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Speaker 1: Now here's a highlight from Coast to Coast AM on iHeartRadio.

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Speaker 2: And welcome back George Nor along with Patty Grier. Patty's

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Speaker 2: website is linked up at Coast tocoastdam dot com. Patty.

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Speaker 2: For years, I would think that the crop formations might

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Speaker 2: have been signals from our planet to communicate with us.

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Speaker 2: What do you think of that?

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Speaker 3: Well, you just said it exactly right. Signals from our planet,

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Speaker 3: which means our Earth. And yes, I think that these

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Speaker 3: messages are coming out of our conscious Earth with intention,

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Speaker 3: and they're landing in places where there's more conscious people

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Speaker 3: to see them. But when we look at the locations

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Speaker 3: of all the crop circles on the maps, there are

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Speaker 3: the main epicenter is southern England and why and then

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Speaker 3: when there's crop circles over in France and in Italy,

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Speaker 3: why there and ninety six or seven percent of them.

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Speaker 3: When we did the research, you know, when I was

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Speaker 3: making film ten years ago, we found that almost every

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Speaker 3: crop circle is sitting over an aquifer of water. We

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Speaker 3: also found that almost every crop circle was sitting on

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Speaker 3: a lay line on the map, which is a line

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Speaker 3: between two sacred sites. Now, when you're looking at southern England, Wiltshire, Averbury, Stonehenge,

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Speaker 3: the mounds, the stone circles, they're everywhere, and people had

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Speaker 3: used to pilgrimage across Europe to go to these sacred

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Speaker 3: sites of Stonehenge, of Avebury, of Glastonbury. So the frequencies

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Speaker 3: of the emotional energy of the people and the spirituality

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Speaker 3: is also implanted there. So I think the combination of

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Speaker 3: the energy, the lay lines and the water are attracting

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Speaker 3: crop circles all these years to come out of the

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Speaker 3: earth in this area.

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Speaker 4: Spin them up and lay them down.

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Speaker 3: And I'd like to not even waste our minutes on

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Speaker 3: people making them, or military sending drawings or you know,

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Speaker 3: to hit the cropp circles down. The human made ones

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Speaker 3: are no longer interesting to me. I really want to focus,

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Speaker 3: because our time is valuable on the fact that they're

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Speaker 3: very real and that they are really giving us messages

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Speaker 3: over the years. And the easiest ones are such as

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Speaker 3: the turn of this century when we had the alien

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Speaker 3: face and the binary code disc.

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Speaker 4: Do you remember that one classics?

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Speaker 1: Yeah?

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Speaker 3: Yeah, And they landed at the same time, so there

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Speaker 3: was the face with a disc next to it. But

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Speaker 3: because it was binary code, it was read by computers

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Speaker 3: and mathematicians, and the message was very, very clear, and

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Speaker 3: it wasn't a coincidence that it happened, shall we say,

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Speaker 3: after nine eleven?

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Speaker 4: So here's the message. Oh gosh, can I remember?

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Speaker 3: Yes, Beware the bearers of false gifts and their broken promises.

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Speaker 3: Much pain, but still time believe there is good out there.

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Speaker 3: We oppose deception conduit closing boom.

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Speaker 2: I'd love that.

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Speaker 4: I love it too. And it was so clear that

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Speaker 4: it was an alien.

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Speaker 3: Gray face and it would look like one of those

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Speaker 3: things that you stick in a player piano with all

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Speaker 3: the holes in it, like a spinning player piano reel.

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Speaker 4: But it was binary code laid in a crop circle

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Speaker 4: of wheat.

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Speaker 3: And when people look at images, my website is crop

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Speaker 3: circlefilms dot com. And if your listeners want to see

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Speaker 3: crop circles while we're talking about them, it gives a

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Speaker 3: lot more life to the story. When I would show

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Speaker 3: up and do my gigs on croft circles, I always

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Speaker 3: had one or two hundred images because seeing is believing,

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Speaker 3: and watching the balls of light lay the field down

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Speaker 3: in seconds, it's hard to deny it.

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Speaker 4: But I was the person who luckily knew nothing.

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Speaker 3: I never watched anything but signs with Mel Gibson, so

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Speaker 3: I didn't look at a lot of the misinformation videos.

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Speaker 3: And I don't mean to insult if there's some great ones.

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Speaker 3: Great Janetosabard did a great one of the people that

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Speaker 3: were really in England were doing great crop circles, but

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Speaker 3: videos and documentaries, but I really didn't see anything that

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Speaker 3: had the science because nobody was talking about it. When

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Speaker 3: I finally got to meet Penny Kelly, who had worked

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Speaker 3: with the scientist William Levinood for sixteen years, she told

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Speaker 3: me all this information and I had to literally hold

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Speaker 3: my head together. It gave me a headache because I'd

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Speaker 3: gone in so many drop circles. All of a sudden

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Speaker 3: she's saying, they are plasma vortices coming out of the

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Speaker 3: earth and.

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Speaker 4: Spinning, and I'm going ow ow.

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Speaker 3: And I stayed at her house when I made Crop

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Speaker 3: Circle Diaries. I literally was there three days to go

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Speaker 3: to William leven Goood's lake wake. He had died the

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Speaker 3: year earlier. Okay, so that was twenty fifteen. We're gotta

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Speaker 3: nail it down. But the thing about William leven Goood

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Speaker 3: was that he actually appeared twice, and now I've never

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Speaker 3: seen a person in the other world other than William

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Speaker 3: leven Goood. When I was at Penny's house, and it's

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Speaker 3: too long of a story, but I have it in

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Speaker 3: Crop Circle Diaries, he literally walked up to the bed

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Speaker 3: when I was staying and he said, I did orchestrate

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Speaker 3: this really glad you're here. And I lost it because

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Speaker 3: I knew what he looked like, and there he was,

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Speaker 3: not in the flesh but in spirit. And I definitely

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Speaker 3: saw him walk through the wooden door at Penny's house.

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Speaker 2: This was after he had passed.

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Speaker 3: A year after Wow. Yeah, I was there to go

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Speaker 3: to his wake. And when I told Penny in the

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Speaker 3: morning on my third day there holding my brain, like

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Speaker 3: tell me the science again, I don't blame your audience

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Speaker 3: if they really have a hard time rewind rewind to

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Speaker 3: that little piece I read from William Levinwood because it

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Speaker 3: took me five days, and I would sit there having

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Speaker 3: coffee and she'd go, come on, Patty, take your hands

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Speaker 3: off your head and I said, I'm serious, it actually hurts.

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Speaker 3: Tell me again. She said, I've told you every morning.

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Speaker 3: It really is so much more than we gave it

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Speaker 3: credit for. Because it is so real. These are messages

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Speaker 3: from the conscious Earth, letting us know, in my opinion,

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Speaker 3: and William Levingood and Penny Kelly of what is coming.

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Speaker 4: Or what has been.

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Speaker 3: And I also think very clearly that when I took

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Speaker 3: a lot of the images of crop circles, put a

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Speaker 3: pin in the middle and spin them, spinning a piece

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Speaker 3: of paper with a pattern on it, all of a

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Speaker 3: sudden I understood.

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Speaker 4: Why all these mondalas.

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Speaker 3: And when you spin a mondala that's a crop circle image,

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Speaker 3: you will it's like a propulsion or lighting systems of

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Speaker 3: a ship or something. I'm guessing because I'm not an expert.

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Speaker 3: But when I spun these crop circles in my movies,

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Speaker 3: I spin them in a movie called The Shift Has

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Speaker 3: Hit the Fan, and also probably Crop Circle Diaries, my

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Speaker 3: final film.

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Speaker 4: And in that film I.

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Speaker 3: Introduced William Levingood and the whole story of meeting him,

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Speaker 3: not in the flesh but his research. And I actually

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Speaker 3: filmed his lab even though the lady said no cameras,

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Speaker 3: and I said, can I just take a few snapshots?

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Speaker 4: And boy was I fast.

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Speaker 3: So I was in his lab and I took a

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Speaker 3: photo of the machine.

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Speaker 4: This is so important, George.

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Speaker 3: They re engineered prop circle frequencies because the reason they've

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Speaker 3: been hiding them all these years. The seeds inside prop circles,

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Speaker 3: real ones are growing thirty to four hundred percent more

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Speaker 3: food and biofuel per plant, with up to seventy five

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Speaker 3: percent more nutrition per seed. That's remarkable, remarkable, so much

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Speaker 3: more food and biofuel. But they also don't die when

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Speaker 3: there's too much water, too hot, too cold, too wet,

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Speaker 3: too dry. These are super seeds that happen in crop circles.

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Speaker 4: So William Levin Goood re.

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Speaker 3: Engineered the technology of these spinning plasma bortices and I

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Speaker 3: have the machine on camera in crop circle diaries.

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Speaker 2: Now, what happens to the stocks, Patty when they're bent over?

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Speaker 2: Do they rebound?

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Speaker 4: No?

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Speaker 3: They stay bent, but they continue to live. And because

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Speaker 3: of the bend. What happens to bend them is.

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Speaker 4: That spinning ball of light is heat. And those two spinning.

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Speaker 3: Balls of light that are hot base of the vortex

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Speaker 3: hot energy, they slowly circle. They slam the wheat down

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Speaker 3: with these huge frequencies, and they don't slam it to

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Speaker 3: the ground except the ones that are laid flat, but

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Speaker 3: a lot of them interestingly enough, stand up a little

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Speaker 3: ways and then bend over and continue to grow. Now,

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Speaker 3: when it's human made, it won't do that at all,

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Speaker 3: and the wheat will slowly die because it's been stepped

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Speaker 3: on with boards and ropes every.

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Speaker 4: Two to three feet.

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Speaker 3: And if you look on your knees, which I did

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Speaker 3: in every crop circle, you can see every two to

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Speaker 3: three feet there's a big line of broken wheat. And

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Speaker 3: in a real crop circle you don't have broken wheat

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Speaker 3: hardly anywhere. You have bent nodes, which are like elbows,

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Speaker 3: and many of them have been stretched or elongated. Many

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Speaker 3: of them at the bend are a ball that turns

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Speaker 3: black because it's burned. And what's literally happening is the

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Speaker 3: wheat or the corn or the barley gets heated so

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Speaker 3: quickly that the liquid inside the stalk boils and it

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Speaker 3: needs to expo expel the steam, so it bends over.

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Speaker 3: I don't know how ten thousand of them do at

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Speaker 3: the same time, but the frequencies do, and they bend

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Speaker 3: over and they blow the steam out some of them,

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Speaker 3: or the elongate the note on others. But you can

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Speaker 3: see them when you go into a crop circle. Those

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Speaker 3: are not normal nodes. This is a real crop circle.

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Speaker 3: Oh and I'm feeling a buzz so it's it's marvelous.

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Speaker 3: But I do want to talk more about the messages

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Speaker 3: while we have these minutes here.

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Speaker 2: Because what are they trying to tell us?

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Speaker 3: Well, it's again, I love how every movie they gave

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Speaker 3: me these lyrics. We offer you the information, that's what

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Speaker 3: the Earth is saying. Your perception is up to you.

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Speaker 3: So all these years we.

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Speaker 4: Had an average of like one hundred and fifty.

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Speaker 3: Crop circles documented all over the world, like and this

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Speaker 3: year I've only seen fourign England, the fifth one today

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Speaker 3: for our show. And the fifth one was actually the

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Speaker 3: only non binary.

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Speaker 4: Non mandala one.

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Speaker 3: It was a spider and it had sacred geometry embedded

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Speaker 3: in the design, but it was a spider and it

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Speaker 3: happened just today in England. I thought that was fascinating.

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Speaker 3: So the spider God takes me to a story. The

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Speaker 3: one time I went in the craft circle at night

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Speaker 3: with Monique Klickenberg, who owns the research center.

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Speaker 4: Now she was a beginner then, but I said let's

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Speaker 4: go in tonight. She said, oh, no night, no night,

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Speaker 4: and I said come on.

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Speaker 3: So we went in at twilight and We're walking down

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Speaker 3: into the wheat field where there was.

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Speaker 4: Just fabuls formation. And I said, oh, shortcut, let's go

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Speaker 4: that way, and she said no, no, Pati.

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Speaker 3: She was from Holland. And I said, I'm going in

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Speaker 3: the shortcut sea in the middle. So I headed into

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Speaker 3: this this tram line or the tre like where you

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Speaker 3: could you could see people had walked it. And as

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Speaker 3: soon as I got to the middle, it was warm

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Speaker 3: summer night. I had on a crop circle T shirt

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Speaker 3: and black and a black lace skirt and thong sandals.

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Speaker 3: And I looked down and all of my black clothing

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Speaker 3: had these huge white balls, and I was like, what

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Speaker 3: the heck is that? And I thought, did I walk

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Speaker 3: through something? Spiders completely all over me? No, wonder Monique

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Speaker 3: didn't go the shortcut. I was covered in tarantula sized,

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Speaker 3: bright white spiders.

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Speaker 4: In the moonlight. And I have never gotten undressed that quickly.

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Speaker 3: There I was in the middle of crop circle and

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Speaker 3: I watched these white, huge spiders. It only triggered my

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Speaker 3: memory because there's a spider cup circle today and they

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Speaker 3: went all out everywhere. And then I shook my clothing

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Speaker 3: and put it back on, and I realized, how could

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Speaker 3: I have not been scared. Now, if there was ever

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Speaker 3: an et interaction, that might have been mine.

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Speaker 4: Because there was at least fifty of them on my clothing.

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Speaker 2: If there was any danger to the planet, Penny, would

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Speaker 2: the crop formations spell that out to us?

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Speaker 4: Yes? Two thousand and nine.

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Speaker 3: There was no binary codes, There was no mathematics, there

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Speaker 3: was no mandalas Hardy. It was all pictograms, birds, fish, insects,

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Speaker 3: ancient ones. The birds, there was the rising phoenix in

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Speaker 3: a wheat field with the flames at the bottom. I mean, wow,

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Speaker 3: a rising phoenix crop circle. And then it went all

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Speaker 3: the way back to the That was the ancient one.

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Speaker 3: And then there was the thunderbird and all these other birds.

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Speaker 3: And then there was the fish, and it went all

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Speaker 3: the way back to an ancient orthosis. And then there

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Speaker 3: was the circle of trout. There was a fifteen hundred

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Speaker 3: foot long octopus that was magnificent.

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Speaker 4: That was the fish. And then the insects.

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Speaker 3: They had the sacred ancient scareb and there was the bumblebee,

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Speaker 3: of course becoming extinct. And there were different insects, the

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Speaker 3: dragonfly very sacred. And I'm thinking birds, fish, bugs, what

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Speaker 3: is going on? Two thousand and nine boom. That next spring,

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Speaker 3: the BP oil spill killed millions of them birds, fish, insects,

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Speaker 3: and I thought, oh my god, that was what that

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Speaker 3: crop circle was about. Nine to eleven the Ainlaen face

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Speaker 3: in the disk binary code, that's what that was about.

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Speaker 3: And they were telling us about things happening on earth warnings,

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Speaker 3: yes indeed, yes, indeed. So I thought that was fascinating.

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Speaker 3: And when people we want to really look at the

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Speaker 3: history of crop circle images with an open mind, they're

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Speaker 3: going to get so much more information because it's all

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Speaker 3: there now. The fact that we had one hundred and

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Speaker 3: fifty one hundred and seventy five documented crop circles.

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Speaker 4: Every year I was filming, it was like, I mean,

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Speaker 4: it was divine.

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Speaker 3: We had so many places to go by mid June July.

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Speaker 3: But then in August the farmers are going to mow

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Speaker 3: out the wheat, even the crop circle wheat. So we

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Speaker 3: found that they were making crop circle beer in England

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Speaker 3: and crop circle bread some farm from the wheat wheat

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Speaker 3: from the farm. I thought that was very clever, and

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Speaker 3: I found myself eating an awful lot of wheat in

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Speaker 3: the center of the crops are going, oh, it's so sweet.

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Speaker 4: I'm in the center. It's got to be really incredible.

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Speaker 3: And I'd always have this little plastic bucket with me

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Speaker 3: in a small pair of scissors, and.

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Speaker 4: It cut three little heads of wheat from every crop circle.

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Speaker 2: Free, isn't it?

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Speaker 4: Well, I was hoping so.

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Speaker 3: But I would put them in this little cart and

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Speaker 3: in my b and B room, and I stuck this

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Speaker 3: thing up in my closet, and then I went touring.

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Speaker 3: I went off to Italy for a few days, but

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Speaker 3: I kept the room because I didn't want to lose it.

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Speaker 3: And I went to see a crop circle there, nothing

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Speaker 3: like England. I came back so fast. It was dry,

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Speaker 3: it was dead, it was hard to find. It was ridiculous.

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Speaker 3: And in England, I mean, you can get your little

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Speaker 3: rental car if you can figure out the other side

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Speaker 3: of the road, the other side of the car, the roundabouts.

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Speaker 3: You know, it's really a challenge to drive there. But

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Speaker 3: once you get it, there's so many crop circles within

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Speaker 3: twenty miles.

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Speaker 4: Oh, it was heaven.

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Speaker 2: So but that's all changed now, hasn't it.

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Speaker 4: It has?

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Speaker 3: So Here we are we're being gifted all this information

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Speaker 3: from the consciousness of the earth. We're being gifted these

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Speaker 3: magnificent formations for years and years, and all of a sudden,

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Speaker 3: we're doing more destruction than good for the Earth, perhaps

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Speaker 3: where she's kind of backing off the earth itself from

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Speaker 3: trying to communicate so loud, so fully, so voraciously. Because

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Speaker 3: even the crop circles giving us more food and biofuel

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Speaker 3: with these enhanced seeds, nobody's listening. My first movie was

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Speaker 3: called The wake Up Call Anybody Listening? Question Mark, And

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Speaker 3: I didn't even know back then how much we weren't listening.

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Speaker 1: Listen to more Coast to Coast AM every weeknight at

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Speaker 1: one am Eastern, and go to Coast tocoastam dot com

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Speaker 1: for more