:04:44,120 --> 00:04:46,920 Speaker 4: this is this is how the kids they're expressing their love. Hey, 97 00:04:47,000 --> 00:04:50,400 Speaker 4: I'm the year of the rat, so yeah, I'll take it. 98 00:04:51,320 --> 00:04:53,520 Speaker 4: I've always been down with rats. I feel like rat 99 00:04:53,560 --> 00:04:55,920 Speaker 4: culture has been here for a while and maybe this 100 00:04:56,000 --> 00:04:58,479 Speaker 4: is now we're just talking about how cool rats are. 101 00:04:59,240 --> 00:05:03,640 Speaker 1: Some people some important questions raised in the article, like 102 00:05:04,120 --> 00:05:07,760 Speaker 1: so all you're gonna say rodents man, I guess because 103 00:05:07,960 --> 00:05:10,440 Speaker 1: you want to be nice and not ratman. So saying 104 00:05:10,560 --> 00:05:14,160 Speaker 1: rodent man, does this apply to all types of rodents? 105 00:05:14,520 --> 00:05:17,800 Speaker 1: Because in this case, Jesse Plemons might be a beaver type. 106 00:05:18,160 --> 00:05:21,480 Speaker 1: You know, Oh wow, Jesse Clemons. 107 00:05:21,200 --> 00:05:21,679 Speaker 2: Is a beaver. 108 00:05:22,040 --> 00:05:26,280 Speaker 1: I a little a little fact about me, I would say, yeah, 109 00:05:26,400 --> 00:05:29,360 Speaker 1: I would say William Dafoe is a snake, like in 110 00:05:29,440 --> 00:05:29,960 Speaker 1: a bad way. 111 00:05:30,080 --> 00:05:32,400 Speaker 3: No, No, you're now you're bringing your personal relationship with Willam. 112 00:05:32,440 --> 00:05:35,200 Speaker 1: That motherfucker is a snake and he will snake you 113 00:05:35,279 --> 00:05:37,760 Speaker 1: on a business deal. If you try and open a 114 00:05:37,800 --> 00:05:40,680 Speaker 1: mini golf course with Willem Dafoe, he will don't fuck you. 115 00:05:40,800 --> 00:05:41,240 Speaker 2: Miles. 116 00:05:45,000 --> 00:05:49,919 Speaker 1: Yeah, I could honestly talk to anybody for like five 117 00:05:49,920 --> 00:05:53,240 Speaker 1: hours about what animal every different person is. 118 00:05:53,360 --> 00:05:55,800 Speaker 2: It's not it's interesting to me. 119 00:05:56,279 --> 00:05:57,680 Speaker 3: Have you looked at your own face and you're like, 120 00:05:57,720 --> 00:05:59,880 Speaker 3: I'm a bit of a what so? 121 00:06:00,040 --> 00:06:02,040 Speaker 1: But he once told me I was a deer or 122 00:06:02,080 --> 00:06:05,560 Speaker 1: a bear, and I can see that. 123 00:06:05,880 --> 00:06:07,800 Speaker 3: Little predator prey spectrum. 124 00:06:07,880 --> 00:06:09,240 Speaker 2: I like, yeah, my. 125 00:06:09,800 --> 00:06:14,200 Speaker 1: Eyes are very forward facing, so I would say, uh, 126 00:06:14,560 --> 00:06:16,880 Speaker 1: they're they're like kind of close together, So sure, I 127 00:06:16,920 --> 00:06:17,880 Speaker 1: guess that would be. 128 00:06:18,000 --> 00:06:20,160 Speaker 4: I feel like anytime someone was referred to me looking 129 00:06:20,200 --> 00:06:22,680 Speaker 4: like an animal, it's had some kind of racial undertone. 130 00:06:22,720 --> 00:06:26,120 Speaker 4: So I typically don't remember what that is, nor do 131 00:06:26,160 --> 00:06:28,040 Speaker 4: I seek to be compared to an animal. 132 00:06:28,080 --> 00:06:29,839 Speaker 3: But I do embrace my ratness. 133 00:06:29,880 --> 00:06:32,800 Speaker 4: I like being ratty like, but in my own way, 134 00:06:32,880 --> 00:06:34,080 Speaker 4: it's really nothing to do with rats. 135 00:06:34,080 --> 00:06:35,440 Speaker 3: It's like just sort of like a vibe. 136 00:06:35,560 --> 00:06:38,799 Speaker 1: You resist animal comparison. Actually you don't have a clear 137 00:06:38,880 --> 00:06:39,839 Speaker 1: animal corollary. 138 00:06:40,680 --> 00:06:41,080 Speaker 3: Thank you. 139 00:06:41,640 --> 00:06:43,440 Speaker 4: That means actually that means a lot to me. Man, 140 00:06:44,000 --> 00:06:45,800 Speaker 4: you're spamming the chat. You're like this full straight up 141 00:06:45,920 --> 00:06:46,320 Speaker 4: rat dude. 142 00:06:47,800 --> 00:06:48,680 Speaker 3: But like, do you. 143 00:06:48,680 --> 00:06:51,400 Speaker 4: Remember it's funny that this kind of has maybe this 144 00:06:51,480 --> 00:06:53,039 Speaker 4: predates it, but I don't know if you remember. In 145 00:06:53,080 --> 00:06:55,600 Speaker 4: the other two there's like I think it's in season 146 00:06:55,640 --> 00:06:58,599 Speaker 4: two where Wanda Sykes is talking about how Chase dreams 147 00:06:58,600 --> 00:07:00,719 Speaker 4: like he's looking on disheveled and and they're like, what's 148 00:07:00,720 --> 00:07:02,040 Speaker 4: going on. I'm just like, oh, yeah, this is part 149 00:07:02,040 --> 00:07:03,480 Speaker 4: of his shitty little rat face. 150 00:07:07,160 --> 00:07:11,320 Speaker 3: So I know that being kind of like scruffy ratty, yeah, 151 00:07:11,600 --> 00:07:13,480 Speaker 3: is kind of like a way to describe someone. 152 00:07:13,520 --> 00:07:16,320 Speaker 1: But like the character Chase Stream is like based on Bieber, 153 00:07:16,520 --> 00:07:19,880 Speaker 1: So there's like all sorts of like little details about like. 154 00:07:20,480 --> 00:07:22,320 Speaker 3: Through his little shitty little rat face, you know, he's 155 00:07:22,320 --> 00:07:23,080 Speaker 3: still kind of in it. 156 00:07:23,320 --> 00:07:26,000 Speaker 1: Yeah, And then he hits eighteen and has to release 157 00:07:26,080 --> 00:07:30,160 Speaker 1: a uh an arm pit photo like it's right, the 158 00:07:30,200 --> 00:07:33,480 Speaker 1: hot thing is to have a photo where he's showing 159 00:07:33,480 --> 00:07:34,760 Speaker 1: his armpit to people. 160 00:07:35,120 --> 00:07:35,360 Speaker 3: Yeah. 161 00:07:35,400 --> 00:07:37,800 Speaker 2: I love that episode anyways. 162 00:07:38,240 --> 00:07:41,960 Speaker 1: That's so that's mostly what we're talking about. 163 00:07:42,120 --> 00:07:43,360 Speaker 2: Uh there, there's other. 164 00:07:43,240 --> 00:07:46,240 Speaker 1: Things happening, and there was Kevin Spacey cried about his 165 00:07:46,360 --> 00:07:53,840 Speaker 1: money problems on uh peer. Here's Morgan's uncensored YouTube. So 166 00:07:53,880 --> 00:07:56,160 Speaker 1: he just has a YouTube show now, Piers Morgan. 167 00:07:56,920 --> 00:08:00,880 Speaker 4: Yeah, he did a really cool long look this motherfucker 168 00:08:00,920 --> 00:08:05,040 Speaker 4: is He stays acting because like one of these questions 169 00:08:05,040 --> 00:08:07,240 Speaker 4: about like yeah, you're like, hey man, how's it been, 170 00:08:07,440 --> 00:08:10,600 Speaker 4: And he does just like this long pause and cries. 171 00:08:10,640 --> 00:08:12,520 Speaker 3: Here he can. I'm sorry to subject you to the 172 00:08:12,560 --> 00:08:15,240 Speaker 3: sound of Kevin Spacey's voice, but unfortunately it's relevant in 173 00:08:15,280 --> 00:08:20,280 Speaker 3: this moment. He's holding back to you. Oh head down, sniffles. 174 00:08:20,640 --> 00:08:25,880 Speaker 3: Oh well, it's funny you asked that question because this 175 00:08:26,000 --> 00:08:30,560 Speaker 3: week where I have been living in Baltimore is being 176 00:08:30,600 --> 00:08:35,400 Speaker 3: foreclosed on. My house is being sold at auction. And 177 00:08:35,480 --> 00:08:36,840 Speaker 3: he goes on, He's like, you know, I have to 178 00:08:37,080 --> 00:08:38,080 Speaker 3: put my stuff. 179 00:08:37,760 --> 00:08:42,120 Speaker 1: In storage and living on Baltimore that if you had 180 00:08:42,120 --> 00:08:45,800 Speaker 1: given me twenty different things as to what city Kevin 181 00:08:45,800 --> 00:08:46,480 Speaker 1: Spacey was looking. 182 00:08:46,520 --> 00:08:48,160 Speaker 3: It was not Baltimore, but Paltimore. 183 00:08:48,559 --> 00:08:49,679 Speaker 2: Baltimore would be. 184 00:08:49,679 --> 00:08:52,240 Speaker 4: He said it coincided with him doing House of Cars 185 00:08:52,400 --> 00:08:53,440 Speaker 4: and then he never left. 186 00:08:53,480 --> 00:08:57,680 Speaker 3: But yeah, he's claiming. He's like, I've been ruined, yeah, 187 00:08:57,720 --> 00:09:02,160 Speaker 3: with all my legal drub balls for fucking groping an 188 00:09:02,200 --> 00:09:03,600 Speaker 3: assaulting people. 189 00:09:04,240 --> 00:09:06,680 Speaker 1: He was like, damn, Alex Jones got a lot of 190 00:09:06,760 --> 00:09:09,800 Speaker 1: heat for pretending to cry on a shitty YouTube show. 191 00:09:10,040 --> 00:09:11,079 Speaker 2: Maybe I should do that. 192 00:09:11,280 --> 00:09:14,160 Speaker 3: He's like, let me try to use alligator tea real quick, 193 00:09:14,200 --> 00:09:14,880 Speaker 3: crocodile tea. 194 00:09:15,000 --> 00:09:18,000 Speaker 1: Like Alex Jones did a little bit better of a 195 00:09:18,160 --> 00:09:23,240 Speaker 1: job acting than Kevin Spacey in this one, like Vince Yeah, well, 196 00:09:23,280 --> 00:09:26,439 Speaker 1: because I don't think Alex Jones realized, Like Alex Jones 197 00:09:26,559 --> 00:09:29,360 Speaker 1: is like in this fog of like you know, narrative 198 00:09:30,240 --> 00:09:33,280 Speaker 1: k fabe, Like am I a real person? Am I 199 00:09:33,520 --> 00:09:37,000 Speaker 1: this character I play? So he's just it's all like happening. 200 00:09:37,080 --> 00:09:41,080 Speaker 1: It's just this cloud of like wild shit happening inside 201 00:09:41,120 --> 00:09:43,439 Speaker 1: his head. So I don't know if he knew he 202 00:09:43,600 --> 00:09:48,959 Speaker 1: was faking crying in that video, whereas Kevin Spacey's definitely like, 203 00:09:49,240 --> 00:09:52,280 Speaker 1: oh yeah, you know this is this is just acting. 204 00:09:52,880 --> 00:09:55,960 Speaker 3: It's and some one of his worst performances. I gotta say, 205 00:09:59,520 --> 00:10:02,960 Speaker 3: it's also the context when you have you're a transgressor 206 00:10:03,120 --> 00:10:05,960 Speaker 3: and you're begging for forgiveness and you do the crying shit, 207 00:10:06,160 --> 00:10:08,760 Speaker 3: you just you just basically what all we can do 208 00:10:08,880 --> 00:10:10,959 Speaker 3: is see you in the pattern of men who have 209 00:10:12,200 --> 00:10:15,000 Speaker 3: committed crimes and try and cry their way out of it. 210 00:10:15,160 --> 00:10:16,840 Speaker 4: Like it always has the same feel like when Art 211 00:10:17,120 --> 00:10:19,400 Speaker 4: was like I'm fighting for my life, you know what 212 00:10:19,440 --> 00:10:19,679 Speaker 4: I mean? 213 00:10:19,840 --> 00:10:21,319 Speaker 3: I was like, yeah, huh, we get it, we get it. 214 00:10:21,400 --> 00:10:24,160 Speaker 2: Damn man, that must suck. Yeah, that sucks. 215 00:10:24,240 --> 00:10:25,240 Speaker 3: Dude. What all right? 216 00:10:25,280 --> 00:10:28,360 Speaker 1: You know what, let's let's call it. Let's get Kevin 217 00:10:28,400 --> 00:10:30,520 Speaker 1: Spacey back in the middle. Like what did he think 218 00:10:31,240 --> 00:10:35,600 Speaker 1: we we're going to think about this video? 219 00:10:36,160 --> 00:10:38,640 Speaker 3: Well, he clarified you know what his behavior was. 220 00:10:38,679 --> 00:10:41,280 Speaker 2: I think it was part of this Like that's wild. 221 00:10:41,520 --> 00:10:46,680 Speaker 1: He was continues to be completely unaccountable for his behaviors. 222 00:10:47,080 --> 00:10:52,800 Speaker 1: I Okay, maybe I was pushing the boundaries like you know, 223 00:10:53,120 --> 00:10:57,199 Speaker 1: a modern artist, or you know, maybe I was a 224 00:10:57,320 --> 00:11:03,280 Speaker 1: little too hands y. Yeah what never anyone, I just 225 00:11:04,000 --> 00:11:07,719 Speaker 1: caressed them and apparently they didn't want me to. 226 00:11:08,480 --> 00:11:11,959 Speaker 3: Yeah, he was like, Grop's kind of like a weird word. 227 00:11:12,120 --> 00:11:15,079 Speaker 3: It's like, dude, shut up, also pushing them of what 228 00:11:15,240 --> 00:11:17,280 Speaker 3: of what consent is? Like what are you even fucking 229 00:11:17,320 --> 00:11:17,880 Speaker 3: talking about? 230 00:11:18,040 --> 00:11:18,240 Speaker 2: Yeah? 231 00:11:18,280 --> 00:11:21,679 Speaker 3: I love like having to reframe it as if like noah, man, 232 00:11:21,720 --> 00:11:24,000 Speaker 3: I'm just like it's kind of on the fringes, you know, 233 00:11:24,240 --> 00:11:25,560 Speaker 3: of like what's legal? 234 00:11:25,880 --> 00:11:28,520 Speaker 1: You know, I'm up on stuard when it comes to 235 00:11:28,720 --> 00:11:32,679 Speaker 1: respecting other people's bodily autonomy and uh sexuality. 236 00:11:33,120 --> 00:11:36,360 Speaker 3: Oh okay, I'm like the basque yah of consent. 237 00:11:37,559 --> 00:11:41,719 Speaker 1: What it's It is interesting, Like I feel like he 238 00:11:42,280 --> 00:11:45,839 Speaker 1: has this concerted strategy in his brain where he's like, 239 00:11:45,960 --> 00:11:49,880 Speaker 1: what is the thing I'm good at. It's acting and 240 00:11:50,040 --> 00:11:53,040 Speaker 1: I'm going to act my way out of this bitch. 241 00:11:54,120 --> 00:11:59,359 Speaker 1: And so he's done those weird like YouTube videos annually 242 00:12:00,040 --> 00:12:02,719 Speaker 1: where he's like, let me be Frank and he like 243 00:12:02,800 --> 00:12:07,360 Speaker 1: just plays that character. Yeah, but those videos all come 244 00:12:07,440 --> 00:12:10,559 Speaker 1: across like he's taunting the public like a Bond villain. 245 00:12:11,240 --> 00:12:16,120 Speaker 1: He's just being like unapologetic and being like you love it, 246 00:12:16,880 --> 00:12:22,559 Speaker 1: you love out here fucking being a pervert. You need 247 00:12:22,679 --> 00:12:25,480 Speaker 1: me sexually assaulting people, that's. 248 00:12:25,360 --> 00:12:25,840 Speaker 2: What you need. 249 00:12:26,240 --> 00:12:28,079 Speaker 3: He's in isn't he in some fuck? Wasn't he in 250 00:12:28,160 --> 00:12:30,120 Speaker 3: a movie recently? And I was like, God, yeah, I 251 00:12:30,160 --> 00:12:31,640 Speaker 3: really don't know how to quit these people. 252 00:12:32,520 --> 00:12:34,520 Speaker 2: I don't know was he really? That's why? 253 00:12:34,600 --> 00:12:36,559 Speaker 4: Yeah, I feel like he wasn't something He was in 254 00:12:38,080 --> 00:12:43,720 Speaker 4: something called control in twenty twenty three. He's uh, he's 255 00:12:43,800 --> 00:12:46,160 Speaker 4: like managed to kind of like appear and shit. 256 00:12:47,880 --> 00:12:50,600 Speaker 1: But he is the most canceled of the canceled people 257 00:12:50,720 --> 00:12:56,439 Speaker 1: because he, like, you know, Louis k can still go 258 00:12:56,559 --> 00:12:59,360 Speaker 1: out and like selling a comedy theater, but this motherfucker 259 00:12:59,480 --> 00:13:02,720 Speaker 1: needs people to put him in movies to have a career. 260 00:13:02,960 --> 00:13:03,880 Speaker 2: And oh that's right. 261 00:13:03,960 --> 00:13:07,480 Speaker 3: He did that video with Tucker Carlson. I almost forgot, yeah, 262 00:13:07,920 --> 00:13:09,559 Speaker 3: but it was like a bit where he was being 263 00:13:09,679 --> 00:13:11,120 Speaker 3: Frank Underwood from House of. 264 00:13:11,200 --> 00:13:14,760 Speaker 2: Cards with yeah, yeah, his wife being best friend. 265 00:13:15,440 --> 00:13:19,400 Speaker 3: Nothing. Nothing says, guys, I'm I'm a decent person than 266 00:13:19,600 --> 00:13:23,080 Speaker 3: doing a character bit with Tucker Carlson over the holidays. 267 00:13:23,840 --> 00:13:27,439 Speaker 1: Nothing more impressive than a canceled person trying to go 268 00:13:27,760 --> 00:13:33,480 Speaker 1: right and like failings really hard to fail. But what 269 00:13:33,720 --> 00:13:36,480 Speaker 1: is Kevin Spacely gonna do from this point? Like he 270 00:13:36,559 --> 00:13:39,400 Speaker 1: doesn't really have a skill set that lends itself to 271 00:13:40,440 --> 00:13:44,599 Speaker 1: like right wing grifting, like nobody's gonna buy you know, 272 00:13:44,800 --> 00:13:47,559 Speaker 1: nutraceuticals from because Kevin Spacey told them to. 273 00:13:48,200 --> 00:13:48,400 Speaker 3: Yeah. 274 00:13:48,520 --> 00:13:51,120 Speaker 4: Peter five eight is a film that came out this 275 00:13:51,280 --> 00:13:53,640 Speaker 4: year that he's the titular Peter. 276 00:13:53,960 --> 00:13:57,400 Speaker 1: That sounds like a movie from the like k Pax era, 277 00:13:57,840 --> 00:14:01,280 Speaker 1: you know, Peter eight where it turns out Kevin space 278 00:14:01,320 --> 00:14:05,080 Speaker 1: he's an alien and also maybe Jesus Christ. 279 00:14:05,520 --> 00:14:07,520 Speaker 3: Now this one, he's just a guy with a bad 280 00:14:07,600 --> 00:14:08,640 Speaker 3: hair piece and a gun. 281 00:14:09,320 --> 00:14:12,800 Speaker 1: Yeah, all right, let's take a quick break. We'll come 282 00:14:12,960 --> 00:14:17,360 Speaker 1: back and talk to you about a lucrative new black 283 00:14:17,440 --> 00:14:19,400 Speaker 1: market for taco bell art. 284 00:14:30,000 --> 00:14:31,280 Speaker 2: And we're back. 285 00:14:32,480 --> 00:14:35,200 Speaker 1: And when you think of art heist, you probably picture 286 00:14:35,880 --> 00:14:40,800 Speaker 1: Pierce Brosnan using a glass cutter break into fancy museum. 287 00:14:41,720 --> 00:14:45,600 Speaker 4: Yeah, or what's the one with Catherine Data Jones and 288 00:14:45,640 --> 00:14:50,520 Speaker 4: the lasers entrapment Entrapment, Ye, yes, so many lasers. 289 00:14:50,960 --> 00:14:53,160 Speaker 3: Gotta have lasers. Anyway, there's definitely lasers. 290 00:14:53,560 --> 00:14:57,080 Speaker 1: They drove the trope of like disappearing a train going 291 00:14:57,160 --> 00:15:00,400 Speaker 1: buy and you disappear. They drove that shiit into the 292 00:15:00,520 --> 00:15:03,640 Speaker 1: ground in that movie Entrapman, to the point that it's 293 00:15:03,720 --> 00:15:05,640 Speaker 1: like a bit at the end where they just keep 294 00:15:05,760 --> 00:15:09,640 Speaker 1: like doing that. That's how they flirt, is like disappearing behind. 295 00:15:09,440 --> 00:15:13,120 Speaker 2: Tin trains, guys, sexy. You can do that once in 296 00:15:13,240 --> 00:15:13,600 Speaker 2: a movie. 297 00:15:13,640 --> 00:15:15,640 Speaker 1: You can't do it like five times, because then we 298 00:15:15,760 --> 00:15:19,920 Speaker 1: start to have to picture Sean Connery being like lightning 299 00:15:20,120 --> 00:15:21,960 Speaker 1: fast yeah somehow, or. 300 00:15:22,160 --> 00:15:24,560 Speaker 4: Dislocating his shoulder every time he tries to grab the 301 00:15:24,640 --> 00:15:25,680 Speaker 4: train as it speeds by. 302 00:15:26,160 --> 00:15:26,400 Speaker 1: Girl. 303 00:15:26,600 --> 00:15:27,600 Speaker 3: Fuck oh got it. 304 00:15:28,080 --> 00:15:31,960 Speaker 1: So that's probably what you picture. I picture a random 305 00:15:32,080 --> 00:15:35,600 Speaker 1: dude rolling up to a taco bell dumpster and loading 306 00:15:35,720 --> 00:15:41,440 Speaker 1: up some old taco bell art. Ye stolen taco bell art. Baby, 307 00:15:41,920 --> 00:15:45,360 Speaker 1: this is so funny, man, Like, do you remember these paintings? 308 00:15:45,560 --> 00:15:48,840 Speaker 4: Yes, I mean vaguely, Like when I saw them, I'm like, 309 00:15:49,040 --> 00:15:51,920 Speaker 4: oh yeah, okay, I remember when like they try to 310 00:15:51,960 --> 00:15:54,080 Speaker 4: do the glow up inside the taco bell and like 311 00:15:54,280 --> 00:15:58,160 Speaker 4: leave their like yellow and brown color way scheme that 312 00:15:58,240 --> 00:16:01,280 Speaker 4: they had through like the nineties and shit. Yea, but yeah, 313 00:16:01,280 --> 00:16:05,720 Speaker 4: apparently like these paintings by Mark Smith, people are just 314 00:16:05,800 --> 00:16:09,080 Speaker 4: fucking going at like they're not even a writ like 315 00:16:09,080 --> 00:16:13,000 Speaker 4: they're just printed, they're just prints that the art not 316 00:16:13,440 --> 00:16:14,040 Speaker 4: that great. 317 00:16:14,880 --> 00:16:17,760 Speaker 1: So yeah, he his whole pitch to them was like 318 00:16:17,880 --> 00:16:19,840 Speaker 1: I'm going to class up the inside of your taco 319 00:16:19,920 --> 00:16:25,440 Speaker 1: bell with these prints of like his style is bosquiot like, 320 00:16:26,040 --> 00:16:30,280 Speaker 1: like he seems to be. Yes, he seems to be 321 00:16:30,480 --> 00:16:35,240 Speaker 1: trying to, you know, channel that sort of vibe. And 322 00:16:35,640 --> 00:16:38,480 Speaker 1: instead of like putting the prints on a poster that 323 00:16:39,040 --> 00:16:41,600 Speaker 1: they're like stretched on a canvas and so it like 324 00:16:41,720 --> 00:16:46,280 Speaker 1: kind of makes taco bells seem classy. Uh, But they're 325 00:16:46,680 --> 00:16:51,400 Speaker 1: popular basically purely for nostalgic reasons, right, But there is 326 00:16:52,560 --> 00:16:56,160 Speaker 1: people are coming up on like people who have renovated 327 00:16:56,280 --> 00:17:01,240 Speaker 1: taco bells, for instance, are managing to get these out 328 00:17:01,280 --> 00:17:04,560 Speaker 1: on the black market, and they're selling for like thousands 329 00:17:04,600 --> 00:17:05,040 Speaker 1: of dollars. 330 00:17:05,560 --> 00:17:08,920 Speaker 3: Yeah, seven fifty and a thousand bucks. Sometimes some people 331 00:17:08,920 --> 00:17:11,080 Speaker 3: are listening for ten grand, but that no one's. 332 00:17:11,160 --> 00:17:13,320 Speaker 2: Fucking nobody's buying them for ten grand. 333 00:17:13,440 --> 00:17:18,400 Speaker 4: But yeah, I did not, I honestly did not. It's 334 00:17:18,480 --> 00:17:20,600 Speaker 4: just such a weird thing. No one's paying attention. Like 335 00:17:20,640 --> 00:17:22,560 Speaker 4: when I saw I was like, oh, sure, like I 336 00:17:22,680 --> 00:17:26,440 Speaker 4: remember these vague shapes when I would stroll into the restaurant. 337 00:17:26,119 --> 00:17:30,040 Speaker 1: Like, Hi, I don't remember they at all, But yeah, 338 00:17:30,080 --> 00:17:32,000 Speaker 1: I was usually pretty high when I went to a 339 00:17:32,080 --> 00:17:32,560 Speaker 1: taco Bell. 340 00:17:33,200 --> 00:17:36,400 Speaker 3: Yeah, it's uh, it's it's not great. It's not great, 341 00:17:37,080 --> 00:17:42,239 Speaker 3: but anyway, yeah, this is uh sure, take take your 342 00:17:42,320 --> 00:17:45,200 Speaker 3: Taco Bell art and go on with it. But again, 343 00:17:45,440 --> 00:17:47,520 Speaker 3: no one was in the Taco Bell looking at the art. 344 00:17:47,640 --> 00:17:49,719 Speaker 3: It's just so weird. It's like people being like, oh 345 00:17:49,760 --> 00:17:52,080 Speaker 3: do you see the art at that strip club. It's 346 00:17:52,119 --> 00:17:53,560 Speaker 3: like no one gives a shit at what you have. 347 00:17:53,760 --> 00:17:56,240 Speaker 4: Like people are just there for the fucking chilupas man 348 00:17:56,560 --> 00:17:57,879 Speaker 4: for the crunch wrap supremes. 349 00:17:58,440 --> 00:17:58,640 Speaker 3: Yeah. 350 00:17:58,800 --> 00:18:02,480 Speaker 1: So, like the paintings are kind of dark, they're like troubling, 351 00:18:02,560 --> 00:18:06,440 Speaker 1: Like one of them is like trying to channel the 352 00:18:06,960 --> 00:18:12,159 Speaker 1: feeling of a like hunger, like low blood, sugar and 353 00:18:12,400 --> 00:18:17,280 Speaker 1: hunger pains. Right, so, and like when they when they 354 00:18:17,520 --> 00:18:19,800 Speaker 1: gave him the gig, they were like, yeah, as long 355 00:18:19,840 --> 00:18:24,520 Speaker 1: as it doesn't contain a devil worship or displays of carnality, 356 00:18:24,920 --> 00:18:30,520 Speaker 1: which just imagining like the draft that he the pitch 357 00:18:30,640 --> 00:18:33,320 Speaker 1: that he gave where they were like, yeah, okay, but 358 00:18:34,040 --> 00:18:37,159 Speaker 1: none of the devil worship and none of the devil 359 00:18:37,400 --> 00:18:40,280 Speaker 1: face fucking like somebody eating a chaloupa. 360 00:18:40,480 --> 00:18:43,360 Speaker 2: We need to need to cut that part out. 361 00:18:44,160 --> 00:18:47,840 Speaker 3: Yeah right, well, look I'm glad that they've found a 362 00:18:47,920 --> 00:18:51,720 Speaker 3: way to create, as one person put it, the GameStop 363 00:18:51,840 --> 00:18:52,600 Speaker 3: of art heists. 364 00:18:53,040 --> 00:18:54,200 Speaker 2: Yeah, it's sad. 365 00:18:54,240 --> 00:18:56,240 Speaker 3: I mean, like I wish I it's funny. There was 366 00:18:56,280 --> 00:18:57,880 Speaker 3: a listener that's so wild. 367 00:18:57,920 --> 00:19:00,119 Speaker 4: I remember like early a few years ago someone from 368 00:19:00,200 --> 00:19:02,320 Speaker 4: zeigangs like Yo man, I found some like taco bells, 369 00:19:02,320 --> 00:19:04,800 Speaker 4: like shit from a shut like shut down taco bell, 370 00:19:05,000 --> 00:19:06,520 Speaker 4: like if you want to hang it up at your house. 371 00:19:07,359 --> 00:19:09,680 Speaker 3: But it wasn't this art. It was more like signage. 372 00:19:10,359 --> 00:19:13,119 Speaker 4: Oh that I had, like legit that taco bell esthetic 373 00:19:13,200 --> 00:19:15,240 Speaker 4: to it, rather than like this is taco bell art. 374 00:19:15,760 --> 00:19:17,159 Speaker 1: This is going to be the future of like art 375 00:19:17,240 --> 00:19:20,200 Speaker 1: museums is just like recreating a taco bell from the 376 00:19:20,240 --> 00:19:25,040 Speaker 1: early nineties, right yeah. SFGate reported the trend began when 377 00:19:25,080 --> 00:19:27,560 Speaker 1: paintings from an Ohio taco bell were stolen in twenty 378 00:19:27,600 --> 00:19:30,720 Speaker 1: eleven and again in twenty fifteen. So wow that I 379 00:19:30,760 --> 00:19:35,320 Speaker 1: didn't realize that those lasted that long. But anyways, onto 380 00:19:36,240 --> 00:19:39,320 Speaker 1: a fast food company that actually knows how to make money. 381 00:19:40,440 --> 00:19:44,400 Speaker 1: Chick fil A is having a summer camp in Louisiana 382 00:19:45,080 --> 00:19:47,320 Speaker 1: where children can go. 383 00:19:47,640 --> 00:19:50,440 Speaker 2: To learn what it's like to work at a Chick 384 00:19:50,480 --> 00:19:50,760 Speaker 2: fil A. 385 00:19:51,240 --> 00:19:52,120 Speaker 3: Yep, yep. 386 00:19:52,640 --> 00:19:55,240 Speaker 4: It's a very I've seen this post go around for 387 00:19:55,320 --> 00:19:57,840 Speaker 4: like the last week, and the way it reads, it's 388 00:19:57,880 --> 00:19:59,919 Speaker 4: like they're trying to make it seem like, hey. 389 00:20:00,000 --> 00:20:02,480 Speaker 3: You've got some really cool sessions for our Chick fil 390 00:20:02,480 --> 00:20:05,880 Speaker 3: A summer camp. But basically it says. 391 00:20:06,200 --> 00:20:10,720 Speaker 4: You pay them, yeah, thirty five dollars and in return, 392 00:20:10,840 --> 00:20:13,040 Speaker 4: your kid gets a kid's meal, a T shirt, a 393 00:20:13,240 --> 00:20:16,119 Speaker 4: name tag, and what they do is, quote, spend some 394 00:20:16,280 --> 00:20:18,360 Speaker 4: time with the Chick fil A cow and Chick fil 395 00:20:18,400 --> 00:20:21,880 Speaker 4: A team leaders. Okay, get up behind the scenes look 396 00:20:21,920 --> 00:20:26,440 Speaker 4: of hospitality and service. Have a fun time, getting behind 397 00:20:26,560 --> 00:20:29,119 Speaker 4: the scenes views of what it's like to work at 398 00:20:29,200 --> 00:20:33,800 Speaker 4: America's favorite quick service restaurant, enjoy a VIP lunch, and 399 00:20:33,920 --> 00:20:36,600 Speaker 4: go home with some goodies. They're expecting things to sign up, 400 00:20:36,680 --> 00:20:39,359 Speaker 4: phill up quickly. I mean we're saying nine am to 401 00:20:39,480 --> 00:20:42,399 Speaker 4: noon is and it's like three days. So this is 402 00:20:42,800 --> 00:20:44,840 Speaker 4: this is part of like summer camps. 403 00:20:45,400 --> 00:20:50,520 Speaker 1: There is a cottage industry of just people realizing parents 404 00:20:50,760 --> 00:20:53,919 Speaker 1: realizing too late, Oh shit, I haven't sign my kid 405 00:20:54,000 --> 00:20:56,480 Speaker 1: up for summer camp, right, and they'll sign up for 406 00:20:56,560 --> 00:20:57,320 Speaker 1: fucking anything. 407 00:20:57,760 --> 00:20:59,440 Speaker 3: They're like, fuck it. Three hours I'll take it. 408 00:20:59,520 --> 00:21:02,040 Speaker 1: I'll take it, yeah, exactly, just get this kid out 409 00:21:02,040 --> 00:21:06,560 Speaker 1: of here for three hours. But it seems fairly underwhelming 410 00:21:06,760 --> 00:21:12,480 Speaker 1: and reminds me of my uh middle school where for winning. 411 00:21:12,680 --> 00:21:14,840 Speaker 2: Students the months. 412 00:21:15,480 --> 00:21:17,720 Speaker 1: Yeah, you got to go to Long John Silver's corporate 413 00:21:17,800 --> 00:21:22,159 Speaker 1: headquarters and just look at a bunch of spreadsheets and 414 00:21:22,560 --> 00:21:24,800 Speaker 1: like a power point and watch you. 415 00:21:24,800 --> 00:21:28,280 Speaker 3: Guys commercial Hu, this place is pretty rocking hawk kids 416 00:21:29,480 --> 00:21:31,200 Speaker 3: just like what did they? I don't know, what do 417 00:21:31,280 --> 00:21:31,840 Speaker 3: you do you think it? 418 00:21:32,040 --> 00:21:34,120 Speaker 4: I mean, I get somehow you would be like, wow, 419 00:21:34,240 --> 00:21:36,640 Speaker 4: I got to pull the machine to make a frosty, 420 00:21:36,720 --> 00:21:37,159 Speaker 4: you know what I mean? 421 00:21:37,240 --> 00:21:39,120 Speaker 3: Like that kind of shit would be fun to a kid. 422 00:21:39,520 --> 00:21:44,920 Speaker 3: But then the like the just everything else about it, really, 423 00:21:45,320 --> 00:21:48,240 Speaker 3: I mean that would be a very specific child. 424 00:21:48,480 --> 00:21:52,200 Speaker 1: Wasn't like doesn't like it's pretty basic, right, Like there's 425 00:21:52,240 --> 00:21:55,520 Speaker 1: not like that much iconic ship like a McDonald's at 426 00:21:55,600 --> 00:21:57,560 Speaker 1: least like they used to have the playland, Like I 427 00:21:57,600 --> 00:21:57,960 Speaker 1: could like. 428 00:21:58,080 --> 00:22:00,840 Speaker 3: See what they haven't side of chick fil A. 429 00:22:00,960 --> 00:22:03,200 Speaker 2: No, yeah, there's like nothing in chick fil A, like 430 00:22:03,400 --> 00:22:04,400 Speaker 2: just chick fil a food. 431 00:22:04,880 --> 00:22:07,600 Speaker 4: So like, yeah, this does feel like a great way 432 00:22:07,640 --> 00:22:09,440 Speaker 4: to just like, look, man, we just want to socialize 433 00:22:09,440 --> 00:22:12,320 Speaker 4: your kids and doctrinate your kids innocular your kids, you know, 434 00:22:12,440 --> 00:22:14,159 Speaker 4: against unionizing, you know what I. 435 00:22:14,240 --> 00:22:15,879 Speaker 3: Mean, we will not talk about that. 436 00:22:16,040 --> 00:22:18,680 Speaker 4: That'd be cool if someone set up a counter camp 437 00:22:18,800 --> 00:22:20,679 Speaker 4: about unionizing fast food workers. 438 00:22:20,960 --> 00:22:21,280 Speaker 2: There you go. 439 00:22:21,880 --> 00:22:24,280 Speaker 3: But then they're like, can we make frosties? They're like, 440 00:22:24,440 --> 00:22:27,159 Speaker 3: I'm sorry, you'll learn about solidarity and the kids like 441 00:22:27,440 --> 00:22:30,080 Speaker 3: you lost. I know this is good, but you lost me. 442 00:22:30,160 --> 00:22:33,520 Speaker 3: They're gonna give me a VIP launch of nuggets over here. 443 00:22:34,280 --> 00:22:36,200 Speaker 3: Would you ever want to do something like this for 444 00:22:36,320 --> 00:22:37,080 Speaker 3: your your kids? 445 00:22:37,800 --> 00:22:41,000 Speaker 2: Only if they were really good, you know, if they 446 00:22:41,080 --> 00:22:44,400 Speaker 2: earned it, they could know you brought. 447 00:22:44,240 --> 00:22:47,280 Speaker 3: Home straight A's someone's going to Chick fil A camp 448 00:22:47,480 --> 00:22:49,280 Speaker 3: this Monday for three hours. 449 00:22:49,680 --> 00:22:51,960 Speaker 1: Just seems like it's sent so many bad messages to 450 00:22:52,080 --> 00:22:55,280 Speaker 1: the kid about like, first of all, what's good food? 451 00:22:55,560 --> 00:23:00,600 Speaker 3: And then like what well okay any corporation being like 452 00:23:00,960 --> 00:23:04,760 Speaker 3: that's really built on like underpaying their employees. That doesn't 453 00:23:04,800 --> 00:23:05,919 Speaker 3: feel like an opera one thing. 454 00:23:05,960 --> 00:23:07,760 Speaker 4: If a kids like I want to learn about the 455 00:23:07,840 --> 00:23:11,359 Speaker 4: forestry service and like how we protect the like, oh, 456 00:23:11,840 --> 00:23:13,199 Speaker 4: learn about that, you know what I mean? 457 00:23:13,280 --> 00:23:15,960 Speaker 3: But here it's like you want to learn about depressed 458 00:23:16,040 --> 00:23:18,959 Speaker 3: wage jobs feels a little bit dystopian. 459 00:23:19,119 --> 00:23:24,160 Speaker 1: Yeah, get them early, that's what we say here. A yeah, yeah, 460 00:23:24,280 --> 00:23:27,080 Speaker 1: it's corporate grooming is essentially what it is. As Yeah, 461 00:23:27,119 --> 00:23:28,720 Speaker 1: ironic editor pointed out. 462 00:23:29,000 --> 00:23:31,280 Speaker 3: A company that puts so much money or you know, 463 00:23:31,640 --> 00:23:34,280 Speaker 3: used to put a lot more money into like a 464 00:23:35,000 --> 00:23:38,040 Speaker 3: homophobic causes. So yeah, yeah, who's grooming now? 465 00:23:38,720 --> 00:23:44,160 Speaker 1: And finally, uh tech mogul and millionaire Brian Johnson famously 466 00:23:44,480 --> 00:23:47,760 Speaker 1: he's like that guy who used his son as a 467 00:23:47,800 --> 00:23:53,320 Speaker 1: blood bag to try and get younger. He claims like 468 00:23:53,480 --> 00:23:58,040 Speaker 1: he's basically fixed aging, or at least cut it in half. 469 00:23:58,160 --> 00:24:01,600 Speaker 1: He now says he only he celebrates his birthday every 470 00:24:01,760 --> 00:24:06,800 Speaker 1: nineteen months instead of the conventional twelve. He's aging at 471 00:24:06,840 --> 00:24:09,199 Speaker 1: a pace of point six y four compared to. 472 00:24:09,200 --> 00:24:09,800 Speaker 2: The rest of us. 473 00:24:10,280 --> 00:24:13,879 Speaker 3: That's so stupid, dude. He don't look that it. You're 474 00:24:13,920 --> 00:24:16,359 Speaker 3: not like I would believe it if Parrell said that. 475 00:24:16,480 --> 00:24:18,400 Speaker 2: Shit, Yes, you know what I mean. 476 00:24:18,920 --> 00:24:22,000 Speaker 4: This guy looks like the human version of a two 477 00:24:22,080 --> 00:24:25,200 Speaker 4: pay where it's like I see what you're getting at here, 478 00:24:25,400 --> 00:24:28,440 Speaker 4: Like you look younger, but like I can tell that 479 00:24:28,640 --> 00:24:31,960 Speaker 4: you're just you're you're fighting, You're fighting the natural order 480 00:24:32,040 --> 00:24:34,720 Speaker 4: of things with tooth and nail. His tweet it says 481 00:24:34,800 --> 00:24:37,320 Speaker 4: so weird. It says, my new record zero point sixty 482 00:24:37,359 --> 00:24:39,760 Speaker 4: four pace of aging. My birthday is now every nineteen months. 483 00:24:40,040 --> 00:24:43,280 Speaker 4: Previously I built Braintree venmo. Now I build human with 484 00:24:43,440 --> 00:24:46,639 Speaker 4: a goal to slow and reverse aging. Now I build human. 485 00:24:46,840 --> 00:24:49,920 Speaker 2: Yeah, now I build human. Yeah, yoh, why what's your problem? 486 00:24:51,359 --> 00:24:57,240 Speaker 1: The I also don't think he looks young. I think 487 00:24:57,280 --> 00:25:03,200 Speaker 1: he looks snow skinny and weird like his Yeah, he 488 00:25:03,440 --> 00:25:09,480 Speaker 1: just he definitely just has the faith and general vibe 489 00:25:09,520 --> 00:25:13,200 Speaker 1: of somebody who is on a diet that is extremely 490 00:25:13,280 --> 00:25:16,480 Speaker 1: restrictive and then like has had some facial work done 491 00:25:16,920 --> 00:25:20,159 Speaker 1: and like has that like glassy skin thing going on? 492 00:25:20,320 --> 00:25:20,439 Speaker 4: Right? 493 00:25:20,920 --> 00:25:21,120 Speaker 2: Yeah? 494 00:25:21,520 --> 00:25:23,960 Speaker 4: And again yeah, Brian the utter a good question. What 495 00:25:24,160 --> 00:25:26,520 Speaker 4: metric is he using zero point six y four pace 496 00:25:26,560 --> 00:25:29,120 Speaker 4: of aging for what? Because I'd imagine there's no fixed 497 00:25:29,240 --> 00:25:33,000 Speaker 4: scale for age, like everyone's bodies are rotting at different paces. 498 00:25:33,200 --> 00:25:35,640 Speaker 1: You always hear like old people will be like, yeah, 499 00:25:35,640 --> 00:25:37,200 Speaker 1: I went to the doctor. They said I got the 500 00:25:37,720 --> 00:25:41,040 Speaker 1: you know, liver of a forty five year old, but 501 00:25:41,160 --> 00:25:44,800 Speaker 1: I'm seventy. And yeah, it's like that's just the thing 502 00:25:44,920 --> 00:25:46,359 Speaker 1: they made up to make you feel. 503 00:25:46,440 --> 00:25:46,919 Speaker 2: It's more to. 504 00:25:46,960 --> 00:25:50,159 Speaker 4: Say, like, okay, these these measurable values are more present 505 00:25:50,280 --> 00:25:53,359 Speaker 4: in this age core for yeah, sure, but like so 506 00:25:53,560 --> 00:25:57,040 Speaker 4: what you're gonna basically live forty or what thirty six 507 00:25:57,160 --> 00:25:59,920 Speaker 4: percent longer than the average human as a result. 508 00:26:00,000 --> 00:26:01,320 Speaker 2: That's right, Okay, that's right. 509 00:26:01,600 --> 00:26:03,680 Speaker 3: See you're ass soon, motherfucker. 510 00:26:04,840 --> 00:26:06,919 Speaker 2: Pass you all right. 511 00:26:07,320 --> 00:26:09,600 Speaker 1: Well, those are some of the things that are trending 512 00:26:09,960 --> 00:26:13,879 Speaker 1: on this Wednesday afternoon. We are back tomorrow with a 513 00:26:13,920 --> 00:26:16,919 Speaker 1: whole ass episode of the show. Until then, be kind 514 00:26:16,960 --> 00:26:20,679 Speaker 1: to each other, be kind to yourselves, get your vaccines, 515 00:26:20,760 --> 00:26:24,159 Speaker 1: get your blue shots, don't do nothing about white supremacy, 516 00:26:24,640 --> 00:26:25,960 Speaker 1: and we will talk to you all tomorrow. 517 00:26:26,040 --> 00:26:26,840 Speaker 3: Fight peace,