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Speaker 1: Hey, this is Eric Andre Walcome my new podcast Bombing,

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Speaker 1: where I talk to friends, comedians, musicians, and other creative

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Speaker 1: people about their worst moments on stage and being annihilated

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Speaker 1: by a live audience. Our next guest coming up, Sam J.

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Speaker 2: Let's do it Bombing Balming with Eric Anddred.

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Speaker 1: All Right, we are here with the very funny, wickedly

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Speaker 1: talented comedian Sam J. Put your hands together, right, Sam Jay?

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Speaker 1: Is in the building where you from?

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Speaker 2: Sam?

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Speaker 3: Boston, Boston, Yeah.

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Speaker 1: Roxbury and Dover, fucking Tiwsbury.

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Speaker 3: Dorchester, Dorchester, from Dorchester.

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Speaker 1: I went to a fucking dunkin Donuts in Dorchester. I

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Speaker 1: gave the guy a fifty. He goes, holy shit, a fifty.

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Speaker 1: What's your dad a freaking doctor?

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Speaker 3: Bro, you're killing it. That's good, that's a good one.

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Speaker 1: But you're black. That's not the black.

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Speaker 3: I'm black.

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Speaker 1: That's not the black Dorchester. No, we accent. That's a

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Speaker 1: white guy. And yeah, that's a white guy in Boston.

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Speaker 3: Black people don't really have like a super accent thing

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Speaker 3: going on.

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Speaker 1: Boston is segregated.

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Speaker 2: Man.

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Speaker 1: I went to college there.

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Speaker 3: Oh yeah, did you with school?

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Speaker 1: Berkeley College Music? It was jazz.

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Speaker 3: Okay, you're a Berkeley kid. You were in a good area.

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Speaker 3: It was by Newberry, it was cool over there.

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Speaker 1: Did you ever do Emerald Isle the comedy show? Now

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Speaker 1: you did, But you're younger than I don't think we

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Speaker 1: crossed past.

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Speaker 3: I'm not. I'm not younger than you. For I'm older

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Speaker 3: than you.

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Speaker 1: Bro, No you're not. It's how you you're younger than me.

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Speaker 3: No, I'm not.

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Speaker 2: You look black? Do on crack?

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Speaker 3: Don't?

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Speaker 2: Baby? You look great.

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Speaker 3: I'm going to be forty one.

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Speaker 1: So like this close, okay close. So when we might

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Speaker 1: have been at the Emerald diald, what are you doing

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Speaker 1: stand up?

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Speaker 3: Like?

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Speaker 1: When did you start doing stand up?

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Speaker 3: I wasn't okay, so like I was like twenty year

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Speaker 3: like like twenty twenty one. Yeah, and then I was

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Speaker 3: like I wanted to try it, but I was mad,

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Speaker 3: like shook. But you know, Chris tab and Corey used

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Speaker 3: to run Emerald all they should have like a Sunday

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Speaker 3: show there. Chris tab is my brother, well cousin in law,

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Speaker 3: that is a thing. He's married to my cousin. So

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Speaker 3: I would kind of follow them around to try to

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Speaker 3: like get a sense of like what it was.

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Speaker 2: Yeah.

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Speaker 3: Yeah, and that's how I ended up at the Emerald.

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Speaker 3: I did like it was bad. I did like three

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Speaker 3: minutes of not good stuff.

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Speaker 1: Oh that was that your first show?

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Speaker 3: No, my very first show ever ever was Dick Doherty's

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Speaker 3: Comedy Vault.

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Speaker 1: Oh yeah, so you did all the Boston Yeah? Did

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Speaker 1: you ever do Nicks?

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Speaker 3: Yep?

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Speaker 2: Yep.

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Speaker 1: It was kind of run by the mafia, wasn't it.

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Speaker 3: Everyone always says, Dude.

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Speaker 1: The guys there, they look like sopranos. I remember Shake

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Speaker 1: trying to shake the guys. I was twenty years old.

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Speaker 1: I was like, can I just see the show?

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Speaker 2: How?

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Speaker 1: I can't afford any I can't afford the ticket and

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Speaker 1: I don't have an idea, says I'm twenty one. And

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Speaker 1: he's just like, just get inside, and I go, nice

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Speaker 1: to meet you. I'm Eric. He goes, I don't need

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Speaker 1: to know your fucking name. I said, get inside, and

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Speaker 1: I was like, gosh, comedy.

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Speaker 3: Rough in Boston.

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Speaker 1: Boston's rough, I remember I did. I went to the

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Speaker 1: Comedy Connection. What was the one done? The Comedy Connection?

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Speaker 1: And I did it? Open Mike there once? I did Okay,

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Speaker 1: I did okay, And then the next time I went there,

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Speaker 1: and then the first time I went there, the comics

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Speaker 1: were like, hey, you need a soda a glass of water.

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Speaker 1: Just go on the back and take a soda gun

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Speaker 1: and help yourself. Like okay. The second time I went,

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Speaker 1: I want to go serve myself a glass of water,

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Speaker 1: and the owner came up to me. He goes, you're

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Speaker 1: gonna walk right fucking past me in my comedy club

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Speaker 1: and you're gonna serve yourself water without saying hello to me.

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Speaker 1: You're not gonna fucking respect me. And I was like, dude,

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Speaker 1: I'm a child and I just need a little water.

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Speaker 3: Welcome the Boston.

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Speaker 1: Yeah, I was like, what the fuck? And that was

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Speaker 1: like the kickoff to comedy. So I was like, oh god,

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Speaker 1: it's all mob run, Like my life's gonna be like

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Speaker 1: I'm gonna get shot. The first impression was no worse.

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Speaker 1: I was like, I'm gonna get an ice pick to

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Speaker 1: the neck.

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Speaker 3: What a mess up impression for something that's purely silly.

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Speaker 1: It's silly, it's crazy. And then and then it wasn't

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Speaker 1: like too much like that. But yeah, I think when

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Speaker 1: you start out, you just started out with lunatics.

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Speaker 3: Oh yeah, yeah, early comedy, you're just you're with the

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Speaker 3: bottom of the barrel. The bull, every type of One time,

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Speaker 3: this is no disrespect to the homeless, but one time

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Speaker 3: I was on stag. I was on stage at an

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Speaker 3: open mic and I'm like, this is my dream, this

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Speaker 3: is my life. Every minute matters, you know what I mean.

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Speaker 3: And I get off stage and a homeless man walked

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Speaker 3: in from off the street. He's like, can I go?

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Speaker 3: And they were like sure. I was like what?

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Speaker 1: And then did he crush?

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Speaker 3: He crushed? He crushed. He was so funny just talking

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Speaker 3: about being homeless.

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Speaker 2: Crushed.

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Speaker 3: He killed it.

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Speaker 2: Williams.

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Speaker 3: It's like, Yo, what am I doing?

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Speaker 1: So when did you move here from Boston?

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Speaker 3: I moved. I moved to La So it was where

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Speaker 3: because I was young. I lived in l A first,

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Speaker 3: so I was young. I tried it. Then I moved

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Speaker 3: to Atlanta, and I was just doing other stuff for

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Speaker 3: like seven years.

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Speaker 2: What that mean?

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Speaker 3: Just other stuff? I was working in music. I was

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Speaker 3: just doing a bunch of other crab chasing pussy, you know, shit, okay, living.

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Speaker 1: And getting drunk, club recognized, real.

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Speaker 3: You know, living being young and living and figuring myself out,

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Speaker 3: running away from some stuff, fighting some demons, you know,

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Speaker 3: just that phase of life. And then I moved back

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Speaker 3: to Boston. Started for real in Boston at like twenty nine.

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Speaker 1: Okay, so like it was on and off in twenties

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Speaker 1: and then you were like, no, I'm gonna do this.

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Speaker 3: Yeah, twenty nine, you're soul searching. For a little bit,

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Speaker 3: soul searching. I was doing all types of crap, but no,

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Speaker 3: and then I just I started like twenty nine, I

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Speaker 3: like took it real serious. Then I moved to La.

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Speaker 3: Then I got JFL, then I got SNL and then

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Speaker 3: that brought me to New York and then I just

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Speaker 3: stayed because I can't stay in La.

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Speaker 1: Yeah, no, Las, I'm don't with it. For thirteen years,

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Speaker 1: I like LA. I don't hate LA, but I don't

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Speaker 1: love LA. I love New York City. I love New

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Speaker 1: York City, and is it in LA? For thirteen years

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Speaker 1: and I was just like, I can't fucking than. Nothing

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Speaker 1: films out here, nothing films out here. All my meetings

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Speaker 1: are virtual. You can do any writer's room on Zoom,

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Speaker 1: you can do any meeting on zoom, whatever. And then

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Speaker 1: everything shoots in Atlanta, New Orleans, Toronto.

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Speaker 3: So yeah, yeah, yeah, yeah, And I sure I don't

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Speaker 3: hate LA. I have friends in La. I'm like when

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Speaker 3: I'm there for little spurts, I'm like, this is all right, yeah,

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Speaker 3: but it is like long term, I just get bored.

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Speaker 3: To be quite honest, I just get very bored.

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Speaker 1: It's boring.

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Speaker 3: It's boring. I feel like it's more for like when

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Speaker 3: you're done, like.

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Speaker 1: Like retired, Yeah, you got your kid.

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Speaker 3: You just want like yard space and fresh air all

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Speaker 3: the time.

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Speaker 1: Yeah, I'm like what am I? But I feel like

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Speaker 1: I was like, am I missing something? Is there something

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Speaker 1: appealing to this place that I'm missing? And then I'm

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Speaker 1: like no, And then I was like the people that

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Speaker 1: are into it are a little boring.

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Speaker 3: So yeah, no, they're like they're they've settled down, like

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Speaker 3: we're still out here dogs running the streets.

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Speaker 1: You got kids?

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Speaker 3: No?

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Speaker 1: Do you want kids?

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Speaker 3: No?

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Speaker 1: No, that's it. I'm not gonna adopt nothing.

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Speaker 3: No. I mean like, I'm a lesbian, so it can't

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Speaker 3: happen on accident. You know, it's like a deliberate decision.

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Speaker 3: And I've gone this long and I'm like, chilling, You're not.

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Speaker 1: Grabbing the baster. You're not grabbing the bastern.

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Speaker 3: Sometimes my fiance talks like she wants to, but I

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Speaker 3: don't think she really does.

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Speaker 1: I mean, she wants to me, she wants to think

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Speaker 1: so bro, and you don't want to. So she's trying

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Speaker 1: to She's trying to tiptoe around it, like yeah you

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Speaker 1: want to, right, and you're like no, And then she's

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Speaker 1: like but you kind of do right.

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Speaker 3: Well, maybe maybe that's it.

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Speaker 1: What if she's like, I really really read it, then.

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Speaker 3: I have to and then I have this kid I

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Speaker 3: hate perfect you know how it works?

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Speaker 1: All right? I want to ask you about stand up comedy. Yeah,

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Speaker 1: what is the worst You've ever bombed? That's what this

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Speaker 1: podcast is about. It's called bombing worst show You've ever had?

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Speaker 3: The worst? Oh, I was touring with Jonathan Gates. He

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Speaker 3: was the first person to take me out and like

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Speaker 3: be like you're ready to feature and like do her

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Speaker 3: old time.

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Speaker 1: I don't know, Jonathan, Jonathan, paint me a picture.

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Speaker 3: Jonathan Is he runs the only black room in Boston Slaves.

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Speaker 3: It's a Wednesday night, like comedy night. It's the only

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Speaker 3: black night.

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Speaker 1: In this city.

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Speaker 3: It's at this spot in Roxbury that's known for its

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Speaker 3: chicken wings. You know. It's like real, like you're in

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Speaker 3: the hood. And he's an old deaf gym guy. He

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Speaker 3: used to be on the Deaf Jam Shore. He's like

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Speaker 3: Martin Lawrence, so he's like that style of a comedian,

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Speaker 3: which was great for me because I went to the

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Speaker 3: like white side of comedy first because I was scared

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Speaker 3: to do it like around people like my actual friend,

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Speaker 3: Like I didn't you know what I'm saying, Like I

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Speaker 3: didn't want to do it in my neighborhood. Then I'm bad.

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Speaker 3: And then I got to catch the bus and the

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Speaker 3: nigga's like boom. So I would go all the way

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Speaker 3: to Vermont because I was like, I don't care about

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Speaker 3: these white people like to see him again, you know

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Speaker 3: what I'm saying, So just don't work out. I'm still

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Speaker 3: intact at home, you know what I mean. So I

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Speaker 3: waited like a good while before I even like ventured

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Speaker 3: over there. But then it was good because it was

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Speaker 3: it's like the crowd work, all that other stuff that

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Speaker 3: I kind of was missing for the other rooms. I

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Speaker 3: really needed to be like a well rounded comic. And

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Speaker 3: so he was like the first to pay me like

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Speaker 3: real money.

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Speaker 1: He was the first to take you under his way.

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Speaker 3: Yeah, like heavy real money, like talk to me about

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Speaker 3: like what I was doing, and taught me a lot

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Speaker 3: of the habits I think you get in those more

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Speaker 3: ALTI rooms. He kind of got me like in the middle,

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Speaker 3: you know what I mean. Like he would be like, yo,

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Speaker 3: you just killed like this was that was the joke?

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Speaker 3: Why'd you keep talking?

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Speaker 1: And I'm like I don't know.

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Speaker 3: And he's like, I don't care if it's if you

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Speaker 3: have fifteen, but you hit that joke at ten. Leave?

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Speaker 3: What are you hanging out for it? I'm like, you

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Speaker 3: know what, You're right man, I'm tripping. So like a

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Speaker 3: little bit of that stuff I learned from him.

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Speaker 1: He was an early mentor early mentor.

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Speaker 3: So he takes me out of town and at this point,

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Speaker 3: I'm like riding high. I've like done like a few

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Speaker 3: like weekends with him. I've killed. I'm like, yeah, I

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Speaker 3: got this. Got this. We go through some like birthday

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Speaker 3: party for some like old drug dealer legend of like Cincinnati.

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Speaker 3: We were like in the weirdest place I don't remember

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Speaker 3: where we were. It was like a like a freaking

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Speaker 3: VF W Hall type of situation that they like fully

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Speaker 3: decked out. Yeah, but they like they made it as

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Speaker 3: nice as you could possibly make, like an Elks Lodge situation.

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Speaker 3: Everybody was like dressed to the nines but like older,

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Speaker 3: you know. And it was pat and I got out

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Speaker 3: and my first joke was about like a strap them

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Speaker 3: on or something like. It was something about not feeling

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Speaker 3: it or some some strap on joke. And they're just

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Speaker 3: staring at me like crickets. They giving me nothing black room,

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Speaker 3: and they're just like, no, that first joke doesn't work.

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Speaker 3: But it's like, just like strap on joke has been

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Speaker 3: killing you know. I've been like strap on my strap

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Speaker 3: and people be like, you know what I mean, but

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Speaker 3: this is just like we not, we are not interested

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Speaker 3: in your little gay tails. So at that point it's

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Speaker 3: like I think it.

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Speaker 1: Was a homophobic response or what.

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Speaker 3: I think they just didn't care.

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Speaker 2: I don't.

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Speaker 3: I think if I would have maybe packaged it some

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Speaker 3: other way, they could have been with it. I didn't

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Speaker 3: feel anti me as much as it was like why

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Speaker 3: you talking to us about strap right?

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Speaker 2: Right?

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Speaker 1: Were you the first to go up you? Were you

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Speaker 1: opening up the room or was there somebody on before you?

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Speaker 3: It was one person all before me, You're not And

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Speaker 3: I was right before Jonathan, and I just like dig

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Speaker 3: in because I don't know what else to do this

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Speaker 3: is the stuff I have.

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Speaker 1: It's like if the ship that always kills like it's crickets,

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Speaker 1: then you're like and all.

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Speaker 3: I had at that point was like I was doing

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Speaker 3: this whole chunk about like gay sex, so like it

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Speaker 3: just goes from there to eat and pussy. It just

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Speaker 3: it just just because that's all I had, and I

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Speaker 3: just I just stood in it. And they never they

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Speaker 3: never laughed, they never booed me, but they eventually stopped

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Speaker 3: paying attention to me, which I think is worse. Yeah,

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Speaker 3: they just started like having their own commerce and like

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Speaker 3: doing their own thing, like when whenever it's this overworld

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Speaker 3: check back in. And then I got off and like

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Speaker 3: the dude who was hosting was like a dude that

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Speaker 3: kind of like was working the event, but he wasn't

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Speaker 3: like a comic, but he was like, you know, it

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Speaker 3: was one of those type of nights like j T

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Speaker 3: go host and this's gonna happen. So he comes up

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Speaker 3: and he's like, you know that young lady tried and

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Speaker 3: like gives this whole speech about how they need to

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Speaker 3: be better as like a like.

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Speaker 1: Which is worse worse.

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Speaker 3: It's like when kids make fun of you and then

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Speaker 3: the principal stands you in front of the class. They're like,

300
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Speaker 3: don't even do that. Her dad just died, you know.

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Speaker 3: It's like that's like crappy energy. And that was probably

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Speaker 3: the worst. And then the next day Jonathan took me

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Speaker 3: off to breakfast and he was like, so, what the

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Speaker 3: fuck happened? I was like, man, I don't know. He

305
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Speaker 3: was like, what do you think happened? And then we

306
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Speaker 3: had like it was cool because I just talked about

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Speaker 3: like what I think when.

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Speaker 1: Were you in agony? Were emotional? I was pretty yeah,

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Speaker 1: I was pretty love it wakes you up.

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Speaker 3: I was pretty low. Yeah, I was pretty low.

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Speaker 1: You have ten good shows in a row, you get

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Speaker 1: one bad, and it hangs over you.

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Speaker 3: Till you shake it because you I mean, I think

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Speaker 3: you feel like comedy is a bit like you're lucky

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Speaker 3: to be able to do it, and you feel a

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Speaker 3: little bit like it's not in your control, Like it's

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Speaker 3: this weird mystic thing that you're like wielding. So when

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Speaker 3: you have like a bad show, it's like an omen

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Speaker 3: over you. It's like, oh I lost it? Am I

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Speaker 3: ever gonna give you? To get it bad?

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Speaker 1: You feel like your magical power.

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Speaker 3: Is just left you yeah, and it's like it hangs

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Speaker 3: on you to you like have a good show, a.

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Speaker 1: Little bit torture. Why do we do it?

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Speaker 3: I don't know, because we've watched all those like dumb

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Speaker 3: movies that like mess your head up. I think it's

327
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Speaker 3: really like media, except like what I was going to.

328
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Speaker 3: There's always these movies where like someone's like the greatest

329
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Speaker 3: kicker or baseball player, and then it's like all of

330
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Speaker 3: a sudden, they have like one bad kick and then

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Speaker 3: they're just I can't it's lose their whole life, you know,

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Speaker 3: with a.

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Speaker 2: Godre with ariddre shit.

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Speaker 1: One time I did Wendy Williams had a show when

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Speaker 1: I lived here in my early twenties in New York.

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Speaker 2: She had a show.

337
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Speaker 1: She had a comedy show to Laugh Factory on I

338
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Speaker 1: don't think it's there anymore. It's like on eighth and

339
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Speaker 1: forty second Street. It was there back in the day.

340
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Speaker 1: It's like early two thousands, and Capone hosted I don't

341
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Speaker 1: know if you know who Copone is all black room

342
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Speaker 1: and I was like probably like two years into comedy

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Speaker 1: and I only played like alt rooms up until this

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Speaker 1: this particular night. And oh, the guy that booked me,

345
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Speaker 1: I did like really high energy stuff. So he's like,

346
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Speaker 1: and he saw me at the improv or something, so

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Speaker 1: he's like, go up and just do do your high

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Speaker 1: energy stuff. I was like, okay, and I'm watching all

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Speaker 1: the comics. I was like, I don't know if I'm right,

350
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Speaker 1: if I'm the right flavor. I think I think people

351
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Speaker 1: want less death metal and more R and B at

352
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Speaker 1: this particular you and uh and I get on stage

353
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Speaker 1: and the first joke out of my mouth, I try

354
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Speaker 1: to make fun of the three women in the front audience.

355
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Speaker 1: They look like SWV, and I go s W. I

356
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Speaker 1: wanted to go s WV is here, and I messed

357
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Speaker 1: up the letters. I was like SWP is here and

358
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Speaker 1: people were like what and then and then and then

359
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Speaker 1: that was it. It was like it was over. And

360
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Speaker 1: they were like what, like the whole fifteen hundred was

361
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Speaker 1: a big theater. What? And then and then I was like, anyway,

362
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Speaker 1: I'm from Florida. They were like, And I got through

363
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Speaker 1: my first joke and I looked over at Wendy Williams

364
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Speaker 1: and she gave me like, you're doing okay. I mean

365
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Speaker 1: you're not doing okay, but like it's it's gonna be

366
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Speaker 1: okay kind of look. And then I was like all right,

367
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Speaker 1: and I got off stage and I had somebody I

368
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Speaker 1: like begged this other comedian to film it and he

369
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Speaker 1: didn't want to, and like then I got off.

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Speaker 3: Bad energy all around it.

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Speaker 1: My god, I felt so horrible. Then Capone went on

372
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Speaker 1: stage after me and he's like, I don't know who

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Speaker 1: that dude was, but he'll never come back here again.

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Speaker 1: And the crowd was like I saw fuck e. Like

375
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Speaker 1: thousands of people like left, and he ripped into me

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Speaker 1: and he was like, like, did my set like a

377
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Speaker 1: bad version of it? He was like that guy was

378
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Speaker 1: talking about he did like five minute riff which is

379
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Speaker 1: longer than I was on stage, about how horrible I was,

380
00:16:21,080 --> 00:16:24,680
Speaker 1: and everyone was like like high five and it was

381
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Speaker 1: gut wrenching. I was just sitting in the back, like

382
00:16:28,240 --> 00:16:31,400
Speaker 1: you know with Vietnam chopper sound effects of my like,

383
00:16:33,400 --> 00:16:36,240
Speaker 1: but that ship traumatized me, but it made me like

384
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Speaker 1: the man I am.

385
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Speaker 3: Once you get through it, you know you can do

386
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Speaker 3: it forever.

387
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Speaker 1: Once you get through that, you know that like you've

388
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Speaker 1: been to like the bottom, you've been to the fucking

389
00:16:46,760 --> 00:16:49,520
Speaker 1: ninth circle of hell. What's the worst you've seen somebody

390
00:16:49,560 --> 00:16:53,680
Speaker 1: else bomb? Is there any like fights you've ever seen

391
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Speaker 1: in a comedy club or like just a standing boovation.

392
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Speaker 3: Just I'm like, wow, there's so many.

393
00:17:02,760 --> 00:17:08,920
Speaker 1: Yeah, it's hard. It's like naming your favorite album.

394
00:17:07,440 --> 00:17:10,520
Speaker 3: And every bomb you see makes you feel like spectacular.

395
00:17:11,800 --> 00:17:15,520
Speaker 3: They're all so funny. They're all so funny like watching them.

396
00:17:15,720 --> 00:17:17,880
Speaker 1: Have you ever seen like a fight or anything like that.

397
00:17:18,000 --> 00:17:22,760
Speaker 3: I've definitely seen some comedy fights, mostly between comedians over

398
00:17:22,880 --> 00:17:27,359
Speaker 3: like stage time and wearing goofy stuff. Oh ship. I

399
00:17:27,440 --> 00:17:29,920
Speaker 3: was at the store. I was just a young young

400
00:17:30,000 --> 00:17:34,320
Speaker 3: comic hanging out and Bob Sumner had a night there.

401
00:17:34,920 --> 00:17:38,199
Speaker 3: It was a black comedy night, and there was a

402
00:17:38,240 --> 00:17:41,800
Speaker 3: gentleman on stage. He did he did, he did his routine,

403
00:17:41,800 --> 00:17:47,919
Speaker 3: had a catchphrase he was yeah, but it was it

404
00:17:47,960 --> 00:17:50,600
Speaker 3: was a repeated catchphrase, and he had issues with this

405
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Speaker 3: other comic and this comic was They had gotten into

406
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Speaker 3: it already. This had been like documented, they had gotten.

407
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Speaker 1: To it outside of existing beef.

408
00:17:59,080 --> 00:18:01,200
Speaker 3: Yeah, they had gotten to it side of the laugh factory,

409
00:18:01,280 --> 00:18:03,800
Speaker 3: and like rumors were swirling. It was over one of

410
00:18:03,800 --> 00:18:06,200
Speaker 3: the comics wives or something. I don't know, but this

411
00:18:06,560 --> 00:18:09,880
Speaker 3: comic was supposed to be like incarcerated.

412
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Speaker 1: Oh shit.

413
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Speaker 3: So the comic who was on stage had like put

414
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Speaker 3: a restraining order out against ship danger as far as

415
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Speaker 3: I know, right, as far as I know, I don't know.

416
00:18:19,720 --> 00:18:21,240
Speaker 3: I don't know if I have all effects right, but

417
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Speaker 3: this is what I heard, was like a restraining order whatever.

418
00:18:24,200 --> 00:18:27,840
Speaker 3: So the only reason this comic was in l A

419
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Speaker 3: at the time was because this other comic was supposed

420
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Speaker 3: to be somewhere where he could not get miss him.

421
00:18:33,200 --> 00:18:38,360
Speaker 1: Mister A. Yeah, because mister A had the Hamburger catchphrase yep.

422
00:18:38,600 --> 00:18:41,000
Speaker 1: And mister B had the the was a guy that

423
00:18:41,119 --> 00:18:44,080
Speaker 1: was violent and like, yeah it was bad news yep. Okay,

424
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Speaker 1: And mister A had a restraining order against mister B. Yeah,

425
00:18:46,680 --> 00:18:48,200
Speaker 1: because it was good because they had prior beef.

426
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Speaker 3: Yes. And I don't want to say mister B was

427
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Speaker 3: bad news because he he is and was not. He's

428
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Speaker 3: just a real nigga.

429
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Speaker 1: His name was just a B. Now you can say

430
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Speaker 1: talk any shit you want to be.

431
00:18:59,080 --> 00:19:02,600
Speaker 3: Just stands all what he what he's saying, what he means,

432
00:19:02,680 --> 00:19:04,359
Speaker 3: you know what I mean. So I don't want to

433
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Speaker 3: say he's a bad dude. He just he's just a

434
00:19:06,760 --> 00:19:08,919
Speaker 3: real nigga. If me tell you don't don't cross you

435
00:19:08,920 --> 00:19:10,800
Speaker 3: cross them and let you know this consequences.

436
00:19:11,480 --> 00:19:11,840
Speaker 2: There you go.

437
00:19:12,240 --> 00:19:17,000
Speaker 3: Oh, so mister A catchphrase is there because he thinks

438
00:19:17,080 --> 00:19:20,080
Speaker 3: mister B and somewhere with mister B. Can I access him? Okay,

439
00:19:20,760 --> 00:19:22,960
Speaker 3: mid set.

440
00:19:22,800 --> 00:19:25,280
Speaker 1: Why does mister B have it out for mister A.

441
00:19:25,400 --> 00:19:26,360
Speaker 1: What is their prior beef?

442
00:19:26,600 --> 00:19:31,040
Speaker 3: Thing is over mister B's wife. Mister A kept trying

443
00:19:31,040 --> 00:19:33,800
Speaker 3: to pursue or or something with mister B's wife. Mister

444
00:19:33,800 --> 00:19:34,560
Speaker 3: betty clear.

445
00:19:35,440 --> 00:19:37,560
Speaker 1: Crazy, that's crazy. I thought it was like, oh, he's

446
00:19:37,560 --> 00:19:39,560
Speaker 1: stole a joke or something. No, no, like you're trying

447
00:19:39,560 --> 00:19:40,480
Speaker 1: to fuck dude's wife.

448
00:19:40,520 --> 00:19:42,439
Speaker 3: He's like, cut that out. It's not cool to be

449
00:19:42,680 --> 00:19:45,440
Speaker 3: that you acted this way this day was like trying

450
00:19:45,440 --> 00:19:46,679
Speaker 3: to fuck you and.

451
00:19:46,760 --> 00:19:48,000
Speaker 1: It's about the guy's wife.

452
00:19:48,119 --> 00:19:49,120
Speaker 3: Yeah, it kind of turns off.

453
00:19:49,200 --> 00:19:49,400
Speaker 2: Man.

454
00:19:49,680 --> 00:19:51,000
Speaker 1: That's crazy as.

455
00:19:50,840 --> 00:19:55,200
Speaker 3: Far as I know. Again, oh you can't guy's wife.

456
00:19:57,400 --> 00:20:05,719
Speaker 3: It's like, so where there watching mister A catchphrase? He's like,

457
00:20:05,920 --> 00:20:11,600
Speaker 3: mid catchphrase is packed in there, and mister B comes

458
00:20:11,720 --> 00:20:17,639
Speaker 3: bursting in to the room holding the restraining or the

459
00:20:17,720 --> 00:20:20,880
Speaker 3: paperwork because he's like, you bitch ass nigga, you thought

460
00:20:20,920 --> 00:20:22,560
Speaker 3: this she was gonna keep me for sucking you up.

461
00:20:22,560 --> 00:20:24,399
Speaker 3: You thought I was. You thought I was locked up, nigga,

462
00:20:24,400 --> 00:20:26,320
Speaker 3: I'm not locked up. In the middle of the middle

463
00:20:26,359 --> 00:20:33,720
Speaker 3: of the show, we're like, oh, he walks up to

464
00:20:33,800 --> 00:20:34,440
Speaker 3: the stage.

465
00:20:36,000 --> 00:20:37,680
Speaker 1: Did you think it was like a sketch at first?

466
00:20:38,359 --> 00:20:40,760
Speaker 1: Like this is It's like, this.

467
00:20:40,640 --> 00:20:44,040
Speaker 3: Is the real. So he walks up to the stage,

468
00:20:44,080 --> 00:20:48,520
Speaker 3: she picks up a chair and they just start fighting.

469
00:20:49,800 --> 00:20:51,879
Speaker 1: It was like Will Smith Chris Rock, but to the

470
00:20:52,080 --> 00:20:53,160
Speaker 1: to the tenth.

471
00:20:53,000 --> 00:20:58,520
Speaker 3: Yes, tons of fighting, like fighting, brawling, fighting. Mister mister

472
00:20:58,800 --> 00:21:04,480
Speaker 3: A Trace is not from California. Mister v is from

473
00:21:04,680 --> 00:21:07,280
Speaker 3: l A and has the type of ties niggas from

474
00:21:07,400 --> 00:21:07,720
Speaker 3: l A have.

475
00:21:08,800 --> 00:21:10,120
Speaker 1: So he had his boys there too.

476
00:21:10,240 --> 00:21:17,359
Speaker 3: All these jump up, start being this man up and

477
00:21:17,400 --> 00:21:19,800
Speaker 3: where were you were you in the crowd? We were

478
00:21:19,840 --> 00:21:22,840
Speaker 3: like like like not at the top of that comedy

479
00:21:22,840 --> 00:21:24,600
Speaker 3: but like at the bottom, but at the back of

480
00:21:24,640 --> 00:21:26,880
Speaker 3: the bottom store, at.

481
00:21:26,800 --> 00:21:27,399
Speaker 2: The at the.

482
00:21:29,440 --> 00:21:31,840
Speaker 1: At the main room at the comedy store, in the

483
00:21:31,920 --> 00:21:37,879
Speaker 1: back a little bar show or something.

484
00:21:38,160 --> 00:21:43,359
Speaker 3: So he beating this man up to stuff he dude.

485
00:21:43,480 --> 00:21:45,800
Speaker 3: The dude was still trying to when he first jumped up,

486
00:21:46,080 --> 00:21:48,040
Speaker 3: so he jumped he hit him with the chair and

487
00:21:48,080 --> 00:21:50,199
Speaker 3: the dude it was like wowd but it wasn't like

488
00:21:50,280 --> 00:21:53,520
Speaker 3: knock him out and then dudes like what's your problem?

489
00:21:53,560 --> 00:21:55,359
Speaker 3: Like it was like this is not the time to

490
00:21:55,480 --> 00:21:59,560
Speaker 3: still be talking into the microphone, mister everything.

491
00:21:59,760 --> 00:22:01,240
Speaker 1: Like I was trying to say.

492
00:22:01,960 --> 00:22:04,399
Speaker 3: Like, like, what's what's wrong with you? Man? It's like

493
00:22:04,480 --> 00:22:07,879
Speaker 3: bur bro, everything's over. And it could have been the

494
00:22:07,960 --> 00:22:10,960
Speaker 3: hit first been the chair, Like you know what I'm saying.

495
00:22:11,240 --> 00:22:12,720
Speaker 3: It could have been the hit first in the chair,

496
00:22:12,760 --> 00:22:15,320
Speaker 3: but I've chair and I remember hit. The order could

497
00:22:15,359 --> 00:22:17,520
Speaker 3: have been versus had to be at least five years

498
00:22:17,560 --> 00:22:20,080
Speaker 3: ago they broke it up.

499
00:22:20,400 --> 00:22:21,920
Speaker 1: Is there video footage of this?

500
00:22:22,359 --> 00:22:23,280
Speaker 3: Someone has it.

501
00:22:23,320 --> 00:22:24,080
Speaker 1: There's got to be.

502
00:22:26,000 --> 00:22:28,520
Speaker 3: There. People will hear this story and exactly who I

503
00:22:28,560 --> 00:22:29,240
Speaker 3: am talking about.

504
00:22:30,320 --> 00:22:33,720
Speaker 1: So it's a famous night, infamous.

505
00:22:33,840 --> 00:22:37,520
Speaker 3: It's like it's an infamous Yes, it's like if you

506
00:22:37,560 --> 00:22:38,840
Speaker 3: were there, it was like it was.

507
00:22:39,359 --> 00:22:41,920
Speaker 1: It was like a legendary now and it put.

508
00:22:41,800 --> 00:22:44,359
Speaker 3: Mister B in a category of he is not one

509
00:22:44,440 --> 00:22:48,200
Speaker 3: to be fucked with because he will beat your ass.

510
00:22:48,320 --> 00:22:54,720
Speaker 1: And so he hits he hits chair, beat him up.

511
00:22:54,840 --> 00:22:58,399
Speaker 3: They finally pulled each other apart. They take mister be

512
00:22:58,600 --> 00:23:03,439
Speaker 3: completely out the venue, Bob Sumner that gets on the

513
00:23:03,480 --> 00:23:09,760
Speaker 3: stage and begins to basically beray us as black people,

514
00:23:09,920 --> 00:23:12,320
Speaker 3: like why we can't we have ship? He's just trying

515
00:23:12,320 --> 00:23:14,680
Speaker 3: to do something nice?

516
00:23:15,000 --> 00:23:18,440
Speaker 1: Was the producer showed.

517
00:23:18,800 --> 00:23:19,800
Speaker 3: He lectured.

518
00:23:23,520 --> 00:23:26,280
Speaker 1: Like he was like Morgan Freeman at the Bad High School.

519
00:23:26,960 --> 00:23:33,000
Speaker 3: Yeah, yeah, for sure, for sure. Coach Carter, what is

520
00:23:33,040 --> 00:23:39,240
Speaker 3: your greatest man? So yeah, man, yeah, yeah.

521
00:23:39,359 --> 00:23:41,399
Speaker 1: You went from being like, oh, I don't have a

522
00:23:41,560 --> 00:23:44,120
Speaker 1: I don't have a crazy story about saying somebody Bob

523
00:23:44,200 --> 00:23:47,560
Speaker 1: to like the craziest story I've ever heard take place

524
00:23:47,600 --> 00:23:50,159
Speaker 1: in a comedy cloth And then did other people go on?

525
00:23:50,280 --> 00:23:51,280
Speaker 1: Or was the show that was a rat?

526
00:23:51,359 --> 00:23:55,400
Speaker 3: That was a rat? Bob got up, he screamed at us, Oh,

527
00:23:56,119 --> 00:23:59,679
Speaker 3: very very emotional, lean on me speaks, And then it

528
00:23:59,760 --> 00:24:00,320
Speaker 3: was like.

529
00:24:03,760 --> 00:24:05,720
Speaker 1: We gotta dig up that footage.

530
00:24:08,440 --> 00:24:19,679
Speaker 2: With a recondre with a recdre.

531
00:24:20,520 --> 00:24:22,600
Speaker 1: What is the most wasted you've ever been on stage?

532
00:24:24,720 --> 00:24:25,160
Speaker 3: Oh?

533
00:24:25,400 --> 00:24:29,840
Speaker 1: Man, have you ever been like or like drunk?

534
00:24:29,480 --> 00:24:31,879
Speaker 3: That is like now I can remember?

535
00:24:31,880 --> 00:24:35,280
Speaker 1: That was okay on stage?

536
00:24:35,800 --> 00:24:36,960
Speaker 3: I was on shrooms.

537
00:24:37,320 --> 00:24:38,200
Speaker 1: Yeah, how'd that go?

538
00:24:38,760 --> 00:24:40,200
Speaker 3: Sometimes it goes great.

539
00:24:40,400 --> 00:24:42,960
Speaker 1: I did a shrooms show show. It was kind of

540
00:24:42,960 --> 00:24:45,000
Speaker 1: one of the best sets I've ever had, and I

541
00:24:45,000 --> 00:24:47,880
Speaker 1: improvised like crazy, yes, like I need to write this down.

542
00:24:47,920 --> 00:24:50,239
Speaker 3: Sometimes it's so lucid that you can like get it

543
00:24:50,280 --> 00:24:54,520
Speaker 3: off and like I won't do it like if it's serious,

544
00:24:55,160 --> 00:24:56,720
Speaker 3: Like but if it's like a mic and I'm just

545
00:24:56,760 --> 00:24:58,800
Speaker 3: like let me play and try to find stuff or whatever,

546
00:24:59,080 --> 00:25:01,800
Speaker 3: or like a light show. But this is only because

547
00:25:01,840 --> 00:25:04,200
Speaker 3: I did do it when it was serious and it

548
00:25:04,280 --> 00:25:04,840
Speaker 3: was not good.

549
00:25:05,359 --> 00:25:10,800
Speaker 1: I was on shrooms and on like a little micro

550
00:25:10,840 --> 00:25:12,560
Speaker 1: dose or like a lot, or I was on like.

551
00:25:12,520 --> 00:25:15,520
Speaker 3: A I was on a little shrewn weed combo, like

552
00:25:15,520 --> 00:25:20,000
Speaker 3: a little micro dos or shroom a little edible sweet spot,

553
00:25:20,880 --> 00:25:24,600
Speaker 3: and I was taping something. So I had agreed to

554
00:25:24,640 --> 00:25:26,679
Speaker 3: do this, like taping for a Nerd melt. It was

555
00:25:26,720 --> 00:25:28,879
Speaker 3: like Nerd, but it wasn't like the show. Like it

556
00:25:28,880 --> 00:25:32,240
Speaker 3: wasn't like Amal's show. It was like just some like

557
00:25:32,920 --> 00:25:34,120
Speaker 3: thing they were doing like online.

558
00:25:34,240 --> 00:25:35,560
Speaker 1: It was like a Comedy Central show.

559
00:25:35,720 --> 00:25:37,960
Speaker 3: No, it wasn't That's what I'm saying. It wasn't the

560
00:25:38,320 --> 00:25:40,040
Speaker 3: It wasn't that one. I've done that one. But this

561
00:25:40,160 --> 00:25:42,240
Speaker 3: was like something where they were like streaming it online

562
00:25:42,320 --> 00:25:45,000
Speaker 3: or putting it online for like NERD melt something whatever

563
00:25:45,359 --> 00:25:47,680
Speaker 3: it was, and I was like, yeah, sure one night

564
00:25:47,720 --> 00:25:50,320
Speaker 3: when I was there, like whatever. So also I'm thinking

565
00:25:50,359 --> 00:25:53,520
Speaker 3: this isn't a big deal, Like I don't know, Yeah,

566
00:25:53,520 --> 00:25:56,760
Speaker 3: it's just something some online thing they're doing. Like I'm

567
00:25:56,800 --> 00:25:59,800
Speaker 3: like really minimizing it in my brain, which is on.

568
00:26:00,680 --> 00:26:02,879
Speaker 3: And then I show up and they got like real cameras.

569
00:26:03,160 --> 00:26:03,800
Speaker 1: It's like a.

570
00:26:03,800 --> 00:26:13,359
Speaker 3: Real situation, and I'm like, oh ship, They're like we're

571
00:26:13,359 --> 00:26:17,359
Speaker 3: only like the set was different, the whole thing was.

572
00:26:18,520 --> 00:26:21,440
Speaker 3: And I always forget when I'm in LA, like anyone

573
00:26:21,480 --> 00:26:24,320
Speaker 3: can make anything of true production there kind of easily.

574
00:26:24,840 --> 00:26:26,600
Speaker 3: So when people just be like, oh, it's chill, you

575
00:26:26,640 --> 00:26:29,280
Speaker 3: always got to think it might be something because because

576
00:26:29,280 --> 00:26:31,400
Speaker 3: they have access to just turn it up like that.

577
00:26:31,840 --> 00:26:34,000
Speaker 3: So I'm already like shipping bricks because I'm like I

578
00:26:34,040 --> 00:26:36,159
Speaker 3: shouldn't have done what I did, you know, because this

579
00:26:36,280 --> 00:26:42,240
Speaker 3: is a lot of stimulation that I was not expectings.

580
00:26:42,320 --> 00:26:47,359
Speaker 3: I was getting very nervous. It's getting very nervous. But

581
00:26:47,440 --> 00:26:49,520
Speaker 3: I get up and I'm like just breathe through it

582
00:26:49,600 --> 00:26:51,760
Speaker 3: and like do what the fuck you gotta do, and

583
00:26:51,880 --> 00:26:55,200
Speaker 3: I'm good. I'm good. I'm going and I'm like I

584
00:26:55,240 --> 00:26:58,719
Speaker 3: am fine, I got this ship, and then I just

585
00:26:59,040 --> 00:27:03,879
Speaker 3: forget everything. No, yeah, like the whole. Nope, yeah, the whole.

586
00:27:03,960 --> 00:27:06,200
Speaker 3: I just I get to a place and I just stop,

587
00:27:06,840 --> 00:27:11,280
Speaker 3: and I'm like and I'm standing there for it. I'm high.

588
00:27:11,280 --> 00:27:14,280
Speaker 3: So it felt like fucking twenty minutes, but it probably

589
00:27:14,280 --> 00:27:16,040
Speaker 3: had to be like at least three minutes, which is

590
00:27:16,080 --> 00:27:18,879
Speaker 3: a long time. And I'm like, I really don't know

591
00:27:18,960 --> 00:27:22,520
Speaker 3: what I was about to say at this like recording,

592
00:27:22,600 --> 00:27:23,920
Speaker 3: I'm like, yo.

593
00:27:25,800 --> 00:27:29,960
Speaker 1: How much what minute were you at that point? Why?

594
00:27:30,119 --> 00:27:30,439
Speaker 3: Six?

595
00:27:30,800 --> 00:27:31,040
Speaker 2: Okay?

596
00:27:31,040 --> 00:27:32,639
Speaker 1: And what were you supposed to do? Like fifteen or so?

597
00:27:33,080 --> 00:27:36,560
Speaker 3: Yeah, like fifteen minute six. I was like six minutes

598
00:27:36,600 --> 00:27:39,119
Speaker 3: in and I was just exactly and it was like

599
00:27:39,200 --> 00:27:41,879
Speaker 3: I was too high to give it, you know what

600
00:27:41,920 --> 00:27:43,199
Speaker 3: I mean, Like I was too hod to just be

601
00:27:43,240 --> 00:27:46,200
Speaker 3: like pop into something else and just ride that wave.

602
00:27:46,560 --> 00:27:48,960
Speaker 3: Because I was yelling at myself in my head like

603
00:27:49,000 --> 00:27:51,000
Speaker 3: how could you forget? Why are you? Like you know,

604
00:27:51,040 --> 00:27:52,960
Speaker 3: I'm having that, Like how could you let this have it?

605
00:27:54,800 --> 00:27:59,600
Speaker 3: You don't deserve anything, so you're just dear in the

606
00:27:59,640 --> 00:28:02,440
Speaker 3: head like I was deare full deer in the headlights,

607
00:28:02,520 --> 00:28:09,600
Speaker 3: like yo, oh ship, Like I really don't know what

608
00:28:09,800 --> 00:28:13,600
Speaker 3: I'm gonna say, and then somehow I picked it up.

609
00:28:13,640 --> 00:28:15,800
Speaker 3: But I it was like I had to acknowledge it,

610
00:28:15,880 --> 00:28:17,240
Speaker 3: you know what I mean, Like it went on long

611
00:28:17,359 --> 00:28:19,640
Speaker 3: enough where I had to be like, I have made

612
00:28:19,760 --> 00:28:20,240
Speaker 3: an error.

613
00:28:20,320 --> 00:28:23,520
Speaker 1: Yeah, yeah you should. You could have just gone listen, guys.

614
00:28:23,600 --> 00:28:25,439
Speaker 1: I got really high. I didn't know you guys are

615
00:28:25,440 --> 00:28:26,600
Speaker 1: gonna have real cameras.

616
00:28:26,760 --> 00:28:28,720
Speaker 3: Yeah, I coulda just went, That's what I'm saying. I

617
00:28:28,720 --> 00:28:31,439
Speaker 3: just couldn't even but I like, I was like, fuck,

618
00:28:31,720 --> 00:28:34,040
Speaker 3: I don't know, man, and so I just kind of

619
00:28:34,040 --> 00:28:39,280
Speaker 3: like picked up kept going. But then because I was high,

620
00:28:39,640 --> 00:28:42,480
Speaker 3: some fire shit happened and I remembered, oh shit, and

621
00:28:42,520 --> 00:28:44,760
Speaker 3: then I was I picked the joke back up close

622
00:28:44,800 --> 00:28:47,120
Speaker 3: to the end and it's still tied into something else.

623
00:28:47,600 --> 00:28:50,320
Speaker 3: And then I was like yeah and that and that

624
00:28:50,520 --> 00:28:54,280
Speaker 3: was my made off moment. I was like, I'm fucking underfeared.

625
00:28:54,600 --> 00:28:57,160
Speaker 1: So you came up with your dismount you got laughs.

626
00:28:56,920 --> 00:28:59,400
Speaker 3: And yeah, I got laughs and people were like and

627
00:28:59,440 --> 00:29:03,680
Speaker 3: she ripped Ever, she's a fucking and that's that's what

628
00:29:03,800 --> 00:29:07,800
Speaker 3: started the monster that I am. Yeah, that was my

629
00:29:07,840 --> 00:29:10,040
Speaker 3: mate off moment. Like I was watching the Bernie Mayoff

630
00:29:10,080 --> 00:29:12,040
Speaker 3: things and then I was like, oh, he got away

631
00:29:12,080 --> 00:29:15,200
Speaker 3: with that one thing, and then he was running it's

632
00:29:15,320 --> 00:29:15,920
Speaker 3: all about.

633
00:29:15,960 --> 00:29:17,520
Speaker 1: He got away with one line. And then he was like,

634
00:29:17,600 --> 00:29:20,760
Speaker 1: fuck it, I'm going in yep. Oh, I want to

635
00:29:20,800 --> 00:29:22,480
Speaker 1: tell you a story about me bombing, and then I

636
00:29:22,480 --> 00:29:28,000
Speaker 1: want to ask a couple of questions. One time, I uh.

637
00:29:28,160 --> 00:29:30,440
Speaker 1: It was season four of The Eric Andre Show and

638
00:29:30,480 --> 00:29:33,760
Speaker 1: I was doing a tour to promote the show. So

639
00:29:33,800 --> 00:29:36,000
Speaker 1: I do like, it's not a stand up tour. It's

640
00:29:36,000 --> 00:29:37,920
Speaker 1: like the live version of the talk show where I

641
00:29:37,920 --> 00:29:39,720
Speaker 1: like jump out on stage and I break a ton

642
00:29:39,760 --> 00:29:41,480
Speaker 1: of stuff and I interview people from the audience, and

643
00:29:41,520 --> 00:29:44,240
Speaker 1: I'll interview like a celebrity guest in every tournament or whatever.

644
00:29:44,280 --> 00:29:46,840
Speaker 1: It'll be like the local pawnshop guy from some reality

645
00:29:46,840 --> 00:29:49,560
Speaker 1: show if I'm like in Des Moines or something. So

646
00:29:50,800 --> 00:29:53,240
Speaker 1: it was like season four and I would do a

647
00:29:53,400 --> 00:29:55,840
Speaker 1: tour with Byron Bowers. So he was on Byron was

648
00:29:55,880 --> 00:29:58,160
Speaker 1: on stage warming up the crowd. Then he went ladies

649
00:29:58,160 --> 00:30:00,000
Speaker 1: and gentlemen, it's the Eric Andrey Show. Is the first show.

650
00:30:00,120 --> 00:30:05,120
Speaker 1: The tours in Vancouver, Columbia, British Columbia, Canada. We're in Vancouver.

651
00:30:05,800 --> 00:30:09,440
Speaker 1: Tons of kids in the audience Byron Goes, Ladies and Gentlemen,

652
00:30:09,440 --> 00:30:12,760
Speaker 1: the You're Country Show. I run out from backstage under

653
00:30:12,760 --> 00:30:15,160
Speaker 1: the stage. I burst through my desk. I started peeing

654
00:30:15,200 --> 00:30:18,160
Speaker 1: up the desk. I jump into the crowd, CrowdSurf and

655
00:30:18,280 --> 00:30:20,800
Speaker 1: usually the crowd just like whatever CrowdSurf around. I go

656
00:30:20,840 --> 00:30:21,400
Speaker 1: back to the stage.

657
00:30:21,440 --> 00:30:21,760
Speaker 2: Whatever.

658
00:30:22,680 --> 00:30:24,720
Speaker 1: I jump in the crowd, I'm like, you know, they're

659
00:30:24,760 --> 00:30:27,000
Speaker 1: like all holding me up with their hands. My back

660
00:30:27,160 --> 00:30:29,440
Speaker 1: is like to their hands or whatever. Then I feel

661
00:30:29,440 --> 00:30:32,600
Speaker 1: like one kid underneath me try to stick all four

662
00:30:32,680 --> 00:30:36,600
Speaker 1: fingers up my butt crack, just shoving my butt crack.

663
00:30:36,840 --> 00:30:39,840
Speaker 1: Then another kid grabs my dick and balls as hard

664
00:30:39,840 --> 00:30:43,800
Speaker 1: as he can, and then like another kid licks his

665
00:30:44,120 --> 00:30:46,120
Speaker 1: sucks on his finger and gives me a wet willie.

666
00:30:46,400 --> 00:30:48,800
Speaker 1: And then another kid grabbed a hot dog off the

667
00:30:48,800 --> 00:30:50,360
Speaker 1: ground and shoved it in the back.

668
00:30:53,080 --> 00:30:54,280
Speaker 2: And it was crazy.

669
00:30:54,280 --> 00:30:57,200
Speaker 1: I was like, and I started doing like street karate,

670
00:30:59,440 --> 00:31:02,960
Speaker 1: and some kids form and started drawing and quartering my

671
00:31:03,120 --> 00:31:04,800
Speaker 1: limbs in different directions.

672
00:31:05,040 --> 00:31:05,200
Speaker 2: Yeah.

673
00:31:05,240 --> 00:31:07,000
Speaker 1: Yeah, they were like tearing me alive in like a

674
00:31:07,040 --> 00:31:10,080
Speaker 1: medieval assault. It was crazy. So I was like and

675
00:31:10,120 --> 00:31:13,160
Speaker 1: then finally like chicken punching of them to like get

676
00:31:13,240 --> 00:31:15,960
Speaker 1: down on the ground and this other kid kept like

677
00:31:15,960 --> 00:31:18,080
Speaker 1: coming at me with like giving me a wet willie

678
00:31:18,120 --> 00:31:23,280
Speaker 1: and like grabbing, grabbing me, and I just went, thank you.

679
00:31:23,400 --> 00:31:25,080
Speaker 1: The stomach is hard to say, Eric.

680
00:31:24,960 --> 00:31:27,160
Speaker 3: That's when you gotta turn black and start beating these

681
00:31:27,160 --> 00:31:28,160
Speaker 3: white kids' asses.

682
00:31:29,920 --> 00:31:33,480
Speaker 1: I punched them. I was like primal rage. I was

683
00:31:33,560 --> 00:31:38,560
Speaker 1: just like, this is god, dude. I punched him in

684
00:31:38,560 --> 00:31:40,880
Speaker 1: the stomach as hard as I could, and he went oh.

685
00:31:41,080 --> 00:31:43,800
Speaker 1: Then he looked up at me and he went yeah,

686
00:31:43,840 --> 00:31:46,560
Speaker 1: like he loved it. And then I crawled back to

687
00:31:46,600 --> 00:31:48,280
Speaker 1: the stage and I was like, I'll never a crowd.

688
00:31:48,280 --> 00:31:51,440
Speaker 1: Certain that was the first thirty seconds of the first

689
00:31:51,440 --> 00:31:52,040
Speaker 1: show of my.

690
00:31:52,040 --> 00:31:56,000
Speaker 3: Tour, Like I gotta chase my whole I've been finding

691
00:31:56,040 --> 00:32:00,440
Speaker 3: some singa I gotta.

692
00:31:59,480 --> 00:32:00,240
Speaker 2: This is Yeah.

693
00:32:00,320 --> 00:32:02,400
Speaker 1: It was crazy, and that's kind of what Hammil said.

694
00:32:02,440 --> 00:32:05,240
Speaker 1: Hannil was like, and I was like, you created this

695
00:32:05,840 --> 00:32:06,800
Speaker 1: life for yourself.

696
00:32:07,520 --> 00:32:09,680
Speaker 3: I was just thinking, like, that's what you'll ask.

697
00:32:11,720 --> 00:32:13,440
Speaker 1: He said, you created this son.

698
00:32:13,880 --> 00:32:15,720
Speaker 3: Any black person's gonna be like that's to get a

699
00:32:15,760 --> 00:32:17,520
Speaker 3: playing the white people games.

700
00:32:20,440 --> 00:32:23,800
Speaker 1: Well, Sam Jay, it has been an absolute pleasure. Thank you,

701
00:32:23,840 --> 00:32:33,080
Speaker 1: thanks for coming in. Thanks appreciate you.

702
00:32:29,240 --> 00:32:30,160
Speaker 2: With every condre.

703
00:32:30,560 --> 00:32:33,360
Speaker 1: All right, listen up, we got something special for you.

704
00:32:33,400 --> 00:32:35,720
Speaker 1: Got a burning story that you're itching to tell about

705
00:32:35,720 --> 00:32:38,680
Speaker 1: when you bombed or absolutely failed in life. Now's your

706
00:32:38,760 --> 00:32:41,400
Speaker 1: chance to tell me all about it. Babo. I want

707
00:32:41,400 --> 00:32:45,040
Speaker 1: to hear your worst, most cringe worthy what the fuck

708
00:32:45,240 --> 00:32:48,120
Speaker 1: was I thinking? What just happened moment? So pick up

709
00:32:48,120 --> 00:32:51,720
Speaker 1: your phone and dial seven one six Bombing. That's seven

710
00:32:51,800 --> 00:32:55,360
Speaker 1: one six two six six twenty four sixty four and

711
00:32:55,440 --> 00:32:57,520
Speaker 1: leave me a voicemail and we might just play it

712
00:32:57,560 --> 00:33:00,280
Speaker 1: on a future episode. Bombing with Eric andres to you

713
00:33:00,280 --> 00:33:03,200
Speaker 1: by Will Ferrell's Big Money Players Network and iHeart Podcasts.

714
00:33:03,280 --> 00:33:07,240
Speaker 1: Our executive producer is Olivia Aguilar. Our producer is Bei Wang.

715
00:33:07,480 --> 00:33:10,400
Speaker 1: Our research assistant is David Carliner. Our editor and sound

716
00:33:10,440 --> 00:33:13,440
Speaker 1: designers Andy Harris, and our art is by Dylan Vanderberg co.

717
00:33:13,600 --> 00:33:16,040
Speaker 1: Rate us five stars and drop a review on your podcast.

718
00:33:16,120 --> 00:33:17,080
Speaker 1: Have a choice