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Speaker 1: Are you leaving on? You wanna way back home?

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Speaker 2: Either way, we want to be there.

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Speaker 1: Doesn't matter how much baggage you claim, and give us.

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Speaker 2: Time and a termino and gay.

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Speaker 3: We want to send you off in style.

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Speaker 1: Do you wanna welcome you back home? Tell us all

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Speaker 1: about it? We scared her? Was it fine? Malcorn?

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Speaker 3: Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 4: Do you need to ride?

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Speaker 3: Do with Karen and Chris welcome to Do you need

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Speaker 3: a ride? This is Chris Fairbanks and this is Karen Kilgareth.

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Speaker 4: I swear it's me, even though I sound like a

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Speaker 4: dusty cowboy.

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Speaker 5: You sound like a cold commercial. If you audition for

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Speaker 5: a cold commercial right now, you get it?

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Speaker 4: Oh coffee aching stuffy had fever.

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Speaker 3: I wish I could rest medisone?

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Speaker 5: Thank you, mister Fairfield, Thank you Fairbanks.

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Speaker 1: Yes, that was a great performance. Could you do it

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Speaker 1: again and just dial it down a little bit?

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Speaker 6: Oh oh god, how's that perfect?

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Speaker 1: Thank you?

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Speaker 3: Thank you, thank you.

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Speaker 1: We'll call your man the agent manager.

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Speaker 3: I am a free agent.

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Speaker 1: Oh I take my own calls on baseball only or

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Speaker 1: all comedy as well.

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Speaker 3: I just alt comedy.

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Speaker 1: I just love comedy.

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Speaker 4: I was up late, and I guess I was screaming

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Speaker 4: and forgot.

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Speaker 3: I don't know why I.

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Speaker 4: Sounded like Nick Nolty a joke by Martha Kelly, who's.

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Speaker 3: Going to be our guest?

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Speaker 1: Oh nice, you burn up a little harmitial as an intro.

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Speaker 3: Well, I knew she wasn't going to do it. She

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Speaker 3: said when I moved.

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Speaker 4: Her joke was when I moved to Texas, I saw

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Speaker 4: myself becoming a new person. I just didn't realize that

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Speaker 4: person might be Nick Nolan because she.

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Speaker 3: Said she was drinking and smoking a lot.

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Speaker 4: Since I moved to oscon Al, I've been doing is

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Speaker 4: drinking and smoking.

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Speaker 3: That's what I ruined the joke.

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Speaker 5: It's such a good joke either way, you can't ruin

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Speaker 5: that joke.

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Speaker 4: I'm so excited for her to be in the car.

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Speaker 4: Within we can talk about her while she's here.

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Speaker 1: Okay, right, everybody, get your orders ready? Oh yes, yes,

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Speaker 1: tro cold brew.

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Speaker 4: We'll be back in a minute. Right now, we're going

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Speaker 4: to order Starbucks. Oh sure, I interat we interrupted each other.

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Speaker 1: Where'd you get the sunglasses?

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Speaker 3: Amazon?

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Speaker 1: Amazing?

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Speaker 3: They really put me in a good mood when wearing them.

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Speaker 3: Don't wear them more.

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Speaker 5: Maybe let's use them when we need them, like on

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Speaker 5: who wants to be a millionaire?

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Speaker 3: Right?

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Speaker 1: Don't burn them up early?

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Speaker 3: Your phone and glass?

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Speaker 1: It makes me feel like there's a friend on the

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Speaker 1: phone wearing these glasses.

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Speaker 3: Do people drink coffee?

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Speaker 1: That's okay? Can I get a Venti iced coffee? What

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Speaker 1: do you want?

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Speaker 5: I'll have Grandee ice coffee, nothing in it, and also sorry,

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Speaker 5: Grande iced coffee, Stephen vent.

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Speaker 3: I'll do Grande Vanila ice okay, first.

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Speaker 1: Day of the summer and a Grande Vanilla latte iceed?

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Speaker 3: Please?

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Speaker 4: Is there anything in those ice coffees?

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Speaker 1: No? But they're both clean.

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Speaker 2: Maybe else?

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Speaker 1: That's all? Okay? Why are you mad at me? It

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Speaker 1: always goes wrong?

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Speaker 3: What happened to us?

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Speaker 1: There's one guy that works here that I'm pretty sure

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Speaker 1: doesn't like.

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Speaker 3: Me, really, just by his voice, the voice.

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Speaker 5: The vibe when I get up to the window every time,

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Speaker 5: I feel coldness.

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Speaker 4: Sometimes though, in a drive through situation, once you're in

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Speaker 4: front of them and you see their face and all

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Speaker 4: balance is out because he sounds like a jerk, and

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Speaker 4: then you see him and he's like, hey, happy face.

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Speaker 3: True, that's true.

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Speaker 5: But I've gone through this once before with this guy

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Speaker 5: and it didn't happen that way.

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Speaker 1: It felt like I owed him fifty dollars.

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Speaker 3: Huh. I don't like it when people treat you like

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Speaker 3: you owe money.

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Speaker 1: It could be my projection. You know. I've been listening

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Speaker 1: to a lot of you know, Ram Das has a podcast.

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Speaker 3: I'm going I'm going to listen to it.

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Speaker 5: There's a podcast called be Here Now, and it's just

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Speaker 5: all his old speeches from the seventies to like through

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Speaker 5: the two thousands or nineties or whatever. And it's so

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Speaker 5: good because all it is is like, yeah, everyone's just

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Speaker 5: tripping out and thinking everything's real and nothing's real. Oh,

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Speaker 5: it's like a thousand different ways of saying that.

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Speaker 1: It's very cool.

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Speaker 3: I want Yeah, would that Would it make me feel good?

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Speaker 3: Or would I start to feel like life it's worthless? No?

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Speaker 5: No, you feel good because it's that the point of

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Speaker 5: life is not to suffer.

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Speaker 1: Your going to suffer, that's automatic.

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Speaker 5: The point of life is letting go and trying to

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Speaker 5: cause less negative shit in the world and instead help.

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Speaker 3: But at the same time reminding me I will suffer.

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Speaker 1: Well, that's inevitable. I don't have to be reminded because

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Speaker 1: it's probably already had should.

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Speaker 3: Not always be thinking that anyway.

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Speaker 1: No, it's just gonna happen. You don't have to think

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Speaker 1: that happens.

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Speaker 3: But right when I wake up is what I should

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Speaker 3: be thinking.

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Speaker 1: Now, Okay, you already are.

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Speaker 3: Okay, I'm suffering.

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Speaker 1: Now you're suffering, and the goal is to try to stop.

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Speaker 3: Are other people suffering at my hands?

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Speaker 5: Stephen's suffering because of this conversation, that's for sure.

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Speaker 1: Let's happy glass them.

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Speaker 3: These are literally rose colored lenses.

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Speaker 1: They're bright red lenses. They are so nice to look

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Speaker 1: through the sky.

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Speaker 4: Is I mean, I don't want to describe my acid

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Speaker 4: trip right now, but these glasses are It's it's a.

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Speaker 3: Excuse me, really love it?

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Speaker 1: Excuse me? While I kissed the sky? Can I have

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Speaker 1: my son? My? O? What is it about these?

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Speaker 5: They make the the sky is lavender? It turns the

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Speaker 5: sky lavender and everything else pink? Yeah, and then your

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Speaker 5: whole like it feels like the same feeling as eating

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Speaker 5: with sobby.

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Speaker 1: Can I have my purse?

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Speaker 3: So I need that?

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Speaker 5: It's it's the Starbucks card. Oh, yes, that our friend

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Speaker 5: gave us. And I believe Pittsburgh. But now I can't remember.

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Speaker 4: So last night, I uh went to a I was

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Speaker 4: invited to a house party, okay, and I knew nothing

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Speaker 4: about it. My friend just said, yeah, there's food, and

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Speaker 4: it's in the hills behind UCB. And so it was

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Speaker 4: this just beautiful house with a pool and a bunch

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Speaker 4: of people. I just knew two people there, my buddy Chadwick,

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Speaker 4: who used to put on shows and we're pretty close.

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Speaker 3: But I didn't know anyone else there.

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Speaker 4: And then gradually throughout the night everyone was a beautiful person.

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Speaker 4: I'm like, I guess it was my first reminder of

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Speaker 4: what it's like to be in a Hollywood party, but

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Speaker 4: they were my age.

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Speaker 3: Just everyone was gorgeous.

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Speaker 1: Yeah, and everyone hi, no, that's okay. I'm not sure

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Speaker 1: how much are all music? Cards?

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Speaker 3: And everyone at this party was super friendly.

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Speaker 1: Oh okay, I'm gonna start over. I will thank you. Look,

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Speaker 1: you knew I was driving through the whole time.

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Speaker 3: I'd forgot. I give you the total in that card.

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Speaker 1: Oh, thank you, coffee, thank you. That one's mine, right,

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Speaker 1: I'll put that on the door. Then oh, everyone gets

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Speaker 1: a straw, thank you, that's yours. Stephen, thank you. Color

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Speaker 1: not even close. Hong Kong. Okay, sorry you were out.

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Speaker 1: The beautiful people were at the party I was. It

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Speaker 1: was clearly not a comedy party.

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Speaker 4: It wasn't, although some people knew about comedy. And the

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Speaker 4: guy that lived there had done some commercial acting, and

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Speaker 4: I recognized him as a Mazarro looking who's that actor

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Speaker 4: that was in company of men?

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Speaker 3: Oh?

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Speaker 1: The guy with Aaron a beautiful face.

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Speaker 4: Aaron beautiful face. So he was a beautiful man, buddy.

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Speaker 4: It was just like, I get uncomfortable when everyone around

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Speaker 4: me is like a model and a model. Yeah, and

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Speaker 4: then I get even more uncomfortable when they're coming up.

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Speaker 4: I might okay, scientology is happening or something, because everyone

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Speaker 4: was saying, hey, how were you?

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Speaker 3: They were all being really nice and welcoming.

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Speaker 4: To me, and then everyone watching, No friendly people, beautiful people.

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Speaker 4: Numbers are dwindling. No, it's getting down to a musical

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Speaker 4: chair situation. Are they going to lay down a tarpause

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Speaker 4: it's going to be an orgy?

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Speaker 1: Is this another one of your orgy mistakes?

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Speaker 4: Am I going to be asked to leave when said

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Speaker 4: or just starts? Which happened at a lobster bake. It

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Speaker 4: turned into an orgy. I didn't want to see anyone naked,

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Speaker 4: but I did. My feelings were hurt when because I

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Speaker 4: was alone, I didn't have a partner to share.

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Speaker 3: I was asked to leave. Yes, but I'm like, can

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Speaker 3: I watch just as a scientist?

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Speaker 5: You know, unless you put this clinique jack Jon, I

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Speaker 5: have a clipboard?

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Speaker 3: May I watch your organ please?

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Speaker 5: May I just comment and tap the pen against my

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Speaker 5: mouth every once in a while.

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Speaker 4: So these women were going, can I getting your contact

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Speaker 4: your Instagram?

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Speaker 3: Or I'm like, okay, maybe it's a networking thing.

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Speaker 4: I don't I'm too old for Why is this woman

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Speaker 4: asking for my information? I finally just asked a girl there,

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Speaker 4: I'm like, why is everyone here beautiful?

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Speaker 1: What is this?

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Speaker 4: And she said, oh, we were sent here by a

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Speaker 4: millionaire matchmaker. They were at a party to meet rich men,

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Speaker 4: and they were confusing me.

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Speaker 3: For a rich man.

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Speaker 1: What, yes, are you serious?

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Speaker 3: Happened?

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Speaker 1: Chris? You have to call all of these women, call

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Speaker 1: them all.

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Speaker 3: It would sounds expensive.

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Speaker 1: But look, what they want at the end of the

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Speaker 1: day is security and love. It doesn't mean dollar dollar

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Speaker 1: dollar bills. It doesn't have to.

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Speaker 4: Once once I heard millionaire matchmaker, I was like, okay,

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Speaker 4: I don't buy it. And then and then someone said, yes,

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Speaker 4: that guy was on the Bachelor, this guy, there's a scene,

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Speaker 4: there's a reality slash.

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Speaker 3: Let's marry rich people.

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Speaker 4: I'm not saying it's a prostitution or anything, of course not.

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Speaker 3: It's like, hey, let's all put these people in the

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Speaker 3: same place.

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Speaker 5: Sure, it's fine. Yes, you're not calling the cops or

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Speaker 5: being an arc.

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Speaker 3: No at all.

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Speaker 4: But it was I'm really I'm glad that I have

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Speaker 4: that story and that I've told it.

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Speaker 1: Chris, you have to call those women. You have to

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Speaker 1: get in contact and say, hey, I know that you think,

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Speaker 1: you think you know what you need. But I'm Chris Fairbanks,

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Speaker 1: and I'm here to say, you know what are you wrap?

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Speaker 1: They're your white wrap.

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Speaker 3: That you like to do, and I'm here to.

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Speaker 1: Say I'm in love with you in a major way.

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Speaker 1: Isn't that what you want? At the end of the day,

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Speaker 1: that was good.

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Speaker 4: You had a girl, though, and then all of a

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Speaker 4: sudden it didn't run. Oh I don't want to be

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Speaker 4: a stickler.

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Speaker 5: Look, I was doing more of Bobby Brown into flood

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Speaker 5: wrap right right place the word girl in.

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Speaker 3: All right, it's your prerogative to do so.

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Speaker 1: Look, she's your TENDERNI you know it. I know it.

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Speaker 1: Did you ever say that, yes is a song and

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Speaker 1: put it on and get sued It'll be worth it. Yes,

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Speaker 1: you don't know that song.

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Speaker 3: I hate that word.

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Speaker 1: Sorry, we have this, Sorry, we have a cat and

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Speaker 1: a pause for gas for gas. I love that all

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Speaker 1: of a sudden that we were surrounded by baby skateboarders.

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Speaker 1: Yea favorite.

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Speaker 3: Look at that.

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Speaker 4: It reminds me. That's why I love that mid nineties

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Speaker 4: movie so much. It's just my That's what I did.

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Speaker 4: I would go with my friends and we'd skate at

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Speaker 4: gas stations.

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Speaker 1: Because it's a little bump.

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Speaker 4: Also because the curbs always had metal on the edges

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Speaker 4: so you could grind on it. Oh okay, and those

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Speaker 4: kids and then Stephen was taking their picture, and it's

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Speaker 4: so you're like, a, yeah, so Stephen was taking the

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Speaker 4: pictures of those skater kids.

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Speaker 3: Can I help you with them? Mike? I think you're good.

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Speaker 3: When that was the best that was ended, Mike Lapel,

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Speaker 3: I've ever seen.

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Speaker 1: One handed Lapel snatch. Okay, but you were saying they

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Speaker 1: were actually good.

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Speaker 3: It's just it's no, no, they were. They were just

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Speaker 3: cute kids.

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Speaker 4: And I'm nostalgic, but once Steven's taking a photo of him,

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Speaker 4: I understand why he felt uncomfortable in that against me,

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Speaker 4: because you're not supposed to.

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Speaker 1: It's okay if I do it, though, because I'm like

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Speaker 1: the old gal guests.

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Speaker 4: I was at the Venice skate park a few years

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Speaker 4: ago and some guy with a nice camera was just

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Speaker 4: taking pictures of kids skateboarding, which is harmless enough, but

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Speaker 4: he was hiding the camera under a jacket ew and

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Speaker 4: he was just taking pictures of a couple young kids. Yes,

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Speaker 4: so I kind of noticed it was happening and I

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Speaker 4: but it wasn't registering. Then all of a sudden, one

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Speaker 4: of the dads of one of the kids got in

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Speaker 4: this guy's face and I think he grabbed the camera

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Speaker 4: and threw it down. There was like an altercation good

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Speaker 4: and I was like, actually, I think I interrupted and

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Speaker 4: I was like, I think, actually, this guy was just

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Speaker 4: taking photos of skateboarding. I don't think it was in

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Speaker 4: a creepy way. And the guy was from France or something.

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Speaker 4: He didn't speak English, the photographer guy, so it was

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Speaker 4: a how convenient And then the dad was like oh

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Speaker 4: and then it I don't know, I don't know if

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Speaker 4: he was.

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Speaker 3: Reacting appropriately. Appropriately he was or not.

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Speaker 5: He probably was, because if the camera was not under

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Speaker 5: a jacket, it would be a different story. And if

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Speaker 5: the guy was like, I'm doing this thing, is it okay?

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Speaker 1: You can't just go take pictures of jar.

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Speaker 4: I couldn't tell. How much did I tell you about

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Speaker 4: the I'm in Austin. Some guy pulled up. I was skateboarding.

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Speaker 4: It's some guy in a classic white window liss Van

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Speaker 4: so I thought he's a delivery man or something. He

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Speaker 4: pulled over and said, hey, man, I am doing a

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Speaker 4: photo book about different athletes and there and it's like

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Speaker 4: a body book.

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Speaker 3: I can I see your abs?

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Speaker 1: No, I'm like, how old were you?

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Speaker 3: I was in my mid twenties. I'm like I don't sure.

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Speaker 4: And I pulled up my shirt and he took a

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Speaker 4: picture and then he just kind of smiled and I

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Speaker 4: was like hey, and they drove off.

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Speaker 3: So he got a free he had.

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Speaker 1: He got a freebie.

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Speaker 4: He's a he's a ab snapshot bandit and the jokes

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Speaker 4: on him.

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Speaker 3: I never in my life have I had abs. So

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Speaker 3: he was like probably kind of disappointment.

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Speaker 4: He's like, that's a skateboarder's mid section that seems a

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Speaker 4: little swishy.

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Speaker 2: Do But you're like, yeah, okay, wait a seconds, just.

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Speaker 1: Like an eight second delay.

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Speaker 4: He smiled a little like that. I'm not writing a book.

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00:16:01,000 --> 00:16:03,600
Speaker 4: Look at these and have parked in a field somewhere.

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Speaker 1: That's the thing about That's the thing about perves. They

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Speaker 1: always give themselves away.

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Speaker 5: Yeah, they can't help but snicker and laugh, yeah, and

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Speaker 5: be creeps.

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Speaker 4: And curl their lip and have their their brows sweat

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Speaker 4: a little.

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Speaker 5: Yeah, collect children in a cage underneath the city.

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Speaker 4: Oohat children, and then take pictures of about a gas station.

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Speaker 1: Sorry, Stephen, but you're reported to the police. It's such

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00:16:30,440 --> 00:16:30,960
Speaker 1: a setup.

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Speaker 5: I was like, Stephen, casually do this favor for me.

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00:16:33,760 --> 00:16:35,880
Speaker 5: It's podcasts related. Therefore you have to.

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Speaker 3: Say, yeah, yes, yes, next thing I know.

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00:16:38,440 --> 00:16:42,360
Speaker 1: Now I got the goods on you, Stephen. Yeah, you

339
00:16:42,400 --> 00:16:43,520
Speaker 1: got to watch it. In this town.

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Speaker 4: Uh, they are not gonna like you specifically in the

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Speaker 4: big House.

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00:16:48,920 --> 00:16:51,040
Speaker 3: You're gonna have to give a lot of a lot

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00:16:51,080 --> 00:16:52,920
Speaker 3: of your desserts away.

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Speaker 5: I feel like Stephen would be just like Paddington do

345
00:16:55,720 --> 00:16:57,960
Speaker 5: too in the Big House, where he would go in

346
00:16:58,040 --> 00:16:59,760
Speaker 5: and you'd be so worried for him, But then he'd

347
00:16:59,760 --> 00:17:03,040
Speaker 5: start recording everybody's podcast and he would become like the

348
00:17:03,120 --> 00:17:05,480
Speaker 5: jailhouse Accountant where he's actually beloved.

349
00:17:05,520 --> 00:17:08,399
Speaker 4: Oh yeah, he'd have the first behind the prison scenes

350
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Speaker 4: HBO podcast.

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00:17:09,720 --> 00:17:12,400
Speaker 1: Yeah, well, you know there is one jail talk it is.

352
00:17:12,440 --> 00:17:15,200
Speaker 1: There is one from fucking San Quentin and it's amazing.

353
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Speaker 3: Oh wow, yes.

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00:17:17,840 --> 00:17:21,080
Speaker 5: Shit, Stephen, what's it called. We've talked about it on

355
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Speaker 5: my favorite murder. It's really good.

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Speaker 1: It's it's god damn it. I can't fucking remember anything

357
00:17:28,000 --> 00:17:29,679
Speaker 1: or I have to stop eating sugar.

358
00:17:30,040 --> 00:17:31,320
Speaker 3: Is that? Do you think it's sugar?

359
00:17:31,400 --> 00:17:34,360
Speaker 5: It is absolutely. When I eat sugar and carbs, it's

360
00:17:34,400 --> 00:17:37,199
Speaker 5: like fog brain. I can't think of anything. It's so

361
00:17:37,359 --> 00:17:38,160
Speaker 5: bad for your brain.

362
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Speaker 3: Really, yeah, it is the name of the podcast.

363
00:17:43,119 --> 00:17:47,120
Speaker 4: Oh wow, thank you. That's an interesting name. It makes

364
00:17:47,119 --> 00:17:47,919
Speaker 4: me want to listen.

365
00:17:48,119 --> 00:17:52,240
Speaker 1: You should because it's it's it's inmate hosted and then

366
00:17:52,400 --> 00:17:54,840
Speaker 1: inmate stories of either how they got there or what

367
00:17:54,880 --> 00:17:55,879
Speaker 1: they're doing or whatever.

368
00:17:55,920 --> 00:17:59,040
Speaker 5: But it's amazing. It's really eye opening. And I think

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00:17:59,080 --> 00:18:02,560
Speaker 5: it's co produced. I want to say it's co produced,

370
00:18:02,560 --> 00:18:03,320
Speaker 5: like by wondering.

371
00:18:03,960 --> 00:18:04,200
Speaker 2: I'm not.

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00:18:04,240 --> 00:18:07,080
Speaker 1: I can't remember, but let's not get into more information.

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00:18:07,160 --> 00:18:07,639
Speaker 1: I guess yes.

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00:18:10,040 --> 00:18:13,680
Speaker 3: The list of possible information, either.

375
00:18:13,560 --> 00:18:18,600
Speaker 1: Produced by Wondery or any other place. There is me

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00:18:18,680 --> 00:18:20,960
Speaker 1: own radiotopia, and.

377
00:18:21,040 --> 00:18:25,360
Speaker 4: I think I am as interested in prison situations as

378
00:18:25,440 --> 00:18:26,520
Speaker 4: you are in murders.

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Speaker 3: I watch all of the documentary.

380
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Speaker 1: Is that true?

381
00:18:29,560 --> 00:18:34,120
Speaker 4: There's an HBO one lock up ro This guy became

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00:18:34,200 --> 00:18:38,680
Speaker 4: a racist murderer in prison. He was put in jail.

383
00:18:38,920 --> 00:18:42,159
Speaker 4: I can't remember what for attempting to kill someone, and

384
00:18:42,200 --> 00:18:47,199
Speaker 4: then he became a terrible person in prison. It was

385
00:18:47,320 --> 00:18:50,040
Speaker 4: just about the criminal he became behind bars, right.

386
00:18:50,440 --> 00:18:52,440
Speaker 1: Was it a white supremacist thing or was it a.

387
00:18:52,440 --> 00:18:54,760
Speaker 3: CPS blood stick? It was a white supremacist thing.

388
00:18:54,840 --> 00:18:55,040
Speaker 4: Yeah.

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Speaker 5: I think that's very common because you have to join

390
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Speaker 5: your group to stay alone.

391
00:19:00,040 --> 00:19:04,720
Speaker 4: I've in prison and my friend in Austin Vegas, James

392
00:19:04,840 --> 00:19:06,600
Speaker 4: was from Las Vegas and he was in a lot

393
00:19:06,640 --> 00:19:09,080
Speaker 4: of punk bands and he was in a band with

394
00:19:09,119 --> 00:19:13,520
Speaker 4: a guy from dri He was in that scene Jardimbeciles. Yes,

395
00:19:14,119 --> 00:19:17,880
Speaker 4: the drummer was a drummer in his band and this

396
00:19:17,960 --> 00:19:19,560
Speaker 4: guy was one of his friends.

397
00:19:20,040 --> 00:19:20,359
Speaker 1: Wow.

398
00:19:20,520 --> 00:19:24,719
Speaker 4: And he was like and now he's a empty person

399
00:19:24,800 --> 00:19:25,399
Speaker 4: in prison.

400
00:19:25,720 --> 00:19:26,760
Speaker 1: That sucks shit.

401
00:19:27,160 --> 00:19:29,160
Speaker 3: And the prison made him that way.

402
00:19:29,400 --> 00:19:32,600
Speaker 4: It's yes, and maybe he also had avoid to fill

403
00:19:33,400 --> 00:19:37,560
Speaker 4: perhaps brain that it was yearning for evil could have been.

404
00:19:37,640 --> 00:19:40,200
Speaker 1: Or he just didn't think it through. That's this That's

405
00:19:40,240 --> 00:19:42,560
Speaker 1: the one that I feel like people never it's like, oh,

406
00:19:42,600 --> 00:19:44,359
Speaker 1: but you get what you deserve or whatever.

407
00:19:44,520 --> 00:19:46,720
Speaker 5: But it's like, but there's people in situations where they

408
00:19:46,720 --> 00:19:49,679
Speaker 5: don't go, but I'm going to send myself to a

409
00:19:49,720 --> 00:19:52,320
Speaker 5: living hell. They go, I have to get this thing done.

410
00:19:52,359 --> 00:19:56,320
Speaker 5: I have to do something about my drugs or yeah, yeah,

411
00:19:56,359 --> 00:20:00,879
Speaker 5: my money or whatever. Revenge like it's thinking through is never.

412
00:20:00,760 --> 00:20:01,560
Speaker 1: A big part of it.

413
00:20:01,640 --> 00:20:03,480
Speaker 4: I want to be on one of those shows where

414
00:20:03,720 --> 00:20:05,879
Speaker 4: I'm like an ex military guy and I yelled at

415
00:20:05,960 --> 00:20:08,400
Speaker 4: him and I just yell at the prisoners and you didn't.

416
00:20:08,119 --> 00:20:12,320
Speaker 3: Think it through. You kind of think things through.

417
00:20:12,400 --> 00:20:15,160
Speaker 1: Man, it's an ex military guy and or my mom

418
00:20:16,000 --> 00:20:21,360
Speaker 1: just think it through. Karen, think it through. I don't

419
00:20:21,400 --> 00:20:22,439
Speaker 1: know who that character is.

420
00:20:23,840 --> 00:20:26,359
Speaker 4: I don't know, but I want to see her played

421
00:20:26,400 --> 00:20:29,840
Speaker 4: by Maria Bamford on something Think it Through.

422
00:20:30,720 --> 00:20:33,639
Speaker 1: There's a little Canadian accent in there. Oh what you

423
00:20:33,720 --> 00:20:34,600
Speaker 1: think it through?

424
00:20:36,160 --> 00:20:39,600
Speaker 3: Where you have you been traveling? Yes? And live? What

425
00:20:39,760 --> 00:20:41,879
Speaker 3: cities have you been doing. Get so excited because you

426
00:20:41,960 --> 00:20:43,200
Speaker 3: get to go to actual cities.

427
00:20:43,359 --> 00:20:46,000
Speaker 1: I know we've been to Let's see these last two

428
00:20:46,040 --> 00:20:47,960
Speaker 1: weeks that were back to back, which made it a

429
00:20:48,000 --> 00:20:51,280
Speaker 1: little a little hard. Was is this my exit?

430
00:20:51,480 --> 00:20:54,480
Speaker 3: It is, it's helping, it is kind.

431
00:20:54,359 --> 00:21:00,520
Speaker 1: Of was Pittsburgh, two Knights in Pittsburgh, Cincinnati and Napolis.

432
00:21:00,640 --> 00:21:02,360
Speaker 1: Then we came home for three days.

433
00:21:02,240 --> 00:21:07,399
Speaker 5: And then we went out to Kansas City, Kansas City,

434
00:21:07,520 --> 00:21:08,160
Speaker 5: Devoye and.

435
00:21:08,119 --> 00:21:10,960
Speaker 3: Omaha Boo wow.

436
00:21:11,320 --> 00:21:15,000
Speaker 4: And when you went to Kansas City, here's a few

437
00:21:15,000 --> 00:21:17,800
Speaker 4: things I realized the many you get there. If you

438
00:21:17,840 --> 00:21:20,320
Speaker 4: have sprint, which I do, and I'm going to stop

439
00:21:21,080 --> 00:21:21,520
Speaker 4: very soon.

440
00:21:21,560 --> 00:21:22,960
Speaker 3: I'll tell you about that afterwards.

441
00:21:23,480 --> 00:21:24,800
Speaker 1: I'd love to hear about your phone bill.

442
00:21:24,960 --> 00:21:28,040
Speaker 4: People know they've Yesterday they called me and said, your

443
00:21:28,440 --> 00:21:32,560
Speaker 4: your new iPhone's arriving, and then last week your iPad

444
00:21:32,680 --> 00:21:33,200
Speaker 4: is arriving.

445
00:21:33,440 --> 00:21:36,600
Speaker 3: Someone has been buying shit, buying shit through my.

446
00:21:36,560 --> 00:21:40,240
Speaker 4: Account and it's because I applied for that fake apartment.

447
00:21:40,520 --> 00:21:42,960
Speaker 3: Oh right, yes, I've been having.

448
00:21:44,640 --> 00:21:48,480
Speaker 4: Problems yees, identity theft. Anyway, Right when you get to

449
00:21:48,560 --> 00:21:51,480
Speaker 4: Kansas City, though, they're like, welcome to Kansas City, and

450
00:21:51,520 --> 00:21:54,640
Speaker 4: our city's free internet, like free WiFi.

451
00:21:54,960 --> 00:21:57,160
Speaker 1: Is that true? Yeah, Oh, I didn't even notice.

452
00:21:56,960 --> 00:22:01,760
Speaker 4: They just have WiFi in the city. That's so everyone

453
00:22:01,920 --> 00:22:04,600
Speaker 4: with Sprint. It's because I guess Sprint is based there.

454
00:22:05,200 --> 00:22:08,040
Speaker 4: And then also that's really smart I did. I did

455
00:22:08,080 --> 00:22:10,960
Speaker 4: shows and I was wandering around. I didn't know anyone,

456
00:22:11,080 --> 00:22:14,400
Speaker 4: and people were so friendly. These guys who I thought

457
00:22:14,400 --> 00:22:17,159
Speaker 4: were going to rough me up were like, hey, you

458
00:22:17,240 --> 00:22:21,159
Speaker 4: knew to town, and I'm like, oh boy, hey guys.

459
00:22:21,240 --> 00:22:23,399
Speaker 4: And then they're like, would you like to go to

460
00:22:24,160 --> 00:22:28,600
Speaker 4: this underground after hour jazz club. And I went with

461
00:22:28,720 --> 00:22:32,240
Speaker 4: these strangers and watched jazz till like four in the morning,

462
00:22:32,280 --> 00:22:35,280
Speaker 4: and it was the best jaz I couldn't believe. I've

463
00:22:35,320 --> 00:22:37,560
Speaker 4: never been a jazz man. You know, I'm not a

464
00:22:37,640 --> 00:22:39,720
Speaker 4: jazz That's true. I do know that I'm not a

465
00:22:39,800 --> 00:22:42,440
Speaker 4: jazz singer. No, I don't.

466
00:22:42,480 --> 00:22:45,280
Speaker 3: My mom liked frenetic, flippy too jazz and it made

467
00:22:45,320 --> 00:22:45,800
Speaker 3: me nervous.

468
00:22:46,160 --> 00:22:47,040
Speaker 1: It's nerve wrecking.

469
00:22:47,160 --> 00:22:49,680
Speaker 4: Yeah, Like la Howard Kramer says, it makes you want

470
00:22:49,720 --> 00:22:55,800
Speaker 4: to go run errands, go to the bank, wash my clothes.

471
00:22:57,119 --> 00:22:59,480
Speaker 4: I don't know that's how that's his jo. I do

472
00:22:59,600 --> 00:23:02,760
Speaker 4: other people's jokes now, other people's go that's the.

473
00:23:02,720 --> 00:23:04,159
Speaker 1: Best way to hear jokes.

474
00:23:04,400 --> 00:23:08,840
Speaker 5: Yes, other people interpreting it's me jazz style appreciating.

475
00:23:09,240 --> 00:23:12,960
Speaker 4: But it was the best I've never seen jazz like that.

476
00:23:13,160 --> 00:23:18,680
Speaker 4: It was And apparently there's that. That's part of the

477
00:23:18,720 --> 00:23:21,880
Speaker 4: history of Kansas City. Is there's a New Orleans jazz thing.

478
00:23:22,040 --> 00:23:25,960
Speaker 1: Yeah, they're big. They have their own big jazz jazz

479
00:23:26,200 --> 00:23:28,600
Speaker 1: barbecue justin Timberlake.

480
00:23:28,840 --> 00:23:30,600
Speaker 4: Did you go to the jazz I want to say

481
00:23:30,640 --> 00:23:32,359
Speaker 4: it was called the Green Door something.

482
00:23:32,400 --> 00:23:34,119
Speaker 1: We didn't go anywhere. We went to a sports bar

483
00:23:34,200 --> 00:23:35,840
Speaker 1: the night we got there because it was the closest

484
00:23:35,840 --> 00:23:36,760
Speaker 1: thing to the hotel.

485
00:23:36,480 --> 00:23:39,159
Speaker 3: Where you're way deep into sports.

486
00:23:39,200 --> 00:23:42,800
Speaker 5: Oh my god, whether it's basketball or football, I don't

487
00:23:42,960 --> 00:23:45,000
Speaker 5: I don't even give a fuck.

488
00:23:46,840 --> 00:23:48,520
Speaker 3: Actually, sports people do give a fuck.

489
00:23:48,640 --> 00:23:49,000
Speaker 1: Oh they do.

490
00:23:49,240 --> 00:23:50,840
Speaker 3: Yeah, yeah, yeah, they're into it.

491
00:23:50,920 --> 00:23:54,240
Speaker 4: Yeah they really give fucksy that's all they do.

492
00:23:54,359 --> 00:23:57,600
Speaker 1: Yeah, no, me too, so much. And what it was

493
00:23:57,600 --> 00:24:01,960
Speaker 1: was I like TV on super loud while I eat salad.

494
00:24:02,359 --> 00:24:05,520
Speaker 1: And that's what happens at a sports bar, the loudest TV.

495
00:24:05,760 --> 00:24:09,160
Speaker 4: It is important for me on Thanksgiving to have football

496
00:24:09,200 --> 00:24:12,080
Speaker 4: playing in the background. Yes, it is a festive It

497
00:24:12,119 --> 00:24:13,560
Speaker 4: adds to the festivities.

498
00:24:13,800 --> 00:24:15,560
Speaker 5: Yeah, if I went to my father's house and there

499
00:24:15,680 --> 00:24:18,320
Speaker 5: wasn't a sport on the television in the background of

500
00:24:18,440 --> 00:24:19,520
Speaker 5: some kind, it's.

501
00:24:19,880 --> 00:24:20,719
Speaker 3: Very bad feeling.

502
00:24:20,920 --> 00:24:22,080
Speaker 1: That's something's very off.

503
00:24:23,880 --> 00:24:25,800
Speaker 5: But we had a great time, and just speaking of

504
00:24:25,920 --> 00:24:27,960
Speaker 5: how cool and nice people are.

505
00:24:29,200 --> 00:24:31,320
Speaker 1: A couple nights in a row, Vince was like, we

506
00:24:31,440 --> 00:24:33,480
Speaker 1: got it. You guys got to stop talking to people.

507
00:24:33,560 --> 00:24:35,560
Speaker 1: We have to move these meet and greets along. Because

508
00:24:35,640 --> 00:24:38,359
Speaker 1: usually people walk up, they say Hi, They'll say like,

509
00:24:38,600 --> 00:24:40,400
Speaker 1: here's a book I want you to read, or here's

510
00:24:40,440 --> 00:24:41,320
Speaker 1: the thing I want you to know.

511
00:24:41,760 --> 00:24:45,159
Speaker 5: It's like mostly like a one minute, two minute exchange.

512
00:24:45,440 --> 00:24:47,600
Speaker 5: Sometimes people be I just want to tell you the story,

513
00:24:47,600 --> 00:24:49,560
Speaker 5: and then they'll tell some amazing thing. But for the

514
00:24:49,560 --> 00:24:52,160
Speaker 5: most part, it's pretty fast. We were going so slow

515
00:24:52,200 --> 00:24:55,000
Speaker 5: in all those cities the last couple of weekends that

516
00:24:55,160 --> 00:24:58,239
Speaker 5: it's like, dude, you guys there, like one one night,

517
00:24:58,280 --> 00:25:00,560
Speaker 5: the parking structure across the street was closing.

518
00:25:00,640 --> 00:25:02,720
Speaker 1: We took so long, and they're like, we have to

519
00:25:02,720 --> 00:25:05,040
Speaker 1: move people up in the line who are part across

520
00:25:05,040 --> 00:25:05,359
Speaker 1: the street.

521
00:25:05,359 --> 00:25:06,639
Speaker 3: You guys have to stop talking.

522
00:25:07,080 --> 00:25:10,920
Speaker 1: Because every person was like lovely and lovely to talk

523
00:25:10,960 --> 00:25:14,320
Speaker 1: to and like interesting and had something good to say.

524
00:25:14,400 --> 00:25:17,679
Speaker 4: Hey, your people are some of They are coming to

525
00:25:17,680 --> 00:25:19,440
Speaker 4: my shows now and they're the sweetest.

526
00:25:19,520 --> 00:25:22,359
Speaker 3: I love it. I love talking to your fans and

527
00:25:22,440 --> 00:25:24,639
Speaker 3: our fans. Yeah, they were your, a lot of them.

528
00:25:24,720 --> 00:25:25,919
Speaker 3: I know when they come up to me.

529
00:25:26,440 --> 00:25:30,119
Speaker 4: I can tell sometimes I'm like, you like my favorite

530
00:25:30,200 --> 00:25:32,159
Speaker 4: murder first, and now you know who I am and

531
00:25:32,200 --> 00:25:32,639
Speaker 4: you like me.

532
00:25:32,680 --> 00:25:33,640
Speaker 3: It makes me feel good.

533
00:25:33,760 --> 00:25:38,399
Speaker 5: Yeah, it's well there they started ass MFM listeners. But

534
00:25:38,440 --> 00:25:40,679
Speaker 5: then I think for a lot of them, they realize, oh,

535
00:25:40,720 --> 00:25:42,480
Speaker 5: there's this whole world of stuff like this that I

536
00:25:42,560 --> 00:25:42,960
Speaker 5: can like.

537
00:25:43,040 --> 00:25:46,480
Speaker 1: That's for me when they haven't really been exposed to

538
00:25:46,520 --> 00:25:49,520
Speaker 1: any of that before. Yeah, it's a little more underground.

539
00:25:49,119 --> 00:25:54,000
Speaker 5: So they're genuinely enthusiastic to find things that they really like.

540
00:25:54,560 --> 00:25:55,040
Speaker 3: Yeah.

541
00:25:55,080 --> 00:26:01,000
Speaker 4: I will talk for hours after shows too. These women

542
00:26:01,040 --> 00:26:04,240
Speaker 4: were at my show and everyone left and I'm just

543
00:26:04,320 --> 00:26:07,880
Speaker 4: standing in a parking lot because they wanted to talk.

544
00:26:07,960 --> 00:26:08,480
Speaker 3: It was fun.

545
00:26:08,600 --> 00:26:10,520
Speaker 1: Yes, there was a girl actually looked weird.

546
00:26:10,560 --> 00:26:11,200
Speaker 3: I'm not weird.

547
00:26:11,480 --> 00:26:13,760
Speaker 1: No, no, I'm not weird, and you're not.

548
00:26:13,960 --> 00:26:15,320
Speaker 3: I'm not weird. We're not weird.

549
00:26:15,400 --> 00:26:16,919
Speaker 1: None of us are fucking weird.

550
00:26:17,040 --> 00:26:18,480
Speaker 3: Some people out there are weird care.

551
00:26:18,640 --> 00:26:21,119
Speaker 5: There's definitely weirdos out there. It's not any of us

552
00:26:21,119 --> 00:26:23,320
Speaker 5: that we're talking about right now. Non there's car There

553
00:26:23,400 --> 00:26:25,760
Speaker 5: was a girl, a woman i should say, who was

554
00:26:25,840 --> 00:26:28,520
Speaker 5: in the meet and greet in Omaha, the last city

555
00:26:28,560 --> 00:26:30,879
Speaker 5: we were just in and we met her, and she

556
00:26:31,440 --> 00:26:35,600
Speaker 5: was really funny, nervous talking, and then once she got talking,

557
00:26:35,640 --> 00:26:37,359
Speaker 5: she had like a list she was reading off of

558
00:26:37,520 --> 00:26:39,560
Speaker 5: she's the things she want us to know, and one

559
00:26:39,560 --> 00:26:41,360
Speaker 5: of them was she wants Chris Fairbanks to.

560
00:26:41,280 --> 00:26:43,320
Speaker 1: Be her husband. And I was like, I will definitely

561
00:26:43,440 --> 00:26:43,840
Speaker 1: let him.

562
00:26:44,640 --> 00:26:47,560
Speaker 5: It was really cute and hilarious and like she just

563
00:26:47,760 --> 00:26:49,880
Speaker 5: had her list of things of like this is what

564
00:26:50,000 --> 00:26:52,600
Speaker 5: MFM means to me? Now, I'm I'm meant to do

565
00:26:52,640 --> 00:26:55,160
Speaker 5: you need a ride? And she had all her things.

566
00:26:55,240 --> 00:26:58,320
Speaker 4: I've announced already that I'm a terrible husband. Oh okay,

567
00:26:58,960 --> 00:26:59,680
Speaker 4: I've never been.

568
00:27:01,280 --> 00:27:02,680
Speaker 1: But you don't believe in yourself.

569
00:27:03,160 --> 00:27:08,639
Speaker 4: Oh shit, I'm I'm my attention span, you know, like

570
00:27:09,119 --> 00:27:11,000
Speaker 4: I bailed mint sentence right here.

571
00:27:11,200 --> 00:27:12,160
Speaker 1: Sure, Well it's.

572
00:27:12,119 --> 00:27:15,239
Speaker 3: An example of who I am in a relationship. I

573
00:27:15,240 --> 00:27:16,679
Speaker 3: can't even make it to the period.

574
00:27:18,880 --> 00:27:21,359
Speaker 1: Well, you're gonna have to get used to some periods.

575
00:27:21,640 --> 00:27:22,840
Speaker 3: Oh, are we here?

576
00:27:23,040 --> 00:27:25,600
Speaker 1: No, it's that it's the other way. But I couldn't

577
00:27:25,640 --> 00:27:28,000
Speaker 1: like go all the way across in the left, gotcha,

578
00:27:28,320 --> 00:27:30,200
Speaker 1: So I'm making a U turn.

579
00:27:31,960 --> 00:27:33,879
Speaker 3: I will tell her we are here.

580
00:27:34,040 --> 00:27:38,000
Speaker 1: Yeah, we're very close. Oh and now we get to

581
00:27:38,080 --> 00:27:42,040
Speaker 1: drive around beautiful. Uh you know this area I'm at Washington,

582
00:27:42,119 --> 00:27:46,040
Speaker 1: let's call it. They look at more skateboard boys.

583
00:27:46,160 --> 00:27:49,240
Speaker 3: There are more skater boys. I'm taking more pictures.

584
00:27:49,359 --> 00:27:54,919
Speaker 1: They're everywhere. There's like flowers in the springtime.

585
00:27:55,160 --> 00:27:56,679
Speaker 3: I used to be like you guys.

586
00:27:56,760 --> 00:27:58,920
Speaker 4: My hair was like he wishes he had straight hair

587
00:27:59,000 --> 00:28:01,119
Speaker 4: so he could have bangs. But it's kind of curly,

588
00:28:01,240 --> 00:28:03,000
Speaker 4: so it just has a big old fluf.

589
00:28:03,320 --> 00:28:04,600
Speaker 1: Yes, it's push it across.

590
00:28:04,880 --> 00:28:07,840
Speaker 3: Oh, it's weird. It's weird what we're doing. We're gonna

591
00:28:07,840 --> 00:28:08,600
Speaker 3: good up, guys.

592
00:28:09,280 --> 00:28:12,960
Speaker 1: All right, I'm just indue black hum. We're gonna to

593
00:28:13,040 --> 00:28:18,320
Speaker 1: put black bars across all their eyes. This is exploitation

594
00:28:18,440 --> 00:28:21,919
Speaker 1: and it's finest. Article is an online only furniture company

595
00:28:21,960 --> 00:28:24,840
Speaker 1: Chris that offers beautiful, modern, well made furniture designed with

596
00:28:24,880 --> 00:28:26,560
Speaker 1: Scandinavian simplicity in mind.

597
00:28:26,680 --> 00:28:30,040
Speaker 4: Karen Online only means that article is able to eliminate

598
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Speaker 4: the layers of traditional retail so they can keep prices low,

599
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Speaker 4: but that quality high.

600
00:28:35,720 --> 00:28:38,920
Speaker 1: No showrooms, no salespeople, Chris just saving.

601
00:28:38,640 --> 00:28:41,560
Speaker 4: Good people are hard to be around. An article is

602
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Speaker 4: serious about shipping, no matter how many items you pick,

603
00:28:44,720 --> 00:28:46,960
Speaker 4: every order is shipped at a flat rate of forty

604
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Speaker 4: nine dollars.

605
00:28:47,680 --> 00:28:50,760
Speaker 5: Incomparable in stock items can be expected in two weeks

606
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Speaker 5: or less. An article even offers in room delivery and

607
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608
00:28:55,200 --> 00:28:57,880
Speaker 4: They have the best customer service in the biz and

609
00:28:58,000 --> 00:29:01,160
Speaker 4: a thirty day no questions asked return policy.

610
00:29:01,280 --> 00:29:03,000
Speaker 1: You know we're sitting in a room right now. That's

611
00:29:03,560 --> 00:29:07,000
Speaker 1: that's filled and featured with Article furniture.

612
00:29:07,040 --> 00:29:09,320
Speaker 4: This table is nice. Yes, let me ask you this

613
00:29:09,360 --> 00:29:10,360
Speaker 4: is this an Article table?

614
00:29:10,520 --> 00:29:10,720
Speaker 1: Sure?

615
00:29:10,840 --> 00:29:13,840
Speaker 3: Is beautiful? Real wood? A lot of this would you

616
00:29:13,840 --> 00:29:15,640
Speaker 3: know it's fake wood?

617
00:29:15,800 --> 00:29:18,560
Speaker 1: Well at other places, but not at Article. And these

618
00:29:18,600 --> 00:29:20,280
Speaker 1: chairs that we're sitting in came with.

619
00:29:20,440 --> 00:29:22,440
Speaker 3: Did you have to assemble this or did someone know.

620
00:29:22,920 --> 00:29:23,920
Speaker 1: It all came as is?

621
00:29:24,080 --> 00:29:26,280
Speaker 3: You can, Yeah, they will assemble.

622
00:29:26,000 --> 00:29:28,160
Speaker 1: It was the best. Yeah, that's right.

623
00:29:28,440 --> 00:29:31,480
Speaker 4: I spent eight hours putting together addresser one day. I

624
00:29:31,520 --> 00:29:32,680
Speaker 4: don't want to go through that again.

625
00:29:33,000 --> 00:29:37,000
Speaker 1: It was not from article. No, okay, so let's be.

626
00:29:37,040 --> 00:29:39,080
Speaker 3: Real clear, I was a dumb kid.

627
00:29:40,000 --> 00:29:42,360
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629
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630
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631
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634
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635
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Speaker 3: Thank you, You're welcome. Sorry got. Support for today's show

636
00:30:05,120 --> 00:30:06,840
Speaker 3: comes from Hello Fresh.

637
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Speaker 5: Hello Fresh makes conquering the kitchen reality with deliciously simple

638
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639
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640
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641
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642
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643
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644
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645
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Speaker 1: You know it's funny. So I got my box at

646
00:30:34,920 --> 00:30:37,520
Speaker 1: the beginning of the week, and I always go through

647
00:30:37,560 --> 00:30:39,520
Speaker 1: because I know I can't cook at all, and I

648
00:30:39,720 --> 00:30:43,160
Speaker 1: pull the easiest recipe card. So this one was there's

649
00:30:43,240 --> 00:30:49,160
Speaker 1: meat loaf with string beans and smashed sweet potatoes. And

650
00:30:49,320 --> 00:30:52,760
Speaker 1: it was the easiest thing to make. It wasn't even like, oh,

651
00:30:52,800 --> 00:30:55,360
Speaker 1: I picked the easiest thing. It was like a no brainer,

652
00:30:55,800 --> 00:30:58,920
Speaker 1: and I suddenly had a full, normal person's dinner. Yeah,

653
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Speaker 1: it's a kind of amazing for people like me that

654
00:31:01,080 --> 00:31:01,800
Speaker 1: never cook.

655
00:31:01,760 --> 00:31:04,200
Speaker 4: Right and no one realizes, or I didn't for the

656
00:31:04,200 --> 00:31:06,160
Speaker 4: longest time. That's how you learn to cook. It's by

657
00:31:06,480 --> 00:31:09,080
Speaker 4: someone showing you how, and then you know how. Yes, fun,

658
00:31:09,160 --> 00:31:11,160
Speaker 4: it's really funny. How I didn't put that together my

659
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Speaker 4: whole life.

660
00:31:11,720 --> 00:31:14,080
Speaker 5: Well, it's sometimes it's hard for people like us whose

661
00:31:14,200 --> 00:31:16,960
Speaker 5: mothers didn't cook and didn't like cooking, that it.

662
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Speaker 1: Seems like this, it seems impossible. But with HelloFresh, you

663
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664
00:31:22,640 --> 00:31:25,280
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665
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666
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668
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669
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Speaker 4: and enter the code do you need eighty? For twenty

670
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Speaker 4: dollars off your first four boxes. Thank you, You're welcome, Karen.

671
00:31:48,360 --> 00:31:50,440
Speaker 4: If we care about the ingredients in our food that

672
00:31:50,480 --> 00:31:52,720
Speaker 4: we eat and in the beauty products we use, why

673
00:31:52,720 --> 00:31:55,600
Speaker 4: you shouldn't the same be true with our feminine care products.

674
00:31:55,600 --> 00:31:58,080
Speaker 1: Thank you for bringing up such a salient point, Chris.

675
00:31:58,200 --> 00:32:01,400
Speaker 1: The FDA doesn't require brands to disclose a comprehensive list

676
00:32:01,440 --> 00:32:04,640
Speaker 1: of ingredients in their feminine care products, so most of

677
00:32:04,680 --> 00:32:05,160
Speaker 1: them don't.

678
00:32:05,320 --> 00:32:09,720
Speaker 4: Lola, however, offers complete transparency about the ingredients found in

679
00:32:09,760 --> 00:32:12,880
Speaker 4: their tampons, pads, liners, and wipes, which are one hundred

680
00:32:12,920 --> 00:32:19,800
Speaker 4: percent organic cotton with no added chemicals, fragrances, synthetics or dyes.

681
00:32:19,720 --> 00:32:24,440
Speaker 1: Pluses dies. Yeah. Plus, with Lola's customizable subscription, you get

682
00:32:24,440 --> 00:32:27,600
Speaker 1: to choose your mix of products, mix of observancy, a

683
00:32:27,720 --> 00:32:30,600
Speaker 1: number of boxes, and frequency of delivery.

684
00:32:30,320 --> 00:32:33,800
Speaker 4: And you can even change skip or cancel at any time.

685
00:32:33,960 --> 00:32:37,160
Speaker 5: Chris, I don't know how you feel after using these products,

686
00:32:37,160 --> 00:32:39,960
Speaker 5: but I have to say that them being one hundred

687
00:32:39,960 --> 00:32:42,880
Speaker 5: percent organic cotton really does make a big difference, knowing

688
00:32:42,920 --> 00:32:45,840
Speaker 5: that you don't have chemicals down there.

689
00:32:46,080 --> 00:32:48,200
Speaker 1: I think it's really nice for the ladies the box.

690
00:32:48,280 --> 00:32:50,320
Speaker 1: I have set them out in a wicker basket for

691
00:32:50,360 --> 00:32:50,840
Speaker 1: the ladies.

692
00:32:51,040 --> 00:32:52,520
Speaker 3: There's so many different varieties.

693
00:32:53,240 --> 00:32:54,200
Speaker 1: There's too many things.

694
00:32:54,280 --> 00:32:57,600
Speaker 4: Yeah, there's different sizes, there's different obsorbancies. It is a

695
00:32:57,640 --> 00:33:00,560
Speaker 4: box of many different tampons. I have one the right.

696
00:33:00,520 --> 00:33:01,320
Speaker 3: House, I believe you.

697
00:33:01,560 --> 00:33:05,600
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698
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699
00:33:07,760 --> 00:33:11,120
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700
00:33:11,120 --> 00:33:13,200
Speaker 4: percent off all subscriptions.

701
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Speaker 3: Thank you, You're welcome, Karen, thank you. Yeah.

702
00:33:17,320 --> 00:33:21,480
Speaker 4: Yeah, I was o leaves leaves swelling spring the middle.

703
00:33:22,520 --> 00:33:25,479
Speaker 4: I wasn't ready. I mean, the weather's great, but I

704
00:33:25,600 --> 00:33:30,840
Speaker 4: was having winter fever. I like snow and I like snowboarding,

705
00:33:31,080 --> 00:33:34,120
Speaker 4: and now it's beautiful out and I feel like I

706
00:33:34,800 --> 00:33:35,840
Speaker 4: missed out on a season.

707
00:33:35,840 --> 00:33:38,960
Speaker 3: I'm the only one that doesn't want spring this from I.

708
00:33:38,800 --> 00:33:39,560
Speaker 1: Have to say that.

709
00:33:39,960 --> 00:33:44,640
Speaker 5: I'm like you where I like the rain a lot,

710
00:33:44,880 --> 00:33:47,240
Speaker 5: and I'm sad if it's a rainy night.

711
00:33:47,960 --> 00:33:53,080
Speaker 1: You can see in my life. But oh is this?

712
00:33:53,400 --> 00:33:55,000
Speaker 1: Did she rent some cute house?

713
00:33:55,720 --> 00:33:58,080
Speaker 3: Now it's I'm it's on the other side.

714
00:33:58,240 --> 00:34:01,720
Speaker 1: It's what a curious.

715
00:34:00,640 --> 00:34:03,560
Speaker 3: Yeah, it's being a curious little monster.

716
00:34:03,800 --> 00:34:08,120
Speaker 5: How am I supposed to get across cute those are

717
00:34:08,160 --> 00:34:08,760
Speaker 5: for vacancy.

718
00:34:09,239 --> 00:34:09,960
Speaker 3: This is nice.

719
00:34:10,080 --> 00:34:15,560
Speaker 4: Oh, someone's giving away antique. Someone got vic anteaking, it's

720
00:34:15,560 --> 00:34:20,399
Speaker 4: an estate style. Someone got murdered. Come on, Eagle Rock,

721
00:34:20,600 --> 00:34:23,480
Speaker 4: Come on you guys. It is the coolest name of

722
00:34:23,560 --> 00:34:24,359
Speaker 4: a part of town.

723
00:34:24,880 --> 00:34:25,640
Speaker 3: Eagle Rock.

724
00:34:25,800 --> 00:34:30,439
Speaker 4: Come on, those two things together unbelievably rock and roll.

725
00:34:31,160 --> 00:34:33,960
Speaker 4: I want there to be a mascot that is the

726
00:34:34,080 --> 00:34:34,680
Speaker 4: rock Eagle.

727
00:34:35,400 --> 00:34:37,720
Speaker 1: I think there is a rock that looks like an eagle,

728
00:34:37,719 --> 00:34:38,680
Speaker 1: and that's why they named it that.

729
00:34:39,040 --> 00:34:41,600
Speaker 3: Oh wow, yes, let's go visit it.

730
00:34:42,960 --> 00:34:45,359
Speaker 1: We'll have to ask Martha all about it. I must

731
00:34:45,400 --> 00:34:47,520
Speaker 1: have Margaret. I don't know why I.

732
00:34:47,640 --> 00:34:53,279
Speaker 3: Used to call her Martin Martin. I really did, and

733
00:34:53,480 --> 00:34:57,800
Speaker 3: I was thinking about that today. Okay, yay, we made it.

734
00:34:57,960 --> 00:35:00,919
Speaker 1: We did, And we're only thirty minutes late.

735
00:35:01,320 --> 00:35:02,280
Speaker 3: That's a nice place.

736
00:35:02,320 --> 00:35:02,840
Speaker 1: I like it.

737
00:35:03,400 --> 00:35:06,799
Speaker 3: Oh are we super late? It's so hard to work. Hey,

738
00:35:07,080 --> 00:35:09,040
Speaker 3: at least we're not at the damn airport.

739
00:35:09,280 --> 00:35:11,960
Speaker 1: Yeah, she's waited at home, which is great news.

740
00:35:13,160 --> 00:35:17,600
Speaker 3: Yes, I'm sure we we if you were attached at all.

741
00:35:17,760 --> 00:35:20,640
Speaker 4: So, I think people sometimes, like my mental breakdowns at

742
00:35:20,640 --> 00:35:22,440
Speaker 4: the airport's at my expense.

743
00:35:23,000 --> 00:35:23,400
Speaker 3: That's right.

744
00:35:24,000 --> 00:35:26,560
Speaker 1: You can't just do that to yourself for other people's entertainment.

745
00:35:27,120 --> 00:35:38,600
Speaker 3: Oh it is Martha, look at her. Oh oh hello Martha.

746
00:35:39,680 --> 00:35:42,840
Speaker 1: Oh you can throw that. Yeah back Stevens my friend.

747
00:35:43,239 --> 00:35:47,200
Speaker 1: Hey good, how are you good?

748
00:35:47,840 --> 00:35:48,200
Speaker 3: Goodness?

749
00:35:48,239 --> 00:35:48,399
Speaker 1: Here?

750
00:35:48,440 --> 00:35:53,600
Speaker 3: Here, grasp my hand. Martha and I are old friends.

751
00:35:53,640 --> 00:35:54,279
Speaker 3: Did you know that?

752
00:35:55,000 --> 00:35:55,319
Speaker 1: I did.

753
00:35:56,560 --> 00:35:59,879
Speaker 5: I bet we're going to hear some Austin stories ship

754
00:36:00,160 --> 00:36:01,440
Speaker 5: Howard and Laura style.

755
00:36:02,239 --> 00:36:04,480
Speaker 4: Let's talk about the baggy jeans we bore as We

756
00:36:04,800 --> 00:36:07,160
Speaker 4: can't armadillos on the train tracks.

757
00:36:07,719 --> 00:36:09,959
Speaker 3: I never. I just watched the intro to that show.

758
00:36:10,000 --> 00:36:10,319
Speaker 1: I never.

759
00:36:11,080 --> 00:36:13,120
Speaker 3: I know there was an armadillo on the train track.

760
00:36:13,239 --> 00:36:15,200
Speaker 1: I have to if it's happening in Texas. Martha, how

761
00:36:15,239 --> 00:36:15,480
Speaker 1: are you?

762
00:36:15,760 --> 00:36:16,040
Speaker 3: Martha?

763
00:36:16,080 --> 00:36:16,560
Speaker 1: I'm good.

764
00:36:18,160 --> 00:36:20,840
Speaker 2: I saw us last night and I'm upset about it.

765
00:36:21,080 --> 00:36:22,560
Speaker 2: But other than that, I'm pretty good.

766
00:36:22,800 --> 00:36:23,919
Speaker 1: It's scary, you really bad.

767
00:36:24,160 --> 00:36:26,480
Speaker 2: Yeah, and also I don't totally understand it.

768
00:36:29,800 --> 00:36:31,440
Speaker 1: Well that's even Yeah, that's scarier.

769
00:36:31,600 --> 00:36:34,279
Speaker 3: I saw your tweet the day before that you were

770
00:36:34,400 --> 00:36:36,640
Speaker 3: going to see it, and you were pre scared.

771
00:36:37,320 --> 00:36:37,520
Speaker 2: Yeah.

772
00:36:37,719 --> 00:36:38,160
Speaker 3: I was.

773
00:36:39,800 --> 00:36:44,719
Speaker 2: Clenched all the like, my hands and fists and recoiling

774
00:36:46,000 --> 00:36:47,600
Speaker 2: in my seat the whole movie.

775
00:36:48,840 --> 00:36:52,040
Speaker 1: So a lot of tension. Yeah, there's a lot of.

776
00:36:55,000 --> 00:36:58,840
Speaker 2: Who's gonna pop out from behind this next thing and

777
00:36:59,080 --> 00:37:01,040
Speaker 2: whatever is happened it?

778
00:37:01,200 --> 00:37:02,000
Speaker 1: Spoiler alert?

779
00:37:02,480 --> 00:37:05,000
Speaker 3: Is there a lot of popping? There's a lot of

780
00:37:05,080 --> 00:37:09,200
Speaker 3: popping of a sudden startling. Well, there is a.

781
00:37:09,360 --> 00:37:10,640
Speaker 1: Lot of startling.

782
00:37:11,120 --> 00:37:14,800
Speaker 2: And that's maybe the biggest theme in the movie is

783
00:37:16,520 --> 00:37:17,800
Speaker 2: You're gonna get startled.

784
00:37:22,560 --> 00:37:29,439
Speaker 1: Isn't that the motto of the movie. It's pretty you're

785
00:37:29,520 --> 00:37:31,160
Speaker 1: gonna get You're gonna get startled.

786
00:37:32,320 --> 00:37:34,720
Speaker 4: Way I want to see it, Yeah, like getting scared,

787
00:37:35,239 --> 00:37:38,759
Speaker 4: And that was when I watched that Hereditary movie. I

788
00:37:39,120 --> 00:37:42,400
Speaker 4: liked how they didn't have any jumpy all of a sudden,

789
00:37:42,640 --> 00:37:43,920
Speaker 4: like the ring surprise.

790
00:37:44,040 --> 00:37:45,959
Speaker 3: The scary thing is leaping in your face.

791
00:37:46,120 --> 00:37:48,920
Speaker 1: No, that one was realistic, which was even scarier.

792
00:37:49,040 --> 00:37:50,960
Speaker 4: Yeah, it's like in the background, you're like, oh my god,

793
00:37:51,000 --> 00:37:52,800
Speaker 4: Oh you're seeing what I'm seeing it it's hidden.

794
00:37:53,200 --> 00:37:56,880
Speaker 1: Yes, Oh, I don't think I can watch that, you I.

795
00:37:57,560 --> 00:38:00,480
Speaker 1: It sounds intense. It is terry upsetting.

796
00:38:00,600 --> 00:38:03,440
Speaker 4: And I'm not suggesting you should watch it because it's

797
00:38:03,560 --> 00:38:04,280
Speaker 4: kind of a bummer.

798
00:38:05,239 --> 00:38:08,279
Speaker 1: Yes, and it's no good. It's great in a bad way.

799
00:38:08,400 --> 00:38:10,200
Speaker 3: It's great in a sad, scary way.

800
00:38:10,320 --> 00:38:10,520
Speaker 1: Yeah.

801
00:38:10,880 --> 00:38:13,680
Speaker 2: When I was walking to my car last night after

802
00:38:13,760 --> 00:38:15,680
Speaker 2: the movie, I started thinking.

803
00:38:16,120 --> 00:38:20,880
Speaker 1: How do we know for sure that we're not all dead?

804
00:38:21,120 --> 00:38:23,759
Speaker 1: And in hell, we don't.

805
00:38:25,120 --> 00:38:26,400
Speaker 3: There's no way to prove it.

806
00:38:27,120 --> 00:38:29,640
Speaker 1: So that that's why I don't think.

807
00:38:29,480 --> 00:38:33,360
Speaker 2: I should see scary movies, because that sounds reasonable in

808
00:38:33,520 --> 00:38:34,480
Speaker 2: my head after.

809
00:38:34,400 --> 00:38:35,600
Speaker 1: A scary movie. Yeah.

810
00:38:35,800 --> 00:38:38,360
Speaker 4: When I was little, hell was a thing that I

811
00:38:38,440 --> 00:38:40,279
Speaker 4: was scared of. The devil was a thing I was

812
00:38:40,280 --> 00:38:42,879
Speaker 4: scared of. I didn't have religious parents, but I thought,

813
00:38:43,040 --> 00:38:46,279
Speaker 4: at any point, the devil will enter and possess me

814
00:38:47,000 --> 00:38:50,200
Speaker 4: and I won't have control over it. And I am

815
00:38:50,239 --> 00:38:52,600
Speaker 4: a grown up now and I don't think that. So

816
00:38:52,719 --> 00:38:55,840
Speaker 4: when you watch a movie that brings that back, it

817
00:38:55,960 --> 00:38:56,759
Speaker 4: doesn't feel good.

818
00:38:58,480 --> 00:39:01,480
Speaker 1: You know, there's so much Ninety six percent of the

819
00:39:01,560 --> 00:39:04,239
Speaker 1: ocean is unexplored. The devil could be down there.

820
00:39:04,760 --> 00:39:08,759
Speaker 3: The devil is a phosphorus riddled glowfish.

821
00:39:08,960 --> 00:39:12,000
Speaker 1: Yeah, we don't know. With horn hands, it could be anywhere.

822
00:39:12,480 --> 00:39:15,160
Speaker 5: Anything's possible, and there's nothing that lets you know that

823
00:39:15,280 --> 00:39:16,879
Speaker 5: more than a horror a horror movie.

824
00:39:17,320 --> 00:39:20,760
Speaker 2: But I have a proposition, what if in the ocean

825
00:39:22,080 --> 00:39:26,920
Speaker 2: there are pockets of it that are like with little

826
00:39:27,040 --> 00:39:31,960
Speaker 2: things that are cute like the lorax, really sweet, cute,

827
00:39:32,239 --> 00:39:35,960
Speaker 2: wise creatures that are just avoiding us because they've seen

828
00:39:36,040 --> 00:39:37,800
Speaker 2: what we're capable of, right.

829
00:39:37,920 --> 00:39:40,640
Speaker 1: I think, Yeah, they call those dolphins.

830
00:39:41,760 --> 00:39:44,439
Speaker 3: And they're tired of getting boat props to the back.

831
00:39:44,680 --> 00:39:48,520
Speaker 1: Yeah, they're sick of all of it. I don't blame them, Horda,

832
00:39:49,080 --> 00:39:51,440
Speaker 1: How have you are you guys still shooting?

833
00:39:52,239 --> 00:39:56,239
Speaker 2: Yeah, we're about we're almost well, we're actually we're only

834
00:39:56,360 --> 00:40:00,000
Speaker 2: a little bit into the second block, so we're not quite.

835
00:39:59,840 --> 00:40:04,440
Speaker 1: How way through? How many blocks are there? Four? Three? Oh?

836
00:40:04,600 --> 00:40:06,920
Speaker 3: Like each act? What are blocks?

837
00:40:06,960 --> 00:40:11,080
Speaker 2: But I guess they just they use that to mean

838
00:40:12,400 --> 00:40:16,279
Speaker 2: each section of shooting and then separated by a week

839
00:40:16,320 --> 00:40:21,080
Speaker 2: of hiatus, like a school semester kind of Yeah, yeah, okay,

840
00:40:21,640 --> 00:40:23,399
Speaker 2: did you get good grades last semester? Yeah?

841
00:40:24,120 --> 00:40:26,360
Speaker 3: How'd you do? Is the show getting good grades?

842
00:40:26,840 --> 00:40:32,560
Speaker 2: Well? I that I cannot answer. There's not enough people

843
00:40:32,719 --> 00:40:34,400
Speaker 2: watching to get a good sample.

844
00:40:35,719 --> 00:40:37,040
Speaker 1: We got to get those numbers up.

845
00:40:38,040 --> 00:40:41,440
Speaker 2: We've got to somehow figure out how to trick people

846
00:40:41,520 --> 00:40:44,279
Speaker 2: into watching this show, and I don't know how to

847
00:40:44,400 --> 00:40:44,600
Speaker 2: do it.

848
00:40:44,880 --> 00:40:47,680
Speaker 3: I love that it is the best, It's a lot

849
00:40:47,719 --> 00:40:49,320
Speaker 3: of people just aren't smart enough for it.

850
00:40:49,400 --> 00:40:51,279
Speaker 4: I think I'm afraid I'm going to have to say

851
00:40:51,320 --> 00:40:53,200
Speaker 4: that sounds like I'm talking down to people.

852
00:40:53,400 --> 00:40:58,600
Speaker 1: Well, I think it is intimidating. I mean, it's Baker's Field, clowning,

853
00:40:59,160 --> 00:41:01,080
Speaker 1: it's all the stuff that really intimidates people.

854
00:41:01,160 --> 00:41:03,920
Speaker 3: I love it. I love that show. You guys are

855
00:41:03,960 --> 00:41:05,400
Speaker 3: the coolest for working on it.

856
00:41:06,080 --> 00:41:10,400
Speaker 2: We should take the Ornie Adams philosophy of you know what,

857
00:41:10,520 --> 00:41:12,759
Speaker 2: they're scared of us. That's why they're not That's why

858
00:41:12,760 --> 00:41:14,680
Speaker 2: they don't like get They're scared of how good it is.

859
00:41:14,800 --> 00:41:15,200
Speaker 3: That's right.

860
00:41:15,480 --> 00:41:18,280
Speaker 1: It is scary when something is of such high quality.

861
00:41:19,360 --> 00:41:22,520
Speaker 4: Do you guys think it's weird that Ornie Adams just

862
00:41:22,640 --> 00:41:25,160
Speaker 4: it's still a comic that's like around and you see

863
00:41:25,200 --> 00:41:25,839
Speaker 4: him all the time.

864
00:41:27,040 --> 00:41:27,960
Speaker 1: I don't know who he is.

865
00:41:28,200 --> 00:41:32,440
Speaker 4: He was like the villain in the so Yes, he

866
00:41:32,600 --> 00:41:34,680
Speaker 4: was like the villain in the comedian movie.

867
00:41:35,040 --> 00:41:37,280
Speaker 1: Oh, I never watched that. I don't care about comedians.

868
00:41:38,160 --> 00:41:39,440
Speaker 1: I think they're fucking boring.

869
00:41:39,680 --> 00:41:40,399
Speaker 3: You love them?

870
00:41:40,520 --> 00:41:41,880
Speaker 1: I want them to shut up.

871
00:41:42,080 --> 00:41:43,799
Speaker 3: You want to kiss all the comedians?

872
00:41:43,960 --> 00:41:44,200
Speaker 2: I do.

873
00:41:44,800 --> 00:41:46,040
Speaker 1: Why are they so funny?

874
00:41:46,239 --> 00:41:48,840
Speaker 3: I knew I'd make you admit it. You want to

875
00:41:48,920 --> 00:41:50,279
Speaker 3: french all the clowns?

876
00:41:52,040 --> 00:41:54,480
Speaker 1: Well, you haven't gotten to episode eight yet, have you, Martha?

877
00:41:55,640 --> 00:41:56,560
Speaker 3: No, we will.

878
00:41:56,640 --> 00:42:02,040
Speaker 2: We shoot everything out of order, so like they just

879
00:42:02,320 --> 00:42:06,200
Speaker 2: block they book a location and shoot every scene from

880
00:42:06,320 --> 00:42:08,360
Speaker 2: every episode that's at that location.

881
00:42:08,800 --> 00:42:11,400
Speaker 1: What Yeah, oh wow, that's hard.

882
00:42:12,280 --> 00:42:16,040
Speaker 4: Like so everything that takes place in a desert situation,

883
00:42:16,239 --> 00:42:17,759
Speaker 4: we shoot this week this week.

884
00:42:17,840 --> 00:42:20,759
Speaker 3: And you're all in the math with the story. Yeah,

885
00:42:21,320 --> 00:42:23,319
Speaker 3: so are you saying lines? And you're like, I don't

886
00:42:23,320 --> 00:42:24,799
Speaker 3: even know what I'm talking about.

887
00:42:24,600 --> 00:42:28,320
Speaker 2: Right now because the nice, the brilliant thing about the

888
00:42:28,440 --> 00:42:33,680
Speaker 2: way the my character's written is that it doesn't require

889
00:42:33,760 --> 00:42:40,040
Speaker 2: any actual acting. So it doesn't it doesn't matter what

890
00:42:40,440 --> 00:42:42,920
Speaker 2: order we shooting or what's happening.

891
00:42:44,680 --> 00:42:46,600
Speaker 1: Is anything that's right?

892
00:42:47,239 --> 00:42:48,880
Speaker 3: You get to just be Martha.

893
00:42:49,040 --> 00:42:53,040
Speaker 1: Huh. But what but when you are acting, what are

894
00:42:53,160 --> 00:42:56,279
Speaker 1: the little secrets that you take on stage with you? Martha? Yeah?

895
00:42:56,680 --> 00:42:58,520
Speaker 1: What are your acting secrets?

896
00:42:59,640 --> 00:43:02,720
Speaker 3: One like Dustin Hoffman used to punch his own face?

897
00:43:03,000 --> 00:43:03,919
Speaker 1: Yeah did he really?

898
00:43:04,160 --> 00:43:06,000
Speaker 3: I don't know. He's very method though.

899
00:43:06,160 --> 00:43:09,920
Speaker 5: In The Marathon Man, Dustin Hoffman stayed up for like

900
00:43:10,040 --> 00:43:11,880
Speaker 5: three days in a row with no sleep, and he

901
00:43:12,080 --> 00:43:14,960
Speaker 5: jogged constantly and he didn't eat, and he was all

902
00:43:15,000 --> 00:43:15,480
Speaker 5: screwed up.

903
00:43:15,480 --> 00:43:16,920
Speaker 1: And then he showed up on set and he was

904
00:43:17,000 --> 00:43:20,000
Speaker 1: all like, you know, he was all.

905
00:43:19,960 --> 00:43:23,080
Speaker 5: Screwed up, and Laurence Olivier looked at him and said,

906
00:43:23,120 --> 00:43:24,400
Speaker 5: why don't you try acting?

907
00:43:24,960 --> 00:43:27,080
Speaker 3: Yes, yes, I've heard that.

908
00:43:27,280 --> 00:43:29,600
Speaker 1: My dad tells that story, so does mine. That's really

909
00:43:29,719 --> 00:43:30,320
Speaker 1: it's the best.

910
00:43:30,520 --> 00:43:33,560
Speaker 3: Yeah, our dad's got the gym's got to get together.

911
00:43:33,719 --> 00:43:36,880
Speaker 1: Yeah, they're gonna party. But Martha, like, when you're standing

912
00:43:37,520 --> 00:43:39,640
Speaker 1: for all the young actors listening and there are so

913
00:43:39,800 --> 00:43:42,719
Speaker 1: many yes, when you're standing there and they go roll them,

914
00:43:42,920 --> 00:43:45,040
Speaker 1: what do you do to like keep it together and

915
00:43:45,160 --> 00:43:46,120
Speaker 1: deliver your comedy?

916
00:43:46,200 --> 00:43:47,880
Speaker 3: Pretend you're on James lift In right now.

917
00:43:48,000 --> 00:43:53,799
Speaker 2: Yeah, okay, my secrets are I'll just spoiler alert they're

918
00:43:53,880 --> 00:43:57,600
Speaker 2: dumb and boring, okay, and there's zero evidence that they were.

919
00:43:57,920 --> 00:43:59,200
Speaker 1: But here's what I do.

920
00:43:59,480 --> 00:43:59,760
Speaker 3: Okay.

921
00:44:00,239 --> 00:44:05,200
Speaker 2: I always know my lines before we start plant. That

922
00:44:05,440 --> 00:44:10,239
Speaker 2: is my only real solid contribution to any project, as

923
00:44:10,320 --> 00:44:11,680
Speaker 2: I know my lines.

924
00:44:11,400 --> 00:44:12,120
Speaker 1: When I get there.

925
00:44:12,239 --> 00:44:12,520
Speaker 2: M h.

926
00:44:13,040 --> 00:44:14,400
Speaker 3: It's an important.

927
00:44:15,719 --> 00:44:20,680
Speaker 2: And and then I'm sorry to say this part because

928
00:44:20,719 --> 00:44:26,120
Speaker 2: it's gonna ruffle some feathers, but I actually pray right

929
00:44:26,360 --> 00:44:28,279
Speaker 2: before the camera roll.

930
00:44:28,680 --> 00:44:31,600
Speaker 1: It's okay, just who do you pray? To Martha. I

931
00:44:31,760 --> 00:44:32,200
Speaker 1: don't know.

932
00:44:32,360 --> 00:44:34,560
Speaker 2: I just I think of it as a as a

933
00:44:35,160 --> 00:44:39,920
Speaker 2: energy force, not a deity, and I just ask for

934
00:44:40,080 --> 00:44:44,120
Speaker 2: whatever is out there to be with me so that

935
00:44:44,400 --> 00:44:48,160
Speaker 2: whatever I'm supposed to do in the scene will come

936
00:44:48,239 --> 00:44:51,680
Speaker 2: out naturally, because I really don't ever know what I'm doing.

937
00:44:53,520 --> 00:44:54,680
Speaker 1: I still don't.

938
00:44:54,960 --> 00:44:58,239
Speaker 2: This character on Baskets is very close to what I'm

939
00:44:58,400 --> 00:45:00,040
Speaker 2: like in real life, and I still.

940
00:45:00,000 --> 00:45:02,840
Speaker 1: Don't know how to do that character. Well, that's the

941
00:45:02,880 --> 00:45:05,480
Speaker 1: hardest one to do. How can you How can you

942
00:45:05,560 --> 00:45:09,520
Speaker 1: observe yourself well enough to play yourself? That's hard. I

943
00:45:09,640 --> 00:45:09,960
Speaker 1: don't know.

944
00:45:10,160 --> 00:45:12,920
Speaker 2: But it seems to me like people who can create

945
00:45:13,160 --> 00:45:17,879
Speaker 2: a believable person nothing like them are doing, are doing

946
00:45:17,920 --> 00:45:20,160
Speaker 2: a lot more work than what I ever do.

947
00:45:21,239 --> 00:45:25,080
Speaker 1: But it's with Zach and John.

948
00:45:25,400 --> 00:45:39,640
Speaker 3: And what if you were closing in your your hospitals.

949
00:45:41,400 --> 00:45:46,440
Speaker 3: I do it too. I talk to a spirit deity.

950
00:45:47,760 --> 00:45:49,800
Speaker 2: I mean, it can't hurt, That's how I look at it.

951
00:45:49,880 --> 00:45:53,680
Speaker 2: It also can't always help, but it can't hurt.

952
00:45:54,560 --> 00:45:55,520
Speaker 3: I can talk to a.

953
00:45:56,400 --> 00:46:01,680
Speaker 4: Vague cloud or whatever I'm thinking of and not believe

954
00:46:01,719 --> 00:46:04,320
Speaker 4: in the devil and be scared of devils.

955
00:46:04,520 --> 00:46:08,560
Speaker 1: We also pray before we do live shows.

956
00:46:09,600 --> 00:46:12,120
Speaker 5: Because we just do the it's basically the same thing

957
00:46:12,239 --> 00:46:15,040
Speaker 5: of whatever we've just been talking about or whatever's going on,

958
00:46:15,200 --> 00:46:15,920
Speaker 5: we just didn't know that.

959
00:46:16,239 --> 00:46:18,640
Speaker 3: Yeah, we hold hands, fold your hands and say we'd

960
00:46:19,160 --> 00:46:19,520
Speaker 3: get them.

961
00:46:19,640 --> 00:46:19,839
Speaker 1: Yeah.

962
00:46:20,000 --> 00:46:22,560
Speaker 5: Or if we're just if we were just talking about

963
00:46:22,719 --> 00:46:25,720
Speaker 5: Gail King, then we're like, Gail be with us tonight,

964
00:46:25,920 --> 00:46:28,000
Speaker 5: if you were ever with us at all. Yeah, that

965
00:46:28,160 --> 00:46:30,560
Speaker 5: kind of stuff, and it helps. It's like weirdly centering

966
00:46:30,640 --> 00:46:33,440
Speaker 5: of like, yeah, whatever this is, we don't know, we

967
00:46:33,600 --> 00:46:36,040
Speaker 5: kind of can't control it, so let's do this thing.

968
00:46:36,440 --> 00:46:39,600
Speaker 4: And when I'm remember back in Austin Martha we did

969
00:46:39,680 --> 00:46:43,920
Speaker 4: that weird skeet, that hyper Jackson chamber. Yeah, and it

970
00:46:44,120 --> 00:46:46,360
Speaker 4: was it was stressful. There was a lot of stuff

971
00:46:46,400 --> 00:46:48,399
Speaker 4: going on. We did these live shows and we would

972
00:46:48,480 --> 00:46:51,200
Speaker 4: show these videos that we did and I we would

973
00:46:51,239 --> 00:46:54,719
Speaker 4: all be nervous and Lee Eddie, who's the best, would

974
00:46:54,800 --> 00:46:55,239
Speaker 4: grab my.

975
00:46:55,320 --> 00:46:58,680
Speaker 3: Hand and we'd have a little prayer. Oh and I'm like,

976
00:46:58,800 --> 00:46:59,879
Speaker 3: oh that did feel good.

977
00:47:00,360 --> 00:47:01,600
Speaker 1: Skateboarders I love.

978
00:47:01,640 --> 00:47:04,399
Speaker 3: This is the most religious episode we've ever had. There's

979
00:47:04,400 --> 00:47:05,279
Speaker 3: more skateboarders.

980
00:47:06,040 --> 00:47:06,720
Speaker 1: They're everywhere.

981
00:47:06,960 --> 00:47:10,919
Speaker 4: We've been dangerously taking photos of young skater boys Martha.

982
00:47:11,280 --> 00:47:17,200
Speaker 1: Well, are you going to post them anywhere? You should

983
00:47:17,239 --> 00:47:19,320
Speaker 1: join our painterst Martha. I think you'd like it, and

984
00:47:19,320 --> 00:47:20,040
Speaker 1: I'm excited.

985
00:47:20,280 --> 00:47:24,799
Speaker 4: Love, young men, we are all going to jail every

986
00:47:24,920 --> 00:47:27,960
Speaker 4: time this comes up this episode, I get uncomfortable.

987
00:47:29,080 --> 00:47:32,000
Speaker 1: Wait, but I interrupted you, Martha, because you were talking

988
00:47:32,040 --> 00:47:34,480
Speaker 1: about Zach and Kreisel. What were you going to say?

989
00:47:34,560 --> 00:47:38,480
Speaker 2: Well, but before that, real quick, I love when I'm

990
00:47:38,800 --> 00:47:43,120
Speaker 2: doing stand up before the show starts, to make the

991
00:47:43,520 --> 00:47:46,560
Speaker 2: other comics on the show if there's three, if it's

992
00:47:46,600 --> 00:47:49,200
Speaker 2: a three person show, if it's like ten people, I

993
00:47:49,280 --> 00:47:52,120
Speaker 2: don't harass everyone, sure, but if it's three of us,

994
00:47:52,320 --> 00:47:55,840
Speaker 2: I love to make everyone uncomfortable by saying, do you

995
00:47:55,880 --> 00:47:58,040
Speaker 2: guys want to do a good luck handpile?

996
00:48:00,120 --> 00:48:02,560
Speaker 1: And then we all pile our hands, one on top

997
00:48:02,600 --> 00:48:07,439
Speaker 1: of the other. The we did it whatever good luck

998
00:48:07,520 --> 00:48:09,680
Speaker 1: handpil No was did you do that on your no

999
00:48:09,880 --> 00:48:12,960
Speaker 1: refunds allowed? What was it? You didn't know that?

1000
00:48:13,000 --> 00:48:15,480
Speaker 2: It was called no refunds tour which we ended up

1001
00:48:15,560 --> 00:48:16,560
Speaker 2: giving refunds on.

1002
00:48:18,320 --> 00:48:24,000
Speaker 1: Yeah, yes it was, but you said clearly no refunds

1003
00:48:24,400 --> 00:48:25,320
Speaker 1: and we lied.

1004
00:48:25,440 --> 00:48:27,600
Speaker 2: But wait, before we go any further, look at this

1005
00:48:28,280 --> 00:48:31,040
Speaker 2: father and son on the bus bench right to your right.

1006
00:48:31,800 --> 00:48:35,720
Speaker 1: Are you kidding me? The love that those two globs,

1007
00:48:35,800 --> 00:48:37,000
Speaker 1: I don't even know what they are.

1008
00:48:37,560 --> 00:48:42,279
Speaker 4: It's fatherhood dot com and it has a father and

1009
00:48:42,400 --> 00:48:46,640
Speaker 4: son booger and since he doesn't have arms in the

1010
00:48:46,719 --> 00:48:49,320
Speaker 4: baseball bat they're playing with us just shoved into his

1011
00:48:49,440 --> 00:48:50,239
Speaker 4: gelatinous bot.

1012
00:48:50,400 --> 00:48:52,520
Speaker 1: That's right. He has to hold it with his abdomen,

1013
00:48:53,080 --> 00:48:55,160
Speaker 1: with the gel of his abdomen. He has to hold

1014
00:48:55,200 --> 00:48:55,920
Speaker 1: that baseball bat.

1015
00:48:56,160 --> 00:48:59,360
Speaker 3: I don't design billboards well on acid.

1016
00:49:01,120 --> 00:49:05,000
Speaker 2: Or is that the best father son billboard we've ever seen?

1017
00:49:05,800 --> 00:49:06,440
Speaker 3: It could be the.

1018
00:49:06,600 --> 00:49:09,719
Speaker 1: Transcending all cultures, all boundaries.

1019
00:49:10,719 --> 00:49:13,320
Speaker 4: We used to do the handstack at the beginning of

1020
00:49:13,400 --> 00:49:17,680
Speaker 4: our improv shows and we would say we're gonna suck.

1021
00:49:18,680 --> 00:49:19,960
Speaker 3: But it still worked.

1022
00:49:20,360 --> 00:49:24,160
Speaker 2: Sure, it's fun, and I think we might have done

1023
00:49:24,200 --> 00:49:27,719
Speaker 2: it a little on no refunds, which just.

1024
00:49:29,760 --> 00:49:30,000
Speaker 1: It was.

1025
00:49:31,040 --> 00:49:33,800
Speaker 2: It was a very poorly planned tour, and I was

1026
00:49:33,880 --> 00:49:37,319
Speaker 2: the one who planned it, and then also the one

1027
00:49:37,320 --> 00:49:41,919
Speaker 2: who canceled the shows that had not sold tickets, more

1028
00:49:42,200 --> 00:49:46,800
Speaker 2: out of a desire not to be demoralized than the

1029
00:49:46,960 --> 00:49:49,640
Speaker 2: money we would have lost, because it wouldn't have been

1030
00:49:49,760 --> 00:49:53,400
Speaker 2: We were like, we went from Texas to North Carolina

1031
00:49:53,440 --> 00:49:56,840
Speaker 2: and back, and so we had to drive back anyway,

1032
00:49:57,040 --> 00:49:59,320
Speaker 2: so it wouldn't have been a ton of money to

1033
00:49:59,440 --> 00:50:00,520
Speaker 2: still do that shows.

1034
00:50:00,600 --> 00:50:03,759
Speaker 1: But I was like, I cannot. In New Orleans. Our

1035
00:50:03,840 --> 00:50:04,520
Speaker 1: show there were.

1036
00:50:04,480 --> 00:50:07,880
Speaker 2: Ten people and they were all angry at all of.

1037
00:50:08,000 --> 00:50:11,239
Speaker 1: Us the whole show because they were drunk.

1038
00:50:11,880 --> 00:50:17,080
Speaker 2: I think they had been barked in by the door guy. Oh,

1039
00:50:17,680 --> 00:50:21,080
Speaker 2: and they just were not whatever. We all four of

1040
00:50:21,200 --> 00:50:23,920
Speaker 2: us were very different and they were.

1041
00:50:23,880 --> 00:50:27,920
Speaker 3: Like, no, thank you who was on these comedy concerts

1042
00:50:28,239 --> 00:50:29,000
Speaker 3: that show?

1043
00:50:29,360 --> 00:50:32,600
Speaker 2: While the all the shows were me, Avery Moore and

1044
00:50:32,760 --> 00:50:33,359
Speaker 2: Pat Dean.

1045
00:50:33,719 --> 00:50:34,799
Speaker 3: Oh, yeah, they're the best.

1046
00:50:35,160 --> 00:50:36,319
Speaker 1: They're delightful.

1047
00:50:36,520 --> 00:50:39,320
Speaker 3: Avery has a tattoo on her arm that says, iri,

1048
00:50:40,960 --> 00:50:46,239
Speaker 3: what does she mean? She's gotten joke tattoos.

1049
00:50:47,040 --> 00:50:51,359
Speaker 1: She's so funny. I love them and uh.

1050
00:50:52,160 --> 00:50:54,800
Speaker 2: But then that show there was a there was a

1051
00:50:55,480 --> 00:50:58,239
Speaker 2: New Orleans comic who I can't remember his name now,

1052
00:50:58,320 --> 00:51:01,600
Speaker 2: but he was great and they hated all of us. Wow,

1053
00:51:02,600 --> 00:51:06,319
Speaker 2: And after that I almost was like, let's just go home.

1054
00:51:06,680 --> 00:51:07,200
Speaker 3: I don't.

1055
00:51:08,920 --> 00:51:13,000
Speaker 2: I don't have stitutiveness when it comes to really anything

1056
00:51:13,480 --> 00:51:16,839
Speaker 2: of the slightest discouragement, like we should go home.

1057
00:51:17,239 --> 00:51:19,400
Speaker 3: I know that about you. And I love it, and

1058
00:51:19,560 --> 00:51:22,439
Speaker 3: I'm I'm just happy that you're doing stand up again.

1059
00:51:23,320 --> 00:51:24,719
Speaker 3: It's great. Are you enjoying it?

1060
00:51:25,560 --> 00:51:26,560
Speaker 1: I do love it.

1061
00:51:27,360 --> 00:51:31,399
Speaker 2: I want to write new stuff. That's my favorite thing

1062
00:51:31,440 --> 00:51:31,799
Speaker 2: to share.

1063
00:51:32,640 --> 00:51:36,400
Speaker 4: It feels good to have new jokes and try them

1064
00:51:36,440 --> 00:51:38,960
Speaker 4: and they work and then you that's there's nothing more

1065
00:51:39,040 --> 00:51:39,920
Speaker 4: productive feeling.

1066
00:51:40,280 --> 00:51:45,040
Speaker 2: Yeah, And it seems like there are some I haven't

1067
00:51:45,120 --> 00:51:47,279
Speaker 2: done very money, but it seems like there's some fun

1068
00:51:47,360 --> 00:51:49,840
Speaker 2: places to do stand up in La nowadays.

1069
00:51:50,040 --> 00:51:52,560
Speaker 1: I think there are you. Are you done the Lab?

1070
00:51:53,040 --> 00:51:54,719
Speaker 1: I think I saw you at the Lab the last

1071
00:51:54,719 --> 00:51:55,719
Speaker 1: time I saw you just had it.

1072
00:51:55,880 --> 00:51:59,080
Speaker 2: I think I did you and April show at the

1073
00:51:59,200 --> 00:52:01,680
Speaker 2: Lab one time. That's right, like a year ago.

1074
00:52:01,880 --> 00:52:04,759
Speaker 1: Long ago was longer than that.

1075
00:52:04,920 --> 00:52:08,040
Speaker 3: But yeah, let's do shows, Martha. I wanted to be

1076
00:52:08,120 --> 00:52:10,200
Speaker 3: on comedy. It'll be like the old days.

1077
00:52:10,200 --> 00:52:10,680
Speaker 1: I do too.

1078
00:52:10,880 --> 00:52:14,160
Speaker 3: It'll be like the early two thousands. I like it.

1079
00:52:14,560 --> 00:52:15,200
Speaker 3: I like it too.

1080
00:52:15,400 --> 00:52:17,279
Speaker 1: That'd be we'd be a good combination of a show.

1081
00:52:17,320 --> 00:52:21,239
Speaker 2: You guys, guys, I'm I'm not kidding. I'm where do

1082
00:52:21,360 --> 00:52:21,800
Speaker 2: I sign?

1083
00:52:21,920 --> 00:52:24,520
Speaker 1: Okay, Well, let's we'll call it two headliners in the middle.

1084
00:52:24,640 --> 00:52:25,400
Speaker 1: I'll be the middle.

1085
00:52:25,560 --> 00:52:26,839
Speaker 3: Are you going to do stand up too.

1086
00:52:26,960 --> 00:52:29,279
Speaker 1: That makes me excited too, Yeah, because I need to

1087
00:52:29,320 --> 00:52:31,880
Speaker 1: do it again. I did it my first show and

1088
00:52:32,040 --> 00:52:34,719
Speaker 1: I just cobbled together whatever jokes I could remember. I

1089
00:52:34,880 --> 00:52:37,000
Speaker 1: literally didn't know I was supposed to do. It was

1090
00:52:37,000 --> 00:52:38,400
Speaker 1: a goddamn comedy jam, and I.

1091
00:52:38,440 --> 00:52:41,000
Speaker 3: Thought, oh, you did do it? Your voice? Did you

1092
00:52:41,080 --> 00:52:42,040
Speaker 3: got sick? Well?

1093
00:52:42,080 --> 00:52:43,640
Speaker 1: I was hoping I would get sick because I was

1094
00:52:43,760 --> 00:52:46,120
Speaker 1: getting so scared to do it. Of course, and then

1095
00:52:46,360 --> 00:52:48,920
Speaker 1: when I told josh Adammeiers that I thought I was

1096
00:52:48,960 --> 00:52:51,360
Speaker 1: getting sick, he was like, that's okay, I'll sing with you.

1097
00:52:51,560 --> 00:52:53,520
Speaker 5: He was not letting me get out of it then, right,

1098
00:52:54,320 --> 00:52:57,000
Speaker 5: So so I ended up doing it. But then once

1099
00:52:57,040 --> 00:52:59,400
Speaker 5: I got there, only then did I find out that I.

1100
00:52:59,440 --> 00:53:02,280
Speaker 1: Was also to do a set. So I was texting

1101
00:53:02,640 --> 00:53:05,799
Speaker 1: Lucy Cooperman, going, can you remember any jokes of.

1102
00:53:05,840 --> 00:53:06,880
Speaker 3: Mine that's so funny?

1103
00:53:07,040 --> 00:53:09,279
Speaker 1: And my sister. My sister's like the last timeside you

1104
00:53:09,320 --> 00:53:11,680
Speaker 1: stand up was nineteen ninety eight, talking I.

1105
00:53:11,719 --> 00:53:14,080
Speaker 3: Wouldn't know either. I'd be like someone trying to get

1106
00:53:14,080 --> 00:53:17,399
Speaker 3: into the bathroom ling the door. That's a ten second joke,

1107
00:53:17,800 --> 00:53:20,680
Speaker 3: and then do your hay ride bit that you don't Remember.

1108
00:53:21,760 --> 00:53:24,600
Speaker 1: There's no way my jokes aren't like they're not written

1109
00:53:24,680 --> 00:53:25,520
Speaker 1: to be remembered.

1110
00:53:25,760 --> 00:53:29,600
Speaker 4: I can I can tell as many Martha Kelly jokes

1111
00:53:29,640 --> 00:53:31,800
Speaker 4: as I can tell like Mitch Edberg jokes.

1112
00:53:31,960 --> 00:53:33,799
Speaker 1: Oh you have a herd set memoriz.

1113
00:53:33,680 --> 00:53:36,360
Speaker 3: It's just no, it's jokes. You don't even tell anymore.

1114
00:53:36,400 --> 00:53:40,520
Speaker 4: But when we started everyone's jokes at that time, I mean,

1115
00:53:41,000 --> 00:53:41,480
Speaker 4: give me one.

1116
00:53:41,600 --> 00:53:46,040
Speaker 1: Let's hear them. Oh no, I did killing Mark to

1117
00:53:46,120 --> 00:53:47,920
Speaker 1: kill you said it? Now you have to do it.

1118
00:53:48,120 --> 00:53:50,799
Speaker 3: I already did that one. I did your Nick Nolty joke.

1119
00:53:50,920 --> 00:53:51,920
Speaker 1: Okah, that was a good one.

1120
00:53:52,040 --> 00:53:56,320
Speaker 4: I'm going to do it better this time. When I

1121
00:53:56,440 --> 00:54:01,120
Speaker 4: moved to Texas, I saw myself becoming a new person.

1122
00:54:01,200 --> 00:54:04,120
Speaker 4: But all I've been doing well here is drinking and smoking.

1123
00:54:05,760 --> 00:54:08,200
Speaker 4: I didn't realize that person would be Nick Nulty.

1124
00:54:08,400 --> 00:54:10,960
Speaker 1: Is that how it goes is very much in the

1125
00:54:11,040 --> 00:54:11,520
Speaker 1: ball park.

1126
00:54:13,120 --> 00:54:14,520
Speaker 3: I think I told it better before.

1127
00:54:15,360 --> 00:54:18,160
Speaker 1: It was definitely tighter before and easier to track.

1128
00:54:18,440 --> 00:54:22,399
Speaker 4: And Martha was in traffic and the guy looked over

1129
00:54:23,120 --> 00:54:27,880
Speaker 4: and he honked or said, hey, can I get your

1130
00:54:27,920 --> 00:54:28,439
Speaker 4: phone number?

1131
00:54:28,480 --> 00:54:30,720
Speaker 3: But all he could see was your face.

1132
00:54:31,640 --> 00:54:35,120
Speaker 4: And then maybe we should go out sometime he asked

1133
00:54:35,160 --> 00:54:37,440
Speaker 4: you out from his car, and then you said, I

1134
00:54:37,520 --> 00:54:40,560
Speaker 4: have a better idea. How about I meet you naked

1135
00:54:40,640 --> 00:54:42,600
Speaker 4: in a shallow grave if you just pushed me in.

1136
00:54:44,120 --> 00:54:47,239
Speaker 3: Is that, Martha, you did good?

1137
00:54:49,360 --> 00:54:55,120
Speaker 2: That is a true story. Except for the comeback. All

1138
00:54:55,160 --> 00:54:58,000
Speaker 2: of my early jokes were real things that happened where

1139
00:54:58,040 --> 00:55:00,680
Speaker 2: I pretended I had a good comeback at the time.

1140
00:55:01,000 --> 00:55:02,359
Speaker 3: SAME's the best.

1141
00:55:02,480 --> 00:55:04,160
Speaker 1: We are from the same school of comedy.

1142
00:55:04,760 --> 00:55:06,520
Speaker 5: And the one time I did is set the only

1143
00:55:06,640 --> 00:55:08,319
Speaker 5: time I've ever done a set of the comedy at

1144
00:55:08,320 --> 00:55:09,040
Speaker 5: the Laugh Factory.

1145
00:55:09,719 --> 00:55:11,160
Speaker 1: I was so nervous to do it. I was like,

1146
00:55:11,600 --> 00:55:12,600
Speaker 1: this is gonna be terrible.

1147
00:55:12,960 --> 00:55:15,000
Speaker 5: And I got up and the first joke was okay,

1148
00:55:15,440 --> 00:55:17,400
Speaker 5: And then my second joke was a true story of

1149
00:55:17,560 --> 00:55:19,719
Speaker 5: this time. I went to the corner store in San

1150
00:55:19,760 --> 00:55:22,400
Speaker 5: Francisco and I was super stoned, and the guy that

1151
00:55:22,480 --> 00:55:22,919
Speaker 5: worked there.

1152
00:55:22,880 --> 00:55:28,560
Speaker 1: Goes anything you want to day for free, Jeeps, Coke, Kandy,

1153
00:55:29,239 --> 00:55:32,560
Speaker 1: Sickness magazines, and he was listing all the shit off

1154
00:55:32,600 --> 00:55:34,600
Speaker 1: that for free, and this really happened.

1155
00:55:35,040 --> 00:55:36,960
Speaker 5: And then of course I did something that was like

1156
00:55:37,120 --> 00:55:39,160
Speaker 5: the comeback, which I of course did not say in

1157
00:55:39,200 --> 00:55:39,719
Speaker 5: real time.

1158
00:55:40,239 --> 00:55:42,160
Speaker 1: And when I did that, joke at the Laugh Factory,

1159
00:55:42,320 --> 00:55:46,080
Speaker 1: some guy, huge sounding guy in the back goes bullshit

1160
00:55:46,600 --> 00:55:49,319
Speaker 1: like really loud, really, and I go, you're right, sir,

1161
00:55:49,560 --> 00:55:50,360
Speaker 1: and walked off the.

1162
00:55:50,400 --> 00:55:53,920
Speaker 5: Stakes and I left my set to jokes in and

1163
00:55:54,200 --> 00:55:56,640
Speaker 5: was like, I fucking hate this place and I hate

1164
00:55:56,680 --> 00:55:58,000
Speaker 5: stand up commed bullshit.

1165
00:55:58,320 --> 00:56:01,520
Speaker 3: Bullshit. I was made up that last part to evoke

1166
00:56:01,600 --> 00:56:02,800
Speaker 3: the emotion of laughter.

1167
00:56:04,040 --> 00:56:07,320
Speaker 2: That is insane. Why do people go like that go

1168
00:56:07,440 --> 00:56:08,480
Speaker 2: to comedy shows?

1169
00:56:08,560 --> 00:56:10,960
Speaker 1: I was always assuming it was another comedian.

1170
00:56:12,000 --> 00:56:15,239
Speaker 3: That makes me. Some might there every once in a while,

1171
00:56:15,320 --> 00:56:16,840
Speaker 3: and I don't see it as much. But there was

1172
00:56:16,880 --> 00:56:18,000
Speaker 3: a Texas there.

1173
00:56:18,320 --> 00:56:20,680
Speaker 4: There was a whole thing where there'd be some guy

1174
00:56:20,800 --> 00:56:23,080
Speaker 4: with his arms crossed, and Cap City had called him

1175
00:56:23,120 --> 00:56:26,640
Speaker 4: and given him free tickets, and they're like, well, I

1176
00:56:26,680 --> 00:56:28,759
Speaker 4: guess I'll stop yelling at my wife and kids and

1177
00:56:28,880 --> 00:56:32,239
Speaker 4: go that's damn free comedy show. They better not try

1178
00:56:32,280 --> 00:56:34,840
Speaker 4: and make me laugh. It's like the last person that

1179
00:56:34,920 --> 00:56:38,080
Speaker 4: should be there sitting up front. They put him up front. Yeah, yeah,

1180
00:56:38,160 --> 00:56:40,759
Speaker 4: and he just jiggles his leg, tapping his leg with

1181
00:56:40,880 --> 00:56:43,440
Speaker 4: his arms crossed, staring like he wants to kill you.

1182
00:56:43,520 --> 00:56:45,880
Speaker 3: And that's who. That's who. You'll learn to tell jokes

1183
00:56:45,920 --> 00:56:47,920
Speaker 3: in front of Yeah, in the.

1184
00:56:47,960 --> 00:56:50,479
Speaker 1: Early days, that's how it was. It's rough.

1185
00:56:50,760 --> 00:56:55,840
Speaker 2: I love that before Daniel Tosh was famous, he was

1186
00:56:55,920 --> 00:57:01,799
Speaker 2: at cap City and some with that kind of attitude

1187
00:57:02,360 --> 00:57:05,320
Speaker 2: said something that wasn't like a mean heckle, but it

1188
00:57:05,440 --> 00:57:07,719
Speaker 2: was just like, I'm gonna be a smart ass and

1189
00:57:07,960 --> 00:57:08,360
Speaker 2: this He.

1190
00:57:08,400 --> 00:57:10,920
Speaker 1: Didn't have any like footing.

1191
00:57:11,480 --> 00:57:14,000
Speaker 2: He was a pretty new headliner at the time, and

1192
00:57:14,160 --> 00:57:16,680
Speaker 2: he just goes, yeah, you gotta get out. I'm not

1193
00:57:16,840 --> 00:57:19,600
Speaker 2: continuing the show until you get out, and you would not,

1194
00:57:21,520 --> 00:57:23,600
Speaker 2: and then they had to leave. I was like that,

1195
00:57:24,240 --> 00:57:26,439
Speaker 2: I wish I could. I wish I had that kind

1196
00:57:26,480 --> 00:57:30,680
Speaker 2: of balls. Yeah, I loved him for I love anytime

1197
00:57:30,800 --> 00:57:35,280
Speaker 2: a comic fights with a heckler and wins, including fistfights.

1198
00:57:35,320 --> 00:57:41,600
Speaker 1: I've seen what about the one where the guy smashes

1199
00:57:41,640 --> 00:57:42,919
Speaker 1: the guitar over the guy's head.

1200
00:57:43,040 --> 00:57:46,560
Speaker 2: Okay, that guy, I'm not on his side because it

1201
00:57:46,720 --> 00:57:49,640
Speaker 2: seemed like he was insane.

1202
00:57:50,200 --> 00:57:52,120
Speaker 1: It seemed like it was about something else for him.

1203
00:57:52,320 --> 00:57:52,560
Speaker 3: Yeah.

1204
00:57:53,000 --> 00:57:55,120
Speaker 1: Yeah, you guys saw him coming at me in the

1205
00:57:55,200 --> 00:57:59,080
Speaker 1: crowd just goes no, dude, No, we did not.

1206
00:58:01,200 --> 00:58:03,760
Speaker 2: Yeah, but one time I saw a guy in the

1207
00:58:03,840 --> 00:58:08,040
Speaker 2: audience throw a drink at Gary Goleman at the improv.

1208
00:58:08,280 --> 00:58:10,919
Speaker 2: Oh shit, And then I started fist fighting. And I've

1209
00:58:11,560 --> 00:58:13,560
Speaker 2: I already liked Gary Goleman, but.

1210
00:58:13,640 --> 00:58:16,040
Speaker 1: That made me loyal to him for life. I've never

1211
00:58:16,120 --> 00:58:16,480
Speaker 1: met up.

1212
00:58:16,560 --> 00:58:19,720
Speaker 4: If Gary Goleman came at me with his banana hands

1213
00:58:19,800 --> 00:58:23,000
Speaker 4: curled up into fists and started swinging, I would.

1214
00:58:23,720 --> 00:58:25,160
Speaker 3: He's a big person.

1215
00:58:25,280 --> 00:58:27,760
Speaker 1: He's big, right, he is big, But funny.

1216
00:58:28,160 --> 00:58:31,120
Speaker 2: The thing about guys like the one he fought is

1217
00:58:31,200 --> 00:58:38,680
Speaker 2: that they will heckle guide comedians who are not big

1218
00:58:39,200 --> 00:58:42,880
Speaker 2: and can't really physically defend themselves. And it's just like

1219
00:58:43,040 --> 00:58:46,200
Speaker 2: the jocks in high school picking on the smart guys. Yeah,

1220
00:58:46,520 --> 00:58:50,800
Speaker 2: so to see a comic rise up. And I don't

1221
00:58:50,840 --> 00:58:53,360
Speaker 2: really like violence. I ran and hid in the bathroom

1222
00:58:53,440 --> 00:58:56,360
Speaker 2: when I saw them violence.

1223
00:58:56,720 --> 00:58:57,240
Speaker 1: I really do.

1224
00:58:58,240 --> 00:59:01,080
Speaker 4: Do you remember, Martha, When I at the belvide room,

1225
00:59:01,160 --> 00:59:04,360
Speaker 4: I threw a cup of ice on this table of

1226
00:59:04,480 --> 00:59:10,520
Speaker 4: guys that wouldn't stop talking, and it and my cup

1227
00:59:10,640 --> 00:59:13,360
Speaker 4: hit their glasses and their drinks fell. I was really

1228
00:59:13,480 --> 00:59:17,520
Speaker 4: they were being terrible, And then I went outside to

1229
00:59:17,720 --> 00:59:20,680
Speaker 4: talk to them and they were a couple. They were,

1230
00:59:22,240 --> 00:59:24,880
Speaker 4: And then I felt really weird because all of a sudden.

1231
00:59:24,960 --> 00:59:28,640
Speaker 4: I felt like I was in a but they wanted

1232
00:59:28,680 --> 00:59:30,480
Speaker 4: to get in a fight with me as a couple.

1233
00:59:30,720 --> 00:59:33,600
Speaker 1: Sure, can you imagine being in that situation anyone in

1234
00:59:33,680 --> 00:59:34,000
Speaker 1: this car?

1235
00:59:35,520 --> 00:59:38,080
Speaker 3: And so we made up and then we went to

1236
00:59:38,160 --> 00:59:38,720
Speaker 3: Love Joyce.

1237
00:59:38,840 --> 00:59:43,360
Speaker 1: You didn't let us answer because I can.

1238
00:59:44,680 --> 00:59:46,520
Speaker 3: And then I hung out with them a little.

1239
00:59:47,800 --> 00:59:48,040
Speaker 1: Friends.

1240
00:59:48,080 --> 00:59:50,600
Speaker 4: Yeah, yeah, we ended up being friends. And it started

1241
00:59:50,640 --> 00:59:52,880
Speaker 4: with throwing a glass of ice at them.

1242
00:59:53,000 --> 00:59:56,880
Speaker 1: Well that was unsatisfying because I want violence and ultra violence.

1243
00:59:57,080 --> 00:59:59,160
Speaker 3: I couldn't cry me.

1244
01:00:01,560 --> 01:00:04,720
Speaker 4: And they ended up being my friends, but I didn't

1245
01:00:04,880 --> 01:00:07,840
Speaker 4: really like them because they were still the people that hadckled.

1246
01:00:08,200 --> 01:00:08,360
Speaker 3: Well.

1247
01:00:08,400 --> 01:00:11,520
Speaker 5: What I like about comedy these days is that you

1248
01:00:11,680 --> 01:00:15,120
Speaker 5: can actually find people that want to watch you specifically.

1249
01:00:15,880 --> 01:00:18,200
Speaker 5: It's not the thing it used to be, where it

1250
01:00:18,360 --> 01:00:21,200
Speaker 5: was like go to a room where people have gathered

1251
01:00:21,280 --> 01:00:23,600
Speaker 5: for their own reasons and some of them have nothing

1252
01:00:23,640 --> 01:00:24,480
Speaker 5: to do with comedy.

1253
01:00:24,560 --> 01:00:25,240
Speaker 3: Yeah yeah, yeah.

1254
01:00:25,240 --> 01:00:27,360
Speaker 1: And often it's like I'm on a date and I

1255
01:00:27,440 --> 01:00:30,320
Speaker 1: want to get fucked up. Yeah it's a birthday party

1256
01:00:30,400 --> 01:00:34,840
Speaker 1: or bachelorette party or something horrifying. It's anti comedy, I did.

1257
01:00:35,320 --> 01:00:38,440
Speaker 4: Or people that work together, yes, when they're like, oh,

1258
01:00:38,600 --> 01:00:41,080
Speaker 4: I sit across from you, and we see each other

1259
01:00:41,160 --> 01:00:41,600
Speaker 4: every day.

1260
01:00:41,640 --> 01:00:44,200
Speaker 3: But let's be let's not know how to act at

1261
01:00:44,560 --> 01:00:44,920
Speaker 3: Let's all.

1262
01:00:44,920 --> 01:00:47,000
Speaker 4: Go to a comedy show together and look at each

1263
01:00:47,000 --> 01:00:48,920
Speaker 4: other for approval after each.

1264
01:00:48,840 --> 01:00:50,840
Speaker 1: Joke and decide we're better than these people.

1265
01:00:51,000 --> 01:00:52,480
Speaker 3: Yes, it's the worst.

1266
01:00:52,840 --> 01:00:56,640
Speaker 1: Yeah, I hate all those people. They're the worst, and

1267
01:00:56,760 --> 01:00:58,160
Speaker 1: yet we're here to entertain them.

1268
01:00:59,360 --> 01:01:02,040
Speaker 4: Remember I did a show once and they made me

1269
01:01:02,240 --> 01:01:04,919
Speaker 4: dress like their boss. It was like around Christmas time.

1270
01:01:05,560 --> 01:01:09,520
Speaker 3: Can you put on his jacket? And just he had

1271
01:01:09,560 --> 01:01:11,880
Speaker 3: a catchphrase, and I'm like, yes, sure, I'll do an

1272
01:01:11,880 --> 01:01:12,880
Speaker 3: impression of your boss.

1273
01:01:13,120 --> 01:01:14,200
Speaker 1: The boss had a catch phrase.

1274
01:01:14,320 --> 01:01:17,360
Speaker 3: Yes they were these are some things. He says, Well,

1275
01:01:17,400 --> 01:01:19,320
Speaker 3: you may roast him a little bit. And I was

1276
01:01:19,440 --> 01:01:21,960
Speaker 3: new it to comedy and I'm like, okay, I will

1277
01:01:22,120 --> 01:01:24,480
Speaker 3: do that. And I put on his jacket and I.

1278
01:01:24,520 --> 01:01:26,880
Speaker 4: Put my hand in the pocket, and in his pocket

1279
01:01:26,960 --> 01:01:30,800
Speaker 4: there was a pair of underwear, ew women's underwear. And

1280
01:01:31,440 --> 01:01:34,240
Speaker 4: his real wife was at the show, and she knew

1281
01:01:34,360 --> 01:01:37,600
Speaker 4: right away that it was like some secretaries under when

1282
01:01:37,680 --> 01:01:41,800
Speaker 4: reached in and that I was holding underwear, and she's like, you,

1283
01:01:42,080 --> 01:01:44,720
Speaker 4: son of a bitch, And they had like altercation and

1284
01:01:44,880 --> 01:01:48,760
Speaker 4: the boss left and everyone. I ruined the night and

1285
01:01:48,960 --> 01:01:50,360
Speaker 4: it was not my idea.

1286
01:01:50,600 --> 01:01:55,120
Speaker 1: I disagree. You didn't put those underwear in there. He did.

1287
01:01:55,480 --> 01:02:00,000
Speaker 1: It was panties in his pocket. That's crazy, literally.

1288
01:02:01,880 --> 01:02:04,760
Speaker 4: And everyone knew and they're like, oh, he's back at

1289
01:02:04,880 --> 01:02:08,640
Speaker 4: it again. Our boss is putting panties in his pocket.

1290
01:02:08,760 --> 01:02:12,600
Speaker 1: What's his motto? I am a huge sex addict? Is

1291
01:02:12,640 --> 01:02:18,080
Speaker 1: that the line they gave you today? Panties please? What's

1292
01:02:18,160 --> 01:02:19,160
Speaker 1: the motto was?

1293
01:02:19,800 --> 01:02:22,440
Speaker 3: Bro It didn't make any sense until they were in

1294
01:02:22,560 --> 01:02:23,040
Speaker 3: my hands?

1295
01:02:25,120 --> 01:02:28,280
Speaker 1: Oh god it he loves panties. Panties.

1296
01:02:28,440 --> 01:02:31,600
Speaker 3: We hate that word. Let's keep saying it. Anties.

1297
01:02:32,680 --> 01:02:34,000
Speaker 2: That's crazy.

1298
01:02:34,200 --> 01:02:39,680
Speaker 5: No, you since these your days in Austin comedy coming up,

1299
01:02:40,080 --> 01:02:41,080
Speaker 5: you're now in movies.

1300
01:02:41,360 --> 01:02:43,480
Speaker 1: Let's name some of the movies you've been in lately.

1301
01:02:44,120 --> 01:02:46,760
Speaker 2: That'll be easy because they're hardly been nunny.

1302
01:02:47,800 --> 01:02:48,240
Speaker 1: Name them.

1303
01:02:49,080 --> 01:02:55,880
Speaker 2: I've been in a total of four movies, very little,

1304
01:02:56,160 --> 01:02:57,080
Speaker 2: tiny parts.

1305
01:02:57,320 --> 01:02:57,520
Speaker 3: Right.

1306
01:02:58,560 --> 01:03:00,560
Speaker 1: One was Spider Man hum Coming.

1307
01:03:00,960 --> 01:03:02,560
Speaker 3: Yeah that was a while ago.

1308
01:03:03,000 --> 01:03:06,160
Speaker 2: Yeah, that was the summer of twenty sixteen.

1309
01:03:06,360 --> 01:03:07,320
Speaker 1: Was one it shot?

1310
01:03:07,640 --> 01:03:09,040
Speaker 3: Okay, that wasn't that long.

1311
01:03:09,920 --> 01:03:13,640
Speaker 1: It was almost three years ago. Yeah. Oh what else?

1312
01:03:14,680 --> 01:03:20,640
Speaker 2: A movie called Infinity Baby where Iman one scene.

1313
01:03:21,240 --> 01:03:27,280
Speaker 1: Who directed it? Bob By bayer Byerton, Byington.

1314
01:03:27,800 --> 01:03:29,760
Speaker 3: Bugy Bobby Byington.

1315
01:03:29,800 --> 01:03:34,880
Speaker 2: Bobby the Director, Bob Robert Bobby barr Byreton.

1316
01:03:35,680 --> 01:03:42,960
Speaker 1: Bob Bobby, Bob Bobbinson, Big Bob, Big Bugby bar Big Bopper, Robertson.

1317
01:03:45,240 --> 01:03:53,200
Speaker 4: Mister Bob Doblina, Mister Bob Dobelina, Bob Bob, Bob Bganna Fanna.

1318
01:03:53,240 --> 01:04:03,280
Speaker 3: Bob Bob Bob Bob Bob Fun. He's a he certainly

1319
01:04:03,480 --> 01:04:09,360
Speaker 3: is of I do like that words infinity baby together.

1320
01:04:09,600 --> 01:04:15,200
Speaker 3: Sure that that is one that will grow up? Yeah?

1321
01:04:15,440 --> 01:04:17,680
Speaker 1: It is. Yeah, that's fun.

1322
01:04:17,920 --> 01:04:20,440
Speaker 2: It's actually a bunch of babies that won't grow up,

1323
01:04:20,480 --> 01:04:23,080
Speaker 2: but a failed experiment.

1324
01:04:24,200 --> 01:04:26,360
Speaker 3: Did you act with a bunch of babies? Did you

1325
01:04:26,440 --> 01:04:26,840
Speaker 3: get to be.

1326
01:04:27,000 --> 01:04:29,520
Speaker 1: Certainly, I didn't get to. Babies are some of my

1327
01:04:29,640 --> 01:04:32,760
Speaker 1: favorite people, and I did not get to add to

1328
01:04:32,960 --> 01:04:38,760
Speaker 1: any babies. But it was fun. It was with Karen Colkin. Yes,

1329
01:04:38,920 --> 01:04:42,040
Speaker 1: he's amazing. He was very nice and normal.

1330
01:04:42,200 --> 01:04:46,440
Speaker 2: I always would expect any former child actor to be bonkers.

1331
01:04:46,600 --> 01:04:52,080
Speaker 1: Yeah, but he was very uh normal, dudes, So did

1332
01:04:52,160 --> 01:04:55,600
Speaker 1: you watch him in succession? Sorry interrupt, I haven't seen that.

1333
01:04:55,920 --> 01:04:58,720
Speaker 1: It's great and he's incredible in it.

1334
01:04:58,920 --> 01:05:02,640
Speaker 4: He's so good, he's incredible and dangerous lives of altar

1335
01:05:02,760 --> 01:05:03,280
Speaker 4: boys too.

1336
01:05:03,720 --> 01:05:06,680
Speaker 5: He's just a great I think the Colkin children knew

1337
01:05:06,720 --> 01:05:08,200
Speaker 5: what they were doing when it came to acting.

1338
01:05:08,600 --> 01:05:09,880
Speaker 1: Yes, all of them.

1339
01:05:10,160 --> 01:05:12,920
Speaker 3: The key is leaving them at home alone, that's right,

1340
01:05:13,080 --> 01:05:14,280
Speaker 3: and not parenting them.

1341
01:05:14,520 --> 01:05:14,960
Speaker 1: That's right.

1342
01:05:15,040 --> 01:05:17,560
Speaker 5: You go on a vacation, leave them be Oh, check

1343
01:05:17,600 --> 01:05:20,040
Speaker 5: out this fucking sweet ass film.

1344
01:05:20,120 --> 01:05:20,600
Speaker 1: Were you in this?

1345
01:05:20,840 --> 01:05:24,440
Speaker 3: Mar on getting it?

1346
01:05:29,760 --> 01:05:30,200
Speaker 1: Do you know.

1347
01:05:32,680 --> 01:05:35,800
Speaker 5: Certain, ma'am that we have the star of Big Bobby

1348
01:05:35,840 --> 01:05:37,800
Speaker 5: Boverton's lip last film?

1349
01:05:38,200 --> 01:05:42,400
Speaker 3: Guys, you're gonna want to yell cut here, cut let

1350
01:05:42,560 --> 01:05:43,000
Speaker 3: Martha in.

1351
01:05:43,600 --> 01:05:46,520
Speaker 2: That's actually how every scene I've been in in a

1352
01:05:46,640 --> 01:05:49,680
Speaker 2: movie was just someone pulling over it and I ran over.

1353
01:05:49,600 --> 01:05:53,200
Speaker 1: And got the camera, but fully memorized the script. Any

1354
01:05:53,320 --> 01:05:58,720
Speaker 1: script gone into a costume real quick. Delivered that line,

1355
01:05:58,880 --> 01:05:59,320
Speaker 1: jumped in.

1356
01:05:59,600 --> 01:06:03,400
Speaker 3: We were you in after Infinity? Baby? There's two more movies?

1357
01:06:04,280 --> 01:06:04,440
Speaker 1: Uh?

1358
01:06:05,320 --> 01:06:05,520
Speaker 3: Wait?

1359
01:06:05,680 --> 01:06:08,560
Speaker 1: Are there? Maybe there's only one? Wait?

1360
01:06:09,040 --> 01:06:11,880
Speaker 2: Oh, one hasn't come out yet, and I don't know

1361
01:06:12,120 --> 01:06:16,600
Speaker 2: what the title will be. And my character's name, I

1362
01:06:16,760 --> 01:06:18,600
Speaker 2: think was caseworker.

1363
01:06:22,280 --> 01:06:24,600
Speaker 4: I was on a show called Single Parents and my

1364
01:06:24,800 --> 01:06:30,640
Speaker 4: character's name was Man, and I was cut from the episode.

1365
01:06:30,920 --> 01:06:33,919
Speaker 2: That's the thing I might be cut from the movie

1366
01:06:33,960 --> 01:06:37,440
Speaker 2: hasn't come out. And I know that's a common thing

1367
01:06:37,560 --> 01:06:39,920
Speaker 2: where that you if you're not one of the leads,

1368
01:06:40,520 --> 01:06:44,560
Speaker 2: you can your entire storyline or scenes or whatever.

1369
01:06:44,400 --> 01:06:45,920
Speaker 1: Can get cut out of anything.

1370
01:06:46,200 --> 01:06:49,040
Speaker 5: And the more like, just because you filmed it doesn't

1371
01:06:49,080 --> 01:06:53,080
Speaker 5: mean it's happening right, And oftentimes people will go and

1372
01:06:53,200 --> 01:06:56,360
Speaker 5: have a whole experience and do like start writing stand

1373
01:06:56,480 --> 01:06:58,360
Speaker 5: up bits about how they're in this movie, and then

1374
01:06:58,360 --> 01:07:00,640
Speaker 5: when the movie comes out, they're not in them and

1375
01:07:00,760 --> 01:07:01,280
Speaker 5: they didn't know.

1376
01:07:01,720 --> 01:07:04,520
Speaker 4: Everyone keeps trying to watch Jack Frost to pick me

1377
01:07:04,600 --> 01:07:07,680
Speaker 4: out as a snowboarder, and they're showing me pictures.

1378
01:07:07,400 --> 01:07:09,200
Speaker 3: As it's you. I can't.

1379
01:07:09,800 --> 01:07:12,680
Speaker 4: I don't remember who I was. I just know I

1380
01:07:12,840 --> 01:07:14,440
Speaker 4: was there and the camera was I was in the

1381
01:07:14,480 --> 01:07:15,600
Speaker 4: background snowboarding.

1382
01:07:16,200 --> 01:07:17,040
Speaker 3: I'm not a liar.

1383
01:07:17,640 --> 01:07:21,400
Speaker 1: Well, but it doesn't seem like you have proof I was.

1384
01:07:22,160 --> 01:07:24,960
Speaker 3: I'm not in the credits, but I was on camera.

1385
01:07:25,160 --> 01:07:27,800
Speaker 3: The camera was aimed at my general direction. Me too.

1386
01:07:28,680 --> 01:07:30,640
Speaker 3: Oft in the distance. They were making a.

1387
01:07:30,680 --> 01:07:33,520
Speaker 4: Movie and I was snowboarding that day, and I have

1388
01:07:33,680 --> 01:07:36,720
Speaker 4: to be on camera at some point. Okay, you've beat

1389
01:07:36,800 --> 01:07:38,840
Speaker 4: it out of me. I'm not sure if I'm in

1390
01:07:38,920 --> 01:07:39,320
Speaker 4: the movie.

1391
01:07:39,640 --> 01:07:41,520
Speaker 5: Technically it looks it seems like we're gonna have to

1392
01:07:41,560 --> 01:07:43,000
Speaker 5: have a screening of Jack Frost.

1393
01:07:43,200 --> 01:07:46,160
Speaker 4: There is a film, a two thousand and four animated

1394
01:07:46,280 --> 01:07:47,240
Speaker 4: film called.

1395
01:07:48,960 --> 01:07:52,320
Speaker 3: Oh God, what is it called? It's it's birds, Delivery

1396
01:07:52,400 --> 01:07:59,200
Speaker 3: bird Rio, It's delivery it storks, I can't remember.

1397
01:07:59,360 --> 01:08:00,920
Speaker 1: Well, then it's called Delivery Birds.

1398
01:08:01,080 --> 01:08:06,040
Speaker 4: Allegiant Valiant. There's a movie called Valiant, and I am

1399
01:08:06,320 --> 01:08:08,480
Speaker 4: a voice in it. According to IMDb.

1400
01:08:09,040 --> 01:08:12,000
Speaker 3: Oh and I looked. I don't know where who this

1401
01:08:12,200 --> 01:08:13,080
Speaker 3: Chris Fairbanks is.

1402
01:08:13,120 --> 01:08:17,280
Speaker 4: It's not Chris Fairbanks, the English actor actor, or Christopher Fairbanks, a.

1403
01:08:17,360 --> 01:08:20,320
Speaker 3: Local actor who goes by Christopher it is.

1404
01:08:20,720 --> 01:08:23,960
Speaker 4: It is given to me. I so I pretend that

1405
01:08:24,080 --> 01:08:25,960
Speaker 4: I was in it. And I even have a line

1406
01:08:26,040 --> 01:08:28,920
Speaker 4: in the movie that I've made up.

1407
01:08:28,960 --> 01:08:30,800
Speaker 3: I've never seen the movie. But do you guys want

1408
01:08:30,800 --> 01:08:31,559
Speaker 3: to hear my line?

1409
01:08:31,800 --> 01:08:37,519
Speaker 1: Yes? Yes, all deliver it? What kind of bird was that?

1410
01:08:37,880 --> 01:08:40,320
Speaker 3: I don't know. I never watched the movie. I don't

1411
01:08:40,400 --> 01:08:41,240
Speaker 3: know who I am in it.

1412
01:08:41,439 --> 01:08:44,000
Speaker 2: But it's about birds that deliver stuff.

1413
01:08:44,200 --> 01:08:48,560
Speaker 4: It's the cover is birds with aviator like goggles on

1414
01:08:48,680 --> 01:08:49,120
Speaker 4: their house.

1415
01:08:49,200 --> 01:08:50,559
Speaker 1: Oh like top Gun for birds.

1416
01:08:50,800 --> 01:08:55,280
Speaker 3: Yes, yes, it is like top Gun. The logo is

1417
01:08:55,400 --> 01:08:55,920
Speaker 3: keep orders.

1418
01:08:55,960 --> 01:08:56,400
Speaker 1: It's a girl.

1419
01:08:56,840 --> 01:09:00,479
Speaker 4: Oh well, yeah, I've been really I like how many

1420
01:09:00,640 --> 01:09:03,800
Speaker 4: skateboarder girls there are now, and they're getting really good

1421
01:09:03,960 --> 01:09:04,960
Speaker 4: and it's fun to watch.

1422
01:09:05,160 --> 01:09:08,560
Speaker 2: And my niece knows how to skateboard. Really, she's she

1423
01:09:08,760 --> 01:09:12,320
Speaker 2: started when she was like seven and she's twelve now.

1424
01:09:13,320 --> 01:09:16,320
Speaker 2: I don't think that she's very passionate about it.

1425
01:09:16,400 --> 01:09:17,800
Speaker 1: But she does know how to do it.

1426
01:09:17,960 --> 01:09:18,880
Speaker 3: That's so cool.

1427
01:09:19,080 --> 01:09:23,000
Speaker 4: I like that Michelle Balloon is having heard her little

1428
01:09:23,080 --> 01:09:24,800
Speaker 4: daughter do skateboarding too.

1429
01:09:25,080 --> 01:09:25,760
Speaker 1: Yeah, that's good.

1430
01:09:25,960 --> 01:09:27,280
Speaker 3: I was going to say her name, but we don't

1431
01:09:27,320 --> 01:09:31,880
Speaker 3: want to only show pictures of children reveal their identities.

1432
01:09:37,200 --> 01:09:38,559
Speaker 3: Oh that's weird.

1433
01:09:38,560 --> 01:09:42,880
Speaker 2: In trouble now, I think we're fine. The law will

1434
01:09:42,960 --> 01:09:43,760
Speaker 2: never catch us.

1435
01:09:45,320 --> 01:09:48,000
Speaker 3: We are Monnie and Clyde of comedy.

1436
01:09:48,080 --> 01:09:50,639
Speaker 5: We'll just fucking edited out if they catch us. Exactly,

1437
01:09:50,680 --> 01:09:53,920
Speaker 5: that never happened. I'm sorry, it's not an interest of ours.

1438
01:09:54,080 --> 01:09:56,439
Speaker 5: Looks like a little snip Snipperoo happened?

1439
01:09:56,520 --> 01:09:56,840
Speaker 3: Copper?

1440
01:09:58,200 --> 01:10:04,880
Speaker 1: You fool wrong tree? What else, Martha? What else is

1441
01:10:04,880 --> 01:10:06,200
Speaker 1: going on in your private life?

1442
01:10:06,360 --> 01:10:08,759
Speaker 3: Yeah, private, deepest dark as secrets.

1443
01:10:09,520 --> 01:10:13,840
Speaker 2: I'm on year four of saying that I'm going to

1444
01:10:13,960 --> 01:10:19,479
Speaker 2: try online dating and not try it, so that's exciting.

1445
01:10:19,800 --> 01:10:23,439
Speaker 1: Yeah. Can I tell you an anecdote. I just got

1446
01:10:23,479 --> 01:10:25,559
Speaker 1: an email that said, well, come.

1447
01:10:25,520 --> 01:10:28,160
Speaker 5: Back to Bumble, we miss you, and I was like,

1448
01:10:28,320 --> 01:10:31,040
Speaker 5: I've never been on Bumble, And then I remembered one

1449
01:10:31,160 --> 01:10:34,680
Speaker 5: night after April Orchardson and I talked about it for

1450
01:10:34,760 --> 01:10:38,120
Speaker 5: a really long time and it truly was literally two

1451
01:10:38,240 --> 01:10:40,680
Speaker 5: thirty in the morning I signed up for Bumble, but

1452
01:10:40,800 --> 01:10:43,120
Speaker 5: I had I may have.

1453
01:10:43,160 --> 01:10:45,479
Speaker 3: Told the story on this podcast. I don't think you have, okay.

1454
01:10:45,800 --> 01:10:50,040
Speaker 5: I When I signed up for Facebook, originally I entered

1455
01:10:50,080 --> 01:10:53,120
Speaker 5: that my age was one hundred and eleven. So on

1456
01:10:53,320 --> 01:10:56,439
Speaker 5: Bumble they take all your information from Facebook and I

1457
01:10:56,520 --> 01:10:59,600
Speaker 5: couldn't change my age, so they were only sending me

1458
01:10:59,760 --> 01:11:01,000
Speaker 5: mine that were over eighty.

1459
01:11:01,960 --> 01:11:05,599
Speaker 1: Oh my gosh, that's because they really had me as

1460
01:11:05,680 --> 01:11:06,680
Speaker 1: being a hundred and a lot.

1461
01:11:06,800 --> 01:11:10,240
Speaker 2: That sounds fun, and they wouldn't let they won't let

1462
01:11:10,320 --> 01:11:10,800
Speaker 2: you change.

1463
01:11:10,840 --> 01:11:14,720
Speaker 1: Well, I had to go back on to Facebook to

1464
01:11:14,920 --> 01:11:15,759
Speaker 1: change my age.

1465
01:11:15,880 --> 01:11:18,040
Speaker 5: It was this whole thing that once I started the

1466
01:11:19,280 --> 01:11:21,400
Speaker 5: because then when I went on Facebook to change my

1467
01:11:21,479 --> 01:11:24,080
Speaker 5: age and make it accurate. All these people started sending

1468
01:11:24,080 --> 01:11:26,400
Speaker 5: me messages of like, you're back on Facebook, da da da,

1469
01:11:26,640 --> 01:11:28,080
Speaker 5: like all the people that I used to talk to

1470
01:11:28,240 --> 01:11:30,280
Speaker 5: and hang out with because I'd been off Facebook for

1471
01:11:30,600 --> 01:11:31,920
Speaker 5: since twenty eleven or something.

1472
01:11:32,080 --> 01:11:35,160
Speaker 3: Right, I noticed when you got back on, but that was.

1473
01:11:35,240 --> 01:11:37,960
Speaker 1: Purely just to try to make my age accurate for Mumble.

1474
01:11:38,000 --> 01:11:39,320
Speaker 5: Then I was like, why am I doing any of this.

1475
01:11:39,640 --> 01:11:41,960
Speaker 5: There's no fucking way I'm ever actually using.

1476
01:11:42,400 --> 01:11:44,479
Speaker 3: Part of you wanted to stop being elderly.

1477
01:11:44,880 --> 01:11:48,120
Speaker 1: It's true, a big part of you. There's so much

1478
01:11:48,160 --> 01:11:50,479
Speaker 1: of that. That was my whole attitude. And all the

1479
01:11:50,880 --> 01:11:53,519
Speaker 1: digital shit started or I was like, yeah, I'm one

1480
01:11:53,600 --> 01:11:56,439
Speaker 1: hundred and eleven and this is I'm definitely into tulips

1481
01:11:56,560 --> 01:11:58,479
Speaker 1: or whatever, Like I would sign up for shit that

1482
01:11:58,520 --> 01:11:59,519
Speaker 1: I had nothing to do with me.

1483
01:11:59,600 --> 01:12:01,960
Speaker 5: It was like, you will never catch me, You will

1484
01:12:02,120 --> 01:12:05,479
Speaker 5: never know who I really am the internet. And then

1485
01:12:05,520 --> 01:12:07,839
Speaker 5: I screwed myself basically.

1486
01:12:08,160 --> 01:12:09,400
Speaker 1: But I don't even know.

1487
01:12:09,439 --> 01:12:14,320
Speaker 2: If bumble is the desirable because isn't like a Sadie

1488
01:12:14,360 --> 01:12:17,879
Speaker 2: Hawkins dance where it has to ask the guy out.

1489
01:12:18,240 --> 01:12:19,560
Speaker 1: Right, which I would never do.

1490
01:12:19,960 --> 01:12:22,160
Speaker 4: I would never do that I've been on it and

1491
01:12:22,960 --> 01:12:25,080
Speaker 4: I've never met a real human but I have had

1492
01:12:25,240 --> 01:12:28,360
Speaker 4: or maybe I have, but I have. It's usually a

1493
01:12:28,439 --> 01:12:31,400
Speaker 4: woman saying hi or whatever it's like, and then you

1494
01:12:31,560 --> 01:12:34,120
Speaker 4: go and it's never like you have to come.

1495
01:12:34,080 --> 01:12:34,960
Speaker 3: Up with a witty thing.

1496
01:12:35,080 --> 01:12:39,600
Speaker 4: It's like, Okay, you got me, Hello, you caught me.

1497
01:12:40,640 --> 01:12:44,040
Speaker 4: Usually it's a back and forth on there, right, well,

1498
01:12:44,120 --> 01:12:46,880
Speaker 4: you seem nice. Let's never talk for me ever. Again,

1499
01:12:47,080 --> 01:12:48,320
Speaker 4: that's usually what happens.

1500
01:12:48,439 --> 01:12:49,240
Speaker 1: Because I wonder.

1501
01:12:49,720 --> 01:12:53,040
Speaker 5: I feel like there's some people know, there's some there's

1502
01:12:53,040 --> 01:12:55,720
Speaker 5: a code of some kind, there's some kind of thing

1503
01:12:55,960 --> 01:12:59,360
Speaker 5: where like I don't know, then you're supposed to know,

1504
01:12:59,560 --> 01:13:01,320
Speaker 5: or saying.

1505
01:13:01,200 --> 01:13:03,560
Speaker 1: Well I don't know it, yeah, I don't need it.

1506
01:13:03,680 --> 01:13:06,519
Speaker 3: Maybe there's a maybe we could google that. We'll look

1507
01:13:06,560 --> 01:13:09,120
Speaker 3: at codes bumble code online.

1508
01:13:09,320 --> 01:13:11,960
Speaker 1: If you wear a green kerchief, that means that you

1509
01:13:12,200 --> 01:13:12,679
Speaker 1: like money.

1510
01:13:13,000 --> 01:13:16,120
Speaker 3: If you hang a necktie on the doorknob, that means

1511
01:13:16,200 --> 01:13:17,439
Speaker 3: you have a roommate that.

1512
01:13:17,560 --> 01:13:19,400
Speaker 1: You're that you're messaging on bumble.

1513
01:13:21,080 --> 01:13:24,479
Speaker 5: Well, Martha, if you could go on a digital dating app,

1514
01:13:24,800 --> 01:13:26,160
Speaker 5: what would the best one for you be?

1515
01:13:27,400 --> 01:13:32,760
Speaker 2: I think that for people for women my age, I'm

1516
01:13:32,840 --> 01:13:33,839
Speaker 2: fifty one.

1517
01:13:36,000 --> 01:13:40,120
Speaker 1: And very sheltered, it's a beautiful house.

1518
01:13:40,640 --> 01:13:46,519
Speaker 2: Probably probably match dot com because that's what I think.

1519
01:13:46,720 --> 01:13:53,519
Speaker 2: Where one of my comedian friends who did online dating

1520
01:13:53,600 --> 01:13:58,760
Speaker 2: and met someone and they love each other, was like,

1521
01:13:59,120 --> 01:13:59,760
Speaker 2: it's it.

1522
01:14:00,240 --> 01:14:03,200
Speaker 1: You have to go through a lot of terrible experiences.

1523
01:14:03,360 --> 01:14:07,760
Speaker 2: But the benefit of online dating is, especially for women

1524
01:14:07,960 --> 01:14:12,559
Speaker 2: comics like me and this friend, you know up front

1525
01:14:12,760 --> 01:14:16,880
Speaker 2: whether you're flirting or not, Like it isn't just hang

1526
01:14:16,960 --> 01:14:18,920
Speaker 2: out with a guy that you think is cute and

1527
01:14:19,000 --> 01:14:22,880
Speaker 2: then find out you guys aren't flirting. It's just platonic, right,

1528
01:14:23,040 --> 01:14:28,680
Speaker 2: Like that happens to women comics pretty regularly or I

1529
01:14:28,760 --> 01:14:33,320
Speaker 2: don't know, but some of us. And so if you

1530
01:14:33,439 --> 01:14:35,800
Speaker 2: do online dating and at least you know that the

1531
01:14:35,880 --> 01:14:39,360
Speaker 2: guy that you're interacting with is interested in boning.

1532
01:14:39,400 --> 01:14:40,320
Speaker 3: Yeah that's right.

1533
01:14:41,200 --> 01:14:44,599
Speaker 1: There's not some weird girlfriend reveal in month four, right

1534
01:14:45,600 --> 01:14:46,799
Speaker 1: that always fucking happens.

1535
01:14:47,240 --> 01:14:47,439
Speaker 2: Yeah.

1536
01:14:47,520 --> 01:14:51,920
Speaker 3: It gets rid of that awkward obstacle of what are

1537
01:14:52,000 --> 01:14:53,080
Speaker 3: we doing? Right?

1538
01:14:53,160 --> 01:14:53,360
Speaker 2: Yeah?

1539
01:14:53,400 --> 01:14:55,760
Speaker 1: I know, someone's like, oh, I thought you just wanted

1540
01:14:55,800 --> 01:15:01,040
Speaker 1: to spend time with me and drive me around while

1541
01:15:01,080 --> 01:15:03,280
Speaker 1: I had a relationship that I didn't mention to you.

1542
01:15:03,479 --> 01:15:06,000
Speaker 5: I thought that's what you wanted in this right, and

1543
01:15:06,200 --> 01:15:08,439
Speaker 5: great riffing and matches like normal.

1544
01:15:08,560 --> 01:15:11,320
Speaker 4: It's been around a long time. The one isn't the

1545
01:15:11,479 --> 01:15:14,840
Speaker 4: harmony You have to be religious? Are they wanted?

1546
01:15:15,040 --> 01:15:20,200
Speaker 1: Kind of yeah, I think so. And farmers only you

1547
01:15:20,280 --> 01:15:20,920
Speaker 1: have to be a farmer.

1548
01:15:21,840 --> 01:15:25,120
Speaker 2: I mean that as appealing, except for I don't think

1549
01:15:25,240 --> 01:15:30,800
Speaker 2: people should use animals and farming, although I do drink milk,

1550
01:15:30,920 --> 01:15:32,400
Speaker 2: So what am I talking about?

1551
01:15:33,520 --> 01:15:35,599
Speaker 1: You don't think animals should be used in the dating

1552
01:15:36,120 --> 01:15:36,960
Speaker 1: world in any way?

1553
01:15:38,120 --> 01:15:38,680
Speaker 3: What I mean?

1554
01:15:38,800 --> 01:15:43,720
Speaker 1: Of course, a nice horse drong carriage is a very No,

1555
01:15:44,160 --> 01:15:49,720
Speaker 1: I don't an anti farm animal exploitation.

1556
01:15:49,920 --> 01:15:52,960
Speaker 3: Well, they even if they they already are doing it

1557
01:15:53,040 --> 01:15:53,519
Speaker 3: for a living.

1558
01:15:53,560 --> 01:15:55,439
Speaker 4: They got a fine love even though they don't have

1559
01:15:55,640 --> 01:15:57,280
Speaker 4: admirable animal jobs.

1560
01:15:58,080 --> 01:16:00,479
Speaker 2: Yeah, but they can find it with someone who's not

1561
01:16:00,680 --> 01:16:04,240
Speaker 2: gonna look at their cows and be depressed about it. Yeah,

1562
01:16:04,439 --> 01:16:08,000
Speaker 2: I can't. I can't even go to a rodeo find

1563
01:16:08,240 --> 01:16:09,280
Speaker 2: I hear you fine?

1564
01:16:09,800 --> 01:16:12,519
Speaker 4: And it's funny how Instagram videos have made me more

1565
01:16:12,640 --> 01:16:16,800
Speaker 4: I'm like, I'm just gonna eat fishes and chickens because

1566
01:16:16,800 --> 01:16:19,040
Speaker 4: I haven't seen a lot of cute chicken videos.

1567
01:16:19,400 --> 01:16:21,120
Speaker 3: Sorry, sorry, chickens.

1568
01:16:21,600 --> 01:16:25,280
Speaker 1: Chickens are kind of the worst. They're little bit nuts.

1569
01:16:25,520 --> 01:16:26,599
Speaker 1: I had to raise chickens.

1570
01:16:26,600 --> 01:16:29,720
Speaker 5: Sorry, Martha, because I'm sure this is upsetting, but I

1571
01:16:29,840 --> 01:16:31,960
Speaker 5: had to raise I'm going to be the counter and

1572
01:16:32,240 --> 01:16:34,479
Speaker 5: I don't want to fight with you, but in this

1573
01:16:34,720 --> 01:16:38,320
Speaker 5: I will. I had to raise chickens growing up, and

1574
01:16:38,479 --> 01:16:40,920
Speaker 5: they do not give love, nor do they receive it.

1575
01:16:41,160 --> 01:16:44,439
Speaker 5: And I know there's lots of gifts with children hugging chickens, right,

1576
01:16:44,520 --> 01:16:46,560
Speaker 5: but those chickens don't fucking know what's going on.

1577
01:16:47,320 --> 01:16:51,519
Speaker 1: Seconds later they get packed right in the It's true,

1578
01:16:51,560 --> 01:16:56,160
Speaker 1: or shared these shit on your jeans. Somehow chickens aren't

1579
01:16:56,400 --> 01:16:59,439
Speaker 1: there for you emotionally. Let's not pretend they are. But

1580
01:16:59,720 --> 01:17:02,679
Speaker 1: I will. I'll say this what I just recently saw

1581
01:17:03,040 --> 01:17:08,080
Speaker 1: the Peta ad where it's a cow that's very buxom.

1582
01:17:08,320 --> 01:17:09,240
Speaker 1: Oh yeah, and.

1583
01:17:09,439 --> 01:17:13,080
Speaker 5: She's nursing an old man, right. And then Pete's thing

1584
01:17:13,360 --> 01:17:15,720
Speaker 5: was this doesn't look right to you, does it? You

1585
01:17:15,760 --> 01:17:18,040
Speaker 5: shouldn't be drinking milk. What do you think about that?

1586
01:17:18,360 --> 01:17:22,200
Speaker 3: It's hit a photoshopped pictures or did they actually capture

1587
01:17:22,280 --> 01:17:22,800
Speaker 3: this moment?

1588
01:17:23,600 --> 01:17:25,720
Speaker 1: Who is that man? I want to know his name?

1589
01:17:25,720 --> 01:17:27,200
Speaker 1: It looks like Joe Biden.

1590
01:17:28,560 --> 01:17:30,760
Speaker 2: I thought that was part of the whole Look what

1591
01:17:30,920 --> 01:17:33,720
Speaker 2: to creep Joe Biden is that just came out this week?

1592
01:17:35,080 --> 01:17:37,759
Speaker 1: Martha, you have to write a joke about that. Please,

1593
01:17:38,439 --> 01:17:40,000
Speaker 1: I will, please, will try.

1594
01:17:41,240 --> 01:17:42,880
Speaker 3: It's considerate reason.

1595
01:17:43,840 --> 01:17:49,400
Speaker 2: I mean, I understand the reasoning behind don't drink another

1596
01:17:49,560 --> 01:17:56,840
Speaker 2: animal's mother's milk. However, if you could have a humanely

1597
01:17:57,120 --> 01:18:02,040
Speaker 2: treated dairy cow, they don't give a ship what you

1598
01:18:02,160 --> 01:18:02,960
Speaker 2: do with their milk.

1599
01:18:03,040 --> 01:18:04,000
Speaker 1: You're producing it.

1600
01:18:04,360 --> 01:18:05,960
Speaker 3: Yeah, yeah, sure.

1601
01:18:06,439 --> 01:18:09,320
Speaker 1: And if you grew up drinking whole milk like it

1602
01:18:09,560 --> 01:18:14,559
Speaker 1: was water. Yeah, and add into the mix the fact.

1603
01:18:14,400 --> 01:18:19,720
Speaker 2: That food was the only consistent comfort you received as

1604
01:18:19,760 --> 01:18:20,200
Speaker 2: a child.

1605
01:18:20,280 --> 01:18:28,280
Speaker 1: You're goddamn right. I'm not giving up. I thought you

1606
01:18:28,320 --> 01:18:29,800
Speaker 1: were talking about me, but you're talking about you.

1607
01:18:31,240 --> 01:18:31,639
Speaker 3: Perfect.

1608
01:18:32,080 --> 01:18:38,559
Speaker 1: I will never never right. All the cows I grew

1609
01:18:38,640 --> 01:18:40,280
Speaker 1: up with were very humanely treated.

1610
01:18:40,360 --> 01:18:43,200
Speaker 5: It was all free range because they were It was

1611
01:18:43,360 --> 01:18:47,439
Speaker 5: just small town farms and branches, so like there was

1612
01:18:47,520 --> 01:18:51,120
Speaker 5: no it wasn't corporate dairy system.

1613
01:18:51,200 --> 01:18:54,839
Speaker 1: It was a very organic but just by chance organic

1614
01:18:54,960 --> 01:18:57,080
Speaker 1: dairy system. So that's that's all the dairy.

1615
01:18:57,560 --> 01:18:59,720
Speaker 4: Yeah, As I was when I was a kid, our

1616
01:18:59,840 --> 01:19:03,519
Speaker 4: day care, early school, I think I was like five

1617
01:19:03,640 --> 01:19:05,360
Speaker 4: or six. But we went on a tour of the

1618
01:19:05,960 --> 01:19:10,040
Speaker 4: Dale's Dairy and it was a family that milked cows

1619
01:19:10,080 --> 01:19:12,720
Speaker 4: with their hands, yep. And they had all burned. They

1620
01:19:12,760 --> 01:19:15,080
Speaker 4: had all been in a fire. They had been burned.

1621
01:19:17,880 --> 01:19:20,200
Speaker 4: There was a lot of the that's how I remember.

1622
01:19:20,320 --> 01:19:22,320
Speaker 4: I was a kid, but there they had burned. And

1623
01:19:22,439 --> 01:19:26,000
Speaker 4: then later in life, there that industry. You couldn't just

1624
01:19:26,120 --> 01:19:30,000
Speaker 4: be in mon Caught dairy and I went into Random

1625
01:19:30,040 --> 01:19:31,880
Speaker 4: movie and they owned a video store.

1626
01:19:31,960 --> 01:19:36,439
Speaker 3: One day. They went from milk and cows to milking

1627
01:19:36,600 --> 01:19:37,639
Speaker 3: the movie business.

1628
01:19:40,040 --> 01:19:41,840
Speaker 1: That's good though. They kept it light. They stayed they

1629
01:19:41,880 --> 01:19:42,880
Speaker 1: stayed light on their feet.

1630
01:19:44,439 --> 01:19:46,439
Speaker 4: Well, the kid, I remember a kid working there, and

1631
01:19:46,520 --> 01:19:48,080
Speaker 4: then he was an adult and I'm like, did you

1632
01:19:48,320 --> 01:19:51,360
Speaker 4: used to work at Dale's Dairy And he's like, yeah,

1633
01:19:51,400 --> 01:19:54,600
Speaker 4: that was my family's dairy. Wow, I'm sorry, it's not

1634
01:19:54,760 --> 01:19:55,559
Speaker 4: a dairy anymore.

1635
01:19:55,960 --> 01:19:56,160
Speaker 3: It was.

1636
01:19:56,280 --> 01:19:59,439
Speaker 4: I remember being there though, and there's no cows that

1637
01:19:59,520 --> 01:20:02,960
Speaker 4: were saying. It was just like, yep, it's like you described, Martha.

1638
01:20:03,000 --> 01:20:06,200
Speaker 4: It was old timey early eighties.

1639
01:20:07,840 --> 01:20:08,400
Speaker 3: Dairy farm.

1640
01:20:08,800 --> 01:20:09,000
Speaker 1: Yeah.

1641
01:20:09,960 --> 01:20:12,519
Speaker 3: No one's getting slaughtered. Yeah.

1642
01:20:12,640 --> 01:20:16,679
Speaker 2: I wish, I wish there was a way to turn

1643
01:20:16,800 --> 01:20:23,360
Speaker 2: back our population explode and Turn Back Time. Share one

1644
01:20:23,439 --> 01:20:28,360
Speaker 2: time on Brendan Walsh's podcast. For some reason we started

1645
01:20:28,439 --> 01:20:31,360
Speaker 2: singing shares if I could Turn Back Time and it

1646
01:20:31,600 --> 01:20:34,599
Speaker 2: was still one of my happiest memories of my whole life.

1647
01:20:34,640 --> 01:20:39,000
Speaker 1: Did they ever get sued by Share? Because that's.

1648
01:20:40,439 --> 01:20:42,439
Speaker 3: On the Bone Zone. I do know they had to

1649
01:20:42,520 --> 01:20:43,559
Speaker 3: pull some songs off.

1650
01:20:44,080 --> 01:20:44,639
Speaker 1: Is that true?

1651
01:20:46,800 --> 01:20:49,160
Speaker 4: They just played music and someone said, hey, you can't

1652
01:20:49,200 --> 01:20:51,560
Speaker 4: do that. I know Brendan had a story about that.

1653
01:20:51,800 --> 01:20:52,599
Speaker 1: Yeah, you can't.

1654
01:20:52,760 --> 01:20:55,320
Speaker 3: It might be this, It might be the Share episode

1655
01:20:55,520 --> 01:20:56,360
Speaker 3: with Martha.

1656
01:20:56,479 --> 01:20:59,800
Speaker 2: If you maybe it was because it was the Bone Zone.

1657
01:21:00,000 --> 01:21:05,600
Speaker 2: If you did, hypothetically a podcast about Alvin and the Chipmunks,

1658
01:21:06,320 --> 01:21:09,599
Speaker 2: could you legally use a sample of one of their

1659
01:21:09,760 --> 01:21:10,679
Speaker 2: cover songs?

1660
01:21:12,840 --> 01:21:15,080
Speaker 1: No, because it would be topical day and date, so

1661
01:21:15,280 --> 01:21:19,880
Speaker 1: you could justify it's not just random usage. I don't

1662
01:21:19,920 --> 01:21:24,280
Speaker 1: know what any of that means. I'm just talking to

1663
01:21:24,400 --> 01:21:25,519
Speaker 1: music Clearence, Martha.

1664
01:21:25,640 --> 01:21:26,200
Speaker 3: I don't know what.

1665
01:21:26,760 --> 01:21:30,160
Speaker 4: As a real life fan of the Chipmunk franchise, can

1666
01:21:30,240 --> 01:21:33,280
Speaker 4: you give some of the listeners the actual names.

1667
01:21:33,040 --> 01:21:33,719
Speaker 3: Of the movies?

1668
01:21:35,760 --> 01:21:40,960
Speaker 2: I'm it's it would be my honor. The first one

1669
01:21:41,040 --> 01:21:42,400
Speaker 2: is just Alvin and the Chipmunks.

1670
01:21:42,520 --> 01:21:42,800
Speaker 3: Okay.

1671
01:21:43,000 --> 01:21:48,080
Speaker 2: The second one is the Squeakwell, and that's where we

1672
01:21:48,200 --> 01:21:50,840
Speaker 2: meet the chip Uts. And I honestly didn't think I

1673
01:21:51,000 --> 01:21:53,400
Speaker 2: was gonna like the chip Beuts. I thought it was

1674
01:21:53,520 --> 01:21:58,680
Speaker 2: down that they made three female mirror female partners to

1675
01:21:58,760 --> 01:21:59,400
Speaker 2: the chipmunks.

1676
01:21:59,439 --> 01:22:04,840
Speaker 1: But they're adorable kind of, but it's like g rated

1677
01:22:04,920 --> 01:22:09,200
Speaker 1: little kid stuff. Is the Alvin what's the Alvin version?

1678
01:22:09,640 --> 01:22:11,759
Speaker 1: Female version of Alvin's name Brittany.

1679
01:22:13,200 --> 01:22:13,760
Speaker 3: She likes.

1680
01:22:14,600 --> 01:22:22,400
Speaker 2: She is very good at singing and dancing like Britney Spears.

1681
01:22:22,640 --> 01:22:26,560
Speaker 2: She does happen to think that she's very pretty, but

1682
01:22:26,720 --> 01:22:35,839
Speaker 2: in her defense, she is. And then she loves her sisters.

1683
01:22:36,000 --> 01:22:38,320
Speaker 2: That's one of the themes is all the chipmunks and

1684
01:22:38,439 --> 01:22:43,960
Speaker 2: chip Bets love their families. And then Simon's counterpart is.

1685
01:22:46,479 --> 01:22:48,559
Speaker 3: Oh no, how could this happen?

1686
01:22:49,280 --> 01:22:53,080
Speaker 1: Oh no, Simon, is it a smart one she is?

1687
01:22:53,200 --> 01:22:57,800
Speaker 1: She wears, Oh my god, I want that.

1688
01:22:58,800 --> 01:23:01,000
Speaker 3: It's not a real horse. It's it No, I thought

1689
01:23:01,040 --> 01:23:02,840
Speaker 3: it was a horse amount to dump off a room.

1690
01:23:03,560 --> 01:23:04,240
Speaker 3: I've had enough.

1691
01:23:04,520 --> 01:23:05,439
Speaker 1: I'm driving down there.

1692
01:23:05,920 --> 01:23:07,200
Speaker 3: Yeah, we have to see that horse.

1693
01:23:07,400 --> 01:23:12,000
Speaker 1: Lady calm down. Oh my god, that lady was swerving

1694
01:23:12,160 --> 01:23:15,040
Speaker 1: back and forth like this behind me. Oh wow, because

1695
01:23:15,080 --> 01:23:17,960
Speaker 1: I slowed down slightly to look at a horse. You

1696
01:23:18,200 --> 01:23:19,400
Speaker 1: old horror.

1697
01:23:20,600 --> 01:23:20,920
Speaker 4: Horse.

1698
01:23:22,800 --> 01:23:28,240
Speaker 1: Horse horse, Stephen, Will you take a picture of this horse?

1699
01:23:28,640 --> 01:23:35,000
Speaker 3: If we get what's it was? Is road? Is there road? Wait?

1700
01:23:35,120 --> 01:23:39,080
Speaker 1: I have to look up Simon's yes. Please, it's gonna

1701
01:23:39,080 --> 01:23:39,679
Speaker 1: break my heart.

1702
01:23:40,040 --> 01:23:42,439
Speaker 4: I'm going to reveal that I only know there's there's

1703
01:23:42,479 --> 01:23:46,599
Speaker 4: a Chipmunks movie called Chipmunks Road Chip, right, the road Chip.

1704
01:23:46,760 --> 01:23:48,479
Speaker 1: Yeah, but like they go in a road chip.

1705
01:23:48,920 --> 01:23:53,680
Speaker 2: Yeah, but what Jeanette. That's Simon's counterpart is Janet. She

1706
01:23:53,800 --> 01:23:59,320
Speaker 2: wears glasses, she's a little bit clumsy. And then my

1707
01:23:59,640 --> 01:24:02,520
Speaker 2: favorite Theodore is my favorite Chipmunk.

1708
01:24:03,439 --> 01:24:04,919
Speaker 1: His counterpart Eleanor.

1709
01:24:06,080 --> 01:24:08,559
Speaker 3: Here's this horse. It's way back there.

1710
01:24:08,760 --> 01:24:09,000
Speaker 1: Ship.

1711
01:24:09,800 --> 01:24:11,960
Speaker 3: Can we do with more? We can't do one movie?

1712
01:24:13,040 --> 01:24:16,920
Speaker 2: Not here, but we know around and Eleanor is the

1713
01:24:17,080 --> 01:24:19,680
Speaker 2: little round Theodore.

1714
01:24:21,720 --> 01:24:22,840
Speaker 1: They eat together.

1715
01:24:23,240 --> 01:24:25,240
Speaker 2: Yeah, it's so cute.

1716
01:24:26,560 --> 01:24:29,720
Speaker 1: Good lord, I can't stand it. Who are some of

1717
01:24:29,840 --> 01:24:34,000
Speaker 1: the human actors in these movies? Jason is in them?

1718
01:24:35,360 --> 01:24:39,160
Speaker 1: Real quick. The fourth one's called the Road Chip. So wait.

1719
01:24:39,280 --> 01:24:42,439
Speaker 1: The third one is chip Wrecked. Are they on a

1720
01:24:42,520 --> 01:24:43,160
Speaker 1: desert island?

1721
01:24:43,400 --> 01:24:43,599
Speaker 3: Yes?

1722
01:24:45,320 --> 01:24:49,160
Speaker 2: And the one my only criticism is the the ship

1723
01:24:49,240 --> 01:24:53,280
Speaker 2: that they're on doesn't actually wreck. They get into a

1724
01:24:53,400 --> 01:24:56,519
Speaker 2: hang gliding incident and end up stranded on a desert.

1725
01:24:58,280 --> 01:25:01,160
Speaker 1: There's actually no ship element too. Well, they're on a

1726
01:25:01,280 --> 01:25:03,479
Speaker 1: cruise ship, but the ship doesn't run.

1727
01:25:04,040 --> 01:25:09,759
Speaker 2: But you can't rhyme anything from Chipmunks with hang gliding.

1728
01:25:11,560 --> 01:25:13,200
Speaker 3: It's a lot like the word orange.

1729
01:25:13,520 --> 01:25:17,120
Speaker 1: It's like, but they created the problem themselves. They pointed

1730
01:25:17,160 --> 01:25:19,200
Speaker 1: themselves into the in that corner.

1731
01:25:19,560 --> 01:25:22,040
Speaker 2: That is a theme in all the movies is they

1732
01:25:22,240 --> 01:25:24,000
Speaker 2: created the problems themselves.

1733
01:25:25,640 --> 01:25:29,560
Speaker 1: Usually Alvin is that the That's right, He's a real disturber.

1734
01:25:30,920 --> 01:25:31,720
Speaker 3: Did you guys know that.

1735
01:25:32,160 --> 01:25:35,880
Speaker 4: I mean, as a kid, I had a wall dedicated

1736
01:25:35,960 --> 01:25:36,840
Speaker 4: to Jason Lee.

1737
01:25:37,479 --> 01:25:38,760
Speaker 3: As skateboard skateboarding.

1738
01:25:38,840 --> 01:25:43,040
Speaker 4: Yeah, I had like magazine pictures and he was at

1739
01:25:43,120 --> 01:25:45,679
Speaker 4: the top of his skateboarding career. When all of a sudden,

1740
01:25:45,760 --> 01:25:48,200
Speaker 4: it just said, oh, he's taking acting classes, and we

1741
01:25:48,320 --> 01:25:52,200
Speaker 4: were like, like that was in a skateboarding magazine. He's

1742
01:25:52,280 --> 01:25:54,240
Speaker 4: retired to become an actor. And then all of a sudden,

1743
01:25:55,479 --> 01:25:57,280
Speaker 4: like Chasing Amien.

1744
01:25:57,640 --> 01:26:00,360
Speaker 1: Because he has the best face. He just genuinely has

1745
01:26:00,439 --> 01:26:01,080
Speaker 1: the best face.

1746
01:26:03,080 --> 01:26:04,000
Speaker 2: Is no is.

1747
01:26:07,840 --> 01:26:09,920
Speaker 1: Was Chasing Amy his first boog role.

1748
01:26:10,040 --> 01:26:13,000
Speaker 3: I think it was mal Rats movie I've never seen.

1749
01:26:13,280 --> 01:26:13,679
Speaker 3: Not good.

1750
01:26:15,160 --> 01:26:16,679
Speaker 1: None of those movies are good.

1751
01:26:17,040 --> 01:26:19,960
Speaker 4: It's weird because I remember I did a scene from

1752
01:26:20,080 --> 01:26:24,160
Speaker 4: Chasing Amy in my acting class and had I had

1753
01:26:24,160 --> 01:26:25,280
Speaker 4: a kissing scene with.

1754
01:26:25,400 --> 01:26:28,040
Speaker 1: A with a with a boy, Oh how to go?

1755
01:26:28,360 --> 01:26:29,679
Speaker 3: It was great. He had braces.

1756
01:26:30,800 --> 01:26:33,000
Speaker 2: I don't remember that from Chasing Amy.

1757
01:26:33,240 --> 01:26:36,600
Speaker 4: Well, there's a there's a scene where Ben Afflec is like,

1758
01:26:36,840 --> 01:26:38,880
Speaker 4: you're gay, you have to deal with it, and he

1759
01:26:39,040 --> 01:26:39,640
Speaker 4: kisses him.

1760
01:26:40,000 --> 01:26:42,640
Speaker 3: And I did that scene in my acting class, and

1761
01:26:42,960 --> 01:26:45,080
Speaker 3: is you guys know me, I don't care. I'm like,

1762
01:26:45,439 --> 01:26:47,320
Speaker 3: I was a little nervous, but I went for it.

1763
01:26:47,520 --> 01:26:49,840
Speaker 1: No, you're a really modern and or an actor at heart.

1764
01:26:50,000 --> 01:26:55,640
Speaker 1: But in the movie, Ben Affleck was telling Jason Lee

1765
01:26:55,720 --> 01:26:56,080
Speaker 1: that he was.

1766
01:26:56,120 --> 01:26:59,320
Speaker 4: Gay, uh yeah, or that he should come out and

1767
01:26:59,400 --> 01:27:01,920
Speaker 4: he'd be happy and he'd be less grumpy all the time,

1768
01:27:02,040 --> 01:27:04,120
Speaker 4: and unless I don't remember them.

1769
01:27:04,320 --> 01:27:05,960
Speaker 1: But that's not the plot of the movie, right, No,

1770
01:27:06,200 --> 01:27:07,479
Speaker 1: it's just a sub plot.

1771
01:27:07,960 --> 01:27:11,760
Speaker 2: Okay, he's just always Jason Lee is trying to break

1772
01:27:11,880 --> 01:27:17,919
Speaker 2: up Ben at fluck right, Okay, Joey Heatherton, Lauren Adams,

1773
01:27:18,880 --> 01:27:22,559
Speaker 2: Joey then oh right, and then he's like, wait a minute.

1774
01:27:22,760 --> 01:27:25,960
Speaker 2: This isn't because you don't like her, It's because you're

1775
01:27:25,960 --> 01:27:27,160
Speaker 2: in love with me. You're gay?

1776
01:27:27,760 --> 01:27:30,560
Speaker 1: Right? And was that true? It was? I think so?

1777
01:27:31,280 --> 01:27:31,640
Speaker 2: It was?

1778
01:27:32,040 --> 01:27:35,040
Speaker 4: Yeah, awesome, he went out on a limb. Imagine being wrong.

1779
01:27:35,120 --> 01:27:37,320
Speaker 4: It's like, Wow, you're full of yourself. You just don't

1780
01:27:37,400 --> 01:27:39,760
Speaker 4: like your girlfriend. I don't have the hots for you.

1781
01:27:39,920 --> 01:27:42,840
Speaker 4: You're not You're not Ben a Flack yet, but.

1782
01:27:45,040 --> 01:27:47,559
Speaker 1: Ben a flack. First of all, we're saying it wrong,

1783
01:27:47,800 --> 01:27:50,240
Speaker 1: but flack flack.

1784
01:27:51,080 --> 01:27:54,280
Speaker 5: He always reminded me of a guy you'd meet at

1785
01:27:54,320 --> 01:27:58,040
Speaker 5: a speech meet competition who would be nice to you

1786
01:27:59,520 --> 01:28:02,400
Speaker 5: so that he could figure out a way to mentally

1787
01:28:02,520 --> 01:28:03,720
Speaker 5: mind fuck you and beat you.

1788
01:28:03,880 --> 01:28:06,839
Speaker 1: It's in like the humorous interpretation category.

1789
01:28:07,600 --> 01:28:07,880
Speaker 3: That's it.

1790
01:28:08,080 --> 01:28:13,200
Speaker 1: I find him frat boy suspicious to the point of

1791
01:28:13,280 --> 01:28:18,240
Speaker 1: being almost scary anyone else. I feel like what.

1792
01:28:18,360 --> 01:28:21,920
Speaker 2: I've heard the I'm always on the hunt for showman's

1793
01:28:21,960 --> 01:28:26,679
Speaker 2: gossip and rarely get any. But the few things I've

1794
01:28:26,800 --> 01:28:30,959
Speaker 2: heard or maybe just seen on magazines is that maybe he's.

1795
01:28:30,800 --> 01:28:37,120
Speaker 1: A little bit of a juror. I mean, wasn't there

1796
01:28:37,200 --> 01:28:39,839
Speaker 1: a thing where he like I guess.

1797
01:28:41,880 --> 01:28:47,559
Speaker 2: When you're that like handsome movie star square jaw guy. Yeah,

1798
01:28:48,800 --> 01:28:52,040
Speaker 2: you have to, you have to be portrayed as a

1799
01:28:52,120 --> 01:28:53,880
Speaker 2: good guy in real life.

1800
01:28:53,920 --> 01:28:55,720
Speaker 1: But maybe he is a little bit of a me

1801
01:28:55,880 --> 01:29:01,000
Speaker 1: too type of guy. Yeah, I think. Well, I don't

1802
01:29:01,120 --> 01:29:04,519
Speaker 1: know how you could avoid being an asshole unless you

1803
01:29:04,600 --> 01:29:07,519
Speaker 1: had a like early childhood tragedy or something, if.

1804
01:29:07,360 --> 01:29:08,760
Speaker 3: You had like a Superman chin.

1805
01:29:09,240 --> 01:29:11,800
Speaker 1: Yeah, and like immediate those guys.

1806
01:29:11,920 --> 01:29:14,240
Speaker 5: The first movie, him and Matt Damon wrote Want to

1807
01:29:14,320 --> 01:29:17,440
Speaker 5: Fucking Oscar and set them on the perfect right Hollywood

1808
01:29:17,479 --> 01:29:19,200
Speaker 5: track permanently, no matter.

1809
01:29:20,560 --> 01:29:23,640
Speaker 1: Right. But Matt Damon has like a humanity chill West.

1810
01:29:23,320 --> 01:29:27,360
Speaker 3: He's short, is he Yeah, sure, he's like five to two.

1811
01:29:27,439 --> 01:29:31,960
Speaker 1: But he has smile. He's kind of like he's got

1812
01:29:32,040 --> 01:29:34,920
Speaker 1: a humanity chill. Where's Ben Affleck? Seems like he's trying

1813
01:29:35,000 --> 01:29:37,200
Speaker 1: to foreclose on your home because he's tall.

1814
01:29:37,560 --> 01:29:39,840
Speaker 3: Because it's all about you, guys.

1815
01:29:39,960 --> 01:29:41,800
Speaker 1: It's height and dead eyes.

1816
01:29:42,640 --> 01:29:44,000
Speaker 3: When on my phone, I.

1817
01:29:44,080 --> 01:29:48,200
Speaker 4: Have my number recorded as Ben Affleck, So when I

1818
01:29:48,320 --> 01:29:52,280
Speaker 4: text myself an idea or or anything, it looks like

1819
01:29:52,400 --> 01:29:54,679
Speaker 4: it's coming from Ben Affleck, and I might show someone

1820
01:29:54,760 --> 01:29:58,759
Speaker 4: I'm like Ben Afflex sent me dumb joke about birds

1821
01:29:58,840 --> 01:30:01,599
Speaker 4: again and people believe it and they're like, you know him.

1822
01:30:01,640 --> 01:30:03,679
Speaker 4: I'm like, yeah, he's always look at this. He's always

1823
01:30:03,720 --> 01:30:09,200
Speaker 4: texting me joke ideas and when I call myself, you know,

1824
01:30:09,840 --> 01:30:10,639
Speaker 4: it comes.

1825
01:30:10,520 --> 01:30:12,080
Speaker 3: Up its number. It makes me feel like I know

1826
01:30:12,200 --> 01:30:15,080
Speaker 3: the guy, and the version I know is he does

1827
01:30:15,200 --> 01:30:16,280
Speaker 3: weird me two things.

1828
01:30:16,439 --> 01:30:19,720
Speaker 1: Okay, the guy in my phone, the made up, the

1829
01:30:20,200 --> 01:30:22,200
Speaker 1: purely fictional been offlecking.

1830
01:30:21,760 --> 01:30:23,920
Speaker 3: Her phone, some of the jokes he sends me.

1831
01:30:24,120 --> 01:30:28,880
Speaker 4: Our question At best, it's like, where is this coming from, Martha?

1832
01:30:28,920 --> 01:30:32,200
Speaker 5: Who's the most famous person you've met now that you

1833
01:30:32,320 --> 01:30:33,599
Speaker 5: are a TV and film star?

1834
01:30:33,960 --> 01:30:34,880
Speaker 3: Great question?

1835
01:30:35,120 --> 01:30:39,559
Speaker 1: Thank you I met that you want to talk about?

1836
01:30:40,200 --> 01:30:42,560
Speaker 3: Sorry, yeah you want to talk about it?

1837
01:30:42,680 --> 01:30:46,519
Speaker 2: Clearly, I don't know a lot to say am about him,

1838
01:30:46,600 --> 01:30:51,560
Speaker 2: but he was very very sweet to me in the

1839
01:30:51,680 --> 01:30:56,120
Speaker 2: limited time I interacted with him. Adam Driver, oh one

1840
01:30:56,240 --> 01:30:58,360
Speaker 2: the movie that hasn't come out that I might be

1841
01:30:58,520 --> 01:31:01,120
Speaker 2: cut out of where my character was name case worker,

1842
01:31:03,120 --> 01:31:07,680
Speaker 2: but he just was. But he was very like, like,

1843
01:31:07,880 --> 01:31:10,479
Speaker 2: you know, when you guys were talking about Dustin Hoffman,

1844
01:31:10,560 --> 01:31:13,040
Speaker 2: all the stuff he did to get into character. I've

1845
01:31:13,240 --> 01:31:17,200
Speaker 2: never felt my heart was in a job. Any job

1846
01:31:17,360 --> 01:31:21,760
Speaker 2: is enough to do that kind of stuff, Nor do

1847
01:31:21,920 --> 01:31:26,960
Speaker 2: I ever want to like be that dedicated to anything.

1848
01:31:28,400 --> 01:31:29,439
Speaker 3: Anything at that level.

1849
01:31:29,560 --> 01:31:30,880
Speaker 1: Yeah, I agree, not.

1850
01:31:31,000 --> 01:31:33,479
Speaker 2: To the point of staying up for three days straight

1851
01:31:33,600 --> 01:31:35,720
Speaker 2: and like not bathing or whatever he did.

1852
01:31:39,080 --> 01:31:41,600
Speaker 1: And but Adam Driver seems like one of.

1853
01:31:41,680 --> 01:31:46,000
Speaker 2: Those method actors who has the ability to tune out

1854
01:31:46,280 --> 01:31:52,320
Speaker 2: everything and concentrate really hard on on whatever character he's doing.

1855
01:31:52,920 --> 01:31:56,880
Speaker 2: So I don't think I would ever be able to

1856
01:31:57,000 --> 01:31:59,400
Speaker 2: do that, and certainly if I don't put any effort

1857
01:31:59,439 --> 01:31:59,920
Speaker 2: into it all.

1858
01:32:02,880 --> 01:32:05,439
Speaker 1: But I admire people who can do that.

1859
01:32:05,680 --> 01:32:08,560
Speaker 2: But so he he would, he would be in his

1860
01:32:08,680 --> 01:32:11,240
Speaker 2: own world and like kind of tune out everyone.

1861
01:32:13,320 --> 01:32:17,559
Speaker 1: But then if you interacted with him, he was very sweet,

1862
01:32:18,200 --> 01:32:22,519
Speaker 1: and he's tall, He's super tall, and he has a

1863
01:32:22,600 --> 01:32:27,280
Speaker 1: long waist and a long face and a long jacket.

1864
01:32:33,400 --> 01:32:35,479
Speaker 1: That's exciting. So he actually talked to you like a

1865
01:32:35,560 --> 01:32:38,040
Speaker 1: person and was just kind of chill. Yeah, but he

1866
01:32:38,200 --> 01:32:38,840
Speaker 1: didn't talk.

1867
01:32:39,000 --> 01:32:42,519
Speaker 2: So a lot of the main thing I love about

1868
01:32:42,640 --> 01:32:45,280
Speaker 2: acting job is all the time you spend with all

1869
01:32:45,360 --> 01:32:48,880
Speaker 2: the other cast and crew hanging out and talking all day,

1870
01:32:49,560 --> 01:32:50,640
Speaker 2: and he didn't.

1871
01:32:50,360 --> 01:32:53,640
Speaker 1: Really do that. He was very focused. But like.

1872
01:32:55,400 --> 01:32:58,040
Speaker 2: The second day, I think I only had I only

1873
01:32:58,160 --> 01:33:01,479
Speaker 2: worked three days, so the second day of shooting, I

1874
01:33:01,600 --> 01:33:06,000
Speaker 2: was just like, I owe him an apology. I should

1875
01:33:06,040 --> 01:33:09,080
Speaker 2: have not taken the job. I'm doing a terrible job.

1876
01:33:09,200 --> 01:33:15,479
Speaker 2: And so between setups, I said, because I really felt like.

1877
01:33:17,560 --> 01:33:20,360
Speaker 1: He deserves to be with someone who actually can act.

1878
01:33:22,439 --> 01:33:27,240
Speaker 2: And no, I apologize to him because he also that

1879
01:33:27,439 --> 01:33:31,000
Speaker 2: day he kept getting frustrated with himself if he didn't

1880
01:33:31,120 --> 01:33:35,360
Speaker 2: do a take he thought was good, and I was like, who,

1881
01:33:36,000 --> 01:33:40,760
Speaker 2: why is he being subjected to this actor with him?

1882
01:33:41,280 --> 01:33:43,840
Speaker 2: And so I apologize to him between setups and he

1883
01:33:43,960 --> 01:33:47,200
Speaker 2: was like, no, you're you know, he's really sweet and

1884
01:33:47,400 --> 01:33:51,920
Speaker 2: like he so he was sweet to people if he

1885
01:33:52,240 --> 01:33:55,559
Speaker 2: talked to you, but he just didn't initiate much interaction

1886
01:33:55,640 --> 01:34:02,040
Speaker 2: because he was focusing on acting. Is like Louie and

1887
01:34:02,320 --> 01:34:08,439
Speaker 2: Zach and all of the great guest actors that come on.

1888
01:34:09,000 --> 01:34:12,200
Speaker 2: Everyone just wants to joke around and hang out, you know,

1889
01:34:12,520 --> 01:34:13,519
Speaker 2: and it's really fun.

1890
01:34:14,520 --> 01:34:15,080
Speaker 3: Sound fun.

1891
01:34:15,360 --> 01:34:18,800
Speaker 1: I bet it's the best I've never in that well,

1892
01:34:18,840 --> 01:34:21,280
Speaker 1: I guess it's only two years, three years, three years,

1893
01:34:21,520 --> 01:34:24,280
Speaker 1: three years since I worked on that show. I've never

1894
01:34:24,760 --> 01:34:27,200
Speaker 1: had the chance to go be there when they're shooting,

1895
01:34:27,280 --> 01:34:30,360
Speaker 1: and it's heartbreaking. I wondered that I've never I've never

1896
01:34:30,439 --> 01:34:32,600
Speaker 1: been on set. I really want to.

1897
01:34:32,720 --> 01:34:35,439
Speaker 3: Where does the shooting take place? Where is it all over?

1898
01:34:35,680 --> 01:34:36,120
Speaker 3: Where do you go?

1899
01:34:36,280 --> 01:34:39,000
Speaker 2: Yeah, like this coming week we have a couple of

1900
01:34:39,080 --> 01:34:42,120
Speaker 2: days in Pico Rivera and then a couple of days

1901
01:34:42,160 --> 01:34:52,519
Speaker 2: in Silmar. There's lots of like Santa Clarita, that a

1902
01:34:52,600 --> 01:34:56,800
Speaker 2: lot of valley stuff. There's gonna be stuff like we

1903
01:34:57,479 --> 01:35:01,400
Speaker 2: calabasas they were in last week, just kind of all

1904
01:35:01,520 --> 01:35:02,280
Speaker 2: over the valley.

1905
01:35:02,439 --> 01:35:05,920
Speaker 3: All these places I've never been that I've been wanting

1906
01:35:06,000 --> 01:35:06,360
Speaker 3: to go to.

1907
01:35:06,840 --> 01:35:10,760
Speaker 2: It's kind of fun that the locations that I like

1908
01:35:10,880 --> 01:35:13,240
Speaker 2: before Baskets, there were a bunch of neat places in

1909
01:35:13,320 --> 01:35:14,240
Speaker 2: southern California.

1910
01:35:14,280 --> 01:35:15,599
Speaker 1: I didn't even know we're there.

1911
01:35:16,920 --> 01:35:19,320
Speaker 3: So that's kind of fun where all of a sudden

1912
01:35:19,360 --> 01:35:20,599
Speaker 3: you're just around horses.

1913
01:35:20,760 --> 01:35:25,120
Speaker 1: And Yeah, there was one little town.

1914
01:35:26,439 --> 01:35:28,920
Speaker 2: Kind of like on the way to Ventura, but in

1915
01:35:29,040 --> 01:35:32,639
Speaker 2: the mountains, so kind of off any of the major

1916
01:35:32,760 --> 01:35:35,479
Speaker 2: highways and it's just a little town in the mountains

1917
01:35:35,840 --> 01:35:39,720
Speaker 2: and there's this little winding road in and out of it,

1918
01:35:40,720 --> 01:35:43,320
Speaker 2: and it was so cool and I didn't even know

1919
01:35:43,400 --> 01:35:45,559
Speaker 2: it was there. It's where they shot this stuff. When

1920
01:35:45,640 --> 01:35:47,840
Speaker 2: he jumps on the train in season one.

1921
01:35:48,120 --> 01:35:52,200
Speaker 1: Oh yeah, yeah, so that stuff is really fun.

1922
01:35:52,280 --> 01:35:56,200
Speaker 4: Will you please share with our listeners the time you

1923
01:35:56,560 --> 01:36:01,640
Speaker 4: tried to befriend a horse and the horse did it

1924
01:36:01,760 --> 01:36:02,280
Speaker 4: turn on you?

1925
01:36:02,720 --> 01:36:05,600
Speaker 3: Will you want to tell that story? And will you?

1926
01:36:06,680 --> 01:36:07,080
Speaker 1: I will?

1927
01:36:09,280 --> 01:36:12,800
Speaker 2: Yeah. I just there was a horse near where I

1928
01:36:12,920 --> 01:36:18,280
Speaker 2: lived in East Austin in twenty twelve, and it was

1929
01:36:18,400 --> 01:36:22,840
Speaker 2: when Buddy was sick and dying, a dog that was my.

1930
01:36:22,960 --> 01:36:25,759
Speaker 4: Dog for a little while, and it was always Buddy

1931
01:36:25,880 --> 01:36:28,719
Speaker 4: was always your dog, but I fostered Buddy for a while.

1932
01:36:29,200 --> 01:36:32,240
Speaker 2: I feel like he was definitely both our dogs.

1933
01:36:32,400 --> 01:36:37,280
Speaker 1: Ye, And so the day I found out he was.

1934
01:36:37,439 --> 01:36:39,880
Speaker 2: This horse, we just would walk by and she was

1935
01:36:40,000 --> 01:36:43,519
Speaker 2: always alone in this pasture and would walk the length

1936
01:36:43,600 --> 01:36:45,600
Speaker 2: of her fence when we would walk by, and I

1937
01:36:45,720 --> 01:36:48,519
Speaker 2: just thought she was lonely. So I started petting her,

1938
01:36:48,560 --> 01:36:51,519
Speaker 2: and then I started bringing your carrots and apples. And

1939
01:36:51,640 --> 01:36:53,920
Speaker 2: then the day I found out Buddy only had a

1940
01:36:54,000 --> 01:36:58,040
Speaker 2: few weeks to live, that he had this fast moving cancer,

1941
01:37:00,120 --> 01:37:04,120
Speaker 2: stopped to give her carrots and an apple, and she

1942
01:37:04,360 --> 01:37:07,479
Speaker 2: put her head over the fence and pushed her forehead

1943
01:37:07,520 --> 01:37:11,599
Speaker 2: against my forehead and just stood there. That's the best

1944
01:37:11,920 --> 01:37:16,160
Speaker 2: and so I don't know anything about horses, and I

1945
01:37:16,360 --> 01:37:19,599
Speaker 2: just thought that we were friends and had to because

1946
01:37:19,640 --> 01:37:22,680
Speaker 2: if you have a connection with a dog, once you

1947
01:37:22,960 --> 01:37:26,760
Speaker 2: have that there, they want you to be around them

1948
01:37:26,800 --> 01:37:29,000
Speaker 2: all the time and close to They want you to

1949
01:37:29,120 --> 01:37:29,920
Speaker 2: hug and pet them.

1950
01:37:30,479 --> 01:37:33,439
Speaker 4: You assume horses and dogs maybe because they have similar

1951
01:37:33,520 --> 01:37:34,160
Speaker 4: body type.

1952
01:37:37,760 --> 01:37:42,320
Speaker 1: They do have four legs both of them, and tails. Yeah, and.

1953
01:37:44,360 --> 01:37:45,400
Speaker 3: Been big dogs to me.

1954
01:37:46,040 --> 01:37:50,280
Speaker 2: Well, when after Buddy died one day, I just thought,

1955
01:37:50,360 --> 01:37:52,080
Speaker 2: I bet she would like it if I was on

1956
01:37:52,160 --> 01:37:55,280
Speaker 2: the other side of the fence petting her, and so

1957
01:37:55,439 --> 01:37:58,400
Speaker 2: I climbed in and she immediately.

1958
01:37:57,920 --> 01:38:00,479
Speaker 1: Tried to tell me, this is now what you wanted.

1959
01:38:01,880 --> 01:38:03,519
Speaker 3: What stopping?

1960
01:38:03,960 --> 01:38:10,679
Speaker 2: Well, she started, she kind of she kind of trotted

1961
01:38:10,800 --> 01:38:14,160
Speaker 2: over towards me, like she trotted away when I climbed over,

1962
01:38:14,240 --> 01:38:16,760
Speaker 2: and then came back. And so I walked next to her,

1963
01:38:16,840 --> 01:38:20,040
Speaker 2: petting her, going it's okay, it's okay, And then she

1964
01:38:20,280 --> 01:38:24,599
Speaker 2: turned her back feet towards me, and it popped into

1965
01:38:24,640 --> 01:38:26,840
Speaker 2: my head like this is what they do sometimes when

1966
01:38:26,880 --> 01:38:32,120
Speaker 2: they kick people. So I jumped kind of out of

1967
01:38:32,200 --> 01:38:35,960
Speaker 2: the way, and then she whirled around and stood up

1968
01:38:36,000 --> 01:38:44,640
Speaker 2: on her hind legs and went Cran's horse like Iamug's crane, the.

1969
01:38:44,720 --> 01:38:47,200
Speaker 3: Black Stallion when they put on a cruise ship.

1970
01:38:47,320 --> 01:38:51,559
Speaker 1: Yes, something like that. She reared up with her her

1971
01:38:51,640 --> 01:38:57,200
Speaker 1: front legs waned or winned, winned, thank you.

1972
01:38:57,960 --> 01:39:01,600
Speaker 2: And then I ran behind a tree and she chased me.

1973
01:39:02,640 --> 01:39:06,200
Speaker 3: That's when I remember, And didn't people drive by or something?

1974
01:39:06,320 --> 01:39:10,720
Speaker 2: Her owners who didn't stop and do anything. They drove by,

1975
01:39:11,000 --> 01:39:14,080
Speaker 2: and I didn't know who they were. I just saw

1976
01:39:14,560 --> 01:39:16,960
Speaker 2: people driving by as I was hiding behind a tree

1977
01:39:17,000 --> 01:39:20,040
Speaker 2: and she was at the tree trying to get me.

1978
01:39:20,840 --> 01:39:23,559
Speaker 3: Why wouldn't they be concern that a person was in there.

1979
01:39:23,720 --> 01:39:24,560
Speaker 1: I still don't know.

1980
01:39:24,920 --> 01:39:25,640
Speaker 3: They didn't see you.

1981
01:39:25,760 --> 01:39:27,720
Speaker 1: Maybe No, they saw me because.

1982
01:39:27,479 --> 01:39:32,600
Speaker 2: I waved and they waved back, and I waved because

1983
01:39:32,760 --> 01:39:36,920
Speaker 2: of that thing where you don't want people to know

1984
01:39:37,120 --> 01:39:38,639
Speaker 2: that you need help because you're.

1985
01:39:38,560 --> 01:39:42,280
Speaker 1: Embarrassed, so like you mean, my whole life.

1986
01:39:42,479 --> 01:39:47,280
Speaker 2: They slowed down, and I was like, this is embarrassing.

1987
01:39:47,439 --> 01:39:50,320
Speaker 2: So I just raised a hand like, hey, I'm fine,

1988
01:39:50,600 --> 01:39:51,639
Speaker 2: even though I wasn't.

1989
01:39:51,960 --> 01:39:55,599
Speaker 4: You'd rather not be embarrassed and potentially be saved from

1990
01:39:55,640 --> 01:39:56,880
Speaker 4: a dangerous horse killer.

1991
01:39:57,040 --> 01:40:00,439
Speaker 1: Yes, And then they waved back. They'd slow a little.

1992
01:40:00,520 --> 01:40:01,960
Speaker 1: They waved back and kept driving.

1993
01:40:02,720 --> 01:40:05,680
Speaker 2: And then a few days later I met them and

1994
01:40:05,760 --> 01:40:07,840
Speaker 2: they were like, yeah, we saw you the other day.

1995
01:40:07,920 --> 01:40:10,840
Speaker 3: I was like, what, why didn't you do something about it?

1996
01:40:11,040 --> 01:40:11,800
Speaker 1: I needed you.

1997
01:40:13,840 --> 01:40:18,040
Speaker 2: I had to run from like that tree to behind

1998
01:40:18,200 --> 01:40:21,320
Speaker 2: her little shed, to behind another tree, working my way

1999
01:40:21,360 --> 01:40:24,519
Speaker 2: towards the fence, and then ran to the fence and

2000
01:40:24,800 --> 01:40:28,400
Speaker 2: thought I could hop up, you know, like run out

2001
01:40:28,439 --> 01:40:31,080
Speaker 2: of a chain link fence and land a little bit

2002
01:40:31,160 --> 01:40:31,880
Speaker 2: off the ground.

2003
01:40:32,520 --> 01:40:35,400
Speaker 1: But I didn't, and then I ripped my jeans climbing

2004
01:40:35,479 --> 01:40:35,800
Speaker 1: over it.

2005
01:40:36,040 --> 01:40:37,479
Speaker 3: Oh God.

2006
01:40:38,000 --> 01:40:41,280
Speaker 2: And then I told her because she chased me to

2007
01:40:41,360 --> 01:40:44,320
Speaker 2: the fence, and I said, we're not friends anymore.

2008
01:40:45,680 --> 01:40:47,160
Speaker 1: In English, You're not nice.

2009
01:40:47,360 --> 01:40:48,439
Speaker 3: How did she take that?

2010
01:40:48,920 --> 01:40:50,080
Speaker 1: She didn't seem to care.

2011
01:40:50,160 --> 01:40:52,759
Speaker 2: But then I went back to being a friend because

2012
01:40:52,760 --> 01:40:55,519
Speaker 2: I felt mad, for there's no one there.

2013
01:40:55,760 --> 01:40:59,240
Speaker 3: The relationship with a horse has ups and downs.

2014
01:41:00,080 --> 01:41:01,320
Speaker 1: Have been a problem horse too.

2015
01:41:02,000 --> 01:41:04,400
Speaker 2: Maybe that is why no one was in her pastors

2016
01:41:04,400 --> 01:41:05,760
Speaker 2: because she wasn't very nice.

2017
01:41:05,840 --> 01:41:08,120
Speaker 3: Did you ever feel like putting peanut butter in the

2018
01:41:08,160 --> 01:41:11,120
Speaker 3: horse's mouth? And then later doing some voiceover.

2019
01:41:12,360 --> 01:41:17,920
Speaker 1: Going like I'm sorry, Martha, I just I don't know

2020
01:41:18,040 --> 01:41:18,960
Speaker 1: how to do it right.

2021
01:41:19,880 --> 01:41:22,200
Speaker 3: Oh, sometimes my teeth is getting the way.

2022
01:41:23,120 --> 01:41:25,479
Speaker 1: Wait, Martha, have you ever seen that? What's one of

2023
01:41:25,560 --> 01:41:28,400
Speaker 1: my favorite gifts, and it's the horse that somebody put

2024
01:41:28,439 --> 01:41:31,880
Speaker 1: a stuffed horse into the horse's like area and it

2025
01:41:32,040 --> 01:41:34,720
Speaker 1: goes up and kicks it with it. I love it

2026
01:41:35,240 --> 01:41:35,760
Speaker 1: so much.

2027
01:41:35,880 --> 01:41:38,160
Speaker 5: I'm picturing that you tried to make friends with that horse,

2028
01:41:38,200 --> 01:41:40,200
Speaker 5: because that's my favorite gift, maybe of all time.

2029
01:41:40,360 --> 01:41:42,400
Speaker 1: I have to look it up again because it is

2030
01:41:42,640 --> 01:41:45,839
Speaker 1: so good. It's so funny and painful.

2031
01:41:46,120 --> 01:41:49,439
Speaker 2: It seems like the horse is like, oh, is this

2032
01:41:49,600 --> 01:41:52,559
Speaker 2: a friend of Fuck you stuffed animals and.

2033
01:41:52,680 --> 01:41:55,320
Speaker 1: Fuck you human being that put this stuffed animal here? Yeah,

2034
01:41:55,520 --> 01:41:56,360
Speaker 1: who do you think I am?

2035
01:41:56,600 --> 01:41:58,960
Speaker 4: I just saw one the other day of an owl,

2036
01:41:59,400 --> 01:42:03,000
Speaker 4: like people have owls his pets and certain strange houses

2037
01:42:03,479 --> 01:42:03,680
Speaker 4: and this.

2038
01:42:04,280 --> 01:42:07,759
Speaker 1: Harry Potter's house, this Sorcerer Child's house.

2039
01:42:07,920 --> 01:42:10,800
Speaker 4: That's a giant owl, and they just put a little

2040
01:42:10,920 --> 01:42:14,680
Speaker 4: rabbit behind it had little rabbit ears, and they all

2041
01:42:14,840 --> 01:42:17,840
Speaker 4: started running towards it, and his wings were up like

2042
01:42:17,920 --> 01:42:20,360
Speaker 4: he was gonna fly off with it, but then he

2043
01:42:20,400 --> 01:42:22,280
Speaker 4: saw it was a stuffed animal, and he just was

2044
01:42:22,400 --> 01:42:24,720
Speaker 4: like staring at it all confused, like that's not a

2045
01:42:24,800 --> 01:42:27,400
Speaker 4: real rabbit. Why did you make me get into hunter

2046
01:42:27,520 --> 01:42:31,400
Speaker 4: most Yeah, it was embarrassed, so he waved off. He

2047
01:42:31,520 --> 01:42:35,880
Speaker 4: waved at some horse owners embarrassedment, just out of shame.

2048
01:42:36,600 --> 01:42:38,559
Speaker 4: We've probably done a long episode recD.

2049
01:42:38,680 --> 01:42:40,600
Speaker 1: Yeah. I was actually trying to find Martha's street, but

2050
01:42:40,760 --> 01:42:42,920
Speaker 1: now I can't remember which one it is. It's the

2051
01:42:43,040 --> 01:42:48,439
Speaker 1: one if you go left and then pass the light.

2052
01:42:49,479 --> 01:42:51,400
Speaker 3: Do you guys care about that little dog on that

2053
01:42:51,560 --> 01:42:56,200
Speaker 3: wall being a show dog like a little diamond catwalk.

2054
01:42:57,000 --> 01:42:58,839
Speaker 3: That's a little model dog on a catwalk.

2055
01:42:58,920 --> 01:42:59,560
Speaker 1: Seen it before me.

2056
01:43:00,040 --> 01:43:02,120
Speaker 3: It's a doggy cat. Watch Are you sure you don't

2057
01:43:02,120 --> 01:43:06,519
Speaker 3: want to glance over? Doggy cat does show's over?

2058
01:43:08,920 --> 01:43:11,080
Speaker 2: My neighbor on the other side of the duplex has

2059
01:43:11,120 --> 01:43:15,679
Speaker 2: a Corgie and she is everything you would want.

2060
01:43:15,960 --> 01:43:17,439
Speaker 3: Big body, tiny legs and.

2061
01:43:17,840 --> 01:43:19,320
Speaker 1: Big body tiny legs.

2062
01:43:19,479 --> 01:43:20,880
Speaker 3: Yeah, a lot of.

2063
01:43:22,439 --> 01:43:24,920
Speaker 2: Instructions about what other people should be doing.

2064
01:43:25,120 --> 01:43:29,120
Speaker 1: Oh real bossy, very bossy. Yeah, because they're royals. I

2065
01:43:29,280 --> 01:43:33,599
Speaker 1: love it. Here we go, well I get hit by

2066
01:43:33,720 --> 01:43:34,760
Speaker 1: a car we don't know.

2067
01:43:35,360 --> 01:43:38,439
Speaker 4: Oh wow, they are going for it. Thank you for

2068
01:43:39,080 --> 01:43:41,800
Speaker 4: existing and being terrible.

2069
01:43:41,600 --> 01:43:45,880
Speaker 1: Not even adjusting slightly. So yeah, two more.

2070
01:43:47,160 --> 01:43:50,720
Speaker 4: We might as well take you right to your door, right,

2071
01:43:53,160 --> 01:43:55,679
Speaker 4: we can't quit an episode mid block.

2072
01:43:56,040 --> 01:43:56,920
Speaker 1: No, that would be bad.

2073
01:43:57,200 --> 01:43:59,240
Speaker 3: Let's do it right up right up to the bitter

2074
01:43:59,320 --> 01:44:01,720
Speaker 3: and it's gonna get better now.

2075
01:44:01,840 --> 01:44:04,120
Speaker 1: Martha, do you have anything that you want to plug,

2076
01:44:04,200 --> 01:44:06,559
Speaker 1: that you that you'd like to discuss, that you want

2077
01:44:06,600 --> 01:44:08,840
Speaker 1: to confront us about anything at all?

2078
01:44:09,000 --> 01:44:12,400
Speaker 3: Amends or do you want to apologize for.

2079
01:44:12,400 --> 01:44:13,120
Speaker 1: What you've done to us?

2080
01:44:13,320 --> 01:44:13,599
Speaker 3: Dream?

2081
01:44:13,880 --> 01:44:14,160
Speaker 1: Sorry.

2082
01:44:14,760 --> 01:44:18,200
Speaker 2: This is the fourth podcast I've done since moving out here,

2083
01:44:18,320 --> 01:44:25,920
Speaker 2: and it's been a path of destruction. One of them

2084
01:44:26,320 --> 01:44:29,120
Speaker 2: they I did over a month ago, So it's the

2085
01:44:29,240 --> 01:44:32,559
Speaker 2: street after this one. Okay, I did over a month

2086
01:44:32,600 --> 01:44:34,800
Speaker 2: ago and they still haven't released it, and I can

2087
01:44:34,880 --> 01:44:37,160
Speaker 2: only assume it's because it was even worse.

2088
01:44:36,960 --> 01:44:37,679
Speaker 1: Than I remember.

2089
01:44:38,880 --> 01:44:43,559
Speaker 3: Impossible, no way, your comedy is pretty bad.

2090
01:44:44,800 --> 01:44:45,920
Speaker 1: They all feel bad though.

2091
01:44:46,160 --> 01:44:49,080
Speaker 4: There are people and I've seen it. I've known Martha

2092
01:44:49,080 --> 01:44:51,719
Speaker 4: a long time. We kind of started stand up together

2093
01:44:51,800 --> 01:44:54,000
Speaker 4: in a way, don't you think, or whatever.

2094
01:44:53,840 --> 01:44:54,840
Speaker 3: We dabbled.

2095
01:44:55,960 --> 01:44:57,320
Speaker 1: We met, we really knew.

2096
01:44:57,479 --> 01:45:00,519
Speaker 3: I've seen people not get Martha, and I want I've

2097
01:45:00,600 --> 01:45:02,600
Speaker 3: wanted who was the.

2098
01:45:04,200 --> 01:45:07,360
Speaker 4: It was like the Cajun comic that yeah, you had

2099
01:45:07,400 --> 01:45:09,559
Speaker 4: a rough set, and he's like, hey, everyone just take

2100
01:45:09,640 --> 01:45:13,720
Speaker 4: your hands and just wipe the sweat off your brow and.

2101
01:45:13,960 --> 01:45:16,760
Speaker 3: Just know that thank God, that's over or what he said,

2102
01:45:18,800 --> 01:45:21,840
Speaker 3: and you go apologie. I was going to fight that guy.

2103
01:45:24,240 --> 01:45:26,440
Speaker 3: You gotta go to apology. Did he apologize?

2104
01:45:27,720 --> 01:45:31,200
Speaker 2: No, he never spoke to me between any of the

2105
01:45:31,280 --> 01:45:33,080
Speaker 2: rest of the shows we did that week. That was

2106
01:45:33,120 --> 01:45:36,479
Speaker 2: in the terrible That All Club in San Antonio, but

2107
01:45:36,600 --> 01:45:37,839
Speaker 2: I think has closed.

2108
01:45:38,240 --> 01:45:41,360
Speaker 3: I know that was a capsity Matt Bearden was. I

2109
01:45:41,560 --> 01:45:42,519
Speaker 3: remember it vividly.

2110
01:45:42,800 --> 01:45:46,240
Speaker 4: Oh, and I was like that guy is and he

2111
01:45:46,439 --> 01:45:48,799
Speaker 4: was like had won his wife had won the lottery

2112
01:45:48,960 --> 01:45:51,160
Speaker 4: or something, and he is a millionaire.

2113
01:45:51,520 --> 01:45:54,599
Speaker 1: There was some bad I remember meeting a guy who

2114
01:45:54,720 --> 01:45:57,680
Speaker 1: came the one week I headlined in Houston at the

2115
01:45:57,760 --> 01:46:01,120
Speaker 1: old Lapstop, and I don't know why the guy headlined me.

2116
01:46:01,280 --> 01:46:04,360
Speaker 1: I was like a solid middle and part rabbit and

2117
01:46:04,479 --> 01:46:05,960
Speaker 1: that There's.

2118
01:46:05,840 --> 01:46:07,800
Speaker 3: One VHS in the green room and it was Girls

2119
01:46:07,880 --> 01:46:09,920
Speaker 3: Guitar Club. Yeah, and I watched it and I'm like

2120
01:46:10,040 --> 01:46:12,639
Speaker 3: that she's funny. Maybe one day I'll have a podcast.

2121
01:46:13,160 --> 01:46:15,160
Speaker 3: I've said that I didn't know what a podcast was.

2122
01:46:15,760 --> 01:46:18,200
Speaker 5: But while I was at that, after the show, every

2123
01:46:18,280 --> 01:46:19,840
Speaker 5: night you'd have to go out and drink in the

2124
01:46:19,920 --> 01:46:22,360
Speaker 5: bar and I was standing there one night and there

2125
01:46:22,400 --> 01:46:23,559
Speaker 5: was a guy that walked on and he's like, yeah,

2126
01:46:23,560 --> 01:46:26,400
Speaker 5: you're all right, and I'm like, oh, thanks, and he goes, yeah,

2127
01:46:27,080 --> 01:46:30,360
Speaker 5: I'm a balloon comic and he was fucking serious.

2128
01:46:30,560 --> 01:46:32,760
Speaker 1: I laughed in his face. I was like, are you

2129
01:46:33,040 --> 01:46:34,479
Speaker 1: kidding me? Like, but he meant it.

2130
01:46:34,600 --> 01:46:36,920
Speaker 5: He was just like the balloon comics here, I may

2131
01:46:37,040 --> 01:46:39,200
Speaker 5: or may not be giving you my approval. And I

2132
01:46:39,360 --> 01:46:41,200
Speaker 5: just had that like moment where he pulled all the

2133
01:46:41,240 --> 01:46:43,880
Speaker 5: way back so it was like the United States, then

2134
01:46:43,960 --> 01:46:47,400
Speaker 5: it was in the Northern Hemisphere, and then I would

2135
01:46:47,439 --> 01:46:49,560
Speaker 5: have outer space where I was just like, Wow, this

2136
01:46:49,760 --> 01:46:52,519
Speaker 5: is the dumbest job I could have ever tried to do,

2137
01:46:53,160 --> 01:46:54,560
Speaker 5: and now I'm fucking stuck.

2138
01:46:54,320 --> 01:46:57,120
Speaker 1: In it, and this is my job. These assholes are

2139
01:46:57,240 --> 01:46:59,680
Speaker 1: my peers, and this is these are the people I'm

2140
01:46:59,680 --> 01:47:01,479
Speaker 1: going to be hearing from for the rest of my life.

2141
01:47:01,760 --> 01:47:04,599
Speaker 3: Anyone in this car ever seen a balloon comedy show?

2142
01:47:05,160 --> 01:47:08,360
Speaker 1: I did saying a balloon comic like I'm a balloon comic,

2143
01:47:08,520 --> 01:47:09,840
Speaker 1: like I'm a political comic.

2144
01:47:10,640 --> 01:47:11,840
Speaker 3: It's a genre of comedy.

2145
01:47:13,600 --> 01:47:18,599
Speaker 1: Yeah, that's you're saying you're a clown. That's crazy. I'm angry.

2146
01:47:18,760 --> 01:47:21,639
Speaker 3: I tell you jokes as I make poodles for children

2147
01:47:21,680 --> 01:47:22,400
Speaker 3: at the parties.

2148
01:47:22,520 --> 01:47:24,320
Speaker 1: And I'm the one who knows that you're not that

2149
01:47:24,439 --> 01:47:27,320
Speaker 1: good at comedy. Okay, well then that's so be it.

2150
01:47:27,640 --> 01:47:30,599
Speaker 3: Well you know who is good at comedy, Martha Kelly.

2151
01:47:34,400 --> 01:47:38,400
Speaker 1: Guys, thank you for having me on your podcast so much.

2152
01:47:38,439 --> 01:47:40,639
Speaker 3: You're doing it and you're nothing to play. You don't

2153
01:47:40,880 --> 01:47:41,639
Speaker 3: are you going to doing?

2154
01:47:42,360 --> 01:47:46,280
Speaker 2: I'm doing but I don't remember the dates, So what's

2155
01:47:46,400 --> 01:47:47,960
Speaker 2: the point you look it up?

2156
01:47:48,439 --> 01:47:51,800
Speaker 1: Do you have a website? Not want I would want

2157
01:47:51,840 --> 01:47:52,800
Speaker 1: anyone to look at it.

2158
01:47:53,320 --> 01:47:56,000
Speaker 2: I have a word Press site that I haven't updated

2159
01:47:56,080 --> 01:47:59,519
Speaker 2: in a year and it's embarrassing. Word press it Martha

2160
01:48:00,479 --> 01:48:06,559
Speaker 2: dot gov, Martha Kelly dot gov. And then and then

2161
01:48:06,720 --> 01:48:09,639
Speaker 2: my Twitter handles Martha Kelly three. That's the one where

2162
01:48:09,640 --> 01:48:12,519
Speaker 2: I yell at people on the internet every single day.

2163
01:48:12,600 --> 01:48:12,960
Speaker 3: I love it.

2164
01:48:13,040 --> 01:48:16,000
Speaker 1: I live for it. Well, thanks you, guys, thank you

2165
01:48:16,120 --> 01:48:19,280
Speaker 1: for being with us. Yes, Martha meant the world that

2166
01:48:19,360 --> 01:48:21,240
Speaker 1: you would do it at so last minute we made

2167
01:48:21,320 --> 01:48:23,240
Speaker 1: this appreciated. We love you, Martha.

2168
01:48:23,520 --> 01:48:26,960
Speaker 3: I mean you've been listening to do you Need to Ride?

2169
01:48:27,160 --> 01:48:33,000
Speaker 1: D Y N A R? Are you leaving you wanna

2170
01:48:33,479 --> 01:48:39,439
Speaker 1: way back? Either way, we want to be there. Doesn't

2171
01:48:39,600 --> 01:48:43,200
Speaker 1: matter how much baggage you claim. Give us time and

2172
01:48:43,520 --> 01:48:49,760
Speaker 1: a Tourmano and Gabe. We want to send you off instead,

2173
01:48:51,200 --> 01:48:56,000
Speaker 1: we want to welcome you back home. Tell us all

2174
01:48:56,080 --> 01:49:01,240
Speaker 1: about it. We scared or was it fine? Melbourne?

2175
01:49:17,160 --> 01:49:18,439
Speaker 3: Do you need to ride?

2176
01:49:19,160 --> 01:49:22,400
Speaker 1: Do you need to ride? Do you need to ride?

2177
01:49:23,080 --> 01:49:26,360
Speaker 1: Do you need to ride? Do you need to ride?

2178
01:49:27,000 --> 01:49:30,320
Speaker 4: Do you need to ride? Do you need to ride?

2179
01:49:30,960 --> 01:49:31,680
Speaker 1: Do you need

2180
01:49:38,200 --> 01:49:39,240
Speaker 3: With Karen and Chriss