1 00:00:07,600 --> 00:00:10,520 Speaker 1: Loka Tora Radio is a radiophonic novella. 2 00:00:10,640 --> 00:00:14,600 Speaker 2: Which is just a very extra way of saying a podcast. 3 00:00:15,360 --> 00:00:19,880 Speaker 1: I'm Fosa m and I am Mala. Munos Lokatra Radio 4 00:00:20,079 --> 00:00:25,119 Speaker 1: is yr Brima's favorite podcast, hosted by us Mala and Viosa. 5 00:00:25,400 --> 00:00:30,800 Speaker 2: We're two ig friends turned podcast partners, breaking down pop culture, feminism, 6 00:00:31,000 --> 00:00:35,280 Speaker 2: sexual wellness, and offering fresh takes on trending topics through 7 00:00:35,360 --> 00:00:39,800 Speaker 2: nuanced interviews with up and coming LATINX creatives. 8 00:00:38,840 --> 00:00:42,000 Speaker 1: Known as Las Lokatas, Las Mammis of Myth and Bullshit 9 00:00:42,159 --> 00:00:47,279 Speaker 1: and Las Borgrosas. We were podcasting independently since twenty sixteen, 10 00:00:47,440 --> 00:00:51,040 Speaker 1: but joined iHeartMedia's Microtura network in twenty twenty two. 11 00:00:51,520 --> 00:00:55,480 Speaker 2: This year, we're continuing to share stories from the LATINX community. 12 00:00:55,800 --> 00:01:03,160 Speaker 1: Bartol Mundo, Welcome to season eight. Are you listening? O 13 00:01:03,280 --> 00:01:06,440 Speaker 1: La La Lokamotis, Welcome to season eight of lok at 14 00:01:06,440 --> 00:01:07,080 Speaker 1: Dora Radio. 15 00:01:07,160 --> 00:01:08,679 Speaker 2: I'm Theosa and I'm Mala. 16 00:01:09,080 --> 00:01:12,880 Speaker 1: You're tuning in to Capitolos one eighty six. 17 00:01:13,680 --> 00:01:15,959 Speaker 2: Last time on loc Ata Radio, we had an end 18 00:01:15,959 --> 00:01:18,319 Speaker 2: of the year check in. Go ahead and listen to 19 00:01:18,319 --> 00:01:20,880 Speaker 2: that episode. Leave us a review, Subscribe to look at 20 00:01:20,920 --> 00:01:22,639 Speaker 2: our Radio and share with a friend. 21 00:01:23,640 --> 00:01:26,559 Speaker 1: So we're going to jump right into today's episode because 22 00:01:26,560 --> 00:01:30,600 Speaker 1: we have a packed episode. We're going to be talking 23 00:01:30,680 --> 00:01:35,559 Speaker 1: about transformative justice and what happens after a call out, 24 00:01:35,760 --> 00:01:39,319 Speaker 1: a public call out at that once the dust settles. 25 00:01:39,680 --> 00:01:41,880 Speaker 1: What do you do when you're at the center of 26 00:01:41,920 --> 00:01:44,280 Speaker 1: a call out? How do you heal? How do you 27 00:01:44,319 --> 00:01:49,400 Speaker 1: move forward? Last year, Doris Anai Munios was publicly called 28 00:01:49,400 --> 00:01:53,240 Speaker 1: out on Instagram in November twenty twenty two by people 29 00:01:53,360 --> 00:01:56,120 Speaker 1: in the local creative scene of Los Angeles. 30 00:01:56,760 --> 00:02:00,000 Speaker 2: Many of the initial social media posts have since been 31 00:02:00,160 --> 00:02:02,920 Speaker 2: taken down in the year since the initial call out, 32 00:02:03,280 --> 00:02:06,080 Speaker 2: but some people who worked on projects with Doris, most 33 00:02:06,120 --> 00:02:10,160 Speaker 2: notably the Disney Meha documentary, claimed that they were manipulated 34 00:02:10,280 --> 00:02:13,800 Speaker 2: and exploited a year later. This will be the first 35 00:02:13,880 --> 00:02:16,640 Speaker 2: time Doris talks about the call out in an interview 36 00:02:16,840 --> 00:02:18,760 Speaker 2: with us here on lok at thought Our Radio. 37 00:02:19,840 --> 00:02:22,799 Speaker 1: When Doris's team approached us about having her on look 38 00:02:22,800 --> 00:02:26,120 Speaker 1: at our Radio, we were interested in hosting this conversation 39 00:02:26,440 --> 00:02:29,480 Speaker 1: because we've seen the ebb and flow of callouts over 40 00:02:29,480 --> 00:02:33,360 Speaker 1: the years since twenty sixteen, and definitely before, but at 41 00:02:33,400 --> 00:02:35,280 Speaker 1: least since the existence of lok at thot Our Radio. 42 00:02:35,760 --> 00:02:39,800 Speaker 1: We have seen a number of callouts on Twitter, on Instagram, 43 00:02:40,000 --> 00:02:43,360 Speaker 1: but we've actually never seen those callouts result in public 44 00:02:43,400 --> 00:02:47,639 Speaker 1: transformative justice. But social media callouts and our experience tend 45 00:02:47,720 --> 00:02:50,160 Speaker 1: to take place online for the most part, and they 46 00:02:50,160 --> 00:02:53,840 Speaker 1: stay there. So what happens after that? And I think 47 00:02:53,880 --> 00:02:57,280 Speaker 1: that that's the framework for today's episode. We've seen people 48 00:02:57,400 --> 00:03:00,560 Speaker 1: disappear from social media completely. I can think of a 49 00:03:00,600 --> 00:03:03,640 Speaker 1: handful of people that have completely won off the grid 50 00:03:04,600 --> 00:03:08,080 Speaker 1: or on the other end, continue on like nothing ever happened. 51 00:03:08,840 --> 00:03:12,200 Speaker 2: And we are not here to play judge or jury. 52 00:03:12,440 --> 00:03:16,920 Speaker 2: Nobody is on trial here. We're not like dissecting evidence. 53 00:03:17,200 --> 00:03:20,640 Speaker 2: We are not deciding whether or not claims are valid 54 00:03:20,720 --> 00:03:22,960 Speaker 2: or not. We were not there, we weren't working on 55 00:03:23,000 --> 00:03:26,840 Speaker 2: the project, and we also are not going to address 56 00:03:27,000 --> 00:03:30,440 Speaker 2: like every issue everybody has ever had with Doris. Ever, 57 00:03:30,520 --> 00:03:36,000 Speaker 2: we're pretty specifically talking about the Miha documentary and the 58 00:03:36,120 --> 00:03:40,240 Speaker 2: issues surrounding it. So we hope that you, you know, 59 00:03:40,440 --> 00:03:42,720 Speaker 2: listen to the whole episode and listen to the whole interview, 60 00:03:43,000 --> 00:03:46,240 Speaker 2: and thank you for tuning in. We're here in studio 61 00:03:46,320 --> 00:03:50,320 Speaker 2: with today's guest. Everybody, please welcomes and can you please 62 00:03:50,360 --> 00:03:52,400 Speaker 2: introduce yourself for our listeners. 63 00:03:52,880 --> 00:03:57,240 Speaker 3: Al, my name is Dorisa Nai. I am an elie 64 00:03:57,240 --> 00:04:02,400 Speaker 3: born so Cal raised Mexico City, bag singer, songwriter, former 65 00:04:02,560 --> 00:04:10,200 Speaker 3: music industry veteran. I guess at this point and well 66 00:04:10,280 --> 00:04:12,000 Speaker 3: here I am Didy. 67 00:04:12,680 --> 00:04:16,400 Speaker 2: Doris just released an EP titled for Las Buenas, which 68 00:04:16,440 --> 00:04:33,560 Speaker 2: is a follow up to her previous eples Wus. After 69 00:04:33,600 --> 00:04:36,200 Speaker 2: the very public falling out, she moved to Mexico to 70 00:04:36,240 --> 00:04:39,440 Speaker 2: disconnect from it all, reconnect with her creativity and work 71 00:04:39,440 --> 00:04:44,000 Speaker 2: on healing. Either were a series of posts made by 72 00:04:44,040 --> 00:04:46,960 Speaker 2: different creatives like related to their collaborative work with you 73 00:04:47,720 --> 00:04:51,080 Speaker 2: and I would love if you could just share with us, like, girl, 74 00:04:51,120 --> 00:04:54,000 Speaker 2: what happened you know, what happened and what prompted the move? 75 00:04:54,080 --> 00:04:57,080 Speaker 2: What happened there with the with the posts and and 76 00:04:57,120 --> 00:04:59,680 Speaker 2: how have you worked through this whole process? In the 77 00:04:59,760 --> 00:05:00,880 Speaker 2: year since that, I. 78 00:05:00,960 --> 00:05:04,720 Speaker 3: Was a protagonist trying to steer away from the words 79 00:05:04,760 --> 00:05:10,280 Speaker 3: subject of a documentary called Mika and that was independently 80 00:05:10,800 --> 00:05:13,800 Speaker 3: made over the last three years, premiered at Sundance last year, 81 00:05:13,880 --> 00:05:19,400 Speaker 3: then sold to Disney a couple months after, and wescithity 82 00:05:19,520 --> 00:05:26,239 Speaker 3: wal it was a whirlwind after Disney bought the film. 83 00:05:26,360 --> 00:05:29,719 Speaker 3: It was a cocktail of situations that had to happen 84 00:05:29,720 --> 00:05:32,360 Speaker 3: that finally pushed me. I've been feeling called to move 85 00:05:32,400 --> 00:05:34,400 Speaker 3: to Mehico for years, and I think I always just 86 00:05:34,440 --> 00:05:37,520 Speaker 3: told myself, I'm like, no, not the time, honestly, just 87 00:05:37,520 --> 00:05:41,719 Speaker 3: making excuses for myself. And then last fall happened in 88 00:05:41,760 --> 00:05:45,039 Speaker 3: a way that I would have never anticipated, Like the 89 00:05:45,120 --> 00:05:48,520 Speaker 3: film was delayed in September, the same week that I 90 00:05:48,520 --> 00:05:51,279 Speaker 3: found out my grandma was going to pass away, and 91 00:05:52,320 --> 00:05:54,719 Speaker 3: so ushering in a month of morning. And then my 92 00:05:54,720 --> 00:05:57,240 Speaker 3: grandma passed away in October, and then I went through 93 00:05:57,240 --> 00:06:03,400 Speaker 3: a really horrible breakup betrayal that I understood why people 94 00:06:03,480 --> 00:06:06,680 Speaker 3: need to move after really severe breakups in their life, 95 00:06:06,880 --> 00:06:11,520 Speaker 3: never really understood it until that moment. And then literally 96 00:06:11,560 --> 00:06:15,920 Speaker 3: weeks after that was when everything exploded online. Things came 97 00:06:16,040 --> 00:06:18,719 Speaker 3: to a head when the film was supposed to be released, 98 00:06:19,440 --> 00:06:22,920 Speaker 3: and the day before the film was supposed to come 99 00:06:22,920 --> 00:06:24,760 Speaker 3: out on Disney Plus, I got called into like an 100 00:06:24,800 --> 00:06:27,479 Speaker 3: emergency zoom that the film was going to be delayed 101 00:06:27,520 --> 00:06:29,320 Speaker 3: a week and that they couldn't tell me why, but 102 00:06:29,320 --> 00:06:31,919 Speaker 3: that they were working on it at this point I 103 00:06:31,920 --> 00:06:34,760 Speaker 3: had no idea what was going on. A week later, 104 00:06:36,080 --> 00:06:39,080 Speaker 3: still no news is to you know, the film is 105 00:06:39,440 --> 00:06:41,880 Speaker 3: not going to come out on the week push date, 106 00:06:42,680 --> 00:06:44,920 Speaker 3: and that they said that they'll just continue to work 107 00:06:44,920 --> 00:06:47,160 Speaker 3: on it and let me know. It wasn't until a 108 00:06:47,160 --> 00:06:49,600 Speaker 3: few weeks later that I found out the reason why, 109 00:06:49,640 --> 00:06:52,039 Speaker 3: and I think those are personal details that I can't 110 00:06:52,080 --> 00:06:56,720 Speaker 3: speak to. And then I understood the severity of the 111 00:06:56,720 --> 00:06:59,159 Speaker 3: situation and why the film wasn't going to be released. 112 00:07:01,440 --> 00:07:03,919 Speaker 3: And then I find out that the film is edited 113 00:07:04,080 --> 00:07:09,200 Speaker 3: according to what was asked of and still continued on 114 00:07:09,760 --> 00:07:13,840 Speaker 3: to try to still be released into the world. And 115 00:07:13,960 --> 00:07:17,840 Speaker 3: when I did one last post about the film screening 116 00:07:17,960 --> 00:07:21,560 Speaker 3: for a Lakhma series that josh Kun was curating and 117 00:07:21,600 --> 00:07:24,040 Speaker 3: we did like a panel with him for I had 118 00:07:24,080 --> 00:07:26,800 Speaker 3: stated like, this is like my last public appearance with 119 00:07:26,880 --> 00:07:28,600 Speaker 3: the film. I still have no idea what the future 120 00:07:28,600 --> 00:07:31,560 Speaker 3: of the film has to hold. But here you go, 121 00:07:31,720 --> 00:07:35,080 Speaker 3: and this is me thinking or actually knowing that the 122 00:07:35,080 --> 00:07:41,520 Speaker 3: film had been edited, redelivered on the director's dime to 123 00:07:41,640 --> 00:07:47,880 Speaker 3: then be distributed on Disney Plus. And then that's when 124 00:07:48,880 --> 00:07:53,800 Speaker 3: the chaos ensued and I received a comment calling me 125 00:07:53,840 --> 00:07:56,000 Speaker 3: out on, like, why am I still promoting this film 126 00:07:56,400 --> 00:08:01,840 Speaker 3: if it is caused harm to others involved in the film? 127 00:08:01,840 --> 00:08:05,240 Speaker 3: Me thinking or me knowing that what has been asked 128 00:08:05,280 --> 00:08:08,560 Speaker 3: of has been complied with in order for the film 129 00:08:08,600 --> 00:08:14,600 Speaker 3: to still be released. I then deleted the comment, are 130 00:08:14,640 --> 00:08:17,320 Speaker 3: gonna accountable for that? Right? I deleted the comment? And 131 00:08:17,400 --> 00:08:21,000 Speaker 3: I think then that unleashed my past of being a 132 00:08:21,000 --> 00:08:24,720 Speaker 3: conflict avoidant person. And that's what I know in one 133 00:08:24,760 --> 00:08:28,600 Speaker 3: thousand percent that like I take ownership for I think 134 00:08:28,640 --> 00:08:32,360 Speaker 3: being a young leader, you learn through a lot in 135 00:08:32,440 --> 00:08:35,880 Speaker 3: real time, you fail over and over and over again. 136 00:08:35,960 --> 00:08:41,200 Speaker 3: It's trial by fire, but not until it's taken publicly. 137 00:08:41,240 --> 00:08:44,560 Speaker 3: That's when you really feel like the crushing weight of it, right, 138 00:08:45,720 --> 00:08:50,480 Speaker 3: And well, yeah, that's when I saw post after posts, 139 00:08:50,600 --> 00:08:55,080 Speaker 3: comment after comment, and it got out of hand in 140 00:08:55,120 --> 00:09:00,679 Speaker 3: a way that really broke me. And I don't think 141 00:09:00,720 --> 00:09:06,160 Speaker 3: anyone can really prepare you for what that feeling will 142 00:09:06,200 --> 00:09:10,000 Speaker 3: do to take over like your whole nervous system. You know, 143 00:09:10,080 --> 00:09:12,600 Speaker 3: I felt like I wasn't even like my right mind 144 00:09:12,720 --> 00:09:17,280 Speaker 3: for like seventy two hours minimum. But when you are 145 00:09:17,520 --> 00:09:20,600 Speaker 3: publicly being held accountable for something that you don't have 146 00:09:20,640 --> 00:09:23,960 Speaker 3: all the answers for to try to put a coherent 147 00:09:23,960 --> 00:09:28,160 Speaker 3: thought together within like the usual. Like people are like 148 00:09:28,240 --> 00:09:31,360 Speaker 3: it's been twenty four hours, Like people were on Instagram 149 00:09:31,400 --> 00:09:35,720 Speaker 3: life saying it's been twenty four hours. She hasn't responded. Meanwhile, 150 00:09:35,760 --> 00:09:42,160 Speaker 3: I'm like trying not to like harm myself and not 151 00:09:43,080 --> 00:09:48,200 Speaker 3: believe fully what is being said to affect like the 152 00:09:48,200 --> 00:09:54,080 Speaker 3: worth of my life. Yeah, it's yeah, this is the 153 00:09:54,080 --> 00:09:56,360 Speaker 3: first time I'm talking about it so or on the record. 154 00:09:56,640 --> 00:09:58,439 Speaker 3: I've talked about it a lot in the last year 155 00:09:58,520 --> 00:10:01,400 Speaker 3: with my loved ones, like post ones, with colleagues, with 156 00:10:01,840 --> 00:10:04,959 Speaker 3: folks that I offered like two, like hey, haven't heard 157 00:10:04,960 --> 00:10:08,240 Speaker 3: from you. I don't know if you what you feel 158 00:10:08,280 --> 00:10:11,520 Speaker 3: about me, but like I would still love to like 159 00:10:11,760 --> 00:10:14,679 Speaker 3: have you in my life. We're free for you wanting 160 00:10:14,720 --> 00:10:16,920 Speaker 3: me to be in your life. So if you need 161 00:10:16,960 --> 00:10:19,320 Speaker 3: me to talk about what happened, I'm an open book, 162 00:10:19,720 --> 00:10:21,680 Speaker 3: feel free to ask me. And like, in that moment, 163 00:10:21,760 --> 00:10:24,160 Speaker 3: I had to like fight the urge to want to 164 00:10:24,200 --> 00:10:28,760 Speaker 3: post every single receipt that I had to defend myself 165 00:10:28,800 --> 00:10:30,439 Speaker 3: because I know that I was just gonna contribute to 166 00:10:30,480 --> 00:10:34,080 Speaker 3: the narrative that was already being painted about me. And 167 00:10:34,160 --> 00:10:36,920 Speaker 3: to have to address like the nuance of every situation 168 00:10:37,160 --> 00:10:43,040 Speaker 3: case by case. Boys, how do you do that when 169 00:10:43,080 --> 00:10:47,280 Speaker 3: you're not even right? Yeah? 170 00:10:47,320 --> 00:10:49,880 Speaker 2: Thank you for taking us back to that time and 171 00:10:50,040 --> 00:10:53,440 Speaker 2: walking us through the film and what was going on 172 00:10:53,520 --> 00:10:56,080 Speaker 2: with that and the once the call outs and the 173 00:10:56,080 --> 00:10:59,959 Speaker 2: post started to come in, I'm so curious about life, 174 00:11:00,080 --> 00:11:03,200 Speaker 2: Like what was your next step? You know, once you 175 00:11:03,320 --> 00:11:06,480 Speaker 2: sort of the dust sort of settled and it was 176 00:11:06,480 --> 00:11:09,480 Speaker 2: all laid out in front of you and everything was written, 177 00:11:09,640 --> 00:11:11,800 Speaker 2: and what did you do next? 178 00:11:12,920 --> 00:11:15,800 Speaker 3: I mean I first had to like take definitely take 179 00:11:15,800 --> 00:11:18,440 Speaker 3: care of my mental health. To be honest with you, 180 00:11:18,480 --> 00:11:21,200 Speaker 3: I wanted to check myself in after that happened, but 181 00:11:21,200 --> 00:11:26,160 Speaker 3: I couldn't afford it, and I was surrounded by like 182 00:11:26,280 --> 00:11:30,920 Speaker 3: friends and family care at that time, like around the clock. 183 00:11:32,720 --> 00:11:34,160 Speaker 3: I knew that I had to be in the right 184 00:11:34,200 --> 00:11:36,440 Speaker 3: state of mind to be even to even try to 185 00:11:36,480 --> 00:11:39,160 Speaker 3: find a next step forward, Like how am I going 186 00:11:39,240 --> 00:11:40,959 Speaker 3: to handle the situation if I don't even want to 187 00:11:40,960 --> 00:11:45,560 Speaker 3: be alive? I'm an abolitionist like first and foremost, and 188 00:11:45,800 --> 00:11:47,520 Speaker 3: I knew that what I was going to have to 189 00:11:47,520 --> 00:11:51,760 Speaker 3: step into was a transformative justice process. And that's what 190 00:11:51,880 --> 00:11:54,400 Speaker 3: I believe in, and that's what a lot of people 191 00:11:54,400 --> 00:11:58,800 Speaker 3: who did post I thought believed in as well. Next 192 00:11:58,840 --> 00:11:59,240 Speaker 3: step in. 193 00:12:00,160 --> 00:12:02,920 Speaker 1: Why, in your perspective did it get to the point 194 00:12:03,040 --> 00:12:06,360 Speaker 1: that people felt they needed to do a call out? 195 00:12:06,559 --> 00:12:08,439 Speaker 1: Why do you think it got to that point? 196 00:12:08,880 --> 00:12:11,199 Speaker 3: It first started with the film, right and the post 197 00:12:11,200 --> 00:12:14,640 Speaker 3: that was made about that and really positioning me in 198 00:12:15,000 --> 00:12:19,560 Speaker 3: a place of power that I am the one who 199 00:12:19,600 --> 00:12:24,319 Speaker 3: is accountable to the harm that has been caused due 200 00:12:24,400 --> 00:12:30,960 Speaker 3: to just how the film played out. So that's one 201 00:12:31,000 --> 00:12:36,920 Speaker 3: step right there, right like Doris is responsible for this film, 202 00:12:37,080 --> 00:12:39,920 Speaker 3: So let's lay that out right there. And then it 203 00:12:39,960 --> 00:12:45,280 Speaker 3: brought out my past where as a young leader, I 204 00:12:45,320 --> 00:12:52,360 Speaker 3: struggled with conflict resolution. I was spread so thin, I 205 00:12:52,400 --> 00:12:54,719 Speaker 3: put way too much on my plate at a very 206 00:12:54,760 --> 00:12:57,040 Speaker 3: young age. I started a business at twenty three years old, 207 00:12:57,120 --> 00:13:00,120 Speaker 3: not going to business school, just like running off of 208 00:13:00,520 --> 00:13:02,719 Speaker 3: a vision and a woman. I think anyone who is 209 00:13:02,760 --> 00:13:07,080 Speaker 3: an entrepreneur, who is a creative understands those first few 210 00:13:07,160 --> 00:13:12,640 Speaker 3: years of struggling and learning through failure, and especially when 211 00:13:12,640 --> 00:13:16,080 Speaker 3: you're collaborating then within community, you know you're calling upon 212 00:13:16,600 --> 00:13:19,959 Speaker 3: that's the next layer you're calling upon, favors from your friends, 213 00:13:20,720 --> 00:13:25,840 Speaker 3: people showing up for you in ways like giving homie 214 00:13:25,880 --> 00:13:28,719 Speaker 3: rates or being flexible with you, or being more understanding 215 00:13:28,720 --> 00:13:32,040 Speaker 3: than I think a typical professional relationship would be, right, 216 00:13:33,040 --> 00:13:34,840 Speaker 3: And I think those are like really like the three 217 00:13:35,280 --> 00:13:38,800 Speaker 3: pillars of what went down the film, my past as 218 00:13:38,800 --> 00:13:44,160 Speaker 3: a manager, and then this last year of my really 219 00:13:44,280 --> 00:13:47,000 Speaker 3: first year of expressing myself as an artist, as an 220 00:13:47,000 --> 00:13:52,440 Speaker 3: independent artist at that, And I think, what's the word 221 00:13:52,440 --> 00:13:57,920 Speaker 3: I'm trying to find, not perception of all of a 222 00:13:57,960 --> 00:14:03,520 Speaker 3: sudden Disney's involvement. I think them thinking that there's like 223 00:14:03,520 --> 00:14:05,880 Speaker 3: like a lot of money behind that, and I think, 224 00:14:05,920 --> 00:14:08,360 Speaker 3: like to make it very clear, I think y'all as 225 00:14:08,400 --> 00:14:13,640 Speaker 3: journalists know this, but historically documentary ethics, documentary subjects do 226 00:14:13,679 --> 00:14:16,400 Speaker 3: not get paid to tell their story. That would tamper 227 00:14:16,640 --> 00:14:20,240 Speaker 3: then write with the journalism ethics of telling your story, 228 00:14:20,240 --> 00:14:22,360 Speaker 3: because then you would then be a paid actor, right. 229 00:14:23,680 --> 00:14:28,720 Speaker 3: And there has been lots of conversations surrounding the ethics 230 00:14:28,720 --> 00:14:34,200 Speaker 3: of documentaries and director quote unquote subject relationships because it 231 00:14:34,240 --> 00:14:37,000 Speaker 3: really is a collaborative process if you're telling your story, 232 00:14:37,760 --> 00:14:39,760 Speaker 3: and especially if you're doing it independently, and then it 233 00:14:39,840 --> 00:14:42,640 Speaker 3: gets sold and things like that right, There are loopholes 234 00:14:42,680 --> 00:14:47,040 Speaker 3: that directors do find or filmmakers producers do find to 235 00:14:47,120 --> 00:14:51,400 Speaker 3: then compensate certain you know, folks that were then that 236 00:14:51,520 --> 00:14:56,440 Speaker 3: told their stories through documentary. I think especially documentarians who 237 00:14:57,480 --> 00:15:02,000 Speaker 3: make work about really like traumatic experience is right about 238 00:15:02,000 --> 00:15:05,160 Speaker 3: like border stories or families being separated, things like that. 239 00:15:05,200 --> 00:15:07,280 Speaker 3: They always from what I've heard, and I've done a 240 00:15:07,280 --> 00:15:10,640 Speaker 3: lot of research into this, is that like they feel like, Okay, 241 00:15:11,760 --> 00:15:14,200 Speaker 3: I mean, is me telling their story actually helping them, 242 00:15:14,440 --> 00:15:16,960 Speaker 3: you know, not just that their story isn't then helping 243 00:15:17,000 --> 00:15:20,560 Speaker 3: giving hope to everyone else who resonates. But in this case, 244 00:15:21,040 --> 00:15:24,120 Speaker 3: with the kind of film that was being made, I 245 00:15:24,200 --> 00:15:26,800 Speaker 3: know that the team felt like, Okay, this film being 246 00:15:26,880 --> 00:15:29,480 Speaker 3: made is going to launch help launch this person's career, 247 00:15:30,360 --> 00:15:32,960 Speaker 3: and so this is going to give like anyone who's 248 00:15:33,040 --> 00:15:35,760 Speaker 3: entertainment knows the power of visibility and how can that 249 00:15:35,800 --> 00:15:39,280 Speaker 3: absolutely catapult your whole life? And I think that was 250 00:15:39,320 --> 00:15:43,840 Speaker 3: the true intention behind this was uplifting this whole La 251 00:15:44,080 --> 00:15:49,400 Speaker 3: Chicano creative community, that this was going to uplift the 252 00:15:49,440 --> 00:15:53,120 Speaker 3: work of us as a collective on a global scale. 253 00:15:53,160 --> 00:15:55,960 Speaker 3: I mean, you know, the film was made independently, had 254 00:15:55,960 --> 00:15:58,640 Speaker 3: no idea what was going to become of it, right 255 00:15:58,640 --> 00:16:01,800 Speaker 3: if it was going to even premiere at a film 256 00:16:01,880 --> 00:16:05,280 Speaker 3: festival or I mean there's a great team behind it, 257 00:16:05,320 --> 00:16:08,080 Speaker 3: but you never know. And I think the cards that 258 00:16:08,120 --> 00:16:10,440 Speaker 3: were dealt to us from the sun Dance premiere to 259 00:16:10,720 --> 00:16:13,440 Speaker 3: the Disney sale, I think people had a lot of 260 00:16:13,440 --> 00:16:15,960 Speaker 3: perception of what really went down or what were the 261 00:16:16,040 --> 00:16:20,000 Speaker 3: motives behind it, and especially when it comes to I 262 00:16:20,040 --> 00:16:24,400 Speaker 3: think money and being involved in that. Like to this day, 263 00:16:24,400 --> 00:16:26,240 Speaker 3: I have no idea what that film was sold for. 264 00:16:27,680 --> 00:16:30,080 Speaker 3: I wasn't privy to that knowledge. I wasn't a producer 265 00:16:30,680 --> 00:16:33,800 Speaker 3: on that film. I signed the same release form that 266 00:16:33,880 --> 00:16:38,640 Speaker 3: everyone did, that everyone had counsel for and I think 267 00:16:38,640 --> 00:16:40,920 Speaker 3: that was like the first tipping point, right that where 268 00:16:41,000 --> 00:16:43,080 Speaker 3: what was being One of the things that I read 269 00:16:43,080 --> 00:16:45,280 Speaker 3: about me was like my past as a manager, right 270 00:16:45,480 --> 00:16:49,280 Speaker 3: that I am of like negotiations and contracts work, right, 271 00:16:50,080 --> 00:16:53,840 Speaker 3: So then that's again putting me in a position of 272 00:16:54,160 --> 00:16:58,000 Speaker 3: power of responsibility over this. But I thought to be 273 00:16:58,000 --> 00:17:00,560 Speaker 3: a producer on this film years ago when this film 274 00:17:00,560 --> 00:17:05,080 Speaker 3: first started, I was advised to, and then I had 275 00:17:05,119 --> 00:17:07,520 Speaker 3: to accept that that wasn't gonna be my reality for 276 00:17:07,640 --> 00:17:12,320 Speaker 3: this I do see like where things went left in 277 00:17:12,359 --> 00:17:14,439 Speaker 3: the position that I was put in because I did 278 00:17:14,520 --> 00:17:16,119 Speaker 3: bring in people to be a part of this right, 279 00:17:16,200 --> 00:17:18,840 Speaker 3: whether it was the folks that were in my world 280 00:17:18,960 --> 00:17:21,280 Speaker 3: first and foremost, right, like, this film wouldn't have happened 281 00:17:21,359 --> 00:17:23,639 Speaker 3: if my family didn't say yes, first and foremost. This 282 00:17:23,680 --> 00:17:27,720 Speaker 3: film is an immigration story. This film was about an 283 00:17:27,800 --> 00:17:32,199 Speaker 3: undocumented family who got separated and then got reunited. The music, 284 00:17:33,119 --> 00:17:36,000 Speaker 3: the community was like that trojan horse right to be 285 00:17:36,000 --> 00:17:39,600 Speaker 3: able to tell the story and to resonate with a 286 00:17:39,680 --> 00:17:42,920 Speaker 3: wider audience, right or I mean it was exactly the 287 00:17:43,600 --> 00:17:49,680 Speaker 3: intertwinement of my life at that time. And so then again, yeah, 288 00:17:49,720 --> 00:17:52,040 Speaker 3: it puts me in this position where I had to 289 00:17:52,119 --> 00:17:54,119 Speaker 3: not only like ask my family to say yes to 290 00:17:54,160 --> 00:17:56,600 Speaker 3: be a part of this cause. If my brother, who 291 00:17:56,680 --> 00:18:00,200 Speaker 3: was reported didn't say yes to share his life, film 292 00:18:00,200 --> 00:18:03,720 Speaker 3: wouldn't have happened. When this film first started, my parents 293 00:18:03,720 --> 00:18:07,159 Speaker 3: were still undocumented. If they said no, the film wouldn't 294 00:18:07,200 --> 00:18:10,560 Speaker 3: have happened. And then it was the extra layer right 295 00:18:10,600 --> 00:18:13,199 Speaker 3: of my career, of those who I was managing at 296 00:18:13,200 --> 00:18:14,960 Speaker 3: the time when I first started this film. So summer 297 00:18:14,960 --> 00:18:20,480 Speaker 3: twenty nineteen, twenty twenty, I parted ways with my biggest client. 298 00:18:20,840 --> 00:18:24,480 Speaker 3: Then I closed my company and then transition transitioned from 299 00:18:24,560 --> 00:18:27,280 Speaker 3: managing to mentoring, which ushered in this new person in 300 00:18:27,320 --> 00:18:29,480 Speaker 3: my life. I then director fell in love with and 301 00:18:29,520 --> 00:18:31,879 Speaker 3: wanted to tell her story to support her because she 302 00:18:31,920 --> 00:18:37,240 Speaker 3: saw the parallels in our lives. So then that layer happened, 303 00:18:38,280 --> 00:18:41,040 Speaker 3: and then you go into post production and then bringing 304 00:18:41,080 --> 00:18:45,960 Speaker 3: in the collaborators that bring the narration to life. I 305 00:18:46,040 --> 00:18:49,280 Speaker 3: narrate the whole film based off of interviews that I 306 00:18:49,320 --> 00:18:53,760 Speaker 3: did over the years, old journal entries, old Instagram posts 307 00:18:53,800 --> 00:18:57,440 Speaker 3: that the director dug up, and then there was obviously 308 00:18:57,960 --> 00:19:01,119 Speaker 3: writing consultants there, and contributors were part of that that 309 00:19:01,320 --> 00:19:05,800 Speaker 3: I really fought hard to be a part of because 310 00:19:05,800 --> 00:19:09,040 Speaker 3: I wanted our community's voice to be within the fabric 311 00:19:09,280 --> 00:19:11,159 Speaker 3: of this film. I wanted this film to really be 312 00:19:11,280 --> 00:19:16,520 Speaker 3: for us, by us. That was the pure intention behind it. 313 00:19:16,640 --> 00:19:22,679 Speaker 3: But then you bring in these institutions, these perceptions, and 314 00:19:22,720 --> 00:19:28,400 Speaker 3: then the eventual fallout that became public, and then you 315 00:19:28,520 --> 00:19:32,320 Speaker 3: match that with like any unresolved conflict, and we all 316 00:19:32,359 --> 00:19:38,639 Speaker 3: know that unresolved conflict turns into resentment, right, And then 317 00:19:38,680 --> 00:19:42,280 Speaker 3: I think that just bubbled up into a lot of 318 00:19:42,280 --> 00:19:44,439 Speaker 3: my pastors and came to the surface. A lot of 319 00:19:44,440 --> 00:19:48,240 Speaker 3: stuff that should have been handled privately that I should 320 00:19:48,240 --> 00:19:54,119 Speaker 3: have initiated, matched with something that was taken publicly that 321 00:19:54,240 --> 00:19:56,800 Speaker 3: I learned my lesson from the past of being an 322 00:19:56,840 --> 00:20:04,840 Speaker 3: avoidant person trying to find the healthiest avenue resolution within 323 00:20:04,880 --> 00:20:07,239 Speaker 3: now this realm of my life. I was like, all right, 324 00:20:07,240 --> 00:20:10,600 Speaker 3: I learned my lesson of being super afraid of conflict. 325 00:20:10,640 --> 00:20:12,640 Speaker 3: You know. I did the personal deep work to understand 326 00:20:12,920 --> 00:20:16,160 Speaker 3: why I have these traumas surrounding conflict and what that's 327 00:20:16,240 --> 00:20:18,840 Speaker 3: rooted in, and then how can I apply that to 328 00:20:19,760 --> 00:20:24,560 Speaker 3: my life as a person, in my interpersonal relationships, to 329 00:20:24,840 --> 00:20:28,760 Speaker 3: my professional relationships. And I'm like, all right, bet. 330 00:20:28,840 --> 00:20:31,280 Speaker 1: We're going to continue hearing from Doris, but before that, 331 00:20:31,480 --> 00:20:34,600 Speaker 1: a word for more sponsors and we're back. 332 00:20:35,600 --> 00:20:38,280 Speaker 2: I'm really interested in the detail about like the releases 333 00:20:38,320 --> 00:20:41,760 Speaker 2: and the contracts that everybody signed. You're talking about you 334 00:20:41,800 --> 00:20:44,760 Speaker 2: signed the same releases as everybody else. And that is 335 00:20:44,800 --> 00:20:48,320 Speaker 2: something that I remember seeing specifically in the comments and 336 00:20:48,359 --> 00:20:54,080 Speaker 2: the posts, was these statements of like almost an expectation 337 00:20:54,520 --> 00:20:58,920 Speaker 2: that you counsel people. I remember saying to the USA, 338 00:20:59,200 --> 00:21:04,359 Speaker 2: like it's fast, these comments specifically about the contracts, because like, 339 00:21:05,040 --> 00:21:07,439 Speaker 2: at least to my understanding, in the state of California, 340 00:21:07,440 --> 00:21:09,439 Speaker 2: in order to give someone legal advice or review a 341 00:21:09,440 --> 00:21:11,159 Speaker 2: contract with them, you have to have a license to 342 00:21:11,200 --> 00:21:14,120 Speaker 2: practice the law. Like you're not allowed to give legal 343 00:21:14,160 --> 00:21:17,000 Speaker 2: advice if you're not a lawyer, you know, like point 344 00:21:17,040 --> 00:21:20,960 Speaker 2: blank period. So that in particular stood out to me 345 00:21:21,400 --> 00:21:25,320 Speaker 2: about like the flavor of the call out, so to speak. 346 00:21:25,960 --> 00:21:29,960 Speaker 2: Why do you think folks had this expectation that, like 347 00:21:30,240 --> 00:21:33,800 Speaker 2: you review their contracts for them? 348 00:21:34,200 --> 00:21:38,200 Speaker 3: I think as the position I used to hold, you know, yeah, 349 00:21:38,240 --> 00:21:41,120 Speaker 3: as a manager as a producer, you know, I mean 350 00:21:41,200 --> 00:21:42,880 Speaker 3: not a producer of the film, but like I used 351 00:21:42,880 --> 00:21:45,240 Speaker 3: to produce concerts and events and things, right, and so 352 00:21:45,880 --> 00:21:47,440 Speaker 3: the position that I held in a lot of these 353 00:21:47,440 --> 00:21:50,320 Speaker 3: folks life was like very differently, right, Like I was 354 00:21:52,160 --> 00:21:55,520 Speaker 3: a supervisor amongst my own peers, you know, for a 355 00:21:55,640 --> 00:22:01,320 Speaker 3: long chapter of my life. And now with this film 356 00:22:01,400 --> 00:22:04,879 Speaker 3: it also ushered in like the artists like chapter of 357 00:22:04,920 --> 00:22:07,640 Speaker 3: my life where I like then delegate these things right 358 00:22:07,720 --> 00:22:10,840 Speaker 3: to my team. So that way, I mean we all 359 00:22:10,880 --> 00:22:13,080 Speaker 3: know this is like I think you both as creatives 360 00:22:13,119 --> 00:22:16,000 Speaker 3: to understand this where saame things you both cannot touch, 361 00:22:16,640 --> 00:22:20,359 Speaker 3: you know, you cannot handle. I will say there was 362 00:22:20,480 --> 00:22:24,000 Speaker 3: one contract of artist I used to manage that then 363 00:22:24,160 --> 00:22:27,200 Speaker 3: technically I facilitated because I had to pass that over 364 00:22:27,240 --> 00:22:31,240 Speaker 3: to his attorney to green light that. Then my assistant 365 00:22:31,280 --> 00:22:34,160 Speaker 3: at that time then confirmed to get him to sign 366 00:22:34,160 --> 00:22:36,080 Speaker 3: and then pass that over. And that's like, that was 367 00:22:36,119 --> 00:22:37,760 Speaker 3: one of the things that I want to post receipts 368 00:22:37,800 --> 00:22:39,680 Speaker 3: of and things like that that I knew that at 369 00:22:39,680 --> 00:22:41,760 Speaker 3: that time was not going to help me either way. 370 00:22:41,800 --> 00:22:44,040 Speaker 3: Like it was it was in too deep. Like if 371 00:22:44,040 --> 00:22:45,800 Speaker 3: I tried to post anything and be like, oh, meet up, 372 00:22:46,480 --> 00:22:49,919 Speaker 3: look what she's trying to do, you know, And you know, 373 00:22:50,040 --> 00:22:53,080 Speaker 3: I think to usher in some kind of like transformative 374 00:22:53,160 --> 00:22:55,800 Speaker 3: justice language. Like that's called the feeding frenzy. That's the 375 00:22:55,840 --> 00:22:58,040 Speaker 3: mob mentality that everyone wants to just like jump in 376 00:22:58,080 --> 00:23:00,480 Speaker 3: on it and like contribute there. They're lucky alos to do. 377 00:23:00,520 --> 00:23:01,440 Speaker 3: They want to throw their stone. 378 00:23:01,680 --> 00:23:05,880 Speaker 2: The pilon is We've seen year after year, time after time, 379 00:23:06,000 --> 00:23:09,680 Speaker 2: pilon after pylon, and it's very it's there's a predictability 380 00:23:09,760 --> 00:23:10,120 Speaker 2: to it. 381 00:23:10,359 --> 00:23:10,560 Speaker 1: You know. 382 00:23:10,640 --> 00:23:13,760 Speaker 2: It's like once that spark is lit, like it's a 383 00:23:13,800 --> 00:23:18,119 Speaker 2: wildfire now. And I think what was also fascinating to 384 00:23:18,160 --> 00:23:19,840 Speaker 2: me is at the end of all of it, like 385 00:23:19,840 --> 00:23:22,440 Speaker 2: and we're reading and we're looking, and we couldn't figure 386 00:23:22,440 --> 00:23:25,680 Speaker 2: out what happened, you know, like because it was very 387 00:23:25,760 --> 00:23:29,159 Speaker 2: sort of like it seemed very personal and there was 388 00:23:29,200 --> 00:23:33,320 Speaker 2: not an explicit to my knowledge, there was no explicit 389 00:23:33,400 --> 00:23:36,800 Speaker 2: like I was hired and promised to get paid this much, 390 00:23:37,320 --> 00:23:39,360 Speaker 2: I did my job, and then I wasn't paid, Like 391 00:23:39,400 --> 00:23:43,080 Speaker 2: there was nothing as straightforward as that, you know. So 392 00:23:43,119 --> 00:23:45,520 Speaker 2: like I'm so like was there just to like ask 393 00:23:45,560 --> 00:23:48,320 Speaker 2: the question and like get the clarity, Like was there 394 00:23:48,359 --> 00:23:50,560 Speaker 2: someone who was promised to get paid to do a 395 00:23:50,680 --> 00:23:53,639 Speaker 2: job who fulfilled the job and then didn't get paid. 396 00:23:54,680 --> 00:23:58,520 Speaker 3: No, Like I'm I learned my lesson where it's like 397 00:24:00,040 --> 00:24:03,680 Speaker 3: yu right, Like I wanted to see that. I'm like, 398 00:24:03,680 --> 00:24:06,600 Speaker 3: all right, anyone who hasn't had an invoice paid stand up, 399 00:24:06,920 --> 00:24:10,080 Speaker 3: you know, like please post your receipt of like of 400 00:24:10,440 --> 00:24:13,000 Speaker 3: countless emails or something that you've been chasing me something, 401 00:24:13,200 --> 00:24:19,120 Speaker 3: you know, I think. Yeah, like I said, it got 402 00:24:19,200 --> 00:24:22,440 Speaker 3: very convoluted with a lot of nuance of situation by situation, 403 00:24:22,480 --> 00:24:23,960 Speaker 3: whether it was the film or my past as a 404 00:24:24,000 --> 00:24:27,640 Speaker 3: manager or my present as an artist and the question 405 00:24:27,720 --> 00:24:30,200 Speaker 3: that y'all are both asking about what happened. A lot 406 00:24:30,240 --> 00:24:33,400 Speaker 3: of people ask that, and I even asked that because 407 00:24:34,200 --> 00:24:37,400 Speaker 3: we ushered in a transformative justice process right to reach 408 00:24:37,440 --> 00:24:41,000 Speaker 3: out to every single person that made any post, you know, 409 00:24:41,080 --> 00:24:45,520 Speaker 3: a statement, and only one person showed up. 410 00:24:46,040 --> 00:24:48,320 Speaker 1: We asked Doors to connect us with the one person 411 00:24:48,359 --> 00:24:52,280 Speaker 1: who participated in the transformative justice process, but due to 412 00:24:52,280 --> 00:24:56,359 Speaker 1: confidentiality reasons, it was not possible. We also asked to 413 00:24:56,400 --> 00:24:59,920 Speaker 1: speak with the mediator, but they're on sabbatical. The firm 414 00:25:00,000 --> 00:25:03,719 Speaker 1: stors hired is MMG Earth, an award winning research and 415 00:25:03,800 --> 00:25:07,159 Speaker 1: change management firm that helps people in the private and 416 00:25:07,240 --> 00:25:11,040 Speaker 1: public sectors transform their communities and global societies. 417 00:25:11,480 --> 00:25:13,760 Speaker 2: How many invitations would you say you sent out how 418 00:25:13,760 --> 00:25:14,520 Speaker 2: many invites? 419 00:25:14,680 --> 00:25:17,120 Speaker 3: When I first started, I started with like a priority five, 420 00:25:18,200 --> 00:25:20,880 Speaker 3: like these are five of priority. These are the people 421 00:25:20,880 --> 00:25:23,760 Speaker 3: who took a really firm stance online. And then I 422 00:25:23,840 --> 00:25:26,880 Speaker 3: did another layer, Like we did layer by layer as 423 00:25:26,880 --> 00:25:29,040 Speaker 3: we first started to debrief, right, I mean, we'll get 424 00:25:29,080 --> 00:25:31,120 Speaker 3: into what a transformative justice process looks like. But yeah, 425 00:25:31,119 --> 00:25:33,560 Speaker 3: we reached out to countless people, you know, I think, 426 00:25:33,640 --> 00:25:36,439 Speaker 3: like even people that I saw like like a comment 427 00:25:37,000 --> 00:25:39,080 Speaker 3: and I'm like, do we have to talk about anything? 428 00:25:39,359 --> 00:25:39,640 Speaker 1: You know? 429 00:25:40,080 --> 00:25:42,600 Speaker 3: I really wanted to cover my all my basis when 430 00:25:42,600 --> 00:25:45,000 Speaker 3: it came to that, But I only had a conversation 431 00:25:45,080 --> 00:25:47,280 Speaker 3: with one person. In that conversation, I had to be 432 00:25:47,280 --> 00:25:51,080 Speaker 3: split into two sessions to really fully understand. And what 433 00:25:51,160 --> 00:25:55,480 Speaker 3: I gathered from that conversation is the same thing that 434 00:25:55,560 --> 00:25:59,240 Speaker 3: like a friend of mine who had a conversation with 435 00:25:59,280 --> 00:26:03,480 Speaker 3: the same and have the same sentiments of like, well, 436 00:26:03,520 --> 00:26:06,280 Speaker 3: what did happen? You know, And even after having that conversation, 437 00:26:06,320 --> 00:26:08,920 Speaker 3: it's like, well, that could have been a phone call. 438 00:26:10,400 --> 00:26:12,440 Speaker 2: And I also this is also interesting to me because 439 00:26:12,480 --> 00:26:15,199 Speaker 2: I think like in our like little creative community, the 440 00:26:15,240 --> 00:26:18,359 Speaker 2: word that the word that we've been using more is 441 00:26:18,480 --> 00:26:22,200 Speaker 2: call in. And I'm curious, like, why do you think 442 00:26:22,240 --> 00:26:25,159 Speaker 2: that you received a call out as opposed to a 443 00:26:25,200 --> 00:26:29,200 Speaker 2: call in? And what were they asking of you? What 444 00:26:29,320 --> 00:26:33,000 Speaker 2: was the ask What did the folks who called you 445 00:26:33,080 --> 00:26:35,840 Speaker 2: out want to see from you? What did they request 446 00:26:35,920 --> 00:26:41,760 Speaker 2: from you? There was no call to action. I think 447 00:26:41,800 --> 00:26:46,720 Speaker 2: it was like a full like removal of community. I 448 00:26:46,760 --> 00:26:47,880 Speaker 2: think it's just like to like. 449 00:26:47,960 --> 00:26:52,119 Speaker 3: Air whatever they needed to air out and be like 450 00:26:52,160 --> 00:26:54,920 Speaker 3: I guess more like a warning like or I do 451 00:26:55,119 --> 00:26:57,480 Speaker 3: know a warning like a this was my experience with 452 00:26:57,520 --> 00:27:00,440 Speaker 3: this person, and but I'm not gonna be clear about 453 00:27:00,440 --> 00:27:02,760 Speaker 3: what it was, but this is this is what it 454 00:27:03,560 --> 00:27:06,000 Speaker 3: what it was on. No, it's even trying to explain it. 455 00:27:06,000 --> 00:27:09,200 Speaker 3: I feel like I'm stumbling over my words because there wasn't. 456 00:27:09,680 --> 00:27:12,200 Speaker 3: It's it's still confusing to me because I didn't have 457 00:27:12,400 --> 00:27:14,920 Speaker 3: the conversations that I wish I got to have. 458 00:27:15,240 --> 00:27:17,760 Speaker 1: Did you hope that people would have said yes to 459 00:27:17,840 --> 00:27:21,600 Speaker 1: this transformative justice process? Is mediation of the five that 460 00:27:21,640 --> 00:27:23,040 Speaker 1: you reached out to? Oh? 461 00:27:23,040 --> 00:27:27,440 Speaker 3: Absolutely, I mean especially the five because those five were 462 00:27:27,480 --> 00:27:29,639 Speaker 3: like definitely, like I think the pillars of like what 463 00:27:29,880 --> 00:27:34,359 Speaker 3: lit the fire right and for it to come to 464 00:27:34,440 --> 00:27:36,679 Speaker 3: my attention in such a way, and then the trickle 465 00:27:36,720 --> 00:27:38,920 Speaker 3: down of all the things. But like absolutely, I mean 466 00:27:38,960 --> 00:27:42,920 Speaker 3: I financially invested in this transformative justice process. This isn't 467 00:27:42,960 --> 00:27:47,399 Speaker 3: free for me to do my due diligence, right, I'm like, Okay, 468 00:27:47,480 --> 00:27:52,119 Speaker 3: it came to this point, Well, if my politic that 469 00:27:52,200 --> 00:27:55,440 Speaker 3: I've lived through as an abolished and this is going 470 00:27:55,480 --> 00:27:58,440 Speaker 3: to like now apply to my own life in the situation, 471 00:27:58,520 --> 00:28:02,000 Speaker 3: then I need to like live by that. Yeah, and 472 00:28:02,040 --> 00:28:06,320 Speaker 3: write it out and follow through and so yeah, absolutely, 473 00:28:06,359 --> 00:28:09,480 Speaker 3: I mean like I will at the end of the day, 474 00:28:09,520 --> 00:28:12,960 Speaker 3: I think that transformative justice process like then liberated me, 475 00:28:13,840 --> 00:28:17,880 Speaker 3: like allowed me to liberate myself and to step out 476 00:28:17,880 --> 00:28:22,680 Speaker 3: of like solitude. But yeah, I would have loved to 477 00:28:22,720 --> 00:28:29,240 Speaker 3: have understood completely where people felt wronged, or for me 478 00:28:29,440 --> 00:28:31,919 Speaker 3: to then be able to say to their face, like, 479 00:28:32,400 --> 00:28:35,680 Speaker 3: you know, to take accountability and to apologize for any 480 00:28:35,680 --> 00:28:38,800 Speaker 3: in all ways that I've harmed them, and to understand 481 00:28:38,840 --> 00:28:41,080 Speaker 3: what is that call to action for me to do better, 482 00:28:41,160 --> 00:28:43,200 Speaker 3: to do this right for them? Right, like what can 483 00:28:43,240 --> 00:28:44,080 Speaker 3: I do to make this right? 484 00:28:44,680 --> 00:28:46,880 Speaker 1: Did you get no responses or did you just did 485 00:28:46,920 --> 00:28:49,440 Speaker 1: you get flat out nos, I'm not participating in this. 486 00:28:50,040 --> 00:28:53,720 Speaker 3: It was a mixed bag. I think some of them 487 00:28:53,760 --> 00:28:58,000 Speaker 3: were like I am interested, but I don't know if 488 00:28:58,080 --> 00:29:03,240 Speaker 3: I can another there one was like a very hateful response. 489 00:29:03,520 --> 00:29:06,120 Speaker 3: A lot of them were no response. The majority of 490 00:29:06,120 --> 00:29:09,800 Speaker 3: them was just zero response. And with like, I made 491 00:29:09,800 --> 00:29:13,640 Speaker 3: sure that we did multiple follow ups on each one, 492 00:29:13,880 --> 00:29:15,440 Speaker 3: so it wasn't just like one email was sent town 493 00:29:15,560 --> 00:29:17,600 Speaker 3: like Okay, you didn't respond by you know, like I was. 494 00:29:17,960 --> 00:29:19,560 Speaker 3: I was quite persistent and I try to find ways 495 00:29:19,560 --> 00:29:21,560 Speaker 3: where I'm like, okay, Like I think we need to 496 00:29:21,600 --> 00:29:24,000 Speaker 3: like walk people through what a transformative justice process is. 497 00:29:24,000 --> 00:29:26,960 Speaker 3: So like even for folks to understand. It's like, you know, 498 00:29:27,000 --> 00:29:29,120 Speaker 3: you work with a facilitator to be able to then 499 00:29:29,160 --> 00:29:33,520 Speaker 3: debrief with you to understand what's happening. That facilitator can 500 00:29:33,560 --> 00:29:37,680 Speaker 3: then speak to like to begin like a transformative justice 501 00:29:37,680 --> 00:29:43,760 Speaker 3: circle process. Right, you offer an opportunity for this process 502 00:29:43,800 --> 00:29:48,280 Speaker 3: to begin. A transformative justice facilitator then speaks with the 503 00:29:48,280 --> 00:29:52,240 Speaker 3: person on the other side, first speaks to you, and 504 00:29:52,240 --> 00:29:55,280 Speaker 3: then you come together, right. And I think it's very 505 00:29:55,360 --> 00:29:57,600 Speaker 3: much outlining like the community agreements of like this is 506 00:29:57,640 --> 00:30:05,040 Speaker 3: not a form of punishment. This isn't going to be 507 00:30:06,800 --> 00:30:09,000 Speaker 3: like a place of like where like more harm can 508 00:30:09,040 --> 00:30:10,920 Speaker 3: be caused, right, And I mean the amount of people 509 00:30:10,920 --> 00:30:16,200 Speaker 3: that we reached out to, Yeah, I wish I wish 510 00:30:16,280 --> 00:30:19,760 Speaker 3: we got to fully step in to it. 511 00:30:21,280 --> 00:30:24,560 Speaker 2: What would you say to someone who, well, who who 512 00:30:24,640 --> 00:30:28,040 Speaker 2: might feel will Doris you know, collaborated with all these 513 00:30:28,080 --> 00:30:32,040 Speaker 2: creatives and got this huge platform and like leveraged her 514 00:30:32,120 --> 00:30:35,360 Speaker 2: artistic community like for her own success. I think that's 515 00:30:35,400 --> 00:30:37,720 Speaker 2: like a vibe, that's like a feeling, right that You've 516 00:30:37,800 --> 00:30:43,040 Speaker 2: undoubtedly hurt yourself absolutely. You know, what, what do you 517 00:30:43,160 --> 00:30:45,320 Speaker 2: or would you say to like a statement like that. 518 00:30:49,120 --> 00:30:51,080 Speaker 3: I think that's the part that hurt the most because 519 00:30:51,080 --> 00:30:55,480 Speaker 3: it was people that I broke bread with, that I 520 00:30:55,520 --> 00:30:59,800 Speaker 3: collaborated with out of like pure intention of I think 521 00:30:59,800 --> 00:31:03,040 Speaker 3: anyone who deeply knows me and my heart knows that, 522 00:31:03,080 --> 00:31:05,960 Speaker 3: like I've always been rooted in like wanting this to be, 523 00:31:06,440 --> 00:31:08,479 Speaker 3: this industry to be as like for us, by us 524 00:31:08,520 --> 00:31:12,440 Speaker 3: as possible, and for us to all like build more 525 00:31:12,520 --> 00:31:14,320 Speaker 3: room at the table for because there's enough room for 526 00:31:14,360 --> 00:31:17,240 Speaker 3: all of us to eat. I've never been a competitive person. 527 00:31:17,840 --> 00:31:23,080 Speaker 3: I've never like thought to even put anyone down to 528 00:31:23,080 --> 00:31:27,160 Speaker 3: put myself ahead, and I think, like I can say 529 00:31:27,160 --> 00:31:29,040 Speaker 3: that with my whole chest. That's my character, that's who 530 00:31:29,080 --> 00:31:32,440 Speaker 3: I am. And every single person that I collaborated with 531 00:31:32,520 --> 00:31:36,120 Speaker 3: either it was like a friend or I think honestly 532 00:31:36,200 --> 00:31:38,560 Speaker 3: most of who posted it there were people who were 533 00:31:38,600 --> 00:31:43,480 Speaker 3: like former friends of mine, and especially of what was 534 00:31:43,480 --> 00:31:46,920 Speaker 3: said specifically about the film that I use this film 535 00:31:47,000 --> 00:31:49,760 Speaker 3: and like the use these collaborators in order to leverage 536 00:31:49,800 --> 00:31:52,479 Speaker 3: myself as like some celebrity. So like let's take it 537 00:31:52,520 --> 00:31:55,720 Speaker 3: back years years ago, the version of Doris who like 538 00:31:55,760 --> 00:31:59,720 Speaker 3: sacrificed herself and was the people pleaser and put herself 539 00:31:59,800 --> 00:32:02,320 Speaker 3: last us to like such an unhealthy place in or 540 00:32:02,440 --> 00:32:06,360 Speaker 3: to like put on put everyone else on right. I 541 00:32:06,440 --> 00:32:11,080 Speaker 3: was like running wild to make everyone else's career happen. 542 00:32:12,040 --> 00:32:13,760 Speaker 3: And then all of a sudden, the pandemic happened, and 543 00:32:13,760 --> 00:32:15,840 Speaker 3: then my life changed a lot for me to then 544 00:32:15,880 --> 00:32:19,360 Speaker 3: finally be like, Okay, maybe I can prioritize myself, maybe 545 00:32:19,400 --> 00:32:23,600 Speaker 3: I can make some dreams happen for myself too. Who 546 00:32:23,680 --> 00:32:26,800 Speaker 3: knows how that's going to play out, but like, let's 547 00:32:27,080 --> 00:32:30,640 Speaker 3: let's see, because I'm not going to regret this when 548 00:32:30,680 --> 00:32:35,520 Speaker 3: I'm older for like not trying. And so saying yes 549 00:32:35,560 --> 00:32:39,120 Speaker 3: to the film at that time was the hope of 550 00:32:39,200 --> 00:32:43,680 Speaker 3: telling our story to help millions of other families who 551 00:32:43,680 --> 00:32:47,000 Speaker 3: have also been separated at the border of family members 552 00:32:47,000 --> 00:32:50,720 Speaker 3: been deported, they're waiting for their residency to come. And 553 00:32:50,800 --> 00:32:52,640 Speaker 3: at that time, as a manager, when I said yes 554 00:32:52,640 --> 00:32:54,400 Speaker 3: to the film, so like, all right, amazing, this is 555 00:32:54,400 --> 00:32:57,440 Speaker 3: gonna be a platform to put on the whole community 556 00:32:57,440 --> 00:33:01,120 Speaker 3: of creatives. I was always the pure intention, the root 557 00:33:01,560 --> 00:33:05,440 Speaker 3: of it all. And then where I went down the line, 558 00:33:05,680 --> 00:33:07,840 Speaker 3: like I never came from a place of like, Haha, 559 00:33:07,840 --> 00:33:10,560 Speaker 3: I'm going to use this person for what they're worth 560 00:33:10,680 --> 00:33:14,800 Speaker 3: to continue advancing into life, Like I don't move that way, 561 00:33:15,920 --> 00:33:18,640 Speaker 3: and if the if I'm going to be perceived that way, 562 00:33:18,680 --> 00:33:22,280 Speaker 3: then I have to accept that and that, like, I 563 00:33:22,320 --> 00:33:25,760 Speaker 3: think that's one of those things that like get like 564 00:33:25,840 --> 00:33:32,440 Speaker 3: you know what you've done and what you meant to 565 00:33:32,480 --> 00:33:38,240 Speaker 3: do or your intentions were. Obviously things can go astray, 566 00:33:38,320 --> 00:33:46,600 Speaker 3: and that's where like where things need to be made 567 00:33:46,720 --> 00:33:51,680 Speaker 3: very clear. I know that at the end of the day, 568 00:33:52,040 --> 00:33:54,240 Speaker 3: I think, like my track record proves to like the 569 00:33:54,480 --> 00:33:58,640 Speaker 3: years of work that I made sure to position everyone 570 00:33:58,680 --> 00:34:02,320 Speaker 3: else to keep eating, to keep their careers flourishing, and 571 00:34:02,360 --> 00:34:05,440 Speaker 3: to the point where then it turned on me. And 572 00:34:05,760 --> 00:34:09,960 Speaker 3: I never like I think people think I had this 573 00:34:10,160 --> 00:34:13,520 Speaker 3: master plan of like, Okay, yeah, I'm going to like 574 00:34:13,840 --> 00:34:17,160 Speaker 3: all of a sudden ditch my career on the industry 575 00:34:17,160 --> 00:34:20,360 Speaker 3: side of things in order so I can like strategize 576 00:34:20,440 --> 00:34:24,400 Speaker 3: myself into a position of whatever receiving the spotlight all 577 00:34:24,440 --> 00:34:29,319 Speaker 3: of a sudden, very honestly that was thrust upon me. 578 00:34:29,640 --> 00:34:35,560 Speaker 3: The film found me in ways that like you can't 579 00:34:35,560 --> 00:34:38,400 Speaker 3: even make up like I didn't pitch myself to be 580 00:34:38,480 --> 00:34:42,040 Speaker 3: the protagonist of a documentary, and then when it came 581 00:34:42,080 --> 00:34:47,239 Speaker 3: to the point of last year of working as an 582 00:34:47,280 --> 00:34:52,480 Speaker 3: independent artist, I think anyone who is a creative and 583 00:34:52,560 --> 00:34:54,719 Speaker 3: even folks who I know who had opinions about me, 584 00:34:55,320 --> 00:34:58,799 Speaker 3: I know they're not getting They're playing people like full 585 00:34:58,880 --> 00:35:02,279 Speaker 3: rates what they would pay for, like a brand would 586 00:35:02,320 --> 00:35:02,719 Speaker 3: pay for. 587 00:35:02,880 --> 00:35:05,759 Speaker 2: Like absolutely everybody is doing homing rates and doing work 588 00:35:05,760 --> 00:35:10,200 Speaker 2: for free and labor swaps exactly. We call that collaboration 589 00:35:10,600 --> 00:35:14,720 Speaker 2: and building community and et cetera, et cetera. Keep listening 590 00:35:14,760 --> 00:35:17,400 Speaker 2: to look at thra. We've got more in store after 591 00:35:17,440 --> 00:35:18,759 Speaker 2: these messages. 592 00:35:20,320 --> 00:35:21,080 Speaker 1: And we're back. 593 00:35:21,360 --> 00:35:26,920 Speaker 2: I'm curious to Doris, So you hire the Transformative Justice 594 00:35:27,480 --> 00:35:31,440 Speaker 2: Facilitators and you're doing outreach to everybody who posted or 595 00:35:31,480 --> 00:35:36,160 Speaker 2: engaged online with the call out in some way, those 596 00:35:36,200 --> 00:35:38,840 Speaker 2: who didn't accept the invitation or who didn't participate in 597 00:35:38,880 --> 00:35:42,480 Speaker 2: the Transformative Justice conversation. Did you receive, like from any 598 00:35:42,520 --> 00:35:45,360 Speaker 2: of those people, an unpaid invoice. Did anyone send you 599 00:35:45,400 --> 00:35:48,279 Speaker 2: an invoice for things that they didn't get paid for? 600 00:35:48,880 --> 00:35:52,160 Speaker 2: Did anyone send a request for credit that they didn't 601 00:35:52,360 --> 00:35:55,400 Speaker 2: receive that they were promised for work. They know people 602 00:35:55,440 --> 00:36:00,520 Speaker 2: listening want to probably have these questions. Also, was there 603 00:36:01,040 --> 00:36:03,200 Speaker 2: was there any other follow up from the folks that 604 00:36:03,320 --> 00:36:07,680 Speaker 2: posted asking for something more or other than transformative justice? 605 00:36:08,040 --> 00:36:13,000 Speaker 3: No, No, I think I think it was made very 606 00:36:13,520 --> 00:36:14,920 Speaker 3: without me even have to say, I think it was 607 00:36:14,960 --> 00:36:18,080 Speaker 3: made very clear what people just wanted to do and 608 00:36:18,160 --> 00:36:23,600 Speaker 3: what do you think that was? It is funitive forms 609 00:36:23,680 --> 00:36:26,359 Speaker 3: of justice that we even socially conditioned to participate in. 610 00:36:26,440 --> 00:36:30,799 Speaker 3: Whether it's shame removing people from community, right, if we 611 00:36:30,840 --> 00:36:34,480 Speaker 3: think about traditional forms of incarceration, right, you remove someone 612 00:36:34,520 --> 00:36:39,000 Speaker 3: did something bad, right, and instead of whether it's engaging 613 00:36:39,040 --> 00:36:42,480 Speaker 3: with them with like mental health support or mediation or 614 00:36:43,239 --> 00:36:48,640 Speaker 3: things that abolitionists believe in, right, they're then sent they're imprisoned, right, 615 00:36:48,960 --> 00:36:52,799 Speaker 3: and they were removed from community and any ability to 616 00:36:53,200 --> 00:36:55,759 Speaker 3: then advance their life in any way at that time. 617 00:36:55,800 --> 00:36:58,799 Speaker 3: That's the that's the punishment, right. There wasn't Yeah, there 618 00:36:58,800 --> 00:37:01,240 Speaker 3: wasn't a call to action of life. We want Doris 619 00:37:01,320 --> 00:37:05,319 Speaker 3: to do this, or she did this, so she's owes this, 620 00:37:06,120 --> 00:37:09,480 Speaker 3: or we're calling her in to heal this and to 621 00:37:09,480 --> 00:37:13,239 Speaker 3: have conversations about this because she's avoiding this. It was 622 00:37:13,360 --> 00:37:18,960 Speaker 3: just a lot was thrown at the public community board 623 00:37:19,360 --> 00:37:24,120 Speaker 3: for everyone to read and scroll. 624 00:37:23,880 --> 00:37:26,720 Speaker 2: As we talk about this, Like in our podcasting career, 625 00:37:26,880 --> 00:37:29,480 Speaker 2: we have had our own our own call ins and 626 00:37:29,520 --> 00:37:31,680 Speaker 2: call outs. We've had our own experiences, like people have 627 00:37:31,719 --> 00:37:34,440 Speaker 2: gotten mad at us for different things over the years 628 00:37:34,440 --> 00:37:37,440 Speaker 2: in different capacities, And we've had our own own experiences 629 00:37:37,480 --> 00:37:41,200 Speaker 2: with what starts as a DM leads to like twelve emails, 630 00:37:42,280 --> 00:37:43,960 Speaker 2: you know, like calling us every name in the book, 631 00:37:44,080 --> 00:37:47,480 Speaker 2: like these things. We haven't been without our own, and 632 00:37:47,520 --> 00:37:50,360 Speaker 2: we've done episodes and we've addressed issues when there's been 633 00:37:50,400 --> 00:37:52,440 Speaker 2: a call out or a call in, like we've you know, 634 00:37:52,600 --> 00:37:55,439 Speaker 2: we've we've dealt with our own things, I think, as 635 00:37:55,480 --> 00:37:59,600 Speaker 2: everybody probably does at one point or another in their 636 00:37:59,680 --> 00:38:02,480 Speaker 2: artistic careers and in collaborating and building. And I just 637 00:38:02,560 --> 00:38:04,520 Speaker 2: want to throw that out there and say that we 638 00:38:04,640 --> 00:38:06,920 Speaker 2: have had our own our own fuck ups and our 639 00:38:06,920 --> 00:38:09,560 Speaker 2: own issues, you know, in our own time, you know, 640 00:38:09,640 --> 00:38:13,960 Speaker 2: interpersonally creatively here and there, Like these things happen, you know, 641 00:38:14,480 --> 00:38:16,880 Speaker 2: So I want to own that too and claim that, 642 00:38:17,239 --> 00:38:19,680 Speaker 2: you know, and I think the only way that these 643 00:38:19,680 --> 00:38:22,680 Speaker 2: things have ever been resolved with us is like we've 644 00:38:23,040 --> 00:38:27,359 Speaker 2: that talking one on one with those folks who are 645 00:38:27,440 --> 00:38:31,600 Speaker 2: upset with us. It's never been resolved on Twitter or 646 00:38:31,600 --> 00:38:34,239 Speaker 2: in Instagram comments or in the stories, like nothing has 647 00:38:34,320 --> 00:38:39,040 Speaker 2: for us ever been resolved that way. I find that 648 00:38:39,760 --> 00:38:45,160 Speaker 2: year after year, the men, the Latino men, or mask 649 00:38:45,239 --> 00:38:49,200 Speaker 2: presenting people in our communities often you know, can get 650 00:38:49,239 --> 00:38:51,839 Speaker 2: away with a lot of things and are not held 651 00:38:51,840 --> 00:38:56,239 Speaker 2: to the same standard over and over again. And I 652 00:38:56,280 --> 00:38:58,840 Speaker 2: also find that very fascinating. This is a pattern in 653 00:38:58,880 --> 00:39:03,240 Speaker 2: our community, in our creative community, in our transformative justice, 654 00:39:03,320 --> 00:39:09,320 Speaker 2: anti carcil, abolitionist, all the self imposed labels, by the 655 00:39:09,360 --> 00:39:12,000 Speaker 2: way that we anoint ourselves with, like we knite ourselves 656 00:39:12,480 --> 00:39:17,759 Speaker 2: with these titles, you know. And years ago, right les 657 00:39:17,760 --> 00:39:20,560 Speaker 2: caa Feteiras had a big call out online and that 658 00:39:20,719 --> 00:39:24,520 Speaker 2: was a more severe call out. Those accusations were very specific. 659 00:39:24,920 --> 00:39:28,160 Speaker 2: A former band member who did come forward was really 660 00:39:28,160 --> 00:39:34,279 Speaker 2: giving very detailed examples of abuse and controlling behavior during 661 00:39:34,320 --> 00:39:37,279 Speaker 2: band practice, et cetera, et cetera. Right, this was years ago, 662 00:39:37,880 --> 00:39:40,360 Speaker 2: and I remember there was a lot of promises on 663 00:39:40,640 --> 00:39:42,680 Speaker 2: their end, for like we're going to do a town hall, 664 00:39:42,719 --> 00:39:44,239 Speaker 2: We're going to do this. I don't think any of 665 00:39:44,280 --> 00:39:45,200 Speaker 2: that ever happened. 666 00:39:45,440 --> 00:39:47,640 Speaker 1: None of it happened, at least to our knowledge. It 667 00:39:47,719 --> 00:39:50,880 Speaker 1: was painted as a public forum, we're having a community 668 00:39:50,920 --> 00:39:53,480 Speaker 1: town hall. Whether that happened privately, we don't know. 669 00:39:54,480 --> 00:39:57,000 Speaker 3: Yes. I think when I wasn't thick of what I 670 00:39:57,040 --> 00:40:03,200 Speaker 3: was going through, I was receiving calls text messages from 671 00:40:03,560 --> 00:40:07,360 Speaker 3: loved ones who really just wanted to make sure I 672 00:40:07,440 --> 00:40:10,840 Speaker 3: was okay, especially because if they know me and my 673 00:40:10,920 --> 00:40:12,600 Speaker 3: journey with mental health and things like that, they just 674 00:40:12,600 --> 00:40:17,080 Speaker 3: wanted to like me to like reiterate, like your life, 675 00:40:17,120 --> 00:40:19,640 Speaker 3: we still need you, you know. And one of them 676 00:40:19,680 --> 00:40:23,319 Speaker 3: specifically was said shared his own experience with like his 677 00:40:23,400 --> 00:40:29,080 Speaker 3: company going through ushering like a restorative justice, transformative justice 678 00:40:29,120 --> 00:40:32,200 Speaker 3: peer process, and he had said that there needs to 679 00:40:32,200 --> 00:40:34,719 Speaker 3: be more transformative justice survival stories and I need you 680 00:40:34,800 --> 00:40:37,359 Speaker 3: to be one of them. And I think that just 681 00:40:37,440 --> 00:40:41,120 Speaker 3: like is what carried me through this whole last year 682 00:40:41,280 --> 00:40:46,640 Speaker 3: of like all right, I am not going to let 683 00:40:46,680 --> 00:40:53,600 Speaker 3: this kill me first and foremost, but I think I've 684 00:40:53,640 --> 00:40:56,160 Speaker 3: also accepted that the things that have happened in my 685 00:40:56,200 --> 00:40:58,160 Speaker 3: life have ushered me into this purpose of like being 686 00:40:58,200 --> 00:41:00,719 Speaker 3: like a living testimony, whether it was like the documentary 687 00:41:01,160 --> 00:41:03,000 Speaker 3: or me sharing my story along the way that led 688 00:41:03,040 --> 00:41:07,040 Speaker 3: into the documentary. And then I hid away for some 689 00:41:07,160 --> 00:41:09,040 Speaker 3: for a long time, and I felt like my voice 690 00:41:09,040 --> 00:41:12,040 Speaker 3: didn't matter anymore, that my life didn't matter anymore, that 691 00:41:12,120 --> 00:41:15,600 Speaker 3: my story didn't matter anymore. And then like slowly but 692 00:41:15,640 --> 00:41:19,600 Speaker 3: surely have been receiving like little arthangel messages and reminders 693 00:41:19,640 --> 00:41:23,880 Speaker 3: that they all absolutely do and now to finally be 694 00:41:23,920 --> 00:41:27,200 Speaker 3: in a place to like share that experience for I mean, 695 00:41:27,239 --> 00:41:29,440 Speaker 3: I don't think everyone's going to go through what I 696 00:41:29,480 --> 00:41:34,000 Speaker 3: went through. I don't wish this upon anyone, but I 697 00:41:34,040 --> 00:41:38,160 Speaker 3: think another friend told me that resonated with me to 698 00:41:38,320 --> 00:41:40,239 Speaker 3: like close the loop on this thought, is that, like 699 00:41:40,719 --> 00:41:42,719 Speaker 3: she what she saw happened to me felt like a 700 00:41:42,719 --> 00:41:47,239 Speaker 3: social experiment to see how people within the community responded 701 00:41:47,280 --> 00:41:52,040 Speaker 3: to this and for her to understand who to trust 702 00:41:52,080 --> 00:41:52,680 Speaker 3: and not to trust. 703 00:41:53,120 --> 00:41:56,799 Speaker 2: And to be very clear, you know, this is not 704 00:41:56,920 --> 00:42:02,560 Speaker 2: about like victims of violence coming forward and sharing their story, right. 705 00:42:02,800 --> 00:42:06,120 Speaker 2: This is this very gray area where, like we've been 706 00:42:06,120 --> 00:42:10,520 Speaker 2: talking about all episode, it's very vague, it's unclear, it 707 00:42:10,600 --> 00:42:14,200 Speaker 2: seems very personal. They're asking for things like for you 708 00:42:14,239 --> 00:42:16,759 Speaker 2: to review their legal contracts that you literally are not 709 00:42:16,880 --> 00:42:19,240 Speaker 2: allowed to do. You know, like there are these things 710 00:42:19,280 --> 00:42:22,799 Speaker 2: that make this type of a call out, Like we 711 00:42:22,840 --> 00:42:25,799 Speaker 2: can talk about it on its own, right, Like don't 712 00:42:25,800 --> 00:42:27,960 Speaker 2: go like if you're listening, don't go out there, and 713 00:42:28,000 --> 00:42:31,799 Speaker 2: oh you're victim blaming. Nobody sent in an invoice for 714 00:42:31,920 --> 00:42:35,440 Speaker 2: unpaid funds. It sounds like nobody asked for credit that 715 00:42:35,480 --> 00:42:37,840 Speaker 2: they didn't receive. It sounds like and when the offer 716 00:42:37,960 --> 00:42:42,239 Speaker 2: for transformative justice was given, they didn't participate, right, Like 717 00:42:42,320 --> 00:42:45,920 Speaker 2: that's a standalone that's its own thing. But I feel 718 00:42:45,920 --> 00:42:48,879 Speaker 2: like sometimes what happens is over the years, we've seen 719 00:42:48,880 --> 00:42:52,680 Speaker 2: this too. People can create an entire sort of brand 720 00:42:52,760 --> 00:42:57,400 Speaker 2: for themselves as like social conscious, community oriented like leaders 721 00:42:57,960 --> 00:43:01,080 Speaker 2: by participating in a drag or a call like that's 722 00:43:01,120 --> 00:43:03,200 Speaker 2: how some people make a name for themselves. 723 00:43:03,320 --> 00:43:08,840 Speaker 3: I think this is hard, you know. I think that 724 00:43:08,960 --> 00:43:10,719 Speaker 3: this was a moment, the thing of that divided a 725 00:43:10,719 --> 00:43:16,240 Speaker 3: lot of folks within our community. I had to accept 726 00:43:16,239 --> 00:43:19,640 Speaker 3: that I became this like polarizing figure, if you will. 727 00:43:20,480 --> 00:43:22,960 Speaker 3: I know that a lot of people look to me 728 00:43:24,280 --> 00:43:25,880 Speaker 3: in a different way and held me at a different 729 00:43:25,920 --> 00:43:29,839 Speaker 3: standard than most. And it was like, yeah, my own 730 00:43:29,880 --> 00:43:35,719 Speaker 3: peers who then participate in something like this, But now 731 00:43:35,719 --> 00:43:39,759 Speaker 3: that we're here a year later, it's like, what what 732 00:43:39,880 --> 00:43:44,080 Speaker 3: did that do? Is the big question? 733 00:43:45,440 --> 00:43:49,239 Speaker 1: I think A really what I'm curious about as a 734 00:43:49,239 --> 00:43:51,839 Speaker 1: way to kind of close out this conversation, because you've 735 00:43:51,920 --> 00:43:54,759 Speaker 1: laid out you know what happened, the steps you took, 736 00:43:55,480 --> 00:43:59,240 Speaker 1: and now you know you're performing, you're releasing this EP. 737 00:44:00,719 --> 00:44:02,759 Speaker 1: What does rebuilding trust look like for you? 738 00:44:03,200 --> 00:44:11,160 Speaker 3: Just have a ooh, really to trust my intuition stronger 739 00:44:11,200 --> 00:44:16,839 Speaker 3: than ever before. I have a higher level of discernment, 740 00:44:18,239 --> 00:44:22,239 Speaker 3: cross my t's, dot my eyes, double check, triple check everything, 741 00:44:23,000 --> 00:44:27,120 Speaker 3: have very very clear conversations with every single person that 742 00:44:27,160 --> 00:44:31,600 Speaker 3: I work with, and accepting that not everyone is for 743 00:44:31,719 --> 00:44:37,480 Speaker 3: me and I'm not for everyone. I had to accept that, 744 00:44:37,520 --> 00:44:41,000 Speaker 3: like a lot of folks that were surrounding me that 745 00:44:41,080 --> 00:44:44,200 Speaker 3: I thought were my friends, that called me family. Well, 746 00:44:44,239 --> 00:44:47,880 Speaker 3: then have the capability to turn around and literally the 747 00:44:47,920 --> 00:44:51,359 Speaker 3: next day, like one person was with me the night 748 00:44:51,400 --> 00:44:57,440 Speaker 3: that I happened, the next day they were posting about me. Yeah, 749 00:44:57,760 --> 00:45:00,960 Speaker 3: so if that can happen the and I can assume 750 00:45:01,000 --> 00:45:03,200 Speaker 3: anything can happen, right, And I don't want to be 751 00:45:04,560 --> 00:45:06,680 Speaker 3: I was so closed off for some time, and I 752 00:45:06,719 --> 00:45:11,480 Speaker 3: was so depressed and I felt extremely alone. I isolated 753 00:45:11,480 --> 00:45:13,480 Speaker 3: myself even more in Mexico, like I went to go 754 00:45:13,560 --> 00:45:16,240 Speaker 3: heal and process all of the things that just happened 755 00:45:16,280 --> 00:45:19,439 Speaker 3: to me, because like what happened online was paired with 756 00:45:19,520 --> 00:45:23,400 Speaker 3: like a really bad breakup and betrayal too, and I 757 00:45:23,440 --> 00:45:25,600 Speaker 3: had to like fight my own or just to want 758 00:45:25,680 --> 00:45:28,880 Speaker 3: to like punish as well. I think, like what this 759 00:45:28,920 --> 00:45:31,640 Speaker 3: whole process teaches you is like how you want to 760 00:45:31,640 --> 00:45:34,040 Speaker 3: then punish the people that have harmed you as well. 761 00:45:35,320 --> 00:45:41,279 Speaker 3: I could have gone and but I didn't because I 762 00:45:41,320 --> 00:45:44,480 Speaker 3: had to believe that other people are capable. You have 763 00:45:44,520 --> 00:45:47,479 Speaker 3: to believe that people are capable to grow and heal 764 00:45:47,640 --> 00:45:48,280 Speaker 3: and do better. 765 00:45:51,400 --> 00:45:55,279 Speaker 2: Yeah, and for every person that you know posts and 766 00:45:55,320 --> 00:45:59,479 Speaker 2: participates in a call out like that, there's somebody else 767 00:45:59,520 --> 00:46:02,560 Speaker 2: that has receipts on you, that has an issue with you, 768 00:46:02,840 --> 00:46:06,840 Speaker 2: that has a gripe with you. I feel, you know, 769 00:46:06,920 --> 00:46:10,120 Speaker 2: that's saying that you're a villain in somebody story, you 770 00:46:10,160 --> 00:46:12,560 Speaker 2: know what I mean. And sometimes it's just a matter 771 00:46:12,640 --> 00:46:18,120 Speaker 2: of sometimes people are choosing not to come and talk 772 00:46:18,120 --> 00:46:20,480 Speaker 2: about you in public, but it's not because they don't 773 00:46:20,480 --> 00:46:24,280 Speaker 2: have a reason to, you know. I think everybody, everybody 774 00:46:24,360 --> 00:46:28,160 Speaker 2: has their their demons and their issues with somebody else, 775 00:46:28,480 --> 00:46:32,719 Speaker 2: you know, And so it's a choice ultimately, right, Like 776 00:46:32,760 --> 00:46:36,520 Speaker 2: whether you air out the personal issue publicly or whether 777 00:46:36,560 --> 00:46:38,919 Speaker 2: you reach out and talk about it one on one. 778 00:46:39,080 --> 00:46:40,960 Speaker 2: It's a choice. 779 00:46:41,160 --> 00:46:44,360 Speaker 3: Yeah, And again to reiterate what you said that this 780 00:46:44,719 --> 00:46:47,560 Speaker 3: exception is victims of violence, Like, let's be very clear 781 00:46:48,000 --> 00:46:50,719 Speaker 3: on that. I think I do believe sometimes it doesn't 782 00:46:50,760 --> 00:46:53,480 Speaker 3: have to get to a point where women have to 783 00:46:53,560 --> 00:46:56,600 Speaker 3: keep each other safe, right and they're warning each other 784 00:46:56,719 --> 00:47:01,560 Speaker 3: of like abusive men. For so let's let's minimize like 785 00:47:02,120 --> 00:47:03,920 Speaker 3: all the DV cases possible. 786 00:47:04,080 --> 00:47:04,279 Speaker 1: Right. 787 00:47:05,160 --> 00:47:09,040 Speaker 3: But when it's yeah, this vague, nuanced area, it's like 788 00:47:09,239 --> 00:47:11,960 Speaker 3: this very gray area, what what can we do to 789 00:47:12,080 --> 00:47:15,239 Speaker 3: try to to move forward as a community of Like 790 00:47:15,560 --> 00:47:18,279 Speaker 3: we the countless conversations that I have had about this, 791 00:47:18,320 --> 00:47:21,239 Speaker 3: people were asking, well, yeah, like what did the community 792 00:47:21,280 --> 00:47:22,279 Speaker 3: do for like aftercare? 793 00:47:22,840 --> 00:47:25,440 Speaker 1: I think that it's it's a lot harder to actually 794 00:47:25,520 --> 00:47:29,399 Speaker 1: walk the talk and actually implement the praxis and not 795 00:47:29,480 --> 00:47:31,480 Speaker 1: just the theory that we always talk about here on 796 00:47:31,520 --> 00:47:33,399 Speaker 1: look at Thought Radio. If you made it this far, 797 00:47:33,520 --> 00:47:36,960 Speaker 1: thank you for listening, and we will catch you next time. 798 00:47:42,160 --> 00:47:44,680 Speaker 2: Lok A Thought our radio A Radio Fang Novela is 799 00:47:44,719 --> 00:47:48,640 Speaker 2: executive produced and hosted by Me Mala Munos and Viosa. 800 00:47:48,160 --> 00:47:50,960 Speaker 1: Fam Story editing by Me Fiosa. 801 00:47:50,760 --> 00:47:52,360 Speaker 2: Audio editing by Stephanie Franco. 802 00:47:52,560 --> 00:47:54,880 Speaker 1: Thank you to our locomotives, our listeners for all of 803 00:47:54,880 --> 00:48:01,560 Speaker 1: your SUPPORTA