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Speaker 1: Oh wow, Hey everyone, welcome back to another episode of Alchemy.

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Speaker 1: This I am still your guest host Chris Alvarado City

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Speaker 1: and Kevin Paul today and happy to do it. And

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Speaker 1: the reason why I'm happy because I'm joined by some

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Speaker 1: of my favorite people and improvisers. And let's meet them now.

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Speaker 1: In no particular order. Everybody say hello to Jackie de Ruthie. Hello,

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Speaker 1: whoa make some noise, Jackie, Jackie, question for you. As

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Speaker 1: you could tell, I've been in this kind of like

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Speaker 1: thinking about my life type stuff. So here's the question.

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Speaker 1: It's gonna be for everybody today, same thing as we

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Speaker 1: did recently. Here we go, What would your sixteen year

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Speaker 1: old self think of the life you're living today? She'd

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Speaker 1: be into it, great, great stuff. Yeah, she'd really like it.

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Speaker 1: I think she'd she'd be happy, she'd be proud. Yeah, yeah, yeah,

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Speaker 1: go ahead. That's good to hear. That's good to hear.

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Speaker 1: I'm hoping it's mainly positive. But let's see. Craig a

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Speaker 1: cast me. You're sixteen year old self is looking at

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Speaker 1: you at a you know, at a coffee shop, and

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Speaker 1: he knows everything you've done, everything you've been, everything you're doing.

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Speaker 1: What's he thinking, what's young Craig thinking, and he knows

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Speaker 1: that's old Craig forgetting that's just an older guy. What

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Speaker 1: would six sen year old Craig think of of who

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Speaker 1: you are today? You know, when I was sixteen, I

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Speaker 1: hadn't even started doing theater in high school yet, So

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Speaker 1: I think I would be surprised to learn that I

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Speaker 1: had a career in the arts. I didn't start to

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Speaker 1: my senior year in high school, and that kind of

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Speaker 1: like put me on the path of you know, it

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Speaker 1: wasn't like a you know, a one way rocket to

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Speaker 1: the moon of like you're going to be a professional actor,

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Speaker 1: but it like it gave me a focus and uh

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Speaker 1: then I ended up majoring in the IT or in

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Speaker 1: in college. So like it, really, I think I would

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Speaker 1: be surprised and pleased. Yeah, yeah, that's great. James Heeney,

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Speaker 1: welcome to the podcast. You know, the sixteen year old

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Speaker 1: James Heeney would be really impressed. He hit, Uh, I

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Speaker 1: don't think I ever thought that I would look on

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Speaker 1: the internet and see a review for an improv show

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Speaker 1: I was doing, such as the new one from spy

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Speaker 1: d that the title of the review is nothing else

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Speaker 1: like it exists, he says, I've searched all over. Nothing compares.

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Speaker 1: A few sad A sad few don't get the genius,

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Speaker 1: but most everyone else shoots milk from their nose. Now,

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Speaker 1: I think sixteen year old self would be like I

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Speaker 1: effing made it, But as an adult, I can say

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Speaker 1: it like it is fucking made it. Yeah, yeah boy.

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Speaker 1: And last but not least, Joey Greer, what would sixteen

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Speaker 1: year old self think of the life you're living today?

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Speaker 1: I think it's true of all of our six year

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Speaker 1: old selves that that that's that's when you peak your

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Speaker 1: sixteen with the best version of yourself. It's all downhill

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Speaker 1: from there. And so it's really it's it's heavy, is

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Speaker 1: the burden that they have to carry because they their

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Speaker 1: judgment means the most. And when I was sixteen, I

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Speaker 1: was I had it all. I had like all the

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Speaker 1: things going for me. I had. I had a couple

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Speaker 1: of businesses, I had a couple of properties in South Florida,

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Speaker 1: and everything was great, and you know, and then I

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Speaker 1: had two roads diverge. I had either possibly look at like,

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Speaker 1: you know, going into comedy, or you know, stick to

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Speaker 1: what I was doing, which was illegal. Uh. You know,

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Speaker 1: weapons trading, and luckily I stuck with comedy and it's

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Speaker 1: made all the different. Granted, can I can I say

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Speaker 1: that that my life would have been different if I

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Speaker 1: if I stuck with a legal weaponsrad hundred cents, But

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Speaker 1: right now I gotta say that I'm happy that it

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Speaker 1: chose I chose this, And if my sixth year self

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Speaker 1: saw me, I probably wouldn't be in the same area

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Speaker 1: because I wouldn't be able to afford where he was.

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Speaker 1: Then that's a hundred cents right there. That's a hundred

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Speaker 1: cents right there. Everybody, do you answer? Are you gonna answer? Yeah?

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Speaker 1: I mean thankfully. It's like you, guys, I think I

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Speaker 1: would be um happy, I'd be proud of my six

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Speaker 1: year or something like. Damn dude. First of all, I

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Speaker 1: look way different than I did when I was sixteen.

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Speaker 1: Go to my Instagram. Everybody scrolled down, not even that

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Speaker 1: long ago. I've I've posted some of these old pictures.

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Speaker 1: Many of the people have sent messages said that I

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Speaker 1: had a pretty good glow up as it were, Um

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Speaker 1: I was, I looked much different. Also, life was hell

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Speaker 1: for me when I was sixteen. A lot of terrible

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Speaker 1: ship was happening. So yeah, wow, what are those suggestions?

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Speaker 1: As usually, when you know that that all of today's

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Speaker 1: seen suggestions come from listener emails. And if you want

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Speaker 1: to send us a suggestion but you want priority, you

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Speaker 1: want to fast lane that ship, will consider becoming a

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Speaker 1: Patreon v I P. Not only will you get able

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Speaker 1: to fast land your suggestions, you also get bonus content

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Speaker 1: like scenes that are made just for you, and the

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Speaker 1: video that we're doing right now, you'll be able to

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Speaker 1: see that James, is that right? That's right, and and

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Speaker 1: each of the alchem in hes I always create the

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Speaker 1: little an original piece of art from James Heeney that

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Speaker 1: is the thumbnail and all of the alchem innis. I

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Speaker 1: did not know that. Well. People, if this sounds like

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Speaker 1: something you want to do you want to be a

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Speaker 1: part of, consider heading on over to patreon dot com

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Speaker 1: slash alchemy this, or if you want to send us

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Speaker 1: a scene suggestion the old timing way, go ahead and

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Speaker 1: shoot us an email at alchemy this email at gmail

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Speaker 1: dot com. Jackie, what is it, Algemy this email at

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Speaker 1: gmail dot com. Yeah, that's right, that's right, all right,

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Speaker 1: let's get to it. See one comes to us from

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Speaker 1: alchemy v I P. Mike del Rosso. Mike writes, Hey, gang,

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Speaker 1: you know when you open a yogurt and there's that

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Speaker 1: bit of water on the top, Why couldn't you do

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Speaker 1: a scene about that? M hm m hmm. You're gonna

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Speaker 1: want to drink that. Don't start in You're just gonna

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Speaker 1: want to drink that. This this splishy, splashy stuff on top. Harold,

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Speaker 1: you have hired me as a health coach, not hired

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Speaker 1: me to fight with part of it makes this what

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Speaker 1: kind of yogurt sweats and makes what I'm sorry, what

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Speaker 1: part of yogurt is sweating inside of this plastic and tainer.

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Speaker 1: Don't think of it as yogurt sweat. Think of it

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Speaker 1: as yogurt essence, and just take a quick shot, take

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Speaker 1: it down like the pampamost exactly, just like Harold. At

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Speaker 1: six thirty am, my health advisor here. Nice to see

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Speaker 1: you again, Darla, Hi, hi, I didn't realize you'd be

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Speaker 1: starting so early. That's okay. You know, I have some

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Speaker 1: jade rollers if you want for your face in the morning.

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Speaker 1: Her face looks fine, all right, but I got the

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Speaker 1: treadmill going. He ready, Thank you, thank you, hold on,

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Speaker 1: I gotta drink this yogurt juice. Who but it's too late.

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Speaker 1: Oh man, that's gonna go into your muscle's gonna contract,

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Speaker 1: and that's gonna snap when you're running. You don't want that.

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Speaker 1: Who told you to drink that? Tina my nutritionalist? You

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Speaker 1: got a nutritionalism. Well you're just for my exercises. I'm

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Speaker 1: I'm helping him work out. Can keep it down? Yeah,

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Speaker 1: I'm the coach, and I really don't appreciate you coming

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Speaker 1: in here and completely disregarding and nullifying what I'm telling him.

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Speaker 1: He's not gonna be marvel unless he follows both of

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Speaker 1: our directions. Well, let's just say that part of health

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Speaker 1: is working out right, And I'm not telling him not

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Speaker 1: to work out. I'm just telling him what to eat

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Speaker 1: beforehand to really up the workout, and then what to

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Speaker 1: eat afterwards in or to gain that. Look, I totally

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Speaker 1: hear what you're doing. I appreciate that. But that juice

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Speaker 1: inside that yogurt, it's actually gonna make his muscles snap.

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Speaker 1: That can't. I can't. I don't think anything would make harold.

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Speaker 1: This is my one day off this week. Sorry, it's

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Speaker 1: my New Year's resolution to get healthier. Please. Why don't

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Speaker 1: you get on the treadmill too. It's my day off,

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Speaker 1: all right, Harold. Let's take a look at your body today.

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Speaker 1: You look at your body. I am your doctor. I

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Speaker 1: would look at your body looking good, looking good. Okay,

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Speaker 1: can you breathe it for me? Sounds sorry? I what

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Speaker 1: you said to breathe in? I had already had a breath,

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Speaker 1: so I just it was actually a double breath that

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Speaker 1: I didn't need. Let's start at the beginning. Do you

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Speaker 1: know how many times that happens to me a day? No, constantly? Wow,

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Speaker 1: people are always caught off guard. You know, you're really relatable.

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Speaker 1: I feel safe in this room. I got mixed up

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Speaker 1: with some health advisors that are just whoa, whoa, whoa,

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Speaker 1: whoa whoa. Wait, what what do you mean? Well? I

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Speaker 1: have a I have a workout guy, and I have

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Speaker 1: a dietitian, and they're always at my house crack at dawn,

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Speaker 1: actually before dawn, if dawns were the sun rises. Okay,

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Speaker 1: but you just got such great energy. I feel like

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Speaker 1: you're well, what do you think about doing some some

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Speaker 1: home care practice? You want me to come to your

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Speaker 1: place and do some checkups and some stuff if you

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Speaker 1: don't mind just for a couple of weeks while I'm

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Speaker 1: trying to get on the right track. You know, what

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Speaker 1: the hell is going on in Herold's place? Every single more?

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Speaker 1: Three am? I see cars up front just on, just

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Speaker 1: just just idling out there. What the fuck is going on?

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Speaker 1: What do you care? Just bag at the fucking drugs

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Speaker 1: and then put them in the cardboard box and then

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Speaker 1: get rid of them. Okay, Jesus Christ, you know, I

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Speaker 1: think a real chance on you. I know your uncle.

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Speaker 1: I knew your uncle, God rest his soul. I knew him.

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Speaker 1: I probably knew him beter than you knew him. Yeah,

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Speaker 1: I didn't know him that that's right. You didn't know

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Speaker 1: him that long. You saw him bleeding out before you

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Speaker 1: the last course he said out loud, or take care

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Speaker 1: of my nephew. And so now what Now here's a

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Speaker 1: neighborhood gossip. No, you work for me in this drug house.

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Speaker 1: And listen, do you realize you're the only employee here

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Speaker 1: that isn't naked? Yes? I trust you. Thank you for

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Speaker 1: going with employees. God damn it. I like you so much. Man. Wait,

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Speaker 1: no Wayola, Hi, I'm sorry. I'm Darla from down the street.

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Speaker 1: You're lights are it's three am. Your lights are blaring? Now, Well,

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Speaker 1: what's up with those cars out front of Yeah, what's

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Speaker 1: up with the cars? Well, don't get me, don't get

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Speaker 1: me started. That's my husband. That's my husband. I'm sorry.

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Speaker 1: Tell me. We don't like the attention around here. Okay,

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Speaker 1: it's weird. Yeah, well, uh well, I'll let him know

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Speaker 1: that that that the helpful drug dealers down the streets

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Speaker 1: are or are as annoyed as I am by the

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Speaker 1: early morning visits. And we'll do our best to keep

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Speaker 1: the lights down, okay. Could And you're you're blaring techno

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Speaker 1: music too. You might not you might not hear it

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Speaker 1: because you're around it all the time. Yeah, I don't

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Speaker 1: even notice. I don't even know. I mean so much

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Speaker 1: of this. He just flies up when we're packing. You

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Speaker 1: just get Really, if you could turn it down a smudge,

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Speaker 1: I'm sorry, Tina as this doctor Doyt. Are you making

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Speaker 1: him drink this yogurt sweat? I'm suggesting. First of all,

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Speaker 1: it's not yogurt sweat. Oh I believe it is. Guys.

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Speaker 1: What's the difference between mixing this in and drinking it straight?

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Speaker 1: Oh that sounds disgusting, Harold, Harold, for fox sake, it's Thursday.

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Speaker 1: It's my one day off exactly, Darla, it's her one

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Speaker 1: day off, and are you really going to spend it

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Speaker 1: fighting me on the yogurt sweat? All right? I got

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Speaker 1: the world pool going to the living room. Now, looks

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Speaker 1: some of that waters and splash out. But I think

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Speaker 1: like I got some towels on social media, Darla, you

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Speaker 1: should get in there. You should. Uh, it's my day off, okay, alright, alright, alright, alright,

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Speaker 1: before you guys get started, let's go. Let's go, hands up,

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Speaker 1: hands up, real quick. Breathe in, okay, breathe up. Sounds wet,

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Speaker 1: It sounds wet. Okay, I'm done though, I'm done. That's

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Speaker 1: my job. Go ahead, Tina. There's not pneumonia, Tina, turn

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Speaker 1: wet lungs. Yeah, that's that. Sounds like pneumonia. I'm the

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Speaker 1: doctor part. You're that you tell him what he should

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Speaker 1: or shouldn't be eating. Okay, does anyone want any fentanel?

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Speaker 1: I got a freeback of fentanyl, Darling. I don't take fentanyl, alright,

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Speaker 1: it's not on my list. I actually fyl and you know,

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Speaker 1: if we can just get those reports. But yeah, Darla,

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Speaker 1: are you awake right? What Darla? I hate to do this.

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Speaker 1: This is this is the second week in a row

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Speaker 1: you've been sleeping on the job. Oh god, no, Mr

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Speaker 1: Mr P. I'm so sorry. And also we we did

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Speaker 1: a locker check, a random locker checken and we found

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Speaker 1: a key offense and all that's so much. I mean, no,

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Speaker 1: it's it's not for me. It's it was the gift

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Speaker 1: from the drug house down the street. Well, we're regardless,

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Speaker 1: Darla can't. I can't have that in the office. Mr P.

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Speaker 1: I'm so sorry. And Mr P, is it right? Mr? Pace?

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Speaker 1: That you that is I'm gonna do to your face? Okay,

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Speaker 1: it's a shake media, you should really do it through

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Speaker 1: his face. Get him good. We're big bad drug dealers. Okay,

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Speaker 1: you're giving Darla a hard time? How about how about

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Speaker 1: she's your best employee. Otherwise it's but it's gonna be

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Speaker 1: your face. But okay, okay, okay, you have a good day.

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Speaker 1: Did it? Oh? I mean we didn't do anything to

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Speaker 1: his face. Well that's all we need to do today.

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Speaker 1: Oh ship, I have got to drug cleaners. You want

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Speaker 1: to come with? Uh? So if you want to have

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Speaker 1: a healthier time have in your salad dressing. Don't just

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Speaker 1: put it on the lettuce, you know, at first, don't

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Speaker 1: shake it, and then you're gonna pour out the oil

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Speaker 1: that's on the top. And yes, it makes for a chunkier,

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Speaker 1: stiffer but this is Italian dressing dressing. If I pour

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Speaker 1: the oil, it's just going to be we're just gonna

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Speaker 1: get those red pepper flakes. And that's your choice, you know,

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Speaker 1: like that's the dressing that you chose. But either way,

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Speaker 1: the most important part is you're actually eating the spinach.

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Speaker 1: I think I really want to consult my doctor on this.

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Speaker 1: So this is the thing that you want to have

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Speaker 1: the oil on the top, but you won't have the yogurt.

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Speaker 1: The oil is kind of like it what's Italian dressing.

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Speaker 1: She wants me to dump out the whole top third

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Speaker 1: of the bottle. This is the chunky part though. Well,

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Speaker 1: when I shake it up, it's Oh that was a

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Speaker 1: night of sleep. I am never been better. Arrested. Good morning, Darla, morning,

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Speaker 1: Good morning everyone. Mr Pie says I can work from

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Speaker 1: home from now on. Wow, my God, for the blessing,

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Speaker 1: Harold is one quick thing. Um, you are bleeding from

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Speaker 1: the mouth. Oh, this has been happening for a while.

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Speaker 1: I don't think I know. I'm just reminding you. Let

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Speaker 1: me know, I'm doing my duty, okay, yeah, uh. Honestly,

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Speaker 1: if you look inside the mouth where it's coming from,

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Speaker 1: it's what's weird is it's like, well here, hi, hi,

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Speaker 1: it's kind of well. He's had that thing for a while.

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Speaker 1: I told him to get it looked at. I'm here,

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Speaker 1: I'm looking, and you know what I see? Oh, I

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Speaker 1: see squats coming your way. Here he comes. Okay, I'm

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Speaker 1: getting better at these. I'm gonna use the treadmill for

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Speaker 1: a bit. Oh nice, that's yeah nice. Where where the

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Speaker 1: hell's Lucas? Where the house Lucas Lucas? I don't know. Oh,

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Speaker 1: he was supposed to be here at sick say, yeah, gosh,

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Speaker 1: I know he and I fight a lot, but I'm

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Speaker 1: still worried about him. I consider him a good friend,

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Speaker 1: not just a colleague. You don't think he's at the drughouse,

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Speaker 1: do you? Why would you think Lucas is at the drughouse.

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Speaker 1: Darla is pretty familiar with the drug house. Maybe she

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Speaker 1: could check, I am. Oh, yeah, you can just look

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Speaker 1: out the window and see if his car is still there. Well,

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Speaker 1: it's Carson Idle in our driveway, so he definitely showed up.

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Speaker 1: It's still running, it's it's still running. Huh. But I

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Speaker 1: can do the squats without Lucas here. I'll just do

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Speaker 1: the squats. I feel like you need like a cop

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Speaker 1: on your team. You got a doctor and nutrition is

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Speaker 1: a weight less spacialist, like you need like a cop cop.

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Speaker 1: Just what what a cop to for my health? Like

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Speaker 1: figure out where Lucas is? I guess try no cops.

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Speaker 1: It's really adamant about That's where I draw the line.

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Speaker 1: No cops. Yeah, okay, okay, hey Darla, Um just leaving

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Speaker 1: this message and see how can do and um, I

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Speaker 1: still just need those reports to come in today. Um,

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Speaker 1: you know, just to shift them over Shanghai. So just

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Speaker 1: stick at the order slip whenever you can today it

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Speaker 1: would be good. Um. Well, if not totally cool, totally cool.

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Speaker 1: We can push um all right, I will, Sorry, Harold,

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Speaker 1: I'm I'm Darlas husband. Hey, uh she's she's been Are

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Speaker 1: you okay? Oh? Are you okay? Is this Mr p? Oh?

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Speaker 1: Mr p? And that scene one in my mind, his

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Speaker 1: full name was piss and it's called Mr p for sure,

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Speaker 1: Seeing too comes to us from listener Joey Chill. Joey writes,

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Speaker 1: where can I start? I've been listening for years. You're

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Speaker 1: all absolutely hilarious, especially Joey. That man's got some serious

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Speaker 1: problems as a fellow South Floridian and also named Joey.

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Speaker 1: I think I know what I'm talking about. So funny,

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Speaker 1: and he writes Kevin's voice anyway, Seen street Bikers versus

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Speaker 1: Harley writers. You're all amazing in your own way. I

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Speaker 1: appreciate this podcast more than you know, with much love.

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Speaker 1: Joey from Bradenton. All Right, y'all, this is the South

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Speaker 1: Florida Chopper Club, and uh let's make sure we we

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Speaker 1: drink to our good ass friend, Mr Piss all right,

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Speaker 1: Mr pip R. That's done. Of the bitch could ride

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Speaker 1: like none others, merely rode himself into the ground. He

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Speaker 1: will be missed at he's got a corporate job. That

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Speaker 1: does you know? Piss will be missed. Piss will be missed.

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Speaker 1: I like that. Yeah, I'll kiss, I'll kiss, I'll kiss him,

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Speaker 1: kiss him kissing, kissing? What what's up? Are you trying

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Speaker 1: to rhyme something or are we playing pool today? Are

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Speaker 1: we playing pool today? Well? Yeah, of course, rap him up?

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Speaker 1: Was that a rhyme? It was a beat too late?

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Speaker 1: I think it was a confession. Well, well, well, what

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Speaker 1: do we have here? It's a looks like a chopper club.

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Speaker 1: And if my boys and I come in and get

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Speaker 1: a couple of drinks, this is a member's only club. Yeah, well,

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Speaker 1: I don't remember being told that I can't come in,

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Speaker 1: So me and my boy isn't gonna come in and

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Speaker 1: have a drink. Hold on a second, don't don't, don't

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Speaker 1: reaffirm his b It was regardless of the word. Remember

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Speaker 1: it was cool. I understand what he did, but don't it.

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Speaker 1: I'm miss piss. That's a diss, all right, So it

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Speaker 1: is a rhyme. You're right. Took you that long to

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Speaker 1: come up with diss? Alright. So my boys, you're gonna

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Speaker 1: put some some cratch rockets outside, and we're gonna where

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Speaker 1: you gonna. Maybe we'll just hang out and make this

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Speaker 1: our new place. We ain't taking those speeders here, maters.

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Speaker 1: You gotta get them all for a lot. Make me.

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Speaker 1: Are you gonna say, bitch? Are you about to use them? Hey? Hey,

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Speaker 1: I stop myself I'm I'm working on it, but you

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Speaker 1: wanted to say bitch a bitch the mitch say, well, okay, okay,

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Speaker 1: Well what well I said is that the sitch that

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Speaker 1: was a little better, but still still you gotta get

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Speaker 1: on it. Too much was going on in there. I

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Speaker 1: need to drink, and now I need to drink. Man,

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Speaker 1: you are jonesing. You are jonesing. We happened to dry January.

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Speaker 1: It's January twenty nine. You can't get out of it.

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Speaker 1: Now you've made it this long. Just come on, give

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Speaker 1: me a I thought we were doing Manuary where we

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Speaker 1: all grew a mustache. Oh my gosh, is that why

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Speaker 1: you have that thing on your lip? Well, it hasn't

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Speaker 1: come in all the way, isn't it February where we

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Speaker 1: all go out we find a woman or a man

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Speaker 1: or whoever, and we get married and adopt or have kids,

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Speaker 1: and then we build a whole homestead of doing them.

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Speaker 1: But I also need a drink. Alright, Ary, when you

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Speaker 1: find a sacrificial lamb and you pierced it and then

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Speaker 1: you slit its throat on a tablet on top of him, alright, alright, alright, alright, alright, sorry,

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Speaker 1: we all know what lambu wary is? We know it Lanuary? Yeah,

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Speaker 1: I thought it was Canuary. You take anything you didn't

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Speaker 1: find and you can't listen. Bad news guys, Bad news guys.

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Speaker 1: They hold on. Well, they don't run away after you

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Speaker 1: said that. Where the hell did he go? I don't

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Speaker 1: know anyway, what's going on in their bus? Okay, okay, on,

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Speaker 1: they don't want us to be here. We're not what

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Speaker 1: I mean to drink. I know. I told him. I

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Speaker 1: told him maybe if we turned down our boom box.

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Speaker 1: Not everyone loves duran Duranuary. Okay, can you take that back?

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Speaker 1: It's Duranuary. Just turn it down a little bit. They

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Speaker 1: might be thinking that it's nerdy or whatever. Oh yeah, maybe.

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Speaker 1: Know those guys are a different kind of bikers and

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Speaker 1: they want us to get out. What do you mean

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Speaker 1: we all got two wheels. Yeah, but we're not allowed

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Speaker 1: to park these crotch rockets on their lot. I appreciate

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Speaker 1: them calling it a crotch rocket. They didn't they didn't

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Speaker 1: call it that. I It's just what I call it.

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Speaker 1: But if you guys really want to settle this down,

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Speaker 1: or settle this up, or settle with them, we could

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Speaker 1: park on the street. And then walk over what they're

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Speaker 1: gonna do? Then? All right, bost me ask you this.

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Speaker 1: All they have is Harley's. We have Takati's, yamash, Ninja's

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Speaker 1: twins schwins. Wait, who's got the schwin? I've got the swin.

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Speaker 1: You've got a swin. I've gotta schwin win schwin? Oh nice? Hey,

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Speaker 1: where'd that guy go? Who said? Canuary do? Is that

381
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Speaker 1: guy's name? I honestly don't know. I'm gonna call him Lester? Hey, buss, Uh?

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Speaker 1: What do you say? We just let them in for

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Speaker 1: one drink? It goes against the by laws? All right?

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Speaker 1: Remind me of those again? You don't know? Of course

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Speaker 1: I know the blaw? What do you mean? Why do

386
00:23:30,400 --> 00:23:32,280
Speaker 1: I gotta you? Gotta know him? It ain't my dad

387
00:23:32,320 --> 00:23:34,800
Speaker 1: to remind your ask. I gotta hug you know what?

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Speaker 1: Give me your patch batch, Get that all out of here.

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Speaker 1: You know, our bilaws are just a goddamn speech. The

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Speaker 1: by laws are my laws, or you're gonna die laws

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Speaker 1: die laws? What the hell is that? I mean to rhyme?

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Speaker 1: What they hell did that mean? It doesn't have to

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Speaker 1: mean something I thought part of me. Excuse me coming through?

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Speaker 1: What are you gonna try to start a fight with

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Speaker 1: us outside now, come on, no, no, no, Well I've

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Speaker 1: been kicked out in like my motorcycle gang. What yeah,

397
00:24:04,320 --> 00:24:10,000
Speaker 1: something about by laws, by laws? Bylash my loss. That's good,

398
00:24:10,920 --> 00:24:13,920
Speaker 1: thank you. I think by laws are about as fun

399
00:24:13,920 --> 00:24:18,320
Speaker 1: as in laws. You know what I mean? In laws suck. Yeah,

400
00:24:18,520 --> 00:24:21,800
Speaker 1: our biker gang doesn't have by laws. We just have laws.

401
00:24:22,200 --> 00:24:25,200
Speaker 1: And what else do you need to join this gang? Well,

402
00:24:25,320 --> 00:24:28,639
Speaker 1: cratch Rocket or apparently a Schwin. I didn't know that

403
00:24:28,720 --> 00:24:31,520
Speaker 1: Schwins were to win. I've never had a problem with

404
00:24:31,520 --> 00:24:33,560
Speaker 1: her keeping up, so it doesn't matter to me. What's

405
00:24:33,640 --> 00:24:37,920
Speaker 1: the problem with you and my Schwin problem. I'm just

406
00:24:38,280 --> 00:24:41,000
Speaker 1: I'm just surprised you're able to keep up. We're going

407
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Speaker 1: huder than twenty miles down some of these straightaways, and

408
00:24:45,080 --> 00:24:47,119
Speaker 1: so am I. So what do you? What do you?

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Speaker 1: What do you think? That's what I said. I said,

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Speaker 1: as long as she's keeping up, I don't care. It's

411
00:24:53,200 --> 00:24:55,359
Speaker 1: just you keep on bringing it up. Man, I'm hungry

412
00:24:55,359 --> 00:24:58,600
Speaker 1: like the wolf for some chicken wings. They don't have

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00:24:58,680 --> 00:25:00,879
Speaker 1: chicken wings in there, do they? And I ran, I

414
00:25:00,960 --> 00:25:06,280
Speaker 1: ran so far away. That's that's a ship. You guys

415
00:25:06,280 --> 00:25:09,600
Speaker 1: got room for another. Well, we did just lose one member.

416
00:25:09,600 --> 00:25:12,280
Speaker 1: I don't remember his name, but he just ran off

417
00:25:12,280 --> 00:25:14,639
Speaker 1: in the distance. Yeah, he ran far away and he

418
00:25:14,720 --> 00:25:16,800
Speaker 1: left this here. Is that his right right there? It is?

419
00:25:18,000 --> 00:25:24,600
Speaker 1: It ISNA give it a shot shot, all right? You look,

420
00:25:25,200 --> 00:25:27,400
Speaker 1: do do do do do do do do do do

421
00:25:27,400 --> 00:25:31,560
Speaker 1: do do do do do. Yeah, that's the sound. Listen

422
00:25:31,560 --> 00:25:39,119
Speaker 1: to that, baby, Pretty nice, pretty nice. Now you're just

423
00:25:39,200 --> 00:25:42,080
Speaker 1: making that sound for your swin. That swin doesn't make

424
00:25:42,119 --> 00:25:46,640
Speaker 1: that sound. What's the problem? What's your problem with me?

425
00:25:46,840 --> 00:25:50,840
Speaker 1: This is clearly not a personal You don't give me

426
00:25:50,880 --> 00:25:54,399
Speaker 1: eye contact when you're talking to me. You never stand

427
00:25:54,440 --> 00:25:59,520
Speaker 1: next to me. What is your problem? WHOA you really

428
00:25:59,560 --> 00:26:01,920
Speaker 1: want to get in this now? Yeah? Don I do?

429
00:26:02,880 --> 00:26:06,320
Speaker 1: I really really do. I don't know. I just when

430
00:26:06,359 --> 00:26:08,880
Speaker 1: I stand too close to you, I get a tingly feeling,

431
00:26:10,640 --> 00:26:12,959
Speaker 1: and I don't like it. I don't get a tingly

432
00:26:13,000 --> 00:26:15,919
Speaker 1: feeling around any of the other gang members, So I

433
00:26:15,920 --> 00:26:21,200
Speaker 1: don't like getting tingly feelings. And I just don't understand.

434
00:26:21,320 --> 00:26:24,240
Speaker 1: Like we like our bikes as silent as possible. We're

435
00:26:24,240 --> 00:26:26,680
Speaker 1: not trying to get choppers that are allowed. So when

436
00:26:26,720 --> 00:26:31,480
Speaker 1: you make the sound of dingling and ding and ding ding. Uh, well,

437
00:26:31,480 --> 00:26:34,160
Speaker 1: it doesn't make your bike better, it makes your bike worser.

438
00:26:34,400 --> 00:26:36,639
Speaker 1: So what the answer? You don't like it when I

439
00:26:36,720 --> 00:26:41,120
Speaker 1: make my sound, or you're hot for me and your pants? Whoa?

440
00:26:42,160 --> 00:26:43,960
Speaker 1: I can tell when you're hot for me. You're telling

441
00:26:44,000 --> 00:26:46,920
Speaker 1: me there's a tingling nude and then that's what that means.

442
00:26:47,000 --> 00:26:51,040
Speaker 1: So don't even Okay, don we made that pat when

443
00:26:51,080 --> 00:26:54,480
Speaker 1: we made this this bike team right here, did we not?

444
00:26:54,600 --> 00:27:00,280
Speaker 1: We said, no fucking, no fucking. That's one of the

445
00:27:00,320 --> 00:27:04,520
Speaker 1: bike laws. It's just the clause. It's just a law.

446
00:27:05,000 --> 00:27:10,000
Speaker 1: Wait what no fucking, no ducking, no chucking h m hm.

447
00:27:10,760 --> 00:27:14,680
Speaker 1: And you better pull over if someone's trucking, because we've

448
00:27:14,680 --> 00:27:17,080
Speaker 1: seen dames A member get sideswiped and it will you

449
00:27:17,119 --> 00:27:19,520
Speaker 1: guys pull over for trucks. So we pull over for

450
00:27:19,560 --> 00:27:24,240
Speaker 1: trucks and emergency vehicles. It's the right thing to do. Well,

451
00:27:24,280 --> 00:27:27,560
Speaker 1: he's still out there talking to those street bikers. Yeah,

452
00:27:27,600 --> 00:27:30,480
Speaker 1: the hail's all that. Man. Wait, so he's gonna pick

453
00:27:30,560 --> 00:27:34,119
Speaker 1: up a new bicycle and then leave his Harley. You

454
00:27:34,160 --> 00:27:39,800
Speaker 1: can't drive him both? Who needs him anyway? Anyway? Eight

455
00:27:39,840 --> 00:27:45,400
Speaker 1: ball quarter bucket, Yeah, pulls out some fun when it's

456
00:27:45,440 --> 00:27:47,399
Speaker 1: just you and I. It's always good with three people.

457
00:27:47,440 --> 00:27:53,399
Speaker 1: But oh, I'm still here. If you wanted me to

458
00:27:53,480 --> 00:27:57,840
Speaker 1: play a come, maybe we should patch her in, you

459
00:27:57,840 --> 00:27:59,680
Speaker 1: know what I mean? We don't got anybody. Hels man

460
00:28:00,480 --> 00:28:03,280
Speaker 1: is cool? Yeah, can we can I talk to you

461
00:28:03,320 --> 00:28:06,800
Speaker 1: for a fucking second instead of huh? Look, I'm on

462
00:28:06,840 --> 00:28:09,479
Speaker 1: this old Raman jack right now. It's it's kind of yeah, man,

463
00:28:09,520 --> 00:28:11,479
Speaker 1: you're doing a great, look, but I don't know if

464
00:28:11,480 --> 00:28:15,560
Speaker 1: we have enough men members to keep the club. Huh.

465
00:28:15,880 --> 00:28:18,000
Speaker 1: So you're saying that we will will this club will

466
00:28:18,000 --> 00:28:22,040
Speaker 1: have to leave this pub. Goddamn. I didn't even man,

467
00:28:22,160 --> 00:28:24,400
Speaker 1: I didn't mean to. What do you mean you took

468
00:28:24,440 --> 00:28:27,280
Speaker 1: your time? Man, you're formulating the RD? No, No, I

469
00:28:27,359 --> 00:28:30,760
Speaker 1: was processing the message. We're in a pub right now,

470
00:28:30,880 --> 00:28:34,239
Speaker 1: and we're also in a club. I understand. What Look, Hey,

471
00:28:34,280 --> 00:28:38,160
Speaker 1: do you want to patch you? Yeah? Patch man? Well,

472
00:28:38,240 --> 00:28:45,760
Speaker 1: what's your name, Lucy Debro. I've been a part of

473
00:28:45,760 --> 00:28:49,000
Speaker 1: the club for over a year now. Yeah, yeah, as

474
00:28:49,040 --> 00:28:52,040
Speaker 1: an associate, but now you are a full fledged member. Alright?

475
00:28:52,120 --> 00:28:56,760
Speaker 1: So what that that ring did it onto my finger?

476
00:28:56,840 --> 00:29:00,200
Speaker 1: And that's proof I've been a part of that club. Yeah,

477
00:29:00,240 --> 00:29:02,120
Speaker 1: I got a fucked up finger now and when I

478
00:29:02,160 --> 00:29:05,640
Speaker 1: hold my handlebars, that one sticks out. Yeah. Well the

479
00:29:05,680 --> 00:29:08,840
Speaker 1: because the like three fourths of that finger is dead alright,

480
00:29:08,840 --> 00:29:11,160
Speaker 1: because that ring is cut off circulation if I remove

481
00:29:11,240 --> 00:29:15,120
Speaker 1: that for the club. So I appreciate it. If you

482
00:29:15,120 --> 00:29:21,400
Speaker 1: remember my name, ingrid Inger, man, that's that's you. And

483
00:29:21,400 --> 00:29:23,760
Speaker 1: all right, let me just to find a patch around here.

484
00:29:24,440 --> 00:29:29,200
Speaker 1: Fuck uh, let me just draw something quick. We'll get

485
00:29:29,200 --> 00:29:33,120
Speaker 1: your legit patch in a second. Well, well they're coming back,

486
00:29:33,160 --> 00:29:37,400
Speaker 1: and they're coming back in hold hold on, Okay, now

487
00:29:37,520 --> 00:29:42,440
Speaker 1: you doing well? We checked and this establishment you can't

488
00:29:42,480 --> 00:29:46,760
Speaker 1: just deny a service. Yeah, yeah, we checked, We checked. Yeah,

489
00:29:46,840 --> 00:29:50,400
Speaker 1: this is this isn't a public built as a private built.

490
00:29:50,920 --> 00:29:54,560
Speaker 1: A pub is short for a public build exactly. That's

491
00:29:54,560 --> 00:29:59,520
Speaker 1: what we figured out that where the word comes from,

492
00:29:59,640 --> 00:30:05,479
Speaker 1: that were the word jumps from that public house public

493
00:30:06,080 --> 00:30:08,480
Speaker 1: and then it always has beer, not always has beer,

494
00:30:08,600 --> 00:30:14,520
Speaker 1: it always has beer. Come off matter. So now I'm like,

495
00:30:15,240 --> 00:30:17,400
Speaker 1: you're about to lose your patch. You're about to lose

496
00:30:17,400 --> 00:30:20,200
Speaker 1: your patching all right. Now, Look you gotta get no

497
00:30:21,320 --> 00:30:24,959
Speaker 1: public house or don't it don't matter, don't as somebody

498
00:30:24,960 --> 00:30:28,040
Speaker 1: who's been a part of both gangs. I've got something

499
00:30:28,080 --> 00:30:31,400
Speaker 1: to say. What's their laws? That ain't one I'm about

500
00:30:31,440 --> 00:30:34,160
Speaker 1: to say. I always want to know what the We're

501
00:30:34,200 --> 00:30:36,760
Speaker 1: proud of our laws, so you don't have to hide them,

502
00:30:36,800 --> 00:30:38,880
Speaker 1: our laws or something to be proud of. Maybe we

503
00:30:38,880 --> 00:30:41,880
Speaker 1: should just let by laws be by gones son of them.

504
00:30:42,360 --> 00:30:45,600
Speaker 1: And that sucks. Second, see, I mean I'm going to

505
00:30:45,680 --> 00:30:54,360
Speaker 1: stop that. Seeing three. The next suggestion comes to us

506
00:30:54,400 --> 00:31:01,120
Speaker 1: from listener Chris Lutton Luton probably Lutton. Chris is, hey, gang,

507
00:31:01,120 --> 00:31:03,600
Speaker 1: how's it going, Joey? Keep your hands out of there?

508
00:31:04,120 --> 00:31:06,480
Speaker 1: Hope all as well? And I'm sending you a damna Joey,

509
00:31:06,520 --> 00:31:09,680
Speaker 1: go to your room, sending you a scene. You know

510
00:31:09,800 --> 00:31:16,240
Speaker 1: how they massage the cows for waigo wago. I'm not

511
00:31:16,280 --> 00:31:19,400
Speaker 1: a good pronunciator, but wagon, Yeah, let's do that wagon

512
00:31:19,520 --> 00:31:25,560
Speaker 1: masseuses sorry about Joey. Chris, first time on the on

513
00:31:25,600 --> 00:31:31,320
Speaker 1: the line. Yeah, yeah, you don't got you don't gotta talk,

514
00:31:31,360 --> 00:31:33,000
Speaker 1: you don't gota talk. I know it's kind of intimate,

515
00:31:33,320 --> 00:31:37,959
Speaker 1: so you know when you're massage where it is when

516
00:31:38,000 --> 00:31:40,160
Speaker 1: you're massage, you want to get right into that show.

517
00:31:43,200 --> 00:31:46,600
Speaker 1: You know, when I went to school. I was mostly, Hey,

518
00:31:46,680 --> 00:31:49,920
Speaker 1: you don't gotta talk, all right, you're new to the line.

519
00:31:50,000 --> 00:31:56,800
Speaker 1: Yeah yeah, but I've had some shut the funk up. Okay, okay, yeah,

520
00:31:56,960 --> 00:32:00,320
Speaker 1: I'm a I'm a beef masseus. You got about you.

521
00:32:01,160 --> 00:32:03,720
Speaker 1: I don't care about your pedigree. This is where it

522
00:32:03,720 --> 00:32:08,320
Speaker 1: matters now, Okay, I got fifteen years touching beef with

523
00:32:08,360 --> 00:32:11,120
Speaker 1: my hands before it's dead. I think I did my

524
00:32:11,280 --> 00:32:14,960
Speaker 1: internship in Beverly Hills and I had the entire cast

525
00:32:15,080 --> 00:32:20,600
Speaker 1: of Better Housewives of New York Weekly. You had the

526
00:32:20,640 --> 00:32:24,800
Speaker 1: Better Housewives, and it was honestly, they thought I was great.

527
00:32:25,000 --> 00:32:28,520
Speaker 1: I could have had any job. I looked at the pay,

528
00:32:28,600 --> 00:32:30,960
Speaker 1: and that's what brought me here, and I'm regretting it.

529
00:32:31,320 --> 00:32:34,200
Speaker 1: So what, you took this job with less pay, not

530
00:32:34,280 --> 00:32:37,880
Speaker 1: knowing that it's more money. You'd be surprised, do you are? You?

531
00:32:38,560 --> 00:32:40,320
Speaker 1: Do you not realize how lucky you are to get

532
00:32:40,360 --> 00:32:42,840
Speaker 1: paid this much as a missus? Yeah? No, I'm sorry,

533
00:32:42,840 --> 00:32:45,880
Speaker 1: I'm just confused. It doesn't matter. Look, man, I know

534
00:32:45,960 --> 00:32:48,520
Speaker 1: exactly what I'm doing, oh right there, all right, and

535
00:32:48,520 --> 00:32:51,080
Speaker 1: I know exactly how to do it. So if you

536
00:32:51,080 --> 00:32:55,440
Speaker 1: want to survive this, you better understand the student laws

537
00:32:55,640 --> 00:32:58,800
Speaker 1: and rules that are on spoke. You're gonna have to

538
00:32:58,880 --> 00:33:03,400
Speaker 1: learn the hard way, Kathy thinks you coming into my office. Kathy. Um,

539
00:33:03,440 --> 00:33:07,000
Speaker 1: so we're looking at some of the polls here. Some

540
00:33:07,120 --> 00:33:10,040
Speaker 1: of the data shows that most of the cows are

541
00:33:10,040 --> 00:33:16,400
Speaker 1: pretty freaking happy. Most of the cows are pretty freaking happy. Yeah. Yeah,

542
00:33:16,440 --> 00:33:18,320
Speaker 1: you know, I've got some complaints here and there, but

543
00:33:18,360 --> 00:33:22,960
Speaker 1: that's gonna happen. Yeah, but most of these cows are

544
00:33:22,960 --> 00:33:26,800
Speaker 1: pretty freaking happy. Yeah. I think that has a lot

545
00:33:26,840 --> 00:33:29,440
Speaker 1: to do with you, Kathy. Thank you, sir, Thank you

546
00:33:29,440 --> 00:33:33,160
Speaker 1: your leadership. Thank you. I'm looking you know, I just

547
00:33:33,800 --> 00:33:37,120
Speaker 1: inherited the farm, and I didn't really know if I

548
00:33:37,160 --> 00:33:39,960
Speaker 1: was going to be able to keep it up to snuff,

549
00:33:40,080 --> 00:33:42,520
Speaker 1: but I knew it. I knew it, and your father

550
00:33:42,600 --> 00:33:46,520
Speaker 1: knew it. When he was dying, he said, trust that one,

551
00:33:48,360 --> 00:33:50,920
Speaker 1: and we do. I mean, I'm looking at these numbers,

552
00:33:50,960 --> 00:33:54,600
Speaker 1: are Kathy, and you know, most of these cows are

553
00:33:54,600 --> 00:33:58,920
Speaker 1: pretty freaking happy. Yeah, they're pretty pretty happy for sure. Happy. No,

554
00:33:59,240 --> 00:34:02,680
Speaker 1: not all the counts, not all. Okay, I'm saying we

555
00:34:02,720 --> 00:34:05,600
Speaker 1: can go for perfect, but we can try right well, Um,

556
00:34:05,640 --> 00:34:07,960
Speaker 1: if you want to tell me which cows complained, I

557
00:34:07,960 --> 00:34:11,960
Speaker 1: would love to address them happy too. I'd be happy

558
00:34:12,040 --> 00:34:15,920
Speaker 1: to So we're looking at Cows four, which is in

559
00:34:16,080 --> 00:34:22,920
Speaker 1: Rogers space, and then we're looking at Cow seven sixty two,

560
00:34:23,760 --> 00:34:26,520
Speaker 1: and that's over there with Paul. Okay, so two different

561
00:34:26,520 --> 00:34:30,800
Speaker 1: mes sears, two different cows, but most of the cows

562
00:34:31,000 --> 00:34:35,719
Speaker 1: say it with mere happy. On the next episode of

563
00:34:35,719 --> 00:34:39,440
Speaker 1: The Best house Was New York City, I don't care. Okay.

564
00:34:39,640 --> 00:34:42,080
Speaker 1: The only time that we're gonna set a party time

565
00:34:42,200 --> 00:34:44,239
Speaker 1: is when I said it. Do you get that if

566
00:34:44,280 --> 00:34:46,560
Speaker 1: this is something this is my birthday. Next time on

567
00:34:46,680 --> 00:34:49,360
Speaker 1: The Better Housewives of New York City, I'm going to

568
00:34:49,440 --> 00:34:51,919
Speaker 1: a Beverly Hills wag Goose steak place. Okay, I don't

569
00:34:51,960 --> 00:34:54,040
Speaker 1: care what you say. We're going there all the time.

570
00:34:54,040 --> 00:34:56,400
Speaker 1: We're gonna fly from New York and go to Beverly Hills.

571
00:34:56,960 --> 00:35:01,200
Speaker 1: Next time on the Bestest Housewives of New York City. Uh,

572
00:35:01,400 --> 00:35:05,000
Speaker 1: don't worry, darling. I've I've made the table, and I've

573
00:35:05,000 --> 00:35:07,640
Speaker 1: done all of my chores. I'm a good housewife. I'm

574
00:35:07,680 --> 00:35:12,440
Speaker 1: a good housewife. Next time on the on the on

575
00:35:12,560 --> 00:35:17,399
Speaker 1: the bench bench the Bestest house Next time, I can't

576
00:35:17,400 --> 00:35:19,120
Speaker 1: read this I don't. I don't know how. I can't

577
00:35:19,160 --> 00:35:24,239
Speaker 1: read this. I don't know how far your next. That's HI,

578
00:35:24,480 --> 00:35:27,360
Speaker 1: just so you know, UM, just so you know. UM.

579
00:35:27,520 --> 00:35:30,799
Speaker 1: If I don't get this, I'll come back here. What

580
00:35:30,880 --> 00:35:34,439
Speaker 1: do you mean I'll come back? Where do I read?

581
00:35:35,040 --> 00:35:40,160
Speaker 1: Just written in the mic? There any questions on the copy? Yeah,

582
00:35:40,200 --> 00:35:43,480
Speaker 1: it's not written well. The this is not written well.

583
00:35:43,560 --> 00:35:48,319
Speaker 1: So they're a way for you to get someone is like,

584
00:35:48,960 --> 00:35:52,360
Speaker 1: if there's a problem, they'll fix it in the room.

585
00:35:52,400 --> 00:35:54,160
Speaker 1: I'm in the room. You can fix it. I mean

586
00:35:54,320 --> 00:35:57,120
Speaker 1: the room if they hire you. This is an audition room.

587
00:35:57,320 --> 00:36:00,440
Speaker 1: Is this your first time auditioning for a voiceover? I've

588
00:36:00,480 --> 00:36:03,880
Speaker 1: had the audition before. Uh huh. You seem a little nervous.

589
00:36:04,040 --> 00:36:06,680
Speaker 1: I'm fine. Maybe it was a coffee, I head, give

590
00:36:06,680 --> 00:36:09,200
Speaker 1: me a little ship. Okay, just take it from and

591
00:36:09,920 --> 00:36:14,000
Speaker 1: go from the top. And it's like, hey, do you

592
00:36:14,000 --> 00:36:19,000
Speaker 1: want to know? I don't know. I just feel like

593
00:36:19,400 --> 00:36:24,160
Speaker 1: I'm really connecting with this cow. And it's just that

594
00:36:24,640 --> 00:36:29,000
Speaker 1: the cows made a complaint. So are you sure listen

595
00:36:29,040 --> 00:36:33,239
Speaker 1: to it when I'm robbing you? Yeah? Oh dude, it

596
00:36:33,360 --> 00:36:37,080
Speaker 1: came from hrum. It shouldn't be saying al at all?

597
00:36:37,680 --> 00:36:42,680
Speaker 1: What it shouldn't be saying al or dude at all? Oh,

598
00:36:42,920 --> 00:36:48,680
Speaker 1: definitely not come on this. This doesn't usually happen. I understand, um,

599
00:36:48,719 --> 00:36:53,319
Speaker 1: but unfortunately stop Okay, I stopped. You know what, I

600
00:36:53,360 --> 00:36:57,280
Speaker 1: think this cow doesn't want to die, so it's trying

601
00:36:57,280 --> 00:37:00,279
Speaker 1: to sound like it's having a bad massage so it

602
00:37:00,360 --> 00:37:02,839
Speaker 1: doesn't get served to stick. You know where I said,

603
00:37:03,160 --> 00:37:05,799
Speaker 1: we don't say that word here. We don't say that

604
00:37:05,880 --> 00:37:10,959
Speaker 1: s word here. You're fired, Go se hr because you're

605
00:37:11,120 --> 00:37:14,920
Speaker 1: fired and they're going to give you exit papers. Oh,

606
00:37:15,400 --> 00:37:17,480
Speaker 1: I'm looking at your past employment here. You were a

607
00:37:17,520 --> 00:37:20,799
Speaker 1: mass Houston, Beverly Hills. So you were a private mass user.

608
00:37:20,880 --> 00:37:23,319
Speaker 1: You worked at a location. Well, I was part of

609
00:37:23,320 --> 00:37:27,440
Speaker 1: a team that would work out of like a but

610
00:37:27,600 --> 00:37:31,400
Speaker 1: we had a room at an office. Why are you

611
00:37:31,440 --> 00:37:41,040
Speaker 1: in my office? I get my opinion? Wait, where's he going?

612
00:37:42,719 --> 00:37:45,040
Speaker 1: Not even I don't work here anymore. I'm getting fired.

613
00:37:45,200 --> 00:37:47,960
Speaker 1: You just let that troll disappear. Hey, I've got to

614
00:37:48,000 --> 00:37:51,400
Speaker 1: sign exit papers. So what do you want? What do

615
00:37:51,480 --> 00:37:53,840
Speaker 1: the troll tell you? Well, he just really wanted to

616
00:37:53,880 --> 00:37:57,439
Speaker 1: know about my past. Okay, that's that's right, that's right.

617
00:37:57,760 --> 00:38:00,160
Speaker 1: Did he tell you why you were having you leave. Well,

618
00:38:00,200 --> 00:38:02,200
Speaker 1: I'm pretty sure it's because the cow that I was

619
00:38:02,280 --> 00:38:09,080
Speaker 1: missusing was throwing me under the bus. Basically, Well, you

620
00:38:09,080 --> 00:38:11,640
Speaker 1: don't understand in the background, when you're sitting behind your

621
00:38:11,680 --> 00:38:15,480
Speaker 1: comfy chair and table over here, that these cows are

622
00:38:15,480 --> 00:38:18,200
Speaker 1: trying to get me fired because the better I'm Missas

623
00:38:18,320 --> 00:38:21,360
Speaker 1: you know, when was on his deathbed, he looked at

624
00:38:21,400 --> 00:38:24,560
Speaker 1: me and said, do two things for me. Yeah, make

625
00:38:24,600 --> 00:38:28,239
Speaker 1: sure Cathy gets the shot she deserves. Uh huh, and

626
00:38:28,400 --> 00:38:31,280
Speaker 1: catch that damn trol. That troll looked like a human

627
00:38:31,360 --> 00:38:34,600
Speaker 1: being until you came in. What does that even mean?

628
00:38:34,719 --> 00:38:43,759
Speaker 1: Do you know there was? Peter? Hey, um, listen, we've

629
00:38:43,760 --> 00:38:48,719
Speaker 1: received complaints from your cow, so I'm gonna need you

630
00:38:48,760 --> 00:38:51,600
Speaker 1: to take your hands off of it. What's going to

631
00:38:52,880 --> 00:38:56,440
Speaker 1: just engage in a dialogue with me? Okay, because I've

632
00:38:56,440 --> 00:39:01,160
Speaker 1: done this before. You can't fire me, Well, unfortunately I can,

633
00:39:01,360 --> 00:39:04,040
Speaker 1: but I'm not saying no. You can't know you can't.

634
00:39:04,400 --> 00:39:07,480
Speaker 1: You can't fire me, Okay, you can't, Okay, but I'm not.

635
00:39:07,960 --> 00:39:10,520
Speaker 1: I'll come back. I'll come back here. You back here

636
00:39:10,520 --> 00:39:13,960
Speaker 1: and do what. Look, I can do it. Whatever else

637
00:39:13,960 --> 00:39:17,080
Speaker 1: you need you want to know I don't shoot this

638
00:39:17,120 --> 00:39:23,239
Speaker 1: kind on the head. Can it can't count? Can't count? Look,

639
00:39:23,239 --> 00:39:25,640
Speaker 1: look I get I can't come on, you know me. Okay,

640
00:39:25,680 --> 00:39:28,120
Speaker 1: I'm a good guy, Peter. I'm not saying that you're back. Guy.

641
00:39:28,160 --> 00:39:30,200
Speaker 1: I'm just trying to have a conversation with you, and

642
00:39:30,239 --> 00:39:33,200
Speaker 1: I'm not even saying that you're fired necessarily. However, right

643
00:39:33,239 --> 00:39:37,000
Speaker 1: now you're hospital attitude. I didn't say that you're fired, Peter.

644
00:39:37,120 --> 00:39:39,200
Speaker 1: But if you continue to fight with me, I just

645
00:39:39,239 --> 00:39:42,040
Speaker 1: want to talk to you. Kick my dialogue. I'm not

646
00:39:42,320 --> 00:39:45,560
Speaker 1: kick your a. If you fight me, I'll shoe you, okay,

647
00:39:45,719 --> 00:39:47,399
Speaker 1: and then I'll come back here. What are you gonna

648
00:39:47,440 --> 00:39:51,759
Speaker 1: do when you come back here? I can't lose. Then

649
00:39:51,880 --> 00:39:55,560
Speaker 1: have a dialogue with me. Then open a dialogue with

650
00:39:55,600 --> 00:39:58,400
Speaker 1: me right now. I use my own milk. I use

651
00:39:58,480 --> 00:40:05,520
Speaker 1: my own milk for the cows to besides himself. Oh god,

652
00:40:05,840 --> 00:40:09,040
Speaker 1: you think you can just fire me trying to fire you,

653
00:40:09,120 --> 00:40:14,120
Speaker 1: I'm trying to have come right back. What are you

654
00:40:14,200 --> 00:40:19,239
Speaker 1: gonna do when you come back? I mean? Or is

655
00:40:19,280 --> 00:40:24,120
Speaker 1: this not a threat? Yeah? I didn't work out at

656
00:40:24,120 --> 00:40:26,759
Speaker 1: the Wagoo place, so I'm wondering if there's still a

657
00:40:26,800 --> 00:40:29,480
Speaker 1: position for me and the team to work here in

658
00:40:29,520 --> 00:40:32,400
Speaker 1: the hills. Well, we've been mining for a while and

659
00:40:32,440 --> 00:40:34,800
Speaker 1: we could use an extra hill. Oh I didn't. I

660
00:40:34,800 --> 00:40:37,239
Speaker 1: don't want to do the mining. Is there still a

661
00:40:37,280 --> 00:40:41,400
Speaker 1: position in the massusing? Oh? Yes, at the Beverly Hilton,

662
00:40:41,440 --> 00:40:46,080
Speaker 1: of course. Yes. No one wants to mind anymore. Everyone

663
00:40:46,239 --> 00:40:53,160
Speaker 1: just wants to work at the Beverly Hilton. I found Oh, no, fools,

664
00:40:53,320 --> 00:40:58,800
Speaker 1: fools gold. Oh damn it. Oh my lower back is sore,

665
00:41:00,200 --> 00:41:03,640
Speaker 1: shoulders are so thick. Well, wait a second, guys, do

666
00:41:03,680 --> 00:41:07,840
Speaker 1: you often times actually find real gold? Well, there's always

667
00:41:07,880 --> 00:41:12,319
Speaker 1: the possibility. I have some skills that could help you.

668
00:41:12,400 --> 00:41:15,480
Speaker 1: But if you're just finding full skilled do you know

669
00:41:15,520 --> 00:41:19,160
Speaker 1: how to trap patrol? I? I don't know, but I've

670
00:41:19,280 --> 00:41:22,360
Speaker 1: encountered an troll before, and I feel like a little

671
00:41:22,400 --> 00:41:24,520
Speaker 1: more experience with them and I might be able to.

672
00:41:25,000 --> 00:41:28,000
Speaker 1: Because every time we do find gold, a troll scurries

673
00:41:28,080 --> 00:41:30,520
Speaker 1: around and snatches out of our hands as soon as

674
00:41:30,560 --> 00:41:32,880
Speaker 1: we find. So that's not one of my hard skills.

675
00:41:32,920 --> 00:41:35,920
Speaker 1: My heart skills is massusing, and I would really like

676
00:41:36,640 --> 00:41:39,520
Speaker 1: to Just if you guys are making a monetary gain

677
00:41:39,600 --> 00:41:43,919
Speaker 1: and you're financially successful, I could be your masseuse, Well

678
00:41:43,960 --> 00:41:46,600
Speaker 1: you'd be a messur techniquely not to get I knew

679
00:41:46,680 --> 00:41:52,279
Speaker 1: gender a construct. Okay, here we are to philet mignons.

680
00:41:52,400 --> 00:41:55,920
Speaker 1: Uh that one right? There was massage for over seventy

681
00:41:55,920 --> 00:42:02,040
Speaker 1: two hours. It's four four fifty four. Why don't we

682
00:42:02,640 --> 00:42:05,680
Speaker 1: want what do you want to split? Let's go happen

683
00:42:07,320 --> 00:42:09,600
Speaker 1: takes a different difference. Excuse me? Do you know what

684
00:42:09,640 --> 00:42:11,840
Speaker 1: kind of milk was used the massages? Yes? I do.

685
00:42:11,920 --> 00:42:16,399
Speaker 1: Is not affect here, not off by heart. But that's

686
00:42:16,400 --> 00:42:20,840
Speaker 1: all right. How could you keep track of right? But

687
00:42:21,000 --> 00:42:23,799
Speaker 1: we would like well, we would like to yeah, is it?

688
00:42:23,880 --> 00:42:26,240
Speaker 1: Is it water from yogurt or not? In the seventy

689
00:42:26,239 --> 00:42:30,799
Speaker 1: two hour massage that is yes, that's that's uh, well

690
00:42:30,800 --> 00:42:34,080
Speaker 1: it's yogurt sweat. That's like yogurt sweat. Yes, the water

691
00:42:34,120 --> 00:42:35,480
Speaker 1: at the top of the the yogurt. And then in the

692
00:42:35,480 --> 00:42:40,160
Speaker 1: fifty four hour massage that's um. Oh interesting it says

693
00:42:40,400 --> 00:42:46,480
Speaker 1: masseuse used own milk stone milk, okay Owen milk, owen

694
00:42:46,920 --> 00:42:50,840
Speaker 1: o milk. I'm hoping yes, yes, he's used Owen milk, yeah,

695
00:42:51,200 --> 00:42:53,840
Speaker 1: from the Owen farmers. Wait wait, wait was the was

696
00:42:53,920 --> 00:43:00,319
Speaker 1: the messur named Owen. Yes, okay, everyday. But the wait,

697
00:43:00,320 --> 00:43:02,760
Speaker 1: wait wait, I think you feel like you know we're

698
00:43:02,760 --> 00:43:04,960
Speaker 1: out of here. No, I think we need to live.

699
00:43:05,040 --> 00:43:06,600
Speaker 1: What do you mean? I think, what do you mean?

700
00:43:06,640 --> 00:43:08,520
Speaker 1: What do you mean? Okay, I gotta take my gold

701
00:43:08,640 --> 00:43:11,520
Speaker 1: credit card and i gotta go somewhere else, and I'm

702
00:43:11,560 --> 00:43:14,360
Speaker 1: taking my brother with me because we're designing new shoes.

703
00:43:14,560 --> 00:43:17,040
Speaker 1: You understand why all these shoes that you and your

704
00:43:17,200 --> 00:43:19,759
Speaker 1: entire family are gonna be wearing next year, But you

705
00:43:19,800 --> 00:43:24,600
Speaker 1: don't know what you understand. This is my first voiceover audition.

706
00:43:24,680 --> 00:43:30,440
Speaker 1: Should I slate first star? Did I just read the copy?

707
00:43:30,560 --> 00:43:33,320
Speaker 1: Slate first and then go right in the copy? Okay,

708
00:43:33,320 --> 00:43:39,399
Speaker 1: Hello V. My name is Cindi La Clue and this

709
00:43:39,480 --> 00:43:42,600
Speaker 1: is my audition. Thank you? Okay, great, you don't need

710
00:43:42,640 --> 00:43:46,960
Speaker 1: to say this is my audition. I'll say it again.

711
00:43:48,160 --> 00:43:52,840
Speaker 1: This is Cintila Clue. And do you ever want to

712
00:43:52,880 --> 00:43:56,200
Speaker 1: be top notch, the best of ever shoe in your life,

713
00:43:56,600 --> 00:43:58,920
Speaker 1: then you have to go to best Shoes, best Shoes

714
00:43:58,960 --> 00:44:01,319
Speaker 1: of New York. This is the best issues in the

715
00:44:01,320 --> 00:44:04,960
Speaker 1: whole entire city, and you cannot have it anything. Topist

716
00:44:05,280 --> 00:44:10,520
Speaker 1: is a top top top top topics topics. I'm so sorry, Cindy,

717
00:44:10,560 --> 00:44:16,080
Speaker 1: I'm so sorry. Can I listen? Oh jesus, it's Tim Carruthers.

718
00:44:18,320 --> 00:44:21,600
Speaker 1: Oh god, we're a security you know. I can actually

719
00:44:21,719 --> 00:44:25,759
Speaker 1: handle like a big person. I used to be a wagonma, sus,

720
00:44:26,239 --> 00:44:29,719
Speaker 1: I can handle it. Yes, I can handle lots of poundage,

721
00:44:29,800 --> 00:44:34,719
Speaker 1: many tons, Okay, gently but also firm. All right, I'm

722
00:44:34,760 --> 00:44:36,759
Speaker 1: gonna let him in. Okay, let him in, and I'll

723
00:44:36,800 --> 00:44:41,880
Speaker 1: take you like a steed. Okay. And what the hell

724
00:44:42,000 --> 00:44:48,120
Speaker 1: is this? How you're just having someone? She went right down,

725
00:44:49,160 --> 00:44:58,000
Speaker 1: went right down. Don't let me drownd that drow and

726
00:44:58,200 --> 00:45:07,399
Speaker 1: that's show. Patrol ran right in and booked. Okay. I'd

727
00:45:07,480 --> 00:45:10,799
Speaker 1: like to thank every single one of you listening, and

728
00:45:10,840 --> 00:45:14,560
Speaker 1: also every single one of you participating today. Let's start

729
00:45:14,560 --> 00:45:17,120
Speaker 1: with you, Craig Atkowski. Thank you for being here, Thank

730
00:45:17,160 --> 00:45:20,560
Speaker 1: you for being our friend, so much fun. Yes, massours

731
00:45:20,560 --> 00:45:24,160
Speaker 1: are male, massus Is are female. Cows are female. Bulls

732
00:45:24,200 --> 00:45:29,000
Speaker 1: are male. In your face, James, but thank you anyway, James.

733
00:45:29,320 --> 00:45:36,480
Speaker 1: My character didn't know that. But James Teeney all oh yeah, uh, jeezus.

734
00:45:36,560 --> 00:45:39,480
Speaker 1: Once again, I'm reading the words, Patrick Babb But your

735
00:45:39,560 --> 00:45:42,480
Speaker 1: name is Jackie to Ruthie. I know you very well.

736
00:45:42,960 --> 00:45:45,160
Speaker 1: Thank you for playing with us today. Thank you for

737
00:45:45,239 --> 00:45:50,560
Speaker 1: having me. I've had an absolute top notch time, no complaints.

738
00:45:50,719 --> 00:45:54,400
Speaker 1: My sixteen year old self would be very happy with

739
00:45:54,440 --> 00:45:57,200
Speaker 1: how I've spent my day. Thank you and Joey Greer,

740
00:45:57,280 --> 00:46:01,120
Speaker 1: thank you for bringing the madness as always. Thank you

741
00:46:01,160 --> 00:46:03,399
Speaker 1: for having me. And let's all get motorcycles. Let's start

742
00:46:03,440 --> 00:46:08,040
Speaker 1: a game. Yes, no, wait, okay, I wouldn't do that.

743
00:46:08,080 --> 00:46:10,680
Speaker 1: It's too scary. Do you think Doug Baby ride a motorcycle?

744
00:46:11,480 --> 00:46:14,440
Speaker 1: It seems probably right behind me, like right right behind me,

745
00:46:14,800 --> 00:46:17,439
Speaker 1: hold my chest. That would be nice. Well, let's thank

746
00:46:17,880 --> 00:46:20,600
Speaker 1: Doug Baby is our producer to the stars. Thank you,

747
00:46:20,640 --> 00:46:24,400
Speaker 1: Doug Baby, and let's thank the fine folks at I

748
00:46:24,480 --> 00:46:30,640
Speaker 1: Heart Media. I am your guest host, Chris Albarado, happy

749
00:46:30,680 --> 00:46:32,400
Speaker 1: to be here, happy to talk to you, Thank you

750
00:46:32,440 --> 00:46:34,920
Speaker 1: for listening, and until next time. He