1 00:00:01,360 --> 00:00:04,440 Speaker 1: Hay Handsomniacs. This is Heather Iine Horn, co creator of 2 00:00:04,480 --> 00:00:07,720 Speaker 1: See You in Your Nightmares. To fully immerse yourself in 3 00:00:07,720 --> 00:00:11,840 Speaker 1: the nightmare experience, headphones are recommended. Stay tuned for the 4 00:00:11,880 --> 00:00:14,760 Speaker 1: next episode, but first a quick word from our sponsor, 5 00:00:18,920 --> 00:00:22,439 Speaker 1: Iron Horn's Epic Productions, and I Heart Radio present See 6 00:00:22,440 --> 00:00:51,519 Speaker 1: You in Your Nightmares in three D Headphones recommended. Blossom 7 00:00:52,240 --> 00:00:58,440 Speaker 1: Run Acoustic Folk playlist, open log I've begun to record. 8 00:01:00,120 --> 00:01:06,280 Speaker 1: Went through hell last night. Alfie's rotation, his hypothermias symptoms 9 00:01:06,319 --> 00:01:08,480 Speaker 1: got so bad. We had to waken from the dream 10 00:01:08,640 --> 00:01:13,160 Speaker 1: that has never happened before. It took so long to 11 00:01:13,160 --> 00:01:18,759 Speaker 1: get him out of sleep paralysis. Something scared him, something 12 00:01:18,800 --> 00:01:23,560 Speaker 1: he saw in there. I can't believe a dream actually 13 00:01:23,600 --> 00:01:26,480 Speaker 1: induced something like this that that seemed to override the 14 00:01:26,520 --> 00:01:30,880 Speaker 1: physical world. Julia, how do you keep getting out before 15 00:01:30,959 --> 00:01:34,320 Speaker 1: lights up? Give me a pull, Finster, No, dude, I'll 16 00:01:34,400 --> 00:01:37,440 Speaker 1: totally snitch about Fine, take the pack, but if you 17 00:01:37,520 --> 00:01:40,360 Speaker 1: get caught, I'll in take the same as a nigrette. 18 00:01:40,800 --> 00:01:45,000 Speaker 1: This is illegal, Like you care. Just stop giving me 19 00:01:45,120 --> 00:01:53,520 Speaker 1: chances to blackmail you Like I'm not stupid. You just 20 00:01:53,600 --> 00:01:56,000 Speaker 1: keep thinking I'm under your thumb kid just like Dr 21 00:01:56,120 --> 00:02:08,600 Speaker 1: Carter awesome playlist off run Aromatherapy, verdant Green. I wonder 22 00:02:08,760 --> 00:02:27,520 Speaker 1: what sleeping Beauty is gonna wear it today? See you 23 00:02:27,600 --> 00:02:41,320 Speaker 1: in your nightmares. Morning Blossom said they got pancakes on 24 00:02:41,360 --> 00:02:45,720 Speaker 1: the menu, and to Maeric buckwheat cakes. Yeah, I'll pass. 25 00:02:46,280 --> 00:02:51,240 Speaker 1: It's really good. Sub honey for syrup. It's heaven, I swear. Okay, 26 00:02:51,840 --> 00:02:54,200 Speaker 1: how did you sleep? As Welwsom said, I only woke 27 00:02:54,280 --> 00:03:00,640 Speaker 1: up three times last night? Hey, not bad, Alfie, you up? Yeah, 28 00:03:00,800 --> 00:03:08,560 Speaker 1: give me a sack open. Nice catch. It's beach day. 29 00:03:09,200 --> 00:03:12,600 Speaker 1: You weren't kidding about the volleyball, not even slightly. You 30 00:03:12,680 --> 00:03:16,240 Speaker 1: brought swimmers. I don't do bodies of water bigger than 31 00:03:16,280 --> 00:03:19,400 Speaker 1: my bathtub. Must have had a ball on the ferry. 32 00:03:19,480 --> 00:03:23,280 Speaker 1: Luckily I've passed out for most of the ride. You're 33 00:03:23,360 --> 00:03:27,239 Speaker 1: even cuter than yesterday. How is that possible? I accept 34 00:03:27,280 --> 00:03:29,680 Speaker 1: your praise, but the client your advance is love. My 35 00:03:29,840 --> 00:03:33,600 Speaker 1: fancy leans all the way towards hench alpha buffs with 36 00:03:33,680 --> 00:03:38,240 Speaker 1: broad shoulders. I'm just happy you're happy. I wanted to 37 00:03:38,280 --> 00:03:43,960 Speaker 1: apologize for not taking your secret seriously. I actually last night, 38 00:03:44,040 --> 00:03:46,839 Speaker 1: for the first time, I had a new dream if 39 00:03:46,880 --> 00:03:50,080 Speaker 1: it was anything like your nightmare? Ire you taking the 40 00:03:50,160 --> 00:03:53,320 Speaker 1: p You say that a lot? What is that? Oh, 41 00:03:53,360 --> 00:03:57,760 Speaker 1: I'm saying, are you joking? You broke your nightmare pattern 42 00:03:57,840 --> 00:04:02,880 Speaker 1: on day three? M Oh yeah, I mean my dream 43 00:04:03,000 --> 00:04:06,120 Speaker 1: changed in my first rotation, but this one was. Yeah, 44 00:04:06,160 --> 00:04:11,160 Speaker 1: I kind of escaped. That's amazing. My dream sucks. We're 45 00:04:11,160 --> 00:04:15,320 Speaker 1: playing our rivals back home, the wolves, except their actual wolves, 46 00:04:15,680 --> 00:04:18,920 Speaker 1: hunting me down while I'm trying to score. Yeah, I 47 00:04:18,960 --> 00:04:22,320 Speaker 1: get devoured by marionette versions of my bullies back at school, 48 00:04:22,720 --> 00:04:26,200 Speaker 1: and it's my gainst for some reason. And yeah, I 49 00:04:26,320 --> 00:04:30,279 Speaker 1: wake up after they start skinning me alive. Uh, mine 50 00:04:30,360 --> 00:04:33,880 Speaker 1: seems pretty tame compared to all of that. It hasn't 51 00:04:33,960 --> 00:04:36,920 Speaker 1: changed at all since you got here. We try dr 52 00:04:37,000 --> 00:04:39,320 Speaker 1: carter uses blossom to boost our beta waves, so we're 53 00:04:39,320 --> 00:04:42,680 Speaker 1: not afraid to like face the outcome of our dream. 54 00:04:42,720 --> 00:04:45,840 Speaker 1: At least we're not supposed to be afraid. It's gnarly 55 00:04:45,880 --> 00:04:48,120 Speaker 1: while we're in it, but usually we feel better the 56 00:04:48,160 --> 00:04:51,520 Speaker 1: next day. Right, even if I'm turning into rabid wolf 57 00:04:51,600 --> 00:04:54,760 Speaker 1: chow every night during the day, I'm not as wiped 58 00:04:54,800 --> 00:04:58,280 Speaker 1: as I would be back home. Usually I dream I'm 59 00:04:58,279 --> 00:05:04,760 Speaker 1: back home, coming from school. Probably as soon as i'm inside. 60 00:05:05,360 --> 00:05:14,279 Speaker 1: It's a horror movie. Hey, Julia, what do you want? Nothing, 61 00:05:14,960 --> 00:05:17,120 Speaker 1: It was just being nice. You have to act like that. 62 00:05:17,160 --> 00:05:23,600 Speaker 1: It's okay, thanks, So your dreams like a horror movie, Harbor. Yeah, 63 00:05:24,160 --> 00:05:30,600 Speaker 1: it's my sister, my twin Callie, like a group of Callie's, 64 00:05:30,600 --> 00:05:34,800 Speaker 1: but not how I want to remember her. They all 65 00:05:34,839 --> 00:05:38,320 Speaker 1: look the way I saw her in the Morgue, bloated 66 00:05:38,600 --> 00:05:43,279 Speaker 1: and pale, and they're all blaming me and talking about 67 00:05:44,360 --> 00:05:48,440 Speaker 1: strings and ice and hunting. They tell me to go 68 00:05:48,520 --> 00:05:50,839 Speaker 1: through this door at the end of the hall, but 69 00:05:51,760 --> 00:06:00,279 Speaker 1: I can't. That's it. Oh, I'm so sorry for your loss. Incs. 70 00:06:01,279 --> 00:06:06,320 Speaker 1: I didn't mean bre that's so painful. I'm so sorry. Yeah, 71 00:06:06,600 --> 00:06:10,919 Speaker 1: she died last year. She was my mirror. That's what 72 00:06:11,040 --> 00:06:15,240 Speaker 1: Dr Carter said, my true mirror. You were twins, right. 73 00:06:16,120 --> 00:06:18,760 Speaker 1: Have you heard about the studies done on twin photons, 74 00:06:19,240 --> 00:06:23,000 Speaker 1: Not humans, but tiny packets of light. Each photon has 75 00:06:23,040 --> 00:06:25,440 Speaker 1: a twin, and no matter how far apart they are, 76 00:06:25,520 --> 00:06:29,320 Speaker 1: even across the universe, whatever happens to one photon affects 77 00:06:29,400 --> 00:06:33,400 Speaker 1: its twin. It's called quantum entanglement. So tiny bits of 78 00:06:33,480 --> 00:06:38,920 Speaker 1: light are connected across galaxies, like the force. It's being 79 00:06:38,960 --> 00:06:42,680 Speaker 1: studied more for teleportation. But there's a term I really 80 00:06:42,720 --> 00:06:47,480 Speaker 1: like for when it occurs, resonance. Twin photons resonate when 81 00:06:47,520 --> 00:06:51,400 Speaker 1: one reflects the experience of the other. That's awesome. I 82 00:06:51,480 --> 00:06:55,040 Speaker 1: like thinking we're still connected. I really believe it. Sometimes 83 00:06:55,560 --> 00:07:00,279 Speaker 1: a science doesn't lie thanks as me. Maybe you could 84 00:07:00,279 --> 00:07:02,919 Speaker 1: try dreaming that you're finding her starlight in space or 85 00:07:03,000 --> 00:07:10,720 Speaker 1: something like that. Good luck with that, space cadets. What 86 00:07:10,800 --> 00:07:12,400 Speaker 1: was the point of her coming in here? And she 87 00:07:12,400 --> 00:07:16,200 Speaker 1: didn't even have breakfast? She has zero chill. I heard 88 00:07:16,280 --> 00:07:20,000 Speaker 1: Finn asking about her brother once after group. Right, it 89 00:07:20,160 --> 00:07:23,880 Speaker 1: seems like he raised her on his own. Yeah, either 90 00:07:24,240 --> 00:07:27,360 Speaker 1: they were opened or they got the hell out of Dodge. 91 00:07:27,880 --> 00:07:31,440 Speaker 1: I guess runaways. I feel for her, but Julia finds 92 00:07:31,440 --> 00:07:33,840 Speaker 1: out you spread that secret, Alfie, She's going to kill you. 93 00:07:34,080 --> 00:07:37,800 Speaker 1: She is tiny, but my is hell. She reminds me 94 00:07:37,840 --> 00:07:42,840 Speaker 1: of Callie sometimes when she's just quiet. Their stillness is 95 00:07:42,880 --> 00:07:48,360 Speaker 1: the same. Right, we convene at lunch to sort out 96 00:07:48,440 --> 00:08:06,920 Speaker 1: teams for volleyball. I heard new girls making progress already. 97 00:08:07,720 --> 00:08:11,520 Speaker 1: That's not anything you should concern yourself with Julia, this 98 00:08:11,640 --> 00:08:15,679 Speaker 1: treatment isn't working. Maybe for her, but not for me. Doc, 99 00:08:16,560 --> 00:08:22,120 Speaker 1: I despise that nickname. I have a title, respect it blossom. 100 00:08:22,280 --> 00:08:26,760 Speaker 1: Begin session file name six of the one underscore session 101 00:08:26,800 --> 00:08:30,320 Speaker 1: to six one for Julia Takeuchi. Have there been any 102 00:08:30,400 --> 00:08:32,960 Speaker 1: changes to the figure in your recurring nightmare that you 103 00:08:33,040 --> 00:08:36,800 Speaker 1: call the smiling man? Why are we doing this my 104 00:08:36,920 --> 00:08:41,480 Speaker 1: rotations tomorrow? Please answer the question? What's the point? I 105 00:08:41,640 --> 00:08:44,840 Speaker 1: understand your frustration, and you've been in this program for 106 00:08:44,880 --> 00:08:48,480 Speaker 1: so long, but show virtually no improvement. Acting like a 107 00:08:48,480 --> 00:08:50,280 Speaker 1: brat with me isn't going to help us get to 108 00:08:50,320 --> 00:08:55,440 Speaker 1: the core of your disorder. I'm fine, we both know 109 00:08:55,600 --> 00:09:00,720 Speaker 1: that's not true. My nightmare is ex actually the same, 110 00:09:01,240 --> 00:09:07,600 Speaker 1: no changes, no enlightening perspectives, just the same. And while 111 00:09:07,600 --> 00:09:11,080 Speaker 1: you're awake, notice anything different. Why don't you just get 112 00:09:11,160 --> 00:09:13,880 Speaker 1: rid of me too? I don't want to be here anymore. 113 00:09:15,160 --> 00:09:21,520 Speaker 1: Are you implying that I've abandoned patience in the past? I? No, 114 00:09:22,559 --> 00:09:26,360 Speaker 1: But have you ever seen me engage in misconduct during 115 00:09:26,360 --> 00:09:33,080 Speaker 1: my study? I don't remember. I don't trust you. Your 116 00:09:33,160 --> 00:09:38,920 Speaker 1: beta waves during rotations are consistently impressive despite your nightmares. Unfortunately, 117 00:09:38,920 --> 00:09:43,160 Speaker 1: your mental state is too fragile. If I see no improvement, 118 00:09:43,360 --> 00:09:47,199 Speaker 1: or you continue to antagonize the other residents, I'll have 119 00:09:47,240 --> 00:09:52,080 Speaker 1: no choice but to isolate you to the outbuilding. I 120 00:09:52,200 --> 00:09:57,640 Speaker 1: miss her? Who who do you miss? Is there someone 121 00:09:57,720 --> 00:10:07,960 Speaker 1: you miss aside from your brother Garrett? No? No, no one? 122 00:10:08,440 --> 00:10:10,840 Speaker 1: How do you feel about the new resident, Harper Heart? 123 00:10:11,760 --> 00:10:18,120 Speaker 1: She's stupid, punchable face. It's pretty, but she sucks? Is 124 00:10:18,160 --> 00:10:25,400 Speaker 1: that all? Sorry? I'm sorry, I'm so sorry. No wrong, 125 00:10:26,679 --> 00:10:31,240 Speaker 1: Julia Takeuchi. Every time you try to remember, you will 126 00:10:31,400 --> 00:10:35,080 Speaker 1: choke on your words. Thinking about the past makes you 127 00:10:35,120 --> 00:10:38,560 Speaker 1: sick to your stomach. Your grief has been twisted and 128 00:10:38,640 --> 00:10:45,560 Speaker 1: you cannot trust your own mind. Accept the command. She 129 00:10:45,840 --> 00:10:49,560 Speaker 1: is receding into the darkest corners of your mind. Julia. 130 00:10:50,679 --> 00:10:55,480 Speaker 1: The door is locked and there is no key. Your 131 00:10:55,559 --> 00:10:59,920 Speaker 1: memories of her are fading away like a dream. Upon waking, 132 00:11:00,600 --> 00:11:08,480 Speaker 1: My memories of her are fading. You are happy without her, Julia, No, yes, Julius. 133 00:11:09,160 --> 00:11:15,360 Speaker 1: You are getting stronger every day without her. I am 134 00:11:15,440 --> 00:11:21,600 Speaker 1: getting stronger every day without her. When I count backwards 135 00:11:21,679 --> 00:11:27,040 Speaker 1: from twenty, you will wake up feeling refreshed. You will 136 00:11:27,080 --> 00:11:31,440 Speaker 1: not remember that we had this conversation. Julia, I will 137 00:11:31,480 --> 00:11:38,439 Speaker 1: wake up feeling refreshed. Dr Carter, Dr Carter, checking instance, 138 00:11:38,520 --> 00:11:41,880 Speaker 1: you're late for our note session. You know not to 139 00:11:41,960 --> 00:11:45,360 Speaker 1: disturb me when the room is indigo, So sorry, just 140 00:11:45,600 --> 00:11:48,320 Speaker 1: checking instance. This wasn't on the schedule. I'll be there 141 00:11:48,320 --> 00:11:51,760 Speaker 1: when you see me there. Forget that happened to Julia. 142 00:11:52,200 --> 00:11:55,040 Speaker 1: But don't forget that kid is a pompous ass. Sometimes 143 00:11:55,640 --> 00:11:59,040 Speaker 1: I will not forget that kid is a pompous ass sometimes. 144 00:12:04,920 --> 00:12:08,800 Speaker 1: Hay Insomniacs want to dive deeper into the nightmare. Follow 145 00:12:08,880 --> 00:12:13,160 Speaker 1: us at Harper Nightmare for more terrifying details. More See 146 00:12:13,200 --> 00:12:15,679 Speaker 1: You in Your Nightmares is up next, But first a 147 00:12:15,760 --> 00:12:32,240 Speaker 1: quick word from our sponsor. Hey, Insomniacs, welcome back. I 148 00:12:32,320 --> 00:12:35,000 Speaker 1: want to find out what's really behind the nightmare. Had 149 00:12:35,040 --> 00:12:37,439 Speaker 1: to see you in your Nightmares dot com to uncover 150 00:12:37,559 --> 00:12:56,199 Speaker 1: more mind bending details. Oh got it? Whoa nice Molly Harpers? 151 00:12:58,440 --> 00:13:01,600 Speaker 1: Are you ready for me? Alfie? There's my ready to block? Yep? 152 00:13:03,040 --> 00:13:09,760 Speaker 1: Oh god, Chris, Yeah, I'm good. Sun cut in my eyes. 153 00:13:10,920 --> 00:13:14,120 Speaker 1: I was slick man? Did you just spumble on purpose? 154 00:13:14,559 --> 00:13:20,560 Speaker 1: Who as? Oh wait, you totally did. Why else would 155 00:13:20,600 --> 00:13:24,800 Speaker 1: both of you be snickering? Seriously? I wouldn't. I'm athletic too, 156 00:13:25,200 --> 00:13:29,480 Speaker 1: I'm in mathletes, competitive cheer. I even mastered on carrasana 157 00:13:29,559 --> 00:13:31,480 Speaker 1: last week. So like, just because I can't deal with 158 00:13:31,559 --> 00:13:36,440 Speaker 1: things being thrown at my face as is, calm down, 159 00:13:36,720 --> 00:13:39,559 Speaker 1: I'm not perfect. What are you talking about? That's me. 160 00:13:40,200 --> 00:13:45,040 Speaker 1: You're like the most beautiful, accomplished, brilliant person I've ever met, 161 00:13:45,600 --> 00:13:48,480 Speaker 1: and I'm from New York. Don't gass me up. Seriously, 162 00:13:48,920 --> 00:13:52,800 Speaker 1: come on as you're just anxious because you've got rotation tonight. 163 00:13:52,840 --> 00:13:57,400 Speaker 1: Don't let it ruin a fun day. Yeah, probably just 164 00:13:58,800 --> 00:14:01,120 Speaker 1: Harper got so good so quick, and I really want 165 00:14:01,200 --> 00:14:03,920 Speaker 1: Dr Carter to acknowledge my potential. But I'm not making 166 00:14:03,960 --> 00:14:07,040 Speaker 1: progress as Hike. You as her you don't have to. 167 00:14:08,120 --> 00:14:12,520 Speaker 1: You're perfect. The way you are looks like you've got 168 00:14:12,520 --> 00:14:21,160 Speaker 1: this Chris. Listen to Chris as my feel better Finn 169 00:14:21,600 --> 00:14:23,600 Speaker 1: hops and that Matt fent in to the board. Whoop, 170 00:14:24,040 --> 00:14:26,600 Speaker 1: you still got my floating right here as you can see, 171 00:14:26,640 --> 00:14:30,120 Speaker 1: my friend, Hey, don't go far, you know possible sound 172 00:14:30,120 --> 00:14:33,280 Speaker 1: the alarm? Thanks for watching over a spin? What do 173 00:14:33,400 --> 00:14:39,320 Speaker 1: you need careful? Thanks for watching over spin? Like, make 174 00:14:39,400 --> 00:14:46,760 Speaker 1: sure to watch me walk away? What is that you've 175 00:14:46,800 --> 00:14:50,040 Speaker 1: been the thirstiest seventeen yearld I ever saw. I am 176 00:14:50,160 --> 00:14:55,240 Speaker 1: not literally bad. Okay, now that you're woking noble, But 177 00:14:55,440 --> 00:14:58,320 Speaker 1: five seconds ago I thought you had an invisible hula 178 00:14:58,640 --> 00:15:03,200 Speaker 1: spinning on your hid. Dude, seriously, I dare you said 179 00:15:03,240 --> 00:15:06,480 Speaker 1: that way? Don't worry. It was on the sand. I'm 180 00:15:06,480 --> 00:15:11,840 Speaker 1: not used to walking on loose, hot, sinking sand floors. Okay, 181 00:15:11,960 --> 00:15:15,720 Speaker 1: should I call the math Maybe he'll take his top off. 182 00:15:16,080 --> 00:15:21,840 Speaker 1: That should quit you. I will fight you, Julie. She 183 00:15:22,000 --> 00:15:25,840 Speaker 1: really disappears a lot. Can you tell me more about 184 00:15:25,840 --> 00:15:28,280 Speaker 1: your dream from last night? I didn't tell the duck, 185 00:15:28,400 --> 00:15:31,680 Speaker 1: but mine changed too. Maybe the aliens are beaming down 186 00:15:31,680 --> 00:15:37,400 Speaker 1: the signal. Finally it started the same, but almost immediately 187 00:15:38,360 --> 00:15:41,400 Speaker 1: Blossom beeped, and then it got glitchy again, and I 188 00:15:41,440 --> 00:15:45,440 Speaker 1: heard my sister and I turned to look, and suddenly 189 00:15:45,480 --> 00:15:49,200 Speaker 1: I'm in this ice cold, deserted high school hallway. Instead 190 00:15:50,280 --> 00:15:55,240 Speaker 1: it was freezing, and I heard shouting and I realized 191 00:15:55,280 --> 00:15:59,160 Speaker 1: it was you, So I followed your voice. I could 192 00:15:59,200 --> 00:16:02,120 Speaker 1: hear you screaming your life, and when I finally found you, 193 00:16:02,120 --> 00:16:04,800 Speaker 1: you were being dragged down the hallway by this alien 194 00:16:04,880 --> 00:16:11,440 Speaker 1: thing like like translucent, gray and horrifying. It was like 195 00:16:11,480 --> 00:16:14,680 Speaker 1: a shark with human skeleton, and its tail was a 196 00:16:14,760 --> 00:16:18,280 Speaker 1: serious weapon. It had no nose or mouth, into trapped 197 00:16:18,360 --> 00:16:21,320 Speaker 1: us by the glowing thing and almost bit our heads off. 198 00:16:21,880 --> 00:16:29,720 Speaker 1: Yeah yeah, wait yeah so wee Yeah, we had the 199 00:16:29,920 --> 00:16:34,400 Speaker 1: same dream, no way what you just described in it. 200 00:16:34,880 --> 00:16:38,120 Speaker 1: The high school, the freezing cold, the monster, me about 201 00:16:38,160 --> 00:16:41,920 Speaker 1: to get eaten. That's my dream, been by nightmare every 202 00:16:41,960 --> 00:16:46,600 Speaker 1: night since I was twelve. How is that possible? No idea? 203 00:16:48,240 --> 00:16:53,040 Speaker 1: So was that ghost thing you mean you saw it? Yeah, 204 00:16:53,200 --> 00:16:56,840 Speaker 1: well I'm going and starving. Her eyes were pitched black 205 00:16:57,120 --> 00:16:59,760 Speaker 1: all the way around. That's what I saw my first 206 00:16:59,840 --> 00:17:05,760 Speaker 1: night here. Yeah, it was proper terrifying. Man. Thanks by 207 00:17:05,800 --> 00:17:09,520 Speaker 1: the way for what you saved me. I just you 208 00:17:09,640 --> 00:17:12,520 Speaker 1: saved me. Ain't nobody ever stepped in like that, Not 209 00:17:12,640 --> 00:17:16,200 Speaker 1: in dreams, not even in real life neither. Maybe people 210 00:17:16,200 --> 00:17:18,560 Speaker 1: should try it again. I could try to help you 211 00:17:18,600 --> 00:17:24,800 Speaker 1: with your nightmare. Yeah, maybe it's worth a shot. Maybe 212 00:17:24,840 --> 00:17:28,200 Speaker 1: this is part of the whole lucid practice. Whatever happened, 213 00:17:28,600 --> 00:17:31,359 Speaker 1: I'm dying to try again. It's so much easier facing 214 00:17:31,359 --> 00:17:34,040 Speaker 1: monsters with a friend besides you. In it, You're like 215 00:17:34,320 --> 00:17:50,800 Speaker 1: straight up, Ellen Rifley last night Blossom enabled lucid Tom, 216 00:17:50,800 --> 00:17:53,600 Speaker 1: are you going to practice before bad? Something like that? 217 00:17:54,280 --> 00:18:25,160 Speaker 1: Lucid tone enabled Harper, thank you? H Hello, no, no, no, 218 00:18:25,480 --> 00:18:40,240 Speaker 1: I don't like this. Do the breaths? H. My name 219 00:18:40,600 --> 00:18:44,840 Speaker 1: is Harper Heart. I'm not afraid. I'm not afraid. I'm 220 00:18:44,880 --> 00:19:04,919 Speaker 1: not okay. A party so pretty? Maybe healthy had a 221 00:19:04,960 --> 00:19:18,480 Speaker 1: new dream. Helpie, I'm here, Elfie. Everyone's dressed really fancy. 222 00:19:18,600 --> 00:19:26,159 Speaker 1: Maybe it's not Elfie stream Hi, I'm looking for the 223 00:19:26,200 --> 00:19:31,040 Speaker 1: guest of honor. Maybe keep going Yesterday souther London. It's 224 00:19:31,119 --> 00:19:43,320 Speaker 1: okay then days my chat at LEASTI playing Alfy and 225 00:19:47,520 --> 00:20:18,159 Speaker 1: elis Lania suah as my I tried to be like 226 00:20:18,440 --> 00:20:21,280 Speaker 1: I try to because I tried to recall. Okay, God, 227 00:20:21,359 --> 00:20:23,000 Speaker 1: I try to be one. If you want, if you one, 228 00:20:23,040 --> 00:20:25,320 Speaker 1: if you I just want you to like me. You 229 00:20:25,480 --> 00:20:28,200 Speaker 1: can't eat that you hate eat and drunk. You can't 230 00:20:28,240 --> 00:20:32,879 Speaker 1: get a baby be think all the hind get happy, 231 00:20:33,040 --> 00:20:38,760 Speaker 1: make he sick sick, sick sick as like, oh my god, 232 00:20:39,280 --> 00:20:41,879 Speaker 1: they were the puppet ship. I just want to make 233 00:20:41,960 --> 00:20:45,000 Speaker 1: everyone happy and like I basically I hate everything about piece, 234 00:20:45,040 --> 00:20:46,679 Speaker 1: so please tell them Che's must know you to get 235 00:20:46,720 --> 00:20:48,480 Speaker 1: to talp me. I'll take up my posies. Whatever you 236 00:20:48,560 --> 00:20:54,520 Speaker 1: hate king on me. He even I'm gonna be You're 237 00:20:54,600 --> 00:20:58,200 Speaker 1: marrying it in the county six gets ready to pay. 238 00:20:58,359 --> 00:21:01,639 Speaker 1: You don't leave in another game. Keep grinning cross her phone. 239 00:21:01,920 --> 00:21:07,120 Speaker 1: Yet colonist Lazy said, let's ely hey, when your skin, 240 00:21:07,359 --> 00:21:10,960 Speaker 1: you feel your need you watch your eyes you want 241 00:21:11,080 --> 00:21:18,320 Speaker 1: to you're sitting live shut her class. Please take them 242 00:21:18,359 --> 00:21:21,359 Speaker 1: off for the past. I seeter bleeding. Get them on me, 243 00:21:21,440 --> 00:21:27,000 Speaker 1: Please let me take them up in your watch. I'm 244 00:21:27,040 --> 00:21:29,960 Speaker 1: a liar, totally weak and will never grasp the future. 245 00:21:30,000 --> 00:21:31,960 Speaker 1: I see if I want to look pretty, there's appointing 246 00:21:32,000 --> 00:21:33,879 Speaker 1: my head full of mistakes. I could paint it and 247 00:21:33,960 --> 00:21:40,359 Speaker 1: read I win I were dead. Don't even choke about that. 248 00:21:41,440 --> 00:21:44,160 Speaker 1: I try to ignore what they're talking so long at 249 00:21:44,160 --> 00:21:46,879 Speaker 1: all I could to pay, and I'm just a feeling 250 00:21:46,880 --> 00:21:49,639 Speaker 1: you're a loser, imposter whatever. I try to just end 251 00:21:49,720 --> 00:21:54,920 Speaker 1: the disaster. Look in flor essay. She babbled her right, 252 00:21:55,359 --> 00:22:13,119 Speaker 1: watch the claps, Cinderella, is that fasting time? The monster? 253 00:22:13,760 --> 00:22:16,320 Speaker 1: I want you man, I need Tory to suck the 254 00:22:16,400 --> 00:22:21,560 Speaker 1: barrow from your thought. She don't require you here again. 255 00:22:21,680 --> 00:22:25,120 Speaker 1: I need throw alone. It's time to time. It's time 256 00:22:25,200 --> 00:22:29,199 Speaker 1: to time, bringing a pace or sick by. You can 257 00:22:29,280 --> 00:22:31,080 Speaker 1: have my like, you can have my heart, you can 258 00:22:31,160 --> 00:22:49,320 Speaker 1: have my tender mad boy, your repress shot out free 259 00:22:49,440 --> 00:23:08,719 Speaker 1: the cover. So smart head, what do you you? Pathetic 260 00:23:08,880 --> 00:23:14,160 Speaker 1: reflection of your sister, all that you left of her blister? 261 00:23:15,080 --> 00:23:20,720 Speaker 1: Why resisting would I be answer? I laughed to tear 262 00:23:20,800 --> 00:23:25,720 Speaker 1: it away, your sister, the sunlight of everyone's day. You 263 00:23:25,880 --> 00:23:32,040 Speaker 1: know you're nothing, not even her shadow, eclipsing all goodness. No, 264 00:23:32,720 --> 00:23:37,399 Speaker 1: you run and where there's nowhere, collecting fragments as I 265 00:23:37,600 --> 00:23:49,359 Speaker 1: chipping and petty pride her. Oh, poor stupid Esnay you 266 00:23:49,560 --> 00:23:52,560 Speaker 1: think you can fight me. I'll bleat yourself from you 267 00:23:52,800 --> 00:23:56,280 Speaker 1: daily and nightly. Let me teach you a list and 268 00:23:56,440 --> 00:23:59,720 Speaker 1: put some feet in that trough for our derves. I'll 269 00:23:59,760 --> 00:24:07,320 Speaker 1: buy each of your fingers clean up. Oh my god, 270 00:24:09,200 --> 00:24:14,640 Speaker 1: so good, Oh my god. Stop will get the game 271 00:24:15,000 --> 00:24:39,200 Speaker 1: so quick, A little bit you failure. Total Iron Horn's 272 00:24:39,240 --> 00:24:42,560 Speaker 1: Epic Productions and I Heart Radio present See You in 273 00:24:42,680 --> 00:24:46,320 Speaker 1: Your Nightmares in three D created an executive produced by 274 00:24:46,359 --> 00:24:50,280 Speaker 1: Heather Einhorn and Adam Stafferoni executive produced by I Heart 275 00:24:50,359 --> 00:24:56,280 Speaker 1: Radio head writer ren Dara Santiago, writer's Lynn Vixen's Fan, 276 00:24:56,680 --> 00:25:02,280 Speaker 1: Caleb Brooks, Morgan Pelly, and Adam Staffaroni. Directed by Georgana Williams, 277 00:25:02,480 --> 00:25:07,320 Speaker 1: with performances by Rachel Ormlandis, Harper Obi Obeley as Alfie, 278 00:25:07,840 --> 00:25:11,919 Speaker 1: Phil Buckman as Finn, Amber Lee Connors as Callie, Gesel 279 00:25:12,040 --> 00:25:16,960 Speaker 1: Fernandez as Esmay, Judy, Alice Lee as Julia, Robert Lange 280 00:25:17,040 --> 00:25:20,480 Speaker 1: as a Smiling Man, and Kai Marjan Salama as Chris, 281 00:25:20,920 --> 00:25:24,720 Speaker 1: with Stephanie Willing as Blossom and Carrie tom Bazian as 282 00:25:24,840 --> 00:25:29,639 Speaker 1: Dr Faith Carter and The Woman. Additional voices Gail Artino, 283 00:25:30,119 --> 00:25:34,280 Speaker 1: Maxwell Segal and Shannon Purdue. Post sound and music by 284 00:25:34,400 --> 00:25:38,719 Speaker 1: Chapter four. Sound supervision and sound design by Sarah Gibel Laska. 285 00:25:39,440 --> 00:25:43,439 Speaker 1: Music by Kareem Dueti. Produced by A Route Santa Kaila 286 00:25:43,880 --> 00:25:50,880 Speaker 1: Development executive Greg Lockhard, Development writer Genevieve Valentine, production manager 287 00:25:51,320 --> 00:25:57,400 Speaker 1: Gail Artino, Production coordinator and script supervisor Laura Martin, Operations 288 00:25:57,840 --> 00:26:03,240 Speaker 1: Laura Kaufman. Marketing and put Listening Jesse Post Digital marketing 289 00:26:03,480 --> 00:26:07,920 Speaker 1: by Jennifer Gennaro. Creative direction and design by Ryan McCann 290 00:26:08,480 --> 00:26:12,800 Speaker 1: Key Art and promotional art illustrated by yegin Park. Special 291 00:26:12,880 --> 00:26:19,520 Speaker 1: thank you to The Shadow Unicorn, Iron Horn's Epic Productions, 292 00:26:19,560 --> 00:26:22,600 Speaker 1: and I Heart Radio present See You in Your Nightmares 293 00:26:22,680 --> 00:26:23,159 Speaker 1: in three D