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Speaker 1: To the Black Guy Who Tips podcast. Listen because Rod

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Speaker 1: and Karen are hot.

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Speaker 2: Hey, welcome to another episode of the Blackouts podcast.

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Speaker 1: I'm your host, Rod joint is always.

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Speaker 2: With my co host Karen, and we're live on a

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Speaker 2: Wednesday recapping The Walk and Dead. It's a couple of

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Speaker 2: weeks late because uh, you know, we had vacation in

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Speaker 2: New York and stuff, but we did watch it. I

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Speaker 2: took my notes two weeks ago, so it'll be interesting

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Speaker 2: to see how much I can remember. Uh, and hopefully

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Speaker 2: I don't mess this up. But uh, yeah, we got

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Speaker 2: to recap the I don't even know. It's not a

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Speaker 2: mid season two, third season finale.

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Speaker 3: We got one more piece.

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Speaker 2: I mean, some people would say that The Walk and

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Speaker 2: Dad is some med but I disagree.

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Speaker 1: I think it's fire and but yeah, we gotta recap that.

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Speaker 2: Uh it's called Acts of God and it's beseelled sixteen of.

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Speaker 1: The final season.

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Speaker 2: And before we even get started breaking news today, there's

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Speaker 2: gonna be a spin off with Darryl and Carroll. Everybody

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Speaker 2: knows that except Melissa McBride just exited that spinoff, so

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Speaker 2: I guess it's just Darryl.

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Speaker 3: Oh, what happened?

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Speaker 1: They didn't.

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Speaker 2: They didn't say if there was like some reason behind

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Speaker 2: the scenes that just said she exited it. So I

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Speaker 2: wonder if, like, you know, will it be Darryln Connie

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Speaker 2: or something, or you know, or they'll find another angle,

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Speaker 2: because I mean, you know, the Norman Readers really seems

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Speaker 2: very committed to just that character the Walking Day universe.

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Speaker 1: Yeah, he's all that stuff and amc.

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Speaker 4: Yes, yes, yes, yes, because he has other he does

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Speaker 4: in addition to the Walking Dead.

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Speaker 3: And you know, there are people like the dude that

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Speaker 3: plays low Key in Marble.

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Speaker 4: He was like, oh, I'll be here forever, Like I

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Speaker 4: don't mind playing this role in this character.

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Speaker 3: There are some people that I like that they just

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Speaker 3: enjoy it so much.

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Speaker 4: And I think it's one of those things where he go,

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Speaker 4: I enjoyed this so much and not your funny for

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Speaker 4: a lot of people. For him, he's like, this is

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Speaker 4: a steady fucking paycheck. So you know, I don't care

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Speaker 4: how many spinners, and I mean I don't care. I'm

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Speaker 4: gonna watch it out. We might not re kept them all,

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Speaker 4: but I begin to watch them all.

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Speaker 1: Yeah. So but yeah, I just thought that was interesting

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Speaker 1: news today.

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Speaker 2: So I guess, you know, us waiting ended up kind

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Speaker 2: of working out since there was some news that we

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Speaker 2: ended up covering. And of course this episode is sponsored

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Speaker 2: Let me shout out our sponsor, Real Quick.

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Speaker 1: Then God can't groom your balls.

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Speaker 1: You woke up and you said, where's my wife?

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Speaker 2: She's over at your man's house cause he's trimming his balls.

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Speaker 1: I fucking dare you.

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Speaker 3: That's right.

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Speaker 1: We go further than northeast, kid, we cut.

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Speaker 1: You your balls.

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Speaker 2: Will thank you cold tbgwt at manscape dot com. Uh

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Speaker 2: so yeah, let's work it down. Get it to the

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Speaker 2: Walking Dead all right, that's right, Walking Dead time. This

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Speaker 2: episode was called Acts of God, and I split it

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Speaker 2: up into three different sections. We got Hornsby's group, we

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Speaker 2: got the Hilltop group, and then we got the Commonwealth.

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Speaker 1: Now the Commonwealth can kind of.

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Speaker 2: Go on its own and then the other ones.

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Speaker 1: You gotta do Hornsby's group, then you gotta do Hilltop.

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Speaker 1: So let's go with the Commonwealth first.

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Speaker 2: So we uh interior Eugene or Maxi's house and apparently

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Speaker 2: maxis chop eu jeens nerded cakes to science fiction smitherings.

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Speaker 2: Uh she she said, you know what, I'm done being

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Speaker 2: mad and now I'm ready to get you know, it's

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Speaker 2: time to get laid around here, And they was laid up.

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Speaker 1: The Jean was laid up in the bed wearing Maxi's shirt.

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Speaker 2: Probably about to go cook us some eggs, you Eastwood movie.

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Speaker 1: She was getting ready to go to work.

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Speaker 3: You know, she made the money in the house.

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Speaker 1: Well, I was sandless, so I thought we had a

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Speaker 1: lovely night, didn't we See? He was sleep he was

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Speaker 1: knocked out. She was afraid. She was scared. He even

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Speaker 1: woke up.

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Speaker 5: Mm hmmm, yeah we did.

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Speaker 1: What are you reading?

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Speaker 2: Just stuff on the physics objects in motion?

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Speaker 1: You know she read physics for fun. You know that's

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Speaker 1: Eugenie Tight that's stixy tall nigga. That's my type. That's

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Speaker 1: my type.

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Speaker 3: Yes, you wanna know more about this periodical table? Come

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Speaker 3: on over here.

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Speaker 1: That's let me give you some of these elements.

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Speaker 4: Come on, platinum, uranium.

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Speaker 1: Put the ass in potassium. You are the most remarkable

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Speaker 1: human I've ever met in my heir too far on

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Speaker 1: the misful life.

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Speaker 5: Carried away.

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Speaker 2: Now I trust his words now because this is the

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Speaker 2: second woman he slept with. So you know, the first

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Speaker 2: woman that was just the virginity talking.

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Speaker 1: But now he knows.

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Speaker 3: She ain't gonna disappear.

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Speaker 2: So they kissed it, and you'd love to see it.

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Speaker 2: He finally got with his queen, his real queen.

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Speaker 1: Okay, I didn't know.

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Speaker 2: I mean, listen, I'm not surprised because I feel like

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Speaker 2: on his porn hub he definitely be in the ebony section,

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Speaker 2: you know that section and all that stuff. So you know,

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Speaker 2: I give him his his props. He's not a John

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Speaker 2: mayor Penis.

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Speaker 1: Do y'aller.

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Speaker 4: Hearing White Sugar, he was like, no, how amongt some

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Speaker 4: of that brown sugar?

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Speaker 1: Watermelon sugar? H wasn't name of that song? That two

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Speaker 1: stound racist now you think about it.

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Speaker 2: He asked if she's having second thoughts about stealing the

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Speaker 2: secret files because that was the whole mission, and she worried. Uh,

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Speaker 2: she's worried that what's gonna happen next after they set

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Speaker 2: the plan in motion, and.

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Speaker 1: So she goes to work. Pamela Milton is practicing the

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Speaker 1: sea speech.

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Speaker 2: Max is sitting there in the office thinking on how

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Speaker 2: she's gonna get to that foul and Milton notices her

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Speaker 2: ruminating and ask, hey, are you okay? And Max is like, oh,

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Speaker 2: you know, I'm fine, and she's like if you need

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Speaker 2: to talk to me, you know, you could talk to me.

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Speaker 2: We confide in each other. Blah blah blah. But what

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Speaker 2: we also know is that Pamela, Milton and Max are

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Speaker 2: not on the same level.

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Speaker 1: No, it's just.

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Speaker 3: A boss coworker relationship.

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Speaker 2: The yeah, and it doesn't seem like Max is necessarily

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Speaker 2: a made person in the way that the Miltons are horns.

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Speaker 2: She helped you, right, So then Max informs Milton that

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Speaker 2: the account budget was sent over and they had a

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Speaker 2: fifty thousand dollars surplus, and she asked if Milton wanted

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Speaker 2: to start a scholarship fund for the less fortunate families,

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Speaker 2: and Milton's like, poor people for what?

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Speaker 6: For?

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Speaker 1: Who?

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Speaker 3: Who were trying to help? Why we need to help them?

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Speaker 1: Yeah?

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Speaker 2: Why we just you just told me we have a

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Speaker 2: surplus of money, and now you want to give a

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Speaker 2: scholarship so other people could get some money.

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Speaker 4: Tie the money of the poor people around.

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Speaker 3: What procrast?

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Speaker 4: You know? And she don't understand why that dude came

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Speaker 4: in there was like, uh, it's a like, hey, dog,

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Speaker 4: I'm disrupting this service, this ceremony because there is a

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Speaker 4: difference in how people are treated.

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Speaker 2: Right and she said, the extra funds go back into

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Speaker 2: the event, and Max tells Pamela, well, it's five o'clock.

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Speaker 2: You got a dinner you need to go to because

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Speaker 2: she knows her schedule right, so pab we needs to

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Speaker 2: go to dinner, and says, hey, you coming to you

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Speaker 2: even too, right, And she said, Max is like yeah,

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Speaker 2: I'm right behind you. But first she goes to the

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Speaker 2: foul cabinet and starts looking around for that secret fiule

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Speaker 2: because you know, this is all.

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Speaker 1: Part of the plan work, but I can get work.

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Speaker 2: To get to get Pamela out of the out of

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Speaker 2: the way so she can actually run it through the

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Speaker 2: file and find any evidence she cant on those missing

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Speaker 2: people from those hot heist and all that stuff. But

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Speaker 2: while she does that, Sebastian Milton's son comes busting in

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Speaker 2: and he is looking for his mama because he still

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Speaker 2: wants some money or some handouts or some shit.

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Speaker 1: She cut off.

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Speaker 2: His his money, his allowance basically, so he's basically pissed

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Speaker 2: and running through that.

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Speaker 4: He can't stand no more money either because basically the

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Speaker 4: two dudes he used to to kind of get all

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Speaker 4: that shit done and you know, blew people around her.

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Speaker 4: They did, And what is he doing with the fucking money?

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Speaker 4: Because they got that money for him and it's gone already.

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Speaker 3: Whore drugs, heah something, he wasting it?

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Speaker 2: So uh, even though Max has the foul from the

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Speaker 2: foul cabin, she has the high it kind of close

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Speaker 2: to her, like her body language is that she's kind

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Speaker 2: of keep the foul away from them, and then he

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Speaker 2: busted in her.

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Speaker 6: But I can get word to her for you.

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Speaker 1: Get word?

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Speaker 5: Yeah, yeah, why don't.

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Speaker 1: You go get word to her for me?

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Speaker 3: Her only child?

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Speaker 4: Such, I'm really sorry, Semi, but I was actually never stop.

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Speaker 5: We're working working you Oh god, I mean you even

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Speaker 5: take it home with I got it.

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Speaker 3: It's okay.

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Speaker 2: That's so he reaches for the foul and knocks it

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Speaker 2: out of her hand, and then they struggle over picking

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Speaker 2: it up. Yeah, so I don't know if he got

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Speaker 2: to look at it for sure, but they definitely heavily

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Speaker 2: implied that the way.

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Speaker 1: They fight over he would be suspicious about it.

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Speaker 5: He's clumsy after one too many afternoon coffee for a

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Speaker 5: man's drop.

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Speaker 2: So then he gives it back to her, the foiul

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Speaker 2: and then she leaves. But clearly some sort of like

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Speaker 2: this they didn't go through all this for us to

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Speaker 2: be like and and now everything finds.

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Speaker 1: But he does leave, but he's gonna be.

227
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Speaker 4: Suspicious, right, even if he didn't see it, he's gonna

228
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Speaker 4: be like a something's up or either he's seen it

229
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Speaker 4: and just ain't seeing them.

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Speaker 2: And it was real like weird and creepy energy. Like

231
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Speaker 2: I couldn't tell if he was gonna like sexually harass

232
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Speaker 2: her or if like there was a history there or something.

233
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Speaker 2: But I think they're just trying to nail down in

234
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Speaker 2: every way they can to this.

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Speaker 1: Guy just an asshole and not trustworthy.

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Speaker 2: So then lastly, Connie, Kelly, Max Magna, Eugene, and Rosita

237
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Speaker 2: meet and having a Whoop conference. Yeah, they meet and

238
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Speaker 2: they talk about the list of names that Max is

239
00:14:14,760 --> 00:14:19,400
Speaker 2: secured and they figure out, uh, they don't know the

240
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Speaker 2: code for how to figure out what all the names mean.

241
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Speaker 2: But Connie will write about the heist and the people

242
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Speaker 2: that she knows God in the heist and with Rosita

243
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Speaker 2: and Darryl kind of as witnesses and stuff, and she's

244
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Speaker 2: gonna blame it all on Pamela, which will I guess

245
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Speaker 2: in their mind, Pamela is the bad guy here because

246
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Speaker 2: it's happening on her watch.

247
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Speaker 1: And then Zeke comes in and says.

248
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Speaker 2: He has people who basically ready to ride on everybody

249
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Speaker 2: for him, and they all agree, Hey, we're gonna do this.

250
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Speaker 1: So it seems like the thing that I find interesting

251
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Speaker 1: here is.

252
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Speaker 2: The it kind of already is a revolution happening in

253
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Speaker 2: this place, but now all of our people are starting

254
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Speaker 2: their own revolution. It only makes sense that they would

255
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Speaker 2: join up unless that revolution is fake and the person

256
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Speaker 2: that gave them the paper, What if that was Hornsby

257
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Speaker 2: and he's manipulating our crew, and that there's like, like

258
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Speaker 2: whatever the revolution was before, could Hornsby be some type

259
00:15:32,320 --> 00:15:35,320
Speaker 2: of mastermind behind it and just be on some little

260
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Speaker 2: finger shit to try to get to the throne and

261
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Speaker 2: take over Pamela Milton. This is a complete conspiracy theory.

262
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Speaker 2: I have nothing but conjecture to validate this. But this

263
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Speaker 2: is what made what it made me think about when

264
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Speaker 2: I finished watching the episode, and.

265
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Speaker 3: I could see that possibility.

266
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Speaker 4: But I think my person think is on some other shit,

267
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Speaker 4: and I I think, for me, I think this group

268
00:16:04,000 --> 00:16:06,240
Speaker 4: and the other group would end up crossing at some

269
00:16:06,280 --> 00:16:10,800
Speaker 4: period of time. I think that this group is like, hey,

270
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Speaker 4: we're gonna be the voices because you have Connie versus.

271
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Speaker 4: You know, they can ignore quote unquote the other group

272
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Speaker 4: unless they come out and like that dude, make a scene.

273
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Speaker 4: You know, most people just ignore them, like like they

274
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Speaker 4: don't exist. But when shit start hitting the paper and

275
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Speaker 4: when should you know, start getting more public, And she's like,

276
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Speaker 4: that's when people are gonna start talking. Any would be

277
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Speaker 4: surprising if once that article breaks, that's when the group

278
00:16:32,080 --> 00:16:34,400
Speaker 4: will start reaching out to Connie and night Joppa hermo

279
00:16:34,480 --> 00:16:36,720
Speaker 4: hints and I think somebody from the group left her

280
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Speaker 4: the information in the first place.

281
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Speaker 3: I don't think it was Swansby.

282
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Speaker 1: Okay, yeah, it was just a conspiracy.

283
00:16:41,360 --> 00:16:43,360
Speaker 2: Like I said, I don't have anything to back it up,

284
00:16:43,400 --> 00:16:45,960
Speaker 2: and I could be dead wrong, but but it just

285
00:16:46,000 --> 00:16:50,720
Speaker 2: feels like, uh like I could see how Hornsby would

286
00:16:51,320 --> 00:16:55,920
Speaker 2: manipulate this, being that he oversaw all of their inductions

287
00:16:55,960 --> 00:17:01,000
Speaker 2: into the whatever the interview says, all that stuff them

288
00:17:01,040 --> 00:17:04,440
Speaker 2: getting in there, then they get this. Let they get

289
00:17:04,440 --> 00:17:08,160
Speaker 2: the names from somewhere slid under the door. We saw

290
00:17:08,200 --> 00:17:10,760
Speaker 2: what Hornsby was doing when Eugene busted them with them.

291
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Speaker 1: People like it's something I don't know.

292
00:17:13,359 --> 00:17:16,480
Speaker 2: It's like a lot of moving parts where if this

293
00:17:16,600 --> 00:17:19,760
Speaker 2: is a genuine revolution that has nothing to do with Hornsby,

294
00:17:20,480 --> 00:17:24,520
Speaker 2: it feels like, then then this group definitely needs to

295
00:17:24,680 --> 00:17:29,520
Speaker 2: link up with them people because those people already have

296
00:17:30,040 --> 00:17:31,080
Speaker 2: forces and they know the.

297
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Speaker 1: Lay of the land better than I grew.

298
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Speaker 2: The group does, or if it's a Hornsby thing, they

299
00:17:37,359 --> 00:17:39,359
Speaker 2: gonna have to fight them people or something at some point,

300
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Speaker 2: because Hornsby ain't really about revolution, he about getting power

301
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Speaker 2: for himself. So anyway, these are definitely big wild swings.

302
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Speaker 4: I could be wrong, And Hornsby's about they get down

303
00:17:50,000 --> 00:17:52,840
Speaker 4: and lay down, so and Horseby type of person, Well,

304
00:17:52,880 --> 00:17:55,000
Speaker 4: he'll show his hand and be like, yeah, I trick,

305
00:17:55,000 --> 00:17:56,080
Speaker 4: you'll blah blah blah blah.

306
00:17:56,119 --> 00:17:57,040
Speaker 3: What you're gonna do about it?

307
00:17:57,119 --> 00:17:58,679
Speaker 1: Yeah?

308
00:17:58,400 --> 00:18:03,240
Speaker 2: Uh So now Hornsby's group, if you guys remember Hornsby.

309
00:18:02,960 --> 00:18:09,240
Speaker 1: Was in the woods with a group of troops. Aaron, Aaron,

310
00:18:09,720 --> 00:18:12,520
Speaker 1: Gabe and Darryl were with him as well.

311
00:18:15,440 --> 00:18:20,240
Speaker 2: And he had found Leah and had said I want

312
00:18:20,280 --> 00:18:24,560
Speaker 2: to give you a assignment to do for me, And

313
00:18:24,600 --> 00:18:26,560
Speaker 2: they didn't say what it was, but we all assume

314
00:18:27,200 --> 00:18:30,200
Speaker 2: it's killing Maggie because, in my opinion, Maggie's in a way.

315
00:18:30,480 --> 00:18:33,280
Speaker 2: I know some people said also maybe killing Pamela Milton.

316
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Speaker 2: I think it's just killing Maggie.

317
00:18:35,440 --> 00:18:38,120
Speaker 4: Right, because she was, in a way his sole thing.

318
00:18:38,560 --> 00:18:41,320
Speaker 4: She would have agreed, he wouldn't have thought twice about her,

319
00:18:41,560 --> 00:18:45,119
Speaker 4: but for the fact that she was kind of being resistant,

320
00:18:46,000 --> 00:18:49,480
Speaker 4: and to an extent, I understand her point. It was

321
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Speaker 4: not her decision to make the decision for the entire group,

322
00:18:53,280 --> 00:18:56,479
Speaker 4: but I do understand her point. Like a doll, like

323
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Speaker 4: when you start doing certain shit, shit come with a price, like, yeah,

324
00:19:00,359 --> 00:19:02,600
Speaker 4: you can do this, but what about the freedoms that

325
00:19:02,680 --> 00:19:04,720
Speaker 4: we have. You know, I understand the looxury and all

326
00:19:04,720 --> 00:19:07,480
Speaker 4: that stuff, but there's something prices about being able to

327
00:19:07,520 --> 00:19:10,199
Speaker 4: come and go as you please and not being monitored

328
00:19:10,320 --> 00:19:13,960
Speaker 4: and and you know, uh, there is some form of

329
00:19:14,080 --> 00:19:16,879
Speaker 4: hierarchy there, because it's gonna be from a hockey no

330
00:19:16,880 --> 00:19:19,200
Speaker 4: matter what kind of government type of thing you have.

331
00:19:19,760 --> 00:19:21,800
Speaker 3: But you know, we're more.

332
00:19:24,320 --> 00:19:28,520
Speaker 4: Equal quote unquote, then it is there because they're basically

333
00:19:28,520 --> 00:19:30,679
Speaker 4: trying to take us back to normal life, and a

334
00:19:30,720 --> 00:19:33,879
Speaker 4: lot of a lot of people normal life was not great.

335
00:19:34,480 --> 00:19:38,520
Speaker 2: Yeah, I think also he he she doesn't know, but

336
00:19:38,600 --> 00:19:42,040
Speaker 2: you can feel that Milton wants to rule over these

337
00:19:42,920 --> 00:19:47,479
Speaker 2: and these places, and that's what Pamela Milton is saying too, like,

338
00:19:47,680 --> 00:19:49,880
Speaker 2: you know, you can basically be the leader of these

339
00:19:50,600 --> 00:19:52,600
Speaker 2: communities if you just get them to come in.

340
00:19:52,760 --> 00:19:55,920
Speaker 1: So anyway, we start with Milton flipping.

341
00:19:55,560 --> 00:19:59,639
Speaker 2: A coin like two face and dividing up his soldier

342
00:19:59,680 --> 00:20:01,560
Speaker 2: in the group without telling them what their solignts are

343
00:20:01,600 --> 00:20:05,639
Speaker 2: gonna be. Then Darryl Aaron gave Secure a house with

344
00:20:05,760 --> 00:20:09,679
Speaker 2: some soldiers and they discussed when are like, when are

345
00:20:09,720 --> 00:20:11,800
Speaker 2: they gonna be able to find their moment. They don't

346
00:20:11,840 --> 00:20:14,520
Speaker 2: exactly say what their moment is for, but I assume

347
00:20:14,720 --> 00:20:18,440
Speaker 2: at this point their moment to either escape these soldiers,

348
00:20:18,480 --> 00:20:21,600
Speaker 2: get away from Hornsby, you know, help the people at

349
00:20:21,640 --> 00:20:27,399
Speaker 2: Hilltop something, because they're not really down with what Hornsby's

350
00:20:27,440 --> 00:20:29,520
Speaker 2: doing and they can't trust him.

351
00:20:29,520 --> 00:20:32,040
Speaker 4: And it's one of those things where they go, hey, dog,

352
00:20:32,080 --> 00:20:34,160
Speaker 4: we might not make it bad. They might just turn

353
00:20:34,200 --> 00:20:35,439
Speaker 4: and just kill us all out.

354
00:20:35,280 --> 00:20:36,480
Speaker 3: Here in the middle of nowhere.

355
00:20:36,359 --> 00:20:38,920
Speaker 1: Exactly like, oh well they just died, exactly.

356
00:20:38,920 --> 00:20:40,919
Speaker 2: They've seen too much now to just go back to

357
00:20:40,960 --> 00:20:43,960
Speaker 2: the Commonwealth, right, you know, they saw the CIA, dude,

358
00:20:45,320 --> 00:20:46,480
Speaker 2: You know they've seen the.

359
00:20:46,440 --> 00:20:48,560
Speaker 3: Fact that Hornsby he didn't believe them.

360
00:20:50,200 --> 00:20:53,160
Speaker 2: Yes, and they saw the fact that Hornsby had even

361
00:20:53,200 --> 00:20:57,760
Speaker 2: been secret in secreting those weapons out there, which is

362
00:20:58,040 --> 00:20:58,720
Speaker 2: he didn't want.

363
00:20:58,600 --> 00:20:59,520
Speaker 1: Pamela Milton though.

364
00:20:59,560 --> 00:21:02,119
Speaker 2: So while we you won't gave it Aaron Audum to

365
00:21:02,160 --> 00:21:06,320
Speaker 2: know now that the ship's gone sideways, So the soldiers

366
00:21:06,320 --> 00:21:09,600
Speaker 2: tell them keep clearing houses until we're done, you know,

367
00:21:09,720 --> 00:21:11,879
Speaker 2: under the assumption they're still looking for the weapons and

368
00:21:11,920 --> 00:21:13,920
Speaker 2: looking for the people who stole them, and looking for.

369
00:21:13,920 --> 00:21:15,800
Speaker 1: The people from that compound.

370
00:21:16,280 --> 00:21:19,359
Speaker 2: Daryl mentions that there's a rumor that Charleston has weapon

371
00:21:20,200 --> 00:21:25,280
Speaker 2: trading on the rooftops, and it made me wonder if

372
00:21:25,320 --> 00:21:30,040
Speaker 2: that's a callback to the Telltale Walking Dead games, because

373
00:21:30,080 --> 00:21:33,960
Speaker 2: there's a chapter or two that take place in Charleston.

374
00:21:34,119 --> 00:21:37,200
Speaker 2: I think actually the final chapter takes place in South

375
00:21:37,200 --> 00:21:41,960
Speaker 2: Carolina and Charleston, and there's a rooftop stuff and all

376
00:21:42,000 --> 00:21:44,960
Speaker 2: this stuff in the church and the bell and so

377
00:21:45,000 --> 00:21:46,880
Speaker 2: it just made me wonder it could That's a very

378
00:21:46,880 --> 00:21:49,080
Speaker 2: small detail. It might have nothing to do with that shit,

379
00:21:49,160 --> 00:21:50,119
Speaker 2: but it made me think about it.

380
00:21:50,160 --> 00:21:52,520
Speaker 4: That but I can see knowing where you messed with

381
00:21:52,560 --> 00:21:54,640
Speaker 4: the cane and then you, probably.

382
00:21:55,400 --> 00:21:58,640
Speaker 2: Because Glenn was in those games for a little bit

383
00:21:59,680 --> 00:22:05,479
Speaker 2: like two. So we get Convenience zombie attack, which they

384
00:22:05,560 --> 00:22:10,239
Speaker 2: killed easily, but a sojier Nae Romano gets blood on

385
00:22:10,280 --> 00:22:13,560
Speaker 2: his helmet and stuff and he has to take his

386
00:22:13,640 --> 00:22:16,000
Speaker 2: helmet off so we can see his face, which means

387
00:22:16,040 --> 00:22:20,199
Speaker 2: you know, he's quote unquote important this week. And he

388
00:22:20,240 --> 00:22:23,760
Speaker 2: gives a location on the walkie talkie to Hornsby, so

389
00:22:23,880 --> 00:22:26,520
Speaker 2: we know Hornsby is checking up. And so Daryl says,

390
00:22:26,520 --> 00:22:28,840
Speaker 2: Hornsby checking on us, We need to watch our backs.

391
00:22:30,000 --> 00:22:31,880
Speaker 4: He want to know our location at all times. That's

392
00:22:31,880 --> 00:22:34,439
Speaker 4: what he actually been with their at right, Because the

393
00:22:34,520 --> 00:22:37,760
Speaker 4: thing about Daryl Darren no protocols, So he's like, hey,

394
00:22:37,840 --> 00:22:40,640
Speaker 4: did he keep checking more frequently than he should?

395
00:22:40,840 --> 00:22:46,679
Speaker 2: Also, Hornsby not stupid enough to like trait to trust him, Like,

396
00:22:46,760 --> 00:22:50,359
Speaker 2: it's definitely something going on, whether you are on Darryl

397
00:22:50,440 --> 00:22:52,840
Speaker 2: and all the crew side or not, it's still something

398
00:22:52,840 --> 00:22:53,199
Speaker 2: going on.

399
00:22:56,080 --> 00:23:02,280
Speaker 1: So then Hornsby talks to Leah saying this is exciting.

400
00:23:02,760 --> 00:23:06,639
Speaker 2: Things are coming together, and he says, I need you

401
00:23:06,680 --> 00:23:07,560
Speaker 2: to kill Maggie.

402
00:23:08,040 --> 00:23:10,480
Speaker 1: You get to kill Maggie. I get to do my

403
00:23:10,600 --> 00:23:11,600
Speaker 1: job without interference.

404
00:23:11,680 --> 00:23:15,240
Speaker 2: Everybody wins, and then there's this loud bug sound and

405
00:23:15,280 --> 00:23:18,040
Speaker 2: they all look up in the air and it's uh.

406
00:23:18,440 --> 00:23:22,159
Speaker 2: I saw in an interview afterwards, UH with Jessica U

407
00:23:23,359 --> 00:23:29,199
Speaker 2: with King the God, she said that the locus is like,

408
00:23:29,480 --> 00:23:32,000
Speaker 2: you know, a play, it's like a sound of impending doom.

409
00:23:32,760 --> 00:23:35,760
Speaker 2: So it's like a it's like a bunch of locusts

410
00:23:35,760 --> 00:23:39,280
Speaker 2: that that they're hearing. I thought it was cicadas or something.

411
00:23:39,200 --> 00:23:43,040
Speaker 4: But I thought it was locus too because because it

412
00:23:43,119 --> 00:23:45,480
Speaker 4: because it made me think of like in times, yeah,

413
00:23:45,800 --> 00:23:46,400
Speaker 4: type of things.

414
00:23:46,440 --> 00:23:48,120
Speaker 3: So I was like, locus.

415
00:23:48,119 --> 00:23:50,200
Speaker 2: Oh yeah, I know it's locus now, but I didn't

416
00:23:50,200 --> 00:23:51,040
Speaker 2: know at the time, and.

417
00:23:51,000 --> 00:23:52,520
Speaker 3: I could see I could see somebody.

418
00:23:52,280 --> 00:23:54,760
Speaker 2: Think, yeah, I was just because it's called active God.

419
00:23:54,920 --> 00:23:57,920
Speaker 2: And I thought maybe the cirkatas because they only blow

420
00:23:58,240 --> 00:24:01,159
Speaker 2: bloom they only come out every eleven years or some

421
00:24:01,200 --> 00:24:03,040
Speaker 2: shit like some odd number like that.

422
00:24:03,520 --> 00:24:06,600
Speaker 1: Anyway, I was wrong. It was Locus. So I don't

423
00:24:06,600 --> 00:24:07,440
Speaker 1: even know. I'll keep talking.

424
00:24:07,520 --> 00:24:13,200
Speaker 2: And so then they so, yeah, they look up at that,

425
00:24:13,359 --> 00:24:18,440
Speaker 2: and he also demands evidence of Maggie's death, and Leah

426
00:24:18,520 --> 00:24:20,320
Speaker 2: leaves with a contingent of soldiers.

427
00:24:20,400 --> 00:24:21,600
Speaker 1: That's what the flipping.

428
00:24:21,280 --> 00:24:25,520
Speaker 2: Coins was about the ones that got like heads or

429
00:24:25,520 --> 00:24:29,120
Speaker 2: tails or whatever. Their secret mission is to accompany Leah.

430
00:24:29,720 --> 00:24:33,960
Speaker 2: So because I was thinking she does she have a group,

431
00:24:34,000 --> 00:24:35,960
Speaker 2: why would she need all those weapons, And now we

432
00:24:36,040 --> 00:24:38,520
Speaker 2: find out she doesn't have a group, I guess she

433
00:24:38,560 --> 00:24:39,720
Speaker 2: took them webons for herself.

434
00:24:40,200 --> 00:24:44,280
Speaker 1: She was solo in it, and but she's led groups before.

435
00:24:44,680 --> 00:24:48,280
Speaker 2: These soldiers are gonna now back her up in her

436
00:24:48,320 --> 00:24:49,560
Speaker 2: mission to go get Maggie.

437
00:24:50,760 --> 00:24:53,120
Speaker 1: Hornsby checks to see if they've done the sweep.

438
00:24:53,320 --> 00:24:57,240
Speaker 2: Done sweeping locations, and Romondo says one last sweep in

439
00:24:57,240 --> 00:25:00,119
Speaker 2: their headed home, which means to Daryl and them, I

440
00:25:00,119 --> 00:25:01,960
Speaker 2: believe this is where they kill.

441
00:25:01,880 --> 00:25:04,439
Speaker 3: Us, right right right, because we're not gonna make it

442
00:25:04,480 --> 00:25:05,160
Speaker 3: back to Hornsby.

443
00:25:05,480 --> 00:25:05,720
Speaker 1: Yeah.

444
00:25:05,840 --> 00:25:08,639
Speaker 2: Darryl offers to lead, as if he's oblivious to it.

445
00:25:09,040 --> 00:25:11,240
Speaker 2: They get to a parking lot of broken down cars.

446
00:25:11,280 --> 00:25:15,359
Speaker 2: They ambush the soldiers there, Darryl, Eugene and.

447
00:25:16,920 --> 00:25:17,280
Speaker 1: Aaron.

448
00:25:17,960 --> 00:25:20,200
Speaker 2: I mean, I'm sorry, Gabe, and then they have this

449
00:25:20,280 --> 00:25:22,680
Speaker 2: big long shootout on some heat shit.

450
00:25:22,840 --> 00:25:24,960
Speaker 1: This is blah blah blah blah blah.

451
00:25:25,200 --> 00:25:30,160
Speaker 2: The firefright draws walkers and they do this thing where

452
00:25:30,200 --> 00:25:31,200
Speaker 2: like you know, it's all.

453
00:25:31,119 --> 00:25:33,800
Speaker 1: The shooting, and then they just cut the commercial comeback.

454
00:25:34,840 --> 00:25:41,240
Speaker 2: And we see poetic TV drama because Romano, the woe

455
00:25:41,280 --> 00:25:43,560
Speaker 2: without a helmet, is the only one left alive of

456
00:25:43,680 --> 00:25:47,280
Speaker 2: the soldiers and he's crawling on the ground and Darryl

457
00:25:47,359 --> 00:25:50,879
Speaker 2: interrogates him for the location of Hornsby. He tells them

458
00:25:50,920 --> 00:25:55,320
Speaker 2: that Hornsey tells him that I'm sorry. Romano tells him

459
00:25:55,320 --> 00:25:58,600
Speaker 2: that Hornsby wants to clear the field, and Hornsby Radio

460
00:25:58,760 --> 00:26:02,119
Speaker 2: is in and Maryl informs him that Romano.

461
00:26:01,920 --> 00:26:03,359
Speaker 1: Is dead because they killed Romano.

462
00:26:03,560 --> 00:26:06,440
Speaker 4: Yeah, Daryl does, because it's one of those things, you know,

463
00:26:06,480 --> 00:26:09,320
Speaker 4: when they're talking to him and stuff. He was like, yeah,

464
00:26:09,480 --> 00:26:11,960
Speaker 4: we can't let you live like that, that's not an option.

465
00:26:12,240 --> 00:26:12,440
Speaker 1: Yeah.

466
00:26:12,480 --> 00:26:15,480
Speaker 2: Well, it looked like a walker was coming and it

467
00:26:15,640 --> 00:26:17,760
Speaker 2: was like, do you want to die that way?

468
00:26:17,920 --> 00:26:19,920
Speaker 1: You want me to kill you fast? Right, So it

469
00:26:20,040 --> 00:26:21,359
Speaker 1: wasn't a lot of choices, right.

470
00:26:22,520 --> 00:26:27,440
Speaker 2: So then rewind nineteen hours and one act of God

471
00:26:27,440 --> 00:26:33,040
Speaker 2: to go on Hilltop. Maggie Lee's Herschel Babe, Herschel out

472
00:26:33,040 --> 00:26:37,439
Speaker 2: of Hilltop has him esquorted away somewhere. He's going to

473
00:26:37,440 --> 00:26:42,520
Speaker 2: have him esquorted away, and Elijah and this other dude.

474
00:26:43,280 --> 00:26:46,159
Speaker 2: I can't remember his name at the moment, but I

475
00:26:46,160 --> 00:26:49,280
Speaker 2: think I got wroted down later. Uh, they're going but

476
00:26:49,359 --> 00:26:51,600
Speaker 2: it's the same dude that told Elijah like, you need

477
00:26:51,600 --> 00:26:52,720
Speaker 2: to holler at Lydia, you know.

478
00:26:53,720 --> 00:26:58,199
Speaker 1: So they're going to go twelve miles south.

479
00:26:59,359 --> 00:27:02,639
Speaker 2: They make it uh and and and Maggie's like that,

480
00:27:02,840 --> 00:27:05,159
Speaker 2: you know herschel. We gotta basically get you out of

481
00:27:05,200 --> 00:27:07,440
Speaker 2: here because I'm about to go. Mama gotta do some killing.

482
00:27:08,000 --> 00:27:09,960
Speaker 3: Mama got somebody say, Marco is his name?

483
00:27:10,080 --> 00:27:11,280
Speaker 1: Yeah, Marco, that's his name.

484
00:27:11,680 --> 00:27:13,920
Speaker 2: So it's like, I Mama gotta do some killing and

485
00:27:13,960 --> 00:27:16,200
Speaker 2: ship you go with mama friends and you.

486
00:27:16,160 --> 00:27:16,760
Speaker 1: Know how we do.

487
00:27:16,840 --> 00:27:20,640
Speaker 2: Baby, this ain't this ain't your first rodeo. You know,

488
00:27:21,640 --> 00:27:28,560
Speaker 2: it'll be all right, and so uh okay. So then uh,

489
00:27:29,840 --> 00:27:34,600
Speaker 2: they making it to the woods and the Marco says,

490
00:27:35,240 --> 00:27:38,000
Speaker 2: seems like it's getting closer, and Lodger says, because it is,

491
00:27:38,040 --> 00:27:42,000
Speaker 2: and I think it's the sound of those things locus.

492
00:27:42,200 --> 00:27:44,280
Speaker 1: And then Lydia agrees them and says this way. They

493
00:27:44,280 --> 00:27:48,200
Speaker 1: open up an underground area and Meggan's people are in there.

494
00:27:48,600 --> 00:27:50,960
Speaker 2: Maggie and them been hiding these niggas in the underground

495
00:27:51,040 --> 00:27:52,800
Speaker 2: railroad in the middle of the woods.

496
00:27:52,520 --> 00:27:54,560
Speaker 3: Right the whole twody find them.

497
00:27:54,640 --> 00:27:56,679
Speaker 2: Yeah, And it turns out it used to be a

498
00:27:56,720 --> 00:28:00,120
Speaker 2: whisperer hide out, which is how Lydia knew about it.

499
00:28:00,160 --> 00:28:04,639
Speaker 2: And Maggie tells Nigga's black wife and that Hornsby and

500
00:28:04,680 --> 00:28:08,399
Speaker 2: his men are coming, and Nigga says, well, I'm not

501
00:28:08,440 --> 00:28:10,879
Speaker 2: gonna fight for Hilltop because the ship hold it is

502
00:28:10,920 --> 00:28:15,439
Speaker 2: not worth saving, and Maggie is like, he's right, m hm.

503
00:28:16,040 --> 00:28:18,480
Speaker 2: And he had tried to like be like, oh, Nigga, baby,

504
00:28:18,520 --> 00:28:19,960
Speaker 2: don't talk about them people house.

505
00:28:19,840 --> 00:28:22,359
Speaker 1: Like that, and he was like they got roaches and

506
00:28:22,400 --> 00:28:23,800
Speaker 1: it's like ghetto.

507
00:28:23,720 --> 00:28:27,040
Speaker 7: This dirty dusty ass plays the fuck you save it

508
00:28:27,040 --> 00:28:30,719
Speaker 7: to try to save it for and basically everybody had

509
00:28:30,800 --> 00:28:34,640
Speaker 7: left anyway, but for him, I was like.

510
00:28:34,680 --> 00:28:43,520
Speaker 4: Ghetto, ghetto niggas, Like I'm tired of being nice everybody

511
00:28:43,560 --> 00:28:45,320
Speaker 4: around here and we tell so I'm gonna tell you

512
00:28:45,320 --> 00:28:45,720
Speaker 4: the truth.

513
00:28:46,080 --> 00:28:47,480
Speaker 1: That ship is ghetto.

514
00:28:48,080 --> 00:28:52,360
Speaker 2: And also, like Meagan has not been raised in Sally's

515
00:28:52,400 --> 00:28:56,520
Speaker 2: Beauty and uh, the Korean hairstore for his wife just

516
00:28:56,760 --> 00:28:58,520
Speaker 2: to have a down in the hilltop come on.

517
00:28:59,800 --> 00:29:01,640
Speaker 1: So then Megan says.

518
00:29:02,360 --> 00:29:05,880
Speaker 2: Maggie's like, listen, I'm you're right, but I gotta go

519
00:29:05,960 --> 00:29:08,960
Speaker 2: fight these people or stuff. And Meighan says, well, I'm

520
00:29:09,000 --> 00:29:09,560
Speaker 2: coming with.

521
00:29:09,520 --> 00:29:10,560
Speaker 4: You, and.

522
00:29:12,000 --> 00:29:16,479
Speaker 2: Uh uh, I mean like these says come on her,

523
00:29:16,640 --> 00:29:21,120
Speaker 2: going yeah, yeah with her, but then she says no,

524
00:29:21,680 --> 00:29:27,640
Speaker 2: and Maggie is his long speech. It's it's like, like, honestly,

525
00:29:27,760 --> 00:29:29,600
Speaker 2: I could see if people didn't really fuck with this

526
00:29:29,680 --> 00:29:34,280
Speaker 2: speech to some extent, because it's that thing where like

527
00:29:34,440 --> 00:29:37,800
Speaker 2: she has done so much to just not trust this dude,

528
00:29:37,920 --> 00:29:41,160
Speaker 2: to not fuck with this dude on any level, and

529
00:29:41,200 --> 00:29:46,680
Speaker 2: then here she is finally like not just like trusting them,

530
00:29:46,760 --> 00:29:51,040
Speaker 2: but like wanting to put her kid in the hands

531
00:29:51,080 --> 00:29:56,680
Speaker 2: of this dude in a way that almost makes no sense.

532
00:29:56,880 --> 00:29:59,920
Speaker 2: Like I'm not saying it makes no sense, but like, yeah,

533
00:30:00,120 --> 00:30:00,800
Speaker 2: like I would get that.

534
00:30:00,840 --> 00:30:02,880
Speaker 1: People. It was like, I don't fuck with this part

535
00:30:03,000 --> 00:30:04,120
Speaker 1: right here, because it was like a.

536
00:30:04,120 --> 00:30:07,200
Speaker 2: One eighty and she has been so adamant. But also

537
00:30:07,280 --> 00:30:11,920
Speaker 2: they put Nigga in through so many paces to plas yeah,

538
00:30:11,920 --> 00:30:14,360
Speaker 2: they've earned this moment, but it felt like we got

539
00:30:14,360 --> 00:30:17,280
Speaker 2: to a point where Maggie would have never seen things

540
00:30:17,280 --> 00:30:17,840
Speaker 2: the other way.

541
00:30:18,480 --> 00:30:23,560
Speaker 3: I need you to stay here, with herschel with those others, keep.

542
00:30:23,400 --> 00:30:25,640
Speaker 6: Them away from him, on top and safe until this

543
00:30:25,760 --> 00:30:26,120
Speaker 6: is over.

544
00:30:27,040 --> 00:30:32,520
Speaker 1: He doesn't exactly trust me, but I am starting to.

545
00:30:37,240 --> 00:30:48,000
Speaker 6: You're saved him that river band, whatever else happens, whatever

546
00:30:48,120 --> 00:30:49,000
Speaker 6: else has happened.

547
00:30:51,160 --> 00:30:52,280
Speaker 5: Oh, I'll never forget that.

548
00:30:57,160 --> 00:31:05,240
Speaker 1: You have, boss, Maggy reck, I got you and I

549
00:31:05,320 --> 00:31:08,800
Speaker 1: got you boy, So I guess they cool now?

550
00:31:09,440 --> 00:31:12,440
Speaker 4: Yeah, and you know, and to her credit, she was like,

551
00:31:12,480 --> 00:31:15,160
Speaker 4: I'm starting to, which means that is that one hundred percent.

552
00:31:15,280 --> 00:31:18,400
Speaker 4: And it's one of those things too where she kind

553
00:31:18,400 --> 00:31:21,720
Speaker 4: of is like, hey, dog, like okay, okay, okay, shit,

554
00:31:21,840 --> 00:31:24,320
Speaker 4: you've you've improving yourself.

555
00:31:24,520 --> 00:31:24,960
Speaker 3: Okay.

556
00:31:25,040 --> 00:31:28,000
Speaker 1: I guess I just feel like somewhere.

557
00:31:29,400 --> 00:31:32,280
Speaker 2: Glenning is rolling over in hell, like I can't believe

558
00:31:32,320 --> 00:31:33,080
Speaker 2: Maggie did this.

559
00:31:33,400 --> 00:31:36,719
Speaker 1: You know, how soon we forget?

560
00:31:37,760 --> 00:31:41,560
Speaker 2: Uh she did not keep that same energy, but uh

561
00:31:41,600 --> 00:31:44,720
Speaker 2: it's very expedient because I mean she needs a babysitter

562
00:31:44,800 --> 00:31:45,080
Speaker 2: right now.

563
00:31:45,120 --> 00:31:46,880
Speaker 3: I mean, who else was going babysit them?

564
00:31:47,280 --> 00:31:49,960
Speaker 2: Then the bug started making loud noises. The camera pans out.

565
00:31:50,000 --> 00:31:52,080
Speaker 2: We see the bugs needing cause of the sign from

566
00:31:52,080 --> 00:31:56,440
Speaker 2: the man upstairs aka a plague of locus aka a

567
00:31:56,520 --> 00:32:00,520
Speaker 2: sign of an act of God. Elijah, Matt and Lydia

568
00:32:00,560 --> 00:32:03,760
Speaker 2: prepare for the battle in the Hilltop Governor's mansion.

569
00:32:04,400 --> 00:32:08,560
Speaker 1: They basically sneak back in and set up a bunch of.

570
00:32:08,480 --> 00:32:11,680
Speaker 2: Traps and shit, and the covert soldiers come into the

571
00:32:11,760 --> 00:32:15,440
Speaker 2: mansion and it's wired to explode. Maggieing them say to

572
00:32:15,480 --> 00:32:19,040
Speaker 2: follow the trail back because the soldiers go.

573
00:32:19,080 --> 00:32:21,800
Speaker 1: Up in there, boom blows up.

574
00:32:21,840 --> 00:32:23,960
Speaker 2: A bunch of them get fucked up, and Maggie and

575
00:32:24,000 --> 00:32:25,800
Speaker 2: them are like, all right, now we go in and

576
00:32:25,880 --> 00:32:28,800
Speaker 2: kill them and in this whole thing, because it's like,

577
00:32:28,840 --> 00:32:32,400
Speaker 2: we just need to kill these soldiers and.

578
00:32:34,040 --> 00:32:36,280
Speaker 3: Uh, because then we know we won't be tracked.

579
00:32:36,560 --> 00:32:40,000
Speaker 1: Yeah, except I think at.

580
00:32:39,800 --> 00:32:43,400
Speaker 2: This point they don't know Leah's with them soldiers, and

581
00:32:43,520 --> 00:32:45,720
Speaker 2: Leah was on some motherfucking star trek shit because she

582
00:32:45,760 --> 00:32:47,040
Speaker 2: sent them red shirts.

583
00:32:46,800 --> 00:32:49,440
Speaker 1: Up in there on their own. Let them get killed.

584
00:32:50,000 --> 00:32:53,800
Speaker 2: And they go to get up and Marco gets blad

585
00:32:53,800 --> 00:32:56,320
Speaker 2: owned Oh he's been down.

586
00:32:56,360 --> 00:32:58,280
Speaker 3: I'm saying, holy oh shit, did see that coming?

587
00:32:58,840 --> 00:33:02,120
Speaker 1: Yeah, like he he caught he caught it bad. Okay,

588
00:33:02,360 --> 00:33:03,959
Speaker 1: it was.

589
00:33:15,560 --> 00:33:15,760
Speaker 6: Rock.

590
00:33:26,560 --> 00:33:27,160
Speaker 1: It was bad.

591
00:33:27,280 --> 00:33:29,280
Speaker 3: It was bad. That shit came out of Noel.

592
00:33:30,640 --> 00:33:31,360
Speaker 1: So then.

593
00:33:33,240 --> 00:33:36,800
Speaker 2: Uh, they once they see that is Leah and she's

594
00:33:36,840 --> 00:33:37,600
Speaker 2: on her rambo.

595
00:33:39,720 --> 00:33:41,440
Speaker 1: They you know, they cut away the commercial.

596
00:33:42,160 --> 00:33:45,000
Speaker 2: Hornsby is in the exploded in the exploded mansion later

597
00:33:45,080 --> 00:33:48,240
Speaker 2: with the other black out soldiers, the other other dudes,

598
00:33:48,280 --> 00:33:51,680
Speaker 2: and he's pissed the bugs flying around. A soldier tails

599
00:33:51,720 --> 00:33:55,200
Speaker 2: him that three people got killed. Hornsby radios for Leah

600
00:33:55,360 --> 00:33:55,760
Speaker 2: Leah a.

601
00:33:56,000 --> 00:34:00,240
Speaker 1: Esern but or I'm not.

602
00:34:00,280 --> 00:34:02,960
Speaker 2: I'm sorry, Leah answers. But she ain't listening to him

603
00:34:02,960 --> 00:34:06,280
Speaker 2: no more like he's like, listen, you got my man killed.

604
00:34:06,280 --> 00:34:08,560
Speaker 2: And she's like, I'm drawing him out and he's like, well,

605
00:34:08,600 --> 00:34:10,279
Speaker 2: let me see him some backup. She's like, I'm doing

606
00:34:10,280 --> 00:34:14,520
Speaker 2: it my way and your man just collateral damage. Because

607
00:34:14,560 --> 00:34:16,880
Speaker 2: she is a woman on a mission. And it's so

608
00:34:17,040 --> 00:34:20,960
Speaker 2: ironic because her whole thing was other soldiers is family,

609
00:34:21,000 --> 00:34:23,759
Speaker 2: blah blah blah. And now she just she's even more

610
00:34:23,800 --> 00:34:26,799
Speaker 2: cutthroat and ruthless than anybody because she basically like, fuck

611
00:34:26,840 --> 00:34:27,680
Speaker 2: the mother soldiers.

612
00:34:28,040 --> 00:34:30,480
Speaker 4: Yeah, because it's one of those things where she even

613
00:34:30,560 --> 00:34:32,879
Speaker 4: want Maggie dead because Maggie quote unquote.

614
00:34:32,600 --> 00:34:33,360
Speaker 1: Here her family.

615
00:34:33,800 --> 00:34:37,640
Speaker 4: But the thing is she should have left when earlier

616
00:34:37,760 --> 00:34:40,359
Speaker 4: she kept sucking around and gave Maggie not try funny game,

617
00:34:40,360 --> 00:34:44,560
Speaker 4: Maggie time to fuck him up. And it's also one

618
00:34:44,560 --> 00:34:47,279
Speaker 4: of those things where Maggie was like, hey, dog, like

619
00:34:47,480 --> 00:34:49,680
Speaker 4: if this was the other way around, would you have

620
00:34:49,760 --> 00:34:50,480
Speaker 4: spared us? No?

621
00:34:50,640 --> 00:34:51,480
Speaker 3: But then fuck you.

622
00:34:53,520 --> 00:34:56,320
Speaker 4: And also it's one of those things too where Hornsby

623
00:34:56,360 --> 00:34:57,880
Speaker 4: didn't know who what he was getting.

624
00:34:57,920 --> 00:34:59,160
Speaker 3: He was like, well, I need a killer.

625
00:35:00,080 --> 00:35:04,880
Speaker 4: Killer's killed, and killer's don't care about other corlladal damage

626
00:35:04,880 --> 00:35:06,920
Speaker 4: and people like no. They're like no, I'm here on

627
00:35:06,920 --> 00:35:09,440
Speaker 4: the mission. And if you know these people doe they

628
00:35:09,520 --> 00:35:12,640
Speaker 4: just dieing. In Huntsy's perspective, because he's kind of managing,

629
00:35:12,719 --> 00:35:15,120
Speaker 4: he's like, well, shit, now where got soldiers down? I

630
00:35:15,120 --> 00:35:17,840
Speaker 4: got to explain why these soldiers died and shit like that.

631
00:35:17,960 --> 00:35:18,759
Speaker 3: And she don't care.

632
00:35:18,800 --> 00:35:20,320
Speaker 1: Fun about that yep.

633
00:35:21,800 --> 00:35:25,840
Speaker 2: So then one of the soldiers tells haunsbe we'll find Maggie.

634
00:35:25,880 --> 00:35:30,080
Speaker 1: Don't worry about it. Daryl gave and Aaron, having killed

635
00:35:30,239 --> 00:35:31,760
Speaker 1: the people that was with them.

636
00:35:32,040 --> 00:35:34,439
Speaker 2: They go through the woods. They see someone said trash

637
00:35:34,480 --> 00:35:38,960
Speaker 2: for people. There's also walkers all around. Aaron recognizes Leah

638
00:35:39,040 --> 00:35:44,920
Speaker 2: is out here, yep, and I'm sorry, I'm Daryl Daryl recognizes.

639
00:35:44,880 --> 00:35:47,560
Speaker 1: And uh, he says.

640
00:35:47,480 --> 00:35:50,600
Speaker 2: We need to split up a couple more ground Now.

641
00:35:50,640 --> 00:35:52,680
Speaker 2: To me, I'm like, why the fuck would y'all do that?

642
00:35:52,800 --> 00:35:55,759
Speaker 2: But okay, storytelling reasons.

643
00:35:56,200 --> 00:35:56,319
Speaker 3: Uh.

644
00:35:56,600 --> 00:36:00,600
Speaker 2: Maggie tells Elijah and Lydia to lee her alone to

645
00:36:00,640 --> 00:36:05,440
Speaker 2: fight Lea by herself. They leave once again. Storytelling reasons

646
00:36:05,760 --> 00:36:10,000
Speaker 2: seem like y'all have um, yeah, seem like that's a

647
00:36:10,040 --> 00:36:12,319
Speaker 2: bad idea, But what do I know. I'm just I'm

648
00:36:12,360 --> 00:36:14,600
Speaker 2: just a guy. I'm not a I'm not a walking

649
00:36:14,680 --> 00:36:15,160
Speaker 2: dance about.

650
00:36:15,360 --> 00:36:16,920
Speaker 3: They just want to show they just we gotta have

651
00:36:16,960 --> 00:36:17,520
Speaker 3: a showdown.

652
00:36:17,960 --> 00:36:20,040
Speaker 2: Yeah, And I think really they're just setting this thing

653
00:36:20,120 --> 00:36:26,000
Speaker 2: up to be like a Maggie, Leah Darryl type of showdown,

654
00:36:26,000 --> 00:36:28,360
Speaker 2: because that's kind of been the theme of that storyline

655
00:36:29,080 --> 00:36:35,600
Speaker 2: at this point. So they end up splitting up, and

656
00:36:35,719 --> 00:36:38,279
Speaker 2: Hornsby and his men find a bloody rag tied to

657
00:36:38,360 --> 00:36:43,439
Speaker 2: a tree is leading him somewhere. Maggie tries to I'm sorry,

658
00:36:43,920 --> 00:36:48,920
Speaker 2: I skip something. Maggie stealthily kills a walker and then

659
00:36:49,000 --> 00:36:51,560
Speaker 2: her and Leah have a shootout. Maggie clips Lea in

660
00:36:51,600 --> 00:36:55,239
Speaker 2: the leg, but she gets Maggie is a getting.

661
00:36:55,000 --> 00:36:57,919
Speaker 1: Knocked out by Leah and then she wakes up tied

662
00:36:57,960 --> 00:36:59,239
Speaker 1: to a chair and a snack in a.

663
00:36:59,360 --> 00:37:07,480
Speaker 2: Shack, and that's when uh, Leah's ready to take her

664
00:37:07,480 --> 00:37:10,480
Speaker 2: revenge on Maggie, but of course not without a whole

665
00:37:10,520 --> 00:37:11,240
Speaker 2: lot of talking.

666
00:37:12,120 --> 00:37:12,319
Speaker 6: Talk.

667
00:37:12,560 --> 00:37:13,399
Speaker 1: You got to talk.

668
00:37:13,960 --> 00:37:15,319
Speaker 3: That's what villains do.

669
00:37:15,520 --> 00:37:20,759
Speaker 8: Can't killing without an atuncy. That's what you wanted to

670
00:37:20,840 --> 00:37:21,720
Speaker 8: go to thunder Dart.

671
00:37:27,640 --> 00:37:29,920
Speaker 1: I know this music. I love lea'sting.

672
00:37:30,640 --> 00:37:33,720
Speaker 2: I'm gonna miss her dying because she had that dopest

673
00:37:33,800 --> 00:37:37,040
Speaker 2: musical theme. Yes, like even at when they played this

674
00:37:37,120 --> 00:37:39,120
Speaker 2: theme when she had killed all them soldiers on the

675
00:37:39,160 --> 00:37:41,040
Speaker 2: side of the road, like it's just so good.

676
00:37:42,600 --> 00:37:43,879
Speaker 1: Do wont you suffer.

677
00:37:45,960 --> 00:37:54,720
Speaker 8: Feeling for things she felt of the pain the summer

678
00:37:54,719 --> 00:37:56,840
Speaker 8: e Sacha, you said that'll take away your faith.

679
00:38:01,760 --> 00:38:02,200
Speaker 3: It won't.

680
00:38:10,120 --> 00:38:10,880
Speaker 5: It's not just you.

681
00:38:13,520 --> 00:38:14,200
Speaker 7: Mm hmm.

682
00:38:15,880 --> 00:38:16,719
Speaker 3: At a time.

683
00:38:19,320 --> 00:38:21,000
Speaker 8: Everyone loves.

684
00:38:24,640 --> 00:38:27,439
Speaker 1: So Lee's taking it very personal, okay.

685
00:38:27,520 --> 00:38:32,520
Speaker 4: Right, And to an intent, Maggie is like the pot

686
00:38:32,600 --> 00:38:34,080
Speaker 4: calling the kick, because that's the.

687
00:38:34,000 --> 00:38:36,160
Speaker 3: Same rage that she has, the same raids you had

688
00:38:36,239 --> 00:38:40,640
Speaker 3: for Nigan and for Leah.

689
00:38:40,760 --> 00:38:43,560
Speaker 2: There was a time where they might could have peacefully whatever.

690
00:38:43,640 --> 00:38:47,279
Speaker 2: But you know, that's the thing about revenge. It's not

691
00:38:47,400 --> 00:38:51,120
Speaker 2: over to like everybody got a reason to not to

692
00:38:51,200 --> 00:38:54,279
Speaker 2: keep it going, and Maggie is now the one tied

693
00:38:54,360 --> 00:38:55,080
Speaker 2: to the chair, you know.

694
00:38:56,360 --> 00:38:57,560
Speaker 1: But of course.

695
00:38:58,680 --> 00:39:01,319
Speaker 2: Maggie tries to do the ropes and talk to Lea,

696
00:39:01,719 --> 00:39:04,760
Speaker 2: and eventually, as Leah keeps fucking running her mouth, Maggie

697
00:39:04,760 --> 00:39:07,640
Speaker 2: gets loose. They have a fight, but Leah wins the

698
00:39:07,680 --> 00:39:09,920
Speaker 2: fight and it's about to deal the death blow with

699
00:39:09,960 --> 00:39:14,719
Speaker 2: a knife to Maggie, but Darryl kills her before she

700
00:39:14,760 --> 00:39:15,839
Speaker 2: can do that.

701
00:39:16,480 --> 00:39:17,160
Speaker 1: He kills Lea.

702
00:39:17,640 --> 00:39:22,600
Speaker 3: Yeah, and it's full soucle because he Maggie was right.

703
00:39:22,760 --> 00:39:26,480
Speaker 4: She was like, hey, doll, like you can't leave them alive,

704
00:39:26,719 --> 00:39:30,799
Speaker 4: like they are ruthless and as long as you have

705
00:39:31,120 --> 00:39:34,480
Speaker 4: at least one alive, this shit would never end.

706
00:39:34,920 --> 00:39:38,520
Speaker 2: And like that's such a great point because Maggie Daryl

707
00:39:38,640 --> 00:39:40,560
Speaker 2: was the one that felt mercy and let her live,

708
00:39:42,560 --> 00:39:45,360
Speaker 2: so it definitely would have been him that got Maggie killed.

709
00:39:45,880 --> 00:39:48,279
Speaker 2: The other thing about it, too, is I felt like

710
00:39:48,320 --> 00:39:51,200
Speaker 2: this needed to happen because I think the Connie and

711
00:39:51,280 --> 00:39:51,960
Speaker 2: Darryl thing.

712
00:39:51,840 --> 00:39:54,400
Speaker 1: Is something that really building towards and as long.

713
00:39:54,280 --> 00:39:56,120
Speaker 2: As he would have had any type of feelings from

714
00:39:56,320 --> 00:39:59,120
Speaker 2: Leah and she was still out there in this universe somewhere.

715
00:39:59,520 --> 00:40:02,680
Speaker 2: It would have like his soft spot for her is

716
00:40:02,719 --> 00:40:06,719
Speaker 2: too ridiculous at this point, like she's line step so

717
00:40:06,840 --> 00:40:09,120
Speaker 2: many times for him to give her another chance.

718
00:40:09,160 --> 00:40:12,160
Speaker 1: So I'm glad she got she got killed, you know.

719
00:40:13,680 --> 00:40:14,280
Speaker 1: So then.

720
00:40:15,840 --> 00:40:20,200
Speaker 2: Soldiers starts shooting up the cabin there in and Darryl

721
00:40:20,400 --> 00:40:23,239
Speaker 2: and Maggie have to bolt. They barely make it out.

722
00:40:23,880 --> 00:40:26,600
Speaker 2: Hornsby now has a cut on his face. Somehow, I

723
00:40:26,680 --> 00:40:29,600
Speaker 2: don't I don't recall seeing where.

724
00:40:29,400 --> 00:40:33,399
Speaker 1: He got to cut. I don't like I know Daryl

725
00:40:33,480 --> 00:40:35,640
Speaker 1: shot back at them, so yes.

726
00:40:35,560 --> 00:40:40,200
Speaker 4: Yes, yes, yes, yes, yes forgot one of them shot

727
00:40:40,320 --> 00:40:41,480
Speaker 4: out at them.

728
00:40:41,360 --> 00:40:44,800
Speaker 1: Yea, and Daryl shot back at them. I just didn't.

729
00:40:44,960 --> 00:40:47,959
Speaker 2: They didn't show like or at least maybe I missed

730
00:40:47,960 --> 00:40:49,600
Speaker 2: it or something, but they didn't like show that it

731
00:40:49,680 --> 00:40:50,840
Speaker 2: definitely hit him in the face.

732
00:40:51,200 --> 00:40:52,480
Speaker 1: It was like pole pal.

733
00:40:52,640 --> 00:40:54,120
Speaker 2: And then the next time we see horns he got

734
00:40:54,120 --> 00:40:56,360
Speaker 2: to cut on his face, and it made me wonder

735
00:40:56,400 --> 00:41:00,239
Speaker 2: if the inspiration is from the two Face the the

736
00:41:00,360 --> 00:41:05,800
Speaker 2: villain of the DC universe, you know, Batman universe, because

737
00:41:05,840 --> 00:41:08,120
Speaker 2: now he has his cut on his face. He flips

738
00:41:08,160 --> 00:41:11,920
Speaker 2: a coin to determine people's face. I don't know he

739
00:41:11,960 --> 00:41:14,120
Speaker 2: wears suits. He just felt very two face to me.

740
00:41:14,320 --> 00:41:16,680
Speaker 4: He does he does, and it wouldn't It would not

741
00:41:16,800 --> 00:41:18,480
Speaker 4: be surprised if it was inspired off of that.

742
00:41:18,600 --> 00:41:21,160
Speaker 3: But yeah, Haunsy was like Neil Tree or something when

743
00:41:21,239 --> 00:41:21,759
Speaker 3: Daryl shot.

744
00:41:21,840 --> 00:41:24,160
Speaker 4: So I don't know if the bullet grace his face

745
00:41:24,280 --> 00:41:26,680
Speaker 4: or if the bark you know, may have jumped off

746
00:41:26,680 --> 00:41:29,320
Speaker 4: and hit him, but it definitely came from dyl shooting.

747
00:41:29,360 --> 00:41:30,120
Speaker 3: And you bring up a.

748
00:41:30,080 --> 00:41:32,800
Speaker 4: Good point, it wouldn't be surprising. They might not flat

749
00:41:32,800 --> 00:41:36,240
Speaker 4: come out and say that. Yeah, but because his personalities

750
00:41:36,760 --> 00:41:38,719
Speaker 4: like night and day sometimes.

751
00:41:38,680 --> 00:41:40,960
Speaker 2: And like the coin flip, I don't know. It felt

752
00:41:41,040 --> 00:41:44,880
Speaker 2: very two face inspired to me. Not enough for you know,

753
00:41:45,000 --> 00:41:46,600
Speaker 2: DC Thomas to sue him, but.

754
00:41:47,000 --> 00:41:49,440
Speaker 4: Yeah, because sometimes he's talking to you, like you say,

755
00:41:49,520 --> 00:41:51,319
Speaker 4: he has a switch in next thing, you know, he

756
00:41:51,360 --> 00:41:54,279
Speaker 4: goes flat face, like almost like you said, a split personality.

757
00:41:54,400 --> 00:41:55,200
Speaker 1: So he goes in.

758
00:41:55,480 --> 00:41:57,600
Speaker 2: They see Leah Dad on the ground and he says,

759
00:41:57,960 --> 00:42:00,439
Speaker 2: They're like what now, and he's like, now, we take

760
00:42:00,480 --> 00:42:04,839
Speaker 2: it all. So because that's what I think that they

761
00:42:04,840 --> 00:42:09,239
Speaker 2: didn't realize they had done, and that I low ki

762
00:42:09,320 --> 00:42:16,439
Speaker 2: feel like Maggie made this even worse. Hornsby is going

763
00:42:16,480 --> 00:42:20,160
Speaker 2: to blame all of those deaths of those troops even

764
00:42:20,200 --> 00:42:25,080
Speaker 2: though the first group on Hilltop and Alexandria and all

765
00:42:25,080 --> 00:42:27,360
Speaker 2: that shit, and he's gonna bring down the rest of

766
00:42:27,360 --> 00:42:31,800
Speaker 2: the soldiers if Milton will green light it and say

767
00:42:32,880 --> 00:42:37,680
Speaker 2: we're taking these people's land and shit because they attacked us,

768
00:42:37,920 --> 00:42:41,399
Speaker 2: and he will pretend he will play the victim.

769
00:42:41,520 --> 00:42:46,040
Speaker 3: At the end. That's what happened. Like he didn't say it.

770
00:42:46,000 --> 00:42:48,640
Speaker 2: But yeah, when he says now we take it, all

771
00:42:48,840 --> 00:42:50,920
Speaker 2: that to me is now I go to Pamela and

772
00:42:50,960 --> 00:42:52,840
Speaker 2: get approval of all the soldiers.

773
00:42:53,120 --> 00:42:54,960
Speaker 3: Oh, because they was hanging flags on him and shit.

774
00:42:55,000 --> 00:42:56,520
Speaker 3: So I thought, yeah, yeah, but.

775
00:42:58,480 --> 00:43:01,279
Speaker 2: Yeah, but I guess my mind when I'm I'm taking

776
00:43:01,280 --> 00:43:05,120
Speaker 2: it one more step further. So I'm saying, they gonna

777
00:43:05,160 --> 00:43:08,239
Speaker 2: take Alexandria, they gonna take Hilltop, all that stuff, right,

778
00:43:08,280 --> 00:43:11,480
Speaker 2: because we don't get like they show them take Ocera

779
00:43:11,600 --> 00:43:14,520
Speaker 2: side and the people. They don't show them like go

780
00:43:14,600 --> 00:43:17,440
Speaker 2: up in Alexandria and like fight the people or nothing.

781
00:43:18,000 --> 00:43:19,880
Speaker 2: I mean, what did everybody just walk out? It was

782
00:43:19,880 --> 00:43:25,399
Speaker 2: people in Alexandria. Okay, yeah, yeah, So like Hilltop had

783
00:43:25,440 --> 00:43:30,040
Speaker 2: people that left Maggie and there weren't there. I'm just wondering, like,

784
00:43:31,120 --> 00:43:33,440
Speaker 2: I just feel like they're gonna need soldiers if they're

785
00:43:33,440 --> 00:43:35,719
Speaker 2: trying to take down this group. And then here's my

786
00:43:35,840 --> 00:43:40,600
Speaker 2: next thing. If he gets soldiers, does he then declare

787
00:43:40,640 --> 00:43:45,640
Speaker 2: some type of martial law, Like does he take Commonwealth?

788
00:43:46,680 --> 00:43:48,239
Speaker 1: Not just Alexandra and shit?

789
00:43:49,040 --> 00:43:51,239
Speaker 2: Because he's the kind of nigga that I feel like

790
00:43:51,320 --> 00:43:53,600
Speaker 2: once he had the military behind him, he will actually

791
00:43:53,600 --> 00:43:56,360
Speaker 2: be like, I run Commonwealth now.

792
00:43:56,560 --> 00:43:59,520
Speaker 4: Yeah, yeah, and take the power for Pamela, Milton and everything.

793
00:44:00,080 --> 00:44:02,239
Speaker 4: You know, he's like fuck the boy, you know, because

794
00:44:02,280 --> 00:44:02,840
Speaker 4: he's a mess.

795
00:44:02,920 --> 00:44:05,839
Speaker 1: Yeah, he don't seem like a halfway dude, and.

796
00:44:05,840 --> 00:44:09,520
Speaker 4: He already has people kind of inside and working for

797
00:44:09,600 --> 00:44:13,040
Speaker 4: him up underneath. Pamela look around and realize, and she'll

798
00:44:13,080 --> 00:44:15,680
Speaker 4: think all these people underneath her was loyded to quote

799
00:44:15,760 --> 00:44:18,680
Speaker 4: unquote to her, when they like, we were never loyal

800
00:44:18,800 --> 00:44:19,200
Speaker 4: to you.

801
00:44:20,680 --> 00:44:22,759
Speaker 2: So we get a montage of the survivors walking out

802
00:44:22,800 --> 00:44:25,040
Speaker 2: of the woods, Max putting the file back at the

803
00:44:25,880 --> 00:44:29,600
Speaker 2: in this all white ensemble looking fine as hell, and then.

804
00:44:29,640 --> 00:44:32,160
Speaker 1: The Commonwealth flag being put over all the.

805
00:44:32,080 --> 00:44:38,280
Speaker 2: Communities Hilltop Alexandria Oceanside, So oh, I guess I almost forgot.

806
00:44:38,280 --> 00:44:41,239
Speaker 2: I guess they did do Alexandria. So then are the

807
00:44:41,239 --> 00:44:42,880
Speaker 2: people stuck in there they hostages?

808
00:44:43,320 --> 00:44:44,880
Speaker 1: I guess we'll see, Yeah, we'll see.

809
00:44:44,960 --> 00:44:47,320
Speaker 3: It's either one of those things where.

810
00:44:48,040 --> 00:44:51,160
Speaker 4: The people that was there just gave up or the

811
00:44:51,239 --> 00:44:56,200
Speaker 4: people either the enough people left, Like I really do

812
00:44:56,280 --> 00:45:00,480
Speaker 4: think when they came, people see them resources and you

813
00:45:00,600 --> 00:45:01,560
Speaker 4: might have had a hand.

814
00:45:01,560 --> 00:45:03,440
Speaker 1: No that's a good thing, but most.

815
00:45:03,280 --> 00:45:06,040
Speaker 2: Of the people, all our main characters are basically in

816
00:45:06,120 --> 00:45:09,759
Speaker 2: Commonwealth now or Hilltop, So yeah, that makes sense. So

817
00:45:09,880 --> 00:45:13,239
Speaker 2: then the women of Ocera side get marched out. It

818
00:45:13,400 --> 00:45:17,200
Speaker 2: had because and scarfaced horns he flips a coin.

819
00:45:17,360 --> 00:45:19,879
Speaker 1: We don't see how it lands, and that's the end.

820
00:45:20,200 --> 00:45:22,160
Speaker 2: But that's when I said, this is some two face

821
00:45:22,160 --> 00:45:24,719
Speaker 2: shit y flipping a coin to the side people's fate, like,

822
00:45:24,760 --> 00:45:27,000
Speaker 2: are they gonna shoot these women in cold blood?

823
00:45:27,120 --> 00:45:27,479
Speaker 1: Or great?

824
00:45:27,800 --> 00:45:30,000
Speaker 3: And I felt so bad for the ocean Side.

825
00:45:30,000 --> 00:45:32,040
Speaker 4: Well, I'm like, these women donet been through it all,

826
00:45:32,120 --> 00:45:34,080
Speaker 4: like they had to deal with Niagan, they had to

827
00:45:34,120 --> 00:45:34,560
Speaker 4: deal with.

828
00:45:34,560 --> 00:45:37,000
Speaker 3: War, like they've had to deal with a lot.

829
00:45:37,120 --> 00:45:39,000
Speaker 4: For him to come in there and just fuck with

830
00:45:39,040 --> 00:45:43,640
Speaker 4: them even the more, and it wouldn't be surprising if

831
00:45:43,640 --> 00:45:46,360
Speaker 4: he did. Well, we'll see when it comes back, but

832
00:45:46,360 --> 00:45:48,600
Speaker 4: it wouldn't be surprised if he did just clean them out,

833
00:45:48,719 --> 00:45:50,399
Speaker 4: just so not trying to fun that could just get

834
00:45:50,440 --> 00:45:52,200
Speaker 4: rid of the cast of ocean sides so they don't

835
00:45:52,200 --> 00:45:55,400
Speaker 4: have to even worry about going back to them anymore.

836
00:45:55,520 --> 00:45:57,640
Speaker 3: Would just make assumption that he killed them all.

837
00:45:59,600 --> 00:46:03,560
Speaker 1: Yeah, I can see it all right. So what are

838
00:46:03,560 --> 00:46:04,319
Speaker 1: you looking forward to?

839
00:46:04,800 --> 00:46:08,280
Speaker 2: I guess when we start our next you know, final

840
00:46:08,320 --> 00:46:09,800
Speaker 2: eight episodes.

841
00:46:09,920 --> 00:46:13,000
Speaker 4: I want to see what Carol is up to because

842
00:46:13,000 --> 00:46:15,040
Speaker 4: when a lower she's doing all types of shit and

843
00:46:15,480 --> 00:46:19,440
Speaker 4: background and digging up stuff. It's going to be interesting

844
00:46:19,480 --> 00:46:21,680
Speaker 4: to see the revolution because there is going to be

845
00:46:21,760 --> 00:46:24,880
Speaker 4: some form of a revolution and people are going to

846
00:46:24,920 --> 00:46:28,879
Speaker 4: be fighting back. I wonder if within the last eight

847
00:46:28,920 --> 00:46:31,160
Speaker 4: episodes is if there's gonna be a time jump or

848
00:46:31,239 --> 00:46:33,200
Speaker 4: time skip. And I'm not talking about no albums, about

849
00:46:33,239 --> 00:46:36,720
Speaker 4: like a major one to kind of push us forward

850
00:46:36,840 --> 00:46:39,520
Speaker 4: past a certain point, to kind of wrap the story

851
00:46:39,600 --> 00:46:43,200
Speaker 4: up like like something happened, and you know, they have

852
00:46:43,239 --> 00:46:45,040
Speaker 4: a few episodes left and then they'll be like, Okay,

853
00:46:45,239 --> 00:46:46,719
Speaker 4: these are the things that led up to this point,

854
00:46:46,800 --> 00:46:49,759
Speaker 4: let's show you the future. And so I could see

855
00:46:49,760 --> 00:46:52,120
Speaker 4: them doing that to kind of end, to kind of

856
00:46:52,320 --> 00:46:54,200
Speaker 4: end it at a point where you go, Okay, this

857
00:46:54,800 --> 00:46:58,120
Speaker 4: is this is this is an ending versus it's too

858
00:46:58,160 --> 00:47:00,520
Speaker 4: much stuff happening right now for you to not funny

859
00:47:00,520 --> 00:47:02,759
Speaker 4: to end it in this time in my opinion, So

860
00:47:02,800 --> 00:47:05,239
Speaker 4: I could see them doing like I'm talking about years jump,

861
00:47:05,320 --> 00:47:07,359
Speaker 4: like I'm talking about a major jump. So it's gonna

862
00:47:07,360 --> 00:47:09,560
Speaker 4: be interesting to see what they do with the final

863
00:47:09,719 --> 00:47:13,680
Speaker 4: eight episodes and everybody, and because I really want them

864
00:47:13,719 --> 00:47:16,880
Speaker 4: to give well, I'm looking forward to the conclusion of

865
00:47:16,880 --> 00:47:18,839
Speaker 4: the characters and you know where they go and all

866
00:47:18,880 --> 00:47:19,200
Speaker 4: that stuff.

867
00:47:19,239 --> 00:47:20,160
Speaker 3: So it's gonna be interesting.

868
00:47:20,960 --> 00:47:25,640
Speaker 1: Yeah, I can see that. And then I wonder did

869
00:47:25,680 --> 00:47:30,440
Speaker 1: I forget something? I don't know. I think I got everything.

870
00:47:31,280 --> 00:47:33,359
Speaker 2: Do you forget some what as a scene that says

871
00:47:33,400 --> 00:47:38,840
Speaker 2: Pamela Milton and Max Ending and I, oh, they wrote

872
00:47:38,840 --> 00:47:42,680
Speaker 2: the paper about Pamela Milton. I forgot to mention that

873
00:47:42,760 --> 00:47:47,719
Speaker 2: in the Commonwealth. So she saw that they had written that,

874
00:47:47,880 --> 00:47:53,960
Speaker 2: you know, yeah about the heist, and she was surprised. Yeah, yeah,

875
00:47:54,000 --> 00:47:56,799
Speaker 2: And clearly she's gonna need to know where they got

876
00:47:56,800 --> 00:47:59,719
Speaker 2: that information from and so I think Max is gonna

877
00:47:59,719 --> 00:48:02,319
Speaker 2: be under the gun when we come back, because who

878
00:48:02,320 --> 00:48:05,080
Speaker 2: else could have done it? And Sebastia saw her taking

879
00:48:05,120 --> 00:48:08,640
Speaker 2: that foul, so you know, maybe he'll try to blackmail

880
00:48:08,719 --> 00:48:09,600
Speaker 2: her something.

881
00:48:09,960 --> 00:48:13,239
Speaker 1: We'll see. We did get feedback, B.

882
00:48:13,440 --> 00:48:16,640
Speaker 2: Says high Rod and Karen can't say how much I'll

883
00:48:16,680 --> 00:48:20,000
Speaker 2: miss your walker. Dai recaps eight episodes to go already

884
00:48:20,000 --> 00:48:22,640
Speaker 2: feel in the withdrawal and this Mint season finale?

885
00:48:22,760 --> 00:48:23,279
Speaker 1: Is it just me?

886
00:48:23,400 --> 00:48:25,640
Speaker 2: Or did the camera focus on the snake first one

887
00:48:25,640 --> 00:48:27,400
Speaker 2: I can recall in all the years on the show.

888
00:48:27,600 --> 00:48:29,239
Speaker 2: Do y'all think that was a random shoot or the

889
00:48:29,239 --> 00:48:31,880
Speaker 2: snake meant to signify something? Supposed I could watch the

890
00:48:31,920 --> 00:48:33,600
Speaker 2: Angela Kinge break down, but I was curious.

891
00:48:33,640 --> 00:48:36,200
Speaker 1: If you notice, well, I think it goes along with

892
00:48:36,239 --> 00:48:40,400
Speaker 1: the acts of God. Thing. Love you guys.

893
00:48:40,520 --> 00:48:43,640
Speaker 2: B from Toronto ps in a few words, I describe

894
00:48:43,640 --> 00:48:46,080
Speaker 2: what you do writing and thought you put out. Rod

895
00:48:46,200 --> 00:48:51,120
Speaker 2: is beautifully precise alchemy and Karen astutely splendid spirit. Yes,

896
00:48:51,239 --> 00:48:53,680
Speaker 2: I went to TheSource dot com. Thank you for sharing

897
00:48:53,680 --> 00:48:57,279
Speaker 2: these guests through your podcasts or projects and inspired any

898
00:48:57,320 --> 00:48:59,720
Speaker 2: powered by you all took on the podcast limited series myself.

899
00:49:00,080 --> 00:49:01,920
Speaker 1: Check it out if you ever want to fall asleep.

900
00:49:02,040 --> 00:49:06,400
Speaker 2: Lol, Hey, don't do that, don't talk, don't down talk yourself.

901
00:49:07,480 --> 00:49:10,120
Speaker 2: But more importantly, thank you for giving others like me

902
00:49:10,200 --> 00:49:12,680
Speaker 2: the confidence to do something that may have just fell

903
00:49:12,840 --> 00:49:15,200
Speaker 2: outside my comfort zone, but in fact I knew I

904
00:49:15,239 --> 00:49:19,080
Speaker 2: was ready to try. Thank you so much and lead

905
00:49:19,200 --> 00:49:23,160
Speaker 2: to the podcast on Spotify, which I believe it's called

906
00:49:23,280 --> 00:49:25,120
Speaker 2: Zion Freetown two thirty.

907
00:49:25,360 --> 00:49:30,560
Speaker 1: So yeah, don't knock yourself. Everybody got to start somewhere, everybody.

908
00:49:30,760 --> 00:49:34,160
Speaker 2: And you know when you say stuff like that about

909
00:49:34,160 --> 00:49:36,839
Speaker 2: yourself is think about it?

910
00:49:37,000 --> 00:49:37,879
Speaker 1: Think about it like this.

911
00:49:38,120 --> 00:49:42,400
Speaker 2: You would never say that, probably about a friend or

912
00:49:42,440 --> 00:49:44,600
Speaker 2: someone you like in their podcast. If you had a

913
00:49:44,600 --> 00:49:46,919
Speaker 2: friend that said I'm doing a podcast, you wouldn't be like, yeah,

914
00:49:46,960 --> 00:49:49,400
Speaker 2: so I could fall asleep to it. So take that

915
00:49:49,440 --> 00:49:51,640
Speaker 2: same kindness you would show another person and show it

916
00:49:51,640 --> 00:49:52,160
Speaker 2: to yourself.

917
00:49:52,400 --> 00:49:56,440
Speaker 4: Yeah, because human nature, we are kinder to other people

918
00:49:56,480 --> 00:49:58,240
Speaker 4: sometimes that we are to ourselves.

919
00:49:58,760 --> 00:50:01,360
Speaker 2: Ms barn says Oh Roder Karen, Okay, I need Hornsey

920
00:50:01,400 --> 00:50:03,080
Speaker 2: to make up his mind. Is he saw Goodman a

921
00:50:03,120 --> 00:50:06,839
Speaker 2: two face? See, I'm now a lot of something. I mean,

922
00:50:06,880 --> 00:50:09,160
Speaker 2: we're now making life decisions based off a coin toss.

923
00:50:09,239 --> 00:50:11,279
Speaker 1: Is that what we're doing? AnyWho, this man is too

924
00:50:11,280 --> 00:50:12,120
Speaker 1: slippery and now.

925
00:50:11,960 --> 00:50:14,719
Speaker 2: He has taken over our favorite places and our crew

926
00:50:14,760 --> 00:50:16,520
Speaker 2: has left to reconvenient applot the next move.

927
00:50:16,560 --> 00:50:17,879
Speaker 1: And now I'm gonna say I was right.

928
00:50:18,200 --> 00:50:20,240
Speaker 2: I knew that Lid was rolling solo, and that pitiful

929
00:50:20,280 --> 00:50:23,000
Speaker 2: crew that Hornsey put together to go with her basically

930
00:50:23,040 --> 00:50:25,200
Speaker 2: did nothing but get her to kill. I'm glad that

931
00:50:25,280 --> 00:50:27,520
Speaker 2: Drell took Leah out because she was down to make

932
00:50:27,600 --> 00:50:28,280
Speaker 2: Maggie suffer.

933
00:50:28,360 --> 00:50:31,120
Speaker 1: And I know that meant going after.

934
00:50:30,920 --> 00:50:35,320
Speaker 2: Eli or Herschel or anyone else that meant the world

935
00:50:35,360 --> 00:50:36,000
Speaker 2: to Maggie.

936
00:50:37,080 --> 00:50:37,879
Speaker 1: Yeah, you're right.

937
00:50:38,120 --> 00:50:42,000
Speaker 2: Also again I much shout Eugene. He has given me

938
00:50:42,080 --> 00:50:44,200
Speaker 2: dating hope and he's a populist that on the street.

939
00:50:45,920 --> 00:50:48,360
Speaker 2: My man went from peeking in on Abraham and Rosita

940
00:50:48,440 --> 00:50:50,880
Speaker 2: to finding his soul mat Max. I just needed to

941
00:50:50,880 --> 00:50:53,400
Speaker 2: be careful and protect his nerdy queen of all costs.

942
00:50:53,680 --> 00:50:56,160
Speaker 2: My apologies for being so long winded, but again, Agel

943
00:50:56,239 --> 00:50:59,359
Speaker 2: King has given us story. I cannot wait for the

944
00:50:59,400 --> 00:51:01,920
Speaker 2: Fall to get give us that last part of the series.

945
00:51:02,000 --> 00:51:02,400
Speaker 1: Family.

946
00:51:02,800 --> 00:51:05,120
Speaker 2: I see the IG's where the crew is wrap shooting,

947
00:51:05,160 --> 00:51:06,280
Speaker 2: and I'm already in my feelings.

948
00:51:06,280 --> 00:51:06,880
Speaker 1: Thank you for the.

949
00:51:06,880 --> 00:51:10,680
Speaker 2: Beautiful and desphered recast, Miss Barns, Thank you, Miss Barnes.

950
00:51:10,400 --> 00:51:11,880
Speaker 1: And good luck on these Dayton streets.

951
00:51:12,080 --> 00:51:16,479
Speaker 2: Hopefully there's a Eugenie out there waiting, waiting for you,

952
00:51:17,960 --> 00:51:22,160
Speaker 2: wait for you to smash his You know, science fiction cakes,

953
00:51:22,160 --> 00:51:22,799
Speaker 2: the smither.

954
00:51:22,600 --> 00:51:25,960
Speaker 3: Rings, chemistry set the Smitherings.

955
00:51:26,000 --> 00:51:31,840
Speaker 2: Get all up in them beacon beakers and bursting burners. Hi, guys,

956
00:51:31,920 --> 00:51:35,480
Speaker 2: damn it, Darryl, this turk Maggie is about about to

957
00:51:35,520 --> 00:51:37,720
Speaker 2: be out here looking like Martin when he fought Tommy

958
00:51:37,719 --> 00:51:39,839
Speaker 2: the hit men or her all because your dumb ass

959
00:51:39,880 --> 00:51:41,560
Speaker 2: didn't kill Lel when you had the chance.

960
00:51:41,920 --> 00:51:43,880
Speaker 1: Did you learn nothing from Jocelyn incident?

961
00:51:43,920 --> 00:51:47,080
Speaker 2: When you and Michean got branded black cattle by the

962
00:51:47,239 --> 00:51:50,160
Speaker 2: children of the corn. When your old friends show you

963
00:51:50,200 --> 00:51:52,200
Speaker 2: who they are on some psycho shit, you killed them

964
00:51:52,239 --> 00:51:53,040
Speaker 2: before they kill you.

965
00:51:53,200 --> 00:51:55,279
Speaker 1: I agree very much, Rookie move.

966
00:51:56,880 --> 00:51:59,640
Speaker 2: All I can say is I guess the sex had them,

967
00:52:00,480 --> 00:52:05,279
Speaker 2: had them messed up. Whose bright idea was to tell

968
00:52:05,320 --> 00:52:08,120
Speaker 2: the Commonwealth about ocean side Ultra side was always the

969
00:52:08,120 --> 00:52:10,200
Speaker 2: big joker you pull out in a fight. Now the

970
00:52:10,239 --> 00:52:12,840
Speaker 2: Commonwealth ran a Boston on your ass. Because y'all weren't

971
00:52:12,840 --> 00:52:14,920
Speaker 2: smart enough to leave each side name out of it.

972
00:52:15,280 --> 00:52:18,640
Speaker 2: They could have lied and said any immigrants from Ocera

973
00:52:18,719 --> 00:52:20,759
Speaker 2: side actually came from one of the other communities. I

974
00:52:20,760 --> 00:52:23,400
Speaker 2: guess our crew will have to stay at the Kingdom

975
00:52:23,480 --> 00:52:27,080
Speaker 2: or Jadu's junkyard to regroup since the Commonwealth colonized every

976
00:52:27,160 --> 00:52:27,640
Speaker 2: other place.

977
00:52:27,680 --> 00:52:30,960
Speaker 1: That's a great point. Those those are good launderum spots.

978
00:52:32,719 --> 00:52:37,120
Speaker 2: I wouldn't be shocked if they used the whisper techniques

979
00:52:37,280 --> 00:52:38,200
Speaker 2: on the Commonwealth.

980
00:52:40,160 --> 00:52:43,640
Speaker 1: Yeah, because that shit works. You worked on the lead

981
00:52:43,719 --> 00:52:44,480
Speaker 1: of people.

982
00:52:44,320 --> 00:52:48,040
Speaker 4: And because they this would be something brand new to them,

983
00:52:48,040 --> 00:52:49,640
Speaker 4: because they've been inside the wall so.

984
00:52:49,760 --> 00:52:51,640
Speaker 1: Long, right, they ain't never seen this shit.

985
00:52:51,800 --> 00:52:53,440
Speaker 3: They will be oblivious to that.

986
00:52:54,880 --> 00:52:58,319
Speaker 2: Maxine is out here showing the in cels you could

987
00:52:58,320 --> 00:53:00,720
Speaker 2: fire love you stop being a creep line and a coward.

988
00:53:01,200 --> 00:53:02,319
Speaker 1: Yes, good for.

989
00:53:02,280 --> 00:53:04,600
Speaker 2: Eugene, But poor max is using her work voice and

990
00:53:04,680 --> 00:53:06,120
Speaker 2: wearing her work hair in bed.

991
00:53:06,840 --> 00:53:07,520
Speaker 1: Yeah that's true.

992
00:53:07,600 --> 00:53:10,600
Speaker 2: She I do need a scene with Maxine taking off

993
00:53:10,600 --> 00:53:11,320
Speaker 2: her wig.

994
00:53:11,080 --> 00:53:12,920
Speaker 1: In Eugene having hair wrapped up.

995
00:53:13,040 --> 00:53:16,839
Speaker 2: Yeah, Eugene being like, oh, I believe those are corn rolls,

996
00:53:20,360 --> 00:53:22,120
Speaker 2: But he probably would be down with it. I really

997
00:53:22,120 --> 00:53:24,759
Speaker 2: don't think Eugene. I think Eugene he knows he's a

998
00:53:24,840 --> 00:53:25,239
Speaker 2: lucky man.

999
00:53:25,560 --> 00:53:28,320
Speaker 3: Her Scalp, Yeah, ship.

1000
00:53:28,120 --> 00:53:29,719
Speaker 1: What if your gene know how to corn roll?

1001
00:53:30,239 --> 00:53:33,360
Speaker 3: Not come on, he'd be doing her so in.

1002
00:53:34,080 --> 00:53:35,640
Speaker 2: See the problem right here is that you have a

1003
00:53:35,640 --> 00:53:39,440
Speaker 2: little too much listerine in this solution. But I made

1004
00:53:39,480 --> 00:53:43,600
Speaker 2: a better solution for natural protective hairstyles because when you

1005
00:53:43,640 --> 00:53:46,160
Speaker 2: have four sea heal you can't just be out here

1006
00:53:46,880 --> 00:53:52,640
Speaker 2: in all the elements. Uh, he's gonna invent a stocking cap.

1007
00:53:52,719 --> 00:53:57,480
Speaker 2: It's gonna be a but poor Max. And oh yeah,

1008
00:53:57,520 --> 00:53:59,719
Speaker 2: she doesn't know that Eugene previously lived with two black

1009
00:53:59,760 --> 00:54:02,120
Speaker 2: women with natural health. So a little Afroi's dreds on

1010
00:54:02,200 --> 00:54:05,680
Speaker 2: scam off. Hell, he will probably asking. He gonna go

1011
00:54:05,719 --> 00:54:08,759
Speaker 2: on Sally Beauty supply run with her so there when

1012
00:54:08,760 --> 00:54:09,520
Speaker 2: it can stay fly.

1013
00:54:10,520 --> 00:54:11,960
Speaker 3: They ain't gonna be sharing tips.

1014
00:54:12,160 --> 00:54:12,480
Speaker 6: M hm.

1015
00:54:13,120 --> 00:54:17,600
Speaker 2: They gonna procure the whole goddamn salads. I'm really enjoying

1016
00:54:17,640 --> 00:54:21,319
Speaker 2: little Herschel's brand of petty. Did you see how he

1017
00:54:21,560 --> 00:54:25,120
Speaker 2: was hugged up under Nigga's wife Annie after he had

1018
00:54:25,360 --> 00:54:28,759
Speaker 2: just snatched his arm away from ninga I know he

1019
00:54:28,800 --> 00:54:30,759
Speaker 2: don't know that's his that man wife. He was letting

1020
00:54:30,760 --> 00:54:33,040
Speaker 2: that man know, I fuck with any of everybody except you,

1021
00:54:33,120 --> 00:54:36,160
Speaker 2: daddy killer. What if Herschel is playing the long game

1022
00:54:36,200 --> 00:54:38,920
Speaker 2: and wants to close get close to Annie just to

1023
00:54:39,000 --> 00:54:42,520
Speaker 2: reveal revenge kill her later man, that would be a

1024
00:54:43,680 --> 00:54:45,560
Speaker 2: I don't know. I mean, it seemed like Maggie Wood

1025
00:54:45,600 --> 00:54:47,200
Speaker 2: raised a little social path like that.

1026
00:54:47,239 --> 00:54:48,040
Speaker 1: So maybe he is.

1027
00:54:48,239 --> 00:54:51,840
Speaker 4: Oh not, but yeah, because his hatred is so strong,

1028
00:54:51,880 --> 00:54:53,640
Speaker 4: and he gonna be like, I won't kill you, but.

1029
00:54:53,600 --> 00:54:55,440
Speaker 3: I'm gonna take something from you that you love, like

1030
00:54:55,480 --> 00:54:56,280
Speaker 3: you took my daddy.

1031
00:54:56,520 --> 00:54:56,680
Speaker 1: Yeah.

1032
00:54:56,719 --> 00:54:59,000
Speaker 2: I feel like Herschel might take the place of calling

1033
00:54:59,080 --> 00:55:01,879
Speaker 2: the comics, in which if they do some major time

1034
00:55:02,000 --> 00:55:05,040
Speaker 2: jump to end this series, it'll be a grown up

1035
00:55:05,080 --> 00:55:08,520
Speaker 2: Herschel walking by old man Knigan type of thing.

1036
00:55:08,640 --> 00:55:10,759
Speaker 1: I can see that, y'all know.

1037
00:55:10,840 --> 00:55:12,840
Speaker 2: This letter took a really dark turn for this show's

1038
00:55:12,840 --> 00:55:15,120
Speaker 2: track record. The Sun's raised by the women leader show

1039
00:55:15,200 --> 00:55:18,719
Speaker 2: that they all become douchebag. Spencer and and Sebastian did

1040
00:55:18,800 --> 00:55:21,600
Speaker 2: not outright kill people themselves, but they also were not

1041
00:55:21,719 --> 00:55:23,040
Speaker 2: raised by killers like Herschel.

1042
00:55:23,320 --> 00:55:25,560
Speaker 1: If Hershel holds a grudge, it's hard. This is this

1043
00:55:25,600 --> 00:55:28,000
Speaker 1: is very deep and dark. I don't know what happened, Hurt.

1044
00:55:29,400 --> 00:55:31,520
Speaker 1: I don't think the show would go this way. It

1045
00:55:31,520 --> 00:55:33,319
Speaker 1: would be a very weird note to end on.

1046
00:55:33,520 --> 00:55:36,400
Speaker 2: But sure, if Herschel holds the grudge as hard as

1047
00:55:36,480 --> 00:55:39,160
Speaker 2: bomb Nigan, his family better watch out. Nigan about to

1048
00:55:39,200 --> 00:55:42,120
Speaker 2: be out here asking Annie, y'all, y'all okay, and y'all okay, Ah,

1049
00:55:42,200 --> 00:55:43,479
Speaker 2: y okay, Annie, Peace, Turt.

1050
00:55:43,800 --> 00:55:45,560
Speaker 1: That's a long way to go for a smooth criminal joke,

1051
00:55:45,640 --> 00:55:49,680
Speaker 1: but I respect it. You know, Dd, you stuck the landing?

1052
00:55:49,760 --> 00:55:52,920
Speaker 1: All right, y'all. That's it for this episode and for

1053
00:55:53,239 --> 00:55:54,520
Speaker 1: Walking There recap.

1054
00:55:55,160 --> 00:55:58,600
Speaker 2: Until the fall, we will behind the pay while work

1055
00:55:58,600 --> 00:56:00,280
Speaker 2: on the Fear to Walking There recap app.

1056
00:56:00,880 --> 00:56:02,840
Speaker 1: I'm not one hundred cent sure how we'll do it.

1057
00:56:02,920 --> 00:56:04,759
Speaker 2: We can either watch one episode at a time and

1058
00:56:04,840 --> 00:56:07,399
Speaker 2: do the quick rundown, or we can try to do

1059
00:56:07,520 --> 00:56:10,320
Speaker 2: like catch up and do three or four in one sitting,

1060
00:56:10,400 --> 00:56:13,359
Speaker 2: and we'll let y'all know behind the paywall if you're

1061
00:56:13,360 --> 00:56:16,480
Speaker 2: still listening to Fear Walking Dad, the rest of y'all,

1062
00:56:17,320 --> 00:56:20,480
Speaker 2: we'll do the feedback show Saturday, and then we should

1063
00:56:20,520 --> 00:56:22,279
Speaker 2: be getting back to a normal schedule after that.

1064
00:56:23,760 --> 00:56:24,839
Speaker 1: And you know, I have.

1065
00:56:24,880 --> 00:56:26,520
Speaker 2: Thoughts on a lot of stuff that's happened. I just

1066
00:56:26,560 --> 00:56:30,000
Speaker 2: haven't talked about it yet. You know, Eli Musk by Twitter,

1067
00:56:30,160 --> 00:56:34,480
Speaker 2: and Joe Biden might get rid of student loans from

1068
00:56:34,560 --> 00:56:36,560
Speaker 2: federal and stuff. There's a lot of good stuff to

1069
00:56:36,600 --> 00:56:42,080
Speaker 2: talk about, all right, y'all Until next time, Peace, I

1070
00:56:42,120 --> 00:56:42,960
Speaker 2: love you.