1 00:00:04,360 --> 00:00:07,720 Speaker 1: Did you get the breakfast bar today? Did you hit 2 00:00:07,760 --> 00:00:10,319 Speaker 1: it today? Yeah? 3 00:00:10,880 --> 00:00:15,440 Speaker 2: No I wasn't you know. 4 00:00:15,920 --> 00:00:18,640 Speaker 1: Did you guys get a chance to you guys get 5 00:00:18,640 --> 00:00:20,640 Speaker 1: a chance to do the breakfast bar in the way 6 00:00:20,720 --> 00:00:21,680 Speaker 1: get the breakfast. 7 00:00:23,000 --> 00:00:24,720 Speaker 2: Yeah, get it on. 8 00:00:24,680 --> 00:00:28,480 Speaker 1: The way out, for sure. It's it's it's amazing. It's 9 00:00:28,520 --> 00:00:29,240 Speaker 1: really like. 10 00:00:29,200 --> 00:00:31,360 Speaker 2: It's crazy to I mean I didn't get to hit 11 00:00:31,360 --> 00:00:31,680 Speaker 2: it either. 12 00:00:31,840 --> 00:00:36,440 Speaker 1: It's like they have everything. It's all powder, like you 13 00:00:36,440 --> 00:00:40,520 Speaker 1: know they do with eggs, like sometimes they like, well 14 00:00:41,040 --> 00:00:43,960 Speaker 1: what they can do with powder, Yes, powdered beans for sure, 15 00:00:45,080 --> 00:00:49,880 Speaker 1: Powder like sausage, like coffee, like any kind of powder 16 00:00:49,960 --> 00:00:52,200 Speaker 1: drink you want, of course, and like they can even 17 00:00:52,280 --> 00:00:54,720 Speaker 1: mix them in ways that are like. 18 00:00:54,760 --> 00:00:56,639 Speaker 2: Really really essentially make a powdered on. 19 00:00:56,920 --> 00:01:00,279 Speaker 1: Any combination is is is good? Orange hit? 20 00:01:00,520 --> 00:01:03,360 Speaker 2: Do you hit the breakfast bar? I want? We always 21 00:01:03,400 --> 00:01:04,880 Speaker 2: ask do you know the bread? 22 00:01:05,560 --> 00:01:06,399 Speaker 3: Do you know the bread? 23 00:01:07,720 --> 00:01:11,000 Speaker 1: Yeah, it's it's it's liquid ivy And that's like that 24 00:01:11,160 --> 00:01:13,240 Speaker 1: that's like a sponsor of this. So you're like getting 25 00:01:13,280 --> 00:01:16,400 Speaker 1: electrolytes as well. But it's like it's basically get loaded 26 00:01:16,480 --> 00:01:19,080 Speaker 1: up or like egg flavor liquid ivy. 27 00:01:20,480 --> 00:01:24,319 Speaker 3: My grandma she used to make we grew up very 28 00:01:24,360 --> 00:01:30,000 Speaker 3: poor and Liquid IV she made everything had to be powdered, wow, 29 00:01:30,120 --> 00:01:32,080 Speaker 3: because it had to be preserved because it was on 30 00:01:32,200 --> 00:01:36,240 Speaker 3: food stamps. So like you would get powdered sausage. 31 00:01:35,959 --> 00:01:36,520 Speaker 2: Doesn't go back. 32 00:01:37,080 --> 00:01:39,039 Speaker 3: And she always thought that if you put that in 33 00:01:39,160 --> 00:01:44,400 Speaker 3: like a smoothie, you know, government cheese powdered, government powdered toes. Yeah, 34 00:01:45,360 --> 00:01:47,400 Speaker 3: I didn't even know you had that. That's gonna bring 35 00:01:47,440 --> 00:01:47,840 Speaker 3: me back. 36 00:01:48,040 --> 00:01:50,840 Speaker 1: You can mix it all up and yeah, and like 37 00:01:51,000 --> 00:01:53,080 Speaker 1: any like the most incredible desserts. 38 00:01:53,520 --> 00:01:56,360 Speaker 2: You've been quiet about the powder? Are you excited to 39 00:01:56,440 --> 00:01:56,960 Speaker 2: hit it on the. 40 00:01:56,880 --> 00:01:59,600 Speaker 4: Way just like you know? I do? Hear Liquid IV 41 00:01:59,720 --> 00:02:01,000 Speaker 4: has too much sugar. 42 00:02:02,240 --> 00:02:06,040 Speaker 2: Brandt because that is a brand relationship for us. You 43 00:02:06,080 --> 00:02:08,800 Speaker 2: could not we can actually has the perfect amount of sugar. 44 00:02:09,320 --> 00:02:11,639 Speaker 2: Can we get you saying it has the right amount. 45 00:02:11,440 --> 00:02:15,919 Speaker 3: Of like, uh, I think Liquid I would be fun 46 00:02:15,960 --> 00:02:17,440 Speaker 3: for you for electros? 47 00:02:17,639 --> 00:02:22,240 Speaker 1: Yeah, so fun exactly would be so fun for you. 48 00:02:22,200 --> 00:02:31,160 Speaker 4: For I mean dancing, yes, sponsor, yes, brand partnership dancer. 49 00:02:31,440 --> 00:02:34,160 Speaker 1: So if we could get just clean Liquid ivy has 50 00:02:34,280 --> 00:02:37,760 Speaker 1: the exact right number of grains of sugar, just get 51 00:02:37,800 --> 00:02:40,560 Speaker 1: that clean and room tone as well. 52 00:02:40,520 --> 00:02:44,440 Speaker 2: Okay, and I'm realizing I and V are in Baron's 53 00:02:44,520 --> 00:02:48,040 Speaker 2: last name, Baron Davis here, because we could even put 54 00:02:48,080 --> 00:02:48,919 Speaker 2: him next to each other. 55 00:02:49,120 --> 00:02:50,640 Speaker 3: Yeah, you could be. 56 00:02:52,840 --> 00:02:57,320 Speaker 2: Baron divas you know what I mean? That would be 57 00:02:57,560 --> 00:03:00,480 Speaker 2: for you, that could be that could be a big unity. 58 00:03:00,600 --> 00:03:04,080 Speaker 1: Yeah, I do want to get that line clean. Kevin 59 00:03:04,160 --> 00:03:07,119 Speaker 1: is going to count Britain? Could we sure? 60 00:03:08,000 --> 00:03:08,240 Speaker 3: Ten? 61 00:03:09,320 --> 00:03:09,639 Speaker 1: Nine? 62 00:03:10,320 --> 00:03:12,959 Speaker 2: We really higher? Because we want to have her press. 63 00:03:12,880 --> 00:03:19,400 Speaker 1: Fifteen fourteen two one and whenever you're ready, I'm recording. 64 00:03:19,560 --> 00:03:25,120 Speaker 4: Liquid Ivy brought to you by the dancers recommendation with 65 00:03:25,160 --> 00:03:30,880 Speaker 4: the right amount of grand grains of sugar. 66 00:03:30,720 --> 00:03:33,840 Speaker 2: Grand grands perfect that. 67 00:03:36,640 --> 00:03:38,920 Speaker 1: It's Baron Davis and Britzewy. Thank you so much for 68 00:03:39,120 --> 00:03:43,080 Speaker 1: thanks for being here. Yeahams and. 69 00:03:44,720 --> 00:03:49,520 Speaker 3: Industry one second, go ahead, do you have to up nothing? 70 00:03:49,560 --> 00:03:50,920 Speaker 2: Oh no, no, don't do that. 71 00:03:51,400 --> 00:03:52,640 Speaker 1: We're just doing the choice line. 72 00:03:53,440 --> 00:03:57,120 Speaker 3: I was saying, liquid Ivy is your sponsor. 73 00:03:57,480 --> 00:03:59,720 Speaker 1: Yeah, do you want to get get a word in 74 00:03:59,760 --> 00:04:00,480 Speaker 1: for of yours? 75 00:04:00,520 --> 00:04:03,600 Speaker 3: You got something you want to plug well as the 76 00:04:03,680 --> 00:04:06,560 Speaker 3: show and I was just you're gonna work. 77 00:04:06,400 --> 00:04:07,560 Speaker 1: It in kind of. 78 00:04:07,880 --> 00:04:10,400 Speaker 2: Yeah, it's good if it feels organic like the Liquid 79 00:04:10,400 --> 00:04:15,120 Speaker 2: Ivy think. Yeah, it was totally conversational, totally normal. We're 80 00:04:15,120 --> 00:04:16,360 Speaker 2: all just talking about the breakfast bar. 81 00:04:16,640 --> 00:04:18,960 Speaker 4: My plug felt very natural, mechanic. 82 00:04:19,160 --> 00:04:23,440 Speaker 1: Ye, you have some of yours just in the chamber. 83 00:04:23,800 --> 00:04:26,760 Speaker 2: Like anytime you work it in and just we'll clear 84 00:04:26,800 --> 00:04:30,799 Speaker 2: out and give space for it too. So we always 85 00:04:30,880 --> 00:04:33,480 Speaker 2: do like to ask, how did you first become fans 86 00:04:33,520 --> 00:04:41,679 Speaker 2: of this show? Well, you get. 87 00:04:44,560 --> 00:04:49,880 Speaker 4: So, yeah, I've been listening for a long time. 88 00:04:50,520 --> 00:04:54,960 Speaker 5: That's how that's how we get you. I mean, well, 89 00:04:55,040 --> 00:04:56,480 Speaker 5: you know better than anyone we've been doing. 90 00:04:57,080 --> 00:04:59,200 Speaker 1: I forget that you as a fan probably. 91 00:04:58,880 --> 00:05:01,240 Speaker 2: Know well, you know, our fans know the show better 92 00:05:01,279 --> 00:05:02,320 Speaker 2: than us because we're in it. 93 00:05:02,400 --> 00:05:04,839 Speaker 4: I'm such a fan that, you know, it'd be nice 94 00:05:04,880 --> 00:05:07,040 Speaker 4: to just see you just. 95 00:05:07,080 --> 00:05:10,400 Speaker 1: Watch and not participate in the show. You're saying just 96 00:05:10,440 --> 00:05:12,360 Speaker 1: to be an remember, No, I like, I. 97 00:05:12,360 --> 00:05:15,240 Speaker 4: Really just want to know, you know, see you do 98 00:05:15,440 --> 00:05:18,039 Speaker 4: your opening in person here. 99 00:05:18,560 --> 00:05:23,000 Speaker 1: Person tagline is probably exciting. Yeah, it was walking over 100 00:05:23,000 --> 00:05:23,479 Speaker 1: it a little bit. 101 00:05:23,600 --> 00:05:29,599 Speaker 2: Yeah, but already yeah, He's like, well, anyone listening already 102 00:05:29,640 --> 00:05:30,279 Speaker 2: knows the tagline. 103 00:05:30,279 --> 00:05:31,280 Speaker 3: They don't need to hear it again. 104 00:05:31,520 --> 00:05:34,080 Speaker 2: We actually were always onboarding new people, you know. 105 00:05:35,040 --> 00:05:38,359 Speaker 1: Yeah, absolutely, I think it was very brave of you 106 00:05:38,440 --> 00:05:45,400 Speaker 1: guys to be here after being not on dancing. 107 00:05:46,400 --> 00:05:50,279 Speaker 2: Show, which is like, by the way, it happens to 108 00:05:50,520 --> 00:05:53,320 Speaker 2: literally everyone on the show for like one for one. 109 00:05:53,560 --> 00:05:58,880 Speaker 3: Yeah it can be one yeah. 110 00:05:57,480 --> 00:05:58,159 Speaker 1: Yeah, yeah. 111 00:05:59,200 --> 00:06:04,560 Speaker 2: But so it's like whatever, you know, But we were thinking, 112 00:06:05,640 --> 00:06:10,480 Speaker 2: we were actually talking on the way in. You gotta get. 113 00:06:10,320 --> 00:06:13,240 Speaker 1: Back on, you gotta get back in there, and you 114 00:06:13,320 --> 00:06:14,120 Speaker 1: have to love. 115 00:06:14,720 --> 00:06:17,640 Speaker 2: And when you get back on, you played by your 116 00:06:17,680 --> 00:06:18,480 Speaker 2: own roles this time. 117 00:06:20,760 --> 00:06:25,919 Speaker 1: Watch them, watching them, I had the thought and my 118 00:06:26,160 --> 00:06:29,479 Speaker 1: entire watch party did as well. They're playing by the 119 00:06:29,480 --> 00:06:30,920 Speaker 1: show's rules. 120 00:06:31,680 --> 00:06:36,560 Speaker 2: You guys are handcuffed out there. I really felt that way, 121 00:06:36,600 --> 00:06:39,240 Speaker 2: where it was like what they're capable of is being 122 00:06:39,279 --> 00:06:43,320 Speaker 2: so constrained by like the sort of like formula of 123 00:06:43,400 --> 00:06:48,520 Speaker 2: the show. And I think, what would really help you 124 00:06:48,560 --> 00:06:54,520 Speaker 2: guys like win, yes, but also just like make the 125 00:06:54,560 --> 00:06:58,760 Speaker 2: show more relevant and just like break out of those handcuffs. 126 00:06:58,920 --> 00:07:03,200 Speaker 2: It's just like, let's be honest, dancing is such a 127 00:07:03,200 --> 00:07:10,120 Speaker 2: small part of it. It's dancing with the stars, but 128 00:07:10,160 --> 00:07:12,120 Speaker 2: it's really talking with the stars and hanging out with 129 00:07:12,160 --> 00:07:16,680 Speaker 2: the stars, isn't it And talking about dancing with the backstory, 130 00:07:17,040 --> 00:07:17,840 Speaker 2: isn't it? 131 00:07:18,200 --> 00:07:25,160 Speaker 1: Character development. But we're voting on yeah, I mean did 132 00:07:25,160 --> 00:07:26,800 Speaker 1: the dancing Are they doing it still? 133 00:07:27,640 --> 00:07:28,040 Speaker 3: The dancing? 134 00:07:28,480 --> 00:07:32,120 Speaker 4: Well yes, okay, yeah. 135 00:07:34,320 --> 00:07:43,760 Speaker 3: That's good. You gotta have the dancing right with when 136 00:07:44,200 --> 00:07:45,720 Speaker 3: with the narrative stars? 137 00:07:45,800 --> 00:07:47,160 Speaker 1: Right with the stars? 138 00:07:47,200 --> 00:07:51,160 Speaker 3: With the stars with is what you're talking about. Yes, 139 00:07:51,520 --> 00:07:55,400 Speaker 3: so it's like dancing and dance with it's the bad 140 00:07:55,520 --> 00:07:59,360 Speaker 3: story and then stars and so like you know, it's 141 00:07:59,560 --> 00:08:05,080 Speaker 3: stars and professional stars and so the with people. 142 00:08:05,680 --> 00:08:08,280 Speaker 2: Some people are here for the dancing, whatever percentage. Some 143 00:08:08,320 --> 00:08:11,040 Speaker 2: people are here for the stars. We're here for the with. Yes, 144 00:08:11,480 --> 00:08:13,240 Speaker 2: I think I'm with them. 145 00:08:13,520 --> 00:08:16,440 Speaker 3: I think most people most people are are there for 146 00:08:16,680 --> 00:08:20,160 Speaker 3: the with I think so with whatever they want to 147 00:08:20,240 --> 00:08:26,120 Speaker 3: connect with. Right when we're thinking about you know, stars alignment, 148 00:08:26,800 --> 00:08:31,520 Speaker 3: you know, connecting back to you know, body mind and 149 00:08:31,600 --> 00:08:37,120 Speaker 3: soul energy of people, you know, and then you start 150 00:08:37,200 --> 00:08:42,400 Speaker 3: to think about embodying, you know, dance. So the feet 151 00:08:42,400 --> 00:08:45,160 Speaker 3: are actually like the stars just moving and so the 152 00:08:45,200 --> 00:08:46,880 Speaker 3: stars moving their. 153 00:08:47,400 --> 00:08:50,000 Speaker 1: Feet, that's what they mean by dancing with the stars. 154 00:08:50,120 --> 00:08:54,200 Speaker 1: I never understood that the stars are the feet. 155 00:08:53,720 --> 00:08:56,200 Speaker 2: My So, the way my TV is set up, I 156 00:08:56,240 --> 00:08:59,600 Speaker 2: have a pretty tall coffee table that kind of cuts 157 00:08:59,640 --> 00:09:02,440 Speaker 2: it off the midpoint you, I'm not aware of what 158 00:09:02,480 --> 00:09:05,400 Speaker 2: the feet are doing. I love the faces. 159 00:09:06,000 --> 00:09:09,200 Speaker 1: Yeah, he was stuff and so his parents needed a 160 00:09:09,240 --> 00:09:11,120 Speaker 1: place to like put some where he wouldn't be able 161 00:09:11,160 --> 00:09:12,520 Speaker 1: to I can't read. 162 00:09:12,160 --> 00:09:15,280 Speaker 2: That because the TV is mounted and the coffee cables 163 00:09:15,280 --> 00:09:15,960 Speaker 2: way up there. 164 00:09:16,040 --> 00:09:18,080 Speaker 3: Yeah, you still live with your parents? 165 00:09:18,760 --> 00:09:22,800 Speaker 2: Yeah, on and off? Okay, yeah right now we're right now. 166 00:09:22,840 --> 00:09:25,280 Speaker 1: And obviously he's not living with his parents right now. 167 00:09:25,160 --> 00:09:27,400 Speaker 2: But right now we're good because I'm not there. 168 00:09:28,080 --> 00:09:28,240 Speaker 4: Yeah. 169 00:09:28,440 --> 00:09:30,959 Speaker 1: Yeah, like we have kind of a heart, like you 170 00:09:31,080 --> 00:09:32,160 Speaker 1: have to get out here and go home. 171 00:09:32,600 --> 00:09:34,240 Speaker 2: I gotta take my daughter's appointments. 172 00:09:34,280 --> 00:09:38,959 Speaker 3: Yeah, I know how it is. Yeah, I still live 173 00:09:38,960 --> 00:09:39,880 Speaker 3: with my auntie. 174 00:09:40,320 --> 00:09:41,959 Speaker 1: Oh yeah, me. 175 00:09:41,960 --> 00:09:44,679 Speaker 3: And my home Me and my home boy, I mean 176 00:09:44,760 --> 00:09:46,920 Speaker 3: her son. But we're like best. 177 00:09:46,640 --> 00:09:48,000 Speaker 1: Friends your cousin. 178 00:09:48,320 --> 00:09:52,320 Speaker 3: Yeah, okay, well he is my cousin. Yeah, that's her son. Yeah, 179 00:09:52,360 --> 00:09:54,439 Speaker 3: but we just like we've been making fun of her. 180 00:09:54,480 --> 00:09:57,280 Speaker 3: He do tiktoks and ship he'd be making fun of her. 181 00:09:57,960 --> 00:10:01,200 Speaker 6: TikTok's making fun of your aunt So you live, you 182 00:10:01,280 --> 00:10:03,199 Speaker 6: kind of live in like a hype house kind of 183 00:10:03,280 --> 00:10:06,480 Speaker 6: basically where like you and your cousin, yes, or like 184 00:10:06,920 --> 00:10:08,880 Speaker 6: our content creators about your auntie. 185 00:10:08,960 --> 00:10:13,199 Speaker 2: It's almost like an impractical joker's sort of type house combination. 186 00:10:14,120 --> 00:10:17,240 Speaker 3: I mean, I just like film them. I don't do 187 00:10:17,360 --> 00:10:21,400 Speaker 3: the TikTok just showed me how to take just started, started, 188 00:10:21,600 --> 00:10:26,120 Speaker 3: TikTok two together, TikTok oh, No, just his she showed 189 00:10:26,120 --> 00:10:26,840 Speaker 3: me how to do it. 190 00:10:26,840 --> 00:10:29,440 Speaker 1: But you feel like you have like equity and matter 191 00:10:29,720 --> 00:10:31,320 Speaker 1: like showed him how to do it. 192 00:10:31,400 --> 00:10:33,160 Speaker 4: Yeah, I mean, you know, I'm trying to become his 193 00:10:33,200 --> 00:10:34,319 Speaker 4: social media manager now. 194 00:10:34,440 --> 00:10:35,800 Speaker 1: So yeah, that's awesome. 195 00:10:35,880 --> 00:10:37,440 Speaker 4: Yeah, it's it's such an important part. 196 00:10:38,559 --> 00:10:40,480 Speaker 1: It's more I mean, like that's all of it. 197 00:10:40,960 --> 00:10:45,679 Speaker 2: Well, it's for better or worse? Right, Yes, that's. 198 00:10:45,520 --> 00:10:56,719 Speaker 3: The industry now you think you really think so. 199 00:10:57,679 --> 00:11:04,640 Speaker 2: I'm started to Yeah, so yeah. 200 00:11:03,200 --> 00:11:07,320 Speaker 3: You're saying some profile st Yeah, you guys are. 201 00:11:09,679 --> 00:11:12,520 Speaker 1: Like normally when it's like just us and Kevin and 202 00:11:12,559 --> 00:11:16,120 Speaker 1: he're like he doesn't understand any of the ship and 203 00:11:16,160 --> 00:11:18,480 Speaker 1: like we're like putting the stuff out and it's just like. 204 00:11:18,640 --> 00:11:21,360 Speaker 2: To finally have the stars, you know, to kind of 205 00:11:21,440 --> 00:11:26,760 Speaker 2: dance with us, yes, conversationally right on the microphone. It's 206 00:11:26,840 --> 00:11:29,240 Speaker 2: like it's a relief for us in a way. 207 00:11:30,400 --> 00:11:32,760 Speaker 1: This is actually making this is adding up for me 208 00:11:32,840 --> 00:11:38,120 Speaker 1: now because Kevin talks about going stargazing a lot, and 209 00:11:38,160 --> 00:11:41,079 Speaker 1: now that I'm realizing that the stars are the feet, 210 00:11:42,880 --> 00:11:45,600 Speaker 1: that is really connecting for me. Yeah. With some of 211 00:11:45,640 --> 00:11:50,200 Speaker 1: the equipment that Kevin brings, oh wow, uh huh to 212 00:11:50,280 --> 00:11:53,360 Speaker 1: go stargazing. I mean he uses a magnifying glass. 213 00:11:54,120 --> 00:11:58,319 Speaker 2: Yeah, got these special sunglasses with a mirror like kind 214 00:11:58,360 --> 00:12:00,400 Speaker 2: of visor at the top, so it looks like he's 215 00:12:00,400 --> 00:12:02,560 Speaker 2: making eye contact with you, but he is staring at 216 00:12:02,559 --> 00:12:03,240 Speaker 2: your key down. 217 00:12:03,520 --> 00:12:09,200 Speaker 3: Yeah yeah, yeah, I saw, I think uh right there. 218 00:12:09,520 --> 00:12:12,640 Speaker 3: That belt is a belt full of toenail clippers. 219 00:12:12,400 --> 00:12:17,079 Speaker 2: Yes, okay, wow, Yeah, it's sort of a bandolier, a 220 00:12:17,200 --> 00:12:22,760 Speaker 2: Swiss swim like toenail rambo. 221 00:12:22,960 --> 00:12:26,520 Speaker 1: I know, there was so many ways to about. 222 00:12:27,240 --> 00:12:32,240 Speaker 3: It's like a full spa handheld spa and started. 223 00:12:34,000 --> 00:12:36,840 Speaker 2: He says he's got the pedicure for what troubles you 224 00:12:37,280 --> 00:12:41,160 Speaker 2: the pic, which I'm like, I don't like, I never 225 00:12:41,280 --> 00:12:44,199 Speaker 2: understood what that matt, But you guys are actually snapping 226 00:12:44,200 --> 00:12:44,640 Speaker 2: it into. 227 00:12:45,480 --> 00:12:49,520 Speaker 3: Yeah that is that's an awesome tagline. 228 00:12:50,640 --> 00:12:52,920 Speaker 2: Ken, that's got pocket. 229 00:12:54,800 --> 00:12:55,719 Speaker 3: That doesn't sound right. 230 00:12:56,800 --> 00:12:58,559 Speaker 1: That doesn't sound right. You don't like it anymore? 231 00:12:58,640 --> 00:13:04,080 Speaker 3: Nothing really out of pocket. Come on right, okay you 232 00:13:04,120 --> 00:13:08,000 Speaker 3: said there. I was like, the like the pedicure pocket, 233 00:13:08,120 --> 00:13:11,600 Speaker 3: the pocket pedicure. But then that don't sound right either, 234 00:13:11,640 --> 00:13:12,960 Speaker 3: because pedicure. 235 00:13:13,320 --> 00:13:16,760 Speaker 2: Yeah, wow, yeah that is just yeah, I don't know what. 236 00:13:18,160 --> 00:13:19,960 Speaker 1: Yeah, yeah, you can't be doing this. 237 00:13:20,800 --> 00:13:23,480 Speaker 2: We can't do it all right, but we Yeah, he's 238 00:13:23,480 --> 00:13:25,720 Speaker 2: gotten us off track, but we were just I mean 239 00:13:26,400 --> 00:13:28,920 Speaker 2: you're feeling Yeah, well, Prinks and your aunty, do you 240 00:13:28,960 --> 00:13:30,040 Speaker 2: want to give an example. 241 00:13:29,720 --> 00:13:34,600 Speaker 1: Of one Prince Bam type set up you have been there? 242 00:13:34,760 --> 00:13:37,079 Speaker 3: I'd be arguing, you know what. They'd be really beefing 243 00:13:37,120 --> 00:13:39,400 Speaker 3: a lot, Like I gotta get up out of there too. 244 00:13:41,080 --> 00:13:44,360 Speaker 1: You your your homeboy and your auntie. Yeah, my cousin, 245 00:13:44,600 --> 00:13:47,800 Speaker 1: your cousin, but he is my home okay. 246 00:13:48,679 --> 00:13:54,920 Speaker 3: And we we we write together. Oh, like he want 247 00:13:55,000 --> 00:13:58,400 Speaker 3: to be a writer. And he was like, man, like 248 00:13:58,840 --> 00:14:01,960 Speaker 3: you you if high and mighty, you need to come 249 00:14:02,040 --> 00:14:05,680 Speaker 3: back to the hood and right, you know, we need 250 00:14:05,679 --> 00:14:09,520 Speaker 3: to like start thinking about like how to write like 251 00:14:09,600 --> 00:14:13,880 Speaker 3: hood comedies and cartoons and stuff like that. So I 252 00:14:14,000 --> 00:14:15,320 Speaker 3: moved back in with him and. 253 00:14:16,320 --> 00:14:20,280 Speaker 1: My aunt Yeah, but they're like fighting all the time. Yeah, 254 00:14:20,680 --> 00:14:24,040 Speaker 1: was like physical or like it's crazy. 255 00:14:24,720 --> 00:14:25,440 Speaker 3: It's crazy. 256 00:14:25,840 --> 00:14:28,800 Speaker 2: What's the beef over? Is it normal household stuff you 257 00:14:28,880 --> 00:14:32,120 Speaker 2: left your dish out, or is it like actually something 258 00:14:32,200 --> 00:14:33,360 Speaker 2: more intense. 259 00:14:33,360 --> 00:14:37,880 Speaker 3: Like he be prank calling her and shit, you know 260 00:14:42,000 --> 00:14:44,600 Speaker 3: he'd be in the house, he prank caller. He'd be 261 00:14:44,680 --> 00:14:47,000 Speaker 3: prank calling her and ship and each other her like 262 00:14:47,600 --> 00:14:50,560 Speaker 3: people out, you know, like winning sweet steaks and like, 263 00:14:50,600 --> 00:14:53,680 Speaker 3: oh you want ten thousand dollars sweep steaks. She run 264 00:14:53,760 --> 00:14:55,760 Speaker 3: out the room and she get the cussing him out 265 00:14:55,800 --> 00:14:57,720 Speaker 3: because she's like, I'm tired of you. I got some 266 00:14:57,800 --> 00:15:00,800 Speaker 3: money now, you know what I mean? So she says 267 00:15:00,960 --> 00:15:05,920 Speaker 3: things said yeah, trying to get her to speak truth, 268 00:15:06,120 --> 00:15:07,800 Speaker 3: like how she really feel about him. 269 00:15:08,040 --> 00:15:13,400 Speaker 1: Yeah, that's dangerous. She thinks I should be able to 270 00:15:13,440 --> 00:15:17,560 Speaker 1: just like leave this life behind now. 271 00:15:18,120 --> 00:15:20,840 Speaker 2: On Fresh Prince of bel Air, do you remember this, 272 00:15:21,840 --> 00:15:28,080 Speaker 2: They had a prank lottery ticket and he thought, did 273 00:15:28,120 --> 00:15:31,600 Speaker 2: you did your cousin know about this? You know he's 274 00:15:31,640 --> 00:15:35,200 Speaker 2: working as like their butler. Yeah, boy, he let uncle 275 00:15:35,240 --> 00:15:39,160 Speaker 2: Phil know what he really felt that he let loose. 276 00:15:39,400 --> 00:15:41,360 Speaker 2: They got to come back to the he quit and 277 00:15:41,400 --> 00:15:45,360 Speaker 2: all that like that goes wrong. That's and now I'm 278 00:15:45,400 --> 00:15:50,000 Speaker 2: realizing your because it did it to his own mom, 279 00:15:50,840 --> 00:15:51,440 Speaker 2: and you're just. 280 00:15:51,360 --> 00:15:55,160 Speaker 4: Sitting there filming them all the it's dark, you know 281 00:15:55,200 --> 00:15:57,200 Speaker 4: what I mean, it's dark. 282 00:15:57,440 --> 00:16:00,800 Speaker 3: It's dark. It's dark over there is dark over there. 283 00:16:00,840 --> 00:16:03,520 Speaker 3: Because you know, he like he had a writer, so 284 00:16:04,760 --> 00:16:06,440 Speaker 3: got writers, right, he like it does? 285 00:16:06,560 --> 00:16:07,760 Speaker 1: Yeah? 286 00:16:08,320 --> 00:16:09,440 Speaker 2: Am I a writer. 287 00:16:10,800 --> 00:16:12,160 Speaker 1: Right now? Yeah? 288 00:16:12,240 --> 00:16:15,920 Speaker 3: That's amazing incredible, Like yeah, calls. 289 00:16:15,640 --> 00:16:18,600 Speaker 1: Her like multi layer left hangers. 290 00:16:19,240 --> 00:16:23,520 Speaker 2: Yeah, no you don't. You can't understand, like like it'll 291 00:16:23,520 --> 00:16:24,440 Speaker 2: all make sense later. 292 00:16:24,520 --> 00:16:26,920 Speaker 1: The prinks he has what like they have a plan. 293 00:16:27,320 --> 00:16:30,000 Speaker 2: Yeah, no, I know how the prank call is gonna end. 294 00:16:30,400 --> 00:16:33,360 Speaker 4: Wow, you know, my mind's just blown because this is 295 00:16:33,400 --> 00:16:34,960 Speaker 4: the with I think you were talking. 296 00:16:35,160 --> 00:16:36,840 Speaker 2: This is isn't it? 297 00:16:37,080 --> 00:16:41,920 Speaker 1: Yeah? I mean this is it right now we are inside. 298 00:16:41,560 --> 00:16:46,160 Speaker 4: With right like without this I would have never experienced 299 00:16:46,160 --> 00:16:46,440 Speaker 4: the with. 300 00:16:46,960 --> 00:16:49,320 Speaker 1: Yes, I think this is what Now we can go 301 00:16:49,360 --> 00:16:52,880 Speaker 1: back now we go now right now we actually understand it. 302 00:16:53,000 --> 00:16:58,960 Speaker 2: Well, say, like we kind of cracked it because I 303 00:16:59,080 --> 00:17:00,440 Speaker 2: think you know, did they. 304 00:17:00,720 --> 00:17:04,360 Speaker 3: You can put in the call. Yeah, if you want 305 00:17:04,359 --> 00:17:07,320 Speaker 3: to put in a call, yeah, sneaking. 306 00:17:06,880 --> 00:17:08,120 Speaker 2: In we would call them. 307 00:17:08,359 --> 00:17:11,119 Speaker 4: Yes, that's how it typically works. 308 00:17:11,160 --> 00:17:12,200 Speaker 1: It would make the call. 309 00:17:12,320 --> 00:17:14,440 Speaker 2: You know, we can just sly right back here. 310 00:17:15,359 --> 00:17:21,480 Speaker 3: You know what I mean, we could just sly right back. Yeah, yeah, yeah, yeah. 311 00:17:23,040 --> 00:17:24,720 Speaker 2: This is how I start the call, and it's it 312 00:17:24,760 --> 00:17:27,080 Speaker 2: feels like some of these frank calls. I go, there's 313 00:17:27,119 --> 00:17:31,879 Speaker 2: been a terrible mistake, something awful has happened. Now I've 314 00:17:31,880 --> 00:17:32,520 Speaker 2: got their attention. 315 00:17:32,640 --> 00:17:34,800 Speaker 4: Yes, you did right, I've grabbed you have my attention. 316 00:17:34,960 --> 00:17:35,360 Speaker 2: Mm hmm. 317 00:17:35,800 --> 00:17:41,160 Speaker 1: Well that's you said you used to say Nielsen Nielsen's son. 318 00:17:42,119 --> 00:17:46,440 Speaker 2: I say, I'm Nielsen's son, I'm Neil's son Nielsen, I'm 319 00:17:46,480 --> 00:17:47,479 Speaker 2: Neilson's ratings. 320 00:17:47,960 --> 00:17:48,720 Speaker 3: Yeah, so. 321 00:17:50,240 --> 00:17:54,080 Speaker 2: I'm nielsen son. Hi, I'm Neil, I'm I'm Neil Nielsenson, 322 00:17:54,240 --> 00:18:00,440 Speaker 2: Neil Nielsen, and my father Nielsen has something he wants 323 00:18:00,480 --> 00:18:03,119 Speaker 2: to tell you. Then I put Hayes on. Hayes puts 324 00:18:03,119 --> 00:18:05,919 Speaker 2: on his sort of he's got a big voice. He 325 00:18:05,920 --> 00:18:08,320 Speaker 2: can do there's been a horrible mistake. 326 00:18:09,080 --> 00:18:09,639 Speaker 4: I'm scared. 327 00:18:10,080 --> 00:18:11,720 Speaker 2: Yeah, I'm nervous. 328 00:18:11,240 --> 00:18:15,600 Speaker 1: I should be real power, you know, they should be afraid. 329 00:18:15,720 --> 00:18:18,080 Speaker 1: Who is it mostly that we're dealing with? Over there 330 00:18:18,119 --> 00:18:21,840 Speaker 1: is a Tabitha Yeah, yes, on the show. 331 00:18:25,119 --> 00:18:27,160 Speaker 4: Yeah, I'm impressed, you know, yeah, No. 332 00:18:27,280 --> 00:18:33,360 Speaker 1: I mean like, well she's because we go, yeah, Tabitha, 333 00:18:35,040 --> 00:18:36,120 Speaker 1: you're in big trouble. 334 00:18:37,320 --> 00:18:42,760 Speaker 2: Yeah, is Benjamin with you? Yeah, Brenjaman in there at all. 335 00:18:43,280 --> 00:18:43,960 Speaker 4: He's in and out. 336 00:18:44,560 --> 00:18:45,200 Speaker 1: He's in and out. 337 00:18:46,720 --> 00:18:46,960 Speaker 3: Yeah. 338 00:18:47,160 --> 00:18:50,280 Speaker 2: Well that's why I'm asking if he's because because we 339 00:18:50,320 --> 00:18:53,359 Speaker 2: all know Berenjaman is the name, but who's really doing. 340 00:18:53,240 --> 00:18:53,920 Speaker 3: The day of the day. 341 00:18:54,240 --> 00:18:57,760 Speaker 1: Who's run him on an island right over there? You know, 342 00:18:58,080 --> 00:19:02,159 Speaker 1: just like they keep him around. But yeah, exactly, so 343 00:19:02,200 --> 00:19:07,800 Speaker 1: we probably shouldn't even bring maybe Patrick Patrick. Yeah it's 344 00:19:07,840 --> 00:19:10,800 Speaker 1: Patrick now, Yeah, it's all Patrick now. 345 00:19:11,160 --> 00:19:14,400 Speaker 2: Yeah, gosh, I remember Patrick was an assistant. Yet when 346 00:19:14,720 --> 00:19:17,920 Speaker 2: Patrick was an assistant when I worked, Patrick is he's 347 00:19:17,920 --> 00:19:18,840 Speaker 2: in charge now? 348 00:19:18,960 --> 00:19:19,560 Speaker 1: Dangerous? 349 00:19:19,640 --> 00:19:21,880 Speaker 4: He actually was a temp assistant, a. 350 00:19:22,000 --> 00:19:25,560 Speaker 2: Temp assistant, And but that's who sometimes you know, they 351 00:19:26,040 --> 00:19:28,440 Speaker 2: rise to the top of the systems. 352 00:19:28,800 --> 00:19:30,320 Speaker 4: Yeah, yeah, that's him that. 353 00:19:30,560 --> 00:19:33,639 Speaker 3: You always say, like, smile, that's when. 354 00:19:33,520 --> 00:19:36,920 Speaker 4: We're walking down and smile. 355 00:19:37,000 --> 00:19:40,520 Speaker 2: If Patrick, if Patrick's we're going to have a meeting. 356 00:19:40,560 --> 00:19:42,800 Speaker 1: I'm actually a little scared to like the prank call 357 00:19:42,840 --> 00:19:44,840 Speaker 1: of it, because if Patrick gets upset. 358 00:19:45,440 --> 00:19:48,600 Speaker 4: Yeah, but let's go. You have to, like we have to, 359 00:19:49,160 --> 00:19:49,639 Speaker 4: you have to. 360 00:19:49,680 --> 00:19:52,919 Speaker 2: We've got to get back on and to get back on, 361 00:19:53,080 --> 00:19:56,600 Speaker 2: and I think what we tell him is like we 362 00:19:56,720 --> 00:20:01,040 Speaker 2: cracked it. I think verst we say you're welcome, thank you, right, hey, 363 00:20:01,080 --> 00:20:04,920 Speaker 2: you're welcome because we solved the problem you didn't even 364 00:20:04,920 --> 00:20:07,879 Speaker 2: necessarily know you had, which is the width is getting 365 00:20:07,920 --> 00:20:08,960 Speaker 2: swept under the rock. 366 00:20:14,640 --> 00:20:23,480 Speaker 1: Thinking about the story, storytelling right, narrative and this is dance. 367 00:20:23,800 --> 00:20:28,120 Speaker 2: Okay, Oh I'm so good. Okay, so good. That looks 368 00:20:28,119 --> 00:20:32,160 Speaker 2: like it's always been here. The mic is this normally here? 369 00:20:33,680 --> 00:20:44,560 Speaker 4: You tell us. 370 00:20:41,880 --> 00:20:45,320 Speaker 1: It's been like some version of it like that before. 371 00:20:45,920 --> 00:20:46,800 Speaker 3: Like yeah, I. 372 00:20:46,720 --> 00:20:49,840 Speaker 2: Think I think someone move. Kevin had. 373 00:20:51,680 --> 00:20:52,880 Speaker 3: Me dance. 374 00:20:56,320 --> 00:21:03,000 Speaker 5: Like make he knows, he knows. 375 00:21:06,200 --> 00:21:08,760 Speaker 2: Yeah, you're a real dancer. 376 00:21:09,000 --> 00:21:13,560 Speaker 3: Like like man dance, Like when what I can now 377 00:21:13,880 --> 00:21:18,320 Speaker 3: have the sense and when I see men and and 378 00:21:18,160 --> 00:21:21,680 Speaker 3: and you know, like even like the fathers on the team, 379 00:21:21,800 --> 00:21:24,840 Speaker 3: the coaches since I've been on Dance with the Stars, 380 00:21:24,840 --> 00:21:28,720 Speaker 3: when they see me, they have this thing and they 381 00:21:28,760 --> 00:21:32,000 Speaker 3: want to dance and they start talking with their hands 382 00:21:32,040 --> 00:21:34,160 Speaker 3: and they like start moving thing. 383 00:21:34,480 --> 00:21:37,960 Speaker 2: Yeah, you know, I can't know you you're real dancers. 384 00:21:37,960 --> 00:21:39,320 Speaker 2: You wouldn't want to see me dance. 385 00:21:39,960 --> 00:21:44,160 Speaker 3: This guy, come on, let's go, let's go. 386 00:21:44,280 --> 00:21:47,560 Speaker 1: He's been saying, he's been saying, they probably don't have 387 00:21:47,920 --> 00:21:49,520 Speaker 1: ever teams of three on the show. 388 00:21:50,240 --> 00:21:51,760 Speaker 4: They do. There used to be. 389 00:21:51,800 --> 00:21:56,280 Speaker 1: Trio Night, and we wonder what they would. 390 00:21:57,640 --> 00:21:58,040 Speaker 2: Person. 391 00:22:00,480 --> 00:22:03,200 Speaker 3: You know what, I'm sure your people have never really 392 00:22:03,280 --> 00:22:03,920 Speaker 3: seen you. 393 00:22:06,200 --> 00:22:09,000 Speaker 4: Can I just take a second. Yeah, I am so 394 00:22:09,040 --> 00:22:12,879 Speaker 4: proud of you. Five weeks ago, you didn't even you 395 00:22:12,920 --> 00:22:16,639 Speaker 4: could never dance, And now look at you. You're seeing potential. 396 00:22:17,600 --> 00:22:19,560 Speaker 2: He's discovering, he's discovering talent. 397 00:22:19,640 --> 00:22:23,080 Speaker 1: Isn't the kind of storytelling right? Like this is like 398 00:22:23,160 --> 00:22:29,879 Speaker 1: this is the show development characters? Why? Yes, I wondered, 399 00:22:30,520 --> 00:22:31,240 Speaker 1: we need an arc. 400 00:22:31,320 --> 00:22:35,800 Speaker 2: We need an arc, and I think that what would 401 00:22:35,840 --> 00:22:40,560 Speaker 2: be interesting and I want to work on a phrase 402 00:22:40,760 --> 00:22:42,600 Speaker 2: that I think is going to be key to what 403 00:22:42,640 --> 00:22:45,080 Speaker 2: we do when we get back on the show and 404 00:22:45,119 --> 00:22:47,760 Speaker 2: we got to go. I wish the cameras had been 405 00:22:47,800 --> 00:22:50,920 Speaker 2: here for this. So we we just we want to 406 00:22:50,960 --> 00:22:54,960 Speaker 2: be able to create a narrative. We don't necessarily want 407 00:22:54,960 --> 00:22:58,600 Speaker 2: to see everything because some of the stuff we're going 408 00:22:58,680 --> 00:23:00,600 Speaker 2: to say happen is pretty crazy. We don't have the 409 00:23:00,640 --> 00:23:04,080 Speaker 2: budget for it, right. I wish the cameras have been 410 00:23:04,080 --> 00:23:08,479 Speaker 2: here for this, And I hate you this example, I 411 00:23:08,520 --> 00:23:16,200 Speaker 2: was abducted by an alien during the last rehearsal. Right, yeah, right, 412 00:23:16,480 --> 00:23:21,080 Speaker 2: something like this, you know what I mean? Or I 413 00:23:21,119 --> 00:23:24,880 Speaker 2: wish the cameras had been here. A big muscle car 414 00:23:25,000 --> 00:23:27,600 Speaker 2: crashed through the wall during the rehearsal, and we danced, 415 00:23:27,720 --> 00:23:29,880 Speaker 2: you know, over over the top of it and then 416 00:23:29,960 --> 00:23:32,240 Speaker 2: into it and then drove it away from the police. 417 00:23:33,440 --> 00:23:36,520 Speaker 1: Like you know, you're making sort of like a plot 418 00:23:36,560 --> 00:23:38,919 Speaker 1: soup here. And if I have like some character spice, 419 00:23:38,960 --> 00:23:42,240 Speaker 1: I just sort of sprinkle in here when you talk 420 00:23:42,359 --> 00:23:46,440 Speaker 1: about what would you say in the show last season 421 00:23:46,440 --> 00:23:48,640 Speaker 1: why you were excited to have Baron as a partner, 422 00:23:49,080 --> 00:23:50,840 Speaker 1: Like what would is an example of what that would 423 00:23:50,840 --> 00:23:58,400 Speaker 1: sound like? Oh, and if you could not think so long, 424 00:23:58,680 --> 00:24:00,480 Speaker 1: just only because we do want to feel like you 425 00:24:00,960 --> 00:24:02,000 Speaker 1: are excited about Baron. 426 00:24:02,680 --> 00:24:08,240 Speaker 4: Right, Baron Davis the NBA, Baron. 427 00:24:08,040 --> 00:24:08,800 Speaker 1: Davis, the NBA. 428 00:24:12,240 --> 00:24:14,720 Speaker 2: Okay, that's great demonstrating. 429 00:24:15,520 --> 00:24:22,080 Speaker 4: Yes the way you don't know who he is. 430 00:24:22,160 --> 00:24:25,320 Speaker 2: Okay, we got a super fan NBA watch out. 431 00:24:25,440 --> 00:24:29,000 Speaker 1: I wonder if next season you could say I'm excited 432 00:24:29,440 --> 00:24:33,119 Speaker 1: to be partners with Baron because he has the map 433 00:24:34,160 --> 00:24:39,040 Speaker 1: and I've been assigned to secure the map by any 434 00:24:39,080 --> 00:24:46,600 Speaker 1: means necessary, and even if it costs me or him 435 00:24:47,160 --> 00:24:51,320 Speaker 1: our lives. And so now during. 436 00:24:51,040 --> 00:24:55,520 Speaker 2: The dance, I'm leaning forward, right, I need I see 437 00:24:55,560 --> 00:24:58,200 Speaker 2: that I'm leaning a little bit forward, and I'm trying 438 00:24:58,200 --> 00:25:00,359 Speaker 2: to push the coffee table down so I can the 439 00:25:00,400 --> 00:25:01,359 Speaker 2: whole screen now. 440 00:25:01,760 --> 00:25:05,000 Speaker 1: Because exception and intrigue and maybe your name is Baron 441 00:25:05,080 --> 00:25:09,440 Speaker 1: Bond Davis, and you are. 442 00:25:11,800 --> 00:25:20,080 Speaker 7: James Bronde, right, Britt right, Britt, James Brond Bond, and 443 00:25:20,320 --> 00:25:23,720 Speaker 7: as you're dancing now there's like intrigue because people are, Oh, 444 00:25:23,760 --> 00:25:26,920 Speaker 7: she's trying to get the map from him and this 445 00:25:27,000 --> 00:25:29,760 Speaker 7: is her assignment, yes, and like maybe they. 446 00:25:29,840 --> 00:25:34,520 Speaker 2: Like the Brond identity. You're realizing you think training is 447 00:25:34,600 --> 00:25:36,240 Speaker 2: kicking in for you that you're not even aware of 448 00:25:36,240 --> 00:25:37,000 Speaker 2: how you learned it. 449 00:25:37,160 --> 00:25:40,720 Speaker 4: Wow, so my identity changes, your identity changes. 450 00:25:40,880 --> 00:25:44,280 Speaker 1: You're looking at your feet like right right, and Kevin's 451 00:25:44,320 --> 00:25:46,199 Speaker 1: looking at them as well, just to know that's the 452 00:25:46,320 --> 00:25:47,359 Speaker 1: context that was going to be. 453 00:25:47,880 --> 00:25:48,960 Speaker 4: What do you think about that? 454 00:25:49,280 --> 00:25:53,760 Speaker 3: Now I'm on the roller coaster, I'm tracking, yeah, tracking 455 00:25:53,840 --> 00:25:58,640 Speaker 3: every every every twist entire laying down, it's in. 456 00:25:58,600 --> 00:26:01,000 Speaker 1: Your teeth right. 457 00:26:02,520 --> 00:26:05,240 Speaker 2: That you know that you don't like, you don't like 458 00:26:05,280 --> 00:26:07,119 Speaker 2: that aspect of everything. 459 00:26:07,600 --> 00:26:09,919 Speaker 3: You don't want to cut you I. 460 00:26:09,920 --> 00:26:12,840 Speaker 2: Don't want to cut their lips. That's the thing for me. 461 00:26:14,960 --> 00:26:15,840 Speaker 3: Would him? 462 00:26:16,080 --> 00:26:17,240 Speaker 4: I think I would cut Yeah. 463 00:26:17,359 --> 00:26:20,679 Speaker 2: So there's so obviously there's no bad ideas, but we 464 00:26:20,720 --> 00:26:23,560 Speaker 2: could be that one was what about Yeah, so yeah 465 00:26:23,560 --> 00:26:25,200 Speaker 2: there's some bad's got. 466 00:26:27,640 --> 00:26:30,280 Speaker 1: What it's just not like we used to be able 467 00:26:30,320 --> 00:26:34,880 Speaker 1: to do that. You think of the stuff, there's. 468 00:26:34,600 --> 00:26:37,720 Speaker 2: One, there's a there's no bad ideas except for one 469 00:26:38,160 --> 00:26:43,840 Speaker 2: that was pretty That one doesn't work for us. But 470 00:26:43,920 --> 00:26:47,560 Speaker 2: we aren't liking the general area. And I feel like 471 00:26:47,720 --> 00:26:52,720 Speaker 2: I understand so much more about James Brand. Yeah, Baron 472 00:26:53,000 --> 00:26:56,320 Speaker 2: Davis now has become a little bit of a mystery 473 00:26:56,320 --> 00:26:58,480 Speaker 2: to me in a good way. But we do want 474 00:26:59,000 --> 00:27:00,880 Speaker 2: we do want to know. Okay, so he has the map? 475 00:27:00,960 --> 00:27:02,600 Speaker 2: Does he know he has the map? 476 00:27:02,800 --> 00:27:03,640 Speaker 4: He knows? 477 00:27:05,200 --> 00:27:07,399 Speaker 3: Yeah. I'm like the map is like a fan, and 478 00:27:07,440 --> 00:27:10,919 Speaker 3: I'm like, yes, yes, he's trying to read it and 479 00:27:10,960 --> 00:27:17,560 Speaker 3: she's getting inside and he's it's like a. 480 00:27:20,320 --> 00:27:25,480 Speaker 1: Hurt. Yeah. Yeah. The fan should be like paper cut. 481 00:27:25,520 --> 00:27:28,680 Speaker 2: The fan should be really soft. Yeah, and maybe it 482 00:27:28,680 --> 00:27:31,000 Speaker 2: shouldn't be a fan, Maybe it should be like a 483 00:27:31,040 --> 00:27:34,000 Speaker 2: pillow or something. Maybe it's crossed itch onto a pillow. 484 00:27:34,119 --> 00:27:35,960 Speaker 2: Just because we're really worried about the knife and I 485 00:27:35,960 --> 00:27:37,240 Speaker 2: don't want anyone to get cut. 486 00:27:37,680 --> 00:27:42,480 Speaker 1: Yeah and cross it should happen in a very secure area. 487 00:27:42,640 --> 00:27:42,880 Speaker 4: Okay. 488 00:27:42,920 --> 00:27:46,199 Speaker 2: And it's half the map. Maybe it's a tattoo that 489 00:27:46,280 --> 00:27:47,000 Speaker 2: you don't know about. 490 00:27:47,200 --> 00:27:50,639 Speaker 3: Maybe it's on the back of a laminate, a lam 491 00:27:50,800 --> 00:27:53,119 Speaker 3: and like a like a yeah, like you get into 492 00:27:53,160 --> 00:27:54,520 Speaker 3: the conference. 493 00:27:54,160 --> 00:27:54,399 Speaker 2: Like a. 494 00:27:57,080 --> 00:27:57,840 Speaker 1: Laminated thing. 495 00:27:59,560 --> 00:28:01,680 Speaker 3: Works, okay, yeah. 496 00:28:01,280 --> 00:28:03,600 Speaker 2: And you see it's dropped in so smooth. This guy 497 00:28:03,600 --> 00:28:06,680 Speaker 2: has been to a lot of conferences. Yes, am I wrong? 498 00:28:07,280 --> 00:28:08,400 Speaker 2: Am I picking up on that? 499 00:28:08,720 --> 00:28:10,240 Speaker 3: No? Okay? 500 00:28:10,440 --> 00:28:15,120 Speaker 2: Top okay, I hate trust Top three conferences you've been 501 00:28:15,160 --> 00:28:16,000 Speaker 2: to this year? 502 00:28:17,880 --> 00:28:18,080 Speaker 3: Yeah? 503 00:28:20,200 --> 00:28:23,080 Speaker 2: Uh, I hate to put you on the spot. 504 00:28:23,240 --> 00:28:29,159 Speaker 3: Like maybe maybe All Star Weekend that's like a comp is. 505 00:28:29,160 --> 00:28:32,480 Speaker 1: An incredible com a great work. 506 00:28:32,840 --> 00:28:34,000 Speaker 2: That's up there for me too. 507 00:28:35,119 --> 00:28:39,560 Speaker 3: And then the uh Chicken and hip Hop conference? 508 00:28:39,800 --> 00:28:40,640 Speaker 1: Okay hip hop? 509 00:28:40,680 --> 00:28:43,480 Speaker 2: So that's yeah, that's on my cousin. 510 00:28:43,800 --> 00:28:46,240 Speaker 3: My cousin, he took me to that, he took you to? 511 00:28:48,160 --> 00:28:50,760 Speaker 2: No, how where did they have your auntie feel about that? 512 00:28:50,800 --> 00:28:52,040 Speaker 1: Where did they have that this year? 513 00:28:52,920 --> 00:28:57,000 Speaker 3: That was in Kansas City, the City Chicken and hip 514 00:28:57,040 --> 00:29:01,120 Speaker 3: Hop com Chicken and hip Hop? And then uh, what 515 00:29:01,400 --> 00:29:02,400 Speaker 3: was the third. 516 00:29:02,160 --> 00:29:06,680 Speaker 4: One, didn't you go to the R and B wrestle. 517 00:29:07,680 --> 00:29:12,000 Speaker 3: R and B wrestling? The R and B wrestling You've 518 00:29:12,080 --> 00:29:16,680 Speaker 3: never seen that? No, tell me more about the guys 519 00:29:17,280 --> 00:29:18,520 Speaker 3: a rock or something like. 520 00:29:19,120 --> 00:29:21,040 Speaker 2: You know what, we've been so busy. 521 00:29:21,080 --> 00:29:22,400 Speaker 1: It's not that we live in the rocks that we 522 00:29:22,480 --> 00:29:23,240 Speaker 1: work so hard. 523 00:29:23,280 --> 00:29:28,080 Speaker 2: But it's in Detroit, the Detroit R and B wrestling. 524 00:29:29,080 --> 00:29:34,800 Speaker 3: So are you not like wrestlers that are R and 525 00:29:34,840 --> 00:29:35,360 Speaker 3: B stars? 526 00:29:35,520 --> 00:29:37,240 Speaker 2: This is what this is what I was curious. 527 00:29:37,320 --> 00:29:38,480 Speaker 1: That's what it is. 528 00:29:39,000 --> 00:29:42,280 Speaker 2: I just didn't know what it was really very. 529 00:29:42,200 --> 00:29:43,200 Speaker 3: Urban, very urban. 530 00:29:43,440 --> 00:29:47,640 Speaker 1: Wow, So it's R and B stars, very wrestling urbans. 531 00:29:48,240 --> 00:29:51,480 Speaker 1: Are we talking about Greco or like pro. 532 00:29:52,440 --> 00:29:54,080 Speaker 4: I've never been, You've never know. 533 00:29:54,280 --> 00:29:55,280 Speaker 1: It's just he would know. 534 00:29:56,520 --> 00:29:59,479 Speaker 2: I'm spotting letters today. Are you feeling what's happening? 535 00:29:59,480 --> 00:30:00,560 Speaker 1: What did you? So? 536 00:30:00,640 --> 00:30:02,920 Speaker 2: I said Urban has R and B and M, and 537 00:30:03,000 --> 00:30:06,000 Speaker 2: so does Baron, And I'm just like, I'm. 538 00:30:05,840 --> 00:30:12,840 Speaker 3: Just it's like, uh, it's like alphabet soup. You're saying, 539 00:30:12,920 --> 00:30:16,719 Speaker 3: you're saying that that's phenomena phenomenon. 540 00:30:16,760 --> 00:30:19,640 Speaker 1: It's it's kind of like that. 541 00:30:19,400 --> 00:30:25,200 Speaker 2: We should do that, we should do that this season. Like, so, 542 00:30:25,280 --> 00:30:27,760 Speaker 2: when you're back on Dancing with the stars. You can 543 00:30:27,760 --> 00:30:29,600 Speaker 2: have sort of phenomenon thing. 544 00:30:29,720 --> 00:30:31,560 Speaker 1: You can have phenomenon where you. 545 00:30:31,680 --> 00:30:34,960 Speaker 2: Suddenly start to realize that you like can move things 546 00:30:35,000 --> 00:30:37,720 Speaker 2: with your mind and that you have like all these 547 00:30:37,760 --> 00:30:40,960 Speaker 2: like incredible like sort of genius mental abilities. 548 00:30:41,120 --> 00:30:43,920 Speaker 1: My cousin, Your cousin has kidding me? 549 00:30:44,560 --> 00:30:45,520 Speaker 2: Why is he doing prank? 550 00:30:45,600 --> 00:30:45,760 Speaker 3: Call? 551 00:30:46,480 --> 00:30:48,640 Speaker 2: I feel like you can make much more popular videos. 552 00:30:49,880 --> 00:30:54,959 Speaker 3: He's a magician. Wow, he's like a magician. And like 553 00:30:55,080 --> 00:30:58,800 Speaker 3: he's like a like an engineer like tech due. Wow, 554 00:30:59,040 --> 00:31:02,640 Speaker 3: And so yeah, he's in all kinds of stuff. He 555 00:31:02,800 --> 00:31:08,280 Speaker 3: like build a he like build one. Are those things? 556 00:31:08,520 --> 00:31:13,040 Speaker 2: Uh you know, like, uh, she's gonna she's gonna know, 557 00:31:13,520 --> 00:31:16,680 Speaker 2: do the hands glass it's like it's in the glass. 558 00:31:17,080 --> 00:31:21,000 Speaker 3: It's like the person. It's like a person person, but 559 00:31:21,120 --> 00:31:24,960 Speaker 3: it's augmented reality. 560 00:31:25,000 --> 00:31:29,040 Speaker 8: So like you know how you can do projections, yes, glass, 561 00:31:29,320 --> 00:31:32,920 Speaker 8: So like like he can make like a figure like 562 00:31:34,120 --> 00:31:35,840 Speaker 8: right here and it'll start walking. 563 00:31:36,440 --> 00:31:38,080 Speaker 3: So he'd be doing that to his mom. 564 00:31:38,200 --> 00:31:41,080 Speaker 2: Oh wow, So she's gonna be thinking. 565 00:31:43,000 --> 00:31:45,720 Speaker 3: So she'd be thinking, like it's other people in the house. 566 00:31:47,680 --> 00:31:51,800 Speaker 5: He can she met maybe a date. Yeah, she's falling 567 00:31:51,840 --> 00:31:52,480 Speaker 5: in love with. 568 00:31:55,280 --> 00:31:58,000 Speaker 1: Your house to ask you to marry him or something 569 00:31:59,080 --> 00:31:59,480 Speaker 1: would be. 570 00:31:59,480 --> 00:32:02,840 Speaker 3: More like, you know, the sweep steaks guy is at 571 00:32:02,840 --> 00:32:07,120 Speaker 3: the front door again, you got a minute to get 572 00:32:07,120 --> 00:32:09,640 Speaker 3: to the door, mar he's gonna leave. And then he 573 00:32:09,760 --> 00:32:11,840 Speaker 3: used the figure and then it so. 574 00:32:11,920 --> 00:32:14,600 Speaker 2: She sees it walking away as she gets there, so. 575 00:32:14,560 --> 00:32:16,719 Speaker 3: Like you know, she had cuts him out before us, 576 00:32:16,720 --> 00:32:19,200 Speaker 3: and then she defeat it and then they just go 577 00:32:19,360 --> 00:32:20,600 Speaker 3: back to being friends again. 578 00:32:20,680 --> 00:32:25,760 Speaker 1: Yeah, but super she goes to kissed the sweep stakes 579 00:32:25,760 --> 00:32:26,880 Speaker 1: guy and it's just fair. 580 00:32:27,160 --> 00:32:29,560 Speaker 3: She a little bit. She can't even get to him. 581 00:32:29,880 --> 00:32:31,480 Speaker 3: He already makes him walk away. 582 00:32:31,840 --> 00:32:34,120 Speaker 2: She made the stake because the sweet A lot of 583 00:32:34,120 --> 00:32:38,320 Speaker 2: the sweep steaks are on a timer and if you 584 00:32:38,440 --> 00:32:39,360 Speaker 2: if you. 585 00:32:39,000 --> 00:32:41,880 Speaker 3: Don't answer the door in like a minute. 586 00:32:42,000 --> 00:32:45,680 Speaker 2: He get in the shower, the door. 587 00:32:46,320 --> 00:32:50,120 Speaker 1: The camera wise, like, how are you capturing all of this? 588 00:32:50,360 --> 00:32:52,160 Speaker 2: Yeah, it feels like they're in different spots. 589 00:32:52,840 --> 00:32:56,160 Speaker 3: Yeah, So he also on an iPhone store. 590 00:32:56,800 --> 00:32:58,400 Speaker 1: He owns phones, so. 591 00:33:00,160 --> 00:33:02,680 Speaker 3: We got a bunch of live streams. He set up 592 00:33:02,680 --> 00:33:05,440 Speaker 3: a bunch of phones. So you got like like, yeah, 593 00:33:05,480 --> 00:33:08,239 Speaker 3: I got like nice cameras, but he got iPhones, so 594 00:33:08,320 --> 00:33:10,440 Speaker 3: you just like make little boxes. 595 00:33:10,560 --> 00:33:12,400 Speaker 1: He's got a door, yeah. 596 00:33:12,400 --> 00:33:14,240 Speaker 4: And then we all know iPhones are better. 597 00:33:14,040 --> 00:33:17,720 Speaker 1: Now yeah, yeah, the commercials, yes, I do make the 598 00:33:17,720 --> 00:33:19,360 Speaker 1: whole movie on the outfit. 599 00:33:19,440 --> 00:33:20,640 Speaker 2: They moved the mic arm on me. 600 00:33:20,680 --> 00:33:25,760 Speaker 3: The whole places, Go girl, pros and iPhones is everywhere 601 00:33:25,760 --> 00:33:26,320 Speaker 3: in the house. 602 00:33:27,440 --> 00:33:30,640 Speaker 1: So I thought I was going to pick up on 603 00:33:30,680 --> 00:33:34,960 Speaker 1: your the promos you were doing. You just did, okay, 604 00:33:35,080 --> 00:33:37,680 Speaker 1: So that that is what it's go pros and iPhones. 605 00:33:38,440 --> 00:33:43,280 Speaker 3: No, not go. I mean we shouted out something already. 606 00:33:43,680 --> 00:33:44,000 Speaker 1: You did. 607 00:33:44,160 --> 00:33:48,840 Speaker 3: You did certainly the idea of having the R wrestling 608 00:33:48,880 --> 00:33:53,440 Speaker 3: We shouted them where wrestling? 609 00:33:53,600 --> 00:33:56,600 Speaker 1: So is that is that how that happened to see you? 610 00:33:56,640 --> 00:34:01,880 Speaker 3: Seal? Yeah, the singer, the singer, Yeah, R and B wrestling? 611 00:34:02,240 --> 00:34:03,680 Speaker 1: Is that how that happened to him? Oh? 612 00:34:05,520 --> 00:34:15,600 Speaker 3: No, he he's not okay, no, No, you pronounce as 613 00:34:16,320 --> 00:34:19,960 Speaker 3: you're thinking about Seal. You know what I mean. You're 614 00:34:19,960 --> 00:34:22,960 Speaker 3: thinking about Seal. Yeah, you think the R and B. 615 00:34:23,200 --> 00:34:27,920 Speaker 3: He's saying Seal. I'm saying Seal, R and B wrestling. 616 00:34:28,040 --> 00:34:29,440 Speaker 3: That's two different. 617 00:34:29,320 --> 00:34:31,120 Speaker 1: You're talking with R and B wrestling. 618 00:34:31,200 --> 00:34:35,160 Speaker 3: Yeah, you're talking about Yeah, I'm talking about Seal. 619 00:34:35,400 --> 00:34:35,799 Speaker 1: Got it. 620 00:34:35,920 --> 00:34:40,040 Speaker 3: You know, I just realizing he is Seal R and 621 00:34:40,040 --> 00:34:44,080 Speaker 3: B wrestling. Seal yeah, he's he's a seal. 622 00:34:44,640 --> 00:34:47,040 Speaker 2: So I actually so you know what I was going 623 00:34:47,120 --> 00:34:49,560 Speaker 2: to say something, I'm not going to anymore. I'm going 624 00:34:49,640 --> 00:34:55,680 Speaker 2: to keep unpacking this seal speaking on that. 625 00:34:56,520 --> 00:35:00,920 Speaker 3: Yeah, so steal basically here R and B wrestler. Yeah, 626 00:35:01,880 --> 00:35:04,840 Speaker 3: and he come out and he got like you know 627 00:35:05,040 --> 00:35:08,600 Speaker 3: people got like snake skin, Yeah, he got he got 628 00:35:08,719 --> 00:35:10,560 Speaker 3: he come out in the seal skin suit. 629 00:35:10,960 --> 00:35:13,640 Speaker 1: Oh wow. That's when he's walking like that too, he's 630 00:35:13,640 --> 00:35:14,520 Speaker 1: getting like flopping. 631 00:35:14,680 --> 00:35:17,799 Speaker 3: Well, he got the tail. He got the tail like 632 00:35:18,480 --> 00:35:19,120 Speaker 3: what is it called? 633 00:35:21,080 --> 00:35:23,560 Speaker 2: Oh yeah, yeah, yeah, he puff up like that. 634 00:35:24,000 --> 00:35:26,759 Speaker 3: No, like so when you know, and he wrestling and 635 00:35:26,800 --> 00:35:27,919 Speaker 3: he wrestling the suit. 636 00:35:28,680 --> 00:35:29,000 Speaker 1: Wow. 637 00:35:29,280 --> 00:35:31,439 Speaker 3: And so his move is he jump off the top 638 00:35:31,560 --> 00:35:33,440 Speaker 3: rope and you get sealed. 639 00:35:33,480 --> 00:35:38,640 Speaker 1: You get sealed, yeahaled with a kiss wow wow. 640 00:35:39,080 --> 00:35:41,000 Speaker 3: And then when he's paying you, then he kissed you 641 00:35:41,080 --> 00:35:45,919 Speaker 3: on the forehead. Everywhere he goes crazy s a l yeah, 642 00:35:45,960 --> 00:35:47,920 Speaker 3: and then he starts and then he starts, he's. 643 00:35:48,160 --> 00:35:48,640 Speaker 6: My name is? 644 00:35:49,200 --> 00:35:51,680 Speaker 1: Does he need help getting up there? Like? Who? Like? 645 00:35:51,800 --> 00:35:54,719 Speaker 1: How I mean? He does he need to get his 646 00:35:54,719 --> 00:35:57,319 Speaker 1: opponent to trust him enough to help lift him up 647 00:35:57,360 --> 00:36:00,160 Speaker 1: onto the turn buckle because in a full seal out that. 648 00:36:02,520 --> 00:36:03,160 Speaker 3: Skin. 649 00:36:03,840 --> 00:36:05,040 Speaker 1: It's skin. 650 00:36:05,239 --> 00:36:07,520 Speaker 3: Yeah, sales, it's a sales skin. 651 00:36:07,440 --> 00:36:08,960 Speaker 2: Says I clubbed this myself. 652 00:36:09,320 --> 00:36:11,560 Speaker 3: Yeah. Wow yeah, yeah. 653 00:36:11,719 --> 00:36:13,759 Speaker 2: Well it's R and B two. So there's like sort 654 00:36:13,760 --> 00:36:15,080 Speaker 2: of like a at the club. 655 00:36:15,160 --> 00:36:22,080 Speaker 9: At the club, it's fine, said, you can't say sort 656 00:36:22,120 --> 00:36:30,360 Speaker 9: of to me, I said, Now, you know, I pride 657 00:36:30,400 --> 00:36:33,200 Speaker 9: myself on being a really good and fair host. 658 00:36:33,840 --> 00:36:37,920 Speaker 2: And I'm realizing, Britt, Yeah, we haven't given you a 659 00:36:38,000 --> 00:36:40,600 Speaker 2: chance to talk about your cousin at all. I feel 660 00:36:40,600 --> 00:36:44,400 Speaker 2: like I have so much about cousin. Yeah, and the 661 00:36:44,600 --> 00:36:47,120 Speaker 2: further we've gotten into this, I just keep meaning to 662 00:36:47,160 --> 00:36:50,759 Speaker 2: be like, but tell us about your cousin. Yeah, is 663 00:36:50,800 --> 00:36:53,640 Speaker 2: your cousin ranking your auntie? 664 00:36:53,800 --> 00:36:54,080 Speaker 1: Ever? 665 00:36:54,680 --> 00:37:02,880 Speaker 4: Oh? Actually, you know what's insane is my cousin is 666 00:37:02,920 --> 00:37:10,360 Speaker 4: actually very serious, serious, the complete options. Okay, just serious 667 00:37:10,400 --> 00:37:13,399 Speaker 4: about the most interesting things as well. 668 00:37:13,640 --> 00:37:18,120 Speaker 2: Wow. Wow yeah, okay, I just got the picture. You 669 00:37:18,239 --> 00:37:19,160 Speaker 2: got very serience. 670 00:37:19,800 --> 00:37:23,480 Speaker 1: But no jobs, no jobs, okay, no jobs at all, 671 00:37:23,640 --> 00:37:26,000 Speaker 1: just sitting around being serious. 672 00:37:26,440 --> 00:37:26,640 Speaker 3: Yeah. 673 00:37:26,719 --> 00:37:30,880 Speaker 4: I'm just contemplating about his seriousness. 674 00:37:30,920 --> 00:37:34,239 Speaker 1: Wow, that's so hardcore. 675 00:37:34,640 --> 00:37:38,080 Speaker 4: Yeah, it's it's actually not a joy to be around. 676 00:37:38,840 --> 00:37:43,400 Speaker 4: That actually sounds it is very toxic. He's you know, 677 00:37:43,480 --> 00:37:46,480 Speaker 4: dealing with toxic pranks. I'm dealing with toxic seriousness. 678 00:37:46,840 --> 00:37:49,239 Speaker 1: If only there were such thing as a kind of 679 00:37:49,239 --> 00:37:52,960 Speaker 1: a middle ground cousin, you know what I mean. It's 680 00:37:53,080 --> 00:37:59,719 Speaker 1: always there, streams stream now the cousins. 681 00:37:59,440 --> 00:38:02,600 Speaker 2: You know, make it is his baron's cousin. Could you 682 00:38:02,640 --> 00:38:06,080 Speaker 2: know with a some kind of middle ground cousin, that's 683 00:38:06,120 --> 00:38:06,719 Speaker 2: what's going to But. 684 00:38:06,680 --> 00:38:08,480 Speaker 1: He would probably make it so like as soon as 685 00:38:08,520 --> 00:38:13,200 Speaker 1: you try to get to it, it's running away, you know. 686 00:38:13,440 --> 00:38:17,760 Speaker 3: Yeah, Man, leave him alone, let him work, let him. 687 00:38:18,080 --> 00:38:19,000 Speaker 2: I wasn't bothering him. 688 00:38:19,000 --> 00:38:22,440 Speaker 3: I wasn't let him cook. Yeah, I was just leave him, 689 00:38:22,600 --> 00:38:23,160 Speaker 3: let him cook. 690 00:38:23,719 --> 00:38:25,279 Speaker 2: Ipect his life. 691 00:38:25,320 --> 00:38:26,680 Speaker 1: He's got all this stuff to do. 692 00:38:26,800 --> 00:38:28,480 Speaker 3: I was let him live his life. 693 00:38:28,520 --> 00:38:32,160 Speaker 1: Man, he's got so much going on. He's like, he's 694 00:38:32,320 --> 00:38:33,759 Speaker 1: they're beefing all the time. 695 00:38:35,600 --> 00:38:38,920 Speaker 5: Well he's beefing with ye Yeah, that's right, the cousin, 696 00:38:39,000 --> 00:38:42,840 Speaker 5: and you're your bothering him. 697 00:38:43,120 --> 00:38:47,360 Speaker 2: Bother was just saying that, you know, I bet he 698 00:38:47,440 --> 00:38:49,480 Speaker 2: might do this compliment. 699 00:38:49,640 --> 00:38:51,080 Speaker 3: You know he should be. 700 00:38:52,280 --> 00:38:55,240 Speaker 2: I'm not going to dance for you guys. It doesn't 701 00:38:55,239 --> 00:38:55,719 Speaker 2: make sense. 702 00:38:56,800 --> 00:38:57,480 Speaker 3: It doesn't make. 703 00:38:59,200 --> 00:39:02,200 Speaker 4: Yeah, if you were to dance, I can't. 704 00:39:02,280 --> 00:39:07,560 Speaker 1: Yeah, he's he's been in talks with some other celebrity teams, 705 00:39:07,600 --> 00:39:08,719 Speaker 1: like I don't like you. 706 00:39:08,719 --> 00:39:09,880 Speaker 3: Know, I wouldn't. 707 00:39:10,320 --> 00:39:15,680 Speaker 4: I mean, look, you just I want to you're you're ready. 708 00:39:16,320 --> 00:39:18,640 Speaker 2: It's stupid, I can't. Yeah, I mean I have no, 709 00:39:18,760 --> 00:39:20,880 Speaker 2: I don't really have like a sort of a gift 710 00:39:20,880 --> 00:39:21,960 Speaker 2: for movement or anything. 711 00:39:22,040 --> 00:39:26,560 Speaker 3: So definitely, definitely. 712 00:39:28,040 --> 00:39:30,719 Speaker 2: We can see you just die with this dance inside me. 713 00:39:32,000 --> 00:39:35,000 Speaker 2: I mean, well we won't miss it. 714 00:39:36,360 --> 00:39:40,560 Speaker 4: My job is to literally take non dancers and make 715 00:39:40,640 --> 00:39:41,160 Speaker 4: them dance. 716 00:39:42,640 --> 00:39:51,480 Speaker 10: So I just you know, this guy right here, it's 717 00:39:51,520 --> 00:39:53,759 Speaker 10: like I have no moves, so I couldn't possibly do it. 718 00:39:54,480 --> 00:39:56,520 Speaker 4: Yeah, wow, I'll give you some moves. 719 00:39:57,719 --> 00:40:01,080 Speaker 3: You have the spirit. You have the spirit. You have 720 00:40:01,120 --> 00:40:01,600 Speaker 3: the spirit. 721 00:40:02,040 --> 00:40:05,160 Speaker 4: Yes, it's all about the spirit, the energy from within. 722 00:40:05,280 --> 00:40:08,000 Speaker 2: You have nothing to do with your physical body never, 723 00:40:08,040 --> 00:40:09,480 Speaker 2: which I have no control over. 724 00:40:10,600 --> 00:40:12,120 Speaker 4: That's even better, actually. 725 00:40:12,760 --> 00:40:15,160 Speaker 1: Good, good, good? Too much control. 726 00:40:15,800 --> 00:40:18,760 Speaker 4: Then you're really just you know, mold you into however 727 00:40:18,800 --> 00:40:19,080 Speaker 4: we are. 728 00:40:19,320 --> 00:40:19,520 Speaker 1: Yeah. 729 00:40:19,640 --> 00:40:23,320 Speaker 2: No, I'm a victim of my body's desires. So whatever 730 00:40:23,360 --> 00:40:25,360 Speaker 2: it decides to do, that's just gonna be what happened. 731 00:40:25,400 --> 00:40:27,239 Speaker 1: And his cousin not to bother him or anything, but 732 00:40:27,280 --> 00:40:32,480 Speaker 1: he could probably like move you around and different excitingly with. 733 00:40:33,400 --> 00:40:38,520 Speaker 3: His brother is a physical therapists and chiropractice. 734 00:40:38,560 --> 00:40:40,640 Speaker 2: Your cousin's brother. 735 00:40:40,160 --> 00:40:44,480 Speaker 3: They're both magicians. They like y'all. 736 00:40:44,800 --> 00:40:50,759 Speaker 1: Yeah there your magician him doing pol as well. 737 00:40:51,400 --> 00:40:53,080 Speaker 3: Uh no, he don't like that. 738 00:40:53,560 --> 00:40:56,239 Speaker 1: Okay, So you did try to you did try to fix. 739 00:40:56,960 --> 00:41:02,000 Speaker 3: He fixed, He fixed, He fixed people up like chiropractice 740 00:41:02,680 --> 00:41:05,560 Speaker 3: like he can, like he just do it for. 741 00:41:05,840 --> 00:41:07,799 Speaker 2: He does thepy on chiropractice. 742 00:41:07,920 --> 00:41:12,200 Speaker 3: No, he does physical therapy and chiropractic work. But like 743 00:41:12,280 --> 00:41:16,440 Speaker 3: he do it like he almost like a like a 744 00:41:16,560 --> 00:41:22,879 Speaker 3: Robin Hood like physical therapy in the hood. So he 745 00:41:23,280 --> 00:41:27,400 Speaker 3: got a big practice. Uh he like a big somebody 746 00:41:27,440 --> 00:41:31,760 Speaker 3: in Beverly Hills. But he always going around the hood 747 00:41:31,840 --> 00:41:34,560 Speaker 3: and like straightened people out, which. 748 00:41:34,640 --> 00:41:37,040 Speaker 2: And he's taking some of the physical abilities from the. 749 00:41:38,239 --> 00:41:41,759 Speaker 3: But he's taking the money he's taking me. He got 750 00:41:41,840 --> 00:41:47,120 Speaker 3: a mobile service more literally and then you know what 751 00:41:47,160 --> 00:41:50,520 Speaker 3: else he did, which I thought was an incredible business idea, 752 00:41:51,360 --> 00:41:55,320 Speaker 3: was he basically a lot of his clients are gang 753 00:41:55,360 --> 00:42:00,120 Speaker 3: members because of insurance, because of you know, like the 754 00:42:00,160 --> 00:42:01,560 Speaker 3: fight and stuff like that. 755 00:42:01,680 --> 00:42:04,640 Speaker 2: So insurance company is the biggest gang in the country. 756 00:42:05,200 --> 00:42:07,680 Speaker 3: True, you know what I mean. But when you think 757 00:42:07,719 --> 00:42:12,080 Speaker 3: about like the physicality of blue shielding in the gang colors, 758 00:42:12,239 --> 00:42:15,360 Speaker 3: he comes and he's the chiropractice and the physical therapist 759 00:42:15,840 --> 00:42:18,200 Speaker 3: to get him back out there, get. 760 00:42:18,040 --> 00:42:21,560 Speaker 1: Him back out in the field. Can I ask you something? 761 00:42:22,880 --> 00:42:23,280 Speaker 3: Yeah? 762 00:42:23,719 --> 00:42:26,280 Speaker 1: Are your brand deals with your cousins? 763 00:42:28,320 --> 00:42:28,560 Speaker 2: Uh? 764 00:42:29,000 --> 00:42:31,880 Speaker 1: There's been a lot of promoting there. Yeah, their stuff 765 00:42:31,920 --> 00:42:34,160 Speaker 1: has been in different companies and there really. 766 00:42:33,960 --> 00:42:37,200 Speaker 2: Platformed in a way here. Yeah that almost no one 767 00:42:37,239 --> 00:42:39,640 Speaker 2: has ever done with their cousin before. And even Britt 768 00:42:39,640 --> 00:42:42,040 Speaker 2: who was given a big opportunity to sort of plug 769 00:42:42,080 --> 00:42:43,560 Speaker 2: her cousin. 770 00:42:47,360 --> 00:42:52,840 Speaker 3: Serious, serious, serious, serious, and Britt is so like sweet, 771 00:42:53,239 --> 00:42:56,080 Speaker 3: Like Brett is a very nice person. So you know, 772 00:42:56,200 --> 00:42:58,680 Speaker 3: Bread has to be protected all the time. But our 773 00:42:58,760 --> 00:43:01,280 Speaker 3: cousin is having a serious cousin. 774 00:43:01,440 --> 00:43:03,960 Speaker 4: Is that it's good for me? 775 00:43:04,880 --> 00:43:05,080 Speaker 3: Yeah? 776 00:43:05,560 --> 00:43:09,240 Speaker 2: Well, you know, like he was here. 777 00:43:09,640 --> 00:43:11,680 Speaker 3: He wouldn't let you ask her any questions. 778 00:43:12,239 --> 00:43:14,400 Speaker 4: Oh it's that kind of serious. 779 00:43:15,080 --> 00:43:19,080 Speaker 1: Can I ask a question to you? Maybe pass along 780 00:43:19,120 --> 00:43:21,160 Speaker 1: to him? Okay, why so serious? 781 00:43:22,080 --> 00:43:29,920 Speaker 4: M hm, you won't answer that, okay to very serious? 782 00:43:30,360 --> 00:43:32,520 Speaker 2: Is he one of these guys who go, what are 783 00:43:32,520 --> 00:43:34,680 Speaker 2: you talking about? I'm not serious at all? When he's 784 00:43:34,719 --> 00:43:37,960 Speaker 2: been so serious all day, you know what I mean? 785 00:43:38,120 --> 00:43:38,319 Speaker 3: Yeah? 786 00:43:39,040 --> 00:43:39,560 Speaker 1: Shut up? 787 00:43:39,800 --> 00:43:46,400 Speaker 4: Yeah, yes, serious, you don't. 788 00:43:46,320 --> 00:43:48,840 Speaker 1: Maybe you don't like, why are you so serious? 789 00:43:49,320 --> 00:43:52,239 Speaker 3: They were like, why don't you shut up? That's like 790 00:43:52,719 --> 00:43:55,759 Speaker 3: you know, yeah he said that to me. 791 00:43:55,960 --> 00:43:57,959 Speaker 2: I don't get told to shut up on my own show. 792 00:43:58,560 --> 00:44:00,960 Speaker 4: Oh well, then you don't know who you're dealing with, 793 00:44:01,760 --> 00:44:02,400 Speaker 4: your cousin. 794 00:44:02,760 --> 00:44:09,600 Speaker 3: Yes, all right, I'm just saying, you said, what would 795 00:44:09,600 --> 00:44:12,600 Speaker 3: he say? 796 00:44:12,680 --> 00:44:12,759 Speaker 1: Like? 797 00:44:13,280 --> 00:44:14,640 Speaker 3: And yeah, but this is. 798 00:44:14,600 --> 00:44:16,399 Speaker 2: What I learned in law school. You know, never ask 799 00:44:16,440 --> 00:44:17,879 Speaker 2: a question you don't know the answer to. 800 00:44:18,680 --> 00:44:21,840 Speaker 3: You a lawyer. I dabble. 801 00:44:22,040 --> 00:44:24,880 Speaker 2: I mean, you know, it's like who's We're all lawyers 802 00:44:24,920 --> 00:44:27,959 Speaker 2: in some way, right, we wear these different hats. 803 00:44:28,000 --> 00:44:30,239 Speaker 1: And I just want to remind you. He just said, 804 00:44:30,320 --> 00:44:34,200 Speaker 1: never ask a question you don't know the answer to that. 805 00:44:34,320 --> 00:44:39,239 Speaker 1: Then you asked her you're a lawyer? Well yeah, that 806 00:44:39,320 --> 00:44:40,880 Speaker 1: he like he learned that in law school. 807 00:44:41,000 --> 00:44:44,120 Speaker 2: Yeah, but I think, but I think also Baron maybe 808 00:44:44,120 --> 00:44:47,480 Speaker 2: did know the answer right, which is acquiring? 809 00:44:47,800 --> 00:44:53,640 Speaker 3: Yeah, I was inquiring. I was inquiring, as you know, 810 00:44:54,640 --> 00:44:58,480 Speaker 3: you know who means a lawyer, not your cousin. 811 00:45:02,600 --> 00:45:03,759 Speaker 1: What happened here? Man? 812 00:45:03,840 --> 00:45:04,600 Speaker 3: Take his number? 813 00:45:06,560 --> 00:45:07,480 Speaker 1: Is this from? 814 00:45:07,920 --> 00:45:08,120 Speaker 6: Yeah? 815 00:45:08,200 --> 00:45:09,120 Speaker 3: Yeah, yeah, which. 816 00:45:10,640 --> 00:45:14,160 Speaker 1: My home boy. Oh okay, got it, okay, yeah, take 817 00:45:14,160 --> 00:45:17,200 Speaker 1: his number. Hang on, I'm writing it down, okay, ready. 818 00:45:17,480 --> 00:45:22,360 Speaker 3: All right, it's uh crazy enough. It's only five digit. 819 00:45:25,280 --> 00:45:28,880 Speaker 1: Bye. Right, that's the 820 00:45:33,440 --> 00:45:33,800 Speaker 3: Hammer.