1 00:00:00,920 --> 00:00:04,080 Speaker 1: Springtime tips and fun facts from Paul Kristen and Dexter 2 00:00:04,280 --> 00:00:06,280 Speaker 1: at Total Wine and More. Did you know there were 3 00:00:06,280 --> 00:00:08,600 Speaker 1: over one million bubbles in a glass of champagne? Did 4 00:00:08,600 --> 00:00:11,160 Speaker 1: someone say brunch? Leave the egg hunting to the kid. 5 00:00:11,440 --> 00:00:13,880 Speaker 1: We'll have even more fun hunting for your brilliant brunch. 6 00:00:13,880 --> 00:00:17,600 Speaker 1: Reslingam sweet and salty richness pairs perfectly with sweeter wines 7 00:00:17,680 --> 00:00:20,520 Speaker 1: with bold fruit. How about a juicy peanut noir. Whether 8 00:00:20,560 --> 00:00:23,279 Speaker 1: you're hosting or just bring the wine, we love to 9 00:00:23,320 --> 00:00:27,000 Speaker 1: share are always low prices and ridiculous selection this spring 10 00:00:27,080 --> 00:00:36,720 Speaker 1: at Total Wine and More. Cheers y'all go. He's a 11 00:00:36,880 --> 00:00:40,800 Speaker 1: legendary queen's rapper, Hang seges your boy in. He's a 12 00:00:40,920 --> 00:00:43,680 Speaker 1: Miami hip hop pioneer. What up is d J E 13 00:00:43,800 --> 00:00:46,080 Speaker 1: f N? Together they drink it up with some of 14 00:00:46,120 --> 00:00:48,680 Speaker 1: the biggest players in music and sport. You know what 15 00:00:48,720 --> 00:00:52,920 Speaker 1: I mean? The most professional, unprofessional podcast and your number 16 00:00:52,960 --> 00:00:55,920 Speaker 1: one source for drunk facts. This is Drinks Chap right. Ah, 17 00:00:55,960 --> 00:01:05,240 Speaker 1: every day is New Year's e Just run keep so 18 00:01:05,360 --> 00:01:09,200 Speaker 1: once again. Man, we're in Las Vegas. Man. We know 19 00:01:09,280 --> 00:01:11,960 Speaker 1: this other podcast that's coming here next week. We know 20 00:01:12,080 --> 00:01:14,440 Speaker 1: this other podcast is gonna do. And they you know, 21 00:01:14,720 --> 00:01:17,640 Speaker 1: we don't even know their names, but they said, because 22 00:01:17,680 --> 00:01:19,440 Speaker 1: they posted a post, and they said, it's not about 23 00:01:19,480 --> 00:01:21,480 Speaker 1: who do it first, about who do it better. There's 24 00:01:21,480 --> 00:01:23,559 Speaker 1: no way they can get better than Tony. Yeah, y'all, 25 00:01:24,400 --> 00:01:28,679 Speaker 1: it's no way to get better than There's no way 26 00:01:28,680 --> 00:01:31,600 Speaker 1: they can get better than you. Hell and the dead Capon. 27 00:01:31,760 --> 00:01:40,800 Speaker 1: Let's make some loys for that's the right. You know, 28 00:01:40,840 --> 00:01:43,279 Speaker 1: we're gonna we're go here. Listen, listen, We're gonna bury everything. 29 00:01:43,360 --> 00:01:47,200 Speaker 1: Wake up, up, Kelly, We're gonna bury them. Yeah, wake 30 00:01:47,240 --> 00:01:57,240 Speaker 1: come up, listen. Can you be my witness? You walked 31 00:01:57,240 --> 00:01:59,240 Speaker 1: in the club. What's the first thing I said to Capone? 32 00:02:00,560 --> 00:02:04,120 Speaker 1: I said, stop what drinking that with dead white white? 33 00:02:04,360 --> 00:02:12,840 Speaker 1: He's listen, he's lugging yo. Listen. First off, if you 34 00:02:13,200 --> 00:02:17,000 Speaker 1: left spot, you can get a pass. You you need 35 00:02:17,080 --> 00:02:23,400 Speaker 1: to be a point you goddamnit. That's that's an old rumor. 36 00:02:24,200 --> 00:02:26,720 Speaker 1: That's an old It's an old rumor. What happens in 37 00:02:26,840 --> 00:02:30,640 Speaker 1: Vegas is coming to forty first time. It's not forty 38 00:02:30,720 --> 00:02:37,639 Speaker 1: on time, it's going forty first time. It's an old rumor. 39 00:02:37,680 --> 00:02:40,160 Speaker 1: That's an old Once again, man, I can't then you 40 00:02:40,200 --> 00:02:43,239 Speaker 1: gouts enough, man, this is real hip hop. We don't 41 00:02:43,240 --> 00:02:45,480 Speaker 1: we don't care to. I'm not a journalist. I don't 42 00:02:45,480 --> 00:02:47,600 Speaker 1: google nobody. I don't do that. I sit down and 43 00:02:47,680 --> 00:02:50,520 Speaker 1: have real talk and me and my partner e F Man, 44 00:02:50,560 --> 00:02:52,600 Speaker 1: I'm sorry, I stole your mike. We got we have. 45 00:02:53,000 --> 00:02:55,160 Speaker 1: We lost the mike tonight and we lost the mike 46 00:02:56,280 --> 00:02:57,760 Speaker 1: and guess what this is? This is one of my 47 00:02:57,840 --> 00:03:00,520 Speaker 1: favorite episodes. This has been off out of control. I'm 48 00:03:00,560 --> 00:03:03,120 Speaker 1: telling people to shush the whole time, like I was 49 00:03:03,160 --> 00:03:05,000 Speaker 1: in the movie theater because they say black people talk 50 00:03:05,080 --> 00:03:08,000 Speaker 1: in the movie theater. And guess what, black people the podcast. 51 00:03:08,400 --> 00:03:11,079 Speaker 1: We just realized that. I guess what, man, we're having 52 00:03:11,120 --> 00:03:14,480 Speaker 1: fun a little pampan. I just upgraded you too, big Pampa, 53 00:03:19,440 --> 00:03:22,160 Speaker 1: and I love West Coast Niggers. Man, I'm gonna be honest, 54 00:03:22,520 --> 00:03:25,000 Speaker 1: We're gonna go do a whole man. I also gotta 55 00:03:25,000 --> 00:03:28,160 Speaker 1: shout out Snoop. Snoop was in the studio with Swiss. 56 00:03:28,240 --> 00:03:29,960 Speaker 1: They both hit me up on the under said, man, 57 00:03:30,240 --> 00:03:32,120 Speaker 1: we love what you're doing your thing on the podcast 58 00:03:32,120 --> 00:03:34,080 Speaker 1: because this is for hip hop. You know what I'm 59 00:03:34,080 --> 00:03:49,280 Speaker 1: saying with Snoopy started feeling spiders in my body. Gonna 60 00:03:49,360 --> 00:03:52,640 Speaker 1: ending with this. One time Snoop was in New York, right, 61 00:03:53,080 --> 00:03:54,520 Speaker 1: and he came, I filmed it. This is for the 62 00:03:54,920 --> 00:03:59,360 Speaker 1: documentary exhibit. And you know I'm from all my you know, 63 00:03:59,480 --> 00:04:03,240 Speaker 1: my money is we uh Yankee outfits, which is blue. 64 00:04:03,760 --> 00:04:05,320 Speaker 1: So in they mind, they were crip, you know what 65 00:04:05,360 --> 00:04:08,760 Speaker 1: I'm saying. So so we went to go see Snoop 66 00:04:09,560 --> 00:04:12,800 Speaker 1: and Snoop just keep passing us bucks, keep passing. So 67 00:04:12,920 --> 00:04:16,160 Speaker 1: my gangster niggas is disappointed in me. They're like, why 68 00:04:16,200 --> 00:04:18,120 Speaker 1: you're not smoking as much as a stupid and I'm 69 00:04:18,120 --> 00:04:20,640 Speaker 1: smoking here. So We're sitting there like and I'm filming 70 00:04:20,920 --> 00:04:22,800 Speaker 1: and I'm like, damn, I got tired. I felt like 71 00:04:22,839 --> 00:04:26,880 Speaker 1: I ran a marathon, right, So my biggs was disappointed. 72 00:04:26,960 --> 00:04:30,120 Speaker 1: It was like, yeah, let's Snoop smoke y'all out in 73 00:04:30,240 --> 00:04:33,520 Speaker 1: New York. So mind you right now, Snoop hit me 74 00:04:33,960 --> 00:04:36,559 Speaker 1: he's doing a man show. Wis Bishop don wan Crib? 75 00:04:37,279 --> 00:04:41,440 Speaker 1: You remembers this? Somebody said, yeah, all right for y'all. Well, 76 00:04:41,880 --> 00:04:44,080 Speaker 1: because it's not too many witnesses when we smoked, Snoop 77 00:04:44,120 --> 00:04:46,720 Speaker 1: back out. So we go top dog wan Crib and 78 00:04:46,800 --> 00:04:49,120 Speaker 1: I buy a pounds just for that, and I'm just 79 00:04:49,279 --> 00:04:52,400 Speaker 1: I stayed and then Snoop said, I'm good. I smoked enough, 80 00:04:52,600 --> 00:04:58,839 Speaker 1: and I was like, I wasn't, Snoop, you listen. Let 81 00:04:58,880 --> 00:05:00,480 Speaker 1: me just This is when I knew this nigga is 82 00:05:00,480 --> 00:05:03,960 Speaker 1: a o G. He was staying on like the seventeenth floor. 83 00:05:04,200 --> 00:05:06,919 Speaker 1: Right we hit the tenth floor and the smoke alarm 84 00:05:07,040 --> 00:05:10,000 Speaker 1: was on the tenth floor. You smelled the weed from 85 00:05:10,000 --> 00:05:12,520 Speaker 1: the tenth floor and we walked in and the hotel 86 00:05:12,600 --> 00:05:15,080 Speaker 1: was just like it's Snoop nigger. It was like that 87 00:05:18,920 --> 00:05:21,560 Speaker 1: you play so yo, man. I can't. I can't thank 88 00:05:21,600 --> 00:05:25,839 Speaker 1: y'all enough. Compone, rest in peace. We're gonna were gon, 89 00:05:25,920 --> 00:05:27,599 Speaker 1: We're gonna were gonna bring you back your life baby. 90 00:05:27,960 --> 00:05:31,560 Speaker 1: Um but your dark pound gangsters man dad's and corrupt man, 91 00:05:31,960 --> 00:05:33,800 Speaker 1: your dad's you know. I went, I look at your 92 00:05:33,880 --> 00:05:36,520 Speaker 1: disco discography and it's one thing that I can ask 93 00:05:36,600 --> 00:05:38,480 Speaker 1: for you. I need before everything is all over. I'm 94 00:05:38,480 --> 00:05:41,760 Speaker 1: gonna do one more album. Man. I've seen Stevie wondered 95 00:05:41,760 --> 00:05:44,600 Speaker 1: too and ship and I couldn't even approach him, like 96 00:05:44,720 --> 00:05:47,080 Speaker 1: you said, It was like, you know, he couldn't even 97 00:05:47,120 --> 00:05:49,520 Speaker 1: see me if I wanted to do it. You know 98 00:05:49,560 --> 00:05:51,080 Speaker 1: what I mean, but I still want You don't know, 99 00:05:51,400 --> 00:05:54,840 Speaker 1: maybe sting stars you don't even did you mean want 100 00:05:54,880 --> 00:05:57,240 Speaker 1: to touch them? Did you meet Michael Jackson telling man 101 00:05:57,360 --> 00:06:06,080 Speaker 1: Mike na the thing? Why would the drink drink right, 102 00:06:07,600 --> 00:06:10,680 Speaker 1: drink drink one? Bore you start? Okay? Yeah, my men? 103 00:06:10,960 --> 00:06:15,760 Speaker 1: Where is that? And where we were saying? We was cracked? 104 00:06:15,800 --> 00:06:23,520 Speaker 1: This thing here, that's as Colombian cocaine was scared Columbia white. 105 00:06:23,720 --> 00:06:27,960 Speaker 1: That's what I want, the bottom I want, my baby. 106 00:06:29,560 --> 00:06:31,480 Speaker 1: You notice, let me tell you something I would wreak. 107 00:06:31,600 --> 00:06:33,960 Speaker 1: I would have warn way home by like mixing drinks. 108 00:06:34,000 --> 00:06:35,560 Speaker 1: But I've seen this. They could do this white as 109 00:06:35,600 --> 00:06:38,320 Speaker 1: Glenny at times drink. I don't see him drink henty 110 00:06:38,520 --> 00:06:40,880 Speaker 1: and white on the same night like this. But you're 111 00:06:40,880 --> 00:06:43,120 Speaker 1: sure you want to do this? This is saying this. 112 00:06:43,120 --> 00:06:45,760 Speaker 1: I want to see Colombian people die. They just this's 113 00:06:45,839 --> 00:06:50,480 Speaker 1: going there and they dropped. This is um eight. What's 114 00:06:50,520 --> 00:06:54,800 Speaker 1: that ship? You for Asia? It's you for Asia. It's good, 115 00:06:55,120 --> 00:07:00,760 Speaker 1: it's Colombia. He's like Licorice. He's an old school waking. 116 00:07:00,880 --> 00:07:03,160 Speaker 1: Let's make noise for me in the old school on 117 00:07:07,560 --> 00:07:09,160 Speaker 1: this ship. Tastes like that ship that you stick a 118 00:07:09,279 --> 00:07:18,640 Speaker 1: sparkles in it. Non slag the gold leak. He know 119 00:07:18,800 --> 00:07:29,440 Speaker 1: his liquors man, so um good add that the moment 120 00:07:29,520 --> 00:07:32,400 Speaker 1: what were talking about? I was Michael Jackson. Yeah we 121 00:07:32,760 --> 00:07:36,960 Speaker 1: get Michael Jackson. Now, Yo, Michael Jackson had big hands, man, 122 00:07:38,560 --> 00:07:50,800 Speaker 1: don't tell he got no super real talk me hands before. 123 00:07:50,920 --> 00:07:52,840 Speaker 1: Do you remember who was a Yeah? We was. We 124 00:07:53,000 --> 00:07:55,920 Speaker 1: was say Miami. We was out here, yeah, Michael Miami. 125 00:07:57,000 --> 00:08:01,040 Speaker 1: Maybe we was in the head Fat three in the studio, 126 00:08:01,400 --> 00:08:03,280 Speaker 1: you know, me and Ghost. That's when we was. We 127 00:08:03,440 --> 00:08:06,640 Speaker 1: was living out here. I lived out in Miami for 128 00:08:06,720 --> 00:08:09,920 Speaker 1: like two years and we was working on the album 129 00:08:10,000 --> 00:08:11,800 Speaker 1: and all of that, and you know, we was in 130 00:08:11,880 --> 00:08:14,800 Speaker 1: the hit factory. And next thing you know, you know, 131 00:08:14,880 --> 00:08:16,720 Speaker 1: we're looking through the blinds like we hear all these 132 00:08:16,760 --> 00:08:20,360 Speaker 1: cars coming in the driveway, a bunch of black vehicles 133 00:08:20,440 --> 00:08:24,080 Speaker 1: just pulling up out of nowhere. We're like, yo, looking 134 00:08:24,120 --> 00:08:26,960 Speaker 1: through the blinds, like yo, who fund is that? You know? 135 00:08:27,080 --> 00:08:29,480 Speaker 1: The next thing you know, it just Michael just jumped 136 00:08:29,480 --> 00:08:32,920 Speaker 1: out with his two kids, just him by itself. So 137 00:08:33,000 --> 00:08:35,160 Speaker 1: the next thing, you know, you know, we're looking like 138 00:08:35,320 --> 00:08:38,480 Speaker 1: oh ship, that's Michael Jackson. You know what I mean, 139 00:08:38,559 --> 00:08:42,319 Speaker 1: Michael Jackson. It's like, Yo, that might have been the 140 00:08:42,440 --> 00:08:46,720 Speaker 1: time my heart you know, skipped for real. And next thing, 141 00:08:46,800 --> 00:08:50,000 Speaker 1: you know, he started to walk towards our our wound 142 00:08:50,760 --> 00:08:52,640 Speaker 1: you know from O from the outside. So you know, 143 00:08:52,800 --> 00:08:55,520 Speaker 1: me and Ghost were like, the nigga is coming this way. 144 00:08:57,360 --> 00:09:03,559 Speaker 1: So we sat down like like like you said, like 145 00:09:03,679 --> 00:09:05,480 Speaker 1: you know, he walked in and ship he walked in 146 00:09:05,640 --> 00:09:07,319 Speaker 1: and ship he walked in with the own with the 147 00:09:07,400 --> 00:09:09,959 Speaker 1: owner of the Hint factory. And when he walked in, 148 00:09:10,120 --> 00:09:13,360 Speaker 1: it was like all we did was just look up 149 00:09:13,440 --> 00:09:16,719 Speaker 1: some him like what's something? How are you doing? You 150 00:09:16,760 --> 00:09:17,920 Speaker 1: know what I mean, like, how are you doing? Mike? 151 00:09:18,720 --> 00:09:21,319 Speaker 1: And Yo? He kicked it with us for like a so. 152 00:09:21,440 --> 00:09:24,480 Speaker 1: So Mike, now was did you have to introduce yourself 153 00:09:24,559 --> 00:09:26,520 Speaker 1: for you? He was, nah, we had that. We had 154 00:09:26,559 --> 00:09:29,839 Speaker 1: to introduce our something, my nigga like you know it Ghost. 155 00:09:29,880 --> 00:09:33,240 Speaker 1: And it made laughing because ghosts like yo. You know. 156 00:09:33,320 --> 00:09:36,079 Speaker 1: He was telling Mike like, Yo, you know I did 157 00:09:36,120 --> 00:09:46,520 Speaker 1: you join m Yo? He was like, Yo, what did 158 00:09:46,600 --> 00:09:51,199 Speaker 1: you You ain't over? Mike was like, which what it's 159 00:09:51,240 --> 00:09:54,640 Speaker 1: like what you want to tell you? And Mike and 160 00:09:54,840 --> 00:09:57,560 Speaker 1: Mike was just acting like, you know, like ghosts like yo, 161 00:09:57,640 --> 00:10:03,760 Speaker 1: you heard the year that he was like it was sunny. 162 00:10:04,440 --> 00:10:06,320 Speaker 1: I had to call my mother and all that. After 163 00:10:06,400 --> 00:10:09,920 Speaker 1: that being I'm gonna be honest, I hung out with 164 00:10:10,000 --> 00:10:13,000 Speaker 1: Bishop don Wan like a whole weekend. He had me 165 00:10:13,120 --> 00:10:15,959 Speaker 1: gas right. So what happened was they gave me a 166 00:10:16,040 --> 00:10:18,839 Speaker 1: famous player car. You remember the famous player car. It's gold. 167 00:10:19,720 --> 00:10:22,200 Speaker 1: They gave me. I'm one seven on there and they 168 00:10:22,200 --> 00:10:27,599 Speaker 1: asked me to come to the uh Player Ball. I 169 00:10:27,760 --> 00:10:31,160 Speaker 1: got there and then you know, I'm on I'm I'm 170 00:10:31,200 --> 00:10:33,640 Speaker 1: on road for real, like, but I took two days 171 00:10:33,679 --> 00:10:37,439 Speaker 1: out of my schedule. I walked into players um playing ship. 172 00:10:37,600 --> 00:10:39,959 Speaker 1: It was a white bitch. That was I'm walking in 173 00:10:40,120 --> 00:10:41,640 Speaker 1: a white bitch saying, hey, how are you doing? Oh? 174 00:10:41,679 --> 00:10:44,000 Speaker 1: You know me, I don't even know if she asked 175 00:10:44,000 --> 00:10:45,679 Speaker 1: me to take a picture. She asked me something and 176 00:10:45,800 --> 00:10:50,959 Speaker 1: I said, bet you better play that. I was I 177 00:10:51,120 --> 00:10:53,360 Speaker 1: definitely didn't know, and she chose me. I said, bet 178 00:10:53,400 --> 00:10:55,760 Speaker 1: you better choose for you those I don't know why 179 00:10:55,840 --> 00:10:58,560 Speaker 1: I said that. In the bis and Bishop Dogma, um, 180 00:10:58,880 --> 00:11:03,920 Speaker 1: what's my nigga ju juju? All of us trying to 181 00:11:04,000 --> 00:11:06,440 Speaker 1: knock me. They said, you're Nori, and then the white 182 00:11:06,480 --> 00:11:08,760 Speaker 1: bitch kept saying about me, and I said, I don't 183 00:11:08,800 --> 00:11:11,559 Speaker 1: know what I did. I don't know what I did. 184 00:11:11,679 --> 00:11:13,920 Speaker 1: You didn't get the memo and then get the memo 185 00:11:14,040 --> 00:11:16,880 Speaker 1: the pimp correctly, And then I wanted to pass off, 186 00:11:16,960 --> 00:11:18,960 Speaker 1: but she really didn't want to be bad. You haven't 187 00:11:19,000 --> 00:11:21,360 Speaker 1: seen that nigga. He got about He always got about 188 00:11:21,360 --> 00:11:23,440 Speaker 1: five or six holes. His bitches gotta stare at the ground. 189 00:11:23,480 --> 00:11:27,880 Speaker 1: They can't look up that he was about down. It's 190 00:11:27,920 --> 00:11:30,520 Speaker 1: kind of funny though, because his bitches are sitting somewhere, 191 00:11:31,200 --> 00:11:33,440 Speaker 1: even when they sit down, the whole Chinese they can 192 00:11:33,520 --> 00:11:35,319 Speaker 1: never look up. They have to look at the ground. 193 00:11:35,640 --> 00:11:37,160 Speaker 1: And they'd be sitting there talking to each other. And 194 00:11:37,240 --> 00:11:39,839 Speaker 1: then if you dare like, you know, I'm I'm a 195 00:11:39,840 --> 00:11:44,439 Speaker 1: little crazy. Not I just try to funk with him 196 00:11:44,440 --> 00:11:46,920 Speaker 1: and break a little bit, like how y'all doing. They 197 00:11:46,960 --> 00:11:50,760 Speaker 1: can't speak to no outside man, nothing, They can't sounds crazy. 198 00:11:50,880 --> 00:11:54,000 Speaker 1: That's him out. That's just like you wearing your jury. 199 00:11:54,000 --> 00:11:55,719 Speaker 1: He's wearing. He's showing you a pimp, and he's like, 200 00:11:56,120 --> 00:11:57,840 Speaker 1: I could have told him, bitches to look straight at here. 201 00:11:57,840 --> 00:12:00,959 Speaker 1: I could have told him the circle the WoT them down. 202 00:12:01,080 --> 00:12:02,920 Speaker 1: Look that don't never look up, don't talk to anybody 203 00:12:02,960 --> 00:12:05,640 Speaker 1: except me or each other. I ain't gonna lie. And 204 00:12:05,720 --> 00:12:07,760 Speaker 1: that's just this is how I knew I wasn't ready 205 00:12:07,760 --> 00:12:10,880 Speaker 1: for pimping because my white bitch did that. My white 206 00:12:10,960 --> 00:12:13,760 Speaker 1: biches just like she. She would look at ready for 207 00:12:13,960 --> 00:12:17,079 Speaker 1: How did say I was pimp Jules and pimp and 208 00:12:17,240 --> 00:12:19,600 Speaker 1: kid and they both accepted to me and say, he said, 209 00:12:19,640 --> 00:12:21,679 Speaker 1: you play. You don't know what you're doing right now? 210 00:12:21,880 --> 00:12:23,840 Speaker 1: I said, like God, I wouldn't me leave on alone? 211 00:12:24,160 --> 00:12:26,040 Speaker 1: And she just kept looking. That's how I knew she 212 00:12:26,120 --> 00:12:29,400 Speaker 1: was more than MP and niggas who have pimp game 213 00:12:29,480 --> 00:12:32,679 Speaker 1: and or of it we're doing. It's a difference pimping 214 00:12:33,040 --> 00:12:35,319 Speaker 1: and having pimp game, because I like the way you 215 00:12:35,400 --> 00:12:37,360 Speaker 1: broke that that's having pamp game means that I probably 216 00:12:37,400 --> 00:12:39,120 Speaker 1: could apply it. But I'm just I'm doing another ship. 217 00:12:39,200 --> 00:12:42,840 Speaker 1: I don't don't know. Eving is stressful, man, stressful break 218 00:12:42,880 --> 00:12:45,600 Speaker 1: that down for a short man. You tell you telling 219 00:12:45,640 --> 00:12:47,480 Speaker 1: the women to do the stuff she's doing. There are 220 00:12:47,640 --> 00:12:50,839 Speaker 1: fucking like repercussions to that ship, man like mentally, like 221 00:12:50,920 --> 00:12:53,840 Speaker 1: if its people's heads up. So you doing that because 222 00:12:53,840 --> 00:12:56,520 Speaker 1: you're telling them to go on the calling and you're saying, 223 00:12:56,520 --> 00:12:58,360 Speaker 1: don't funk with nobody but me. So when every time 224 00:12:58,440 --> 00:13:00,559 Speaker 1: every emotion she goes through is coming to you. So 225 00:13:01,040 --> 00:13:03,800 Speaker 1: let me ask you something. After they do that, they 226 00:13:03,880 --> 00:13:06,719 Speaker 1: give you the money, do you have to make them 227 00:13:06,840 --> 00:13:10,079 Speaker 1: feel like your girlfriend? Like they gotta feel love, you 228 00:13:10,160 --> 00:13:12,560 Speaker 1: gotta do they go. You gotta do this ship man, 229 00:13:12,720 --> 00:13:14,800 Speaker 1: it's a lot of ship like. If you want to 230 00:13:14,840 --> 00:13:16,760 Speaker 1: really the actually your chick, if you want to be 231 00:13:16,800 --> 00:13:18,439 Speaker 1: a boss pam you have to be focused. That's what 232 00:13:18,520 --> 00:13:21,920 Speaker 1: you do. I've never heard this term say boss pamp. Yeah, 233 00:13:21,960 --> 00:13:24,000 Speaker 1: that means you're in control. You want on a run 234 00:13:24,080 --> 00:13:26,640 Speaker 1: for a while. You got you can go to another statement, 235 00:13:26,720 --> 00:13:29,200 Speaker 1: she's still you're still the boss pamper. You know they 236 00:13:29,240 --> 00:13:33,719 Speaker 1: called that long range pamper anywhere. Hold on, let's hold on, 237 00:13:34,080 --> 00:13:38,480 Speaker 1: let's make a long range I heard a long rage 238 00:13:38,559 --> 00:13:49,280 Speaker 1: five your hold me over there? Like long range? Do 239 00:13:49,440 --> 00:13:54,079 Speaker 1: you understanding? So congratulationship with my brothers and you know 240 00:13:54,400 --> 00:13:59,320 Speaker 1: anything that we said that was inappropriate? Fuck it? Three 241 00:13:59,480 --> 00:14:02,480 Speaker 1: champs right here on revote in the number one podcasts 242 00:14:02,480 --> 00:14:07,480 Speaker 1: in in my fucking world. That's right. I'm so sorry, 243 00:14:07,559 --> 00:14:13,520 Speaker 1: says See. We get a T shirt to get whatever 244 00:14:13,640 --> 00:14:17,720 Speaker 1: you want, sas and I'm gonna be honest. Um, Miami, 245 00:14:19,040 --> 00:14:21,240 Speaker 1: Yeah you got a trophy. You know what we need 246 00:14:21,280 --> 00:14:38,280 Speaker 1: to ask you to Yeah? Right, because you min said vodka. 247 00:14:40,040 --> 00:15:24,440 Speaker 1: Oh that's super traces. He's got this talent. Let's be 248 00:15:24,960 --> 00:15:34,760 Speaker 1: let's go. I'll tell you what. I'm good, beach. We 249 00:15:34,880 --> 00:15:39,880 Speaker 1: want to drink of im. I'll drink from the cop 250 00:15:40,160 --> 00:16:07,880 Speaker 1: I'm so bad a little nigga. You know, it's like 251 00:16:08,320 --> 00:16:10,360 Speaker 1: we know each other and I just robbed you. We're 252 00:16:10,360 --> 00:16:12,840 Speaker 1: gonna take it to the screeps, right, but he robbed 253 00:16:13,120 --> 00:16:15,840 Speaker 1: you know, I robbed her. Man, What what you gonna do? 254 00:16:15,840 --> 00:16:19,000 Speaker 1: You're gonna call it police, incriminate you. He robbed you. 255 00:16:19,400 --> 00:16:25,560 Speaker 1: He was up all right, fuck that ship. I took 256 00:16:25,680 --> 00:16:28,760 Speaker 1: that fun nigga ship, right, and then nigga called nad 257 00:16:28,920 --> 00:16:32,120 Speaker 1: on the niggle and my nigga. I looked for the nigga. 258 00:16:32,440 --> 00:16:35,560 Speaker 1: The nigga fled, and the nigga ain't never being in Miami. 259 00:16:35,720 --> 00:16:38,560 Speaker 1: Pussy nigga, you know what time it is. He can't 260 00:16:38,640 --> 00:16:42,600 Speaker 1: come back here, hain't been here ever, seeing you understand 261 00:16:42,640 --> 00:16:44,920 Speaker 1: what I'm saying. And then boom, So I didn't that 262 00:16:45,320 --> 00:16:47,800 Speaker 1: the nigga fu nigga fled. You understand what I'm saying. 263 00:16:48,200 --> 00:16:50,600 Speaker 1: And I'm still here. And what I did Bobby wanted 264 00:16:50,600 --> 00:16:53,520 Speaker 1: to dash. I had to the beat for my year 265 00:16:53,560 --> 00:16:55,160 Speaker 1: and a half and I was riding to it, and 266 00:16:55,240 --> 00:16:57,360 Speaker 1: I'm like, man, I can't do I can't just say 267 00:16:57,440 --> 00:17:00,120 Speaker 1: anything on me. I got to come with it. And 268 00:17:00,320 --> 00:17:03,840 Speaker 1: the only thing, the only, the only time I'm really 269 00:17:03,920 --> 00:17:06,480 Speaker 1: good at rapping is when my back is against the wall. 270 00:17:07,560 --> 00:17:10,159 Speaker 1: So I was against the wall and I was running 271 00:17:10,200 --> 00:17:12,760 Speaker 1: through my beats and ship like that, and I say, boom, 272 00:17:12,920 --> 00:17:16,000 Speaker 1: got the bible on that? I said, Man as a 273 00:17:16,119 --> 00:17:18,760 Speaker 1: jip coming up. Me and my niggas the old heads. 274 00:17:18,800 --> 00:17:20,919 Speaker 1: I used to be ribbing a little work from whatever. 275 00:17:21,000 --> 00:17:22,840 Speaker 1: We'll be riding around the neighborhood. And you know what 276 00:17:22,840 --> 00:17:25,080 Speaker 1: I'm saying a few times they're weighing up and bagging 277 00:17:25,200 --> 00:17:27,399 Speaker 1: whatever when I'm riding the ship. And then used always 278 00:17:27,480 --> 00:17:29,280 Speaker 1: used to have a little bible. Want a dash or 279 00:17:29,320 --> 00:17:32,000 Speaker 1: a big bible on the dashboard, Get the funk out 280 00:17:32,040 --> 00:17:34,120 Speaker 1: of there. Yeah, that's how we ride. You know, it's 281 00:17:34,160 --> 00:17:37,240 Speaker 1: a guard. Oh jeez. They used to have a Bible 282 00:17:37,359 --> 00:17:39,880 Speaker 1: on the dashboard. So I say, I'm going to through 283 00:17:39,960 --> 00:17:41,600 Speaker 1: this life right now, I'm about to go through some 284 00:17:41,720 --> 00:17:45,120 Speaker 1: helified yet you know what I'm saying. I'm about embarker 285 00:17:45,240 --> 00:17:48,440 Speaker 1: puns on hellifie get I need, I need, I need something. 286 00:17:49,760 --> 00:17:51,760 Speaker 1: And I thought about it. I say, not Bible, want 287 00:17:51,800 --> 00:17:54,440 Speaker 1: a dash man, I don't remember? So they boom. After that, 288 00:17:54,600 --> 00:17:57,000 Speaker 1: I said, like this, how my nigga, you be shout 289 00:17:57,040 --> 00:17:59,200 Speaker 1: out you bet? You know I'm saying, I stepped to 290 00:17:59,240 --> 00:18:02,080 Speaker 1: you beat shout out the pheel. You know what I'm saying. 291 00:18:02,560 --> 00:18:08,639 Speaker 1: A cub all my nigga. So so check it out. 292 00:18:08,720 --> 00:18:10,720 Speaker 1: So so book. So I get down there and I said, 293 00:18:10,720 --> 00:18:12,720 Speaker 1: hey man, so look I got this case. I'm going 294 00:18:12,800 --> 00:18:14,520 Speaker 1: through my saying I don't know what to do for real, 295 00:18:14,800 --> 00:18:17,560 Speaker 1: I'm chasing and the gut can't the nigga. The nigga gone, 296 00:18:17,800 --> 00:18:22,639 Speaker 1: you know, I'm saying, so boom, what can I do? Nigga, Carl, Now, nigga, 297 00:18:22,840 --> 00:18:24,600 Speaker 1: what you want to do? What can I do? And 298 00:18:24,680 --> 00:18:27,919 Speaker 1: I say, look, what's up with this Santarea thing? Right? 299 00:18:29,440 --> 00:18:31,639 Speaker 1: We go here into all that? What's up with he 300 00:18:31,840 --> 00:18:35,680 Speaker 1: was gonna get scared. No, no, no, that's long time. 301 00:18:39,400 --> 00:18:41,680 Speaker 1: We're gonna come back to that. But that's where I 302 00:18:41,760 --> 00:18:44,680 Speaker 1: want to go. My second favorite um played for this 303 00:18:44,960 --> 00:18:48,040 Speaker 1: on the internet. See you rid up and they're gonna 304 00:18:48,040 --> 00:18:52,119 Speaker 1: call me. That is when you was in Colombia and 305 00:18:53,359 --> 00:18:57,960 Speaker 1: you sniffed that white. How did that go down? I 306 00:18:58,000 --> 00:19:00,320 Speaker 1: would like to where the white? You have to holy 307 00:19:00,440 --> 00:19:03,680 Speaker 1: he didn't care. I damn it. He's someone happened. I 308 00:19:03,720 --> 00:19:06,520 Speaker 1: didn't see that. I didn't I didn't see that. He said, 309 00:19:06,600 --> 00:19:10,080 Speaker 1: you say he said on camera on camera head he 310 00:19:10,240 --> 00:19:13,280 Speaker 1: said everything on camera in ten dollars and got a fourteen. 311 00:19:13,400 --> 00:19:23,040 Speaker 1: But you know this is this is this is now, Hey, 312 00:19:23,119 --> 00:19:26,040 Speaker 1: But you know what something say some ships not that. 313 00:19:26,320 --> 00:19:29,320 Speaker 1: I like the people that peace was real. I cut 314 00:19:29,880 --> 00:19:33,480 Speaker 1: chickens and goats, nigger, that's how the case really say 315 00:19:33,480 --> 00:19:37,280 Speaker 1: it again again, I'm say again, I cut chickens and goats. 316 00:19:37,400 --> 00:19:39,840 Speaker 1: If you really want to know, it makes some noise 317 00:19:39,880 --> 00:19:45,120 Speaker 1: from being food. I don't want to compels hey ship. 318 00:19:45,200 --> 00:19:46,520 Speaker 1: He just don't want to claim it. I don't know 319 00:19:46,640 --> 00:19:51,600 Speaker 1: why he knows he about break. I don't know why 320 00:19:51,640 --> 00:19:54,240 Speaker 1: he to claim it. I don't know why you don't 321 00:19:54,240 --> 00:20:10,440 Speaker 1: want to go thought, but I all that ship. I 322 00:20:10,440 --> 00:20:11,879 Speaker 1: don't like. I don't go out what you were like 323 00:20:12,440 --> 00:20:14,920 Speaker 1: um back in the days in the studio and I 324 00:20:14,960 --> 00:20:17,040 Speaker 1: couldn't understand what you said like you were you were 325 00:20:17,160 --> 00:20:20,679 Speaker 1: really hood country like I like that And it took 326 00:20:20,720 --> 00:20:22,119 Speaker 1: me two minutes. But then I see you. When you 327 00:20:22,200 --> 00:20:27,480 Speaker 1: get intellectual, you know how to go there. Just speak truth, 328 00:20:28,680 --> 00:20:33,560 Speaker 1: that's it. What kind of fights used to have as 329 00:20:33,600 --> 00:20:38,280 Speaker 1: a child? What you mean? I'm wondering, why then you 330 00:20:38,320 --> 00:20:41,359 Speaker 1: try to fight Floyd? Why the fun you thought he 331 00:20:41,440 --> 00:20:45,119 Speaker 1: was gonna win? Is that true? That's not true. You 332 00:20:45,160 --> 00:20:48,320 Speaker 1: can tell me, you can tell me now it ain't true. Man. 333 00:20:49,440 --> 00:20:51,720 Speaker 1: You know what if you paid the fight you talked 334 00:20:51,760 --> 00:20:59,760 Speaker 1: about it. If you're not paid right now, that's just 335 00:21:00,000 --> 00:21:04,480 Speaker 1: ain't brocot let's right now, million gep on the defective 336 00:21:04,520 --> 00:21:08,400 Speaker 1: type bone. Yeah, you're just going to opens. You don't 337 00:21:08,440 --> 00:21:10,360 Speaker 1: want to drink, Come on, friends, you know I don't 338 00:21:10,400 --> 00:21:12,560 Speaker 1: do that. Friends, I don't do that though. That ain't 339 00:21:12,600 --> 00:21:16,840 Speaker 1: really like you know, it ain't the move talking about 340 00:21:17,160 --> 00:21:19,200 Speaker 1: talking about ship that happened in the streets. You talked, 341 00:21:19,320 --> 00:21:21,560 Speaker 1: you snuffed up, but you talked about you don't talk 342 00:21:21,560 --> 00:21:23,480 Speaker 1: about ship that happened in the streets, just almost for 343 00:21:23,760 --> 00:21:29,639 Speaker 1: I still think here in the streets. He actually, I 344 00:21:29,720 --> 00:21:32,840 Speaker 1: can't say I was in there every day. Ship happened 345 00:21:32,880 --> 00:21:35,600 Speaker 1: in the streets. You don't talk about the streets. You 346 00:21:35,720 --> 00:21:40,280 Speaker 1: leave it there. It's gonna change to just happening in 347 00:21:40,280 --> 00:21:45,399 Speaker 1: the side. And you don't want a shot right here. 348 00:21:45,440 --> 00:21:48,600 Speaker 1: You'll now we're gonna respect all that. My tip his 349 00:21:48,680 --> 00:21:55,680 Speaker 1: hands on my nig I got the first one. You 350 00:21:55,720 --> 00:21:59,400 Speaker 1: got to set the This is that? Is that a shot? 351 00:21:59,720 --> 00:22:06,359 Speaker 1: This is a shot? Let me call you Conac, like, 352 00:22:06,520 --> 00:22:23,280 Speaker 1: what's vibe? Smelling? Smell violet? You done me some Chinese? More? Yeah? 353 00:22:24,280 --> 00:22:29,520 Speaker 1: Doesn't we call this mark pink bongs? Big bons? He 354 00:22:30,080 --> 00:22:38,840 Speaker 1: s like, I love how you movie take Skelly. You 355 00:22:38,880 --> 00:22:49,480 Speaker 1: know what I'm slut zack ya Hey, God, a baby 356 00:22:50,240 --> 00:22:59,040 Speaker 1: makes up dirty cobwebs. Your French. You know French. You 357 00:22:59,119 --> 00:23:02,800 Speaker 1: know French's alcohol. You know that I'm alcoholic as well. 358 00:23:02,840 --> 00:23:05,159 Speaker 1: I never heard anything. I never heard anything. But you 359 00:23:05,280 --> 00:23:11,200 Speaker 1: want have an ability, huh to keep going like I 360 00:23:11,320 --> 00:23:14,480 Speaker 1: see off the red video shoot. By the way, you're 361 00:23:14,480 --> 00:23:16,720 Speaker 1: invited me to East New York. It was very dispectful 362 00:23:16,840 --> 00:23:20,600 Speaker 1: because East it is die right there. They just die 363 00:23:20,640 --> 00:23:23,160 Speaker 1: right there. And by the way, we almost got arrested together. 364 00:23:23,560 --> 00:23:26,520 Speaker 1: Do you remember that why the police rolled up? I 365 00:23:26,640 --> 00:23:29,960 Speaker 1: do so much. We I didn't realize how pussy y'all 366 00:23:30,080 --> 00:23:33,080 Speaker 1: was like because I'm like, you know, we got the 367 00:23:33,160 --> 00:23:36,000 Speaker 1: other things, but don't say stats the right way. When 368 00:23:36,040 --> 00:23:39,080 Speaker 1: the shot, I was like, the old guy was locked up. 369 00:23:40,520 --> 00:23:43,960 Speaker 1: He planned the whole video. You know, you know that's 370 00:23:44,000 --> 00:23:46,560 Speaker 1: the most dangerous place in New York City. I thought 371 00:23:46,600 --> 00:23:50,480 Speaker 1: you had a situated. We were not sit one way 372 00:23:50,600 --> 00:23:54,960 Speaker 1: and one way out. You had one security everybody everybody 373 00:23:55,000 --> 00:23:58,080 Speaker 1: I don't like each other in there. I don't everybody around. 374 00:23:58,720 --> 00:24:02,760 Speaker 1: This is the death zone. I'm tom We're in Ballast, 375 00:24:02,800 --> 00:24:08,639 Speaker 1: New York, New York. The video shoot. I'm there and 376 00:24:09,560 --> 00:24:14,280 Speaker 1: nine hundre police come. I'm like that they knew exactly 377 00:24:14,320 --> 00:24:16,800 Speaker 1: who had the guys that. Yeah, they went straight to 378 00:24:16,880 --> 00:24:19,760 Speaker 1: the Whoever said that ship was just like a vibe 379 00:24:19,920 --> 00:24:22,000 Speaker 1: And you're saying who's because it's blown them up right now. 380 00:24:22,720 --> 00:24:26,560 Speaker 1: I don't know the snitch podcast. I don't know nigga, 381 00:24:26,760 --> 00:24:29,800 Speaker 1: fuck you, whoever whoever that, I don't know who Nigga is. 382 00:24:30,000 --> 00:24:34,360 Speaker 1: We want to do another shot because like I just nothing. 383 00:24:43,440 --> 00:24:46,960 Speaker 1: Welcome to play a new podcast network featuring radio and 384 00:24:47,040 --> 00:24:51,640 Speaker 1: TV personalities, talking business, sports, tech, entertainment, and more. Play 385 00:24:51,680 --> 00:24:56,119 Speaker 1: it at play dot It. We're back to Drink Champs 386 00:24:56,240 --> 00:25:03,879 Speaker 1: Radio with Rapper and R and d Jes. Then look, look, 387 00:25:04,840 --> 00:25:07,719 Speaker 1: Roy Perez knocked on my door. Look, don't worry if 388 00:25:07,920 --> 00:25:12,800 Speaker 1: you missed your flight. I got, Like I said, Rogie 389 00:25:12,840 --> 00:25:18,200 Speaker 1: Perez knocked on my doorm with with the titties out. 390 00:25:18,359 --> 00:25:27,000 Speaker 1: I got. Ro Roy pres came looking looking for your tip. 391 00:25:27,040 --> 00:25:33,280 Speaker 1: You my door. Let me ask you. Listen your perspective. 392 00:25:33,320 --> 00:25:35,840 Speaker 1: Rosy a whole love the roads. They all love the kissing. 393 00:25:36,680 --> 00:25:41,120 Speaker 1: I mean what you came out like, white man can't Jump, 394 00:25:41,160 --> 00:25:43,719 Speaker 1: came to the crib. How was it kissing Janet Jackson? 395 00:25:45,040 --> 00:25:52,160 Speaker 1: I mean it was great describing far whatever he wants 396 00:25:52,160 --> 00:25:56,200 Speaker 1: to look out. That's a Penny Man. That's Penny Man, 397 00:25:56,960 --> 00:26:00,720 Speaker 1: Miss Penny Man. That's Penny Man. It's crazy. It's Penny. 398 00:26:00,840 --> 00:26:04,320 Speaker 1: It's Penny. And she made Pop take a age test. 399 00:26:04,400 --> 00:26:07,520 Speaker 1: But she did not make you take a test. Yeah no, 400 00:26:07,840 --> 00:26:09,840 Speaker 1: the ship. So here's the thing, right, So we were 401 00:26:09,920 --> 00:26:15,520 Speaker 1: doing a movie. So let me clean it real quick 402 00:26:15,520 --> 00:26:18,239 Speaker 1: because I gotta bounce in the mint. Let it all 403 00:26:18,320 --> 00:26:19,879 Speaker 1: right there, I got I gotta, I got it, give 404 00:26:19,920 --> 00:26:24,400 Speaker 1: me give you a second. We're doing the poetic Justice ship, 405 00:26:25,920 --> 00:26:28,959 Speaker 1: so we're chilling and shipped me and pot I did. 406 00:26:29,000 --> 00:26:32,960 Speaker 1: We're chilling or whatever. So we did rehearsals or whatever, 407 00:26:33,280 --> 00:26:34,800 Speaker 1: and I forget with the album. I think it was 408 00:26:34,920 --> 00:26:37,800 Speaker 1: All Eyes. No, I think it was I can't remember 409 00:26:37,840 --> 00:26:42,680 Speaker 1: which album. Yeah, I think it was Me against the World. Actually, 410 00:26:43,359 --> 00:26:46,520 Speaker 1: so we were out there were chilling and ship. So 411 00:26:47,040 --> 00:26:49,200 Speaker 1: we had a table reading and shipped to me and 412 00:26:49,280 --> 00:26:52,040 Speaker 1: they could be chilling, smoking, whatever whatever whatever. Then we 413 00:26:52,200 --> 00:26:55,240 Speaker 1: was me and him, Yo, that's Penny think. I was like, 414 00:26:55,359 --> 00:26:58,879 Speaker 1: I don't think it's like a penny. We both going 415 00:26:58,960 --> 00:27:02,760 Speaker 1: off like that. So that he said yeah, I just 416 00:27:02,800 --> 00:27:14,639 Speaker 1: said yes, so moved. So were in Simi Valley val 417 00:27:15,000 --> 00:27:18,600 Speaker 1: Semi Value, you know, the Citi Valley. The Semi Valley 418 00:27:18,720 --> 00:27:23,159 Speaker 1: is where they made the decision of Rodney King. This 419 00:27:23,320 --> 00:27:27,679 Speaker 1: is the night the decision came in were Semi Value, 420 00:27:28,119 --> 00:27:32,000 Speaker 1: Simi Value, No, no, no, this is I just gave 421 00:27:32,040 --> 00:27:36,159 Speaker 1: you a little precursor to how you know me and 422 00:27:36,280 --> 00:27:39,600 Speaker 1: Penny and John Singleton and all the extras and the 423 00:27:39,720 --> 00:27:44,040 Speaker 1: gases and anybody's in motherfucker's semi exactly right. So we're 424 00:27:44,040 --> 00:27:46,600 Speaker 1: shooting the joint. So we go through the kids ship. 425 00:27:46,760 --> 00:27:48,960 Speaker 1: We do that ship ten eleven times. The ship is 426 00:27:49,000 --> 00:27:51,719 Speaker 1: cold out to keep us on hold out there because 427 00:27:51,840 --> 00:27:54,440 Speaker 1: now Niggas is starting to ride back in the city 428 00:27:55,119 --> 00:27:58,240 Speaker 1: because the decision came here and we're in Semi valley. 429 00:27:58,320 --> 00:28:01,359 Speaker 1: The courthouse was like two miles up from where we 430 00:28:01,400 --> 00:28:05,240 Speaker 1: were shooting the fun so they didn't want us to move. 431 00:28:05,359 --> 00:28:08,080 Speaker 1: They wanted to keep the set kind of, you know, 432 00:28:08,240 --> 00:28:10,440 Speaker 1: static until they got to read on what was happening 433 00:28:10,520 --> 00:28:14,600 Speaker 1: around because they riot started popular whatever. So we out there, 434 00:28:14,680 --> 00:28:18,199 Speaker 1: we keep just doing a scene, keep kissing and ship right, 435 00:28:18,720 --> 00:28:22,760 Speaker 1: so that Thomas touching let me check your hand again. 436 00:28:36,480 --> 00:28:40,600 Speaker 1: He went to the first base with Betty. We both 437 00:28:40,800 --> 00:28:46,640 Speaker 1: get the sniffles and all that ship sure thing about 438 00:28:46,640 --> 00:28:49,680 Speaker 1: to actually here we go. I mean, that was my girl. 439 00:28:50,080 --> 00:28:55,480 Speaker 1: That was my girl. I mean after one everybody getting 440 00:28:57,160 --> 00:28:59,160 Speaker 1: you know, you were smashing a lot of Hollywood digs 441 00:28:59,160 --> 00:29:07,760 Speaker 1: out there. Who but that was my girl. But but 442 00:29:07,840 --> 00:29:11,000 Speaker 1: but anyway, but let me because I want to get 443 00:29:11,000 --> 00:29:14,360 Speaker 1: to the pop ship. So we caught a fucking cold 444 00:29:14,520 --> 00:29:17,320 Speaker 1: and ship or everybody, damn it. But I definitely she 445 00:29:17,480 --> 00:29:20,800 Speaker 1: was sick. I was sick whatever, So I don't know 446 00:29:21,240 --> 00:29:24,000 Speaker 1: what that decision was on her part to be like 447 00:29:24,120 --> 00:29:26,280 Speaker 1: he asked to get an age sense, but she definitely 448 00:29:26,440 --> 00:29:30,080 Speaker 1: was like, well, if I'm gonna like kissing with him 449 00:29:30,120 --> 00:29:31,800 Speaker 1: and he's gonna, you know, I gotta make sure that. 450 00:29:33,000 --> 00:29:34,920 Speaker 1: And me and the nigga was talking about it. I 451 00:29:34,960 --> 00:29:36,560 Speaker 1: went to his chail. He was like, Yo, don't you 452 00:29:36,760 --> 00:29:39,960 Speaker 1: know he asked me to take a muggle. Nigga was hot. 453 00:29:41,240 --> 00:29:44,440 Speaker 1: He was hot. I was like, and he was like, 454 00:29:44,760 --> 00:29:49,400 Speaker 1: I could see if I was fucking id. The scene 455 00:29:49,400 --> 00:29:54,120 Speaker 1: didn't even know, you know how. That's how you never 456 00:29:54,160 --> 00:29:57,440 Speaker 1: met him. That's how the nigga was b used to 457 00:29:57,560 --> 00:30:02,280 Speaker 1: rock with him? Was he? That was before? That was before, 458 00:30:02,440 --> 00:30:06,440 Speaker 1: this is before again. Yeah, And the surso Ward's incident 459 00:30:06,600 --> 00:30:09,480 Speaker 1: was just like it was just it was a miss. 460 00:30:09,800 --> 00:30:14,760 Speaker 1: It was a miss communication in the backstage. So we 461 00:30:14,960 --> 00:30:18,720 Speaker 1: won an award or whatever, and we're going on an 462 00:30:18,760 --> 00:30:20,760 Speaker 1: accepted award and they gave and they get a green 463 00:30:20,840 --> 00:30:23,680 Speaker 1: light to go on and perform. So he comes on 464 00:30:23,760 --> 00:30:26,200 Speaker 1: the perform. Now NAS had just put out the Amatic 465 00:30:26,280 --> 00:30:31,560 Speaker 1: ship and Um. You know people looked at at the 466 00:30:31,600 --> 00:30:34,160 Speaker 1: time in New York as like kind of west. But 467 00:30:34,200 --> 00:30:40,760 Speaker 1: the nigga was he was, he's he was. His mother 468 00:30:40,920 --> 00:30:44,160 Speaker 1: used to rock around alway, so he had deep ties 469 00:30:44,280 --> 00:30:48,880 Speaker 1: around always, like deep, deep deep ties like his mother was, 470 00:30:49,160 --> 00:30:51,680 Speaker 1: you know, black panther. They had a black panther set 471 00:30:51,800 --> 00:30:54,440 Speaker 1: up around all way, Joe and chest smart all that, 472 00:30:54,560 --> 00:30:56,920 Speaker 1: you know what I'm saying. So he had deep ties 473 00:30:57,000 --> 00:31:01,000 Speaker 1: around the way. So anyway, the nigga around stage, you know, 474 00:31:01,840 --> 00:31:04,480 Speaker 1: niggas was hot and nigga's looking niggas boring. Um, he 475 00:31:04,520 --> 00:31:06,840 Speaker 1: was like fuck you know he was with niggas from 476 00:31:06,880 --> 00:31:13,160 Speaker 1: around always on stage. Yeah, yeah, exactly, Yeah, I'm so 477 00:31:15,080 --> 00:31:21,000 Speaker 1: so then um it got a little ugly son part. 478 00:31:21,640 --> 00:31:23,920 Speaker 1: But when but but but but here's the thing Pox 479 00:31:23,920 --> 00:31:28,080 Speaker 1: saw Ali Ali was tight. It shouts out to um, 480 00:31:28,400 --> 00:31:33,360 Speaker 1: what's your name? Who? Um does the source? It shouts 481 00:31:33,400 --> 00:31:35,640 Speaker 1: out to Benzino that he's always treated with respect. I 482 00:31:35,720 --> 00:31:37,840 Speaker 1: saw some ship flowing online. He was like talking about 483 00:31:37,880 --> 00:31:39,960 Speaker 1: old as the cute trip was crying. Ali was crying. 484 00:31:39,960 --> 00:31:42,520 Speaker 1: I didn't even see this nigga back. Nobody was crying. 485 00:31:44,320 --> 00:31:49,640 Speaker 1: So that was okay. Yeah, they come on was no, 486 00:31:49,800 --> 00:31:52,360 Speaker 1: I don't but it wasn't enough. It wasn't It wasn't 487 00:31:52,360 --> 00:31:55,440 Speaker 1: it wasn't crazy, It wasn't cz What was just saying 488 00:31:55,440 --> 00:31:57,840 Speaker 1: that niggas was crying held They told the story on 489 00:31:57,920 --> 00:32:02,000 Speaker 1: our the stage and nigga was like and teary or whatever. 490 00:32:02,440 --> 00:32:04,760 Speaker 1: It was kind of favors were no, no, because I 491 00:32:04,800 --> 00:32:08,160 Speaker 1: gotta go. Let me when I chop it up, but 492 00:32:08,240 --> 00:32:12,720 Speaker 1: let me just have my piece, thank you. So but 493 00:32:12,880 --> 00:32:14,640 Speaker 1: I really do these ships, you know what I'm saying. 494 00:32:14,720 --> 00:32:19,080 Speaker 1: But um, so we're on stage or whatever. The niggas 495 00:32:19,200 --> 00:32:24,200 Speaker 1: was hot straight up and we was we was we 496 00:32:24,360 --> 00:32:29,680 Speaker 1: was up out there new pod at the time. Yeah, okay, 497 00:32:31,000 --> 00:32:36,800 Speaker 1: so we trying to get to the trying to get 498 00:32:36,840 --> 00:32:39,240 Speaker 1: to this nigga. See what it was, you know what 499 00:32:39,280 --> 00:32:43,480 Speaker 1: I'm saying. So alive with his Brooklyn niggas or whatever 500 00:32:43,600 --> 00:32:47,600 Speaker 1: he would have we with. I mean alive was with Brooklyn. 501 00:32:47,720 --> 00:32:50,000 Speaker 1: We was with our whole fucking crewe. Everybody was trying 502 00:32:50,000 --> 00:32:54,440 Speaker 1: to see what that was. And um, we had a 503 00:32:54,520 --> 00:32:58,400 Speaker 1: little incident, me and a couple of my niggas. I 504 00:32:58,480 --> 00:33:00,720 Speaker 1: had to go sit down. You know what I'm saying, 505 00:33:00,760 --> 00:33:04,320 Speaker 1: it's the fucking tunes for a couple of nights. Whatever, 506 00:33:06,160 --> 00:33:12,600 Speaker 1: be locked up. I mean, I mean my nigga, look anyway, 507 00:33:12,680 --> 00:33:16,880 Speaker 1: let's continue until we sit down whatever Alie saw a pot. 508 00:33:17,320 --> 00:33:20,120 Speaker 1: Park was like, yo, I never meant no disrespects young 509 00:33:20,240 --> 00:33:24,360 Speaker 1: I love y'all. Niggas. Are you crazy? That was That 510 00:33:24,520 --> 00:33:29,520 Speaker 1: was just Buster hit me and Bus was like, Yo, 511 00:33:29,560 --> 00:33:31,080 Speaker 1: you're coming to l A, right because you told me 512 00:33:31,120 --> 00:33:32,520 Speaker 1: he was coming to l A. And I was like yeah. 513 00:33:32,560 --> 00:33:34,840 Speaker 1: He was like, yeall spoke to the nigga poc You 514 00:33:34,920 --> 00:33:36,320 Speaker 1: get out of here when you get out here this 515 00:33:36,440 --> 00:33:38,480 Speaker 1: or sit down. I was like, cool. There was at 516 00:33:38,520 --> 00:33:41,960 Speaker 1: the St. James apartments. I hit Bus, but it's like 517 00:33:42,000 --> 00:33:44,840 Speaker 1: we're over here there smoking whatever, drinking whatever, nigga pocke. 518 00:33:45,080 --> 00:33:46,800 Speaker 1: I was like, of course, so we went over there. 519 00:33:47,440 --> 00:33:49,360 Speaker 1: We all fucked up and Park was a cool and 520 00:33:49,440 --> 00:33:51,800 Speaker 1: nigg you know cool. It's me and you. I love 521 00:33:51,880 --> 00:33:54,280 Speaker 1: you one nigga. That's pretty death growl post. Yeah, this 522 00:33:54,400 --> 00:33:58,640 Speaker 1: is pretty. This is what I was. I was shooting 523 00:33:58,680 --> 00:34:02,160 Speaker 1: high learning at the time and omar, I was up 524 00:34:02,240 --> 00:34:05,520 Speaker 1: here this before this, this before, this is during this 525 00:34:05,800 --> 00:34:09,320 Speaker 1: before everything. No, no, no, this is doing this is 526 00:34:09,480 --> 00:34:11,680 Speaker 1: during the same time frame when he went and popped 527 00:34:11,680 --> 00:34:16,320 Speaker 1: the two off duty bowling So so we me me 528 00:34:16,480 --> 00:34:21,399 Speaker 1: omar absolutely. Daddy Shane was staying in Yeah, that's fully 529 00:34:21,480 --> 00:34:24,279 Speaker 1: rented apartments because we were shooting the movie. And at 530 00:34:24,320 --> 00:34:27,160 Speaker 1: the time, what's the life brown dude that used to 531 00:34:27,200 --> 00:34:37,040 Speaker 1: be on BT's hunt Uh Johnny when Pop God with Kamal, 532 00:34:38,360 --> 00:34:40,520 Speaker 1: He told me he wanted to speak to him because 533 00:34:40,520 --> 00:34:42,680 Speaker 1: he knew that I was the closest thing to co 534 00:34:42,880 --> 00:34:46,800 Speaker 1: Tip at the time. So when he talked to me, 535 00:34:46,920 --> 00:34:49,400 Speaker 1: he was just explaining to me because back then Nickas 536 00:34:49,440 --> 00:34:53,360 Speaker 1: was performing on for that tapes. So when you perform 537 00:34:53,400 --> 00:34:55,480 Speaker 1: on for Dad tape, it ain't like the fucking hits 538 00:34:55,560 --> 00:34:57,880 Speaker 1: to replay and ain't like the Serado and ain't like 539 00:34:57,920 --> 00:35:01,080 Speaker 1: none of these every wife you gotta for nigga press 540 00:35:01,200 --> 00:35:07,520 Speaker 1: plays because you're gonna lose your placement back. So he 541 00:35:07,760 --> 00:35:11,640 Speaker 1: was saying, the person that was assigned to trigger his 542 00:35:11,840 --> 00:35:15,440 Speaker 1: Dad tape pressed the play while they was dealing with 543 00:35:15,760 --> 00:35:19,160 Speaker 1: their acceptance speech. Right, he had to go, He had 544 00:35:19,239 --> 00:35:22,200 Speaker 1: to go, So he looked like he just was some fun. 545 00:35:22,360 --> 00:35:25,239 Speaker 1: They except to speech. I'm just gonna come out of 546 00:35:25,239 --> 00:35:27,640 Speaker 1: hand and ride over these niggas, And he said to 547 00:35:27,719 --> 00:35:30,320 Speaker 1: me like that at all. That was not what that 548 00:35:30,520 --> 00:35:33,000 Speaker 1: had nothing to do with me. He was like, I 549 00:35:33,040 --> 00:35:34,840 Speaker 1: wouldn't never dis tribe. As a matter of fact, I 550 00:35:34,920 --> 00:35:40,520 Speaker 1: want to do a public truth on BAT. So they 551 00:35:40,600 --> 00:35:46,880 Speaker 1: came together to to to to clarify and organize the 552 00:35:47,000 --> 00:35:50,920 Speaker 1: public truths from BT. And unfortunately he passed before that 553 00:35:51,080 --> 00:35:54,279 Speaker 1: got to happen yet of ship passed or before we 554 00:35:54,360 --> 00:36:02,680 Speaker 1: actually got to to get that right. But because well 555 00:36:03,960 --> 00:36:08,759 Speaker 1: come on, now, how did you fail when there's two 556 00:36:08,880 --> 00:36:15,920 Speaker 1: little queen stools to you, Prodigy and Havel, and then 557 00:36:15,960 --> 00:36:20,040 Speaker 1: they come to you, and then you say, y'all think 558 00:36:20,120 --> 00:36:23,000 Speaker 1: this is great and let me shape and mold it 559 00:36:23,160 --> 00:36:26,200 Speaker 1: a little better. Because we had to have it gonna 560 00:36:26,239 --> 00:36:29,520 Speaker 1: drink Champs. He said that personally. Yeah, he said, we 561 00:36:29,680 --> 00:36:32,600 Speaker 1: had the album, he had it almost done, but we 562 00:36:32,760 --> 00:36:37,520 Speaker 1: wanted to see through the allegic and you tweaked their 563 00:36:37,600 --> 00:36:41,879 Speaker 1: album and then drink Champs classic, you know the song 564 00:36:41,960 --> 00:36:48,040 Speaker 1: that hen he joined. Yeah, that was crazy because every 565 00:36:48,160 --> 00:36:52,640 Speaker 1: yea for me, I didn't described that ten million out 566 00:36:52,640 --> 00:36:56,040 Speaker 1: of pussy when you and you sold ten million, because 567 00:36:56,080 --> 00:36:59,279 Speaker 1: like I sold a million, right enough like that it 568 00:36:59,520 --> 00:37:02,200 Speaker 1: like attend million, Like I know what I was getting 569 00:37:02,239 --> 00:37:05,239 Speaker 1: done that, Like, how was it at the height? At 570 00:37:05,280 --> 00:37:12,680 Speaker 1: the height of it, unbelievable. Pump the shaggy shaggy ass. Right, 571 00:37:12,760 --> 00:37:15,359 Speaker 1: let's keep it round. You know what jamaking you listen about? 572 00:37:16,320 --> 00:37:20,680 Speaker 1: Listen to anybody was not that amount of I don't 573 00:37:20,719 --> 00:37:23,279 Speaker 1: take to get the brown books stopped at the saying 574 00:37:24,120 --> 00:37:28,440 Speaker 1: big sounds. Anybody with that amount of success shouldn't have 575 00:37:28,520 --> 00:37:31,120 Speaker 1: a pussy problem. But how is it though, I like, 576 00:37:31,160 --> 00:37:35,000 Speaker 1: you know what I'm saying, It has to be great, bro, Yeah, yeah. 577 00:37:37,719 --> 00:37:43,000 Speaker 1: Let The thing is that I was never used. I'm 578 00:37:43,080 --> 00:37:44,799 Speaker 1: just never new to these months because if you ever 579 00:37:44,880 --> 00:37:46,920 Speaker 1: from o Carolina there was another global hit. So I've 580 00:37:46,960 --> 00:37:50,000 Speaker 1: been getting globe and snatch all my life. Ye know 581 00:37:50,000 --> 00:37:54,759 Speaker 1: what I'm saying. Sounds like you know, he didn't taking 582 00:37:54,800 --> 00:37:57,960 Speaker 1: ship down down, you know what I mean, like it 583 00:37:58,080 --> 00:38:01,000 Speaker 1: got damn. You gotta be used to that from from 584 00:38:01,080 --> 00:38:03,640 Speaker 1: day one, from from in school, even I was in 585 00:38:03,680 --> 00:38:04,800 Speaker 1: the middle of a matter of fact, I was in 586 00:38:04,840 --> 00:38:08,520 Speaker 1: the war. I probably probably only few people in in 587 00:38:09,239 --> 00:38:18,040 Speaker 1: the middle of the desert that gott he got some desert. 588 00:38:23,360 --> 00:38:27,719 Speaker 1: Now he's out the ball and he gets yamed. There's 589 00:38:27,719 --> 00:38:30,880 Speaker 1: a couple of jobs you got damn In the military. 590 00:38:30,920 --> 00:38:34,239 Speaker 1: I was a cannon there, which is known as tank now, 591 00:38:34,360 --> 00:38:38,160 Speaker 1: it was almost a cash it's artillery. I fired one 592 00:38:38,320 --> 00:38:42,279 Speaker 1: five five howitzers and the ship lands indirect fire or 593 00:38:42,360 --> 00:38:48,600 Speaker 1: some fucking grid scare and blows some motherfucker's support. I 594 00:38:48,760 --> 00:38:56,799 Speaker 1: fired ship. Now, so while we was there, ship, how 595 00:38:56,920 --> 00:39:01,040 Speaker 1: your body niggas and the war? Yeah, he was in 596 00:39:01,160 --> 00:39:05,320 Speaker 1: the world. First go forward, its record that she was 597 00:39:05,360 --> 00:39:12,239 Speaker 1: behind this from first niggers, the singing to the shot. 598 00:39:17,960 --> 00:39:20,640 Speaker 1: But it's certain jobs and him from eight miles away. 599 00:39:22,480 --> 00:39:26,279 Speaker 1: It's old. It's old, but there's certain jobs in there 600 00:39:26,360 --> 00:39:27,840 Speaker 1: that you get. I used to I used to be. 601 00:39:28,040 --> 00:39:30,520 Speaker 1: I'm a skater what they call in military skater that 602 00:39:30,640 --> 00:39:32,440 Speaker 1: mean ship of means I. You know, I ain't going 603 00:39:32,480 --> 00:39:35,200 Speaker 1: around saying who ra who raw. You know what I'm saying. 604 00:39:35,800 --> 00:39:37,680 Speaker 1: If I could pop my jeep and put my foot 605 00:39:37,760 --> 00:39:41,399 Speaker 1: up and chill, I'm gonna do it. You ain't gonna 606 00:39:41,440 --> 00:39:44,279 Speaker 1: see me running around trying to be yes CEO. And 607 00:39:44,320 --> 00:39:50,080 Speaker 1: that's the military. And I'm gonna get this marin semper five. 608 00:39:50,480 --> 00:39:55,000 Speaker 1: You know what I'm saying, Do or die? First? The boat? Yes, 609 00:39:55,680 --> 00:40:08,120 Speaker 1: first book Bush Bush with another bush I'm like the 610 00:40:08,200 --> 00:40:10,560 Speaker 1: point I was trying to make. I used to drive 611 00:40:10,640 --> 00:40:12,719 Speaker 1: and going for the child truck. I'm the guy. Now 612 00:40:12,840 --> 00:40:14,600 Speaker 1: you see all you got navigation system in your car 613 00:40:14,680 --> 00:40:16,040 Speaker 1: right now. We used to drive them home via the 614 00:40:16,320 --> 00:40:19,879 Speaker 1: big old the flat ones, but they had these big 615 00:40:19,920 --> 00:40:23,560 Speaker 1: gas navigations, a big white thing, and that's that was 616 00:40:23,719 --> 00:40:25,920 Speaker 1: how we used to drive to find a way to 617 00:40:26,040 --> 00:40:27,960 Speaker 1: the to the to the main base to pick up 618 00:40:28,239 --> 00:40:30,040 Speaker 1: the child. Now, when you're picking up child and stuff 619 00:40:30,080 --> 00:40:32,440 Speaker 1: like that, child was actually the breakfast and the food. 620 00:40:33,520 --> 00:40:35,879 Speaker 1: You go down there, they give you five five loaf 621 00:40:35,960 --> 00:40:38,560 Speaker 1: of bread. I put one on in my seat. You 622 00:40:38,680 --> 00:40:40,360 Speaker 1: get six ft of butters. I put one out of 623 00:40:40,440 --> 00:40:43,440 Speaker 1: my seat. So I'm you know, I'm the mad You 624 00:40:43,480 --> 00:40:45,920 Speaker 1: know everybody wants something, y'allo. You know I pick up 625 00:40:45,960 --> 00:40:47,880 Speaker 1: the mail. My father's glad to see me because I 626 00:40:47,920 --> 00:40:50,800 Speaker 1: got the mail. You know it's glad to see me 627 00:40:50,920 --> 00:40:54,640 Speaker 1: because you know I'm come in. I got cigarettes. It 628 00:40:54,800 --> 00:40:56,560 Speaker 1: is what it is, you know, for me and everybody 629 00:40:56,640 --> 00:41:00,840 Speaker 1: on the tunis in the batteries. Friend, how Janet Jackson 630 00:41:00,920 --> 00:41:04,560 Speaker 1: smell I never met remember, I told you I thought 631 00:41:04,880 --> 00:41:06,880 Speaker 1: we did the record together. She was never in my 632 00:41:07,000 --> 00:41:08,880 Speaker 1: video oh she never no, no, no, no, she going. 633 00:41:09,200 --> 00:41:11,800 Speaker 1: I took it the number one thought no good, she 634 00:41:13,040 --> 00:41:14,480 Speaker 1: won't to do know with the record. But I took 635 00:41:14,480 --> 00:41:16,279 Speaker 1: it all the way. So it's all good. I'm mad. 636 00:41:16,840 --> 00:41:19,560 Speaker 1: I just prove I But I went back. When I 637 00:41:19,640 --> 00:41:22,600 Speaker 1: went down to the main base, they had women marines, 638 00:41:23,480 --> 00:41:25,920 Speaker 1: and they would jo because they didn't want giving you 639 00:41:26,000 --> 00:41:27,680 Speaker 1: the food and giving your mail and all that. The 640 00:41:27,800 --> 00:41:32,399 Speaker 1: admin girls. So you gotta make yourself, you know, made 641 00:41:32,560 --> 00:41:36,200 Speaker 1: some think tennis like. But you met Mariah carry before. 642 00:41:36,320 --> 00:41:39,759 Speaker 1: Remember you know what I did. I didn't meet Maria, 643 00:41:39,880 --> 00:41:43,759 Speaker 1: but you met the two to stop sucking O. Ain't 644 00:41:43,800 --> 00:41:47,960 Speaker 1: trying to me. Yeah, but I don't know this relationship. 645 00:41:48,040 --> 00:41:51,160 Speaker 1: I don't have no famous relationship. I'm going you all 646 00:41:51,200 --> 00:41:57,839 Speaker 1: right now, relaxed. I don't make famous. I'm nocked down 647 00:41:57,840 --> 00:42:00,239 Speaker 1: a lot of famous bitches, but let me but no, 648 00:42:00,440 --> 00:42:04,160 Speaker 1: but none but none of them that you know. I 649 00:42:04,200 --> 00:42:07,480 Speaker 1: ain't out there like that. I like that, you know 650 00:42:07,480 --> 00:42:09,200 Speaker 1: what I'm saying. I respect how you put it, but 651 00:42:09,600 --> 00:42:14,000 Speaker 1: but that's was that was pre social media. Like right now, 652 00:42:14,440 --> 00:42:18,800 Speaker 1: y'all gonna with that ship. That's what I don't But 653 00:42:18,840 --> 00:42:20,879 Speaker 1: it's a good time. You're walking straight right now, because 654 00:42:20,880 --> 00:42:23,000 Speaker 1: I know you walk straight right now. You're good dude, 655 00:42:23,080 --> 00:42:26,160 Speaker 1: right now, you're great guy. You know your father, husband 656 00:42:26,200 --> 00:42:28,400 Speaker 1: and all that. Yeah, you can't work in this time. 657 00:42:28,440 --> 00:42:30,840 Speaker 1: But the environment, you gotta put all that down. Just 658 00:42:30,880 --> 00:42:32,680 Speaker 1: put the youngest they see now, they want they want 659 00:42:32,719 --> 00:42:35,120 Speaker 1: to put everything out there and you we got problems 660 00:42:35,160 --> 00:42:37,440 Speaker 1: like that. Yeah I can't. I'm keeping it. Yeah we 661 00:42:37,520 --> 00:42:39,440 Speaker 1: CA's why. I know at one point you was a 662 00:42:39,520 --> 00:42:43,120 Speaker 1: wild nickel. I don't know, I've been that my whole life. 663 00:42:43,320 --> 00:42:46,319 Speaker 1: You sold timmillion just makes some noise for that guy, 664 00:42:50,600 --> 00:42:53,160 Speaker 1: you know what? And then but you know what that 665 00:42:54,280 --> 00:42:56,640 Speaker 1: is that you know you sold tim million. It was 666 00:42:56,719 --> 00:43:00,399 Speaker 1: a global though it was a global you made global music. 667 00:43:00,480 --> 00:43:03,360 Speaker 1: You made music that transit, like when I made super 668 00:43:03,480 --> 00:43:07,920 Speaker 1: Dog a Homeboy, like the even Gondo these records that 669 00:43:08,440 --> 00:43:13,080 Speaker 1: he one hundred plays, it was always bubbed out to me. Yeah, 670 00:43:14,200 --> 00:43:16,879 Speaker 1: that's the whole new audience see it, whole different audi 671 00:43:17,000 --> 00:43:18,640 Speaker 1: didn't look at you like, oh he's one of her. 672 00:43:18,680 --> 00:43:23,200 Speaker 1: Caucasians were like that. That's why I discover I mean, 673 00:43:23,360 --> 00:43:30,760 Speaker 1: I don't know about I'm the only other person that's 674 00:43:30,800 --> 00:43:35,680 Speaker 1: so diamond is Bob Marlo. So not even Shop Shop 675 00:43:35,800 --> 00:43:40,200 Speaker 1: was so gold, whipp was so gold. But we I'm 676 00:43:40,239 --> 00:43:44,480 Speaker 1: the only one um Das has A has a diamond 677 00:43:44,520 --> 00:43:47,719 Speaker 1: album and the first You're gonna tell me Murder she 678 00:43:47,800 --> 00:43:51,239 Speaker 1: Wroad isn't it didn't even make it that way. I 679 00:43:51,239 --> 00:43:52,800 Speaker 1: think it was the number one. But I had the 680 00:43:52,880 --> 00:43:57,240 Speaker 1: first Dansall number one UM with Caroline and the British 681 00:43:57,280 --> 00:44:02,240 Speaker 1: Shark at the first the first dancehall record actually debut 682 00:44:02,320 --> 00:44:04,520 Speaker 1: with number one in the British shot was Mr boombastadt 683 00:44:04,520 --> 00:44:06,960 Speaker 1: We did, We did three times. Mr boombastad Age only 684 00:44:07,080 --> 00:44:11,560 Speaker 1: wasn't met. Yeah, no, no that. But I'm saying when 685 00:44:11,600 --> 00:44:12,880 Speaker 1: you come, you know the British shot, when you come 686 00:44:12,880 --> 00:44:14,959 Speaker 1: out of the charts, we got climbing charts. I debut 687 00:44:15,080 --> 00:44:17,680 Speaker 1: in the number one right and then I'm the only 688 00:44:17,760 --> 00:44:20,960 Speaker 1: dance All artists with a number one album, which is 689 00:44:21,560 --> 00:44:23,640 Speaker 1: Hot Shot, and you know they took us off the 690 00:44:23,719 --> 00:44:25,719 Speaker 1: number one spot. I remember Jay Look came in, took 691 00:44:25,800 --> 00:44:27,759 Speaker 1: us off and we took her back off. And it's 692 00:44:27,800 --> 00:44:29,799 Speaker 1: just one of the situation and we've been consistent. Look 693 00:44:29,800 --> 00:44:33,200 Speaker 1: at this. This is twenty sixty and I'm forty years old, 694 00:44:33,239 --> 00:44:34,759 Speaker 1: and I was you know, I had a top twenty 695 00:44:34,880 --> 00:44:37,440 Speaker 1: hit last year with um I Need You Love. We're 696 00:44:37,440 --> 00:44:39,239 Speaker 1: back up on the charts again. We're in the top 697 00:44:39,280 --> 00:44:46,160 Speaker 1: for you right now. It's still blessed to still be 698 00:44:46,200 --> 00:44:48,360 Speaker 1: doing that. What about Jo I met her, She's one 699 00:44:48,360 --> 00:44:56,200 Speaker 1: of my favorite She's actus great, great, yeah great, you 700 00:44:56,280 --> 00:44:57,640 Speaker 1: know what, you know what I gotta I gotta give 701 00:44:57,640 --> 00:45:00,360 Speaker 1: it up to it j Lo about he's all the 702 00:45:00,600 --> 00:45:05,040 Speaker 1: young chicks. Now that's coming up. What everybody knew old dB. 703 00:45:06,560 --> 00:45:08,920 Speaker 1: I mean, but like I said, I threw out an album. 704 00:45:09,040 --> 00:45:11,320 Speaker 1: I threw out something a little, a little mixtape, and 705 00:45:11,680 --> 00:45:13,680 Speaker 1: I got him saying this ship on on on live. 706 00:45:13,840 --> 00:45:16,080 Speaker 1: So I know, nig I gonna love loss. It is 707 00:45:16,160 --> 00:45:19,320 Speaker 1: what it is, my name every everything, you know, I mean, whatever, motherfucker. 708 00:45:21,640 --> 00:45:25,160 Speaker 1: I got Sunday DBT. His name is Mrs Superslide who Instagram. 709 00:45:26,000 --> 00:45:31,120 Speaker 1: He just got cleared, he just got cleaned smoking. So yeah, 710 00:45:31,280 --> 00:45:34,120 Speaker 1: So so the nigger took me to Brooklyn. But he 711 00:45:34,160 --> 00:45:38,560 Speaker 1: took me to Brooklyn. It's like two thousand, yeah, two 712 00:45:38,640 --> 00:45:40,560 Speaker 1: than too. Maybe I don't have felt that he was 713 00:45:40,560 --> 00:45:43,560 Speaker 1: side of Rocket Yeah whatever year that was. So we 714 00:45:43,600 --> 00:45:45,440 Speaker 1: went out to brookn So he said, yo, drop me. 715 00:45:45,440 --> 00:45:47,120 Speaker 1: I'm going to get some good names now. To me, 716 00:45:47,160 --> 00:45:50,560 Speaker 1: I'm thinking that could be anything I had, like a 717 00:45:50,600 --> 00:45:53,080 Speaker 1: little bit earlier. Okay, I'm sucking with him. He fucking 718 00:45:53,120 --> 00:45:55,320 Speaker 1: with the bitches. He's yelling out the window and he 719 00:45:55,440 --> 00:45:57,120 Speaker 1: just you know, yeah, I just came on from jails. 720 00:45:57,200 --> 00:45:59,000 Speaker 1: He was telling me how to see the siety got 721 00:45:59,080 --> 00:46:01,520 Speaker 1: him trapped us. So he pulled up to this little 722 00:46:01,520 --> 00:46:03,640 Speaker 1: brown stone. He walked up and came back. He had 723 00:46:03,680 --> 00:46:06,319 Speaker 1: a brown bag. He said, I got grenaes. I said, 724 00:46:06,360 --> 00:46:09,640 Speaker 1: my nigger, what's cremeds? So I think he pulled out 725 00:46:09,680 --> 00:46:12,320 Speaker 1: an old school bag and pulled out like motherfucking a 726 00:46:12,520 --> 00:46:17,719 Speaker 1: hunted nickels. But I but I said, Brooklyn money, you 727 00:46:17,840 --> 00:46:22,600 Speaker 1: still got like they had capsules nineteen and the two. 728 00:46:23,520 --> 00:46:25,680 Speaker 1: So he would call the s grenaes and he was like, said, 729 00:46:25,760 --> 00:46:27,080 Speaker 1: this is what this is. I said, what is that? 730 00:46:27,160 --> 00:46:33,239 Speaker 1: He said, this is what the grenade is. He in 731 00:46:33,320 --> 00:46:45,680 Speaker 1: the studio. In the studio, yever, I love you. I 732 00:46:45,760 --> 00:46:47,759 Speaker 1: need to give you. I need you to give me 733 00:46:47,840 --> 00:46:51,319 Speaker 1: your wireless mayor cocaine story. We gotta do name Mayor 734 00:46:51,440 --> 00:46:54,000 Speaker 1: that we're both friends with. His name is Derry and 735 00:46:54,120 --> 00:46:58,680 Speaker 1: at one point he's our friends, he's our front. He 736 00:46:58,760 --> 00:47:00,839 Speaker 1: was doing a lot of cocaine. That boy. I got 737 00:47:00,880 --> 00:47:06,600 Speaker 1: a great kay story may Mana. I mean I know 738 00:47:06,760 --> 00:47:08,680 Speaker 1: him for yees. So listen. Now I'm gonna tell you 739 00:47:08,760 --> 00:47:17,920 Speaker 1: how he started doing the ship put them on. I 740 00:47:18,080 --> 00:47:23,840 Speaker 1: was like, that's so we went to were in the 741 00:47:23,960 --> 00:47:27,640 Speaker 1: China clubs man, so we meet man and I think 742 00:47:27,680 --> 00:47:29,279 Speaker 1: that was on the same China Club was on the 743 00:47:29,360 --> 00:47:33,280 Speaker 1: same block as the forty second W Street on Times Squad. 744 00:47:34,360 --> 00:47:36,560 Speaker 1: You can actually walk there from there. I went to 745 00:47:36,640 --> 00:47:39,000 Speaker 1: the time I went to China Club with Maya before 746 00:47:39,120 --> 00:47:43,040 Speaker 1: and he was also on cocaine. Listen, talk, I'm giving 747 00:47:43,040 --> 00:47:47,000 Speaker 1: you the first day. You know, we love you love 748 00:47:47,200 --> 00:47:51,480 Speaker 1: get a lot of down. So we're back to two 749 00:47:51,680 --> 00:47:54,719 Speaker 1: baddest bitches in the world. Man, we got like thirtys. 750 00:47:55,040 --> 00:47:57,520 Speaker 1: So now we go to the w. So, now we're 751 00:47:57,520 --> 00:47:59,759 Speaker 1: getting there. We got we got ease. I'm taking e 752 00:48:00,000 --> 00:48:03,440 Speaker 1: he's taking she's drinking drinking. So the best pulls out 753 00:48:03,480 --> 00:48:06,160 Speaker 1: of bag and coat. So I look at the man, 754 00:48:06,239 --> 00:48:08,399 Speaker 1: look at me, and she goes, yo, who would do this? Off? 755 00:48:08,480 --> 00:48:14,799 Speaker 1: My asshole said he's also as but me, I never 756 00:48:14,880 --> 00:48:16,960 Speaker 1: did it. He never did it. He's gonna he's the wing. 757 00:48:17,160 --> 00:48:26,760 Speaker 1: He's gonna go first. It's getting crazy. Let's go the best, 758 00:48:27,239 --> 00:48:29,080 Speaker 1: she said, yea, she told me taking out the bag. 759 00:48:29,480 --> 00:48:31,560 Speaker 1: Now when she said asshole, does she mean the bundle, 760 00:48:31,680 --> 00:48:34,080 Speaker 1: she means not straight down the cruch down, because she 761 00:48:34,400 --> 00:48:36,560 Speaker 1: was like, okay, let's just say she wants she wants 762 00:48:36,600 --> 00:48:46,400 Speaker 1: to go over the mountain story and the CoA, the 763 00:48:46,480 --> 00:48:48,360 Speaker 1: good ship take a bump out, So I put the 764 00:48:48,400 --> 00:48:51,600 Speaker 1: whole ship boom. So how did you know what the 765 00:48:51,640 --> 00:48:58,800 Speaker 1: bump was? She told me. Okay, I know, it's like 766 00:48:59,080 --> 00:49:10,640 Speaker 1: I'm so so he did it bone, I watched him. 767 00:49:10,680 --> 00:49:13,520 Speaker 1: He did it again, sniffed or he licked it, and 768 00:49:13,640 --> 00:49:16,880 Speaker 1: I felt like he licked it. Now I don't know 769 00:49:16,960 --> 00:49:19,880 Speaker 1: the way he's describing it. It is an asshole, ahead continued. 770 00:49:20,239 --> 00:49:22,600 Speaker 1: He sniffed first, everything left, and he might have looked 771 00:49:22,640 --> 00:49:29,000 Speaker 1: at like it was a lick at that somewhere. So 772 00:49:29,160 --> 00:49:31,280 Speaker 1: he did it. Cool. So now I got a friend. 773 00:49:31,600 --> 00:49:34,920 Speaker 1: So now they're saying this, and now she's telling him 774 00:49:34,920 --> 00:49:36,560 Speaker 1: to all you the best. So now he asked us 775 00:49:36,600 --> 00:49:38,759 Speaker 1: get separate room. So he paid for my room, get 776 00:49:38,840 --> 00:49:42,400 Speaker 1: my own. He's a rich nigger. Yeah, I mean we're 777 00:49:42,400 --> 00:49:47,920 Speaker 1: probably like you, and the night just started. Then you 778 00:49:48,000 --> 00:49:55,920 Speaker 1: just started the story played ship. Let's same guys, my 779 00:49:56,000 --> 00:50:06,920 Speaker 1: guy very Oh yeah, man, that's man, we love you. 780 00:50:07,200 --> 00:50:09,799 Speaker 1: Hold on, let's get this story to us. I don't 781 00:50:09,800 --> 00:50:15,000 Speaker 1: want to criminate myself a look stupid, so right now, 782 00:50:15,400 --> 00:50:19,120 Speaker 1: So I had so boom. So I went back to 783 00:50:19,239 --> 00:50:21,279 Speaker 1: his room like an hour later. I said, what's up? 784 00:50:21,400 --> 00:50:25,440 Speaker 1: Said fund or whatever? Whatever, So I said, go get 785 00:50:25,520 --> 00:50:27,440 Speaker 1: some ice. You when I got some ice, So not 786 00:50:27,600 --> 00:50:29,919 Speaker 1: going to bitch and take a bump off my ass. 787 00:50:30,640 --> 00:50:33,960 Speaker 1: You A yeah, you're gonna suck me. You're gonna if 788 00:50:34,000 --> 00:50:36,200 Speaker 1: I do that, You're gonna suck me. That's what you're saying. 789 00:50:36,200 --> 00:50:44,200 Speaker 1: So I listened. So after we shocked, right, you know, 790 00:50:44,640 --> 00:50:46,879 Speaker 1: they got me a kate, I'm not I'm actually coming 791 00:50:46,880 --> 00:50:51,400 Speaker 1: down here celebrating, yes man for my two brothers. I 792 00:50:51,440 --> 00:50:53,520 Speaker 1: love him to death. They got to find we talk 793 00:50:53,680 --> 00:50:56,359 Speaker 1: some kind of goals. We rent it so like ten 794 00:50:56,440 --> 00:51:00,160 Speaker 1: grand to somebody. That was some funk ship. Oh all 795 00:51:00,200 --> 00:51:02,839 Speaker 1: the ghosts. Yeah, we just took up a ghost. You're 796 00:51:02,880 --> 00:51:08,439 Speaker 1: a story. I heard you did strive and you left 797 00:51:08,480 --> 00:51:12,560 Speaker 1: your card there. Boy, you know I thought he met 798 00:51:12,600 --> 00:51:18,040 Speaker 1: a ghosts that ship was so crazy. We don't guess 799 00:51:18,080 --> 00:51:20,719 Speaker 1: with this ship, but it lets me to hear the depth. 800 00:51:20,800 --> 00:51:23,480 Speaker 1: But that thing, let's let's talk about it. What happened 801 00:51:25,560 --> 00:51:29,160 Speaker 1: test drive? So we we've been seeing this kind of 802 00:51:29,239 --> 00:51:31,560 Speaker 1: like it just ain't hit. So they got it on 803 00:51:31,719 --> 00:51:37,080 Speaker 1: like the it's playing like every two seconds. So were 804 00:51:37,280 --> 00:51:39,440 Speaker 1: not saying I heard it. It was like, so my 805 00:51:39,560 --> 00:51:42,120 Speaker 1: people call me, they're like's on the radio. Don't even 806 00:51:42,120 --> 00:51:44,400 Speaker 1: don't need a check. I'm like, why is it added? It? 807 00:51:44,560 --> 00:51:47,360 Speaker 1: So when you get something added, like you go for 808 00:51:47,440 --> 00:51:49,960 Speaker 1: mix tape shows, it's cool. When you get it at it, 809 00:51:50,040 --> 00:51:53,400 Speaker 1: you're good. You're good. So and so it's number one. 810 00:51:54,080 --> 00:51:57,200 Speaker 1: I just took a mint to come back to the 811 00:51:57,360 --> 00:51:59,640 Speaker 1: test drying thing. I you know, like when you come 812 00:51:59,760 --> 00:52:03,680 Speaker 1: more lots and you it was I and I said, 813 00:52:04,080 --> 00:52:07,359 Speaker 1: you know I went on that. I mean I mean 814 00:52:07,440 --> 00:52:09,520 Speaker 1: on the end. And then you left it at the airport? 815 00:52:09,680 --> 00:52:14,080 Speaker 1: Is that correct? I didn't leave it, said come and 816 00:52:14,120 --> 00:52:28,799 Speaker 1: get it. Said it's like I'm bringing there, like who 817 00:52:28,880 --> 00:52:32,600 Speaker 1: brings a car, babe? And it's like a shirts were 818 00:52:32,600 --> 00:52:35,840 Speaker 1: you like we been waiting on you know, it's outside, 819 00:52:35,960 --> 00:52:38,520 Speaker 1: it's the stream I'm not streaming a drink. But but 820 00:52:38,640 --> 00:52:41,839 Speaker 1: let's be clear, this is a test drive, not even 821 00:52:41,920 --> 00:52:47,120 Speaker 1: like red car. I wanted. I wanted it. He doesn't 822 00:52:47,120 --> 00:52:56,200 Speaker 1: want to head. Oh my god, I've been Thank you job. 823 00:52:56,200 --> 00:52:57,880 Speaker 1: I'm ready you I do another one to you ready. 824 00:52:58,120 --> 00:53:03,040 Speaker 1: I'm just you know, got the best by liquors dot 825 00:53:03,080 --> 00:53:06,239 Speaker 1: com dot com providing and look at we got that 826 00:53:06,360 --> 00:53:09,040 Speaker 1: rose that your chafag ain't it? Actually did this on 827 00:53:09,120 --> 00:53:11,160 Speaker 1: my birthday? It was nice and you know what, this 828 00:53:11,280 --> 00:53:14,920 Speaker 1: is what I cried, my writer Ayo has Hold up 829 00:53:14,920 --> 00:53:16,960 Speaker 1: one second, Well, everybody, you know, they could check us 830 00:53:17,000 --> 00:53:20,160 Speaker 1: at drink Champs dot com. Follow us at Drink Champs 831 00:53:20,200 --> 00:53:24,120 Speaker 1: on Twitter, Instagram, and Facebook. Check Noriota at the Real 832 00:53:24,239 --> 00:53:27,799 Speaker 1: Noriega on Instagram, at Noriega on Twitter and New Year 833 00:53:27,880 --> 00:53:30,480 Speaker 1: Nori on Snapchat. You can check me d j e 834 00:53:30,640 --> 00:53:33,800 Speaker 1: f at at Who's Crazy Instagram at d j e 835 00:53:33,960 --> 00:53:37,839 Speaker 1: f on Twitter at Who's Crazy on Snapchat. Make sure 836 00:53:37,880 --> 00:53:41,160 Speaker 1: you follow the team. Our visual media manager Rich Blanco 837 00:53:41,360 --> 00:53:45,280 Speaker 1: at Rich Underscore Blanco on Instagram and Twitter. Our engineer 838 00:53:45,360 --> 00:53:48,080 Speaker 1: has it Its Sounds at Hazard Its Sounds on Instagram 839 00:53:48,160 --> 00:53:52,040 Speaker 1: and Twitter. Our photographer Big Drain at Drain on Instagram 840 00:53:52,320 --> 00:53:55,279 Speaker 1: and at Big Drain on Twitter. Are graphic artists a 841 00:53:55,400 --> 00:53:59,919 Speaker 1: k z at Akz on Instagram and Twitter. Also shot 842 00:54:00,000 --> 00:54:02,680 Speaker 1: out the whole CBS play dot It team. Follow them 843 00:54:02,719 --> 00:54:05,480 Speaker 1: at at play it on Twitter and make sure you 844 00:54:05,520 --> 00:54:08,600 Speaker 1: grab yourself some Drink Champs shirts, shot glasses and cups 845 00:54:08,640 --> 00:54:11,200 Speaker 1: and all that merch at drink Champs dot com or 846 00:54:11,320 --> 00:54:13,920 Speaker 1: check our homies at eight nine dot com. Head over 847 00:54:14,000 --> 00:54:16,560 Speaker 1: to iTunes and pick up the singles for the Win 848 00:54:16,960 --> 00:54:19,560 Speaker 1: Moguls and Petty, as well as a Drunk Uncle project 849 00:54:19,640 --> 00:54:22,520 Speaker 1: from Norri. Also, my album Another Time is out now 850 00:54:22,520 --> 00:54:26,680 Speaker 1: available on iTunes, Spotify, Google Play, or physicals at Crazyhood 851 00:54:26,760 --> 00:54:29,800 Speaker 1: dot com. Check hasard as Sounds projects Save the Culture 852 00:54:30,080 --> 00:54:32,520 Speaker 1: and you can check that it hasardus Sounds dot com 853 00:54:32,840 --> 00:54:35,520 Speaker 1: or check it on all digital platforms. Also look out 854 00:54:35,560 --> 00:54:38,520 Speaker 1: for Nori's cooking show coming very soon and my Coming 855 00:54:38,600 --> 00:54:41,240 Speaker 1: Home Vietnam film which you can see the previous films 856 00:54:41,239 --> 00:54:45,120 Speaker 1: about Haiti, Cuba and Peru currently on Revolt TV. Shout 857 00:54:45,160 --> 00:54:47,920 Speaker 1: out the whole dream Chaps Army. We really appreciate your 858 00:54:47,920 --> 00:55:13,799 Speaker 1: support and we out of here. M M M. Find 859 00:55:13,840 --> 00:55:16,239 Speaker 1: all your favorite movies and shows faster with excinity. Just 860 00:55:16,280 --> 00:55:18,919 Speaker 1: speaking to the excellent voice remote to search across live duty, 861 00:55:19,080 --> 00:55:23,080 Speaker 1: on demand, even Netflix and Prime Video. Now that's simple, easy, awesome. 862 00:55:23,280 --> 00:55:26,040 Speaker 1: Go to Excinity dot com, call one exity, or visit 863 00:55:26,080 --> 00:55:27,640 Speaker 1: a store. Today restricts and supply