1 00:00:01,080 --> 00:00:04,960 Speaker 1: To The Black Guy Who Tips Podcast. I listen because 2 00:00:05,200 --> 00:00:10,200 Speaker 1: Rock and Karen are hot. Hey, welcome to another episode 3 00:00:10,200 --> 00:00:14,760 Speaker 1: of The Black Guy Who Tips Podcast. I'm your host, Ride, 4 00:00:15,080 --> 00:00:18,799 Speaker 1: joined us always by my co host Karen, And that's right. 5 00:00:19,360 --> 00:00:21,520 Speaker 1: We are in the house ready to do some podcasts. 6 00:00:21,560 --> 00:00:30,160 Speaker 1: And find us on iTunes, Stitcher, Potomatic, Spotify, Google Play. 7 00:00:31,160 --> 00:00:32,080 Speaker 2: You'll catch and catch it. 8 00:00:32,080 --> 00:00:35,560 Speaker 1: We yeah, we if your catch is out there looking 9 00:00:35,560 --> 00:00:38,200 Speaker 1: for we're out there tossing it. Okay, we're throwing that thing. 10 00:00:39,479 --> 00:00:41,879 Speaker 1: But yeah, go ahead and look us up. Leave us 11 00:00:41,920 --> 00:00:44,720 Speaker 1: five star reviews on iTunes the stitcherill appreciate those. The 12 00:00:44,760 --> 00:00:48,880 Speaker 1: official weapon of the show is an unofficial sport bullet 13 00:00:48,880 --> 00:00:56,560 Speaker 1: ball Extreme And today's episode is a recap episode. We're 14 00:00:56,560 --> 00:01:01,840 Speaker 1: gonna recap episode three of love Craft Country on HBO 15 00:01:02,000 --> 00:01:07,160 Speaker 1: Misha greens Opus, And of course today's also special because 16 00:01:07,319 --> 00:01:12,440 Speaker 1: it is TVGWT Day, which we celebrate every year. Fans 17 00:01:12,640 --> 00:01:14,520 Speaker 1: send pictures and stuff. I feel like this year we 18 00:01:14,600 --> 00:01:15,800 Speaker 1: kind of dropped the ball a little bit. 19 00:01:16,040 --> 00:01:18,800 Speaker 2: Yeah, because everything is just out of whack y'all, Like 20 00:01:18,800 --> 00:01:21,720 Speaker 2: like it's just been so abnormal because we got reminders. 21 00:01:22,000 --> 00:01:24,760 Speaker 2: We normally start reminding people like a month before, you know, 22 00:01:24,800 --> 00:01:26,520 Speaker 2: in case people wanted to get T shirts and things 23 00:01:26,520 --> 00:01:29,800 Speaker 2: like that. But man, every month has felt like a 24 00:01:29,880 --> 00:01:32,600 Speaker 2: full fledged year or two. It's just throwing us off, y'all. 25 00:01:32,800 --> 00:01:35,800 Speaker 1: Yeah, the pandemic came through, but y'all came through as well. 26 00:01:35,880 --> 00:01:38,880 Speaker 1: And I saw people were posting pictures in their blackout 27 00:01:38,920 --> 00:01:42,000 Speaker 1: tips gear and their mask and they're and being safe 28 00:01:42,040 --> 00:01:46,400 Speaker 1: and socially distancing, and you know, celebrating and showing pictures 29 00:01:46,440 --> 00:01:48,720 Speaker 1: of like, oh, this is me and this event. I'm 30 00:01:48,760 --> 00:01:52,040 Speaker 1: a DJ, and you know this look I'm coordinating with 31 00:01:52,080 --> 00:01:54,760 Speaker 1: my mask and my shirt, like y' y'all look great. 32 00:01:55,240 --> 00:01:58,400 Speaker 1: We appreciate y'all repping for the team, and you know, 33 00:01:58,440 --> 00:02:01,920 Speaker 1: it's always thank you, thank you. And of course the 34 00:02:02,000 --> 00:02:04,920 Speaker 1: other reason that the reason that we have the blackouts 35 00:02:05,000 --> 00:02:08,400 Speaker 1: this day on September second, every year, it's our anniversary 36 00:02:08,760 --> 00:02:12,360 Speaker 1: wet forget Yeah, eighteen years okay. 37 00:02:12,320 --> 00:02:15,160 Speaker 2: I didn't realize it had been in eighteen mm hmm. 38 00:02:15,720 --> 00:02:21,080 Speaker 1: Karen, Actually our marriage can vote now, right. Karen got 39 00:02:21,080 --> 00:02:22,600 Speaker 1: me girls from just girls. 40 00:02:22,600 --> 00:02:24,519 Speaker 2: No no, not calls in high school high school. 41 00:02:24,680 --> 00:02:28,200 Speaker 1: Karen got me some flowers and some m and ms, 42 00:02:28,960 --> 00:02:30,880 Speaker 1: and I got her some flowers and some chocolates. So 43 00:02:30,880 --> 00:02:32,239 Speaker 1: it's a lot of flowers in here today. 44 00:02:32,760 --> 00:02:33,960 Speaker 2: We are flower up, ain't we? 45 00:02:34,760 --> 00:02:38,040 Speaker 1: So if it's ain't, if it's any bees, anybody trying 46 00:02:38,080 --> 00:02:40,560 Speaker 1: to pollinate, come through, you know what I'm saying. 47 00:02:40,639 --> 00:02:42,519 Speaker 2: We got you up in here, yes, And it was 48 00:02:42,600 --> 00:02:46,040 Speaker 2: hilarious when I was getting you those flowers. Everybody was like, 49 00:02:46,040 --> 00:02:48,720 Speaker 2: what what is it for? I was like my anniversary 50 00:02:49,280 --> 00:02:52,079 Speaker 2: and they was like, uh, you getting that for a man? 51 00:02:52,120 --> 00:02:54,040 Speaker 2: It was like, men don't get flowers that off. Then 52 00:02:54,040 --> 00:02:55,520 Speaker 2: I said, no, they don't, But I said, I believe 53 00:02:55,520 --> 00:02:58,440 Speaker 2: in giving people their flowers while they're alive. And flowers 54 00:02:58,440 --> 00:03:01,040 Speaker 2: are pretty. You know. I know a lot of people flowers, 55 00:03:01,040 --> 00:03:02,919 Speaker 2: ain't they thame? But flowers is pretty. Look at them 56 00:03:02,919 --> 00:03:03,680 Speaker 2: and watch them down there. 57 00:03:03,720 --> 00:03:09,800 Speaker 1: Gorgeous yeap. So yeah, it's uh, it's a great, great day. 58 00:03:10,160 --> 00:03:13,560 Speaker 1: And unfortunately this year we can't really celebrate by going 59 00:03:13,600 --> 00:03:16,840 Speaker 1: out and doing our normal things. So you know, just 60 00:03:16,840 --> 00:03:20,440 Speaker 1: gotta stay in and and stay safe another day and 61 00:03:21,080 --> 00:03:23,960 Speaker 1: they will, you know, eventually, we will get out there. Yes, 62 00:03:24,320 --> 00:03:28,080 Speaker 1: but what better way to celebrate than with all of 63 00:03:28,120 --> 00:03:31,560 Speaker 1: you and all of the people that love love Craft Country. 64 00:03:31,600 --> 00:03:34,720 Speaker 1: I mean, love is in the name, okay, so, and 65 00:03:34,760 --> 00:03:39,200 Speaker 1: we and caring this country so and we like craft beer. 66 00:03:39,320 --> 00:03:42,320 Speaker 1: So it's all three, all three things that happening at 67 00:03:42,360 --> 00:03:46,120 Speaker 1: the same time before we get into the breakdown. I 68 00:03:46,120 --> 00:03:48,360 Speaker 1: always like to start the same way. This episode is 69 00:03:48,400 --> 00:03:53,160 Speaker 1: called Holy Ghost, third episode of the season, directed by 70 00:03:53,240 --> 00:03:59,480 Speaker 1: Daniels Sakhaim and written by Green Mischa Green, Karen, what 71 00:03:59,520 --> 00:04:00,960 Speaker 1: do you think about this episode in general? 72 00:04:01,840 --> 00:04:08,400 Speaker 2: Oh, it was fun. It was it was out of 73 00:04:08,480 --> 00:04:12,440 Speaker 2: all episodes, you know, my scary level, it was the scariest. 74 00:04:12,920 --> 00:04:17,039 Speaker 2: But it still wasn't like I said, I don't be 75 00:04:17,200 --> 00:04:18,479 Speaker 2: like I said because of who's making it. 76 00:04:18,520 --> 00:04:20,120 Speaker 1: I know we're only going to go but so far. 77 00:04:20,560 --> 00:04:23,560 Speaker 1: So for me, I was like, oh, okay, I could still. 78 00:04:23,400 --> 00:04:27,400 Speaker 2: Deal with this particular level. It wasn't like over the 79 00:04:27,440 --> 00:04:29,320 Speaker 2: top or anything like that. But it's one of them 80 00:04:29,360 --> 00:04:33,400 Speaker 2: things we caught your attention and it was beautifully shocked. 81 00:04:33,440 --> 00:04:37,000 Speaker 1: I would say, like for me, it felt powerful the 82 00:04:37,040 --> 00:04:42,640 Speaker 1: acting and especially like some of the deeper narratives in 83 00:04:42,760 --> 00:04:46,520 Speaker 1: the show, because you know, this show is so packed 84 00:04:46,560 --> 00:04:52,440 Speaker 1: with so many it's almost insulting to call them easter eggs, 85 00:04:52,520 --> 00:04:55,000 Speaker 1: but that's kind of what we call these. But it 86 00:04:55,200 --> 00:04:59,560 Speaker 1: but like they're easter eggs of black history, and so 87 00:05:00,040 --> 00:05:02,719 Speaker 1: it rewards looking up some of this shit. And I 88 00:05:02,760 --> 00:05:04,440 Speaker 1: did go look up some of this stuff, and it 89 00:05:04,520 --> 00:05:07,560 Speaker 1: was like, oh my god. Nothing in this fucking show 90 00:05:07,600 --> 00:05:10,680 Speaker 1: is by accident. And I know because one we didn't 91 00:05:10,720 --> 00:05:13,480 Speaker 1: read the book, and two I don't listen to other 92 00:05:13,520 --> 00:05:16,040 Speaker 1: people's recaps and I don't really read a lot of 93 00:05:16,560 --> 00:05:21,280 Speaker 1: stuff about the show, so I don't necessarily catch everything. 94 00:05:21,520 --> 00:05:24,039 Speaker 1: And that's okay. We're not here to be the people 95 00:05:24,040 --> 00:05:27,080 Speaker 1: that catch every single piece of thing. There's shows. I'm 96 00:05:27,080 --> 00:05:29,320 Speaker 1: sure they did that better than us, but we are 97 00:05:29,360 --> 00:05:33,080 Speaker 1: here to have fun retelling the story and enjoying it. 98 00:05:33,160 --> 00:05:36,800 Speaker 1: But I did find stuff even me like, and I 99 00:05:36,880 --> 00:05:39,000 Speaker 1: was just like, fuck what. And then of course some 100 00:05:39,000 --> 00:05:41,839 Speaker 1: stuff Black Twitter is just like as you're watching it, 101 00:05:41,880 --> 00:05:43,880 Speaker 1: they're just like, did you know this? I'm like, I 102 00:05:43,920 --> 00:05:46,240 Speaker 1: did not pick up on that. I wouldn't have picked 103 00:05:46,320 --> 00:05:49,200 Speaker 1: up on that if I watched this show three million times, 104 00:05:50,000 --> 00:05:53,039 Speaker 1: Like y'all just so smart. Y'all are so smart. It 105 00:05:53,080 --> 00:05:56,159 Speaker 1: was like the Gordon Parks photos in the first episode. 106 00:05:56,600 --> 00:05:59,039 Speaker 1: I did not pick up on that, and they're just 107 00:05:59,080 --> 00:06:02,279 Speaker 1: so fucking smart. Don't have that in my mental reservoir, 108 00:06:02,360 --> 00:06:05,600 Speaker 1: I'm consistent, like, oh I knew to be looking out 109 00:06:05,600 --> 00:06:10,040 Speaker 1: for this iconic moment, but oh my god. Anyway, let's 110 00:06:10,080 --> 00:06:13,279 Speaker 1: get into this episode. We'll get into the breakdown, all right. 111 00:06:14,720 --> 00:06:18,800 Speaker 1: Holy Ghost is name of this episode in which the 112 00:06:18,839 --> 00:06:23,320 Speaker 1: Blacks move into a house. It starts with Letty sitting 113 00:06:23,400 --> 00:06:27,960 Speaker 1: in church not having a very good time. She's like 114 00:06:28,040 --> 00:06:30,800 Speaker 1: me in church, you know, it's like everyone's dancing and shit, 115 00:06:30,800 --> 00:06:32,840 Speaker 1: and you're just like, when is this over? Okay? 116 00:06:33,320 --> 00:06:34,600 Speaker 2: Her mom was not there. 117 00:06:34,720 --> 00:06:37,719 Speaker 1: I want to watch the football game and the pastor 118 00:06:37,800 --> 00:06:39,440 Speaker 1: going on a little too long and all. 119 00:06:39,400 --> 00:06:41,760 Speaker 2: This dancing when you get everybody else. 120 00:06:41,800 --> 00:06:43,680 Speaker 1: You know, you ever had a moment when you're like, 121 00:06:43,720 --> 00:06:45,680 Speaker 1: I should just go to a white church. That's that's 122 00:06:45,680 --> 00:06:49,040 Speaker 1: how it felt like this would have been over. White 123 00:06:49,080 --> 00:06:50,640 Speaker 1: people would have got out of noon. 124 00:06:50,800 --> 00:06:52,680 Speaker 2: Had come go to Olive Garden. 125 00:06:52,800 --> 00:06:54,680 Speaker 1: They could have went to Olive Garden and came home 126 00:06:54,680 --> 00:06:56,680 Speaker 1: and watched the Panthers. You know. That's how she was 127 00:06:56,720 --> 00:06:58,760 Speaker 1: looking in there, and that's I can feel her come on. 128 00:06:59,080 --> 00:07:03,719 Speaker 1: But yeah, I don't think because at first I thought, oh, 129 00:07:03,800 --> 00:07:06,920 Speaker 1: this is George's funeral, but I don't think it was. 130 00:07:07,040 --> 00:07:10,120 Speaker 1: It just like regular church, and they were praise dancing. 131 00:07:10,760 --> 00:07:15,440 Speaker 1: Now George's widow, Hippolyta was upfront dancing and praise dancing. 132 00:07:15,800 --> 00:07:19,880 Speaker 1: But it wasn't like a somber, everyone in black funeral occasion, 133 00:07:20,280 --> 00:07:23,040 Speaker 1: and it didn't look like like they didn't show the casket. 134 00:07:23,680 --> 00:07:27,880 Speaker 1: So it seems like this enough, like enough time is 135 00:07:28,000 --> 00:07:31,720 Speaker 1: passed that it's past the funeral. But that doesn't mean 136 00:07:31,760 --> 00:07:34,440 Speaker 1: that his death doesn't hang over everything. 137 00:07:34,840 --> 00:07:37,960 Speaker 2: That's true, But I've been to funerals like that where 138 00:07:38,160 --> 00:07:40,960 Speaker 2: it's if somebody died, but they still dance. There's like 139 00:07:41,000 --> 00:07:45,520 Speaker 2: a regular functioning service. So it could be they just 140 00:07:45,560 --> 00:07:47,280 Speaker 2: showed that but just didn't show its body. 141 00:07:47,320 --> 00:07:49,760 Speaker 1: Well, I watched it like two and three times to 142 00:07:49,840 --> 00:07:53,440 Speaker 1: see because I was like, that must be the funeral. 143 00:07:53,760 --> 00:07:56,920 Speaker 1: And I was waiting to show the casket to show 144 00:07:56,960 --> 00:07:58,880 Speaker 1: the other people because you know, if they would have 145 00:07:58,880 --> 00:08:01,680 Speaker 1: had the funeral, Montro would have probably been there. You 146 00:08:01,720 --> 00:08:04,960 Speaker 1: know for a fact, Tick would have been there. But 147 00:08:05,240 --> 00:08:06,360 Speaker 1: it wasn't it just. 148 00:08:06,360 --> 00:08:08,440 Speaker 2: Like you looking for something? 149 00:08:08,840 --> 00:08:13,400 Speaker 1: Yeah yeah, and she brings it up later to so 150 00:08:13,400 --> 00:08:15,200 Speaker 1: so the first thing I thought was how much time 151 00:08:15,240 --> 00:08:17,560 Speaker 1: has passed since George died? Cause in my mind. I 152 00:08:17,560 --> 00:08:20,200 Speaker 1: thought we were gonna basically come back more and George 153 00:08:20,920 --> 00:08:23,040 Speaker 1: and see all that, and instead it's been like, no, 154 00:08:23,640 --> 00:08:26,120 Speaker 1: that happened, and now they're trying to recover from that. 155 00:08:27,160 --> 00:08:31,040 Speaker 1: So anyway, during this there's narration from what I assume 156 00:08:31,120 --> 00:08:34,080 Speaker 1: is her mother saying and not even Letty but lay 157 00:08:34,760 --> 00:08:37,040 Speaker 1: as her as a short name for a nickname for her, 158 00:08:37,280 --> 00:08:40,240 Speaker 1: and then asked her about like what has she done 159 00:08:40,240 --> 00:08:42,800 Speaker 1: with her life? And not an appointed way, but in 160 00:08:42,840 --> 00:08:46,840 Speaker 1: like a parental like way of like to guide you 161 00:08:46,880 --> 00:08:49,120 Speaker 1: to say, you know, what have you done with your life? 162 00:08:49,240 --> 00:08:51,560 Speaker 1: Who have you saved? Who are who? What have you 163 00:08:51,640 --> 00:08:54,440 Speaker 1: done it for? Who are you? You know? Who have 164 00:08:55,360 --> 00:08:59,679 Speaker 1: you helped? Who's gonna see you fly, who's gonna help 165 00:08:59,720 --> 00:09:01,920 Speaker 1: you fly? Who's gonna mend your wings when you fall 166 00:09:02,000 --> 00:09:05,120 Speaker 1: down from heaven? And let it go fly? You know. 167 00:09:05,360 --> 00:09:08,640 Speaker 1: So this is the voice that sounds like maybe it's 168 00:09:08,640 --> 00:09:10,720 Speaker 1: her mom or something. We don't know for a fact 169 00:09:10,800 --> 00:09:13,240 Speaker 1: who it is, but it sounds like it could be 170 00:09:13,320 --> 00:09:16,440 Speaker 1: her mom. Now we see later in the show they 171 00:09:16,440 --> 00:09:19,880 Speaker 1: talk about her mom being very selfish, so maybe it 172 00:09:19,960 --> 00:09:24,240 Speaker 1: wasn't her mom, but that was a very encouraging moment. 173 00:09:24,440 --> 00:09:26,280 Speaker 1: And then she was in church and she had a 174 00:09:26,280 --> 00:09:30,160 Speaker 1: tear coming out her eyes, and it was so juxtaposed 175 00:09:30,200 --> 00:09:33,080 Speaker 1: to everyone dancing and praise, worshiping and stuff, and she's 176 00:09:33,120 --> 00:09:36,960 Speaker 1: just sitting and this tear, one like silent glory tear 177 00:09:36,960 --> 00:09:39,559 Speaker 1: coming down her face. It was just like a very 178 00:09:39,600 --> 00:09:45,400 Speaker 1: poignant scene. And then we get like this like overlay 179 00:09:45,440 --> 00:09:50,600 Speaker 1: on the scene where it's like print, you know, just 180 00:09:50,679 --> 00:09:53,640 Speaker 1: like a I don't know, like a black page, and 181 00:09:53,679 --> 00:09:57,560 Speaker 1: then on it it was like in the summer of 182 00:09:57,600 --> 00:10:00,400 Speaker 1: nineteen fifty five, a group of Negro men been moved 183 00:10:00,400 --> 00:10:02,880 Speaker 1: into a house on the North side of Chicago. Ten 184 00:10:02,960 --> 00:10:05,319 Speaker 1: days later, three people went missing inside the house, never 185 00:10:05,360 --> 00:10:10,000 Speaker 1: to be seen again. Pioneering is dangerous, and now I 186 00:10:10,040 --> 00:10:16,720 Speaker 1: was like, oh shit, pioneering three, like these niggas about 187 00:10:16,720 --> 00:10:20,520 Speaker 1: to die. Come on all right, so well the way 188 00:10:20,760 --> 00:10:22,480 Speaker 1: and then the next thing it comes on screen is 189 00:10:22,559 --> 00:10:25,640 Speaker 1: day one. It's all like, don't doom and this is 190 00:10:26,559 --> 00:10:30,079 Speaker 1: this is a very Jordan Peel esque stylistic show. Now 191 00:10:30,120 --> 00:10:33,640 Speaker 1: I don't know that Misha Green, like I want to 192 00:10:33,640 --> 00:10:35,960 Speaker 1: give me Shagreen all the credits, but there's like a 193 00:10:36,040 --> 00:10:40,400 Speaker 1: stylization to like a Jordan Peel like music being so 194 00:10:40,600 --> 00:10:44,319 Speaker 1: heavily involved in so much of the stuff, and even 195 00:10:44,360 --> 00:10:47,440 Speaker 1: that like bold type of like ten days and you know, 196 00:10:47,520 --> 00:10:50,760 Speaker 1: like all of that stuff feels so pill esque, but 197 00:10:52,040 --> 00:10:56,560 Speaker 1: it's just being executed so well. So day one, Letty 198 00:10:56,679 --> 00:11:01,280 Speaker 1: and Ruby the sisters. Now Ruby is the dark skinned 199 00:11:01,360 --> 00:11:04,640 Speaker 1: sister and Letty is a light skinned sister. They don't 200 00:11:04,640 --> 00:11:08,440 Speaker 1: share the same last name, and I don't believe they 201 00:11:08,440 --> 00:11:10,000 Speaker 1: share the same father. I don't. 202 00:11:10,080 --> 00:11:12,520 Speaker 2: Yeah, they don't. They don't sound like the Yeah. 203 00:11:12,559 --> 00:11:15,280 Speaker 1: So they're walking into this. They're walking in a white neighborhood, 204 00:11:15,320 --> 00:11:18,400 Speaker 1: and Ruby is as concerned as you know, all black 205 00:11:18,400 --> 00:11:20,679 Speaker 1: people when walking in a white neighborhood. 206 00:11:20,320 --> 00:11:22,959 Speaker 2: Like, what is we doing here? Why these we around 207 00:11:22,960 --> 00:11:25,920 Speaker 2: these white folks? I don't feel comfortable. Where are you 208 00:11:26,040 --> 00:11:28,960 Speaker 2: leading me? All of the questions, all of the questions. 209 00:11:29,080 --> 00:11:32,840 Speaker 1: And she's so like Letty is just so gung ho 210 00:11:33,000 --> 00:11:35,280 Speaker 1: about the shit. She's like, yeah, come on, And it's 211 00:11:35,280 --> 00:11:38,040 Speaker 1: almost like she's keeping a secret or something like like 212 00:11:38,080 --> 00:11:41,760 Speaker 1: waita show you. This is a surprise. And we know 213 00:11:42,240 --> 00:11:44,640 Speaker 1: from the overlay that this is gonna be about some 214 00:11:44,760 --> 00:11:47,360 Speaker 1: negroes moving into a house. And I was like, oh 215 00:11:47,400 --> 00:11:50,760 Speaker 1: my god, they're about to move into this white neighborhood. 216 00:11:51,800 --> 00:11:56,040 Speaker 1: Now we're talking about a show that has monsters and 217 00:11:56,160 --> 00:12:01,960 Speaker 1: ghosts and wizards and racism. But racism is the thing. 218 00:12:02,559 --> 00:12:05,040 Speaker 2: The racism is the scariest shit. I think I'm more 219 00:12:05,040 --> 00:12:07,959 Speaker 2: afraid of racism than I am or anything else is happening. 220 00:12:08,240 --> 00:12:11,960 Speaker 1: Like being black is living in a horror movie in America, 221 00:12:12,120 --> 00:12:16,000 Speaker 1: and so much of this just that's the thing that 222 00:12:16,040 --> 00:12:18,800 Speaker 1: makes it tense for me. It's not the you know, 223 00:12:18,920 --> 00:12:23,920 Speaker 1: like I've watched scary stuff before, and this isn't necessarily that. 224 00:12:24,000 --> 00:12:26,400 Speaker 1: It doesn't mean there's not chills and frights and stuff. 225 00:12:26,760 --> 00:12:28,680 Speaker 1: But the thing that is scary about the show to 226 00:12:28,760 --> 00:12:33,559 Speaker 1: me is not the ghost. So anyway, she rolls up 227 00:12:33,679 --> 00:12:38,160 Speaker 1: on this house that looks like it came straight out 228 00:12:38,200 --> 00:12:41,880 Speaker 1: of like not even Polter Guy's, like one of them 229 00:12:41,920 --> 00:12:44,360 Speaker 1: movies where white people move into a house because they 230 00:12:44,360 --> 00:12:47,320 Speaker 1: got to steal on the price. Come on those movies, 231 00:12:47,360 --> 00:12:49,880 Speaker 1: the movies that kept coming up when Obama got elected. 232 00:12:50,080 --> 00:12:53,480 Speaker 2: Yes, one of them movies that somebody died and they 233 00:12:53,559 --> 00:12:55,560 Speaker 2: wieled the house to them. But we got to move 234 00:12:55,640 --> 00:12:57,679 Speaker 2: out here because we don't got nowhere else to stay there. 235 00:12:57,760 --> 00:13:01,559 Speaker 2: You know, I looked at their house like like, oh. 236 00:13:01,280 --> 00:13:04,360 Speaker 1: Hell no, like the Haunting of Hillhouse or some shit. 237 00:13:04,559 --> 00:13:07,720 Speaker 1: Come on, let them sounding hill houses right, Like if 238 00:13:07,760 --> 00:13:09,720 Speaker 1: you look at the like if you take a picture 239 00:13:09,760 --> 00:13:12,079 Speaker 1: from outside the house, the front of it looked like 240 00:13:12,080 --> 00:13:13,160 Speaker 1: a face type of house. 241 00:13:13,200 --> 00:13:13,360 Speaker 3: You know. 242 00:13:13,559 --> 00:13:17,720 Speaker 2: Yeah, when you take a picture and you do the proof, 243 00:13:17,760 --> 00:13:19,800 Speaker 2: the old school proof, you put it up and it's 244 00:13:19,840 --> 00:13:22,360 Speaker 2: and it's people like waving back at you in the window, 245 00:13:22,400 --> 00:13:25,480 Speaker 2: and shit, you'd be like take it there right like. 246 00:13:25,640 --> 00:13:28,840 Speaker 1: And the thing is the houses next to it was nice, 247 00:13:29,000 --> 00:13:33,240 Speaker 1: manicure lawns. All this this house looked like it was 248 00:13:33,520 --> 00:13:36,320 Speaker 1: the scene of grizzly murders and come out, who the 249 00:13:36,360 --> 00:13:38,640 Speaker 1: fuck would want to move in here? And meanwhile you 250 00:13:38,640 --> 00:13:42,000 Speaker 1: got Letty presenting the house like tada, look at this Ruby, 251 00:13:42,440 --> 00:13:44,520 Speaker 1: And Ruby's like what what is this about? 252 00:13:44,720 --> 00:13:45,000 Speaker 2: Right? 253 00:13:45,400 --> 00:13:48,920 Speaker 1: This old unkempt lawn and red ass house. And they 254 00:13:48,960 --> 00:13:51,959 Speaker 1: went inside and there was spider webs inside. 255 00:13:51,679 --> 00:13:53,760 Speaker 2: Come on, had been dusted and forever. 256 00:13:53,920 --> 00:13:56,679 Speaker 1: Right, and like spider webs with spiders on them, not 257 00:13:56,760 --> 00:13:59,920 Speaker 1: just spider webs but like grown ass fighters and the 258 00:14:00,120 --> 00:14:01,720 Speaker 1: like what the y'all doing here? 259 00:14:02,520 --> 00:14:05,040 Speaker 2: Like like, uh, why are you moving in our place? 260 00:14:05,080 --> 00:14:06,160 Speaker 2: We pay rent. 261 00:14:06,320 --> 00:14:08,760 Speaker 1: Y'all not gonna knock. This is so rude coming to 262 00:14:08,840 --> 00:14:11,680 Speaker 1: my house. Hello, we racist fighters, Get your black ass 263 00:14:11,679 --> 00:14:13,480 Speaker 1: out of here and everything racist. 264 00:14:13,880 --> 00:14:14,160 Speaker 2: Uh. 265 00:14:14,200 --> 00:14:17,720 Speaker 1: And so then they go inside and she's just like 266 00:14:17,800 --> 00:14:20,080 Speaker 1: talking about the house because you know, it's one of 267 00:14:20,080 --> 00:14:22,880 Speaker 1: those things too, where you see these scenes and movies 268 00:14:22,880 --> 00:14:24,280 Speaker 1: all the time. You see it if you watch the 269 00:14:24,320 --> 00:14:26,960 Speaker 1: Home Network or whatever the shit is called, all these 270 00:14:26,960 --> 00:14:29,280 Speaker 1: people that can like see the potential in the house, 271 00:14:29,320 --> 00:14:30,960 Speaker 1: and it's like, girl, we do this to it. 272 00:14:31,080 --> 00:14:31,800 Speaker 2: We can do the TV. 273 00:14:32,120 --> 00:14:33,920 Speaker 1: Yeah, like, oh, we can make this out of this, 274 00:14:33,960 --> 00:14:35,320 Speaker 1: and we can do this over here, and we just 275 00:14:35,360 --> 00:14:35,960 Speaker 1: clean this up. 276 00:14:36,040 --> 00:14:37,360 Speaker 2: That sounds like a lot of work and a lot 277 00:14:37,400 --> 00:14:37,720 Speaker 2: of money. 278 00:14:37,760 --> 00:14:40,760 Speaker 1: Yeah, it's a fixed rupper. And you're just like, no, 279 00:14:41,000 --> 00:14:44,000 Speaker 1: I rather buy it already fixed up, right, not just that, 280 00:14:44,120 --> 00:14:47,360 Speaker 1: I rather buy it in a place where my neighbors 281 00:14:47,400 --> 00:14:50,800 Speaker 1: don't want to kill me for moving in next to them. 282 00:14:50,960 --> 00:14:54,240 Speaker 2: Hello. So it's one of those things too, where they 283 00:14:54,240 --> 00:14:57,960 Speaker 2: get these houses. They'll be like, yes, I work at 284 00:14:58,080 --> 00:15:04,440 Speaker 2: kmart and my husband he does the gig economy. Uh, 285 00:15:04,520 --> 00:15:07,520 Speaker 2: we have a budget of five million dollars. How how bitch, how. 286 00:15:08,080 --> 00:15:13,160 Speaker 1: Now the thing that I will say too. Is It's 287 00:15:13,240 --> 00:15:17,040 Speaker 1: interesting because at this time, knowing like a little bit 288 00:15:17,080 --> 00:15:22,520 Speaker 1: of you know, the Chicago and this era, literally a 289 00:15:22,640 --> 00:15:27,600 Speaker 1: black family could move in and people would move out immediately, 290 00:15:27,760 --> 00:15:31,600 Speaker 1: like they would move out if they didn't just like 291 00:15:32,160 --> 00:15:34,880 Speaker 1: run the black people out of town, out of the block, 292 00:15:35,280 --> 00:15:37,600 Speaker 1: and not even out of town because it's like Chicago 293 00:15:37,640 --> 00:15:39,960 Speaker 1: the city, but out of where the white people live, 294 00:15:40,480 --> 00:15:43,320 Speaker 1: like you're not allowed to cross this line and live here. 295 00:15:44,560 --> 00:15:47,280 Speaker 1: And at that time, I don't I'm not even sure 296 00:15:47,280 --> 00:15:49,600 Speaker 1: they would have been able to sell, letty a house, 297 00:15:50,320 --> 00:15:52,600 Speaker 1: like to have a black person that could sell a house, 298 00:15:52,840 --> 00:15:55,920 Speaker 1: or have a realtor that would sell a house to 299 00:15:56,040 --> 00:15:59,080 Speaker 1: a black person, or have a black realtor, Like there 300 00:15:59,160 --> 00:16:01,080 Speaker 1: was a lot of shit on it. Just even a 301 00:16:01,120 --> 00:16:03,320 Speaker 1: black real to wouldn't be able to get a house 302 00:16:03,360 --> 00:16:05,920 Speaker 1: in that neighborhood, right, Like ghosts are not the most 303 00:16:05,920 --> 00:16:09,960 Speaker 1: preposterous thing about this episode. It's a black woman buying 304 00:16:10,040 --> 00:16:13,760 Speaker 1: a black woman buying a house in a white neighborhood 305 00:16:13,800 --> 00:16:18,920 Speaker 1: at this time is probably as fucking uh ridiculous as 306 00:16:19,000 --> 00:16:19,640 Speaker 1: anything else. 307 00:16:19,760 --> 00:16:22,680 Speaker 2: Yeah, what's fucked up? This shit still is today, Like 308 00:16:22,760 --> 00:16:28,480 Speaker 2: it's places where they won't even consider telling black people, 309 00:16:28,520 --> 00:16:30,880 Speaker 2: even if they have the budget, that you can get 310 00:16:30,920 --> 00:16:31,800 Speaker 2: access to this name. 311 00:16:31,840 --> 00:16:34,480 Speaker 1: Well, not just that it was illegal, is what I'm saying. 312 00:16:34,520 --> 00:16:37,120 Speaker 1: You could not do it. So it wasn't even just 313 00:16:37,160 --> 00:16:39,480 Speaker 1: a matter of like we don't prefer black people to 314 00:16:39,640 --> 00:16:43,360 Speaker 1: it's like, no, legally, your black ass can't live here. 315 00:16:43,520 --> 00:16:45,920 Speaker 1: So I don't even know how you got this house. 316 00:16:45,960 --> 00:16:48,120 Speaker 1: It's on the documents. How did you get across the 317 00:16:48,200 --> 00:16:50,720 Speaker 1: nine right? Like, oh you got the money? Well they 318 00:16:50,800 --> 00:16:52,760 Speaker 1: must have thought you was a white person, because you're 319 00:16:52,800 --> 00:16:55,400 Speaker 1: not supposed to be able to do this. But yeah, 320 00:16:55,440 --> 00:16:59,400 Speaker 1: so she she had bought she bought this house, and 321 00:16:59,440 --> 00:17:01,800 Speaker 1: of course the first question we all have is where'd 322 00:17:01,760 --> 00:17:05,520 Speaker 1: the money come from? Hello, Letty was broke. Letty was 323 00:17:05,720 --> 00:17:07,879 Speaker 1: her Her whole family don't fuck with her because she 324 00:17:07,960 --> 00:17:10,440 Speaker 1: was broke. They've been sending her money all her life 325 00:17:10,520 --> 00:17:12,320 Speaker 1: and being like and she been lying about what the 326 00:17:12,359 --> 00:17:16,719 Speaker 1: money going to and stuff. So to hers, like, you know, 327 00:17:16,960 --> 00:17:20,199 Speaker 1: to Ruby, she's looking like, how how you how you 328 00:17:20,200 --> 00:17:20,840 Speaker 1: afford this house? 329 00:17:20,920 --> 00:17:23,439 Speaker 2: Right now? I got most Scooby dooe gag questions we 330 00:17:23,520 --> 00:17:26,560 Speaker 2: all at the hunting house were going in here, Why 331 00:17:26,680 --> 00:17:29,000 Speaker 2: is we here? Where did you get that money. Is 332 00:17:29,000 --> 00:17:31,480 Speaker 2: there anybody going to be in the mask? Like the 333 00:17:31,600 --> 00:17:32,840 Speaker 2: Ruby was like I got all. 334 00:17:32,760 --> 00:17:35,199 Speaker 1: Of the questions, and she didn't really explain where she 335 00:17:35,240 --> 00:17:37,120 Speaker 1: got the money from at all. 336 00:17:37,840 --> 00:17:50,960 Speaker 4: Donations, donations, donations, donations, donations, donations. 337 00:17:50,400 --> 00:17:52,480 Speaker 1: Like I don't know. She was like, I'm gonna start 338 00:17:52,600 --> 00:17:54,880 Speaker 1: for I'm gonna start a school for young black boys. 339 00:17:55,200 --> 00:17:58,640 Speaker 1: It's gonna be an abandoned school from Philadelphia, and y'all 340 00:17:58,680 --> 00:17:59,439 Speaker 1: can send your kids here. 341 00:18:00,160 --> 00:18:00,679 Speaker 2: Go fund me. 342 00:18:00,720 --> 00:18:05,680 Speaker 1: It's gonna be on Malcolm X Boulevard, next to next 343 00:18:05,720 --> 00:18:11,639 Speaker 1: to Book Washington the street. Okay, just he meeting me 344 00:18:11,720 --> 00:18:14,760 Speaker 1: at the intersection. But now she was like she didn't 345 00:18:14,800 --> 00:18:17,000 Speaker 1: explain to Ruby where she got the money. But she 346 00:18:17,080 --> 00:18:21,760 Speaker 1: basically says like, look, I got this money. This has 347 00:18:21,840 --> 00:18:24,960 Speaker 1: thirteen rooms in here. It's got a basement. That's not 348 00:18:25,040 --> 00:18:28,320 Speaker 1: counting the basement. I'm gonna make it a boarding house 349 00:18:28,320 --> 00:18:31,400 Speaker 1: for black people so black people can come in here, 350 00:18:31,640 --> 00:18:36,280 Speaker 1: you know, pay rent. Basically, Now, this was extremely popular 351 00:18:36,320 --> 00:18:42,119 Speaker 1: in that era, like especially in Chicago, not necessarily for 352 00:18:42,160 --> 00:18:45,400 Speaker 1: a good reason. It was actually popular before necessity, black 353 00:18:45,440 --> 00:18:48,640 Speaker 1: people weren't making living wages in which sty white white people, 354 00:18:48,640 --> 00:18:51,000 Speaker 1: where white people could have like an apartment or house. 355 00:18:51,440 --> 00:18:54,359 Speaker 1: Black people were making so little for the work that 356 00:18:54,400 --> 00:18:56,800 Speaker 1: they were doing because they were coming from the South 357 00:18:56,800 --> 00:18:59,000 Speaker 1: where they weren't even used to getting paid, or they 358 00:18:59,000 --> 00:19:01,240 Speaker 1: were in sharecropping sitas. They were going to the North 359 00:19:01,240 --> 00:19:03,240 Speaker 1: for a better life, and then they would get these 360 00:19:03,320 --> 00:19:07,639 Speaker 1: jobs and they would under it like companies will basically 361 00:19:07,720 --> 00:19:11,200 Speaker 1: use them to underprice white workers and be like, okay, 362 00:19:11,240 --> 00:19:13,640 Speaker 1: we were using the bus unions and stuff like that. 363 00:19:13,840 --> 00:19:16,159 Speaker 1: We'll just pay the black people less money than we 364 00:19:16,240 --> 00:19:18,440 Speaker 1: pay the white people, and this will make the white 365 00:19:18,440 --> 00:19:21,160 Speaker 1: people have to accept less money in order to stay employed. 366 00:19:21,800 --> 00:19:24,679 Speaker 1: But that also meant black people weren't making enough money 367 00:19:25,080 --> 00:19:27,880 Speaker 1: to you know, to live and yeah, and. 368 00:19:27,840 --> 00:19:29,720 Speaker 2: The white people are like, you caused my wages to 369 00:19:29,760 --> 00:19:30,639 Speaker 2: go down, right. 370 00:19:30,520 --> 00:19:33,719 Speaker 1: And the reality was black women and black men had 371 00:19:33,760 --> 00:19:35,399 Speaker 1: to have jobs. There weren't a lot of people that 372 00:19:35,400 --> 00:19:39,280 Speaker 1: could just like this, this idea of the patriarchal man 373 00:19:39,320 --> 00:19:41,200 Speaker 1: who brings home the bacon and a woman that cleans 374 00:19:41,200 --> 00:19:43,919 Speaker 1: the house, that was not really a reality for a 375 00:19:43,920 --> 00:19:46,879 Speaker 1: lot of black For a lot of black people, a 376 00:19:46,880 --> 00:19:49,040 Speaker 1: lot of black women end up doing domestic labor and 377 00:19:49,080 --> 00:19:52,240 Speaker 1: people's houses and stuff like that. Work in factories, take 378 00:19:52,400 --> 00:19:55,159 Speaker 1: their own home, right, So this is a big you know, 379 00:19:55,760 --> 00:19:59,639 Speaker 1: so this boarding culture was pretty big, you know. Now. 380 00:19:59,680 --> 00:20:01,720 Speaker 1: What I liked about this is that I've never really 381 00:20:01,760 --> 00:20:04,680 Speaker 1: got to see it in a joyous portrayal before. It's 382 00:20:04,720 --> 00:20:06,800 Speaker 1: normally in like a very sad like this is the 383 00:20:06,800 --> 00:20:11,000 Speaker 1: ghetto the worst, and this one felt more like, oh no, 384 00:20:11,119 --> 00:20:14,639 Speaker 1: these are young black people, enterprising black people that are 385 00:20:14,680 --> 00:20:16,960 Speaker 1: trying to find a way. You know, our ancestors weren't 386 00:20:16,960 --> 00:20:19,160 Speaker 1: all just fucking sad, somber people all day. 387 00:20:19,280 --> 00:20:22,240 Speaker 2: Everything about our lives ain't no nobody knows the trouble. 388 00:20:21,920 --> 00:20:26,280 Speaker 1: I've seen, right, And so Ruby was like, Okay, yeah, 389 00:20:26,320 --> 00:20:27,760 Speaker 1: that's cool. I hear what you're trying to do. But 390 00:20:28,560 --> 00:20:31,800 Speaker 1: didn't they just almost have a riot last year when 391 00:20:31,840 --> 00:20:35,600 Speaker 1: a black woman, a black family moved in into an 392 00:20:35,640 --> 00:20:40,399 Speaker 1: all white building. And that's true too, that really happened. 393 00:20:40,440 --> 00:20:44,040 Speaker 1: I can't remember if I read that in I don't 394 00:20:44,080 --> 00:20:46,360 Speaker 1: remember if I read that in want of other sons 395 00:20:46,520 --> 00:20:49,360 Speaker 1: or something else. But that's a real story, Like they 396 00:20:49,359 --> 00:20:53,920 Speaker 1: had to have like like seven hundred police officers watched 397 00:20:53,960 --> 00:20:57,840 Speaker 1: this woman's house overnight because she was light skinned and 398 00:20:57,880 --> 00:21:00,000 Speaker 1: they thought she was white. When they sold her the house, 399 00:21:00,440 --> 00:21:04,199 Speaker 1: then they found out she was black, and yeah, you 400 00:21:04,240 --> 00:21:07,920 Speaker 1: know it did. The white people was like, you got 401 00:21:07,920 --> 00:21:09,800 Speaker 1: to fucking go and the police had to come out 402 00:21:09,800 --> 00:21:13,720 Speaker 1: there and watch her house overnight. Like that's like, that's 403 00:21:13,760 --> 00:21:16,639 Speaker 1: how fucking violent white people were that They was like, 404 00:21:16,720 --> 00:21:18,679 Speaker 1: we need to spend the whole police force just to 405 00:21:18,680 --> 00:21:24,400 Speaker 1: protect this one family from these white folks. So, but 406 00:21:24,400 --> 00:21:27,040 Speaker 1: but we the animals, okay, right, And that's why I say, 407 00:21:27,080 --> 00:21:29,639 Speaker 1: light skinned people still black. Okay, I'm not going to 408 00:21:29,800 --> 00:21:32,280 Speaker 1: join the colorism wars me either and kick them out 409 00:21:32,280 --> 00:21:33,200 Speaker 1: of blackness. I'm sorry. 410 00:21:33,320 --> 00:21:35,280 Speaker 2: Nope, they are still bad. 411 00:21:35,560 --> 00:21:37,400 Speaker 1: Tell that to the white man. Soon as they found 412 00:21:37,400 --> 00:21:39,520 Speaker 1: out it's one dropping and they'd be ready to kill somebody. 413 00:21:39,520 --> 00:21:42,639 Speaker 1: And that looks a lot like the regular racism we 414 00:21:42,680 --> 00:21:47,800 Speaker 1: all go through. Come on, like, and it's even funnier 415 00:21:47,840 --> 00:21:51,240 Speaker 1: because it's like the colorism and the proximity the whiteness 416 00:21:51,280 --> 00:21:53,480 Speaker 1: didn't make them any safer. It made it was much 417 00:21:53,480 --> 00:21:57,040 Speaker 1: more dangerous for them being that close to those motherfuckers. 418 00:21:57,119 --> 00:22:00,320 Speaker 2: Yeah, because they get mistaken, is the problem. 419 00:22:00,560 --> 00:22:05,520 Speaker 1: Uh So, then Letty finally relents and says like, I mean, 420 00:22:05,600 --> 00:22:09,080 Speaker 1: Letty pushes down on this to Ruby and says, hey, 421 00:22:10,600 --> 00:22:12,960 Speaker 1: this will be our chance to finally really be sisters, 422 00:22:13,480 --> 00:22:15,679 Speaker 1: you know, and you've always like when they came in there, 423 00:22:15,720 --> 00:22:17,600 Speaker 1: it was so funny because when they were coming in 424 00:22:17,640 --> 00:22:21,000 Speaker 1: the house, she was like telling Ruby like all the 425 00:22:21,040 --> 00:22:23,919 Speaker 1: times who gave her money and stuff, and how she 426 00:22:24,080 --> 00:22:28,200 Speaker 1: owed her money in her mind, right, and I think 427 00:22:28,240 --> 00:22:30,919 Speaker 1: that that guilt. It's almost like, if I'm about to 428 00:22:30,920 --> 00:22:32,840 Speaker 1: show you my new Jordan's, I have to bring up 429 00:22:32,880 --> 00:22:35,400 Speaker 1: the fact that you you can't enjoy my new Jordan's doing. 430 00:22:35,440 --> 00:22:37,399 Speaker 1: I owe you money, you know, if I if you, 431 00:22:37,600 --> 00:22:39,159 Speaker 1: if I owe you one hundred dollars, I'm about to 432 00:22:39,160 --> 00:22:41,399 Speaker 1: show you some one hundred and fifty dollars sneakers, you 433 00:22:41,480 --> 00:22:45,880 Speaker 1: can't really be happy for me. And so what her 434 00:22:46,760 --> 00:22:50,520 Speaker 1: idea was, look, we will have you move in with 435 00:22:50,800 --> 00:22:54,960 Speaker 1: me and we'll run this we'll run a boarding house 436 00:22:55,119 --> 00:22:59,040 Speaker 1: and we'll use you know, like we'll be sisters finally, 437 00:22:59,240 --> 00:23:03,520 Speaker 1: like we'll finally get to live that life. And Ruby 438 00:23:04,040 --> 00:23:06,359 Speaker 1: does relent after a while. It says, well, I'm taking 439 00:23:06,359 --> 00:23:10,960 Speaker 1: the biggest room. Then Letty tries to show the elevator, 440 00:23:10,960 --> 00:23:12,200 Speaker 1: but we get like a yeah. 441 00:23:12,240 --> 00:23:14,560 Speaker 2: And also it's one of those things where Ruby was 442 00:23:14,600 --> 00:23:17,080 Speaker 2: also telling her about, you know, things that she had 443 00:23:17,119 --> 00:23:19,080 Speaker 2: planned on doing. She was like, well, you know, I 444 00:23:19,119 --> 00:23:21,400 Speaker 2: got these other offers. You know, she was thinking about 445 00:23:21,440 --> 00:23:25,119 Speaker 2: moving and shit like that. So Letty had to pitch 446 00:23:25,200 --> 00:23:27,760 Speaker 2: really hard because this was like just don't sound right. 447 00:23:28,080 --> 00:23:31,000 Speaker 1: Well, Ruby wants to get a job at Marshall Fields, 448 00:23:31,040 --> 00:23:36,240 Speaker 1: which is a uh, like what do you call like 449 00:23:36,280 --> 00:23:40,720 Speaker 1: a I'm trying to think of a good storestead are Marshall's, 450 00:23:40,760 --> 00:23:42,879 Speaker 1: but you know, like like back in the day when 451 00:23:42,920 --> 00:23:45,760 Speaker 1: you had like these stores like Belk or whatever, you 452 00:23:45,840 --> 00:23:46,080 Speaker 1: used to. 453 00:23:46,080 --> 00:23:47,240 Speaker 2: Be in a department store. 454 00:23:47,520 --> 00:23:49,199 Speaker 1: Yeah, So she wants to get a job like that, 455 00:23:49,280 --> 00:23:52,359 Speaker 1: and that is like at that time, that's a really 456 00:23:52,359 --> 00:23:54,800 Speaker 1: good job for a black women. One, they don't hire 457 00:23:54,800 --> 00:23:59,199 Speaker 1: a lot of black women. Two, Like you're working in 458 00:23:59,240 --> 00:24:02,639 Speaker 1: a mark in a U in a department store, maybe 459 00:24:02,640 --> 00:24:07,120 Speaker 1: doing makeup perfume sales or something like that, and it's 460 00:24:07,160 --> 00:24:09,720 Speaker 1: fart with different types of danger. But that's like a 461 00:24:09,760 --> 00:24:12,640 Speaker 1: good job as opposed to going in white people's houses 462 00:24:12,640 --> 00:24:15,639 Speaker 1: and cleaning their toilets and bathrooms and shit or you 463 00:24:15,680 --> 00:24:18,080 Speaker 1: know what, like the other dangers that women have to 464 00:24:18,119 --> 00:24:20,560 Speaker 1: deal with in these in these domestic situations. 465 00:24:20,560 --> 00:24:20,800 Speaker 2: Hello. 466 00:24:21,400 --> 00:24:25,119 Speaker 1: So uh, she's like still trying to get that job. 467 00:24:25,200 --> 00:24:28,120 Speaker 1: And she in the episode one I remember she had 468 00:24:28,119 --> 00:24:30,240 Speaker 1: even suggested that Letty would be trying to look for 469 00:24:30,280 --> 00:24:32,840 Speaker 1: that type of job, you know, and Letty was like, 470 00:24:32,920 --> 00:24:35,680 Speaker 1: I won't be doing a domestic job, but she was 471 00:24:35,720 --> 00:24:38,399 Speaker 1: willing to say she would look for this type of 472 00:24:38,440 --> 00:24:42,359 Speaker 1: work anyway, So it was very aspirational at that time. 473 00:24:43,240 --> 00:24:46,879 Speaker 1: At any rate, Ruby uh does agree to take the 474 00:24:46,920 --> 00:24:47,560 Speaker 1: biggest room. 475 00:24:48,240 --> 00:24:48,400 Speaker 2: Uh. 476 00:24:48,960 --> 00:24:50,280 Speaker 1: Such a big sister thing to do. 477 00:24:51,200 --> 00:24:51,400 Speaker 2: Uh. 478 00:24:51,440 --> 00:24:54,080 Speaker 1: And then Letty h tries to show the elevator, but 479 00:24:54,119 --> 00:24:56,159 Speaker 1: the elevator is broken and it leads to like a 480 00:24:56,240 --> 00:24:59,399 Speaker 1: quick cheap scare of the elevator coming down the shaft 481 00:24:59,400 --> 00:25:01,800 Speaker 1: and they could have like fucked ruby head up when 482 00:25:01,880 --> 00:25:05,080 Speaker 1: she looked in the shaft, but she jumped back and 483 00:25:05,119 --> 00:25:07,399 Speaker 1: she's like well, and then she wasn't even deterred. She's like, oh, 484 00:25:07,400 --> 00:25:10,359 Speaker 1: we'll get that fix. I'm like, what only in the 485 00:25:10,440 --> 00:25:14,760 Speaker 1: fucking only on TV? Yes, we'll get that fixed, Like yep, 486 00:25:14,840 --> 00:25:19,240 Speaker 1: so when we don't live here no more, Hippolyta. Meanwhile, 487 00:25:19,240 --> 00:25:22,719 Speaker 1: it's getting her face together in the mirror while Dee 488 00:25:23,600 --> 00:25:26,640 Speaker 1: calls her down to breakfast, and Tick is the one 489 00:25:26,680 --> 00:25:30,359 Speaker 1: cooking breakfast. So once again we know that some time 490 00:25:30,400 --> 00:25:33,359 Speaker 1: has passed since George has passed, and it seems like 491 00:25:33,440 --> 00:25:37,040 Speaker 1: Tick has been really staying and helping around the house 492 00:25:37,240 --> 00:25:40,680 Speaker 1: and trying to fill in for, you know, George missing, 493 00:25:40,880 --> 00:25:46,439 Speaker 1: and I assume Tick feels guilty. Yes, they ended the 494 00:25:46,520 --> 00:25:49,040 Speaker 1: last episode with him saying I'm sorry, Uncle George. I'm sorry, 495 00:25:49,119 --> 00:25:53,080 Speaker 1: Uncle George, as George lay dead in the backseat of Woody, 496 00:25:53,240 --> 00:25:56,119 Speaker 1: So you know, it kind of would make sense that 497 00:25:57,200 --> 00:25:59,359 Speaker 1: he'd be helping out and doing all the stuff just 498 00:25:59,400 --> 00:26:04,120 Speaker 1: out of pure yelped so and we still don't know 499 00:26:05,240 --> 00:26:11,600 Speaker 1: how much they've told Hippolyta and d about this. So Hippolyta, 500 00:26:11,880 --> 00:26:14,639 Speaker 1: after she does beats her face to the gods in 501 00:26:14,680 --> 00:26:22,280 Speaker 1: the mirror in nineteen thirty fashion, she takes brown Stroker 502 00:26:22,680 --> 00:26:27,359 Speaker 1: brown Stoker's Dracula, the book that George quoted when he 503 00:26:27,440 --> 00:26:30,240 Speaker 1: was talking about the vampires the show goth Soon He's like, 504 00:26:32,359 --> 00:26:36,240 Speaker 1: he so that we know that's one of his favorite books. 505 00:26:36,440 --> 00:26:38,360 Speaker 1: So she takes the book out of a drawer and 506 00:26:38,440 --> 00:26:41,040 Speaker 1: just rips pages out slowly. 507 00:26:40,960 --> 00:26:44,280 Speaker 2: Like she just gazing straight right like without I was 508 00:26:44,320 --> 00:26:44,840 Speaker 2: like she's. 509 00:26:44,680 --> 00:26:48,560 Speaker 1: Not okay, emotionless and like it made me feel like 510 00:26:48,960 --> 00:26:51,040 Speaker 1: she's doing that instead of crying. 511 00:26:51,880 --> 00:26:55,080 Speaker 2: Yes, yes, she's like I have cried enough. And it 512 00:26:55,160 --> 00:26:59,760 Speaker 2: made me wonder if she's mad at George. Yeah, believing 513 00:26:59,800 --> 00:27:02,400 Speaker 2: her to a certain extent, you know, because he did 514 00:27:02,480 --> 00:27:06,280 Speaker 2: keep going out there and he never took her out and. 515 00:27:06,160 --> 00:27:09,120 Speaker 1: Now he's gone. And I'm sure she's just angry in general, 516 00:27:09,440 --> 00:27:12,640 Speaker 1: and uh, you know, takes around the house, but it's 517 00:27:12,680 --> 00:27:16,760 Speaker 1: not like having a husband, you know. And I know 518 00:27:16,880 --> 00:27:19,240 Speaker 1: that she never really got to It seems she never 519 00:27:19,280 --> 00:27:21,639 Speaker 1: really got to go out and be on the road 520 00:27:21,760 --> 00:27:25,840 Speaker 1: and and all that stuff. So maybe she's resentful possibility, 521 00:27:25,960 --> 00:27:29,639 Speaker 1: you know, at her mind, she should have been there, so, 522 00:27:29,880 --> 00:27:32,000 Speaker 1: you know, because like I lost my husband and I 523 00:27:32,000 --> 00:27:34,159 Speaker 1: didn't even get to see how he died. Yeah, or 524 00:27:34,200 --> 00:27:36,679 Speaker 1: maybe she's just doing it to keep from crying. I 525 00:27:36,680 --> 00:27:40,680 Speaker 1: don't know, but it just made me think those things. Yeah, 526 00:27:40,680 --> 00:27:43,040 Speaker 1: I have no proof of any of that just made 527 00:27:43,080 --> 00:27:46,960 Speaker 1: me think about it. So then she goes down stairs 528 00:27:47,280 --> 00:27:56,320 Speaker 1: and to the kitchen and d is setting up the table. 529 00:27:56,440 --> 00:27:59,680 Speaker 1: She pauses for a moment, looking at the play settings 530 00:27:59,680 --> 00:28:02,040 Speaker 1: on tape. Were probably thinking about her father, no longer 531 00:28:02,080 --> 00:28:02,560 Speaker 1: being there. 532 00:28:02,640 --> 00:28:04,800 Speaker 2: Yeah, because if you know, it's basically the table to 533 00:28:04,800 --> 00:28:06,400 Speaker 2: set up for four, and she had set up three 534 00:28:06,400 --> 00:28:08,480 Speaker 2: and she was literally about to put a full flight down. 535 00:28:08,720 --> 00:28:10,679 Speaker 1: Yeah. Then we get some like awkward moments in the 536 00:28:10,720 --> 00:28:13,919 Speaker 1: kitchen because it takes presents because he's not George like 537 00:28:14,200 --> 00:28:17,000 Speaker 1: he's been making. He had a coffee boiling for They 538 00:28:17,040 --> 00:28:18,879 Speaker 1: go to get the coffee in the and the eggs 539 00:28:18,880 --> 00:28:22,200 Speaker 1: at the same time, and he's all up in their space, 540 00:28:22,359 --> 00:28:27,840 Speaker 1: you know, and she h. He put the car, he 541 00:28:27,880 --> 00:28:30,320 Speaker 1: put the cup for the coffee out to drive to 542 00:28:30,440 --> 00:28:32,919 Speaker 1: watching it, but he put it up right side up 543 00:28:32,960 --> 00:28:35,679 Speaker 1: instead of the way George normally does it, which is 544 00:28:36,080 --> 00:28:40,880 Speaker 1: right side upside down properly. Yeah, right, so you know, 545 00:28:41,480 --> 00:28:43,880 Speaker 1: And then she was there was some revisions to the 546 00:28:43,880 --> 00:28:46,160 Speaker 1: God Book that they had to send to the printer, 547 00:28:46,480 --> 00:28:49,440 Speaker 1: and she was she was she's been missing the deadline 548 00:28:49,480 --> 00:28:52,760 Speaker 1: on it. And he's like, yeah, understandably, so no problem. 549 00:28:53,120 --> 00:28:54,920 Speaker 1: And she was like, okay, well, I'm gonna go work 550 00:28:55,000 --> 00:28:56,320 Speaker 1: on that right now, and he was like, no, I 551 00:28:56,360 --> 00:28:58,320 Speaker 1: already send it overnight. She was like, but I didn't 552 00:28:58,360 --> 00:29:01,200 Speaker 1: even get to approve it. He's like, it's okay. You know, 553 00:29:02,000 --> 00:29:04,320 Speaker 1: I looked at the notes and it was good, you know, 554 00:29:04,560 --> 00:29:07,000 Speaker 1: good enough or whatever. So you know, it's just kind 555 00:29:07,000 --> 00:29:08,880 Speaker 1: of one of those things where this person's in your space, 556 00:29:08,960 --> 00:29:11,560 Speaker 1: even if they're meaning well, you get started getting on 557 00:29:11,600 --> 00:29:14,240 Speaker 1: each other's nerves. And it must have been long enough 558 00:29:14,440 --> 00:29:17,760 Speaker 1: now to get to nerve getting on time, you know, 559 00:29:18,360 --> 00:29:22,400 Speaker 1: like it's not day one or two where she's completely broken. 560 00:29:22,400 --> 00:29:24,000 Speaker 1: It's like, I want to go back to my life 561 00:29:24,480 --> 00:29:26,560 Speaker 1: and rebuild some of this stuff. And now you kind 562 00:29:26,560 --> 00:29:27,040 Speaker 1: of in a way. 563 00:29:27,320 --> 00:29:32,520 Speaker 2: Yeah, And it's also one of those things where she's like, well, 564 00:29:33,000 --> 00:29:36,200 Speaker 2: this book falls on me now, and so these are 565 00:29:36,280 --> 00:29:37,880 Speaker 2: things that I'm going to have to do. And it 566 00:29:38,000 --> 00:29:40,000 Speaker 2: was like, how dare you do this? And you didn't 567 00:29:40,000 --> 00:29:40,600 Speaker 2: consult me? 568 00:29:41,560 --> 00:29:43,760 Speaker 1: Yeah, it's not the same like and he thinks he's 569 00:29:43,760 --> 00:29:46,680 Speaker 1: trying to help. Oh, so it wasn't like, you know, 570 00:29:46,880 --> 00:29:48,719 Speaker 1: this nigga's trying to destroy me, but it was just 571 00:29:48,800 --> 00:29:54,880 Speaker 1: more of a like okay, like huh, you know. And 572 00:29:54,960 --> 00:29:59,480 Speaker 1: so they also de asked can they go look for 573 00:29:59,560 --> 00:30:04,320 Speaker 1: robots robot parts in the junk yard turn tick and 574 00:30:05,720 --> 00:30:10,240 Speaker 1: Pig is like, not tonight, I'm not gonna be here tonight. 575 00:30:10,640 --> 00:30:12,240 Speaker 1: She was like, but you've been staying over for weeks, 576 00:30:12,280 --> 00:30:14,560 Speaker 1: and he was like, I know, but I got something 577 00:30:14,600 --> 00:30:17,440 Speaker 1: I gotta do. And you can kind of see that 578 00:30:18,360 --> 00:30:21,880 Speaker 1: Hippolyta is looking like she's not making eye contact with 579 00:30:22,000 --> 00:30:27,760 Speaker 1: Tick and he's kind of looking at her and he's 580 00:30:27,800 --> 00:30:31,760 Speaker 1: going out as welcome. So then Tik goes to see 581 00:30:31,800 --> 00:30:35,560 Speaker 1: his dad over a Mont Charles's place. He goes to 582 00:30:35,640 --> 00:30:40,320 Speaker 1: his dad's house and we see the picture of his 583 00:30:40,400 --> 00:30:44,840 Speaker 1: mom and the count of Minde Crisco Christo Minde Christo 584 00:30:44,960 --> 00:30:48,400 Speaker 1: book again because they just keep this. It's like, do 585 00:30:48,520 --> 00:30:50,160 Speaker 1: you read any of the books? I feel like his 586 00:30:50,280 --> 00:30:51,240 Speaker 1: dad got one book? 587 00:30:52,520 --> 00:30:52,840 Speaker 2: The book. 588 00:30:52,880 --> 00:30:55,000 Speaker 1: It's like my dad in the movie's sling Blade, Like 589 00:30:55,040 --> 00:30:58,280 Speaker 1: he just loved dad movie. It's like it's other movies 590 00:30:58,280 --> 00:31:01,040 Speaker 1: out there, Dad, I think I've seen him. Yeah, it's 591 00:31:01,040 --> 00:31:04,080 Speaker 1: a great movie, but it's like there's other movies you 592 00:31:04,120 --> 00:31:04,800 Speaker 1: know that are good. 593 00:31:04,880 --> 00:31:05,320 Speaker 2: I don't care. 594 00:31:05,760 --> 00:31:08,640 Speaker 1: No, he just want to watch swing Blade and so 595 00:31:09,880 --> 00:31:13,680 Speaker 1: h it's like, uh, he's you know, his dad is 596 00:31:13,760 --> 00:31:18,320 Speaker 1: having a dream that it's almost like he's talking in sleep. 597 00:31:18,400 --> 00:31:21,200 Speaker 1: Now we know his dad is an alcoholic, so maybe 598 00:31:21,200 --> 00:31:25,560 Speaker 1: it's a drunken stupor type thing. But Tick goes and 599 00:31:25,800 --> 00:31:28,960 Speaker 1: pours water on him, like glass of water and splashes 600 00:31:28,960 --> 00:31:33,480 Speaker 1: it on him and it wakes him up and he's 601 00:31:33,480 --> 00:31:37,280 Speaker 1: not even mad, which makes me think, like how often 602 00:31:37,320 --> 00:31:39,040 Speaker 1: has that had to happen? That he had to be 603 00:31:39,080 --> 00:31:40,240 Speaker 1: walking up that way. 604 00:31:40,520 --> 00:31:44,000 Speaker 2: A lot, a lot. I think Tick has probably been 605 00:31:44,000 --> 00:31:47,080 Speaker 2: doing that since he's been a child. Uh, you know, 606 00:31:47,080 --> 00:31:49,560 Speaker 2: because he knew his routine, he knew his favorite bars, 607 00:31:49,600 --> 00:31:52,040 Speaker 2: like like this is this is something where they've had 608 00:31:52,040 --> 00:31:53,760 Speaker 2: to go look for him and find him and they 609 00:31:53,800 --> 00:31:56,520 Speaker 2: probably have found him all over the city or and 610 00:31:56,600 --> 00:31:59,120 Speaker 2: things like that. So you know a lot of people 611 00:31:59,200 --> 00:32:01,200 Speaker 2: that have had to deal with situations like this like that. 612 00:32:01,200 --> 00:32:03,560 Speaker 2: That's not the first time. So it's one of those. 613 00:32:03,440 --> 00:32:06,480 Speaker 1: Things where you just go what it is, what it is, right, 614 00:32:06,800 --> 00:32:09,120 Speaker 1: like this is because he, like I said, he didn't 615 00:32:09,160 --> 00:32:11,280 Speaker 1: and we know that this was an abusive situation. You know, 616 00:32:11,320 --> 00:32:13,160 Speaker 1: he had the fist fight his daddy at one point, 617 00:32:13,760 --> 00:32:16,280 Speaker 1: but he didn't want to fight. He just woke up 618 00:32:16,440 --> 00:32:19,320 Speaker 1: and he was like, you was dreaming again and apparently 619 00:32:19,320 --> 00:32:22,680 Speaker 1: it is a recurring dream or nightmare, and he said 620 00:32:22,680 --> 00:32:26,440 Speaker 1: he was dreaming about the riots and his uncle George's 621 00:32:26,440 --> 00:32:29,360 Speaker 1: favorite story to tell now as soon he's talking about 622 00:32:29,400 --> 00:32:33,800 Speaker 1: the riots of Tulsa where because they brought up that 623 00:32:34,120 --> 00:32:42,360 Speaker 1: earlier where last episode George was talking to Tick's dead mom, 624 00:32:42,520 --> 00:32:45,000 Speaker 1: ghost or whatever, and she's just talking about, you know, 625 00:32:45,080 --> 00:32:47,840 Speaker 1: remember back in Tulsa before you know, before the white 626 00:32:47,880 --> 00:32:50,920 Speaker 1: people came whatever. So it sounds like maybe they survived 627 00:32:50,920 --> 00:32:55,840 Speaker 1: the Tulsa Riots. And the story that Tick remembered that 628 00:32:55,920 --> 00:32:58,200 Speaker 1: George tells is that there was a stranger who came 629 00:32:58,280 --> 00:33:01,040 Speaker 1: with a bat and basically starting knocking white people outside 630 00:33:01,040 --> 00:33:07,880 Speaker 1: the head. And he even said that line from Tick's dream, 631 00:33:08,440 --> 00:33:13,760 Speaker 1: which was I got your kid, which is what Jackie 632 00:33:13,840 --> 00:33:17,200 Speaker 1: Robinson said and takes dream in the first episode. So 633 00:33:17,960 --> 00:33:22,280 Speaker 1: this dream that Tick had is from all the retellings 634 00:33:22,320 --> 00:33:27,080 Speaker 1: that Uncle George did of this story. It's infiltrated, even 635 00:33:27,120 --> 00:33:30,560 Speaker 1: takes dreams of it. Now, I assume that's gotta be 636 00:33:30,680 --> 00:33:33,360 Speaker 1: some type of through line, because I mean, yeah, you. 637 00:33:33,320 --> 00:33:36,360 Speaker 2: Know, connections with their relationships and things like that, and 638 00:33:36,680 --> 00:33:39,880 Speaker 2: you know possibility, you know, with his brother dying, you know, 639 00:33:40,000 --> 00:33:43,680 Speaker 2: that might been like a connection you know, with him 640 00:33:43,720 --> 00:33:44,520 Speaker 2: dealing with the death. 641 00:33:45,080 --> 00:33:48,000 Speaker 1: Yeah, and I wonder just like what more like, who 642 00:33:48,120 --> 00:33:50,720 Speaker 1: was that person is that person somebody special is that, 643 00:33:51,400 --> 00:33:56,080 Speaker 1: you know? But yeah, so he basically asked can he 644 00:33:56,640 --> 00:34:03,440 Speaker 1: stay over and and Mantros said. 645 00:34:03,320 --> 00:34:06,000 Speaker 2: Yeah, yeah, well he hit him with that old black 646 00:34:06,040 --> 00:34:10,880 Speaker 2: man speak that Grinton and yeah. 647 00:34:09,920 --> 00:34:12,759 Speaker 1: Yeah, it's kind of that. Michael k is so good 648 00:34:12,800 --> 00:34:15,200 Speaker 1: as an active but it's kind of that yeah, well, 649 00:34:15,280 --> 00:34:17,400 Speaker 1: you don't know if it's yeah I heard what you said, 650 00:34:17,520 --> 00:34:19,200 Speaker 1: or yeah you can stay here for a couple of days. 651 00:34:19,400 --> 00:34:20,320 Speaker 2: It's so confusing. 652 00:34:20,680 --> 00:34:22,719 Speaker 1: The last time I watched it, I settled on he 653 00:34:22,880 --> 00:34:26,120 Speaker 1: was saying he could stay with him, but even still 654 00:34:26,600 --> 00:34:31,520 Speaker 1: like it didn't feel very committal. And so he says, 655 00:34:31,600 --> 00:34:33,640 Speaker 1: you know, we could have used that stranger, you know, 656 00:34:33,680 --> 00:34:35,800 Speaker 1: the one that saved them in the riots up in Ardum, 657 00:34:36,440 --> 00:34:39,360 Speaker 1: which is where the house collapsed and all that stuff, 658 00:34:39,800 --> 00:34:47,000 Speaker 1: and Tick is like, you know, I feel like it's 659 00:34:47,040 --> 00:34:50,120 Speaker 1: not right that we didn't tell, you know, because the 660 00:34:50,800 --> 00:34:53,920 Speaker 1: d and Hippolyta don't really know what happened to George. 661 00:34:54,120 --> 00:34:58,160 Speaker 1: And Montross is like, yes, they do know. The sheriff 662 00:34:58,160 --> 00:35:02,440 Speaker 1: shot him and that's it. That's the story. 663 00:35:02,600 --> 00:35:05,600 Speaker 2: And like no, he was like it don't feel because 664 00:35:05,600 --> 00:35:07,520 Speaker 2: he's been there with them. He was like, no, I've 665 00:35:07,520 --> 00:35:09,879 Speaker 2: watched them wann and go through the like they need 666 00:35:09,920 --> 00:35:10,760 Speaker 2: to know the truth. 667 00:35:10,880 --> 00:35:13,560 Speaker 1: Well, the thing I keep thinking is do they really 668 00:35:13,560 --> 00:35:16,080 Speaker 1: need to know the truth or is Tick so guilt 669 00:35:16,200 --> 00:35:20,920 Speaker 1: ridden that eventually you do suspect something's up. You know, 670 00:35:21,000 --> 00:35:22,280 Speaker 1: it's like it's somebody. 671 00:35:22,000 --> 00:35:23,440 Speaker 2: Because he hung around so long. 672 00:35:23,880 --> 00:35:26,840 Speaker 1: Yeah, you have a guilty conscience and you're constantly it's like, 673 00:35:26,880 --> 00:35:29,800 Speaker 1: what are you hiding? Why? Like it wasn't your fault. 674 00:35:30,000 --> 00:35:32,799 Speaker 1: You took care of this thing for us. Why what 675 00:35:32,920 --> 00:35:35,279 Speaker 1: extra is there to this? You know, I don't think 676 00:35:35,320 --> 00:35:38,840 Speaker 1: she knows. I just think she knows that how. I 677 00:35:38,880 --> 00:35:43,080 Speaker 1: think it's from him, from Tick that she knows something's up. Right. 678 00:35:43,239 --> 00:35:45,160 Speaker 2: She was like, it don't feel right. You've been just 679 00:35:45,239 --> 00:35:48,520 Speaker 2: hanging around. Something is wrong. It's something y'all not telling me. 680 00:35:48,800 --> 00:35:50,680 Speaker 1: Yeah, And I don't even think it's like the length 681 00:35:50,719 --> 00:35:53,279 Speaker 1: of time he's hanging around, but maybe like all the 682 00:35:53,320 --> 00:35:56,719 Speaker 1: shit he's doing because he feels like responsible. 683 00:35:56,080 --> 00:35:59,359 Speaker 2: And you know, like you're trying to you're not trying 684 00:35:59,400 --> 00:36:02,239 Speaker 2: to take his as far as me, you you just 685 00:36:02,280 --> 00:36:04,160 Speaker 2: won't hit a presence there. 686 00:36:04,280 --> 00:36:07,160 Speaker 1: Yeah, and just the timing, uh, you know, because Tick 687 00:36:07,800 --> 00:36:09,759 Speaker 1: has a guilty conscious, so you know, I'm sure there 688 00:36:09,760 --> 00:36:12,400 Speaker 1: could be like things he's saying and doing and stuff, 689 00:36:12,640 --> 00:36:14,560 Speaker 1: so maybe she's just picking up on shit over three 690 00:36:14,640 --> 00:36:21,520 Speaker 1: weeks or whatever. And so then they yeah, so the 691 00:36:21,560 --> 00:36:23,719 Speaker 1: cover story is the sheriff shot them, and they don't 692 00:36:23,719 --> 00:36:25,799 Speaker 1: need to tell hiply like because Montros is like, well, 693 00:36:25,800 --> 00:36:27,480 Speaker 1: we're gonna tell the wizards exist. 694 00:36:27,480 --> 00:36:30,359 Speaker 2: Right, so she can look at us like we lost, like. 695 00:36:31,040 --> 00:36:33,480 Speaker 1: Just well just that there's this whole other fucking world 696 00:36:33,520 --> 00:36:35,200 Speaker 1: out there that we're gonna send her down. 697 00:36:35,360 --> 00:36:36,760 Speaker 2: We're gonna sound crazy. 698 00:36:36,920 --> 00:36:40,680 Speaker 1: Yeah, And then they're almost getting to fight about it, 699 00:36:41,040 --> 00:36:45,600 Speaker 1: and Tick leaves and it's pretty obvious he can't stay there, no, 700 00:36:45,800 --> 00:36:49,560 Speaker 1: because like they when when when Montrous slaps the table 701 00:36:49,640 --> 00:36:52,279 Speaker 1: to be like basically like you know, I said what 702 00:36:52,360 --> 00:36:54,880 Speaker 1: I said, Tick jumps up as if it's like in 703 00:36:54,880 --> 00:36:58,759 Speaker 1: a defensive posture like they're gonna fight again. And then 704 00:36:58,800 --> 00:37:04,120 Speaker 1: it says, day two, don't don't you know? I love 705 00:37:04,200 --> 00:37:06,160 Speaker 1: the format of this episode where they broke it down 706 00:37:06,239 --> 00:37:10,680 Speaker 1: like this is the days but yeah, day two, Letty's 707 00:37:10,680 --> 00:37:15,799 Speaker 1: moving in. All the negroes, all of the negroes, all 708 00:37:15,880 --> 00:37:20,239 Speaker 1: the blacks are moving in, Okay, all of them blacks. 709 00:37:20,680 --> 00:37:23,640 Speaker 2: Yes, they are and one of. 710 00:37:23,560 --> 00:37:25,960 Speaker 1: The dudes moving in. I'm pretty sure it's supposed to 711 00:37:26,000 --> 00:37:29,799 Speaker 1: be James Baldwin because or if not, then it Uh. 712 00:37:30,040 --> 00:37:31,720 Speaker 1: I think there's just a shout out to James Baldwin 713 00:37:31,719 --> 00:37:34,000 Speaker 1: because he said that his dog was named Baldwin, his 714 00:37:34,120 --> 00:37:36,319 Speaker 1: name was James, and he asked was she a writer 715 00:37:36,440 --> 00:37:38,840 Speaker 1: as well? And it just feels like that's supposed to 716 00:37:38,880 --> 00:37:44,319 Speaker 1: be James Baldwin. Now the dude didn't give us the 717 00:37:44,320 --> 00:37:49,560 Speaker 1: the James Baldwin acts like particular cadence of speech, which 718 00:37:49,600 --> 00:37:51,319 Speaker 1: is what I would have wanted to see, but you know, 719 00:37:51,360 --> 00:37:56,200 Speaker 1: I get it, but so uh and it was like message, 720 00:37:56,239 --> 00:38:00,520 Speaker 1: you know, it's like James Baldwin. But Ruby is actually 721 00:38:00,600 --> 00:38:04,880 Speaker 1: rude to James Baldwin when he goes to speak to her, and. 722 00:38:04,320 --> 00:38:06,400 Speaker 2: Uh, it's like, I don't care about who you are. 723 00:38:06,320 --> 00:38:10,120 Speaker 1: Closing my door, people moving in, and so then Letty 724 00:38:10,160 --> 00:38:15,280 Speaker 1: says something like, well, part of that, that's my sister. 725 00:38:15,360 --> 00:38:17,120 Speaker 1: She's just being rude. She gets that from her father. 726 00:38:17,200 --> 00:38:18,839 Speaker 1: That's why I say, oh, they must not have they 727 00:38:18,880 --> 00:38:23,920 Speaker 1: have different fathers. Yeah, another one another one. Uh, And 728 00:38:24,000 --> 00:38:26,640 Speaker 1: Letty's taking pictures of everybody. She's walking around the house 729 00:38:27,120 --> 00:38:29,759 Speaker 1: and one woman wants the basement to be converted into 730 00:38:29,760 --> 00:38:33,240 Speaker 1: a dance studio, but Letty says she can't make major 731 00:38:33,360 --> 00:38:38,200 Speaker 1: changes until the contract is paid up. And that's also 732 00:38:38,239 --> 00:38:42,799 Speaker 1: a big thing in Chicago contract buying. So contract buyd 733 00:38:42,880 --> 00:38:45,400 Speaker 1: is basically how they sell a house to black people 734 00:38:45,480 --> 00:38:47,080 Speaker 1: so in a way that most of the time they 735 00:38:47,120 --> 00:38:49,879 Speaker 1: never end up being able to pay for it because 736 00:38:49,880 --> 00:38:54,560 Speaker 1: they're not. Actually it's like, uh, you're not necessarily buying 737 00:38:54,560 --> 00:38:57,160 Speaker 1: the house. You're buying it, you're paying into a contract 738 00:38:57,200 --> 00:39:00,879 Speaker 1: on the house, and then because of that, you can't 739 00:39:00,920 --> 00:39:03,120 Speaker 1: really you don't really own it until way way, way, 740 00:39:03,160 --> 00:39:06,239 Speaker 1: way way down the road. So you you know, it's 741 00:39:06,239 --> 00:39:12,160 Speaker 1: almost like you're renting a house but paying house payment money, 742 00:39:12,760 --> 00:39:16,600 Speaker 1: sometimes much more than what white people pay for the house. 743 00:39:16,760 --> 00:39:19,800 Speaker 1: And many times, like most of the time black people 744 00:39:19,800 --> 00:39:23,360 Speaker 1: were paying more money to rent a house than to 745 00:39:23,880 --> 00:39:27,799 Speaker 1: then white people were paying to buy a house. Wow. Yeah, 746 00:39:27,840 --> 00:39:30,440 Speaker 1: and this is one of the ways that like systemically 747 00:39:30,960 --> 00:39:34,200 Speaker 1: generational wealth is sapped out of our community, you know, 748 00:39:34,320 --> 00:39:36,600 Speaker 1: and people, well, well, why the black people rent so much? Now, 749 00:39:36,719 --> 00:39:39,680 Speaker 1: this is why, because you know, when they wanted to 750 00:39:39,719 --> 00:39:42,360 Speaker 1: buy it was all these tricks, all these like hoops 751 00:39:42,400 --> 00:39:44,360 Speaker 1: you had to go through, and most of it was 752 00:39:44,440 --> 00:39:47,319 Speaker 1: just to keep black people in certain areas of the 753 00:39:47,360 --> 00:39:51,479 Speaker 1: city so that they could you know, redline them. 754 00:39:51,600 --> 00:39:54,359 Speaker 2: Yeah, and still to today, a lot of times they 755 00:39:54,400 --> 00:39:59,239 Speaker 2: do it, particularly with homeowner association fees, like certain neighborhoods. 756 00:39:59,239 --> 00:40:01,879 Speaker 2: It'd be like, yeah, your homeowner social we're starting at 757 00:40:01,960 --> 00:40:03,600 Speaker 2: two thousand dollars. You'd be like, who the fuck is 758 00:40:03,640 --> 00:40:04,920 Speaker 2: paying two thousand dollars a month for. 759 00:40:05,000 --> 00:40:08,359 Speaker 1: Well, that's that's different because white people have to pay that. 760 00:40:09,280 --> 00:40:12,480 Speaker 1: This would be like if they said, white people live 761 00:40:12,520 --> 00:40:15,120 Speaker 1: in this house and it's one thousand dollars a month 762 00:40:15,160 --> 00:40:18,319 Speaker 1: for mortgage. Right, black people live in his house. It's 763 00:40:18,360 --> 00:40:21,719 Speaker 1: two thousand dollars and it's not for mortgage, it's for 764 00:40:21,800 --> 00:40:25,680 Speaker 1: the contract. Yeah, you never own it, right, the odds 765 00:40:25,680 --> 00:40:27,520 Speaker 1: of owning it. It just takes you a lot longer 766 00:40:27,520 --> 00:40:31,200 Speaker 1: to own it some people, do, you know. Tina Hosia 767 00:40:31,280 --> 00:40:35,640 Speaker 1: Coats argument for reparations is so very long read, but 768 00:40:35,680 --> 00:40:39,319 Speaker 1: it's really good. He wrote it for The Atlantic, I 769 00:40:39,320 --> 00:40:41,400 Speaker 1: believe a long time ago. But if you read that, 770 00:40:42,000 --> 00:40:45,000 Speaker 1: he goes into like just this one area of redlining 771 00:40:45,080 --> 00:40:47,480 Speaker 1: and house ownership he could have he could have done 772 00:40:47,520 --> 00:40:50,719 Speaker 1: it for many, many, many thousands of different industries, but 773 00:40:51,239 --> 00:40:55,600 Speaker 1: he used this one particularly, and that was a big point. 774 00:40:55,800 --> 00:40:57,920 Speaker 1: Was like there were people that in there that were 775 00:40:57,960 --> 00:41:02,640 Speaker 1: like eighty seventy, like older black people that finally owned 776 00:41:02,640 --> 00:41:05,120 Speaker 1: their house, but they had to stay there and they 777 00:41:05,200 --> 00:41:08,040 Speaker 1: watched all these other people leave and move on and 778 00:41:08,120 --> 00:41:13,160 Speaker 1: all that stuff. And also keep in mind, white flight 779 00:41:13,280 --> 00:41:15,640 Speaker 1: was so real. That was one of the reasons white 780 00:41:15,640 --> 00:41:18,040 Speaker 1: people were so violent to black families moving in, because 781 00:41:18,360 --> 00:41:21,880 Speaker 1: once that black family moved in, the jig was up. 782 00:41:21,920 --> 00:41:25,480 Speaker 1: Because white people were so racist. It was a status 783 00:41:25,920 --> 00:41:29,200 Speaker 1: lowering to be on that block with that black family, 784 00:41:29,280 --> 00:41:32,520 Speaker 1: to be on that street with that black family, and 785 00:41:32,560 --> 00:41:34,600 Speaker 1: so you don't want to be the last one out. Well, 786 00:41:34,600 --> 00:41:38,680 Speaker 1: what this also did was it incentivized and paid, Like 787 00:41:38,840 --> 00:41:42,359 Speaker 1: realtors made money off of this. So white flight was 788 00:41:42,400 --> 00:41:46,600 Speaker 1: actually good business to a certain extent because then they 789 00:41:46,640 --> 00:41:50,600 Speaker 1: went and paid sometimes overpaid to be other places. And 790 00:41:50,640 --> 00:41:54,280 Speaker 1: then you sell those old houses to these black people 791 00:41:54,560 --> 00:41:58,000 Speaker 1: with these contracts, and you're charging them more than what 792 00:41:58,080 --> 00:42:00,799 Speaker 1: the white people were paying. It was really better for 793 00:42:00,880 --> 00:42:03,279 Speaker 1: them to deal with racist like it was better for 794 00:42:03,320 --> 00:42:06,959 Speaker 1: them to move one black family and then basically rent 795 00:42:06,960 --> 00:42:07,560 Speaker 1: out the block. 796 00:42:07,920 --> 00:42:12,200 Speaker 2: Yeah, and uh, they used to hire black women to 797 00:42:12,280 --> 00:42:14,279 Speaker 2: walk up and down even if even if the black 798 00:42:14,320 --> 00:42:16,919 Speaker 2: family wasn't there, walk up and down a block with 799 00:42:17,080 --> 00:42:19,640 Speaker 2: like a baby in a stroller and shit like that, 800 00:42:19,880 --> 00:42:22,239 Speaker 2: just that she wouldn't be going away. She would just 801 00:42:22,280 --> 00:42:24,960 Speaker 2: literally just walk up and down the block and probably 802 00:42:25,440 --> 00:42:27,359 Speaker 2: you know, go off somewhere, get in the corn. Don't 803 00:42:27,480 --> 00:42:29,200 Speaker 2: don't even live there, But they don't know that. They 804 00:42:29,200 --> 00:42:30,920 Speaker 2: see a black and the git and they like, oh, 805 00:42:30,960 --> 00:42:31,960 Speaker 2: oh black, I got to go. 806 00:42:32,160 --> 00:42:36,120 Speaker 1: The threat the fact that a fertile black woman was 807 00:42:36,160 --> 00:42:39,560 Speaker 1: so threatening to white life that they were willing to 808 00:42:40,040 --> 00:42:44,359 Speaker 1: up in their children's schooling and their job. Look all 809 00:42:44,400 --> 00:42:47,280 Speaker 1: this shit to be like, we can't be here anymore. 810 00:42:49,080 --> 00:42:54,960 Speaker 1: So in that atmosphere, imagine a boarding house full of 811 00:42:55,000 --> 00:42:57,400 Speaker 1: negroes moving into one of these white neighborhoods. 812 00:42:57,400 --> 00:42:58,600 Speaker 2: That's not gonna global well. 813 00:42:58,760 --> 00:43:04,520 Speaker 1: Right, so the whites were not having multiple families, right, 814 00:43:04,680 --> 00:43:06,719 Speaker 1: this is still day two. The whites were not having it. 815 00:43:06,719 --> 00:43:10,400 Speaker 1: But Letty's moving in all the negroes. We meet James 816 00:43:10,400 --> 00:43:13,879 Speaker 1: Bawl and he doesn't have a lot of lines. Tick 817 00:43:14,000 --> 00:43:17,799 Speaker 1: comes in, Uh, because he's been looking for Letty and 818 00:43:17,880 --> 00:43:22,720 Speaker 1: he went to the boarding house where Ruby was staying. 819 00:43:22,719 --> 00:43:24,720 Speaker 1: That's where Letty was staying with her for a while, 820 00:43:25,239 --> 00:43:28,360 Speaker 1: and he said they told her told him basically, she 821 00:43:28,440 --> 00:43:30,439 Speaker 1: hit the numbers and she moved to the North side 822 00:43:30,760 --> 00:43:38,480 Speaker 1: of Chicago. And he's like, you know, uh, I did 823 00:43:38,680 --> 00:43:41,719 Speaker 1: you know? Good luck? Basically like I just came uh 824 00:43:41,760 --> 00:43:43,160 Speaker 1: And she was like, well, why'd you come by? 825 00:43:43,200 --> 00:43:43,359 Speaker 3: Then? 826 00:43:44,600 --> 00:43:47,879 Speaker 1: Oh. He also knows she's moving in on Sunday when 827 00:43:47,880 --> 00:43:50,279 Speaker 1: all the white people at church. So he's like, that 828 00:43:50,360 --> 00:43:52,920 Speaker 1: way they can't try to come stop you, that's smart. 829 00:43:53,080 --> 00:43:55,360 Speaker 1: And he says he wanted to check in. 830 00:43:55,239 --> 00:43:57,360 Speaker 2: On her need about nine to ten in the morning, 831 00:43:57,400 --> 00:44:00,560 Speaker 2: when you know they've done started Sunday school and like that, 832 00:44:00,640 --> 00:44:02,400 Speaker 2: and you know you want to be sure, you know 833 00:44:02,680 --> 00:44:04,520 Speaker 2: you're you're done by twelve. You know they got eleven 834 00:44:04,520 --> 00:44:08,120 Speaker 2: o'clock service. You know you get a smooth you know, 835 00:44:08,280 --> 00:44:09,160 Speaker 2: two three hour. 836 00:44:09,000 --> 00:44:12,160 Speaker 1: Block, right, you got about Yeah, you can't be this 837 00:44:12,320 --> 00:44:14,560 Speaker 1: a black church. You could have started moving into seven 838 00:44:14,760 --> 00:44:17,000 Speaker 1: and stopped at nine and would have been fine. 839 00:44:17,200 --> 00:44:18,040 Speaker 2: It would have been fine. 840 00:44:18,080 --> 00:44:20,680 Speaker 1: But white church, we got a couple of hours. 841 00:44:20,440 --> 00:44:22,880 Speaker 2: Got a couple of hours. And if they have Sunday School. 842 00:44:22,960 --> 00:44:26,719 Speaker 1: It's a heist, okay, but yeah, he says he wanted 843 00:44:26,760 --> 00:44:29,439 Speaker 1: to check on her, and she says he hadn't checked 844 00:44:29,440 --> 00:44:32,560 Speaker 1: on her since George's funeral, but and he was like. 845 00:44:32,960 --> 00:44:35,000 Speaker 1: She was like, so what's the like, what do you 846 00:44:35,080 --> 00:44:39,080 Speaker 1: need basically, and he was like and it wasn't with 847 00:44:39,120 --> 00:44:41,359 Speaker 1: an attitude, but it sounded like she almost was kind 848 00:44:41,400 --> 00:44:44,840 Speaker 1: of hurt he had checked on her. And he was like, 849 00:44:46,800 --> 00:44:48,760 Speaker 1: I am heading back to Florida. 850 00:44:49,080 --> 00:44:50,880 Speaker 2: Yeah, and it's also maybe we're going to think a 851 00:44:50,880 --> 00:44:53,000 Speaker 2: lot of guilt shit, Like he was like, because if 852 00:44:53,040 --> 00:44:54,719 Speaker 2: I talked to you, we're gonna go over there. We're 853 00:44:54,719 --> 00:44:56,799 Speaker 2: gonna talk about like he just did you know for 854 00:44:56,880 --> 00:44:58,560 Speaker 2: some people, that's a lot to deal with. 855 00:45:01,080 --> 00:45:03,319 Speaker 1: Yeah, they went through that trauma together, so who knows 856 00:45:03,360 --> 00:45:06,520 Speaker 1: how he feels about it, right, But he was like, yeah, 857 00:45:06,600 --> 00:45:10,400 Speaker 1: so I'm moving back to Florida and she was like, well, 858 00:45:10,600 --> 00:45:14,160 Speaker 1: we're having a housewarm party like tomorrow whatever. Don't you 859 00:45:14,160 --> 00:45:16,640 Speaker 1: want to at least stay for that? Basically I can 860 00:45:16,680 --> 00:45:19,719 Speaker 1: give you a free room until then. And he was like, nah, 861 00:45:19,719 --> 00:45:22,440 Speaker 1: I can't really, I don't want to do that, you know, 862 00:45:22,920 --> 00:45:26,280 Speaker 1: And so they hug and it's like when of them long, 863 00:45:26,800 --> 00:45:29,680 Speaker 1: you know, not the side hug, just like one of 864 00:45:29,719 --> 00:45:33,440 Speaker 1: those long like people that's got sexual tension hugs. 865 00:45:33,800 --> 00:45:35,479 Speaker 2: Yeah, the chest. 866 00:45:35,760 --> 00:45:39,200 Speaker 1: Yeah, it wasn't creepy. It was like but like consentually 867 00:45:39,280 --> 00:45:41,920 Speaker 1: both of them was longing for each other hugs. Okay, 868 00:45:42,800 --> 00:45:44,520 Speaker 1: Like if one of them would have been like, you know, 869 00:45:44,880 --> 00:45:47,640 Speaker 1: stop bullshitting and just go ahead and stay I really 870 00:45:47,719 --> 00:45:51,040 Speaker 1: like you, the other one will be like okay, yeah. 871 00:45:51,120 --> 00:45:53,480 Speaker 2: Yeah. And there was also one of those things where 872 00:45:55,080 --> 00:45:58,479 Speaker 2: he was like, yeah, I told I guess the army 873 00:45:58,560 --> 00:46:01,799 Speaker 2: whatever the Army League go is, is their lieutenant or whoever 874 00:46:01,840 --> 00:46:02,320 Speaker 2: they report to. 875 00:46:02,320 --> 00:46:04,919 Speaker 1: You just said his boss, So I don't. Yeah. Yeah. 876 00:46:04,960 --> 00:46:06,840 Speaker 2: He was like, I told them I'd be back, you know, 877 00:46:07,000 --> 00:46:09,839 Speaker 2: a while ago, A while ago, a month he said. 878 00:46:09,880 --> 00:46:11,759 Speaker 1: Yeah, he said, said it would be a couple of days. 879 00:46:11,760 --> 00:46:13,640 Speaker 1: That was a month ago. So that's how we know 880 00:46:13,719 --> 00:46:16,279 Speaker 1: that this has been like three weeks since he since 881 00:46:16,320 --> 00:46:21,839 Speaker 1: the funeral. And so then out front, three white men 882 00:46:21,920 --> 00:46:24,000 Speaker 1: show up park their cars in front of the house. 883 00:46:24,000 --> 00:46:26,640 Speaker 1: They tie bricks to their staring wheels and make the 884 00:46:26,680 --> 00:46:30,000 Speaker 1: horns continually go off and just stare at the black 885 00:46:30,000 --> 00:46:32,800 Speaker 1: people in the house and the police ride by slowly 886 00:46:32,880 --> 00:46:35,920 Speaker 1: and don't do a goddamn thing. And that's when Tick says, 887 00:46:36,040 --> 00:46:37,920 Speaker 1: you know what, I think I'm gonna stick around a 888 00:46:37,920 --> 00:46:38,680 Speaker 1: little bit longer. 889 00:46:39,280 --> 00:46:41,960 Speaker 2: You know what, I changed my mind a man. 890 00:46:42,200 --> 00:46:44,319 Speaker 1: Okay, because a lot of blacks would have been like, 891 00:46:44,880 --> 00:46:47,160 Speaker 1: and now that's my cue to leave. Good luck. Let it. 892 00:46:48,840 --> 00:46:50,239 Speaker 1: A lot of people would have left for that on 893 00:46:50,239 --> 00:46:52,080 Speaker 1: our own, that's true. But y'all got a room full 894 00:46:52,080 --> 00:46:56,840 Speaker 1: of artists. Good luck. James Baldwin would write something about. 895 00:46:56,600 --> 00:46:58,160 Speaker 2: This, come on in the future. 896 00:46:58,680 --> 00:47:02,120 Speaker 1: I mean, I love what you write, James Bay. I'm 897 00:47:02,120 --> 00:47:03,920 Speaker 1: on the first thing smoking out of town. 898 00:47:04,960 --> 00:47:07,200 Speaker 2: That Negro was like a word, oh no, no, no, 899 00:47:07,200 --> 00:47:08,240 Speaker 2: no no, I got to stay. 900 00:47:08,440 --> 00:47:10,800 Speaker 1: Tick said, I'm gonna use some of my soldier skills. 901 00:47:11,040 --> 00:47:11,360 Speaker 2: Come on. 902 00:47:12,880 --> 00:47:15,200 Speaker 1: Now that so that was a big thing. And of 903 00:47:15,239 --> 00:47:19,160 Speaker 1: course looking at the boarding house, what'd you think of 904 00:47:19,239 --> 00:47:23,600 Speaker 1: the tenants? Did you notice anything or no? Like when 905 00:47:23,600 --> 00:47:28,480 Speaker 1: they were moving in, they were all like ladies age. 906 00:47:28,640 --> 00:47:31,440 Speaker 2: Yea were they were all up and coming like they 907 00:47:31,480 --> 00:47:35,320 Speaker 2: were like she was moving in a like a cool 908 00:47:35,400 --> 00:47:38,359 Speaker 2: set of people. Yeah, these wouldn't just know anybody. It's 909 00:47:38,480 --> 00:47:42,040 Speaker 2: like she was moving almost like the movers and the shakers, 910 00:47:42,080 --> 00:47:46,440 Speaker 2: like of the youth like it was probably some activist. 911 00:47:46,120 --> 00:47:49,839 Speaker 1: I mean dance. There were writers, dancers, ship like that like, 912 00:47:50,160 --> 00:47:53,120 Speaker 1: and they were all around her age, which is interesting 913 00:47:53,200 --> 00:47:57,800 Speaker 1: because the vision she sold to Ruby was his idea 914 00:47:57,880 --> 00:48:00,000 Speaker 1: like I'm gonna help black people, help the black communit. 915 00:48:00,040 --> 00:48:01,800 Speaker 1: I'm gonna move all the people in. But it was 916 00:48:01,840 --> 00:48:04,000 Speaker 1: also like you're moving in all the partiers, You're moving 917 00:48:04,000 --> 00:48:05,960 Speaker 1: all the It's like almost like Black college. You're moving 918 00:48:06,000 --> 00:48:09,040 Speaker 1: in all the cool people. Yes, So then day five, 919 00:48:09,120 --> 00:48:13,000 Speaker 1: don't dunt uh a white person puts down a we 920 00:48:13,160 --> 00:48:16,120 Speaker 1: are a white community. All undesirables must go sign in 921 00:48:16,160 --> 00:48:16,880 Speaker 1: their front yard. 922 00:48:16,960 --> 00:48:19,160 Speaker 2: Yeah, they might as well put eye voted for Donald Trump. 923 00:48:19,280 --> 00:48:20,399 Speaker 2: Make it again? 924 00:48:20,480 --> 00:48:23,839 Speaker 1: Where they get that sign made so fast? I mean 925 00:48:23,880 --> 00:48:26,239 Speaker 1: they must have really turned around on that, I mean 926 00:48:26,280 --> 00:48:28,920 Speaker 1: three days. Back then. They didn't have Kinkos mm hmm. 927 00:48:29,480 --> 00:48:31,600 Speaker 2: Yeah, they had the Black old some some somebody made 928 00:48:31,600 --> 00:48:33,839 Speaker 2: that sign for them. I guess they will. Uh. 929 00:48:33,920 --> 00:48:36,200 Speaker 1: They never show the neighbors faces and these scenes, and 930 00:48:36,239 --> 00:48:39,160 Speaker 1: I love that, Like they just always show like a 931 00:48:39,239 --> 00:48:41,040 Speaker 1: random white person. Now. I don't know how much they 932 00:48:41,080 --> 00:48:43,279 Speaker 1: got paid for these parts in the movie, but shout 933 00:48:43,320 --> 00:48:45,800 Speaker 1: out to these random white people whose hands and bodies 934 00:48:45,840 --> 00:48:46,640 Speaker 1: and backs we saw. 935 00:48:47,040 --> 00:48:49,080 Speaker 2: They got paid. Yep, yep, you're gonna pay me for 936 00:48:49,160 --> 00:48:49,600 Speaker 2: my image. 937 00:48:49,640 --> 00:48:55,239 Speaker 1: Two, I know they motherfucking what's that? What's that thing 938 00:48:55,400 --> 00:48:59,719 Speaker 1: called the neighborhood app or whatever? Like? I know, I 939 00:49:00,560 --> 00:49:03,120 Speaker 1: know that Ship was off the hood, but what did. 940 00:49:03,040 --> 00:49:05,719 Speaker 2: You have the neighborhood by? Next door said? I know 941 00:49:05,800 --> 00:49:07,880 Speaker 2: that next door chats was off the hook? 942 00:49:08,560 --> 00:49:12,560 Speaker 1: What I know they have been He's got damn I 943 00:49:12,719 --> 00:49:18,480 Speaker 1: did just see this damn dog. I know they would 944 00:49:18,520 --> 00:49:21,480 Speaker 1: have been suspicious black man. I know that all the 945 00:49:22,480 --> 00:49:29,160 Speaker 1: all the phrase works, all the fucking door cams and Ship, 946 00:49:29,440 --> 00:49:30,240 Speaker 1: all the rings. 947 00:49:30,000 --> 00:49:30,799 Speaker 2: Would have been going out. 948 00:49:31,040 --> 00:49:34,560 Speaker 1: All the ring video that had been reposting. Ship saw 949 00:49:34,719 --> 00:49:38,880 Speaker 1: black man looked like he was taking a dog on 950 00:49:38,960 --> 00:49:41,279 Speaker 1: the leash or something. I don't know. 951 00:49:41,400 --> 00:49:42,880 Speaker 2: I don't know. He looked like he should be on 952 00:49:42,920 --> 00:49:43,600 Speaker 2: a leash. 953 00:49:43,680 --> 00:49:46,399 Speaker 1: Yeah, it sounds like something was up with that. It's 954 00:49:46,840 --> 00:49:49,839 Speaker 1: just putting this video up in case anyone sees anything suspicious. 955 00:49:51,480 --> 00:49:53,920 Speaker 1: I think he stole from Amazon. They left packages on 956 00:49:53,960 --> 00:49:55,879 Speaker 1: this door and he took him in his house, right, 957 00:49:57,160 --> 00:50:01,839 Speaker 1: just left just signal boosting in case anybody's seen any thing. Uh, 958 00:50:02,239 --> 00:50:08,279 Speaker 1: but yeah, so then uh they put down that sign. Meanwhile, 959 00:50:08,680 --> 00:50:12,640 Speaker 1: in Letty's room, we get our first real spooky sighting 960 00:50:14,120 --> 00:50:17,920 Speaker 1: a dismembered hand of a black like a dismembered black 961 00:50:18,000 --> 00:50:21,680 Speaker 1: hand pulls the sheets off of Letty slowly as she's 962 00:50:21,680 --> 00:50:22,759 Speaker 1: sleeping in her bed. 963 00:50:23,120 --> 00:50:25,680 Speaker 2: Right at first of they realized that she's just starting moving. 964 00:50:25,719 --> 00:50:28,120 Speaker 2: I'm like, the hell is this right? 965 00:50:28,400 --> 00:50:33,200 Speaker 1: And I think I've said nope, that would have been Nick, 966 00:50:33,440 --> 00:50:34,759 Speaker 1: That would have been the end of the episode if 967 00:50:34,760 --> 00:50:36,040 Speaker 1: it was starting Rod. 968 00:50:36,200 --> 00:50:38,239 Speaker 2: Oh yeah, because she didn't know. But it was one 969 00:50:38,239 --> 00:50:40,200 Speaker 2: of those things where I was like, oh, bitch, of 970 00:50:40,280 --> 00:50:43,160 Speaker 2: sheet's moving And then and it's just a hand and 971 00:50:43,280 --> 00:50:44,000 Speaker 2: the hell is this? 972 00:50:44,360 --> 00:50:47,520 Speaker 1: And at the edge of the bed, peering over almost 973 00:50:47,600 --> 00:50:51,160 Speaker 1: like a child, was this black woman who you could 974 00:50:51,200 --> 00:50:53,719 Speaker 1: just see like the top of her face, and of 975 00:50:53,760 --> 00:50:56,239 Speaker 1: course Letty's laying there asleep, she can't see her. She 976 00:50:56,640 --> 00:50:58,560 Speaker 1: got her eyes closed and this one and she's just 977 00:50:58,600 --> 00:51:02,040 Speaker 1: staring at Letty. And then as the woman rises, we 978 00:51:02,120 --> 00:51:05,000 Speaker 1: see the bottom half of her face is mutilated, her 979 00:51:05,000 --> 00:51:06,960 Speaker 1: mouth is real fucked up. 980 00:51:07,800 --> 00:51:11,440 Speaker 2: Yep, And that's you know, for me, I was like, Okay, 981 00:51:11,840 --> 00:51:14,480 Speaker 2: we would knew, did we gonna be doing this. 982 00:51:14,600 --> 00:51:19,480 Speaker 1: Okay, Yeah, it's so interesting because it's so weird. I 983 00:51:19,560 --> 00:51:22,520 Speaker 1: don't find this show as scary as so many people 984 00:51:22,600 --> 00:51:26,120 Speaker 1: seem to find it. In those moments. That shit don't 985 00:51:26,120 --> 00:51:29,680 Speaker 1: scare me. The white racism shit scares the fuck out 986 00:51:29,680 --> 00:51:32,279 Speaker 1: of me, because that could happen. Yes, yes, Like a 987 00:51:32,360 --> 00:51:33,680 Speaker 1: tentacle monster don't exist. 988 00:51:33,760 --> 00:51:34,960 Speaker 2: That's not a thing. 989 00:51:34,960 --> 00:51:37,840 Speaker 1: But a motherfucking white person with a bat, that's that 990 00:51:37,840 --> 00:51:40,360 Speaker 1: could happen today. That's a thing like that one is 991 00:51:40,400 --> 00:51:44,480 Speaker 1: still happening right now, you know, police And anyway we'll 992 00:51:44,520 --> 00:51:46,560 Speaker 1: get to we'll get to where I got scared. But 993 00:51:47,800 --> 00:51:49,720 Speaker 1: I like it. And it was so early in the episode, 994 00:51:49,760 --> 00:51:52,399 Speaker 1: I was like, Yeah, nothing's gonna happen to Leddy right now. 995 00:51:52,480 --> 00:51:55,080 Speaker 1: So I wasn't scared by that. It was just one 996 00:51:55,120 --> 00:51:57,120 Speaker 1: of those like shocked like when they're like look at 997 00:51:57,120 --> 00:52:03,360 Speaker 1: her face, Oh my god, like that moment. But then 998 00:52:03,880 --> 00:52:07,160 Speaker 1: she u she wakes up because of the car horns. 999 00:52:07,239 --> 00:52:10,120 Speaker 1: She was she went to sleep with her window open, 1000 00:52:10,520 --> 00:52:12,560 Speaker 1: And I guess what must happen is they must stop 1001 00:52:12,600 --> 00:52:14,880 Speaker 1: the horns at night so the neighborhood can go to 1002 00:52:14,920 --> 00:52:18,200 Speaker 1: sleep and then hit it. First thing in the morning. 1003 00:52:18,480 --> 00:52:21,759 Speaker 1: I thought, I know, but that wouldn't make sense because 1004 00:52:21,920 --> 00:52:24,920 Speaker 1: how would why would they wake her up? Now? You 1005 00:52:24,920 --> 00:52:28,040 Speaker 1: see what I'm saying, Like I think the horn they 1006 00:52:28,120 --> 00:52:31,440 Speaker 1: must do this thing where they like turn the horns 1007 00:52:31,480 --> 00:52:33,160 Speaker 1: off for some period of time and then just turned 1008 00:52:33,200 --> 00:52:35,520 Speaker 1: them on long periods of time when everybody's up to 1009 00:52:35,560 --> 00:52:36,640 Speaker 1: just drive them crazy. 1010 00:52:36,719 --> 00:52:39,000 Speaker 2: Oh okay, like I said, because white people crazy. I 1011 00:52:39,040 --> 00:52:40,480 Speaker 2: just thought it would just they just kept them on. 1012 00:52:40,600 --> 00:52:42,200 Speaker 2: Everybody was like, look y'all just gonna deal with this 1013 00:52:42,280 --> 00:52:43,480 Speaker 2: until we run these negroes out. 1014 00:52:43,560 --> 00:52:47,719 Speaker 1: They just own it went because the Oh you know 1015 00:52:47,800 --> 00:52:50,600 Speaker 1: what though, I think this one they broke the furnace, 1016 00:52:51,920 --> 00:52:55,040 Speaker 1: so I actually no, she gets up because it's hot 1017 00:52:55,280 --> 00:52:57,400 Speaker 1: and goes over the window and then she hears a 1018 00:52:57,440 --> 00:52:57,919 Speaker 1: car horn. 1019 00:52:58,000 --> 00:52:59,919 Speaker 2: Yes, so that's why I thought, you're right. 1020 00:53:00,280 --> 00:53:01,800 Speaker 1: You must have always just had them on. 1021 00:53:02,160 --> 00:53:04,920 Speaker 2: That's what the purpose of the bricks, just make it 1022 00:53:05,000 --> 00:53:07,560 Speaker 2: lay on the horn. I don't they turned them off? Yeah? 1023 00:53:07,680 --> 00:53:10,600 Speaker 1: That makes sense, which is crazy because how racist you 1024 00:53:10,640 --> 00:53:12,880 Speaker 1: have to be for you to not be able to 1025 00:53:12,920 --> 00:53:14,520 Speaker 1: sleep because of the horns, Because it's not like the 1026 00:53:14,560 --> 00:53:17,160 Speaker 1: noise only goes to the black house. If you live 1027 00:53:17,200 --> 00:53:20,000 Speaker 1: across the street if you live next day whatever, also 1028 00:53:20,040 --> 00:53:24,320 Speaker 1: are experiencing the noise pollution from the racism. They don't 1029 00:53:24,360 --> 00:53:27,439 Speaker 1: care whatever it takes to get these negroes out of here. 1030 00:53:27,600 --> 00:53:29,560 Speaker 1: I know they don't care. I'm just talking about how 1031 00:53:29,640 --> 00:53:33,399 Speaker 1: racist you got to be. Yes, think about to think 1032 00:53:33,440 --> 00:53:35,520 Speaker 1: about being that racist, is what I'm trying to say 1033 00:53:35,560 --> 00:53:38,920 Speaker 1: to the audience in the youth. Absorb that for a second. Okay, 1034 00:53:39,200 --> 00:53:41,680 Speaker 1: think about being that fucking racist that you would take 1035 00:53:41,719 --> 00:53:43,040 Speaker 1: your car cap brick through it. 1036 00:53:43,080 --> 00:53:43,960 Speaker 2: I'm not that committed. 1037 00:53:44,120 --> 00:53:47,040 Speaker 1: I don't even know that I hate anyone that much either. 1038 00:53:48,080 --> 00:53:50,719 Speaker 1: Our ruin that hour, ruin my ship. 1039 00:53:50,960 --> 00:53:52,920 Speaker 2: But you're my good night of sleep. 1040 00:53:53,160 --> 00:53:55,880 Speaker 1: I can't even imagine that. That's so crazy to me. 1041 00:53:56,000 --> 00:54:00,200 Speaker 1: You can have a house, yeah, wow, anyway, white people crazy. 1042 00:54:00,239 --> 00:54:03,360 Speaker 1: Come on. So then she goes down to the basement 1043 00:54:03,360 --> 00:54:05,080 Speaker 1: because it's so hot. That's why she opened up the 1044 00:54:05,080 --> 00:54:07,040 Speaker 1: window because it was so hot. 1045 00:54:07,280 --> 00:54:09,960 Speaker 2: She goes down there the horn and then she's like, 1046 00:54:10,040 --> 00:54:11,239 Speaker 2: fuck this goddamn horn. 1047 00:54:11,320 --> 00:54:13,240 Speaker 1: Right, she opens up the window, she hears the horn. 1048 00:54:13,600 --> 00:54:15,640 Speaker 1: Then she looks down at the radiator in her room 1049 00:54:15,680 --> 00:54:18,680 Speaker 1: and it's fucking steaming. So then she goes downstairs and 1050 00:54:18,719 --> 00:54:21,359 Speaker 1: she has to turn the boiler or whatever they call 1051 00:54:21,440 --> 00:54:24,040 Speaker 1: that down the furnace. She has to turn it down 1052 00:54:24,640 --> 00:54:26,600 Speaker 1: and keep in reminded, don't like it's a cold part 1053 00:54:26,640 --> 00:54:29,920 Speaker 1: of it was a cold time in Chicago, so somebody 1054 00:54:30,000 --> 00:54:33,680 Speaker 1: was just basically trying to burn like just like it 1055 00:54:33,680 --> 00:54:36,040 Speaker 1: would make no sense that that heater would be that 1056 00:54:36,200 --> 00:54:40,320 Speaker 1: hot on purpose, so I mean, you know, not on purpose. 1057 00:54:40,760 --> 00:54:44,600 Speaker 1: So they go she goes downstairs and use some tunes 1058 00:54:44,600 --> 00:54:47,720 Speaker 1: to basically lower the furnace, but it sounds like someone's 1059 00:54:47,719 --> 00:54:49,480 Speaker 1: trying to like smoke them out of the house. Yes. 1060 00:54:49,600 --> 00:54:51,840 Speaker 2: Yeah, the first thing I thought, DestinE, goddamn ghosts. 1061 00:54:52,280 --> 00:54:53,520 Speaker 1: Okay, thought it was a ghost? 1062 00:54:53,520 --> 00:54:55,319 Speaker 2: Okay, I did, I did, didn't. I didn't think that 1063 00:54:55,440 --> 00:54:57,439 Speaker 2: was a person. I was like, oh, the same person 1064 00:54:57,560 --> 00:54:59,600 Speaker 2: is pulling sheet. It's fucking with your furnace, baby. 1065 00:55:01,040 --> 00:55:05,840 Speaker 1: So then while she's down there, we do hear some 1066 00:55:05,960 --> 00:55:09,400 Speaker 1: banging coming from the deep dark recesses of the basement, 1067 00:55:09,440 --> 00:55:11,680 Speaker 1: and she follows the sounds past a bunch of cobwebs 1068 00:55:12,160 --> 00:55:17,359 Speaker 1: and science mannequin like they have in classrooms when you know, 1069 00:55:17,400 --> 00:55:19,120 Speaker 1: when they want to teach you about the human body. 1070 00:55:19,400 --> 00:55:21,040 Speaker 1: Back in the back in the day, I don't know 1071 00:55:21,080 --> 00:55:25,040 Speaker 1: if they still have those. But and then she here, 1072 00:55:25,239 --> 00:55:27,680 Speaker 1: she finds a door on the floor that is doing 1073 00:55:27,680 --> 00:55:30,799 Speaker 1: all this banging like something's trying to get out, and 1074 00:55:30,920 --> 00:55:35,520 Speaker 1: she screams and runs upstairs against tick smart. 1075 00:55:35,239 --> 00:55:37,200 Speaker 2: Because she would have been further than me. I'd have 1076 00:55:37,239 --> 00:55:39,200 Speaker 2: walked down there, turned that shit home, like, Okay, I 1077 00:55:39,200 --> 00:55:42,000 Speaker 2: guess i'd be I will. I don't even go in 1078 00:55:42,000 --> 00:55:44,800 Speaker 2: a attica my mama's house, and I know, bitch, ain't nothing. 1079 00:55:44,719 --> 00:55:46,440 Speaker 1: Up there, but I will, well you did go up 1080 00:55:46,480 --> 00:55:47,520 Speaker 1: there once, yeah. 1081 00:55:47,400 --> 00:55:49,640 Speaker 2: Win, and I've learned my listen fell through the roof 1082 00:55:49,680 --> 00:55:51,399 Speaker 2: and I was like, bitch, what am my hell, I'm up. 1083 00:55:51,280 --> 00:55:55,520 Speaker 1: Here fo No, So then she goes to She goes 1084 00:55:55,560 --> 00:56:00,319 Speaker 1: back down with Tech and they basically find an empty room, 1085 00:56:00,360 --> 00:56:05,239 Speaker 1: like a secret room beneath the basement, and he goes, well, 1086 00:56:05,239 --> 00:56:07,400 Speaker 1: maybe it was the wind, and she was like, and 1087 00:56:07,480 --> 00:56:11,279 Speaker 1: she was like, no, I heard voices. And I love 1088 00:56:11,360 --> 00:56:15,040 Speaker 1: this moment because he's like, I believe you because you know, 1089 00:56:15,719 --> 00:56:17,880 Speaker 1: through so much shit, not just that, but it sounded 1090 00:56:17,960 --> 00:56:21,279 Speaker 1: kind of crazy. But yeah, like he could have been 1091 00:56:21,480 --> 00:56:24,719 Speaker 1: you know, you sure because I don't see nobody down here. 1092 00:56:24,840 --> 00:56:27,400 Speaker 1: Clearly ain't nobody down here. But he was like, I 1093 00:56:27,480 --> 00:56:31,200 Speaker 1: believe you after everything we went through in Artom, you 1094 00:56:31,239 --> 00:56:34,400 Speaker 1: know who knows. And plus you got these crazy white people. 1095 00:56:35,000 --> 00:56:37,080 Speaker 1: They could be the one fucking with the bro with 1096 00:56:37,120 --> 00:56:39,759 Speaker 1: the with the heater trying to like smoke y'all out. 1097 00:56:40,360 --> 00:56:42,360 Speaker 1: We know they're using the horns and these are the 1098 00:56:42,360 --> 00:56:45,480 Speaker 1: same tactics tactics we use in Korea. But when she 1099 00:56:45,600 --> 00:56:48,919 Speaker 1: asked how, he doesn't go into what they used those 1100 00:56:48,920 --> 00:56:53,399 Speaker 1: tactics for in the war, but that they did use 1101 00:56:53,440 --> 00:56:58,560 Speaker 1: these tactics noise and heat to do something to the enemy. 1102 00:56:58,840 --> 00:57:01,920 Speaker 2: Yeah, they probably fuck with them minds, you know, just 1103 00:57:01,960 --> 00:57:04,520 Speaker 2: because you're exhausted, you can't rest, you know, you're not 1104 00:57:04,640 --> 00:57:08,560 Speaker 2: thinking straight, you know. And also it's very important. All 1105 00:57:08,640 --> 00:57:10,520 Speaker 2: just said that she got ticked because she knew Tick 1106 00:57:10,520 --> 00:57:12,839 Speaker 2: would be the only person that will Nobody else would 1107 00:57:12,840 --> 00:57:15,120 Speaker 2: have believed her. So she went and got the one 1108 00:57:15,160 --> 00:57:18,520 Speaker 2: person that would be like, I believe you. If she'd 1109 00:57:18,520 --> 00:57:20,640 Speaker 2: have got any other man or any other person, they'd 1110 00:57:20,640 --> 00:57:21,480 Speaker 2: be like you crazy. 1111 00:57:22,160 --> 00:57:24,640 Speaker 1: Yeah. So then he says he's gonna nail the windows 1112 00:57:24,680 --> 00:57:26,680 Speaker 1: down in the basement and he's gonna start keeping watch 1113 00:57:26,720 --> 00:57:29,720 Speaker 1: at night, and she holds his hand and then he 1114 00:57:29,840 --> 00:57:34,320 Speaker 1: lets it go. And it's that kind of thing where 1115 00:57:34,360 --> 00:57:37,480 Speaker 1: I'm like, is this gonna be like moonlight where it's 1116 00:57:38,240 --> 00:57:41,480 Speaker 1: I think a moonlighting The Bruce Willis Show is just 1117 00:57:41,480 --> 00:57:43,960 Speaker 1: like they're just it's gonna be, well, they won't they 1118 00:57:44,000 --> 00:57:46,760 Speaker 1: for the whole fucking series, Like what is going on? 1119 00:57:46,840 --> 00:57:49,880 Speaker 1: It's clearly they got chemistry and I know he feels 1120 00:57:49,880 --> 00:57:53,000 Speaker 1: guilty and they have trauma and stuff, but they keep 1121 00:57:53,040 --> 00:57:55,720 Speaker 1: having these moments where like they it's like they gonna care. 1122 00:57:55,760 --> 00:57:57,640 Speaker 2: It's like he don't know how to process it. 1123 00:57:57,720 --> 00:58:01,680 Speaker 1: Right, and so he also he just like basically changed 1124 00:58:01,720 --> 00:58:03,680 Speaker 1: the subject to say, you know, this would make a 1125 00:58:03,680 --> 00:58:06,960 Speaker 1: great dark room because she's a photographer. And there we go. 1126 00:58:07,400 --> 00:58:11,560 Speaker 1: Day eight. Don't do them. Uh They're throwing the party, 1127 00:58:11,680 --> 00:58:15,520 Speaker 1: the house woman party and a big ass party. All yeah, 1128 00:58:15,600 --> 00:58:18,760 Speaker 1: everyone's and I said, now see tonight, the whites are 1129 00:58:18,760 --> 00:58:19,840 Speaker 1: gonna be extra salty. 1130 00:58:20,520 --> 00:58:23,360 Speaker 2: Come on because the random white folks was sitting out 1131 00:58:23,400 --> 00:58:25,280 Speaker 2: there going these negroes. 1132 00:58:26,160 --> 00:58:30,160 Speaker 1: Yeah, like because it was loud. Yes, they had a 1133 00:58:30,200 --> 00:58:34,680 Speaker 1: live band, Ruby was singing, they was partying, they was 1134 00:58:34,720 --> 00:58:37,560 Speaker 1: having a ball, Like this was probably the worst thing 1135 00:58:37,880 --> 00:58:42,120 Speaker 1: they could have done. To these whites, you know, because 1136 00:58:42,160 --> 00:58:44,000 Speaker 1: they was mad at them for just being over there breathing. 1137 00:58:44,440 --> 00:58:47,080 Speaker 1: So now they're over there like having black joy and shit. 1138 00:58:47,520 --> 00:58:47,800 Speaker 2: Come on. 1139 00:58:48,640 --> 00:58:53,440 Speaker 1: Was over that house party, Get Funky Ruth, come on. 1140 00:58:54,240 --> 00:58:56,480 Speaker 1: And then the white people was over there, like that 1141 00:58:56,560 --> 00:59:00,840 Speaker 1: dude in belly and he was like, I don't like 1142 00:59:00,920 --> 00:59:05,320 Speaker 1: this ship. They ain't like it dropped down on these niggas. 1143 00:59:05,800 --> 00:59:08,000 Speaker 2: Like so then. 1144 00:59:09,280 --> 00:59:13,240 Speaker 1: We got some like little black Easter eggs here. Uh. 1145 00:59:13,320 --> 00:59:16,280 Speaker 1: Some people were talking about MLK. Some gossip was going on. 1146 00:59:16,360 --> 00:59:19,080 Speaker 1: They were spilling the tea on m LK. Right, Okay, 1147 00:59:20,080 --> 00:59:21,920 Speaker 1: a lot of people don't know this. This is the 1148 00:59:22,000 --> 00:59:25,760 Speaker 1: origin of Lipstick Alley. Okay, those women with a great, 1149 00:59:25,800 --> 00:59:29,280 Speaker 1: great great ancest they did have lit the Lipstick Alley 1150 00:59:30,000 --> 00:59:34,520 Speaker 1: message board. They had all the tea. Okay. Uh so 1151 00:59:34,720 --> 00:59:37,760 Speaker 1: yeah they gossiped. There was some gossip about m LK. 1152 00:59:38,640 --> 00:59:40,480 Speaker 1: But they were like, you know, his name used to 1153 00:59:40,560 --> 00:59:43,600 Speaker 1: be Michael, but now going by Martin mm hmmm. And 1154 00:59:44,080 --> 00:59:46,520 Speaker 1: there was like, ain'ty date no white woman. It's like 1155 00:59:46,960 --> 00:59:50,840 Speaker 1: they made him marry a black woman. Uh. And uh 1156 00:59:51,000 --> 00:59:53,360 Speaker 1: that's when lettyos loving a white woman doesn't mean you 1157 00:59:53,360 --> 00:59:58,200 Speaker 1: can't stand up for color folks, I guess, and so 1158 00:59:58,360 --> 01:00:02,920 Speaker 1: that was the origins of tease feeling apparently. Now what 1159 01:00:03,040 --> 01:00:07,200 Speaker 1: is interesting about this is that is real Martin Luther 1160 01:00:07,280 --> 01:00:11,280 Speaker 1: King's name was. It was like Michael King for a 1161 01:00:11,320 --> 01:00:14,400 Speaker 1: long time, even on his yeah, even on his birth 1162 01:00:14,440 --> 01:00:18,320 Speaker 1: certificate until he was twenty eight, and then he changed 1163 01:00:18,360 --> 01:00:22,640 Speaker 1: it to Martin Luther King Junior. The name Michael was 1164 01:00:22,680 --> 01:00:25,960 Speaker 1: crossed out next to with someone printed carefully in black 1165 01:00:25,960 --> 01:00:27,480 Speaker 1: ink Martin Luther King Jr. 1166 01:00:29,880 --> 01:00:30,120 Speaker 2: Yeah. 1167 01:00:30,160 --> 01:00:34,240 Speaker 1: There's a podcast, I think retropod where they have the 1168 01:00:34,280 --> 01:00:38,880 Speaker 1: story of how this happened and stuff. But yeah, in 1169 01:00:38,960 --> 01:00:41,960 Speaker 1: nineteen thirty four when his father, who was then on 1170 01:00:42,040 --> 01:00:45,360 Speaker 1: his Reverend Michael King or mL King, was a senior 1171 01:00:45,360 --> 01:00:48,080 Speaker 1: pastor of Ebene'z, a Baptist church, and a prominent minister 1172 01:00:48,120 --> 01:00:50,880 Speaker 1: in Atlanta. In the summer nineteen thirty four, King's church 1173 01:00:50,920 --> 01:00:53,520 Speaker 1: sent him to on a World War World wind trip. 1174 01:00:53,760 --> 01:00:57,400 Speaker 1: He traveled to Rome, Tunisia, Egypt, Jerusalem, and Bethlehem before 1175 01:00:57,920 --> 01:01:00,640 Speaker 1: setting sail to Berlin, where he he would attend a 1176 01:01:00,640 --> 01:01:03,480 Speaker 1: Baptist World Alignes meeting. According to the Martin Luther King 1177 01:01:03,560 --> 01:01:07,840 Speaker 1: Junior Research Education Institute of Stanford University, the trip to Germany, 1178 01:01:07,920 --> 01:01:10,400 Speaker 1: historians say had a profound effect on the elder King. 1179 01:01:10,560 --> 01:01:14,520 Speaker 1: King arrived in Berlin a year after Adolph Hitler, King Chancellor. 1180 01:01:14,920 --> 01:01:17,320 Speaker 1: During his trip, the senior King toward the country where 1181 01:01:17,360 --> 01:01:22,160 Speaker 1: in nineteen fifteen seventeen, the German monk and theology theologian 1182 01:01:22,400 --> 01:01:26,320 Speaker 1: Martin Luther had nailed his ninety five theses to the 1183 01:01:26,360 --> 01:01:29,919 Speaker 1: door of the Wittenberg Castle Church, challenging the Catholic Church. 1184 01:01:30,000 --> 01:01:33,200 Speaker 1: The act would lead to the Protestant Reformation, the revolution 1185 01:01:33,320 --> 01:01:37,160 Speaker 1: that would split Western Christianity. So he was so inspired 1186 01:01:37,200 --> 01:01:40,760 Speaker 1: by Martin Luther that he was like, I'm gonna be 1187 01:01:40,800 --> 01:01:48,920 Speaker 1: Martin Luther King. And then his son followed suit. So yeah, 1188 01:01:49,200 --> 01:01:53,520 Speaker 1: that's that's wild, and that's so yeah, they really did. 1189 01:01:53,640 --> 01:01:56,120 Speaker 1: And of course the other thing I think we've covered 1190 01:01:56,120 --> 01:01:58,800 Speaker 1: on the Shouff for Martin Luther King was in love 1191 01:01:58,840 --> 01:02:03,040 Speaker 1: with a white woman, or at least dating her seriously, 1192 01:02:04,600 --> 01:02:08,120 Speaker 1: and then he ended up getting married to Corretta Scott 1193 01:02:08,200 --> 01:02:13,840 Speaker 1: King and still sleeping with white women sometimes. So uh, 1194 01:02:13,880 --> 01:02:16,080 Speaker 1: they didn't bring that part up, but I'm sure they 1195 01:02:16,120 --> 01:02:17,480 Speaker 1: was about to. We were staying in that room a 1196 01:02:17,520 --> 01:02:20,600 Speaker 1: little longer. Girl, I heard he's still messing with them 1197 01:02:20,600 --> 01:02:22,120 Speaker 1: white women that Kell was brewing. 1198 01:02:25,000 --> 01:02:26,600 Speaker 2: It was just about to dip their tea bag one 1199 01:02:26,600 --> 01:02:27,040 Speaker 2: more time. 1200 01:02:27,360 --> 01:02:29,760 Speaker 1: Girl, you ain't heard it from me, but uh, I 1201 01:02:30,120 --> 01:02:36,640 Speaker 1: heard it from me, okay anonymously. Uh so that was 1202 01:02:36,680 --> 01:02:41,720 Speaker 1: all real. And then Ruby was singing, and they have 1203 01:02:41,800 --> 01:02:44,760 Speaker 1: a live band and a dude, the dude from the 1204 01:02:44,760 --> 01:02:47,680 Speaker 1: bar in episode one that Tick didn't like. That was like, 1205 01:02:47,760 --> 01:02:51,840 Speaker 1: oh yeah, you're my Chrial's boy. Uh Tick, you know, boy, 1206 01:02:51,880 --> 01:02:53,200 Speaker 1: he had no coke bottle glasses. 1207 01:02:53,200 --> 01:02:55,280 Speaker 2: You know the people she was walking around assuming with 1208 01:02:55,280 --> 01:02:56,320 Speaker 2: a picture of alcohol. 1209 01:02:56,720 --> 01:02:59,480 Speaker 1: Yeah, she was passing out some Uh she was basically 1210 01:02:59,520 --> 01:03:02,439 Speaker 1: running a day juke, joining them. Come on, passing out 1211 01:03:02,480 --> 01:03:03,400 Speaker 1: alcohol and shit. 1212 01:03:03,440 --> 01:03:05,400 Speaker 2: I don't know giving anybody the moonshine. 1213 01:03:05,640 --> 01:03:07,480 Speaker 1: I don't know if this is during prohibition or not, 1214 01:03:07,600 --> 01:03:11,400 Speaker 1: but she was passing out alcohol and shit, and I 1215 01:03:11,440 --> 01:03:12,960 Speaker 1: was shocked. The cop they didn't call the cops on 1216 01:03:13,000 --> 01:03:15,400 Speaker 1: her for having a party. Come on, but yeah, she 1217 01:03:15,560 --> 01:03:17,520 Speaker 1: was passing on alcohol and this dude was kind of 1218 01:03:17,560 --> 01:03:21,120 Speaker 1: clocking her. Uh and you know, it looked like he 1219 01:03:21,160 --> 01:03:22,840 Speaker 1: was trying to get her attention, but she, you know, 1220 01:03:22,920 --> 01:03:25,560 Speaker 1: she was just oblivious to him. But I just remember 1221 01:03:25,640 --> 01:03:29,520 Speaker 1: him from the first episode and that Tick don't like him, 1222 01:03:29,720 --> 01:03:35,720 Speaker 1: And so then Hippolata comes to the party. She's at 1223 01:03:35,720 --> 01:03:39,800 Speaker 1: the party and she's giving away food, basically food that people. 1224 01:03:39,880 --> 01:03:41,160 Speaker 1: A lot of people gave her a lot of food 1225 01:03:41,240 --> 01:03:43,439 Speaker 1: during her time of grief, so she's like, it's good 1226 01:03:43,480 --> 01:03:44,320 Speaker 1: just to be getting. 1227 01:03:44,080 --> 01:03:47,840 Speaker 2: Rid of this food and tons of it too, because 1228 01:03:47,880 --> 01:03:51,040 Speaker 2: her husband was like, well loved until you know, a 1229 01:03:51,040 --> 01:03:53,000 Speaker 2: lot of people used the book and things like that. 1230 01:03:53,280 --> 01:03:54,240 Speaker 2: She's probably getting. 1231 01:03:54,040 --> 01:03:58,000 Speaker 1: Food for weeks. She also drags Ticked for filth uh 1232 01:03:58,440 --> 01:04:01,080 Speaker 1: by saying he'd be eating too much and into her nerves, 1233 01:04:01,360 --> 01:04:04,120 Speaker 1: and Letty was like, you know, She's like, you know, 1234 01:04:04,240 --> 01:04:07,640 Speaker 1: then he left the cup that upside down, I mean 1235 01:04:07,800 --> 01:04:12,920 Speaker 1: downside up instead of upside down, and Letty goes, does 1236 01:04:12,960 --> 01:04:15,000 Speaker 1: he remind you too much of George? And she's like, no, 1237 01:04:15,080 --> 01:04:18,600 Speaker 1: I'm just I'm just being foolish. And I was like, man, 1238 01:04:18,600 --> 01:04:21,040 Speaker 1: maybe that is it that he reminds her too much 1239 01:04:21,120 --> 01:04:24,240 Speaker 1: of his presence. You know. It's almost like he's trying 1240 01:04:24,240 --> 01:04:28,040 Speaker 1: to help, but it's making her miss George Moore. It's 1241 01:04:28,080 --> 01:04:30,000 Speaker 1: like it would be better if he wasn't there rather 1242 01:04:30,040 --> 01:04:32,320 Speaker 1: than being there and being a pale imitation of the 1243 01:04:32,560 --> 01:04:37,000 Speaker 1: of what she come accustomed to with this man agreed, Uh, downstairs, 1244 01:04:37,080 --> 01:04:39,800 Speaker 1: d and the kids, because uh, you know, kids be 1245 01:04:39,840 --> 01:04:41,080 Speaker 1: at the party, but they can't be up there with 1246 01:04:41,080 --> 01:04:42,560 Speaker 1: the drinking and dancing, nigga boarding. 1247 01:04:42,760 --> 01:04:45,520 Speaker 2: You're playing the cars and dice and dominoes whatever else 1248 01:04:45,520 --> 01:04:46,800 Speaker 2: that adults was doing. 1249 01:04:46,840 --> 01:04:49,960 Speaker 1: So they're doing what all young kids did before video games, 1250 01:04:50,080 --> 01:04:53,400 Speaker 1: playing we usual board. Apparently, yep, it was the thing. 1251 01:04:53,720 --> 01:04:56,040 Speaker 1: Apparently it was. I didn't know black kids played with this. 1252 01:04:56,200 --> 01:04:59,960 Speaker 1: We don't play with them demons, but not Hipta, Hippolyta 1253 01:05:00,120 --> 01:05:02,760 Speaker 1: and her kid, I mean not the and her friends. 1254 01:05:04,520 --> 01:05:07,720 Speaker 1: Now this I only know because of black Twitter. I 1255 01:05:07,720 --> 01:05:09,560 Speaker 1: don't even know how to fuck they know the shit, 1256 01:05:09,920 --> 01:05:14,600 Speaker 1: like I'm assuming they know because they fucking like. I 1257 01:05:14,600 --> 01:05:17,080 Speaker 1: don't know. They got an episode God someone told them. 1258 01:05:17,120 --> 01:05:21,800 Speaker 1: I don't know. But one of the little boys asked Luigi, boy, 1259 01:05:22,040 --> 01:05:24,040 Speaker 1: am I gonna have a good time on my trip? 1260 01:05:24,080 --> 01:05:27,920 Speaker 1: And the boy says no, that boy, that boy is 1261 01:05:27,920 --> 01:05:34,080 Speaker 1: wearing the same tie as Emmitt Till, the kid who 1262 01:05:34,160 --> 01:05:37,200 Speaker 1: was killed for quote unquote whistling and a white woman 1263 01:05:38,640 --> 01:05:44,360 Speaker 1: on a trip. And he was from Chicago. So this 1264 01:05:44,360 --> 01:05:47,520 Speaker 1: this party has Emmitt Till at it and James Baldwin's there, 1265 01:05:47,880 --> 01:05:49,440 Speaker 1: you know, and. 1266 01:05:49,960 --> 01:05:51,920 Speaker 2: You know according to black Twitter, they were saying they 1267 01:05:52,000 --> 01:05:55,120 Speaker 2: call him his nickname Bobo. 1268 01:05:55,640 --> 01:05:58,880 Speaker 1: Yeah, so like something like that. That takes so much. 1269 01:05:59,000 --> 01:06:02,800 Speaker 1: That's such a like they put so much detail into that, and. 1270 01:06:02,920 --> 01:06:05,000 Speaker 2: Like you would have to actually no know that. 1271 01:06:05,360 --> 01:06:07,280 Speaker 1: Yeah, I would not have picked up. That's the kind 1272 01:06:07,280 --> 01:06:09,360 Speaker 1: of thing I'll pick up on like my seventy fifth 1273 01:06:09,440 --> 01:06:13,360 Speaker 1: watching three years from now, and these other motherfuckers picked 1274 01:06:13,360 --> 01:06:17,960 Speaker 1: it up right away. So another kid named Gil asked 1275 01:06:19,160 --> 01:06:22,760 Speaker 1: who are they talking to? And the board, oh, because 1276 01:06:23,200 --> 01:06:26,000 Speaker 1: they're like, you know, ask the board another question, and 1277 01:06:26,040 --> 01:06:27,640 Speaker 1: Gil asked, Now, I don't know if this is Gil 1278 01:06:27,720 --> 01:06:32,400 Speaker 1: scot hearing. Who knows, because this fucking show, but like 1279 01:06:32,440 --> 01:06:34,720 Speaker 1: every time they say somebody name is a famous black person, 1280 01:06:34,760 --> 01:06:38,880 Speaker 1: I don't know. But yeah, so Gil asked, is the 1281 01:06:38,920 --> 01:06:44,040 Speaker 1: board who are we talking to? And the board answers, 1282 01:06:44,120 --> 01:06:46,080 Speaker 1: and this time it's like it's being possessed and it 1283 01:06:46,160 --> 01:06:49,640 Speaker 1: really is answering on his own and it answers George 1284 01:06:49,720 --> 01:06:53,520 Speaker 1: is dead, and Dee of course jumps up from the 1285 01:06:53,560 --> 01:06:57,840 Speaker 1: table and takes it very personal, and because her father 1286 01:06:57,960 --> 01:07:01,320 Speaker 1: is George and this is she thinks they like they 1287 01:07:01,320 --> 01:07:02,560 Speaker 1: think this is funny. 1288 01:07:02,520 --> 01:07:04,720 Speaker 2: Yeah, and they're like, nah, we really didn't do. 1289 01:07:04,680 --> 01:07:07,320 Speaker 1: This, and she flips the board over and calls them 1290 01:07:07,320 --> 01:07:13,400 Speaker 1: assholes and leaves, but the kids swear it move by itself. Meanwhile, 1291 01:07:14,600 --> 01:07:17,720 Speaker 1: Hippolyta goes to look for d upstairs because you know, 1292 01:07:17,760 --> 01:07:21,000 Speaker 1: her mama sense was tingling, like where you at being fast? 1293 01:07:21,120 --> 01:07:23,280 Speaker 1: What you're doing is at it? But she goes looking. 1294 01:07:23,360 --> 01:07:26,400 Speaker 1: She don't see her in there, but a door in 1295 01:07:26,480 --> 01:07:29,480 Speaker 1: the background opens and she goes into this room and 1296 01:07:29,520 --> 01:07:36,560 Speaker 1: there's this golden planetary like solar system looking apparatus that 1297 01:07:36,680 --> 01:07:39,640 Speaker 1: she touches, and then the scene cuts away and we 1298 01:07:39,720 --> 01:07:43,160 Speaker 1: don't really get to see like her interact with it, 1299 01:07:43,200 --> 01:07:46,720 Speaker 1: but we do know from the episodes one and two 1300 01:07:47,400 --> 01:07:53,280 Speaker 1: she's a stargazer and she's big into astronomy. So if 1301 01:07:53,320 --> 01:07:56,400 Speaker 1: this is some sort of tool and it's falling into 1302 01:07:56,440 --> 01:07:59,920 Speaker 1: her hands or or she's taking a liking to it, 1303 01:08:00,440 --> 01:08:03,080 Speaker 1: she's clearly the one to have it right. 1304 01:08:03,320 --> 01:08:07,320 Speaker 2: Yes, and uh, we'll probably end up finding we may, 1305 01:08:07,760 --> 01:08:09,960 Speaker 2: you know, see what happened to her in that room 1306 01:08:09,960 --> 01:08:14,440 Speaker 2: because nobody knows, or either we might turn around and 1307 01:08:14,560 --> 01:08:16,800 Speaker 2: see she has it. She has that particular thing in 1308 01:08:16,840 --> 01:08:19,439 Speaker 2: her house because at that particular time when she walked 1309 01:08:19,439 --> 01:08:20,960 Speaker 2: in that room said, oh shit, the dog gonna close 1310 01:08:21,000 --> 01:08:22,880 Speaker 2: behind you. But that's just where my mom went. 1311 01:08:23,400 --> 01:08:26,960 Speaker 1: Yeah. The thing I kept thinking is the way that 1312 01:08:27,040 --> 01:08:32,400 Speaker 1: things are unfolding with hippolida. If they freeze her out 1313 01:08:32,760 --> 01:08:40,479 Speaker 1: or she feels like something happened with George and we know, like, uh, 1314 01:08:40,880 --> 01:08:43,320 Speaker 1: she's gonna have this like if she can have this 1315 01:08:43,439 --> 01:08:45,080 Speaker 1: tool or not how to work it or something, or 1316 01:08:45,120 --> 01:08:47,120 Speaker 1: they need her as an ally, they may be setting 1317 01:08:47,160 --> 01:08:49,880 Speaker 1: her up to be like an bad enemy because of 1318 01:08:49,960 --> 01:08:52,840 Speaker 1: how they're freezing her out, and then she might take 1319 01:08:52,880 --> 01:08:54,679 Speaker 1: it personal that they didn't tell her the truth. 1320 01:08:56,000 --> 01:08:58,760 Speaker 2: I think she's going to find out because, like I said, 1321 01:08:58,800 --> 01:09:03,560 Speaker 2: because she's in quick, she's not a normal quote unquote housewife. 1322 01:09:03,600 --> 01:09:05,960 Speaker 2: She wants to do shit. You know, she don't mind 1323 01:09:06,000 --> 01:09:08,559 Speaker 2: having kids and being at home, but you can tell 1324 01:09:08,600 --> 01:09:11,479 Speaker 2: it bothered her not to be out and about and 1325 01:09:11,520 --> 01:09:15,000 Speaker 2: doing these great things with her husband. And so a 1326 01:09:15,120 --> 01:09:20,120 Speaker 2: husband's gone and she's like, I don't feel like you 1327 01:09:20,200 --> 01:09:22,880 Speaker 2: guys are telling me everything that I need to know, 1328 01:09:23,640 --> 01:09:25,839 Speaker 2: and like you say, it is going to be a problem. 1329 01:09:25,840 --> 01:09:28,360 Speaker 2: And she's going to be very, very, very angry because 1330 01:09:28,439 --> 01:09:30,439 Speaker 2: I don't think they're gonna tell her. I think she's 1331 01:09:30,439 --> 01:09:32,320 Speaker 2: going to fuck around and stumble on it on her own, 1332 01:09:32,320 --> 01:09:33,679 Speaker 2: which is going to make her even matter. 1333 01:09:34,479 --> 01:09:37,000 Speaker 1: Possibly, Like I said, I don't know if they can 1334 01:09:37,120 --> 01:09:39,960 Speaker 1: bring her into the fold at something. It could get 1335 01:09:39,960 --> 01:09:42,160 Speaker 1: to a point where they get stumped on something, they're like, hey, 1336 01:09:42,680 --> 01:09:45,479 Speaker 1: use this thing for us tell you know, we gotta 1337 01:09:45,560 --> 01:09:48,800 Speaker 1: let you in on what happened, you know. But yeah, 1338 01:09:48,840 --> 01:09:50,559 Speaker 1: it just seemed like they're setting it up for her, 1339 01:09:51,040 --> 01:09:53,120 Speaker 1: not and by them, I don't mean the TV show, 1340 01:09:53,479 --> 01:09:56,920 Speaker 1: but the characters and their actions and freezing her out 1341 01:09:57,400 --> 01:09:59,559 Speaker 1: seems to be very shortsighted. 1342 01:09:59,280 --> 01:10:03,360 Speaker 2: Because she's you can tell that she's determined that she's 1343 01:10:03,400 --> 01:10:06,560 Speaker 2: going to find the truth. Just fine questions that she's asked. 1344 01:10:06,360 --> 01:10:08,080 Speaker 1: Well, we'll get to that part because we haven't talked 1345 01:10:08,120 --> 01:10:12,280 Speaker 1: about that yet, but you know, just just she's kind 1346 01:10:12,280 --> 01:10:17,960 Speaker 1: of fed up with Tig, you know. So anyway, Tick 1347 01:10:18,120 --> 01:10:20,840 Speaker 1: comes into the party in full military uniform and he 1348 01:10:20,880 --> 01:10:25,360 Speaker 1: sees Letty dancing with some dude, and the dude from 1349 01:10:25,360 --> 01:10:28,040 Speaker 1: the first episode that been getting on takes nerves, asking 1350 01:10:28,120 --> 01:10:32,280 Speaker 1: me questions like were you been outside And he was like, yeah, 1351 01:10:32,520 --> 01:10:34,640 Speaker 1: just want them to see, like just watching guard of 1352 01:10:34,720 --> 01:10:36,400 Speaker 1: the house. He's like, oh, you want to see a 1353 01:10:36,439 --> 01:10:40,679 Speaker 1: military man live here. That's smart, that's smart. And I'm thinking, 1354 01:10:40,800 --> 01:10:44,599 Speaker 1: you know, white people don't really respect nothing. So even 1355 01:10:44,640 --> 01:10:47,760 Speaker 1: if they see a veteran soldier black man, they don't 1356 01:10:47,760 --> 01:10:48,760 Speaker 1: respect that rights either. 1357 01:10:50,280 --> 01:10:54,040 Speaker 2: Else don't care nothing about you serving this country. 1358 01:10:54,280 --> 01:10:58,840 Speaker 1: Yeah, black Trump's everything like you're black. That then I 1359 01:10:58,880 --> 01:11:00,720 Speaker 1: don't have to respect your rights. It doesn't matter if 1360 01:11:00,760 --> 01:11:03,479 Speaker 1: you're in the military or not. I'm white and that 1361 01:11:03,640 --> 01:11:06,080 Speaker 1: I don't even have to serve in the military. But 1362 01:11:06,360 --> 01:11:09,160 Speaker 1: Tick also does wonder if those dudes have served in 1363 01:11:09,200 --> 01:11:12,559 Speaker 1: the military that had those horns on the car and 1364 01:11:12,560 --> 01:11:13,400 Speaker 1: all that shit too. 1365 01:11:13,280 --> 01:11:14,040 Speaker 2: Wouldn't be surprised. 1366 01:11:14,960 --> 01:11:17,880 Speaker 1: So, yeah, he's been standing outside guarding the house, but 1367 01:11:18,040 --> 01:11:20,879 Speaker 1: he comes in for a beer or whatever, and. 1368 01:11:23,000 --> 01:11:24,920 Speaker 2: He really look like, this dude is annoying the hell 1369 01:11:24,960 --> 01:11:28,360 Speaker 2: out of him. They have some history. Don't know what happened, 1370 01:11:28,400 --> 01:11:30,280 Speaker 2: but something happened. 1371 01:11:30,000 --> 01:11:32,120 Speaker 1: And he is annoying because the dude brings up like 1372 01:11:32,320 --> 01:11:37,080 Speaker 1: you know, uh, you you know, rumor has it you've 1373 01:11:37,080 --> 01:11:40,920 Speaker 1: been staying here rent free you uh you know, you 1374 01:11:41,040 --> 01:11:43,800 Speaker 1: messing with Letty, you know, because she's just her house 1375 01:11:43,840 --> 01:11:46,000 Speaker 1: and you don't want to stay in rent free. I'm like, 1376 01:11:46,200 --> 01:11:49,760 Speaker 1: mind your fucking business. But you know, Tick doesn't say 1377 01:11:49,880 --> 01:11:52,439 Speaker 1: much of anything to the dude, and he's like, because 1378 01:11:52,439 --> 01:11:54,519 Speaker 1: you know, we me and Letty used to tussle back 1379 01:11:54,560 --> 01:11:59,439 Speaker 1: in the day, and I'm feeling nostalgic tonight, and uh, 1380 01:11:59,600 --> 01:12:02,439 Speaker 1: Tick kind of looks like, shut the fuck up. And 1381 01:12:02,439 --> 01:12:04,840 Speaker 1: then the dude is like, well, all right, I see player, 1382 01:12:04,840 --> 01:12:07,800 Speaker 1: I'll see my bad. I'm not gonna you know, but 1383 01:12:07,840 --> 01:12:10,600 Speaker 1: you better do something and let her know before you 1384 01:12:10,760 --> 01:12:13,160 Speaker 1: lose your woman. And then he looks on the floor 1385 01:12:13,200 --> 01:12:15,639 Speaker 1: and she's dancing with this dude, real hot and heavy. 1386 01:12:15,640 --> 01:12:19,439 Speaker 1: It's real sexy. And Letty sees Tick watching her from 1387 01:12:19,479 --> 01:12:23,519 Speaker 1: across the room, like Jerry Farwell Jr. Wearing speedos come on. 1388 01:12:24,040 --> 01:12:28,920 Speaker 1: And she's dancing with this dude, and you know, she 1389 01:12:29,040 --> 01:12:32,519 Speaker 1: goes to the bathroom to like freshen up, and in 1390 01:12:32,560 --> 01:12:35,400 Speaker 1: the mirror we see a mutilated black ghosts looking at her, 1391 01:12:35,400 --> 01:12:39,120 Speaker 1: but she can't see it. And then and it's only 1392 01:12:39,120 --> 01:12:40,920 Speaker 1: that for a second, but then the mirror then they 1393 01:12:41,040 --> 01:12:44,120 Speaker 1: kind of pan over and at the door, Tick is 1394 01:12:44,360 --> 01:12:50,840 Speaker 1: standing in the doorway his full military uniform, and she's like, oh, hey, Tik, 1395 01:12:50,880 --> 01:12:53,640 Speaker 1: what you doing here. He comes in and they just 1396 01:12:54,160 --> 01:12:58,280 Speaker 1: start kissing and then they smash on the bathroom counter. 1397 01:12:58,720 --> 01:13:00,000 Speaker 2: Mm hmm. All up on the scene. 1398 01:13:00,320 --> 01:13:03,439 Speaker 1: Smashed your cakes to colored section. Smith renes, okay, ha 1399 01:13:03,600 --> 01:13:04,040 Speaker 1: ha ha. 1400 01:13:04,439 --> 01:13:05,840 Speaker 2: The black section only. 1401 01:13:06,600 --> 01:13:09,160 Speaker 1: Gave them civil rights rounds. 1402 01:13:10,400 --> 01:13:11,160 Speaker 2: Actually, it was. 1403 01:13:11,160 --> 01:13:14,320 Speaker 1: Actually gonna get this colored penis other than seeing like 1404 01:13:14,680 --> 01:13:20,200 Speaker 1: you know, Jonathan Mayers, but Myers. But it was not 1405 01:13:20,320 --> 01:13:24,840 Speaker 1: necessarily a great sex scene because it was quick. It 1406 01:13:24,920 --> 01:13:28,040 Speaker 1: was like it was like one of those like I've 1407 01:13:28,040 --> 01:13:30,000 Speaker 1: been wanting to have sex with you for so long 1408 01:13:30,080 --> 01:13:32,599 Speaker 1: and I've been wanting to let you and then they 1409 01:13:32,640 --> 01:13:35,160 Speaker 1: both just have sex for about three seconds because you know, 1410 01:13:35,240 --> 01:13:37,360 Speaker 1: the parties downstairs and they ain't really supposed to be up 1411 01:13:37,360 --> 01:13:38,080 Speaker 1: here doing all this. 1412 01:13:38,240 --> 01:13:39,160 Speaker 2: Right, let's do it quick. 1413 01:13:39,439 --> 01:13:41,920 Speaker 1: Yeah, it wasn't No, this is like just some like 1414 01:13:42,120 --> 01:13:46,479 Speaker 1: pure animalistic sex. And they had sex real quick. And 1415 01:13:46,520 --> 01:13:49,439 Speaker 1: then he sees when he goes to like wash up, 1416 01:13:49,479 --> 01:13:53,840 Speaker 1: that she's bleeding and she said that she's on her monthly. 1417 01:13:53,760 --> 01:13:55,880 Speaker 2: And she didn't realize it started. 1418 01:13:56,000 --> 01:13:58,479 Speaker 1: Yeah, and he goes, it's not a big deal, like, 1419 01:13:58,600 --> 01:14:01,680 Speaker 1: it's like, it's okay, you know, like he basically he 1420 01:14:01,680 --> 01:14:04,320 Speaker 1: didn't want her to feel like bad or nasty or dirt. 1421 01:14:04,400 --> 01:14:09,439 Speaker 1: He's like, no, it's fine, and she's like, okay, well 1422 01:14:09,479 --> 01:14:12,040 Speaker 1: i'll see you downstairs, and he's like yeah, but after 1423 01:14:12,080 --> 01:14:18,200 Speaker 1: he leaves, she gets emotional cries. Then later we cut 1424 01:14:18,200 --> 01:14:22,240 Speaker 1: the downstairs and Ruby is playing cards or space with 1425 01:14:22,520 --> 01:14:25,280 Speaker 1: some blacks, talking about how she's gonna get this job 1426 01:14:25,280 --> 01:14:28,200 Speaker 1: in Marshall Fields and how if more colored people felt 1427 01:14:28,280 --> 01:14:31,800 Speaker 1: like her, then the race would be further along, you know, 1428 01:14:31,920 --> 01:14:36,640 Speaker 1: getting these good jobs and you know long, you know, 1429 01:14:36,800 --> 01:14:39,880 Speaker 1: just a great descendant of black capitalists everywhere. Okay, a 1430 01:14:39,920 --> 01:14:44,480 Speaker 1: lot of people don't know she's jay Z's great great ancestor. 1431 01:14:44,840 --> 01:14:49,200 Speaker 1: But she's like, while she's talking about this, outside they 1432 01:14:49,200 --> 01:14:53,439 Speaker 1: see someone's burned across and they running off, and Tick 1433 01:14:53,920 --> 01:14:57,439 Speaker 1: apparently was too busy to he was inside. Now we're 1434 01:14:57,439 --> 01:15:00,320 Speaker 1: covering from the sex, so he wasn't able to watch, 1435 01:15:00,720 --> 01:15:03,559 Speaker 1: staying guard, so nobody was watching to see these white 1436 01:15:03,560 --> 01:15:06,960 Speaker 1: people started burning this cross second he went, paying no attention, right, 1437 01:15:07,200 --> 01:15:10,080 Speaker 1: And so what I liked about this is Letty was 1438 01:15:10,120 --> 01:15:13,040 Speaker 1: shocked and kind of pushed put her back and her 1439 01:15:13,080 --> 01:15:16,719 Speaker 1: face goes blank and then like she just snaps the action, 1440 01:15:17,360 --> 01:15:22,120 Speaker 1: like she gets her bat and hot sauce or lemonade 1441 01:15:22,920 --> 01:15:25,559 Speaker 1: and she's just fed up. And I love how they 1442 01:15:25,560 --> 01:15:29,720 Speaker 1: got information. All the brothers they went and got shotguns, 1443 01:15:30,120 --> 01:15:32,280 Speaker 1: and about three or four of them follow her outside, 1444 01:15:32,760 --> 01:15:35,799 Speaker 1: and then she broke the windows to the cars, knocked 1445 01:15:35,800 --> 01:15:37,240 Speaker 1: the bricks off of the horns. 1446 01:15:37,479 --> 01:15:40,440 Speaker 2: Yeah, she was like, I am tired of y'all bullshit. 1447 01:15:40,600 --> 01:15:42,599 Speaker 2: These hol's been fucking going out for days. 1448 01:15:42,800 --> 01:15:46,360 Speaker 1: Fuck y'all, right, and we know that Letty is pretty militant, 1449 01:15:46,520 --> 01:15:50,439 Speaker 1: you know, and light skinned people always the most militant, 1450 01:15:50,560 --> 01:15:51,920 Speaker 1: always the most militant. 1451 01:15:51,960 --> 01:15:56,040 Speaker 2: I love the way this was shot. Her in that 1452 01:15:56,400 --> 01:16:00,479 Speaker 2: dress and just moving around and like, uh doing the 1453 01:16:00,520 --> 01:16:03,360 Speaker 2: straps like just like fuck it. You know, you know, 1454 01:16:03,400 --> 01:16:06,240 Speaker 2: I'm gonna cover these tings up. But y'all, y'all, fuck 1455 01:16:06,320 --> 01:16:07,799 Speaker 2: y'all in these cars and these bricks. 1456 01:16:07,880 --> 01:16:10,680 Speaker 1: Yeah, the only thing missing was her skipping with the 1457 01:16:10,720 --> 01:16:12,680 Speaker 1: bat and being like hold up, then don't let me 1458 01:16:12,840 --> 01:16:17,600 Speaker 1: like hello, slow down, like that's always thinking I was 1459 01:16:17,720 --> 01:16:21,280 Speaker 1: missing back up smash, you know what I mean. Like, 1460 01:16:21,800 --> 01:16:25,800 Speaker 1: but yeah, so she fucked up them. Uh, she hopped 1461 01:16:25,800 --> 01:16:29,559 Speaker 1: about the bed and fucked up them cars. And I 1462 01:16:29,600 --> 01:16:31,680 Speaker 1: loved it because it was so organized. 1463 01:16:31,240 --> 01:16:33,200 Speaker 2: So crazy, jealous, so crazy. 1464 01:16:33,560 --> 01:16:38,679 Speaker 1: Everything got into everyone got into formation so easily because 1465 01:16:39,040 --> 01:16:41,040 Speaker 1: like the brothers had the guns and had her back. 1466 01:16:41,120 --> 01:16:43,320 Speaker 1: Ruby went and got her car. She first she asked 1467 01:16:43,400 --> 01:16:46,040 Speaker 1: was the there? Then she ain't got her car. She 1468 01:16:46,160 --> 01:16:49,360 Speaker 1: drives off. After all the cars have been busted. They 1469 01:16:49,400 --> 01:16:54,240 Speaker 1: put they tossed the bat back towards the towards the house, 1470 01:16:54,600 --> 01:16:57,040 Speaker 1: and then they put the guns, the shotguns in the 1471 01:16:57,040 --> 01:17:00,519 Speaker 1: back of the trunk of Ruby's car, and he drives 1472 01:17:00,560 --> 01:17:01,639 Speaker 1: off before the police get there. 1473 01:17:03,080 --> 01:17:03,599 Speaker 2: A gangster. 1474 01:17:04,080 --> 01:17:08,519 Speaker 1: Mm hmm, let's get information. I loved it. And then 1475 01:17:08,560 --> 01:17:09,920 Speaker 1: they put their hands up and they get on their 1476 01:17:10,000 --> 01:17:11,960 Speaker 1: knees because they know the police are there, are coming, 1477 01:17:13,560 --> 01:17:17,799 Speaker 1: and so they they get they get ready to get arrested. 1478 01:17:17,880 --> 01:17:21,720 Speaker 1: But it looks like they only arrest Letty, which I 1479 01:17:21,720 --> 01:17:23,240 Speaker 1: don't know if it's because she's the one that busted 1480 01:17:23,320 --> 01:17:26,639 Speaker 1: up the cars right or because she owns the house, 1481 01:17:26,680 --> 01:17:30,479 Speaker 1: but that's who they arrest. Now the cop in the wagon, 1482 01:17:31,720 --> 01:17:34,160 Speaker 1: there's three cops, two driving and then one in the 1483 01:17:34,200 --> 01:17:40,640 Speaker 1: back of the wagon with Letty, whose handcuff and and 1484 01:17:40,680 --> 01:17:43,640 Speaker 1: I also noticed they gave Letty a jacket, uh like 1485 01:17:44,000 --> 01:17:46,639 Speaker 1: Tick gave her a jacket or something like that before 1486 01:17:46,640 --> 01:17:49,639 Speaker 1: the cops pulled up. But yeah, So this white cop 1487 01:17:49,760 --> 01:17:53,120 Speaker 1: is in the background, the back of the of the 1488 01:17:53,200 --> 01:17:57,600 Speaker 1: wagon with her all alone, and he's like, which what 1489 01:17:57,720 --> 01:18:00,559 Speaker 1: group you part of? The Monket Urban League, the National 1490 01:18:00,600 --> 01:18:04,360 Speaker 1: Association for the Advance and the Cockroaches, And he's like 1491 01:18:04,560 --> 01:18:07,320 Speaker 1: pleased with himself, and she's almost smiling. How stupid his 1492 01:18:07,400 --> 01:18:11,200 Speaker 1: ass is. And he says he's got a lot of 1493 01:18:11,240 --> 01:18:13,360 Speaker 1: complaints about her from her neighbors. And she was like, well, 1494 01:18:13,400 --> 01:18:15,559 Speaker 1: you get into the twenty one complaints I said on 1495 01:18:15,720 --> 01:18:19,040 Speaker 1: my neighbors for harassing me. And he's like, fellas, we're 1496 01:18:19,040 --> 01:18:22,479 Speaker 1: getting any complaints? That're like none I remember. And he's like, 1497 01:18:22,720 --> 01:18:24,599 Speaker 1: anything strange has happened in your house? 1498 01:18:25,120 --> 01:18:26,360 Speaker 2: And she was like, she. 1499 01:18:26,360 --> 01:18:31,200 Speaker 1: Doesn't say anything. And then he says, basically, who told 1500 01:18:31,200 --> 01:18:35,920 Speaker 1: you to buy the Winthrop house? Now I had to 1501 01:18:35,960 --> 01:18:39,439 Speaker 1: go back in the first episode when I was rewatching, 1502 01:18:39,520 --> 01:18:45,040 Speaker 1: but Winthrop was one of the names in the frame 1503 01:18:45,439 --> 01:18:50,400 Speaker 1: of like in the house of what was the Code 1504 01:18:50,439 --> 01:18:52,960 Speaker 1: of Adam whatever it was, the so you know, the 1505 01:18:52,960 --> 01:18:55,280 Speaker 1: Code of the Sons and some of the Sons of 1506 01:18:55,400 --> 01:18:58,000 Speaker 1: Dawn whatever the white folks called. 1507 01:18:58,840 --> 01:18:59,880 Speaker 2: Sons of Adam I think so. 1508 01:19:00,160 --> 01:19:05,880 Speaker 1: Yeah, so he one of the names next to the 1509 01:19:05,960 --> 01:19:10,519 Speaker 1: breath white name was something went through. So you know, 1510 01:19:10,840 --> 01:19:14,479 Speaker 1: maybe this does go back all the way to that cult, right, 1511 01:19:15,479 --> 01:19:17,599 Speaker 1: But it's like, who told you about a Winthrop house? 1512 01:19:17,840 --> 01:19:24,120 Speaker 1: And she doesn't really answer, and he's basically like, we're 1513 01:19:24,120 --> 01:19:29,040 Speaker 1: gonna get some answers out of your ass, and ends 1514 01:19:29,120 --> 01:19:34,920 Speaker 1: up giving her a rough rid, which is what killed 1515 01:19:34,960 --> 01:19:40,840 Speaker 1: Freddie Gray. And you know, I'm sure it's traumatizing for 1516 01:19:40,880 --> 01:19:43,160 Speaker 1: people as well, but like I said, this is the 1517 01:19:43,200 --> 01:19:46,840 Speaker 1: shit that scares me because this happens those coming out 1518 01:19:46,880 --> 01:19:50,200 Speaker 1: of the mirror. He's okay, yeah, oh no, they don't 1519 01:19:50,200 --> 01:19:54,160 Speaker 1: have no teeth. Fucking a cop rough ride to somebody 1520 01:19:54,320 --> 01:19:57,599 Speaker 1: and killing him can happen. And so this shit fucked 1521 01:19:57,640 --> 01:19:59,600 Speaker 1: me up. When he grabbed like that strap and she 1522 01:19:59,640 --> 01:20:00,960 Speaker 1: didn't have I was strapped on her side. 1523 01:20:01,080 --> 01:20:03,280 Speaker 2: Yeah, I was like, you grab this trap like, I 1524 01:20:03,320 --> 01:20:06,080 Speaker 2: don't know why I didn't. I didn't think that's what 1525 01:20:06,080 --> 01:20:06,600 Speaker 2: they were gonna do. 1526 01:20:06,680 --> 01:20:09,320 Speaker 1: And then the seed in the car, like the special 1527 01:20:09,360 --> 01:20:11,720 Speaker 1: effects of her slamming from one side slam to the other, 1528 01:20:12,040 --> 01:20:14,960 Speaker 1: and her face is bleeding and bruising shit, and he 1529 01:20:15,120 --> 01:20:18,519 Speaker 1: basically like, you know, tell us who you know who sold. 1530 01:20:18,320 --> 01:20:20,240 Speaker 2: You the house, and we can do this all night. 1531 01:20:20,520 --> 01:20:22,559 Speaker 1: How can you afford to pay the mortgage on this house? 1532 01:20:23,560 --> 01:20:25,800 Speaker 1: And he's like, you know, it don't even matter. We 1533 01:20:25,840 --> 01:20:28,240 Speaker 1: found the body parts of eight niggers buried in the 1534 01:20:28,360 --> 01:20:31,759 Speaker 1: room below the basement. So if history is in the indication, 1535 01:20:31,840 --> 01:20:35,719 Speaker 1: you won't last long in that house at all. And 1536 01:20:35,760 --> 01:20:40,160 Speaker 1: I thought to myself, I bet the officer thinks he's 1537 01:20:40,200 --> 01:20:40,679 Speaker 1: not racist. 1538 01:20:41,880 --> 01:20:46,960 Speaker 2: No nobody is. Even He's like, don't have a racist bonus. 1539 01:20:46,960 --> 01:20:49,160 Speaker 1: Listen, I can't believe I got fired for that. I 1540 01:20:49,200 --> 01:20:52,320 Speaker 1: will vote for Some of my best friends are black. 1541 01:20:53,439 --> 01:20:57,599 Speaker 1: Day nine is when Latitia goes Letitia does her research. 1542 01:20:58,640 --> 01:20:58,760 Speaker 2: Uh. 1543 01:20:58,920 --> 01:21:01,440 Speaker 1: She goes down to the dark room to develop some photos. 1544 01:21:01,439 --> 01:21:04,160 Speaker 1: She notices their lines and all the photos, puts them 1545 01:21:04,200 --> 01:21:06,599 Speaker 1: together on the floor, forming the puzzle that turns into 1546 01:21:06,640 --> 01:21:09,439 Speaker 1: a face that then becomes like a weird kind of 1547 01:21:09,560 --> 01:21:13,040 Speaker 1: sentient gold spirit and tells her get out of my house. 1548 01:21:14,080 --> 01:21:16,200 Speaker 1: And then it talks with so much for us. It 1549 01:21:16,240 --> 01:21:19,080 Speaker 1: pushes her into the steps and she runs up the 1550 01:21:19,080 --> 01:21:21,280 Speaker 1: stairs and looks at all the pictures on the wall, 1551 01:21:21,439 --> 01:21:24,639 Speaker 1: and then while she's up there, we see everyone's moving 1552 01:21:24,640 --> 01:21:28,880 Speaker 1: the fuck out, all the black people gone, and Ruby 1553 01:21:28,960 --> 01:21:31,679 Speaker 1: is handing her about it, like, yo, everybody leaving because 1554 01:21:32,000 --> 01:21:34,519 Speaker 1: you fucked up them cars. And now they're like why 1555 01:21:34,600 --> 01:21:36,920 Speaker 1: you had to push it, Like the white people are 1556 01:21:36,920 --> 01:21:38,240 Speaker 1: definitely gonna retaliate that, right. 1557 01:21:38,320 --> 01:21:39,759 Speaker 2: We don't want to be here when they do. 1558 01:21:39,960 --> 01:21:43,200 Speaker 1: Right, Which is interesting because once again, like I said, 1559 01:21:43,240 --> 01:21:45,559 Speaker 1: the light skinned woman is the one that's the more 1560 01:21:45,720 --> 01:21:49,120 Speaker 1: like militant and the one it's like, lady comes out 1561 01:21:49,120 --> 01:21:52,720 Speaker 1: of a different era because you know, for us now 1562 01:21:52,760 --> 01:21:54,759 Speaker 1: we're like, yeah, I would do that, fuck the white people, 1563 01:21:54,920 --> 01:21:57,160 Speaker 1: but back then it's like that's a death sentence. 1564 01:21:57,360 --> 01:21:57,760 Speaker 2: Come on. 1565 01:21:58,560 --> 01:22:02,880 Speaker 1: So everyone moves out and she's like it's okay. Because 1566 01:22:02,880 --> 01:22:05,120 Speaker 1: she's kind of distracted. She's looking through these photos looking 1567 01:22:05,160 --> 01:22:08,400 Speaker 1: for clues to see like if this house is haunted, 1568 01:22:08,400 --> 01:22:10,640 Speaker 1: what's wrong with it? Because at this point she knows 1569 01:22:11,040 --> 01:22:13,680 Speaker 1: something in this house, right, and it wants me out, 1570 01:22:13,760 --> 01:22:15,439 Speaker 1: And so she's looking through the picture she took in 1571 01:22:15,439 --> 01:22:17,599 Speaker 1: the house to see what other clues she can find 1572 01:22:17,640 --> 01:22:19,960 Speaker 1: because the picture she developed in the dark room was 1573 01:22:20,000 --> 01:22:21,479 Speaker 1: taking in the house, and those are the ones that 1574 01:22:21,560 --> 01:22:25,760 Speaker 1: formed that face. So then she's so distracted looking for 1575 01:22:25,800 --> 01:22:28,000 Speaker 1: clues that when Ruby's like, we're gonna run out of 1576 01:22:28,000 --> 01:22:30,479 Speaker 1: money if we won't have borders. We need to fix this, 1577 01:22:30,840 --> 01:22:34,960 Speaker 1: and Letty's like, I still got the money that Mama 1578 01:22:35,000 --> 01:22:40,479 Speaker 1: gave me. And she's like, what money. Mama didn't leave 1579 01:22:40,960 --> 01:22:44,240 Speaker 1: no money. Mama was broke, and she was like, well, 1580 01:22:44,400 --> 01:22:46,360 Speaker 1: it was a surprise to me too, and she left 1581 01:22:46,400 --> 01:22:48,960 Speaker 1: all this money to me, and she left this note. 1582 01:22:49,240 --> 01:22:51,760 Speaker 1: And that's when I wonder if that voice we heard 1583 01:22:51,760 --> 01:22:54,920 Speaker 1: the beginning of the episode was the note to Letty 1584 01:22:55,040 --> 01:22:58,760 Speaker 1: when the money was given to her from her dad, 1585 01:22:58,840 --> 01:23:02,519 Speaker 1: mom or whatever. That's where what that voiceover was from. 1586 01:23:02,600 --> 01:23:05,240 Speaker 1: I don't know, but it made me think that, right, 1587 01:23:05,640 --> 01:23:08,400 Speaker 1: we'll get to that later. That's a very important note. 1588 01:23:08,439 --> 01:23:13,120 Speaker 1: But so then she gets to you know, she's like Okay. 1589 01:23:14,520 --> 01:23:19,960 Speaker 1: Her sister's like what the fuck, Like I'm betrayed, you 1590 01:23:19,960 --> 01:23:22,200 Speaker 1: know what I mean, Like, you know, you didn't go 1591 01:23:22,240 --> 01:23:27,799 Speaker 1: to mama's funeral, you know, And Letty's like, I'm just tired. 1592 01:23:27,840 --> 01:23:29,479 Speaker 1: I'm tired of trying to figure out what the fuck 1593 01:23:29,560 --> 01:23:32,559 Speaker 1: mom wants. She was fucked up. She was selfish. I 1594 01:23:32,600 --> 01:23:34,800 Speaker 1: don't know what why she gave me this money, what 1595 01:23:34,840 --> 01:23:37,920 Speaker 1: this means, but you know, I basically decided to use 1596 01:23:37,960 --> 01:23:40,400 Speaker 1: it to do some good and I didn't want to 1597 01:23:40,439 --> 01:23:43,080 Speaker 1: tell you because I knew it was gonna hurt you. 1598 01:23:44,040 --> 01:23:49,000 Speaker 1: And Ruby's like, basically, I feel betrayed because you know, 1599 01:23:49,800 --> 01:23:52,400 Speaker 1: you should have took that money, regardless of her wishes 1600 01:23:52,439 --> 01:23:56,160 Speaker 1: and split it between me and Marvin and you because 1601 01:23:56,200 --> 01:23:58,840 Speaker 1: that's the right thing to do. And this whole thing 1602 01:23:58,920 --> 01:24:01,320 Speaker 1: about us being sisters for the first time, it's bullshit. 1603 01:24:01,960 --> 01:24:05,400 Speaker 1: You you know, for whatever reason you're guilty, conscience or something, 1604 01:24:06,160 --> 01:24:09,400 Speaker 1: you chose to get this house, but then you moved 1605 01:24:09,400 --> 01:24:12,960 Speaker 1: all your fucking artist friends in here, like so it's 1606 01:24:12,960 --> 01:24:15,280 Speaker 1: not even like you really helping the black community. You 1607 01:24:15,400 --> 01:24:18,120 Speaker 1: just helping the people that you kick it with already. 1608 01:24:19,520 --> 01:24:21,280 Speaker 1: And she was like, you know, and I give you 1609 01:24:21,320 --> 01:24:24,439 Speaker 1: money so much over your course of your life to 1610 01:24:24,520 --> 01:24:26,840 Speaker 1: help you out. And I was giving you money. You 1611 01:24:26,840 --> 01:24:28,920 Speaker 1: don't even go about your mama's last name. I've been 1612 01:24:28,920 --> 01:24:32,960 Speaker 1: giving you money, but now here I am the food 1613 01:24:33,200 --> 01:24:35,240 Speaker 1: thinking all these years I've been sending you money and 1614 01:24:35,280 --> 01:24:36,760 Speaker 1: you were just a fuck up because you were just 1615 01:24:36,800 --> 01:24:39,559 Speaker 1: a fuck up, but really you're just fucked up. And 1616 01:24:39,600 --> 01:24:43,880 Speaker 1: then she leaves. So that was a pretty big, pretty 1617 01:24:43,880 --> 01:24:45,200 Speaker 1: big fight there, yeah, because she. 1618 01:24:45,240 --> 01:24:51,640 Speaker 2: Was angry and hurt. Uh. And the thing is, everybody's 1619 01:24:51,680 --> 01:24:57,040 Speaker 2: relationship with parents are different, and you know, Ruby and 1620 01:24:57,080 --> 01:24:59,720 Speaker 2: the brother's relationship with the mom might be a completely 1621 01:24:59,760 --> 01:25:02,760 Speaker 2: differ from relationship than Letty's, like completely different, because it 1622 01:25:02,800 --> 01:25:05,479 Speaker 2: sounds like they much older, and it sounds like Leeddy 1623 01:25:05,560 --> 01:25:09,000 Speaker 2: was actually just her and the mom versus they may 1624 01:25:09,040 --> 01:25:11,439 Speaker 2: have had each other. The older two may have actually 1625 01:25:11,479 --> 01:25:14,680 Speaker 2: been there with each other, and people change, so the 1626 01:25:14,720 --> 01:25:16,640 Speaker 2: mom that they knew might not be the mom that 1627 01:25:16,720 --> 01:25:17,960 Speaker 2: Letty knew, right. 1628 01:25:19,520 --> 01:25:21,920 Speaker 1: So that's that's you know, that'll come back up later though. 1629 01:25:22,479 --> 01:25:26,920 Speaker 1: And then that safe Negro travels the store that George 1630 01:25:26,960 --> 01:25:30,720 Speaker 1: used to run. Montros shows up and he's gonna help 1631 01:25:30,760 --> 01:25:32,760 Speaker 1: deal with her swing. Keep in mind, he was told 1632 01:25:32,800 --> 01:25:35,160 Speaker 1: this day one. It is now day nine or day 1633 01:25:35,200 --> 01:25:38,040 Speaker 1: eight or something like that, so he's gonna help deal 1634 01:25:38,040 --> 01:25:41,360 Speaker 1: with her swing. And Hippolyta is getting out of a car. 1635 01:25:41,479 --> 01:25:44,840 Speaker 1: She's got some groceries. He takes them in to carry 1636 01:25:44,880 --> 01:25:47,960 Speaker 1: them forward. They fall out of the bag and one 1637 01:25:47,960 --> 01:25:50,959 Speaker 1: of the things that fills out is a new copy 1638 01:25:51,000 --> 01:25:57,000 Speaker 1: of brown Stroker brown Stoker's Dracula, and he's like, this 1639 01:25:57,040 --> 01:26:01,840 Speaker 1: is this is George's favorite book, and she was like, yeah, 1640 01:26:02,000 --> 01:26:04,120 Speaker 1: the other copy, y I feel some coffee on it 1641 01:26:04,240 --> 01:26:10,400 Speaker 1: or something right, And so then she basically tells him 1642 01:26:10,479 --> 01:26:14,040 Speaker 1: she don't believe that she knows everything about George's death, 1643 01:26:14,080 --> 01:26:16,439 Speaker 1: and that they holding something back, and that Tick being 1644 01:26:16,840 --> 01:26:21,439 Speaker 1: around the house acting strange, and she knows that they, like. 1645 01:26:21,360 --> 01:26:23,200 Speaker 2: You said, she picked the odd behavior. 1646 01:26:23,280 --> 01:26:25,040 Speaker 1: Yeah, She's like, y'all told me, y'all took care of 1647 01:26:25,080 --> 01:26:28,240 Speaker 1: the sheriff, and I'm not gonna ask for the details 1648 01:26:28,280 --> 01:26:32,120 Speaker 1: of what happened, but I know y'all holding something back. 1649 01:26:33,200 --> 01:26:37,440 Speaker 1: And like I said, I don't think she knows it exacts, 1650 01:26:38,040 --> 01:26:40,320 Speaker 1: but she know enough to know her nephew. And when 1651 01:26:40,320 --> 01:26:47,000 Speaker 1: he lined day ten, don't don't uh. Tick meets Letty 1652 01:26:47,000 --> 01:26:50,439 Speaker 1: in a bar. Letty has put together the whole houndt 1653 01:26:50,439 --> 01:26:51,800 Speaker 1: House plot. 1654 01:26:51,680 --> 01:26:54,639 Speaker 2: Her her one single stelf is the whole Scooby Doo. 1655 01:26:54,520 --> 01:27:00,559 Speaker 1: Gang before Google, before the Internet. This woman has went 1656 01:27:00,760 --> 01:27:04,880 Speaker 1: and micro feast all this shit. Ya did she put 1657 01:27:04,920 --> 01:27:05,479 Speaker 1: this together? 1658 01:27:06,400 --> 01:27:08,360 Speaker 2: And they go to old school. She had to fuck 1659 01:27:08,400 --> 01:27:10,559 Speaker 2: around and used the real dictionary. 1660 01:27:10,080 --> 01:27:12,439 Speaker 1: And once again I just loved it. He's like, well, 1661 01:27:12,439 --> 01:27:14,479 Speaker 1: walk me through it instead of like because she's like 1662 01:27:14,520 --> 01:27:17,000 Speaker 1: the house is haunted, and he sits down, like, okay, 1663 01:27:17,040 --> 01:27:19,960 Speaker 1: we'll walk me through it. It's as opposed to haunt it. 1664 01:27:20,040 --> 01:27:23,320 Speaker 1: Get the hell out of here. So she talks about 1665 01:27:23,320 --> 01:27:26,200 Speaker 1: the realtor being cagey about the Winthrop house. 1666 01:27:26,320 --> 01:27:30,240 Speaker 2: Yeah, it's like he he's the person that basically put 1667 01:27:30,320 --> 01:27:33,120 Speaker 2: on the ring, followed the follow the woman through the 1668 01:27:33,160 --> 01:27:36,040 Speaker 2: same path she ran, So he's gonna be the person 1669 01:27:36,080 --> 01:27:37,880 Speaker 2: that goes okay, yes, hon it. 1670 01:27:38,280 --> 01:27:42,320 Speaker 1: The realtor's name was Jerome J. Jackson JJ for sure, 1671 01:27:44,240 --> 01:27:46,640 Speaker 1: and she was like, you know, and he was a 1672 01:27:46,680 --> 01:27:51,360 Speaker 1: black realtor, which, like I said, I don't think existed 1673 01:27:51,400 --> 01:27:56,080 Speaker 1: at the time for selling in white neighborhoods, but you know, 1674 01:27:56,400 --> 01:27:59,640 Speaker 1: clearly he had there was more going on there. The 1675 01:27:59,720 --> 01:28:01,679 Speaker 1: last thrown her the house was a man named Hearim 1676 01:28:01,720 --> 01:28:04,599 Speaker 1: Epstein who was a scientist at the University of Chicago. 1677 01:28:04,720 --> 01:28:09,840 Speaker 1: But then he got fired for experimenting on humans. They 1678 01:28:09,880 --> 01:28:14,280 Speaker 1: don't say what race, but just humans. He has fired 1679 01:28:14,280 --> 01:28:16,760 Speaker 1: for that unethical shit. But then she tells him about 1680 01:28:16,760 --> 01:28:22,000 Speaker 1: the eight bodies found in her basement, which were blacks, which, hmm, 1681 01:28:22,600 --> 01:28:26,160 Speaker 1: if you're looking for people to experiment on and you 1682 01:28:26,360 --> 01:28:28,680 Speaker 1: want people in society don't care about it, won't go 1683 01:28:28,720 --> 01:28:32,280 Speaker 1: looking for uh. She also found out that that cop 1684 01:28:32,360 --> 01:28:34,559 Speaker 1: and hear him knew each other from a picture they 1685 01:28:34,680 --> 01:28:37,280 Speaker 1: took together, and that was in the paper. And then 1686 01:28:37,320 --> 01:28:40,400 Speaker 1: the cop she figures was the one supplying Epstein with 1687 01:28:40,479 --> 01:28:43,640 Speaker 1: test subjects by abducting black people and bringing them to 1688 01:28:43,720 --> 01:28:45,440 Speaker 1: them for him to do his experiments. 1689 01:28:46,479 --> 01:28:47,920 Speaker 2: And it's gonna make the most sense. 1690 01:28:48,200 --> 01:28:53,920 Speaker 1: Then she shows then she shows Tick pictures of that 1691 01:28:54,000 --> 01:28:58,360 Speaker 1: she took from the house, and how there's the faces 1692 01:28:58,400 --> 01:29:02,280 Speaker 1: of these black people are in these pictures, kind of 1693 01:29:02,400 --> 01:29:05,040 Speaker 1: superimposed on the pictures of the on the faces of 1694 01:29:05,080 --> 01:29:07,960 Speaker 1: the black people's who she actually took pictures of. So 1695 01:29:08,000 --> 01:29:10,800 Speaker 1: the missing people are in the pictures, right, all the 1696 01:29:10,840 --> 01:29:14,120 Speaker 1: eight the eight of them or whatever. And she went 1697 01:29:14,200 --> 01:29:17,040 Speaker 1: and found the miss the articles about missing black people 1698 01:29:17,640 --> 01:29:21,559 Speaker 1: and basically just could tell like this one is this person, 1699 01:29:21,600 --> 01:29:23,839 Speaker 1: and this one is that person. She remembered their names 1700 01:29:24,240 --> 01:29:28,000 Speaker 1: and the stories and all that stuff, and so Tick says, 1701 01:29:28,120 --> 01:29:31,960 Speaker 1: all right, cool, So then time to move out, I 1702 01:29:32,000 --> 01:29:35,519 Speaker 1: mean come on. He was like, this is the point 1703 01:29:35,520 --> 01:29:39,040 Speaker 1: where Uncle George would tell us that those ghosts aren't 1704 01:29:39,080 --> 01:29:41,360 Speaker 1: gonna rest until we joined them on the other side. 1705 01:29:41,439 --> 01:29:43,240 Speaker 1: And that's why we moved the fuck out. Let somebody 1706 01:29:43,280 --> 01:29:46,360 Speaker 1: else take it time to move on. They got to 1707 01:29:46,400 --> 01:29:48,320 Speaker 1: this point in the episode way faster than white people. 1708 01:29:48,320 --> 01:29:49,400 Speaker 1: This would have been our whole. 1709 01:29:49,200 --> 01:29:52,040 Speaker 2: Season of the whole ass season. 1710 01:29:51,840 --> 01:29:54,559 Speaker 1: American hord or some shit, and this was just, you know, 1711 01:29:54,640 --> 01:29:56,360 Speaker 1: fifty minutes into this one. That was like, okay, so 1712 01:29:56,400 --> 01:30:02,479 Speaker 1: we're moving out. But she was like, like, she pauses 1713 01:30:02,479 --> 01:30:04,800 Speaker 1: for a second. She basically that's what she reveals to 1714 01:30:04,840 --> 01:30:06,840 Speaker 1: him that the reason she was bleeding at the party 1715 01:30:06,880 --> 01:30:09,120 Speaker 1: is because she was a virgin and that that was 1716 01:30:09,120 --> 01:30:11,919 Speaker 1: her first time at the house woman. And he feels 1717 01:30:12,240 --> 01:30:15,320 Speaker 1: terrible because, yes, I think it, you know, ticks kind 1718 01:30:15,360 --> 01:30:19,040 Speaker 1: of a gentleman chivalry's type where if he would have known. 1719 01:30:18,880 --> 01:30:21,000 Speaker 2: That, he would have been different. 1720 01:30:21,120 --> 01:30:23,000 Speaker 1: Yeah, he would have probably tried to make it like 1721 01:30:23,600 --> 01:30:26,160 Speaker 1: more romantic and all that type of stuff. 1722 01:30:26,200 --> 01:30:27,640 Speaker 2: Yeah, And I do think if he would have known that, 1723 01:30:27,640 --> 01:30:28,840 Speaker 2: he wouldn't have done it there like. 1724 01:30:28,800 --> 01:30:32,640 Speaker 1: That, Yeah, exactly. And it made me think back to 1725 01:30:32,680 --> 01:30:34,840 Speaker 1: that dude who said you know we used to tussle 1726 01:30:34,880 --> 01:30:35,719 Speaker 1: back in the day. 1727 01:30:35,920 --> 01:30:36,920 Speaker 2: You lying on. 1728 01:30:36,840 --> 01:30:38,960 Speaker 1: Your dick ass nigga, no one to tick on like 1729 01:30:39,040 --> 01:30:42,280 Speaker 1: your ass worst type of niggas by the way, But 1730 01:30:43,400 --> 01:30:46,800 Speaker 1: because he knew what he was implying, yes, I'm feeling nostalgic. 1731 01:30:47,000 --> 01:30:52,000 Speaker 1: Fuck out of here. So then she says to him like, yo, 1732 01:30:52,280 --> 01:30:55,360 Speaker 1: I don't regret it. So as matter of fact, I 1733 01:30:55,479 --> 01:30:57,680 Speaker 1: needed it, And she was like, I just need to 1734 01:30:57,680 --> 01:31:01,760 Speaker 1: feel something because at the George died and at Artem 1735 01:31:02,200 --> 01:31:05,519 Speaker 1: she she also died, and she was like, ever since 1736 01:31:05,520 --> 01:31:07,559 Speaker 1: she came back, she felt like a ghost. She feel 1737 01:31:07,640 --> 01:31:13,040 Speaker 1: like she, yeah, something's missing, and you know, I've tried 1738 01:31:13,160 --> 01:31:15,639 Speaker 1: church and that's what brought me back to that church scene. 1739 01:31:15,960 --> 01:31:19,559 Speaker 1: That's why I didn't think it was the funeral, right. Yeah, 1740 01:31:19,680 --> 01:31:22,360 Speaker 1: She's like she don't feel nothing, you know, And so 1741 01:31:22,400 --> 01:31:23,920 Speaker 1: she's like, you know, I'm trying all this ship and 1742 01:31:24,000 --> 01:31:26,599 Speaker 1: it's just nothing's working. And that's one of the reasons 1743 01:31:26,680 --> 01:31:29,599 Speaker 1: that I'm even doing this pioneer shit and trying to 1744 01:31:29,640 --> 01:31:32,719 Speaker 1: move into this neighborhood and pushing the envelope is because 1745 01:31:32,960 --> 01:31:35,240 Speaker 1: I've died once already and I'm not gonna live my 1746 01:31:35,280 --> 01:31:38,559 Speaker 1: life scared, and even if I am scared, I'm gonna 1747 01:31:38,800 --> 01:31:41,599 Speaker 1: fight through it. And the world doesn't work the way 1748 01:31:41,640 --> 01:31:44,080 Speaker 1: that I thought this world worked. There's this magic and 1749 01:31:44,080 --> 01:31:46,719 Speaker 1: all this shit, and now I'm gonna stake my claim 1750 01:31:46,720 --> 01:31:51,080 Speaker 1: in this new world. Like I love that speech she gave. 1751 01:31:51,560 --> 01:31:53,479 Speaker 2: Yeah, she was gonna have a bitch I'm ana die again. 1752 01:31:53,560 --> 01:31:54,479 Speaker 2: I was already dead. 1753 01:31:54,680 --> 01:31:56,880 Speaker 1: So then they bring a priestess over to the house 1754 01:31:57,000 --> 01:31:59,760 Speaker 1: who has a goat, and she slices the goat's throat 1755 01:31:59,760 --> 01:32:03,719 Speaker 1: on the front step and pours the blood into a bowl, 1756 01:32:05,160 --> 01:32:07,880 Speaker 1: and white people just was looking out the window disgusted. 1757 01:32:08,120 --> 01:32:09,599 Speaker 2: I was like, oh, I know. 1758 01:32:09,600 --> 01:32:12,080 Speaker 1: They was like, the hell is this? Yeah, clearly she 1759 01:32:12,120 --> 01:32:15,719 Speaker 1: went and found Azalea Bank's old relative and said, listen, 1760 01:32:16,520 --> 01:32:20,160 Speaker 1: we got to get the spirits up out of my crib. 1761 01:32:21,720 --> 01:32:25,440 Speaker 1: And so then they they basically after they cut. 1762 01:32:27,160 --> 01:32:31,960 Speaker 3: The throw of the of the of the of the 1763 01:32:32,000 --> 01:32:40,719 Speaker 3: goat or whatever, the priestess takes the blood of the 1764 01:32:40,760 --> 01:32:43,800 Speaker 3: goat and then like makes signs on the doors and 1765 01:32:43,880 --> 01:32:44,960 Speaker 3: on their heads. 1766 01:32:44,640 --> 01:32:48,719 Speaker 1: And says, it's basically like a seal of protection. Because 1767 01:32:48,760 --> 01:32:51,040 Speaker 1: when I started trying to purge these goat, these ghosts, 1768 01:32:51,040 --> 01:32:53,240 Speaker 1: they gonna want they gonna want to smoke. They don't 1769 01:32:53,280 --> 01:32:53,800 Speaker 1: want to smoke. 1770 01:32:53,960 --> 01:32:56,920 Speaker 2: And if you don't have this, you might get got right. 1771 01:32:57,720 --> 01:33:01,320 Speaker 1: So then in the they get to the basement, of course, 1772 01:33:01,360 --> 01:33:03,479 Speaker 1: because she's like, we're just gonna go through the house. 1773 01:33:03,479 --> 01:33:05,080 Speaker 1: So I feel the president of the ghost and I'm like, 1774 01:33:05,160 --> 01:33:07,040 Speaker 1: you know what the ghost is. So they get to 1775 01:33:07,040 --> 01:33:10,240 Speaker 1: the basement and they started holding hands and doing her 1776 01:33:10,320 --> 01:33:14,040 Speaker 1: exorcism ritual to get the ghost up out of there. Meanwhile, upstairs, 1777 01:33:14,080 --> 01:33:18,920 Speaker 1: the whites have had enough. Okay, ghats in the front yard. No, 1778 01:33:19,080 --> 01:33:21,880 Speaker 1: this is enough. The negroes must go. They get back, 1779 01:33:23,640 --> 01:33:26,400 Speaker 1: they said, well I never They get backs and they 1780 01:33:26,400 --> 01:33:28,799 Speaker 1: break into the house and they are looking for negroes 1781 01:33:28,800 --> 01:33:29,719 Speaker 1: to beat up with bats. 1782 01:33:29,800 --> 01:33:32,840 Speaker 2: I was like, oh, this is not the right. 1783 01:33:32,960 --> 01:33:35,799 Speaker 1: Meanwhile, a ritual was going on downstairs. They're is purging 1784 01:33:35,840 --> 01:33:38,280 Speaker 1: the ghost and waking up the spirits, and I'm like, y'all, 1785 01:33:38,320 --> 01:33:41,479 Speaker 1: white people don't know what you just walked into. They 1786 01:33:41,520 --> 01:33:47,840 Speaker 1: downstairs chatting creole, holding hands and everything is shaken, and 1787 01:33:47,840 --> 01:33:50,559 Speaker 1: the ghosts start haunting the white men upstairs. And one 1788 01:33:50,560 --> 01:33:53,400 Speaker 1: ghost it was it was like it had a huge 1789 01:33:53,439 --> 01:33:55,880 Speaker 1: body in a basketball jersey on but it had a 1790 01:33:55,920 --> 01:33:58,719 Speaker 1: baby for a head. It was crying and I said, 1791 01:33:58,720 --> 01:34:02,080 Speaker 1: oh my god, this is Howard. I can't believe he 1792 01:34:02,240 --> 01:34:05,360 Speaker 1: was in this show. No, I think that. For me, 1793 01:34:05,640 --> 01:34:09,599 Speaker 1: I thought that dude did some experiments. Yeah, I don't 1794 01:34:09,600 --> 01:34:10,680 Speaker 1: know what that was. 1795 01:34:10,840 --> 01:34:11,559 Speaker 2: But then. 1796 01:34:12,960 --> 01:34:15,960 Speaker 1: They basically the ghost scares the white dudes into the 1797 01:34:15,960 --> 01:34:18,240 Speaker 1: furnace and that burns them to death. And another white 1798 01:34:18,240 --> 01:34:21,439 Speaker 1: man looks into the elevator chaft and the elevator behead 1799 01:34:21,479 --> 01:34:21,800 Speaker 1: to him. 1800 01:34:22,120 --> 01:34:24,400 Speaker 2: Yes, because it's also one of those things too, where 1801 01:34:24,520 --> 01:34:26,960 Speaker 2: they was like I hear voices. I was like, you 1802 01:34:26,960 --> 01:34:29,439 Speaker 2: don't hear no Negro voices, but they don't know that. 1803 01:34:31,240 --> 01:34:33,280 Speaker 1: I didn't know what I yeah, they. 1804 01:34:33,920 --> 01:34:35,840 Speaker 2: Yeah, because that's what they busted in the. 1805 01:34:35,840 --> 01:34:37,720 Speaker 1: Room, thinking they were gonna beat some black people up, 1806 01:34:37,760 --> 01:34:41,479 Speaker 1: but it didn't happen. Meanwhile, the ritual seems to be 1807 01:34:41,560 --> 01:34:44,040 Speaker 1: over and it's like, oh, the spirits is gone. But 1808 01:34:44,080 --> 01:34:47,840 Speaker 1: then the sprinkling system goes off, which wipes the marks 1809 01:34:47,840 --> 01:34:52,880 Speaker 1: of protection off their foreheads, and the ghosts goes to town. Okay, 1810 01:34:53,240 --> 01:34:56,960 Speaker 1: it stars Polter Geiston everybody. First, that shit slammed the 1811 01:34:56,960 --> 01:34:58,760 Speaker 1: priests around like. 1812 01:34:59,040 --> 01:34:59,960 Speaker 2: I thought she was dead. 1813 01:35:00,200 --> 01:35:02,880 Speaker 1: It gave her a rough ride. Yeah, it did. In 1814 01:35:02,920 --> 01:35:05,320 Speaker 1: the basement, it slammed up and down against the ceiling 1815 01:35:05,680 --> 01:35:07,639 Speaker 1: and then Leddy tried to go helped her, and then 1816 01:35:07,960 --> 01:35:10,599 Speaker 1: the priests was possessed and it slammed, it pushed her 1817 01:35:10,640 --> 01:35:14,760 Speaker 1: to the side, and then Tick came down to like 1818 01:35:15,040 --> 01:35:19,639 Speaker 1: get to save Letty and the priestess possessed spirit. By 1819 01:35:19,680 --> 01:35:23,160 Speaker 1: the spirit jack Tick up against the wall like Damon 1820 01:35:23,200 --> 01:35:25,680 Speaker 1: Wayne's when Don Lewis was on her period and I'm 1821 01:35:25,680 --> 01:35:32,760 Speaker 1: gonna get you sucker, like it was that's how that's 1822 01:35:32,800 --> 01:35:33,519 Speaker 1: how you be feeling. 1823 01:35:33,560 --> 01:35:36,559 Speaker 2: Though I wasn't screaming. 1824 01:35:36,600 --> 01:35:39,000 Speaker 1: I was saying, come get this bitch off me. Uh 1825 01:35:39,720 --> 01:35:43,400 Speaker 1: well yeah he uh that shit fucked him up. And 1826 01:35:43,880 --> 01:35:53,920 Speaker 1: Letitia starts calling out the names of the missing Negroes, Betsy, Philip, Lucy, Jasper, Anarka, Rufus, Grover, 1827 01:35:54,120 --> 01:35:57,479 Speaker 1: and Olivia, and she's like imploring them to join her 1828 01:35:58,000 --> 01:36:01,080 Speaker 1: and to help cast this evil out of the house. 1829 01:36:01,520 --> 01:36:05,920 Speaker 1: And because that spirit takes over Tick. And when it 1830 01:36:05,960 --> 01:36:08,840 Speaker 1: takes over Tick, he saw like get the house, bitch, 1831 01:36:08,920 --> 01:36:10,640 Speaker 1: get the fuck out of my house. And this was 1832 01:36:10,920 --> 01:36:17,200 Speaker 1: black acting schools because Journey Smolett and Jonathan Myers were 1833 01:36:17,280 --> 01:36:20,160 Speaker 1: going back and forth, and him with the spirit in 1834 01:36:20,240 --> 01:36:22,640 Speaker 1: him and telling her get out of his house and 1835 01:36:22,720 --> 01:36:26,680 Speaker 1: shaking his ship, and then her with you know, like 1836 01:36:27,160 --> 01:36:29,840 Speaker 1: bringing the spirits to her. And the water is still 1837 01:36:29,880 --> 01:36:31,440 Speaker 1: coming down from the sprinkler. 1838 01:36:31,000 --> 01:36:32,960 Speaker 2: System starting the walls and stuff. 1839 01:36:33,000 --> 01:36:36,360 Speaker 1: And they were mutilated and they were and they joined 1840 01:36:36,400 --> 01:36:39,360 Speaker 1: her and they hold hands and they're doing this ritual 1841 01:36:39,400 --> 01:36:42,160 Speaker 1: and the repeating the creole. Meanwhile the priests is knocked 1842 01:36:42,160 --> 01:36:46,439 Speaker 1: the fuck out and they and then they basically wore 1843 01:36:46,760 --> 01:36:50,840 Speaker 1: the spirit out of uh tick. And now it's just 1844 01:36:50,880 --> 01:36:55,519 Speaker 1: a white spirit, the white ghost man standing there like 1845 01:36:55,840 --> 01:36:58,320 Speaker 1: with a lab coat on. So we I think that's 1846 01:36:58,320 --> 01:37:03,240 Speaker 1: here on Epstein, the the surgeon, the doctor and so 1847 01:37:03,360 --> 01:37:08,320 Speaker 1: it's just sitting there with the spirit or whatever. And 1848 01:37:08,360 --> 01:37:11,880 Speaker 1: as they're repeating the crak creole over and over, you 1849 01:37:11,920 --> 01:37:15,400 Speaker 1: see the goat the black ghosts go from mutilated back 1850 01:37:15,439 --> 01:37:17,160 Speaker 1: to their original forms. 1851 01:37:17,400 --> 01:37:21,200 Speaker 2: Yeah, and they started healing. And the thing is what 1852 01:37:21,320 --> 01:37:26,040 Speaker 2: I realized as they started going from from the mutilated 1853 01:37:26,120 --> 01:37:29,519 Speaker 2: parts to being whole again where they look like people, 1854 01:37:30,240 --> 01:37:34,839 Speaker 2: they were actually killing people the way they died because 1855 01:37:34,960 --> 01:37:37,479 Speaker 2: one of them had with decapitated. I was like, oh, yeah, 1856 01:37:37,479 --> 01:37:40,160 Speaker 2: that's why he decapitated that dude's head like like the 1857 01:37:40,200 --> 01:37:42,719 Speaker 2: way that they died. They were going around and killing 1858 01:37:42,720 --> 01:37:45,440 Speaker 2: those Maybe. 1859 01:37:44,280 --> 01:37:48,679 Speaker 1: I don't know, though, because I don't think that dude 1860 01:37:48,800 --> 01:37:51,320 Speaker 1: was just like putting them in the elevator. I think 1861 01:37:51,360 --> 01:37:54,280 Speaker 1: he was doing like experience on him. And so two 1862 01:37:54,280 --> 01:37:56,679 Speaker 1: of them died from first. Of all eight of them died, 1863 01:37:57,439 --> 01:37:59,719 Speaker 1: two of them died from the same thing, the steam 1864 01:37:59,720 --> 01:38:02,800 Speaker 1: from the radiator. You see what I'm saying. Yes, So 1865 01:38:02,960 --> 01:38:05,439 Speaker 1: I don't know if two of them died from steam. 1866 01:38:05,479 --> 01:38:07,040 Speaker 1: I don't know that they killed them the exact way 1867 01:38:07,040 --> 01:38:09,400 Speaker 1: they died. But there was one ghost that had his 1868 01:38:09,479 --> 01:38:11,760 Speaker 1: head that looked like when the other one when that 1869 01:38:11,800 --> 01:38:15,439 Speaker 1: white man got decapitated by the elevator. So but I 1870 01:38:15,439 --> 01:38:18,200 Speaker 1: don't know that that's enough to say that the ghosts 1871 01:38:18,240 --> 01:38:19,720 Speaker 1: were purposely killing them the way they died. 1872 01:38:19,800 --> 01:38:22,080 Speaker 2: Yeah, I just made that correlation because we don't know 1873 01:38:22,120 --> 01:38:24,320 Speaker 2: how all of them died, so some of them may 1874 01:38:24,360 --> 01:38:26,000 Speaker 2: have died that particular way. 1875 01:38:27,000 --> 01:38:29,160 Speaker 1: I mean, I'm not saying you're wrong. I just don't 1876 01:38:29,200 --> 01:38:31,120 Speaker 1: know that we know that from what happened. 1877 01:38:31,560 --> 01:38:32,200 Speaker 2: That's that's true. 1878 01:38:32,200 --> 01:38:35,040 Speaker 1: That's not saying like one of them definitely looked like 1879 01:38:35,160 --> 01:38:38,639 Speaker 1: that motherfucker that got the capitation, but then other ones 1880 01:38:38,680 --> 01:38:40,840 Speaker 1: had pipe sticking out of them and ship and they 1881 01:38:40,880 --> 01:38:42,800 Speaker 1: clearly didn't kill you know what I mean. 1882 01:38:42,880 --> 01:38:44,920 Speaker 2: Yeah, that's just the babyhead one. 1883 01:38:45,040 --> 01:38:46,040 Speaker 1: I don't know what that was. 1884 01:38:47,800 --> 01:38:48,599 Speaker 2: Person that died. 1885 01:38:48,800 --> 01:38:50,640 Speaker 1: Yeah, so I don't know. I just you know, I 1886 01:38:50,640 --> 01:38:52,400 Speaker 1: just don't want to let the niggas righting up here, Karen, 1887 01:38:52,439 --> 01:38:54,479 Speaker 1: that's all just all. I don't want them right enough. 1888 01:38:54,880 --> 01:38:56,599 Speaker 2: Oh, I don't know. I'm just guessing. 1889 01:38:56,760 --> 01:39:01,479 Speaker 1: Yeah, but uh but yeah, but they was sucking them up. 1890 01:39:01,520 --> 01:39:05,479 Speaker 1: But then they you could see them heal and become 1891 01:39:05,840 --> 01:39:10,920 Speaker 1: back to their like more human original forms, and eventually 1892 01:39:11,160 --> 01:39:15,640 Speaker 1: cast the White Doctor out of the house and all 1893 01:39:15,720 --> 01:39:19,479 Speaker 1: the spirits left the house. And this was Journey small 1894 01:39:19,520 --> 01:39:22,679 Speaker 1: lead acting so good it gave me chills the second 1895 01:39:22,720 --> 01:39:25,320 Speaker 1: time I watched it too, still got chills. As she 1896 01:39:25,439 --> 01:39:27,400 Speaker 1: goes and when she ends it with get the fuck 1897 01:39:27,400 --> 01:39:30,520 Speaker 1: out of my house, and then the spirit disappears. 1898 01:39:30,920 --> 01:39:34,479 Speaker 2: Yeah, and on below you could tell it took something 1899 01:39:34,479 --> 01:39:37,919 Speaker 2: out of her because if you look, she her skin chained, 1900 01:39:38,080 --> 01:39:41,559 Speaker 2: she got smaller and thinner, like you could gradually almost 1901 01:39:41,600 --> 01:39:45,680 Speaker 2: see it taking almost out of her body, out of 1902 01:39:45,680 --> 01:39:46,519 Speaker 2: her physical body. 1903 01:39:47,120 --> 01:39:49,800 Speaker 1: Yeah, I wonder if maybe, I don't know, if that 1904 01:39:49,920 --> 01:39:54,559 Speaker 1: helped heal her from the death experience that she had 1905 01:39:54,680 --> 01:39:57,120 Speaker 1: or not. You know, maybe it'll come up. But then 1906 01:39:58,400 --> 01:40:01,559 Speaker 1: later we see a spend time as fast or whatever, 1907 01:40:01,600 --> 01:40:05,720 Speaker 1: and a journalist, black woman journalist is interviewing her in 1908 01:40:05,800 --> 01:40:07,960 Speaker 1: the house. Now she's showing the house to this reporter, 1909 01:40:08,439 --> 01:40:10,920 Speaker 1: and this time you see the families that have moved in, 1910 01:40:10,960 --> 01:40:15,519 Speaker 1: their families children, Like, so it's not a boarding house 1911 01:40:15,560 --> 01:40:20,240 Speaker 1: of just cool you know, cool jazz, hipcats, writers and artists. 1912 01:40:20,240 --> 01:40:23,840 Speaker 1: It's actually like black community, different types of people. 1913 01:40:24,000 --> 01:40:26,920 Speaker 2: Yes, and to me, and when they change, she still 1914 01:40:26,920 --> 01:40:29,640 Speaker 2: looked smaller. She still didn't look like her full like 1915 01:40:29,720 --> 01:40:33,799 Speaker 2: her fuller self. I could be like, okay, she's whatever 1916 01:40:34,040 --> 01:40:37,840 Speaker 2: it took out of her, her body hadn't recovered yet, 1917 01:40:38,640 --> 01:40:40,720 Speaker 2: Like like, she actually didn't look the same to me. 1918 01:40:41,280 --> 01:40:45,840 Speaker 1: Okay, I'm not in front. I didn't notice that. But 1919 01:40:46,040 --> 01:40:48,240 Speaker 1: maybe that maybe that'll come back up, if that's the 1920 01:40:48,280 --> 01:40:51,000 Speaker 1: thing where she lost something in that ritual or whatever. 1921 01:40:51,240 --> 01:40:59,519 Speaker 1: But uh yeah, see so then she is up talking 1922 01:40:59,520 --> 01:41:03,519 Speaker 1: to this report order and basically saying she's helping all 1923 01:41:03,560 --> 01:41:05,879 Speaker 1: black people and stuff. The elevator works now. 1924 01:41:06,080 --> 01:41:09,400 Speaker 2: She was like, shout out to my sister, Yeah, out 1925 01:41:09,400 --> 01:41:09,720 Speaker 2: and leave. 1926 01:41:09,840 --> 01:41:12,200 Speaker 1: She said it was her sisters who inspired her to 1927 01:41:12,240 --> 01:41:15,120 Speaker 1: do this, to help the like, to help people, you know, 1928 01:41:15,320 --> 01:41:19,160 Speaker 1: picking taking that criticism, you know what I'm saying, trying 1929 01:41:19,200 --> 01:41:22,320 Speaker 1: to trying to learn from it, you know, getting better 1930 01:41:22,320 --> 01:41:30,920 Speaker 1: constructive criticism. So then the reporter asked, like, off the record, 1931 01:41:31,160 --> 01:41:33,000 Speaker 1: have you heard about the three missing white men, and 1932 01:41:33,080 --> 01:41:35,160 Speaker 1: she just basically says, no, I haven't heard that rumor. 1933 01:41:35,640 --> 01:41:38,040 Speaker 2: And I don't think she even knew. 1934 01:41:39,600 --> 01:41:42,480 Speaker 1: I don't know. I don't know, because then the elevator 1935 01:41:43,479 --> 01:41:45,879 Speaker 1: takes it goes all the way down to the first floor, 1936 01:41:46,439 --> 01:41:48,400 Speaker 1: and then it goes below the first floor, and then 1937 01:41:48,439 --> 01:41:51,920 Speaker 1: it goes below the basement, and the elevator opens into 1938 01:41:52,000 --> 01:41:56,080 Speaker 1: a cave which is clearly not on the fucking floor plan, 1939 01:41:56,680 --> 01:41:59,360 Speaker 1: and the three bodies of the white men are there 1940 01:41:59,800 --> 01:42:03,680 Speaker 1: in front of the elevator, along with eight skeletons that 1941 01:42:03,800 --> 01:42:06,479 Speaker 1: I assume or non skeletons I assume. I think it 1942 01:42:06,520 --> 01:42:10,240 Speaker 1: might be eight. But there are the ghosts that haunted it. 1943 01:42:10,560 --> 01:42:13,760 Speaker 1: So I don't know how they got down, how they like, 1944 01:42:13,840 --> 01:42:16,080 Speaker 1: I don't know how the white man's bodies got down 1945 01:42:16,120 --> 01:42:19,960 Speaker 1: there with nobody knowing. Oh, they's no ghosts. 1946 01:42:19,000 --> 01:42:20,960 Speaker 2: That I don't know. But the reason why I said 1947 01:42:20,960 --> 01:42:23,400 Speaker 2: I don't think they knew because as they was going down, 1948 01:42:23,680 --> 01:42:26,840 Speaker 2: the elevator on the walls started turning like colors. So 1949 01:42:26,880 --> 01:42:29,040 Speaker 2: I was like, oh, this, unless you know a chant 1950 01:42:29,160 --> 01:42:31,200 Speaker 2: or something, there's no way you would probably be And 1951 01:42:31,240 --> 01:42:34,160 Speaker 2: I'm thinking as they went down, you see like these 1952 01:42:34,160 --> 01:42:36,559 Speaker 2: symbols pop up. I was like, Oh, this is something 1953 01:42:36,760 --> 01:42:39,880 Speaker 2: that's beyond them at this time, not not unless they knew. 1954 01:42:40,160 --> 01:42:42,360 Speaker 2: So I really don't because they didn't see the dukes 1955 01:42:42,360 --> 01:42:44,599 Speaker 2: breaking in, like this is just me for what we see. 1956 01:42:44,640 --> 01:42:47,200 Speaker 2: They didn't see them breaking in, and after everything was over, 1957 01:42:47,240 --> 01:42:51,160 Speaker 2: they probably what Oh they probably didn't see. Oh I 1958 01:42:51,200 --> 01:42:52,040 Speaker 2: thought you was just. 1959 01:42:52,520 --> 01:42:53,960 Speaker 1: I'll just let you know we had one minute left 1960 01:42:53,960 --> 01:42:54,639 Speaker 1: before the break. 1961 01:42:54,920 --> 01:42:56,400 Speaker 2: Oh okay, okay, we can stop. 1962 01:42:56,760 --> 01:42:58,240 Speaker 1: You know how you do that? Do you do this 1963 01:42:58,400 --> 01:42:59,800 Speaker 1: to me all the time? Yes? 1964 01:43:00,160 --> 01:43:02,040 Speaker 2: Sorry, but I'm not used to it being done to me. 1965 01:43:02,280 --> 01:43:05,479 Speaker 1: My bad. I wasn't trying to I wasn't trying to stop. 1966 01:43:05,479 --> 01:43:07,200 Speaker 1: Your point though, it's all right, you know what, Let's 1967 01:43:07,240 --> 01:43:09,360 Speaker 1: go to the next section. Yes, let's go to this section. 1968 01:43:09,880 --> 01:43:11,639 Speaker 1: But yeah, you can finish your point. 1969 01:43:11,920 --> 01:43:15,120 Speaker 2: Yeah, I apologize, y'all. I'm just not used to be 1970 01:43:15,240 --> 01:43:17,559 Speaker 2: on the receiving end of that, so it caught me off. God, 1971 01:43:17,600 --> 01:43:19,200 Speaker 2: I thought you was trying to get my attention to 1972 01:43:19,280 --> 01:43:24,040 Speaker 2: tell me something. So that's why I just stopped warning 1973 01:43:24,280 --> 01:43:25,519 Speaker 2: the same way you do me. 1974 01:43:25,600 --> 01:43:28,160 Speaker 1: And then sometimes karall just get up and full blown, 1975 01:43:28,240 --> 01:43:29,800 Speaker 1: just go to the bathroom middle of the show and 1976 01:43:29,840 --> 01:43:32,599 Speaker 1: I just sit here and I vamp until she gets back. 1977 01:43:32,720 --> 01:43:36,800 Speaker 1: And Karen just was like, nope, stop, stop the whole show. 1978 01:43:39,160 --> 01:43:41,360 Speaker 2: You this is why they paid the big bucks. 1979 01:43:41,479 --> 01:43:43,200 Speaker 1: What are you gonna what were you gonna say? 1980 01:43:43,880 --> 01:43:43,960 Speaker 2: Uh? 1981 01:43:44,160 --> 01:43:44,439 Speaker 1: For me? 1982 01:43:45,160 --> 01:43:47,519 Speaker 2: I think I don't think they knew. I truly, based 1983 01:43:47,560 --> 01:43:49,559 Speaker 2: off of what we seen. They didn't see those dudes 1984 01:43:49,560 --> 01:43:53,120 Speaker 2: break in. They didn't know those dudes in there, because 1985 01:43:53,120 --> 01:43:57,160 Speaker 2: I seen the symbols. I really do think the house 1986 01:43:57,360 --> 01:44:00,439 Speaker 2: may have been like, you know what, I always get 1987 01:44:00,560 --> 01:44:02,639 Speaker 2: rid of the bodies, so we're just gonna take these 1988 01:44:02,680 --> 01:44:04,320 Speaker 2: bodies and do them down here. 1989 01:44:05,280 --> 01:44:06,240 Speaker 1: I feel you on that. 1990 01:44:06,479 --> 01:44:08,080 Speaker 2: I'm just gonna it's a special house. 1991 01:44:08,479 --> 01:44:13,600 Speaker 1: I'm gonna give it a I'm gonna off her counterpoint. 1992 01:44:15,080 --> 01:44:17,360 Speaker 1: I think it's cooler if they did know, and they 1993 01:44:17,400 --> 01:44:20,360 Speaker 1: put the bodies down there. I think, ye, I think 1994 01:44:21,800 --> 01:44:24,760 Speaker 1: I think her playing coy Like, no, I haven't heard that. 1995 01:44:24,880 --> 01:44:31,080 Speaker 1: Rumor is like the badasses most really shit imaginable that 1996 01:44:31,120 --> 01:44:33,960 Speaker 1: in nineteen thirty forty something or whatever they killed these 1997 01:44:33,960 --> 01:44:36,640 Speaker 1: three white They found these three white men dead, they 1998 01:44:36,680 --> 01:44:39,040 Speaker 1: didn't kill them, and then it was like, yeah, put 1999 01:44:39,040 --> 01:44:41,960 Speaker 1: the bodies under the house. 2000 01:44:41,760 --> 01:44:43,240 Speaker 2: And that will makes sense because they was like, we 2001 01:44:43,240 --> 01:44:45,320 Speaker 2: don't want to be accountable for these three white dudes. 2002 01:44:45,439 --> 01:44:47,479 Speaker 1: Yeah, I'm not saying the house couldn't have done it. 2003 01:44:47,560 --> 01:44:50,519 Speaker 1: I mean, obviously we're going back down that cave. This 2004 01:44:50,600 --> 01:44:53,080 Speaker 1: house is too many mysteries for us not to see 2005 01:44:53,120 --> 01:44:55,200 Speaker 1: what the fuck is happening. So we will find out 2006 01:44:55,240 --> 01:44:57,320 Speaker 1: if they knew or not. But if they I think 2007 01:44:57,360 --> 01:44:59,679 Speaker 1: it's like, in my heart of hearts, I want them 2008 01:44:59,680 --> 01:45:03,000 Speaker 1: to know because that's how cold blooded, Like not cold 2009 01:45:03,040 --> 01:45:06,360 Speaker 1: blood in the meanway, but they were just like unbothered, like, man, 2010 01:45:06,400 --> 01:45:07,720 Speaker 1: fuck the white dudes. 2011 01:45:07,960 --> 01:45:11,640 Speaker 2: Like like this or something may have happened where you know, 2012 01:45:12,439 --> 01:45:14,640 Speaker 2: they like the fuck these white dudes come from, and 2013 01:45:14,640 --> 01:45:16,280 Speaker 2: then the elevator just goes down with it. 2014 01:45:16,360 --> 01:45:18,920 Speaker 1: Yeah, Because I mean the other thing about this show 2015 01:45:18,960 --> 01:45:21,200 Speaker 1: that I don't know if people are noticing, but for 2016 01:45:21,320 --> 01:45:23,800 Speaker 1: a horror show, they actually kind of cover a lot 2017 01:45:23,840 --> 01:45:26,960 Speaker 1: of loose ends. Like like a lot of times I 2018 01:45:26,960 --> 01:45:29,160 Speaker 1: don't like horror because they just go and this shit 2019 01:45:29,200 --> 01:45:31,560 Speaker 1: didn't make sense. Oh well, but with this one, it 2020 01:45:31,640 --> 01:45:35,880 Speaker 1: kind of rewards a little bit of research and a 2021 01:45:35,880 --> 01:45:38,160 Speaker 1: little bit of like, for example, one of the things 2022 01:45:38,200 --> 01:45:40,360 Speaker 1: I wanted to say, and this is one of the 2023 01:45:40,400 --> 01:45:42,360 Speaker 1: reasons I don't think the ghosts were killing people the 2024 01:45:42,400 --> 01:45:47,599 Speaker 1: way they died is the names of those ghosts matter. 2025 01:45:48,840 --> 01:45:52,920 Speaker 1: Like the one that stood up stood out to me 2026 01:45:53,439 --> 01:46:00,320 Speaker 1: was when she said I think it was Arkana. Yeah, Nara. 2027 01:46:00,840 --> 01:46:03,800 Speaker 1: So I looked at the closed caption, I wrote all 2028 01:46:03,800 --> 01:46:06,120 Speaker 1: her names down. I started googling. To me, like are 2029 01:46:06,160 --> 01:46:09,120 Speaker 1: these because everything on this fucking show is something. So 2030 01:46:09,160 --> 01:46:12,240 Speaker 1: I was just like, what does this mean? So Anarca 2031 01:46:12,280 --> 01:46:17,599 Speaker 1: was a slave that had this debilitating disease that would 2032 01:46:17,600 --> 01:46:21,840 Speaker 1: not allow her to have because she had insufficient nutrition 2033 01:46:21,920 --> 01:46:24,280 Speaker 1: and vitamin D even though you know, white people love 2034 01:46:24,320 --> 01:46:27,280 Speaker 1: to treat their slaves great, right better under slaver according 2035 01:46:27,280 --> 01:46:30,799 Speaker 1: to many black proposings. But yeah, she was nutrition deficient, 2036 01:46:30,840 --> 01:46:35,799 Speaker 1: Vitamin D insufficient. Yeah, so malnourished and all this stuff. 2037 01:46:35,840 --> 01:46:37,880 Speaker 1: So she could not give birth because she had this 2038 01:46:38,240 --> 01:46:44,599 Speaker 1: like disease that was messing up her like pelvic area. 2039 01:46:45,080 --> 01:46:49,200 Speaker 1: And so this doctor did thirty experiments on her with 2040 01:46:49,240 --> 01:46:56,760 Speaker 1: no anesthesia. After the surgeries he would give her opium, 2041 01:46:56,760 --> 01:47:01,200 Speaker 1: but not before so and he did this the I 2042 01:47:01,240 --> 01:47:03,760 Speaker 1: want to say, two or three other women, and that 2043 01:47:03,840 --> 01:47:06,040 Speaker 1: might have been some of the other names that they used. 2044 01:47:06,240 --> 01:47:11,240 Speaker 1: And this man became famous. He had a statue that 2045 01:47:11,479 --> 01:47:15,439 Speaker 1: was taken down. He was called the father of God 2046 01:47:15,479 --> 01:47:18,840 Speaker 1: to ecology. His name is Jay Marion Sims. 2047 01:47:19,040 --> 01:47:22,240 Speaker 2: Oh, that's the dude. That's why. You know, people will 2048 01:47:22,280 --> 01:47:26,559 Speaker 2: talk about how for people that don't have vaginas. For you, 2049 01:47:26,560 --> 01:47:29,280 Speaker 2: when you go to the old gb y M, they 2050 01:47:29,320 --> 01:47:32,679 Speaker 2: basically take to take this thing look like a dust 2051 01:47:32,720 --> 01:47:35,920 Speaker 2: bill platypus, stick it up your vagina and fucking crank 2052 01:47:35,960 --> 01:47:39,960 Speaker 2: it open. It's cold, it's fucking metal, it's uncomfortable as shit, 2053 01:47:41,800 --> 01:47:45,479 Speaker 2: and uh, it's one of those things where it could 2054 01:47:45,520 --> 01:47:47,720 Speaker 2: be very, very painful for a lot of women. You know. 2055 01:47:47,800 --> 01:47:50,800 Speaker 2: Now they have they have versions that are plastic and 2056 01:47:50,840 --> 01:47:53,439 Speaker 2: shit like that, and you know people talk about have 2057 01:47:53,680 --> 01:47:59,559 Speaker 2: some that are more friendlier that you know, don't go 2058 01:47:59,600 --> 01:48:03,000 Speaker 2: as d and things like that. But yeah, it was basically, 2059 01:48:03,160 --> 01:48:06,559 Speaker 2: you know, something that's the standard now, you know, it's 2060 01:48:06,600 --> 01:48:09,360 Speaker 2: something that was basically done to torture women. 2061 01:48:09,880 --> 01:48:14,160 Speaker 1: Right, But it wasn't necessarily that he was trying to 2062 01:48:14,160 --> 01:48:17,479 Speaker 1: torture this one. These women, he was just experimenting on them. 2063 01:48:17,479 --> 01:48:20,840 Speaker 1: They were black, they were slaves, they had no rights, 2064 01:48:20,880 --> 01:48:23,400 Speaker 1: and so he wasn't trying to do that. He was 2065 01:48:23,439 --> 01:48:26,759 Speaker 1: actually doing it scientifically to get to a point where 2066 01:48:26,880 --> 01:48:28,920 Speaker 1: they could basically do the things to white women with 2067 01:48:28,960 --> 01:48:34,000 Speaker 1: some accuracy. And he did eventually cure her. I forget 2068 01:48:34,000 --> 01:48:38,840 Speaker 1: the exact name of the things she had, but then 2069 01:48:38,920 --> 01:48:44,000 Speaker 1: he ends up becoming like a pioneer of gynecology and 2070 01:48:44,120 --> 01:48:47,320 Speaker 1: all this shit. And God, like I said, got a 2071 01:48:47,360 --> 01:48:52,240 Speaker 1: statue in nineteen thirty four at the New York Academy 2072 01:48:52,280 --> 01:48:56,960 Speaker 1: of Medicine and it was taken down once people went 2073 01:48:57,000 --> 01:48:58,559 Speaker 1: back and re examined, like, wait a. 2074 01:48:58,520 --> 01:49:01,160 Speaker 2: Minute, right, this is flucked up, right. 2075 01:49:01,080 --> 01:49:04,320 Speaker 1: And so everything in this show fucking means something. So 2076 01:49:04,560 --> 01:49:07,280 Speaker 1: that's why I said, I don't think it was necessarily 2077 01:49:08,200 --> 01:49:11,280 Speaker 1: the ghost killing people the way they died, because like 2078 01:49:12,320 --> 01:49:15,920 Speaker 1: you know, they didn't do no gynecology experiments or whatever, 2079 01:49:16,160 --> 01:49:17,840 Speaker 1: or cut you know, cut off some of them missing 2080 01:49:17,960 --> 01:49:21,160 Speaker 1: arms and shit and like, but still they they got 2081 01:49:21,240 --> 01:49:23,640 Speaker 1: killed by this man, you know, in the in the 2082 01:49:23,720 --> 01:49:28,120 Speaker 1: name of science. And then the men's names appear to 2083 01:49:28,200 --> 01:49:32,040 Speaker 1: be possibly similar to the first names of some of 2084 01:49:32,040 --> 01:49:37,040 Speaker 1: the men involved in the Tuskegee experiment. Another another case 2085 01:49:37,080 --> 01:49:42,639 Speaker 1: of white people science using black bodies disposed as disposability, uh, 2086 01:49:42,760 --> 01:49:45,479 Speaker 1: in the name of you know, progress for the for 2087 01:49:45,520 --> 01:49:48,520 Speaker 1: the rest of the human rights. Like these blacks are disposable, 2088 01:49:48,600 --> 01:49:51,240 Speaker 1: We'll just you know, let syphilis run its course through 2089 01:49:51,280 --> 01:49:54,040 Speaker 1: them until they go blind and all this other stuff, 2090 01:49:54,080 --> 01:49:56,519 Speaker 1: which is such a crazy thing because they actually treated 2091 01:49:56,720 --> 01:50:02,679 Speaker 1: the black Black health care was so rare back then, yes, 2092 01:50:02,840 --> 01:50:06,200 Speaker 1: that they actually some of the people don't regret being 2093 01:50:06,600 --> 01:50:11,719 Speaker 1: involved into skiki experiments, unknowingly having civilists ravage their body 2094 01:50:11,760 --> 01:50:14,679 Speaker 1: because they actually got health care for all these other things. 2095 01:50:15,280 --> 01:50:17,360 Speaker 1: So like they would give them medicine for like your 2096 01:50:17,439 --> 01:50:19,720 Speaker 1: high blood pressure that other black people wouldn't even have 2097 01:50:19,720 --> 01:50:22,519 Speaker 1: access to because black people basically weren't allowed to have doctors. 2098 01:50:22,840 --> 01:50:26,040 Speaker 1: Only white people was allowed to be doctors. And then 2099 01:50:27,880 --> 01:50:31,519 Speaker 1: they would not work on black people. And then so 2100 01:50:31,680 --> 01:50:36,759 Speaker 1: here you are, you have like staff and different doctors 2101 01:50:36,760 --> 01:50:38,920 Speaker 1: and stuff that will actually come and check on you 2102 01:50:39,000 --> 01:50:42,320 Speaker 1: every year or every six months and all this stuff. Now, 2103 01:50:42,439 --> 01:50:44,439 Speaker 1: part of it is we're seeing how the syphilis is 2104 01:50:44,479 --> 01:50:47,479 Speaker 1: working on you. But also part of it is, oh, yeah, 2105 01:50:47,720 --> 01:50:49,839 Speaker 1: you got the flu. Well let's give you some medicine 2106 01:50:49,840 --> 01:50:53,120 Speaker 1: for that that you wouldn't be able to get. So yeah, 2107 01:50:53,120 --> 01:50:59,280 Speaker 1: it's really complicated. But that was a significant thing that 2108 01:50:59,320 --> 01:51:04,000 Speaker 1: I learned kind of researching this episode. So just fucking 2109 01:51:04,160 --> 01:51:09,640 Speaker 1: it's so much. So yeah. Then at the after the 2110 01:51:09,720 --> 01:51:11,920 Speaker 1: secret Cave and the skeletons will get one more scene, 2111 01:51:12,360 --> 01:51:16,719 Speaker 1: Tick is waiting outside of the offices of that JJ, 2112 01:51:17,960 --> 01:51:21,280 Speaker 1: the black man that was a real estate agent, and 2113 01:51:21,320 --> 01:51:25,000 Speaker 1: he walks in when he sees the silver Bentley of 2114 01:51:25,080 --> 01:51:28,879 Speaker 1: Christina pull up so she ain't die in that collapse 2115 01:51:30,479 --> 01:51:34,120 Speaker 1: the building, right, He sees Christina Braithwaite telling the black 2116 01:51:34,160 --> 01:51:37,240 Speaker 1: man JJ that the money will be wired to his account. 2117 01:51:37,240 --> 01:51:38,960 Speaker 1: Thanks for your help. You know, you can close the 2118 01:51:38,960 --> 01:51:42,920 Speaker 1: office now. So this seems to be an elaborate setup 2119 01:51:43,640 --> 01:51:46,719 Speaker 1: to get Letty to buy that house. Yes, to get 2120 01:51:46,760 --> 01:51:49,280 Speaker 1: and of course who does she really care about Tick? 2121 01:51:49,439 --> 01:51:52,360 Speaker 1: She didn't care about Letty. She but to get Tick 2122 01:51:52,920 --> 01:51:56,479 Speaker 1: involved in this legacy in the Sons of Adam, right, 2123 01:51:57,120 --> 01:52:02,280 Speaker 1: and so she's like, it's funny. Tick comes in and 2124 01:52:02,400 --> 01:52:04,960 Speaker 1: she's like, JJ, you can leave now. It's best to 2125 01:52:04,960 --> 01:52:08,040 Speaker 1: get out of here. And so it's broad daylight. It's 2126 01:52:08,120 --> 01:52:11,080 Speaker 1: taking this office that's basically a baron office. It's clearly 2127 01:52:11,280 --> 01:52:15,639 Speaker 1: just a yeah, it's clearly a front, like they're running 2128 01:52:15,680 --> 01:52:19,839 Speaker 1: drugs and some shit, right, And so he starts closing 2129 01:52:19,840 --> 01:52:22,040 Speaker 1: the blinds all slow and shit, like uh, you know, 2130 01:52:22,200 --> 01:52:25,000 Speaker 1: and she's like, how do you you know, how'd you 2131 01:52:25,040 --> 01:52:27,519 Speaker 1: put it together or whatever. He's like, well, the name Wentthrop. 2132 01:52:28,160 --> 01:52:33,720 Speaker 1: It's like, I know Winthrop was what is connected to you? 2133 01:52:34,040 --> 01:52:37,280 Speaker 1: And you know it was one of the people that 2134 01:52:37,360 --> 01:52:39,120 Speaker 1: I saw in that you know names I saw in 2135 01:52:39,160 --> 01:52:41,880 Speaker 1: that house and it's the Winthrop house. So I figured 2136 01:52:41,960 --> 01:52:45,000 Speaker 1: you gave Letdy the money so she could buy the house. 2137 01:52:45,439 --> 01:52:48,400 Speaker 2: And I think she might have used some mama as 2138 01:52:48,080 --> 01:52:52,000 Speaker 2: as as a ruse, because I think that Letty actually 2139 01:52:52,160 --> 01:52:54,559 Speaker 2: truly believes that this money was given to her by 2140 01:52:54,600 --> 01:52:57,679 Speaker 2: her mother, right, And that's what made me think that 2141 01:52:58,160 --> 01:53:01,360 Speaker 2: the church voiceover that sounded like it was Letty's mom 2142 01:53:01,439 --> 01:53:04,640 Speaker 2: I wonder if Christina Breithwhite wrote that, you see what 2143 01:53:04,680 --> 01:53:07,280 Speaker 2: I'm saying, just like the letter that Tick got that 2144 01:53:07,360 --> 01:53:10,320 Speaker 2: was written under the rest by his dad that Montrouss 2145 01:53:10,400 --> 01:53:11,880 Speaker 2: was like, why the fuck would I write that? 2146 01:53:12,040 --> 01:53:15,400 Speaker 1: Right, So she wrote that these white people sneaky man. 2147 01:53:16,240 --> 01:53:22,160 Speaker 1: So at any rate, he figured it out from the 2148 01:53:22,240 --> 01:53:25,240 Speaker 1: name Winthrop. And then she says, yeah, Horatio Winthrop was 2149 01:53:25,240 --> 01:53:27,080 Speaker 1: a member of the Sons of Adam, but he was 2150 01:53:27,160 --> 01:53:29,599 Speaker 1: banished because he stole pages from the Book of Names 2151 01:53:30,000 --> 01:53:34,479 Speaker 1: and Epstein. Hearing Epstein, the doctor was a follower of Winthrop. 2152 01:53:35,000 --> 01:53:37,920 Speaker 1: And that was like, probably was experimenting on those black people, 2153 01:53:39,280 --> 01:53:43,080 Speaker 1: much like the same way that White He's on the moon, 2154 01:53:44,160 --> 01:53:51,439 Speaker 1: was her dad, Samuel Breathwhite experimenting with this ritual on 2155 01:53:51,560 --> 01:53:54,640 Speaker 1: Tick's body, black body. So you know, who knows what 2156 01:53:54,680 --> 01:53:57,759 Speaker 1: the fuck they was doing with Dave stuff. And so 2157 01:53:58,520 --> 01:54:00,760 Speaker 1: he's like, yeah, I didn't come in or the history lesson. 2158 01:54:00,880 --> 01:54:02,400 Speaker 1: It was like what you're coming for. He's like to 2159 01:54:02,479 --> 01:54:04,960 Speaker 1: kill you. And he pulls out a gun and he 2160 01:54:05,000 --> 01:54:06,280 Speaker 1: goes to pull the trigger and he can't. 2161 01:54:06,760 --> 01:54:10,120 Speaker 2: Yeah, And I was thinking, you really thought this was 2162 01:54:10,160 --> 01:54:12,800 Speaker 2: gonna work? Like like I really looked at him, like 2163 01:54:13,000 --> 01:54:18,080 Speaker 2: you didn't use your detective skills. If I run into 2164 01:54:18,120 --> 01:54:22,160 Speaker 2: an invisible wall, I see white people died running into 2165 01:54:22,160 --> 01:54:26,040 Speaker 2: a visible wall. If I know she can carry spells, 2166 01:54:26,320 --> 01:54:28,679 Speaker 2: no way in hell I'm gonna go in there thinking 2167 01:54:28,720 --> 01:54:29,920 Speaker 2: I could just put a gun on her. 2168 01:54:30,080 --> 01:54:33,640 Speaker 1: Now, once again, this is so funny because I'm realizing 2169 01:54:33,640 --> 01:54:36,560 Speaker 1: how different I'm watching the show then the rest of 2170 01:54:36,560 --> 01:54:41,440 Speaker 1: the Negroes. Because that's a very astute, spiritual, magical analysis 2171 01:54:41,440 --> 01:54:43,440 Speaker 1: of that scene. Karen, you know what I was thinking. 2172 01:54:44,080 --> 01:54:46,720 Speaker 1: You can't kill a white woman in fucking broad daylight 2173 01:54:46,880 --> 01:54:50,280 Speaker 1: with a gun like you definitely gonna get caught, was 2174 01:54:50,320 --> 01:54:52,920 Speaker 1: his native son. Well, what the fuck is wrong with you? 2175 01:54:53,200 --> 01:54:55,560 Speaker 1: That's what I kept thinking. But we both came to 2176 01:54:55,600 --> 01:54:59,280 Speaker 1: the same conclusion. No, it makes sense. 2177 01:55:00,160 --> 01:55:02,520 Speaker 2: She she's a fucking witch, warlock whatever she is. And 2178 01:55:02,600 --> 01:55:04,320 Speaker 2: you think you're gonna come in there with some fucking 2179 01:55:04,360 --> 01:55:05,560 Speaker 2: regular ass metal right. 2180 01:55:05,600 --> 01:55:07,720 Speaker 1: I just thought you're gonna get hung for this shit. 2181 01:55:07,800 --> 01:55:09,960 Speaker 1: Even if he could for the trigger like this ain't 2182 01:55:09,960 --> 01:55:11,440 Speaker 1: gonna like this is a bad look. 2183 01:55:11,520 --> 01:55:11,760 Speaker 2: Tick. 2184 01:55:12,600 --> 01:55:14,920 Speaker 1: So just being in the room alone with a white woman, 2185 01:55:15,040 --> 01:55:20,440 Speaker 1: this is a bad look. And so then when he 2186 01:55:20,440 --> 01:55:22,640 Speaker 1: goes a shooter he can't, and he kind of freezes 2187 01:55:22,760 --> 01:55:24,680 Speaker 1: up and it's like she puts something on where he 2188 01:55:24,720 --> 01:55:28,720 Speaker 1: couldn't even move. Really, he couldn't say nothing, really, and 2189 01:55:28,760 --> 01:55:32,200 Speaker 1: she's just unbothered. Like this is such a smooth choreography 2190 01:55:32,200 --> 01:55:34,720 Speaker 1: of this scene, because you know, he had closed the blinds, 2191 01:55:34,760 --> 01:55:36,920 Speaker 1: pulled out the gun, do this cold blood and murder. 2192 01:55:37,080 --> 01:55:39,680 Speaker 1: And then she goes while he's still stuck holding the 2193 01:55:39,720 --> 01:55:43,120 Speaker 1: gun and can't can't even get his arm down. She 2194 01:55:43,200 --> 01:55:45,040 Speaker 1: goes and slowly opens the blinds. 2195 01:55:44,760 --> 01:55:47,840 Speaker 2: Back up and finishes her history lesson. 2196 01:55:47,720 --> 01:55:53,840 Speaker 1: Right, and basically she's like, listen, the order is like 2197 01:55:54,000 --> 01:55:56,160 Speaker 1: full of people trying to decipher this book so they 2198 01:55:56,160 --> 01:55:59,720 Speaker 1: can get ultimate power. And they know all these spells 2199 01:55:59,720 --> 01:56:02,280 Speaker 1: and stuf, but they have to decipher it from this 2200 01:56:02,360 --> 01:56:05,800 Speaker 1: book in the language of Adam. And most of the 2201 01:56:05,800 --> 01:56:09,360 Speaker 1: spells they know have been passed down by Titus Braithwhite, 2202 01:56:09,440 --> 01:56:14,520 Speaker 1: their ancestor and orally, so they're not even written down 2203 01:56:14,560 --> 01:56:17,960 Speaker 1: or anything. And my father figured out one spell. Most 2204 01:56:17,960 --> 01:56:20,240 Speaker 1: of them only figure out one spell in their lifetime, 2205 01:56:20,400 --> 01:56:22,440 Speaker 1: if that, and most of them, first of all, most 2206 01:56:22,480 --> 01:56:25,280 Speaker 1: of them never figure out a spell too. If they do, 2207 01:56:25,320 --> 01:56:28,360 Speaker 1: they figure out one spell. Her father's spell was in vulnerability, 2208 01:56:29,080 --> 01:56:31,240 Speaker 1: and she was like, he thought of knowing could hurt him, 2209 01:56:31,400 --> 01:56:34,120 Speaker 1: he could never die. But then when he did that 2210 01:56:34,680 --> 01:56:39,000 Speaker 1: ritual to open up the door to eating, he had 2211 01:56:39,000 --> 01:56:42,400 Speaker 1: to drop the spell in order the vulnerability in order 2212 01:56:42,440 --> 01:56:45,839 Speaker 1: to do that spell. And that's why he did because 2213 01:56:46,240 --> 01:56:47,920 Speaker 1: you know that was the one time he was weak. 2214 01:56:48,120 --> 01:56:50,240 Speaker 1: And it made me think about what you said last week, 2215 01:56:50,280 --> 01:56:53,840 Speaker 1: which was does she know that her father could die 2216 01:56:53,840 --> 01:56:56,240 Speaker 1: at that point? And this was part of her plan 2217 01:56:57,080 --> 01:56:59,240 Speaker 1: because she's the one that gave him the ring and 2218 01:56:59,320 --> 01:57:02,240 Speaker 1: said this could be the tiniest thing that can So 2219 01:57:02,400 --> 01:57:04,360 Speaker 1: maybe she set her father up to die. 2220 01:57:04,520 --> 01:57:07,480 Speaker 2: And also it's one of those things where she knows 2221 01:57:07,480 --> 01:57:09,920 Speaker 2: the history of how the other slave got away in 2222 01:57:09,960 --> 01:57:12,000 Speaker 2: what happened into her mind, she was like, this shit 2223 01:57:12,040 --> 01:57:16,200 Speaker 2: could actually happen again, Like I don't think this is 2224 01:57:16,200 --> 01:57:17,360 Speaker 2: gonna go right because. 2225 01:57:17,160 --> 01:57:19,800 Speaker 1: She's frozen out from power because she's a woman. So 2226 01:57:19,800 --> 01:57:22,440 Speaker 1: how do you get powered? Well, take your father out 2227 01:57:22,480 --> 01:57:24,480 Speaker 1: and all the men that believe in them, and now 2228 01:57:24,960 --> 01:57:28,400 Speaker 1: you're the one with all the knowledge you know. But 2229 01:57:28,440 --> 01:57:31,240 Speaker 1: then she says that you know the book, the book 2230 01:57:31,320 --> 01:57:36,080 Speaker 1: is still missing pages from Winthrop and if someone found 2231 01:57:36,080 --> 01:57:39,040 Speaker 1: those books, those pages, they can have a complete book 2232 01:57:39,720 --> 01:57:42,400 Speaker 1: and imagine how powerful they could be with all that 2233 01:57:42,480 --> 01:57:45,400 Speaker 1: knowledge and stuff. The book that the part of the 2234 01:57:45,400 --> 01:57:49,200 Speaker 1: book that she wants. Titus breath White, her great ancestor, 2235 01:57:49,240 --> 01:57:53,360 Speaker 1: booby trapped a vault and only he can access it. 2236 01:57:54,280 --> 01:57:57,080 Speaker 1: So she's like, you know, that's basically off the menu. 2237 01:57:57,200 --> 01:58:01,320 Speaker 1: But her ratio's pages could be anywhere they could get found, 2238 01:58:02,040 --> 01:58:04,320 Speaker 1: and then we could decode the book in its entirety. 2239 01:58:04,920 --> 01:58:06,920 Speaker 1: And then she slid like a card in his pocket 2240 01:58:07,000 --> 01:58:09,480 Speaker 1: like a calling car and said, uh, call me when 2241 01:58:09,480 --> 01:58:12,320 Speaker 1: you're ready to find out about our family, our family 2242 01:58:12,440 --> 01:58:15,560 Speaker 1: legacy and tick. You have to be smarter than this. 2243 01:58:16,680 --> 01:58:18,560 Speaker 1: You really can't go around killing white women. 2244 01:58:18,960 --> 01:58:21,120 Speaker 2: And that was the end, right, And it's also one 2245 01:58:21,120 --> 01:58:24,080 Speaker 2: of those things too where she looked at him like, 2246 01:58:24,200 --> 01:58:27,040 Speaker 2: if you're going to challenge me, you actually need to 2247 01:58:27,040 --> 01:58:30,080 Speaker 2: be smart. You can't just do this like this right here, 2248 01:58:30,160 --> 01:58:30,680 Speaker 2: this is dumb. 2249 01:58:30,720 --> 01:58:33,880 Speaker 1: Also, he don't know no spells, right, right. 2250 01:58:33,760 --> 01:58:36,760 Speaker 2: That was my thing. It's like you you going in 2251 01:58:36,800 --> 01:58:40,160 Speaker 2: there with Dumbledore talking about uh yeah, I got a bull, 2252 01:58:40,240 --> 01:58:42,520 Speaker 2: I got a gun and some bullets my nigga word. 2253 01:58:42,360 --> 01:58:45,640 Speaker 1: Right, So it's interesting to see. It'll be interesting to 2254 01:58:45,640 --> 01:58:47,160 Speaker 1: see where they go with this next week. What are 2255 01:58:47,200 --> 01:58:51,680 Speaker 1: you looking forward to next week? Uh? 2256 01:58:52,240 --> 01:58:55,160 Speaker 2: Too, because they show like some cliff to see, uh 2257 01:58:55,360 --> 01:59:00,200 Speaker 2: what the hell the Indiana Jones Temple of Doom? Uh 2258 01:59:00,200 --> 01:59:01,600 Speaker 2: Bridge Day about the Cross. 2259 01:59:02,080 --> 01:59:05,480 Speaker 1: Yeah, I'm looking forward to one Hippolyta finding out more 2260 01:59:05,480 --> 01:59:09,400 Speaker 1: about George and where that takes her character, especially if 2261 01:59:09,440 --> 01:59:12,720 Speaker 1: she gets that apparatus whatever that is that she looks 2262 01:59:12,720 --> 01:59:17,720 Speaker 1: so interested in. Looking forward to. Are they gonna start 2263 01:59:17,720 --> 01:59:19,760 Speaker 1: this kind of quest or this mission to go find 2264 01:59:19,760 --> 01:59:23,760 Speaker 1: these pages or not? I think? And then what's gonna 2265 01:59:23,800 --> 01:59:28,280 Speaker 1: happen with Ruby? Because I feel like Ruby could also 2266 01:59:28,400 --> 01:59:32,320 Speaker 1: become a quote unquote an enemy or a wild card 2267 01:59:32,360 --> 01:59:34,880 Speaker 1: because she don't really fuck with Letty at this point, 2268 01:59:35,920 --> 01:59:39,120 Speaker 1: and you know she's trying to like she's very uh 2269 01:59:39,840 --> 01:59:44,040 Speaker 1: she's a very uh what you calls people, not aggressive, 2270 01:59:44,120 --> 01:59:48,040 Speaker 1: but uh ambitious. She's a very ambitious woman too. So 2271 01:59:48,280 --> 01:59:50,960 Speaker 1: looking forward to all that. All right, y'all, thanks for listening. 2272 01:59:51,080 --> 01:59:54,680 Speaker 1: That's it for this week until Saturday when we do 2273 01:59:54,720 --> 01:59:55,480 Speaker 1: our feedback show. 2274 01:59:55,800 --> 01:59:57,280 Speaker 2: I love you, Yah,