WEBVTT - Laapataa Ladies: Misplaced & Blunder

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<v Speaker 1>Toss Popcorn is a production of iHeartRadio. Hi. I'm Sienna

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<v Speaker 1>Jacole and I'm Leanna Holsten, and welcome to Tossed Popcorn,

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<v Speaker 1>the podcast where two idiots watched every film on the

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<v Speaker 1>AFI's one hundred Greatest American Movies of All Time, the

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<v Speaker 1>very slightly less racist tenth Anniversary edition, and are now

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<v Speaker 1>spending our time watching movies directed by women. Oh.

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<v Speaker 2>This podcast is a safe train station for people who

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<v Speaker 2>don't know anything about movies. Today we're watching Lapta ladies. Whooh,

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<v Speaker 2>there's no shame in being an idiot, but being.

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<v Speaker 1>Proud about it. That's shameful. Get it out of my.

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<v Speaker 2>Sight, a film recommended by a pal who you'll hear

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<v Speaker 2>all about. Warning there will be spoilers about this women

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<v Speaker 2>recent film.

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<v Speaker 1>Oh come on, well, Leanna, listen to your predictions.

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<v Speaker 2>Okay, shall I play you mine? Since twas I who

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<v Speaker 2>put the film on the list.

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<v Speaker 1>Yes, it's only fair.

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<v Speaker 2>Hi Sienna, it's Leanna. I'm about to watch Lapata Ladies.

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<v Speaker 2>I don't know anything about this except that actually friend

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<v Speaker 2>of the pod recommended it and said it's a good time,

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<v Speaker 2>so I predict I will have a good time.

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<v Speaker 1>Yeah, that's it's oh my gosh, okay, great, great knowledge

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<v Speaker 1>to have going into it, exciting knowledge to have, exciting

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<v Speaker 1>knowledge to have.

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<v Speaker 2>Now, shall we listen to my excited to have my knowledge? Yes? Please?

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<v Speaker 1>There's at least one second that I forgot what I

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<v Speaker 1>was saying, and I have to edit it out. Ready, Hi, Leanna,

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<v Speaker 1>I'm about to watch. I hope that's pronounced correctly. This

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<v Speaker 1>looks like it's a Hindi language, though, and I haven't

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<v Speaker 1>seen anything else about that except for the fact that

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<v Speaker 1>it's two hours or something. It's okay because those ladies.

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<v Speaker 1>My predictions for this movie, I don't know, but I

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<v Speaker 1>am praying. I'm sorry. I don't know, but my hope

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<v Speaker 1>is that it's about sisters.

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<v Speaker 2>Yeah, kind of.

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<v Speaker 1>Maybe it's about sisters, kind of sisters. Okay, I love you, goodbye.

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<v Speaker 1>I don't know why I was so close to the mic.

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<v Speaker 1>I don't know what happened. I do apologize.

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<v Speaker 2>That's okay, I forgive you. I mean there there was sisterhood, certainly.

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<v Speaker 1>M sisterhood galorn mm mmmm well before we talk about it.

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<v Speaker 1>Hey girl, Hey girl girl, how's it going? Girl? Girls? Girl?

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<v Speaker 2>Oh girl. I was supposed to get my visa decision

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<v Speaker 2>this past Monday from the government and I still haven't no, no,

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<v Speaker 2>And I called the government yesterday. I said hi me again,

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<v Speaker 2>remember me from last time? And asked, uh, is anything

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<v Speaker 2>like wrong? And they were like no, there's just a

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<v Speaker 2>backlog of visa applications to be processed. Yeah. And I

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<v Speaker 2>was like, okay, well, do you have a sense of

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<v Speaker 2>like how long the delay will be and they were

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<v Speaker 2>like no, they have not given us a timeline. And

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<v Speaker 2>I was like, okay, my current visa expires two weeks

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<v Speaker 2>from tomorrow. Will that be an issue? And they were

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<v Speaker 2>like no, because while they're making a decision on your

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<v Speaker 2>next one, you're allowed to remain in the country. And

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<v Speaker 2>I'm like yeah, but if they say no to the

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<v Speaker 2>next one and it's after my old one has expired,

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<v Speaker 2>what I was like, Okay, I have a plane ticket

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<v Speaker 2>to fly to America two weeks and two days from

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<v Speaker 2>tomorrow for a family obligation. If I haven't heard about

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<v Speaker 2>the visa by then, can I still go? And they

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<v Speaker 2>were like, we don't recommend traveling while your visa application

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<v Speaker 2>is being processed, so we just don't know yet. We

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<v Speaker 2>just don't know. We cannot know, and my body is

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<v Speaker 2>giving in. It really is like the physiological the damage

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<v Speaker 2>my body is taking from these hits is intense in

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<v Speaker 2>what way. I it kind of hurts to breathe. My

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<v Speaker 2>toe really hurts, my left big toe. I have a

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<v Speaker 2>lot of of course, my visa toe, my visa toe

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<v Speaker 2>is so I don't know if I broke it or

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<v Speaker 2>if I've been wearing boots with a heel too much

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<v Speaker 2>and it's feeling overused. I'm not really sure what's going

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<v Speaker 2>on with my toe, but it's it's been speaking up recently.

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<v Speaker 2>It's been speaking out, asking for what it needs. Unfortunately

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<v Speaker 2>I can't understand it to give it then it whatever

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<v Speaker 2>it is that it needs. So my toe is in

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<v Speaker 2>anguish my shoulders. Of course, I keep planning like, well,

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<v Speaker 2>once I get the decision whatever it is, I'm going

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<v Speaker 2>to get a massage because at least then I can

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<v Speaker 2>let go of the tension I've been holding onto. But

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<v Speaker 2>I still can't get a massage because I still don't

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<v Speaker 2>have a decision. Well, Leonna, you could get a massage. No,

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<v Speaker 2>that would jinx it, I don't think so if I

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<v Speaker 2>got a massage before a visa confirmation, I would be

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<v Speaker 2>deported immediately we.

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<v Speaker 1>Don't recommend getting don't recommend getting a massage while your

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<v Speaker 1>application is being reviewed. If there was an AI unfortunately

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<v Speaker 1>trying to do what is ruining your life right now,

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<v Speaker 1>it would be this. It would be like, I'm waiting

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<v Speaker 1>on my visa decision, m and it's the country I'm

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<v Speaker 1>asking for a visa in doesn't work. Dude, that sucks.

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<v Speaker 1>I'm sorry.

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<v Speaker 2>So now it's like I just have to pick a

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<v Speaker 2>day well, depending on I guess American Airlines by which

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<v Speaker 2>if I haven't heard, I gotta cancel that flight. Baby,

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<v Speaker 2>I cannot go. Please recredit those miles to my account. Damn,

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<v Speaker 2>I'm sorry to my cousin. It is I mean, I

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<v Speaker 2>will say it's the most iron clad excuse, yeah for

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<v Speaker 2>not making a wedding. If you don't have all time

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<v Speaker 2>and they don't let you back in, I can't leave

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<v Speaker 2>the I can't come to your wedding because I'm not

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<v Speaker 2>allowed to leave the country that I'm in, which is

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<v Speaker 2>not the one that your wedding is happening in, because

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<v Speaker 2>I'm trying to get a visa so as to not

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<v Speaker 2>have to live in the country where your wedding is happening. Right. Sorry, Sorry, anyway,

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<v Speaker 2>sorry to this cousin, Sorry to this cousin.

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<v Speaker 1>Well, girl, I'm so sorry. No sorry, I've heard not

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<v Speaker 1>countless things of this sort happening to you at this point,

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<v Speaker 1>and I'm so sorry.

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<v Speaker 2>Yeah, at least I know where my passport is, yes,

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<v Speaker 2>because I didn't have to mail it in this time around.

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<v Speaker 2>Is that a bird chirping outside of your window? Because

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<v Speaker 2>it's really beautiful? Oh, please keep it, don't do anything

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<v Speaker 2>to change that. I love it. Okay, I need I

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<v Speaker 2>need something that's gorgeous right now.

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<v Speaker 1>Yes, I don't know if I told you. I changed

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<v Speaker 1>the configuration of my room, but now I record near

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<v Speaker 1>the window and I love that. So oh yes, yes,

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<v Speaker 1>hey girl, hey girl. Springtime in Los Angeles is here,

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<v Speaker 1>and I realized this is the only time I really

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<v Speaker 1>feel like I I enjoy it here in this area.

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<v Speaker 2>Yeah.

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<v Speaker 1>Yeah, because spring. I've always loved spring. And it's really

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<v Speaker 1>it's really sweet here, you know, like school's still in session,

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<v Speaker 1>but you can feel that people are excited about the

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<v Speaker 1>sun coming out, and there's animals coming back.

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<v Speaker 2>And animals are coming back.

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<v Speaker 1>Animals, animals are back, baby animals are.

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<v Speaker 2>Back doing the animals leave La for a time.

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<v Speaker 1>I mean, there haven't been birds chirping in this way. Okay,

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<v Speaker 1>maybe they're migrated over here. Yeah, but uh, let's see. Okay,

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<v Speaker 1>I'm going on tour, which we have to announce, but

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<v Speaker 1>I'll be going on tour with my puppet group. Uh,

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<v Speaker 1>I just can never say it. I'm going on tour

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<v Speaker 1>with my puppet group. We're touring with a musician. It's

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<v Speaker 1>gonna be so interesting. I'm actually getting really excited. But

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<v Speaker 1>we are going to like we're going to be in

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<v Speaker 1>the car for whole long. Oh my god?

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<v Speaker 2>How who? What's are the logistics set to do? People

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<v Speaker 2>like which vehicle people are going in? Okay, what are

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<v Speaker 2>the logistics? What the logistics are?

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<v Speaker 1>A big car with a trailer on the back.

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<v Speaker 2>Wow, So we're going.

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<v Speaker 1>Phoenix south by southwest Oklahoma City?

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<v Speaker 2>Mm hmm.

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<v Speaker 1>Oklahoma City, which is the one place where we can't

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<v Speaker 1>find anyone who will talk to us. I'm on outreach

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<v Speaker 1>and I've been trying to like I've you know, been

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<v Speaker 1>saying that does anybody know anybody from there? And somebody

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<v Speaker 1>will know somebody who has a roommate, and yeah, they

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<v Speaker 1>just they won't put me in contact with the person.

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<v Speaker 1>And then there was one guy who reached out to

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<v Speaker 1>me based on my story post and he was like,

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<v Speaker 1>uh huh, I have all sorts of connections in Oklahoma

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<v Speaker 1>City and I went, oh, my gosh, that would be great.

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<v Speaker 1>You have recommendations of like publications or radio shows or

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<v Speaker 1>little things that we can try to just alert Yeah,

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<v Speaker 1>he ghosted me. Oh and I've messaged three times now.

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<v Speaker 2>WUTF So anyway, it's all good. Wow, are you having

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<v Speaker 2>to do all the publicity on behalf of the musician.

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<v Speaker 2>It's kind of weird in that way the musicians doing

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<v Speaker 2>He's doing his own, but we're doing it all together,

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<v Speaker 2>so we're kind of it's like a joint situation. But

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<v Speaker 2>we're trying to contact other DIY artist people because they're

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<v Speaker 2>yeah that makes sense.

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<v Speaker 1>Yeah damn country. Yeah, I'm excited for it, but it's

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<v Speaker 1>I'm one of my one of my jobs that I've

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<v Speaker 1>made up and took upon myself is fiber coordinator because

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<v Speaker 1>I do not up on the road anyway. Yes, I'm

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<v Speaker 1>fiber coordinator because I'm so scared of being on the

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<v Speaker 1>road and being completely stopped up for three and a

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<v Speaker 1>half thanks, I'm really scrash.

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<v Speaker 2>Are you going to do your poop speech.

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<v Speaker 1>My poop speech, you mean, like when I want gave

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<v Speaker 1>a poop speech to what you're staying with a friend.

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<v Speaker 2>That's exactly what I mean. I think about it so often.

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<v Speaker 1>Yes, listeners, I was once staying with a group and

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<v Speaker 1>I was like, I need everybody to be out of

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<v Speaker 1>the house when I try to use the bathroom, so

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<v Speaker 1>I give a poop speech, and they like, weren't. I

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<v Speaker 1>thought they were going to be like I thought they

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<v Speaker 1>were gonna be like, oh my god, you're so funny,

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<v Speaker 1>don't even worry about it. But they were kind of like, uh, oh, okay,

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<v Speaker 1>well leave.

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<v Speaker 2>I just loved what you were trying to do, something revolutionary,

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<v Speaker 2>you know, which, as you said to a group of people,

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<v Speaker 2>you said, it's important that we all acknowledge at some

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<v Speaker 2>point this weekend, I'm going to have to poop and

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<v Speaker 2>it's going to happen, and we all need to be adults.

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<v Speaker 1>And you didn't want to hear it about it.

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<v Speaker 2>Unbelievable, unacceptable behavior. They are the problem, really really going

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<v Speaker 2>out on a limb. Poopets poop.

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<v Speaker 1>I know we're all thinking about for you to have,

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<v Speaker 1>but I hope someone's thinking about the poopets poop.

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<v Speaker 2>It's you are You're on fiber duty.

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<v Speaker 1>Yeah. Yeah, So anyway, it'll be interesting. Stay tuned, you'll

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<v Speaker 1>be regular. If anybody knows anybody in Oklahoma City, please

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<v Speaker 1>hit me up. The important thing is we will be

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<v Speaker 1>taking a few weeks off. We'll be back again in

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<v Speaker 1>early April. Stay tuned. You can watch on our Instagram.

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<v Speaker 1>But until then, have a good little springtime, Happy Lent,

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<v Speaker 1>Happy Women's Month, and happy Women's Month.

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<v Speaker 2>Mmm, great, gorgeen.

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<v Speaker 1>Well, Leanna, shall we talk about this dang movie?

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<v Speaker 2>Oh my gosh, speaking of travel.

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<v Speaker 1>Yeah, speaking of being in a vehicle, yeah, and being concerned.

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<v Speaker 2>Could you please give us a synopsis of the film

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<v Speaker 2>Lapata Ladies.

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<v Speaker 1>Yes, I wrote this immediately after watching it last night,

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<v Speaker 1>and it is very long. Okay, great, Okay, Lapata Ladies.

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<v Speaker 1>I will sit back and relax, which apparently in Hindi

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<v Speaker 1>means missing ladies.

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<v Speaker 2>Ah.

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<v Speaker 1>After a farcical post nuptial train situation, two identically dressed

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<v Speaker 1>brides in India gets switched. Deepak ends up back at

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<v Speaker 1>his village with the wrong woman, and Pool ends up

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<v Speaker 1>lost at the train station where she stepped off with

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<v Speaker 1>the other husband. But don't worry about that right now.

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<v Speaker 1>The wrong woman in question that I just mentioned is Jaya,

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<v Speaker 1>but she, while in Deepak's town, lies about everything because

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<v Speaker 1>her new husband that I just mentioned a second ago

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<v Speaker 1>is terrible and she really wants to go to agriculture school,

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<v Speaker 1>so she uses this as a time to lay low

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<v Speaker 1>before going to school. But then she lies to everybody,

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<v Speaker 1>so everybody suspicious all the time. It makes you seem

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<v Speaker 1>really suspicious, especially because there's a group of fake bride

0:13:47.280 --> 0:13:50.200
<v Speaker 1>bandits on the loose, by the way, which also complicates

0:13:50.240 --> 0:13:53.199
<v Speaker 1>things because the police are involved a lot. The police,

0:13:53.200 --> 0:13:57.240
<v Speaker 1>by the way, are super corrupt, which also complicates things.

0:13:59.200 --> 0:14:02.240
<v Speaker 1>And then meanwhile, well Pool can't remember the name of

0:14:02.320 --> 0:14:05.080
<v Speaker 1>any villages she either came from or is going to

0:14:05.440 --> 0:14:07.960
<v Speaker 1>because she was raised to be uninformed and helpless dude

0:14:08.000 --> 0:14:12.440
<v Speaker 1>to society, which they do discuss. And also, by the way,

0:14:12.760 --> 0:14:14.960
<v Speaker 1>in this culture, girls aren't even supposed to say their

0:14:15.040 --> 0:14:20.040
<v Speaker 1>husband's names out loud, so everything gets really complicated. But

0:14:20.760 --> 0:14:23.960
<v Speaker 1>at the end of the day, it's feminist and warm

0:14:24.040 --> 0:14:28.960
<v Speaker 1>and funny and awesome, and everything turns out great. Yes

0:14:29.400 --> 0:14:34.520
<v Speaker 1>the end, Yes, everyone finds each other. Who needs to

0:14:34.520 --> 0:14:36.960
<v Speaker 1>find everybody who doesn't want to be together.

0:14:37.360 --> 0:14:44.960
<v Speaker 2>They aren't. Oh my goodness, Oh my goodness, me, Oh my.

0:14:44.920 --> 0:14:47.600
<v Speaker 1>Gosh, I'm lost. Do you remember the name of the

0:14:47.640 --> 0:14:52.120
<v Speaker 1>podcast I was just doing? Does anybody remember I never

0:14:52.120 --> 0:14:54.160
<v Speaker 1>wrote down the name of the podcast I was doing,

0:14:55.000 --> 0:14:56.680
<v Speaker 1>So I'll just have to sleep here for three days.

0:14:56.880 --> 0:15:14.800
<v Speaker 2>We'll be right back, yes, oh, Sienna, let's jump into

0:15:14.960 --> 0:15:17.280
<v Speaker 2>phone notes. That's the section where we read the notes

0:15:17.320 --> 0:15:19.160
<v Speaker 2>that we took on our I almost said, on each

0:15:19.200 --> 0:15:24.120
<v Speaker 2>other's phones. Oh, we read each other's notes watching the

0:15:24.120 --> 0:15:29.640
<v Speaker 2>film first of all, just up top, what do you

0:15:29.760 --> 0:15:32.600
<v Speaker 2>think I mean, I'm getting it, so I'm gidding a vibe.

0:15:34.240 --> 0:15:38.360
<v Speaker 2>I loved it so much. Oh my god, I had

0:15:38.360 --> 0:15:39.360
<v Speaker 2>the best time watching this.

0:15:39.400 --> 0:15:42.600
<v Speaker 1>I loved it. I loved it. It was so fun

0:15:42.640 --> 0:15:45.720
<v Speaker 1>it was I literally called Kelsey in the middle of

0:15:45.720 --> 0:15:47.360
<v Speaker 1>watching it because I'm like, I have to tell you

0:15:47.360 --> 0:15:49.240
<v Speaker 1>what's happening in this. Oh my god, I love that.

0:15:50.080 --> 0:15:52.320
<v Speaker 1>And then I went to my God and told her

0:15:52.400 --> 0:15:55.000
<v Speaker 1>the same thing. And that's what I found out. It's

0:15:55.000 --> 0:15:59.640
<v Speaker 1>actually kind of difficult to describe because one girl, let

0:15:59.680 --> 0:16:01.840
<v Speaker 1>me just try, comes out names. One girl is at

0:16:01.840 --> 0:16:04.200
<v Speaker 1>the train station but she got off well the other guy.

0:16:04.240 --> 0:16:06.840
<v Speaker 1>But the guy's bad but and then the other girl,

0:16:07.800 --> 0:16:09.120
<v Speaker 1>she seems bad, but I don't know if she's going

0:16:09.160 --> 0:16:10.760
<v Speaker 1>to be bad. It seems like she's doesn't like her husband,

0:16:10.760 --> 0:16:13.040
<v Speaker 1>but like she's at the village and and the other

0:16:13.080 --> 0:16:17.040
<v Speaker 1>two are really in love. Anyway, I loved it.

0:16:17.240 --> 0:16:22.000
<v Speaker 2>I loved it the premise alone. As soon as they

0:16:22.040 --> 0:16:24.360
<v Speaker 2>got on the train and there were like three people

0:16:24.400 --> 0:16:26.520
<v Speaker 2>in the same outfit and you couldn't tell who was who.

0:16:26.520 --> 0:16:32.000
<v Speaker 2>I said, Oh, okay, oh I love that. Oh I

0:16:32.080 --> 0:16:35.600
<v Speaker 2>love that. It really was like a true farce. It

0:16:35.640 --> 0:16:37.760
<v Speaker 2>was extremely farce.

0:16:37.840 --> 0:16:42.800
<v Speaker 1>And be like there are things all the and then

0:16:43.080 --> 0:16:45.480
<v Speaker 1>it's complicated by the fact that there are certain cultural

0:16:45.520 --> 0:16:48.080
<v Speaker 1>practices that make it. Like when it turned out that

0:16:48.120 --> 0:16:51.240
<v Speaker 1>she was lying, but when they asked Jaya, they're like, well,

0:16:51.280 --> 0:16:53.360
<v Speaker 1>why didn't you see it was your husband? And she's like,

0:16:53.400 --> 0:16:56.120
<v Speaker 1>I'm supposed to look down. It's wedding day, and I have.

0:16:56.080 --> 0:16:58.720
<v Speaker 2>To look down. I literally can't see through the day.

0:16:59.840 --> 0:17:04.000
<v Speaker 2>One So there's like one cell phone. Yeah, crap, it's

0:17:04.040 --> 0:17:07.439
<v Speaker 2>it's a crap Nokia. It probably still would work today,

0:17:07.920 --> 0:17:09.200
<v Speaker 2>to be fair, but farce.

0:17:09.920 --> 0:17:14.840
<v Speaker 1>Oh I loved, Oh, I just loved I'm so glad, Yes,

0:17:14.960 --> 0:17:19.919
<v Speaker 1>thank you to actionha, thank you. Action say. Okay, Leanna,

0:17:19.920 --> 0:17:26.800
<v Speaker 1>you said, oh.

0:17:24.880 --> 0:17:26.200
<v Speaker 2>I just remembered you said.

0:17:26.240 --> 0:17:27.800
<v Speaker 1>Honestly, at this point, I could be down for an

0:17:27.880 --> 0:17:31.240
<v Speaker 1>arranged marriage. Okay, let's talk about that. Let's talk about

0:17:31.240 --> 0:17:33.359
<v Speaker 1>that the best we can. Let's talk about it.

0:17:33.960 --> 0:17:38.280
<v Speaker 2>Nothing in my life is in control right now, and

0:17:38.320 --> 0:17:41.000
<v Speaker 2>so at this point, I'm like, you know what, somebody

0:17:41.000 --> 0:17:43.480
<v Speaker 2>else take the reins and tell me what to do,

0:17:43.680 --> 0:17:47.840
<v Speaker 2>because I don't like the feeling like I can't do anything.

0:17:48.400 --> 0:17:51.880
<v Speaker 1>It completely is one of those practices that you're like, oh,

0:17:51.880 --> 0:17:54.400
<v Speaker 1>I completely. I wish there was some form of that,

0:17:54.800 --> 0:17:57.879
<v Speaker 1>like of matchmaking that existed in our culture that you

0:17:57.920 --> 0:18:01.680
<v Speaker 1>could go like the you weren't as in control of

0:18:01.720 --> 0:18:04.040
<v Speaker 1>I know they have because you're like, I want a

0:18:04.080 --> 0:18:06.640
<v Speaker 1>trusted person to match me with somebody else, and we're

0:18:06.680 --> 0:18:08.080
<v Speaker 1>both just good with the situation.

0:18:08.160 --> 0:18:11.480
<v Speaker 2>It's fine. Yeah, it's a okay whatever. And I don't

0:18:11.480 --> 0:18:14.159
<v Speaker 2>even know if these marriages I don't know if, I mean,

0:18:14.240 --> 0:18:17.520
<v Speaker 2>was their marriage arranged? Their's They seemed like I know

0:18:17.800 --> 0:18:20.159
<v Speaker 2>Jayas was, but these two were in love, which was

0:18:20.280 --> 0:18:26.040
<v Speaker 2>very sweet. But I was just like, listen, I maybe

0:18:26.040 --> 0:18:28.280
<v Speaker 2>that's what I've been missing. It's just somebody else to

0:18:28.480 --> 0:18:30.880
<v Speaker 2>arrange it because I'm not doing any work. Yeah, I'm

0:18:30.920 --> 0:18:35.280
<v Speaker 2>not trying at all, totally well, and I feel like

0:18:35.280 --> 0:18:37.720
<v Speaker 2>there's so much pressure in our culture to like find

0:18:37.840 --> 0:18:40.199
<v Speaker 2>the one, yeah, find the perfect match. And I'm like,

0:18:40.359 --> 0:18:43.639
<v Speaker 2>maybe it doesn't have to be that. Maybe just find

0:18:43.680 --> 0:18:46.320
<v Speaker 2>something which I might have to do if this visa

0:18:46.359 --> 0:18:50.000
<v Speaker 2>gets denied, I might have to arrange a marriage.

0:18:50.040 --> 0:18:54.919
<v Speaker 1>Oh that would be so fun. Wait, please.

0:18:56.640 --> 0:18:57.800
<v Speaker 2>Please, Leanna.

0:18:57.840 --> 0:19:00.879
<v Speaker 1>You've said I have nothing to offer as a wife TM.

0:19:02.359 --> 0:19:04.040
<v Speaker 1>Are you talking about your own personal dowry?

0:19:04.400 --> 0:19:07.159
<v Speaker 2>Yeah? Yeah, I was thinking about that. I was like,

0:19:07.480 --> 0:19:10.200
<v Speaker 2>I mean I could have I could I could offer

0:19:10.320 --> 0:19:14.760
<v Speaker 2>like monetary whatever, But in terms of like being a

0:19:14.840 --> 0:19:21.040
<v Speaker 2>traditional domestic wife TM, I do not have anything to offer.

0:19:21.320 --> 0:19:24.119
<v Speaker 2>I cannot cook, what is I don't want to like

0:19:24.359 --> 0:19:29.000
<v Speaker 2>maintain the home. I hate children. I'm not doing that.

0:19:30.640 --> 0:19:33.480
<v Speaker 2>It's possible that I won't bang you, like there's just

0:19:34.160 --> 0:19:38.320
<v Speaker 2>it's arguably zero's across the board from me.

0:19:38.680 --> 0:19:40.800
<v Speaker 1>I have a few thoughts, and I think these are important.

0:19:40.840 --> 0:19:44.160
<v Speaker 1>So I'm gonna say, Okay, So I've been watching Love

0:19:44.200 --> 0:19:49.920
<v Speaker 1>Is Blind. It's a very boring season. Unfortunately everybody d

0:19:50.160 --> 0:19:54.600
<v Speaker 1>C or which city. This one is Minneapolis. So everybody

0:19:54.760 --> 0:19:56.680
<v Speaker 1>talks like this, they'll be like, I'm so excited.

0:19:57.720 --> 0:19:59.800
<v Speaker 2>Everyone broke up in the pod. I love that.

0:20:00.280 --> 0:20:03.440
<v Speaker 1>So now there's only like there's been no reveals, no,

0:20:03.480 --> 0:20:05.960
<v Speaker 1>not everyone. There's like four couples, but there were a

0:20:05.960 --> 0:20:07.919
<v Speaker 1>couple more couples that were clearly going to be some

0:20:07.960 --> 0:20:09.879
<v Speaker 1>of the like exciting ones, and then they broke up

0:20:09.920 --> 0:20:15.920
<v Speaker 1>because unfortunately I respect themselves. Oh so there's not as

0:20:15.960 --> 0:20:19.399
<v Speaker 1>many now, and nothing dramatic is happening. I love that

0:20:20.160 --> 0:20:22.719
<v Speaker 1>there is one guy who's really really bad, but all

0:20:22.800 --> 0:20:25.160
<v Speaker 1>the bad is happening slowly, so it's like not good TV.

0:20:26.160 --> 0:20:27.080
<v Speaker 2>Oh, very boring.

0:20:27.560 --> 0:20:30.439
<v Speaker 1>But what's interesting is even the couples who are getting along,

0:20:30.640 --> 0:20:34.399
<v Speaker 1>there's this weird thing on reality TV that I just

0:20:34.400 --> 0:20:36.439
<v Speaker 1>think people who don't think too hard about their partners

0:20:36.480 --> 0:20:40.000
<v Speaker 1>can speak this way, which is this concept of like, oh,

0:20:40.400 --> 0:20:42.359
<v Speaker 1>I really want to come home to this, this is

0:20:42.359 --> 0:20:44.080
<v Speaker 1>what I want for my partner. I love if there

0:20:44.119 --> 0:20:46.600
<v Speaker 1>was somebody who when I get home, like this is

0:20:46.640 --> 0:20:49.879
<v Speaker 1>what's ready for me. It's like that's not what a

0:20:49.920 --> 0:20:54.120
<v Speaker 1>partner should employ at all. That's like what a robot

0:20:54.119 --> 0:20:57.320
<v Speaker 1>in your house does, know it trips me up so much.

0:20:57.359 --> 0:20:58.840
<v Speaker 1>The idea that you could love somebody and be like,

0:20:58.840 --> 0:21:00.800
<v Speaker 1>it's just so perfect, because I always wanted somebody who

0:21:00.800 --> 0:21:02.840
<v Speaker 1>would have this waiting for me when I get home.

0:21:03.640 --> 0:21:08.640
<v Speaker 2>Same you. Yeah, but that would be me. I wouldn't

0:21:08.640 --> 0:21:10.639
<v Speaker 2>have anything waiting for you. I'd be on the couch.

0:21:10.400 --> 0:21:13.679
<v Speaker 1>And that should be enough. And you guys make dinner together.

0:21:14.520 --> 0:21:17.600
<v Speaker 1>That should be enough. Anyway. The other thing is, I

0:21:17.640 --> 0:21:19.560
<v Speaker 1>think we have to decide right now what is our dowry?

0:21:19.760 --> 0:21:21.359
<v Speaker 2>Yeah, what would you put in your dowry?

0:21:21.520 --> 0:21:23.159
<v Speaker 1>What is my dawry? Right now? My dowry would be

0:21:25.400 --> 0:21:29.240
<v Speaker 1>I have a good My family is good at talking

0:21:29.240 --> 0:21:32.760
<v Speaker 1>about things, so I can provide that sort of a

0:21:32.760 --> 0:21:37.760
<v Speaker 1>good conversational bass that's holidays would be like enjoyable and

0:21:37.760 --> 0:21:39.560
<v Speaker 1>if you need to talk through an issue, you know,

0:21:39.920 --> 0:21:43.200
<v Speaker 1>it's a good place to do it. I have a

0:21:43.280 --> 0:21:48.639
<v Speaker 1>dad who understands business and finance. M m hm, so

0:21:48.680 --> 0:21:51.639
<v Speaker 1>I can provide a business dad. Let's see what do

0:21:51.680 --> 0:21:54.760
<v Speaker 1>I have in terms of things. I have a guitar.

0:21:56.160 --> 0:21:57.960
<v Speaker 1>I have one of those you know those things that

0:21:57.960 --> 0:21:59.720
<v Speaker 1>you plug into your laptop that like adapts it.

0:21:59.680 --> 0:22:05.040
<v Speaker 2>To the Oh yeah, that's really useful. Yeah, that's really helpful.

0:22:05.200 --> 0:22:07.000
<v Speaker 2>You definitely everybody should have that in their dowry.

0:22:07.280 --> 0:22:09.959
<v Speaker 1>Yeah, so I think that's mostly it. And then an

0:22:10.000 --> 0:22:13.360
<v Speaker 1>understanding of as a as a wife, I would provide

0:22:14.720 --> 0:22:18.280
<v Speaker 1>a real, a real desire to avoid the sun, like

0:22:18.280 --> 0:22:19.240
<v Speaker 1>to sun protection.

0:22:19.760 --> 0:22:23.200
<v Speaker 2>I think you bring that too, Yeah, I sure do.

0:22:23.359 --> 0:22:28.040
<v Speaker 1>This is the sun Protected podcast, Pale Pod, Pale Pod.

0:22:29.640 --> 0:22:30.240
<v Speaker 1>What about you.

0:22:33.119 --> 0:22:37.880
<v Speaker 2>I have a really large plush seal yeah, uh huh,

0:22:38.160 --> 0:22:41.480
<v Speaker 2>called Prince Herbert. But he can fit into almost any suitcase.

0:22:41.680 --> 0:22:44.960
<v Speaker 1>That's amazing. That is amazing I have.

0:22:46.560 --> 0:22:51.000
<v Speaker 2>I have a Colorado flag, a flag from my home state,

0:22:51.080 --> 0:22:53.280
<v Speaker 2>so if I ever got lost, I would remember where

0:22:53.320 --> 0:22:56.560
<v Speaker 2>I'm from because I have the flag right from where

0:22:56.640 --> 0:23:00.679
<v Speaker 2>that is. I have the patience to do a really

0:23:00.800 --> 0:23:07.000
<v Speaker 2>overly needlessly complex paint by number, but not the discipline

0:23:07.040 --> 0:23:09.480
<v Speaker 2>to finish it in anything under four years.

0:23:09.800 --> 0:23:20.840
<v Speaker 1>Sure, but you know, and to finish something after four

0:23:20.920 --> 0:23:25.280
<v Speaker 1>years is actually really that's really that's really impressive, because

0:23:25.320 --> 0:23:26.919
<v Speaker 1>I feel like once you give up, Once I give

0:23:27.000 --> 0:23:28.200
<v Speaker 1>up on something, I don't go back.

0:23:29.040 --> 0:23:31.560
<v Speaker 2>Yeah, I guess that's the I guess I won't. I

0:23:31.560 --> 0:23:34.600
<v Speaker 2>don't give up on things. Is that true? No, I

0:23:34.640 --> 0:23:36.520
<v Speaker 2>give up on friendships really easily.

0:23:38.119 --> 0:23:43.760
<v Speaker 1>Well, friendships are different than a paint by number.

0:23:44.240 --> 0:23:47.240
<v Speaker 2>Else, I think I'm I'm a little bit too Like

0:23:48.880 --> 0:23:50.760
<v Speaker 2>my visa decision is still up in the air, and

0:23:50.800 --> 0:23:53.679
<v Speaker 2>there's been scaffolding on our balcony for a month now

0:23:54.359 --> 0:23:57.880
<v Speaker 2>blocking out the light. So I think I'm really too

0:23:57.920 --> 0:24:03.040
<v Speaker 2>mentally ill to Yeah, have a sturdy dowry beyond those

0:24:03.080 --> 0:24:04.640
<v Speaker 2>items totally.

0:24:06.000 --> 0:24:08.280
<v Speaker 1>Well, if mental illness stop people from partnering up, then

0:24:08.320 --> 0:24:17.440
<v Speaker 1>it would be very different world. So I think you're good. Yeah,

0:24:17.480 --> 0:24:20.919
<v Speaker 1>Well that's been our dowry. And we both have a podcast.

0:24:21.920 --> 0:24:25.359
<v Speaker 2>Oh yeah, we each can offer fifty percent of a podcast.

0:24:26.200 --> 0:24:29.200
<v Speaker 1>Fifty percent of a podcast that's owned mostly percentage by

0:24:29.600 --> 0:24:30.360
<v Speaker 1>a big corporation.

0:24:30.400 --> 0:24:35.280
<v Speaker 2>Oh yeah, not nice who for licensing reasons, they might

0:24:35.280 --> 0:24:36.399
<v Speaker 2>not even be able to serve.

0:24:37.240 --> 0:24:39.439
<v Speaker 1>We own it, actually a very small percentage of our

0:24:39.440 --> 0:24:42.960
<v Speaker 1>own podcast. We both own some pretty expensive microphones.

0:24:43.720 --> 0:24:46.800
<v Speaker 2>That's my dowry. Oh god, I'm not giving a microphone

0:24:46.800 --> 0:24:47.280
<v Speaker 2>to a man.

0:24:48.200 --> 0:24:49.760
<v Speaker 1>Oh, we have to give it to them.

0:24:50.040 --> 0:24:51.680
<v Speaker 2>Isn't that the whole thing of a dowry?

0:24:51.840 --> 0:24:52.359
<v Speaker 1>It is bold.

0:24:54.200 --> 0:24:57.720
<v Speaker 2>Oh, they just kind of knew it was there, Leanna,

0:24:57.760 --> 0:24:59.679
<v Speaker 2>You've said it'd be really funny, like putting a dowry

0:24:59.680 --> 0:25:02.399
<v Speaker 2>together of stuff you're you don't want. Uh huh, You're like, oh,

0:25:02.440 --> 0:25:03.920
<v Speaker 2>I've been actually trying to get rid of this thing.

0:25:04.000 --> 0:25:07.679
<v Speaker 2>So do you want these old tennis shoes or like

0:25:07.720 --> 0:25:09.840
<v Speaker 2>this that I can't donate?

0:25:10.440 --> 0:25:13.160
<v Speaker 1>It's my dowry. Here you go, Leanna. Did you watch

0:25:13.160 --> 0:25:13.960
<v Speaker 1>the dub or the sub?

0:25:15.200 --> 0:25:20.000
<v Speaker 2>I watched the subtitled version. Dub dubbing makes me feel

0:25:20.040 --> 0:25:23.879
<v Speaker 2>crazy watching a film that's then been dubbed in the

0:25:23.880 --> 0:25:26.680
<v Speaker 2>English language. But you watched the I watched the dub,

0:25:26.800 --> 0:25:29.679
<v Speaker 2>and at certain points a couple of times I switched

0:25:29.720 --> 0:25:31.560
<v Speaker 2>to the sub just because it was like they were

0:25:31.560 --> 0:25:33.360
<v Speaker 2>making a joke or something that I wanted to hear

0:25:33.359 --> 0:25:36.400
<v Speaker 2>in the original language. So I got to hear everybody's

0:25:36.440 --> 0:25:38.360
<v Speaker 2>actual voices, which was really helpful.

0:25:38.920 --> 0:25:41.000
<v Speaker 1>Oh. I enjoyed the dub. It wasn't It wasn't a

0:25:41.160 --> 0:25:42.760
<v Speaker 1>really bad dub, And I also had the sub on

0:25:42.800 --> 0:25:44.119
<v Speaker 1>it at the same time, so I could see like,

0:25:44.200 --> 0:25:47.359
<v Speaker 1>what the different translations whow yeah, whoa. I enjoyed it,

0:25:49.119 --> 0:25:51.199
<v Speaker 1>But I was eating dinner and I was like, I

0:25:51.200 --> 0:25:53.800
<v Speaker 1>don't want to have to read what I understand. Yeah,

0:25:54.440 --> 0:25:56.640
<v Speaker 1>but you wrote down this line that I also saw,

0:25:56.720 --> 0:26:02.639
<v Speaker 1>which is your blunder would even shock our ancestors? That

0:26:02.920 --> 0:26:04.960
<v Speaker 1>was so funny. There were some amazing lines in.

0:26:04.920 --> 0:26:10.159
<v Speaker 2>This can I hm, I don't mean for this to

0:26:10.240 --> 0:26:12.879
<v Speaker 2>be mean, but it might sound mean. Are you in

0:26:12.920 --> 0:26:16.040
<v Speaker 2>a place where you can hear something like that. Yes,

0:26:17.119 --> 0:26:18.240
<v Speaker 2>that line made me.

0:26:18.240 --> 0:26:28.560
<v Speaker 1>Think of you. Thank you so much. I've made a

0:26:28.600 --> 0:26:32.199
<v Speaker 1>number of blunders. I loved the word blunder. It's like

0:26:32.320 --> 0:26:35.920
<v Speaker 1>so and it does. It evokes something where I'm like, yes,

0:26:36.640 --> 0:26:40.040
<v Speaker 1>my blunder, my blunder.

0:26:41.760 --> 0:26:44.119
<v Speaker 2>That would shock even our ancestors.

0:26:44.280 --> 0:26:49.000
<v Speaker 1>Blunder, I've made a blunder that would shock even my ancestors.

0:26:50.480 --> 0:26:52.520
<v Speaker 1>Like sometimes you make a blunder that would shock even

0:26:52.520 --> 0:26:58.080
<v Speaker 1>your ancestors. Okay, one of the translations, you know, he

0:26:58.119 --> 0:27:01.080
<v Speaker 1>gives that little speech about like you don't want to

0:27:01.119 --> 0:27:01.760
<v Speaker 1>go to the cops.

0:27:02.520 --> 0:27:05.080
<v Speaker 2>Mm hmm. Ever, yeah, is your jewelry?

0:27:05.200 --> 0:27:07.680
<v Speaker 1>The translation in the way that in the dubbed version

0:27:07.760 --> 0:27:13.280
<v Speaker 1>was it was like, losing your jewelry is a problem,

0:27:13.359 --> 0:27:17.040
<v Speaker 1>no doubt, but going to the police station really stresses

0:27:17.119 --> 0:27:22.320
<v Speaker 1>you out. Oh that was like that's.

0:27:22.119 --> 0:27:25.359
<v Speaker 2>So much like worse than the original. But they had

0:27:25.400 --> 0:27:28.600
<v Speaker 2>to make it rhyme, because the original one is like

0:27:29.560 --> 0:27:33.399
<v Speaker 2>Lost Jewelry is like twofold in terms of like hardship

0:27:33.640 --> 0:27:36.400
<v Speaker 2>one the loss of the item, and to the inquiry

0:27:36.440 --> 0:27:40.640
<v Speaker 2>with the cops. Yeah, which is so funny and inquiry

0:27:40.760 --> 0:27:43.480
<v Speaker 2>really rhythmic, but definitely rhyme.

0:27:43.560 --> 0:27:46.240
<v Speaker 1>Going to the cops really stresses you out.

0:27:46.560 --> 0:27:53.159
<v Speaker 2>That's true. Oh and speaking of Sienna, thank you you

0:27:53.280 --> 0:27:55.600
<v Speaker 2>noted that's too much in your mouth, sir.

0:27:56.560 --> 0:28:00.919
<v Speaker 1>This character intro was crazy. This is one of the

0:28:00.920 --> 0:28:04.480
<v Speaker 1>craziest scenes I've ever seen. This is when they go

0:28:04.520 --> 0:28:06.359
<v Speaker 1>to the police station because they keep saying, they keep

0:28:06.400 --> 0:28:08.160
<v Speaker 1>implying like I don't want to go to the cops,

0:28:08.160 --> 0:28:09.600
<v Speaker 1>Like if anything bad happens, I am not going to

0:28:09.600 --> 0:28:10.480
<v Speaker 1>the cops, Like it sucks.

0:28:10.560 --> 0:28:11.040
<v Speaker 2>Yeah.

0:28:11.160 --> 0:28:14.520
<v Speaker 1>Then we get there and we see obviously there's like

0:28:15.440 --> 0:28:19.600
<v Speaker 1>a comical amount of corruption, but beyond that, it's not

0:28:19.720 --> 0:28:23.120
<v Speaker 1>just that this guy is so weird. So his mouth

0:28:23.240 --> 0:28:27.960
<v Speaker 1>is filled to the brim with I guess tobacco what

0:28:28.119 --> 0:28:29.280
<v Speaker 1>I settled on, and then.

0:28:31.200 --> 0:28:38.760
<v Speaker 2>I was begging. I was begging, so he has he's like, yeah,

0:28:39.160 --> 0:28:41.200
<v Speaker 2>his cheeks are so full, and he was trying to

0:28:41.200 --> 0:28:47.680
<v Speaker 2>do a Godfather impression. We forgot about that I forgot

0:28:47.720 --> 0:28:51.200
<v Speaker 2>she was singing. She was singing to lesson to take

0:28:51.280 --> 0:28:54.920
<v Speaker 2>down the fine, yea, to reduce the fine again. So

0:28:55.080 --> 0:28:56.160
<v Speaker 2>I love that they.

0:28:56.000 --> 0:29:00.720
<v Speaker 1>Were showing that there's the sort of wiggly rules around

0:29:00.960 --> 0:29:01.440
<v Speaker 1>the law.

0:29:02.040 --> 0:29:04.480
<v Speaker 2>It's like, but it's in corruptly and the police force

0:29:04.560 --> 0:29:07.440
<v Speaker 2>is bad. But it's really funny when it's like, well,

0:29:07.480 --> 0:29:10.160
<v Speaker 2>I'll take ten thousand rupees off this fine if you see.

0:29:10.480 --> 0:29:11.400
<v Speaker 1>Yeah, exactly.

0:29:11.720 --> 0:29:12.080
<v Speaker 2>That's why.

0:29:12.080 --> 0:29:13.400
<v Speaker 1>He was also just a weird guy. He's like, oh,

0:29:13.440 --> 0:29:16.960
<v Speaker 1>I love this singing. Beautiful. But then later another guy

0:29:16.960 --> 0:29:18.480
<v Speaker 1>offers a sing sort of as a joke, and he's

0:29:18.520 --> 0:29:26.320
<v Speaker 1>like really, and then they hit him. Yeah anyway, Yeah,

0:29:26.360 --> 0:29:28.520
<v Speaker 1>it was so it was so gross. It was a

0:29:28.840 --> 0:29:33.200
<v Speaker 1>crazy character intro but definitely got across the sky's a weirdo.

0:29:33.920 --> 0:29:37.160
<v Speaker 2>Mm hmmm mm hmm. Totally.

0:29:38.120 --> 0:29:40.320
<v Speaker 1>Leana, you've said maybe a little earlier than this, she

0:29:40.360 --> 0:29:44.000
<v Speaker 1>said a lesson and why you must tell women things?

0:29:44.480 --> 0:29:48.800
<v Speaker 2>Oh my gosh, both wives And then it turned out

0:29:48.840 --> 0:29:52.320
<v Speaker 2>only one wife, only Pool, not Jaya. Pool didn't know

0:29:52.760 --> 0:29:56.400
<v Speaker 2>the name of the village she was meant to be

0:29:56.480 --> 0:30:00.720
<v Speaker 2>going to with her husband with Deepak, and I was like, oh,

0:30:00.840 --> 0:30:04.080
<v Speaker 2>you have to tell women things. This is because if

0:30:04.080 --> 0:30:07.160
<v Speaker 2>you tell us things, then we will know thing we

0:30:07.240 --> 0:30:10.360
<v Speaker 2>can work with that. Yeah, this her I can't do

0:30:10.400 --> 0:30:11.680
<v Speaker 2>anything if I don't know anything.

0:30:11.960 --> 0:30:18.960
<v Speaker 1>Her experience as a woman and a bride as like a.

0:30:17.600 --> 0:30:19.520
<v Speaker 2>Child so young.

0:30:19.960 --> 0:30:20.560
<v Speaker 1>She was so young.

0:30:20.560 --> 0:30:25.360
<v Speaker 2>The actress is seventeen, very seventeen, which is what she looked.

0:30:25.400 --> 0:30:30.520
<v Speaker 1>She looked so yeah. Yeah, but but it was all

0:30:30.600 --> 0:30:38.320
<v Speaker 1>it was cute, innocent. Yeah, it was okay. But her

0:30:38.440 --> 0:30:40.520
<v Speaker 1>experience like being like, what, I don't have any of

0:30:40.560 --> 0:30:43.280
<v Speaker 1>the information, so I'm scared? Is how I felt. As

0:30:43.280 --> 0:30:48.160
<v Speaker 1>like an intern or a PA all the time. Oh yeah,

0:30:48.280 --> 0:30:50.920
<v Speaker 1>someone who won't tell you anything. And then you're like,

0:30:50.960 --> 0:30:53.040
<v Speaker 1>I don't have the information, so I can't make any

0:30:53.040 --> 0:30:56.000
<v Speaker 1>smart decisions. I'm a smart decision maker, but you're not

0:30:56.040 --> 0:30:58.600
<v Speaker 1>giving you the information, so instaid. I'm just running around

0:30:58.640 --> 0:31:00.880
<v Speaker 1>the train trying to figure out where my husband went.

0:31:01.000 --> 0:31:02.360
<v Speaker 1>Why would you put me in this position?

0:31:03.280 --> 0:31:03.760
<v Speaker 2>Literally?

0:31:03.880 --> 0:31:09.520
<v Speaker 1>Yes, oh my gosh, okay, Leanna, you've said you said

0:31:09.600 --> 0:31:14.760
<v Speaker 1>the problem will sort itself out. Men. Oh when did

0:31:14.800 --> 0:31:15.200
<v Speaker 1>they say that?

0:31:16.280 --> 0:31:20.000
<v Speaker 2>Oh? When don't they say that? Men are always saying that?

0:31:21.160 --> 0:31:23.120
<v Speaker 2>Men are always saying, Oh, I'm sure it'll be fine. Yeah,

0:31:23.160 --> 0:31:24.920
<v Speaker 2>because do you know why it ends up fine? Because

0:31:24.960 --> 0:31:29.440
<v Speaker 2>a woman a has to get involved men sort it out.

0:31:29.680 --> 0:31:32.600
<v Speaker 1>Yeah that is unfortunately incredibly true and it's devastating.

0:31:33.560 --> 0:31:38.840
<v Speaker 2>But I did love that this movie recognized that and

0:31:38.880 --> 0:31:42.160
<v Speaker 2>the people who save the day are women. Yes, like

0:31:42.280 --> 0:31:44.120
<v Speaker 2>Jaya saves everyone's everyone's ass.

0:31:44.200 --> 0:31:44.840
<v Speaker 1>That's so true.

0:31:45.480 --> 0:31:47.800
<v Speaker 2>Mm hmm. I love this movie. Like, no, it didn't

0:31:47.840 --> 0:31:51.080
<v Speaker 2>sort itself out, Jaya fixed everything and.

0:31:51.040 --> 0:31:53.160
<v Speaker 1>They get to go on their own journeys. And also

0:31:53.200 --> 0:31:54.920
<v Speaker 1>I liked them. We got to go and see that

0:31:54.920 --> 0:31:59.520
<v Speaker 1>they were flashbacks showing that Pool and Deepak really loved

0:31:59.520 --> 0:32:04.200
<v Speaker 1>each other. Yeah that was so we're happy when they

0:32:04.200 --> 0:32:04.720
<v Speaker 1>get back together.

0:32:04.760 --> 0:32:06.720
<v Speaker 2>It's not just like, yeah, true, they're good.

0:32:06.840 --> 0:32:08.760
<v Speaker 1>They're gonna be good partners. But she got to look

0:32:09.000 --> 0:32:15.320
<v Speaker 1>she wants like a job less Yes, Leonna, you said,

0:32:18.640 --> 0:32:29.120
<v Speaker 1>you said plot twist, he has legs. I gasped. Yeah,

0:32:29.160 --> 0:32:30.000
<v Speaker 1>that was crazy.

0:32:30.680 --> 0:32:32.400
<v Speaker 2>I gasped at that reveal.

0:32:32.800 --> 0:32:35.120
<v Speaker 1>So one of the friends. So one of the ways

0:32:35.120 --> 0:32:38.800
<v Speaker 1>that Pool ends up like getting by when she's at

0:32:39.000 --> 0:32:39.880
<v Speaker 1>the train station, she.

0:32:40.000 --> 0:32:43.560
<v Speaker 2>Is so lost, Oh this poor girl.

0:32:43.760 --> 0:32:47.760
<v Speaker 1>And a kind, small young man comes up to her

0:32:48.480 --> 0:32:50.600
<v Speaker 1>and is like, oh my gosh, you're so lost, like

0:32:50.680 --> 0:32:54.240
<v Speaker 1>I'll help you, and then he's like, here's also my

0:32:54.520 --> 0:32:58.920
<v Speaker 1>pal who uses like a little cart to get around because.

0:32:59.480 --> 0:33:01.640
<v Speaker 2>He fell up a train and lost his legs, lost his.

0:33:01.640 --> 0:33:05.680
<v Speaker 1>Legs, but turns out his legs were just tucked into pants.

0:33:06.400 --> 0:33:07.960
<v Speaker 2>Oh crazy?

0:33:08.520 --> 0:33:10.240
<v Speaker 1>Were you thinking about how uncomfortable would be to be

0:33:10.280 --> 0:33:11.920
<v Speaker 1>sitting on your knees like that all day?

0:33:11.960 --> 0:33:14.280
<v Speaker 2>I couldn't believe he got up and was fine. I'd

0:33:14.320 --> 0:33:15.840
<v Speaker 2>be so stiff even after.

0:33:15.640 --> 0:33:17.160
<v Speaker 1>Just like sitting on my knees on the couch. I

0:33:17.160 --> 0:33:18.960
<v Speaker 1>can't stand quite yet.

0:33:20.560 --> 0:33:23.480
<v Speaker 2>My ankle fell asleep while watching this film, and I

0:33:23.600 --> 0:33:24.680
<v Speaker 2>was in so much pain.

0:33:25.960 --> 0:33:26.600
<v Speaker 1>Oh my god.

0:33:26.760 --> 0:33:30.480
<v Speaker 2>No, I could not do a day on a cart

0:33:32.240 --> 0:33:33.600
<v Speaker 2>ostensibly legless.

0:33:35.560 --> 0:33:38.120
<v Speaker 1>Surprise, I have legs.

0:33:39.360 --> 0:33:40.120
<v Speaker 2>We'll be right back.

0:33:51.760 --> 0:33:56.680
<v Speaker 1>You said, I love this sim card queen. Oh my god,

0:33:56.960 --> 0:33:58.520
<v Speaker 1>where'd she get that new sim card?

0:33:58.920 --> 0:34:01.960
<v Speaker 2>I have no idea, I said, slow up, I know.

0:34:02.280 --> 0:34:04.760
<v Speaker 2>I loved that. I loved that we were seeing some

0:34:04.920 --> 0:34:07.880
<v Speaker 2>espionage from early on. I said, oh no, this is

0:34:07.920 --> 0:34:08.920
<v Speaker 2>a woman with a plan.

0:34:09.080 --> 0:34:10.719
<v Speaker 1>That's what I had to call Kelsey because I was like,

0:34:11.680 --> 0:34:14.480
<v Speaker 1>oh my god. We thought these were just two stupid women,

0:34:14.760 --> 0:34:17.840
<v Speaker 1>but instead one doesn't want to be a stupid woman,

0:34:18.480 --> 0:34:21.359
<v Speaker 1>and which is fine because she's seventeen. And yeah, as

0:34:21.480 --> 0:34:24.359
<v Speaker 1>is explained to her, she is incredibly she was made

0:34:24.440 --> 0:34:26.640
<v Speaker 1>dumb by society, which yeah, I'm.

0:34:26.560 --> 0:34:28.520
<v Speaker 2>Not your fault, you're dumb. Can we for one.

0:34:28.320 --> 0:34:31.160
<v Speaker 1>Second, can we for one second please talk about man Jumai.

0:34:32.040 --> 0:34:36.920
<v Speaker 2>Oh my god, you highlighted her life. He said, quote

0:34:37.000 --> 0:34:39.600
<v Speaker 2>there's no shame in being an idiot, but being proud

0:34:39.680 --> 0:34:42.439
<v Speaker 2>about it is shameful. End quote. She is my star,

0:34:42.680 --> 0:34:46.360
<v Speaker 2>my hero, my mother. I loved her so much.

0:34:46.400 --> 0:34:47.440
<v Speaker 1>Love, I loved her.

0:34:47.719 --> 0:34:51.440
<v Speaker 2>She spends the whole film radicalizing pools against men, and

0:34:51.560 --> 0:34:55.959
<v Speaker 2>I said, work, she was amazing, like against really the patriarchy.

0:34:56.040 --> 0:34:57.880
<v Speaker 1>And it's true, like by the time we see inside

0:34:57.880 --> 0:35:00.560
<v Speaker 1>her house and pools, like do you live alone, we

0:35:00.600 --> 0:35:02.320
<v Speaker 1>realize that all the women we've seen in this film,

0:35:02.520 --> 0:35:05.120
<v Speaker 1>like they're just playing such key roles in like the

0:35:05.120 --> 0:35:08.759
<v Speaker 1>family space. Yeah, that they're like never just people of

0:35:08.800 --> 0:35:11.480
<v Speaker 1>their own with their own space, And it is radical,

0:35:11.680 --> 0:35:14.280
<v Speaker 1>It's amazing. I just spends the whole time being like, pool,

0:35:14.520 --> 0:35:17.359
<v Speaker 1>you know, you're dumb, right, And it was cool how

0:35:17.400 --> 0:35:20.000
<v Speaker 1>they kept being like she kept noticing that her I

0:35:20.040 --> 0:35:22.160
<v Speaker 1>forget what's what the name of the young man who

0:35:22.200 --> 0:35:25.640
<v Speaker 1>helps her is. But they keep comparing the fact that

0:35:25.680 --> 0:35:26.920
<v Speaker 1>he knows all this stuff.

0:35:27.719 --> 0:35:30.120
<v Speaker 2>Yeah you know, yeah, yeah, he's been getting address of

0:35:30.120 --> 0:35:30.879
<v Speaker 2>a movie star.

0:35:31.280 --> 0:35:33.440
<v Speaker 1>Yeah yeah, he knows all these things because they just

0:35:33.440 --> 0:35:35.480
<v Speaker 1>like have trusted him with this information or given him

0:35:35.480 --> 0:35:38.480
<v Speaker 1>this information because he's a guy, a man, and he's

0:35:39.640 --> 0:35:44.000
<v Speaker 1>can like go out in the world and participate. Yeah,

0:35:44.040 --> 0:35:46.879
<v Speaker 1>but she's just been told how to make food and

0:35:47.520 --> 0:35:51.880
<v Speaker 1>oh my gosh. Yeah, and Manjuma is like, so you

0:35:51.960 --> 0:35:54.279
<v Speaker 1>know you're stupid, right, And that's fine, girl, that's fine.

0:35:54.280 --> 0:35:55.799
<v Speaker 1>I don't mean to be rude about that, but like

0:35:55.840 --> 0:35:57.879
<v Speaker 1>if you actually think that you're doing a good job,

0:35:57.960 --> 0:36:05.320
<v Speaker 1>like that's embarrassing. It's so funny and awesome, and also

0:36:05.400 --> 0:36:10.560
<v Speaker 1>like they're making such awesome points, like there's so much

0:36:10.600 --> 0:36:13.719
<v Speaker 1>commentary commentary and I was living.

0:36:13.880 --> 0:36:15.600
<v Speaker 2>Yeah, I loved it.

0:36:16.880 --> 0:36:22.799
<v Speaker 1>Leonni, You've said gagged at a faces everything tea, Oh

0:36:22.880 --> 0:36:25.960
<v Speaker 1>my god, she's in a full Nikoba when like, oh

0:36:26.000 --> 0:36:28.640
<v Speaker 1>the guy is like I can't tell, Oh my god,

0:36:28.640 --> 0:36:29.960
<v Speaker 1>I was absolutely gagged at that.

0:36:30.600 --> 0:36:33.320
<v Speaker 2>So they're going around. Deepak is going around showing everybody

0:36:33.360 --> 0:36:35.359
<v Speaker 2>a photo of him and Pool from their wedding day,

0:36:35.400 --> 0:36:37.759
<v Speaker 2>but Pool is wearing her veil so you can't see

0:36:37.760 --> 0:36:39.160
<v Speaker 2>her face, and he's like, have you seen this woman?

0:36:39.160 --> 0:36:42.080
<v Speaker 2>And everyone's like, I can't see her in that photo?

0:36:42.120 --> 0:36:44.359
<v Speaker 2>How would I have seen her in real life? And

0:36:44.440 --> 0:36:46.600
<v Speaker 2>one guy at a stall is like, why would you

0:36:46.640 --> 0:36:49.160
<v Speaker 2>cover her face? Like a face is everything.

0:36:49.200 --> 0:36:50.840
<v Speaker 1>It's like someone's whole identity.

0:36:51.120 --> 0:36:54.600
<v Speaker 2>Someone's from behind him is a woman in a nicab

0:36:54.800 --> 0:36:57.640
<v Speaker 2>Then she goes tea.

0:36:58.440 --> 0:37:06.919
<v Speaker 1>The commentary I literally went, uh huh, yeah, so yeah,

0:37:07.000 --> 0:37:15.160
<v Speaker 1>I loved that. Leanni just said par Deep is on

0:37:15.200 --> 0:37:18.440
<v Speaker 1>his way to get you. Worstners ever tell him she died.

0:37:20.680 --> 0:37:21.880
<v Speaker 1>So that's the horrible husband.

0:37:22.600 --> 0:37:27.080
<v Speaker 2>Yeah, kind and terrible and like killed his first wife.

0:37:27.880 --> 0:37:29.080
<v Speaker 1>His thing is a bad husband?

0:37:29.160 --> 0:37:29.359
<v Speaker 2>Is that?

0:37:29.640 --> 0:37:31.440
<v Speaker 1>Literally he loses his wife and he's like, I'm gonna

0:37:31.440 --> 0:37:33.439
<v Speaker 1>beat her up when I find her because she's lost,

0:37:33.480 --> 0:37:35.960
<v Speaker 1>and it's like you lost her, and then he's like, Okay,

0:37:36.000 --> 0:37:38.359
<v Speaker 1>well I'm bored, let's go out drinking. And he goes

0:37:38.440 --> 0:37:43.280
<v Speaker 1>drinking instead of trying to find her, and then everybody's like, yeah,

0:37:43.320 --> 0:37:45.880
<v Speaker 1>he's kind of bad news because he burned his last

0:37:45.880 --> 0:37:48.360
<v Speaker 1>wife to death when she called children.

0:37:51.080 --> 0:37:52.600
<v Speaker 2>There were some parts of this movie where I was like,

0:37:52.640 --> 0:37:57.000
<v Speaker 2>he oh, but yeah, I mean I knew deep down

0:37:57.080 --> 0:37:59.040
<v Speaker 2>that it was farce vibes and that all would be

0:37:59.080 --> 0:38:01.239
<v Speaker 2>well in the end, and so I was trying to

0:38:01.239 --> 0:38:02.759
<v Speaker 2>figure out how they were gonna get around it. And

0:38:02.760 --> 0:38:05.719
<v Speaker 2>I was like, tell him she died. Yeah, I tell

0:38:05.800 --> 0:38:06.479
<v Speaker 2>him she's dead.

0:38:06.680 --> 0:38:08.919
<v Speaker 1>They made him bad enough that the cops would even

0:38:08.960 --> 0:38:14.120
<v Speaker 1>be like, actually, the cops would have reason to help

0:38:14.160 --> 0:38:16.560
<v Speaker 1>her because he did a cry to his last wife.

0:38:16.920 --> 0:38:19.719
<v Speaker 2>Yes, yeah, yeah, And I loved that. And Siana, your

0:38:19.760 --> 0:38:25.000
<v Speaker 2>final note is make a cab work for you. I agree.

0:38:25.280 --> 0:38:27.480
<v Speaker 1>The part where he goes and this is my badges.

0:38:28.239 --> 0:38:32.640
<v Speaker 1>The part where he goes, he's like explaining the whole

0:38:32.680 --> 0:38:35.520
<v Speaker 1>situation of like, well, the reason he's explaining to the

0:38:35.520 --> 0:38:40.120
<v Speaker 1>bad guy deep like, well, you did this, this and this,

0:38:40.200 --> 0:38:41.879
<v Speaker 1>so you know we can't make this. Now that we've

0:38:41.880 --> 0:38:43.960
<v Speaker 1>closed this case, this woman can go off on her

0:38:44.000 --> 0:38:45.520
<v Speaker 1>own and maybe if somebody was in this room and

0:38:45.560 --> 0:38:47.200
<v Speaker 1>we saw him hit her, which you just did in

0:38:47.200 --> 0:38:49.400
<v Speaker 1>front of us. But he goes to this whole reason

0:38:49.440 --> 0:38:52.520
<v Speaker 1>why she should be able to go and Pretteepa is

0:38:52.560 --> 0:38:55.680
<v Speaker 1>like this is nonsense. What is this nonsense? And the

0:38:55.719 --> 0:38:59.120
<v Speaker 1>cop goes this nonsense is the law.

0:38:59.680 --> 0:39:01.080
<v Speaker 2>Yeah ah.

0:39:01.120 --> 0:39:03.279
<v Speaker 1>And it's literally like, make this system that is so

0:39:03.400 --> 0:39:05.720
<v Speaker 1>broken work for you work.

0:39:07.360 --> 0:39:08.719
<v Speaker 2>I could work just only on it.

0:39:08.880 --> 0:39:12.160
<v Speaker 1>Your final notes are stop falling off your bicycle.

0:39:13.200 --> 0:39:15.200
<v Speaker 2>Oh. I kept getting the ick every time he buck

0:39:15.239 --> 0:39:15.839
<v Speaker 2>fell off his bike.

0:39:16.080 --> 0:39:18.840
<v Speaker 1>It was really drunk off off.

0:39:19.640 --> 0:39:21.480
<v Speaker 2>And then on the way to get pool from the station,

0:39:21.560 --> 0:39:24.120
<v Speaker 2>he falls off again, and I was like, okay, stop falling,

0:39:24.160 --> 0:39:24.959
<v Speaker 2>all right, that's enough.

0:39:26.160 --> 0:39:31.360
<v Speaker 1>Then your next note is yay, and then your final

0:39:31.400 --> 0:39:37.120
<v Speaker 1>note is yes, mama's, Yes, mama, mama's. And they're so

0:39:37.160 --> 0:39:39.319
<v Speaker 1>grateful to each other at the end, they're like, thank

0:39:39.360 --> 0:39:44.960
<v Speaker 1>you for helping women women. This movie was win men na.

0:39:45.160 --> 0:39:47.759
<v Speaker 2>I enjoyed every moment. I loved it so much, and

0:39:47.880 --> 0:39:50.960
<v Speaker 2>I was so happy with the ending. This is what

0:39:51.000 --> 0:39:55.160
<v Speaker 2>films should be, well speaking. And now that we're in

0:39:55.200 --> 0:39:59.080
<v Speaker 2>this praise boat, shall we move on my badges and badges.

0:39:58.880 --> 0:39:59.680
<v Speaker 1>Let's do it.

0:40:01.000 --> 0:40:06.640
<v Speaker 2>Welcome everybody to the bus stop badges and trages, where

0:40:06.680 --> 0:40:14.799
<v Speaker 2>we award badges for brides who've been misplaced, and tradges

0:40:15.719 --> 0:40:23.920
<v Speaker 2>for tobacco chewed way too much. Yeah, his face was

0:40:23.960 --> 0:40:25.320
<v Speaker 2>so full of tobacco.

0:40:25.480 --> 0:40:29.440
<v Speaker 1>His face was full. It kept looking like it was

0:40:29.480 --> 0:40:30.920
<v Speaker 1>like a fake out, like he was just about to

0:40:30.960 --> 0:40:32.080
<v Speaker 1>spit and then he never did.

0:40:33.239 --> 0:40:35.160
<v Speaker 2>Oh yeah, h h.

0:40:37.200 --> 0:40:41.040
<v Speaker 1>My first badge is mon do my. I loved her

0:40:41.520 --> 0:40:43.719
<v Speaker 1>so much. I think she's like the patron saying of

0:40:43.760 --> 0:40:46.680
<v Speaker 1>this podcast. Everything she was saying was so real. She

0:40:46.719 --> 0:40:48.400
<v Speaker 1>was summing it off so well. She was just like

0:40:49.360 --> 0:40:51.239
<v Speaker 1>she was. She was saying it all out loud, and

0:40:51.239 --> 0:40:53.759
<v Speaker 1>it was so cathartic, like you were put in a

0:40:53.760 --> 0:40:56.799
<v Speaker 1>bad position. She was also kind of commenting on this

0:40:56.840 --> 0:40:59.160
<v Speaker 1>type of movie, you know, because she's like this type

0:40:59.160 --> 0:41:01.520
<v Speaker 1>of situation, this story where you can be this dumb

0:41:01.800 --> 0:41:04.839
<v Speaker 1>is because of society, by the way, and.

0:41:04.760 --> 0:41:09.400
<v Speaker 2>You go work work, you are so dumb, and she

0:41:09.560 --> 0:41:11.520
<v Speaker 2>teaches it's not your fault, but you are.

0:41:11.760 --> 0:41:14.600
<v Speaker 1>She teaches pool that like working and being part of

0:41:14.640 --> 0:41:16.560
<v Speaker 1>society in that way can be a part of a

0:41:16.640 --> 0:41:20.600
<v Speaker 1>thing that she can be proud of and yes, of

0:41:20.640 --> 0:41:21.000
<v Speaker 1>your own.

0:41:21.120 --> 0:41:25.920
<v Speaker 2>Oh. I loved the emphasis throughout on like well why

0:41:25.960 --> 0:41:27.279
<v Speaker 2>don't you do something that you like?

0:41:27.640 --> 0:41:31.120
<v Speaker 1>Yeah, just various characters like it's.

0:41:31.080 --> 0:41:33.600
<v Speaker 2>Like it's been so long, I don't even know. Oh,

0:41:33.680 --> 0:41:35.839
<v Speaker 2>I have a badge for it telling us where and

0:41:35.880 --> 0:41:40.200
<v Speaker 2>when we are. Thank you. The title card said, Normal, Pradesh, India,

0:41:40.280 --> 0:41:41.480
<v Speaker 2>January two thousand and one.

0:41:41.640 --> 0:41:42.359
<v Speaker 1>You love it, And.

0:41:42.320 --> 0:41:44.640
<v Speaker 2>I said, I love that you love it. I love

0:41:44.680 --> 0:41:47.160
<v Speaker 2>knowing that. Thank you you love it.

0:41:48.120 --> 0:41:50.080
<v Speaker 1>My next badge is for the moment that you talked

0:41:50.080 --> 0:41:52.319
<v Speaker 1>about when the woman was wearing in a cab of

0:41:53.400 --> 0:41:56.080
<v Speaker 1>covering your faces, like stealing your identity. And then I

0:41:56.080 --> 0:41:59.279
<v Speaker 1>think it's probably his wife or somebody a family member

0:41:59.360 --> 0:42:02.600
<v Speaker 1>comes up, come completely covered and he's like, M, well

0:42:03.320 --> 0:42:08.840
<v Speaker 1>so for my well this is different. Yeah, to respect me.

0:42:09.560 --> 0:42:13.200
<v Speaker 2>Absolute gag. Loved it. A badge for a cab vibes

0:42:14.080 --> 0:42:16.360
<v Speaker 2>just the general sense of do not trust the police.

0:42:16.360 --> 0:42:18.399
<v Speaker 1>They were just like, you can't go to those guys.

0:42:18.440 --> 0:42:23.040
<v Speaker 1>They sucks. No bad Yeah, badge for I've also said this,

0:42:23.160 --> 0:42:26.359
<v Speaker 1>but the speech he gives after this whole a cab

0:42:26.440 --> 0:42:32.960
<v Speaker 1>movie where he goes this nonsense is the law that

0:42:33.360 --> 0:42:34.279
<v Speaker 1>really made me laugh.

0:42:34.719 --> 0:42:37.360
<v Speaker 2>A badge for a cow.

0:42:38.400 --> 0:42:43.520
<v Speaker 1>There was a cow, a cow, a cow.

0:42:46.760 --> 0:42:48.279
<v Speaker 2>I have to find joy where I can.

0:42:48.480 --> 0:42:51.160
<v Speaker 1>Yeah, I love cows. I love cows.

0:42:51.360 --> 0:42:51.520
<v Speaker 2>Oh.

0:42:52.520 --> 0:42:55.520
<v Speaker 1>Badge for female friendship. Yes, A big part of this

0:42:55.560 --> 0:42:58.399
<v Speaker 1>movie was just like two of these gals just became

0:42:58.480 --> 0:43:00.759
<v Speaker 1>galpals because it's like what ever laughed. She's like, I

0:43:00.840 --> 0:43:03.600
<v Speaker 1>have nobody fun to talk to because my husband isn't here.

0:43:03.719 --> 0:43:05.359
<v Speaker 1>Like as if your husband would be the most fun

0:43:05.360 --> 0:43:06.480
<v Speaker 1>person to talk to. He are you kidding?

0:43:06.840 --> 0:43:10.359
<v Speaker 2>That's not true, that's so true. And she gets her

0:43:10.400 --> 0:43:16.280
<v Speaker 2>back into drawing art. A badge for this shop owner

0:43:16.280 --> 0:43:20.560
<v Speaker 2>akmun Jumai, who has no faith in man loved her.

0:43:21.440 --> 0:43:23.080
<v Speaker 1>I loved her so much.

0:43:23.760 --> 0:43:24.280
<v Speaker 2>Mm hmmm.

0:43:27.280 --> 0:43:30.440
<v Speaker 1>I just there's so few characters like this I know

0:43:31.000 --> 0:43:33.319
<v Speaker 1>in movies who's just like, she's.

0:43:33.080 --> 0:43:34.680
<v Speaker 2>Like what a fairy godmother should be.

0:43:34.840 --> 0:43:38.000
<v Speaker 1>Yeah, she's just sort of a wise a wise lady,

0:43:38.120 --> 0:43:41.239
<v Speaker 1>wise older lady who's like, you're being an idiot, but

0:43:41.360 --> 0:43:43.120
<v Speaker 1>also you're you're good, You're good.

0:43:43.840 --> 0:43:44.320
<v Speaker 2>I'll help you.

0:43:46.920 --> 0:43:51.719
<v Speaker 1>Uh those oh, badge for just this this family when

0:43:51.840 --> 0:43:54.240
<v Speaker 1>they were when they arrived from their wedding and everybody

0:43:54.280 --> 0:43:56.640
<v Speaker 1>was like celebrating them so much. I was like, this

0:43:56.719 --> 0:43:58.880
<v Speaker 1>is how I want to be celebrated anytime I come home.

0:44:00.000 --> 0:44:01.400
<v Speaker 1>I want to celebrate it on my birthday. This is

0:44:01.440 --> 0:44:02.080
<v Speaker 1>what I expect.

0:44:02.680 --> 0:44:05.640
<v Speaker 2>Yeah. I love that line. That was like get gee

0:44:05.680 --> 0:44:07.319
<v Speaker 2>for luck and she's like, well, that's this is why

0:44:07.320 --> 0:44:09.680
<v Speaker 2>we're always running out of geese because you keep making

0:44:09.719 --> 0:44:13.279
<v Speaker 2>me get it. A badge for that running bit, the

0:44:13.320 --> 0:44:15.239
<v Speaker 2>recurring bit of the guy who keeps coming back for

0:44:15.360 --> 0:44:23.480
<v Speaker 2>more chutney. Yeah, that badge for these guys being freaks,

0:44:23.880 --> 0:44:27.400
<v Speaker 2>the two cops doing their buddy comedy side plots.

0:44:27.719 --> 0:44:28.320
<v Speaker 1>So cute.

0:44:28.680 --> 0:44:33.080
<v Speaker 2>Gosh, that was funny. A badge for Oh. My final

0:44:33.160 --> 0:44:37.000
<v Speaker 2>badge is for corrupt policing but on the right side.

0:44:37.800 --> 0:44:40.600
<v Speaker 2>Mm hmm. You can be corrupt with your policing as

0:44:40.640 --> 0:44:44.719
<v Speaker 2>long as you're actually helping the girls, as long as

0:44:44.719 --> 0:44:45.239
<v Speaker 2>it's for the.

0:44:45.160 --> 0:44:53.320
<v Speaker 1>Girlies make work for you. Ah. Trages, trages. My only

0:44:53.400 --> 0:44:55.920
<v Speaker 1>trage is for police chief being so gross.

0:44:56.080 --> 0:44:56.440
<v Speaker 2>Lol.

0:44:57.200 --> 0:44:59.400
<v Speaker 1>My trage is for is that chewing tobacco?

0:44:59.520 --> 0:45:03.040
<v Speaker 2>It's gross, It's gross.

0:45:03.440 --> 0:45:07.080
<v Speaker 1>It was just gross. An effective character intro. True, but

0:45:07.120 --> 0:45:08.040
<v Speaker 1>I had to trage something.

0:45:09.080 --> 0:45:11.840
<v Speaker 2>Uh. Trage for yep, my foot fell asleep and it

0:45:11.960 --> 0:45:16.560
<v Speaker 2>really hurt. Trage for oh dear, I'm about to get

0:45:16.640 --> 0:45:19.440
<v Speaker 2>so hungry. They kept talking about ROTI and I was like,

0:45:19.520 --> 0:45:22.120
<v Speaker 2>I want roty so bad right now, and I still do.

0:45:22.239 --> 0:45:24.439
<v Speaker 2>I haven't had a meal all day. I've just had

0:45:24.480 --> 0:45:28.960
<v Speaker 2>some foods, you know. Yeah, And they kept having meals. Oh.

0:45:29.040 --> 0:45:31.879
<v Speaker 2>And then my final trage is a trage for when

0:45:31.920 --> 0:45:34.239
<v Speaker 2>the mom says I don't even remember what I used

0:45:34.280 --> 0:45:39.040
<v Speaker 2>to like, and I was like, oh, women's hacrifice so much.

0:45:39.080 --> 0:45:40.680
<v Speaker 1>They sacrificed so much.

0:45:41.600 --> 0:45:44.120
<v Speaker 2>I that book Invisible Women, the data book that made

0:45:44.120 --> 0:45:47.040
<v Speaker 2>me want to die. One of the stats in it

0:45:47.160 --> 0:45:51.560
<v Speaker 2>was like something like seventy five or seventy eight percent

0:45:51.800 --> 0:45:55.160
<v Speaker 2>of the world's unpaid labor is done by women.

0:45:55.640 --> 0:45:58.200
<v Speaker 1>Yes, Oh my gosh. I was just listening to a

0:45:58.239 --> 0:46:02.160
<v Speaker 1>podcast about Blue Zone maintenance Face and they were talking

0:46:02.200 --> 0:46:04.680
<v Speaker 1>about like, oh, these are the cultures where people are

0:46:04.719 --> 0:46:06.719
<v Speaker 1>never put in nursing homes, and a lot of those

0:46:06.719 --> 0:46:10.280
<v Speaker 1>cultures it's because women just do the nursing home stuff.

0:46:10.440 --> 0:46:13.000
<v Speaker 1>And it's like, yeah, you're talking about because what marks

0:46:13.080 --> 0:46:16.080
<v Speaker 1>like a culture that has a lot of longevity is

0:46:16.080 --> 0:46:18.200
<v Speaker 1>if the men live for a long time, because men

0:46:18.280 --> 0:46:21.239
<v Speaker 1>usually die earlier. And so it was like, well, the

0:46:21.239 --> 0:46:23.160
<v Speaker 1>men live really long here. But it's like, yeah, because

0:46:23.200 --> 0:46:28.439
<v Speaker 1>they're using the women as labor, you know, like it's

0:46:28.440 --> 0:46:31.600
<v Speaker 1>like it's because of women, it's because of women. Mm hmmm.

0:46:32.400 --> 0:46:33.360
<v Speaker 2>So damn.

0:46:34.280 --> 0:46:38.720
<v Speaker 1>Yeah. If you have good points for motherhood, I'm trying

0:46:38.800 --> 0:46:43.600
<v Speaker 1>to decide, please write in every day. I wonder what

0:46:43.640 --> 0:46:46.839
<v Speaker 1>I should do with my life in that way, what

0:46:48.400 --> 0:46:49.759
<v Speaker 1>I think about motherhood all the time, and if I

0:46:49.760 --> 0:46:50.400
<v Speaker 1>should do it or not.

0:46:51.000 --> 0:46:52.480
<v Speaker 2>Oh my god, I didn't know that at all.

0:46:52.719 --> 0:46:55.520
<v Speaker 1>Yeah, okay. Our next segment is.

0:46:55.480 --> 0:47:01.040
<v Speaker 2>Of course, if you think Sienna should be a mother

0:47:01.560 --> 0:47:02.440
<v Speaker 2>right in, right in?

0:47:02.640 --> 0:47:06.080
<v Speaker 1>Please please, I would love an answer from somebody.

0:47:08.719 --> 0:47:11.319
<v Speaker 2>Our next segment, Yes, this is how to pretend you've

0:47:11.360 --> 0:47:15.440
<v Speaker 2>seen this film. This is for you are on your

0:47:15.480 --> 0:47:16.840
<v Speaker 2>way to agriculture school.

0:47:17.280 --> 0:47:20.200
<v Speaker 1>Yes, you're on the train on the way to agriculture school.

0:47:20.800 --> 0:47:22.759
<v Speaker 2>Pre Deep shows up and says, hey, can I have

0:47:22.800 --> 0:47:23.920
<v Speaker 2>that seat?

0:47:26.480 --> 0:47:28.080
<v Speaker 1>Can I have that seat? This reminds me a lot

0:47:28.160 --> 0:47:30.120
<v Speaker 1>of a movie that I saw recently that there's a

0:47:30.160 --> 0:47:32.840
<v Speaker 1>lot of like stuff about girls in it, but mainly

0:47:32.960 --> 0:47:34.880
<v Speaker 1>it's about this like really cool guy who ends up

0:47:34.920 --> 0:47:38.799
<v Speaker 1>saving these women. He's really good at riding bikes. And

0:47:38.840 --> 0:47:40.680
<v Speaker 1>also there's another guy who's a pretty bad guy, but like,

0:47:40.680 --> 0:47:42.320
<v Speaker 1>I get where he's coming from in terms of burning

0:47:42.320 --> 0:47:43.000
<v Speaker 1>employ alive.

0:47:46.440 --> 0:47:52.600
<v Speaker 2>Oh my god. And in order to get off the

0:47:52.680 --> 0:47:55.319
<v Speaker 2>train without pret Deep, we are going to give you

0:47:55.320 --> 0:47:58.319
<v Speaker 2>a few sentences sentences you can say to pretend you've

0:47:58.320 --> 0:48:04.319
<v Speaker 2>seen the film Lapata Ladies. Oh, yes, pre Deep, I've

0:48:04.360 --> 0:48:08.600
<v Speaker 2>seen Lapata Ladies, and I have to say, for centuries

0:48:08.719 --> 0:48:11.719
<v Speaker 2>the women in this country have been duped. This con

0:48:11.880 --> 0:48:16.200
<v Speaker 2>is also known as a respectable girl. Yes, now leave

0:48:16.239 --> 0:48:18.879
<v Speaker 2>me alone. I'm not a respectable girl. I'm getting off

0:48:18.880 --> 0:48:19.840
<v Speaker 2>this train without you.

0:48:20.239 --> 0:48:22.000
<v Speaker 1>I'm not a respectable girl.

0:48:22.400 --> 0:48:23.400
<v Speaker 2>I'm a tired woman.

0:48:24.600 --> 0:48:27.600
<v Speaker 1>Oh my gosh, Yes, Pretteep, I have seen the film

0:48:27.800 --> 0:48:32.400
<v Speaker 1>Lapata Ladies. Fun fact, man Jumai, the best character in

0:48:33.280 --> 0:48:37.120
<v Speaker 1>movie history, was not originally part of the script. She

0:48:37.200 --> 0:48:41.239
<v Speaker 1>was added much later. Oh that's surprising, because whoa, that's

0:48:41.280 --> 0:48:43.520
<v Speaker 1>a character who I could see being shoehorned in. But

0:48:43.640 --> 0:48:46.120
<v Speaker 1>she felt completely natural in it and felt great. And

0:48:46.160 --> 0:48:49.160
<v Speaker 1>also I don't know how you could have defined Pool's

0:48:49.360 --> 0:48:52.320
<v Speaker 1>experience without her being like mentored.

0:48:53.000 --> 0:48:55.279
<v Speaker 2>Yeah, totally. I guess maybe she was just hanging out

0:48:55.280 --> 0:48:59.200
<v Speaker 2>with the Ruffians your time the Ruffians. So I love

0:48:59.280 --> 0:49:03.480
<v Speaker 2>that she had an an older woman mentor. Yeah, yes,

0:49:03.600 --> 0:49:06.799
<v Speaker 2>prett Deep, I've seen Lapta Ladies, and I'm gonna say

0:49:06.800 --> 0:49:09.160
<v Speaker 2>to you what Jaya said to that child in one

0:49:09.200 --> 0:49:12.480
<v Speaker 2>of the scenes early in the film, what are you

0:49:12.640 --> 0:49:19.239
<v Speaker 2>staring at? I love I really should be allowed to

0:49:19.280 --> 0:49:22.480
<v Speaker 2>say that to children and babies. Well, I'm still mad

0:49:22.520 --> 0:49:24.520
<v Speaker 2>at that baby who glared at me on New Year's Eve.

0:49:25.880 --> 0:49:26.759
<v Speaker 1>I don't remember this.

0:49:27.360 --> 0:49:29.360
<v Speaker 2>Oh my god, this baby glared at me from a

0:49:29.360 --> 0:49:31.680
<v Speaker 2>stroller on New Year's Eve because I bumped into my

0:49:31.680 --> 0:49:34.480
<v Speaker 2>friend who was their nanny, and the baby just kept

0:49:34.480 --> 0:49:37.239
<v Speaker 2>glaring at me, so then I glared back. We were

0:49:37.239 --> 0:49:38.200
<v Speaker 2>just looking at each other like.

0:49:39.080 --> 0:49:43.960
<v Speaker 1>That is so rude. Whoa, this is only, Yes, Deep,

0:49:44.000 --> 0:49:47.000
<v Speaker 1>I have seen the film Lapta Ladies. This is the

0:49:47.040 --> 0:49:50.239
<v Speaker 1>only or this is only the second movie directed by

0:49:51.320 --> 0:49:56.680
<v Speaker 1>Kiran Rao Karan who directed it. The woman who directed it,

0:49:57.400 --> 0:50:00.279
<v Speaker 1>that's like crazy. She literally sayd this is the best

0:50:00.280 --> 0:50:06.440
<v Speaker 1>movie I've ever seen. So yes, hmmm.

0:50:07.920 --> 0:50:11.680
<v Speaker 2>Per Deep, I've seen Lapata Ladies. You know, my mom

0:50:11.760 --> 0:50:14.719
<v Speaker 2>tried to marry me off to you, but I said no,

0:50:15.320 --> 0:50:20.719
<v Speaker 2>don't make me be part of the herd. Mother. I'm

0:50:20.719 --> 0:50:22.680
<v Speaker 2>not a pack animal. I'm a woman and I'm going

0:50:22.680 --> 0:50:23.840
<v Speaker 2>to agriculture school.

0:50:24.800 --> 0:50:26.640
<v Speaker 1>Don't make me be part of the herd.

0:50:26.880 --> 0:50:30.040
<v Speaker 2>Mother, mother. That line was great.

0:50:30.640 --> 0:50:32.160
<v Speaker 1>Oh my gosh, I forgot to give a badge for

0:50:32.680 --> 0:50:37.680
<v Speaker 1>when man Jumai eats the sweet she has something to celebrate.

0:50:38.040 --> 0:50:39.480
<v Speaker 1>I literally started crying.

0:50:40.360 --> 0:50:41.560
<v Speaker 2>Oh what did I cry?

0:50:41.640 --> 0:50:44.560
<v Speaker 1>In this movie? She finally has something to celebrate and

0:50:44.600 --> 0:50:50.239
<v Speaker 1>it tastes so nice. Yes, per deep, I have seen

0:50:50.280 --> 0:50:53.880
<v Speaker 1>the film. I have seen the film Lapata Ladies. The

0:50:53.960 --> 0:50:57.160
<v Speaker 1>name of the ladies leading ladies are Pool and Pushpa,

0:50:57.360 --> 0:50:59.440
<v Speaker 1>both are words for flower. But then it turns out

0:50:59.440 --> 0:51:03.120
<v Speaker 1>that Pushpa's name is actually Jaya, which means success.

0:51:03.840 --> 0:51:08.480
<v Speaker 2>Oh sligh, yeah, Oh my god. That line where the

0:51:08.600 --> 0:51:11.400
<v Speaker 2>main cop says she's that woman's gonna go far and

0:51:11.440 --> 0:51:14.319
<v Speaker 2>then his buddy goes, yes, sir, Darra Dune is eight

0:51:14.440 --> 0:51:15.719
<v Speaker 2>hundred kilometers from here.

0:51:16.760 --> 0:51:20.720
<v Speaker 1>His last thing was so delightful. That was so delightful.

0:51:20.760 --> 0:51:24.239
<v Speaker 1>I love that. M hm, Well, Leana shall go on

0:51:24.239 --> 0:51:25.880
<v Speaker 1>to our next segment, which is, of course, should you

0:51:25.920 --> 0:51:27.720
<v Speaker 1>watch this or where we tell you if you should

0:51:27.719 --> 0:51:29.879
<v Speaker 1>watch the film or if you should do anything else

0:51:29.920 --> 0:51:33.080
<v Speaker 1>with your damn time? What would you say?

0:51:33.719 --> 0:51:36.680
<v Speaker 2>Oh my god, yes, yes, you should watch Lapata Ladies.

0:51:36.719 --> 0:51:38.440
<v Speaker 2>It was on Netflix for me. That's where I saw

0:51:38.480 --> 0:51:41.040
<v Speaker 2>it too. Oh. I enjoyed it so much. I had

0:51:41.080 --> 0:51:43.359
<v Speaker 2>a blast. I had a great time. What you need

0:51:43.400 --> 0:51:46.799
<v Speaker 2>to make sure you also do is have a full meal,

0:51:47.000 --> 0:51:49.160
<v Speaker 2>because this movie is going to make you hungry.

0:51:49.320 --> 0:51:54.000
<v Speaker 1>Yeah, and I'm gonna say the same, dang thing. I

0:51:54.080 --> 0:51:57.319
<v Speaker 1>enjoyed this so much, and I think other people would

0:51:57.360 --> 0:52:01.080
<v Speaker 1>enjoy it so much too. It was so fun, very comedic,

0:52:01.920 --> 0:52:05.880
<v Speaker 1>and with very good commentary. But it was just it

0:52:05.920 --> 0:52:10.680
<v Speaker 1>was so enjoyable. I loved this movie. Y can I say?

0:52:10.760 --> 0:52:12.520
<v Speaker 2>Actually, Slade, I.

0:52:12.520 --> 0:52:19.320
<v Speaker 1>Would recommend it Netflix. Leanna, what would you rate the movie?

0:52:19.560 --> 0:52:25.040
<v Speaker 2>I would give Lapate Ladies five blunders out of five.

0:52:27.239 --> 0:52:30.960
<v Speaker 2>It was so fun and it was two hours long,

0:52:31.000 --> 0:52:35.359
<v Speaker 2>but not a long two hours. Great acting. We have

0:52:35.440 --> 0:52:41.600
<v Speaker 2>to speak about how gorgeous these women were. Both the brides, yeah,

0:52:41.640 --> 0:52:44.520
<v Speaker 2>both Pool and Jaia extremely gorgeous.

0:52:44.800 --> 0:52:45.160
<v Speaker 1>Yeah.

0:52:46.000 --> 0:52:47.680
<v Speaker 2>And it was so fun to watch, and it was

0:52:47.719 --> 0:52:51.560
<v Speaker 2>so satisfying, and it was sweet and there were heartfelt

0:52:51.600 --> 0:52:56.240
<v Speaker 2>moments and physical comedy. Oh my god, this movie has everything. Sianna,

0:52:56.280 --> 0:52:56.879
<v Speaker 2>what would you say?

0:52:58.040 --> 0:53:03.719
<v Speaker 1>Hmmmm? I would give this movie five mondumais out of five.

0:53:05.320 --> 0:53:05.879
<v Speaker 1>I loved it.

0:53:06.560 --> 0:53:06.719
<v Speaker 2>Ya.

0:53:07.600 --> 0:53:10.160
<v Speaker 1>It's so easy to give movie movies fives now that

0:53:10.800 --> 0:53:11.919
<v Speaker 1>women are directing them.

0:53:12.080 --> 0:53:13.120
<v Speaker 2>You're crazy.

0:53:13.480 --> 0:53:14.960
<v Speaker 1>I'm not as bothered by stuff.

0:53:15.560 --> 0:53:24.480
<v Speaker 2>No, I don't think I actually hate film.

0:53:25.160 --> 0:53:27.400
<v Speaker 1>This has been our episode on the PoTA ladies and

0:53:27.440 --> 0:53:29.680
<v Speaker 1>shout out to Akha, thank you so much recommending it.

0:53:29.680 --> 0:53:33.799
<v Speaker 2>Thank you, Exha, Big Sleigh. We are Tossed Popcorn. We

0:53:33.840 --> 0:53:38.319
<v Speaker 2>are on social media at tossed Popcorn on Instagram. We're

0:53:38.360 --> 0:53:41.799
<v Speaker 2>also on Patreon, Patreon, dot com slash toss Popcorn gonna

0:53:41.840 --> 0:53:44.600
<v Speaker 2>be posting where Yeah. If you want to fill the

0:53:44.719 --> 0:53:48.960
<v Speaker 2>void during our little hiatus this next month, you can

0:53:49.200 --> 0:53:54.759
<v Speaker 2>check out our Patreon for bonus episodes. And we will

0:53:54.800 --> 0:53:57.720
<v Speaker 2>not see you next week because Sienna is on tour.

0:53:58.480 --> 0:54:00.680
<v Speaker 1>I'm gonna be out and about baby, bring this mic

0:54:00.719 --> 0:54:03.360
<v Speaker 1>with me. Not gonna have any room. Too many puppets

0:54:03.360 --> 0:54:07.359
<v Speaker 1>in a car in full adults. We'll all be in

0:54:07.400 --> 0:54:07.960
<v Speaker 1>the car.

0:54:09.000 --> 0:54:11.919
<v Speaker 2>My nightmare. If you're in any of the cities where

0:54:11.920 --> 0:54:16.400
<v Speaker 2>Sienna's touring, go see the show. Okay, Sianna, have a

0:54:16.400 --> 0:54:16.960
<v Speaker 2>great tour.

0:54:17.120 --> 0:54:21.600
<v Speaker 1>Thanks, thank you, We love you.

0:54:22.280 --> 0:54:26.240
<v Speaker 2>Bye.

0:54:27.400 --> 0:54:29.879
<v Speaker 1>You can find us on Instagram as at Sienna Jaco

0:54:30.000 --> 0:54:32.759
<v Speaker 1>and at Leanna Holsten. Please check the description for the

0:54:32.800 --> 0:54:35.960
<v Speaker 1>spelling of our dumb names. We put out episodes every Tuesday,

0:54:36.000 --> 0:54:38.239
<v Speaker 1>so make sure to subscribe so that you don't miss

0:54:38.280 --> 0:54:41.799
<v Speaker 1>an episode. See you next week on Tossed Popcorn for

0:54:41.840 --> 0:54:44.840
<v Speaker 1>more podcasts from my Heart Radio check the iHeartRadio app.

0:54:46.120 --> 0:54:48.960
<v Speaker 2>I loved the songs in this The songs were so

0:54:49.040 --> 0:54:51.280
<v Speaker 2>fun with the lyrics, the silly lyrics.

0:54:51.920 --> 0:54:52.520
<v Speaker 1>I don't know, have you?

0:54:52.680 --> 0:54:55.560
<v Speaker 2>Did you see that one of the songs early in

0:54:55.600 --> 0:55:01.120
<v Speaker 2>the movie included the phrase suited and booted. No so awesome,

0:55:01.400 --> 0:55:02.160
<v Speaker 2>that's amazed.

0:55:02.440 --> 0:55:02.720
<v Speaker 1>Yes,