WEBVTT - What's in a witches' brew?

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<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb and um Julie Witchy Pooh

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<v Speaker 1>Douglas one of my favorite witches witch which who was

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<v Speaker 1>Witchy Pooch. She was like one of those cartoon witches

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<v Speaker 1>and she, you know, she had like the iconic like

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<v Speaker 1>green face and the long nose and the mole and

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<v Speaker 1>she was always making potions, just kind of like a

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<v Speaker 1>kindly witch. Okay, yeah, well that's good. I like that

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<v Speaker 1>the interpretation. I like that at that variegation of the

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<v Speaker 1>witch we're talking about, which is, of course, because this

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<v Speaker 1>is the week of Halloween, so we thought what better

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<v Speaker 1>time than to roll out a couple of our favorite

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<v Speaker 1>spooky episodes and uh and this one's one of them.

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<v Speaker 1>This one deals with you've You've got everything in this story,

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<v Speaker 1>which is psychedelic lubricants, rooms. What more could you want? Right?

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<v Speaker 1>So we hope that you enjoy the Halloween je What

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<v Speaker 1>do you like to put in your witches? Brute? A

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<v Speaker 1>little a little frog play, rosemary, yeah, rusty garlic, yeah

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<v Speaker 1>of course, um, little crystallized ginger, nice touch. Yeah, I

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<v Speaker 1>highly recommend um scale of dragon to the wolf which

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<v Speaker 1>is mummy man, gulf off the raven c salt shark,

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<v Speaker 1>root of himlock digged in the dark of course, liver

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<v Speaker 1>of a blaspheming jew if you can get it, uh,

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<v Speaker 1>and goll of goat slips of you. And of course

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<v Speaker 1>you want all the silver in the moon's eclipse. That's

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<v Speaker 1>just an old recipe that I picked up. You're such

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<v Speaker 1>a purist, picked up from old will there. But yeah,

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<v Speaker 1>I just get myself from Trader Joe's and you're all

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<v Speaker 1>of the earth the witches. I'll a Trader Joe's is

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<v Speaker 1>really good. I mean everything from your scale of dragon

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<v Speaker 1>to uh, you know, the eye of Newt and Baboon's blood. Yeah,

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<v Speaker 1>they have excellent pepoon's blood. You know this. This is

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<v Speaker 1>what I love about how stuff works is that we

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<v Speaker 1>can discuss these things. We've got our own coven here

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<v Speaker 1>and it really allows us to exchange ideas about witchcraft.

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<v Speaker 1>There's a coven at how stuff works. Yeah, like seriously

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<v Speaker 1>or like literally, there's a covenant how stuff works? Or

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<v Speaker 1>are you just talking about we throw ideas into a

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<v Speaker 1>call drof? Oh no, yeah, sure, it was just metaphorical yeah, sure,

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<v Speaker 1>of course, there's not a real coven. That would be weird. No, no, no,

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<v Speaker 1>it's metaphorical. Alright, well really well, I would I would

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<v Speaker 1>imagine you're you. You must be meeting in a separate space, because,

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<v Speaker 1>as we know from legends and myth and folk tales,

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<v Speaker 1>the classic version of the witch, and and by the

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<v Speaker 1>classic version of which I'm not craning this in on

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<v Speaker 1>on on Wiccan stuff, like a modern witches, of of

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<v Speaker 1>whom I know some of My friend Michelle is a

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<v Speaker 1>practicing Wiccan. And to my knowledge, you just don't have

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<v Speaker 1>a cauldron. No, no, Today we're talking about the witches

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<v Speaker 1>that are burned in our memories. And sometimes it's yes,

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<v Speaker 1>um who yeah, who have cauldron? Who are meeting in

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<v Speaker 1>the dark, who are plotting against Macbeth, that are casting spells,

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<v Speaker 1>that are hanging out with cats that hate Dorothy, that

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<v Speaker 1>hate Dorothy, that are dying underneath the weight of houses

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<v Speaker 1>that fall from the sky. Uh. This sort of thing,

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<v Speaker 1>the idea of the witch, is pretty fascinating, especially when

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<v Speaker 1>you get past sort of the the the typical Halloween

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<v Speaker 1>idea of just cackling old crones. I mean, you could

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<v Speaker 1>we could just talk for a long time about the

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<v Speaker 1>about about what the Witch represents, because as I've discussed before,

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<v Speaker 1>I mean, the Witch is basically a monster, the hag,

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<v Speaker 1>the hag, especially if you see the Hag as a

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<v Speaker 1>monster or the ogress, uh, appearing throughout different myth cycles

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<v Speaker 1>where uh, and some of this is tied to the

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<v Speaker 1>idea that some sort of cannibalistic, grotesque old woman will

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<v Speaker 1>come and eat your children if they don't behave, or

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<v Speaker 1>that if you're not careful, guys, you might be seduced

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<v Speaker 1>by what seems like a beautiful woman but turns out

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<v Speaker 1>to be a grotesque monster, right then sort of the

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<v Speaker 1>sucky best thing too, exactly exactly. And then when you

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<v Speaker 1>I mean you also in the Witch you have a

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<v Speaker 1>situation where it's a woman with power, and of course

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<v Speaker 1>that is a very interesting idea throughout a predominantly male

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<v Speaker 1>dominated culture where suddenly here, here are women and they

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<v Speaker 1>have power. And what does his power mean? Is it

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<v Speaker 1>a threat to male dominance? And uh, I mean, I

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<v Speaker 1>mean make me stop, because well, I was gonna say that.

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<v Speaker 1>Erica John has at interesting perspective on this from historical context,

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<v Speaker 1>and she has a book called Witchcraft and some poetry

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<v Speaker 1>and fiction and some historical data in their few spells

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<v Speaker 1>in that I don't know, I hope. So I think

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<v Speaker 1>that she actually sort of approached this book in that

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<v Speaker 1>manner of like, Wow, could I become a witch myself?

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<v Speaker 1>Even though, um, she's someone who I think is grounded

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<v Speaker 1>in reality and knows that she wasn't necessarily going to

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<v Speaker 1>start flying around. But anyway, Um, she is the author

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<v Speaker 1>of fear Flying. That's what she's best known of. As

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<v Speaker 1>in her forward of the book, she says, witchcraft in

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<v Speaker 1>Europe and America is essentially this harkening back to female

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<v Speaker 1>divinity within a patriarchal culture. If you insist long enough

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<v Speaker 1>that God is the father, a nostalgia for the mother

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<v Speaker 1>goddess will be born. If you exclude women from church rights,

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<v Speaker 1>they will practice their magic in the fields and forests,

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<v Speaker 1>in their own kitchens. The point is female power cannot

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<v Speaker 1>be suppressed, It can only be driven underground. So this

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<v Speaker 1>is how she places which is really in a historical

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<v Speaker 1>sense of Okay, what's actually happening here when we talk

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<v Speaker 1>about which is when we get away from this idea

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<v Speaker 1>of pointy hats and broomsticks. Even though broomsticks certainly planned

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<v Speaker 1>to it as we will find out. Yeah, and it's

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<v Speaker 1>interesting that you mentioned the the necessary re emergence of

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<v Speaker 1>the feminine deity because I'm reminded of a series of

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<v Speaker 1>essays that I read, and have I known that you

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<v Speaker 1>were going to go in this direction, I would have

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<v Speaker 1>would have brought that book with me off to put

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<v Speaker 1>something on the blocks about it. But there's some interesting

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<v Speaker 1>material in there about depictions of Jesus Christ in medieval art,

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<v Speaker 1>and in some of these depictions, Christ becomes more and

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<v Speaker 1>more feminine, and you you actually have have varying in

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<v Speaker 1>some cases outright heretical. And I'm doing quotes with air quotes,

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<v Speaker 1>and I finker, is there heretical ideas or sometimes they're

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<v Speaker 1>just sort of quasi heretical, where individuals end up worshiping

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<v Speaker 1>a more female version of Christ in the same way

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<v Speaker 1>that there are female depictions of the Buddha. Okay, so

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<v Speaker 1>this is sort of a uh an effort to unify

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<v Speaker 1>right right and bring both sides to this right, and

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<v Speaker 1>to focus more on feminine aspects in this case of

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<v Speaker 1>of Jesus and then to venerate those aspects as opposed

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<v Speaker 1>to just bleeding man God on a tree kind of

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<v Speaker 1>a thing. It's a really fascinating accept because you get

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<v Speaker 1>into this whole interesting area of the wound of Christ,

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<v Speaker 1>the spear wound, and how this spear wound is also

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<v Speaker 1>kind of like a vagina. I mean, it's sorry, I'm

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<v Speaker 1>gonna be strong. That's not a big deal. Yeah, the

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<v Speaker 1>wound is like vagina. Yeah, next time you see an

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<v Speaker 1>image of doubting Thomas, think about that. Um. But moving

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<v Speaker 1>on side tangent there, But back to which is um

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<v Speaker 1>you were saying? Yeah, Erica doing that, she does. She

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<v Speaker 1>does explore the reasons why we have vilified, which is

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<v Speaker 1>throughout the ages, and one of the things that she

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<v Speaker 1>says really interesting is that women have always been the

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<v Speaker 1>bearers of life right, and we know historically women have

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<v Speaker 1>been repressed on all sorts of different fronts. She also

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<v Speaker 1>says that as women gain power, they began to um

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<v Speaker 1>to sort of be tamped down. And if you ascribe

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<v Speaker 1>witchness to someone, or you put power in the light

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<v Speaker 1>of negativity, then what you're doing essentially is saying that

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<v Speaker 1>not only is this person a life bringer, a life bear,

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<v Speaker 1>which is really powerful, but this person has the ability

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<v Speaker 1>to bring death right through potions, magic, uh general dark shenanigans,

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<v Speaker 1>right yeah, and if they're engaged in food preparation too.

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<v Speaker 1>I mean that's food can be the big life giver.

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<v Speaker 1>But if it's if something's wrong with it, that if

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<v Speaker 1>it becomes toxic in some way, shape or form, if

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<v Speaker 1>something goes off, there's some sort of bacterial, uh infection,

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<v Speaker 1>then it's a killer as well. That's right. That's why

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<v Speaker 1>you should always be kind to your server. Right. You

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<v Speaker 1>never know what's going on in the kitchen. She might

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<v Speaker 1>be a witch. Yep, she might be a witch, or

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<v Speaker 1>he might be right, yeah, a warlock. So it's gonna

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<v Speaker 1>sound flipped to say this, but but all of a sudden,

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<v Speaker 1>you've you've got something like a broom, which is becomes

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<v Speaker 1>really important, almost like a very high tech object in

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<v Speaker 1>the thirteenth century, right, which is interesting because I think

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<v Speaker 1>the broom is something we often discount as that very

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<v Speaker 1>Halloween idea of a witch. Like you've got a you know,

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<v Speaker 1>there's like a kindergartener. Let's put a funny nose on her,

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<v Speaker 1>paying her face screen, give her a broom, and she

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<v Speaker 1>can start collecting candy, right, striped tights. Right there we go.

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<v Speaker 1>But I mean it is important to understand that this

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<v Speaker 1>really was a prized object at the home. When we

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<v Speaker 1>talk about the kitchen and who's preparing your food, we're

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<v Speaker 1>also talking about the person who has you know, usually

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<v Speaker 1>elaborately braided broom, a cauldron, right that may have been

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<v Speaker 1>passed down from generation to generation, and these objects start

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<v Speaker 1>to really gain importance that they are key feminine cultural artifacts. Yeah. Absolutely,

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<v Speaker 1>And so when you start to think about a witch,

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<v Speaker 1>you start to think about brooms. It would make sense

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<v Speaker 1>that somehow they would factor into the image of a witch.

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<v Speaker 1>But now you'll look at early typographs of which is

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<v Speaker 1>and you'll often see some depictions of which is uh,

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<v Speaker 1>quite naked on top of a stride, exceedingly naked. And

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<v Speaker 1>that's another thing that will Shakespeare. Um, well, no, I

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<v Speaker 1>don't know if they were naked, and that there was

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<v Speaker 1>any reference to the naked in the text. I'm thinking

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<v Speaker 1>of Roman Polanski's version of Matbeth, which is certainly naked,

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<v Speaker 1>which is awesome and uh and has some really naked

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<v Speaker 1>old witches and which I thought worked perfectly. But back

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<v Speaker 1>to these old engravings and woodcuts where you see naked

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<v Speaker 1>women flying around in the middle of the night talking

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<v Speaker 1>with goats, riding goat, um, you know, in engaging with

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<v Speaker 1>the devil and in various way shapes and form right

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<v Speaker 1>in terms of there's something to this right where if

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<v Speaker 1>you scratch the surface a little bit, you'll find out

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<v Speaker 1>that the broom actually figures pretty prominently and in which

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<v Speaker 1>is work. And let's just back up real quick. Um, yes,

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<v Speaker 1>the broom is the ultimate symbol of domesticity, but in

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<v Speaker 1>the hands of which it can become this really potent

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<v Speaker 1>symbol of liberation. Right, And the more disenfranchised a person is,

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<v Speaker 1>the more that they might turn to magical thinking to

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<v Speaker 1>gain some sort of mastery over their situations. So let's

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<v Speaker 1>look at it this way. Um. You know, maybe someone

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<v Speaker 1>wasn't necessarily a self proclaimed which, but perhaps they did

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<v Speaker 1>uh dabble back of the day, you know, when we're

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<v Speaker 1>talking about this historical which in the thirteenth century in

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<v Speaker 1>ointments because it was important for healing in ritual and

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<v Speaker 1>magical spells, because this was a way to gain some

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<v Speaker 1>sort of control over their lives. Right, But back to

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<v Speaker 1>this broom. Yeah, there's kind of like two arresting ways

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<v Speaker 1>of looking at the power of the broom, one which

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<v Speaker 1>will discuss even more as of course, the magical thinking

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<v Speaker 1>side of it. And then there's this whole ointment situation ointment,

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<v Speaker 1>which you think is a gross word, but I do.

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<v Speaker 1>And then and now we're about to really sort of

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<v Speaker 1>dive into the flying ointment here and talk about something

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<v Speaker 1>that's very interesting about the broom in the ointment. You

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<v Speaker 1>want to you want to run with that, Okay, So

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<v Speaker 1>there's this idea that which is they're flying around in

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<v Speaker 1>broomsticks or they're flying around in a chair, but in

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<v Speaker 1>many of these tails and accusations, they are rubbing an

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<v Speaker 1>ointment on the broom or chair first, which it's often

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<v Speaker 1>glossed over generally when you it's not a part of

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<v Speaker 1>the Halloween costume. Um usually on a jar of ointment,

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<v Speaker 1>excepting the costume. So they're taking this broom they're coating

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<v Speaker 1>it with with some sort of mysterious ointment that they've

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<v Speaker 1>brewed up, and then they're riding this this broomstick naked

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<v Speaker 1>and just having a wonderful time doing it. So, I mean,

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<v Speaker 1>obviously that brings to mind some some various scenarios that

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<v Speaker 1>could be taking place, and there's actually some real um

0:12:07.120 --> 0:12:08.800
<v Speaker 1>some people put some real thought into this, and the

0:12:08.840 --> 0:12:12.560
<v Speaker 1>idea that the ointment is in fact a drug or

0:12:12.679 --> 0:12:17.280
<v Speaker 1>has has a pharmaceutical or or or psychedelic properties and

0:12:17.960 --> 0:12:22.079
<v Speaker 1>they are interacting with the ointment on the broom Yeah,

0:12:22.120 --> 0:12:24.120
<v Speaker 1>there are some pharmacologists who say, you know what, we

0:12:24.200 --> 0:12:26.160
<v Speaker 1>think that this is actually what was happening, is that

0:12:26.200 --> 0:12:31.120
<v Speaker 1>these ointments were being made and applied um through the skin,

0:12:31.400 --> 0:12:36.120
<v Speaker 1>basically applying a crazy pharmaceutical ointment to the genitals with

0:12:36.160 --> 0:12:40.120
<v Speaker 1>a broomstick. Yes, yes, they probably said that on the

0:12:40.160 --> 0:12:45.280
<v Speaker 1>side applied gently to broomstick, then ride broomstick genitals first

0:12:45.360 --> 0:12:48.400
<v Speaker 1>and gothic font And this is from the investigation of

0:12:48.559 --> 0:12:52.040
<v Speaker 1>Lady Alice Kepler in she was one of the first

0:12:52.080 --> 0:12:55.040
<v Speaker 1>women to be accused of witchcraft in Ireland. We have

0:12:55.160 --> 0:12:58.360
<v Speaker 1>this account quote in rifling the closet of a lady,

0:12:58.400 --> 0:13:01.520
<v Speaker 1>they found a pipe of ointment, wherewith she greased a

0:13:01.640 --> 0:13:06.200
<v Speaker 1>staff upon which she ambled and galloped through thick and thin. Okay,

0:13:06.840 --> 0:13:08.760
<v Speaker 1>these are actual documents that they're pulling some some of

0:13:08.760 --> 0:13:11.600
<v Speaker 1>this stuff from, and not that we put tremendous amount

0:13:11.600 --> 0:13:15.520
<v Speaker 1>of stock in the prosecutions materials in witchcraft trials. I

0:13:15.520 --> 0:13:18.120
<v Speaker 1>mean they're no. Take that with a whole lot of salt.

0:13:18.240 --> 0:13:20.320
<v Speaker 1>But who knows, like the idea that there could be

0:13:20.360 --> 0:13:23.280
<v Speaker 1>some shruded truth to this is fascinating. Okay, dig a

0:13:23.320 --> 0:13:25.000
<v Speaker 1>little deeper. And this is from the Journal of the

0:13:25.000 --> 0:13:28.120
<v Speaker 1>American Society of Anesthesiologists and a paper they called the

0:13:28.200 --> 0:13:30.960
<v Speaker 1>Legacy of a Tropos the fate who cut the thread

0:13:31.000 --> 0:13:33.560
<v Speaker 1>of Life, which I think is really poetic for for

0:13:33.640 --> 0:13:36.560
<v Speaker 1>a journal um. In the paper they describe a tone

0:13:36.559 --> 0:13:40.600
<v Speaker 1>written by sixteenth century Dutch physician Johan we Are, who

0:13:40.600 --> 0:13:43.680
<v Speaker 1>concluded that a plant called henbane was a principal ingredient

0:13:43.720 --> 0:13:47.160
<v Speaker 1>in which is through along with deadly nightshade and man drake,

0:13:47.600 --> 0:13:50.200
<v Speaker 1>and according to where there were other ointments, but the

0:13:50.280 --> 0:13:52.400
<v Speaker 1>essential ingredients remained the same in all of them, in

0:13:52.440 --> 0:13:55.160
<v Speaker 1>all the preparations. When they applied to the upper thighs

0:13:55.200 --> 0:13:57.720
<v Speaker 1>or general thills, it was said to induce the sensation

0:13:57.800 --> 0:14:01.760
<v Speaker 1>of rising into the air and flying. And by the way,

0:14:01.760 --> 0:14:06.000
<v Speaker 1>by applying this to their skin and rather than taking

0:14:06.000 --> 0:14:09.360
<v Speaker 1>it orallyy it was much more effective because then they

0:14:09.360 --> 0:14:11.960
<v Speaker 1>didn't have to digest this and have obviously the sort

0:14:11.960 --> 0:14:15.959
<v Speaker 1>of stomach ailments that would accompany that. Right, So at

0:14:15.960 --> 0:14:18.200
<v Speaker 1>some point they figured out that hey, this is this

0:14:18.240 --> 0:14:20.280
<v Speaker 1>is a pretty good way to get high. Well, it

0:14:20.400 --> 0:14:23.960
<v Speaker 1>kind of it's similar in a way to the way

0:14:24.200 --> 0:14:30.280
<v Speaker 1>some medications are applied via suppository rather than taken orally. Yeah.

0:14:30.320 --> 0:14:32.720
<v Speaker 1>And one of the dangerous with suppositories if you're taking

0:14:32.760 --> 0:14:35.760
<v Speaker 1>some sort of illicit substances, of course, that you can't

0:14:35.840 --> 0:14:37.600
<v Speaker 1>if you take to take it orally, you can get

0:14:37.720 --> 0:14:42.080
<v Speaker 1>you can become ill and vomited back up. But suppository

0:14:42.160 --> 0:14:44.720
<v Speaker 1>not so much. Yeah. And the people that were studying

0:14:44.720 --> 0:14:47.520
<v Speaker 1>in these appointments, they weren't necessarily thinking that that which

0:14:47.560 --> 0:14:50.480
<v Speaker 1>is at that time we're applying them and then actually

0:14:50.800 --> 0:14:55.080
<v Speaker 1>you know, taking flight. They understood this to have hallucinatory properties.

0:14:55.120 --> 0:14:58.200
<v Speaker 1>Back in the sixteenth century, Francis Bacon even said the

0:14:58.240 --> 0:15:02.040
<v Speaker 1>witches themselves are imaginative. Believe oftentimes they do that which

0:15:02.080 --> 0:15:05.160
<v Speaker 1>they do, not transforming themselves into other bodies, not by

0:15:05.160 --> 0:15:09.360
<v Speaker 1>incantations or ceremonies, but by ointments and anointing themselves all over.

0:15:10.480 --> 0:15:14.120
<v Speaker 1>So they had sort of an inkling there that yes,

0:15:14.200 --> 0:15:18.720
<v Speaker 1>they were transcending the experience, but not in physical body,

0:15:19.200 --> 0:15:23.720
<v Speaker 1>not actually where they get together and have transcendental experiences

0:15:23.800 --> 0:15:26.840
<v Speaker 1>and not invite them in folk I know. Um. And

0:15:26.920 --> 0:15:29.400
<v Speaker 1>this is interesting to the use of soot, which is

0:15:29.640 --> 0:15:33.040
<v Speaker 1>sort of alkaline would have enhanced the passage of organic

0:15:33.040 --> 0:15:36.240
<v Speaker 1>basis because a weak alkaline environment would be sufficient to

0:15:36.280 --> 0:15:38.920
<v Speaker 1>neutralize the positive ironic charge. This is again from that

0:15:39.040 --> 0:15:42.680
<v Speaker 1>um and it's thesiolist journal. Uh. This is an effective

0:15:42.760 --> 0:15:47.160
<v Speaker 1>ethnobotanical technique that may be seen with Peruvian cocoa tours

0:15:47.240 --> 0:15:50.040
<v Speaker 1>who mix in their mouth the cocaine containing leaves with

0:15:50.080 --> 0:15:53.440
<v Speaker 1>alkaline centers to enhance uptake. And this is and this

0:15:53.480 --> 0:15:56.000
<v Speaker 1>is interesting and a topic will probably go into in

0:15:56.040 --> 0:15:59.240
<v Speaker 1>greater detail in a future podcast. But this is by

0:15:59.320 --> 0:16:01.880
<v Speaker 1>far not the only, would not be the only situation

0:16:01.920 --> 0:16:07.280
<v Speaker 1>of individuals taking uh, some sort of psychedelic substance as

0:16:07.320 --> 0:16:10.920
<v Speaker 1>part of a ritual or or magical practice. Right, and

0:16:10.960 --> 0:16:13.240
<v Speaker 1>you actually don't you have an article on licking frogs

0:16:13.800 --> 0:16:16.160
<v Speaker 1>or am I thinking of something else? I have a pamphlet.

0:16:16.200 --> 0:16:17.480
<v Speaker 1>It was handed to me on a by a guy

0:16:17.480 --> 0:16:21.440
<v Speaker 1>in the train, but I've I've been very trepidicious about

0:16:21.440 --> 0:16:24.400
<v Speaker 1>trying it out. There's some hallucinatory frogs that if you've looked,

0:16:24.840 --> 0:16:28.200
<v Speaker 1>actually I think it's maybe the the the vom or

0:16:28.240 --> 0:16:31.440
<v Speaker 1>something that they have that people can actually get high.

0:16:31.680 --> 0:16:34.760
<v Speaker 1>So obviously, through trial and error, over thousands of thousands

0:16:34.800 --> 0:16:38.600
<v Speaker 1>of years people have figured out different properties and plants

0:16:38.600 --> 0:16:42.080
<v Speaker 1>and animals and manipulated them. So it's not weird that

0:16:42.200 --> 0:16:44.120
<v Speaker 1>someone would come up with an ointment. And it's not

0:16:44.200 --> 0:16:48.040
<v Speaker 1>weird that this person, the female and the family would

0:16:48.240 --> 0:16:51.000
<v Speaker 1>um be the person to come up with these ointments,

0:16:51.280 --> 0:16:55.280
<v Speaker 1>are mostly healing right and have a sort of power

0:16:55.720 --> 0:16:58.280
<v Speaker 1>in their household, maybe even in their village, as the

0:16:58.320 --> 0:17:01.479
<v Speaker 1>go to person that has all these great little recipes

0:17:01.520 --> 0:17:04.479
<v Speaker 1>that can make you feel a lot better, possibly make

0:17:04.560 --> 0:17:08.199
<v Speaker 1>you feel as though you are writing a broom. And

0:17:08.280 --> 0:17:11.240
<v Speaker 1>let's also talk about that broom. I hate to sort

0:17:11.240 --> 0:17:13.840
<v Speaker 1>of bring it up, but again, you know, why not

0:17:13.880 --> 0:17:16.280
<v Speaker 1>just apointment? Why have the broom? And I'm just going

0:17:16.320 --> 0:17:19.760
<v Speaker 1>to point out that this perhaps was a a proto

0:17:19.840 --> 0:17:27.000
<v Speaker 1>sexual aid, So I'm gonna say old timey sex toy basically, yeah,

0:17:27.240 --> 0:17:28.960
<v Speaker 1>now and uh, And I wonder if too, have like

0:17:29.040 --> 0:17:31.960
<v Speaker 1>a going back vote from the from the side of

0:17:31.960 --> 0:17:35.639
<v Speaker 1>of women, liberated women engaging in a certain activity and

0:17:35.680 --> 0:17:40.760
<v Speaker 1>looking instead at um, really grumpy men deciding to crack

0:17:40.800 --> 0:17:43.760
<v Speaker 1>down on this and persecute women. Um. I wonder how

0:17:43.840 --> 0:17:46.159
<v Speaker 1>much with the broom too, there's this idea of you

0:17:46.200 --> 0:17:49.479
<v Speaker 1>have defiled. And not only have you defiled yourself and

0:17:49.520 --> 0:17:52.040
<v Speaker 1>your and your faith and all, but you've also defiled

0:17:52.160 --> 0:17:56.800
<v Speaker 1>this object which has um sympathetic and not sympathetic, oh yeah,

0:17:56.800 --> 0:18:01.280
<v Speaker 1>sympathetic importance in the household and in the family and

0:18:01.400 --> 0:18:03.840
<v Speaker 1>uh and also is a symbol of the status. And

0:18:03.880 --> 0:18:09.520
<v Speaker 1>you've somehow perverted this artifact. Well. Also, as we know, um,

0:18:09.560 --> 0:18:14.359
<v Speaker 1>the understanding of female sexuality certainly wasn't that complex or

0:18:14.440 --> 0:18:16.639
<v Speaker 1>nuanced back in the day, and some would argue that

0:18:16.680 --> 0:18:19.800
<v Speaker 1>today it's still Yeah, we just did the podcast. I've

0:18:19.800 --> 0:18:23.320
<v Speaker 1>been dealt with the female orgasm. Obviously, we still scientists

0:18:23.320 --> 0:18:26.840
<v Speaker 1>are still figuring out exactly what sexually human sexuality and

0:18:27.040 --> 0:18:29.199
<v Speaker 1>female sexuality is all about. Yeah, And so for a

0:18:29.200 --> 0:18:34.280
<v Speaker 1>woman to express sexuality, certainly during uh one period over another,

0:18:34.720 --> 0:18:37.040
<v Speaker 1>depending on what was happening when the thirteenth century is

0:18:37.040 --> 0:18:40.159
<v Speaker 1>opposed to the sixteenth century, Uh, they were certainly um

0:18:40.760 --> 0:18:44.600
<v Speaker 1>iconic images and ideals to live up to. Yeah, I'll

0:18:44.600 --> 0:18:47.280
<v Speaker 1>put it that way, right, So we discussed the ointment

0:18:47.320 --> 0:18:50.200
<v Speaker 1>based importance of flying around on broomsticks and so forth.

0:18:50.920 --> 0:18:52.959
<v Speaker 1>But after this break, we're gonna really get into the

0:18:53.040 --> 0:18:56.760
<v Speaker 1>idea of magical thinking and how that enforces all these

0:18:56.760 --> 0:19:03.280
<v Speaker 1>things we were talking about. All right, so we're back. Yeah,

0:19:03.359 --> 0:19:06.560
<v Speaker 1>we solved the broomstick problem here. Yeah, and I want

0:19:06.600 --> 0:19:08.959
<v Speaker 1>to add one more thing about the broomstick. I couldn't

0:19:08.960 --> 0:19:11.320
<v Speaker 1>help but be reminded of the Bobby the Babba yaga,

0:19:11.359 --> 0:19:16.600
<v Speaker 1>you know, the old Russian hag or witch or cannibalistic ogress, uh,

0:19:16.640 --> 0:19:20.520
<v Speaker 1>you know, with the tusks for for teeth. Yeah, she

0:19:20.560 --> 0:19:23.000
<v Speaker 1>also shows up in uh, there's a movie called Jack

0:19:23.040 --> 0:19:26.800
<v Speaker 1>Frost which mry sents theater three thousand dead years ago,

0:19:26.920 --> 0:19:28.640
<v Speaker 1>and it has the Bobby Yaga in it. So she's

0:19:28.720 --> 0:19:32.200
<v Speaker 1>a really iconic character in Russian myth um. And she's

0:19:32.200 --> 0:19:35.000
<v Speaker 1>the witch. And she in addition to living in a

0:19:35.080 --> 0:19:39.159
<v Speaker 1>hut that walks around on hin legs, she also flies

0:19:39.160 --> 0:19:42.320
<v Speaker 1>through the air, sometimes in an iron kettle and sometimes

0:19:42.400 --> 0:19:45.800
<v Speaker 1>in a mortar and pestle, which of course is the

0:19:46.000 --> 0:19:49.480
<v Speaker 1>you know, the the device for crushing up various herbs

0:19:49.720 --> 0:19:51.879
<v Speaker 1>and what have you and making them into powders for

0:19:52.040 --> 0:19:55.000
<v Speaker 1>use in ointments, for use in uh you know, and

0:19:55.080 --> 0:19:57.480
<v Speaker 1>you go to the pharmacist today and I mean that's

0:19:57.520 --> 0:20:00.920
<v Speaker 1>the symbol of the craft. Yeah, And here are these

0:20:00.960 --> 0:20:04.439
<v Speaker 1>these symbols of domesticity, right, that that are being harnessed

0:20:04.480 --> 0:20:09.199
<v Speaker 1>for for powerful goings on with witches, which I think

0:20:09.320 --> 0:20:12.719
<v Speaker 1>is really interesting and really plays into this idea of

0:20:12.800 --> 0:20:15.880
<v Speaker 1>the law of contagion, which is one of the two

0:20:15.960 --> 0:20:19.800
<v Speaker 1>laws of sympathetic magic. Ya. Sympathetic magic is this very

0:20:19.840 --> 0:20:22.240
<v Speaker 1>old idea, the idea that if something I think we've

0:20:22.280 --> 0:20:25.159
<v Speaker 1>discussed this before. Okay, so I have a rubber dinosaur

0:20:25.200 --> 0:20:26.879
<v Speaker 1>in my hand, all right, it's true, and I have

0:20:26.960 --> 0:20:30.480
<v Speaker 1>touched this rubber dinosaur, right, and in touching it, I'm

0:20:30.520 --> 0:20:32.560
<v Speaker 1>probably doing nothing more than getting some of my my

0:20:32.640 --> 0:20:36.359
<v Speaker 1>skin oil on it or my fingerprints what have you ink?

0:20:37.160 --> 0:20:41.040
<v Speaker 1>From my hands? My hands are really disgusting. But but then,

0:20:41.040 --> 0:20:42.480
<v Speaker 1>but then when I when I set it down, the

0:20:42.560 --> 0:20:44.480
<v Speaker 1>taint of my touch, that that will be the extent

0:20:44.560 --> 0:20:46.560
<v Speaker 1>of it. The idea of sympathetic magic is so that

0:20:46.600 --> 0:20:49.640
<v Speaker 1>there's a there's an even greater taint that is applied

0:20:49.680 --> 0:20:51.879
<v Speaker 1>to this rubber dinosaur, and that that I have somehow

0:20:52.359 --> 0:20:55.560
<v Speaker 1>imbued it with a sense of myself. You've transferred yourself

0:20:55.600 --> 0:20:58.080
<v Speaker 1>to this object. Yeah, And we continue to do this

0:20:58.119 --> 0:21:00.080
<v Speaker 1>sort of thing today, I mean, just dealing with my

0:21:00.119 --> 0:21:03.119
<v Speaker 1>own stuff I'm wearing my dad's watch that he died in.

0:21:03.440 --> 0:21:06.760
<v Speaker 1>I'm not a logical believer in sympathetic magic, but I

0:21:06.800 --> 0:21:09.119
<v Speaker 1>am sympathetic towards this object, and I have to a

0:21:09.200 --> 0:21:11.520
<v Speaker 1>certain extent imbuted it with a sense of him on

0:21:11.560 --> 0:21:13.159
<v Speaker 1>some level, you know. So, I mean we all do

0:21:13.240 --> 0:21:15.480
<v Speaker 1>this kind of thing every day. Yeah, And we talked

0:21:15.520 --> 0:21:17.679
<v Speaker 1>about this a little bit in the Science of Lucky Pants,

0:21:17.720 --> 0:21:20.479
<v Speaker 1>and you know how we ascribe meaning to things, and

0:21:20.520 --> 0:21:22.840
<v Speaker 1>we think, if if I do this, or if I

0:21:22.880 --> 0:21:26.280
<v Speaker 1>take this, then you know something will happen. Or in

0:21:26.320 --> 0:21:28.639
<v Speaker 1>the case of your father's watch, I mean, that's that

0:21:28.840 --> 0:21:32.200
<v Speaker 1>is for you, a part of him. So it's interesting

0:21:32.200 --> 0:21:36.359
<v Speaker 1>that we're all sort of hardwired to to have this

0:21:36.400 --> 0:21:39.159
<v Speaker 1>sort of symbolism in our lives, right, And I should

0:21:39.160 --> 0:21:40.920
<v Speaker 1>mention I explained the watch. I didn't explain why I

0:21:40.920 --> 0:21:43.600
<v Speaker 1>have a rubber dinosaur in my hand. And it's a

0:21:43.760 --> 0:21:45.720
<v Speaker 1>like a squeeze toy that I used to keep from

0:21:45.880 --> 0:21:49.160
<v Speaker 1>fidgeting too much while recording a podcast. Just to explain that,

0:21:49.320 --> 0:21:51.679
<v Speaker 1>why why I have a rubber dinosaur on my person?

0:21:52.080 --> 0:21:54.600
<v Speaker 1>It's true, he squeezes the heck out of it, and

0:21:54.680 --> 0:21:57.720
<v Speaker 1>that's fine, right, Another idea that arises from from sympathetic

0:21:57.720 --> 0:22:00.399
<v Speaker 1>magic is like the idea that you can treat a

0:22:00.480 --> 0:22:03.280
<v Speaker 1>weapon to treat the wound or somehow like if you

0:22:03.320 --> 0:22:05.439
<v Speaker 1>were to say, cut somebody with a knife, and then

0:22:05.440 --> 0:22:07.480
<v Speaker 1>you were to heat up that knife, then the person

0:22:07.520 --> 0:22:10.320
<v Speaker 1>would feel the burning of the wound. Things of that nature,

0:22:10.440 --> 0:22:13.560
<v Speaker 1>things that almost what we would have what a modern

0:22:13.760 --> 0:22:16.960
<v Speaker 1>um mind would think of as like a quantum entanglement

0:22:18.920 --> 0:22:22.879
<v Speaker 1>exists within the confines of sympathetic magic. Um. You know,

0:22:22.960 --> 0:22:27.240
<v Speaker 1>things objects becoming tainted, objects becoming haunted, objects made holy

0:22:27.320 --> 0:22:30.720
<v Speaker 1>through contact with you know, really important people. The whole.

0:22:30.760 --> 0:22:34.080
<v Speaker 1>I will never wash this hand again because hand is

0:22:34.080 --> 0:22:36.920
<v Speaker 1>come into contact with Brad Pitt's face or something. Well,

0:22:37.000 --> 0:22:40.440
<v Speaker 1>and and if I believed in voodoo or sorcery like that,

0:22:40.880 --> 0:22:45.200
<v Speaker 1>I would probably take care to deposit my fingernail clippings

0:22:45.240 --> 0:22:47.320
<v Speaker 1>in a way which I didn't want someone else to

0:22:47.359 --> 0:22:52.080
<v Speaker 1>get them, right to hiding clippings, hide your hair, because

0:22:52.080 --> 0:22:54.679
<v Speaker 1>these are parts of you. Well, these are even more

0:22:54.920 --> 0:22:57.320
<v Speaker 1>like this is an even easier thing to buy, I think,

0:22:57.359 --> 0:23:00.320
<v Speaker 1>because these were actually a part of me. These things

0:23:00.640 --> 0:23:04.119
<v Speaker 1>were once my body and now they are, you know,

0:23:04.240 --> 0:23:07.119
<v Speaker 1>hidden away in the wall of the house, lest a

0:23:07.200 --> 0:23:09.679
<v Speaker 1>sorcerer get ahold of it, use it to place a

0:23:09.720 --> 0:23:12.080
<v Speaker 1>curse on me, which make a nail clipping sculpture of

0:23:12.119 --> 0:23:16.600
<v Speaker 1>me and then drive pins into me exactly. That's my fear,

0:23:18.920 --> 0:23:21.400
<v Speaker 1>um and can only take ninety years with nail clippings

0:23:21.640 --> 0:23:23.840
<v Speaker 1>and real quick. Another another idea this side of you

0:23:23.840 --> 0:23:25.679
<v Speaker 1>mentioned voodoo, and of course that instantly brings the mind

0:23:25.680 --> 0:23:27.879
<v Speaker 1>the idea of the voodoo doll and uh. And you

0:23:27.920 --> 0:23:33.280
<v Speaker 1>see variations on this theme in numerous magical um and

0:23:33.359 --> 0:23:36.400
<v Speaker 1>religious practices where you have a semblance of something and

0:23:37.040 --> 0:23:39.000
<v Speaker 1>if I like, I can hurt the doll to hurt

0:23:39.040 --> 0:23:41.840
<v Speaker 1>the person that the doll resembles, or if I burn

0:23:41.960 --> 0:23:44.919
<v Speaker 1>somebody in effigy, I am And you know this is

0:23:44.960 --> 0:23:47.520
<v Speaker 1>something you see and everything guy Fox day to uh

0:23:47.840 --> 0:23:50.760
<v Speaker 1>to burning man. You know where an effigy is burned,

0:23:51.000 --> 0:23:55.159
<v Speaker 1>and by burning the effigy, you're on some level hurting

0:23:55.200 --> 0:23:58.480
<v Speaker 1>the person or the idea or feeling or thing that

0:23:58.560 --> 0:24:00.679
<v Speaker 1>it represents. We see this and flipp colw rallies all

0:24:00.680 --> 0:24:03.560
<v Speaker 1>the time. Yeah. Yeah, And this comes down to something

0:24:03.560 --> 0:24:08.439
<v Speaker 1>called the law of similarity, which holds that humans inevitably

0:24:08.520 --> 0:24:14.639
<v Speaker 1>link superficial real life resemblances to deep unreal resemblances. Okay,

0:24:14.680 --> 0:24:17.680
<v Speaker 1>So I think about this in terms of the ted

0:24:17.840 --> 0:24:21.880
<v Speaker 1>dot com talk that you sent meets by skeptic Michael Schermer,

0:24:22.359 --> 0:24:26.240
<v Speaker 1>and he was talking about, uh, he's using examples of

0:24:26.240 --> 0:24:29.080
<v Speaker 1>how we can't help you describe meeting or see patterns.

0:24:29.119 --> 0:24:31.560
<v Speaker 1>And he brought up the case of the Virgin Mary

0:24:31.680 --> 0:24:34.760
<v Speaker 1>visage on the grilled cheese. The Virgin Mary grilled cheese. Yeah,

0:24:34.960 --> 0:24:36.159
<v Speaker 1>and he was saying that, you know, we've got this

0:24:36.240 --> 0:24:40.560
<v Speaker 1>really sort of grainy pattern recognition in our brains, and

0:24:40.640 --> 0:24:43.359
<v Speaker 1>so we really respond well to, like, you know, an

0:24:43.400 --> 0:24:46.399
<v Speaker 1>image on tree bark or a burnt girl cheese sandwich.

0:24:46.400 --> 0:24:49.760
<v Speaker 1>All of a sudden, some of those grainy markings start

0:24:49.840 --> 0:24:52.680
<v Speaker 1>to take form into an image. And I thought, well,

0:24:52.680 --> 0:24:56.200
<v Speaker 1>that's really fascinating it, particularly when he pointed out that

0:24:56.280 --> 0:24:58.280
<v Speaker 1>if you really look at that grilled cheese sandwich, it

0:24:58.280 --> 0:25:00.960
<v Speaker 1>looks more like Jane Russell it does the version Mary,

0:25:01.400 --> 0:25:04.560
<v Speaker 1>because she's got very potty lips. Well, it's I mean,

0:25:04.600 --> 0:25:06.119
<v Speaker 1>it comes down to the same reason we can just

0:25:06.160 --> 0:25:09.280
<v Speaker 1>stare up into the sky the clouds and just see

0:25:09.359 --> 0:25:11.719
<v Speaker 1>one object after another. Oh, it's a it's a dragon

0:25:11.840 --> 0:25:14.640
<v Speaker 1>using a typewriter, it's Lauren Hardy making out on a steamboat.

0:25:14.640 --> 0:25:16.280
<v Speaker 1>You know that kind of thing. Yeah, except for that

0:25:16.400 --> 0:25:19.119
<v Speaker 1>last part. Well, I'm just saying you see random things

0:25:19.160 --> 0:25:22.440
<v Speaker 1>that they or may not make sense in the clouds. Alright, alright, yeah,

0:25:22.640 --> 0:25:25.560
<v Speaker 1>I mean it is. It depends on the perceiver, right.

0:25:25.640 --> 0:25:27.359
<v Speaker 1>And we talked about this a little bit in Science

0:25:27.359 --> 0:25:30.000
<v Speaker 1>of Lucky Pants, that some people may be more hardwired

0:25:30.040 --> 0:25:33.480
<v Speaker 1>than others to see connections. In a Sandra hu Shoop

0:25:33.520 --> 0:25:38.359
<v Speaker 1>Share article about the dopamine connection, neurobiologists Peter Breuger found

0:25:38.359 --> 0:25:40.640
<v Speaker 1>that people with high levels of dopamine are more likely

0:25:40.680 --> 0:25:43.879
<v Speaker 1>to find significance and coincidences and pick out meaning and

0:25:43.960 --> 0:25:46.760
<v Speaker 1>patterns where there are none. In one trial in which

0:25:46.760 --> 0:25:50.760
<v Speaker 1>skeptics and paranormal believers were both given the drug al dopa,

0:25:51.680 --> 0:25:54.280
<v Speaker 1>of course, I know it sounds like a street al

0:25:54.359 --> 0:25:58.000
<v Speaker 1>dopa increases dopamine levels in the brain, the skeptics began

0:25:58.040 --> 0:26:00.720
<v Speaker 1>to perform much more like the believers. You sent me

0:26:00.760 --> 0:26:03.520
<v Speaker 1>an interesting paper to discuss some of the ideas about

0:26:03.560 --> 0:26:07.239
<v Speaker 1>like what, how, why ritual is important? Like what is it?

0:26:07.520 --> 0:26:09.639
<v Speaker 1>What is it accomplished? And when we say ritual, I mean,

0:26:09.680 --> 0:26:12.000
<v Speaker 1>in one hand, we could be talking about which is

0:26:12.080 --> 0:26:14.560
<v Speaker 1>going out into the middle of nowhere on the Sabbath

0:26:14.960 --> 0:26:18.280
<v Speaker 1>and uh and gathering together for dance or whatever. You

0:26:18.280 --> 0:26:21.359
<v Speaker 1>could be just talking about a local church coming together

0:26:21.400 --> 0:26:24.360
<v Speaker 1>and engaging in song, just like a glee club engaging

0:26:24.400 --> 0:26:27.200
<v Speaker 1>in song. You know, different communal activities, a community service

0:26:27.200 --> 0:26:29.959
<v Speaker 1>group coming together and picking up trash around a neighborhood.

0:26:30.200 --> 0:26:32.560
<v Speaker 1>Like I mean, that kind of thing can under certain definitions,

0:26:32.560 --> 0:26:37.359
<v Speaker 1>be seen as ritual. Yeah, yeah, Actually, uh, they're saying

0:26:37.400 --> 0:26:41.160
<v Speaker 1>that these synchrony rituals are really powerful, and so much

0:26:41.160 --> 0:26:43.159
<v Speaker 1>so that they may have endowed certain groups with a

0:26:43.160 --> 0:26:47.000
<v Speaker 1>competitive advantage over the eon, perhaps even causing some cultures

0:26:47.040 --> 0:26:50.440
<v Speaker 1>to flourish while others parish. That's from the article Uh

0:26:50.480 --> 0:26:52.199
<v Speaker 1>that I thought, well that that makes sense why we

0:26:52.240 --> 0:26:55.840
<v Speaker 1>would have these rituals that we participate in. And in

0:26:55.880 --> 0:27:00.360
<v Speaker 1>that article they even uh brought up the observation that

0:27:00.680 --> 0:27:05.879
<v Speaker 1>in modern day military things like um marching in formation

0:27:06.280 --> 0:27:11.320
<v Speaker 1>or muscular bonding, right, muscular bonding, Yeah, and even chanting

0:27:11.440 --> 0:27:14.480
<v Speaker 1>or the songs. I don't know what I've been told. Yeah,

0:27:14.600 --> 0:27:17.120
<v Speaker 1>that's the name of that one, right, Yeah, I don't

0:27:17.119 --> 0:27:19.280
<v Speaker 1>know what I've been told. Yeah, and I don't know

0:27:19.320 --> 0:27:22.240
<v Speaker 1>the rest, um well, the rest varies depending on who's

0:27:22.240 --> 0:27:26.480
<v Speaker 1>singing it. I think, yeah, something about Mama's and boots. Yeah, yeah,

0:27:26.480 --> 0:27:28.439
<v Speaker 1>I don't know. Clearly, I have a vast knowledge of

0:27:28.520 --> 0:27:32.240
<v Speaker 1>military uh songs, but any In any case, what they

0:27:32.240 --> 0:27:34.760
<v Speaker 1>were saying is that, you know, we still engage in

0:27:34.760 --> 0:27:38.200
<v Speaker 1>these rituals, even the warfare is not conducted in you know,

0:27:38.760 --> 0:27:42.600
<v Speaker 1>here's one side in a formation of rows against another

0:27:42.720 --> 0:27:46.879
<v Speaker 1>formation of rows that meet on a hilltop. Right, that

0:27:47.000 --> 0:27:51.280
<v Speaker 1>old school version of a very regimented forces meeting on

0:27:51.280 --> 0:27:55.360
<v Speaker 1>a battlefield and marching into place, basically playing out like

0:27:55.480 --> 0:27:58.679
<v Speaker 1>a table top game that just that does not exist anymore,

0:27:58.720 --> 0:28:01.040
<v Speaker 1>hasn't existed in a while. But a lot of these

0:28:01.200 --> 0:28:04.640
<v Speaker 1>these activities still exist because it builds this bond, and

0:28:04.640 --> 0:28:08.240
<v Speaker 1>it builds this uh, this cohesive feeling that we are

0:28:08.240 --> 0:28:09.960
<v Speaker 1>we are one. You know. It's I mean, it's like

0:28:10.000 --> 0:28:12.280
<v Speaker 1>that the idea you see in every boot camp movie

0:28:12.320 --> 0:28:15.159
<v Speaker 1>ever that these guys enterest this rag tag group of

0:28:15.800 --> 0:28:18.119
<v Speaker 1>miscreants and then they in the over the course of

0:28:18.160 --> 0:28:21.320
<v Speaker 1>the boot camp, they become a fighting force together. They

0:28:21.359 --> 0:28:25.040
<v Speaker 1>become brothers. That's right. Yeah, I mean yet through the experience, uh,

0:28:25.320 --> 0:28:29.520
<v Speaker 1>they are are They're transformed into the super group, right.

0:28:30.040 --> 0:28:32.520
<v Speaker 1>So I think that's interesting, particularly in the context of

0:28:32.560 --> 0:28:35.119
<v Speaker 1>magical thinking. And this was from an article Do you

0:28:35.160 --> 0:28:38.400
<v Speaker 1>Believe in Magic? And it was saying that that um

0:28:38.680 --> 0:28:41.680
<v Speaker 1>rituals and magical thinking give us a margin of control

0:28:41.760 --> 0:28:45.320
<v Speaker 1>over the randomness in our lives. UM. This is from

0:28:45.360 --> 0:28:47.840
<v Speaker 1>the article. It says magical thinking is most evident precisely

0:28:47.880 --> 0:28:52.520
<v Speaker 1>when people feel most helpless. Geo Canon, professor at Tel

0:28:52.560 --> 0:28:55.880
<v Speaker 1>Aviv University, sent questionnaires to one hundred and seventy four

0:28:56.000 --> 0:29:00.640
<v Speaker 1>Israelis after the Iraqi SCUD missile attacks. Of those who

0:29:00.680 --> 0:29:03.440
<v Speaker 1>reported the highest level of stress were also the most

0:29:03.480 --> 0:29:06.840
<v Speaker 1>likely to endorse magical beliefs, Like I have the feeling

0:29:06.880 --> 0:29:09.800
<v Speaker 1>that the chances of being hit during a missile attack

0:29:10.200 --> 0:29:13.240
<v Speaker 1>are greater if a person whose house was attacked is

0:29:13.360 --> 0:29:16.160
<v Speaker 1>present in the sealed room, or to be on the

0:29:16.160 --> 0:29:18.120
<v Speaker 1>safe side, it is best to step into the field

0:29:18.200 --> 0:29:20.880
<v Speaker 1>room right foot first. Yeah. And I think sometimes it

0:29:20.960 --> 0:29:23.760
<v Speaker 1>can come down to your your face with overwhelming odds

0:29:23.880 --> 0:29:26.200
<v Speaker 1>or some sort of situation that you just cannot control,

0:29:26.680 --> 0:29:28.360
<v Speaker 1>and it comes down to what can I do. I

0:29:28.400 --> 0:29:32.080
<v Speaker 1>can't actually stop this thing. Take the instance of death.

0:29:32.160 --> 0:29:33.960
<v Speaker 1>When death comes, there's like nothing you can do to

0:29:34.040 --> 0:29:37.560
<v Speaker 1>bring that person back. But you can go and pray

0:29:37.560 --> 0:29:39.840
<v Speaker 1>about it, you can go and light a candle about it,

0:29:39.920 --> 0:29:42.560
<v Speaker 1>you can go and engage in various rituals, even if

0:29:42.680 --> 0:29:44.640
<v Speaker 1>that ritual is just something as simple as like a

0:29:44.720 --> 0:29:47.440
<v Speaker 1>meditation type of thing, and it's something you can do.

0:29:47.480 --> 0:29:49.960
<v Speaker 1>And so there's this feeling of I am doing something

0:29:50.000 --> 0:29:53.120
<v Speaker 1>in the face of this uncontrollable force in my life. Well,

0:29:53.160 --> 0:29:55.680
<v Speaker 1>and it's a it's been brought up before to that

0:29:55.800 --> 0:29:59.680
<v Speaker 1>ritual healing practices aren't too far away from like the

0:29:59.680 --> 0:30:02.840
<v Speaker 1>plus ebo effect, right right, Yeah, Like if you if

0:30:02.840 --> 0:30:04.640
<v Speaker 1>you engage in this thing, you take the sugar pills,

0:30:04.640 --> 0:30:06.120
<v Speaker 1>then all of a sudden, your body is going to

0:30:06.280 --> 0:30:09.960
<v Speaker 1>respond as if it's actually being treated very much the

0:30:10.000 --> 0:30:13.840
<v Speaker 1>same in a ritual scenario. Another idea that came across

0:30:13.880 --> 0:30:15.280
<v Speaker 1>one of the links you sent me, and this comes

0:30:15.320 --> 0:30:20.280
<v Speaker 1>from Stanford University psychologist and graduate students Scott S. Biltmouth,

0:30:20.840 --> 0:30:24.120
<v Speaker 1>And the idea is that all this, you know, this synchronicity,

0:30:24.120 --> 0:30:27.920
<v Speaker 1>this this movement and sound in a communal ritual um

0:30:27.960 --> 0:30:31.080
<v Speaker 1>it really comes down to economic benefit, with the primary

0:30:31.080 --> 0:30:35.200
<v Speaker 1>goal of of being to spot the freeloader, yes, to

0:30:35.360 --> 0:30:38.880
<v Speaker 1>ferret out the person who's not really contributing really right, Right,

0:30:38.880 --> 0:30:40.280
<v Speaker 1>So it's kind of like, all right, we're all going

0:30:40.320 --> 0:30:43.080
<v Speaker 1>to do a big giant quare dance, and you can

0:30:43.080 --> 0:30:45.400
<v Speaker 1>tell that the guy who's totally not into it is

0:30:45.440 --> 0:30:47.840
<v Speaker 1>totally not into being a part of the group, and

0:30:47.880 --> 0:30:50.840
<v Speaker 1>therefore you can't you can't trust him as much him

0:30:50.880 --> 0:30:53.360
<v Speaker 1>or her. You can't trust them, you can't rely on them,

0:30:53.560 --> 0:30:55.440
<v Speaker 1>you know that in the end, or you can suspect

0:30:55.440 --> 0:30:56.640
<v Speaker 1>in the end they're going to be looking out for

0:30:56.720 --> 0:30:59.440
<v Speaker 1>number one rather than the whole group. They're not entering

0:30:59.440 --> 0:31:02.880
<v Speaker 1>into the social contract. So I think it's fascinating, right,

0:31:02.880 --> 0:31:05.920
<v Speaker 1>I mean, is this just particularly uh important back in

0:31:05.960 --> 0:31:11.160
<v Speaker 1>the days you know, obviously when uh people got together

0:31:11.320 --> 0:31:13.760
<v Speaker 1>in a more I don't know, how would you say

0:31:13.760 --> 0:31:17.400
<v Speaker 1>it's just a more formal way or more intentional way, right,

0:31:17.440 --> 0:31:21.840
<v Speaker 1>Because if you lived two miles five miles from another family,

0:31:21.920 --> 0:31:23.520
<v Speaker 1>then you really had to make a concerted effort to

0:31:23.560 --> 0:31:25.959
<v Speaker 1>get together socially. Yeah, I mean, I think a lot

0:31:26.000 --> 0:31:27.680
<v Speaker 1>of us have been in situations where there's like some

0:31:27.680 --> 0:31:30.720
<v Speaker 1>sort of a group activity that's happening with work, and

0:31:30.760 --> 0:31:32.720
<v Speaker 1>you maybe don't really want to go to it, or

0:31:32.720 --> 0:31:34.920
<v Speaker 1>you've got other things that need to be done, but

0:31:35.840 --> 0:31:37.720
<v Speaker 1>you feel like you should. And and part of that

0:31:37.840 --> 0:31:39.800
<v Speaker 1>is because, yeah, it's like the people who don't show up,

0:31:39.880 --> 0:31:41.720
<v Speaker 1>or the people who show up and are really obviously

0:31:41.720 --> 0:31:44.280
<v Speaker 1>not into it. Can they be trusted? Are they really

0:31:44.280 --> 0:31:47.880
<v Speaker 1>a part of the group or they are they freeloaders? Well,

0:31:47.920 --> 0:31:49.360
<v Speaker 1>and then also they're kind of wearing a little bit

0:31:49.360 --> 0:31:51.160
<v Speaker 1>of jerk perfume. You know, you don't want to look

0:31:51.200 --> 0:31:54.880
<v Speaker 1>like a jerk. Okay, So back to Erica jong Um again.

0:31:54.960 --> 0:31:58.360
<v Speaker 1>She talked about this in her ForWord that ritual intention

0:31:58.440 --> 0:32:00.800
<v Speaker 1>counts for everything. It must be positive. And the more

0:32:00.840 --> 0:32:04.040
<v Speaker 1>witches there are sitting in a circle practicing communal intention,

0:32:04.120 --> 0:32:06.520
<v Speaker 1>the more potency the magic will have. Okay, So that's

0:32:06.560 --> 0:32:08.440
<v Speaker 1>the other part of it, right, Like if you participate,

0:32:08.480 --> 0:32:11.240
<v Speaker 1>if not that person is not participating, then they're weakening

0:32:11.280 --> 0:32:15.000
<v Speaker 1>what the group effort is. The desire for magic cannot

0:32:15.040 --> 0:32:18.600
<v Speaker 1>be eradicated. Even the most supposedly rational people attempt to

0:32:18.600 --> 0:32:22.640
<v Speaker 1>practice magic. In love and war, we simultaneously possessed the

0:32:22.720 --> 0:32:25.680
<v Speaker 1>most primitive of brain stems, and the most sophisticated of

0:32:25.720 --> 0:32:31.600
<v Speaker 1>cortex is the imperatives of each coexist uneasily. That reminds

0:32:31.600 --> 0:32:32.840
<v Speaker 1>me a little bit of this bit that I ran

0:32:32.880 --> 0:32:36.080
<v Speaker 1>across in this book The False Myth, Religion and the

0:32:36.200 --> 0:32:40.280
<v Speaker 1>Rise of Representation by David Hawkes, And he points out

0:32:40.320 --> 0:32:43.320
<v Speaker 1>that magical thinking first and foremost. It makes perfect sense

0:32:43.400 --> 0:32:47.000
<v Speaker 1>in to borrow a phrase from William Manchester, a world

0:32:47.120 --> 0:32:49.280
<v Speaker 1>lit only by fire. If you live in a world

0:32:49.360 --> 0:32:51.440
<v Speaker 1>with a lot of a lot of magical beliefs, it

0:32:51.560 --> 0:32:54.640
<v Speaker 1>pays to believe in magic, because that is the currency

0:32:55.240 --> 0:33:00.120
<v Speaker 1>um all right. But by the eighteenth century most un

0:33:00.240 --> 0:33:04.160
<v Speaker 1>Europeans are convinced that magic doesn't exist anymore. And and

0:33:04.280 --> 0:33:07.040
<v Speaker 1>you see which witches and wizards and warlocks. You see

0:33:07.040 --> 0:33:14.160
<v Speaker 1>them prosecuted not as a blaspheming monsters or dangerous idea dealers,

0:33:14.200 --> 0:33:17.480
<v Speaker 1>but rather as charlatan's and frauds, especially in the colonies.

0:33:17.520 --> 0:33:19.920
<v Speaker 1>And then m Hawks points out, and I'm going to

0:33:20.000 --> 0:33:22.000
<v Speaker 1>read a quotation here, he says, by the end of

0:33:22.000 --> 0:33:25.280
<v Speaker 1>the twentieth century, however, this process of enlightenment had been

0:33:25.320 --> 0:33:30.080
<v Speaker 1>subjected to such cogent philosophical and political critiques that few

0:33:30.080 --> 0:33:33.680
<v Speaker 1>people would endorse it unequivocally. We are much more conscious

0:33:33.680 --> 0:33:37.840
<v Speaker 1>than our forebears of the complicity between reason and magic. Uh.

0:33:37.840 --> 0:33:40.600
<v Speaker 1>And many would argue that the postmodern era, with its

0:33:40.680 --> 0:33:44.240
<v Speaker 1>virtual reality, its faith in the image, it's electronic money,

0:33:44.480 --> 0:33:47.440
<v Speaker 1>it's new age religions, is witnessing a return to the

0:33:47.480 --> 0:33:52.080
<v Speaker 1>kinds of overtly magical thinking that imperialism unsuccessfully tried to

0:33:52.120 --> 0:33:56.080
<v Speaker 1>stomp out in the Southern hemisphere, which I found really

0:33:56.160 --> 0:33:59.160
<v Speaker 1>interesting because indeed there are all these like electronic money,

0:33:59.320 --> 0:34:01.760
<v Speaker 1>is this on a real thing? I mean, the internet

0:34:01.800 --> 0:34:05.640
<v Speaker 1>itself is kind of this. You know, where is the internet? Right? Well,

0:34:05.680 --> 0:34:08.080
<v Speaker 1>I guess it depends quite a bit on our ability

0:34:08.120 --> 0:34:12.120
<v Speaker 1>to think magically, right, to think metaphorically. So perhaps that's

0:34:12.120 --> 0:34:15.640
<v Speaker 1>the reason why it hasn't been done away with by evolution, right,

0:34:15.680 --> 0:34:17.319
<v Speaker 1>because there are some people who say, why why do

0:34:17.360 --> 0:34:21.120
<v Speaker 1>we even have magical thinking anymore? When we have the ability,

0:34:21.239 --> 0:34:26.560
<v Speaker 1>even as tiny babies too innately understand physics or math

0:34:26.920 --> 0:34:31.040
<v Speaker 1>or language and what is real and what is not real. Um.

0:34:31.080 --> 0:34:32.959
<v Speaker 1>You know, kids by the age of six or seven

0:34:33.000 --> 0:34:36.400
<v Speaker 1>have a really great idea of what is real and

0:34:36.520 --> 0:34:39.840
<v Speaker 1>usually uh, let you know, Santa Claus or Easter Bunny

0:34:39.920 --> 0:34:42.799
<v Speaker 1>or anything else. So all those miss fall away. That

0:34:42.920 --> 0:34:45.400
<v Speaker 1>being said, why do we keep holding onto it? And

0:34:45.400 --> 0:34:48.240
<v Speaker 1>perhaps that's a reason why. Well, one more thing about

0:34:48.960 --> 0:34:51.960
<v Speaker 1>about all this before we close out the podcast, and

0:34:52.000 --> 0:34:54.319
<v Speaker 1>that's what we were talking about, which is meeting for

0:34:54.360 --> 0:34:57.319
<v Speaker 1>these Sabbaths. And I keep running across the image by

0:34:57.400 --> 0:35:01.560
<v Speaker 1>Francesca Dagoya, the which is Sabbath Great he Goat, which

0:35:01.600 --> 0:35:05.160
<v Speaker 1>is this this lovely image. Mcgoya's Goya was awesome, And

0:35:05.280 --> 0:35:08.280
<v Speaker 1>so it's all these women and they're they're they're arranged

0:35:08.440 --> 0:35:12.319
<v Speaker 1>like this big semicircle around the second like a harem. Yeah,

0:35:12.320 --> 0:35:14.080
<v Speaker 1>and there's somebody playing the accordion, which I thought was

0:35:14.080 --> 0:35:17.480
<v Speaker 1>a nice touch there with presumably Satan the Great he Goat,

0:35:17.520 --> 0:35:19.880
<v Speaker 1>this sort of goat figure. And and in many of

0:35:19.920 --> 0:35:22.000
<v Speaker 1>the old woodcuts, I love looking at old woodcuts of

0:35:22.160 --> 0:35:25.800
<v Speaker 1>witches and warlocks and all that, and the goat is

0:35:25.840 --> 0:35:29.880
<v Speaker 1>often depicted as really really raunchy and gross, and you know,

0:35:29.920 --> 0:35:32.560
<v Speaker 1>he's he's really deplorable looking, and it's like, oh, they're

0:35:32.920 --> 0:35:35.960
<v Speaker 1>these women are gathering to to worship and lay with

0:35:36.000 --> 0:35:39.200
<v Speaker 1>the horned one, and he's so gross and vile and

0:35:39.520 --> 0:35:42.319
<v Speaker 1>but in this image the great he Goat has it

0:35:42.320 --> 0:35:46.799
<v Speaker 1>seems to inspire some of the more sympathetic aspects of

0:35:46.880 --> 0:35:49.080
<v Speaker 1>like of of a goat for starters. And also this

0:35:49.160 --> 0:35:51.359
<v Speaker 1>kind of seems like a wise old man and these

0:35:51.440 --> 0:35:53.759
<v Speaker 1>ladies are I can't really judge him for going on

0:35:53.840 --> 0:35:55.359
<v Speaker 1>and hearing what he has to say. That's a goat

0:35:55.360 --> 0:35:58.440
<v Speaker 1>that looks like has wisdom. Yeah, no, I think that's

0:35:58.480 --> 0:36:02.239
<v Speaker 1>interesting take, but I still prefer the like um, the

0:36:02.640 --> 0:36:06.360
<v Speaker 1>red huge beast as depicted in South Park. Oh, and

0:36:07.120 --> 0:36:09.600
<v Speaker 1>it was very much in touch with his feelings. Yeah,

0:36:09.640 --> 0:36:11.480
<v Speaker 1>the way, and you I think you like the one

0:36:11.520 --> 0:36:15.400
<v Speaker 1>from a legend, right, I'm kind of partial to the

0:36:15.440 --> 0:36:18.759
<v Speaker 1>one Ernest borlad nine played in The Devil's Reign, which

0:36:18.800 --> 0:36:21.600
<v Speaker 1>had a cameo by Anton LaVey of the Church of Satan.

0:36:21.920 --> 0:36:25.839
<v Speaker 1>But Ernest borgnine turns into this man goat creature. It's

0:36:25.880 --> 0:36:31.840
<v Speaker 1>pretty awesome, all right. So you have it. One of

0:36:31.880 --> 0:36:34.880
<v Speaker 1>our favorite episodes and definitely one we wanted to resurrect

0:36:35.000 --> 0:36:38.160
<v Speaker 1>for your Halloween enjoyment. Indeed, do you have any thoughts

0:36:38.160 --> 0:36:40.720
<v Speaker 1>on witches on Halloween? You can send them to blow

0:36:40.760 --> 0:36:45.439
<v Speaker 1>the mind at house Stuff Works Dot com for more

0:36:45.480 --> 0:36:47.759
<v Speaker 1>on this and thousands of other topics. Is it how

0:36:47.800 --> 0:36:54.480
<v Speaker 1>Stuff Works dot com