WEBVTT - Up and Coming with Mireille Enos (S2 E15 "Shortcomings")

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<v Speaker 1>Hi, I'm Kristin Davis, and I want to know are

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<v Speaker 1>you a Charlotte?

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<v Speaker 2>Welcome back everybody to Are You a Charlotte? Part two?

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<v Speaker 3>Thanks for joining us.

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<v Speaker 2>Here we go. All right, let's go back, let's go

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<v Speaker 2>back to this episode.

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<v Speaker 3>But it is fun.

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<v Speaker 1>One of the things which is so obvious obviously, but

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<v Speaker 1>I'm just going to name it, one of the things

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<v Speaker 1>that is joyful about me watching this is that because

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<v Speaker 1>we all know things that happen. Yes, you can go back,

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<v Speaker 1>but we all have this vocabulary which is kind of amazing, amazing,

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<v Speaker 1>and you know, due to our writers. Yeah, writers are

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<v Speaker 1>so important.

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<v Speaker 3>Ye oh my goodness, writers or everything. If it's not

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<v Speaker 3>they are on the page, there's nothing you can do,

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<v Speaker 3>I know.

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<v Speaker 1>I mean, in the beginning of the show, Charlotte wasn't

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<v Speaker 1>really on the page, and I really stressed, you know, quietly,

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<v Speaker 1>because I didn't want to complain.

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<v Speaker 2>Sure, right, I would just be like, oh, and you're

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<v Speaker 2>trying to bring so much.

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<v Speaker 1>You're trying to bring subtext to like nothing that's really there.

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<v Speaker 2>And then luckily as it.

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<v Speaker 1>Went because also we were based on a column and

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<v Speaker 1>a paper that was about gossip in New York, right,

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<v Speaker 1>so like all of them had to be kind of

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<v Speaker 1>fleshed out and deepened out. And obviously Carrie changed in

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<v Speaker 1>her own way from the true Candice Bushnell.

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<v Speaker 2>You know, they deviated pretty significantly.

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<v Speaker 1>But I think for Charlotte, you know, until we kind

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<v Speaker 1>of added some of our writers, and Jenny had grown

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<v Speaker 1>up on the Upper East Side and kind of knew

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<v Speaker 1>that life. And Michael Patrick took some time, Like he

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<v Speaker 1>said to me when he came on the show, which

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<v Speaker 1>was first season Darren Bard him on to write. He said,

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<v Speaker 1>I looked at your character and I was like, I

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<v Speaker 1>don't know what to write for her. And then over time,

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<v Speaker 1>of course he was it came to him and he

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<v Speaker 1>saw me and her and the world, and you know,

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<v Speaker 1>thank god, She's like, thank god it came to it.

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<v Speaker 1>But it is interesting to look back sometimes. I also

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<v Speaker 1>think for myself and you were younger than me. But

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<v Speaker 1>the vibe still in the nineties in New York was

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<v Speaker 1>that not necessarily like the Charlotte versionsion of like married

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<v Speaker 1>with children, but like you were looking to get coupled up.

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<v Speaker 1>It wasn't necessarily clear yet that this kind of growing

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<v Speaker 1>contingency of single women that's we're going to.

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<v Speaker 2>Be like a power move or whatever.

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<v Speaker 1>I don't know how to put it, but you know,

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<v Speaker 1>like at a certain point in the two thousands, there

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<v Speaker 1>would be like at one point they put the four

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<v Speaker 1>of us on the cover of Time magazine and they wrote,

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<v Speaker 1>who needs a husband?

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<v Speaker 3>Wow?

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<v Speaker 2>I have it hanging in my class.

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<v Speaker 3>It makes me Laugh's amazing, I know.

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<v Speaker 1>I remember Ali mcbeales like there were a lot of

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<v Speaker 1>kind of conversation.

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<v Speaker 3>Around that because the assumption before those conversations started was

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<v Speaker 3>that is the goal, even if you also work or whatever,

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<v Speaker 3>like at some point you're going to lay down your career, Yeah,

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<v Speaker 3>to do husband, children, Yeah, all other things.

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<v Speaker 1>Yeah.

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<v Speaker 2>It's so interesting to think about.

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<v Speaker 1>But I see it in so many weird details when

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<v Speaker 1>you look back at the shows.

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<v Speaker 2>Like Miranda, I never thought of her.

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<v Speaker 1>But the episode a couple of episodes ago was the

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<v Speaker 1>Chicken Dance where there's a wedding of her interior designer

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<v Speaker 1>meets this guy that she has coming from London to visit.

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<v Speaker 2>It's a long story.

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<v Speaker 1>She has hopes for the guy, but then they fall

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<v Speaker 1>in love at first sight and get married and she

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<v Speaker 1>reads the poem. Carry reads the poem and cries because

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<v Speaker 1>Big gets up and doesn't listen to her poem.

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<v Speaker 2>It's very loaded. It's such a loaded.

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<v Speaker 1>And then the best part for me is that the end,

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<v Speaker 1>we're all standing there, we've gone through a whole drama

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<v Speaker 1>at this wedding, and they throw the bouquet and lands

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<v Speaker 1>at our feet and we're like, okay, bye.

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<v Speaker 3>None of you pick it up. Oh that's awesome.

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<v Speaker 2>I know, it's so great.

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<v Speaker 1>Yeah, but it's so funny to think that that was

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<v Speaker 1>like new whatever, it was different, Yeah, fascinating.

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<v Speaker 2>Okay, back to the episode. Here we go, Oh, yes,

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<v Speaker 2>Roger's used, poor Roger. And then oh, here we go

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<v Speaker 2>with the Jason throw.

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<v Speaker 3>Yes, Oh my gosh.

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<v Speaker 2>First of all, he's just so adorable.

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<v Speaker 3>Cute god, oh, so funny and wonderful.

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<v Speaker 1>I mean, so funny, wonderful, and like just to watch

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<v Speaker 1>his career another one where like you know, I mean,

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<v Speaker 1>I don't know in his career what he done was

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<v Speaker 1>for how we knew him, but he was definitely.

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<v Speaker 2>Sarah knew him, I believe, And I.

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<v Speaker 1>Think that what had happened with this episode was that

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<v Speaker 1>they were hoping she would get Matthew.

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<v Speaker 2>Oh couldn't you see Matthew in that part?

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<v Speaker 3>Sure?

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<v Speaker 2>Right?

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<v Speaker 1>I mean yes, and I think that Matthew was like no, no,

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<v Speaker 1>and I think even Sarah was like.

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<v Speaker 3>You know, it's a little weird. Yeah, it's a little weird.

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<v Speaker 3>Like they don't.

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<v Speaker 2>I mean, they did plus a sweep together, which is amazing.

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<v Speaker 3>For sure, but just like a one off and particularly

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<v Speaker 3>what the storyline is, No, that would be so uncomfortable. Yeah,

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<v Speaker 3>and just I think distracting for the audience too, as

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<v Speaker 3>it has been all those scenes being like, oh they're

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<v Speaker 3>actually married, absolutely absolutely no.

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<v Speaker 1>Yes, So I think we were like, hey, Justin, come

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<v Speaker 1>back and just cut your hair and put in some glasses.

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<v Speaker 1>So we meet Justin. They're adorable, they're both writers. They

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<v Speaker 1>met at a pen luncheon, which I love, and then

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<v Speaker 1>that she gives him advice about, you know, what he

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<v Speaker 1>should or shouldn't wear.

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<v Speaker 2>She says, never go shirt sleeveless.

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<v Speaker 1>He's going to do a GCU GQ shoot because she says,

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<v Speaker 1>no one ever gets nominated for a Pulitzer after they've gone.

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<v Speaker 3>Taking their shirt off. Yes, yeah, too funny.

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<v Speaker 1>But then later on he takes a shirt off and

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<v Speaker 1>it's great, thank god, but that's not the photo shoot.

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<v Speaker 3>So then we go we meet the.

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<v Speaker 1>Family and this is kind of the background of the

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<v Speaker 1>theme of the story, which is are you dating the

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<v Speaker 1>person or the family? Do you feel more strongly about

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<v Speaker 1>the family than the person, because you can tell once

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<v Speaker 1>they get there. Not that she doesn't seem into him,

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<v Speaker 1>she does, she does.

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<v Speaker 3>But she really likes really something.

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<v Speaker 1>Yes, they really are and they're so kind of quintessentially

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<v Speaker 1>New York. The dad is a professor at Columbia. The

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<v Speaker 1>mom is a writer, documentarian documentaryian who reads Carrie's a

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<v Speaker 1>column tells her she's an icon, which kind of cragged

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<v Speaker 1>me out because it's Valerie Harper saying it. I mean,

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<v Speaker 1>I was like, Wow, I don't remember any of this

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<v Speaker 1>is amazing, and they have these kids and there's.

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<v Speaker 2>A lot of good food in New York and.

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<v Speaker 1>Right, it's awesome and you can tell that Carrie loves it.

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<v Speaker 1>Oh and the girls are named Franny and Zoe, Yes,

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<v Speaker 1>which God's so funny, so funny. So then Carrie is

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<v Speaker 1>obviously very seduced by that life, by the lifestyle and

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<v Speaker 1>the kind of thoughtful you know, conversation and characters and whatnot.

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<v Speaker 2>Now we're back, we're at the park. We discussed the.

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<v Speaker 1>Hitting on the head the child, which is so crazy

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<v Speaker 1>about the divorce.

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<v Speaker 2>Oh now we're at my house.

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<v Speaker 1>I love that I'm suddenly just making everybody muffin, so Charlotte.

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<v Speaker 2>Because the muffin will fix that brother marriage problem.

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<v Speaker 1>I know it's sad, but it's kind of funny. So

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<v Speaker 1>here I am with my brother, my poor brother who

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<v Speaker 1>we're never going to see her again.

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<v Speaker 2>It's so crazy to watch, but.

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<v Speaker 1>It's funny because I also felt like like there's like

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<v Speaker 1>a weird vibe between me and the brother. Do you know,

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<v Speaker 1>like it doesn't seem that comfortable, Like I'm kind of

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<v Speaker 1>cheerful and trying to cheer him up, but it doesn't

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<v Speaker 1>seem like.

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<v Speaker 3>We're actually have a real relationship.

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<v Speaker 1>Yeah, because he's like you don't even know, you know,

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<v Speaker 1>he's kind of like mad and like you don't even know.

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<v Speaker 1>And I'm like, oh yeah, And then I love that

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<v Speaker 1>I do try to give him advice, like why did

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<v Speaker 1>you try?

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<v Speaker 3>And he's like, when was the last time you had

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<v Speaker 3>a long term relationship?

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<v Speaker 2>And I'm like, go, yeah, good call, good call.

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<v Speaker 1>Brother, that's right, that's right, put me in my place.

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<v Speaker 1>But the adorable thing, I'm just going to tell the

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<v Speaker 1>whole storyline now because it is so hysterical. So we

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<v Speaker 1>see the brother. I tell everybody about the brother. They

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<v Speaker 1>make fun of the brother. Then I want to introduce

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<v Speaker 1>him to my friends, meaning Carrie. And Carrie brings Samantha,

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<v Speaker 1>and I'm all like, weirdly, I mean, it's almost like

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<v Speaker 1>a high school yes, right, Like it's not Charlotte at

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<v Speaker 1>her most mature, as you know, not at all.

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<v Speaker 3>But then I didn't mind, because family sometimes we do

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<v Speaker 3>kind of regress.

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<v Speaker 2>That's a good point. No, that's very valid.

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<v Speaker 1>It's very valid because I think also we were not

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<v Speaker 1>afraid to show our characters bad you know, qualities or whatever,

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<v Speaker 1>their shortcomings.

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<v Speaker 3>So to speak to.

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<v Speaker 2>How I did that, that was good.

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<v Speaker 1>So they Carrie brings him, brings Samantha, and of course

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<v Speaker 1>Samantha takes one look at him and either takes one

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<v Speaker 1>look at her. Next thing, you know, is the morning

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<v Speaker 1>at my apartment and I walk out and Samantha's there

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<v Speaker 1>without any pants on, trying to find coffee filters, and.

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<v Speaker 3>I'm like, what are you doing there?

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<v Speaker 1>And then she is oblivious and kind of adorable. It's

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<v Speaker 1>coffee for all of us. It's so cute, you know,

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<v Speaker 1>shame in a way that Charlotte couldn't just be like, yeah,

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<v Speaker 1>Samantha's here, Yeah, you.

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<v Speaker 3>Know how great we have breakfast together. It's true, It's true.

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<v Speaker 1>I kind of felt that way when I walked in,

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<v Speaker 1>like it have been adorable, but not for Charlotte, because

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<v Speaker 1>has judgements and les absolutely So then I say this

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<v Speaker 1>very mean thing that she should be in the guidebook

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<v Speaker 1>for New York because she's open all the time, which

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<v Speaker 1>is like such an dick thing to say. Yeah.

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<v Speaker 2>Yeah, And luckily she leaves and she does look really hurt.

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<v Speaker 3>Yeah, very genuinely hurt.

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<v Speaker 2>She really does.

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<v Speaker 3>And your brother stands up for her and goes after,

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<v Speaker 3>which is nice.

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<v Speaker 1>Nice, that was really nice, And also then connects back

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<v Speaker 1>to when he tries to say to me, you know,

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<v Speaker 1>this is what really happened. I haven't had sex in

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<v Speaker 1>two years, and she made me feel great. Yeah, and

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<v Speaker 1>that does seem to land for Charlotte. Thank god. I

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<v Speaker 1>feel like that's like a good moment of Charlotte learning something, yes,

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<v Speaker 1>And so luckily then I make muffins for Samantha, you guys, and.

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<v Speaker 2>Go to her door, and she luckily forgives me.

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<v Speaker 1>I say I'm sorry, and then she smacks me on

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<v Speaker 1>the butt, which is something she always did, which is interesting.

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<v Speaker 1>That was Kim ADLERB that she was very fond of

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<v Speaker 1>and I was always like.

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<v Speaker 3>But it was fine.

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<v Speaker 1>It was kind of an interesting thing because it's like

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<v Speaker 1>kind of an old fashioned masculine energy thing.

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<v Speaker 2>Yes it is, yeah, yeah, but.

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<v Speaker 3>Man also like a generational that you guys are friends,

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<v Speaker 3>but also you're a kid too, like and.

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<v Speaker 1>Definitely definitely, definitely it's very it's very loving and funny

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<v Speaker 1>in a weird way, unexpected and funny. And I also

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<v Speaker 1>can you can tell that I don't expect her to

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<v Speaker 1>do it, which is also funny because she she she

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<v Speaker 1>does do it off and on throughout the years. Now

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<v Speaker 1>this is the whole thematic situation. No, yes, oh good, Yes,

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<v Speaker 1>thematics are so good about the family and I love this.

0:10:40.960 --> 0:10:44.199
<v Speaker 1>Oh this is oh the Justine. Yeah, we didn't talk

0:10:44.240 --> 0:10:46.920
<v Speaker 1>about Justin's poor problem. It's not Justin, of course, it's

0:10:46.960 --> 0:10:49.640
<v Speaker 1>the character. It's the character. So this is the sad,

0:10:49.840 --> 0:10:53.240
<v Speaker 1>sad thing. And I felt so bad for Carrie in

0:10:53.320 --> 0:10:56.199
<v Speaker 1>this whole storyline. I hadn't remembered this at all. Right,

0:10:56.280 --> 0:10:59.360
<v Speaker 1>so I'm basically like a first time viewer because you're

0:10:59.360 --> 0:11:01.719
<v Speaker 1>thinking this guy is fantastic.

0:11:01.880 --> 0:11:07.240
<v Speaker 3>Yeah, he's adorable, he's a writer. His family is awesome. Yes,

0:11:06.559 --> 0:11:09.319
<v Speaker 3>And then they start.

0:11:09.080 --> 0:11:16.000
<v Speaker 2>Making out in Carrie's kitchen and then he, you know, ejaculates.

0:11:16.040 --> 0:11:17.040
<v Speaker 3>I'm just gonna have to say it.

0:11:17.400 --> 0:11:19.600
<v Speaker 2>So he has like, what was it called has sure,

0:11:19.720 --> 0:11:21.439
<v Speaker 2>thank you, premature ejaculation.

0:11:22.360 --> 0:11:24.560
<v Speaker 3>It's terrible. It's terrible, you.

0:11:24.600 --> 0:11:27.360
<v Speaker 1>Know, and poor Carrie just looks like kind of like, oh, dear,

0:11:28.280 --> 0:11:31.920
<v Speaker 1>And then you can see that she's like, the wheels

0:11:31.960 --> 0:11:33.120
<v Speaker 1>are turning, the wheels are churning.

0:11:33.160 --> 0:11:34.600
<v Speaker 2>What do I do? How do I?

0:11:34.679 --> 0:11:36.720
<v Speaker 1>And you know, at a certain point, once she meets

0:11:36.800 --> 0:11:38.960
<v Speaker 1>the family, then she just wants talk about the family.

0:11:39.000 --> 0:11:40.440
<v Speaker 1>And then at one point he goes, I think this

0:11:40.440 --> 0:11:41.920
<v Speaker 1>would be the next thing, and he goes, oh, I

0:11:41.920 --> 0:11:43.560
<v Speaker 1>don't want to talk about my family right now because

0:11:43.559 --> 0:11:46.160
<v Speaker 1>they're kissing right But she now is kind of infatuated

0:11:46.160 --> 0:11:49.360
<v Speaker 1>with his mother in a way, which is adorable. But

0:11:49.520 --> 0:11:51.040
<v Speaker 1>of course he wouldn't want to talk about his mother.

0:11:51.040 --> 0:11:54.000
<v Speaker 1>Oh I love the part where he So she has

0:11:54.000 --> 0:11:55.040
<v Speaker 1>a scene with the.

0:11:55.040 --> 0:11:57.280
<v Speaker 2>Mother played played by Valerie.

0:11:56.920 --> 0:12:01.120
<v Speaker 1>Harper, when Valerie Harper says, I always talk very openly

0:12:01.280 --> 0:12:04.760
<v Speaker 1>to my case my children since they were two and

0:12:04.800 --> 0:12:06.640
<v Speaker 1>of course as a mom, I'm thinking like that, it's

0:12:06.679 --> 0:12:10.280
<v Speaker 1>amazing she did that, right, then, come to find out

0:12:10.880 --> 0:12:13.960
<v Speaker 1>Justin's character says Carrie. When Carrie tries eventually to talk

0:12:14.000 --> 0:12:16.360
<v Speaker 1>to him about this, he goes, I'm so sick.

0:12:16.120 --> 0:12:19.679
<v Speaker 2>Of talking about sex, says I was two years old, right,

0:12:19.760 --> 0:12:23.599
<v Speaker 2>And you're like, ooh, backfire, backfire situation.

0:12:24.080 --> 0:12:26.760
<v Speaker 3>But it's so sad too, because you know, they try

0:12:26.920 --> 0:12:30.240
<v Speaker 3>a few times and they keep running into the same problem,

0:12:30.480 --> 0:12:34.400
<v Speaker 3>and eventually Carrie is like, we're going to take it slow,

0:12:34.480 --> 0:12:37.640
<v Speaker 3>and she's really trying to like not bail, you know,

0:12:37.760 --> 0:12:41.600
<v Speaker 3>she's trying to actually, and he just cannot talk about it.

0:12:41.640 --> 0:12:44.559
<v Speaker 3>He cannot deal, he cannot try to work it out.

0:12:44.720 --> 0:12:47.559
<v Speaker 2>And he seems mad mad, which is not good.

0:12:47.800 --> 0:12:50.800
<v Speaker 1>That's the main problem, because my feeling is you can

0:12:50.840 --> 0:12:51.640
<v Speaker 1>work on anything.

0:12:52.880 --> 0:12:56.960
<v Speaker 3>People stay open and communicate and yeah, yeah, but he can't.

0:12:57.559 --> 0:12:58.440
<v Speaker 2>No, he's mad.

0:12:58.520 --> 0:13:02.040
<v Speaker 1>And it's so sad because there he's shirtless, he's like

0:13:02.240 --> 0:13:06.600
<v Speaker 1>so dreamy, he's justin you know, but yet I can't

0:13:06.640 --> 0:13:08.840
<v Speaker 1>even talk to her about it, and he seems mad

0:13:08.840 --> 0:13:09.920
<v Speaker 1>that she's trying.

0:13:10.440 --> 0:13:12.240
<v Speaker 2>Yes, and that's a terrible trait.

0:13:13.000 --> 0:13:17.800
<v Speaker 3>Yes, yeah, that's just like if you can't have communication,

0:13:17.920 --> 0:13:19.920
<v Speaker 3>then that's yeah, there's nothing you're doing.

0:13:20.240 --> 0:13:23.400
<v Speaker 1>No, no, and it's really sad. And then she realizes

0:13:23.440 --> 0:13:25.400
<v Speaker 1>that she really has to break up.

0:13:25.280 --> 0:13:29.800
<v Speaker 2>With his mother and that's so sad, and have your

0:13:29.880 --> 0:13:30.880
<v Speaker 2>wonderful scene.

0:13:31.120 --> 0:13:33.079
<v Speaker 3>Yeah, so you guys go back.

0:13:32.920 --> 0:13:35.199
<v Speaker 1>You go. We're back at the apartment with the family,

0:13:35.280 --> 0:13:37.640
<v Speaker 1>and everybody's perched on like kind.

0:13:37.440 --> 0:13:41.160
<v Speaker 3>Of small furniture, yes, living room.

0:13:41.200 --> 0:13:44.160
<v Speaker 2>We're all just started around with our plates of Yeah,

0:13:44.400 --> 0:13:46.920
<v Speaker 2>it's so cute, and you are the girlfriend.

0:13:47.120 --> 0:13:51.440
<v Speaker 3>I'm this girlfriend of Justin's little sister, got it? Got it?

0:13:51.520 --> 0:13:54.440
<v Speaker 2>Which is Franny or Zoe? Don't know one of them.

0:13:55.160 --> 0:13:57.560
<v Speaker 3>I think Zoe got it? Yeah, one of them?

0:13:57.960 --> 0:14:01.240
<v Speaker 2>And you got did they say you're going can We're going?

0:14:02.120 --> 0:14:06.200
<v Speaker 3>Valerie at one point is like, oh, whichever one it

0:14:06.240 --> 0:14:10.319
<v Speaker 3>is tells me that you're going camping, which I thought

0:14:10.440 --> 0:14:14.720
<v Speaker 3>was really funny because even though this family is amazing

0:14:14.760 --> 0:14:17.240
<v Speaker 3>in all the things, there's also is a sense that

0:14:17.320 --> 0:14:24.880
<v Speaker 3>like that mother definitely inserts herself into her children's lives

0:14:24.360 --> 0:14:27.560
<v Speaker 3>and Sarah and I she has this voiceover. Sarah and

0:14:27.600 --> 0:14:29.840
<v Speaker 3>I had this moment looking at each other, and she

0:14:29.880 --> 0:14:33.840
<v Speaker 3>has this voiceover where she says something like because you're outsiders.

0:14:33.920 --> 0:14:36.160
<v Speaker 3>We're outsiders. Like Jem and I looked at each other

0:14:36.760 --> 0:14:39.600
<v Speaker 3>like the people. I can't remember exactly something like we

0:14:39.760 --> 0:14:42.560
<v Speaker 3>didn't have the passports and yeah, and there was a

0:14:42.560 --> 0:14:46.440
<v Speaker 3>feeling of like even though it's amazing to have like

0:14:46.480 --> 0:14:49.880
<v Speaker 3>a family like that, like within reason, like at some

0:14:50.000 --> 0:14:54.080
<v Speaker 3>point the mothers, yeah, to give their children the space

0:14:54.560 --> 0:14:56.400
<v Speaker 3>absolutely to run there.

0:14:56.920 --> 0:14:59.600
<v Speaker 2>Absolutely they know it's almost too close.

0:14:59.680 --> 0:15:00.400
<v Speaker 3>It's most two.

0:15:00.560 --> 0:15:02.960
<v Speaker 1>Yeah, I have a family I know who's like this

0:15:03.640 --> 0:15:06.800
<v Speaker 1>and everyone every family member is amazing.

0:15:07.880 --> 0:15:10.360
<v Speaker 2>But the boys in the family have.

0:15:10.520 --> 0:15:13.200
<v Speaker 1>Challenges when it comes to the girlfriends in terms of

0:15:13.360 --> 0:15:16.440
<v Speaker 1>everyone approving friend or accepting.

0:15:17.040 --> 0:15:18.040
<v Speaker 2>And I feel for.

0:15:18.000 --> 0:15:21.680
<v Speaker 1>Them because, like, on the one hand is the closeness,

0:15:21.720 --> 0:15:23.520
<v Speaker 1>Like just as a mother, you look at that and

0:15:23.560 --> 0:15:26.680
<v Speaker 1>you think, like, isn't that amazing you have your grown children,

0:15:26.720 --> 0:15:31.600
<v Speaker 1>You're so close, right, doesn't that feel wonderful? But then

0:15:32.000 --> 0:15:34.320
<v Speaker 1>also you need enough space that.

0:15:34.320 --> 0:15:38.800
<v Speaker 3>They can make their own new life try trying and

0:15:38.920 --> 0:15:43.720
<v Speaker 3>choose people, right, It's interesting and that like when when

0:15:43.840 --> 0:15:46.280
<v Speaker 3>Carrie then is like I'm going to leave because justin

0:15:46.320 --> 0:15:48.240
<v Speaker 3>throw is like banging around and basically having.

0:15:49.640 --> 0:15:53.920
<v Speaker 2>Having a grown, grown tantrum and Rhoda I most saying.

0:15:54.120 --> 0:15:57.960
<v Speaker 2>Jeff is like it's a there's to ignore him. He's like,

0:15:58.000 --> 0:15:58.680
<v Speaker 2>where is it?

0:15:59.040 --> 0:16:02.200
<v Speaker 3>Yeah? So Carrie tries to leave, and you know, value

0:16:02.200 --> 0:16:06.200
<v Speaker 3>Happer's character like follows her and and basically says, look,

0:16:07.280 --> 0:16:10.280
<v Speaker 3>his last girlfriend was less discreet, and you know, is

0:16:10.480 --> 0:16:13.120
<v Speaker 3>it's I know, I know the problem is in the

0:16:13.160 --> 0:16:16.320
<v Speaker 3>irony that he's a short story writer. Why yeah, And

0:16:16.400 --> 0:16:22.520
<v Speaker 3>Carrie's like, I cannot discuss this with you about anything.

0:16:22.520 --> 0:16:24.080
<v Speaker 2>It's like, no, that's mortifying.

0:16:24.120 --> 0:16:25.600
<v Speaker 3>That's mortifying. It really is.

0:16:25.720 --> 0:16:27.800
<v Speaker 2>Yeah, I know, yeah, yeah, yeah, yeah, But I mean

0:16:28.360 --> 0:16:29.920
<v Speaker 2>this is the other thing that went through my head.

0:16:30.280 --> 0:16:33.200
<v Speaker 1>I'm thinking to myself, like the mom needs to get

0:16:33.280 --> 0:16:36.720
<v Speaker 1>him into some therapy, yes, right, Like if she's more

0:16:36.840 --> 0:16:39.000
<v Speaker 1>love it, then she just actually.

0:16:38.600 --> 0:16:41.720
<v Speaker 2>Be productive and yet help the actual problem.

0:16:41.880 --> 0:16:45.680
<v Speaker 3>He needs talk therapy and also like a doctor, a

0:16:45.720 --> 0:16:49.440
<v Speaker 3>doctor help work. There there's things that can be done, right, yeah,

0:16:49.480 --> 0:16:50.640
<v Speaker 3>I think they think there is.

0:16:50.640 --> 0:16:53.160
<v Speaker 2>Aren't there commercials for this ed?

0:16:53.880 --> 0:16:55.240
<v Speaker 3>Yes, there are. I don't know what.

0:16:55.520 --> 0:16:58.320
<v Speaker 2>I don't know back in the day, but I'm sure back.

0:16:58.120 --> 0:17:00.240
<v Speaker 3>In the day, right, I'm sure there are things that

0:17:00.280 --> 0:17:01.920
<v Speaker 3>could something be done.

0:17:02.280 --> 0:17:07.120
<v Speaker 1>Definitely something man out totally. Let's hope he got help

0:17:07.160 --> 0:17:09.640
<v Speaker 1>in the future at some point. But then the sweet

0:17:09.640 --> 0:17:11.840
<v Speaker 1>scene where the voiceover says, you know, I realized that

0:17:11.880 --> 0:17:14.440
<v Speaker 1>I needed to break up with his mother and she's

0:17:14.480 --> 0:17:17.880
<v Speaker 1>basically trying to say, it's not you, You're wonderful, And then

0:17:18.520 --> 0:17:21.280
<v Speaker 1>the mom is trying to fight for the relationship, and

0:17:21.320 --> 0:17:24.639
<v Speaker 1>then she says something crazy like seventy five percent of

0:17:24.680 --> 0:17:26.160
<v Speaker 1>marriages are sexless.

0:17:26.560 --> 0:17:27.320
<v Speaker 2>I'm like, oh God.

0:17:27.480 --> 0:17:32.040
<v Speaker 3>Now Carrie's reaction to that, she's just like, we cannot

0:17:32.040 --> 0:17:36.160
<v Speaker 3>be satisfied with those numbers. No, like to just settle

0:17:36.240 --> 0:17:36.600
<v Speaker 3>for that.

0:17:38.119 --> 0:17:39.280
<v Speaker 2>No, no, I mean.

0:17:39.320 --> 0:17:42.000
<v Speaker 1>On the other hand, Bellary Harper saying, you know, that's

0:17:42.040 --> 0:17:45.199
<v Speaker 1>not the only thing, and I think it's true, right, not.

0:17:45.320 --> 0:17:48.600
<v Speaker 3>The only thing, but it is one of the things.

0:17:48.680 --> 0:17:48.880
<v Speaker 2>Right.

0:17:49.119 --> 0:17:51.160
<v Speaker 1>But it's also interesting if you look at the way

0:17:51.200 --> 0:17:53.920
<v Speaker 1>that our characters all talk about sex, because obviously that's

0:17:54.000 --> 0:17:56.159
<v Speaker 1>part of the thing that we do right, which is

0:17:56.280 --> 0:18:01.320
<v Speaker 1>freeing and amazing, But then it's sometimes almost seems like

0:18:01.359 --> 0:18:04.480
<v Speaker 1>the focus goes too much, too much, too right, And luckily,

0:18:04.680 --> 0:18:09.719
<v Speaker 1>through Charlotte's whole marriage thing, we have we have some

0:18:09.760 --> 0:18:11.560
<v Speaker 1>growth in that area for her at least, right but

0:18:11.600 --> 0:18:14.280
<v Speaker 1>everyone is different in terms of how important sex is

0:18:14.320 --> 0:18:15.399
<v Speaker 1>to them or not or whatever.

0:18:15.520 --> 0:18:17.560
<v Speaker 3>That's right, right, well, and also because the show is

0:18:17.600 --> 0:18:21.159
<v Speaker 3>exploring like the starts of lots of relationships, right, that

0:18:21.280 --> 0:18:25.280
<v Speaker 3>is an exciting part of the beginning of relationship, right,

0:18:25.320 --> 0:18:26.960
<v Speaker 3>So there's a lot of focus on that at the

0:18:27.000 --> 0:18:31.640
<v Speaker 3>beginning of relationship, and then obviously hopefully everything evolves together,

0:18:31.840 --> 0:18:34.359
<v Speaker 3>right but right, No, if that thing is broken at

0:18:34.400 --> 0:18:37.439
<v Speaker 3>the beginning, right, then it's like, oh, then where's this

0:18:37.520 --> 0:18:38.160
<v Speaker 3>going to go?

0:18:38.400 --> 0:18:41.719
<v Speaker 1>Because and especially if the person can't talk about it,

0:18:41.760 --> 0:18:43.240
<v Speaker 1>like in the way they Carrie really tries.

0:18:43.080 --> 0:18:45.120
<v Speaker 2>Which I was so happy that she did because.

0:18:44.880 --> 0:18:46.679
<v Speaker 1>I didn't remember the storyline at all, right, so I

0:18:46.720 --> 0:18:48.520
<v Speaker 1>was like, oh my god, what's going to happen? She

0:18:48.640 --> 0:18:52.120
<v Speaker 1>hung in there, she really tries, and maybe it's because

0:18:52.119 --> 0:18:54.680
<v Speaker 1>she loves his family, but also he's adorable and it's

0:18:54.880 --> 0:18:55.920
<v Speaker 1>so cute.

0:18:56.160 --> 0:19:00.639
<v Speaker 3>And what's weird is like, on some level it almost

0:19:00.720 --> 0:19:03.879
<v Speaker 3>feels like he has a blind spot because this keeps

0:19:04.320 --> 0:19:06.920
<v Speaker 3>like this keeps happening, right, but then he comes back

0:19:06.920 --> 0:19:10.520
<v Speaker 3>in all like haughty and flirtationous and like, let's like

0:19:10.600 --> 0:19:13.439
<v Speaker 3>make a moment of yes, which is going to be

0:19:13.480 --> 0:19:14.560
<v Speaker 3>done in thirty seconds.

0:19:14.960 --> 0:19:19.560
<v Speaker 1>It's almost like he's he's almost seems unaware, which is

0:19:19.600 --> 0:19:20.720
<v Speaker 1>also interesting.

0:19:21.160 --> 0:19:21.800
<v Speaker 2>But I mean.

0:19:26.200 --> 0:19:27.640
<v Speaker 3>You can tell him debating.

0:19:27.280 --> 0:19:28.160
<v Speaker 2>What I should say now.

0:19:28.280 --> 0:19:31.159
<v Speaker 1>I have had one relationship where this was kind of

0:19:31.160 --> 0:19:34.120
<v Speaker 1>a problem, not to the extent because this is very extreme.

0:19:33.880 --> 0:19:36.560
<v Speaker 3>The spa in the show, right, but I can have.

0:19:36.520 --> 0:19:40.760
<v Speaker 1>One relationship, and you know, sometimes I think like, hmm,

0:19:41.400 --> 0:19:44.960
<v Speaker 1>you know, should I say something yeah?

0:19:45.080 --> 0:19:49.919
<v Speaker 3>Or should I not? Should I? Am I okay?

0:19:50.240 --> 0:19:52.919
<v Speaker 2>You know, you're just like, yeah, what am I okay

0:19:52.960 --> 0:19:54.800
<v Speaker 2>with it? Am I not okay with it?

0:19:54.880 --> 0:19:59.440
<v Speaker 3>And I think I think not to make like gross generalizations,

0:19:59.440 --> 0:20:01.800
<v Speaker 3>but I think as women, we are kind of we

0:20:01.880 --> 0:20:07.160
<v Speaker 3>want to facilitate people feeling good about themselves. And sometimes

0:20:07.200 --> 0:20:10.040
<v Speaker 3>we're like, maybe the fix comes in just like making

0:20:10.080 --> 0:20:15.840
<v Speaker 3>things nice, right and confidence, instead of going right to

0:20:15.920 --> 0:20:20.560
<v Speaker 3>the problem, which might make them feel insecure. And that's true,

0:20:20.600 --> 0:20:21.720
<v Speaker 3>and that's what's so awkward.

0:20:21.880 --> 0:20:23.520
<v Speaker 1>And I thought that the way that Carrie did it

0:20:23.560 --> 0:20:26.359
<v Speaker 1>in the show was so loving and sweet.

0:20:27.080 --> 0:20:29.480
<v Speaker 2>And that's why when he's just like what you know,

0:20:29.600 --> 0:20:32.920
<v Speaker 2>and then she's like we have to talk because it's extreme.

0:20:33.040 --> 0:20:36.520
<v Speaker 1>Yeah, it's pretty extreme. Yeah, my situation was not that extreme.

0:20:36.880 --> 0:20:39.320
<v Speaker 1>But I also felt like the person that I was

0:20:39.359 --> 0:20:44.400
<v Speaker 1>involved with had some understanding about it, because there were

0:20:44.520 --> 0:20:49.439
<v Speaker 1>things that he would do to to like focus on me,

0:20:49.600 --> 0:20:50.240
<v Speaker 1>so to speak.

0:20:50.280 --> 0:20:52.320
<v Speaker 2>But I was like, that's too much focus on me?

0:20:52.600 --> 0:20:57.600
<v Speaker 2>Yeah right, yes, like yeah.

0:20:57.960 --> 0:21:00.320
<v Speaker 1>But then in reality I thought it through and I thought, oh,

0:21:00.440 --> 0:21:03.240
<v Speaker 1>that is kind of a mechanism to take the focus

0:21:03.320 --> 0:21:05.640
<v Speaker 1>off this kind of thing.

0:21:06.000 --> 0:21:06.840
<v Speaker 2>It wasn't as bad.

0:21:07.119 --> 0:21:09.080
<v Speaker 1>It definitely wasn't as bad, but at a certain point

0:21:09.080 --> 0:21:10.119
<v Speaker 1>I was like, this is just weird.

0:21:10.200 --> 0:21:13.400
<v Speaker 2>I don't I don't feel like I can talk about it.

0:21:13.600 --> 0:21:15.520
<v Speaker 1>Yeah, And I mean if you think about the show

0:21:15.520 --> 0:21:18.120
<v Speaker 1>that the show is trying to take like the lid

0:21:18.160 --> 0:21:20.600
<v Speaker 1>off of all of the different things and say you

0:21:20.680 --> 0:21:21.919
<v Speaker 1>can talk about it.

0:21:21.760 --> 0:21:23.840
<v Speaker 3>You can talk about it, right, And that's the only

0:21:23.880 --> 0:21:26.360
<v Speaker 3>way to try to solve anything.

0:21:26.520 --> 0:21:27.240
<v Speaker 2>Absolutely.

0:21:27.280 --> 0:21:29.040
<v Speaker 1>I try to tell my seven year old this, you know,

0:21:29.400 --> 0:21:31.560
<v Speaker 1>like we got to talk about the feelings, you know,

0:21:31.560 --> 0:21:33.880
<v Speaker 1>we got to talk about the feelings. Yeah, I mean,

0:21:34.000 --> 0:21:44.679
<v Speaker 1>hopefully I can get him to it's not easy.

0:21:46.600 --> 0:21:48.520
<v Speaker 3>Let's talk about what you're working on. Tell me everything.

0:21:48.800 --> 0:21:50.080
<v Speaker 3>So they said, I'm a big fan.

0:21:50.200 --> 0:21:52.920
<v Speaker 1>Oh you're sweet, thank you, Even knowing that you had

0:21:52.920 --> 0:21:53.560
<v Speaker 1>been on our show.

0:21:53.600 --> 0:21:55.800
<v Speaker 2>I've just been a watching fan.

0:21:56.280 --> 0:21:57.800
<v Speaker 1>I don't even think I knew that you were married

0:21:57.800 --> 0:21:59.320
<v Speaker 1>to Alan, didn't even know that connection.

0:21:59.359 --> 0:22:01.960
<v Speaker 2>I was just like amazing and so unique.

0:22:02.000 --> 0:22:02.400
<v Speaker 3>Thank you.

0:22:02.600 --> 0:22:04.600
<v Speaker 1>Yes, And I love everything you've done because I think

0:22:04.760 --> 0:22:06.880
<v Speaker 1>you get to play this like we touched on a bit.

0:22:07.200 --> 0:22:10.000
<v Speaker 1>You get to play kind of more masculine characters, but

0:22:10.040 --> 0:22:11.280
<v Speaker 1>you're yet this tiny.

0:22:11.000 --> 0:22:11.879
<v Speaker 2>Little you know.

0:22:12.600 --> 0:22:18.480
<v Speaker 3>Yeah, it's a funny journey, but I mean one that

0:22:18.480 --> 0:22:21.320
<v Speaker 3>I've been grateful for because you do hear about women's

0:22:21.400 --> 0:22:24.920
<v Speaker 3>roles being marginalized or whatever, but when you're given these

0:22:25.040 --> 0:22:27.960
<v Speaker 3>roles of women who have kind of an internal power,

0:22:28.600 --> 0:22:30.359
<v Speaker 3>then you get to live that out.

0:22:30.600 --> 0:22:33.240
<v Speaker 2>Absolutely. Those are stories point.

0:22:33.960 --> 0:22:37.159
<v Speaker 3>So anyway, most recently, I don't know if you know

0:22:37.200 --> 0:22:39.720
<v Speaker 3>the show for All Mankind. I'll admit that I wasn't

0:22:39.920 --> 0:22:43.400
<v Speaker 3>familiar with it at all. It's this great sci fi

0:22:44.280 --> 0:22:47.440
<v Speaker 3>show on Apple TV, and the structure is very interesting.

0:22:47.800 --> 0:22:52.439
<v Speaker 3>Each season jumps a decade, so it starts in nineteen

0:22:52.440 --> 0:22:55.800
<v Speaker 3>sixty nine. It's a revisionist history of what if Russia

0:22:55.840 --> 0:22:56.800
<v Speaker 3>got to the moon first?

0:22:56.840 --> 0:22:57.320
<v Speaker 1>Oh wow?

0:22:57.400 --> 0:23:01.080
<v Speaker 3>Which launched this incredible space race. Okay, then your main

0:23:01.160 --> 0:23:03.720
<v Speaker 3>characters from season one, you get to watch them age

0:23:04.040 --> 0:23:05.520
<v Speaker 3>throughout the course of their lives.

0:23:05.600 --> 0:23:06.720
<v Speaker 2>Cool, it's very cool.

0:23:07.600 --> 0:23:10.040
<v Speaker 3>So season and so every season they have to bring

0:23:10.080 --> 0:23:11.919
<v Speaker 3>in new characters because it's a full decade later and

0:23:11.960 --> 0:23:13.640
<v Speaker 3>what's happening. Now we're on the Moon and now we're

0:23:13.640 --> 0:23:17.280
<v Speaker 3>on Mars and hour you know. So I got to

0:23:17.400 --> 0:23:20.200
<v Speaker 3>join in season five as one of the new main

0:23:20.359 --> 0:23:24.080
<v Speaker 3>characters of season five. And I mean there's so much

0:23:24.080 --> 0:23:27.200
<v Speaker 3>storyline and everything. But it's coming out this fall. Oh wow, yeah,

0:23:27.200 --> 0:23:29.840
<v Speaker 3>So I haven't seen it yet, but I'm excited to

0:23:30.200 --> 0:23:32.000
<v Speaker 3>see it. Yeah, yeah, comeing out. It's amazing.

0:23:32.840 --> 0:23:33.760
<v Speaker 2>And tell us about.

0:23:33.560 --> 0:23:36.760
<v Speaker 3>John Hamm and John ham We love Jonne, Yeah, we

0:23:36.840 --> 0:23:39.480
<v Speaker 3>love Jhon ham. So and then I've just signed on

0:23:39.840 --> 0:23:43.200
<v Speaker 3>to do a limited series with John ham called American

0:23:43.280 --> 0:23:48.560
<v Speaker 3>Hostage that's coming out on MGM Plus. And it's very

0:23:48.600 --> 0:23:51.600
<v Speaker 3>interesting story based on a true story in the seventies,

0:23:52.720 --> 0:23:55.200
<v Speaker 3>a man was taken hostage in kind of a public

0:23:55.240 --> 0:24:03.040
<v Speaker 3>way in Illinois and asked the the kidnapper asked to

0:24:03.119 --> 0:24:08.800
<v Speaker 3>be interviewed live by kind of this famous Illinois radio journalist,

0:24:09.600 --> 0:24:13.879
<v Speaker 3>and that man agreed to do it. And and just

0:24:13.920 --> 0:24:16.080
<v Speaker 3>like the role of journalism and the role of us

0:24:16.119 --> 0:24:19.800
<v Speaker 3>as citizens, like what our place is in just helping well,

0:24:20.840 --> 0:24:22.280
<v Speaker 3>it's really like riveting strong.

0:24:22.320 --> 0:24:26.080
<v Speaker 1>Oh my gosh, I cannot wait to see that. How incredible.

0:24:26.359 --> 0:24:27.640
<v Speaker 1>I have a really important question.

0:24:28.440 --> 0:24:32.080
<v Speaker 2>Are you a Charlotte? I don't think so.

0:24:32.640 --> 0:24:34.639
<v Speaker 3>Really, I think I'm scrappy.

0:24:34.720 --> 0:24:37.320
<v Speaker 2>I grew up scrappy, Okay, I grew.

0:24:37.280 --> 0:24:39.960
<v Speaker 3>Up in like Texas with like chickens in my back.

0:24:40.160 --> 0:24:41.040
<v Speaker 2>Oh my god, I love that.

0:24:41.080 --> 0:24:43.280
<v Speaker 1>But that doesn't mean that you're not a Charlotte because

0:24:43.320 --> 0:24:45.960
<v Speaker 1>you are wearing a pushy bow bunch of bowl.

0:24:45.960 --> 0:24:49.760
<v Speaker 3>And I didn't put on blouse on purpose just to

0:24:49.880 --> 0:24:51.520
<v Speaker 3>like that direction.

0:24:52.440 --> 0:24:56.160
<v Speaker 2>It's just your every day where I think I.

0:24:56.119 --> 0:25:01.280
<v Speaker 3>Think I'm a little scrappier Charlotte. I'm so put together.

0:25:01.320 --> 0:25:05.480
<v Speaker 3>That's when we're whole, like, and most days I do

0:25:05.640 --> 0:25:09.280
<v Speaker 3>not look like this most days I'm I mean, yea, yeah,

0:25:09.359 --> 0:25:12.520
<v Speaker 3>most days I'm just a little so like would you

0:25:12.560 --> 0:25:15.720
<v Speaker 3>put yourself more in a Miranda kind of so I

0:25:15.760 --> 0:25:19.679
<v Speaker 3>think I'm I think I'm a little bit ambitious like

0:25:19.720 --> 0:25:23.040
<v Speaker 3>I'm Miranda. I think maybe I'm just pieces.

0:25:22.680 --> 0:25:24.400
<v Speaker 1>Which is fantastic all of that.

0:25:24.800 --> 0:25:30.600
<v Speaker 3>I'm a little bit like scattered like Carrie. I'm a little.

0:25:30.840 --> 0:25:33.240
<v Speaker 3>I don't know. I think I like it, Yeah, I

0:25:33.359 --> 0:25:33.680
<v Speaker 3>like it.

0:25:33.920 --> 0:25:37.080
<v Speaker 1>I mean people who talk about that we're all parts

0:25:37.080 --> 0:25:39.560
<v Speaker 1>of one woman, which I find interesting.

0:25:39.640 --> 0:25:42.040
<v Speaker 2>And it depends who's saying that, whether I'm annoyed by

0:25:42.040 --> 0:25:42.399
<v Speaker 2>that or not.

0:25:43.359 --> 0:25:46.280
<v Speaker 1>But all women can be everything, right, of course, right,

0:25:46.480 --> 0:25:49.399
<v Speaker 1>and you can be also these other things. And it

0:25:49.440 --> 0:25:51.240
<v Speaker 1>doesn't mean that you're just parts of what you don't

0:25:51.720 --> 0:25:54.680
<v Speaker 1>say