1 00:00:02,520 --> 00:00:06,520 Speaker 1: Two Teas in a Pod which Teddy, Mellencamp and Cameradge Edge. 2 00:00:13,119 --> 00:00:15,560 Speaker 2: Hi, guys, welcome to another episode of Two Teas in 3 00:00:15,640 --> 00:00:18,480 Speaker 2: a Pod with myself, Teddy and Mellencamp. 4 00:00:17,960 --> 00:00:20,200 Speaker 3: And Dolores Catania. 5 00:00:20,480 --> 00:00:24,200 Speaker 2: Hi, Teddy, Hi, I need to talk to you. I 6 00:00:24,239 --> 00:00:27,560 Speaker 2: reread on Jeff lewis something that happened in your Rhode 7 00:00:27,560 --> 00:00:29,680 Speaker 2: Island home? Can you give us the details? 8 00:00:29,720 --> 00:00:32,480 Speaker 3: What it wasn't Rhode Island, It was my New Jersey home. 9 00:00:32,920 --> 00:00:34,680 Speaker 2: Oh it was your New Jersey home. 10 00:00:34,800 --> 00:00:37,920 Speaker 3: Yeah, because I was filming in Rhode Island, so I 11 00:00:37,920 --> 00:00:41,280 Speaker 3: guess they were watching around to see that I hadn't 12 00:00:41,320 --> 00:00:46,360 Speaker 3: been home. And or or Paul posted a picture of 13 00:00:46,440 --> 00:00:49,559 Speaker 3: him and I on the dock at the house, and 14 00:00:49,600 --> 00:00:50,760 Speaker 3: that night we got broken into. 15 00:00:51,760 --> 00:00:54,080 Speaker 2: So a year they had blow torches. 16 00:00:54,720 --> 00:00:58,200 Speaker 3: So the thing is the new thing is that they 17 00:00:58,440 --> 00:01:01,080 Speaker 3: they come in with a blow to and they melt 18 00:01:01,120 --> 00:01:04,319 Speaker 3: your window on your door so that they can get 19 00:01:04,319 --> 00:01:07,880 Speaker 3: through without setting the alarm off. But our alarm is insane. 20 00:01:07,920 --> 00:01:10,800 Speaker 3: Our alarm is hooked up to the police station. The swat, 21 00:01:11,000 --> 00:01:14,520 Speaker 3: I mean, you name it. And when they got in, 22 00:01:14,800 --> 00:01:16,280 Speaker 3: they thought they were in, and all of a sudden, 23 00:01:16,280 --> 00:01:18,560 Speaker 3: the house started screaming at them like get out, get 24 00:01:18,560 --> 00:01:23,000 Speaker 3: out right. So we have them on camera and the 25 00:01:23,040 --> 00:01:26,880 Speaker 3: cops came. They ran out, missed them by twenty seven seconds, 26 00:01:27,280 --> 00:01:30,440 Speaker 3: and the cops were amazing. But the video footage we 27 00:01:30,480 --> 00:01:33,240 Speaker 3: have of the cops coming through with the guns drawn 28 00:01:33,360 --> 00:01:38,680 Speaker 3: and everything, like, yeah, it's it's crazy, and it gets unfactorable. 29 00:01:39,240 --> 00:01:41,520 Speaker 3: They didn't because the cops did get. 30 00:01:41,360 --> 00:01:44,640 Speaker 2: Here fast, so fast, and I don't have their star 31 00:01:45,280 --> 00:01:45,480 Speaker 2: like that. 32 00:01:46,280 --> 00:01:47,559 Speaker 3: Uh huh. 33 00:01:47,600 --> 00:01:49,880 Speaker 2: Are you feeling scared at all or a little bit? 34 00:01:50,160 --> 00:01:52,880 Speaker 3: Yeah? Yeah, to be honest with you, it's really it 35 00:01:52,960 --> 00:01:57,400 Speaker 3: was uncomfortable. But listen, what can you do. You can't 36 00:01:57,400 --> 00:02:00,360 Speaker 3: live in fear. You just have to make sure that 37 00:02:01,160 --> 00:02:03,600 Speaker 3: the next door they can't get in, even with a blowtorch. 38 00:02:04,480 --> 00:02:07,520 Speaker 2: I'm it's just people. You guys need to have your 39 00:02:07,560 --> 00:02:09,840 Speaker 2: alarm system set up. You have to do it. 40 00:02:10,320 --> 00:02:13,239 Speaker 3: Well. Here's the other thing. Do not post when you're 41 00:02:13,320 --> 00:02:16,200 Speaker 3: not home. I don't care if it's a wedding, wait 42 00:02:16,240 --> 00:02:18,480 Speaker 3: till the next day when you're home, if you're on vacation. 43 00:02:19,160 --> 00:02:22,600 Speaker 3: I know how hard it is. Do not post. It 44 00:02:22,720 --> 00:02:24,320 Speaker 3: is a big mistake. 45 00:02:25,240 --> 00:02:27,880 Speaker 2: But like out here in California, it's crazy I mean, 46 00:02:28,000 --> 00:02:30,440 Speaker 2: I when they came in, tried to come into my 47 00:02:30,520 --> 00:02:33,880 Speaker 2: house this year, and. 48 00:02:33,880 --> 00:02:37,160 Speaker 3: That's scary rule of thumbs. If they come in when 49 00:02:37,200 --> 00:02:38,280 Speaker 3: you're home, they're going to hurt you. 50 00:02:39,000 --> 00:02:42,960 Speaker 2: Yeah. Thankfully they didn't get in. The alarm's got them 51 00:02:43,040 --> 00:02:45,600 Speaker 2: too quickly. But like still, it's. 52 00:02:46,919 --> 00:02:49,760 Speaker 3: You know what else is a big deterret, a big 53 00:02:50,320 --> 00:02:56,799 Speaker 3: german shepherd or a big pit bull. Yeah, that'll do it. 54 00:02:57,440 --> 00:03:02,079 Speaker 2: That'll do it. I'm so glad that you're okay. When 55 00:03:02,120 --> 00:03:05,720 Speaker 2: I read that, I was like, oh my gosh, my Dolores. 56 00:03:05,240 --> 00:03:08,800 Speaker 3: Oh thank you, Teddy. Yeah, it was it was just shitty. 57 00:03:08,840 --> 00:03:10,760 Speaker 3: You know, it's just shitty. You work really hard your 58 00:03:10,760 --> 00:03:13,680 Speaker 3: whole life and people just think they can come and 59 00:03:13,720 --> 00:03:15,200 Speaker 3: take whatever they want from you. 60 00:03:16,560 --> 00:03:19,040 Speaker 2: And it's yeah, it's just and. 61 00:03:18,960 --> 00:03:23,679 Speaker 3: It's scary and it's dangerous. So do not post when 62 00:03:23,680 --> 00:03:24,400 Speaker 3: you're not home. 63 00:03:25,040 --> 00:03:27,960 Speaker 2: Yeah, that's a good that's a good Uh, that's a 64 00:03:27,960 --> 00:03:32,840 Speaker 2: good rule. Anything else going on? 65 00:03:34,440 --> 00:03:36,360 Speaker 3: Oh no, just the Miami reunion. 66 00:03:36,800 --> 00:03:39,640 Speaker 2: Oh yeah, just the Miami reunion. Just a little just 67 00:03:39,680 --> 00:03:42,040 Speaker 2: a little touch of drama there. 68 00:03:42,960 --> 00:03:45,760 Speaker 3: Oh, Like I don't I'm I don't know what to do, 69 00:03:45,960 --> 00:03:48,680 Speaker 3: Like I I don't know, I didn't really like this 70 00:03:48,880 --> 00:03:49,680 Speaker 3: part too, did you. 71 00:03:50,840 --> 00:03:56,600 Speaker 2: Well, I felt like it was a lot of I 72 00:03:56,680 --> 00:03:58,760 Speaker 2: just don't know where my head is after it, Like 73 00:03:58,800 --> 00:04:00,760 Speaker 2: I feel like I need to watch it again. 74 00:04:01,640 --> 00:04:07,480 Speaker 3: You know. I watched it fresh waking up. Typically I 75 00:04:07,600 --> 00:04:10,120 Speaker 3: like to watch the things before we come on because 76 00:04:10,200 --> 00:04:12,720 Speaker 3: I like to be really like into it, but I 77 00:04:12,760 --> 00:04:15,280 Speaker 3: couldn't wait, and I watched it when I woke up. 78 00:04:15,320 --> 00:04:18,760 Speaker 3: I was laying in bed and I watched it, and uh, yeah, 79 00:04:18,880 --> 00:04:22,560 Speaker 3: I just there's a few things that annoy me, and 80 00:04:22,600 --> 00:04:25,080 Speaker 3: we'll talk about it, and I really don't know how 81 00:04:25,120 --> 00:04:28,719 Speaker 3: I feel about it, and it's just kind of really shitty. 82 00:04:29,080 --> 00:04:31,000 Speaker 2: Yeah, I felt the whole thing was pretty shitty. So 83 00:04:31,040 --> 00:04:34,440 Speaker 2: it starts out where Julia says she and Adriana slept 84 00:04:34,480 --> 00:04:38,800 Speaker 2: together before Julia's friend engagement to Adriana. 85 00:04:38,920 --> 00:04:41,800 Speaker 3: First of all, the friend engagement's really fucking corny, and 86 00:04:41,920 --> 00:04:43,880 Speaker 3: I always felt they were a little too handsy for 87 00:04:43,960 --> 00:04:44,520 Speaker 3: my taste. 88 00:04:44,560 --> 00:04:47,080 Speaker 2: If I was married, yeah, I agree. 89 00:04:47,279 --> 00:04:49,440 Speaker 3: If I was Martina, she would not be allowed to 90 00:04:49,440 --> 00:04:52,240 Speaker 3: be friends with Adriana back then, And that's how I 91 00:04:52,279 --> 00:04:53,280 Speaker 3: felt about it back then. 92 00:04:53,560 --> 00:04:56,400 Speaker 2: Yeah, I remember feeling the same way, like, wow, this 93 00:04:56,600 --> 00:04:59,160 Speaker 2: is intense it was intense. 94 00:04:59,200 --> 00:05:05,320 Speaker 3: They were too feely. I I thought it was unnecessary. 95 00:05:05,880 --> 00:05:08,200 Speaker 3: I don't even see Toddler's acting like that. 96 00:05:08,680 --> 00:05:10,919 Speaker 2: Yeah, I mean well, Julia says she only brought it 97 00:05:11,000 --> 00:05:14,240 Speaker 2: up at the reunion because she was being mentally abused 98 00:05:14,279 --> 00:05:17,839 Speaker 2: by Adriana. She felt muzzled and blackmailed by age for 99 00:05:17,880 --> 00:05:22,840 Speaker 2: four years. For four years and kept with the same behaviors. 100 00:05:23,320 --> 00:05:26,960 Speaker 3: That's a long time to feel that way. So so 101 00:05:27,200 --> 00:05:31,200 Speaker 3: I guess she felt that when she became friends with 102 00:05:31,279 --> 00:05:37,840 Speaker 3: Alexia and Marisol that this maybe was going to come out. 103 00:05:37,880 --> 00:05:39,960 Speaker 3: Because this is where I'm confused. I'm going to tell 104 00:05:39,960 --> 00:05:45,039 Speaker 3: you where I'm confused. When they do a flashback and 105 00:05:45,440 --> 00:05:48,839 Speaker 3: Adriana says, I'm going to break the fourth wall. Now, 106 00:05:48,920 --> 00:05:53,560 Speaker 3: breaking the fourth wall means talking about something in production, Yeah, 107 00:05:53,640 --> 00:05:54,120 Speaker 3: doesn't it. 108 00:05:54,480 --> 00:05:57,600 Speaker 2: Yes, that's breaking the fourth wall, meaning like now they 109 00:05:57,640 --> 00:06:00,280 Speaker 2: break the fourth wall on these shows where it's kind 110 00:06:00,320 --> 00:06:02,800 Speaker 2: of like somebody will talk to the camera or they'll 111 00:06:02,839 --> 00:06:05,839 Speaker 2: threaten to quit, or they'll do whatever that's breaking the 112 00:06:05,880 --> 00:06:06,400 Speaker 2: fourth wall. 113 00:06:06,720 --> 00:06:10,960 Speaker 3: Some things to show that you have never happened. And 114 00:06:11,800 --> 00:06:14,680 Speaker 3: I mean, I think the people that watch like to 115 00:06:14,760 --> 00:06:15,160 Speaker 3: see that. 116 00:06:15,680 --> 00:06:18,640 Speaker 2: Yeah, either do like it. 117 00:06:17,920 --> 00:06:20,520 Speaker 3: But they they don't do it often, and they do 118 00:06:20,640 --> 00:06:25,200 Speaker 3: it in extreme cases. However, what does that have to 119 00:06:25,279 --> 00:06:29,000 Speaker 3: do with her threatening her to say, I'm going to 120 00:06:29,200 --> 00:06:34,360 Speaker 3: talk about what happened between us or the Haitian mortician 121 00:06:35,160 --> 00:06:41,839 Speaker 3: or the cop. Yeah, I doesn't the coffee maker. 122 00:06:42,800 --> 00:06:46,480 Speaker 2: Yeah, it felt like okay. So Andy asked if they 123 00:06:46,640 --> 00:06:49,400 Speaker 2: had sex in the Hamptons, Adriana says, I don't have 124 00:06:49,480 --> 00:06:53,600 Speaker 2: a dick. They slept and kissed. No scissoring. Well, one, 125 00:06:54,040 --> 00:06:59,680 Speaker 2: everybody knows that like sex between women doesn't mean necessarily 126 00:06:59,720 --> 00:07:00,560 Speaker 2: means scissoring. 127 00:07:01,400 --> 00:07:03,120 Speaker 3: There's more than one way to have. 128 00:07:03,080 --> 00:07:07,320 Speaker 2: Sex using your fingers. There's I mean, there's so many 129 00:07:07,360 --> 00:07:10,560 Speaker 2: different ways. So when all the women were there's a 130 00:07:10,560 --> 00:07:15,000 Speaker 2: lot of different ways there and like making jokes of it, I'm. 131 00:07:14,880 --> 00:07:19,120 Speaker 3: Going to tell you, Teddy, that got under my skin. 132 00:07:19,280 --> 00:07:23,440 Speaker 3: It was a very immature reaction that the most thing 133 00:07:23,480 --> 00:07:28,560 Speaker 3: that they were caring about was the intimate details of 134 00:07:28,840 --> 00:07:32,560 Speaker 3: the act. I was so turned off by that. To 135 00:07:32,880 --> 00:07:37,600 Speaker 3: pun intended that these women are not taking into consideration. 136 00:07:37,800 --> 00:07:39,920 Speaker 3: There's not only a marriage now in place, but there 137 00:07:39,920 --> 00:07:40,960 Speaker 3: are children in place. 138 00:07:41,560 --> 00:07:42,360 Speaker 2: Yeah. 139 00:07:42,400 --> 00:07:44,680 Speaker 3: Well there always was children in place, but now there's 140 00:07:44,720 --> 00:07:48,120 Speaker 3: a new new family and a lot to deal with, 141 00:07:48,320 --> 00:07:50,840 Speaker 3: and there's a lot going on in the house, and 142 00:07:51,560 --> 00:07:54,560 Speaker 3: you know, do you does anybody really want to know 143 00:07:54,640 --> 00:07:57,720 Speaker 3: the raw details? How is it any of their business 144 00:07:57,760 --> 00:08:00,200 Speaker 3: the raw details of what happened between the two of them? 145 00:08:00,520 --> 00:08:03,960 Speaker 3: And why are they pushing that so hard? Like fucking 146 00:08:04,160 --> 00:08:04,800 Speaker 3: pushing it? 147 00:08:05,280 --> 00:08:07,440 Speaker 2: And I was like a bunch of kids sitting around there. 148 00:08:07,800 --> 00:08:12,080 Speaker 3: That's what I mean. I'm not gonna lie. Would I 149 00:08:12,080 --> 00:08:13,800 Speaker 3: have liked to see it? Yeah, if I there was 150 00:08:13,840 --> 00:08:17,520 Speaker 3: a video, i'd fucking watch it. But I don't think 151 00:08:17,720 --> 00:08:20,760 Speaker 3: in that moment if you were friends on either side, 152 00:08:21,120 --> 00:08:23,720 Speaker 3: that you would want to know the intimate details. Lisa, 153 00:08:23,760 --> 00:08:28,120 Speaker 3: you took it too far, but you weren't the worst. 154 00:08:28,360 --> 00:08:32,360 Speaker 3: Alexia and Kiki out of control with wanting to know 155 00:08:32,600 --> 00:08:35,000 Speaker 3: out of control well. 156 00:08:35,080 --> 00:08:37,520 Speaker 2: Adriana acting like she doesn't have a fingers or a 157 00:08:37,600 --> 00:08:45,760 Speaker 2: tongue was also strange to me. I'm pretty sure. 158 00:08:47,040 --> 00:08:51,160 Speaker 3: I think I have a theory behind why she said that, 159 00:08:51,440 --> 00:08:55,480 Speaker 3: because she was she couldn't deny it, really, but she 160 00:08:55,600 --> 00:09:02,040 Speaker 3: wanted to downplay what it was, right. I think because 161 00:09:02,040 --> 00:09:05,920 Speaker 3: she never saw it coming. She got totally blindsided by 162 00:09:05,920 --> 00:09:12,560 Speaker 3: this big reveal and she wanted to absolutely make light 163 00:09:12,600 --> 00:09:12,920 Speaker 3: of it. 164 00:09:13,600 --> 00:09:15,439 Speaker 2: So what do you think she was threatening? Remember of 165 00:09:15,520 --> 00:09:18,840 Speaker 2: the episode when they were at her where she's sang 166 00:09:19,520 --> 00:09:23,120 Speaker 2: and it was like the I think the holiday party 167 00:09:23,160 --> 00:09:25,600 Speaker 2: where there was the fake snow and stuff. Remember when 168 00:09:25,600 --> 00:09:28,400 Speaker 2: she got upset, She's like looking at Julia and she's like, well, 169 00:09:28,480 --> 00:09:31,360 Speaker 2: I'm gonna it seemed like she was threatening her. Do 170 00:09:31,400 --> 00:09:33,600 Speaker 2: you think she does? Do you think she was threatening 171 00:09:33,679 --> 00:09:34,360 Speaker 2: her about that? 172 00:09:35,200 --> 00:09:39,560 Speaker 3: I think more I don't know, and I want to 173 00:09:39,600 --> 00:09:42,760 Speaker 3: hear from Well, that's certainly how Julia took it. 174 00:09:43,440 --> 00:09:44,880 Speaker 2: Yeah, and. 175 00:09:47,320 --> 00:09:49,520 Speaker 3: Do you agree? Let me ask you because I want 176 00:09:49,520 --> 00:09:51,160 Speaker 3: to know this because I don't know how I feel 177 00:09:51,200 --> 00:09:57,800 Speaker 3: about this either. I'm do you agree with her saying, well, 178 00:09:57,840 --> 00:10:01,320 Speaker 3: now I'm going to say everything you can fight in 179 00:10:01,559 --> 00:10:05,320 Speaker 3: me during our friendship, I'm gonna say it now because 180 00:10:05,360 --> 00:10:09,720 Speaker 3: you said this, Like, no, Mortician. 181 00:10:09,559 --> 00:10:12,559 Speaker 2: I don't agree with that. I don't agree with that, 182 00:10:12,600 --> 00:10:18,960 Speaker 2: because Julia was saying what happened between the two of them, right, 183 00:10:19,320 --> 00:10:23,000 Speaker 2: and then Adriana went for it and then brought up 184 00:10:23,080 --> 00:10:26,720 Speaker 2: other information that she didn't need to share. 185 00:10:27,720 --> 00:10:33,840 Speaker 3: Exactly, so, and you know when she was pissed. She 186 00:10:34,040 --> 00:10:36,600 Speaker 3: was pissed, of course, but that's like for me, that 187 00:10:36,679 --> 00:10:39,000 Speaker 3: crosses a line with me, and that's something that we 188 00:10:39,080 --> 00:10:41,640 Speaker 3: need to all take in consideration when we're on these 189 00:10:41,679 --> 00:10:46,160 Speaker 3: fucking shows. That people do not respect the friendship you 190 00:10:46,320 --> 00:10:48,560 Speaker 3: had once you guys get in a fight. 191 00:10:48,960 --> 00:10:50,040 Speaker 2: Yeah, they just don't. 192 00:10:50,840 --> 00:10:53,640 Speaker 3: And the other thing, Adriana, I understand that you were 193 00:10:53,679 --> 00:10:57,320 Speaker 3: really beside yourself with this, and I get it. I do. 194 00:10:57,400 --> 00:10:59,319 Speaker 3: I get it because you were very ashamed of it. 195 00:10:59,360 --> 00:11:04,600 Speaker 3: I feel like, but you hurt Martina by that. We 196 00:11:04,679 --> 00:11:07,680 Speaker 3: don't know that Martina didn't know about these other things 197 00:11:07,720 --> 00:11:11,280 Speaker 3: you're speaking of. Julia didn't deny it, give her that, 198 00:11:12,520 --> 00:11:13,000 Speaker 3: But it. 199 00:11:12,960 --> 00:11:17,360 Speaker 2: Seems like Julia has told her everything. But I'm also 200 00:11:17,559 --> 00:11:20,320 Speaker 2: I'm not sure about everything. Well maybe not everything. But 201 00:11:20,520 --> 00:11:23,680 Speaker 2: Andy asked Julia if Martina knew that Julia was going 202 00:11:23,720 --> 00:11:26,680 Speaker 2: to bring it up, and Julia said, Martina cried when 203 00:11:26,679 --> 00:11:29,520 Speaker 2: she told her. But Julia feels guilt and that's why 204 00:11:29,559 --> 00:11:31,920 Speaker 2: she could not have Adriana as a godmother. 205 00:11:34,000 --> 00:11:39,679 Speaker 3: Well no shit, Well yeah, but they were already by 206 00:11:39,720 --> 00:11:43,200 Speaker 3: the time these kids came around, they were already on 207 00:11:43,320 --> 00:11:46,640 Speaker 3: the outs. It's a very A godmother plays a very 208 00:11:46,640 --> 00:11:50,200 Speaker 3: big role if you pass away or something happens to 209 00:11:50,240 --> 00:11:53,640 Speaker 3: you as a godmother. You are supposed to now step 210 00:11:53,640 --> 00:11:56,280 Speaker 3: in as the mother. I mean, that's really the role, 211 00:11:57,000 --> 00:12:00,640 Speaker 3: and to follow with whatever religion. That's a that's a 212 00:12:00,720 --> 00:12:04,559 Speaker 3: really serious job. And I don't know that Adriana at 213 00:12:04,600 --> 00:12:06,640 Speaker 3: the time that they had these boys. And then you 214 00:12:06,679 --> 00:12:09,400 Speaker 3: know what, adrianad taken to the fact of the consideration 215 00:12:10,000 --> 00:12:12,600 Speaker 3: that you guys did do something behind Martina's back, and 216 00:12:12,640 --> 00:12:13,199 Speaker 3: it wasn't right. 217 00:12:13,760 --> 00:12:18,440 Speaker 2: It wasn't right, it wasn't right. And also it didn't happen, 218 00:12:19,000 --> 00:12:25,040 Speaker 2: not that this matters, but apparently happened more than once. True. 219 00:12:25,679 --> 00:12:30,360 Speaker 2: And I don't know, I just the whole thing, the 220 00:12:30,400 --> 00:12:34,040 Speaker 2: way it was talked about, the way it started. Then 221 00:12:34,120 --> 00:12:38,840 Speaker 2: Adriana says Julia was cheating on Martina with a Haitian mortician. 222 00:12:39,360 --> 00:12:41,480 Speaker 2: She used to bring him to a motel and give 223 00:12:41,559 --> 00:12:44,160 Speaker 2: him a cop and she gave him a coffee machine 224 00:12:44,559 --> 00:12:47,440 Speaker 2: as a gift. She brings up another lover who is 225 00:12:47,480 --> 00:12:50,840 Speaker 2: a cop. Adriana says, Julia is making her the bad 226 00:12:50,880 --> 00:12:53,480 Speaker 2: guy because she said Julia is a serial cheater. 227 00:12:55,080 --> 00:12:58,360 Speaker 3: Well, it sounds not good. It does sound like she 228 00:12:59,000 --> 00:13:02,199 Speaker 3: I mean, it sounds like what's going on here? 229 00:13:02,800 --> 00:13:06,120 Speaker 2: Well, it sounds like, you know, maybe she might need 230 00:13:06,160 --> 00:13:08,680 Speaker 2: a martician because it feels like Martina may kill her 231 00:13:08,760 --> 00:13:09,960 Speaker 2: after she watches. 232 00:13:09,840 --> 00:13:12,720 Speaker 3: Julia keep your dick in your pants. Girl, Like, I 233 00:13:12,720 --> 00:13:15,640 Speaker 3: don't know what to tell you. But the thing is, 234 00:13:17,240 --> 00:13:21,880 Speaker 3: I just like, I'm like, oh, Julia, okay, to each 235 00:13:21,920 --> 00:13:26,640 Speaker 3: his own. I'm not judging her for whatever. I feel bad. 236 00:13:26,720 --> 00:13:30,199 Speaker 3: She could fight it in Adriana like that. But Adriana, 237 00:13:30,200 --> 00:13:32,760 Speaker 3: if you love Martina, the word love should not be 238 00:13:32,920 --> 00:13:37,000 Speaker 3: thrown around the way it is in this world. You 239 00:13:37,080 --> 00:13:39,880 Speaker 3: love Martina, you want it to be the godmother of 240 00:13:39,920 --> 00:13:43,320 Speaker 3: your children. But yet you're bringing up something right now, 241 00:13:43,360 --> 00:13:46,760 Speaker 3: even though you're hurt. You're hurting one person right now, 242 00:13:47,160 --> 00:13:51,920 Speaker 3: Martina by bringing this up. Why if you love this woman, 243 00:13:52,600 --> 00:13:54,880 Speaker 3: why do you not care? See? I don't like that. 244 00:13:54,920 --> 00:13:57,840 Speaker 3: In this business either, a lot of people will hurt 245 00:13:57,840 --> 00:14:01,200 Speaker 3: the spouse to get back at the person they're fighting with. 246 00:14:01,520 --> 00:14:04,840 Speaker 3: I don't like that. There's enough to say about Julia. 247 00:14:05,400 --> 00:14:08,160 Speaker 2: There's plenty to say about Julia, and that conversation could 248 00:14:08,160 --> 00:14:12,040 Speaker 2: have been really about them and getting through like how 249 00:14:12,080 --> 00:14:16,480 Speaker 2: it started, how it continued, on, what made it stop. 250 00:14:17,120 --> 00:14:20,000 Speaker 2: All of those things like those are the bigger picture 251 00:14:20,000 --> 00:14:24,200 Speaker 2: of conversations, not how the sexual act actually took place. 252 00:14:24,560 --> 00:14:28,240 Speaker 3: Exactly, Teddy, exactly, that's what the questions the girls should 253 00:14:28,280 --> 00:14:28,960 Speaker 3: have been asking. 254 00:14:29,920 --> 00:14:33,320 Speaker 2: But they weren't. They had they weren't. I mean. Julia 255 00:14:33,480 --> 00:14:37,080 Speaker 2: then tells it a lot happened backstage this episode two. 256 00:14:37,120 --> 00:14:38,960 Speaker 2: Did you realize that I felt. 257 00:14:38,640 --> 00:14:42,200 Speaker 3: Boskia was just informed that he's going to have to 258 00:14:42,200 --> 00:14:46,280 Speaker 3: get a new godmother because Julia's fired. Did anyone ask 259 00:14:46,320 --> 00:14:52,480 Speaker 3: Boscia how he felt about this? The fucking shit that 260 00:14:52,560 --> 00:14:56,440 Speaker 3: dog has to hear all day? Can you imagine Boscia 261 00:14:57,280 --> 00:14:58,840 Speaker 3: needs a therapist. 262 00:14:58,280 --> 00:15:01,560 Speaker 2: By now he has got I have a whole new thing. 263 00:15:02,560 --> 00:15:07,200 Speaker 3: It's just a lot like I want. Maybe the dog 264 00:15:07,520 --> 00:15:09,320 Speaker 3: could come to Aunt Doelores. 265 00:15:08,880 --> 00:15:12,560 Speaker 2: For a while, you know what, you'll things come to dogs. 266 00:15:13,280 --> 00:15:16,960 Speaker 3: Till things calm down. Poor Boscia crying. Boscua was crying. 267 00:15:17,920 --> 00:15:18,080 Speaker 1: Well. 268 00:15:18,120 --> 00:15:20,240 Speaker 2: He also was so confused why he had to be 269 00:15:20,280 --> 00:15:25,400 Speaker 2: at the reunion. He's like, I'm not getting paid to 270 00:15:25,400 --> 00:15:25,800 Speaker 2: be here. 271 00:15:27,720 --> 00:15:32,520 Speaker 3: Oh my god, this just fucked. Oh this is wait, 272 00:15:32,640 --> 00:15:36,000 Speaker 3: I'm this is this is Google. 273 00:15:35,640 --> 00:15:39,480 Speaker 2: Lands, It's beyond So. Julia tells Andy backstage that she 274 00:15:39,680 --> 00:15:42,320 Speaker 2: also had a one night stand with the Adriana at 275 00:15:42,360 --> 00:15:46,440 Speaker 2: Alexis's bachelorette at the Versace mansion. Adriana thinks Julia is 276 00:15:46,480 --> 00:15:49,240 Speaker 2: rehearsing her answers in her dressing room, and so she 277 00:15:49,400 --> 00:15:53,200 Speaker 2: goes into Julia's room and says she has kept Julia's 278 00:15:53,200 --> 00:15:56,240 Speaker 2: secrets to the grave. Julia says, Adriana said to her, 279 00:15:56,320 --> 00:15:59,640 Speaker 2: if you are going to defend marisolar Kiki, I will 280 00:15:59,640 --> 00:16:00,640 Speaker 2: take you done with me. 281 00:16:02,760 --> 00:16:04,000 Speaker 3: Those are fighting words. 282 00:16:04,280 --> 00:16:06,560 Speaker 2: Yeah, but I was a little bit if you were 283 00:16:06,600 --> 00:16:09,200 Speaker 2: going to defend Marisol or Kiki, I will take you 284 00:16:09,320 --> 00:16:13,720 Speaker 2: down with me. Is she meaning because of their past fights, 285 00:16:13,720 --> 00:16:18,320 Speaker 2: because of the birthday cake and because of the argument 286 00:16:18,440 --> 00:16:24,160 Speaker 2: over the knees? What is she talking defending in way that. 287 00:16:24,200 --> 00:16:28,760 Speaker 3: There's a lot of threats here? Yeah, I mean for 288 00:16:28,920 --> 00:16:32,560 Speaker 3: the record, we you know, off the record or on 289 00:16:32,600 --> 00:16:35,960 Speaker 3: the record. Definitely, these are questions I'd like to ask 290 00:16:36,000 --> 00:16:41,080 Speaker 3: Adriana and they should be now. Yeah, we need I 291 00:16:41,120 --> 00:16:43,720 Speaker 3: mean I could call her right now maybe, but she 292 00:16:43,880 --> 00:16:46,160 Speaker 3: called me upset last week. She texted me, I've never 293 00:16:46,200 --> 00:16:47,000 Speaker 3: spoke to her before. 294 00:16:47,080 --> 00:16:48,560 Speaker 2: Try to call her right now and see if we 295 00:16:48,600 --> 00:16:50,920 Speaker 2: can just get a question from her real quick. 296 00:17:04,200 --> 00:17:06,639 Speaker 3: So Teddy, GoAhead, you're you can ask her. 297 00:17:06,880 --> 00:17:10,200 Speaker 2: Okay, So something I was curious about when you guys 298 00:17:10,240 --> 00:17:13,760 Speaker 2: were at the party for the holiday party and you 299 00:17:13,840 --> 00:17:18,400 Speaker 2: were doing your threat you did a couple threats. What 300 00:17:18,440 --> 00:17:20,479 Speaker 2: did those threats have to do with Did they have 301 00:17:20,520 --> 00:17:22,320 Speaker 2: to do with what's coming this episode? 302 00:17:23,440 --> 00:17:24,840 Speaker 1: Not at all, not in. 303 00:17:24,800 --> 00:17:25,560 Speaker 3: A million years. 304 00:17:25,640 --> 00:17:29,520 Speaker 1: That was about because okay, this is the backstory Julia, 305 00:17:29,880 --> 00:17:33,720 Speaker 1: you know, was sabotage under mine me when it comes 306 00:17:33,720 --> 00:17:38,159 Speaker 1: to my music. And I had asked her, I said, listen, 307 00:17:39,760 --> 00:17:43,879 Speaker 1: you were affecting my storyline, which is my way to 308 00:17:44,480 --> 00:17:46,800 Speaker 1: you know, make my living. I'm a single woman that 309 00:17:46,840 --> 00:17:49,840 Speaker 1: provide one percent for myself. I said, I gave you 310 00:17:49,880 --> 00:17:52,520 Speaker 1: an opportunity. You're doing well. You have other storylines. 311 00:17:52,560 --> 00:17:54,080 Speaker 3: You have Martina, you have the boys. 312 00:17:54,119 --> 00:17:56,399 Speaker 1: Now you have other things to talk about. Can you 313 00:17:56,480 --> 00:17:59,159 Speaker 1: just please leave the music for me because that's my 314 00:17:59,320 --> 00:18:01,800 Speaker 1: thing and in the show, we all have lanes like 315 00:18:01,840 --> 00:18:04,080 Speaker 1: we should. You know you do this. You're the animal 316 00:18:04,200 --> 00:18:07,600 Speaker 1: lover and married to a tennis champion and he now 317 00:18:07,680 --> 00:18:10,200 Speaker 1: adopted two boys. They have plenty of things to talk about. 318 00:18:10,359 --> 00:18:12,679 Speaker 1: Can you just leave the music to me? Because I 319 00:18:12,840 --> 00:18:16,000 Speaker 1: was the one that got her started with the upper thing. Anyway, 320 00:18:16,080 --> 00:18:18,639 Speaker 1: It wasn't her idea. It was my idea when she 321 00:18:18,880 --> 00:18:21,800 Speaker 1: left Martina fighting two cancers alone in New York and 322 00:18:21,880 --> 00:18:25,440 Speaker 1: went to Paris to get a facelift, because in Julia's life, 323 00:18:25,440 --> 00:18:28,879 Speaker 1: everything has to be fun and when things aren't fun anymore, 324 00:18:29,080 --> 00:18:34,080 Speaker 1: to jump ship. So you know, when I called her, 325 00:18:34,160 --> 00:18:36,240 Speaker 1: she's laying in bed. And when Martina said, oh, she 326 00:18:36,280 --> 00:18:39,200 Speaker 1: could be in an explain if needed bullshit. She was 327 00:18:39,320 --> 00:18:41,800 Speaker 1: in for a month of recovering for a full face lift. 328 00:18:41,840 --> 00:18:46,200 Speaker 1: She wasn't going anywhere. I called her and I said, 329 00:18:46,200 --> 00:18:48,200 Speaker 1: what are we going to do to celebrate Martina's victory 330 00:18:48,240 --> 00:18:51,000 Speaker 1: over cancer, because that's a big deal. And I gave 331 00:18:51,000 --> 00:18:53,600 Speaker 1: her the idea of doing this concert and then gave 332 00:18:53,680 --> 00:18:57,040 Speaker 1: my house, put my piano in the sun, practiced with her. 333 00:18:57,680 --> 00:19:00,399 Speaker 1: So it was all on me. It was me doing 334 00:19:00,440 --> 00:19:03,639 Speaker 1: all that. It wasn't her. She came here, just showed up, 335 00:19:03,720 --> 00:19:07,080 Speaker 1: all blammed up, like a deal. I was to half 336 00:19:07,440 --> 00:19:10,919 Speaker 1: my hair done, half my hair undone running around. I 337 00:19:11,040 --> 00:19:15,560 Speaker 1: paid for everything, everything, the party planner, the food, everything. 338 00:19:16,960 --> 00:19:23,160 Speaker 1: So she had her highest moment because of me. Why 339 00:19:23,320 --> 00:19:26,400 Speaker 1: she just letting down her wife. Okay, so for her 340 00:19:26,480 --> 00:19:29,680 Speaker 1: to then Why would I be blackmailing her if I'm 341 00:19:29,680 --> 00:19:34,000 Speaker 1: giving her these opportunities And it doesn't even make sense. 342 00:19:34,640 --> 00:19:36,720 Speaker 1: But what I was going to say, I was going 343 00:19:36,760 --> 00:19:38,760 Speaker 1: to say those things that I'm telling you now I'm 344 00:19:38,760 --> 00:19:41,840 Speaker 1: saying it was my idea. The whole upper thing was 345 00:19:41,960 --> 00:19:45,280 Speaker 1: me because I have that background in classical music. I've 346 00:19:45,280 --> 00:19:47,960 Speaker 1: been doing classical piano since some eight years old. You know, 347 00:19:48,160 --> 00:19:51,240 Speaker 1: there was me giving you something on a stiper platter 348 00:19:52,160 --> 00:19:55,919 Speaker 1: with the intention to celebrate Martina's winning over cancer, and 349 00:19:56,000 --> 00:19:57,480 Speaker 1: she needed all of all herself. 350 00:19:58,520 --> 00:20:03,080 Speaker 2: So I had nothing to do with you guys having 351 00:20:03,240 --> 00:20:05,360 Speaker 2: a physical You know. 352 00:20:05,920 --> 00:20:09,680 Speaker 1: I would never do that because first of all, it 353 00:20:09,720 --> 00:20:12,359 Speaker 1: wasn't the way that she's putting there. You know, it wasn't. 354 00:20:12,400 --> 00:20:14,440 Speaker 1: It wasn't like there was no scissoring by the way. 355 00:20:15,040 --> 00:20:19,919 Speaker 3: Oh you know why, we're very angry that the girls 356 00:20:19,960 --> 00:20:24,760 Speaker 3: insisted on knowing details about intimate details about this situation. 357 00:20:25,280 --> 00:20:28,080 Speaker 3: That's not the questions we're here for, Adriana, and that 358 00:20:28,200 --> 00:20:29,960 Speaker 3: is something if you want to keep to yourself, you 359 00:20:30,040 --> 00:20:32,760 Speaker 3: absolutely should for more than one reason. 360 00:20:33,600 --> 00:20:37,560 Speaker 1: I appreciate your your you know you're you're saying that, 361 00:20:37,640 --> 00:20:42,400 Speaker 1: But the truth is what she did was seduce me, okay, 362 00:20:42,600 --> 00:20:45,560 Speaker 1: like she tried to seduce me, like she tried to 363 00:20:45,600 --> 00:20:46,560 Speaker 1: seduce the entire. 364 00:20:46,440 --> 00:20:50,800 Speaker 2: Cast at different moments. So how did she try to 365 00:20:50,840 --> 00:20:51,440 Speaker 2: seduce you? 366 00:20:53,280 --> 00:20:56,720 Speaker 1: Well by being you know, both of us drunk, and 367 00:20:56,920 --> 00:20:59,720 Speaker 1: for feeding me vodka shots and in the middle of 368 00:21:00,359 --> 00:21:03,919 Speaker 1: you know, coming with her little hands towards me. You know. 369 00:21:04,280 --> 00:21:06,480 Speaker 1: So I'm drunk and I kind of like let her 370 00:21:06,520 --> 00:21:08,959 Speaker 1: do it. But I never touched her. I don't know 371 00:21:08,960 --> 00:21:11,600 Speaker 1: how her private looks like. I don't want to know. 372 00:21:12,240 --> 00:21:14,840 Speaker 1: You know. It's like if I were a lesbian, I 373 00:21:14,880 --> 00:21:17,560 Speaker 1: would probably you know, fly my flag and say yes, 374 00:21:17,600 --> 00:21:19,719 Speaker 1: I'm a lesbian and support all the other lesbians. I've 375 00:21:19,760 --> 00:21:22,600 Speaker 1: been an ally for, you know, the gay community for 376 00:21:22,760 --> 00:21:26,560 Speaker 1: so many years. So I don't feel ashamed. 377 00:21:26,720 --> 00:21:30,000 Speaker 3: Okay, Well I thought maybe that there was a part 378 00:21:30,040 --> 00:21:32,359 Speaker 3: of you not ashamed in a bad way, but just 379 00:21:33,200 --> 00:21:35,159 Speaker 3: I don't be talking about you. 380 00:21:35,200 --> 00:21:36,399 Speaker 2: Don't want it out there. 381 00:21:36,680 --> 00:21:40,119 Speaker 3: Yeah, it's not about ashamed of being a lesbian. No, No, 382 00:21:40,280 --> 00:21:42,440 Speaker 3: that's something to be proud of if that's what you are. 383 00:21:42,760 --> 00:21:46,240 Speaker 3: But I feel like an intimate moment between you and her, 384 00:21:46,600 --> 00:21:48,399 Speaker 3: So when you said you were going to break the 385 00:21:48,440 --> 00:21:51,920 Speaker 3: fourth wall, you meant by saying you were the one 386 00:21:51,960 --> 00:21:55,040 Speaker 3: that planned her whole singing thing. 387 00:21:55,960 --> 00:21:58,600 Speaker 1: Yeah, it was all my idea, you know what she 388 00:21:58,680 --> 00:22:01,000 Speaker 1: wanted to do. I was gonna break to say that 389 00:22:01,040 --> 00:22:03,720 Speaker 1: she wanted to do. When I called her again, She's 390 00:22:03,800 --> 00:22:07,800 Speaker 1: laying in Paris recovering her full plastic surgery and Martinez, 391 00:22:07,960 --> 00:22:10,680 Speaker 1: you know, fighting the battle alone in New York City. 392 00:22:11,800 --> 00:22:13,840 Speaker 1: I told her, I said, Julia. First, I told her 393 00:22:13,840 --> 00:22:16,320 Speaker 1: not to do the plastic surgery and stay and support Martina. 394 00:22:16,560 --> 00:22:18,560 Speaker 1: She got really angry. I mean like you've seen her 395 00:22:18,600 --> 00:22:21,440 Speaker 1: very angry. Now that's the real Julia. And she said, 396 00:22:21,680 --> 00:22:23,520 Speaker 1: I have the right to do what I need to do. 397 00:22:23,600 --> 00:22:25,280 Speaker 1: This was scheduled already. I was like, yeah, but this 398 00:22:25,359 --> 00:22:28,679 Speaker 1: is a schedule before Martina got diagnosed with cancer. And 399 00:22:28,720 --> 00:22:32,080 Speaker 1: She's like, oh, she's laying down anyway. And then what 400 00:22:32,160 --> 00:22:34,080 Speaker 1: difference does it make if I'm around, She's gonna be 401 00:22:34,160 --> 00:22:36,439 Speaker 1: laying down, so I'll be laying down too, ha hahaha. 402 00:22:36,640 --> 00:22:38,280 Speaker 1: Let's see whose face is gonna look worse? 403 00:22:39,240 --> 00:22:46,480 Speaker 2: What gosh? So, and then how is your relationship? So 404 00:22:46,560 --> 00:22:53,600 Speaker 2: how long ago did did Julia tell Martina all this? 405 00:22:54,840 --> 00:22:58,280 Speaker 1: I don't know. I don't know. I don't know, but 406 00:22:58,400 --> 00:23:00,359 Speaker 1: you know it's not the first time that Julia cheates 407 00:23:00,359 --> 00:23:00,880 Speaker 1: on Martina. 408 00:23:01,960 --> 00:23:03,040 Speaker 3: Well we know that now. 409 00:23:04,119 --> 00:23:06,719 Speaker 1: Yeah, you know, Martina left Julia back when they were 410 00:23:06,720 --> 00:23:09,439 Speaker 1: in Paris, you know, and didn't you didn't see her 411 00:23:09,520 --> 00:23:12,199 Speaker 1: for four months. Julia have to gravel and back for 412 00:23:12,359 --> 00:23:15,200 Speaker 1: her Martina to take her back because Martina colored cheating, 413 00:23:16,440 --> 00:23:16,639 Speaker 1: you know. 414 00:23:17,600 --> 00:23:21,200 Speaker 3: Yeah, so there's the so so yeah, so this is 415 00:23:21,880 --> 00:23:25,320 Speaker 3: something listen, I wish, especially when there's kids involved. I 416 00:23:25,359 --> 00:23:29,359 Speaker 3: wish for everybody's relationship to be well and peaceful and 417 00:23:29,480 --> 00:23:33,920 Speaker 3: have a family together, and I just I don't want 418 00:23:33,960 --> 00:23:37,600 Speaker 3: to see anything like that happen. But I do just 419 00:23:39,280 --> 00:23:43,200 Speaker 3: want to know, like when did you you guys, okay, 420 00:23:43,240 --> 00:23:46,360 Speaker 3: you had that relationship. I'm not asking for the details 421 00:23:46,359 --> 00:23:50,159 Speaker 3: your sexual details, but when did the When did it stop? 422 00:23:50,320 --> 00:23:52,800 Speaker 3: Because is that something that just stops or is that 423 00:23:52,920 --> 00:23:53,960 Speaker 3: something that. 424 00:23:53,960 --> 00:23:56,600 Speaker 2: Goes in a conversation that said like we're going to 425 00:23:56,680 --> 00:24:00,600 Speaker 2: stop this, this isn't right, or what happened ongoing? 426 00:24:00,680 --> 00:24:04,560 Speaker 1: There was never an ongoing affair or ongoing physical No, 427 00:24:04,840 --> 00:24:07,200 Speaker 1: there was none of that. It happened that one night, 428 00:24:07,520 --> 00:24:10,600 Speaker 1: you know, in the Hamptons, and then later another time, 429 00:24:10,680 --> 00:24:13,760 Speaker 1: like we were at the Rasachi mentioned, and they kept 430 00:24:13,840 --> 00:24:17,560 Speaker 1: prying us to sleep together because we're besties. Right. Yeah, 431 00:24:17,680 --> 00:24:19,960 Speaker 1: she made another advance at me, and then she made 432 00:24:20,000 --> 00:24:23,480 Speaker 1: a third advance at me when we were in Spain. 433 00:24:23,560 --> 00:24:24,639 Speaker 1: Now this last gas strip. 434 00:24:25,119 --> 00:24:28,520 Speaker 3: So you've never initiated this. It was always her. 435 00:24:29,640 --> 00:24:33,560 Speaker 1: No, She always you know, was putting on her seduction, 436 00:24:33,840 --> 00:24:37,440 Speaker 1: you know hat and coming around. Because when I look 437 00:24:37,560 --> 00:24:42,960 Speaker 1: back now, looking at all this, I feel like she 438 00:24:43,160 --> 00:24:46,760 Speaker 1: always used this, you know, seduction as a way to 439 00:24:47,160 --> 00:24:50,920 Speaker 1: get things from people that she wants to get things from. 440 00:24:51,320 --> 00:24:54,760 Speaker 1: And obviously she was engaged nine times. You know, she's 441 00:24:54,800 --> 00:24:57,879 Speaker 1: like a professional seductress in that sense. How can you 442 00:24:57,920 --> 00:25:01,639 Speaker 1: get engaged nine times, you know, if you're not, you know, 443 00:25:01,720 --> 00:25:07,159 Speaker 1: an expert in seduction. And so I was just like 444 00:25:07,240 --> 00:25:09,639 Speaker 1: somebody she wanted to seduce. To make sure, you know, 445 00:25:09,920 --> 00:25:12,399 Speaker 1: I brought her into the show, make sure that I 446 00:25:12,480 --> 00:25:15,120 Speaker 1: taught her all the ropes I kept giving, I kept 447 00:25:15,440 --> 00:25:18,680 Speaker 1: I kept coaching, I kept supporting her, you know, kept 448 00:25:18,680 --> 00:25:19,440 Speaker 1: protecting her. 449 00:25:19,760 --> 00:25:24,119 Speaker 3: I feel like you were also vulnerable at times to Adriana. 450 00:25:24,240 --> 00:25:28,679 Speaker 3: You were single, you were worried about your future, you 451 00:25:28,760 --> 00:25:32,600 Speaker 3: were lonely. There's a lot of factors involved. I've been 452 00:25:32,640 --> 00:25:34,560 Speaker 3: watching this show for a while now, and there's a 453 00:25:34,560 --> 00:25:37,080 Speaker 3: lot of times that I, you know, how you felt 454 00:25:37,119 --> 00:25:39,679 Speaker 3: resonated with me at times when I was single and 455 00:25:39,800 --> 00:25:42,840 Speaker 3: scared about how I would be handling my future and 456 00:25:43,440 --> 00:25:45,840 Speaker 3: I was a single mother supporting my children, you know 457 00:25:45,880 --> 00:25:49,640 Speaker 3: what I mean? So, yeah, I do. I did always 458 00:25:50,240 --> 00:25:53,879 Speaker 3: feel bad for you for that. But how do you 459 00:25:53,920 --> 00:25:56,960 Speaker 3: feel now? How do you feel about how people are 460 00:25:57,000 --> 00:25:59,400 Speaker 3: gonna what people will think after they watch this. 461 00:26:00,840 --> 00:26:01,280 Speaker 1: I don't know. 462 00:26:01,400 --> 00:26:02,240 Speaker 3: I listen. 463 00:26:02,240 --> 00:26:05,640 Speaker 1: I'm trying to stay strong, you know, and just take 464 00:26:05,680 --> 00:26:09,879 Speaker 1: this for what you know. It's on her, not on me, 465 00:26:10,119 --> 00:26:13,560 Speaker 1: because if you're that desperate to stay on the show, 466 00:26:13,760 --> 00:26:17,520 Speaker 1: that desperate that you're gonna throw me under the bus. 467 00:26:17,560 --> 00:26:19,280 Speaker 3: But more than me, you know. 468 00:26:19,440 --> 00:26:23,000 Speaker 1: Your own family, your own family stability. Like, what is 469 00:26:23,040 --> 00:26:27,760 Speaker 1: the point of this, yeah, blackmailing her? Why does now? 470 00:26:29,040 --> 00:26:31,199 Speaker 3: And well that's I think the biggest question. 471 00:26:31,720 --> 00:26:32,800 Speaker 2: Why why now? 472 00:26:33,760 --> 00:26:37,159 Speaker 1: There's a deflection from the aggression, aggression to ta Gerty 473 00:26:37,280 --> 00:26:42,040 Speaker 1: and the fact that I did, not you know, sided 474 00:26:42,119 --> 00:26:46,520 Speaker 1: with her because I cannot, with my moral compass, side 475 00:26:46,600 --> 00:26:50,400 Speaker 1: with somebody who just finished her last cancer surgery three 476 00:26:50,440 --> 00:26:54,080 Speaker 1: months before I start shooting. She comes in trying to 477 00:26:54,119 --> 00:26:57,879 Speaker 1: get her life back together, and I lost a brother 478 00:26:58,000 --> 00:27:00,760 Speaker 1: to cancer. I was next to your bad you know, 479 00:27:00,880 --> 00:27:01,160 Speaker 1: for the. 480 00:27:01,160 --> 00:27:02,240 Speaker 3: Last month and a half. 481 00:27:02,640 --> 00:27:06,840 Speaker 1: I saw sorry, thank you, but you know, like the 482 00:27:07,000 --> 00:27:09,840 Speaker 1: hope that is in your eyes and in late day 483 00:27:09,880 --> 00:27:12,840 Speaker 1: by day you start to lose the hope and to 484 00:27:12,920 --> 00:27:17,160 Speaker 1: have someone come and with all the strength that it takes. 485 00:27:17,440 --> 00:27:19,800 Speaker 1: And that's why I'm so happy for you, Teddy, because. 486 00:27:19,640 --> 00:27:23,320 Speaker 2: Oh thank you for you to beat this and. 487 00:27:23,280 --> 00:27:27,479 Speaker 3: For the group to go out hurt and to do that. 488 00:27:27,640 --> 00:27:28,360 Speaker 1: And I couldn't. 489 00:27:28,440 --> 00:27:29,000 Speaker 3: I couldn't. 490 00:27:29,040 --> 00:27:33,639 Speaker 1: I could not morally be blindly supporting Julia because that, 491 00:27:33,760 --> 00:27:35,280 Speaker 1: to me is the lowest of the low. 492 00:27:35,520 --> 00:27:36,439 Speaker 3: You just don't do that. 493 00:27:37,600 --> 00:27:40,359 Speaker 2: Yeah, and that was kind of down played. We didn't 494 00:27:40,400 --> 00:27:43,679 Speaker 2: really get to see everybody. Yeah, we didn't get to 495 00:27:43,680 --> 00:27:46,359 Speaker 2: see a lot of people supporting Gerdy in this moment. 496 00:27:46,760 --> 00:27:51,280 Speaker 3: No, No, we didn't. We didn't. And Gertie's viscerally hurt. 497 00:27:52,560 --> 00:27:56,080 Speaker 1: You have to be stacked the people that come out 498 00:27:56,119 --> 00:28:01,800 Speaker 1: of this alive and vibrant. It takes most people don't 499 00:28:01,840 --> 00:28:06,879 Speaker 1: make it, and it takes so much fortitude, motion and mental, emotional, 500 00:28:06,960 --> 00:28:10,080 Speaker 1: physical to come on the other side. And for you 501 00:28:10,160 --> 00:28:13,959 Speaker 1: to trivialize that, and then I attrack someone, Come on, 502 00:28:14,160 --> 00:28:17,920 Speaker 1: where's where's your empathy? You know, like where where's your humanity? 503 00:28:19,720 --> 00:28:19,919 Speaker 1: You know? 504 00:28:20,000 --> 00:28:20,840 Speaker 3: I just couldn't. 505 00:28:21,440 --> 00:28:25,400 Speaker 1: And then then I'm being punished because I didn't walk 506 00:28:25,440 --> 00:28:27,879 Speaker 1: away on the mean girl konga line out of that 507 00:28:28,000 --> 00:28:28,800 Speaker 1: event that night. 508 00:28:29,480 --> 00:28:35,080 Speaker 3: Yeah, well Lisa didn't either. Stephanie didn't, Lisa didn't. 509 00:28:34,840 --> 00:28:37,240 Speaker 1: Nobody, you know, people are used to have me be 510 00:28:37,400 --> 00:28:41,320 Speaker 1: the escape goat and the punching bags, so everything lays 511 00:28:41,360 --> 00:28:43,360 Speaker 1: on me. And I was like, I'm the easy target 512 00:28:43,360 --> 00:28:45,680 Speaker 1: because I'm alone. I don't have a man, I don't 513 00:28:45,720 --> 00:28:48,240 Speaker 1: have somebody, I don't have a support. So they feel, 514 00:28:48,280 --> 00:28:50,640 Speaker 1: let's pick on Adriana because she's the easy one to 515 00:28:50,640 --> 00:28:53,640 Speaker 1: pick on. Nobody is there to defend her, and she's 516 00:28:53,720 --> 00:28:56,560 Speaker 1: in no reactive and also because I gotta be, I 517 00:28:56,560 --> 00:29:00,800 Speaker 1: gotta stand my own ground, so then it's easy, you know, 518 00:29:00,920 --> 00:29:03,040 Speaker 1: like easy for damn to just miss me or attack 519 00:29:03,160 --> 00:29:07,320 Speaker 1: me or you know, belittle me or like demean me whatever, 520 00:29:07,400 --> 00:29:10,080 Speaker 1: you know, Like the whole thing the Marizona Alexa do 521 00:29:10,280 --> 00:29:13,840 Speaker 1: all the time, the campaign, the propaganda, you. 522 00:29:13,800 --> 00:29:17,120 Speaker 2: Know, and what is it that you think they're doing 523 00:29:17,160 --> 00:29:20,680 Speaker 2: the whole time. You think that everybody is doing their 524 00:29:20,720 --> 00:29:24,320 Speaker 2: own version of producing the show. 525 00:29:22,760 --> 00:29:26,080 Speaker 1: And the entire time skimmi and plauding the entire time. 526 00:29:27,720 --> 00:29:30,880 Speaker 3: Well, you know, it's when two people are so close 527 00:29:30,920 --> 00:29:34,320 Speaker 3: and they really stand together, when they fight with someone 528 00:29:34,400 --> 00:29:36,160 Speaker 3: and it's only one person on the other. 529 00:29:36,040 --> 00:29:37,920 Speaker 2: Side, that's yeah, it's hard. 530 00:29:38,040 --> 00:29:42,040 Speaker 3: It's hard. It's hard. This this business is not easy, Teddy, 531 00:29:42,080 --> 00:29:42,480 Speaker 3: as you know. 532 00:29:42,960 --> 00:29:47,840 Speaker 2: Yeah, no, this seems like an extremely difficult situation. Have 533 00:29:48,040 --> 00:29:51,040 Speaker 2: you spoken to any of the women since the reunion? 534 00:29:53,760 --> 00:29:57,040 Speaker 1: Yeah, I mean I speak with God, Eliza, Stephanie. 535 00:29:57,400 --> 00:29:58,920 Speaker 3: You know that's good. 536 00:29:59,480 --> 00:30:01,240 Speaker 2: I meant it seemed to have your back. 537 00:30:03,080 --> 00:30:08,360 Speaker 3: Stephanie seemed to really have your back. Yeah, and you 538 00:30:08,440 --> 00:30:14,600 Speaker 3: know they that's the thing. Like Stephanie stood behind even 539 00:30:14,640 --> 00:30:18,040 Speaker 3: at Gerty to say the night of the event, to say, 540 00:30:18,600 --> 00:30:20,960 Speaker 3: I'm going to find out for myself how I feel 541 00:30:21,000 --> 00:30:23,120 Speaker 3: about this. I just got here. Nobody's going to tell 542 00:30:23,160 --> 00:30:24,520 Speaker 3: me not to walk back in there. 543 00:30:24,920 --> 00:30:27,440 Speaker 2: And then I have to ask just another question, because 544 00:30:27,600 --> 00:30:31,080 Speaker 2: you know, there was a lot this season and I 545 00:30:31,160 --> 00:30:34,920 Speaker 2: could feel like your energy, you didn't seem fully like yourself, 546 00:30:35,000 --> 00:30:35,640 Speaker 2: like you seemed a. 547 00:30:35,640 --> 00:30:38,120 Speaker 3: Little you were kind of out of it even on 548 00:30:38,240 --> 00:30:40,560 Speaker 3: the cruise, Yeah, like you were just going. 549 00:30:42,560 --> 00:30:46,880 Speaker 1: Yeah, well, on the cruise, which was gotten back from pain, 550 00:30:47,000 --> 00:30:50,720 Speaker 1: it was intense, you know how you filming you know 551 00:30:51,040 --> 00:30:54,720 Speaker 1: a castruct ships are it's intense and with the jet 552 00:30:54,840 --> 00:30:57,520 Speaker 1: lag at the time difference and you get there filming 553 00:30:57,600 --> 00:30:59,960 Speaker 1: right away and go to sleep and all that stuff. 554 00:31:00,840 --> 00:31:05,080 Speaker 1: And I was tired. And then I just realized on 555 00:31:05,160 --> 00:31:08,760 Speaker 1: that trip, how you know how much Julia was just 556 00:31:09,000 --> 00:31:11,640 Speaker 1: under the spell of you know, being friends with Marsal 557 00:31:11,880 --> 00:31:14,440 Speaker 1: and you know, I just wanted so badly to get 558 00:31:14,480 --> 00:31:16,560 Speaker 1: a table and I'll sit on the mean girl's table, 559 00:31:16,600 --> 00:31:19,280 Speaker 1: and that she's so you know, elated by. 560 00:31:20,640 --> 00:31:22,440 Speaker 4: By having now you know, oh. 561 00:31:22,360 --> 00:31:25,040 Speaker 1: They're my friends and they like me, you know, like 562 00:31:25,440 --> 00:31:27,520 Speaker 1: ridiculous twelve year old mentality. 563 00:31:28,800 --> 00:31:31,160 Speaker 2: So you think she was kind of dangling that over 564 00:31:31,320 --> 00:31:32,800 Speaker 2: you to try to hurt your feelings. 565 00:31:33,480 --> 00:31:36,080 Speaker 3: That was the sentiment for me. 566 00:31:36,560 --> 00:31:40,240 Speaker 1: Yeah, yeah, And I so I was physically tired, I 567 00:31:40,520 --> 00:31:46,800 Speaker 1: was emotionally hurt. And my birthday that I did not 568 00:31:46,920 --> 00:31:50,120 Speaker 1: want to celebrate. And I told her and many other people, 569 00:31:50,400 --> 00:31:52,479 Speaker 1: I do want to not not celebrate my birthday. 570 00:31:52,600 --> 00:31:55,240 Speaker 3: And they need a point of it, you know, Well, 571 00:31:55,280 --> 00:31:58,160 Speaker 3: it's filming. I mean, I don't know that the girl. 572 00:31:58,360 --> 00:32:01,640 Speaker 3: That's the girl's decision. You know, production does push those things, 573 00:32:01,680 --> 00:32:03,880 Speaker 3: so we have to always remember not to break the 574 00:32:03,960 --> 00:32:06,760 Speaker 3: fourth wall. But if they know that, if there's something 575 00:32:06,840 --> 00:32:09,840 Speaker 3: that you don't like or you have a habit of 576 00:32:09,920 --> 00:32:11,480 Speaker 3: being late, they're going to tell you to come late. 577 00:32:11,560 --> 00:32:13,520 Speaker 3: Like there are certain things, right, Teddy. 578 00:32:14,120 --> 00:32:17,920 Speaker 2: Yeah, there's for sure certain things like that. It's it's 579 00:32:18,000 --> 00:32:20,160 Speaker 2: gonna come around and it's going to bite everybody in 580 00:32:20,200 --> 00:32:23,400 Speaker 2: the ass one way or the other. But we were 581 00:32:23,520 --> 00:32:27,240 Speaker 2: just checking on you, We didn't, you know, we Yes, 582 00:32:27,440 --> 00:32:29,720 Speaker 2: I think at some points you can definitely go low, 583 00:32:29,920 --> 00:32:34,080 Speaker 2: too low, And I think sometimes that comes out of hurt. 584 00:32:35,640 --> 00:32:39,160 Speaker 2: And I was just trying to get like a little 585 00:32:39,280 --> 00:32:42,560 Speaker 2: better feel on what was actually happening. 586 00:32:43,080 --> 00:32:46,840 Speaker 3: Yeah, where you stood, where you felt maybe that you 587 00:32:47,000 --> 00:32:48,520 Speaker 3: wanted to be hurt as well. 588 00:32:48,680 --> 00:32:52,240 Speaker 1: And yes, I do cut deep sometimes, you know, when 589 00:32:52,280 --> 00:32:57,080 Speaker 1: I'm so triggered and you know, so tired of this 590 00:32:57,640 --> 00:33:03,000 Speaker 1: narrative that sometimes I exploded, I go lown later. Im sorry. 591 00:33:03,160 --> 00:33:06,800 Speaker 3: Do you have any regrets from this season or this reunion? 592 00:33:09,520 --> 00:33:09,560 Speaker 2: No? 593 00:33:10,480 --> 00:33:13,960 Speaker 4: I mean out of them by Girdy, Regardless of popular opinion, 594 00:33:14,400 --> 00:33:16,600 Speaker 4: I refuse to be a mean girl like that when 595 00:33:16,640 --> 00:33:21,560 Speaker 4: it's true, you know, life where you've got to give 596 00:33:21,720 --> 00:33:23,280 Speaker 4: credit to people like I said. 597 00:33:23,600 --> 00:33:25,880 Speaker 1: That to me is important because I lost my brother 598 00:33:26,040 --> 00:33:29,240 Speaker 1: to brain tumor. And I'm not gonna sit there and 599 00:33:29,400 --> 00:33:30,320 Speaker 1: pile on somebody. 600 00:33:31,000 --> 00:33:31,880 Speaker 3: No, I refuse to. 601 00:33:31,960 --> 00:33:33,520 Speaker 1: So I have no regrets, you know. 602 00:33:34,560 --> 00:33:34,840 Speaker 3: Okay. 603 00:33:35,000 --> 00:33:36,480 Speaker 1: This is who I am and what I believe in. 604 00:33:37,040 --> 00:33:38,560 Speaker 3: Okay, Okay, could I have. 605 00:33:38,600 --> 00:33:43,160 Speaker 1: A better delivery sometimes perhaps, but I try to stay 606 00:33:43,200 --> 00:33:45,520 Speaker 1: true to myself, you know, and what's important to me, 607 00:33:45,680 --> 00:33:46,479 Speaker 1: my core values. 608 00:33:46,880 --> 00:33:49,320 Speaker 2: Okay, Well, we definitely want to have you on and 609 00:33:49,400 --> 00:33:51,680 Speaker 2: talk to you in person and do this the right way, 610 00:33:51,760 --> 00:33:53,640 Speaker 2: but we just wanted to have a couple of minutes 611 00:33:53,720 --> 00:33:56,640 Speaker 2: just to so you could share your thoughts and thank 612 00:33:56,680 --> 00:33:57,920 Speaker 2: you so much for joining us. 613 00:33:58,520 --> 00:34:02,440 Speaker 3: Yes, thanks, thank you, Adrian, really really happy for you. 614 00:34:02,600 --> 00:34:05,360 Speaker 2: Teddy, thank you so much. And I'm so so sorry 615 00:34:05,400 --> 00:34:07,680 Speaker 2: about your brother. I'll be thinking about you. 616 00:34:09,320 --> 00:34:12,839 Speaker 3: Thank you, and I'll send you all love and strength. Okay, Okay, 617 00:34:13,000 --> 00:34:17,720 Speaker 3: thank you, We'll see you soon. You're welcome, Madrean, no problem, 618 00:34:18,320 --> 00:34:19,400 Speaker 3: take care of bye. 619 00:34:32,400 --> 00:34:39,200 Speaker 2: I'm god smacked by this entire conversation. It's raw, so 620 00:34:39,680 --> 00:34:42,840 Speaker 2: but it's wrong. But also she doesn't. Here's the problem 621 00:34:42,840 --> 00:34:45,839 Speaker 2: with Adriana, Like, yes, there are parts of what she's 622 00:34:45,840 --> 00:34:50,759 Speaker 2: saying that I have one, you know, believe and think 623 00:34:50,840 --> 00:34:53,480 Speaker 2: that she's telling the truth. But she can also go 624 00:34:53,800 --> 00:34:57,880 Speaker 2: so low, like remember the things that she said to Marisol. 625 00:34:58,960 --> 00:35:01,799 Speaker 3: You know, everybody's talking talking about their delivery these days, 626 00:35:01,920 --> 00:35:06,720 Speaker 3: my delivery. We're grown women, we're grown women. There needs 627 00:35:06,760 --> 00:35:12,160 Speaker 3: to be some self control on how we approach things. Now, 628 00:35:12,760 --> 00:35:17,120 Speaker 3: I'm a person who has lost my self control. I'm 629 00:35:17,160 --> 00:35:19,680 Speaker 3: not being a hypocrite, but I don't do it as 630 00:35:19,719 --> 00:35:24,439 Speaker 3: a rule, Like it happens sometimes when I'm pushed too far. 631 00:35:25,280 --> 00:35:27,400 Speaker 3: But for the most part, I really do try to. 632 00:35:27,800 --> 00:35:31,480 Speaker 3: I try to be aware of how I'm being and 633 00:35:31,600 --> 00:35:34,480 Speaker 3: try to fix it or try to better it. Yeah, 634 00:35:35,080 --> 00:35:36,799 Speaker 3: it's not like every time I get in a fight, 635 00:35:36,920 --> 00:35:40,520 Speaker 3: I go low and that's the truth. 636 00:35:40,960 --> 00:35:41,719 Speaker 2: It's just the truth. 637 00:35:41,840 --> 00:35:42,000 Speaker 1: Yeah. 638 00:35:42,080 --> 00:35:47,360 Speaker 2: But then Adriana says that she first met Julia as 639 00:35:47,440 --> 00:35:49,439 Speaker 2: she told her how much she looks like snow white 640 00:35:49,480 --> 00:35:52,520 Speaker 2: and how good her boobs are. Julia invited Adriana to 641 00:35:52,600 --> 00:35:55,000 Speaker 2: the bathroom to see her boobs. Then Julia showed her 642 00:35:55,040 --> 00:35:58,399 Speaker 2: her butt. Adriana says Julia developed a crush right away. 643 00:35:58,560 --> 00:36:01,400 Speaker 2: She says Julia petted her in the Hamptons and that 644 00:36:01,600 --> 00:36:07,799 Speaker 2: Julia tried to sleep with her in Spain. I mean, 645 00:36:07,920 --> 00:36:09,960 Speaker 2: first we have Erica Jane pat in the Puss, and 646 00:36:10,040 --> 00:36:11,840 Speaker 2: now we've got Julia pet in the Puss. 647 00:36:12,520 --> 00:36:16,920 Speaker 3: I guess it's a trend. Should I pat my puss? 648 00:36:17,600 --> 00:36:19,320 Speaker 3: Am I missing out on something? 649 00:36:20,520 --> 00:36:24,759 Speaker 2: But then what about how Adrianna has a gift that 650 00:36:24,920 --> 00:36:25,680 Speaker 2: she brings over. 651 00:36:27,520 --> 00:36:31,799 Speaker 3: I think she needs to retire the gifts, the antics, 652 00:36:32,200 --> 00:36:35,000 Speaker 3: you know what I noticed? Stephanie has a lot of analogies. 653 00:36:35,640 --> 00:36:39,600 Speaker 3: She uses the analogy as a super Bowl player who 654 00:36:39,680 --> 00:36:42,000 Speaker 3: wants to wear a ring when he and show off 655 00:36:42,080 --> 00:36:45,560 Speaker 3: his ring when he wins the super Bowl. The analogy 656 00:36:45,640 --> 00:36:48,600 Speaker 3: of these show and tall see analogies don't go over 657 00:36:48,680 --> 00:36:50,920 Speaker 3: well in New Jersey. She was doing okay with. 658 00:36:51,000 --> 00:36:53,319 Speaker 2: Them, Yeah, she was doing I thought she was doing 659 00:36:53,400 --> 00:36:56,920 Speaker 2: well with the analogies. Yeah, yeah, I liked analogies to 660 00:36:57,000 --> 00:37:03,560 Speaker 2: explain this episode. Me too, I did you know ding 661 00:37:03,680 --> 00:37:07,040 Speaker 2: to ding let the fireworks go? I liked her this episode, 662 00:37:07,920 --> 00:37:11,120 Speaker 2: but then kind of getting through that after Adriana gives 663 00:37:11,480 --> 00:37:16,800 Speaker 2: her heart and this feels like something a lover would do. 664 00:37:18,120 --> 00:37:20,799 Speaker 3: She's like, this is the deepest dagger of my heart 665 00:37:20,840 --> 00:37:24,600 Speaker 3: when I wasn't a godmother again. I think it's very 666 00:37:26,239 --> 00:37:31,160 Speaker 3: you know, it's almost it's performative. It's exaggerated. The way 667 00:37:31,239 --> 00:37:35,640 Speaker 3: she explains things in a very like kind of like 668 00:37:35,840 --> 00:37:39,160 Speaker 3: over the top way. Not to say she doesn't feel 669 00:37:39,320 --> 00:37:42,799 Speaker 3: like that, but coming from someone who doesn't talk about 670 00:37:42,800 --> 00:37:46,120 Speaker 3: their feelings at all, that's a lot for me. Like here, 671 00:37:46,160 --> 00:37:48,920 Speaker 3: I'm going to give you a heart in a box, 672 00:37:49,800 --> 00:37:51,840 Speaker 3: in a box that it looks like my dog's ashes 673 00:37:51,880 --> 00:37:54,880 Speaker 3: are in. You know, you can't like it's just a 674 00:37:54,960 --> 00:37:55,480 Speaker 3: lot for me. 675 00:37:55,960 --> 00:37:57,839 Speaker 2: It's a lot, you can't. 676 00:37:57,880 --> 00:37:59,719 Speaker 3: That's the way she is. It's just the way she is. 677 00:38:00,520 --> 00:38:02,880 Speaker 2: And then Maricel's like, get that away from my. 678 00:38:03,000 --> 00:38:09,560 Speaker 3: Feet, Marisol, because she thinks it's it's got a curse 679 00:38:09,640 --> 00:38:10,400 Speaker 3: on it or something. 680 00:38:10,480 --> 00:38:12,560 Speaker 2: Yeah. Probably thank you. 681 00:38:13,120 --> 00:38:16,600 Speaker 3: When they gave the crystals and Maristol and Alexia threw 682 00:38:16,640 --> 00:38:17,279 Speaker 3: them out the door. 683 00:38:17,719 --> 00:38:18,920 Speaker 2: Yeah, they were like no thanks. 684 00:38:19,400 --> 00:38:24,719 Speaker 3: Yeah, We're like no, we're Cuban, we know what shit 685 00:38:24,840 --> 00:38:25,879 Speaker 3: happens like this. Yeah. 686 00:38:27,800 --> 00:38:31,400 Speaker 2: Then Kiki opens up about her dad and how she 687 00:38:31,560 --> 00:38:34,680 Speaker 2: has realized that the men she is dating show a 688 00:38:34,760 --> 00:38:36,160 Speaker 2: pattern similar to her. 689 00:38:36,120 --> 00:38:38,600 Speaker 3: Dad and who doesn't. 690 00:38:39,200 --> 00:38:42,200 Speaker 2: Yeah, And then Kiki has now been celibate since March 691 00:38:42,320 --> 00:38:43,160 Speaker 2: twenty twenty. 692 00:38:43,000 --> 00:38:47,800 Speaker 3: Four, except for her vibrator and porn. I don't know 693 00:38:47,880 --> 00:38:50,680 Speaker 3: if that counts. I don't know if it counts. 694 00:38:51,239 --> 00:38:52,520 Speaker 2: I don't know if it counts. 695 00:38:52,640 --> 00:38:54,879 Speaker 3: Does it count if you still have an orgasm, even 696 00:38:54,920 --> 00:38:59,520 Speaker 3: if it's your own, you do it to yourself because 697 00:38:59,560 --> 00:39:01,759 Speaker 3: in the drag. Don't think I god by me when 698 00:39:01,800 --> 00:39:04,480 Speaker 3: she goes Yeah, I know what girls do. I watch porn. 699 00:39:04,760 --> 00:39:07,160 Speaker 3: I see it in porn. Then why do you keep 700 00:39:07,239 --> 00:39:09,520 Speaker 3: asking Kiki because you want to know because you're a 701 00:39:09,600 --> 00:39:10,279 Speaker 3: horn bowl too. 702 00:39:10,840 --> 00:39:12,480 Speaker 2: Yeah, you want to know all the details. 703 00:39:12,600 --> 00:39:13,640 Speaker 3: I think she's so pretty. 704 00:39:13,880 --> 00:39:17,000 Speaker 2: I like her, so do I. Then Andy brings up 705 00:39:17,040 --> 00:39:21,120 Speaker 2: Stephanie's first reaction with Alexia. Her intention was to say 706 00:39:21,160 --> 00:39:24,360 Speaker 2: that Alexia is fabulous and Todd sucks and she regrets 707 00:39:24,400 --> 00:39:29,080 Speaker 2: it since Alexia gets sensitive. I thought her apology was 708 00:39:29,160 --> 00:39:31,279 Speaker 2: good here it was. 709 00:39:32,080 --> 00:39:34,759 Speaker 3: I think it was more of an explanation than an apology, 710 00:39:35,800 --> 00:39:39,880 Speaker 3: and it was accountability and I'll take that rather than 711 00:39:39,960 --> 00:39:45,080 Speaker 3: a fake apology. Yeah, he explained the intention of the 712 00:39:45,160 --> 00:39:48,120 Speaker 3: way she spoke, and for me at this age and 713 00:39:48,400 --> 00:39:52,920 Speaker 3: stage in my life. For me, it's all about intention. Yeah, Like, 714 00:39:53,040 --> 00:39:56,560 Speaker 3: you could say something that's offensive, but I think I'm 715 00:39:56,640 --> 00:39:58,840 Speaker 3: smart enough. I'm wise enough now to know whether or 716 00:39:58,840 --> 00:40:00,839 Speaker 3: not you mean it in a bad way. So I'm 717 00:40:00,880 --> 00:40:03,480 Speaker 3: not going to hold every single thing somebody says to 718 00:40:03,600 --> 00:40:06,840 Speaker 3: me in a bad way. There's a lot of things 719 00:40:06,920 --> 00:40:09,959 Speaker 3: I could have taken offensively that people have said about 720 00:40:10,360 --> 00:40:14,440 Speaker 3: my relationship or my things, and I'm like, that person 721 00:40:14,640 --> 00:40:16,719 Speaker 3: really cares about me, that's saying it, and I don't 722 00:40:16,719 --> 00:40:18,360 Speaker 3: think they mean anything by it, So I'm not going 723 00:40:18,440 --> 00:40:19,080 Speaker 3: to get offended. 724 00:40:19,440 --> 00:40:22,080 Speaker 2: Yeah, I think. I think that's actually what happened. 725 00:40:22,719 --> 00:40:24,879 Speaker 3: But she didn't even know Alexia good enough to speak 726 00:40:24,880 --> 00:40:25,360 Speaker 3: to her like that. 727 00:40:25,760 --> 00:40:26,399 Speaker 2: That is true. 728 00:40:26,800 --> 00:40:29,719 Speaker 3: That is, if you're somebody's friend, you could speak to them. 729 00:40:29,920 --> 00:40:33,640 Speaker 3: Alexi didn't know that girl from nothing. She talk to 730 00:40:33,719 --> 00:40:35,200 Speaker 3: me about my shit. You don't know me. 731 00:40:36,560 --> 00:40:37,520 Speaker 2: That was the pre lunch. 732 00:40:39,280 --> 00:40:40,480 Speaker 3: Oh, the pre lunch. 733 00:40:40,880 --> 00:40:42,800 Speaker 2: The pre lunch where she got all the information. 734 00:40:44,160 --> 00:40:48,080 Speaker 3: It's always I don't think pre lunches don't happen. I 735 00:40:48,200 --> 00:40:51,759 Speaker 3: don't do them, Okay, I don't call the new girl 736 00:40:51,840 --> 00:40:54,640 Speaker 3: and say let's have lunch. I'm not a luncher. I'll 737 00:40:54,680 --> 00:40:56,640 Speaker 3: get to know you when I get to know you. 738 00:40:57,120 --> 00:41:01,680 Speaker 2: Yeah. Then, Adriana felt Alexia was threatened by Stephanie because 739 00:41:02,040 --> 00:41:05,920 Speaker 2: she's younger. Gertie agrees that Alexia was intimidated by Stephanie. 740 00:41:06,360 --> 00:41:09,480 Speaker 2: I don't think Alexia expected Stephanie to come in with 741 00:41:09,600 --> 00:41:12,399 Speaker 2: such strong opinions and it cut off guard. I don't 742 00:41:12,440 --> 00:41:14,080 Speaker 2: think she's threatened. 743 00:41:14,760 --> 00:41:18,320 Speaker 3: No, Alexia has a very high opinion of herself. I 744 00:41:18,440 --> 00:41:21,040 Speaker 3: don't think even on her worst of days, which they 745 00:41:21,080 --> 00:41:27,320 Speaker 3: are right now, that she would be intimidated. However, I 746 00:41:27,680 --> 00:41:31,120 Speaker 3: did shock me because I would have went much harder 747 00:41:31,320 --> 00:41:35,719 Speaker 3: after Stephanie and every single person on my cast if 748 00:41:35,800 --> 00:41:37,719 Speaker 3: she spoke to us the way she spoke to these 749 00:41:37,800 --> 00:41:41,080 Speaker 3: girls would have definitely take a different stance on it. 750 00:41:41,600 --> 00:41:44,399 Speaker 3: They're definitely in the in the in the feeding part 751 00:41:44,440 --> 00:41:44,919 Speaker 3: of the zoo. 752 00:41:45,560 --> 00:41:48,560 Speaker 2: Yeah, they're definitely like they're human. 753 00:41:48,680 --> 00:41:52,120 Speaker 3: They were human about this, like Stephanie could have gotten 754 00:41:52,760 --> 00:41:57,600 Speaker 3: like eviscerted. I don't care who you are. I don't care, 755 00:41:57,719 --> 00:42:01,200 Speaker 3: so Joe spa whatever it is, so so whatever. I 756 00:42:01,239 --> 00:42:03,880 Speaker 3: don't care. You're a ball. I don't care if you 757 00:42:03,920 --> 00:42:07,360 Speaker 3: would have come out come at people in my cast 758 00:42:07,640 --> 00:42:10,239 Speaker 3: the way you came after these girls, it would have 759 00:42:10,320 --> 00:42:13,279 Speaker 3: been a very different outcome. I'm not being a tough girl. 760 00:42:13,320 --> 00:42:15,680 Speaker 3: I'm not. It just would have been handled differently. And 761 00:42:15,800 --> 00:42:19,960 Speaker 3: it kind of surprised me that, you know, Alexia didn't 762 00:42:20,040 --> 00:42:23,719 Speaker 3: get crazy. And I'm glad and I'm not saying I 763 00:42:23,840 --> 00:42:26,320 Speaker 3: wanted to see that. I'm glad it was handled the 764 00:42:26,440 --> 00:42:27,279 Speaker 3: way it was. 765 00:42:28,239 --> 00:42:30,880 Speaker 2: I am too. But then Andy asked Lisa what she 766 00:42:31,000 --> 00:42:33,640 Speaker 2: meant when she told Larsa, the world knows who you are, 767 00:42:33,800 --> 00:42:39,279 Speaker 2: Lisa says, even chat geptos. Then Stephanie reads the chat 768 00:42:39,400 --> 00:42:43,640 Speaker 2: GPT of Larsa's polarizing image, obsessed while others see her 769 00:42:44,320 --> 00:42:47,920 Speaker 2: public personality who refuses to be boxed into a single narrative. 770 00:42:48,000 --> 00:42:53,080 Speaker 2: Beyond that her relationships are roller coaster. Larsa loves this. 771 00:42:53,320 --> 00:42:54,080 Speaker 2: She's fine with this. 772 00:42:55,880 --> 00:42:59,000 Speaker 3: She she was like totally fine with it. She agreed 773 00:42:59,080 --> 00:43:01,040 Speaker 3: with CHATDPT it is a roller coaster. 774 00:43:01,719 --> 00:43:03,080 Speaker 2: Yeah, they're not wrong. 775 00:43:03,560 --> 00:43:03,759 Speaker 3: Yeah. 776 00:43:03,840 --> 00:43:07,000 Speaker 2: Then Larsa tells Lisa that she expected for Lisa to 777 00:43:07,120 --> 00:43:09,600 Speaker 2: answer the phone during her breakup with Marcus, and then 778 00:43:09,680 --> 00:43:14,040 Speaker 2: Andy brings up Larsa flagging why Lisa was traveling while 779 00:43:14,120 --> 00:43:17,040 Speaker 2: her dad was sick. I can't believe we've gotten to 780 00:43:17,120 --> 00:43:19,759 Speaker 2: the point of using chat DoPT and a reunion. 781 00:43:21,360 --> 00:43:23,239 Speaker 3: You know, do you use it? I don't. 782 00:43:23,520 --> 00:43:24,160 Speaker 2: I don't use it. 783 00:43:24,360 --> 00:43:25,239 Speaker 3: I'm trying not to. 784 00:43:26,640 --> 00:43:28,040 Speaker 2: I mean, I feel like I have to use my 785 00:43:28,160 --> 00:43:30,600 Speaker 2: brain for it's least a little bit that I do. 786 00:43:32,200 --> 00:43:37,000 Speaker 3: Right, and I don't want to. I don't want to 787 00:43:37,040 --> 00:43:40,759 Speaker 3: get attached to it. I may succumb to it eventually. 788 00:43:41,000 --> 00:43:43,120 Speaker 3: Like I used to come to filters, I was the 789 00:43:43,239 --> 00:43:46,560 Speaker 3: last one to go for them because I don't like 790 00:43:46,760 --> 00:43:49,359 Speaker 3: looking at myself without the filter because then I fuck 791 00:43:49,400 --> 00:43:51,720 Speaker 3: it all bucked up. So I knew that would happen. 792 00:43:51,800 --> 00:43:54,680 Speaker 3: So I really don't want to look at chat GPT 793 00:43:54,800 --> 00:43:57,280 Speaker 3: because I'm going to wind up going to it for everything, 794 00:43:57,360 --> 00:44:01,360 Speaker 3: and just like Instagram, just nonsense, so bullshit. 795 00:44:02,040 --> 00:44:03,800 Speaker 2: But what I did get from the Lisa and the 796 00:44:03,920 --> 00:44:06,600 Speaker 2: Larsa of it all is that what Larsa was really 797 00:44:06,719 --> 00:44:11,040 Speaker 2: upset about wasn't necessarily that she's continued to follow Marcus. 798 00:44:11,120 --> 00:44:13,879 Speaker 2: It's that she couldn't get her to be her friend 799 00:44:14,000 --> 00:44:17,400 Speaker 2: during that time she needed her as a friend and couldn't. 800 00:44:17,400 --> 00:44:21,000 Speaker 3: Really She's like, Lisa, all you needed to do was 801 00:44:21,040 --> 00:44:23,320 Speaker 3: pick up the phone. Yeah, like I was in the 802 00:44:23,400 --> 00:44:27,000 Speaker 3: feetle my family had to move in, kids were upset. 803 00:44:27,600 --> 00:44:29,279 Speaker 3: I just needed you to pick up the phone. And 804 00:44:29,360 --> 00:44:33,600 Speaker 3: if that's the case, then I understand where she's coming from. 805 00:44:33,719 --> 00:44:36,239 Speaker 3: And you know what, if it meant something. I'm not 806 00:44:36,320 --> 00:44:40,359 Speaker 3: big on the follow and follow people's shit, but when 807 00:44:40,400 --> 00:44:43,320 Speaker 3: it comes to a boyfriend and girlfriend. If my girlfriend 808 00:44:43,360 --> 00:44:46,120 Speaker 3: called me and said, unfollow the guy, I didn't follow 809 00:44:46,160 --> 00:44:46,440 Speaker 3: the guy. 810 00:44:46,600 --> 00:44:48,120 Speaker 2: Yeah, I didn't follow the guy too. 811 00:44:50,560 --> 00:44:50,840 Speaker 3: Truth. 812 00:44:51,840 --> 00:44:59,200 Speaker 2: Well what an episode, guys, We've got one more, one more? 813 00:45:00,239 --> 00:45:04,440 Speaker 3: My my, Uh, the stress of it, like it's tighten. 814 00:45:04,600 --> 00:45:05,239 Speaker 2: I know I'm tight. 815 00:45:06,840 --> 00:45:08,920 Speaker 3: I need like a massage. The fun. 816 00:45:10,880 --> 00:45:14,560 Speaker 2: But we learned a lot and we're going to learn 817 00:45:14,560 --> 00:45:16,719 Speaker 2: a lot more, I think on episode three. 818 00:45:17,640 --> 00:45:20,640 Speaker 3: But Teddy, don't you think this? I mean, you know, 819 00:45:20,960 --> 00:45:25,320 Speaker 3: I know I haven't filmed in along like I've filmed, 820 00:45:25,360 --> 00:45:28,000 Speaker 3: but not to this extent. Like with the cast and 821 00:45:28,120 --> 00:45:33,160 Speaker 3: the intenses. It's very intense. It's very emotionally heavy and draining. 822 00:45:33,320 --> 00:45:35,320 Speaker 3: This girl she's in bits. 823 00:45:36,040 --> 00:45:40,640 Speaker 2: Yeah, Adriana does not sound good. She doesn't she doesn't 824 00:45:40,680 --> 00:45:44,680 Speaker 2: sound good. No, nope, does not sound good at all. 825 00:45:45,719 --> 00:45:48,480 Speaker 2: Oh my gosh. Well thanks you guys, for tuning in 826 00:45:48,560 --> 00:45:50,759 Speaker 2: to another episode of Teas in a Pod. 827 00:45:51,160 --> 00:45:51,640 Speaker 3: We did it. 828 00:45:52,080 --> 00:45:53,440 Speaker 2: Thanks guys, thank you.