1 00:00:05,080 --> 00:00:10,240 Speaker 1: Welcome to the ten minute Storyteller. That's me Bill Simpson, 2 00:00:10,440 --> 00:00:15,200 Speaker 1: your host, narrator and author. We hear at the ten 3 00:00:15,240 --> 00:00:19,880 Speaker 1: minute Storyteller endeavor to entertain you with tall tales or 4 00:00:19,880 --> 00:00:25,000 Speaker 1: rendered swiftly and with the utmost empathy. We pledge to 5 00:00:25,160 --> 00:00:29,680 Speaker 1: pack as much entertainment, emotion and exploration into the human 6 00:00:29,720 --> 00:00:42,760 Speaker 1: condition as ten minutes will permit. Mini novels on steroids. Now, 7 00:00:42,960 --> 00:00:48,360 Speaker 1: Stud McIntyre he loves the ladies, So when an exceptionally 8 00:00:48,479 --> 00:00:52,120 Speaker 1: beautiful young lady shows up on a Harley for the 9 00:00:52,200 --> 00:00:57,400 Speaker 1: Sunday morning canyon ride, Stud is all a lather. He 10 00:00:57,560 --> 00:01:00,720 Speaker 1: right away hits on the gorgeous girl on the Harley 11 00:01:00,840 --> 00:01:07,360 Speaker 1: Sportster eight eighty three. She succumbs immediately to his masculine charms. 12 00:01:07,959 --> 00:01:11,000 Speaker 1: They go to dinner, then back to her place. She 13 00:01:11,200 --> 00:01:20,400 Speaker 1: is Stud's fantasy come true. Only one minor pickup the 14 00:01:20,400 --> 00:01:25,560 Speaker 1: gorgeous girl on the Harley Sportster eight eighty three. The 15 00:01:25,600 --> 00:01:30,280 Speaker 1: Harley Sportster bought one at the helm pulls into the 16 00:01:30,319 --> 00:01:36,560 Speaker 1: parking lot, slow and easy. Squatting next to is RS 17 00:01:37,160 --> 00:01:42,600 Speaker 1: checking tire pressure, Stud McIntyre watches the Harley swing into 18 00:01:42,640 --> 00:01:48,400 Speaker 1: the lot, just shy of a stall. Any slower, thinks Stud, 19 00:01:48,720 --> 00:01:52,600 Speaker 1: and that sorry ass excuse for a motorcycle might just 20 00:01:52,960 --> 00:01:58,400 Speaker 1: topple over odd seeing a Harley off and on. For 21 00:01:58,440 --> 00:02:02,280 Speaker 1: the past few years, Stud has been doing this Sunday 22 00:02:02,320 --> 00:02:06,480 Speaker 1: morning canyon ride and can't once recall seeing a Harley 23 00:02:07,440 --> 00:02:13,040 Speaker 1: or any other American bike BMW's mostly ducat's, the occasional 24 00:02:13,120 --> 00:02:18,280 Speaker 1: Honda or Kawasaki sport touring bike you know, big boy bikes, 25 00:02:18,320 --> 00:02:23,359 Speaker 1: not Rice rockets or Milwaukee noise machines. But hey, it's 26 00:02:23,400 --> 00:02:29,480 Speaker 1: a casual motorcycle ride, all welcome. And that's when Stud 27 00:02:29,639 --> 00:02:33,800 Speaker 1: sees the hair, the blonde locks flowing out from under 28 00:02:33,840 --> 00:02:37,720 Speaker 1: the back of the helmet. A chick on a Harley. Nah, 29 00:02:38,040 --> 00:02:44,040 Speaker 1: probably just some long haired punk. Stud stands and takes 30 00:02:44,040 --> 00:02:49,120 Speaker 1: a closer look. Definitely a chick, No long haired punk 31 00:02:49,200 --> 00:02:53,239 Speaker 1: as a body like that, long, lean, slender bod covered 32 00:02:53,280 --> 00:02:58,320 Speaker 1: in tight fitting leathers, Harley leathers, Harley boots, Harley helmet, 33 00:02:58,919 --> 00:03:05,320 Speaker 1: Harley Sportster eight eighty three, all of it brands spanking new. 34 00:03:05,360 --> 00:03:08,120 Speaker 1: With the helmet and goggles, it's tough to see much 35 00:03:08,200 --> 00:03:13,840 Speaker 1: of her face. Age difficult to detect, but impossible to hide. 36 00:03:13,919 --> 00:03:19,880 Speaker 1: That body. Stud, genetically programmed to spread his seed, wants 37 00:03:19,919 --> 00:03:24,600 Speaker 1: some of that action. Engines fire, the rottles wind. It's 38 00:03:24,639 --> 00:03:28,960 Speaker 1: time to roll. Stud pulls on his jacket, secures his helmet, 39 00:03:29,240 --> 00:03:32,480 Speaker 1: throws a leg over his seat, and mounts up. He 40 00:03:32,600 --> 00:03:36,360 Speaker 1: glances over at something else he'd like to mount up. 41 00:03:37,440 --> 00:03:39,760 Speaker 1: The bikes pull out of the lot one by one. 42 00:03:40,600 --> 00:03:44,440 Speaker 1: Stud waits till the tail end, waits for the harley. 43 00:03:44,760 --> 00:03:47,640 Speaker 1: She waits for him to go ahead. He nods and 44 00:03:47,880 --> 00:03:53,320 Speaker 1: rolls out onto the street. She follows cautiously. Less than 45 00:03:53,320 --> 00:03:56,080 Speaker 1: a mile down the road, She's already fallen behind and 46 00:03:56,160 --> 00:04:01,200 Speaker 1: out of sight. Stud slows the harley appear in his mirrors. 47 00:04:01,720 --> 00:04:05,440 Speaker 1: He lets her catch up, accelerates, tries to draw her 48 00:04:05,560 --> 00:04:09,760 Speaker 1: back to the pack. She tries, but rides so slowly 49 00:04:09,840 --> 00:04:12,840 Speaker 1: through the twisties. Going over Hell Mountain, he knows the 50 00:04:12,880 --> 00:04:17,520 Speaker 1: pack is long gone. At the summit. He pulls off 51 00:04:17,560 --> 00:04:20,840 Speaker 1: at the overlook. A few minutes later, she pulls in 52 00:04:21,120 --> 00:04:24,239 Speaker 1: next to him. They turn off their engines and climb 53 00:04:24,279 --> 00:04:27,799 Speaker 1: off their bikes. They take off their helmets. She shakes 54 00:04:27,839 --> 00:04:33,360 Speaker 1: out those long blond locks and Stud. He takes a double, 55 00:04:33,520 --> 00:04:37,600 Speaker 1: and then a triple. Take silky blonde hair, blue almond 56 00:04:37,880 --> 00:04:43,400 Speaker 1: shaped eyes, sky high cheekbones, skin perfectly clear and smooth, 57 00:04:43,760 --> 00:04:49,919 Speaker 1: insanely beautiful, almost surreal, like nothing Stud has ever seen. 58 00:04:51,040 --> 00:04:53,800 Speaker 1: You're sweet, She says, to wait, But you didn't have to. 59 00:04:54,240 --> 00:04:57,200 Speaker 1: I'm kind of new at this, Hey, says Stud. You're 60 00:04:57,240 --> 00:05:02,599 Speaker 1: doing great, really great. Oh, she says, you ride magnificently. 61 00:05:03,480 --> 00:05:07,320 Speaker 1: Stud would like to ask, is there any possible chance 62 00:05:07,560 --> 00:05:11,200 Speaker 1: I might be able to ride you? That night? They 63 00:05:11,200 --> 00:05:14,599 Speaker 1: go to dinner YEP, that very same night Italian. She 64 00:05:14,839 --> 00:05:18,159 Speaker 1: orders chicken palm with a lean guini and a red 65 00:05:18,200 --> 00:05:21,640 Speaker 1: sauce on the side. Eats it all, plus half a 66 00:05:21,680 --> 00:05:26,239 Speaker 1: loaf of garlic bread, caesar salad, and a double gelato. 67 00:05:26,880 --> 00:05:29,680 Speaker 1: He marvels how she can eat like that and still 68 00:05:29,880 --> 00:05:36,280 Speaker 1: look like that? She laughs, I guess just genetically lucky. Plus, 69 00:05:36,360 --> 00:05:39,920 Speaker 1: you know, I have this very fast metabolism, and I 70 00:05:40,000 --> 00:05:43,640 Speaker 1: exercise a ton. I do a lot of spin and kickboxing. 71 00:05:44,880 --> 00:05:47,839 Speaker 1: Good God, thinks Stud. I'd like her to spin and 72 00:05:48,000 --> 00:05:53,200 Speaker 1: kickbox me. She has excellent teeth, straight and white but 73 00:05:53,680 --> 00:05:57,760 Speaker 1: not too white, a perfect smile. She's a perfect ten, 74 00:05:58,240 --> 00:06:04,680 Speaker 1: thinks Stud. A purple physical specimen. So he asks, trying 75 00:06:04,680 --> 00:06:08,760 Speaker 1: to sound like a normal guy making adult conversation and 76 00:06:08,839 --> 00:06:13,800 Speaker 1: not some ape like creature only interested in copulation. What 77 00:06:14,400 --> 00:06:17,800 Speaker 1: made you buy a Harley? Oh? A woman I work 78 00:06:17,839 --> 00:06:21,120 Speaker 1: with she rides one, and she talked me into it. Well, 79 00:06:21,120 --> 00:06:24,400 Speaker 1: that's really cool. Where do you work at the college? 80 00:06:24,520 --> 00:06:28,039 Speaker 1: Assistant dean of students? I started last fall? I just 81 00:06:28,120 --> 00:06:32,760 Speaker 1: love it. Assistant dean of students. Impressive. So you're not 82 00:06:32,839 --> 00:06:37,240 Speaker 1: only drop dead gorgeous and in incredible shape, but you're 83 00:06:37,400 --> 00:06:42,880 Speaker 1: educated and intelligent to boot, she actually blushes. I don't 84 00:06:42,880 --> 00:06:44,760 Speaker 1: know if any of that is true, but I do 85 00:06:44,800 --> 00:06:49,560 Speaker 1: have parents who encourage me to be well rounded. Geez. Hold. 86 00:06:49,600 --> 00:06:54,480 Speaker 1: Her encouragement has paid off in spades. You're so sweet 87 00:06:54,480 --> 00:06:58,760 Speaker 1: to say so. Oh no, I'm not. Maybe you are. Well. Listen, 88 00:06:59,000 --> 00:07:02,200 Speaker 1: let me ask you something. Go right ahead. Do you 89 00:07:02,240 --> 00:07:06,360 Speaker 1: have any idea how beautiful you are? I may or 90 00:07:06,440 --> 00:07:09,240 Speaker 1: may not look beautiful on the outside, but it's what's 91 00:07:09,279 --> 00:07:13,600 Speaker 1: on the inside that really counts. He drives her home. 92 00:07:14,240 --> 00:07:18,040 Speaker 1: She invites him in, pours two glasses of wine. They 93 00:07:18,160 --> 00:07:21,920 Speaker 1: chink glasses and drink. He asks if it would be 94 00:07:22,000 --> 00:07:25,400 Speaker 1: okay if he kissed her. She says it would be 95 00:07:25,680 --> 00:07:28,880 Speaker 1: just fine and so he kisses her on the mouth. 96 00:07:29,240 --> 00:07:32,840 Speaker 1: Her breath, even after all that garlic bread, and sees 97 00:07:32,880 --> 00:07:38,720 Speaker 1: her salad is sweet, intoxicating. She kisses him back a 98 00:07:38,760 --> 00:07:44,000 Speaker 1: bit awkwardly. He kisses her again with more ardor. She responds, 99 00:07:44,080 --> 00:07:49,200 Speaker 1: but well, kind of mechanically. He sits back on the sofa, 100 00:07:49,960 --> 00:07:54,120 Speaker 1: looks at her in the soft light. Her beauty mesmerizes. 101 00:07:54,800 --> 00:07:59,040 Speaker 1: He unbuttons her blouse. She does not resist. He unzips 102 00:07:59,080 --> 00:08:02,600 Speaker 1: her jeans, she does not resist. He pulls off her 103 00:08:02,720 --> 00:08:07,600 Speaker 1: jeans and panties. She still does not resist. She lies 104 00:08:07,640 --> 00:08:10,560 Speaker 1: back on the sofa. He tears at his clothes, and 105 00:08:10,600 --> 00:08:14,920 Speaker 1: in no time they are united. He moans and groans 106 00:08:15,120 --> 00:08:20,080 Speaker 1: beside himself with lust and desire for this excruciatingly beautiful 107 00:08:20,120 --> 00:08:25,360 Speaker 1: young woman. But she just lies there, doesn't really move 108 00:08:25,480 --> 00:08:30,200 Speaker 1: much at all. Legs out straight, slightly parted, arms down 109 00:08:30,320 --> 00:08:34,079 Speaker 1: at her sides. Stud wants her to get revved up, 110 00:08:34,320 --> 00:08:37,480 Speaker 1: wants her to move and groove. He tries this than that, 111 00:08:37,840 --> 00:08:41,680 Speaker 1: fast and slow, deep and shallow, but soon he's over 112 00:08:41,720 --> 00:08:45,880 Speaker 1: the edge, no turning back, and shortly thereafter they lie 113 00:08:46,200 --> 00:08:51,200 Speaker 1: side by side. God he declares, hnting that was to 114 00:08:51,320 --> 00:08:54,680 Speaker 1: kill four incredible. How is it for you? It was 115 00:08:54,800 --> 00:08:59,600 Speaker 1: very nice, you seemed, says Stud. You seemed I don't know, 116 00:08:59,679 --> 00:09:02,040 Speaker 1: like me, Like maybe you weren't really all that into it, 117 00:09:02,080 --> 00:09:05,720 Speaker 1: like you weren't sure. I was never so sure of 118 00:09:05,880 --> 00:09:11,240 Speaker 1: anything in my life. Stud stays a while longer and 119 00:09:11,280 --> 00:09:16,400 Speaker 1: then shoves off, after reassuring her he'll call soon. On 120 00:09:16,440 --> 00:09:19,640 Speaker 1: the way home, he thinks, absolutely, I'll call her. Can't 121 00:09:19,880 --> 00:09:23,160 Speaker 1: pass that stuff up. Plus, I gotta take her to 122 00:09:23,200 --> 00:09:25,880 Speaker 1: meet the boys. One look at that and their eyes 123 00:09:25,920 --> 00:09:29,040 Speaker 1: will bug right out of their heads. I just won't 124 00:09:29,080 --> 00:09:31,760 Speaker 1: tell them, well, I won't tell them that she screws 125 00:09:31,800 --> 00:09:36,319 Speaker 1: like a corpse christ Stud mutters, you can't have everything 126 00:09:36,320 --> 00:09:41,880 Speaker 1: in life. Now, back at the apartment, Tommy Screwball Turner, 127 00:09:42,360 --> 00:09:47,679 Speaker 1: the designer and engineer of Betty AI Model fourteen f 128 00:09:48,160 --> 00:09:53,680 Speaker 1: Bot one, opens Betty's rear control panel and snaps out 129 00:09:53,720 --> 00:10:00,800 Speaker 1: the ECB emotion control board. All in all, Tommy thinks 130 00:10:01,080 --> 00:10:06,520 Speaker 1: and exceptional performance, the dexterity on the harley, the easy 131 00:10:06,640 --> 00:10:12,160 Speaker 1: interaction with the monkey, the natural movements, the silky smoothness 132 00:10:12,320 --> 00:10:16,800 Speaker 1: of the conversation, only a tad stilted here and there, 133 00:10:17,400 --> 00:10:22,080 Speaker 1: All first rate and one hundred percent human. Sure, a 134 00:10:22,080 --> 00:10:25,400 Speaker 1: bit of a hiccup there at the end with the intercourse. 135 00:10:25,920 --> 00:10:29,840 Speaker 1: Don't want to leave the monkey cranky and dissatisfied, But 136 00:10:30,480 --> 00:10:34,080 Speaker 1: no big thing. Just need to get Betty moving like 137 00:10:34,120 --> 00:10:37,680 Speaker 1: she's on the edge of orgasm, never ever so happy 138 00:10:37,720 --> 00:10:44,599 Speaker 1: in her short artificial life. Perfect that illusion, Tommy Screwball 139 00:10:44,679 --> 00:10:50,360 Speaker 1: Turner thinks, and all need for a hf's authentic human 140 00:10:50,440 --> 00:10:57,360 Speaker 1: females with all their fears, insecurities, fixations and paranoias will 141 00:10:57,520 --> 00:11:10,000 Speaker 1: come to a screeching hall. Hey, thanks for listening to 142 00:11:10,080 --> 00:11:14,480 Speaker 1: this original audio presentation of the Gorgeous Girl on the 143 00:11:14,679 --> 00:11:19,920 Speaker 1: Harley Sportster eight eighty three, narrated by the author. If 144 00:11:19,960 --> 00:11:24,000 Speaker 1: you enjoy today's story, please take a few seconds to rate, review, 145 00:11:24,280 --> 00:11:29,440 Speaker 1: and subscribe to this podcast, and then go to Thomas 146 00:11:29,600 --> 00:11:34,640 Speaker 1: William Simpson dot com for additional information about the author 147 00:11:34,880 --> 00:11:40,040 Speaker 1: and to view his extensive canon. The Ten Minute Storyteller 148 00:11:40,280 --> 00:11:44,839 Speaker 1: is produced by Andrew Pleglici and Josh Colotney and as 149 00:11:44,880 --> 00:11:50,800 Speaker 1: part of the Elvis Duran Podcast Network in partnership with Iheartproductions. 150 00:11:51,679 --> 00:11:56,640 Speaker 1: Until next time, this is Bill Simpson, Your ten Minute Storyteller. 151 00:12:00,080 --> 00:12:00,120 Speaker 1: Y