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Speaker 1: Are you leaving? I you wanna way back home? Either way,

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Speaker 1: we want to be there, doesn't matter how much baggage

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Speaker 1: you claim and give us time and they terminol and

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Speaker 1: gay a.

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Speaker 2: We want to send you off in starve. We wanna

6
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Speaker 2: welcome you back home.

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Speaker 1: Tell us all about it. We scared her? Was it fine? Malborn?

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Speaker 2: Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do your need to ride.

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Speaker 2: With Karen and Chris? Hmmm, welcome to Do you need

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Speaker 2: a ride? This is Chris.

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Speaker 1: Fairbanks and this is Karen Kilgaro.

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Speaker 2: Hello, my friend. How was your weekend?

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Speaker 1: Hello? Let's see it was good. I did a couple

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Speaker 1: of things. I went into the sun, I did some swimming.

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Speaker 2: Get a little vitamin. Is it E or D?

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Speaker 1: I think it's D.

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Speaker 2: We're all deficient with a capital vitamin D of some

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Speaker 2: of some vitamin. Maybe you're you're outsurfing, You're not if

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Speaker 2: you're not thinking about that one.

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Speaker 1: It's probably B or magnesium. You gotta chase these vitamins

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Speaker 1: and take them all at once and then just pee

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Speaker 1: them all out.

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Speaker 2: Yeah, exactly what you need from them will not be

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Speaker 2: in the p don't you worry.

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Speaker 1: Here's where Chris and Karen starts selling you supplements on

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Speaker 1: this book.

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Speaker 2: Yes, and it's just the concept of supplements. We aren't

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Speaker 2: peddling anything specific. But no, this is and you've heard

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Speaker 2: of your whole life. Much like you're going out. It's

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Speaker 2: cold where you're mittens. You don't want to catch a cold.

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Speaker 2: Take your vitamins.

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Speaker 1: Yes, we are selling empty capsules that basically represent you

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Speaker 1: trying to take vitamins. Yes, and if you take them,

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Speaker 1: if we're only eighty nine ninety nine a month, you

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Speaker 1: can take them.

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Speaker 2: Oh wow, that took it. I didn't expect you to

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Speaker 2: say that. I guess we are trying to make money.

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Speaker 1: Get our capsules, capsules filled with joy?

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Speaker 2: Yes, are you and a lot of people. They're adults,

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Speaker 2: most of them, that's true. We don't have a lot

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Speaker 2: of kids listening to this. Yes, and they don't have

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Speaker 2: their moms reminding them daily of things. So that's why

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Speaker 2: we're here.

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Speaker 1: That's right. Did you take Flintstones vitamins when you were

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Speaker 1: a little.

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Speaker 2: I think that mine were like a knockoff brand. They're

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Speaker 2: just kind of shaped like fruits and different things. Okay,

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Speaker 2: they didn't have the licensed Hanna Barbara characters.

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Speaker 1: You didn't get to have neolithic and or cro Magnan

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Speaker 1: men shaped vitamins.

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Speaker 2: That's sad, no, because it's it's so funny, because who

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Speaker 2: thought of what you should be putting in your body

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Speaker 2: less than fred a man who ate carcized ribs and bold.

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Speaker 2: They had terrible diets uh and pterodactyls for garbage disposals.

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Speaker 1: I mean those people, they were living on the edge

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Speaker 1: health wise in every way.

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Speaker 2: Much like the any particular shade agree you're waiting for

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Speaker 2: honey stoplight joke in Flintstones. There were a lot of

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Speaker 2: jokes for grown ups in there. Yes, And when I

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Speaker 2: was a kid, I knew when I was getting something

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Speaker 2: that was maybe above my and I paid to be

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Speaker 2: a child and you did great. Yeah, I made a killing.

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Speaker 2: And one of those things was when they broke the

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Speaker 2: third wall or is it fourth wall? They broke down

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Speaker 2: a wall and had, yeah, had one of the animals

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Speaker 2: look in the camera to announce, I hate my job.

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Speaker 1: It's a living That's what that. The garbage disposal bird

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Speaker 1: always was like, Jesus, what am I doing? It's a

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Speaker 1: living heavy.

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Speaker 2: Which is yeah, I love it so weird to believe

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Speaker 2: as children that back in the Stone Age they would

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Speaker 2: pay give a paycheck to all these animals that served

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Speaker 2: as appliance.

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Speaker 1: I mean it was I never understood. I didn't understand

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Speaker 1: that one. And there was a Tom and Jerry. There

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Speaker 1: wasn't like a promo for Tom and Jerry that was like,

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Speaker 1: what is the one thing you shouldn't have to advertise?

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Speaker 1: Or is cartoons after school? Like we just I felt

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Speaker 1: like we felt required to watch cartoons after school. It

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Speaker 1: was like what you did, yeah in that time, But

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Speaker 1: there was a Tom and Jerry promo and they were

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Speaker 1: like it was like the narrator or the commentator or

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Speaker 1: whatever was was basically like talking you through of like

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Speaker 1: why you should watch Tom and Jerry after school and

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Speaker 1: then the last thing was like Tom hitting Jerry over

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Speaker 1: the head with a mallet. Yeah, And then narrator was like,

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Speaker 1: ooh that's smart. And it obsessed me for months where

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Speaker 1: I was like what does that mean? Like I've never

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Speaker 1: heard that, and it's like, oh, you're using like old guys,

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Speaker 1: old guy slang from the forties and fifties.

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Speaker 2: Yeah, because old guys were making that. Yeah, you're like

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Speaker 2: when I looked at my dad's yearbook and all of

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Speaker 2: his friends. The going phrase was you're a good you're

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Speaker 2: a good head. A good head, yeah, not a good egg,

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Speaker 2: you're a good head. Which when I was a kid,

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Speaker 2: and I'm like, my dad in high school was blowing everyone.

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Speaker 2: I know, that's what I thought. It's what I still believe. No, no,

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Speaker 2: that's just his detailed campfire stories. I'm just kidding. No,

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Speaker 2: my dad, my dad's a real missionary man. Let's change

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Speaker 2: the subject. Yeah, there are phrases that are out and

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Speaker 2: you can even watch a movie from the early two thousands.

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Speaker 1: I think my dad told me because you know, when

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Speaker 1: I was became a teenager, that's when the Valley girl

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Speaker 1: movement began and has never really ended in California. And

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Speaker 1: so everybody overnight was talking like Munzappa in that song

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Speaker 1: and everyone was using that slang. Yeah, and my dad

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Speaker 1: would he didn't love it, and he was always kind

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Speaker 1: of teasing us for it. But then I was like, well,

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Speaker 1: what was the slang? What did you call like a

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Speaker 1: nerd or a dork when you were in high school?

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Speaker 1: And he was like he had to think about it

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Speaker 1: for a second. He goes, oh, we call those guys

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Speaker 1: a Tim looks a Tim? A what a Tim like

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Speaker 1: a guy's name?

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Speaker 2: Oh you're a real Tim, You're a Tim? Really?

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Speaker 1: Yeah, that's I'm hilarious.

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Speaker 2: Yeah, I wonder what the origin of that is.

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Speaker 1: Probably a natural guy that there were being really mean to.

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Speaker 2: Oh yeah, yeah, it was very a regional phrase that

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Speaker 2: Tim was a famous uh nerd a.

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Speaker 1: Famous dork in San Francisco.

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Speaker 2: Oh that's great.

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Speaker 1: It's nineties. I don't know, eight degrees here in Los

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Speaker 1: Angeles today.

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Speaker 2: Everybody, Yes, it is, and it feels hotter and we

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Speaker 2: don't know why. And I'm tired of every day I

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Speaker 2: walk outside and I'm suddenly swimming in what seems like

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Speaker 2: a sea if my own body temperature, you know that

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Speaker 2: feeling where you go outside and it's like, oh, I'm

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Speaker 2: well that's overeat yes immediately, Yeah, it's uh And it's

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Speaker 2: silly to talk about because I'm I'm we'd you're all.

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Speaker 1: Hot right now, we all are in every different kind

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Speaker 1: of way.

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Speaker 2: Yeah, so so it Yes, it's our hot summer. It's

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Speaker 2: not the kind we expected. We're simply hot. Potzy that's

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Speaker 2: the name that my in my dad's region. That guy's

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Speaker 2: a Potzi Potsy.

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Speaker 1: Yes, because that was in Happy Days, right, huh.

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Speaker 2: And I don't know if it was. I think it

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Speaker 2: was pre I think the old guys that were maybe

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Speaker 2: my dad's age that wrote on happy Days because I

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Speaker 2: was late at sixties, early.

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Speaker 1: Seventies, right, Happy Days was the seventies.

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Speaker 2: So that they were using their yeah phrase and they're like, ha,

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Speaker 2: let's call him a pazzi. His name's Potzy.

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Speaker 1: That's hilarious.

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Speaker 2: Yeah. Yeah. So that it took me that long too.

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Speaker 2: It took a subject change, and you know me, I'll

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Speaker 2: go back to the I like subject sandwiches.

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Speaker 1: Yes, those are the most delicious for pots Yeah.

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Speaker 2: Yeah, with weather meat.

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Speaker 1: As we're talking about being hot and all these things,

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Speaker 1: I think I'm going to need an iced beverage of

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Speaker 1: some kind.

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Speaker 2: I'm all for it. Okay, great, I do. I have

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Speaker 2: a comedy concert tonight at seven, but I think that

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Speaker 2: we're going to be okay. I think I did want

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Speaker 2: to try and do something a little different tonight, and

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Speaker 2: I want to run it.

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Speaker 1: By you, Okay.

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Speaker 2: I in almost defiance of everyone doing crowd work, I

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Speaker 2: do see that it works, and I want to do

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Speaker 2: a planned thing where there's some plants in the audience,

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Speaker 2: and I thought maybe a good thing would be I

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Speaker 2: bring a bucket, fill it halfway with water, and I

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Speaker 2: have the cord just kind of dipping into it in

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Speaker 2: a safe way. Yeah, okay, or there doesn't you know,

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Speaker 2: it doesn't even have to be water in the bucket,

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Speaker 2: just a.

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Speaker 1: If you're going to do some clowning, right, well.

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Speaker 2: Maybe we could go in that direction. What I had

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Speaker 2: planned was just not addressing it, of course, for the

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Speaker 2: first twenty minutes or so. Then once I touch the

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Speaker 2: mic or something, I feign being electrocuted. The lights I'll

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Speaker 2: talk to the house lights operator will flicker go out

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Speaker 2: for a second. That's when the three x five card

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Speaker 2: I've handed to a woman in the front row in private,

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Speaker 2: she will read from it and yell, oh my god,

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Speaker 2: my purse is gone. Then the lights will come back,

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Speaker 2: come back up, and there's a side door next to

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Speaker 2: the stage. I will have someone just shut that from backstage.

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Speaker 2: So then I'll run back there and kick and tussle

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Speaker 2: like Heathcliff behind the curtain, making punch sounds a little

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Speaker 2: gaffer fully work of a fight, and then come out

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Speaker 2: with the purse and hand it to the woman. Then

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Speaker 2: the only thing I'll prep the crowd with is at

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Speaker 2: the end of this cheer and stand up and lift

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Speaker 2: me up in the air, so it'll be a clip

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Speaker 2: of a guy of a guy thwarting a theft. And

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Speaker 2: now I'll just take that little clip and it'll be

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Speaker 2: dollar signs online.

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Speaker 1: What do you think, Well, okay, a couple questions. Yes,

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Speaker 1: First of all, overall loving this. I think taking crowd

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Speaker 1: work to the next level where it's actually just a

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Speaker 1: crowd play.

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Speaker 2: Yes, great idea, I like when other people do it.

200
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Speaker 1: Yes. And I also I'm concerned about the cheering at

201
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Speaker 1: the end. I think that's you're just trying to put

202
00:11:32,280 --> 00:11:34,360
Speaker 1: that in there to make yourself feel better. Know what.

203
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Speaker 2: I added that in the moment because I thought it

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Speaker 2: was going nowhere.

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Speaker 1: No, it's absolutely gone somewhere. Here's the thing, How are

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Speaker 1: you going to get that water on the stage without

207
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Speaker 1: drawing so much attention to it that it becomes distracting

208
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Speaker 1: just sitting there.

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Speaker 2: You're very right, that was the thing I went. That's

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Speaker 2: the only reason I brought it up is because I thought, well,

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Speaker 2: if I get there early, I'll I'll just have the

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Speaker 2: bucket off to the side, dip the mic cord in it,

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Speaker 2: and the previous comics will go their whole sets without

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Speaker 2: even noticing the bucket, or I'll tell them, don't say

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Speaker 2: anything about the bucket, all right.

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Speaker 1: Or you could have the comic that goes on before

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Speaker 1: you bring the bucket out and leave it there.

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Speaker 2: Or I don't even need the bucket. I just get

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Speaker 2: electrocuted by the microphone.

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Speaker 1: Yes, that's right, that's the answer. But the electrocution part

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Speaker 1: then enables the lights to go out, so then the

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Speaker 1: lady can say, my purse has been stole.

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Speaker 2: Yes, that's the only reason the lights are going out.

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Speaker 1: And so if you've been electrocuted to the point, so

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Speaker 1: you have to do it in a way where people

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Speaker 1: can see that you've stopped being electrocuted before the lights.

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Speaker 2: Go out, right, the lights will go out all way

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Speaker 2: down on the ground, and when the lights come back up,

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Speaker 2: I'll kind of shake my head disoriented, and I'm back

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Speaker 2: in action because I found out, in spite of almost dying,

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Speaker 2: someone had their perse stolen, and I got to act fast, ma'am. There,

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Speaker 2: then you hear the door close and I jump into action. Okay, yeah, no,

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Speaker 2: I've been burnt to a crisp internally.

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Speaker 1: Do you have many charcoal that you can stick on

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Speaker 1: your face real quick, so when you wake up, you

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Speaker 1: are seen as being electrocuted.

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Speaker 2: It's so funny. Which I still have my hair, because

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Speaker 2: if I just wiped charcoal on my face and put

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Speaker 2: my hair in the air, but out of context, that

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Speaker 2: would seem like I don't want to do that now, Okay,

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Speaker 2: I want maybe if I put I just made my

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Speaker 2: glasses crooked. How about that?

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Speaker 1: Sure? Okay, glasses crooked and maybe charcoal on the hand

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Speaker 1: that was holding the mic.

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Speaker 2: I know what I'll do. Yes, I'm going to make

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Speaker 2: my glass, my glasses crooked and in the dark, take

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Speaker 2: a huge puff of my vape and then when they

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Speaker 2: come back up, smarcle fly out of my mouth. Yes,

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Speaker 2: I'm so glad we had this workshop.

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Speaker 1: Me too. Now moving on to the second part. Yes,

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Speaker 1: I'm just kidding. But so you're going to go back

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Speaker 1: and fight the fight a fake burglar, right, and then

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Speaker 1: come back with the purse. Right, Let's find out what

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Speaker 1: this final moment is, right, because I just think you

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Speaker 1: need a button, right, ma'am, here's your purse.

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Speaker 2: Yes it's not enough.

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Speaker 1: Well, I just think there's like a there's a final

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Speaker 1: funny joke and maybe it could be something that happened.

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Speaker 1: That's it's a callback and you have to figure out

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Speaker 1: what it is. Like ma'am, here's your purse, yeah, and

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Speaker 1: like and good luck at your job at the post

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Speaker 1: office or whatever.

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Speaker 2: Right, that's not it, No, but I know yeah, yeah,

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Speaker 2: you're you're saying something in that first part of that.

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Speaker 2: Your show will dictate it and I will simply reference

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Speaker 2: that and not worry about it.

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Speaker 1: Right now, is there something from your act that you

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Speaker 1: can that's an object you can put in that purse

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Speaker 1: so that you give the purse, She opens the purse,

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Speaker 1: pulls out the thing from your act that you talked

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Speaker 1: about verbally, but no one actually fight.

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Speaker 2: Okay, what would that be?

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Speaker 1: Start going through your jokes. Yes, items in your jokes?

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Speaker 2: Yeah, first, yeah, for something. There's something in the purse.

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Speaker 1: So I'm getting a spam call if I take this.

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Speaker 2: Yeah, I mean that's a call straight from Hawaii. I've

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Speaker 2: been getting all these spam calls from Chiquita Banana.

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Speaker 1: What yeh.

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Speaker 2: The point is all spam calls come from Hawaii when

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Speaker 2: I was in Maui. That's that. What I just said

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Speaker 2: made no sense. But there was in Maui. It's it's

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Speaker 2: chiquita this, chaqueta that, banana this, and then spam this

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Speaker 2: and spam that.

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Speaker 1: Oh, you're making a joke about how they like to

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Speaker 1: eat spam in Hawaii.

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Speaker 2: And when I said chiketa, I meant dole. Dole, Yep,

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Speaker 2: there is Yes, they do not grow maana bananas in Yeah.

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Speaker 1: Okay, you want to take that one from the top.

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Speaker 2: And hmm. Whenever I get a spam call here, Karen,

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Speaker 2: I find that there it's from the people at DOLE

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Speaker 2: and I expected it to be ham and a can.

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Speaker 1: I don't know the Dole part is helping us.

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Speaker 2: Oh, okay, all spam calls come from Maui, which is

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Speaker 2: why they named the meat in a can company. That

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Speaker 2: spam calls came before spam. The meat is what I'm

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Speaker 2: telling you.

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Speaker 1: Is that true?

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Speaker 2: I bet it is. Sometimes I'm just riffing and the

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Speaker 2: truth comes out.

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Speaker 1: Sometimes we riff our way into learning. Yes, and that's incredible.

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Speaker 1: Hold on, I better take this call. Why would someone

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Speaker 1: call me?

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Speaker 2: Is it the same?

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Speaker 3: This is.

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Speaker 1: Uh? And I also don't know this number calls me

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00:16:58,480 --> 00:17:00,760
Speaker 1: or a version of this number have been calling me

307
00:17:01,440 --> 00:17:05,199
Speaker 1: for months and it's spam, right, But now it's like,

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Speaker 1: so it shows up where I can't say no, Now

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Speaker 1: I have to block this number, right, Okay.

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Speaker 2: Yeah, I mean it's so funny that we all just

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Speaker 2: have gotten used to that because it used to be

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Speaker 2: the premise of a horror movie. Right, someone calls a

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Speaker 2: new answer that's like the page one of so many

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Speaker 2: horror scripts, and it just wouldn't happen.

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Speaker 1: Now, No, they've taken it away from us.

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Speaker 2: We all have a computer in our pants that we

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Speaker 2: all Everyone still calls it a phone, but no one

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Speaker 2: uses it as if I haven't used mine as a

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Speaker 2: phone in three weeks.

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Speaker 1: Can I just sorry, sidebar, you need to start a

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Speaker 1: bit with we all have a computer in our pants.

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Speaker 2: It is peppered. I have mentioned the computer in our pants,

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Speaker 2: have you?

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Speaker 1: Yeah, that's a wonderful phrase.

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Speaker 2: Oh okay, yeah, I think it is like.

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Speaker 1: If you're trying to impart wisdom starting with we all

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Speaker 1: have a computer in our pants. It's like we all

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Speaker 1: have a dream in our hearts. Yes, yes, kind of feeling.

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Speaker 2: Yeah yeah, I haven't given it that tone of whimsy

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Speaker 2: or a poetic tone. Yeah, we all have a computer.

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Speaker 1: We all have a computer in our pants. Now, I

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Speaker 1: really want to figure out what you need to put

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Speaker 1: in this purse?

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00:18:14,600 --> 00:18:18,200
Speaker 2: Yeah, I know, should it be something of mine?

335
00:18:18,840 --> 00:18:21,440
Speaker 1: What if it was a little puppet and then you

336
00:18:21,480 --> 00:18:23,560
Speaker 1: asked that lighting person that's already going to do three

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00:18:23,640 --> 00:18:25,960
Speaker 1: lighting cues for you, yeah, to give the puppet a

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Speaker 1: spotlight and then the puppet starts singing a song. It's

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00:18:32,359 --> 00:18:35,239
Speaker 1: like it turns to the spotlight and then it's like

340
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Speaker 1: when I'm stuck with the day, and then everyone gets

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Speaker 1: really a like emotional.

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Speaker 2: I think it's a good yes, and I could so

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Speaker 2: it'll be a purse that I bring. I rip a

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Speaker 2: hole in it and stick my hand in there. This

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00:18:49,880 --> 00:18:52,479
Speaker 2: is all stuff I'll do in the fifteen minutes between

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Speaker 2: our recording and arriving at the theater.

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Speaker 1: Yeah, exactly. Maybe it's for the feat, thank you so much.

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00:18:57,760 --> 00:19:00,960
Speaker 2: But I do like that. It just I put my

349
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Speaker 2: hand in the bottom and then it's a sock puppet.

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Speaker 1: Yes. And also if you pick, if you plant the

351
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Speaker 1: woman in Los Angeles, chances are you're going to plant

352
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Speaker 1: someone that can sing, because everyone here can do right

353
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Speaker 1: at least three things.

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Speaker 2: Well, yeah, that's what's funny. I saw someone had posted

355
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Speaker 2: something where at the end, the audience is like acts

356
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Speaker 2: like they're not excited for him doing ten more minutes

357
00:19:30,400 --> 00:19:33,960
Speaker 2: or something, And the entire audience did such a good

358
00:19:34,040 --> 00:19:39,679
Speaker 2: job at acting not over the top, like disappointed that

359
00:19:39,720 --> 00:19:43,240
Speaker 2: he was going to continue that. I was blown away.

360
00:19:43,280 --> 00:19:46,199
Speaker 2: I kept watching it. I was like, wait, did he

361
00:19:46,440 --> 00:19:50,480
Speaker 2: hire an acting troop? How are they so good?

362
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Speaker 1: Who's special was it? It?

363
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Speaker 2: Actually it was a Canadian guys. I really don't remember

364
00:19:56,160 --> 00:20:00,960
Speaker 2: any details or what dad was. No, I do remember, okay,

365
00:20:01,560 --> 00:20:05,040
Speaker 2: but I did comment, oh my god, that people were

366
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Speaker 2: so good. Yes, they couldn't believe it.

367
00:20:07,560 --> 00:20:10,399
Speaker 1: You know why, because Canadians get subtlety, They get it.

368
00:20:10,640 --> 00:20:14,240
Speaker 2: Yeah, they know. Yeah, let's go to Canada where you

369
00:20:14,280 --> 00:20:21,960
Speaker 2: don't have to be over the top. God. Finally, there's

370
00:20:22,040 --> 00:20:27,359
Speaker 2: a little park right next to that bridge that looks

371
00:20:27,440 --> 00:20:33,440
Speaker 2: like a robotic witch's finger. It's just one ten roll

372
00:20:33,720 --> 00:20:37,879
Speaker 2: to the sky. It's actually kind of a cool bridge.

373
00:20:38,240 --> 00:20:41,239
Speaker 2: But behind it there's a perfect little park with like

374
00:20:41,320 --> 00:20:46,399
Speaker 2: a you know, a baseball diamond and stuff in camping area.

375
00:20:46,480 --> 00:20:48,719
Speaker 2: And Nick Rutherford, a friend who I haven't seen in

376
00:20:48,800 --> 00:20:53,520
Speaker 2: quite a while, invited me to the Rutherford Regatta, which

377
00:20:53,600 --> 00:20:56,920
Speaker 2: was a tiny boat race and he said supplies will

378
00:20:56,960 --> 00:21:02,120
Speaker 2: be provided. First heat of the race is at four o'clock.

379
00:21:02,160 --> 00:21:05,040
Speaker 2: So immediately, you know, I got excited because we're talking

380
00:21:05,480 --> 00:21:06,639
Speaker 2: miniature boat making.

381
00:21:06,720 --> 00:21:06,880
Speaker 1: Hell.

382
00:21:06,960 --> 00:21:12,000
Speaker 2: Yes, I showed up late and everyone was hunkered down

383
00:21:12,200 --> 00:21:16,479
Speaker 2: at a workstation. They had glue guns, o cordless glue guns,

384
00:21:17,160 --> 00:21:21,920
Speaker 2: balsa wood, you know, if you wanted to cheat. There

385
00:21:21,960 --> 00:21:25,800
Speaker 2: was a little plastic boat like for French fries or whatever,

386
00:21:25,840 --> 00:21:28,040
Speaker 2: but it was shaped like a boat. I mean I

387
00:21:28,119 --> 00:21:32,359
Speaker 2: knew right in the beginning, just a tongue depressed a

388
00:21:32,359 --> 00:21:34,680
Speaker 2: popsicle stick with glitter on it was going to float

389
00:21:34,760 --> 00:21:37,840
Speaker 2: the best and win, and that is what happened. But

390
00:21:38,160 --> 00:21:42,560
Speaker 2: I made a pontoon raft with like rope and a mast,

391
00:21:42,960 --> 00:21:46,000
Speaker 2: and I had no glue. I just had a pocket

392
00:21:46,040 --> 00:21:50,000
Speaker 2: knife and was cutting holes and you can stick, you know,

393
00:21:50,920 --> 00:21:54,880
Speaker 2: toothpicks into the styrofoam tubes. All this stuff, by the way,

394
00:21:54,960 --> 00:21:57,600
Speaker 2: didn't end up in the in the La River when

395
00:21:57,600 --> 00:22:02,440
Speaker 2: we raised Ruther for who else was there? Oh they

396
00:22:02,600 --> 00:22:05,840
Speaker 2: were wearing dumb waiters and had butterfly nets and they

397
00:22:05,840 --> 00:22:07,080
Speaker 2: were grabbing all the boats.

398
00:22:07,280 --> 00:22:09,800
Speaker 1: Oh, but it was like there was.

399
00:22:09,760 --> 00:22:14,639
Speaker 2: An announcer, There was legit trophies. What the launch of

400
00:22:14,680 --> 00:22:17,280
Speaker 2: the boats was a large plank. They were all lined

401
00:22:17,359 --> 00:22:19,080
Speaker 2: up so they all ended up in the water at

402
00:22:19,119 --> 00:22:23,400
Speaker 2: the same time. And you know, my boat capsized after

403
00:22:23,600 --> 00:22:25,480
Speaker 2: four feet. I don't know what because I had a

404
00:22:25,480 --> 00:22:29,639
Speaker 2: big mast on it. I went fashion over function. But

405
00:22:29,760 --> 00:22:33,679
Speaker 2: it was so fun just because you're everyone was doing

406
00:22:33,720 --> 00:22:35,680
Speaker 2: a turn to little kids. Again.

407
00:22:35,920 --> 00:22:40,000
Speaker 1: Yes, and it's kind of like a box car derby vibes.

408
00:22:39,800 --> 00:22:43,320
Speaker 2: It seems, Yes, it was. It reminded me very much

409
00:22:43,359 --> 00:22:45,520
Speaker 2: of a cub Scouts Pinewood.

410
00:22:45,040 --> 00:22:47,560
Speaker 1: Derby Pinewood Derby where.

411
00:22:47,320 --> 00:22:50,800
Speaker 2: You show up and you can tell which kids their

412
00:22:50,960 --> 00:22:56,520
Speaker 2: engineer dad made their car cheaters. Yes, but people thought

413
00:22:56,520 --> 00:22:59,400
Speaker 2: that about me. But I just was advanced with modeling

414
00:22:59,440 --> 00:23:02,720
Speaker 2: and I put cows on it, and oh, that guy's

415
00:23:02,720 --> 00:23:05,399
Speaker 2: going very fast. He wants us to die. He ate us.

416
00:23:05,480 --> 00:23:06,360
Speaker 2: That was a hit man.

417
00:23:06,600 --> 00:23:09,119
Speaker 1: So when people do that, then I slowed down because

418
00:23:09,160 --> 00:23:12,080
Speaker 1: that's my problem, or like, fine, hit me, is that

419
00:23:12,160 --> 00:23:12,760
Speaker 1: what you want?

420
00:23:13,040 --> 00:23:13,480
Speaker 2: Yeah?

421
00:23:13,520 --> 00:23:18,200
Speaker 1: Here, yeah, here you monster. So like the reason you

422
00:23:18,240 --> 00:23:22,160
Speaker 1: say that the wooden spoon with sparkles got the furthest

423
00:23:22,280 --> 00:23:24,280
Speaker 1: is because it was just simple and super light and

424
00:23:24,320 --> 00:23:27,480
Speaker 1: it just light. It like floated on top of the water.

425
00:23:27,760 --> 00:23:31,199
Speaker 2: Yes, like a gum wrapper. If you threw it in,

426
00:23:31,320 --> 00:23:34,159
Speaker 2: of course it would float better than a heavy boat

427
00:23:34,440 --> 00:23:38,960
Speaker 2: night of anything. Right, So you know, one kid had

428
00:23:39,160 --> 00:23:42,679
Speaker 2: like just a piece of sushi. Whoever the kid was,

429
00:23:42,720 --> 00:23:45,119
Speaker 2: he just put a piece of sushi in his to

430
00:23:45,240 --> 00:23:48,200
Speaker 2: go and that one.

431
00:23:50,160 --> 00:23:55,880
Speaker 1: That's incredible. Yeah and yeah, so yeah, So who was there?

432
00:23:56,080 --> 00:23:58,920
Speaker 2: Yeah, it was a bunch of friends that I haven't

433
00:23:58,920 --> 00:24:01,480
Speaker 2: seen in a while. Brandon was there with his sweet

434
00:24:01,560 --> 00:24:06,080
Speaker 2: kids who I've only seen online. And it's one of

435
00:24:06,080 --> 00:24:08,640
Speaker 2: my many friends where he's like he had kids and

436
00:24:09,560 --> 00:24:13,000
Speaker 2: you know, like Nate Craig has had a baby now

437
00:24:13,200 --> 00:24:17,080
Speaker 2: and then you see them change as a person because

438
00:24:17,119 --> 00:24:20,840
Speaker 2: they're a parent, and he's so Brendan was so patient

439
00:24:20,880 --> 00:24:23,840
Speaker 2: with his kids. They were really sweet. And then his

440
00:24:23,960 --> 00:24:26,159
Speaker 2: daughter came up to me and she's like, hey, I

441
00:24:26,240 --> 00:24:29,640
Speaker 2: like you. I'm like I like you too, and I've

442
00:24:29,680 --> 00:24:32,439
Speaker 2: made me feel so good. Oh yeah, because you know

443
00:24:32,480 --> 00:24:35,840
Speaker 2: I'm you know, a bit of a loaner out there.

444
00:24:36,680 --> 00:24:40,520
Speaker 1: Well, but that's by design, No, No, that's your choice. Yeah,

445
00:24:40,680 --> 00:24:44,199
Speaker 1: you can change anytime you want, I suppose. But also

446
00:24:44,400 --> 00:24:47,120
Speaker 1: when little kids like you, yes, I mean you're doing

447
00:24:47,119 --> 00:24:48,040
Speaker 1: something right.

448
00:24:47,960 --> 00:24:51,160
Speaker 2: Right, everyone will know, And every comic has a joke

449
00:24:51,200 --> 00:24:54,520
Speaker 2: where the premise is children tell the truth. Yeah if

450
00:24:54,680 --> 00:24:56,760
Speaker 2: they If a little kid comes up to you and says,

451
00:24:57,040 --> 00:24:59,760
Speaker 2: why is your nose big? Why are your teeth yellow?

452
00:25:00,160 --> 00:25:03,920
Speaker 2: It means you gotta do something about your You gotta

453
00:25:03,920 --> 00:25:04,639
Speaker 2: brush your teeth.

454
00:25:04,720 --> 00:25:06,720
Speaker 1: It means it's cross white strip's time.

455
00:25:07,040 --> 00:25:11,160
Speaker 2: My niece has made me buy I've been home whitening

456
00:25:11,200 --> 00:25:15,040
Speaker 2: my teeth ever since. They said something at age six

457
00:25:15,760 --> 00:25:17,800
Speaker 2: that if I told them now they would be horrified,

458
00:25:18,480 --> 00:25:19,320
Speaker 2: but it bettered me.

459
00:25:19,760 --> 00:25:20,359
Speaker 1: Yeah better.

460
00:25:20,400 --> 00:25:25,639
Speaker 2: It's like, you're right, they shouldn't be presented next to

461
00:25:25,680 --> 00:25:27,200
Speaker 2: a white T shirt that I'm wearing.

462
00:25:29,040 --> 00:25:29,840
Speaker 1: Oh cute.

463
00:25:30,200 --> 00:25:32,720
Speaker 2: Yeah, yeah, so yeah it was. It was fun. Yeah,

464
00:25:32,720 --> 00:25:36,160
Speaker 2: there was just a bunch of a bunch of old

465
00:25:36,200 --> 00:25:40,240
Speaker 2: pals there that I haven't seen, but I immediately was

466
00:25:40,280 --> 00:25:41,879
Speaker 2: in a panic. I'm like, I got to work on

467
00:25:41,920 --> 00:25:44,200
Speaker 2: this boat. I don't have time to talk to anyone.

468
00:25:45,600 --> 00:25:50,800
Speaker 2: And once I finished it, then it was great And yeah,

469
00:25:51,320 --> 00:25:53,520
Speaker 2: just one of those oh yeah, I gotta go do

470
00:25:53,640 --> 00:25:55,280
Speaker 2: stuff reminders.

471
00:25:54,880 --> 00:25:59,480
Speaker 1: Yes, go outside being well. Also, it makes me love

472
00:25:59,560 --> 00:26:01,920
Speaker 1: Nick Ruth heard for thinking of that idea because it's

473
00:26:01,960 --> 00:26:05,760
Speaker 1: such a generous thing for other people to get to do. Right.

474
00:26:05,960 --> 00:26:09,639
Speaker 1: That's like think it's like it's very community oriented. It

475
00:26:09,720 --> 00:26:12,920
Speaker 1: seems of like, hey, do we need it. We can't

476
00:26:12,960 --> 00:26:16,200
Speaker 1: just stand and drink in the park, right, you know, like, hey,

477
00:26:16,200 --> 00:26:19,240
Speaker 1: there's a reason we're here. There's something fun to focus.

478
00:26:18,920 --> 00:26:20,240
Speaker 2: On, exactly.

479
00:26:20,280 --> 00:26:22,360
Speaker 1: I think that's great. Does Nick brother right off kids?

480
00:26:22,840 --> 00:26:25,800
Speaker 2: No? No, but his so many of his friends do.

481
00:26:26,040 --> 00:26:28,320
Speaker 2: And there was just there was kids everywhere that were

482
00:26:28,359 --> 00:26:32,320
Speaker 2: way into this, like it was a mutual let's make boats,

483
00:26:32,600 --> 00:26:36,840
Speaker 2: adults and kids both equally excited about it. Yeah, and

484
00:26:37,359 --> 00:26:42,320
Speaker 2: kind of a lighthearted competition in the air. But no

485
00:26:42,359 --> 00:26:46,879
Speaker 2: one was taking it that seriously except you except me.

486
00:26:47,320 --> 00:26:50,480
Speaker 2: Every time my boat tipped over, even with modifications for

487
00:26:50,560 --> 00:26:54,520
Speaker 2: heat too, I put some long sticks with pontoons, but

488
00:26:54,600 --> 00:26:57,320
Speaker 2: I use paper plate and it just made it made

489
00:26:57,320 --> 00:27:01,040
Speaker 2: it sink quicker. Yeah. I didn't bring some applies, but

490
00:27:02,000 --> 00:27:05,680
Speaker 2: there was a He hired a security guard to hang

491
00:27:05,720 --> 00:27:11,600
Speaker 2: out there just in case weirdos showed up. Uh, And

492
00:27:12,400 --> 00:27:15,879
Speaker 2: he bought all this equipment. Yeah, he really put effort in.

493
00:27:15,960 --> 00:27:20,159
Speaker 2: There was tacos. Person was making tacos. Yeah. It was

494
00:27:20,200 --> 00:27:24,840
Speaker 2: a perfect party. So Nick Rutherford it's great. Hats off

495
00:27:24,880 --> 00:27:31,320
Speaker 2: to watch the show Dream Corps, Dream Corpse, Dream Corps

496
00:27:32,640 --> 00:27:35,879
Speaker 2: with Nick Rutherford. And I believe John Grice, you know

497
00:27:36,000 --> 00:27:39,800
Speaker 2: him as the man in the Closet and real genius

498
00:27:40,359 --> 00:27:41,600
Speaker 2: really or Uncle Rico.

499
00:27:42,080 --> 00:27:44,000
Speaker 1: Yeah, yeah, he guy's amazing.

500
00:27:44,080 --> 00:27:46,040
Speaker 2: He used to live next to Tig and I or

501
00:27:46,080 --> 00:27:50,119
Speaker 2: his brother did, and they were always together, and he

502
00:27:50,280 --> 00:27:55,560
Speaker 2: was very nice and he uh yeah, his brother who

503
00:27:55,600 --> 00:27:59,359
Speaker 2: actually lived in the house, had all the mannerisms of

504
00:27:59,520 --> 00:28:03,160
Speaker 2: Uncle rehe co In in Napoleon Dynamite, like looking at

505
00:28:03,200 --> 00:28:05,800
Speaker 2: his arms and sweeping them.

506
00:28:06,040 --> 00:28:06,320
Speaker 1: Yeah.

507
00:28:06,359 --> 00:28:08,960
Speaker 2: That Kerry Grice did that every.

508
00:28:08,840 --> 00:28:10,479
Speaker 1: Day, so he was just kind of doing it.

509
00:28:10,720 --> 00:28:12,800
Speaker 2: Yeah yeah, and I think he told me that and

510
00:28:12,840 --> 00:28:17,560
Speaker 2: then I noticed. But they are nice people. Who's their

511
00:28:17,640 --> 00:28:24,840
Speaker 2: dad used to make old like westerns, those Italian Westerns,

512
00:28:24,880 --> 00:28:28,479
Speaker 2: and these kids would be they were little kids, and

513
00:28:28,520 --> 00:28:34,200
Speaker 2: they were in the background, like running around like extras.

514
00:28:34,240 --> 00:28:36,600
Speaker 2: He's like, that's me, that's well, look I get shot here.

515
00:28:37,359 --> 00:28:42,320
Speaker 2: I was a little kid pretending to get shot. Yeah. Yeah, yeah, it's.

516
00:28:42,760 --> 00:28:44,560
Speaker 1: Like Hollywood baby, Oh totally.

517
00:28:44,840 --> 00:28:47,240
Speaker 2: Yeah, it's cool. And and if you all know what

518
00:28:47,320 --> 00:28:49,120
Speaker 2: I'm talking about, you would know if you looked him

519
00:28:49,160 --> 00:28:53,160
Speaker 2: up but yeah, he's in that show Dream Corps. And

520
00:28:53,200 --> 00:28:55,400
Speaker 2: I don't know where you see it, but I do

521
00:28:55,560 --> 00:28:58,800
Speaker 2: know it's on one of the streamers. I haven't seen

522
00:28:58,840 --> 00:29:03,160
Speaker 2: it because it was like a on Adult Swim or

523
00:29:03,200 --> 00:29:06,240
Speaker 2: something that I don't have in my package.

524
00:29:07,360 --> 00:29:11,320
Speaker 1: You know, it's and it's animated or it's it's live action.

525
00:29:11,640 --> 00:29:14,600
Speaker 2: Yeah, and that chair kind of sci fi. You know.

526
00:29:15,320 --> 00:29:17,960
Speaker 2: I have picked up chairs so that I thought I

527
00:29:18,040 --> 00:29:21,360
Speaker 2: needed and then walked miles with them on my back.

528
00:29:22,360 --> 00:29:24,400
Speaker 2: And that's not one of them. That's not.

529
00:29:26,200 --> 00:29:28,400
Speaker 1: I mean, that's like a it looks fancy.

530
00:29:28,960 --> 00:29:31,160
Speaker 2: At one point that was a sod after piece.

531
00:29:31,320 --> 00:29:35,440
Speaker 1: Yeah, and now it's just I also wonder you know

532
00:29:36,120 --> 00:29:38,600
Speaker 1: there's some people in some neighborhoods they just sit like

533
00:29:38,680 --> 00:29:41,560
Speaker 1: that might be someone's chair, Yeah, like they come out

534
00:29:41,560 --> 00:29:42,080
Speaker 1: and sit there.

535
00:29:42,480 --> 00:29:45,520
Speaker 2: Although did you see etched in the brick behind it

536
00:29:45,600 --> 00:29:49,320
Speaker 2: was the word free? Oh yeah, so that way.

537
00:29:49,200 --> 00:29:51,240
Speaker 1: You know it's permanently free.

538
00:29:52,480 --> 00:29:55,760
Speaker 2: And we are now, yeah, we're coming. We're on Hyperion.

539
00:29:55,880 --> 00:30:00,160
Speaker 2: That's where you'll be hearing this in the futures, so

540
00:30:00,200 --> 00:30:01,800
Speaker 2: the show will be over, but we're going to go

541
00:30:01,840 --> 00:30:06,480
Speaker 2: buy this lyric place where I will return to.

542
00:30:06,960 --> 00:30:09,800
Speaker 1: Later tonight, this is your show place, Yes, got you.

543
00:30:10,720 --> 00:30:16,880
Speaker 2: It's a there's this whole trend these days that I

544
00:30:16,960 --> 00:30:22,520
Speaker 2: haven't fully understood, the like the popularity of these don't

545
00:30:22,600 --> 00:30:27,400
Speaker 2: tell shows right, or a time I went to Portland

546
00:30:27,520 --> 00:30:30,760
Speaker 2: for a secret headliner show and they're like, who could

547
00:30:30,800 --> 00:30:34,120
Speaker 2: it be? Last week? It was Daniel Tosh or whatever,

548
00:30:34,200 --> 00:30:37,600
Speaker 2: And then they go tonight's secret headliner and you get

549
00:30:37,640 --> 00:30:44,240
Speaker 2: to hear the audience audibly be disappointed because they don't

550
00:30:44,320 --> 00:30:47,480
Speaker 2: you know, I'm not talking shit about myself, but you

551
00:30:47,520 --> 00:30:51,080
Speaker 2: know they didn't know. It's people going for I like

552
00:30:51,160 --> 00:30:53,440
Speaker 2: the entertainment form of stand up comedy.

553
00:30:53,480 --> 00:30:57,320
Speaker 1: I'll go to this and I'm immediately thinking it's gonna

554
00:30:57,320 --> 00:31:01,760
Speaker 1: be Dave Chappelle or whatever tick name they are fantasizing

555
00:31:01,760 --> 00:31:02,160
Speaker 1: about it.

556
00:31:02,240 --> 00:31:05,400
Speaker 2: Yeah, you gotta let people think that I did the

557
00:31:05,400 --> 00:31:07,800
Speaker 2: Comedy Store the other night. I've done stand up every

558
00:31:07,880 --> 00:31:09,080
Speaker 2: night in the past week.

559
00:31:09,240 --> 00:31:10,560
Speaker 1: Oh how you feel great?

560
00:31:10,880 --> 00:31:13,760
Speaker 2: Good? It started rough, and now I feel like I'm

561
00:31:13,840 --> 00:31:17,480
Speaker 2: right back where I was. Okay, so I'm and then

562
00:31:17,560 --> 00:31:20,880
Speaker 2: along with that comes a self worth and happiness that

563
00:31:21,000 --> 00:31:26,280
Speaker 2: I forgot. I wasn't enjoying enjoying things, but at the

564
00:31:26,280 --> 00:31:30,120
Speaker 2: comedy store that that whole audience is kind of thinking

565
00:31:30,240 --> 00:31:32,440
Speaker 2: Dave Chappelle's going to be here, And one of the

566
00:31:32,480 --> 00:31:37,840
Speaker 2: comics said, Hey, this is it. I'm Dave something or what,

567
00:31:37,960 --> 00:31:40,800
Speaker 2: I can't remember his last name. It's you all think

568
00:31:40,880 --> 00:31:43,600
Speaker 2: Chappelle is coming, but he's not. And I could tell

569
00:31:43,680 --> 00:31:47,600
Speaker 2: the whole audience we've got disappointed, and then it kind

570
00:31:47,640 --> 00:31:53,200
Speaker 2: of ruined their night. So, yeah, there is this. You know,

571
00:31:53,560 --> 00:31:56,640
Speaker 2: they are not going to be disappointed if he doesn't

572
00:31:56,840 --> 00:31:59,320
Speaker 2: show up, but they will be disappointed if you announce.

573
00:32:00,000 --> 00:32:01,120
Speaker 2: And then that it could be anyone.

574
00:32:01,560 --> 00:32:05,760
Speaker 1: Well, I think that is like, it's a funny joke

575
00:32:05,840 --> 00:32:08,479
Speaker 1: to just be like, if you're feeling that expectation, then

576
00:32:08,480 --> 00:32:10,240
Speaker 1: you just want to put your finger on it. Are

577
00:32:10,280 --> 00:32:14,720
Speaker 1: you kidding me? Are you?

578
00:32:14,760 --> 00:32:19,480
Speaker 2: Oh? Yeah? A lot of times what just happened there,

579
00:32:19,520 --> 00:32:21,880
Speaker 2: But some of them wanted to turn left, so they

580
00:32:22,000 --> 00:32:26,000
Speaker 2: just made their car diagonally left in the middle of

581
00:32:26,000 --> 00:32:26,320
Speaker 2: the road.

582
00:32:26,400 --> 00:32:28,320
Speaker 1: They just took the lane they were in, and then

583
00:32:28,360 --> 00:32:31,760
Speaker 1: they kind of suggested the front of their car over

584
00:32:31,880 --> 00:32:32,560
Speaker 1: to the left.

585
00:32:33,000 --> 00:32:36,280
Speaker 2: Now what's important here for us to do is recall

586
00:32:36,320 --> 00:32:40,400
Speaker 2: the times we've done that. Because I remember doing that,

587
00:32:40,480 --> 00:32:43,240
Speaker 2: I'm like, oh, no, I'm in the road. They'll understand

588
00:32:44,240 --> 00:32:46,720
Speaker 2: and they're honking, and I'm like, what you've done this?

589
00:32:47,480 --> 00:32:49,720
Speaker 1: Never all think of other people?

590
00:32:50,280 --> 00:32:53,040
Speaker 2: You, well, I do it less, and.

591
00:32:53,120 --> 00:32:54,480
Speaker 1: They're gonna say, well, I begged to differ.

592
00:32:55,360 --> 00:32:58,840
Speaker 2: No, I believe you, and I believe me when we

593
00:32:58,920 --> 00:33:01,080
Speaker 2: do it less than others. I am willing to go.

594
00:33:02,080 --> 00:33:04,480
Speaker 2: I gotta go around the block, and I everyone in

595
00:33:04,480 --> 00:33:06,320
Speaker 2: my car will be like, just do a U turn.

596
00:33:06,400 --> 00:33:07,640
Speaker 2: I'm like, I can't.

597
00:33:08,160 --> 00:33:10,640
Speaker 1: Well. I think also that one is like it feels

598
00:33:10,680 --> 00:33:14,000
Speaker 1: like just lack of experience, because it's kind of like

599
00:33:14,040 --> 00:33:17,000
Speaker 1: people going, oh, oh, I guess I'll go left here

600
00:33:17,840 --> 00:33:21,520
Speaker 1: and then just kind of and having no fear about

601
00:33:21,840 --> 00:33:24,600
Speaker 1: the blocking they're about to be doing. Whereas I think

602
00:33:24,600 --> 00:33:26,800
Speaker 1: if you're the kind of person that is has that concern,

603
00:33:26,800 --> 00:33:29,080
Speaker 1: where're like, I don't want to be honked at, right,

604
00:33:29,120 --> 00:33:31,280
Speaker 1: and I don't want people to be like you're ruining

605
00:33:31,280 --> 00:33:35,880
Speaker 1: my day. Yeah, I just would rather not be that person. Yeah,

606
00:33:35,920 --> 00:33:38,080
Speaker 1: But there's people who are like, I don't care what

607
00:33:38,160 --> 00:33:39,960
Speaker 1: kind of person I am in your day because I

608
00:33:39,960 --> 00:33:40,440
Speaker 1: don't care.

609
00:33:41,200 --> 00:33:43,720
Speaker 2: Yeah, exactly. Yeah, And a lot of people are okay

610
00:33:43,760 --> 00:33:47,000
Speaker 2: with honking is just a sound that you hear. Yeah,

611
00:33:47,040 --> 00:33:50,920
Speaker 2: to them, it's just like up, that's the noise cars make.

612
00:33:51,280 --> 00:33:54,080
Speaker 2: You're not going to attach any ownership to that noise.

613
00:33:54,280 --> 00:33:56,160
Speaker 1: It's a friend I haven't met yet.

614
00:33:56,360 --> 00:34:02,280
Speaker 2: Yeah, someone someone angrily honking behind you is just a

615
00:34:02,320 --> 00:34:03,480
Speaker 2: friend you haven't met.

616
00:34:03,320 --> 00:34:06,320
Speaker 1: Yet in a car you won't ever get into.

617
00:34:06,600 --> 00:34:10,320
Speaker 2: Yeah, just imagine that bumper sticker in the amount of

618
00:34:10,080 --> 00:34:11,719
Speaker 2: the cash that would roll in.

619
00:34:11,880 --> 00:34:12,839
Speaker 1: Let's do it for merch.

620
00:34:13,280 --> 00:34:17,880
Speaker 2: Yep, I can hear everyone excited. A person angrily honking

621
00:34:17,960 --> 00:34:21,359
Speaker 2: is just a friend you haven't met. That's great, that's great.

622
00:34:21,400 --> 00:34:24,040
Speaker 1: We might tighten up the top of that. But yep, yes,

623
00:34:24,239 --> 00:34:24,759
Speaker 1: really good.

624
00:34:24,960 --> 00:34:29,120
Speaker 2: Yeah, well we're We do a little segment in the

625
00:34:29,120 --> 00:34:35,160
Speaker 2: middle of each show called editing bumper sticker ideas.

626
00:34:36,719 --> 00:34:39,760
Speaker 1: What if when the lady and the audience opened the purse,

627
00:34:40,120 --> 00:34:43,239
Speaker 1: she pulled out a bunch of cash and went, oh

628
00:34:43,280 --> 00:34:46,560
Speaker 1: my god, he wasn't it. He wasn't robbing me. He

629
00:34:46,600 --> 00:34:50,080
Speaker 1: gave me money. Yeah, it's not funny, but it could

630
00:34:50,120 --> 00:34:51,120
Speaker 1: be good vibes.

631
00:34:51,840 --> 00:34:56,200
Speaker 2: Yes, I do have a wad of fake one hundreds

632
00:34:56,280 --> 00:34:59,000
Speaker 2: that looks real. It's like movie said cash.

633
00:34:59,080 --> 00:35:02,120
Speaker 1: Okay, so I was just gonna go here to get

634
00:35:02,160 --> 00:35:04,279
Speaker 1: a Sure, let's do it, let's do it.

635
00:35:04,400 --> 00:35:09,480
Speaker 2: Let's go to mc donald say, mom and pop shop.

636
00:35:10,400 --> 00:35:14,319
Speaker 2: Uh yeah, maybe she'd go, oh, thank god, that's my

637
00:35:14,520 --> 00:35:19,600
Speaker 2: and I'm and I like, am jealous that the money's

638
00:35:19,640 --> 00:35:22,440
Speaker 2: in there. Yeah, oh good, I'm glad you got your

639
00:35:23,719 --> 00:35:27,319
Speaker 2: what is that ten thousand dollars home? When good good

640
00:35:27,560 --> 00:35:32,040
Speaker 2: forbid that go to a person in need? Oh no,

641
00:35:32,160 --> 00:35:34,040
Speaker 2: yeah that or she could just hand it to me

642
00:35:34,080 --> 00:35:35,400
Speaker 2: and that's when everyone cheers.

643
00:35:35,520 --> 00:35:37,560
Speaker 1: You I'd let go of the cheering.

644
00:35:37,960 --> 00:35:43,319
Speaker 2: Okay, I just feel like that's the button for a video. Yeah,

645
00:35:43,480 --> 00:35:45,560
Speaker 2: everyone cheers, and then that's the end of the video.

646
00:35:45,719 --> 00:35:48,520
Speaker 1: Yeah, but I think that Okay, wait, she pulls up

647
00:35:48,520 --> 00:35:51,640
Speaker 1: the money. They weren't robbing me, look, oh my god,

648
00:35:51,719 --> 00:35:54,880
Speaker 1: they were giving me. And then you go, ladies and gentlemen,

649
00:35:54,960 --> 00:35:59,040
Speaker 1: mister beast and then you do a pause and you

650
00:35:59,120 --> 00:36:01,480
Speaker 1: point at the door, and then that's the end of

651
00:36:01,480 --> 00:36:01,880
Speaker 1: the video.

652
00:36:03,080 --> 00:36:06,640
Speaker 2: I like, I really do like this. I honestly think

653
00:36:06,680 --> 00:36:10,600
Speaker 2: I want to try it, ladies and gentlemen, mister Bester

654
00:36:10,760 --> 00:36:12,640
Speaker 2: Beast and tag him in it.

655
00:36:12,640 --> 00:36:16,279
Speaker 1: It's the newest mister Beast bit. And you're just you

656
00:36:16,400 --> 00:36:21,759
Speaker 1: basically are the beginning of influencers that do stuff like that.

657
00:36:21,840 --> 00:36:25,239
Speaker 1: You're like, I'll set you up for the success of

658
00:36:25,520 --> 00:36:27,799
Speaker 1: giving that money. Yeah, I'll just let you and then

659
00:36:27,800 --> 00:36:29,600
Speaker 1: if you want to give this lady the money, you can.

660
00:36:30,040 --> 00:36:32,799
Speaker 2: It's I do like that. I think I'll bring a

661
00:36:32,840 --> 00:36:35,120
Speaker 2: purse with nothing but the money in it, and then

662
00:36:35,200 --> 00:36:38,000
Speaker 2: I'll be ready for anything. It's so funny because I

663
00:36:38,080 --> 00:36:43,160
Speaker 2: never I don't. I know that he's just a nerdy

664
00:36:43,200 --> 00:36:47,080
Speaker 2: guy in with a goatee, but he I don't know

665
00:36:47,080 --> 00:36:49,759
Speaker 2: what he did, but he gave away money. Yeah, but

666
00:36:49,920 --> 00:36:53,640
Speaker 2: I would see mister beasts, power bars or whatever like

667
00:36:53,680 --> 00:36:57,319
Speaker 2: in seven to eleven, like the branding Yes, I saw

668
00:36:57,480 --> 00:37:01,680
Speaker 2: before I ever knew that he was a guy famous

669
00:37:01,719 --> 00:37:03,320
Speaker 2: on the computers in our pants.

670
00:37:03,520 --> 00:37:07,000
Speaker 1: Yes, because he's the children know him. We don't. He's

671
00:37:07,000 --> 00:37:11,080
Speaker 1: not of our time, but he I'm sure has. I

672
00:37:11,120 --> 00:37:13,279
Speaker 1: would guess, and I could totally be wrong, but I

673
00:37:13,280 --> 00:37:16,160
Speaker 1: bet you he has two hundred million followers on YouTube

674
00:37:16,239 --> 00:37:19,120
Speaker 1: or something like that where those branding deals come because

675
00:37:19,120 --> 00:37:21,160
Speaker 1: they're like, if you have that many people, we can

676
00:37:21,200 --> 00:37:23,279
Speaker 1: launch what do you like? Do you like candy bars?

677
00:37:23,280 --> 00:37:25,520
Speaker 1: Will launch your candy bar? Do you like this? Because

678
00:37:25,560 --> 00:37:28,720
Speaker 1: They're just like you already have the ecosystem to sell

679
00:37:28,760 --> 00:37:29,320
Speaker 1: this stuff.

680
00:37:29,760 --> 00:37:33,680
Speaker 2: Wow. Yeah, it's so funny that I'm always surprised when

681
00:37:33,719 --> 00:37:39,719
Speaker 2: I know nothing about a phone famous person when I'm

682
00:37:39,760 --> 00:37:44,000
Speaker 2: looking at the damn thing, probably as much as any teenager. Yeah,

683
00:37:44,040 --> 00:37:47,919
Speaker 2: but you know I'm looking at Excel spreadsheets, yes, rode

684
00:37:47,960 --> 00:37:51,160
Speaker 2: up stuff, Dow, the Jones, the Dow and the.

685
00:37:51,239 --> 00:37:53,160
Speaker 1: Jones, Turbo tax emails.

686
00:37:53,160 --> 00:37:56,880
Speaker 2: Oh all. Anytime you see me looking at my phone laughing,

687
00:37:57,120 --> 00:37:59,440
Speaker 2: it's just I'm looking at my receipts or something.

688
00:37:59,600 --> 00:38:01,720
Speaker 1: Hold on a second, I start interrupt.

689
00:38:01,960 --> 00:38:02,440
Speaker 2: It's okay.

690
00:38:03,040 --> 00:38:07,799
Speaker 1: I think they have slurpy like beverages here. Now. Oh

691
00:38:07,880 --> 00:38:09,799
Speaker 1: can you see that sign over there?

692
00:38:09,960 --> 00:38:14,520
Speaker 2: Yes, I'm wearing my glasses. It says on any size

693
00:38:14,600 --> 00:38:18,520
Speaker 2: soft drink or frozen beverage, Okay, order a hand.

694
00:38:18,440 --> 00:38:23,320
Speaker 1: That's like a frozen coke, get out of my way, right,

695
00:38:23,760 --> 00:38:28,960
Speaker 1: or a frozen wild blueberry whatever. Yeah, but if their milkshakes,

696
00:38:29,040 --> 00:38:30,560
Speaker 1: I'm gonna get real mad.

697
00:38:31,360 --> 00:38:34,200
Speaker 2: Did you ever as a child go to Kmart just.

698
00:38:34,160 --> 00:38:35,160
Speaker 1: For the icies?

699
00:38:35,280 --> 00:38:35,520
Speaker 2: Fuck?

700
00:38:35,600 --> 00:38:36,880
Speaker 1: Yes and popcorn?

701
00:38:37,719 --> 00:38:38,080
Speaker 2: Yeah?

702
00:38:38,320 --> 00:38:42,320
Speaker 1: The Kmart cafeteria or whatever it was was divine.

703
00:38:42,840 --> 00:38:48,160
Speaker 2: Yeah, it's so funny that I I wasn't allowed that stuff.

704
00:38:48,440 --> 00:38:51,440
Speaker 1: Yeah, your mom was intense about it. Yeah, sugar things.

705
00:38:51,800 --> 00:38:56,280
Speaker 2: Yeah, it's uh but hey, look at me now sipping

706
00:38:56,360 --> 00:38:56,839
Speaker 2: this coke.

707
00:38:57,640 --> 00:39:00,399
Speaker 1: You're gonna get drink that liquid coke and then get

708
00:39:00,400 --> 00:39:01,160
Speaker 1: a frozen coke.

709
00:39:01,560 --> 00:39:01,759
Speaker 2: Yeah.

710
00:39:01,840 --> 00:39:03,480
Speaker 1: Yeah, it says coke on the thing.

711
00:39:03,360 --> 00:39:06,840
Speaker 2: Right and then and then I'm going to inhale gas

712
00:39:06,880 --> 00:39:16,839
Speaker 2: coke liquid solid gas. Uh yeah that I uh knew

713
00:39:16,960 --> 00:39:19,920
Speaker 2: coke vapor. I think that would be a thing. But

714
00:39:20,040 --> 00:39:22,600
Speaker 2: it's good for you because it's like oxygen, but it

715
00:39:22,640 --> 00:39:23,680
Speaker 2: tastes like coke.

716
00:39:24,160 --> 00:39:25,880
Speaker 1: So you're just getting a little more oxygen.

717
00:39:26,040 --> 00:39:29,719
Speaker 2: I'm just describing like a healthy version of vaping. So

718
00:39:30,040 --> 00:39:32,240
Speaker 2: it's every every flavor kids want.

719
00:39:32,800 --> 00:39:38,319
Speaker 1: I have to tell you because it's the worst thing

720
00:39:38,320 --> 00:39:40,160
Speaker 1: you could be doing. The worst.

721
00:39:40,400 --> 00:39:44,160
Speaker 2: Oh no, there's drugs, there's there's those chemicals.

722
00:39:44,280 --> 00:39:46,560
Speaker 1: They will kill you.

723
00:39:45,840 --> 00:39:50,680
Speaker 2: Really Okay, Wow, I got to watch that documentary about

724
00:39:50,680 --> 00:39:54,360
Speaker 2: it on Netflix. Maybe that don't scare me straight? What

725
00:39:54,440 --> 00:39:59,000
Speaker 2: about cigarettes? Would you love them? They're better than vaping,

726
00:39:59,040 --> 00:40:01,200
Speaker 2: you think, well, less chemicals.

727
00:40:01,680 --> 00:40:03,279
Speaker 1: Oh wow, yeah that's what I'm saying.

728
00:40:03,520 --> 00:40:06,439
Speaker 2: Well, I gottaut to stop. I gotta stop doing all

729
00:40:06,520 --> 00:40:11,640
Speaker 2: the things. You see here, we're in the McDonald's drive through.

730
00:40:11,719 --> 00:40:16,520
Speaker 2: This was a This McDonald's location was a skate spot.

731
00:40:16,680 --> 00:40:19,040
Speaker 2: Look what they did to stop it. They have the

732
00:40:19,080 --> 00:40:22,000
Speaker 2: pieces of metal there and then over there they put

733
00:40:22,080 --> 00:40:23,080
Speaker 2: up a couple poles.

734
00:40:23,440 --> 00:40:26,000
Speaker 1: Why though, I who cares?

735
00:40:26,280 --> 00:40:27,000
Speaker 2: I don't know.

736
00:40:27,280 --> 00:40:30,960
Speaker 1: Yeah, do you have frozen cokes? Is that what I'm

737
00:40:30,960 --> 00:40:35,360
Speaker 1: seeing on that sign? What flavors do you have? Okay?

738
00:40:35,600 --> 00:40:41,439
Speaker 1: So can I get one medium coke frozen coke, one

739
00:40:41,560 --> 00:40:46,360
Speaker 1: medium berry flavor and a medium regular Dike coke? Just

740
00:40:47,239 --> 00:40:48,120
Speaker 1: normal Dit coke?

741
00:40:48,239 --> 00:40:52,640
Speaker 2: Yep, thank you. I don't know if this is real

742
00:40:52,920 --> 00:40:55,480
Speaker 2: or just the premise of a Dave Waite joke, but

743
00:40:55,640 --> 00:40:59,520
Speaker 2: he said AI was going to start dictating what you

744
00:40:59,560 --> 00:41:03,080
Speaker 2: pay a grocery store. So they will scan you and

745
00:41:03,200 --> 00:41:08,560
Speaker 2: according to your your clothing and your posture and the

746
00:41:08,600 --> 00:41:12,760
Speaker 2: time of day, give the price right for you, which

747
00:41:12,880 --> 00:41:18,680
Speaker 2: I think. I like the sound up, like this person

748
00:41:18,840 --> 00:41:22,040
Speaker 2: is what would they look for? This person's limping and

749
00:41:22,200 --> 00:41:25,359
Speaker 2: is moving slow. Let's give them a dollar off.

750
00:41:25,480 --> 00:41:28,920
Speaker 1: Yeah, this person's old, except for your interpreting it like

751
00:41:29,000 --> 00:41:30,040
Speaker 1: the best way possible.

752
00:41:30,200 --> 00:41:36,680
Speaker 2: Yes I am. Yeah. But also, hey, I'm going to

753
00:41:36,760 --> 00:41:40,040
Speaker 2: show up at eight pm and wear these old rags.

754
00:41:40,600 --> 00:41:40,799
Speaker 1: Yeah.

755
00:41:41,719 --> 00:41:45,680
Speaker 2: I like when I used to paint windows as a kid.

756
00:41:45,800 --> 00:41:49,680
Speaker 2: I in high school. I would dress up nice like

757
00:41:49,760 --> 00:41:52,600
Speaker 2: to go door to door to sell them, and I

758
00:41:52,680 --> 00:41:56,120
Speaker 2: quickly learned, Oh I got to wear my paint splattered

759
00:41:57,320 --> 00:41:59,600
Speaker 2: jacket I got from my dad. That's three sizes it's

760
00:41:59,640 --> 00:42:04,640
Speaker 2: too low, yeah, and ride a bike in the snow.

761
00:42:04,880 --> 00:42:08,360
Speaker 2: And they were and I sold. They were like once,

762
00:42:08,560 --> 00:42:14,360
Speaker 2: I you know, look like Oliver Twist. Yes, I sold

763
00:42:14,640 --> 00:42:16,160
Speaker 2: every other door, every other business.

764
00:42:16,160 --> 00:42:18,440
Speaker 1: That's great, Like you're kind of working the pity angle.

765
00:42:18,600 --> 00:42:21,680
Speaker 1: But also I think the paint splatter helps because you

766
00:42:21,719 --> 00:42:24,040
Speaker 1: look like the real deal, right, So they're like, oh,

767
00:42:24,040 --> 00:42:25,000
Speaker 1: I want to support an art.

768
00:42:25,080 --> 00:42:29,080
Speaker 2: It was mostly that I was a paint splattered child. Yeah,

769
00:42:29,120 --> 00:42:33,760
Speaker 2: so h And at the time, I mean, I'm okay

770
00:42:33,800 --> 00:42:36,640
Speaker 2: at art now, but at that age I was ahead.

771
00:42:37,040 --> 00:42:39,160
Speaker 2: If I could do any bragging, it would only be

772
00:42:39,200 --> 00:42:42,080
Speaker 2: about that how good at art I was in like

773
00:42:42,200 --> 00:42:44,840
Speaker 2: high school, and I just kind of, you know, you

774
00:42:45,000 --> 00:42:46,120
Speaker 2: discover other things.

775
00:42:46,480 --> 00:42:49,440
Speaker 1: Yeah, I think you have many, many hoppies at this point.

776
00:42:49,880 --> 00:42:53,080
Speaker 2: And it was an early experience of like, what I'm

777
00:42:53,080 --> 00:42:56,000
Speaker 2: putting into this isn't worth what I'm getting paid. So

778
00:42:56,040 --> 00:42:59,520
Speaker 2: it was like and I tried raising my prices and

779
00:42:59,520 --> 00:43:02,080
Speaker 2: then they would and it was like everything had to

780
00:43:02,080 --> 00:43:06,160
Speaker 2: be under one hundred dollars. Yeah, And it sometimes would

781
00:43:06,239 --> 00:43:09,759
Speaker 2: take me all day, or it would freeze. The paint

782
00:43:09,800 --> 00:43:13,760
Speaker 2: would freeze on the glass, Karen, much like the beverages

783
00:43:13,800 --> 00:43:16,000
Speaker 2: we're about to get, because it was so cold, and

784
00:43:16,080 --> 00:43:19,960
Speaker 2: so I would have to put a heat lamp on

785
00:43:20,040 --> 00:43:25,279
Speaker 2: the glass to warm the glass so it would be

786
00:43:25,640 --> 00:43:28,640
Speaker 2: it would the paint would dry before it froze. Because

787
00:43:28,760 --> 00:43:33,120
Speaker 2: one time I did a Nativity scene with the faces

788
00:43:33,120 --> 00:43:37,440
Speaker 2: of the people were different car salesmen, and it froze

789
00:43:38,320 --> 00:43:40,720
Speaker 2: and then thought out and the next day their faces

790
00:43:40,760 --> 00:43:45,600
Speaker 2: were melted. Oh, and it looked like a horror movie

791
00:43:46,520 --> 00:43:48,800
Speaker 2: and I had to scrape it all off and start

792
00:43:48,840 --> 00:43:52,280
Speaker 2: over again. Oh, we're getting our frozen beverage.

793
00:43:52,520 --> 00:43:58,280
Speaker 1: Yeah.

794
00:43:54,920 --> 00:44:00,840
Speaker 2: I like that guy. I liked he winked, and that

795
00:44:01,000 --> 00:44:02,120
Speaker 2: was a perfect wink.

796
00:44:02,400 --> 00:44:04,719
Speaker 1: It was a perfect wink and thumbs up. I don't

797
00:44:04,719 --> 00:44:06,520
Speaker 1: know the last time someone gave me a thumbs up

798
00:44:07,080 --> 00:44:08,360
Speaker 1: or a wink or.

799
00:44:08,360 --> 00:44:12,160
Speaker 2: A wink, certainly the last time. I mean, that's that

800
00:44:12,239 --> 00:44:17,720
Speaker 2: guy just gave a you know, winning baseball team's last

801
00:44:17,880 --> 00:44:18,840
Speaker 2: encouragement type.

802
00:44:18,880 --> 00:44:21,160
Speaker 1: Look, yeah, it was kind of like we're all together

803
00:44:21,200 --> 00:44:23,160
Speaker 1: in this one. Yeah, I love it.

804
00:44:23,400 --> 00:44:27,600
Speaker 2: Yeah, that was that was great because it's that winks

805
00:44:27,600 --> 00:44:33,240
Speaker 2: can be taken the wrong way. Thank you, Like Michelle

806
00:44:33,239 --> 00:44:41,200
Speaker 2: balloone once said, who winks? Pedophiles and leprechauns. Here we

807
00:44:41,239 --> 00:44:50,480
Speaker 2: go the diet soda? Which biodegradable straw? Yours? Do you

808
00:44:50,520 --> 00:44:53,400
Speaker 2: want me to jam the straw in yours? I touched

809
00:44:53,480 --> 00:44:58,360
Speaker 2: the end of the part where your mouth will go in. Sorry, okay,

810
00:44:59,560 --> 00:45:04,400
Speaker 2: making up for an entire childhood of not getting beverages

811
00:45:04,440 --> 00:45:07,880
Speaker 2: a kmar get ready, but certainly all of my underwear

812
00:45:08,400 --> 00:45:16,560
Speaker 2: heres A frozen coke reaction audio ASMR oh man, that's sweet,

813
00:45:16,960 --> 00:45:21,640
Speaker 2: so sweet. Boy. I think there's more sweet in this

814
00:45:21,880 --> 00:45:22,880
Speaker 2: than a regular coke.

815
00:45:23,440 --> 00:45:27,359
Speaker 1: Yeah, oh, I'm sure there is. It's also Mine's wine punch.

816
00:45:27,400 --> 00:45:31,440
Speaker 1: You want to try it. It's so good. Yeah, it's

817
00:45:31,480 --> 00:45:39,319
Speaker 1: also so fucking sweet. Holy shit. That is is than yours?

818
00:45:39,600 --> 00:45:43,719
Speaker 2: Yes, that is liquid Smarties candy sweet?

819
00:45:44,120 --> 00:45:47,000
Speaker 1: Oh shit? Oh yeah, yeah, mine's way sweeter.

820
00:45:47,360 --> 00:45:49,680
Speaker 2: I mean we're going to finish these. Our feet are

821
00:45:49,680 --> 00:45:51,880
Speaker 2: gonna hurt. Look, it's that sweet.

822
00:45:52,160 --> 00:45:55,960
Speaker 1: This is the fuel that drives all of our podcasting.

823
00:45:58,120 --> 00:46:01,640
Speaker 2: Oh boy, we are going to be talking a mile

824
00:46:01,680 --> 00:46:05,520
Speaker 2: a minute. This next episode we're recording after this probably

825
00:46:05,560 --> 00:46:06,759
Speaker 2: gonna be twenty minutes long.

826
00:46:06,920 --> 00:46:09,080
Speaker 1: Yeah, it's just going to be back to back.

827
00:46:09,719 --> 00:46:13,000
Speaker 2: But all the information, all the valuable fact based.

828
00:46:12,880 --> 00:46:15,680
Speaker 1: Information broken, no pausing, no breathing.

829
00:46:15,920 --> 00:46:19,719
Speaker 2: Yes, yes, our guests will be exhausted.

830
00:46:21,080 --> 00:46:24,640
Speaker 1: Hm hmm, that's kind of what I wanted.

831
00:46:24,920 --> 00:46:30,080
Speaker 2: That's good. People love. Hey, the you're gonna have to

832
00:46:30,239 --> 00:46:36,239
Speaker 2: learn to enjoy smacking and slurping. I mean, because it's

833
00:46:36,320 --> 00:46:37,000
Speaker 2: not going away.

834
00:46:37,160 --> 00:46:39,839
Speaker 1: No, it's not. I do you apologize? Yeah, because it's

835
00:46:39,880 --> 00:46:45,360
Speaker 1: so it's sour and sweet and like truly it's smackworthy.

836
00:46:45,640 --> 00:46:46,200
Speaker 2: Yeah.

837
00:46:46,239 --> 00:46:49,480
Speaker 1: Do you see the sign that says google queercoalas dot com.

838
00:46:51,080 --> 00:46:57,879
Speaker 2: I do, and I feel like it's handwritten, and that

839
00:46:58,080 --> 00:47:00,200
Speaker 2: makes me not usually go to a website.

840
00:47:00,280 --> 00:47:03,160
Speaker 1: It looks like a child thinks they're being funny.

841
00:47:03,400 --> 00:47:06,360
Speaker 2: Well, now I do want to go. If kids made

842
00:47:08,200 --> 00:47:15,120
Speaker 2: a queer Koala website, actually, everyone go queercoulalaws dot com.

843
00:47:15,160 --> 00:47:17,680
Speaker 2: Support them, let us know what it is. I can

844
00:47:17,719 --> 00:47:19,839
Speaker 2: actually tell you, oh, oh, here we go.

845
00:47:19,960 --> 00:47:20,399
Speaker 1: That's right.

846
00:47:20,480 --> 00:47:23,279
Speaker 3: So it's a group of people trying to open a

847
00:47:23,400 --> 00:47:28,280
Speaker 3: lesbian part in LA and so they are selling NFTs

848
00:47:28,320 --> 00:47:32,000
Speaker 3: of little koalas. So they're asking for people to donate

849
00:47:33,280 --> 00:47:37,359
Speaker 3: turn to help fund this floor that's going to have

850
00:47:37,760 --> 00:47:39,160
Speaker 3: cheaper drinks, like they're.

851
00:47:38,960 --> 00:47:45,000
Speaker 1: Trying to celebrate. Okay, you're speaking as if you planted

852
00:47:45,000 --> 00:47:48,279
Speaker 1: that sign right and you really wanted to get the

853
00:47:48,320 --> 00:47:48,799
Speaker 1: word out.

854
00:47:48,960 --> 00:47:55,640
Speaker 2: Also, I have not heard mention of non fungible tokens

855
00:47:55,680 --> 00:48:00,880
Speaker 2: for about two years, when at that time everyone was saying,

856
00:48:01,000 --> 00:48:05,359
Speaker 2: oh my gosh, Chris Fairbanks, you gotta make NFTs And

857
00:48:05,440 --> 00:48:08,239
Speaker 2: I'm like, explain to me again what it is, and

858
00:48:08,280 --> 00:48:11,879
Speaker 2: then this high pitched, this high pitched ringing noise would

859
00:48:11,920 --> 00:48:14,359
Speaker 2: start in my head, the same one I hear when

860
00:48:14,400 --> 00:48:17,320
Speaker 2: someone tries to explain cryptocurrency to me.

861
00:48:17,520 --> 00:48:20,520
Speaker 1: Well, it's very similar because it's it's a little scammy.

862
00:48:20,760 --> 00:48:25,080
Speaker 1: But I remember seeing something on TikTok about how there

863
00:48:25,080 --> 00:48:29,360
Speaker 1: are like so few lesbian bars or I guess I

864
00:48:29,360 --> 00:48:33,840
Speaker 1: should just say queer bars, but like those spaces for

865
00:48:33,960 --> 00:48:38,040
Speaker 1: queer women that like somebody opened one and it was

866
00:48:38,080 --> 00:48:41,120
Speaker 1: probably I think in Portland or Seattle, and it was

867
00:48:41,160 --> 00:48:44,200
Speaker 1: like a sports watch women's sports type of bar, and

868
00:48:44,239 --> 00:48:47,000
Speaker 1: they got so much support and like so many people

869
00:48:47,040 --> 00:48:49,400
Speaker 1: because it was like I remember that, yeah, remember it

870
00:48:49,440 --> 00:48:51,920
Speaker 1: was like they were like, hey, there's there used to

871
00:48:51,920 --> 00:48:54,440
Speaker 1: be tons of these, Now there's hardly any. Maybe it's

872
00:48:54,480 --> 00:48:58,040
Speaker 1: a post COVID thing. So as long as those people

873
00:48:58,120 --> 00:49:00,080
Speaker 1: aren't trying to rip people off with NFT.

874
00:49:00,160 --> 00:49:03,600
Speaker 2: Yeah no, that's certainly not an example of the NFT

875
00:49:03,920 --> 00:49:05,480
Speaker 2: my NFT fears.

876
00:49:07,239 --> 00:49:08,880
Speaker 1: But always must be cautious.

877
00:49:09,000 --> 00:49:12,680
Speaker 2: I just knew I didn't personally want to create a

878
00:49:12,880 --> 00:49:16,920
Speaker 2: one of a kind tiny artwork or whatever it is.

879
00:49:17,040 --> 00:49:19,680
Speaker 2: I still don't know what it is. A stamp, a

880
00:49:19,760 --> 00:49:20,760
Speaker 2: hand drawn stamp.

881
00:49:21,200 --> 00:49:24,239
Speaker 1: Well kind of looks like that, right, but then it

882
00:49:24,400 --> 00:49:28,680
Speaker 1: just is on it's online and then people buy it,

883
00:49:29,520 --> 00:49:30,759
Speaker 1: right wouldn you trade it?

884
00:49:31,880 --> 00:49:38,200
Speaker 2: Ultimately? Though? Isn't everyone knowing it's not a currency?

885
00:49:39,640 --> 00:49:43,080
Speaker 1: Correct? It's it's like it's supposed to be online art,

886
00:49:43,239 --> 00:49:44,439
Speaker 1: I believe, right.

887
00:49:44,600 --> 00:49:49,400
Speaker 2: Okay, Well I should have heard this get out because

888
00:49:49,680 --> 00:49:53,040
Speaker 2: I did a show in San Francisco and this kid

889
00:49:53,120 --> 00:49:56,600
Speaker 2: was there for an NFT conference and I showed him

890
00:49:56,640 --> 00:49:59,520
Speaker 2: some of my art and he's like, all, we should meet.

891
00:50:00,040 --> 00:50:02,279
Speaker 2: I'll teach you more about this, and I did not

892
00:50:02,520 --> 00:50:06,880
Speaker 2: follow up, and he was an expert in NFTs. I

893
00:50:07,000 --> 00:50:09,320
Speaker 2: believe he was speaking at some conference.

894
00:50:10,040 --> 00:50:13,319
Speaker 1: I mean, that's the thing about stuff like that. It's

895
00:50:13,320 --> 00:50:15,920
Speaker 1: hard to tell these days what's going to be the

896
00:50:15,960 --> 00:50:19,160
Speaker 1: next Apple and what's going to be the next we

897
00:50:19,239 --> 00:50:22,560
Speaker 1: all got ripped off, right, It's hard to tell. It

898
00:50:22,600 --> 00:50:24,279
Speaker 1: is hard to tell, and you want to kind of

899
00:50:24,320 --> 00:50:27,239
Speaker 1: be open minded and be like, well, I don't know

900
00:50:27,280 --> 00:50:29,759
Speaker 1: how anything about computers, but I sure want to be

901
00:50:29,840 --> 00:50:32,840
Speaker 1: there if something it's the next big thing is happening.

902
00:50:32,640 --> 00:50:36,160
Speaker 2: Right right, There's a lot of things I am part

903
00:50:36,200 --> 00:50:38,480
Speaker 2: of now that I'm just a handful of years. I

904
00:50:38,920 --> 00:50:43,080
Speaker 2: remember how adamantly opposed I was to having an email

905
00:50:43,160 --> 00:50:46,880
Speaker 2: when I lived in Austin, and Michelle Balloon was like,

906
00:50:47,360 --> 00:50:49,959
Speaker 2: just get an email account because it was the only

907
00:50:50,000 --> 00:50:53,120
Speaker 2: way to find out about this softball league we were in.

908
00:50:53,760 --> 00:50:56,080
Speaker 2: I'm like, ah, I don't. There's going to be all

909
00:50:56,080 --> 00:50:59,839
Speaker 2: these responses like what do I bring? And I got

910
00:50:59,880 --> 00:51:02,879
Speaker 2: to sift through them, like before it even started, I

911
00:51:02,920 --> 00:51:05,200
Speaker 2: was anticipating, not enjoying it.

912
00:51:05,440 --> 00:51:06,319
Speaker 1: Yeah, you were right.

913
00:51:06,560 --> 00:51:07,359
Speaker 2: I was right.

914
00:51:07,440 --> 00:51:08,560
Speaker 1: I fucking hate email.

915
00:51:09,440 --> 00:51:11,719
Speaker 2: And then and then Michelle talked me into getting a

916
00:51:11,800 --> 00:51:16,319
Speaker 2: damn cell phone. I was perfectly happy with my landline

917
00:51:16,400 --> 00:51:17,640
Speaker 2: and my fax machine.

918
00:51:17,760 --> 00:51:20,239
Speaker 1: I remember both of those moments in my life where

919
00:51:20,239 --> 00:51:22,600
Speaker 1: it was like I think the cell phone was because

920
00:51:22,600 --> 00:51:25,239
Speaker 1: I didn't have any money. But every time I would

921
00:51:25,280 --> 00:51:26,960
Speaker 1: hang out with my friend who did have a cell phone,

922
00:51:26,960 --> 00:51:29,439
Speaker 1: I'd be like, hey, can I use that for right?

923
00:51:29,640 --> 00:51:30,480
Speaker 2: Right? Yeah?

924
00:51:30,520 --> 00:51:32,719
Speaker 1: And she made it very clear she didn't like it,

925
00:51:32,760 --> 00:51:35,719
Speaker 1: where I was like whatever, and then I got my own,

926
00:51:36,560 --> 00:51:39,200
Speaker 1: but I was like, what are you getting charged per call?

927
00:51:39,520 --> 00:51:40,280
Speaker 1: Fucking relax?

928
00:51:40,600 --> 00:51:44,880
Speaker 2: Yeah, but I think she was. Yeah, they definitely figured

929
00:51:44,880 --> 00:51:46,840
Speaker 2: it out. I think it looks like we're going to

930
00:51:46,920 --> 00:51:51,880
Speaker 2: be taken a right pretty soon. Oh really based on that,

931
00:51:52,520 --> 00:51:57,200
Speaker 2: but sip not to get Oh I'm silly where I

932
00:51:57,239 --> 00:51:59,160
Speaker 2: guess I don't. I'm having trouble reading it.

933
00:51:59,239 --> 00:52:01,600
Speaker 1: Yeah, it's because you've gone so far away from where

934
00:52:01,640 --> 00:52:05,160
Speaker 1: we were supposed to land, because because that's the second episode.

935
00:52:05,440 --> 00:52:08,120
Speaker 2: Oh okay, right, sure, So now we're just going to.

936
00:52:08,160 --> 00:52:11,000
Speaker 1: Loop back and it'll it'll we'll get back to where

937
00:52:11,000 --> 00:52:11,560
Speaker 1: we're supposed to be.

938
00:52:11,600 --> 00:52:15,840
Speaker 2: Okay, it's hard to you know, I come from a

939
00:52:16,280 --> 00:52:19,799
Speaker 2: I'm pretty good at reading a paper map, you know,

940
00:52:21,000 --> 00:52:24,040
Speaker 2: and a lot of people aren't. It's funny you and

941
00:52:24,120 --> 00:52:26,600
Speaker 2: I come from the Thomas Guide world. Like if you

942
00:52:27,000 --> 00:52:30,080
Speaker 2: if everything ended, we it, maybe you and I would

943
00:52:30,080 --> 00:52:32,879
Speaker 2: survive because we're not read a paper map.

944
00:52:32,960 --> 00:52:37,080
Speaker 1: Hell yeah, there's in the Thomas Guide. There was one.

945
00:52:37,480 --> 00:52:39,920
Speaker 1: I think it was page three fifty four, could be wrong,

946
00:52:40,200 --> 00:52:43,719
Speaker 1: but that was like central LA. It was like basically

947
00:52:44,400 --> 00:52:50,520
Speaker 1: Fairfax to you know, I don't know island or you

948
00:52:50,560 --> 00:52:53,920
Speaker 1: know the grid of that area that I was. I

949
00:52:54,040 --> 00:52:57,800
Speaker 1: used it so much that I basically ended up accidentally

950
00:52:57,840 --> 00:53:01,480
Speaker 1: ripping that page out because it was the constant reference

951
00:53:01,520 --> 00:53:03,880
Speaker 1: of like, oh, I have to go to you know,

952
00:53:04,000 --> 00:53:05,520
Speaker 1: I have to go to Paramount, how do I get

953
00:53:05,560 --> 00:53:07,719
Speaker 1: there from where I live? And they're just constantly on

954
00:53:07,760 --> 00:53:10,920
Speaker 1: the same page all the time. Because it was central Hollywood.

955
00:53:11,200 --> 00:53:13,520
Speaker 2: Yeah, it was sort of complicated because you had to

956
00:53:13,560 --> 00:53:17,520
Speaker 2: look up an address right and then it said L

957
00:53:17,719 --> 00:53:20,360
Speaker 2: seven and page whatever, So you'd have to go to

958
00:53:20,400 --> 00:53:26,360
Speaker 2: that page and go down, you know, follow the horizontal

959
00:53:26,440 --> 00:53:32,359
Speaker 2: vertically and all while driving. Anyone that thinks glancing down

960
00:53:32,440 --> 00:53:36,960
Speaker 2: at a phone while driving is worse than a giant

961
00:53:37,160 --> 00:53:40,879
Speaker 2: catalog in my lap or I used to print out

962
00:53:40,920 --> 00:53:43,719
Speaker 2: all these map We sound so old, but it wasn't

963
00:53:43,760 --> 00:53:47,080
Speaker 2: that long ago. I know, Matt like printing out on

964
00:53:47,120 --> 00:53:49,440
Speaker 2: my printer or map. That's the reason I owned a

965
00:53:49,480 --> 00:53:54,879
Speaker 2: two D printer was to print out directions and then

966
00:53:54,880 --> 00:53:59,600
Speaker 2: i'd floppy loose leaf papers just churning around in the

967
00:53:59,640 --> 00:54:03,920
Speaker 2: front seat like we were in a centrifuge trying to

968
00:54:03,960 --> 00:54:04,359
Speaker 2: read it.

969
00:54:04,880 --> 00:54:07,600
Speaker 1: Also, I hate to tell you this, but as you say,

970
00:54:07,640 --> 00:54:10,160
Speaker 1: it wasn't that long ago. It was thirty years ago.

971
00:54:10,840 --> 00:54:12,959
Speaker 1: It was it was three decades ago.

972
00:54:13,200 --> 00:54:19,120
Speaker 2: Actually, well, yes, well twenty I moved here in two

973
00:54:19,120 --> 00:54:23,239
Speaker 2: thousand and three, so I and that first year I

974
00:54:23,320 --> 00:54:28,239
Speaker 2: just remember always printing out. So but yeah, twenty one

975
00:54:28,320 --> 00:54:33,640
Speaker 2: years ridiculous, it's a long time. Yeah, it's It's insane

976
00:54:33,680 --> 00:54:38,479
Speaker 2: to me that that is the only time looking down

977
00:54:38,640 --> 00:54:42,160
Speaker 2: at a printed piece of paper low on ink. So

978
00:54:42,200 --> 00:54:44,879
Speaker 2: I had to really shove it in my face and

979
00:54:44,960 --> 00:54:49,600
Speaker 2: I hit the back. It's the only car rack I've

980
00:54:49,640 --> 00:54:53,520
Speaker 2: ever been the guilty of it. And hit this bumper

981
00:54:53,600 --> 00:54:57,359
Speaker 2: on a truck and both the guys cartoonishly got out.

982
00:54:57,840 --> 00:54:59,759
Speaker 2: I think one of them had a neck brace, no

983
00:55:00,080 --> 00:55:03,200
Speaker 2: put on, no, they were holding their necks and I

984
00:55:03,280 --> 00:55:06,759
Speaker 2: was like I barely bumped them, like their their bumper

985
00:55:07,080 --> 00:55:10,040
Speaker 2: was a metal bumper. And it was kind of folded down,

986
00:55:10,120 --> 00:55:13,440
Speaker 2: but I really think it was already like that, because

987
00:55:13,480 --> 00:55:17,360
Speaker 2: I it was just like this, like we were stopped

988
00:55:17,360 --> 00:55:21,240
Speaker 2: in traffic and I went early and they hadn't moved,

989
00:55:21,520 --> 00:55:23,239
Speaker 2: but I was looking at a piece of paper, and

990
00:55:23,280 --> 00:55:24,759
Speaker 2: so when they came to my car, I was like,

991
00:55:25,000 --> 00:55:26,879
Speaker 2: oh my god, that was my fault. I was looking

992
00:55:26,920 --> 00:55:30,239
Speaker 2: at a piece of paper. I'm so sorry. And they

993
00:55:30,239 --> 00:55:34,920
Speaker 2: were like, well, do you have insurance? And I'm like,

994
00:55:35,360 --> 00:55:39,640
Speaker 2: I just moved here. I'm in between my Montana and

995
00:55:40,200 --> 00:55:44,000
Speaker 2: insurance and getting new insurance here. And they're like, well,

996
00:55:44,280 --> 00:55:46,080
Speaker 2: do you want to go to an eight TM? And

997
00:55:46,120 --> 00:55:50,879
Speaker 2: I got out like probably one hundred dollars and gave

998
00:55:50,920 --> 00:55:53,439
Speaker 2: it to them, and they gave me a card, well,

999
00:55:53,520 --> 00:55:57,800
Speaker 2: just if you ever need roofing shingles, call us. And

1000
00:55:57,880 --> 00:56:00,440
Speaker 2: then all of a sudden, their necks were better, but

1001
00:56:00,520 --> 00:56:03,279
Speaker 2: they were holding their necks like they're like, now it's

1002
00:56:03,320 --> 00:56:05,680
Speaker 2: our chance. And then they saw I was just a

1003
00:56:05,800 --> 00:56:09,080
Speaker 2: kid and a dented Mustang, and so they kind of

1004
00:56:09,160 --> 00:56:12,520
Speaker 2: dropped it. But they could have been jerks. Like I

1005
00:56:12,560 --> 00:56:14,240
Speaker 2: still don't know how to feel about it.

1006
00:56:14,239 --> 00:56:16,920
Speaker 1: It's a little bold to be like here, yeah, call

1007
00:56:17,000 --> 00:56:19,640
Speaker 1: us for roofing where it's like, how about you take

1008
00:56:19,680 --> 00:56:21,200
Speaker 1: your one hundred dollars and fuck off?

1009
00:56:21,719 --> 00:56:24,000
Speaker 2: Yeah, yeah, I know you're not going to spend it

1010
00:56:24,040 --> 00:56:29,320
Speaker 2: on that bumper, but that's fine, that's fine. I still

1011
00:56:29,360 --> 00:56:32,359
Speaker 2: have the card. Wouldn't it be funny? Let's call him

1012
00:56:32,360 --> 00:56:33,480
Speaker 2: twenty one years later?

1013
00:56:33,760 --> 00:56:42,280
Speaker 1: Hey, mister beast, what if you early on the show

1014
00:56:42,760 --> 00:56:45,440
Speaker 1: flipped did your joke where you flip your shoe up

1015
00:56:45,480 --> 00:56:49,399
Speaker 1: into your hand answer the phone, and then later when

1016
00:56:49,440 --> 00:56:52,879
Speaker 1: the purse gets robbed, the woman stands up and find

1017
00:56:52,960 --> 00:56:55,560
Speaker 1: it's your shoe. I don't know how you do that.

1018
00:56:55,520 --> 00:56:59,560
Speaker 2: Though, right, yeah, shit, you're right though, there needs.

1019
00:56:59,280 --> 00:57:01,800
Speaker 1: To be It's like a callback in a purse.

1020
00:57:02,239 --> 00:57:06,000
Speaker 2: Right, I will think of it. I will think of

1021
00:57:06,040 --> 00:57:10,800
Speaker 2: it and tonight will go great, or I'll get scared

1022
00:57:11,120 --> 00:57:14,839
Speaker 2: and just do my planned material. Yeah, but I just

1023
00:57:15,239 --> 00:57:18,480
Speaker 2: I do like the idea. There was a comic, Rich

1024
00:57:18,560 --> 00:57:23,480
Speaker 2: Gabe that had in Austin. He had like three or

1025
00:57:23,560 --> 00:57:27,760
Speaker 2: four long bits where it was like a Rube Goldberg

1026
00:57:28,000 --> 00:57:33,560
Speaker 2: machine of things happening, this causing this, this, so therefore

1027
00:57:33,640 --> 00:57:38,200
Speaker 2: this happens, And there was all these audience plants and

1028
00:57:38,240 --> 00:57:43,800
Speaker 2: they were so smart, these these bits standalone seven minute

1029
00:57:43,800 --> 00:57:49,080
Speaker 2: bits that I always wanted to think of something like that.

1030
00:57:50,200 --> 00:57:53,320
Speaker 2: I to where I almost called him he's been out

1031
00:57:53,320 --> 00:57:57,880
Speaker 2: of comedy for twenty five years, Like I do ever

1032
00:57:59,360 --> 00:58:01,880
Speaker 2: have ideas? Is that because he would get them from

1033
00:58:01,920 --> 00:58:04,080
Speaker 2: my old comic books and stuff. He used to read

1034
00:58:04,120 --> 00:58:08,600
Speaker 2: a lot, and these amazing bits. Everyone remembers. He won

1035
00:58:08,680 --> 00:58:15,160
Speaker 2: the funniest person in Austin contest like this, this ventriloquist recorder.

1036
00:58:15,240 --> 00:58:19,080
Speaker 2: There was just it was just an actual tape recorder

1037
00:58:19,160 --> 00:58:24,680
Speaker 2: with eyes on it. And he was like, you want

1038
00:58:24,680 --> 00:58:29,400
Speaker 2: to drink of water? And and the recorder said sure.

1039
00:58:29,560 --> 00:58:32,240
Speaker 2: He just had it all timed out with Heckler's heckling,

1040
00:58:32,320 --> 00:58:36,920
Speaker 2: and the recording had enough silence on it to let

1041
00:58:36,960 --> 00:58:39,880
Speaker 2: that person heckle that it worked every time.

1042
00:58:40,040 --> 00:58:41,440
Speaker 1: That's Austin's rotten Lynch.

1043
00:58:42,240 --> 00:58:45,800
Speaker 2: Yes, yes he was. He was great. He was way

1044
00:58:45,840 --> 00:58:50,360
Speaker 2: ahead of all the alternative comedy I'd ever seen. There

1045
00:58:50,440 --> 00:58:55,240
Speaker 2: was so many interesting weird comics like that. When I started, like,

1046
00:58:56,440 --> 00:58:59,280
Speaker 2: you think, if you moved to Texas to become a comedian,

1047
00:58:59,360 --> 00:59:03,040
Speaker 2: you're gonna see a lot of like this is ready

1048
00:59:03,080 --> 00:59:07,480
Speaker 2: for the Southern Road type acts. But no, everyone, even

1049
00:59:07,520 --> 00:59:10,360
Speaker 2: if they were a prison guard during the day, they

1050
00:59:10,360 --> 00:59:14,080
Speaker 2: had the most interesting ideas, whether or not they were

1051
00:59:14,120 --> 00:59:14,960
Speaker 2: super good.

1052
00:59:14,960 --> 00:59:17,919
Speaker 1: You know what, because of Bill Hicks, Like I think

1053
00:59:17,960 --> 00:59:20,800
Speaker 1: there were such good comics that people looked up to

1054
00:59:21,240 --> 00:59:24,560
Speaker 1: right that they wanted to they were aiming for and

1055
00:59:24,600 --> 00:59:28,160
Speaker 1: trying to be like great comics. No one's aiming for

1056
00:59:28,400 --> 00:59:31,680
Speaker 1: being a road hack. Like right right now at the beginning,

1057
00:59:31,720 --> 00:59:35,440
Speaker 1: everyone's like, what's my special expression that's going to make

1058
00:59:35,520 --> 00:59:39,600
Speaker 1: me fascinating. I just think there's Austin is a lot

1059
00:59:39,640 --> 00:59:42,200
Speaker 1: like San Francisco or Portland and one of those towns

1060
00:59:42,240 --> 00:59:48,360
Speaker 1: where it's the internal competition, you know, gets everybody so creative.

1061
00:59:48,800 --> 00:59:51,960
Speaker 2: Yeah, and you're right. It was at the valvator room

1062
00:59:51,960 --> 00:59:54,840
Speaker 2: where I started. There was a list of rules and

1063
00:59:55,400 --> 00:59:57,880
Speaker 2: by Bill Hicks on the wall right before you went

1064
00:59:57,920 --> 01:00:01,160
Speaker 2: on on stage, and I would actually check it, like

1065
01:00:01,200 --> 01:00:04,080
Speaker 2: a list of things you need for a flight. And

1066
01:00:04,480 --> 01:00:08,560
Speaker 2: I don't remember all of them. I know the first

1067
01:00:08,680 --> 01:00:11,760
Speaker 2: one of the rules was like I don't don't think

1068
01:00:11,760 --> 01:00:18,080
Speaker 2: about what you're gonna say first, which I have to

1069
01:00:18,160 --> 01:00:21,840
Speaker 2: say I actually don't agree with because well, I don't.

1070
01:00:21,720 --> 01:00:25,320
Speaker 1: Understand don't plan your material right or.

1071
01:00:25,320 --> 01:00:29,000
Speaker 2: Don't plan your first joke, just go out and start

1072
01:00:29,080 --> 01:00:33,680
Speaker 2: talking about whatever feels in the moment. But that idea, yeah,

1073
01:00:33,760 --> 01:00:37,480
Speaker 2: backfires all the time. Yeah. I later on, when I

1074
01:00:37,520 --> 01:00:40,640
Speaker 2: saw that list again, I was like, no, no, no,

1075
01:00:41,640 --> 01:00:44,960
Speaker 2: I I didn't agree with all of them, but a

1076
01:00:45,000 --> 01:00:48,200
Speaker 2: lot of this stuff that I'm not remembering what was helpful,

1077
01:00:48,840 --> 01:00:52,040
Speaker 2: and I would I would look at that list and

1078
01:00:52,080 --> 01:00:55,880
Speaker 2: it did help me. Like essentially the whole list was

1079
01:00:55,920 --> 01:01:02,160
Speaker 2: like be in the moment, don't be glued to gesture material.

1080
01:01:02,320 --> 01:01:05,640
Speaker 2: It was it lent itself to being like improvisational.

1081
01:01:05,800 --> 01:01:10,520
Speaker 1: Yeah, everything which is smart and yeah, yeah, I'm sure

1082
01:01:10,560 --> 01:01:12,520
Speaker 1: I told you this. But I met Andy Kidler like

1083
01:01:12,520 --> 01:01:17,880
Speaker 1: two weeks before I did my first Oh it was

1084
01:01:18,000 --> 01:01:20,400
Speaker 1: the first contest I was ever in. So I'd only

1085
01:01:20,440 --> 01:01:24,200
Speaker 1: been doing comedy for like a month. And then the

1086
01:01:24,200 --> 01:01:27,840
Speaker 1: the you know, the small like club that wasn't it

1087
01:01:27,880 --> 01:01:29,840
Speaker 1: wasn't an actual club, it was just the place where

1088
01:01:29,840 --> 01:01:32,760
Speaker 1: they did this show. They had a yearly comedy competition,

1089
01:01:34,080 --> 01:01:36,720
Speaker 1: and so I was in it. But I was so

1090
01:01:36,960 --> 01:01:40,280
Speaker 1: nervous and I was so like freaked out. And so

1091
01:01:40,360 --> 01:01:42,720
Speaker 1: when I met Andy Killer, I was like, you have

1092
01:01:42,760 --> 01:01:44,680
Speaker 1: to help me, you have to tell me how to

1093
01:01:44,720 --> 01:01:47,320
Speaker 1: do this and like give me tips, and all he

1094
01:01:47,320 --> 01:01:49,520
Speaker 1: would do is riff. So he's like stare at the

1095
01:01:49,520 --> 01:01:51,760
Speaker 1: back wall like there's a clock on it, and he like,

1096
01:01:52,000 --> 01:01:54,240
Speaker 1: take your jokes, number them from one to T like

1097
01:01:54,280 --> 01:01:56,320
Speaker 1: he was. He did all this shit that was like

1098
01:01:56,960 --> 01:01:59,720
Speaker 1: absolutely not only not helpful, but was like stressing me

1099
01:01:59,760 --> 01:02:00,800
Speaker 1: out more where I'm.

1100
01:02:00,680 --> 01:02:03,200
Speaker 2: Like, do I really need help get joking?

1101
01:02:03,360 --> 01:02:05,880
Speaker 1: Yes he was, because he was. Basically it was the

1102
01:02:05,880 --> 01:02:07,920
Speaker 1: same idea where he's like he's been doing it so long,

1103
01:02:07,920 --> 01:02:10,760
Speaker 1: where he's like, if if you think there's something I

1104
01:02:10,800 --> 01:02:13,600
Speaker 1: can tell you, there's nothing I can tell you, right,

1105
01:02:13,880 --> 01:02:16,120
Speaker 1: Like you have to just not care this much.

1106
01:02:16,560 --> 01:02:21,080
Speaker 2: Yeah, yeah, it's true. The only thing that when I

1107
01:02:21,160 --> 01:02:24,760
Speaker 2: moved to Austin, knowing I wanted to do stand up,

1108
01:02:25,320 --> 01:02:29,120
Speaker 2: having only tried at once, I went to this guy,

1109
01:02:29,200 --> 01:02:32,600
Speaker 2: Matt Sadler. I went to where he worked. I was like, hey,

1110
01:02:32,640 --> 01:02:34,560
Speaker 2: you told me to call you if I moved here.

1111
01:02:34,640 --> 01:02:37,160
Speaker 2: I moved here. How do I do stand up? And

1112
01:02:37,280 --> 01:02:40,880
Speaker 2: he said, well, write some jokes and then your best

1113
01:02:40,960 --> 01:02:45,760
Speaker 2: joke end with that, and your second best joke start

1114
01:02:45,800 --> 01:02:48,000
Speaker 2: with that, and then just fill in the middle with

1115
01:02:48,080 --> 01:02:51,560
Speaker 2: everything you write after that. And I'm like oh okay,

1116
01:02:51,720 --> 01:02:55,800
Speaker 2: And to this day, no advice has been truer than that.

1117
01:02:56,240 --> 01:02:56,560
Speaker 1: Yeah.

1118
01:02:56,760 --> 01:02:59,840
Speaker 2: Yeah, so yeah, yeah, it was like the best.

1119
01:03:00,120 --> 01:03:02,200
Speaker 1: Well, and also it's like start, you do need to

1120
01:03:02,280 --> 01:03:05,280
Speaker 1: start that set with your number two joke so the

1121
01:03:05,320 --> 01:03:07,440
Speaker 1: audience knows you know what you're doing. Then you can

1122
01:03:07,480 --> 01:03:10,280
Speaker 1: fuck around right. Then you can end on your number

1123
01:03:10,320 --> 01:03:12,360
Speaker 1: one joke and you have somewhere to land. But like

1124
01:03:12,840 --> 01:03:15,800
Speaker 1: that idea of like go out on stage and feel

1125
01:03:15,800 --> 01:03:22,120
Speaker 1: around is such a like successful comedian, insanely hilarious person's advice. Yeah,

1126
01:03:22,160 --> 01:03:25,160
Speaker 1: where it's like, thanks for setting me up for abject failure.

1127
01:03:25,480 --> 01:03:30,440
Speaker 2: Yeah. I think there are many times where I had

1128
01:03:30,480 --> 01:03:35,520
Speaker 2: a good set and it's because whatever random thing in

1129
01:03:35,560 --> 01:03:40,160
Speaker 2: the moment I happen to start with worked. But more

1130
01:03:40,160 --> 01:03:43,400
Speaker 2: often than not, it's like, no, start get a laugh

1131
01:03:43,480 --> 01:03:45,800
Speaker 2: right away, do a joke right when you get out there,

1132
01:03:46,000 --> 01:03:47,160
Speaker 2: and then mess around.

1133
01:03:47,240 --> 01:03:50,840
Speaker 1: Yeah, like yeah, so show them that you're okay so

1134
01:03:50,880 --> 01:03:53,240
Speaker 1: that they can relax, then you can have fun.

1135
01:03:53,760 --> 01:03:56,400
Speaker 2: It's fine. I even forgot that before this past week

1136
01:03:56,440 --> 01:03:59,760
Speaker 2: of doing steady shows. I when I finally was like,

1137
01:03:59,840 --> 01:04:02,160
Speaker 2: do get a laugh right when you get on stage

1138
01:04:02,240 --> 01:04:06,040
Speaker 2: with a joke, a one line anything, yeah, and then

1139
01:04:06,240 --> 01:04:08,880
Speaker 2: the rest of the set it was no worries. But

1140
01:04:08,960 --> 01:04:14,840
Speaker 2: I tried to be Lucy Goosey, beginning by referencing things

1141
01:04:14,880 --> 01:04:17,480
Speaker 2: that they may or may not have remembered previously in

1142
01:04:17,520 --> 01:04:19,520
Speaker 2: the show at the Comedy Store. And I kind of

1143
01:04:20,440 --> 01:04:26,120
Speaker 2: didn't do well. But that's okay, I exactly. I drove

1144
01:04:26,160 --> 01:04:29,640
Speaker 2: away thinking that I was still stuck to my guns.

1145
01:04:30,160 --> 01:04:38,520
Speaker 2: I said, through the tears, well, I believe I will

1146
01:04:38,560 --> 01:04:41,520
Speaker 2: conclude this episode. This is kind of how I ended

1147
01:04:41,560 --> 01:04:42,520
Speaker 2: my set the other night.

1148
01:04:42,520 --> 01:04:43,400
Speaker 1: Okay, let's hear it.

1149
01:04:45,320 --> 01:04:50,000
Speaker 2: Ice, I said, you know what, this was fun. You

1150
01:04:50,040 --> 01:04:53,720
Speaker 2: guys were great. I seriously had so much fun on

1151
01:04:53,800 --> 01:04:58,720
Speaker 2: stage tonight, and I thank you all for listening. I've

1152
01:04:58,720 --> 01:05:02,080
Speaker 2: been Chris Fairbanks good night. And there was a huge applause.

1153
01:05:02,920 --> 01:05:06,360
Speaker 1: Really yeah, because you were kind of ticking like sincere

1154
01:05:06,560 --> 01:05:07,000
Speaker 1: and I.

1155
01:05:06,920 --> 01:05:09,160
Speaker 2: Had done well up until that. There's just all this

1156
01:05:09,240 --> 01:05:13,160
Speaker 2: pressure to end on a laugh, but you can also

1157
01:05:13,360 --> 01:05:17,440
Speaker 2: end on a pandury. You guys were great and I

1158
01:05:17,480 --> 01:05:20,520
Speaker 2: had fun, yeah, which is how SORRY try and do

1159
01:05:20,600 --> 01:05:22,120
Speaker 2: that with this episode.

1160
01:05:22,400 --> 01:05:25,200
Speaker 1: Really, one more question, Did you do that at the

1161
01:05:25,240 --> 01:05:25,920
Speaker 1: Comedy Store?

1162
01:05:26,280 --> 01:05:29,040
Speaker 2: No, I did it at the Blind Barber Highland Park

1163
01:05:29,200 --> 01:05:33,200
Speaker 2: oh cool, and but it happened to be an amazing audience.

1164
01:05:33,280 --> 01:05:38,320
Speaker 1: That was Parken back to the this fucking thing is

1165
01:05:38,320 --> 01:05:40,320
Speaker 1: trying to make me take a left on lose Phelis,

1166
01:05:40,480 --> 01:05:41,520
Speaker 1: Are you kidding me?

1167
01:05:42,040 --> 01:05:46,520
Speaker 2: We have a lot of navigating to do. But you've

1168
01:05:46,560 --> 01:05:49,040
Speaker 2: been a great audience and this has been a really

1169
01:05:49,080 --> 01:05:53,280
Speaker 2: good episode. You've been listening to Do You Need a Ride?

1170
01:05:53,840 --> 01:06:05,800
Speaker 2: D y n are good? Honk for real? This has

1171
01:06:05,880 --> 01:06:07,840
Speaker 2: been an exactly right production.

1172
01:06:08,320 --> 01:06:12,520
Speaker 1: Produced by Analise Nelson, mixed by Edson Choi. Our talent

1173
01:06:12,560 --> 01:06:13,920
Speaker 1: booker is Patrick Kottner.

1174
01:06:14,200 --> 01:06:16,200
Speaker 2: Theme song by Karen Kilgarrett.

1175
01:06:16,560 --> 01:06:20,120
Speaker 1: Artwork by Chris Fairbanks. Follow the show on Instagram, Twitter,

1176
01:06:20,160 --> 01:06:24,520
Speaker 1: and Facebook at dinar podcast That's d y nar Podcast.

1177
01:06:24,920 --> 01:06:28,520
Speaker 2: For more information, go to exactly rightmedia dot com.

1178
01:06:28,520 --> 01:06:30,800
Speaker 1: Thank you, Oh You're welcome,