WEBVTT - 105: Crash and Burn

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<v Speaker 1>Unpacking the Toolbox is a production of Shondaland Audio in

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<v Speaker 1>partnership with Higheartradios.

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<v Speaker 2>Katie, I am so full and I'm so sorry.

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<v Speaker 1>Oh no, I love it.

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<v Speaker 2>My son's school this morning has something called the Feast,

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<v Speaker 2>where every single parent brings in a dish, right, and

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<v Speaker 2>then the kids all sit at long tables. I'm basically

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<v Speaker 2>we go around and serve the children and they practice

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<v Speaker 2>saying like yes please or no thank you?

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<v Speaker 1>Oh nice?

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<v Speaker 2>Okay, So the food is like all for the kids,

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<v Speaker 2>and I was like, whatever, it's like eleven, am I

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<v Speaker 2>fucking made a plate? You stuffing sweet potato pie, whipped cream,

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<v Speaker 2>corn soufle a, green bean soufle a? Is it a

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<v Speaker 2>sou fle corn? No?

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<v Speaker 1>No?

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<v Speaker 2>And one of the kids thought it would be delicious

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<v Speaker 2>if the corn bread soufle thing had colored sprinkles. All yeah,

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<v Speaker 2>I'll eat that too. I mean, what am I thinking?

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<v Speaker 2>It is a Friday, We've got work to do, We've

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<v Speaker 2>got a podcast to record. And I was like, well,

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<v Speaker 2>I got that on lock. It was not bad, but

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<v Speaker 2>I definitely feel very tight in my pants.

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<v Speaker 1>What did you make?

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<v Speaker 2>What did I lie to everybody?

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<v Speaker 1>You picked that ship up at Bristol Farms.

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<v Speaker 2>It is way too expensive. I ordered. I signed up

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<v Speaker 2>well Fristle. Everyone just thinks we're gonna bring shabby pretzel Yeah,

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<v Speaker 2>and we did that last year and Adam was like,

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<v Speaker 2>I'm not bringing shabby pretzels. That's like hundreds and hundreds

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<v Speaker 2>of dollars. Like, we're not doing that. And so I

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<v Speaker 2>ordered all those caesar salad. My son loves caesar salads,

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<v Speaker 2>and no one had signed her salads because salad's so dumb.

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<v Speaker 2>But I picked up. I just literally got caesar salad

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<v Speaker 2>mixing bags, dumped it into bullet.

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<v Speaker 1>But then I like.

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<v Speaker 2>What did you make? And I was like, well, I

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<v Speaker 2>made the caesar salad, but I made the dressing from scratch,

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<v Speaker 2>and I grew the lettuce in my yard. You're such

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<v Speaker 2>a liar.

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<v Speaker 1>Oh my god. You know there are a bunch of

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<v Speaker 1>Scandal fans and they're gonna be like that bitch live.

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<v Speaker 2>She'd be like, oh my god, that's the mom who

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<v Speaker 2>has it all. She's got the Scandal rewatch podcast, she's

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<v Speaker 2>got Katie's crib, she's an acting career, and she fucking

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<v Speaker 2>grows lettuce and looks amazing. And I was like, and

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<v Speaker 2>don't you fucking forget it?

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<v Speaker 1>Oh my god. But when they hear this podcast again.

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<v Speaker 2>Then I will I'm gonna come over my house for

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<v Speaker 2>replate it, and they're gonna be like, where are your

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<v Speaker 2>raised farmer's boxes in your yard when you cultivate a

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<v Speaker 2>full garden? And I'm like, I don't. I don't know

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<v Speaker 2>how to make a goddamn thing. Speaking of which, can

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<v Speaker 2>we just talk about and then we should we'll do

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<v Speaker 2>an intro, But can you tell all of our listeners

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<v Speaker 2>what lunch you packed every day at Scandal for like

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<v Speaker 2>a lot of time?

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<v Speaker 1>Yeah, yeah, yeah, I think we We mentioned it a

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<v Speaker 1>little bit in one of the one of the episodes.

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<v Speaker 1>It was I'm obsessed with canned beats, canned beats and

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<v Speaker 1>green beans and I put I mean, I put like

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<v Speaker 1>a can of each in you know, a tupperware thing,

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<v Speaker 1>and then put oil and vinegar. And that's like I

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<v Speaker 1>was having beats earlier today, Like this morning, I had

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<v Speaker 1>breakfast and I had it.

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<v Speaker 2>Is your poop just like red?

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<v Speaker 1>No, because our toilets are black, you know what.

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<v Speaker 2>Toilet? What's going on?

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<v Speaker 1>I can so part of me is like am I dye? Like?

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<v Speaker 1>Is there blood in the blood? I know I can.

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<v Speaker 1>We got black toilets.

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<v Speaker 2>I mean see, like a black toilet is fucking like,

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<v Speaker 2>I get it. A black toilet is there's something that

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<v Speaker 2>feels naughty and sexy about it. I like it. But

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<v Speaker 2>I also take I take a big responsibility in like

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<v Speaker 2>taking a poop and then looking at it to see

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<v Speaker 2>how I'm doing, Like have I had enough greens like.

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<v Speaker 1>You're supposed to? Yes to be.

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<v Speaker 2>In the olden days, there was like.

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<v Speaker 1>Poop the mater poop meter no yes.

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<v Speaker 2>Kings and ship In England, there was someone's job who

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<v Speaker 2>the king would take a dumpch in the bidet next

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<v Speaker 2>in their royal apartment or whatever, and then someone a

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<v Speaker 2>doctor would check the duty and make sure that their

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<v Speaker 2>digestion was Like.

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<v Speaker 1>Yeah as well, I bet they didn't have black toilets

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<v Speaker 1>back then. They didn't have well, they didn't have anything

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<v Speaker 1>that holes in the ground. Uns.

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<v Speaker 2>You were the king, I think you were pooping in

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<v Speaker 2>like a like a like a rolling throne. So weird,

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<v Speaker 2>I really think so a throne thing like a wooden throw.

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<v Speaker 2>I can't believe you've never eating beets and pooped in

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<v Speaker 2>a toilet to sea.

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<v Speaker 1>Yeah, my toilet paper isn't black. So that's you know,

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<v Speaker 1>I'm stucking guys.

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<v Speaker 2>This is the greatest podcast episode anyone has ever been

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<v Speaker 2>interested in. And it all started with beets. Giermo used

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<v Speaker 2>to bring his salads and also talking about me not

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<v Speaker 2>growing shit and not being great in the kitchen. Darby

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<v Speaker 2>would make the most incredible salads. Yes, at Scandal with shit.

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<v Speaker 2>She actually grew.

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<v Speaker 1>With cump quats. Was the first time that I was like,

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<v Speaker 1>you could put cump quats in salad, and now I'm

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<v Speaker 1>obsessed with cumpquats. But she grew all that stuff. Yeah,

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<v Speaker 1>she grew kump quats.

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<v Speaker 2>She was unbelievable. And she would have like half a

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<v Speaker 2>lemon in one of those lemon baggies that would you

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<v Speaker 2>squeeze it it catches the seeds, yeah yeah. And then

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<v Speaker 2>she would have like some cut up tofu and just

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<v Speaker 2>like deliciousness. And I'm like, if I had Darby like

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<v Speaker 2>cooking for me, I would eat like that all the time.

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<v Speaker 1>Oh hell yeah. And she loves it too. She's so

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<v Speaker 1>good at it.

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<v Speaker 2>She's good at it, which is funny because I think

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<v Speaker 2>we haven't gotten there yet. But when we get into

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<v Speaker 2>the flashback episodes, when Abby you see her in the

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<v Speaker 2>past when she was sort of like a Susie homemaker,

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<v Speaker 2>like baking and stuff like that. Darby actually has a

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<v Speaker 2>quality of that.

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<v Speaker 1>Oh.

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<v Speaker 2>Absolutely, she's a very good cook. She's a very good baker.

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<v Speaker 2>She's very comfortable in a kitchen like I would be.

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<v Speaker 2>That is not my thing.

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<v Speaker 1>During the pandemic, she did a bunch of videos of

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<v Speaker 1>her teaching how to cut grapefruits up, like in different

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<v Speaker 1>different ways, different creative ways to cut grapefruit. And it

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<v Speaker 1>was the most mesmerizing thing I'd ever seen.

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<v Speaker 2>I was like mesmerizing. And her laugh breakdown videos, she's

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<v Speaker 2>the most infectious.

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<v Speaker 1>I love her, Like when.

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<v Speaker 2>She's laughing and having like a mental breakdown thinking something

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<v Speaker 2>so funny, I'm I.

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<v Speaker 1>Oh, it's the best.

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<v Speaker 2>You think it's because she's just so pretty. She's so beautiful.

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<v Speaker 1>That's that's part of it. But yeah, she's it's just

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<v Speaker 1>so fun to watch her.

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<v Speaker 2>Yes, she's so magical. She's also red that has the

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<v Speaker 2>most like she just looks like a unicorn talking about

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<v Speaker 2>like people who we g and I have talked about

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<v Speaker 2>on the podcast, like you can't hide from anywhere. I'm fine.

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<v Speaker 2>I can't imagine walking through life as Darby with that

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<v Speaker 2>fire engine. Yeah, she read.

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<v Speaker 1>Yeah, she's so good about going incognito though, you know

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<v Speaker 1>what I mean because on a hat like as Yeah,

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<v Speaker 1>like she's so good about it. She's so good.

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<v Speaker 2>About some very cool trench coat.

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<v Speaker 1>Yeah.

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<v Speaker 2>Today's episode of the Scandal Rewatch podcast we're talking about

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<v Speaker 2>episode one oh five called Crash and Burn, which aired

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<v Speaker 2>on April twenty six in twenty twelve. It was written

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<v Speaker 2>by Mark Wilding and directed by Steve Robin Steve Robin.

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<v Speaker 2>It was guest starring Brendon Hines as Gideon Wallace Bellamy

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<v Speaker 2>Young his first lady, Melly Grant, Joshua Molina as David Rosen,

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<v Speaker 2>Ram Beckel as Hank Tanner, and Darren Petty as Andrew Mackelson. Yes, up,

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<v Speaker 2>we got to this place again. Are you going to

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<v Speaker 2>do the synopsis or shamiji, let's.

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<v Speaker 1>See, let's see what goes down.

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<v Speaker 2>Let me hear you do this, Okay, let's say synopsis.

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<v Speaker 2>Olivia and her team helped defend the pilot of a

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<v Speaker 2>commercial plane that crashed, killing all on board. When a

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<v Speaker 2>Manda Tanner goes missing, Hawk must call upon his past

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<v Speaker 2>to help find her fits ask the Vice president for help.

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<v Speaker 1>Very nice Yo, can I just say how special this

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<v Speaker 1>episode is. I mean, there were so many emotions. I

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<v Speaker 1>cried like a bunch of times watching this episode. And

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<v Speaker 1>not only you know, because of the tragic stuff that

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<v Speaker 1>happens in the episode and the things that the characters

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<v Speaker 1>are going through and there's you know, the plane crash,

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<v Speaker 1>and yes, but it was I was super emotional about

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<v Speaker 1>it because it made me. It made me miss doing

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<v Speaker 1>the show. It made me miss the cast, it made

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<v Speaker 1>me miss Huck really like, I was like, oh my god,

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<v Speaker 1>this was such a special time, especially that opening scene

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<v Speaker 1>when we're all in in Olivia's apartment trying to figure

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<v Speaker 1>out what happened to Amanda Tanner. Yeah, we were all

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<v Speaker 1>just like on point and just going back and forth,

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<v Speaker 1>and he just brought me back to those days where

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<v Speaker 1>we'd all be shooting together, right and we would have My.

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<v Speaker 2>God, what's such an ensemble? It almost play those that

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<v Speaker 2>scene that opens this episode where we're all in Olivia's

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<v Speaker 2>apartment and Amanda Tanner has been taken and every single

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<v Speaker 2>one of us it's like music, Like you had said

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<v Speaker 2>before on this podcast, like everyone's interjecting lines and we're

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<v Speaker 2>all holding this ball up and keeping the scene going

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<v Speaker 2>and like working together as a team, and you say,

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<v Speaker 2>there's a guy watching you. Her trash was taken out,

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<v Speaker 2>and then Olivia says, how do you know? And you say,

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<v Speaker 2>because that's how I do.

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<v Speaker 1>It, That's how I would do it.

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<v Speaker 2>Yeah. I love hearing that. Gea, Like you watch these

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<v Speaker 2>episodes and you're like, I mean, Huck has so much

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<v Speaker 2>in this episode and we'll we'll get into that, but

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<v Speaker 2>like I could see why you miss playing him, like

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<v Speaker 2>he was so special.

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<v Speaker 1>Yeah, And you know, oftentimes, like you work on a

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<v Speaker 1>project and you're like, fuck, I wish in the moment.

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<v Speaker 1>I wish I was more in the moment and really

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<v Speaker 1>enjoyed it we were doing because it was such a

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<v Speaker 1>special like what do they say, lightning in a bottle?

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<v Speaker 1>Like it so rare to have this experience. But for Scandal,

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<v Speaker 1>I miss it, and I missed the people, and I

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<v Speaker 1>missed the show. But I don't feel that because I

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<v Speaker 1>feel like we really really enjoyed the experience and being

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<v Speaker 1>around each other and knowing how special it was and

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<v Speaker 1>and not taking it for granted and just relishing in it,

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<v Speaker 1>and you know what I mean.

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<v Speaker 2>Yeah, I felt like we had such a gift like

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<v Speaker 2>also knowing when it was the you know, Shonda let

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<v Speaker 2>us know play in advance that it was ending, and

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<v Speaker 2>I just feel like we all really got to like

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<v Speaker 2>therapeutically like process. I felt like when it was over,

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<v Speaker 2>we like, like you said, we just laid our head

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<v Speaker 2>in the pillow and know that we all made the

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<v Speaker 2>most and of this experience and didn't take it for granted.

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<v Speaker 1>And I didn't regret anything. I didn't regret not you know,

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<v Speaker 1>not enjoying it or not.

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<v Speaker 2>Yeah, my god, me either. Yeah, yeah, yeah, yeah, it

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<v Speaker 2>was the fucking best.

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<v Speaker 1>Yeah.

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<v Speaker 2>So you know that she's gone missing. You know what's funny? Wow,

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<v Speaker 2>I have a I feel like Roxanne Dawson was around

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<v Speaker 2>in this episode.

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<v Speaker 1>I remember, I remember her. I feel like, well, we'll

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<v Speaker 1>talk about it. But in the diner scene with Houck

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<v Speaker 1>and Charlie, I remember Rocks and directing us in that scene.

0:11:19.120 --> 0:11:21.800
<v Speaker 1>I don't remember Steve Robin. But then I remember Steve

0:11:21.880 --> 0:11:26.280
<v Speaker 1>Robin directing me when I'm torturing Charlie weird, which is weird.

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<v Speaker 1>I wonder if he wasn't a that which would happen sometimes.

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<v Speaker 2>Well, she was our producing director this season, so I

0:11:32.640 --> 0:11:35.600
<v Speaker 2>don't know, but I remember coming on the plane crash.

0:11:35.720 --> 0:11:37.920
<v Speaker 2>Harrison and Quinn are like walking down this like hill.

0:11:37.920 --> 0:11:39.880
<v Speaker 2>We were at the Disney Ranch that day, like in

0:11:39.960 --> 0:11:45.280
<v Speaker 2>Santa Clarita again, wearing fucking fall clothes, sweating ball sacks. Yes,

0:11:45.320 --> 0:11:48.920
<v Speaker 2>and we come upon the set, which is so impressive.

0:11:48.960 --> 0:11:51.240
<v Speaker 2>Like that's when I remember being like, my god, like

0:11:51.320 --> 0:11:53.560
<v Speaker 2>this show has like a budget. Like I came upon

0:11:53.559 --> 0:11:55.680
<v Speaker 2>this field where there's like a blown up plane and

0:11:55.679 --> 0:11:58.800
<v Speaker 2>there's like fake body parts everywhere and all of these flags,

0:11:58.840 --> 0:12:00.000
<v Speaker 2>and I couldn't I could.

0:12:00.000 --> 0:12:02.960
<v Speaker 1>I don't remember, Katie, was that plane actually there was

0:12:03.040 --> 0:12:07.880
<v Speaker 1>scgi'ed in? I couldn't remember, was there actually there? Wow? Yes, wow?

0:12:08.040 --> 0:12:09.959
<v Speaker 2>I think in my memory it.

0:12:10.000 --> 0:12:11.800
<v Speaker 1>Is right right right.

0:12:12.360 --> 0:12:15.800
<v Speaker 2>I think correct. I could be wrong, but like maybe

0:12:15.840 --> 0:12:18.720
<v Speaker 2>at the Disney Ranch that's like in stock there.

0:12:19.320 --> 0:12:22.640
<v Speaker 1>Oh yeah yeah yeah yeah, kind of like at Universal Studios.

0:12:22.720 --> 0:12:24.960
<v Speaker 2>Yeah, like I think that might be like sets that

0:12:25.040 --> 0:12:28.040
<v Speaker 2>are there. I have no idea. I have a memory

0:12:28.040 --> 0:12:30.920
<v Speaker 2>of Roxanne saying to me and me being so upset,

0:12:31.240 --> 0:12:34.240
<v Speaker 2>don't have your mouth a gape like that again when

0:12:34.280 --> 0:12:36.960
<v Speaker 2>you come when you come upon the plane crash, because

0:12:37.040 --> 0:12:38.920
<v Speaker 2>Quinn just does that all the time.

0:12:39.120 --> 0:12:41.480
<v Speaker 1>I love you when you had your mouth agape.

0:12:41.800 --> 0:12:44.280
<v Speaker 2>Thanks g Now I look back and I'm like, fuck,

0:12:44.360 --> 0:12:46.120
<v Speaker 2>she was right. I should have taken that note. Quinn

0:12:46.120 --> 0:12:50.320
<v Speaker 2>does that way too much and I need to grow up,

0:12:50.640 --> 0:12:51.959
<v Speaker 2>Like yeah, but that's.

0:12:51.760 --> 0:12:53.520
<v Speaker 1>Her too, you know what I mean.

0:12:53.880 --> 0:12:55.960
<v Speaker 2>Yeah, I shouldn't have been doing it. I should have

0:12:56.000 --> 0:12:57.800
<v Speaker 2>taken the note and I didn't, And I remember her

0:12:57.800 --> 0:12:59.600
<v Speaker 2>giving me the note and me being like kind of

0:12:59.679 --> 0:13:02.559
<v Speaker 2>upset and for once thinking like, first of all, I'd

0:13:02.559 --> 0:13:04.240
<v Speaker 2>never been a series regular on the show before, so

0:13:04.280 --> 0:13:06.160
<v Speaker 2>it had never occurred to me like, oh, like you

0:13:06.160 --> 0:13:08.760
<v Speaker 2>should think about your character in relation to like all

0:13:08.800 --> 0:13:11.839
<v Speaker 2>the other episodes and like the character you're building. I didn't.

0:13:11.880 --> 0:13:13.079
<v Speaker 2>I was like from the Guest.

0:13:12.800 --> 0:13:14.000
<v Speaker 1>Star World like same.

0:13:14.120 --> 0:13:16.480
<v Speaker 2>I was like, oh, I just was treating each story

0:13:16.600 --> 0:13:18.880
<v Speaker 2>like in it of itself, like I wasn't. Really I

0:13:18.880 --> 0:13:21.000
<v Speaker 2>would never be like, oh, well, in the last episode,

0:13:21.040 --> 0:13:23.480
<v Speaker 2>I had my mouth agate at Amanda Tanner's door, and

0:13:23.480 --> 0:13:25.679
<v Speaker 2>then the first episode I had my mouth agate when

0:13:25.679 --> 0:13:29.120
<v Speaker 2>I when Quinn was when Olivia was berating her on.

0:13:29.120 --> 0:13:30.840
<v Speaker 1>The prip her.

0:13:31.480 --> 0:13:33.640
<v Speaker 2>Now I'm like, shit, I had my mouth I Gabe

0:13:33.800 --> 0:13:34.959
<v Speaker 2>way too much.

0:13:36.840 --> 0:13:38.600
<v Speaker 1>But also like, as an actor, you don't want to

0:13:38.679 --> 0:13:40.200
<v Speaker 1>think about. You know what I mean. You're in the

0:13:40.280 --> 0:13:43.440
<v Speaker 1>in the moment of the scene, so you're not you

0:13:43.480 --> 0:13:46.000
<v Speaker 1>can't remember, you're not. I'm not thinking like, oh, I

0:13:46.080 --> 0:13:48.280
<v Speaker 1>did this with my eyes in this scene, so I

0:13:48.280 --> 0:13:50.320
<v Speaker 1>shouldn't do it in this one. And you know you

0:13:50.320 --> 0:13:52.800
<v Speaker 1>shouldn't be thinking about that too much. But right, listen,

0:13:52.960 --> 0:13:55.160
<v Speaker 1>you you felt like it was a thing. But watching

0:13:55.200 --> 0:13:57.680
<v Speaker 1>the episode your mouth, you were like.

0:13:57.640 --> 0:13:59.960
<v Speaker 2>That's the full time Quinn has had a mouth.

0:14:00.160 --> 0:14:03.000
<v Speaker 1>The gate was very appropriate for me.

0:14:03.120 --> 0:14:05.240
<v Speaker 2>Well, thank you, since you are the best acting ever,

0:14:05.280 --> 0:14:05.640
<v Speaker 2>I'll take that.

0:14:06.200 --> 0:14:06.400
<v Speaker 1>Yeah.

0:14:06.640 --> 0:14:11.559
<v Speaker 2>Then I wrote in my notes, we fucking meet Charlie.

0:14:11.880 --> 0:14:15.040
<v Speaker 1>Oh, yes, this is the introduction to Charlie. Yeah, like

0:14:15.280 --> 0:14:16.080
<v Speaker 1>you see him.

0:14:16.120 --> 0:14:18.880
<v Speaker 2>Yes, you're eating the sandwich, which, by the way, do

0:14:18.880 --> 0:14:19.440
<v Speaker 2>you remember that?

0:14:19.600 --> 0:14:21.840
<v Speaker 1>Listen, bitch, let me tell you something. I wrote a

0:14:21.960 --> 0:14:28.160
<v Speaker 1>whole page on eating moments. It literally says eating moments, Katie.

0:14:28.520 --> 0:14:29.640
<v Speaker 1>I'm not even kidding.

0:14:30.400 --> 0:14:33.760
<v Speaker 2>I wrote my first question, My first question is why

0:14:33.880 --> 0:14:37.960
<v Speaker 2>huck Finn? Second question, what sandwich were you eating when

0:14:38.000 --> 0:14:39.120
<v Speaker 2>you saw Charlie?

0:14:39.400 --> 0:14:40.480
<v Speaker 1>Don't get me started.

0:14:40.560 --> 0:14:42.080
<v Speaker 2>Do you remember what it was? I?

0:14:42.440 --> 0:14:43.840
<v Speaker 1>Yes, of course I do.

0:14:44.280 --> 0:14:45.800
<v Speaker 2>Okay, tell me about eating moments.

0:14:45.880 --> 0:14:48.160
<v Speaker 1>It was on Holy Toast and it was lettuce, tomato,

0:14:48.200 --> 0:14:50.880
<v Speaker 1>and mustard, and it was a turkey sandwich. I'm pretty

0:14:50.880 --> 0:14:53.080
<v Speaker 1>sure there was Swiss cheese on it as well. But

0:14:53.280 --> 0:14:56.400
<v Speaker 1>the great thing about our props team was Jeff Props

0:14:56.400 --> 0:14:58.520
<v Speaker 1>and George. I mean, we love them so much the best,

0:14:58.520 --> 0:15:00.560
<v Speaker 1>but they when you would have an eating scene, they

0:15:00.560 --> 0:15:03.960
<v Speaker 1>would go up to you the day before, or usually

0:15:03.960 --> 0:15:06.000
<v Speaker 1>the day before a couple of days before that. They

0:15:06.080 --> 0:15:07.640
<v Speaker 1>knew that scene was coming up, and they'd be like,

0:15:07.720 --> 0:15:09.440
<v Speaker 1>what do you want to eat? If it was in

0:15:09.440 --> 0:15:11.000
<v Speaker 1>the script that it was a sandwich, they'd be like,

0:15:11.000 --> 0:15:13.240
<v Speaker 1>what kind of sandwich do you want? Once I had

0:15:13.240 --> 0:15:15.840
<v Speaker 1>to eat a fucking cheeseburger when I had a scene

0:15:15.840 --> 0:15:18.280
<v Speaker 1>with Joe Morton, and all I could think about was

0:15:18.320 --> 0:15:21.080
<v Speaker 1>shooting that scene and getting to eat that cheeseburger. And

0:15:21.120 --> 0:15:24.560
<v Speaker 1>then I'm not even look how excited I am. This

0:15:24.600 --> 0:15:26.920
<v Speaker 1>is crazy. But the thing about shooting a show like

0:15:26.960 --> 0:15:30.920
<v Speaker 1>this is they make several several of the sandwiches or

0:15:31.000 --> 0:15:33.600
<v Speaker 1>the burgers, or they buy them because you know you

0:15:33.680 --> 0:15:36.520
<v Speaker 1>have to do several takes. So all I would think

0:15:36.560 --> 0:15:38.200
<v Speaker 1>in my head was I'm going to get to take

0:15:38.200 --> 0:15:40.560
<v Speaker 1>the rest of them home, or I would get pissed

0:15:40.560 --> 0:15:42.160
<v Speaker 1>if somebody else was like can I get that?

0:15:42.200 --> 0:15:48.600
<v Speaker 3>I was like, excuse me, dearmo you are it looked delicious.

0:15:49.000 --> 0:15:51.280
<v Speaker 1>And then for the Half Baked fans, I don't know

0:15:51.280 --> 0:15:53.600
<v Speaker 1>if you can tell a little salute to Half Baked.

0:15:53.800 --> 0:15:57.000
<v Speaker 1>They put Funnians on my plate, and Funnians is a

0:15:57.000 --> 0:15:59.560
<v Speaker 1>big thing on Half Baked. When Kenny is going through

0:15:59.560 --> 0:16:02.480
<v Speaker 1>the list of things and at the end someone says Funnians,

0:16:02.480 --> 0:16:04.200
<v Speaker 1>don't forget the Funnians or some shit like that.

0:16:04.280 --> 0:16:07.480
<v Speaker 2>Did you on purpose pick Funians or did they just

0:16:07.600 --> 0:16:09.040
<v Speaker 2>happen to put the Funians on there.

0:16:09.320 --> 0:16:12.480
<v Speaker 1>I remember us talking about it and saying how funny

0:16:12.520 --> 0:16:14.960
<v Speaker 1>it would be if we put Funnians on the plate,

0:16:14.960 --> 0:16:18.280
<v Speaker 1>because it was a little sort of wink to Half Baked.

0:16:18.720 --> 0:16:22.360
<v Speaker 2>Was George props or Jeff Props? Did they were? They

0:16:22.400 --> 0:16:24.040
<v Speaker 2>like half Baked fans to know that.

0:16:24.400 --> 0:16:28.040
<v Speaker 1>Jeff was Yeah, but Jeff for sure, yeah, yeah, yeah,

0:16:28.080 --> 0:16:31.880
<v Speaker 1>he's the best. But yes, And so eating is always

0:16:32.040 --> 0:16:35.240
<v Speaker 1>you know, I think that certain actors are super scared

0:16:35.320 --> 0:16:37.480
<v Speaker 1>or they're nervous when they have to eat in a scene,

0:16:37.480 --> 0:16:39.360
<v Speaker 1>because you know, people don't want to eat and getting

0:16:39.400 --> 0:16:42.680
<v Speaker 1>fat but well or Tony and Scott, I'm sure, but

0:16:42.720 --> 0:16:44.400
<v Speaker 1>they never eat on the show. The only thing they

0:16:44.560 --> 0:16:47.200
<v Speaker 1>ate was a Livia sorry, take that out.

0:16:47.960 --> 0:16:51.200
<v Speaker 2>No, keep it in, honey, keep it in.

0:16:52.280 --> 0:16:53.400
<v Speaker 1>But anyway, eating.

0:16:53.560 --> 0:16:56.440
<v Speaker 2>But then there are some actors who swear by it

0:16:56.600 --> 0:16:58.880
<v Speaker 2>and think that it makes you the best actor ever.

0:16:58.960 --> 0:17:02.120
<v Speaker 2>Like I think that I've heard for years that, like,

0:17:02.280 --> 0:17:05.439
<v Speaker 2>if you go back into like all of Brad Pitt's performances,

0:17:05.840 --> 0:17:10.400
<v Speaker 2>he's almost never doing an entrance without eating something. Really,

0:17:10.440 --> 0:17:12.840
<v Speaker 2>he eats in most of the scenes. Yeah, because there

0:17:12.840 --> 0:17:15.479
<v Speaker 2>are very few things that you can do as an

0:17:15.520 --> 0:17:19.440
<v Speaker 2>actor where you can't fake it. You cannot fake eating

0:17:19.640 --> 0:17:20.640
<v Speaker 2>eat you have to act.

0:17:20.720 --> 0:17:23.240
<v Speaker 1>People do it, but actors do it, and bad eating

0:17:23.680 --> 0:17:25.720
<v Speaker 1>in a film or on a TV show is the worst.

0:17:25.960 --> 0:17:29.800
<v Speaker 1>Fillmore girls, I love the show. The worst fucking eaters

0:17:30.040 --> 0:17:33.240
<v Speaker 1>in the world. To go back and let's and Lauren Grandma,

0:17:33.240 --> 0:17:39.040
<v Speaker 1>I love around And their coffee cups are like, you know,

0:17:39.640 --> 0:17:42.080
<v Speaker 1>like there's nothing in them, Like it's the worst. They

0:17:42.119 --> 0:17:46.480
<v Speaker 1>never take a bite. If they do. Oh, it's so any.

0:17:46.320 --> 0:17:48.680
<v Speaker 2>Actor is listening to this podcast. If you want to

0:17:48.720 --> 0:17:53.120
<v Speaker 2>consider yourself legit, you gotta eat in the city because

0:17:53.359 --> 0:17:55.720
<v Speaker 2>it also does make you a better actor. You can't

0:17:55.720 --> 0:17:59.400
<v Speaker 2>fake well, you can fake eating, but you shouldn't smoking cigarettes.

0:18:00.040 --> 0:18:02.440
<v Speaker 1>Yeah, he can't fait, you can't face.

0:18:02.520 --> 0:18:04.600
<v Speaker 2>So like those are the moments where they're kind of

0:18:04.640 --> 0:18:07.959
<v Speaker 2>like actor gifts. Also like acting with a baby, like

0:18:08.000 --> 0:18:11.840
<v Speaker 2>you can't really really like you have to actually like

0:18:11.920 --> 0:18:13.720
<v Speaker 2>be there because it truly is like you don't know

0:18:13.720 --> 0:18:17.560
<v Speaker 2>what's going to happen. I remember my first like major

0:18:17.680 --> 0:18:20.919
<v Speaker 2>family eating scene on this other show I was on

0:18:21.040 --> 0:18:23.720
<v Speaker 2>my first series regular when I was twenty five. Laurie Metcalf,

0:18:23.760 --> 0:18:27.919
<v Speaker 2>who's like everyone thinks she's an incredible actress, myself included.

0:18:28.160 --> 0:18:31.040
<v Speaker 2>We had these family like Sunday night dinner scenes that

0:18:31.040 --> 0:18:32.640
<v Speaker 2>would take forever, and they would go around and around

0:18:32.640 --> 0:18:34.520
<v Speaker 2>and around and shoot everybody's point of view and everyone

0:18:34.520 --> 0:18:37.440
<v Speaker 2>was eating, and Laurie Metcalf would eat the shit out

0:18:37.440 --> 0:18:40.040
<v Speaker 2>of her food really and I would be like, this woman,

0:18:40.160 --> 0:18:43.240
<v Speaker 2>she's a good eater. Oh she's a great actions.

0:18:43.280 --> 0:18:45.400
<v Speaker 1>Big bank where she's a great eater. They're always eating

0:18:45.440 --> 0:18:47.080
<v Speaker 1>on that show, and she's.

0:18:46.640 --> 0:18:49.760
<v Speaker 2>An eater, and she's talking while she's eating, which is

0:18:49.760 --> 0:18:52.000
<v Speaker 2>what Brad Pitt does too. He's talking with the full

0:18:52.119 --> 0:18:55.399
<v Speaker 2>mouth he's talking with like wiping his mouth with the napkin.

0:18:55.480 --> 0:18:58.679
<v Speaker 2>He's talking while he's taking SIPs of whatever drink is

0:18:58.680 --> 0:19:01.160
<v Speaker 2>being served, and like that makes you good, I.

0:19:01.119 --> 0:19:03.640
<v Speaker 1>Think, Yeah, I agree.

0:19:03.680 --> 0:19:09.280
<v Speaker 2>Okay, So then you see Charlie, who was cast crazily

0:19:10.040 --> 0:19:12.960
<v Speaker 2>when we see him for a blip while you're hacking

0:19:13.080 --> 0:19:15.959
<v Speaker 2>to see that he was caught on a traffic cam. Yeah,

0:19:16.000 --> 0:19:18.480
<v Speaker 2>it's the first time we're seeing this character, Charlie, who's

0:19:18.520 --> 0:19:22.040
<v Speaker 2>played by fucking George Newborn, who's the dad from Father

0:19:22.240 --> 0:19:23.040
<v Speaker 2>of the Bride.

0:19:23.200 --> 0:19:25.640
<v Speaker 1>Yeah, wait, he's the dad. He's the dad, or he's

0:19:25.680 --> 0:19:30.240
<v Speaker 1>the groom. He's the groom, right, yeah, yeah, yeah, Now

0:19:30.280 --> 0:19:32.520
<v Speaker 1>he's a dad. Now, he's a daddy.

0:19:32.560 --> 0:19:35.040
<v Speaker 2>Now he would get cast as the dad now, but

0:19:35.119 --> 0:19:36.359
<v Speaker 2>at the time he was the groom.

0:19:36.640 --> 0:19:37.359
<v Speaker 1>Oh, George.

0:19:37.359 --> 0:19:40.359
<v Speaker 2>And he was also the boyfriend in Adventures and Babysiting.

0:19:40.480 --> 0:19:43.879
<v Speaker 1>Yes, yes, And George told me a story once I

0:19:43.920 --> 0:19:46.199
<v Speaker 1>bet you were there that he was super close to

0:19:46.240 --> 0:19:49.679
<v Speaker 1>getting the role of Marty McFly in Back to the Future.

0:19:49.920 --> 0:19:54.920
<v Speaker 2>Screen tested against Michael fucking Jazz, they flew him out.

0:19:55.000 --> 0:19:57.040
<v Speaker 2>He was going to Northwestern at the time. He was

0:19:57.080 --> 0:20:00.600
<v Speaker 2>a drama major. He was auditioning and the he flew

0:20:00.720 --> 0:20:03.359
<v Speaker 2>him in and he screen tested against Michael J.

0:20:03.480 --> 0:20:05.199
<v Speaker 1>Fox. How amazing is that?

0:20:05.320 --> 0:20:07.159
<v Speaker 2>Can you imagine that?

0:20:07.680 --> 0:20:08.120
<v Speaker 1>Yeah?

0:20:08.160 --> 0:20:10.560
<v Speaker 2>I mean anyway, I just think the casting choice on.

0:20:10.520 --> 0:20:11.920
<v Speaker 1>That oh so good.

0:20:12.000 --> 0:20:14.840
<v Speaker 2>And he did not know, none of us knew. The

0:20:14.840 --> 0:20:19.240
<v Speaker 2>writers are that that Charlie would be what Charlie became.

0:20:19.400 --> 0:20:22.320
<v Speaker 1>But I love that they cast against type, you know

0:20:22.359 --> 0:20:24.879
<v Speaker 1>what I mean. They didn't cast like some sort of

0:20:25.160 --> 0:20:27.720
<v Speaker 1>goon looking guy that you're like, oh, he's a bad guy,

0:20:28.000 --> 0:20:31.280
<v Speaker 1>bad guy. It looks like the loveliest, like kindest, just

0:20:31.480 --> 0:20:34.720
<v Speaker 1>a da next door. Yeah yeah, yeah, yeah.

0:20:34.640 --> 0:20:38.280
<v Speaker 2>Eighty sitcom dad you've ever seen in your light nineties

0:20:38.320 --> 0:20:42.040
<v Speaker 2>Like he's just so like, I mean, he's from Arkansas?

0:20:42.840 --> 0:20:45.320
<v Speaker 2>Is he go get a snack and we'll be right back.

0:20:48.080 --> 0:20:50.000
<v Speaker 1>Can I just say really quickly? I love in this

0:20:50.080 --> 0:20:53.159
<v Speaker 1>scene is one of the first times, maybe it's this

0:20:53.480 --> 0:20:55.639
<v Speaker 1>second or third time that we've seen it on in

0:20:55.680 --> 0:20:59.000
<v Speaker 1>the first season, but that that Mike Huck's computer becomes

0:20:59.080 --> 0:21:02.280
<v Speaker 1>the camera. So they would take away my computer, like

0:21:02.640 --> 0:21:04.520
<v Speaker 1>this is us on set getting ready to shoot the scene,

0:21:04.560 --> 0:21:07.359
<v Speaker 1>and they would put a camera right in dead in

0:21:07.440 --> 0:21:09.760
<v Speaker 1>my face and I would have to look into the

0:21:09.800 --> 0:21:14.560
<v Speaker 1>camera and pretend and that was so much fun. I

0:21:14.640 --> 0:21:15.400
<v Speaker 1>love doing that.

0:21:15.760 --> 0:21:17.439
<v Speaker 2>They would call it Huck Cam.

0:21:17.760 --> 0:21:20.399
<v Speaker 1>It was called cam yeah, yeah, yeah yeah.

0:21:20.440 --> 0:21:23.679
<v Speaker 2>So then later on in post they would superimpose like

0:21:24.000 --> 0:21:28.600
<v Speaker 2>the green like numbers and like computer typing letters going

0:21:28.680 --> 0:21:31.600
<v Speaker 2>over Giirmo's face. But I had to be in Huck

0:21:31.640 --> 0:21:33.479
<v Speaker 2>camp all the time too, like just kind of crouched

0:21:33.520 --> 0:21:36.080
<v Speaker 2>down next to you, and we're both looking like dead

0:21:36.080 --> 0:21:39.320
<v Speaker 2>into the camera as you're like fakely pretending to hit

0:21:39.440 --> 0:21:40.399
<v Speaker 2>keys and Hucks.

0:21:40.480 --> 0:21:43.280
<v Speaker 1>I feel like we all loved being in Huck's office.

0:21:43.280 --> 0:21:46.040
<v Speaker 1>It was such a special set, right, It was so

0:21:46.280 --> 0:21:50.200
<v Speaker 1>unique and industrial and and just a lot of wires

0:21:50.240 --> 0:21:55.120
<v Speaker 1>and growing things. He had fucking grow a grow house,

0:21:55.160 --> 0:21:57.240
<v Speaker 1>the little grow house in the back. Yeah, towards like

0:21:57.280 --> 0:22:00.199
<v Speaker 1>season three or four or something, they added that, like

0:22:00.200 --> 0:22:00.919
<v Speaker 1>did they ever know?

0:22:01.040 --> 0:22:02.639
<v Speaker 2>I mean, I felt like there were all these fucking

0:22:02.800 --> 0:22:05.719
<v Speaker 2>plants hanging where you were just like I know they

0:22:05.760 --> 0:22:07.040
<v Speaker 2>weren't weed, but I used to be.

0:22:07.040 --> 0:22:12.120
<v Speaker 1>Like, this is on track, right, Yeah, Tuck's.

0:22:11.880 --> 0:22:15.840
<v Speaker 2>Little dark hydroponic Is that the word?

0:22:16.320 --> 0:22:16.840
<v Speaker 1>I think? So?

0:22:17.000 --> 0:22:18.720
<v Speaker 2>Yeah, because hydroponics sounds.

0:22:18.560 --> 0:22:18.919
<v Speaker 1>Right to me.

0:22:19.359 --> 0:22:24.600
<v Speaker 2>Then we see Harrison is everyone's trying to listen to

0:22:24.640 --> 0:22:28.000
<v Speaker 2>this black box recording from the plane crash to figure

0:22:28.080 --> 0:22:31.360
<v Speaker 2>out who is truly at fault for the plane crashing.

0:22:31.480 --> 0:22:34.880
<v Speaker 2>Is it the pilot? You know, Darren Petty who who

0:22:34.920 --> 0:22:38.840
<v Speaker 2>played the husband of the pilot so well, hires Olivia

0:22:38.880 --> 0:22:41.399
<v Speaker 2>Pope to sort of represent the pilot of the plane

0:22:41.400 --> 0:22:44.639
<v Speaker 2>that she was not at fault. And everyone's listening to

0:22:44.720 --> 0:22:48.119
<v Speaker 2>the black box and we see Harrison doing like the

0:22:48.160 --> 0:22:51.560
<v Speaker 2>most amazing like that. He's so musical and he's like

0:22:51.600 --> 0:22:55.320
<v Speaker 2>obsessively listening to the box. It's in this episode where

0:22:55.320 --> 0:22:57.680
<v Speaker 2>I'm like this fuck, I love that there are three

0:22:57.760 --> 0:23:03.159
<v Speaker 2>degrees of Britney Spears on candle. You were in a

0:23:03.160 --> 0:23:10.240
<v Speaker 2>Britney Spears music video. Yeah, Shanda wrote Crossroads, Yes, Crossroads yep,

0:23:10.840 --> 0:23:15.960
<v Speaker 2>and Columbus choreographed one of her tours.

0:23:16.080 --> 0:23:19.159
<v Speaker 1>Yeah yeah, like that's so crazy.

0:23:19.280 --> 0:23:22.720
<v Speaker 2>Yeah why did she never visit? Set right between the

0:23:22.720 --> 0:23:25.040
<v Speaker 2>whole thing of like listening to the black box over

0:23:25.040 --> 0:23:27.520
<v Speaker 2>and over again, figuring it out, and then doesn't Harrison

0:23:27.560 --> 0:23:30.199
<v Speaker 2>look at us. We're at the coffee station and he

0:23:30.320 --> 0:23:33.439
<v Speaker 2>shouts like it wasn't the plane, It wasn't it, And

0:23:33.480 --> 0:23:35.040
<v Speaker 2>his eyes are all red and you could tell you know,

0:23:35.280 --> 0:23:38.280
<v Speaker 2>I feel like Harrison had red makeup put on his eyes,

0:23:38.320 --> 0:23:41.359
<v Speaker 2>plus his eyes looked insane. It was like, yeah, he

0:23:41.440 --> 0:23:43.760
<v Speaker 2>hadn't slept because he's just like listening and listening and

0:23:43.800 --> 0:23:46.600
<v Speaker 2>listening and trying to decode what's in this. And then

0:23:46.600 --> 0:23:53.400
<v Speaker 2>he yells at them and says something like brilliant, we

0:23:53.520 --> 0:24:00.120
<v Speaker 2>learn that Laurie wasn't drinking. Again all these guest stars coast.

0:24:00.320 --> 0:24:04.480
<v Speaker 2>The performances are fucking ridiculous. So Stupertius that was too

0:24:04.520 --> 0:24:06.480
<v Speaker 2>drunk on her birthday and stand in and then Sebe

0:24:06.600 --> 0:24:08.399
<v Speaker 2>goes and visits her in the hotel room and she's like,

0:24:08.480 --> 0:24:10.400
<v Speaker 2>doesn't even know that everyone had gone down?

0:24:11.320 --> 0:24:13.840
<v Speaker 1>So good? So good? The yeah, yeah, the one that

0:24:13.920 --> 0:24:14.440
<v Speaker 1>was hung over.

0:24:15.080 --> 0:24:16.480
<v Speaker 2>Yes, it was so good.

0:24:16.720 --> 0:24:19.720
<v Speaker 1>She played Carly Reston and her name her her actually

0:24:19.760 --> 0:24:21.360
<v Speaker 1>actress's name is Amanda Fuller.

0:24:22.160 --> 0:24:24.040
<v Speaker 2>And did you fucking google?

0:24:24.280 --> 0:24:26.480
<v Speaker 1>I sure did, Katie, because because of what you were

0:24:26.520 --> 0:24:29.199
<v Speaker 1>just saying, she's so good that I was like, we

0:24:29.359 --> 0:24:32.120
<v Speaker 1>have to give this actor a shout out. Her name

0:24:32.160 --> 0:24:35.040
<v Speaker 1>is Amanda Fuller, and she's yeah, she's been in a

0:24:35.040 --> 0:24:38.280
<v Speaker 1>ton of stuff. She was in a Grayze episode. She

0:24:38.320 --> 0:24:41.639
<v Speaker 1>played Britney Murphy. In a TV movie about Britney Murphy.

0:24:41.800 --> 0:24:44.240
<v Speaker 1>Remember the amazing Brittany Murphy.

0:24:44.280 --> 0:24:46.119
<v Speaker 2>She fucking killed.

0:24:45.840 --> 0:24:49.199
<v Speaker 1>That, but that this actress fucking just brought it.

0:24:49.320 --> 0:24:52.760
<v Speaker 2>No, she was unbelievable. She's hysterical crying, she's funny at

0:24:52.760 --> 0:24:54.840
<v Speaker 2>the top, just open the door and be like what

0:24:55.119 --> 0:24:57.600
<v Speaker 2>And she has to go into this whole thing where

0:24:57.640 --> 0:24:59.600
<v Speaker 2>she realized she just missed death.

0:25:00.080 --> 0:25:02.040
<v Speaker 1>Darby is so good in this scene too, because you

0:25:02.040 --> 0:25:04.240
<v Speaker 1>could see how cold she is and she's like, she

0:25:04.280 --> 0:25:06.919
<v Speaker 1>doesn't know how to deal with someone being emotional. So

0:25:06.960 --> 0:25:09.200
<v Speaker 1>she pushes the tissue box forward, yes, and then she

0:25:09.280 --> 0:25:11.359
<v Speaker 1>keeps crying and then she pushes it forward again, Like.

0:25:11.359 --> 0:25:13.440
<v Speaker 2>Oh my god, that's so classic.

0:25:13.560 --> 0:25:16.399
<v Speaker 1>Yeah, she's not comforting at all. Yeah.

0:25:16.560 --> 0:25:19.240
<v Speaker 2>Was that written in the stage directions? Or is that

0:25:19.480 --> 0:25:21.520
<v Speaker 2>Darby just making genius acting choices.

0:25:21.880 --> 0:25:24.200
<v Speaker 1>I want to say it was Darby making genius acting choices.

0:25:24.240 --> 0:25:25.240
<v Speaker 2>I want to say that too.

0:25:25.480 --> 0:25:28.000
<v Speaker 1>So so good, Like she did not know how to

0:25:28.040 --> 0:25:30.800
<v Speaker 1>comfort this what the character did not know how to

0:25:30.800 --> 0:25:33.800
<v Speaker 1>comfort someone that's breaking down like that? It was just

0:25:33.840 --> 0:25:35.600
<v Speaker 1>so fun to watch to watch her work.

0:25:35.760 --> 0:25:39.600
<v Speaker 2>We're back in the OPA office, comes in and says

0:25:39.680 --> 0:25:42.040
<v Speaker 2>and screams Amanda Tanner is dead.

0:25:42.560 --> 0:25:49.480
<v Speaker 1>Oh god, I remember getting chills doing that scene. Oh,

0:25:49.560 --> 0:25:51.280
<v Speaker 1>that was one of my favorite. You know how you

0:25:51.320 --> 0:25:54.280
<v Speaker 1>have scenes that it just feels so good to do

0:25:54.920 --> 0:25:57.879
<v Speaker 1>and they stick with you. I just remember that moment.

0:25:58.040 --> 0:25:59.800
<v Speaker 2>What were our lines leading up to it? We were

0:25:59.800 --> 0:26:02.679
<v Speaker 2>all like, I just remember, we're running around in a fury,

0:26:03.400 --> 0:26:06.080
<v Speaker 2>and lady is giving up fucking orders, like you go this,

0:26:06.160 --> 0:26:07.720
<v Speaker 2>and you go this, and you go this and and

0:26:07.720 --> 0:26:10.960
<v Speaker 2>and then you're just like you yell, which Huck never does.

0:26:11.520 --> 0:26:13.720
<v Speaker 1>Yeah, everyone's caught up because I don't know if we

0:26:13.840 --> 0:26:16.600
<v Speaker 1>mentioned it, but a plane and a plane crashes in

0:26:16.600 --> 0:26:19.080
<v Speaker 1>the episode and it kills one hundred and twenty people.

0:26:19.119 --> 0:26:22.480
<v Speaker 1>And then Olivia now represents the pilot's union and she

0:26:22.640 --> 0:26:26.560
<v Speaker 1>expects the airline is gonna blame Laurie the pilot, which

0:26:26.560 --> 0:26:26.879
<v Speaker 1>they do.

0:26:27.720 --> 0:26:30.840
<v Speaker 2>I thought we were all like running around talking about

0:26:31.240 --> 0:26:33.760
<v Speaker 2>like how to find Amanda or something, and then you

0:26:33.880 --> 0:26:35.520
<v Speaker 2>just come to Amanda Tanner's dead.

0:26:35.840 --> 0:26:38.719
<v Speaker 1>Yeah, yeah, yeah, it was. It was. It was something

0:26:38.800 --> 0:26:39.200
<v Speaker 1>like that.

0:26:39.280 --> 0:26:43.399
<v Speaker 2>Yeah, you record, stop the whole scene and Olivia looks

0:26:43.440 --> 0:26:44.000
<v Speaker 2>at you.

0:26:44.160 --> 0:26:46.679
<v Speaker 1>And she's like, are you sure. I just shake my

0:26:46.720 --> 0:26:47.240
<v Speaker 1>head yes.

0:26:47.840 --> 0:26:50.600
<v Speaker 2>And then oh and then that's my favorite fucking Carry

0:26:50.680 --> 0:26:51.600
<v Speaker 2>Washington moment acting.

0:26:53.680 --> 0:26:54.119
<v Speaker 1>I wrote that.

0:26:55.240 --> 0:26:57.800
<v Speaker 2>Yeah, have the same days. When she marches out to

0:26:57.840 --> 0:26:59.879
<v Speaker 2>the street to the Dan that's been fucking watching it,

0:27:00.080 --> 0:27:04.000
<v Speaker 2>She's like, roll down your fucking window and she bailed

0:27:04.040 --> 0:27:09.000
<v Speaker 2>on the windshield. Tell your guy that I know, I know.

0:27:09.680 --> 0:27:11.920
<v Speaker 1>Yeah, talk into your little microphone and your brants and

0:27:12.000 --> 0:27:13.920
<v Speaker 1>you tell him that I know. Yeah.

0:27:14.480 --> 0:27:17.359
<v Speaker 2>When I see her do that scene, I feel like

0:27:17.520 --> 0:27:22.520
<v Speaker 2>she is summoning her bronx, her like roots, like her bronx,

0:27:22.600 --> 0:27:24.639
<v Speaker 2>Like this is how I talk to someone when I

0:27:24.680 --> 0:27:27.680
<v Speaker 2>am like in my most power and I'm so pissed

0:27:28.080 --> 0:27:33.200
<v Speaker 2>and I've been so wrunk as it's remarkable. And then

0:27:33.200 --> 0:27:35.600
<v Speaker 2>she turns away from screaming at the two dudes in

0:27:35.640 --> 0:27:38.360
<v Speaker 2>This is Dan, and the whole shot goes into slow mo.

0:27:38.560 --> 0:27:41.879
<v Speaker 1>And she she like rubs her arms, yes, which is

0:27:41.960 --> 0:27:44.200
<v Speaker 1>so just that little moments.

0:27:44.520 --> 0:27:49.919
<v Speaker 2>Oh god, oh my god, It's unfucking believable. So we

0:27:50.000 --> 0:27:55.440
<v Speaker 2>know she's dead, which is horrible and stupid. Ass. Quinn Pergin, Yeah,

0:27:55.680 --> 0:27:59.600
<v Speaker 2>makes a promise, finds Amanda Tanner's dad, brings him to

0:27:59.680 --> 0:28:02.159
<v Speaker 2>the office and said everything is going to be okay,

0:28:02.520 --> 0:28:08.439
<v Speaker 2>I promise to which Olivia is like, Quinn, can I

0:28:08.480 --> 0:28:10.120
<v Speaker 2>speak to you for a minute at the coffee station?

0:28:10.400 --> 0:28:11.880
<v Speaker 1>At the coffee station and.

0:28:11.800 --> 0:28:14.960
<v Speaker 2>Then I'm like yeah, what and she's like, we don't

0:28:15.240 --> 0:28:18.720
<v Speaker 2>make promises. Yeah ever, and I'm like what are you

0:28:18.760 --> 0:28:22.000
<v Speaker 2>talking about? And she's like, Amanda Tanner is dead? And

0:28:22.040 --> 0:28:27.160
<v Speaker 2>I'm like, what did see? I was not mouth agape there.

0:28:27.320 --> 0:28:29.040
<v Speaker 2>I gave you other options.

0:28:29.560 --> 0:28:33.679
<v Speaker 1>Nope, just real quickly. In this scene, we are introduced

0:28:33.720 --> 0:28:36.639
<v Speaker 1>to uh to Hank Tanner. Hank Tanner, who is Amanda

0:28:36.680 --> 0:28:40.680
<v Speaker 1>Tanner's dad, and it's played by Graham Beckel. Now let

0:28:40.680 --> 0:28:42.880
<v Speaker 1>me tell you something. I went down a rabbit hole

0:28:42.920 --> 0:28:46.600
<v Speaker 1>googling Homeboy because I was like, I do that with

0:28:46.680 --> 0:28:48.720
<v Speaker 1>all the co stars because it's so fun to see

0:28:48.720 --> 0:28:52.840
<v Speaker 1>what they've been in. So Graham Beckele was in fucking

0:28:53.000 --> 0:28:57.440
<v Speaker 1>Broke Back Mountain. He plays Anne Hathaway's dad in that

0:28:57.560 --> 0:29:02.040
<v Speaker 1>fucking amazing scene when they're having thanks dinner and Hathaway

0:29:02.160 --> 0:29:05.000
<v Speaker 1>and Jake Jillen Hall they have the TV playing and

0:29:05.040 --> 0:29:07.080
<v Speaker 1>their little son is like watching the TV and the

0:29:07.080 --> 0:29:09.960
<v Speaker 1>mother's like, you eat your food, stop watching TV, and

0:29:10.200 --> 0:29:12.080
<v Speaker 1>Jake Jillen Hall goes and turns off the TV and

0:29:12.120 --> 0:29:14.200
<v Speaker 1>the dad gets up and he's like turns it back

0:29:14.240 --> 0:29:16.280
<v Speaker 1>on anyway, It's a back and forth, but it's such

0:29:16.280 --> 0:29:20.920
<v Speaker 1>a powerful scene. And this man played and Hathaway's dad.

0:29:21.280 --> 0:29:24.680
<v Speaker 2>Wow, I would have never known that.

0:29:25.320 --> 0:29:28.200
<v Speaker 1>How great is he in this episode? Like he's.

0:29:29.440 --> 0:29:34.760
<v Speaker 2>He's that heartbreaking, heartbreaking and what a hard yes, like

0:29:34.920 --> 0:29:38.000
<v Speaker 2>let's come in, let's meet you, and let's have you

0:29:38.080 --> 0:29:41.160
<v Speaker 2>be here on the worst day of your character's life,

0:29:41.200 --> 0:29:45.680
<v Speaker 2>like raw, yes, seeing your daughter's fucking body Like this

0:29:45.720 --> 0:29:50.120
<v Speaker 2>guy is he's just so vulnerable in this episode and

0:29:50.160 --> 0:29:54.800
<v Speaker 2>he's so sad and to see this like grown masculine

0:29:54.880 --> 0:29:58.400
<v Speaker 2>ass man like breaking down. He's he was again perfect

0:29:58.400 --> 0:29:59.080
<v Speaker 2>fucking casting.

0:29:59.160 --> 0:30:02.240
<v Speaker 1>We'll get and we I was wondering, we'll get to it,

0:30:02.400 --> 0:30:05.520
<v Speaker 1>but this episode, like you, I don't even have to say.

0:30:05.320 --> 0:30:12.800
<v Speaker 2>It, right, Oh, I remember it forever forever you and

0:30:12.880 --> 0:30:14.560
<v Speaker 2>I I go yet.

0:30:14.760 --> 0:30:17.240
<v Speaker 1>I think that's why I cried so much watching the episode,

0:30:17.240 --> 0:30:20.120
<v Speaker 1>because I was remembering that and oh it was just

0:30:20.160 --> 0:30:21.760
<v Speaker 1>such a yeah, but we'll get to it.

0:30:22.320 --> 0:30:24.120
<v Speaker 2>Oh my god, Girma and I have well, you have

0:30:24.160 --> 0:30:26.000
<v Speaker 2>to get there. We're gonna get to that scene really soon.

0:30:26.120 --> 0:30:26.479
<v Speaker 1>Yeah.

0:30:26.480 --> 0:30:30.880
<v Speaker 2>Okay, okay, okay, Olivia calls Fits, he didn't know, he

0:30:30.960 --> 0:30:34.560
<v Speaker 2>didn't know that she's dead. Yes, they do like a

0:30:34.600 --> 0:30:37.960
<v Speaker 2>split screen down the center with like you know where

0:30:38.000 --> 0:30:39.680
<v Speaker 2>they split the screen in two and there's like a

0:30:39.720 --> 0:30:42.360
<v Speaker 2>black bar between their phone call. And Olivia is the

0:30:42.360 --> 0:30:44.640
<v Speaker 2>first person to tell Fits that Amanda Tanner is dead,

0:30:44.680 --> 0:30:46.160
<v Speaker 2>and he's like, come, look me in the eye. You

0:30:46.200 --> 0:30:47.880
<v Speaker 2>know I'm telling the truth. It's not something I would

0:30:47.880 --> 0:30:52.400
<v Speaker 2>ever fucking do. And she says, yeah, but you let

0:30:52.480 --> 0:30:55.560
<v Speaker 2>Cyrus off his leash. You know, if the dog maul's

0:30:55.600 --> 0:30:59.040
<v Speaker 2>a baby, it's the owner's fault, and you know that's

0:30:59.080 --> 0:30:59.600
<v Speaker 2>on you.

0:31:00.040 --> 0:31:01.840
<v Speaker 1>Yeah, she said, he's a he's a pit bull. You

0:31:01.920 --> 0:31:04.240
<v Speaker 1>let your you let your dog off the leash. Yeah.

0:31:04.280 --> 0:31:05.800
<v Speaker 1>Oh it's such a great scene.

0:31:05.920 --> 0:31:08.000
<v Speaker 2>Yeah, it is such a fucking great scene.

0:31:08.120 --> 0:31:10.840
<v Speaker 1>I wrote, I wrote come on split screen in my notes,

0:31:12.520 --> 0:31:14.640
<v Speaker 1>and then I wrote very Brian de Palma, because Brian

0:31:14.680 --> 0:31:16.440
<v Speaker 1>de Palma does that a lot in his movies. He

0:31:16.480 --> 0:31:20.640
<v Speaker 1>does split screen. Yeah, oh, such a powerful scene. Yeah.

0:31:20.720 --> 0:31:22.760
<v Speaker 2>Then I wrote, they do right by the pilot and

0:31:22.800 --> 0:31:25.840
<v Speaker 2>they have an alibi that she wasn't drinking. Then we

0:31:25.920 --> 0:31:30.640
<v Speaker 2>go into Olivia asks, oh, this was my title? Whoa

0:31:30.880 --> 0:31:31.880
<v Speaker 2>g acting.

0:31:31.920 --> 0:31:36.120
<v Speaker 1>Whoa oh Man.

0:31:35.440 --> 0:31:37.960
<v Speaker 2>Which is basically for the scene where Olivia comes into

0:31:38.000 --> 0:31:40.880
<v Speaker 2>your office and says, I need you to help me

0:31:40.880 --> 0:31:44.800
<v Speaker 2>find the body. Yeah, and if you need me to

0:31:44.840 --> 0:31:48.400
<v Speaker 2>come get you, you know, just call or something like that,

0:31:48.600 --> 0:31:52.280
<v Speaker 2>and we're like, what what is this? What is happening?

0:31:52.600 --> 0:31:56.160
<v Speaker 1>These scenes with a Huck in Olivia were always so

0:31:56.160 --> 0:32:00.240
<v Speaker 1>so special because there was just that unspoken like action

0:32:00.400 --> 0:32:03.120
<v Speaker 1>with those two right. The room was so full of

0:32:03.720 --> 0:32:07.520
<v Speaker 1>emotions and like just stuff when we would do those scenes,

0:32:07.560 --> 0:32:10.040
<v Speaker 1>and it was so easy to play, but it was

0:32:10.200 --> 0:32:13.480
<v Speaker 1>exhilarating to play these scenes with Carrie. It was so

0:32:13.560 --> 0:32:15.440
<v Speaker 1>much fun. And in this episode, I think it's the

0:32:15.440 --> 0:32:17.040
<v Speaker 1>first time and it's the first time you see Huck

0:32:17.600 --> 0:32:20.160
<v Speaker 1>torture someone, but it's the first time that I thought,

0:32:20.600 --> 0:32:23.360
<v Speaker 1>oh my god, this is this is going to a

0:32:23.440 --> 0:32:25.600
<v Speaker 1>really dark place with my character, you know, and I

0:32:25.760 --> 0:32:28.800
<v Speaker 1>freaking loved it. I was like, this is the thing

0:32:28.840 --> 0:32:31.240
<v Speaker 1>that's ever happened to me in my life as an actor.

0:32:32.280 --> 0:32:34.960
<v Speaker 1>Oh it was. I felt so so it was so great.

0:32:35.080 --> 0:32:38.920
<v Speaker 2>But it's true they asked of you, Like what they

0:32:39.000 --> 0:32:43.320
<v Speaker 2>asked of you was so fucking wild, and you went

0:32:43.360 --> 0:32:49.200
<v Speaker 2>there so beautifully and I wrote, I wrote WHOA Gee's

0:32:49.560 --> 0:32:51.200
<v Speaker 2>acting WHOA in that scene?

0:32:52.760 --> 0:32:56.239
<v Speaker 1>Not to get too deep, but a person like a

0:32:56.280 --> 0:32:58.720
<v Speaker 1>person that's been through a lot of shit. I mean,

0:32:58.760 --> 0:33:01.040
<v Speaker 1>we've all been through a lot of shit. But this

0:33:01.200 --> 0:33:04.600
<v Speaker 1>is like a gift to be able to to, you know,

0:33:04.720 --> 0:33:07.920
<v Speaker 1>slice yourself. Sally Field said this once in an interview.

0:33:07.960 --> 0:33:09.880
<v Speaker 1>They were like, how do you prepare for those emotional scenes?

0:33:09.880 --> 0:33:13.160
<v Speaker 1>And she said, I start symbolically sort of slicing myself

0:33:13.240 --> 0:33:17.240
<v Speaker 1>open emotionally and opening up all those old wounds and

0:33:17.280 --> 0:33:20.080
<v Speaker 1>scars and shit that happened to you. And I'm super like,

0:33:20.720 --> 0:33:22.400
<v Speaker 1>if somebody walks in the room and they're going through

0:33:22.400 --> 0:33:25.000
<v Speaker 1>a really hard time, my eye goes right to them

0:33:25.000 --> 0:33:27.160
<v Speaker 1>and my heart opens up, and I'm like, I can't

0:33:27.200 --> 0:33:28.960
<v Speaker 1>like settle and I can't really have a good time

0:33:29.000 --> 0:33:32.360
<v Speaker 1>if I see someone that's going through something. Yes, yes,

0:33:32.400 --> 0:33:34.360
<v Speaker 1>an EmPATH anyway, So it was a gift to be

0:33:34.360 --> 0:33:37.160
<v Speaker 1>able to play this this character. And I just use

0:33:37.280 --> 0:33:38.240
<v Speaker 1>that shit, you know what I mean.

0:33:38.280 --> 0:33:42.440
<v Speaker 2>You can like go there and you feel like you're

0:33:42.440 --> 0:33:44.880
<v Speaker 2>not allowed to do that in your day to day life.

0:33:44.920 --> 0:33:47.200
<v Speaker 2>So to like get to be able, you know, some

0:33:47.240 --> 0:33:50.440
<v Speaker 2>people would like scream at a steering wheel or like

0:33:50.600 --> 0:33:53.680
<v Speaker 2>sob cry in a shower. Yeah, and most people probably

0:33:53.720 --> 0:33:56.360
<v Speaker 2>don't even let themselves do that. And then it's so

0:33:56.520 --> 0:33:58.400
<v Speaker 2>awesome when you're an actor that you get to just

0:33:58.440 --> 0:34:01.760
<v Speaker 2>like do this stuff. Yeah yourself, go like go to

0:34:01.840 --> 0:34:04.120
<v Speaker 2>a really dark place, go to like a really scary

0:34:04.280 --> 0:34:08.520
<v Speaker 2>emotional place, and it's okay because you were in a

0:34:08.520 --> 0:34:09.520
<v Speaker 2>safe environment.

0:34:09.640 --> 0:34:14.960
<v Speaker 1>It was also exciting and not knowing what was going

0:34:15.040 --> 0:34:17.640
<v Speaker 1>to happen when I was doing the scene, like emotionally,

0:34:18.040 --> 0:34:19.680
<v Speaker 1>do you know what I mean? That was so exciting

0:34:19.719 --> 0:34:21.680
<v Speaker 1>to be like, this is so fucked up. I don't

0:34:21.680 --> 0:34:25.520
<v Speaker 1>know exactly what's gonna happen, if I'm gonna cry or whatever,

0:34:25.600 --> 0:34:26.799
<v Speaker 1>what I'm going to feel and.

0:34:26.719 --> 0:34:31.279
<v Speaker 2>Do anyway, Okay, Then I wrote, oh my god, he

0:34:31.400 --> 0:34:36.800
<v Speaker 2>has Charlie on the tarp. Yes, red tool Huck gets

0:34:36.800 --> 0:34:40.960
<v Speaker 2>his red toolbox, but eight thousand xlimation points and I

0:34:40.960 --> 0:34:42.960
<v Speaker 2>wrote red toolbox multiple times.

0:34:43.120 --> 0:34:46.000
<v Speaker 1>This is the first time we see the toolbox, which

0:34:46.000 --> 0:34:48.840
<v Speaker 1>is so funny because our podcast is called yeah, Unpacking

0:34:48.880 --> 0:34:49.759
<v Speaker 1>the Toolbox.

0:34:50.000 --> 0:34:52.759
<v Speaker 2>Yes, Unpacking the toolbox. Baby, did you ever know that

0:34:52.840 --> 0:34:56.239
<v Speaker 2>this was going to be his thing?

0:34:56.760 --> 0:35:00.319
<v Speaker 1>No? Not at all, not at all. I knew when

0:35:00.320 --> 0:35:02.000
<v Speaker 1>we you know, when we got the episode at the

0:35:02.040 --> 0:35:04.960
<v Speaker 1>table reader the day before or whatever. But before that, no,

0:35:05.120 --> 0:35:07.960
<v Speaker 1>I had no idea. But again, I freaking loved it.

0:35:08.000 --> 0:35:11.600
<v Speaker 1>I was like, God, he's gonna fucking torture someone with

0:35:11.680 --> 0:35:13.480
<v Speaker 1>all these tools in his toolbox.

0:35:14.239 --> 0:35:18.239
<v Speaker 2>How did you make George Newborn feel safe? Because I

0:35:18.239 --> 0:35:20.440
<v Speaker 2>didn't know him very well, but I remember him being like,

0:35:20.480 --> 0:35:23.640
<v Speaker 2>I can't believe I'm doing this job. I have one scene,

0:35:24.920 --> 0:35:29.840
<v Speaker 2>you know where I have like talking with Germo Diaz

0:35:30.080 --> 0:35:33.400
<v Speaker 2>in a diner and then I'm like naked. He was

0:35:33.440 --> 0:35:37.439
<v Speaker 2>like in a duct tape underwear on a tarp where

0:35:37.440 --> 0:35:41.120
<v Speaker 2>I just have to scream a lot. And I was like, yeah, Like,

0:35:41.200 --> 0:35:43.560
<v Speaker 2>I don't know for like an older dude who has

0:35:43.600 --> 0:35:46.000
<v Speaker 2>a very successful career, like, I don't know what you

0:35:46.040 --> 0:35:48.359
<v Speaker 2>would think of that job. What was it like on

0:35:48.440 --> 0:35:51.319
<v Speaker 2>the day? Were you very collaborative? Were you nervous? Was

0:35:51.360 --> 0:35:52.120
<v Speaker 2>he nervous?

0:35:52.440 --> 0:35:55.000
<v Speaker 1>I think we were both nervous. I was super nervous,

0:35:55.000 --> 0:35:58.120
<v Speaker 1>but an excited nervous, you know what I mean, because

0:35:58.120 --> 0:36:00.360
<v Speaker 1>the scene was so good. But I think thing with

0:36:00.400 --> 0:36:03.719
<v Speaker 1>me and George, we as people and as the characters,

0:36:03.719 --> 0:36:06.880
<v Speaker 1>we clicked right away, like it felt right, you know

0:36:06.920 --> 0:36:08.759
<v Speaker 1>how sometimes that happens on a movie or a TV

0:36:08.800 --> 0:36:11.279
<v Speaker 1>show where you're like, oh, this just and and I

0:36:11.280 --> 0:36:15.240
<v Speaker 1>think that was the case with all the regulars on Scandal.

0:36:15.360 --> 0:36:19.440
<v Speaker 1>Something about this cast just it was just right. It

0:36:19.600 --> 0:36:21.960
<v Speaker 1>just made sense, you know what I mean? Yes, And

0:36:22.000 --> 0:36:25.040
<v Speaker 1>when Charlie came into the picture, it made sense. And

0:36:25.120 --> 0:36:28.200
<v Speaker 1>houcking Charlie. It just click with him, it was it

0:36:28.239 --> 0:36:31.000
<v Speaker 1>was so easy to do these scenes with him because

0:36:31.040 --> 0:36:34.000
<v Speaker 1>it just it just felt right. And I and also

0:36:34.040 --> 0:36:36.080
<v Speaker 1>me and George I crack up a lot. We love

0:36:36.120 --> 0:36:38.479
<v Speaker 1>to laugh, as you know, because you love to laugh

0:36:38.480 --> 0:36:39.280
<v Speaker 1>with us too.

0:36:39.560 --> 0:36:42.680
<v Speaker 2>You well, the three of us two were together a

0:36:42.719 --> 0:36:44.160
<v Speaker 2>lot over the seven years.

0:36:44.360 --> 0:36:44.520
<v Speaker 1>Yea.

0:36:44.680 --> 0:36:47.359
<v Speaker 2>And you what's so funny about you two seeing you

0:36:47.440 --> 0:36:50.799
<v Speaker 2>do these scenes with him? You're both two of the

0:36:50.840 --> 0:36:55.640
<v Speaker 2>funniest dudes, I know, two of the most sweetest in

0:36:55.680 --> 0:36:59.280
<v Speaker 2>your hearts like people, I know, like like really genuinely

0:36:59.320 --> 0:37:02.520
<v Speaker 2>like want good things for people. And then to just

0:37:02.680 --> 0:37:05.759
<v Speaker 2>watch this episode and see him fucking screaming his head

0:37:05.800 --> 0:37:09.319
<v Speaker 2>off while you're doing yeah for buying fucking things to him,

0:37:09.360 --> 0:37:10.160
<v Speaker 2>like I can't.

0:37:10.280 --> 0:37:11.920
<v Speaker 1>He's drilling holes into him.

0:37:12.000 --> 0:37:14.799
<v Speaker 2>Yeah, it's horrible. Is that what you were doing. It

0:37:14.840 --> 0:37:16.080
<v Speaker 2>was drilling holes.

0:37:16.200 --> 0:37:19.120
<v Speaker 1>Yeah, yeah, he's he's drilling holes in his body.

0:37:19.200 --> 0:37:22.759
<v Speaker 2>Yeah, Oh my god, are you fucking kidding me? That's

0:37:22.800 --> 0:37:26.640
<v Speaker 2>disgusting all because he won't tell you where the Amanitanna body.

0:37:26.719 --> 0:37:28.560
<v Speaker 1>Yes, I'm just asking where her body is and he

0:37:28.600 --> 0:37:30.840
<v Speaker 1>won't tell me. But look in my notes, I wrote

0:37:31.960 --> 0:37:38.839
<v Speaker 1>to film this was frightening, exhilarating, anxiety inducing. I also

0:37:38.880 --> 0:37:42.279
<v Speaker 1>wrote it felt like it felt like an orgasm. I

0:37:42.360 --> 0:37:47.000
<v Speaker 1>was in a trance doing doing the scene shit, And

0:37:47.000 --> 0:37:49.480
<v Speaker 1>then I wrote, if it's like chanting, you know when

0:37:49.480 --> 0:37:51.799
<v Speaker 1>you chant and you just get in the sort of

0:37:51.840 --> 0:37:55.960
<v Speaker 1>trance seeing the words that Sean Shonda wrote and that

0:37:56.040 --> 0:37:59.520
<v Speaker 1>the Scandal writers wrote, feels like chanting because it's again,

0:37:59.560 --> 0:38:02.040
<v Speaker 1>we've talked about this before. It it's so well written,

0:38:02.040 --> 0:38:04.280
<v Speaker 1>and it just flows out of your mouth so well.

0:38:04.400 --> 0:38:06.600
<v Speaker 1>I felt like that happened a lot doing a Huck

0:38:06.680 --> 0:38:08.800
<v Speaker 1>scenes because I felt like I would go in a

0:38:08.880 --> 0:38:11.719
<v Speaker 1>trance because sometimes, you know, you get caught up like fuck,

0:38:11.760 --> 0:38:13.879
<v Speaker 1>am I gonna remember the lines? And then I'm sure

0:38:13.880 --> 0:38:15.839
<v Speaker 1>you do this too, or you've thought about this. But

0:38:15.960 --> 0:38:17.680
<v Speaker 1>it gets to the point where they're rolling and they're

0:38:17.719 --> 0:38:20.920
<v Speaker 1>like all right, action in my head, I think, all right,

0:38:21.040 --> 0:38:23.000
<v Speaker 1>let me see if I remember my lines and just

0:38:23.160 --> 0:38:26.200
<v Speaker 1>let the words come out, and you're and you have

0:38:26.280 --> 0:38:30.319
<v Speaker 1>to say them super fast, so part of you just

0:38:30.400 --> 0:38:34.280
<v Speaker 1>has to like relinquish control and just whatever happens happens

0:38:34.320 --> 0:38:37.080
<v Speaker 1>or whatever comes out comes out when all the words

0:38:37.120 --> 0:38:40.239
<v Speaker 1>come out. Right, Oh, it's just it's it's it's best

0:38:40.480 --> 0:38:41.920
<v Speaker 1>good feels, the best feeling.

0:38:42.080 --> 0:38:45.320
<v Speaker 2>Yeah, that aha moment or whatever. That like you're in

0:38:45.440 --> 0:38:49.920
<v Speaker 2>the flow, Like you're in that human heightened high vibrational

0:38:50.080 --> 0:38:53.480
<v Speaker 2>flow where you're like, yes, there is no time, there

0:38:53.600 --> 0:38:58.520
<v Speaker 2>is no then or future. You're just like really heightened

0:38:58.800 --> 0:39:01.360
<v Speaker 2>connective tissue right then and there. But I think that

0:39:01.440 --> 0:39:04.000
<v Speaker 2>makes a lot of sense, the transpart, because I do

0:39:04.160 --> 0:39:07.719
<v Speaker 2>think sometimes, Huck, the way you'll you sound when you're

0:39:07.800 --> 0:39:09.920
<v Speaker 2>like doing some of those scenes is you're like it

0:39:10.080 --> 0:39:14.040
<v Speaker 2>almost sounds like you're chanting. I've never even thought about

0:39:14.040 --> 0:39:17.000
<v Speaker 2>that until this moment, but it's sort of oh my

0:39:17.120 --> 0:39:19.200
<v Speaker 2>god that I could barely watch it. I was like

0:39:19.760 --> 0:39:24.239
<v Speaker 2>completely terrified. Yeah, okay, then we have I put a

0:39:24.280 --> 0:39:26.680
<v Speaker 2>shitload of exclamation points for Sally Langston.

0:39:26.880 --> 0:39:29.280
<v Speaker 1>First, all yes, yes.

0:39:29.719 --> 0:39:31.719
<v Speaker 2>All in the White House he's trying to pass the

0:39:31.880 --> 0:39:35.240
<v Speaker 2>Dream Act, which is similar to like dhaka, isn't.

0:39:35.040 --> 0:39:37.440
<v Speaker 1>It Yes, yes, yes, yes, yeah yeah.

0:39:37.719 --> 0:39:40.040
<v Speaker 2>Fits wants and knows that this is the right thing

0:39:40.120 --> 0:39:42.720
<v Speaker 2>to do to be passed, and Sally Langston is holding

0:39:42.840 --> 0:39:46.200
<v Speaker 2>up all the votes and not letting it happen, and

0:39:46.360 --> 0:39:50.280
<v Speaker 2>Fitz has the most like amazing monologue to her about

0:39:50.400 --> 0:39:52.800
<v Speaker 2>like hah yeah, yeah, fuck you, you're gonna put the

0:39:52.920 --> 0:39:56.920
<v Speaker 2>Dream Act through? Yes, And Sally Langston is so wonderful

0:39:57.080 --> 0:39:59.879
<v Speaker 2>and fans must have gone so crazy because that's Merit

0:40:00.160 --> 0:40:01.840
<v Speaker 2>Gray's mom from Grey's Anatomy.

0:40:02.040 --> 0:40:04.760
<v Speaker 1>Yes, Kate, well, listen, can we talk about Kate Burton.

0:40:05.280 --> 0:40:09.560
<v Speaker 1>What a fucking dope person she is? She is like,

0:40:10.440 --> 0:40:15.040
<v Speaker 1>oh so lovely, so kind, so loving, the nicest freaking person.

0:40:15.719 --> 0:40:20.880
<v Speaker 1>And I love seeing really kind, like nice, genuinely happy

0:40:20.960 --> 0:40:25.720
<v Speaker 1>people play these asshole characters. She does it so so well. Also,

0:40:25.920 --> 0:40:29.040
<v Speaker 1>Kate Burton, which again I went on a googling thing

0:40:29.040 --> 0:40:31.239
<v Speaker 1>and I knew this already, But Kate Burton is the

0:40:31.360 --> 0:40:33.680
<v Speaker 1>daughter of Richard Burton, who used to be married to

0:40:33.719 --> 0:40:36.719
<v Speaker 1>Elizabeth Taylor Is. She's the daughter of Richard Burton and

0:40:36.800 --> 0:40:39.240
<v Speaker 1>Sybil Williams, who was a Welsh actress.

0:40:39.719 --> 0:40:42.000
<v Speaker 2>And I just think it was amazing that on Scandal

0:40:42.400 --> 0:40:47.120
<v Speaker 2>we had our president and vice president were Hollywood royalty,

0:40:47.239 --> 0:40:51.000
<v Speaker 2>because we had Tony Goldwyn of Goldwyn Metro Mayer and

0:40:51.280 --> 0:40:55.200
<v Speaker 2>his whole dynasty of like MGM. And then we had

0:40:55.560 --> 0:40:58.640
<v Speaker 2>Sally Langston played by Kate Burton, who's Richard Burton's daughter.

0:40:59.320 --> 0:41:04.759
<v Speaker 2>Like we had like two Hollywood lineage of like I mean,

0:41:04.800 --> 0:41:07.400
<v Speaker 2>they have debt, their their their Hollywood royalty.

0:41:07.480 --> 0:41:08.400
<v Speaker 1>It's in their blood.

0:41:08.520 --> 0:41:11.080
<v Speaker 2>Yeah, their blood. It's why they can walk around and

0:41:11.200 --> 0:41:14.160
<v Speaker 2>sort of be like I'm the president and I'm vice

0:41:14.239 --> 0:41:18.320
<v Speaker 2>president or whatever. But my god, Sally Langston again, in

0:41:18.440 --> 0:41:20.920
<v Speaker 2>this episode, you get your first glims at Sally Langston.

0:41:20.920 --> 0:41:23.440
<v Speaker 2>You get your first glims at Charlie. Two people who

0:41:23.480 --> 0:41:26.160
<v Speaker 2>were with us till the end, yes, and who were

0:41:26.239 --> 0:41:29.880
<v Speaker 2>in countless eight billion episodes and were such genuses on

0:41:29.960 --> 0:41:30.279
<v Speaker 2>the show.

0:41:30.600 --> 0:41:30.799
<v Speaker 3>Yes.

0:41:32.320 --> 0:41:36.160
<v Speaker 2>And then we pull I remember this like it was yesterday,

0:41:36.239 --> 0:41:38.440
<v Speaker 2>We pull Amanda Tanner out of the Potomac.

0:41:38.719 --> 0:41:40.840
<v Speaker 1>Yes, I remem we shot it in Long Beach. Do

0:41:40.920 --> 0:41:42.759
<v Speaker 1>you remember that? Wasn't it Long Beach?

0:41:43.080 --> 0:41:44.440
<v Speaker 2>We shot it in Long Beach and I was so

0:41:44.640 --> 0:41:49.360
<v Speaker 2>nervous because Scandal ABC or something was like making me

0:41:49.600 --> 0:41:53.160
<v Speaker 2>go around at the same time and like interviewing you people.

0:41:53.560 --> 0:41:56.080
<v Speaker 1>I remember that and we were pissed. You were kind

0:41:56.080 --> 0:41:58.640
<v Speaker 1>of pissed because it's such an emotional, you know.

0:41:59.360 --> 0:42:01.640
<v Speaker 2>Scene, and like, yeah, I was like, oh my god,

0:42:01.680 --> 0:42:04.080
<v Speaker 2>I'm watching Amanda Tanner being pulled out of the Potomac

0:42:04.120 --> 0:42:05.920
<v Speaker 2>and instead I'm going around. They've asked me to go

0:42:05.960 --> 0:42:07.239
<v Speaker 2>around with my cell phone and being like, what do

0:42:07.320 --> 0:42:10.480
<v Speaker 2>you like about Scandal? And like, obviously that shit is

0:42:10.520 --> 0:42:13.239
<v Speaker 2>important because the show was in no way shape form

0:42:13.280 --> 0:42:15.960
<v Speaker 2>a hit in season one and we were doing whatever

0:42:16.080 --> 0:42:19.279
<v Speaker 2>we could on the social media fucking channels to get

0:42:19.360 --> 0:42:20.520
<v Speaker 2>anyone to watch our show.

0:42:20.680 --> 0:42:22.560
<v Speaker 1>I feel like that was the hardest thing on the show,

0:42:22.680 --> 0:42:27.399
<v Speaker 1>was navigating doing press stuff and being able to stay

0:42:27.440 --> 0:42:29.759
<v Speaker 1>focused on our work on the show, you know what

0:42:29.800 --> 0:42:31.839
<v Speaker 1>I mean, because that would get thrown at us all

0:42:31.880 --> 0:42:33.680
<v Speaker 1>the time, where it was like they would come on

0:42:33.800 --> 0:42:35.759
<v Speaker 1>set and we have to do epks, which is a

0:42:36.239 --> 0:42:39.040
<v Speaker 1>electronic press kit and you do all these interviews, but

0:42:39.160 --> 0:42:40.399
<v Speaker 1>that would happen all the time.

0:42:40.520 --> 0:42:43.120
<v Speaker 2>But navigating that my first day, I remember it like,

0:42:43.160 --> 0:42:45.399
<v Speaker 2>oh my god, Manda Tanner's being pulled out. We're all

0:42:45.760 --> 0:42:48.600
<v Speaker 2>so upset. We didn't even know death was like a

0:42:48.680 --> 0:42:51.520
<v Speaker 2>thing on the show. Really yeah, And I'm going around

0:42:51.560 --> 0:42:53.960
<v Speaker 2>being like, can you tell us what you think about sill?

0:42:54.719 --> 0:42:58.240
<v Speaker 2>And I'm like, oh my god, this is I actually

0:42:58.440 --> 0:43:00.360
<v Speaker 2>have the video still in my phone and when we

0:43:00.680 --> 0:43:03.200
<v Speaker 2>put out this episode, I'm gonna put that on so

0:43:03.440 --> 0:43:05.000
<v Speaker 2>everyone can know what we're talking about.

0:43:05.200 --> 0:43:06.239
<v Speaker 1>Oh hell yeah.

0:43:06.920 --> 0:43:10.800
<v Speaker 2>And then we go to the morgue.

0:43:11.160 --> 0:43:14.160
<v Speaker 1>Oh man, Katie and that is me.

0:43:14.920 --> 0:43:17.520
<v Speaker 2>Me and Gearmo were like best friends for life.

0:43:17.600 --> 0:43:20.080
<v Speaker 1>After that we bonded. I feel like that was our

0:43:20.360 --> 0:43:24.080
<v Speaker 1>first like bonding moment where we truly bonded as as

0:43:24.280 --> 0:43:26.560
<v Speaker 1>you know, as Katie and Ghirmo. Like, I don't know

0:43:26.840 --> 0:43:28.880
<v Speaker 1>what the fuck happened. Maybe it was because we were

0:43:28.920 --> 0:43:32.239
<v Speaker 1>shooting the scene where you know, Amanda's dad is at

0:43:32.280 --> 0:43:34.759
<v Speaker 1>the morgue and he has to identify her body, and

0:43:34.880 --> 0:43:38.879
<v Speaker 1>it was already a super emotional, like somber ominous sort

0:43:38.920 --> 0:43:43.040
<v Speaker 1>of feeling on set, and and somehow like what do

0:43:43.160 --> 0:43:43.960
<v Speaker 1>you remember.

0:43:44.320 --> 0:43:47.960
<v Speaker 2>We talked about this on previous episodes, where like sometimes

0:43:48.120 --> 0:43:50.800
<v Speaker 2>the tears are there and sometimes they're not, And this

0:43:51.040 --> 0:43:53.560
<v Speaker 2>was one of these days where for some reason, like

0:43:53.800 --> 0:43:57.120
<v Speaker 2>in the universe. Giermo and I were just like a

0:43:57.400 --> 0:44:04.080
<v Speaker 2>well of emotion and tears and feelings. And we were

0:44:04.800 --> 0:44:08.600
<v Speaker 2>standing at that window looking into the morgue at Amanda's

0:44:08.640 --> 0:44:12.279
<v Speaker 2>body and I couldn't stop crying, and I and I'm

0:44:12.480 --> 0:44:16.960
<v Speaker 2>just feeling the feelings of the show. And I had

0:44:17.120 --> 0:44:19.440
<v Speaker 2>lost I was kept you know, things kept coming into

0:44:19.480 --> 0:44:23.080
<v Speaker 2>my head. And I had lost a friend who had

0:44:23.160 --> 0:44:27.120
<v Speaker 2>died of lung cancer right when I auditioned for the part,

0:44:27.280 --> 0:44:29.640
<v Speaker 2>and she, for some reason was just like her spirit

0:44:29.800 --> 0:44:31.400
<v Speaker 2>was like very present in the room for me.

0:44:31.600 --> 0:44:33.240
<v Speaker 1>I remember you telling me that story.

0:44:33.400 --> 0:44:36.000
<v Speaker 2>Yeah, instead of running away from it, I was really

0:44:36.120 --> 0:44:38.800
<v Speaker 2>singing into it, and I was really emotional. And it

0:44:38.880 --> 0:44:40.080
<v Speaker 2>was one of these days where it's like we had

0:44:40.120 --> 0:44:43.359
<v Speaker 2>the opportunity to really just like feel it and gear

0:44:43.440 --> 0:44:46.319
<v Speaker 2>moment you use it, yeah right there with me. Yeah.

0:44:46.360 --> 0:44:49.520
<v Speaker 1>I remember me and you stepping like away from everyone.

0:44:49.640 --> 0:44:51.160
<v Speaker 1>We were in the back of the set and we

0:44:51.239 --> 0:44:54.400
<v Speaker 1>were talking about all this stuff and we couldn't stop crying.

0:44:55.160 --> 0:44:57.560
<v Speaker 1>And I remember you telling me now that you guys all,

0:44:57.680 --> 0:44:58.680
<v Speaker 1>I don't know if you still.

0:44:58.440 --> 0:45:00.359
<v Speaker 2>Do it go on a hip every year every year

0:45:00.400 --> 0:45:02.439
<v Speaker 2>on her death. Yeah, every year on her death.

0:45:02.760 --> 0:45:05.799
<v Speaker 1>That day sticks so strongly in my memory, and it's

0:45:05.960 --> 0:45:10.120
<v Speaker 1>so special. I do like, I've never had an experience

0:45:10.239 --> 0:45:13.239
<v Speaker 1>like that with with someone. It was so special, It

0:45:13.400 --> 0:45:17.120
<v Speaker 1>was so Katie and I wrote down no tearstick here.

0:45:17.760 --> 0:45:21.080
<v Speaker 1>From what we talked about, we didn't need that. See, yeah,

0:45:21.120 --> 0:45:22.200
<v Speaker 1>sometimes you need that tears.

0:45:22.800 --> 0:45:25.800
<v Speaker 2>We didn't need that mental blow. We didn't need it.

0:45:26.280 --> 0:45:27.920
<v Speaker 2>We had tears for fucking days.

0:45:28.640 --> 0:45:30.200
<v Speaker 1>We'll be back soon, guys.

0:45:35.360 --> 0:45:39.000
<v Speaker 2>Oh, this part really quick. Olivia goes to touch Hawk

0:45:39.200 --> 0:45:42.399
<v Speaker 2>at that same scene and you like quickly jerk yourself away,

0:45:42.480 --> 0:45:43.680
<v Speaker 2>and we realize.

0:45:43.440 --> 0:45:45.560
<v Speaker 1>That recoil away. Yeah, that it has.

0:45:45.520 --> 0:45:48.480
<v Speaker 2>Taken a toll. It has you. You getting Charlie on

0:45:48.520 --> 0:45:52.799
<v Speaker 2>the tarp took its toll. Yeah, I wrote, Amanda dead,

0:45:52.880 --> 0:45:55.160
<v Speaker 2>were crying. We were crying so much when we shot that.

0:45:55.280 --> 0:45:57.520
<v Speaker 2>Do you remember, Gearmo wrote.

0:45:57.800 --> 0:46:02.120
<v Speaker 1>I wrote, do you remember Katie? Oh my god, look,

0:46:02.160 --> 0:46:06.279
<v Speaker 1>I said, I wrote, look Katie, exclamation point. Remember our

0:46:06.360 --> 0:46:11.040
<v Speaker 1>special emotional time while filming at the Coroners. We couldn't

0:46:11.080 --> 0:46:15.239
<v Speaker 1>stop crying. We truly bonded in this episode. No tearstick here,

0:46:16.160 --> 0:46:16.879
<v Speaker 1>Oh my god?

0:46:18.600 --> 0:46:24.880
<v Speaker 2>Crazy Okay, Then Darren Petty crying for his wife. Finally

0:46:25.480 --> 0:46:27.320
<v Speaker 2>they get to the bottom of it that like it

0:46:27.520 --> 0:46:33.840
<v Speaker 2>was this poorror fucking lady's fault about the plane. She

0:46:34.440 --> 0:46:36.600
<v Speaker 2>made it to her daughter's recital and she.

0:46:37.840 --> 0:46:41.920
<v Speaker 1>Decided to just duplicate them.

0:46:41.520 --> 0:46:43.680
<v Speaker 2>When the plane was broken and she sends it up

0:46:43.680 --> 0:46:45.440
<v Speaker 2>the ladder and the plane was broken, but it was

0:46:45.520 --> 0:46:49.960
<v Speaker 2>her fault for not filing it correctly. And she's there there,

0:46:50.080 --> 0:46:52.759
<v Speaker 2>underpaid and overworked and normally her job used to be

0:46:52.800 --> 0:46:57.520
<v Speaker 2>two people's jobs and she's amazing in that scene.

0:46:57.920 --> 0:47:00.440
<v Speaker 1>Can we just give a shout out to Leonora May

0:47:00.760 --> 0:47:04.160
<v Speaker 1>is the actress who played that role. My god, yes,

0:47:04.680 --> 0:47:10.360
<v Speaker 1>oh yes, I am going to make out with you again.

0:47:10.719 --> 0:47:17.520
<v Speaker 3>Okay must be known as the Scandal rewatch podcast where

0:47:17.840 --> 0:47:21.200
<v Speaker 3>every fucking actor gets their fucking.

0:47:21.520 --> 0:47:25.920
<v Speaker 1>Sho fucking yes, Leonora May amazing in this.

0:47:26.080 --> 0:47:30.320
<v Speaker 2>Role and their respect. Lenora May was in and she

0:47:30.560 --> 0:47:31.040
<v Speaker 2>was in.

0:47:31.120 --> 0:47:33.480
<v Speaker 1>An episode of Little House on the Prairie, which is

0:47:33.560 --> 0:47:38.040
<v Speaker 1>one of my favorite shows ever that Brad Yukobean freaking

0:47:38.200 --> 0:47:39.600
<v Speaker 1>worked on. Did you know this?

0:47:40.280 --> 0:47:42.759
<v Speaker 2>I didn't know. Brad Brad, who was one of our

0:47:42.920 --> 0:47:45.040
<v Speaker 2>producers of Scandal, was one of the producers on Little

0:47:45.080 --> 0:47:45.760
<v Speaker 2>House on a Prairie.

0:47:46.040 --> 0:47:49.520
<v Speaker 1>Yes, yes, he worked on Little House. Yep, but she

0:47:49.680 --> 0:47:53.600
<v Speaker 1>did an episode. She did an episode of Gray's Lenora May.

0:47:53.719 --> 0:47:57.280
<v Speaker 1>She's a very accomplished actor, and she was just wonderful

0:47:57.560 --> 0:47:58.520
<v Speaker 1>in this fucking scene.

0:47:58.560 --> 0:47:59.960
<v Speaker 2>Yeah, she fucking demolished.

0:48:00.200 --> 0:48:05.240
<v Speaker 1>And also Harrison's Columbus reaction to her it was so great,

0:48:05.520 --> 0:48:09.839
<v Speaker 1>so good, so real, so oh so organic, so so good.

0:48:10.160 --> 0:48:12.120
<v Speaker 2>It was so good. So we find that out, and

0:48:12.560 --> 0:48:16.040
<v Speaker 2>Olivia's like, you know, lets the record be known that

0:48:16.160 --> 0:48:18.200
<v Speaker 2>she was not drunk. She was an amazing pilot. The

0:48:18.400 --> 0:48:22.200
<v Speaker 2>airplane says that they're at fall. Darren Petty, the actor

0:48:22.239 --> 0:48:25.560
<v Speaker 2>who plays Andrew Mackelson, gets you know, his sort of

0:48:25.760 --> 0:48:31.080
<v Speaker 2>do of like wiping his wife's name clean. Yes, and

0:48:31.280 --> 0:48:33.080
<v Speaker 2>then the quick wrap up of the end of the

0:48:33.160 --> 0:48:38.120
<v Speaker 2>episode is Tony calls in hallan Tom's so good, the

0:48:38.280 --> 0:48:43.000
<v Speaker 2>two fucking amazing secret Service agents, and he's like, what

0:48:43.080 --> 0:48:44.239
<v Speaker 2>do I need to do to get out of here?

0:48:44.600 --> 0:48:46.719
<v Speaker 2>They list this ridiculous shit. He's like, I'll do it

0:48:46.800 --> 0:48:48.759
<v Speaker 2>for this, and it's a hilarious joke line because they're like,

0:48:48.840 --> 0:48:53.000
<v Speaker 2>he's just like forty three, whoa is he like George Bush?

0:48:54.000 --> 0:48:56.600
<v Speaker 2>Oh no, forty three is George Bush Junior? Excuse me,

0:48:57.080 --> 0:48:57.640
<v Speaker 2>I'm an idiot.

0:48:58.480 --> 0:49:00.480
<v Speaker 1>No, I looked it up yesterday. I was like, which

0:49:00.480 --> 0:49:01.239
<v Speaker 1>one is forty three?

0:49:02.520 --> 0:49:05.600
<v Speaker 2>Then it cuts to Quinn goes to Gideon's apartment. He

0:49:05.640 --> 0:49:08.800
<v Speaker 2>owns up the door, She's crying in his arms, and

0:49:09.040 --> 0:49:10.719
<v Speaker 2>where is Tony going.

0:49:10.960 --> 0:49:12.960
<v Speaker 1>To Olivia's apartment? Right?

0:49:13.120 --> 0:49:15.560
<v Speaker 2>Olivia's apartment and she's on the phone with Stephen as

0:49:15.640 --> 0:49:19.080
<v Speaker 2>she opens the door. And he did fuck the lady

0:49:19.160 --> 0:49:21.440
<v Speaker 2>in the morgue and did cheat on whatever her.

0:49:21.440 --> 0:49:24.680
<v Speaker 1>Name, Georgia, Georgia, yeah, Georgia.

0:49:25.200 --> 0:49:28.480
<v Speaker 2>And he says it's Amanda was pregnant, but it was

0:49:28.719 --> 0:49:29.960
<v Speaker 2>not Fitz's baby.

0:49:30.239 --> 0:49:33.360
<v Speaker 1>And right there, Olivia opens the door and Tony's standing

0:49:33.480 --> 0:49:36.319
<v Speaker 1>right there. So good, it's so good.

0:49:36.520 --> 0:49:39.839
<v Speaker 2>I mean, the episode is a banger, but this talk

0:49:39.920 --> 0:49:40.440
<v Speaker 2>really quickly.

0:49:40.520 --> 0:49:42.440
<v Speaker 1>The moment with you and Gideon at the door, that

0:49:42.600 --> 0:49:45.920
<v Speaker 1>was such a beautiful scene, Katie. Oh, you were so

0:49:46.200 --> 0:49:48.920
<v Speaker 1>so good, Like all those emotions that you had throughout

0:49:49.280 --> 0:49:52.400
<v Speaker 1>the episode that the audience has, like it was released

0:49:52.719 --> 0:49:55.439
<v Speaker 1>through you in that scene and it was so good.

0:49:58.120 --> 0:49:59.200
<v Speaker 1>I got it today.

0:49:59.600 --> 0:50:02.480
<v Speaker 2>Actually, I don't remember if I used a tearstick for

0:50:02.560 --> 0:50:04.360
<v Speaker 2>that scene or not. I can't remember.

0:50:04.719 --> 0:50:07.360
<v Speaker 1>It doesn't matter because it was so good, and Gideon

0:50:07.520 --> 0:50:08.080
<v Speaker 1>was so good.

0:50:08.280 --> 0:50:10.560
<v Speaker 2>He was really good, and I, you know, all I

0:50:10.719 --> 0:50:13.239
<v Speaker 2>was thinking about was like, oh, fuck, here's where we

0:50:13.440 --> 0:50:16.520
<v Speaker 2>go into the grilled cheese sex scene, which we're gonna

0:50:16.560 --> 0:50:18.640
<v Speaker 2>get you in next episode.

0:50:19.320 --> 0:50:22.320
<v Speaker 1>Katie, I'm feeling like we should get into.

0:50:22.600 --> 0:50:25.239
<v Speaker 2>Tweet tet twetwe twet twet twet, tweet, tweet tweet.

0:50:24.960 --> 0:50:28.320
<v Speaker 1>Tweet, tweet, tweet, tweel the top tweetweeteetwo tweet.

0:50:29.760 --> 0:50:32.200
<v Speaker 2>Is there any Scandal tweets of the time that we

0:50:32.239 --> 0:50:35.400
<v Speaker 2>should read that we feel like are hilarious? Need to

0:50:35.480 --> 0:50:38.320
<v Speaker 2>be mentioned? This is great? Tiffany Carter at tiff d

0:50:38.560 --> 0:50:42.000
<v Speaker 2>car Tom on April twenty eighth, twenty twelve, wrote fact

0:50:42.400 --> 0:50:45.239
<v Speaker 2>Kerrie Washington first African American lead actress and network show

0:50:45.320 --> 0:50:50.560
<v Speaker 2>since sixties. Wow major true ps hashtag major fashion on

0:50:50.760 --> 0:50:54.239
<v Speaker 2>Scandal ABC. Yeah, guys, that shit was true. She at

0:50:54.320 --> 0:50:58.880
<v Speaker 2>the time, Carrie was the first African American leading lady

0:50:59.120 --> 0:51:01.880
<v Speaker 2>of a network drama in thirty seven years.

0:51:02.120 --> 0:51:02.400
<v Speaker 1>Wow.

0:51:02.600 --> 0:51:07.000
<v Speaker 2>The last drama was in nineteen sixty eight and it

0:51:07.200 --> 0:51:11.280
<v Speaker 2>was Julia played by Diane Carroll. But like since Diane

0:51:11.360 --> 0:51:13.480
<v Speaker 2>Carroll that had there had not been an African American

0:51:13.560 --> 0:51:16.839
<v Speaker 2>leading lady of a drama in thirty seven years. How

0:51:17.239 --> 0:51:18.880
<v Speaker 2>insane is that?

0:51:19.560 --> 0:51:22.480
<v Speaker 1>And that it was successful and that the show lasted

0:51:22.560 --> 0:51:25.680
<v Speaker 1>so long. You know, it's such a such a wonderful thing.

0:51:26.000 --> 0:51:29.040
<v Speaker 2>It had to be successful. I mean the problem because

0:51:29.800 --> 0:51:33.320
<v Speaker 2>sliding Doors. Had Scandal not been successful, there would have

0:51:33.480 --> 0:51:36.320
<v Speaker 2>never been another black leading lady again, like for a

0:51:36.440 --> 0:51:38.000
<v Speaker 2>long time, you know what I mean. They would have

0:51:38.040 --> 0:51:40.200
<v Speaker 2>been like, well, clearly that didn't work, so we're not

0:51:40.280 --> 0:51:42.759
<v Speaker 2>going to take that risk again, whoever the they is.

0:51:43.640 --> 0:51:47.520
<v Speaker 2>But thank god everyone is amazing and watched the show

0:51:47.960 --> 0:51:51.560
<v Speaker 2>because then after Carrie, it was like it opened up

0:51:51.960 --> 0:51:56.120
<v Speaker 2>so many doors to like there being all different looking

0:51:56.239 --> 0:52:01.800
<v Speaker 2>types of people as leads of network shows. Okay, Matt Mitovich,

0:52:02.080 --> 0:52:05.279
<v Speaker 2>who was a very huge supporter of Scandal for so

0:52:05.600 --> 0:52:09.160
<v Speaker 2>long at Matt Midivich on April twenty six tweeted, reminder,

0:52:09.239 --> 0:52:11.640
<v Speaker 2>tonight at about nine to fifty five is when Scandal's

0:52:11.760 --> 0:52:16.600
<v Speaker 2>scandalousness spikes for consecutive weeks straight through to the finale.

0:52:17.200 --> 0:52:20.200
<v Speaker 2>So yes, I guess we were like gaining some traction.

0:52:20.520 --> 0:52:22.600
<v Speaker 2>I guess like four people were watching the.

0:52:22.640 --> 0:52:27.439
<v Speaker 1>Show, right, Jersey Fame, that's it. She says, Oh my god,

0:52:27.560 --> 0:52:32.399
<v Speaker 1>Scandal ABC was straight crazy. Kerry Washington, you better act,

0:52:32.880 --> 0:52:35.560
<v Speaker 1>you better act boo hashtag scandal.

0:52:35.760 --> 0:52:40.600
<v Speaker 2>Uh heck yeah, Lego, What the hell does that mean? Franklin, Oh, Lego,

0:52:41.120 --> 0:52:43.080
<v Speaker 2>I'm an idiot, but you learn something new every day.

0:52:43.200 --> 0:52:45.080
<v Speaker 1>I think I think it's like that, right, I think

0:52:45.120 --> 0:52:47.120
<v Speaker 1>it's like let's go or something like that.

0:52:47.239 --> 0:52:50.160
<v Speaker 2>Yeah, they wrote s B. Franklin wrote at Scandal ABC,

0:52:50.400 --> 0:52:53.400
<v Speaker 2>uh heck yeah, leg go hashtag scan I'm ready to

0:52:53.400 --> 0:52:57.920
<v Speaker 2>gladiate or whatever, which was Quinn's line hashtag Scandal quotes.

0:52:58.160 --> 0:53:04.600
<v Speaker 2>L dave Net wrote, replying to Josh Molina, Josh Molina, you, sir,

0:53:04.719 --> 0:53:09.319
<v Speaker 2>are the glue that holds Scandal ABC together. Also, you've

0:53:09.400 --> 0:53:13.319
<v Speaker 2>left sticky fingerprints all over my TV. Please stop. Yeah,

0:53:14.080 --> 0:53:15.240
<v Speaker 2>the person are they friends?

0:53:15.520 --> 0:53:17.359
<v Speaker 1>I don't know what you mean. Like when he put

0:53:17.400 --> 0:53:21.520
<v Speaker 1>peanut butter on on Porsche de Rossies like car handle.

0:53:22.200 --> 0:53:25.560
<v Speaker 2>But fucking whipped cream and shaving cream all over my

0:53:25.719 --> 0:53:30.000
<v Speaker 2>trailer doors, all over my car doors. Oh yeah, he

0:53:30.040 --> 0:53:31.400
<v Speaker 2>put that shit over my car or handles.

0:53:31.640 --> 0:53:33.640
<v Speaker 1>We have to do a whole episode of the ship

0:53:33.719 --> 0:53:37.640
<v Speaker 1>that Josh pulled. Josh, Yeah he did. What do you

0:53:37.719 --> 0:53:40.359
<v Speaker 1>say well, he called me, changed his voice and left

0:53:40.400 --> 0:53:42.200
<v Speaker 1>me a message on my voicemail saying he was a

0:53:42.520 --> 0:53:45.200
<v Speaker 1>New York City police detective and that I was in

0:53:45.360 --> 0:53:49.160
<v Speaker 1>big trouble. And Katie that whole day me being so anxious,

0:53:49.280 --> 0:53:52.200
<v Speaker 1>I was an emotional mask because I was like, Oh

0:53:52.280 --> 0:53:53.520
<v Speaker 1>my god, what have I done?

0:53:54.000 --> 0:53:57.880
<v Speaker 2>Molina got a voice changer on his phone that he

0:53:57.920 --> 0:53:59.800
<v Speaker 2>could leave voicemails, and it didn't sound like him. He

0:53:59.880 --> 0:54:03.399
<v Speaker 2>like me a voicemail that said, we've got your phone

0:54:03.440 --> 0:54:07.720
<v Speaker 2>number and we heard some scoop on Scandal about someone's behavior.

0:54:07.840 --> 0:54:10.000
<v Speaker 2>You need to call it back immediately. And I was

0:54:10.280 --> 0:54:12.360
<v Speaker 2>shitting bricks because I was like, how did a reporter

0:54:12.520 --> 0:54:13.479
<v Speaker 2>get my cell phone number?

0:54:13.520 --> 0:54:15.400
<v Speaker 3>Like, and I've never been on a show that's successful,

0:54:15.440 --> 0:54:16.520
<v Speaker 3>and I don't know what to say, and am I

0:54:16.560 --> 0:54:17.359
<v Speaker 3>supposed to call my back?

0:54:17.400 --> 0:54:19.759
<v Speaker 2>And I don't even have a publicist. We're gonna do

0:54:19.840 --> 0:54:22.680
<v Speaker 2>when we have josh On, We're gonna go real hard.

0:54:22.960 --> 0:54:24.680
<v Speaker 1>We're gonna talk about all this stuff.

0:54:24.760 --> 0:54:27.000
<v Speaker 2>Hell yeah, praanking he did. Those are some tweets at

0:54:27.040 --> 0:54:30.160
<v Speaker 2>the time. This has been such an amazing episode of

0:54:30.200 --> 0:54:34.400
<v Speaker 2>Scandal Rewatch podcast because it ended up with tears and

0:54:34.600 --> 0:54:38.960
<v Speaker 2>praise and Garmo Diez just doing the most incredible dramaturgical

0:54:39.200 --> 0:54:43.040
<v Speaker 2>researcher work on every guest star on the Scandal show.

0:54:43.120 --> 0:54:45.480
<v Speaker 2>And they are so appreciative, and I am so appreciative

0:54:45.520 --> 0:54:46.319
<v Speaker 2>of the work you've done.

0:54:46.520 --> 0:54:50.000
<v Speaker 1>Oh please, oh my god, this is again. I can't

0:54:50.080 --> 0:54:53.080
<v Speaker 1>I can't imagine doing this with anyone else but you, like,

0:54:53.239 --> 0:54:55.360
<v Speaker 1>it's truly a gift that we get to do this.

0:54:55.719 --> 0:54:59.040
<v Speaker 2>You guys, please tell your friends that this is a

0:54:59.160 --> 0:55:03.000
<v Speaker 2>fucking laugh. You feel all the feelings, all the Gladiators.

0:55:03.080 --> 0:55:05.640
<v Speaker 2>You have a place to come now, Like Gladiators, where

0:55:05.680 --> 0:55:07.840
<v Speaker 2>have you been? You've been up to listen to this podcast.

0:55:07.880 --> 0:55:11.680
<v Speaker 2>Tell all your Gladiator friends rewatch the show. Next week

0:55:11.840 --> 0:55:13.839
<v Speaker 2>we are going to be talking about episode one oh six,

0:55:14.239 --> 0:55:17.960
<v Speaker 2>the Trail, which is literally one of the most famous

0:55:18.040 --> 0:55:20.400
<v Speaker 2>Scandal episodes of all time.

0:55:20.719 --> 0:55:23.279
<v Speaker 1>Gus so good, so so good.

0:55:23.680 --> 0:55:26.400
<v Speaker 2>Make sure you subscribe. Tell your friends episode one o

0:55:26.440 --> 0:55:29.799
<v Speaker 2>six the Trail is coming. And thank you so much

0:55:29.840 --> 0:55:33.240
<v Speaker 2>for listening Yeah to the Scandal. We watch podcasts.

0:55:33.320 --> 0:55:35.200
<v Speaker 1>Thank you, Gladiators. We love you guys.

0:55:35.560 --> 0:55:36.799
<v Speaker 2>We love you guys so much.

0:55:38.880 --> 0:55:42.200
<v Speaker 1>Thank you guys for joining us on Unpacking the Toolbox.

0:55:42.560 --> 0:55:46.080
<v Speaker 1>If you enjoyed the show, please subscribe, share with your friends, rate,

0:55:46.280 --> 0:55:47.200
<v Speaker 1>or leave us a review.

0:55:47.400 --> 0:55:51.320
<v Speaker 2>Scandal is executive produced by Sandy Bailey, Alex Alcea, Lauren Homan,

0:55:51.680 --> 0:55:55.400
<v Speaker 2>Tyler Klang, and Gabrielle Collins. Our producer and editor is

0:55:55.480 --> 0:55:58.240
<v Speaker 2>Vince de Johnny, with music by Chad Fisher.

0:55:58.480 --> 0:56:01.400
<v Speaker 1>Scandal is a production of eight Signature and you can

0:56:01.480 --> 0:56:03.520
<v Speaker 1>follow along by rewatching Scandal on Hulu.

0:56:03.920 --> 0:56:06.279
<v Speaker 2>Unpacking the Toolbox is a production of Shondaland Audio in

0:56:06.400 --> 0:56:10.680
<v Speaker 2>partnership with iHeartRadio. For more podcasts from Shondaland Audio, visit

0:56:10.719 --> 0:56:13.840
<v Speaker 2>the iHeartRadio app or anywhere you subscribe to your favorite shows.