WEBVTT - Mini Crush #75

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<v Speaker 1>Welcome to movie Crush, a production of I Heart Radio. Hey, everybody,

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<v Speaker 1>welcome to the smallest crush You've ever had. How small

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<v Speaker 1>is it? Chuck? It's so small? I have no joke

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<v Speaker 1>for that. It's okay, it's a bad joke set up anyway.

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<v Speaker 1>It's like, let me tee you up. Actually that's the

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<v Speaker 1>classic Ed McMahon, right, But I never really understood the

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<v Speaker 1>nature of the joke, Like, I don't understand what makes

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<v Speaker 1>it funny? How small is it? It's so small that

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<v Speaker 1>my mother is a terrible person. Wow, I don't I'm

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<v Speaker 1>being sure what that means. What's so small? Your heart? Exactly? Okay? Oh,

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<v Speaker 1>how you doing? I'm doing. I'm doing well, Chuck. I've

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<v Speaker 1>been rewatching The Sopranos. I think I told you my journey.

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<v Speaker 1>Started watching two episodes of it on a plane and

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<v Speaker 1>it was censored, you know, for content, which is a

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<v Speaker 1>delightful obviously fun. But boy does that show hold up

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<v Speaker 1>so many good characters. And Tony Soprano's mother is a

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<v Speaker 1>terrible person. Yeah, I remember her. She's a real piece

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<v Speaker 1>of work, that one. And so that's what you were thinking,

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<v Speaker 1>That's what I was thinking about, because you woke up

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<v Speaker 1>you did your seven A m ritual was to watch

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<v Speaker 1>barrel through two episodes of The Sopranos. I'd like to

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<v Speaker 1>do it in little little nuggets. I do like a

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<v Speaker 1>half episode in the morning, wrap the episode up at

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<v Speaker 1>the end of the day as a reward for a

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<v Speaker 1>job well done. Oh that's great to know. I had

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<v Speaker 1>a super aggravating morning. I'm sorry, not because of anyone

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<v Speaker 1>in my family, I'll make that clear. But so it's

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<v Speaker 1>nice to come in here to our fun place, this

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<v Speaker 1>ef Haven, to our little bouncy castle. Here. Oh man,

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<v Speaker 1>the floor is a little extra buoyant today. So no,

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<v Speaker 1>I'm gonna start off real quick with just a This

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<v Speaker 1>occurred to me last night as Emily and I finished

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<v Speaker 1>up Fleabag, which not only just season two, but that's

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<v Speaker 1>all there is, so it's just a two season show.

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<v Speaker 1>We finished flee Bag, which I talked about last time,

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<v Speaker 1>and we finished Two Better Things, the great show written

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<v Speaker 1>and directed by Pamela Adlon, and I was like, you

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<v Speaker 1>know what, it's like, it's so great that there are

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<v Speaker 1>these shows now, that these women are show running and

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<v Speaker 1>writing and directing and creating. And then I got mad, why, Well,

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<v Speaker 1>because it's like this is normal. It shouldn't be a

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<v Speaker 1>big remarkable now and like what what Uh it's a

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<v Speaker 1>bit of a soapbox moment because I got angry last night.

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<v Speaker 1>Get up there? What what? Like? What did we miss

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<v Speaker 1>out on? What stories did we not hear nol from

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<v Speaker 1>the past fifty years that we're just not allowed to

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<v Speaker 1>be told because it was a person of color or

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<v Speaker 1>a woman that had them. And it's fucked up. It

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<v Speaker 1>is sucked up. I mean, it's a it's a good question.

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<v Speaker 1>It's an interesting question. But I guess you can take

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<v Speaker 1>some solace in knowing that we're getting those stories now.

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<v Speaker 1>I don't know, no, I know, and we're headed in

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<v Speaker 1>the right direction, to be sure. And it's never been

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<v Speaker 1>a better time to be uh, person of color or

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<v Speaker 1>a woman in Hollywood. But it's still the scales are

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<v Speaker 1>still tipped um and it's just we've missed out on

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<v Speaker 1>so much over the years. I mean, I would argue

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<v Speaker 1>it's never been a better time for cinema and creativity

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<v Speaker 1>in general. Sure, floodgates are just wide open in terms

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<v Speaker 1>of the means of production, making a show on a

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<v Speaker 1>low budget and having it have an audience with a

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<v Speaker 1>Netflix willing to roll the dice on smaller shows. I

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<v Speaker 1>think we're in a pretty cool time right now. No,

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<v Speaker 1>you're right. I uh, I don't know. That's counter into

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<v Speaker 1>it to say no, you're right, but you know I

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<v Speaker 1>am no not wait no, I got it. Okay, But

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<v Speaker 1>it's just amazing. You know, I can't recommend these shows enough.

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<v Speaker 1>They're they're great. Phoebe waller Bridge who uh created Fleabag

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<v Speaker 1>as a one woman show initially, um, then took it

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<v Speaker 1>to the BBC, I guess, and did you know it's

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<v Speaker 1>only twelve episodes. It's six per season, and that allows

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<v Speaker 1>you I'm a big advocate for you know, as I

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<v Speaker 1>mentioned before about you know, two or three seasons and

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<v Speaker 1>getting out. Um. Sure, I do love shows that have

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<v Speaker 1>had long, long runs. That's fine. There are shows some

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<v Speaker 1>shows that can sustain that. But you can really get

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<v Speaker 1>a great character arc and story arc over six to

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<v Speaker 1>twelve episodes for a life of a show. I agree,

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<v Speaker 1>you know. I mean I think a great example is uh,

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<v Speaker 1>some of the mini series that HBO is doing right now,

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<v Speaker 1>like Chernobyl that was I think what five episodes. I'm

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<v Speaker 1>about to dive into that. It's so good, dude. Yeah,

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<v Speaker 1>Emily is the hold up right now because she didn't

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<v Speaker 1>know if she can handle it. Um, It's it's heavy,

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<v Speaker 1>but it's it's it's the way the best way I've

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<v Speaker 1>heard it described as like the best horror sci fi

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<v Speaker 1>you've ever seen, but it's fucking real, right, Yeah for sure.

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<v Speaker 1>But uh, anyway, Phoebe waller Bridge is just an insane talent. Uh.

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<v Speaker 1>She makes what she does on the show look easy.

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<v Speaker 1>I know you haven't seen it yet, but she does

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<v Speaker 1>a fourth wall thing. You told me about that, yeah,

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<v Speaker 1>but it's she makes it looks just it's so seamless

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<v Speaker 1>and it's really hard to do what she's doing. And

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<v Speaker 1>she have a theater background or like I haven't heard

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<v Speaker 1>her name, well it was a one woman show. That

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<v Speaker 1>leads me to believe she probably did. Um. She co

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<v Speaker 1>wrote the new James Bond movie, which is, you know, amazing,

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<v Speaker 1>and I can say the same for Pamela Adlain And

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<v Speaker 1>like it's these women are getting a chance now to

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<v Speaker 1>tell their stories and it's not just like, oh, this

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<v Speaker 1>is a story exclusive to women, um, because they're relatable

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<v Speaker 1>for everyone, and they're about love and family and heart

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<v Speaker 1>and hope and they're great. So off my soapbox. Watch

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<v Speaker 1>those shows. We had a sound effect of Chuck stepping

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<v Speaker 1>down off a soapbox ker plunk there it is. Uh,

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<v Speaker 1>support these shows, That's all I got to say. And

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<v Speaker 1>and keep doing it, keep doing it. So no, we're

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<v Speaker 1>going to move on now. Um. I actually was really

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<v Speaker 1>prepared today and did this stuff yesterday. Believe I noticed,

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<v Speaker 1>and I was impressed. But are you prepared for your segment? Alright? Noel, everyone,

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<v Speaker 1>it's time for addition number two of Chuck Souls. How

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<v Speaker 1>many are supposed to have? You're supposed to have twenty?

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<v Speaker 1>Are you finding one more or five more? You know

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<v Speaker 1>there's a number of function on Microsoft word. Well I

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<v Speaker 1>use notes. Use you can't number things on notes? Chuck?

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<v Speaker 1>Can you can? Can? Can we put this off for

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<v Speaker 1>another couple of minutes? I'm really sorry. I'm I have

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<v Speaker 1>a theme here and I'm needing to find a few more.

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<v Speaker 1>And well, let's take a break then, because all of

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<v Speaker 1>this involves you as the co host, So I can't

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<v Speaker 1>just have you go to sleep, Profo. I'm not going

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<v Speaker 1>to sleep. I'm not going to sleep, Okay, Um, so

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<v Speaker 1>let's just let's just cut and no one will know

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<v Speaker 1>because we'll pick back up two minutes. Alright, no to

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<v Speaker 1>Through the magic of technology and editing, it should have

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<v Speaker 1>only been about a second delay for everyone else. Very kind,

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<v Speaker 1>if you ready to go, I really am all right here,

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<v Speaker 1>I got a sound effects machine at cool. Alright, right,

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<v Speaker 1>I'm gonna have fun with this thing today. It's going

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<v Speaker 1>to be a lot of fun. So do you have

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<v Speaker 1>the means to keep scornal? Because last time that was

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<v Speaker 1>one of your issues, that was one of my issues.

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<v Speaker 1>What would you recommend? Here's what I do. Analog is

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<v Speaker 1>it's probably the best way of doing Look, I even

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<v Speaker 1>still have the yes and no column, so I'm gonna

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<v Speaker 1>hand it over. That's great. It's a sharpie here, you

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<v Speaker 1>got one. I've got a pen. I think it Sharpe

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<v Speaker 1>would be more. Sharpie is better. Everyone, we're buzz marketing

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<v Speaker 1>all over the place. Things are things are going great,

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<v Speaker 1>good job nol. Okay, Chuck, this is called Chuck's Horror Holes. Okay,

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<v Speaker 1>that's probably a good pick because I'm sort of a

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<v Speaker 1>medium horror fan. Yeah, but but it has a twist.

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<v Speaker 1>Chuck Boy's a twist you're maybe not gonna like. Okay,

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<v Speaker 1>it's okay, though, let's let's get what's what's the twist?

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<v Speaker 1>Are you gonna say or you're gonna You're gonna you're

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<v Speaker 1>gonna catch onto it pretty quick, chuck it, pretty quil boy. Alright, first,

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<v Speaker 1>Hell Razor two. Oh Jesus, you're fucking gonna sequel me out,

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<v Speaker 1>aren't you. Okay, that's enough for Hell Razor too. You

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<v Speaker 1>must have said, I did not see how Razor too.

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<v Speaker 1>I barely saw a Hell Razor. Okay, that's fair. You're

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<v Speaker 1>gonna I'm gonna get slayed here. No, no, I don't

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<v Speaker 1>think so. A lot of the two's never mind, let's not,

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<v Speaker 1>let's not. Let's go right in Dead Alive Peter Jackson,

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<v Speaker 1>Dead Alive always got the lawnmower. When I wor division

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<v Speaker 1>videos perfect, I saw Dead Alive in college fun film.

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<v Speaker 1>I own that one. Okay, we've got we got one

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<v Speaker 1>on one um pet Cemetery the original, Sure, yeah, I

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<v Speaker 1>think I actually have not seen the remake. But I

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<v Speaker 1>listened to a really cool horror podcast called like the

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<v Speaker 1>Screaming Screamings or something like that, and they reviewed the

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<v Speaker 1>most the Presentery remake and it sounded pretty good. Actually,

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<v Speaker 1>the original one it really screwed me up as a

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<v Speaker 1>kid and their perspectives. We went back and watched the

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<v Speaker 1>original and it was not scary. I'm wondering if it's

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<v Speaker 1>nostalgia that's uh that's making me remember it as being

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<v Speaker 1>so just to make sure the original that was Edward

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<v Speaker 1>for along, well that was pet Cemetery too. Oh well,

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<v Speaker 1>I saw them both then, all right, because I definitely

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<v Speaker 1>saw one good because I remember and pleasing all just

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<v Speaker 1>one more time for the record, do the line did

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<v Speaker 1>the famous line, Oh yeah, don't go into the road

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<v Speaker 1>loss lossa fred Gwen, the famous fred Gwen really Gussie

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<v Speaker 1>that one out of Munster's fame, right? Well was he

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<v Speaker 1>known for he was the judge in my cousin Vinnie. Right,

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<v Speaker 1>but you kind of thing where everyone what does herman

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<v Speaker 1>Munster Judge Munster or you know, cemetery caretaker Munster with

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<v Speaker 1>the with the with the bad main accent. Yeah, alright,

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<v Speaker 1>you're doing well, Chuck. Right. Um, So that's two yes

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<v Speaker 1>is and one no? All right, Lord of Illusions? Uh no,

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<v Speaker 1>do you remember this film? The existence of this film?

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<v Speaker 1>It the name rings a bell. Scott Baculo is in it.

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<v Speaker 1>It's a Clive Barker film about like a magician or

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<v Speaker 1>an illusionist, as he refers to himself in the film,

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<v Speaker 1>and they're sort of a cult situation originized the cover,

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<v Speaker 1>but I do I did not see that. Okay, that's fine,

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<v Speaker 1>which is weird because that was when I was in

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<v Speaker 1>Athens and that's prime time to be with. I really

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<v Speaker 1>enjoyed that movie when I was younger. It was pretty scary,

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<v Speaker 1>pretty grizzly, Clive Barker kind of stuff, and yeah, not

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<v Speaker 1>not bad, all right, here we go. Children of the Corn. Yeah, sure,

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<v Speaker 1>Jesus that I don't think so. That was one of

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<v Speaker 1>those ones that was like a good bit removed from Yeah.

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<v Speaker 1>I just have a very distinct memory of like the

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<v Speaker 1>evil kid has like a voodoo doll that like he's

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<v Speaker 1>got connected to this person he doesn't like, and he

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<v Speaker 1>stabs it during church and the person starts like bleeding

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<v Speaker 1>out of that. It's actually has a further title if

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<v Speaker 1>you're really interested, everyone Children at the Corn to harvests No,

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<v Speaker 1>the Final sacrific, Final Sacrifice. There we go. Okay, this

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<v Speaker 1>is going very well, Chuck okay, um audition. Yes, great,

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<v Speaker 1>great horror movie. That's one of these ones that like

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<v Speaker 1>sort of tricks you into this like false sense of

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<v Speaker 1>Security audition. Yeah, Japanese Takashi Mike, who is mostly known

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<v Speaker 1>for like these big, you know, out there gangster Japanese

0:11:51.440 --> 0:11:54.040
<v Speaker 1>gangster Accusa movies, and then he did this as kind

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<v Speaker 1>of a departure for him. And it starts off as

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<v Speaker 1>like the story of this dad who's trying to get

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<v Speaker 1>a date after his wife's ID on this like dating

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<v Speaker 1>app network thing, right, and very bad. It goes very

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<v Speaker 1>very badly, but it just takes this breakneck turn like

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<v Speaker 1>the middle of the way through the movie where you're

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<v Speaker 1>like what am I watching? And some things have I

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<v Speaker 1>recommend it not for the faint of heart, but it's

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<v Speaker 1>a really really thoughtfully done, well well made horrmon Okay, surprisingly,

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<v Speaker 1>I did see that. Yeah, good one. That would have

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<v Speaker 1>been a vision video pick. That was one of those

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<v Speaker 1>like you know store favorite post vision. Where was I

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<v Speaker 1>living in nineteen you know where it was? I was

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<v Speaker 1>back in Atlanta because I remember that's where it was

0:12:29.440 --> 0:12:33.840
<v Speaker 1>when when the White k Bug bit us, all, yeah,

0:12:33.880 --> 0:12:37.839
<v Speaker 1>did you stuck up on like bottled water and spam? No? No,

0:12:38.160 --> 0:12:41.319
<v Speaker 1>that's good, you're a smart man. Um Okay, well, well

0:12:41.360 --> 0:12:44.600
<v Speaker 1>there's three and three dude. This is perfect for the suspense.

0:12:44.679 --> 0:12:47.560
<v Speaker 1>I think it's great. U. Next we have The Witch

0:12:47.840 --> 0:12:50.360
<v Speaker 1>or the vich as it would have been printed. For

0:12:50.440 --> 0:12:51.960
<v Speaker 1>sure you saw that one and loved it, because I

0:12:51.960 --> 0:12:54.280
<v Speaker 1>know we talked about Hereditary and I was pretty sure

0:12:54.320 --> 0:12:57.240
<v Speaker 1>you had seen the Witch because it's another twenty four

0:12:57.480 --> 0:12:59.920
<v Speaker 1>kind of weird duty slope. When I saw New York

0:13:00.000 --> 0:13:04.880
<v Speaker 1>City with the Girl that it's so fun. Really looking

0:13:04.920 --> 0:13:08.480
<v Speaker 1>forward to his new film, The Lighthouse One. Casey saw

0:13:08.520 --> 0:13:11.400
<v Speaker 1>it at Can and so that a can but like

0:13:11.440 --> 0:13:13.480
<v Speaker 1>he goes to Paris every year wre Can is going

0:13:13.520 --> 0:13:16.559
<v Speaker 1>on and they kind of duplicate some of the programming

0:13:16.559 --> 0:13:18.240
<v Speaker 1>at some theaters around Paris, and he saw it. He

0:13:18.240 --> 0:13:22.319
<v Speaker 1>said it was really fucked. Yeah, and Casey and are

0:13:22.360 --> 0:13:26.559
<v Speaker 1>recording right after this A Casey at Can Uh special fantastic,

0:13:26.920 --> 0:13:28.880
<v Speaker 1>which is I didn't know it was really Casey in Paris.

0:13:28.960 --> 0:13:31.840
<v Speaker 1>It's Casey in Paris. But it's connected to to the festival.

0:13:32.120 --> 0:13:34.520
<v Speaker 1>So you got a yes, you're ahead on the yes

0:13:34.600 --> 0:13:36.640
<v Speaker 1>is now Chuck, all right, I'm gonna throw you for

0:13:36.640 --> 0:13:38.120
<v Speaker 1>a little bit of a loop here. It's a more

0:13:38.160 --> 0:13:40.640
<v Speaker 1>recent one that didn't get a lot of buzz. Very good.

0:13:40.840 --> 0:13:44.839
<v Speaker 1>It's called The Black Coats daughter and it was directed

0:13:44.880 --> 0:13:49.360
<v Speaker 1>by Anthony Perkins Son. Oh really yeah, his name is

0:13:49.360 --> 0:13:51.960
<v Speaker 1>oz I believe or something like that. Well he is

0:13:52.080 --> 0:13:53.959
<v Speaker 1>he does he have two sons or maybe maybe he

0:13:54.000 --> 0:13:57.439
<v Speaker 1>maybe has the Perkins O Perkins I believe, which I

0:13:57.679 --> 0:14:00.320
<v Speaker 1>imagine it's short for Oswald, but who was wants to

0:14:00.320 --> 0:14:04.280
<v Speaker 1>call it kid Oswald? Um, it's it's very good. It's

0:14:04.280 --> 0:14:08.160
<v Speaker 1>got the young girl from Madman in it. The other

0:14:08.240 --> 0:14:12.000
<v Speaker 1>girl I believe was in American horror story I want

0:14:12.000 --> 0:14:16.360
<v Speaker 1>to say, um, but it's a very dark, creepy Roberts

0:14:16.400 --> 0:14:20.640
<v Speaker 1>Emma Roberts exactly she was in That's right. Uh, really cool,

0:14:20.680 --> 0:14:25.240
<v Speaker 1>twisty kind of thing, very subtle, very moody and drony

0:14:25.440 --> 0:14:27.600
<v Speaker 1>and a lot of atmosphere. This all takes place in

0:14:27.640 --> 0:14:31.320
<v Speaker 1>like a snowstorm. Really really recommended. I believe it's streaming somewhere.

0:14:31.400 --> 0:14:33.080
<v Speaker 1>I have to check that out. And no, I'm gonna

0:14:33.120 --> 0:14:37.600
<v Speaker 1>give you just one question. Sure is it psychedelic at times?

0:14:38.400 --> 0:14:40.680
<v Speaker 1>Less so it's a little more drab and kind of

0:14:40.720 --> 0:14:44.600
<v Speaker 1>like you know, plotting and doom heavy. It's very doom heavy.

0:14:44.880 --> 0:14:47.200
<v Speaker 1>By the way. A Field in England is uh for

0:14:47.240 --> 0:14:49.720
<v Speaker 1>free on Amazon Prime, right now, dude, we talked about that,

0:14:49.400 --> 0:14:51.720
<v Speaker 1>and I'm glad you reminded because I really do want

0:14:51.760 --> 0:14:54.520
<v Speaker 1>to put it on the old watch list. Alright, you're

0:14:54.560 --> 0:14:56.280
<v Speaker 1>four for four, my man, four and four. What do

0:14:56.520 --> 0:14:58.400
<v Speaker 1>you call it when you're tied with yourself at four?

0:14:58.720 --> 0:15:01.280
<v Speaker 1>Four for four? You call it a stalemate? It's a

0:15:01.280 --> 0:15:05.000
<v Speaker 1>dead heat, a dead heat? Yeah, stalemate, got it? Okay, next,

0:15:05.040 --> 0:15:08.200
<v Speaker 1>we've got I think this could be considered a horror film,

0:15:08.280 --> 0:15:11.520
<v Speaker 1>Angel Heart, Oh for sure. Okay, yeah, you get a

0:15:11.560 --> 0:15:14.840
<v Speaker 1>slash now through the floor. Yeah. I wonder if that

0:15:14.920 --> 0:15:17.560
<v Speaker 1>movie holds up. Oh, I bet it's very schlocky. It

0:15:17.560 --> 0:15:19.440
<v Speaker 1>probably does not hold up because I just remember the

0:15:19.440 --> 0:15:23.880
<v Speaker 1>scene where Lisa Bone gets trenched in blood like having

0:15:23.920 --> 0:15:28.320
<v Speaker 1>sex with Yeah. Yeah, back when Mickey work still looked

0:15:28.360 --> 0:15:31.360
<v Speaker 1>like a human kind of you know then h Robert

0:15:31.400 --> 0:15:35.760
<v Speaker 1>Jenniro with the thinly veiled Louis Cipher character. That's right,

0:15:36.440 --> 0:15:41.960
<v Speaker 1>Louis Cipher. Yeah, that was kind of Angel hartist because

0:15:42.000 --> 0:15:45.160
<v Speaker 1>it's the director I believe was Alan Parker who did

0:15:45.760 --> 0:15:48.200
<v Speaker 1>who did The Wall, which I was always a fan of,

0:15:48.240 --> 0:15:50.040
<v Speaker 1>but also kind of a heavy handed film if you

0:15:50.080 --> 0:15:53.400
<v Speaker 1>look back on it, but an important one for for moody,

0:15:53.520 --> 0:15:56.160
<v Speaker 1>you know, preteen knoll Well, and I think Angel Hart

0:15:56.200 --> 0:16:00.640
<v Speaker 1>falls into that eighties movie category like this where, uh,

0:16:00.640 --> 0:16:03.280
<v Speaker 1>it's probably perfect for the time, but I bet it doesn't.

0:16:03.280 --> 0:16:05.040
<v Speaker 1>A bet it doesn't. In fact, maybe even a little

0:16:05.120 --> 0:16:07.360
<v Speaker 1>edgy for the time. Lisa Bone kind of was given

0:16:07.400 --> 0:16:11.440
<v Speaker 1>a hard time for that that performance, yeah, because she

0:16:11.560 --> 0:16:14.560
<v Speaker 1>was like, you know, squeaky clean Cosby girl, right, and

0:16:14.680 --> 0:16:17.120
<v Speaker 1>she came out and she came out and had kinky

0:16:17.160 --> 0:16:22.800
<v Speaker 1>blood sex growths. Alright, moving on now, this is this

0:16:22.880 --> 0:16:24.360
<v Speaker 1>is not a bait and switch. This is this is

0:16:24.400 --> 0:16:29.160
<v Speaker 1>a very important film. Nightmare on Elm Street two, Yes,

0:16:29.800 --> 0:16:33.520
<v Speaker 1>I saw, I might have seen the first three of those.

0:16:34.120 --> 0:16:35.560
<v Speaker 1>Do you know why night Mary and Elm Street two

0:16:35.640 --> 0:16:40.680
<v Speaker 1>is important? Though? Um No, I don't. It's considered the

0:16:40.720 --> 0:16:43.880
<v Speaker 1>gayest horror movie of all time. Right, you've mentioned that

0:16:44.000 --> 0:16:47.440
<v Speaker 1>because the protagonist it doesn't have like a scream queen.

0:16:47.760 --> 0:16:50.600
<v Speaker 1>It has like this guy who is this very thinly

0:16:50.680 --> 0:16:54.320
<v Speaker 1>veiled kind of gay character that seems to be struggling

0:16:54.360 --> 0:16:58.640
<v Speaker 1>with his sexuality. And it's not it's it's played very subtly,

0:16:58.720 --> 0:17:00.800
<v Speaker 1>I would argue it. Maybe I don't know. There's a

0:17:00.800 --> 0:17:03.280
<v Speaker 1>documentary about it actually I don't know. I just see

0:17:03.400 --> 0:17:06.760
<v Speaker 1>right now and Bloody Disgusting dot com. Uh it is

0:17:06.840 --> 0:17:12.680
<v Speaker 1>listed in uh Scream Queens, Horror, Queers, Nightmare to Freddy's

0:17:12.720 --> 0:17:16.080
<v Speaker 1>Revenge a ka the gayest horror movie ever made. It's

0:17:16.080 --> 0:17:18.199
<v Speaker 1>and there's a documentary about it that someone that I

0:17:18.280 --> 0:17:21.040
<v Speaker 1>know had something to do with, And now I'm linking

0:17:21.080 --> 0:17:24.760
<v Speaker 1>on who that was. But uh, really really really interesting film.

0:17:24.920 --> 0:17:27.920
<v Speaker 1>Um so crazy because Nightmare one was always such a

0:17:28.000 --> 0:17:30.800
<v Speaker 1>runaway success that I guess they had to make two

0:17:30.840 --> 0:17:33.520
<v Speaker 1>really quickly. And they may be like they kind of

0:17:33.600 --> 0:17:35.280
<v Speaker 1>let it go off the rails, do they let whoever

0:17:35.280 --> 0:17:36.639
<v Speaker 1>they gave it to kind of like take it in

0:17:36.680 --> 0:17:39.520
<v Speaker 1>this completely different direction? And like the studios weren't vetting

0:17:39.520 --> 0:17:41.600
<v Speaker 1>and not saying that it's not amazing, but it's very

0:17:41.600 --> 0:17:43.960
<v Speaker 1>off brand based on what the first one was, and

0:17:44.000 --> 0:17:46.119
<v Speaker 1>for that to be the second one I thought was

0:17:46.200 --> 0:17:48.960
<v Speaker 1>very interesting. You know who directed that. It's this guy

0:17:48.960 --> 0:17:50.719
<v Speaker 1>who really never did anything else that as far as

0:17:50.760 --> 0:17:53.439
<v Speaker 1>I remember. Interesting. I wonder if he was gay. No,

0:17:53.520 --> 0:17:55.159
<v Speaker 1>I think he definitely was. And like it's all in

0:17:55.160 --> 0:17:57.800
<v Speaker 1>the documentary that you just mentioned, which I've seen clips

0:17:57.800 --> 0:17:59.920
<v Speaker 1>from but haven't seen the whole thing. But I definitely

0:18:00.000 --> 0:18:02.600
<v Speaker 1>recommend anybody that's interested in, you know, the kind of

0:18:02.720 --> 0:18:06.880
<v Speaker 1>subverting horror tropes, you know, to check that out. Yeah,

0:18:06.880 --> 0:18:10.280
<v Speaker 1>i'd like to see that again. Actually, all right, you're

0:18:10.320 --> 0:18:12.600
<v Speaker 1>doing well, Chuck. You're actually ahead on the yeses. Now

0:18:13.480 --> 0:18:17.080
<v Speaker 1>you're ahead on the yeses. Um, all right, we've got now.

0:18:17.320 --> 0:18:20.600
<v Speaker 1>Next on the list a little movie from David Kronenberg

0:18:20.680 --> 0:18:25.160
<v Speaker 1>called Rabbit. Did not see Rabbit? Okay? It's sort of

0:18:25.200 --> 0:18:28.200
<v Speaker 1>like a zombie thing, but it's more like a virus

0:18:28.600 --> 0:18:31.280
<v Speaker 1>and it's actually infecting everybody and everyone becomes these kind

0:18:31.280 --> 0:18:34.720
<v Speaker 1>of like crazy zombies, um, you know, eating each other.

0:18:34.720 --> 0:18:41.240
<v Speaker 1>But it's not a traditional seventiesnerg Is for me. There's

0:18:41.280 --> 0:18:43.040
<v Speaker 1>a lot of them, man, and they all have like

0:18:43.119 --> 0:18:48.879
<v Speaker 1>one name titles. It's great. And he's such an interesting

0:18:48.880 --> 0:18:51.920
<v Speaker 1>guy because he's evolved like so insanely like into making

0:18:51.920 --> 0:18:57.240
<v Speaker 1>these just like American masterpieces like Eastern Promises and the

0:18:57.359 --> 0:19:02.120
<v Speaker 1>History of Violence and so talented. What was he doing lately?

0:19:02.160 --> 0:19:04.960
<v Speaker 1>I'd like to see more out of David Cronenberg. Huh

0:19:05.160 --> 0:19:07.040
<v Speaker 1>that movie? Yeah, it's been a long time now that

0:19:07.080 --> 0:19:09.199
<v Speaker 1>I think about it. Um. Speaking of which, just not

0:19:09.280 --> 0:19:11.440
<v Speaker 1>to de real entirely, but it's on it's on on topic.

0:19:11.480 --> 0:19:13.560
<v Speaker 1>Have you seen the new Gym Jarmish zombie movie yet?

0:19:13.720 --> 0:19:16.120
<v Speaker 1>The Dead Don't Die? No? Is that out? It's out? Okay?

0:19:16.200 --> 0:19:19.040
<v Speaker 1>I heard it wasn't great. Um, he's he's hit or

0:19:19.040 --> 0:19:21.239
<v Speaker 1>missed for make kind of honesty. I mean, I love

0:19:21.320 --> 0:19:25.919
<v Speaker 1>me some Jim Jarmish, but he hasn't wowed me in

0:19:25.960 --> 0:19:28.400
<v Speaker 1>a little bit. I'll just say that. My friend described

0:19:28.400 --> 0:19:32.240
<v Speaker 1>it as painfully self aware, which seems kind of on

0:19:32.359 --> 0:19:34.760
<v Speaker 1>brand for him at times. Interesting. I also need to

0:19:34.800 --> 0:19:37.680
<v Speaker 1>see that Cosmopolis movie that Cronenberg did that was good

0:19:38.000 --> 0:19:41.440
<v Speaker 1>with Pattinson. I think Pattinson is awesome. How do you

0:19:41.480 --> 0:19:43.119
<v Speaker 1>feel about him as Batman? I think it's a really

0:19:43.160 --> 0:19:45.800
<v Speaker 1>interesting choice. It's great. Why not. He's a good actor.

0:19:45.920 --> 0:19:47.919
<v Speaker 1>He's got a nice square jaw. He looks like comic

0:19:47.920 --> 0:19:51.320
<v Speaker 1>book batman kind of everyone just leave the old Twilight

0:19:51.400 --> 0:19:53.600
<v Speaker 1>thing in the dust and let him go on with

0:19:53.600 --> 0:19:55.440
<v Speaker 1>his life and be a great actor. He already is man.

0:19:55.480 --> 0:19:58.000
<v Speaker 1>He didn't give a ship. Have you seen a good

0:19:58.040 --> 0:20:01.200
<v Speaker 1>Time Good Times? I haven't seen that either. It's incredible.

0:20:01.240 --> 0:20:03.119
<v Speaker 1>I know those cause Mapolis and good Times to the

0:20:03.119 --> 0:20:05.080
<v Speaker 1>two that I really really want to see it's really,

0:20:05.080 --> 0:20:08.240
<v Speaker 1>really good. I cannot recommend that one enough. Um, okay,

0:20:08.320 --> 0:20:11.000
<v Speaker 1>moving on, we've got this is just this was a

0:20:11.080 --> 0:20:12.640
<v Speaker 1>this was a bit of a wank on my part.

0:20:12.800 --> 0:20:18.520
<v Speaker 1>Friday Part two, Yes, yeah, okay, great. I saw the first.

0:20:19.560 --> 0:20:21.879
<v Speaker 1>I didn't definitely didn't watch many of those, but I

0:20:21.880 --> 0:20:24.359
<v Speaker 1>saw the first I think three, because three was in

0:20:24.400 --> 0:20:26.400
<v Speaker 1>three D. Do you have a sense of the time

0:20:26.440 --> 0:20:28.280
<v Speaker 1>when those came out? What was it like, how quickly

0:20:28.320 --> 0:20:31.040
<v Speaker 1>did they come out in succession? Like was it like

0:20:31.080 --> 0:20:33.040
<v Speaker 1>you were ready to go for two and then like

0:20:33.040 --> 0:20:35.359
<v Speaker 1>it was like an event anything. I'm wondering what that

0:20:35.359 --> 0:20:38.880
<v Speaker 1>because I was pretty young. Um and uh, a little

0:20:38.920 --> 0:20:44.040
<v Speaker 1>Baptist boy. That's right. I mentioned a gazillion times, so

0:20:44.280 --> 0:20:46.919
<v Speaker 1>I wasn't like, I mean, Friday thirteenth one came out

0:20:46.960 --> 0:20:49.840
<v Speaker 1>in nineteen eighty I was nine, okay, so you wouldn't

0:20:49.840 --> 0:20:52.360
<v Speaker 1>have seen it in the theater. No, these were all

0:20:52.920 --> 0:20:56.520
<v Speaker 1>things that I saw on video. Um, at least two

0:20:56.600 --> 0:20:58.919
<v Speaker 1>or three years after the fact. That makes sense, all right.

0:20:59.359 --> 0:21:01.679
<v Speaker 1>Part two is eighty one. So they it seems like

0:21:01.720 --> 0:21:04.200
<v Speaker 1>they came out and he turned back quick that secession

0:21:04.240 --> 0:21:08.720
<v Speaker 1>at first, but there was so much. And eight two

0:21:08.800 --> 0:21:10.399
<v Speaker 1>was part three, so yeah, they were every year for

0:21:10.400 --> 0:21:13.160
<v Speaker 1>a little while. Um, there were such a big deal

0:21:13.600 --> 0:21:15.600
<v Speaker 1>that there were these secret movies that I tried to

0:21:15.640 --> 0:21:18.720
<v Speaker 1>watch as soon as possible, like in in quiet what

0:21:18.800 --> 0:21:20.560
<v Speaker 1>was the scuttle butt? Though? The more people are saying like,

0:21:20.600 --> 0:21:23.040
<v Speaker 1>this is the scariest thing you'll ever see, it's just

0:21:24.320 --> 0:21:26.720
<v Speaker 1>now because there was no internet, so you don't really

0:21:26.800 --> 0:21:30.840
<v Speaker 1>know what everyone thought about everything. But the word around

0:21:30.880 --> 0:21:33.840
<v Speaker 1>this lunch table was, you know, this guy wears a

0:21:33.840 --> 0:21:37.720
<v Speaker 1>hockey mask and kills people with a machete. Nice that sounds, yeah,

0:21:37.880 --> 0:21:39.640
<v Speaker 1>it was. It was too the one where he bashes

0:21:39.680 --> 0:21:42.080
<v Speaker 1>someone against a tree in a sleeping bag. That's the

0:21:42.119 --> 0:21:44.280
<v Speaker 1>move I always remember. The most I don't remember, but

0:21:44.359 --> 0:21:46.639
<v Speaker 1>two was the first one where we really get Jason.

0:21:47.080 --> 0:21:49.119
<v Speaker 1>That's right. See, so two was kind of the event

0:21:49.160 --> 0:21:51.200
<v Speaker 1>movie because the first one is like, he's not even

0:21:51.280 --> 0:21:53.800
<v Speaker 1>hockey masked up. It's his mom. That's a spoiler alert

0:21:53.840 --> 0:21:57.840
<v Speaker 1>for his mom, you know movie from it was his mom.

0:21:58.160 --> 0:21:59.920
<v Speaker 1>And then the second one probably is the one where

0:21:59.920 --> 0:22:03.320
<v Speaker 1>he bashes the person in the sleepy mass up he's

0:22:03.400 --> 0:22:06.919
<v Speaker 1>massed up. Yeah, okay, we're looking good. You are killing

0:22:06.920 --> 0:22:11.040
<v Speaker 1>this by the way, you're seven, yes is five? Nos? Uh?

0:22:11.080 --> 0:22:12.600
<v Speaker 1>And this is going to be an instant Yes, I

0:22:12.600 --> 0:22:16.199
<v Speaker 1>already know this the thing, yes, yeah, the thing. I

0:22:16.240 --> 0:22:18.359
<v Speaker 1>covered that on this very show. Now what you did

0:22:18.359 --> 0:22:22.960
<v Speaker 1>that as an episode with somebody Craig Johnson? Really, who

0:22:23.000 --> 0:22:24.560
<v Speaker 1>did you do Big Trouble in Little China with? That?

0:22:24.600 --> 0:22:27.560
<v Speaker 1>Was Kyle Kanane? Okay, I didn't realize you did the thing.

0:22:28.000 --> 0:22:30.800
<v Speaker 1>That's my bad, dude. Okay, well then that's a that's

0:22:30.800 --> 0:22:32.960
<v Speaker 1>a gimme for you. So you're really crushing it now.

0:22:33.280 --> 0:22:37.840
<v Speaker 1>Um okay, Carrie to the Rage. You didn't see the rage.

0:22:37.840 --> 0:22:42.280
<v Speaker 1>See that's a shame, Chuck. Very good film. Have you

0:22:42.320 --> 0:22:47.000
<v Speaker 1>seen The Conjuring? Uh? The Conjuring that was the more

0:22:47.040 --> 0:22:50.320
<v Speaker 1>recent one. Yes. The Conjuring is about a group of

0:22:50.359 --> 0:22:53.879
<v Speaker 1>paranormal investigators who were based on real people. Was that Yeah?

0:22:54.000 --> 0:22:57.800
<v Speaker 1>I saw that first one because it had Vera Farmiga. Yes, yeah, yep,

0:22:57.920 --> 0:23:00.879
<v Speaker 1>I saw that, goodness, but I did not see any

0:23:00.880 --> 0:23:03.480
<v Speaker 1>of the rest. You're besting me. The Conjuring too, was

0:23:03.520 --> 0:23:06.000
<v Speaker 1>pretty good, and then then they started making the Annabelle

0:23:06.000 --> 0:23:08.399
<v Speaker 1>ones about like the creepy doll or whatever, so I

0:23:08.480 --> 0:23:11.639
<v Speaker 1>kind of like got confused as to what universe everything

0:23:11.680 --> 0:23:13.720
<v Speaker 1>was part of the original conjuring was. I thought it

0:23:13.760 --> 0:23:16.359
<v Speaker 1>was pretty good. Actually, I remember being quite scared that

0:23:16.400 --> 0:23:18.640
<v Speaker 1>guy James Wan, who is now the king of those

0:23:18.760 --> 0:23:22.399
<v Speaker 1>kind of like you know, creepy jump scare kind of

0:23:22.440 --> 0:23:25.320
<v Speaker 1>like ghost movies. Yeah, and who who the guy was?

0:23:25.520 --> 0:23:30.960
<v Speaker 1>What's his face? Patrick Wilson? Yeah, from Lily Taylor. Yeah

0:23:31.160 --> 0:23:34.439
<v Speaker 1>that's right. Yeah, Okay, great, we're almost We're almost. We're

0:23:34.480 --> 0:23:36.680
<v Speaker 1>nearing the home stretch here. This is also a gimme

0:23:36.760 --> 0:23:39.760
<v Speaker 1>because this is the one everyone remembers Evil Dead too. Yeah,

0:23:39.800 --> 0:23:42.359
<v Speaker 1>for sure, I've seen all of us, because that's the

0:23:42.400 --> 0:23:44.160
<v Speaker 1>one where they really lean into the fact that it's

0:23:44.160 --> 0:23:48.560
<v Speaker 1>actually kind of funny. Because Evil Dead one was accidentally funny,

0:23:48.600 --> 0:23:50.480
<v Speaker 1>I would argue, and was trying to be a little

0:23:50.520 --> 0:23:52.840
<v Speaker 1>more scary, and then he definitely more straight up horror,

0:23:53.200 --> 0:23:56.120
<v Speaker 1>but the sense of humor. I think Sam Ramie realized

0:23:56.160 --> 0:23:58.119
<v Speaker 1>what a funny person Bruce Gampbell was, and then he

0:23:58.160 --> 0:23:59.879
<v Speaker 1>really leaned into that for this for for two and

0:24:00.000 --> 0:24:02.520
<v Speaker 1>an army of darkness of course, yeah, which is when

0:24:02.560 --> 0:24:05.119
<v Speaker 1>it just went over the top. My goodness, Chuck, you

0:24:05.160 --> 0:24:10.440
<v Speaker 1>are really slaying huh. That's a horror reference. Okay, Um,

0:24:10.640 --> 0:24:20.240
<v Speaker 1>zombie with an eye luccio Fulci horror zombie flick. Okay, okay, um,

0:24:20.320 --> 0:24:22.320
<v Speaker 1>I'm you know. I was getting desperate here at the end,

0:24:22.320 --> 0:24:26.080
<v Speaker 1>so I got another luccio Fulci here the beyond. Okay,

0:24:27.520 --> 0:24:29.560
<v Speaker 1>I mean I'm getting some points back here, Chuck, good,

0:24:30.320 --> 0:24:32.280
<v Speaker 1>let me do a quick tally here, real quick. Yeah?

0:24:32.280 --> 0:24:36.359
<v Speaker 1>Where are we? Um? I should probably use word instead

0:24:36.359 --> 0:24:44.240
<v Speaker 1>of notes one, two, three, four. I've got to add one.

0:24:45.240 --> 0:24:46.959
<v Speaker 1>Were you out? I'm out? No? No, I've got one

0:24:46.960 --> 0:24:52.400
<v Speaker 1>more Cannibal Holocaust. Uh, that wasn't one of those ones

0:24:52.440 --> 0:24:55.360
<v Speaker 1>that you were just int I'm gonna have to say

0:24:55.400 --> 0:24:58.720
<v Speaker 1>no because I've only seen parts of that, uh and

0:24:58.840 --> 0:25:01.240
<v Speaker 1>certainly have been best getting the legend of that film,

0:25:01.240 --> 0:25:02.800
<v Speaker 1>but I have not sat down a mutched it all

0:25:02.800 --> 0:25:08.800
<v Speaker 1>the way through. Okay, wow, who got you? You are? Ten? Yes?

0:25:08.960 --> 0:25:12.679
<v Speaker 1>Is nine knows with one more to go that I

0:25:12.720 --> 0:25:14.560
<v Speaker 1>had to just pull off the top of my head.

0:25:14.680 --> 0:25:19.000
<v Speaker 1>So I can't lose, alrightn't lose the worst I will do.

0:25:19.840 --> 0:25:22.359
<v Speaker 1>I can live with that. Oh boy, this is hard, Chuck,

0:25:23.040 --> 0:25:28.239
<v Speaker 1>Um do TV mini series count? Okay, movie crush, it's

0:25:28.240 --> 0:25:30.960
<v Speaker 1>not mini series crush. It's mini crush though, so I

0:25:31.000 --> 0:25:33.000
<v Speaker 1>feel a good point. I figured mini series is might

0:25:33.040 --> 0:25:35.399
<v Speaker 1>be on the table. Um, all right, here we go.

0:25:35.600 --> 0:25:41.800
<v Speaker 1>Hang on, I'm pulling up Okay, okay, Henry A Portrait

0:25:41.840 --> 0:25:46.040
<v Speaker 1>of a serial Killer. Yes, that was another vision video special.

0:25:46.119 --> 0:25:49.040
<v Speaker 1>He bested me. And here's that guy. He plays Merle

0:25:49.119 --> 0:25:52.000
<v Speaker 1>in The Walking Dead, and he plays uh Jon Do

0:25:52.280 --> 0:25:55.680
<v Speaker 1>or Yondo Yondo in the Guardians of the Galaxies movies. Yeah,

0:25:55.680 --> 0:25:58.240
<v Speaker 1>he's great. He's so great. And it's a really fucked up,

0:25:58.320 --> 0:26:01.600
<v Speaker 1>little schlocky kind of like serial killer movie. Um. I

0:26:01.600 --> 0:26:03.640
<v Speaker 1>don't think it's based on anybody in particular at all.

0:26:04.280 --> 0:26:06.280
<v Speaker 1>This was a big deal. I mean not a big deal.

0:26:06.359 --> 0:26:09.160
<v Speaker 1>It wasn't a big movie, but on the indie circuit

0:26:09.240 --> 0:26:11.680
<v Speaker 1>it got a lot of attention. Michael Rooker, the Great

0:26:12.119 --> 0:26:15.560
<v Speaker 1>Ker and John McNaughton. What adults did John McNaughton do.

0:26:15.640 --> 0:26:19.160
<v Speaker 1>He wrote and directed it. I don't know. That name

0:26:19.240 --> 0:26:23.240
<v Speaker 1>is very familiar. It does sound familiar. I'm thinking David Notton,

0:26:24.520 --> 0:26:27.320
<v Speaker 1>Wild Things, the Sexiest movie of all time? Mad Dog

0:26:27.359 --> 0:26:29.600
<v Speaker 1>and Glory? Remember Mad Dog? And Boy? Did I not

0:26:29.640 --> 0:26:31.159
<v Speaker 1>mentioned to you? That was a movie that I That

0:26:31.200 --> 0:26:32.560
<v Speaker 1>was one of the I think that was the first

0:26:32.640 --> 0:26:34.680
<v Speaker 1>Led movie I saw in the theater and my mom

0:26:34.720 --> 0:26:37.919
<v Speaker 1>took me and there is a very uh, you know,

0:26:38.000 --> 0:26:40.200
<v Speaker 1>pretty serious sex scene in it. I was very young,

0:26:40.600 --> 0:26:44.840
<v Speaker 1>and I remember being kind of uncomfortable. Chuck, that was

0:26:45.119 --> 0:26:48.840
<v Speaker 1>much more of a of an edge of the edge

0:26:48.880 --> 0:26:51.560
<v Speaker 1>of the cedar than I expected. Well done, dude, all right,

0:26:51.600 --> 0:26:55.920
<v Speaker 1>that was fun nol. I like being hold your horrbles

0:26:56.920 --> 0:26:59.199
<v Speaker 1>Chuck's horrible holes. All right. Now we're gonna finish up

0:26:59.200 --> 0:27:01.320
<v Speaker 1>today with another addition and of stump the chumps. This

0:27:01.359 --> 0:27:05.120
<v Speaker 1>time I got smart. I started from scratch and said,

0:27:05.359 --> 0:27:08.640
<v Speaker 1>put the answer please, because it's just such a jack

0:27:08.680 --> 0:27:11.399
<v Speaker 1>off if we're in here about the answers even yea,

0:27:11.480 --> 0:27:14.160
<v Speaker 1>and then we're like scrambling to google it and it's

0:27:14.160 --> 0:27:16.520
<v Speaker 1>an open ended question that it's very different. This is

0:27:16.600 --> 0:27:18.840
<v Speaker 1>very well done. Bad Radio appreciate that. Um. So we're

0:27:18.840 --> 0:27:20.880
<v Speaker 1>gonna try it this way. What I asked for for

0:27:20.880 --> 0:27:23.600
<v Speaker 1>both of us, Knull. We're going to combine our brain

0:27:23.880 --> 0:27:26.639
<v Speaker 1>power and we're gonna see if we can answer questions

0:27:26.640 --> 0:27:29.439
<v Speaker 1>about die Hard and Back to the Future. I like

0:27:29.520 --> 0:27:31.960
<v Speaker 1>both of those films, all right. So, uh, this is

0:27:32.040 --> 0:27:38.240
<v Speaker 1>from Amanda coso Bucky from her husband. Actually, um, she says,

0:27:38.280 --> 0:27:41.760
<v Speaker 1>she's telling her what to type. I guess, tell your

0:27:41.800 --> 0:27:46.679
<v Speaker 1>husband get a fucking laptop. Seriously, man, what model of

0:27:46.760 --> 0:27:50.760
<v Speaker 1>car did George McFly owned that Biff crashed. I have

0:27:50.800 --> 0:27:54.240
<v Speaker 1>no idea. I have no idea either, Pontiac seventy nine

0:27:54.320 --> 0:27:56.400
<v Speaker 1>Chevy Nova. It was not a seventy nine Chevy Nova.

0:27:56.480 --> 0:27:58.600
<v Speaker 1>You're shirt about that? Well, yeah, because it was the

0:27:58.680 --> 0:28:02.679
<v Speaker 1>nineteen fifties. Oh well that's right. No, no, no, no,

0:28:02.720 --> 0:28:05.040
<v Speaker 1>he did it maybe in the in the in the

0:28:05.119 --> 0:28:09.920
<v Speaker 1>present because he's supposed to wash the car George McFly own. Yeah,

0:28:09.960 --> 0:28:13.520
<v Speaker 1>because Biff was supposed to wash his car, because old Biff,

0:28:13.600 --> 0:28:16.600
<v Speaker 1>when he's all pathetic, old Beiff, he's we're supposed to

0:28:16.680 --> 0:28:18.720
<v Speaker 1>he lets him borrow his car. He bullies him in

0:28:18.760 --> 0:28:21.639
<v Speaker 1>the beause, No, I think it's in the it's not

0:28:21.680 --> 0:28:23.800
<v Speaker 1>in the first one. Are you sure? I have a

0:28:23.920 --> 0:28:27.280
<v Speaker 1>very distinct memory of like early on before things have

0:28:27.400 --> 0:28:32.119
<v Speaker 1>changed for the better car. Because he borrowed Marty. He

0:28:32.160 --> 0:28:34.120
<v Speaker 1>can't go on the date because he Biff crashed the car.

0:28:34.400 --> 0:28:37.280
<v Speaker 1>Crashed the car. Okay, yea fair enough, sen But that's

0:28:37.280 --> 0:28:40.240
<v Speaker 1>a deep cut. That is a deep cut. I would

0:28:40.240 --> 0:28:45.000
<v Speaker 1>not have known that. Nope, alright, let's see here from

0:28:45.000 --> 0:28:47.040
<v Speaker 1>a John mulaney bit. This is from D. C. Hoover.

0:28:48.720 --> 0:28:51.120
<v Speaker 1>Why the heck was Marty's best friend and back to

0:28:51.200 --> 0:28:56.080
<v Speaker 1>the future an old disgraced nuclear physicist? And why do

0:28:56.200 --> 0:29:00.320
<v Speaker 1>we just um accept that fact with no explanation. I'm

0:29:00.360 --> 0:29:03.840
<v Speaker 1>not sure that there's an answer to that. It's sort

0:29:03.840 --> 0:29:05.720
<v Speaker 1>of the basis of the whole thing. He says. There

0:29:05.760 --> 0:29:08.360
<v Speaker 1>is no right answer. D C. Hoover, you're fired. Yeah, No,

0:29:08.480 --> 0:29:10.720
<v Speaker 1>I think it's a I mean, it's one of those

0:29:10.760 --> 0:29:12.680
<v Speaker 1>things you just have to accept. I mean maybe, Like

0:29:12.760 --> 0:29:15.680
<v Speaker 1>but here, here's the weird thing. Though Marty McFly seems

0:29:15.720 --> 0:29:18.479
<v Speaker 1>like he would be a popular kid. He seems like cool.

0:29:18.840 --> 0:29:21.840
<v Speaker 1>He plays electric guitar. You know, he did skateboard Happy

0:29:21.920 --> 0:29:24.920
<v Speaker 1>Dress series, a skateboarder. Where are all his pals? Why

0:29:24.960 --> 0:29:27.640
<v Speaker 1>is he just spending his time? Yeah, he has no friends.

0:29:27.680 --> 0:29:30.040
<v Speaker 1>You know what it is, he himself is an inventor,

0:29:30.200 --> 0:29:31.840
<v Speaker 1>because in the beginning of the movie he's got that

0:29:31.880 --> 0:29:35.320
<v Speaker 1>crazy guitar app set up. He's obviously around made that.

0:29:35.680 --> 0:29:38.000
<v Speaker 1>Are you sure? Yeah, because he asked him, he said,

0:29:38.000 --> 0:29:39.600
<v Speaker 1>how's how the new thing go that I built you

0:29:39.680 --> 0:29:41.840
<v Speaker 1>or whatever he was like Doc, it might be a

0:29:41.880 --> 0:29:44.520
<v Speaker 1>little hard wired, or you don't think maybe Marty is

0:29:44.560 --> 0:29:47.200
<v Speaker 1>like a tinkerer at heart where he connects with Doc

0:29:47.240 --> 0:29:49.440
<v Speaker 1>on that level, there is a connection. There's nobody else

0:29:49.560 --> 0:29:56.880
<v Speaker 1>understands him. Interesting, all right, John Chanel, I'm sorry, John

0:29:56.880 --> 0:30:00.560
<v Speaker 1>Shawl says this back to the future. What actress originally

0:30:00.560 --> 0:30:04.600
<v Speaker 1>portrayed Jennifer Parker. I did not know that they switched

0:30:04.640 --> 0:30:07.920
<v Speaker 1>that role as well. Did you know that, Noel, Because

0:30:07.920 --> 0:30:10.440
<v Speaker 1>we all know that Eric Stoltz originally played Martin mc flowers.

0:30:11.320 --> 0:30:14.160
<v Speaker 1>So I'm gonna scroll down here. Claudia Wells. I don't

0:30:14.160 --> 0:30:17.040
<v Speaker 1>know who that is. She stepped away from acting after

0:30:17.040 --> 0:30:22.960
<v Speaker 1>her mother was diagnosed with cancer. Mm hm oh oh, okay,

0:30:23.160 --> 0:30:26.959
<v Speaker 1>I see what he's saying. Jennifer Parker was played by

0:30:26.960 --> 0:30:30.160
<v Speaker 1>Claudie Wells in the first movie. Yes, Elizabeth Shoe replaced her.

0:30:30.200 --> 0:30:32.640
<v Speaker 1>I knew that, but I did not know that her

0:30:32.720 --> 0:30:35.800
<v Speaker 1>name was Claudie Wells. Elizabeth Shoe replaced her in the

0:30:35.880 --> 0:30:40.200
<v Speaker 1>second movie, different actress. Yeah, I didn't realize that. Yeah, yeah, yeah,

0:30:40.600 --> 0:30:42.600
<v Speaker 1>but I did not know that about Claudia Wells. It's

0:30:42.720 --> 0:30:47.080
<v Speaker 1>very sad. Pretty good casting switcher rue because I honestly

0:30:47.120 --> 0:30:50.959
<v Speaker 1>never clocked that they were different actresses at all. All right,

0:30:50.960 --> 0:30:52.640
<v Speaker 1>we're gonna go. We'll see if there's a die Hard

0:30:52.640 --> 0:30:55.400
<v Speaker 1>one in here. All right, here, old pal, Jeff, Noel.

0:30:56.240 --> 0:30:58.240
<v Speaker 1>What do both die Hard and Back to the Future

0:30:58.280 --> 0:31:03.320
<v Speaker 1>have in common? They're Christmas movies. No, that's a very

0:31:03.360 --> 0:31:06.360
<v Speaker 1>open ended question, because you could say their eighties movies. Yeah,

0:31:06.400 --> 0:31:07.840
<v Speaker 1>you could say a lot. We need to say a

0:31:07.840 --> 0:31:10.320
<v Speaker 1>lot more of of a clue there. But I'm trying

0:31:10.320 --> 0:31:13.760
<v Speaker 1>to think here, is there a shared actor or I

0:31:13.800 --> 0:31:18.360
<v Speaker 1>don't think so. Back to the Future and die Hard,

0:31:21.560 --> 0:31:24.960
<v Speaker 1>I can't think of a direct crossover. It feels like

0:31:24.960 --> 0:31:27.800
<v Speaker 1>I got you question. It does. But Jeff's a stand

0:31:27.840 --> 0:31:32.720
<v Speaker 1>up guys. Let me see what he says. Jeez, Jeff,

0:31:32.960 --> 0:31:36.400
<v Speaker 1>you may be fired too. Both movies have a character

0:31:36.480 --> 0:31:40.680
<v Speaker 1>who looks like Huey Lewis. He says, okay, lame joke over,

0:31:40.800 --> 0:31:43.480
<v Speaker 1>I should just bet these that this is on me. No, no, no,

0:31:43.560 --> 0:31:46.240
<v Speaker 1>that wasn't. Who are they? But he's right. Huey Lewis

0:31:46.520 --> 0:31:49.080
<v Speaker 1>himself was in Back to the Future. He played the

0:31:49.680 --> 0:31:53.800
<v Speaker 1>original judge in the music competition. Wow, it said, you're

0:31:53.840 --> 0:31:56.120
<v Speaker 1>just too darned loud because Huey Lewis that's the power

0:31:56.120 --> 0:31:58.320
<v Speaker 1>of love. Right. It was a sort of a meta

0:31:58.400 --> 0:32:03.600
<v Speaker 1>and joke. But say, Jeff Noel, the one of the henchmen,

0:32:03.640 --> 0:32:07.920
<v Speaker 1>the guy that plays the front desk guy is he

0:32:08.160 --> 0:32:10.200
<v Speaker 1>looks like Huey Lewis from that A lot of people

0:32:10.240 --> 0:32:12.280
<v Speaker 1>looked like Huey Lewis in those days. Think he was

0:32:12.360 --> 0:32:14.760
<v Speaker 1>kind of a sex symbol, right, you know, Huey Lewis

0:32:15.280 --> 0:32:20.240
<v Speaker 1>went dong out and the movie Shortcuts, Yeah, seriously, in

0:32:20.280 --> 0:32:23.560
<v Speaker 1>the movie Shortcuts where Huey Lewis whips it out and

0:32:23.760 --> 0:32:25.560
<v Speaker 1>takes a piss in the river, he whipped out his

0:32:25.600 --> 0:32:28.840
<v Speaker 1>news and it just showed it. Oh my gosh. Wow.

0:32:36.320 --> 0:32:38.280
<v Speaker 1>All right, let me see here, Grant Woody says, Back

0:32:38.280 --> 0:32:42.120
<v Speaker 1>to the Future, which Titanic actor made a small appearance,

0:32:42.160 --> 0:32:44.360
<v Speaker 1>and Back to the Future as one of Biff's Toady's

0:32:45.720 --> 0:32:50.720
<v Speaker 1>Billy's name, Yes, it is Zane because the other one

0:32:50.800 --> 0:32:53.920
<v Speaker 1>that's in that is Casey. What's his face? And they

0:32:54.000 --> 0:32:56.560
<v Speaker 1>they both had very you know, we're before they were

0:32:56.600 --> 0:33:01.720
<v Speaker 1>big names. A good job, Hey, thanks man, because we're

0:33:01.760 --> 0:33:03.520
<v Speaker 1>kind of getting crushed here. Yeah, that's fine, But that's

0:33:03.520 --> 0:33:06.320
<v Speaker 1>what you know. It's many crash. We're getting crushed and

0:33:06.320 --> 0:33:10.800
<v Speaker 1>no one is asking die hard questions. It's all someone's

0:33:10.840 --> 0:33:13.040
<v Speaker 1>giving notes on how I should do this better. Putting

0:33:13.040 --> 0:33:15.280
<v Speaker 1>the answer in the reply would make a much neater thread.

0:33:15.360 --> 0:33:18.760
<v Speaker 1>Oh that's true. You're right, Jennifer, that's true. You are right,

0:33:18.760 --> 0:33:21.200
<v Speaker 1>because then it would be the first reply and it'd

0:33:21.200 --> 0:33:23.880
<v Speaker 1>be easy to find all right. Old about David Mills

0:33:23.920 --> 0:33:26.400
<v Speaker 1>for Back to the Future says this, what is Marty's

0:33:26.400 --> 0:33:28.160
<v Speaker 1>brother's name and where does he work? At the beginning

0:33:28.200 --> 0:33:31.320
<v Speaker 1>of the film, it feels like there's like a burger

0:33:31.360 --> 0:33:35.240
<v Speaker 1>King uniform on his body. Yes, that's right, he's wearing

0:33:35.280 --> 0:33:37.719
<v Speaker 1>a little paper hat. But it was like brown and orange,

0:33:37.760 --> 0:33:41.080
<v Speaker 1>like that's Burger King. Is that what a burger No,

0:33:41.200 --> 0:33:44.720
<v Speaker 1>because it wasn't Texas. But what was his brother's name?

0:33:44.720 --> 0:33:46.320
<v Speaker 1>I don't remember his brother's name. Remember that it's a

0:33:46.400 --> 0:33:50.320
<v Speaker 1>very minor character. He didn't really do much. He disappeared Dave,

0:33:50.400 --> 0:33:52.240
<v Speaker 1>and he worked at Burger King. It was burger King,

0:33:52.440 --> 0:33:54.840
<v Speaker 1>so it was like a product tie in. Oh, I'm sure,

0:33:56.120 --> 0:34:03.680
<v Speaker 1>I am sure. Uh Anna Shress Stress the interesting name.

0:34:03.840 --> 0:34:06.560
<v Speaker 1>Back to the Future. What planet does Marty says, from

0:34:06.560 --> 0:34:08.920
<v Speaker 1>when he pretends to be an alien. I do remember this?

0:34:09.000 --> 0:34:11.759
<v Speaker 1>Do you remember? Because he is it a joke. It's

0:34:11.760 --> 0:34:14.160
<v Speaker 1>sort of like it's all a joke. Yeah, No, what

0:34:14.200 --> 0:34:15.560
<v Speaker 1>does he God damn it. What does he say when

0:34:15.560 --> 0:34:20.680
<v Speaker 1>he's wearing the planet? You know, Rooney Blast van Halen. Yeah,

0:34:20.960 --> 0:34:24.400
<v Speaker 1>he says he's Darth Vader. Right, Yeah, it's Darth Vader.

0:34:26.200 --> 0:34:27.840
<v Speaker 1>In fact that it's a bit of a hint because

0:34:27.840 --> 0:34:30.680
<v Speaker 1>he uses Star Wars and also, I'll give you a

0:34:30.760 --> 0:34:37.480
<v Speaker 1>hint star Trek planet close. What is it? I am

0:34:37.560 --> 0:34:42.319
<v Speaker 1>Darth Vader Vulcan rented Vulcan. That's very nice. The job

0:34:42.400 --> 0:34:47.280
<v Speaker 1>nol uh boy. No one is asking die Hard questions.

0:34:47.320 --> 0:34:50.840
<v Speaker 1>I thought for sure, Well, I just feel like, I

0:34:50.840 --> 0:34:53.000
<v Speaker 1>don't know, man, Back to the Future is just more

0:34:53.440 --> 0:34:56.000
<v Speaker 1>rife with trivia. I feel like, you know, maybe, so

0:34:56.480 --> 0:34:58.000
<v Speaker 1>we'll go with this one. I don't know the answer.

0:34:58.080 --> 0:35:02.319
<v Speaker 1>Lauren Mantle says, what was Alan Rickman's first feature film role? Oh?

0:35:02.320 --> 0:35:04.840
<v Speaker 1>Actually I think it was die Hard because he was

0:35:04.920 --> 0:35:06.480
<v Speaker 1>We've talked about this, because he was much more of

0:35:06.480 --> 0:35:09.640
<v Speaker 1>a theater guy Dirror. Yeah, he had previously been a

0:35:09.680 --> 0:35:12.640
<v Speaker 1>stage actor. That's right. We got one nole. We did

0:35:13.080 --> 0:35:15.680
<v Speaker 1>all right. Here's another die hard from oral pal Anthony

0:35:15.719 --> 0:35:18.880
<v Speaker 1>Nor says, the actor who plays Argyle got his start

0:35:18.920 --> 0:35:22.719
<v Speaker 1>as a child playing a would be guitar thief in

0:35:22.719 --> 0:35:27.120
<v Speaker 1>What One comedy? Why? Well, I remember our guy. I

0:35:27.239 --> 0:35:32.000
<v Speaker 1>remember very much that face playing a would be guitar

0:35:32.120 --> 0:35:38.799
<v Speaker 1>thief in a night one comedy. Guitar thief. That's very specific.

0:35:39.680 --> 0:35:44.800
<v Speaker 1>M why would it be stealing a famous guitar um?

0:35:45.080 --> 0:35:47.560
<v Speaker 1>I have no idea. I don't know the Blues Brothers,

0:35:48.480 --> 0:35:50.239
<v Speaker 1>never seen the Blues Brothers. It's a good question to

0:35:50.320 --> 0:35:55.120
<v Speaker 1>hold the nice work, Anthony, you got it all right. Now,

0:35:55.280 --> 0:35:57.120
<v Speaker 1>I'm gonna give you this one. Our pal the Mudge

0:35:57.480 --> 0:36:01.359
<v Speaker 1>Jennifer Mudge says, what Lord of the Rings actor made

0:36:01.400 --> 0:36:07.920
<v Speaker 1>his film debut debut, what's going on with me? Film debut?

0:36:08.000 --> 0:36:12.080
<v Speaker 1>And Back to the Future too. Here's my secret roll.

0:36:12.200 --> 0:36:14.080
<v Speaker 1>I saw Back to the Future two and three, But

0:36:14.800 --> 0:36:18.719
<v Speaker 1>like once, I did not watch those movies more than once.

0:36:18.719 --> 0:36:21.200
<v Speaker 1>I don't think it was fun. I just didn't think

0:36:21.200 --> 0:36:24.359
<v Speaker 1>they were that great. I like to but very much

0:36:24.360 --> 0:36:27.040
<v Speaker 1>a devote of the first, seeing it dozens of times.

0:36:27.080 --> 0:36:29.840
<v Speaker 1>I really liked to three. I only saw once and

0:36:29.880 --> 0:36:31.960
<v Speaker 1>I remember seeing it in the theater and I remember

0:36:32.000 --> 0:36:34.759
<v Speaker 1>there was Pizza Hut tie in like for like three

0:36:34.760 --> 0:36:36.320
<v Speaker 1>he was the Western, right, but he was the Western

0:36:36.440 --> 0:36:38.880
<v Speaker 1>had the Pizza Hut figure in Pizza Hut was like

0:36:39.000 --> 0:36:41.239
<v Speaker 1>I think Pizza Hut definitely sponsored. I know what it was,

0:36:41.719 --> 0:36:44.000
<v Speaker 1>the old Pizza Hut. The old Pizza Hut. You could

0:36:44.040 --> 0:36:47.200
<v Speaker 1>get these back to the Future sunglasses and you had

0:36:47.239 --> 0:36:49.719
<v Speaker 1>to buy them like they were you you would get

0:36:49.760 --> 0:36:52.080
<v Speaker 1>like you had the you had the privilege of buying

0:36:52.120 --> 0:36:55.000
<v Speaker 1>them when you when you ordered a pizza phi from

0:36:55.040 --> 0:36:57.400
<v Speaker 1>Pizza Hut, and they were like kind of retro cool

0:36:57.480 --> 0:37:00.600
<v Speaker 1>future looking sunglasses and they were like really like Doc

0:37:00.680 --> 0:37:03.319
<v Speaker 1>Brown's kind of kind of like that, yeah, exact the end,

0:37:03.600 --> 0:37:05.560
<v Speaker 1>kind of like the thing something like that Kanye West

0:37:05.600 --> 0:37:10.680
<v Speaker 1>would wear today. You know, um who you go weaving.

0:37:10.880 --> 0:37:14.799
<v Speaker 1>I'm just throwing that out there. I have no idea. Uh.

0:37:14.960 --> 0:37:18.080
<v Speaker 1>The Mudge says Elijah Wood. He was in Back to

0:37:18.120 --> 0:37:21.400
<v Speaker 1>the Future too, That's what she says. I don't he

0:37:21.480 --> 0:37:24.600
<v Speaker 1>must have been No wait a minute, yes, it was

0:37:24.680 --> 0:37:26.799
<v Speaker 1>a little kid. He's a little kid. I'm pretty sure.

0:37:26.960 --> 0:37:30.960
<v Speaker 1>It's the scene where Marty goes into the like retro

0:37:31.400 --> 0:37:34.680
<v Speaker 1>what is now the retro diner that has the gun

0:37:34.719 --> 0:37:38.840
<v Speaker 1>game the Cowboys Shooty Shooty gun game, right, and a

0:37:38.880 --> 0:37:40.840
<v Speaker 1>little key goes in and like blast it and just

0:37:40.880 --> 0:37:43.399
<v Speaker 1>like kills it, you know, like flips the gun around

0:37:43.440 --> 0:37:45.319
<v Speaker 1>and like that. Thinks he's a badass. And then these

0:37:45.360 --> 0:37:49.200
<v Speaker 1>two little ship kids go you have to use your hands,

0:37:50.239 --> 0:37:52.880
<v Speaker 1>And I'm pretty sure one of those might be Elijah Wood.

0:37:53.680 --> 0:37:59.920
<v Speaker 1>All right, it's gotta be Charles Morton Acre says, what

0:38:00.080 --> 0:38:02.000
<v Speaker 1>van Halen song is played him back to the future.

0:38:04.400 --> 0:38:07.799
<v Speaker 1>I mean it's eruption, right, I don't know, maybe van

0:38:07.840 --> 0:38:10.440
<v Speaker 1>Halen very well, all right, it's not even a real answer,

0:38:10.520 --> 0:38:15.080
<v Speaker 1>he says, just a bunch of noise. I gotta vet

0:38:15.080 --> 0:38:17.919
<v Speaker 1>these knoll He's so young, he is very Oh my god,

0:38:17.960 --> 0:38:22.360
<v Speaker 1>he's tiny. Really is he a little cutie? Goodness? I

0:38:22.440 --> 0:38:25.399
<v Speaker 1>bet Elijah Wood was a cute little kid with those eyes.

0:38:26.680 --> 0:38:30.680
<v Speaker 1>Graham Sullivan says this dieheard when Hans Gruba meets McClain

0:38:31.719 --> 0:38:34.920
<v Speaker 1>on the roof and pretends to be an innocent office worker.

0:38:35.520 --> 0:38:42.759
<v Speaker 1>Who does he claim to be Clay Clay Clay. I

0:38:42.800 --> 0:38:46.640
<v Speaker 1>remember that because he reads it off the thing Bill Clay,

0:38:46.640 --> 0:38:49.520
<v Speaker 1>Bill Clay that's got to be it. Yes, oh man,

0:38:49.600 --> 0:38:51.840
<v Speaker 1>well done? That was That was a good one, Bill Clay.

0:38:52.200 --> 0:38:55.239
<v Speaker 1>All right, let's go with another die hard question. Our

0:38:55.280 --> 0:38:58.640
<v Speaker 1>old pal Austin Gerhardt says, what was the building? Uses

0:38:58.680 --> 0:39:02.280
<v Speaker 1>not to tell me plaza actually for in real life? Jeez,

0:39:02.640 --> 0:39:04.800
<v Speaker 1>I know the building. It's over there in Century City.

0:39:06.800 --> 0:39:11.120
<v Speaker 1>Oh man? Was it a Oh? I feel like it

0:39:11.160 --> 0:39:18.200
<v Speaker 1>was a a movie building like a studio buil. Interesting. Yeah,

0:39:18.520 --> 0:39:20.719
<v Speaker 1>I didn't nail it, but I got it halfway. You

0:39:20.760 --> 0:39:22.279
<v Speaker 1>got the flavor of the real life building? Was the

0:39:22.280 --> 0:39:25.920
<v Speaker 1>twenties century Fox headquarters? Interesting? And so not like a lot.

0:39:26.280 --> 0:39:27.680
<v Speaker 1>It was more like it was just like a building

0:39:27.680 --> 0:39:29.279
<v Speaker 1>where they would have offices. Right, So it wasn't like

0:39:29.320 --> 0:39:31.000
<v Speaker 1>yeah no, no no, no, wasn't on the line. Got it.

0:39:31.080 --> 0:39:33.319
<v Speaker 1>But it's sort of been that area, So not bad.

0:39:33.760 --> 0:39:34.880
<v Speaker 1>How many more do you want to do? No? I

0:39:34.920 --> 0:39:36.560
<v Speaker 1>don't know, man. We're at four at a solid forty

0:39:36.600 --> 0:39:38.520
<v Speaker 1>and I know you got a scoot, so let's do

0:39:38.520 --> 0:39:42.279
<v Speaker 1>two more? Um, all right, I don't know this one.

0:39:42.320 --> 0:39:44.279
<v Speaker 1>Carrie v mcquaide or old friend, says, what is the

0:39:44.360 --> 0:39:48.040
<v Speaker 1>name of the dance? George and Lorraine attends the happy

0:39:48.120 --> 0:39:53.000
<v Speaker 1>that happiness under the enchantment under the Sea very enchanted. Yes,

0:39:53.239 --> 0:39:58.600
<v Speaker 1>and get your damn hands offer man man. All right, now,

0:39:58.920 --> 0:40:03.040
<v Speaker 1>let's finish up with old friend Carl Suderberg. What movie

0:40:03.120 --> 0:40:05.560
<v Speaker 1>was being shown in cinemas when Martin wip Fly traveled

0:40:05.560 --> 0:40:07.879
<v Speaker 1>to two thousand fifteen and back to the future too.

0:40:09.239 --> 0:40:12.680
<v Speaker 1>There's Jaws. There's the motif of the cinema Marquis. I

0:40:12.719 --> 0:40:14.400
<v Speaker 1>assume that's what he's talking about, right, I guess so

0:40:14.400 --> 0:40:18.080
<v Speaker 1>if I just remember the Jaws, there's like a hologram

0:40:18.160 --> 0:40:20.359
<v Speaker 1>of Jaws that comes at him and like bites him.

0:40:20.360 --> 0:40:22.920
<v Speaker 1>All right, no, I read this. You're partially right. But

0:40:24.719 --> 0:40:27.160
<v Speaker 1>he traveled to two thousand fifteen, which was the future,

0:40:27.960 --> 0:40:30.479
<v Speaker 1>so it would have been Jaws like five or something

0:40:30.520 --> 0:40:35.120
<v Speaker 1>like let's take a stab at it? Uh ten? No

0:40:35.400 --> 0:40:39.640
<v Speaker 1>Jaws nineteen. Oh god, they went family guy with all right,

0:40:39.719 --> 0:40:45.840
<v Speaker 1>not bad everyone not bad. Joke questions aside. They're fired,

0:40:46.360 --> 0:40:50.040
<v Speaker 1>except for Jeff Noel because he's an old bell. I

0:40:50.120 --> 0:40:52.320
<v Speaker 1>like it that one went well. I think maybe putting

0:40:52.360 --> 0:40:56.080
<v Speaker 1>the answer in the comment like our friend recommended, maybe

0:40:56.080 --> 0:40:57.759
<v Speaker 1>the way to go where you know, this is all

0:40:57.800 --> 0:41:00.160
<v Speaker 1>a work in progress. I mean, first of all, we

0:41:00.200 --> 0:41:02.520
<v Speaker 1>had to get the answers in there at all, and

0:41:02.560 --> 0:41:04.160
<v Speaker 1>now we could. We're just tweaking it as we go.

0:41:04.239 --> 0:41:07.000
<v Speaker 1>We'll figure it out all right. Thanks buddy, and thank

0:41:07.040 --> 0:41:10.399
<v Speaker 1>you buddies, and we'll see you next week. Looking forward

0:41:10.400 --> 0:41:10.480
<v Speaker 1>to