1 00:00:00,040 --> 00:00:05,200 Speaker 1: It's the Best Bits of the Week with Morgan number two. 2 00:00:06,320 --> 00:00:09,280 Speaker 1: What's up, y'all, Welcome to the Best Bits of the Week. 3 00:00:09,360 --> 00:00:12,440 Speaker 1: This is just the bits where I tell you the 4 00:00:12,480 --> 00:00:15,040 Speaker 1: seven segments from the show this week that y'all love 5 00:00:15,120 --> 00:00:17,200 Speaker 1: the most, engaged with the most, or you called in 6 00:00:17,320 --> 00:00:21,920 Speaker 1: about or overall. We're just some hot commodities on our show. 7 00:00:22,079 --> 00:00:23,720 Speaker 1: I guess that's the best way to put it. But 8 00:00:23,760 --> 00:00:25,600 Speaker 1: there's seven of them, and then we play the bits 9 00:00:25,600 --> 00:00:28,440 Speaker 1: so you can either listen to them again for the 10 00:00:28,480 --> 00:00:30,320 Speaker 1: second time, listen to them for the first time, or 11 00:00:30,360 --> 00:00:31,920 Speaker 1: share them with your friends. It's up to you what 12 00:00:31,960 --> 00:00:33,519 Speaker 1: you want to do. But I think all of them 13 00:00:33,560 --> 00:00:36,680 Speaker 1: are pretty good. Coming in at number seven, I reviewed 14 00:00:37,000 --> 00:00:40,279 Speaker 1: Beetlejuice for the Millennial Movie Review and I am just 15 00:00:40,360 --> 00:00:42,559 Speaker 1: loving how he did people get over these reviews. It 16 00:00:42,600 --> 00:00:45,440 Speaker 1: cracks me up, So keep them coming because you know 17 00:00:45,479 --> 00:00:47,720 Speaker 1: it's a good thing when we got some differing opinions. 18 00:00:47,840 --> 00:00:49,839 Speaker 1: But I did enjoy Beetle Juice. It did you give 19 00:00:49,840 --> 00:00:53,320 Speaker 1: me in some Halloween spirit, and you know, I'm sorry 20 00:00:53,320 --> 00:00:54,800 Speaker 1: I didn't give it five out of five. But you 21 00:00:54,800 --> 00:00:57,080 Speaker 1: can listen right now to hear the good review I 22 00:00:57,120 --> 00:00:59,720 Speaker 1: did give it. Okay, it was still good. Number seven 23 00:01:00,040 --> 00:01:03,959 Speaker 1: Morgan's gonna review Beetlejuice and her Millennial movie review. This 24 00:01:03,960 --> 00:01:06,759 Speaker 1: movie came out in nineteen eighty eight. Morgan, were you born? 25 00:01:06,920 --> 00:01:08,760 Speaker 1: I was born in nineteen ninety three? All right, which 26 00:01:08,800 --> 00:01:12,040 Speaker 1: thyke of Beetlejuice? Well, some movies I'm just going to 27 00:01:12,080 --> 00:01:14,440 Speaker 1: acknowledge that are very hard for me to watch because 28 00:01:14,520 --> 00:01:18,240 Speaker 1: I've seen the way technology is today. Okay, Beetlejuice is 29 00:01:18,280 --> 00:01:20,400 Speaker 1: one of those movies. Because what was wrong with Beetlejuice? 30 00:01:20,400 --> 00:01:23,520 Speaker 1: Because I haven't seen it since like right ninety you know, Well, 31 00:01:23,520 --> 00:01:26,160 Speaker 1: it's like basically the production is like cut out. You 32 00:01:26,200 --> 00:01:28,800 Speaker 1: can tell what's happening. You can tell that they're they're 33 00:01:28,840 --> 00:01:30,720 Speaker 1: they don't have the technology to do the things that 34 00:01:30,760 --> 00:01:32,880 Speaker 1: they do today. So it is hard for me to 35 00:01:32,920 --> 00:01:35,680 Speaker 1: watch some of these movies. And I don't typically like 36 00:01:35,880 --> 00:01:38,600 Speaker 1: any type of scary movies. And in a way, Beetlejuice 37 00:01:38,640 --> 00:01:42,240 Speaker 1: is a scary movie. Is it a kid scary movie? Though? Um? 38 00:01:42,440 --> 00:01:44,080 Speaker 1: Like I've tried to get my kids to watch it, 39 00:01:44,120 --> 00:01:47,120 Speaker 1: and I would say, like twelve years old, because the 40 00:01:47,120 --> 00:01:49,040 Speaker 1: little ones, they still get scared a bit of Beetlejuice. 41 00:01:49,080 --> 00:01:54,480 Speaker 1: I mean they're popping heads off. My memories of Beetlejuice 42 00:01:54,480 --> 00:01:58,960 Speaker 1: are Michael Keaton, right, it's showtime is in the right movie? Yes? Okay, 43 00:01:59,320 --> 00:02:03,800 Speaker 1: daylight mn me wo And they like randomly break into 44 00:02:03,880 --> 00:02:08,320 Speaker 1: song at scary parts ish yeah that song usually? What else? 45 00:02:08,919 --> 00:02:11,280 Speaker 1: And I mean they have dinner parties. Basically, it's this 46 00:02:11,360 --> 00:02:13,560 Speaker 1: couple that died and they're haunting a house. That's what 47 00:02:13,560 --> 00:02:17,320 Speaker 1: happens in the Right The couple died and the house okay, yeah, 48 00:02:17,360 --> 00:02:19,679 Speaker 1: and then you know they're trying to make peace with 49 00:02:19,760 --> 00:02:21,560 Speaker 1: the people that are living at their house and they 50 00:02:21,600 --> 00:02:24,320 Speaker 1: call on Beetlejuice to help him. And I will admit 51 00:02:24,360 --> 00:02:26,560 Speaker 1: I laughed a few times during this movie and it 52 00:02:26,600 --> 00:02:30,560 Speaker 1: did give me in the Halloween spirit, and I can 53 00:02:30,720 --> 00:02:34,040 Speaker 1: see why it is a classic still today. You give 54 00:02:34,080 --> 00:02:37,600 Speaker 1: it three out of five graveyards? Okay, pretty good? Nice. 55 00:02:37,960 --> 00:02:41,120 Speaker 1: I haven't seen Beetle Juice forever though, Like just thinking back, 56 00:02:41,440 --> 00:02:45,040 Speaker 1: does he have horns accompany? No? No, painted white and 57 00:02:45,080 --> 00:02:48,120 Speaker 1: he has white hair? Yes? Right? What else happens in 58 00:02:48,160 --> 00:02:52,280 Speaker 1: that movie? Wearing black and white? Yeah? And he basically 59 00:02:52,320 --> 00:02:55,880 Speaker 1: tries to get there the daughter that lives in the 60 00:02:55,919 --> 00:02:58,320 Speaker 1: house to marry him so he can actually come out 61 00:02:58,360 --> 00:03:01,120 Speaker 1: from the dead and like live forever. But is the 62 00:03:01,200 --> 00:03:03,680 Speaker 1: daughter like went on a writer. Yes, yes, that's right, 63 00:03:03,760 --> 00:03:06,280 Speaker 1: that's right. Yeah, I'm into it now. And I think 64 00:03:06,919 --> 00:03:11,000 Speaker 1: the dead guys al Baldwin. Yeah, the dad is yeah, 65 00:03:10,800 --> 00:03:12,679 Speaker 1: the guy that dies. Maybe I need to go watch 66 00:03:12,680 --> 00:03:15,280 Speaker 1: some of the stuff again. Baldwin is attractive as like 67 00:03:15,360 --> 00:03:18,240 Speaker 1: in that age of his career you mean young, Yeah, 68 00:03:18,560 --> 00:03:21,280 Speaker 1: he as a young guy attractive. So you give it 69 00:03:21,320 --> 00:03:23,880 Speaker 1: three out of five, yeah, three out of five graveyards. 70 00:03:24,160 --> 00:03:26,760 Speaker 1: Have you ever seen Wayne's World? I don't think so. No, 71 00:03:27,360 --> 00:03:30,840 Speaker 1: I think that's next. Okay, I think Wayne's World's next. 72 00:03:31,040 --> 00:03:32,880 Speaker 1: That's the one where they have the guy has crazy 73 00:03:32,880 --> 00:03:37,560 Speaker 1: hair and it's two dudes. Yeah, public Access TV show. Okay, yeah, No, 74 00:03:37,600 --> 00:03:38,960 Speaker 1: I don't think I've seen it, but I know him 75 00:03:39,040 --> 00:03:41,320 Speaker 1: from pop culture. Well. The great thing is about Beetlejuice 76 00:03:41,320 --> 00:03:43,280 Speaker 1: and even Wayne's World is that these movies are an 77 00:03:43,280 --> 00:03:46,160 Speaker 1: hour and a half. It's like an episode of Game 78 00:03:46,200 --> 00:03:49,119 Speaker 1: of Thrones or now movies are almost three hours long. 79 00:03:49,480 --> 00:03:53,040 Speaker 1: And so all these older movies, even even Wayne's World, 80 00:03:53,160 --> 00:03:56,720 Speaker 1: it's an hour and twenty two minutes. That's amazing. Isn't 81 00:03:56,720 --> 00:03:59,640 Speaker 1: that awesome? Morgan? Your next one is Wayne's World, and 82 00:03:59,680 --> 00:04:03,120 Speaker 1: we will write you down. Beetlejuice three point five the gooney, 83 00:04:03,160 --> 00:04:04,560 Speaker 1: she only gave two out of five, so how much 84 00:04:04,600 --> 00:04:08,040 Speaker 1: we really trust her? Exactly? Beavis and Butthead zero points 85 00:04:08,720 --> 00:04:11,160 Speaker 1: out here terrible. Have you seen the new Beavis and 86 00:04:11,160 --> 00:04:15,720 Speaker 1: butthead were there? Adults? No? What? No, Mike Aview it's 87 00:04:15,840 --> 00:04:18,960 Speaker 1: hilarious the one I saw on TikTok. But they're starting 88 00:04:18,960 --> 00:04:21,480 Speaker 1: to load him up again. That's hilarious. And they're like 89 00:04:23,560 --> 00:04:26,960 Speaker 1: I was much cooler when they're like smoking and drinking. 90 00:04:26,960 --> 00:04:31,080 Speaker 1: They're older and fat. Hilarious. So all right, Morgan, thank you. 91 00:04:31,320 --> 00:04:33,080 Speaker 1: We'll check in on Wayne's World in a few weeks. 92 00:04:33,080 --> 00:04:36,680 Speaker 1: All right, sounds good. It's the Best Bits of the 93 00:04:36,760 --> 00:04:41,240 Speaker 1: Week with Morgan. Number two. People definitely had a lot 94 00:04:41,320 --> 00:04:45,360 Speaker 1: to say about this next segment. Lunchbox apparently wanted to 95 00:04:45,680 --> 00:04:48,520 Speaker 1: key a car that had double parked. Yeah, it's a 96 00:04:48,560 --> 00:04:51,080 Speaker 1: whole thing, and he just got a little aggressive about it. 97 00:04:51,120 --> 00:04:53,760 Speaker 1: And he, you know, on the Best Bits this weekend 98 00:04:53,920 --> 00:04:55,680 Speaker 1: in part one, he says it doesn't have to do 99 00:04:55,760 --> 00:04:58,720 Speaker 1: with rage, but I do believe Lunchbox has quite a 100 00:04:58,800 --> 00:05:00,880 Speaker 1: little rage monster in side of him if this is 101 00:05:00,920 --> 00:05:03,200 Speaker 1: what he wanted to do over a double parked car. Though, 102 00:05:03,520 --> 00:05:06,440 Speaker 1: it is very inconsiderate to double parking car, So don't 103 00:05:06,480 --> 00:05:08,640 Speaker 1: do that unless you're like miles away and you're gonna 104 00:05:08,640 --> 00:05:11,080 Speaker 1: go walk somewhere. But you know, let's just be a 105 00:05:11,120 --> 00:05:13,480 Speaker 1: little bit more kind and considerate of other people. I 106 00:05:13,600 --> 00:05:15,480 Speaker 1: think that would be the better thing to do than 107 00:05:15,600 --> 00:05:17,599 Speaker 1: to key a car. But you can hear the moment 108 00:05:17,720 --> 00:05:20,480 Speaker 1: right now where Lunchbox admits that is what he wanted 109 00:05:20,480 --> 00:05:22,800 Speaker 1: to do. Number six. I didn't want to bring this 110 00:05:22,920 --> 00:05:24,640 Speaker 1: up to and Amy's the one who brought it to 111 00:05:24,680 --> 00:05:29,120 Speaker 1: my attention. I guess Lunchbox was considering keying a car. Okay, 112 00:05:29,200 --> 00:05:31,920 Speaker 1: here's what happened. He had posted on his Instagram stories, 113 00:05:32,440 --> 00:05:35,520 Speaker 1: so annoyed at this car that double part you took 114 00:05:35,560 --> 00:05:38,240 Speaker 1: up two parking spaces to avoid getting deemed or whatnot. 115 00:05:38,480 --> 00:05:40,000 Speaker 1: I mean, it is a pretty jerk thing to do. 116 00:05:40,240 --> 00:05:41,800 Speaker 1: I don't know why some people do it. But he 117 00:05:42,160 --> 00:05:45,919 Speaker 1: was so upset, and he was proud of himself because 118 00:05:45,920 --> 00:05:50,360 Speaker 1: he had quote unquote matured because he didn't do something 119 00:05:50,480 --> 00:05:52,920 Speaker 1: to damage the car in any way, and he then 120 00:05:53,080 --> 00:05:55,360 Speaker 1: asked his followers, I mean, what would y'all do? Would 121 00:05:55,400 --> 00:05:57,799 Speaker 1: you key it? Would you? Like? How do you handle 122 00:05:57,880 --> 00:06:01,320 Speaker 1: this situation? And I thought, he is forty one year 123 00:06:01,360 --> 00:06:03,480 Speaker 1: old man, I don't care what aide you are. But 124 00:06:03,520 --> 00:06:05,920 Speaker 1: it's like, why would even keying a car be a 125 00:06:06,040 --> 00:06:08,560 Speaker 1: response to someone else who's being a jerk? Like, just 126 00:06:08,720 --> 00:06:10,760 Speaker 1: move on with your day. I would write a note. 127 00:06:10,800 --> 00:06:12,080 Speaker 1: I think that would be as far as I would 128 00:06:12,080 --> 00:06:13,600 Speaker 1: even think about going it is to write a note 129 00:06:13,600 --> 00:06:14,880 Speaker 1: put into the wife, if you want to take the 130 00:06:14,920 --> 00:06:16,360 Speaker 1: time to do that. I'm just never going to be 131 00:06:16,440 --> 00:06:19,440 Speaker 1: that type of person. But I thought, wow, people who 132 00:06:19,600 --> 00:06:22,720 Speaker 1: key cars, I don't understand you. It is another level 133 00:06:22,839 --> 00:06:28,280 Speaker 1: and it's just so sad and expensive and devastating. You 134 00:06:28,360 --> 00:06:31,920 Speaker 1: have a key to car? Yeah, well no, no, all, 135 00:06:32,120 --> 00:06:34,840 Speaker 1: I haven't had my keys in my hand and I 136 00:06:34,960 --> 00:06:36,840 Speaker 1: walked by a car and if it accidentally scraped it, 137 00:06:37,200 --> 00:06:39,040 Speaker 1: then it may have let the line why would you 138 00:06:39,160 --> 00:06:41,880 Speaker 1: do that? Because they obviously we're doing it on purpose 139 00:06:41,960 --> 00:06:44,760 Speaker 1: to park over Like, but why is it your responsibility 140 00:06:44,839 --> 00:06:46,880 Speaker 1: to key their car because of that? Because it's an 141 00:06:46,920 --> 00:06:50,720 Speaker 1: inconvenience to me and everybody else, Like if they're you're vigilante. Yeah, 142 00:06:50,760 --> 00:06:53,240 Speaker 1: I'm a vigilante. So like I've what I have done 143 00:06:53,240 --> 00:06:55,440 Speaker 1: before too. Also is like you kind of like you're 144 00:06:55,480 --> 00:06:56,840 Speaker 1: resting on the car, you know what I mean, you're 145 00:06:56,920 --> 00:06:59,160 Speaker 1: kind of bad with the back. You take your foot 146 00:06:59,160 --> 00:07:01,880 Speaker 1: back like with the heel, so sad and you kick 147 00:07:01,960 --> 00:07:04,680 Speaker 1: it dent in the car. Yeah, no time, no, no, 148 00:07:04,839 --> 00:07:08,120 Speaker 1: And y'all he's raising children and this is this is 149 00:07:08,240 --> 00:07:10,120 Speaker 1: very just. Let's say here's let's say one of your 150 00:07:10,160 --> 00:07:13,480 Speaker 1: kids was fourteen and you see this, Well that's the problem. 151 00:07:13,760 --> 00:07:16,240 Speaker 1: I had my kids with me, so I didn't do anything, 152 00:07:16,360 --> 00:07:18,360 Speaker 1: but I was very upset because we were going to 153 00:07:18,480 --> 00:07:21,440 Speaker 1: a festival thing and the parking was very hard. We 154 00:07:21,520 --> 00:07:23,080 Speaker 1: had a drive around for like twenty minutes to find 155 00:07:23,080 --> 00:07:25,240 Speaker 1: a spot and I'm like, oh, got one, and this 156 00:07:25,360 --> 00:07:29,120 Speaker 1: guy is part diagonal across two spots for no reason. 157 00:07:29,880 --> 00:07:31,800 Speaker 1: And it's not like it was like oh, just barely 158 00:07:31,840 --> 00:07:34,840 Speaker 1: over the line. I mean sure, but you know what 159 00:07:34,960 --> 00:07:38,160 Speaker 1: happens sometimes you know you you there's another car that's 160 00:07:38,160 --> 00:07:42,080 Speaker 1: doing it, and that's how you know. And then everyone 161 00:07:42,200 --> 00:07:44,240 Speaker 1: leaves and your car's left and now you look like this, 162 00:07:44,400 --> 00:07:45,960 Speaker 1: I've done that before. Where I'm like over the line 163 00:07:45,960 --> 00:07:47,440 Speaker 1: a little bit because I had to pull in that way. 164 00:07:47,880 --> 00:07:49,760 Speaker 1: Other cars were over the line. Yeah, there's no chance 165 00:07:49,760 --> 00:07:52,280 Speaker 1: that happened here. He is what kind of car is 166 00:07:52,320 --> 00:07:53,960 Speaker 1: it though? Is it is a luxury car? No, it 167 00:07:54,200 --> 00:07:57,280 Speaker 1: was a like a pt cruiser kind of looking. And 168 00:07:57,360 --> 00:07:59,720 Speaker 1: I'm looking at it. It's a soul whatever a soul is. 169 00:08:00,120 --> 00:08:03,800 Speaker 1: Are you sure the person was parking a soul? It's 170 00:08:03,840 --> 00:08:06,640 Speaker 1: over the line, not even over, it's halfway into the truth. 171 00:08:06,800 --> 00:08:08,400 Speaker 1: I don't know. I still can go with Eddie and go. 172 00:08:08,560 --> 00:08:10,520 Speaker 1: They could evolve in part bad Why I was sitting 173 00:08:10,560 --> 00:08:12,480 Speaker 1: there and about thinking about what I should do. Cars 174 00:08:12,600 --> 00:08:13,840 Speaker 1: kept trying to pull in. Then they would look and 175 00:08:13,840 --> 00:08:15,400 Speaker 1: they would throw their hands up like it was my car, 176 00:08:15,520 --> 00:08:17,600 Speaker 1: and I'm like, it ain't my car, guys, it ain't 177 00:08:17,680 --> 00:08:20,160 Speaker 1: my car. If your kids would have been at home, 178 00:08:20,760 --> 00:08:22,360 Speaker 1: we would have been a nice litt dent. You would 179 00:08:22,360 --> 00:08:24,640 Speaker 1: have kicked it. No way, at forty years old, you'd 180 00:08:24,640 --> 00:08:26,600 Speaker 1: have kicked a dent in the car. Yeah, if you, Bobby, 181 00:08:26,720 --> 00:08:28,840 Speaker 1: if you found out he really kicked a car like that, 182 00:08:29,480 --> 00:08:32,360 Speaker 1: gonna do him. No, you're gonna me. That's his own time, Amy, 183 00:08:32,440 --> 00:08:35,320 Speaker 1: it's his personal time. Yeah, but that is Ronald sinning. 184 00:08:35,559 --> 00:08:38,959 Speaker 1: The heat just damaged someone's pride sticking up for people 185 00:08:39,040 --> 00:08:41,960 Speaker 1: that when you're mad for yourself. People I like jerks, 186 00:08:42,000 --> 00:08:44,200 Speaker 1: they get treated like jerks. That's what happens in the world. 187 00:08:44,240 --> 00:08:46,480 Speaker 1: Why not leave a note? I don't have a pen 188 00:08:46,559 --> 00:08:48,920 Speaker 1: and paper. Have you ever had someone kick your car 189 00:08:49,160 --> 00:08:51,160 Speaker 1: or I've never parked like this in my life. Okay, 190 00:08:51,200 --> 00:08:53,400 Speaker 1: but for whatever reason, because I don't dark bad times, 191 00:08:54,160 --> 00:08:55,640 Speaker 1: I don't park bad if they did that. What if 192 00:08:55,760 --> 00:08:58,079 Speaker 1: someone heard something you said on this show. Yeah, we're 193 00:08:58,200 --> 00:09:00,920 Speaker 1: deeply offended by it. And they came after you get 194 00:09:00,960 --> 00:09:03,079 Speaker 1: out of your car. And this is Dat's lunchbox. He's 195 00:09:03,120 --> 00:09:04,839 Speaker 1: made fun of people like me, I'm gonna go and 196 00:09:05,080 --> 00:09:06,959 Speaker 1: key the car or dent the car. What do you 197 00:09:07,000 --> 00:09:10,880 Speaker 1: think about that? That sucked, man, but you deserve it. 198 00:09:11,080 --> 00:09:19,800 Speaker 1: Live baby that I was surprised that he would still 199 00:09:19,800 --> 00:09:22,920 Speaker 1: even consider or thinking. Oh man, My immediate reaction was like, 200 00:09:22,960 --> 00:09:24,640 Speaker 1: oh this, this guy needs a little kick on the 201 00:09:24,760 --> 00:09:26,800 Speaker 1: side of the car. I'm actually surprised that he's keyed 202 00:09:26,840 --> 00:09:29,880 Speaker 1: the car before. No, No, didn't kick carny times. You 203 00:09:29,960 --> 00:09:33,920 Speaker 1: actually walked by a car with your kiya three. And 204 00:09:34,040 --> 00:09:37,880 Speaker 1: how old were you twenties? Oh my gosh, Oh, my 205 00:09:38,000 --> 00:09:40,880 Speaker 1: mind is lone. How many times did you actually kicked 206 00:09:40,920 --> 00:09:44,400 Speaker 1: the car? I think that was like four. Well, and 207 00:09:44,520 --> 00:09:47,559 Speaker 1: you didnted it? Yeah, well you don't. If you kick 208 00:09:47,600 --> 00:09:49,719 Speaker 1: a car and ain't underdn't like, it's not gonna be like, 209 00:09:49,840 --> 00:09:52,959 Speaker 1: oh you know, it's love tap. And the last time 210 00:09:53,000 --> 00:09:58,360 Speaker 1: you did that? How old? It's ridiculous. All right, it's 211 00:09:58,400 --> 00:10:00,480 Speaker 1: not that bad. But I mean, look the car, it 212 00:10:00,559 --> 00:10:03,839 Speaker 1: deserved it. It doesn't Oh my god, it doesn't deserve that. Okay, 213 00:10:03,880 --> 00:10:07,040 Speaker 1: Well that's why I said. Has he actually matured? I 214 00:10:07,120 --> 00:10:09,800 Speaker 1: guess because he didn't do it. That's true. I'm matured. 215 00:10:09,960 --> 00:10:12,880 Speaker 1: He stopped himself. Destroying arranging the personal property of another 216 00:10:12,880 --> 00:10:15,199 Speaker 1: can get as much as ten years of prison. Dang. However, 217 00:10:15,240 --> 00:10:16,800 Speaker 1: if the value of the property destroyed his less two 218 00:10:16,840 --> 00:10:19,000 Speaker 1: hundred fifty bucks, you'll only be punished by maximum two 219 00:10:19,040 --> 00:10:22,760 Speaker 1: point five months in jail. Oh well, a keys more 220 00:10:22,800 --> 00:10:26,400 Speaker 1: than twos? What when you park like this? What does 221 00:10:26,440 --> 00:10:30,360 Speaker 1: it say says? Oh, your actual actions are valid. Okay. 222 00:10:32,000 --> 00:10:35,719 Speaker 1: It's the best bits of the week With Morgan. Number two, 223 00:10:36,800 --> 00:10:38,760 Speaker 1: we had Craig Morgan on the show this week, he 224 00:10:38,800 --> 00:10:41,400 Speaker 1: talked about his new memoir, shared stories about what it 225 00:10:41,520 --> 00:10:44,280 Speaker 1: was like writing this for him. He also talked about 226 00:10:44,280 --> 00:10:47,680 Speaker 1: his time in the military and some facts about himself 227 00:10:47,760 --> 00:10:50,599 Speaker 1: that were really interesting to learn, including a piece of 228 00:10:50,600 --> 00:10:53,000 Speaker 1: advice he got from Garth Brooks in the beginning of 229 00:10:53,160 --> 00:10:57,520 Speaker 1: his career that changed kind of the way he talked 230 00:10:57,559 --> 00:11:01,040 Speaker 1: about himself. In no way what I mean in this interview, 231 00:11:01,120 --> 00:11:03,040 Speaker 1: but honestly, it's a great interview. Craig is such a 232 00:11:03,120 --> 00:11:06,280 Speaker 1: fun and just full of stories type of guy. Who 233 00:11:06,320 --> 00:11:09,440 Speaker 1: can also watch it at Bobby Bones stock Com Number 234 00:11:09,520 --> 00:11:13,240 Speaker 1: five kids, So Bobby Bones Show interview In case you 235 00:11:13,440 --> 00:11:17,000 Speaker 1: didn't know, got so many hits from back in two 236 00:11:17,040 --> 00:11:23,079 Speaker 1: thousand and seven. Here's International Harvester. He's the generation for 237 00:11:23,160 --> 00:11:25,000 Speaker 1: I'm back in two thousand and four. That's what I 238 00:11:25,040 --> 00:11:29,040 Speaker 1: love about Sunday. About Sunday, I'm not gonna do them 239 00:11:29,080 --> 00:11:31,640 Speaker 1: always got so many from two thousand and five. Here 240 00:11:31,760 --> 00:11:37,319 Speaker 1: is Redneck Yacht Clubs. He's got a new memoir that 241 00:11:37,400 --> 00:11:40,040 Speaker 1: came out on the twenty seventh. Man, he's so funny, 242 00:11:40,559 --> 00:11:44,160 Speaker 1: such a good dude. Welcome to the studio, Tennessee's own 243 00:11:44,280 --> 00:11:49,040 Speaker 1: Craig Morgan on the Bobby Bones Show. Now, Morgan, Yeah, 244 00:11:49,040 --> 00:11:52,360 Speaker 1: I read most of your book on the toilet. That's 245 00:11:52,360 --> 00:11:54,560 Speaker 1: a good place. That's where I can really focus. Honestly, 246 00:11:54,760 --> 00:11:56,559 Speaker 1: that's funny. I don't I'm not in there long enough 247 00:11:56,600 --> 00:11:58,760 Speaker 1: to read. Oh I'm in there for like days now, 248 00:11:59,160 --> 00:12:02,880 Speaker 1: sort of ibs thing. You like that guy in forty something. 249 00:12:02,920 --> 00:12:05,480 Speaker 1: When you're in you're playing video games and stuff, and 250 00:12:05,640 --> 00:12:08,520 Speaker 1: sometimes I'll be able to get a lot of work done. 251 00:12:08,720 --> 00:12:10,400 Speaker 1: That's awesome. Yeah, I have a whole set up a 252 00:12:10,480 --> 00:12:15,520 Speaker 1: computer I got in the Bathroom's got a book called God, 253 00:12:15,600 --> 00:12:19,320 Speaker 1: Family and Country. It's a memoir, which it's really great, 254 00:12:19,520 --> 00:12:21,599 Speaker 1: you know, Okay, it's it's very personal. Thank you, And 255 00:12:21,679 --> 00:12:24,760 Speaker 1: I know that's tough to do because I'm going to 256 00:12:24,840 --> 00:12:26,920 Speaker 1: imagine there were times where you thought, one, do people 257 00:12:26,960 --> 00:12:30,440 Speaker 1: actually care? And too? Am I being too personal? Um? 258 00:12:30,480 --> 00:12:32,439 Speaker 1: But I thought you nailed it. What was the hardest 259 00:12:32,440 --> 00:12:36,080 Speaker 1: part of writing this book for you? Uh? Taking the time? Uh? 260 00:12:36,160 --> 00:12:39,680 Speaker 1: And quite honestly, we had nothing but time. The majority 261 00:12:39,679 --> 00:12:43,079 Speaker 1: of this we started during the pandemic um when we 262 00:12:43,200 --> 00:12:47,120 Speaker 1: weren't working. But I had gotten lazy because we weren't 263 00:12:47,120 --> 00:12:49,480 Speaker 1: touring out, was just traveling around with my wife Karen, 264 00:12:49,559 --> 00:12:52,640 Speaker 1: and we'd go to Alaska and come back and my 265 00:12:52,720 --> 00:12:54,559 Speaker 1: co writer Jim to Flicia will be like, Hey, you 266 00:12:54,640 --> 00:12:56,800 Speaker 1: want to get together and work on this book thing? 267 00:12:56,920 --> 00:13:00,320 Speaker 1: You know? Um, yeah, I think that that And as 268 00:13:00,400 --> 00:13:02,959 Speaker 1: you alluded to talking about it, you know, when I 269 00:13:03,000 --> 00:13:05,360 Speaker 1: first approached this book, for me, it was a lot 270 00:13:05,440 --> 00:13:07,319 Speaker 1: like doing any other project that I've ever done in 271 00:13:07,400 --> 00:13:10,160 Speaker 1: my life. I figured, we'll do this, be done, and 272 00:13:10,280 --> 00:13:12,520 Speaker 1: go do something else, you know, like an album. When 273 00:13:12,520 --> 00:13:14,560 Speaker 1: I do an album, I work on the album. As 274 00:13:14,600 --> 00:13:17,079 Speaker 1: soon as I finished that album, I'm focused on writing 275 00:13:17,160 --> 00:13:19,800 Speaker 1: more music for the next project, for somebody else or whatever. 276 00:13:19,920 --> 00:13:23,599 Speaker 1: Production doesn't matter. And I thought the book would be 277 00:13:23,679 --> 00:13:27,720 Speaker 1: the same thing. But it's not. It's it's really it's weird. 278 00:13:27,800 --> 00:13:31,160 Speaker 1: You know already you've done this, but this is the 279 00:13:31,160 --> 00:13:34,760 Speaker 1: first book I've written, and it being a memoir, boy, 280 00:13:34,920 --> 00:13:38,160 Speaker 1: it's it's going to be there forever. Did you find yourself? 281 00:13:38,320 --> 00:13:40,079 Speaker 1: And I could just be a weirdo, but did you 282 00:13:40,160 --> 00:13:43,320 Speaker 1: find yourself as you were telling some of the stories 283 00:13:44,240 --> 00:13:46,959 Speaker 1: that you're kind of reliving them and I don't I 284 00:13:46,960 --> 00:13:48,640 Speaker 1: don't want to say re experiencing them, but seeing them 285 00:13:48,679 --> 00:13:50,840 Speaker 1: from a different perspective, and either they reminded you how 286 00:13:50,880 --> 00:13:55,199 Speaker 1: awesome moment was, or like how emotional emotion a moment 287 00:13:55,320 --> 00:13:57,080 Speaker 1: was that you haven't thought about in a long time. 288 00:13:57,400 --> 00:14:00,000 Speaker 1: I don't think that's weird at aught. That's exactly what happen. 289 00:14:00,120 --> 00:14:02,760 Speaker 1: And so a lot of the especially the military stories, 290 00:14:03,000 --> 00:14:04,880 Speaker 1: I mean, that's been a while for me. And when 291 00:14:04,960 --> 00:14:07,800 Speaker 1: we were talking about Panama, I went down to we 292 00:14:07,880 --> 00:14:10,280 Speaker 1: went down to our beach house, and I brought a 293 00:14:10,360 --> 00:14:12,440 Speaker 1: bunch of my buddies in that I served with in Panama, 294 00:14:12,600 --> 00:14:15,160 Speaker 1: and we spent two days together talking about the stories, 295 00:14:15,760 --> 00:14:19,840 Speaker 1: uh and and reliving some of those things. And it 296 00:14:19,960 --> 00:14:22,120 Speaker 1: was it was, it was very surreal. It's one of 297 00:14:22,160 --> 00:14:24,360 Speaker 1: those kind of like outside looking in. I don't want 298 00:14:24,400 --> 00:14:26,400 Speaker 1: to sound all weird, No, it's that though, because you're 299 00:14:26,480 --> 00:14:28,560 Speaker 1: outside looking back into a part of your life that 300 00:14:28,680 --> 00:14:32,040 Speaker 1: maybe you didn't fully appreciate or understand because you're right 301 00:14:32,040 --> 00:14:33,520 Speaker 1: in the middle of it. Yeah, And I've lived my 302 00:14:33,640 --> 00:14:35,280 Speaker 1: life that way. Like you know, when you jump. When 303 00:14:35,280 --> 00:14:38,400 Speaker 1: I jump out of a plane, I'm I'm jumping out 304 00:14:38,440 --> 00:14:40,320 Speaker 1: of the plane right then after I'm done, my feet 305 00:14:40,400 --> 00:14:42,960 Speaker 1: hit the ground, parachutes rolled up, You're moving on you 306 00:14:43,000 --> 00:14:45,640 Speaker 1: don't think about that jump no more. I'm thinking about 307 00:14:45,680 --> 00:14:50,640 Speaker 1: the next thing. Looking back, it was like at one 308 00:14:50,680 --> 00:14:53,480 Speaker 1: point I was like, holy cow, I've done a lot 309 00:14:53,560 --> 00:14:56,160 Speaker 1: of crap. You know. Now. I know why everyone was 310 00:14:56,200 --> 00:14:59,040 Speaker 1: trying to get me to write the book, because I 311 00:14:59,120 --> 00:15:01,760 Speaker 1: think the longer I went to, the less I would 312 00:15:01,800 --> 00:15:04,280 Speaker 1: have been able to remember. And I may mess the 313 00:15:04,360 --> 00:15:06,400 Speaker 1: country up here because there were a lot of countries. 314 00:15:06,600 --> 00:15:08,600 Speaker 1: There's a lot of places that you've been in this blood, 315 00:15:09,240 --> 00:15:15,320 Speaker 1: but in Thailand, you were working undercover to fight sex traffickers. Yeah, 316 00:15:15,400 --> 00:15:18,000 Speaker 1: I didn't know that. I'd never talked to you about 317 00:15:18,040 --> 00:15:20,280 Speaker 1: that here. I didn't know that. So would you mind 318 00:15:20,280 --> 00:15:22,280 Speaker 1: tell these guys a little bit about that. So I 319 00:15:22,360 --> 00:15:24,640 Speaker 1: work with an organization, and I've worked with others, but 320 00:15:24,760 --> 00:15:27,040 Speaker 1: Exodus Road is the one that I'm working with now, 321 00:15:27,920 --> 00:15:31,480 Speaker 1: and we have offices around the world. But the entire 322 00:15:31,480 --> 00:15:34,200 Speaker 1: objective is to remove people from sex trafficking. It's it's 323 00:15:34,360 --> 00:15:39,280 Speaker 1: literally modern day slavery. And on that particular operation in Thailand, 324 00:15:39,400 --> 00:15:42,480 Speaker 1: people don't understand the Thailand government is run basically by 325 00:15:42,520 --> 00:15:44,960 Speaker 1: the military, and the majority of these military leaders on 326 00:15:45,160 --> 00:15:48,320 Speaker 1: clubs downtown and another thing that most Americans do not know. 327 00:15:48,480 --> 00:15:51,600 Speaker 1: Prostitution is not legal in Thailand. It's not legal. It 328 00:15:51,800 --> 00:15:55,320 Speaker 1: is not legal. It is encouraged, but it's not legal. 329 00:15:55,960 --> 00:16:00,240 Speaker 1: And I will say, if a woman is whatever, of 330 00:16:00,360 --> 00:16:03,560 Speaker 1: legal age and she chooses this as an occupation, I mean, 331 00:16:03,640 --> 00:16:06,240 Speaker 1: that's on her. But what is sickening is when there's 332 00:16:06,240 --> 00:16:09,120 Speaker 1: a fourteen year old girl who's forced into it, whose 333 00:16:09,200 --> 00:16:12,200 Speaker 1: parents sold her in order to have the money, and 334 00:16:12,280 --> 00:16:15,360 Speaker 1: then she's forced to work, or even worse yet or 335 00:16:15,440 --> 00:16:18,400 Speaker 1: not worse yet. But another scenario that we ran into 336 00:16:18,480 --> 00:16:22,320 Speaker 1: while we were there that was really odd is people 337 00:16:22,400 --> 00:16:24,920 Speaker 1: that come from other countries. They were going to various 338 00:16:24,960 --> 00:16:28,640 Speaker 1: countries throughout the African continent and promising these people's these 339 00:16:28,680 --> 00:16:30,960 Speaker 1: people work and these women you'll be working at a 340 00:16:31,040 --> 00:16:34,280 Speaker 1: hotel as a as a clean up lady or whatever. 341 00:16:34,560 --> 00:16:36,320 Speaker 1: And they get on there and then they take their 342 00:16:36,360 --> 00:16:38,840 Speaker 1: passports and they say, okay, now you work for us. 343 00:16:40,120 --> 00:16:42,520 Speaker 1: The cleaning lady job is gone, and you owe us 344 00:16:42,640 --> 00:16:45,880 Speaker 1: for your room and board every day. So they basically 345 00:16:45,960 --> 00:16:49,920 Speaker 1: are forced into prostitution. And one of the weird situations, 346 00:16:49,960 --> 00:16:53,080 Speaker 1: and this one wasn't in the book because this is 347 00:16:53,240 --> 00:16:58,280 Speaker 1: currently an ongoing investigation. The pimp was a female, and 348 00:16:59,000 --> 00:17:02,840 Speaker 1: she's a female from Africa. She's in Africa, and she 349 00:17:03,080 --> 00:17:06,520 Speaker 1: was the one that's basically gathering these people up to 350 00:17:06,640 --> 00:17:10,000 Speaker 1: work with the people in Thailand. And no one ever 351 00:17:10,200 --> 00:17:12,679 Speaker 1: got a picture of her. They have never seen her. 352 00:17:13,200 --> 00:17:15,439 Speaker 1: And we were there and I was on the street 353 00:17:15,520 --> 00:17:17,879 Speaker 1: with some of the women talking to them, and she 354 00:17:18,160 --> 00:17:21,639 Speaker 1: called and we were in like literally talking to her, 355 00:17:22,200 --> 00:17:26,360 Speaker 1: this woman in Africa, talking to her her women there, 356 00:17:26,840 --> 00:17:29,280 Speaker 1: and I took a selfie with her of the cell phone. 357 00:17:29,320 --> 00:17:31,720 Speaker 1: It's the first picture they've ever got of that woman. Wow. 358 00:17:32,160 --> 00:17:33,800 Speaker 1: Did you ever feel like your life was in danger 359 00:17:33,800 --> 00:17:38,760 Speaker 1: of doing that? No? Not really. They're little people. I 360 00:17:38,800 --> 00:17:40,679 Speaker 1: don't mean that in a derogatory manner. I just mean 361 00:17:40,720 --> 00:17:42,919 Speaker 1: they're very little people are strong and yeah, I mean 362 00:17:42,960 --> 00:17:46,359 Speaker 1: I did get in a scuffle one night, just a 363 00:17:46,400 --> 00:17:49,399 Speaker 1: little scuffle, so we all carry. I mean, let me 364 00:17:49,440 --> 00:17:50,840 Speaker 1: tell you, I've done a lot of things, and I've 365 00:17:50,840 --> 00:17:53,600 Speaker 1: seen a lot of disturbing things and experienced a lot 366 00:17:53,640 --> 00:17:57,600 Speaker 1: of disturbing stuff. That was some of the that's the 367 00:17:57,720 --> 00:17:59,879 Speaker 1: only thing wherever. When I came home, I thought, man, 368 00:18:00,000 --> 00:18:02,760 Speaker 1: I I need a fifteen minute break to clear my 369 00:18:02,880 --> 00:18:05,680 Speaker 1: brain because some of the stuff I've seen was so bad. 370 00:18:06,760 --> 00:18:08,960 Speaker 1: But we all carried like little backpacks or we have 371 00:18:09,040 --> 00:18:11,840 Speaker 1: these shoulder packs and they're all wired with cameras and 372 00:18:11,960 --> 00:18:14,520 Speaker 1: different things. And we were going into a club and 373 00:18:14,560 --> 00:18:16,760 Speaker 1: they wanted to check our bags and I'm like, mm, 374 00:18:16,960 --> 00:18:19,440 Speaker 1: they're not checking my bag, bro, and so we kind 375 00:18:19,480 --> 00:18:21,680 Speaker 1: of just walked past them and ignored them, act like, 376 00:18:21,880 --> 00:18:26,119 Speaker 1: you know, stupid American tourists. And they come in and 377 00:18:26,200 --> 00:18:28,000 Speaker 1: tried to grab my back from me. And I had 378 00:18:28,040 --> 00:18:31,600 Speaker 1: been filming this gentleman across doing some very loud things, 379 00:18:31,680 --> 00:18:35,000 Speaker 1: you know, to what we had suspected was an underage girl, 380 00:18:36,280 --> 00:18:38,040 Speaker 1: and he tried to take my back, so I'm like none, 381 00:18:38,119 --> 00:18:40,000 Speaker 1: So they they were going to throw me out of 382 00:18:40,040 --> 00:18:42,800 Speaker 1: the club, Like okay, this is gonna be fun. So 383 00:18:42,960 --> 00:18:45,080 Speaker 1: like five or six of them attempted to grab me 384 00:18:45,160 --> 00:18:46,919 Speaker 1: and they you know, we scuffled around quite a bit 385 00:18:46,960 --> 00:18:49,719 Speaker 1: until they got me outside, and then the local police 386 00:18:49,800 --> 00:18:51,920 Speaker 1: come over, and so you got to go through the 387 00:18:52,040 --> 00:18:54,520 Speaker 1: whole motion. Even though some of the police officers that 388 00:18:54,560 --> 00:18:56,480 Speaker 1: were there, and we did have a police officer assigned 389 00:18:56,520 --> 00:19:01,720 Speaker 1: to US Thailand police officer. Oh he and I know 390 00:19:01,800 --> 00:19:04,800 Speaker 1: I'm going away far he uh he knew what we 391 00:19:04,920 --> 00:19:07,200 Speaker 1: were doing. So he comes over and puts me under 392 00:19:07,240 --> 00:19:09,320 Speaker 1: a wrist and then takes me off and they have 393 00:19:09,400 --> 00:19:11,640 Speaker 1: to see this whole thing, and he's pointing his finger 394 00:19:11,720 --> 00:19:13,359 Speaker 1: at me and he's yelling at me and tell me 395 00:19:13,520 --> 00:19:16,560 Speaker 1: thing and telling me to go and take the handcuffs off, 396 00:19:16,640 --> 00:19:18,920 Speaker 1: and I walk off and they're all happy, and we're 397 00:19:18,920 --> 00:19:20,560 Speaker 1: all happy. We go back the next day and they 398 00:19:20,640 --> 00:19:23,120 Speaker 1: welcome me right back in. Really. Yeah, see, I would 399 00:19:23,119 --> 00:19:24,480 Speaker 1: feel like I was about to die there. I mean, 400 00:19:24,640 --> 00:19:26,280 Speaker 1: but you're I don't know, ten times more than man. 401 00:19:31,040 --> 00:19:33,520 Speaker 1: Uh that that's that's fascinating in the fact that you 402 00:19:33,560 --> 00:19:35,880 Speaker 1: would take that on to to try to help those people. 403 00:19:35,920 --> 00:19:39,159 Speaker 1: That says a lot about you. H So aside from that, 404 00:19:39,280 --> 00:19:41,480 Speaker 1: let's talk about some of the positive stuff that you 405 00:19:41,520 --> 00:19:43,119 Speaker 1: were able to see, right, I mean, what do you 406 00:19:43,920 --> 00:19:46,119 Speaker 1: through the book, what are you most proud to share? 407 00:19:46,359 --> 00:19:48,920 Speaker 1: Like what when you think of all these personal stories, 408 00:19:48,960 --> 00:19:50,800 Speaker 1: all the things that you've seen, Like what do you 409 00:19:50,840 --> 00:19:52,080 Speaker 1: really let you up to be able to share that 410 00:19:52,119 --> 00:19:54,920 Speaker 1: with people. I don't know, that's a good question. No 411 00:19:55,000 --> 00:19:56,919 Speaker 1: one's asking, Yeah, I do, that's what I do. My thing? 412 00:19:57,000 --> 00:20:00,479 Speaker 1: Do you fight people? I try to find interesting questions. Uh, 413 00:20:00,640 --> 00:20:03,560 Speaker 1: you know, I don't know. I think family, the concept 414 00:20:03,560 --> 00:20:06,320 Speaker 1: the whole concept of this book. God, Family, Country, Uh, 415 00:20:06,359 --> 00:20:08,280 Speaker 1: those are the three most important things in my life, 416 00:20:08,320 --> 00:20:10,399 Speaker 1: and in that order, my God is always first, my 417 00:20:10,480 --> 00:20:13,040 Speaker 1: family second only to my God, and my country my 418 00:20:13,160 --> 00:20:15,800 Speaker 1: love for a country. I hope that when people read 419 00:20:15,840 --> 00:20:18,800 Speaker 1: this book they feel inspired and and and in some 420 00:20:19,000 --> 00:20:22,280 Speaker 1: way maybe motivated to feel like they want to do good, 421 00:20:22,800 --> 00:20:25,280 Speaker 1: they want to be good. Uh. And I'm not trying 422 00:20:25,320 --> 00:20:28,720 Speaker 1: to take away from what we're discussing, but like, uh, 423 00:20:29,040 --> 00:20:32,680 Speaker 1: like Amy, I follow your posts, and you always seem 424 00:20:32,760 --> 00:20:36,840 Speaker 1: to post very positive things, and I think more people 425 00:20:36,920 --> 00:20:38,960 Speaker 1: should do that. There should be more of that and 426 00:20:39,160 --> 00:20:41,800 Speaker 1: less of the attempts to put each other down and 427 00:20:41,960 --> 00:20:45,800 Speaker 1: beat each other up and try to, you know, derive 428 00:20:46,280 --> 00:20:50,280 Speaker 1: something negative from every comments that made that's made instead 429 00:20:50,280 --> 00:20:51,960 Speaker 1: of I mean, you know, there's a lot of stuff 430 00:20:52,000 --> 00:20:54,639 Speaker 1: on the on the media outlets that you could easily 431 00:20:54,800 --> 00:20:56,679 Speaker 1: turn it to a good if you wanted to, instead 432 00:20:56,680 --> 00:20:58,960 Speaker 1: of trying to beat it up and make something bad 433 00:20:59,040 --> 00:21:01,840 Speaker 1: out of it, you know. So I'm hoping that when 434 00:21:01,880 --> 00:21:06,720 Speaker 1: people read this that they feel motivated to maybe want 435 00:21:06,760 --> 00:21:09,520 Speaker 1: to do good or be good and understand that even 436 00:21:09,640 --> 00:21:14,320 Speaker 1: though we all experience various hardships in our lives, those things, 437 00:21:14,800 --> 00:21:16,639 Speaker 1: you know, we all say and we've I've heard a 438 00:21:16,640 --> 00:21:19,000 Speaker 1: lot of people say, well, everything happens for a reason, 439 00:21:20,560 --> 00:21:24,399 Speaker 1: and I kind of believe that. I kind of also 440 00:21:24,520 --> 00:21:27,400 Speaker 1: believe that we bring things on ourselves sometimes that maybe 441 00:21:27,440 --> 00:21:31,960 Speaker 1: shouldn't have happened. But we should all learn from every 442 00:21:32,119 --> 00:21:38,600 Speaker 1: one of those things, and we should all become better people. Heartache, scars, pain, 443 00:21:39,240 --> 00:21:41,800 Speaker 1: all of these things build us and build character and 444 00:21:41,880 --> 00:21:44,400 Speaker 1: make us better people. I believe the book is God 445 00:21:44,640 --> 00:21:48,359 Speaker 1: Family Country Memoir by Craig Morgan. You got Blake on 446 00:21:48,440 --> 00:21:51,399 Speaker 1: the front morgan memoir, We Will Move You. It's serious. 447 00:21:51,440 --> 00:21:54,240 Speaker 1: They didn't make a joke. Blake Shelton said that Morgan's well, 448 00:21:54,320 --> 00:21:58,159 Speaker 1: I didn't put the rest of it on there. I 449 00:21:58,280 --> 00:22:00,720 Speaker 1: hope you guys check it out. We're gonna talk about 450 00:22:00,800 --> 00:22:02,560 Speaker 1: music in a second, but I would definitely wanted to 451 00:22:02,560 --> 00:22:04,399 Speaker 1: spend this whole segment talking about the book. It's a 452 00:22:04,440 --> 00:22:06,840 Speaker 1: great book, and again it talks about all that your faith, 453 00:22:07,280 --> 00:22:10,080 Speaker 1: your family, and not only what it's gonna sound like 454 00:22:10,119 --> 00:22:11,680 Speaker 1: John F. Kennedy, what you've done for the country, but 455 00:22:11,840 --> 00:22:13,800 Speaker 1: the Country's done for you? Honestly, Yes, it's it's a 456 00:22:13,880 --> 00:22:16,280 Speaker 1: lot of that. Amen, I say that a lot. You 457 00:22:16,320 --> 00:22:19,520 Speaker 1: know the military. I don't. I wasn't near as good 458 00:22:19,560 --> 00:22:21,760 Speaker 1: for the military as the military was for me. Well, 459 00:22:21,760 --> 00:22:24,240 Speaker 1: I hope everybody orders it on Amazon, or if you do, 460 00:22:24,359 --> 00:22:26,720 Speaker 1: go buy one of those and they have like walls, 461 00:22:26,760 --> 00:22:28,160 Speaker 1: and you walk in a door and you buy a book. 462 00:22:28,240 --> 00:22:31,960 Speaker 1: Is it a bookstore? Gone to a bookstore? It's called 463 00:22:32,080 --> 00:22:35,240 Speaker 1: God Family Country by Craig Morgan. I like your pants? 464 00:22:35,280 --> 00:22:37,119 Speaker 1: What kind of pants you got there? I don't know. 465 00:22:37,359 --> 00:22:39,400 Speaker 1: You don't know what those My wife bought and made 466 00:22:39,400 --> 00:22:41,720 Speaker 1: me dress up. What do you mean those are awesome pants? 467 00:22:42,080 --> 00:22:44,720 Speaker 1: I know they're not jeans. How do they make you feel? 468 00:22:44,760 --> 00:22:46,760 Speaker 1: When I say I like your pants? It didn't bother 469 00:22:46,840 --> 00:22:48,639 Speaker 1: me in an compliment? Right? Yeah? Absolutely? Yeah, I think 470 00:22:48,640 --> 00:22:50,840 Speaker 1: those are awesome pants. I like it. Should I not 471 00:22:50,920 --> 00:22:53,200 Speaker 1: be complimented? Well that's the debate here On this show, 472 00:22:53,560 --> 00:22:55,119 Speaker 1: Eddie saw someone with good pants and he said, I 473 00:22:55,160 --> 00:22:56,600 Speaker 1: don't want to say something to be weird. I was like, 474 00:22:56,640 --> 00:22:58,800 Speaker 1: why not just say you like their pants? I don't. Yeah, 475 00:22:58,880 --> 00:23:01,200 Speaker 1: I think there's nothing wrong Craig's pants. Yeah, No, I 476 00:23:01,240 --> 00:23:04,320 Speaker 1: saw that when I said that it was it wasn't awkward. 477 00:23:04,320 --> 00:23:06,240 Speaker 1: I think the way you did it like them. Yeah, 478 00:23:06,280 --> 00:23:09,600 Speaker 1: I mean it's pretty. It was pretty. I didn't say, man, 479 00:23:09,640 --> 00:23:12,639 Speaker 1: those pants pitch you well. I didn't say anything like that. Mommy, 480 00:23:12,720 --> 00:23:14,200 Speaker 1: Can I tell you what girls do to take it 481 00:23:14,280 --> 00:23:15,760 Speaker 1: next level? If they like a pants and the girl 482 00:23:15,800 --> 00:23:18,960 Speaker 1: doesn't know, they'll check the tag. Oh, so go check 483 00:23:19,000 --> 00:23:23,680 Speaker 1: the tags. I'm not checking your tag. I feel like 484 00:23:23,720 --> 00:23:25,560 Speaker 1: Craig's like a badly man. He might not have dar 485 00:23:25,720 --> 00:23:30,240 Speaker 1: I'll be honest with you. What I always love that 486 00:23:30,320 --> 00:23:32,960 Speaker 1: box is debrief and I'm like, oh, neither, That's what 487 00:23:33,040 --> 00:23:36,440 Speaker 1: I thought. I said. If it weren't for the fact 488 00:23:36,480 --> 00:23:42,920 Speaker 1: so many even room, I'm probably wouldn't have hany pants on. Yeah. Yeah, okay, anyway, kid, 489 00:23:43,359 --> 00:23:44,480 Speaker 1: So I got a couple of things to talk to 490 00:23:44,480 --> 00:23:46,840 Speaker 1: you about. First of all, we mentioned on this show 491 00:23:46,880 --> 00:23:48,280 Speaker 1: when you had posted that you had a bunch of 492 00:23:48,320 --> 00:23:52,400 Speaker 1: a d LCDs at your show. Yeah. So you're doing 493 00:23:52,440 --> 00:23:55,480 Speaker 1: a show and obviously you sell a merch and some 494 00:23:55,640 --> 00:23:58,440 Speaker 1: of the merch is music, and you cut it open 495 00:23:58,480 --> 00:24:01,959 Speaker 1: the box, cut or whatever, and it's just literally adele CDs. Correct, 496 00:24:02,160 --> 00:24:05,600 Speaker 1: How like a whole box. No, like, uh, four or 497 00:24:05,680 --> 00:24:08,320 Speaker 1: five boxes. So my guys stopped to pick up our 498 00:24:08,440 --> 00:24:10,880 Speaker 1: merchandise before we left, and you know, they don't open 499 00:24:10,920 --> 00:24:13,120 Speaker 1: it and check everything because on the tag it said 500 00:24:13,200 --> 00:24:17,200 Speaker 1: Craig Morgan, you know, God Family Country, the title of 501 00:24:17,280 --> 00:24:19,600 Speaker 1: the album. So they just stick the boxes in the 502 00:24:19,600 --> 00:24:21,879 Speaker 1: truck or under the bus or whatever. And they come 503 00:24:21,920 --> 00:24:24,080 Speaker 1: and got me, like, you're not gonna believe this, Like 504 00:24:24,240 --> 00:24:26,240 Speaker 1: what you know we got the CDs. I'm like, thank god, 505 00:24:26,240 --> 00:24:28,119 Speaker 1: because we sold out. You know, it's been like two 506 00:24:28,200 --> 00:24:29,880 Speaker 1: or three shows and we didn't have CDs and that's 507 00:24:29,880 --> 00:24:32,960 Speaker 1: a big deal. Uh. And and they're like, oh, we 508 00:24:33,080 --> 00:24:34,879 Speaker 1: finally got them, and they're like, you're not gonna believe this. 509 00:24:34,960 --> 00:24:36,480 Speaker 1: They pull it out and it said an Adele CD, 510 00:24:36,800 --> 00:24:39,600 Speaker 1: so that somehow they had got mislabeled. So did Adele 511 00:24:39,640 --> 00:24:41,000 Speaker 1: get a bunch of Craig Morgan? She's like, what in 512 00:24:41,000 --> 00:24:45,200 Speaker 1: the bloody A here? I don't know. I'd probably sold 513 00:24:45,240 --> 00:24:47,240 Speaker 1: more if Adele had put them out there. Did you 514 00:24:47,520 --> 00:24:50,560 Speaker 1: end up a selling them the adele ones or people 515 00:24:50,600 --> 00:24:52,960 Speaker 1: like this is just weird? No, A I didn't because 516 00:24:53,119 --> 00:24:55,520 Speaker 1: I didn't know. I was afraid somebody might get like, 517 00:24:55,760 --> 00:24:58,520 Speaker 1: you know, it's hilarious. I should have signed them, would 518 00:24:58,520 --> 00:25:00,520 Speaker 1: you like an adele one of a guy at LCD 519 00:25:00,600 --> 00:25:03,119 Speaker 1: signed by Craig Moore? You did think that? Yeah? And 520 00:25:03,200 --> 00:25:06,359 Speaker 1: then do you send them? Do you get that money? 521 00:25:06,720 --> 00:25:08,280 Speaker 1: Do you still get your CDs? At some point I 522 00:25:08,359 --> 00:25:10,320 Speaker 1: think Jerry just when we got back, he took them 523 00:25:10,359 --> 00:25:13,159 Speaker 1: back in exchange them for our CDs. They realized their mistake. 524 00:25:13,440 --> 00:25:15,560 Speaker 1: This would have been the greatest PR duet set up 525 00:25:15,600 --> 00:25:17,479 Speaker 1: ever if all of a sudden, because you know how 526 00:25:17,520 --> 00:25:19,560 Speaker 1: people fake stuff to set up duets, all of a sudden, 527 00:25:19,560 --> 00:25:23,639 Speaker 1: in three weeks, you're launching it, like yeah, yeah, So 528 00:25:24,480 --> 00:25:26,879 Speaker 1: you're out doing these shows. Is it hard for you? 529 00:25:27,000 --> 00:25:30,520 Speaker 1: Because a lot of your songs are so emotional? A 530 00:25:30,600 --> 00:25:32,480 Speaker 1: lot of them are so I'm watching people cry every show. 531 00:25:32,520 --> 00:25:34,680 Speaker 1: Every time I see you, You're doing a song that's 532 00:25:34,720 --> 00:25:39,800 Speaker 1: either about your family, your faith, your country, it's basically 533 00:25:39,840 --> 00:25:42,119 Speaker 1: what your book. But you have all these songs. I 534 00:25:42,160 --> 00:25:44,600 Speaker 1: feel like there are people crying at every Craig Morgan show. Yeah, 535 00:25:44,640 --> 00:25:46,520 Speaker 1: so I don't do them all at every show. I 536 00:25:46,640 --> 00:25:49,159 Speaker 1: gotta be honest, Like especially The Father, My Son, the 537 00:25:49,200 --> 00:25:52,399 Speaker 1: Holy Ghost, I don't do that all the time. I 538 00:25:52,480 --> 00:25:54,480 Speaker 1: don't know that I've ever done it at a like 539 00:25:54,600 --> 00:25:57,760 Speaker 1: the Big Festival's affairs, where there's thirty thousand, twenty thousand 540 00:25:57,840 --> 00:26:00,560 Speaker 1: drunk people probably wouldn't roll, and you you get mad 541 00:26:00,600 --> 00:26:02,560 Speaker 1: that people are talking drunk during it. Now you know, 542 00:26:02,640 --> 00:26:04,359 Speaker 1: I'm not that guy too. I'm not the guy that 543 00:26:04,440 --> 00:26:07,200 Speaker 1: stands on stage and tells everybody to shut up and listen, 544 00:26:07,760 --> 00:26:09,800 Speaker 1: you know, because people are having a good time, man, 545 00:26:10,000 --> 00:26:13,280 Speaker 1: And I think sometimes we take ourselves too serious up there, 546 00:26:13,280 --> 00:26:15,400 Speaker 1: and that's what we're there for, us to entertain them 547 00:26:15,440 --> 00:26:18,280 Speaker 1: and allow them to have fun. And if I'm music 548 00:26:18,359 --> 00:26:22,439 Speaker 1: in the background of their conversation, then that's cool. I mean, 549 00:26:22,480 --> 00:26:24,280 Speaker 1: they're paying good money come see me, so they're allowed 550 00:26:24,280 --> 00:26:25,520 Speaker 1: to talk if they want to. But did you ever 551 00:26:25,640 --> 00:26:28,760 Speaker 1: play bars where people were just living their life and 552 00:26:28,760 --> 00:26:31,520 Speaker 1: you were just the background music? You're gonna laugh. I 553 00:26:31,640 --> 00:26:33,480 Speaker 1: never played a bar in my life until after I 554 00:26:33,520 --> 00:26:35,399 Speaker 1: got a record deal. And why would they send you 555 00:26:35,480 --> 00:26:37,879 Speaker 1: back to a bar after you got a record deal money? 556 00:26:38,800 --> 00:26:40,520 Speaker 1: You just needed to work? Yeah, I did it for 557 00:26:40,600 --> 00:26:42,359 Speaker 1: the work. In your book, you talk about hard it 558 00:26:42,480 --> 00:26:44,840 Speaker 1: was to leave service, Yeah, I mean it was just 559 00:26:45,000 --> 00:26:48,800 Speaker 1: as a person, it was hard. It still is. Would 560 00:26:48,840 --> 00:26:52,159 Speaker 1: you people ask me how transition from the military of 561 00:26:52,200 --> 00:26:54,760 Speaker 1: the music now, I always say I'm working on it. 562 00:26:54,880 --> 00:26:57,080 Speaker 1: Where'd you go back if you could in a heartbeat, 563 00:26:57,119 --> 00:27:00,240 Speaker 1: if especially if I could do what I did in 564 00:27:00,520 --> 00:27:02,680 Speaker 1: a in a combat situation. Now, let me say this, 565 00:27:02,800 --> 00:27:05,480 Speaker 1: I wouldn't want to go back just to go hang out. 566 00:27:05,600 --> 00:27:07,840 Speaker 1: And you know, although I love and miss a lot 567 00:27:07,920 --> 00:27:09,920 Speaker 1: of that, but if they said, hey, we got this 568 00:27:10,119 --> 00:27:12,280 Speaker 1: going on in this part of the world and we 569 00:27:12,400 --> 00:27:14,280 Speaker 1: need you to come in, I'd be gone in a heartbeat. 570 00:27:14,280 --> 00:27:16,800 Speaker 1: You ever been a spy, I would leave in a 571 00:27:16,880 --> 00:27:18,960 Speaker 1: heartbeat to go do that. No, I've never been a 572 00:27:19,119 --> 00:27:21,240 Speaker 1: I've never been a spy. You answered that, fishy, I'm 573 00:27:21,280 --> 00:27:27,160 Speaker 1: just gonna move off. No, No, I've worked with spies. Yeah, 574 00:27:27,200 --> 00:27:29,760 Speaker 1: and you've worked you know, really like real spive people. 575 00:27:29,840 --> 00:27:31,840 Speaker 1: And that I mean when I was writing this book, 576 00:27:31,880 --> 00:27:34,560 Speaker 1: I was like, I forgotten then that we did that. 577 00:27:35,040 --> 00:27:36,639 Speaker 1: Like I was the first artist to play at the 578 00:27:36,760 --> 00:27:41,120 Speaker 1: US Embassy in Iraq when it reopened, but I wasn't 579 00:27:41,160 --> 00:27:43,320 Speaker 1: really there just to do a show. My show was 580 00:27:43,320 --> 00:27:47,199 Speaker 1: a cover for the agency and various other governmental organizations 581 00:27:47,240 --> 00:27:49,800 Speaker 1: to bring in the new government for Iraq and it 582 00:27:49,960 --> 00:27:55,760 Speaker 1: was just cool as it could be. Who's your favorite spy? Wa? 583 00:27:56,119 --> 00:27:58,399 Speaker 1: So how long goes by until you can say that? 584 00:27:59,480 --> 00:28:06,560 Speaker 1: Well about the years? Yeah, a lot of the stuff 585 00:28:06,640 --> 00:28:08,479 Speaker 1: we we when Jim and I were writing this, there 586 00:28:08,520 --> 00:28:11,800 Speaker 1: were other stories that we submitted, uh, And they were like, 587 00:28:12,240 --> 00:28:15,159 Speaker 1: we don't know if we should discuss that because the 588 00:28:15,280 --> 00:28:17,680 Speaker 1: big thing here's how we knew it was okay that 589 00:28:17,840 --> 00:28:21,000 Speaker 1: when the especially with the agency, when I would submit something, 590 00:28:21,040 --> 00:28:23,280 Speaker 1: and when I was talking about Panama, and for one, 591 00:28:23,359 --> 00:28:26,280 Speaker 1: I'm talking about nineteen eighty nine. I mean, you know, 592 00:28:26,440 --> 00:28:28,520 Speaker 1: that's a long time ago. Half the crap that the 593 00:28:28,600 --> 00:28:31,560 Speaker 1: military had don't even exist anymore. So we weren't given 594 00:28:31,560 --> 00:28:34,159 Speaker 1: away any governmental secrets or nothing like that. But we 595 00:28:34,240 --> 00:28:37,719 Speaker 1: was talking about an operation involved the agency, and all 596 00:28:37,800 --> 00:28:40,160 Speaker 1: they would say was we neither we can neither confirm 597 00:28:40,240 --> 00:28:43,720 Speaker 1: nor deny uh And like, okay, fair enough, that's cool, 598 00:28:44,000 --> 00:28:45,760 Speaker 1: and then there would be one to go. We would 599 00:28:45,880 --> 00:28:51,120 Speaker 1: we would we definitely oppose the truth of this. Uh. 600 00:28:51,360 --> 00:28:53,680 Speaker 1: So he's like, oh, okay, I can't say that. Well, 601 00:28:53,680 --> 00:28:55,520 Speaker 1: the book that I got was an early version. It 602 00:28:55,640 --> 00:29:00,520 Speaker 1: was all redacted. It's all the way through it. I 603 00:29:00,560 --> 00:29:01,880 Speaker 1: want to play the new song. We're gonna have you 604 00:29:01,880 --> 00:29:02,920 Speaker 1: hang out for a little bit, but I want to 605 00:29:02,920 --> 00:29:05,120 Speaker 1: play the new song here. It's called how You Make 606 00:29:05,160 --> 00:29:08,400 Speaker 1: a Man? And again when it's this is a poignant, 607 00:29:09,080 --> 00:29:13,000 Speaker 1: emotional song, I don't know, like, what do you say 608 00:29:13,040 --> 00:29:14,640 Speaker 1: about that? What do you say about this before you 609 00:29:14,720 --> 00:29:18,200 Speaker 1: played in a concert? Well, you know, being a new song. 610 00:29:18,280 --> 00:29:20,400 Speaker 1: I just say, hey, this is my new single. I 611 00:29:20,480 --> 00:29:21,960 Speaker 1: want to know if you like it, because if you don't, 612 00:29:22,040 --> 00:29:24,560 Speaker 1: I don't want the radio stations to play it. If 613 00:29:24,600 --> 00:29:26,680 Speaker 1: you do like it, call them and wear them out 614 00:29:26,760 --> 00:29:28,720 Speaker 1: and I'll give you Bobby Bones cell phone. Yeah for 615 00:29:28,760 --> 00:29:33,040 Speaker 1: su Hi no uh. And then and then afterwards I 616 00:29:33,080 --> 00:29:35,160 Speaker 1: tell him, you know, I believe it's a song that 617 00:29:35,240 --> 00:29:38,560 Speaker 1: we need to hear because the course of this song 618 00:29:38,760 --> 00:29:42,480 Speaker 1: just hammers me. You run, you crawl, you rise, you fall, 619 00:29:42,960 --> 00:29:45,000 Speaker 1: you hit your knees until you learn to stand. That's 620 00:29:45,040 --> 00:29:48,280 Speaker 1: how you make a man. I mean, then that's that's life. Man. 621 00:29:48,360 --> 00:29:51,600 Speaker 1: You gotta sometimes you gotta fall. Uh. And And I 622 00:29:51,720 --> 00:29:54,560 Speaker 1: think in today's time, it seems like everybody's scared of 623 00:29:54,640 --> 00:29:56,680 Speaker 1: scratching their knees. You know. It's like, oh, I don't 624 00:29:56,680 --> 00:29:58,640 Speaker 1: want to get hurt and love. You know, it's like 625 00:29:58,720 --> 00:30:01,040 Speaker 1: the same thing with love. I don't want to get 626 00:30:01,080 --> 00:30:03,959 Speaker 1: my heart broke. Man, you're not going to experience real 627 00:30:04,040 --> 00:30:06,120 Speaker 1: love if if it haven't had it broke a little bit, 628 00:30:06,280 --> 00:30:07,840 Speaker 1: you know. And I feel like when you say how 629 00:30:07,920 --> 00:30:10,120 Speaker 1: you make a man and man, it could be a 630 00:30:10,160 --> 00:30:12,600 Speaker 1: man or a woman. And I do say that, Yeah, 631 00:30:12,720 --> 00:30:16,400 Speaker 1: this isn't just about a man, it's about a human. 632 00:30:16,800 --> 00:30:19,160 Speaker 1: It's how you make people. It's how you make good people. 633 00:30:19,400 --> 00:30:20,760 Speaker 1: You have a lot going on right now, But what 634 00:30:20,840 --> 00:30:22,040 Speaker 1: I want to know, You've done a lot of things. 635 00:30:22,120 --> 00:30:24,000 Speaker 1: You've been a lot of places all over the world. 636 00:30:24,280 --> 00:30:26,120 Speaker 1: You've seen some stuff you can tell us, some you can't. 637 00:30:26,320 --> 00:30:28,760 Speaker 1: You've seen good stuff, bad stuff. Do you believe they're aliens? 638 00:30:30,160 --> 00:30:33,200 Speaker 1: I believe there. I think there definitely could be other 639 00:30:33,360 --> 00:30:36,240 Speaker 1: life forms. But I don't know that it matters. Do 640 00:30:36,360 --> 00:30:38,840 Speaker 1: you think because some of these guys are saying that 641 00:30:38,960 --> 00:30:41,880 Speaker 1: come out of this special part of the government that 642 00:30:42,120 --> 00:30:44,240 Speaker 1: is over UFOs and the aliens, it's just something that's 643 00:30:44,240 --> 00:30:46,320 Speaker 1: not enough identified. But like, we can't tell you everything 644 00:30:46,320 --> 00:30:49,479 Speaker 1: because you'll freak out. What do you translate that to mean? 645 00:30:50,280 --> 00:30:52,880 Speaker 1: I think people don't need to know everything it could 646 00:30:52,920 --> 00:30:55,880 Speaker 1: be I'm just making stuff up here. China has a 647 00:30:55,880 --> 00:30:57,520 Speaker 1: technology that we don't have, maybe, and that would freak 648 00:30:57,600 --> 00:30:59,920 Speaker 1: us out too. Could that be a thing? Most definitely, 649 00:31:00,360 --> 00:31:04,520 Speaker 1: m most definitely. What do you know? I know that 650 00:31:04,640 --> 00:31:07,720 Speaker 1: I'm fascinated that we walk around in our lives as 651 00:31:07,760 --> 00:31:10,640 Speaker 1: if nothing is going on except what we're doing. I 652 00:31:10,680 --> 00:31:13,520 Speaker 1: agree with that. Yeah, And it's a big old world 653 00:31:13,600 --> 00:31:16,280 Speaker 1: and it's a big old universe. But I also have 654 00:31:16,360 --> 00:31:17,720 Speaker 1: a lot of faith in God and I know that 655 00:31:17,840 --> 00:31:20,800 Speaker 1: He's in charge. And ultimately this is temporal for me. 656 00:31:21,120 --> 00:31:24,760 Speaker 1: We're here for a while, some longer than others, and 657 00:31:24,880 --> 00:31:27,320 Speaker 1: I look forward to the time that it's that I'm 658 00:31:27,320 --> 00:31:29,360 Speaker 1: in a life that is not temporal, that I'm living 659 00:31:29,440 --> 00:31:31,560 Speaker 1: up there. I hope mine's way longer than all you guys. 660 00:31:33,080 --> 00:31:35,400 Speaker 1: I want to be like two hundred telling you man, 661 00:31:35,480 --> 00:31:37,640 Speaker 1: I want to I want to live until I I 662 00:31:37,760 --> 00:31:39,200 Speaker 1: just can't. I want to be one of those people 663 00:31:39,520 --> 00:31:41,440 Speaker 1: that's like on Instagram and they're like one hundred and 664 00:31:41,480 --> 00:31:44,040 Speaker 1: thirty year old golfer. It's at all and it looks 665 00:31:44,080 --> 00:31:46,360 Speaker 1: real sad, We'll also like it's really cool. That's what 666 00:31:46,520 --> 00:31:48,680 Speaker 1: I want to be. Yeah, as your health everything good? 667 00:31:48,760 --> 00:31:51,200 Speaker 1: Oh great man. Yeah, you're still biking fifty miles and 668 00:31:52,280 --> 00:31:54,600 Speaker 1: now I'm not. I would love to be, but I'm 669 00:31:54,640 --> 00:31:56,520 Speaker 1: just so busy right now now. I'm still running quite 670 00:31:56,560 --> 00:31:58,520 Speaker 1: a bit and I bike when I can. We've gotten 671 00:31:58,520 --> 00:32:03,120 Speaker 1: into the mountain biking. Well you wreck that man, that's worse. Yeah, yeah, 672 00:32:03,400 --> 00:32:06,200 Speaker 1: yeah you so, No fifty mile bike right Saturdays anymore? No? 673 00:32:06,480 --> 00:32:11,440 Speaker 1: How about steak Night? Still have steak Night? Absolutely still Tuesdays. Uh, yes, 674 00:32:11,960 --> 00:32:14,680 Speaker 1: because I can't eat steak on Friday. But yes, when 675 00:32:14,680 --> 00:32:16,800 Speaker 1: I'm home with my wife, we do steak. I grilled 676 00:32:16,840 --> 00:32:19,200 Speaker 1: the steak. You can't eat steak on Friday. We don't 677 00:32:19,240 --> 00:32:22,360 Speaker 1: eat We don't. We don't eat meat on Fridays, like 678 00:32:22,560 --> 00:32:25,760 Speaker 1: all year long or just during Lent, like all year long. 679 00:32:26,760 --> 00:32:28,840 Speaker 1: That's why they have fish Fridays in school. Did you 680 00:32:28,920 --> 00:32:31,280 Speaker 1: know that? No, I didn't know that was on. That's 681 00:32:31,320 --> 00:32:34,720 Speaker 1: how impacting, Uh, Christianity used to be in our society. 682 00:32:35,240 --> 00:32:38,600 Speaker 1: They didn't have fish. I mean they had fish on 683 00:32:38,640 --> 00:32:41,480 Speaker 1: Fridays because they didn't had as an option for those 684 00:32:41,480 --> 00:32:43,120 Speaker 1: people who didn't eat meat on Friday. And I can 685 00:32:43,160 --> 00:32:46,320 Speaker 1: say you couldn't boby on Sunday yeahcide that now you can. 686 00:32:46,560 --> 00:32:56,080 Speaker 1: But god, I mean, not like a beer after church. Look, 687 00:32:56,640 --> 00:32:59,200 Speaker 1: how are you juggling it all? Right? Now? You in 688 00:32:59,280 --> 00:33:01,920 Speaker 1: book promo, you got a new song, You're playing shows 689 00:33:01,960 --> 00:33:04,959 Speaker 1: I see at the opry. Why are you joggling it all? Man? 690 00:33:05,120 --> 00:33:07,000 Speaker 1: I have a wonderful team of people, and I have 691 00:33:07,080 --> 00:33:10,600 Speaker 1: a superstar of a wife. My wife really just kind 692 00:33:10,640 --> 00:33:14,239 Speaker 1: of keeps everything in check. Um. Yeah, did she ever 693 00:33:14,320 --> 00:33:19,840 Speaker 1: tell you a song is not good? Oh? Every day? Involuntarily. Yeah. 694 00:33:20,080 --> 00:33:21,800 Speaker 1: I mean she don't care, man, she don't like If 695 00:33:21,840 --> 00:33:23,440 Speaker 1: she don't like it, I mean, y'all have it. The 696 00:33:23,520 --> 00:33:26,000 Speaker 1: truth is I don't really and in fact, I love 697 00:33:26,080 --> 00:33:29,000 Speaker 1: it when my wife says that's not good. Guaranteed hit, 698 00:33:29,520 --> 00:33:32,920 Speaker 1: guaranteed hit. She didn't like Redneck Yacht Club, she didn't 699 00:33:32,920 --> 00:33:36,960 Speaker 1: like International Harvester. Yeah, what song gets the loudest sing 700 00:33:37,080 --> 00:33:41,120 Speaker 1: back at shows? Um, well, it depends on where I'm at. 701 00:33:41,160 --> 00:33:44,120 Speaker 1: If I'm in the Midwest, no question, International Harvesters. I 702 00:33:44,160 --> 00:33:47,959 Speaker 1: mean it's a people go absolutely ballistic, and it's at 703 00:33:48,000 --> 00:33:50,400 Speaker 1: the as soon as we start that tractor noise, you know, 704 00:33:50,560 --> 00:33:53,920 Speaker 1: they just go nuts. They know. In the Southeast, Redneck 705 00:33:54,000 --> 00:33:56,000 Speaker 1: Yacht Club seems to be one of the bigger ones. 706 00:33:56,240 --> 00:33:58,120 Speaker 1: That's what I love about Sunday, no matter where we're at, 707 00:33:58,200 --> 00:33:59,959 Speaker 1: seems to draw real well. And that's a good one, 708 00:34:00,640 --> 00:34:03,280 Speaker 1: like universally, that's the one. Yeah, I mean, it was 709 00:34:03,320 --> 00:34:05,400 Speaker 1: a big song. It still is, I mean, and it's 710 00:34:05,440 --> 00:34:07,560 Speaker 1: a It's one of those that I feel like it's timeless, 711 00:34:07,680 --> 00:34:10,200 Speaker 1: you know, no matter what happens forever, that song will 712 00:34:10,200 --> 00:34:12,160 Speaker 1: be a song can be played. You can also picture 713 00:34:12,160 --> 00:34:13,600 Speaker 1: all the people on the song, even if that's on 714 00:34:13,680 --> 00:34:15,320 Speaker 1: the same name. You can just picture, you know. I 715 00:34:15,360 --> 00:34:16,920 Speaker 1: went to Mount bind Baptist Church and I could all 716 00:34:16,920 --> 00:34:19,319 Speaker 1: I could see all Miss Betty's staying off game, all 717 00:34:19,400 --> 00:34:21,600 Speaker 1: of every just said, even though it wasn't Miss Betty, 718 00:34:21,920 --> 00:34:24,480 Speaker 1: you know I all those people are kind of, you know, 719 00:34:24,520 --> 00:34:27,120 Speaker 1: assigned to our life in a certain certain way. Um. 720 00:34:27,560 --> 00:34:29,440 Speaker 1: A listener called us and said he'd like to have 721 00:34:29,560 --> 00:34:33,879 Speaker 1: you play his wedding, and yeah, I don't remember at 722 00:34:34,000 --> 00:34:36,160 Speaker 1: about this. He said, how much to get Craigmore going 723 00:34:36,200 --> 00:34:38,640 Speaker 1: to play my wedding? And you, I said, you probably 724 00:34:38,760 --> 00:34:43,200 Speaker 1: how much? I tell him? Remember? Is that? Just? Am 725 00:34:43,239 --> 00:34:44,920 Speaker 1: I a fair number? Okay, that's what I was gonna say. 726 00:34:44,920 --> 00:34:46,680 Speaker 1: I don't even need the number, fair number for a wedding. 727 00:34:46,680 --> 00:34:49,440 Speaker 1: I've only ever done one wedding. Do you sing when 728 00:34:49,480 --> 00:34:51,840 Speaker 1: they come down the aisle? Or are you the after 729 00:34:52,239 --> 00:34:54,640 Speaker 1: like the after party? We like? I said, I've only 730 00:34:54,719 --> 00:34:56,839 Speaker 1: ever done it one time, and I will. I swore 731 00:34:56,880 --> 00:34:59,880 Speaker 1: I would never do it again. Uh, this is the truth. 732 00:35:00,840 --> 00:35:06,440 Speaker 1: After after the party, they were married. They got married 733 00:35:07,400 --> 00:35:09,799 Speaker 1: and it was I mean tons of tons of money. 734 00:35:09,840 --> 00:35:11,759 Speaker 1: They paid me a fortune. We come in, we do 735 00:35:11,880 --> 00:35:16,399 Speaker 1: the wedding. After the wedding, I hear on the bus 736 00:35:16,560 --> 00:35:20,160 Speaker 1: door and I'm like, Jerry, see what's see what's up? 737 00:35:20,320 --> 00:35:22,160 Speaker 1: And we're on my bus. Bands on the other bus. 738 00:35:22,800 --> 00:35:24,560 Speaker 1: The lady comes to the bus and she says, my 739 00:35:24,719 --> 00:35:29,759 Speaker 1: husband gave me a hall pass. Oh no, my tour 740 00:35:29,840 --> 00:35:33,120 Speaker 1: manager standing out there. Stand up, Jerry, tell them if 741 00:35:33,120 --> 00:35:37,719 Speaker 1: I'm telling truth, yes or no? Oh my god, I said, 742 00:35:37,800 --> 00:35:39,560 Speaker 1: locked the door and go get Jim at the fiddle. 743 00:35:39,600 --> 00:35:45,880 Speaker 1: Players got to take one for the team. That's funny 744 00:35:45,960 --> 00:35:48,600 Speaker 1: and awkward. Um. In the book, you talk about Craig 745 00:35:48,640 --> 00:35:52,799 Speaker 1: Greer being a stage name. Yep, so, so who told 746 00:35:52,840 --> 00:35:55,120 Speaker 1: you not to use that his stage name? Uh? Well, 747 00:35:55,200 --> 00:35:58,080 Speaker 1: Garth didn't tell me not to use my last name. 748 00:35:59,640 --> 00:36:03,960 Speaker 1: He just said, you will, uh, you will have a 749 00:36:04,600 --> 00:36:08,880 Speaker 1: better private life if you're not using your real name. Um, 750 00:36:09,560 --> 00:36:11,279 Speaker 1: and he was right, you know. Of course, this was 751 00:36:11,360 --> 00:36:14,279 Speaker 1: all before the influx of social media, and now it's 752 00:36:14,320 --> 00:36:18,120 Speaker 1: weird because even though I am Craig Morgan, I'm still Craig. 753 00:36:18,680 --> 00:36:22,480 Speaker 1: That's actually my middle name, Craig Morgan Greer. So when 754 00:36:22,680 --> 00:36:25,319 Speaker 1: discussing that with the label, they're like, all, Morgan's great, 755 00:36:25,360 --> 00:36:27,640 Speaker 1: let's just go with Craig Morgan, you know. And he 756 00:36:27,760 --> 00:36:30,319 Speaker 1: was right for a long time, like people knew didn't 757 00:36:30,320 --> 00:36:32,600 Speaker 1: couldn't find me. They didn't know where I lived, not 758 00:36:32,719 --> 00:36:36,040 Speaker 1: that it really mattered, but but they couldn't. Well now man, 759 00:36:36,239 --> 00:36:38,480 Speaker 1: they you can do enough research and they all know 760 00:36:38,680 --> 00:36:41,399 Speaker 1: my my real last name. But I mean, I don't 761 00:36:41,400 --> 00:36:43,080 Speaker 1: know that it really matters. I think they also know 762 00:36:43,160 --> 00:36:45,000 Speaker 1: a hunt and I'm a good shot. So nobody just 763 00:36:45,200 --> 00:36:47,560 Speaker 1: shows up. Anybody ever look at your idea and you're 764 00:36:47,560 --> 00:36:50,239 Speaker 1: literally like what you look like that it's not oh yeah, 765 00:36:50,280 --> 00:36:52,400 Speaker 1: it's not you, but you look like the Creig Morgan guy. Yes, 766 00:36:52,560 --> 00:36:55,600 Speaker 1: So I did a hunt uh one time, and the 767 00:36:55,840 --> 00:36:58,719 Speaker 1: DNR came to the show afterwards because they had seen 768 00:36:58,800 --> 00:37:02,120 Speaker 1: that we were hunting and they could not They could 769 00:37:02,200 --> 00:37:04,759 Speaker 1: not find a hunting license for Craig Morgan. So they 770 00:37:04,840 --> 00:37:07,480 Speaker 1: come there to talk to me about it, and I'm like, oh, 771 00:37:07,560 --> 00:37:12,359 Speaker 1: that's not my real name. Jokes on you. Okay, lucky, 772 00:37:12,560 --> 00:37:14,759 Speaker 1: you got it all out there. It's the book's great 773 00:37:14,800 --> 00:37:19,040 Speaker 1: hope everybody. If you're looking for a great book to read, Uh, God, 774 00:37:19,160 --> 00:37:22,040 Speaker 1: Family Country it's out. It's a lot of Craig stories. 775 00:37:22,200 --> 00:37:24,560 Speaker 1: It's it's a wonderful book and there's a lot of 776 00:37:25,320 --> 00:37:28,800 Speaker 1: really personal stuff, really inspirational stuff. Um oh, people, just 777 00:37:28,920 --> 00:37:30,320 Speaker 1: give it a chance. If you love country music is 778 00:37:30,360 --> 00:37:32,920 Speaker 1: one thing you'll you'll love it. But if you if 779 00:37:32,960 --> 00:37:35,960 Speaker 1: you just love America, I mean it's it's that kind 780 00:37:35,960 --> 00:37:38,279 Speaker 1: of book like you find and you read about all 781 00:37:38,320 --> 00:37:40,480 Speaker 1: that you've done. It's like there's an appreciation for you 782 00:37:40,560 --> 00:37:41,960 Speaker 1: that I didn't have. I mean I kind of liked 783 00:37:42,000 --> 00:37:43,200 Speaker 1: it before you came in. I read the book, but 784 00:37:43,239 --> 00:37:45,400 Speaker 1: now I really like it, you know what I mean? Uh? 785 00:37:45,440 --> 00:37:48,200 Speaker 1: And then also Craig new song How You Make a 786 00:37:48,280 --> 00:37:50,960 Speaker 1: Man it's out as well. I appreciate you coming in. 787 00:37:51,160 --> 00:37:52,560 Speaker 1: It's always good to see you. You're one of our 788 00:37:52,560 --> 00:37:54,640 Speaker 1: favorite guests and next time you want to come by 789 00:37:54,680 --> 00:37:57,200 Speaker 1: and bring some adel CDs where we're here, I will, buddy, 790 00:37:57,200 --> 00:37:58,840 Speaker 1: and I appreciate you as well. Are you still got 791 00:37:58,880 --> 00:38:00,840 Speaker 1: to get you to Alaska? I am not doing that. 792 00:38:01,840 --> 00:38:03,279 Speaker 1: It's not I don't want to go to Alaska. I've 793 00:38:03,280 --> 00:38:05,120 Speaker 1: never been to Alaska. I am not doing your track. 794 00:38:05,760 --> 00:38:07,719 Speaker 1: You got do You land in like a small plane. 795 00:38:07,760 --> 00:38:10,799 Speaker 1: Then you walk across ice and then there's like four 796 00:38:10,840 --> 00:38:12,880 Speaker 1: bears you gotta dodge. The first three you're good. The 797 00:38:12,960 --> 00:38:15,160 Speaker 1: fourth one's mean, so you gotta know what that is. 798 00:38:15,360 --> 00:38:17,160 Speaker 1: Then you got a summersault through. It's like, Craig, I 799 00:38:17,200 --> 00:38:20,400 Speaker 1: don't want to do that. It's really not that. It's like, 800 00:38:20,520 --> 00:38:23,880 Speaker 1: no motorized vehicles. We hiked through the woods. What is 801 00:38:23,920 --> 00:38:27,360 Speaker 1: that like three blocks? It's seventy two miles And he 802 00:38:27,400 --> 00:38:29,040 Speaker 1: said a picture of his cabin. He's like check it out, 803 00:38:29,040 --> 00:38:30,480 Speaker 1: and I'm like, where's the WiFi. He goes, oh, we 804 00:38:30,520 --> 00:38:34,040 Speaker 1: don't have anything. Your running water, yeah, you run down 805 00:38:34,200 --> 00:38:38,680 Speaker 1: the bucket and run back. All right, Craig Morgan there 806 00:38:38,719 --> 00:38:43,320 Speaker 1: he is, all right. It's the best bits of the 807 00:38:43,400 --> 00:38:49,320 Speaker 1: week with Morgan. Number two, we didn't have an employee 808 00:38:49,400 --> 00:38:52,239 Speaker 1: of the month for August. So we had an employee 809 00:38:52,280 --> 00:38:55,880 Speaker 1: of the month this week for August and September. And 810 00:38:56,000 --> 00:38:58,680 Speaker 1: it was an unexpected wind for someone they didn't even 811 00:38:58,760 --> 00:39:00,680 Speaker 1: know they were in the running. I'll just say that 812 00:39:00,800 --> 00:39:03,759 Speaker 1: without giving too much away. And of course somebody else 813 00:39:03,880 --> 00:39:07,239 Speaker 1: was very disappointed with the way it went. Number four, 814 00:39:07,440 --> 00:39:09,239 Speaker 1: time for the Bobby Bones Show Employee of the Month. 815 00:39:11,760 --> 00:39:13,759 Speaker 1: We didn't do it last month because it landed during 816 00:39:13,760 --> 00:39:16,120 Speaker 1: a vacation week and it wasn't a full full month. Yeah, 817 00:39:16,480 --> 00:39:18,200 Speaker 1: but it's time to crown the employee of the month 818 00:39:18,600 --> 00:39:23,799 Speaker 1: for August and September. It's a two month. It's time 819 00:39:23,840 --> 00:39:25,400 Speaker 1: to recognize the member of the show has brought the 820 00:39:25,480 --> 00:39:30,040 Speaker 1: best content, best storylines overall, has shined more than anyone 821 00:39:30,120 --> 00:39:33,000 Speaker 1: else in the room. The last employee the month was 822 00:39:33,160 --> 00:39:39,160 Speaker 1: Eddie Spaghetti. Could you too? It's called a repeat. You 823 00:39:39,200 --> 00:39:41,640 Speaker 1: already know it's over. So if I call your name, 824 00:39:41,719 --> 00:39:43,120 Speaker 1: that means you did not win. You give your speech 825 00:39:43,160 --> 00:39:45,560 Speaker 1: that you would have given. Hey, Eddie, what's up? You 826 00:39:45,640 --> 00:39:48,359 Speaker 1: did not win? Yeah, because it's harder review you did 827 00:39:48,440 --> 00:39:52,120 Speaker 1: not two peete, so read your speech you whatever. Dang man, 828 00:39:52,160 --> 00:39:55,200 Speaker 1: my speech is good too. I was gonna say, guys, look, 829 00:39:55,920 --> 00:39:59,239 Speaker 1: there is no eye an employee of the month. Hold on, 830 00:40:00,200 --> 00:40:02,920 Speaker 1: I double check, there's no Yeah. Yeah, you thought I 831 00:40:02,960 --> 00:40:04,799 Speaker 1: was gonna say a team, but it's not team. There 832 00:40:04,920 --> 00:40:06,840 Speaker 1: is no eye and employee of the month. We're not 833 00:40:06,960 --> 00:40:09,920 Speaker 1: here just to celebrate me. It takes all of us 834 00:40:10,000 --> 00:40:12,600 Speaker 1: to make this boat float. That's why sometimes I let 835 00:40:12,640 --> 00:40:15,800 Speaker 1: you guys win games. But you know what, it's not 836 00:40:15,920 --> 00:40:17,880 Speaker 1: about me, It's about all of us. So thank you 837 00:40:18,120 --> 00:40:21,360 Speaker 1: for this amazing award. Everyone give yourself a patent the 838 00:40:21,400 --> 00:40:23,279 Speaker 1: back because you deserve this as much as I do. 839 00:40:23,680 --> 00:40:27,360 Speaker 1: And you know what, one of them deserves it more. Alrighty, 840 00:40:27,520 --> 00:40:33,240 Speaker 1: then all right Morgan you hold right there. Oh Amy, 841 00:40:33,360 --> 00:40:35,080 Speaker 1: you did not want to employ the month? Read your 842 00:40:35,120 --> 00:40:39,160 Speaker 1: speech please. This whole show takes everyone to function. I'm 843 00:40:39,200 --> 00:40:43,560 Speaker 1: pretty sure there's like thirteen people including all the producers, 844 00:40:44,080 --> 00:40:46,640 Speaker 1: so that's a lot of people contributing. But you know, 845 00:40:46,719 --> 00:40:50,200 Speaker 1: if I did something to, you know, stand out a 846 00:40:50,280 --> 00:40:52,680 Speaker 1: little more these last two months, I'll take it, and 847 00:40:53,040 --> 00:40:56,400 Speaker 1: I am honored to take it. But yes, on behalf 848 00:40:56,440 --> 00:40:59,200 Speaker 1: of everybody. It's thirteen people. Yeah, I can show it 849 00:40:59,280 --> 00:41:01,560 Speaker 1: sound a lot better. I'll be honest with you. I'm gonna, well, 850 00:41:01,600 --> 00:41:04,160 Speaker 1: you count the other room, not the glass room. People 851 00:41:04,200 --> 00:41:07,320 Speaker 1: working on the countdown, people editing the podcast like to 852 00:41:07,440 --> 00:41:09,799 Speaker 1: make the whole show function. Got it, Google, What are 853 00:41:09,800 --> 00:41:12,080 Speaker 1: you doing your fingers over there? Well not thirteen? Well 854 00:41:12,080 --> 00:41:14,160 Speaker 1: that's not that big of a difference. Girls like eleven 855 00:41:14,200 --> 00:41:19,839 Speaker 1: out seven, eight, nine, ten, eleven. Okay, that really doesn't 856 00:41:19,840 --> 00:41:22,600 Speaker 1: matter as well. Yeah, I can't someone else, you know, 857 00:41:24,080 --> 00:41:26,520 Speaker 1: and she's also lunch box. Yeah, go ahead, I'm not 858 00:41:26,640 --> 00:41:31,040 Speaker 1: I'm still hang whatever I'm hanging. Hang around. I know. 859 00:41:31,640 --> 00:41:33,080 Speaker 1: If you ain't gonna tell me, I already know. I 860 00:41:33,480 --> 00:41:36,440 Speaker 1: got my seat. Ray, you did not win. Go oh. 861 00:41:36,640 --> 00:41:39,719 Speaker 1: My wife just had her resume get done for her 862 00:41:39,760 --> 00:41:42,120 Speaker 1: new job, so she said, you need to touch up yours. 863 00:41:42,400 --> 00:41:45,560 Speaker 1: And she said there's no sparkle really with it. Well, Bezier, 864 00:41:46,160 --> 00:41:49,040 Speaker 1: I got that sparkle. Put this on my resume. It's 865 00:41:49,160 --> 00:41:52,759 Speaker 1: employee of the month for August and September on the 866 00:41:52,920 --> 00:41:59,479 Speaker 1: nationally syndicated Bobby Bone Show. Is there more? I guess? Okay, 867 00:41:59,480 --> 00:42:01,640 Speaker 1: I was waiting, you know, some common artist. We'll finish 868 00:42:01,680 --> 00:42:05,040 Speaker 1: a song where like, are they done? Okay? Okay? I 869 00:42:05,160 --> 00:42:08,680 Speaker 1: like it? Huh hey, Abby, Yeah you did not win. 870 00:42:10,239 --> 00:42:12,719 Speaker 1: Do you have a speech? I do? Yeah? Okay. One 871 00:42:12,760 --> 00:42:14,719 Speaker 1: thing that I've learned these past two months is that 872 00:42:14,840 --> 00:42:17,440 Speaker 1: quitting won't get you anywhere. Whether it's singing in a 873 00:42:17,480 --> 00:42:20,280 Speaker 1: bar downtown or in blind karaoke or being on dating apps. 874 00:42:20,560 --> 00:42:22,520 Speaker 1: You have to keep going. So that's what I encourage 875 00:42:22,560 --> 00:42:25,200 Speaker 1: everyone listening to do. Never give up. And Bobby said 876 00:42:25,239 --> 00:42:30,600 Speaker 1: it best fail until you don't. Right, Hey, Morgan, you 877 00:42:30,680 --> 00:42:37,759 Speaker 1: didn't win. Oh hold on, wait wait, we gotta come 878 00:42:37,800 --> 00:42:43,000 Speaker 1: back to you, Morgan, go ahead? Oh man from Millennial 879 00:42:43,120 --> 00:42:46,040 Speaker 1: movie reviews to providing entertainment by eating all of the 880 00:42:46,160 --> 00:42:49,440 Speaker 1: disgusting foods in Elder versus Millennial. I felt this is 881 00:42:49,480 --> 00:42:51,560 Speaker 1: a great month for me. Thank you for seeing and 882 00:42:51,719 --> 00:42:54,200 Speaker 1: recognizing that hard work team, because I couldn't do it 883 00:42:54,280 --> 00:43:00,800 Speaker 1: without you. I appreciate you. And Lunchbox in the window. 884 00:43:01,719 --> 00:43:06,799 Speaker 1: All right, wait wait wait, wait wait what don't just start? Oh, Lunchbox, Yeah, 885 00:43:07,840 --> 00:43:09,680 Speaker 1: I feel like you've had a pretty good last couple 886 00:43:09,719 --> 00:43:14,200 Speaker 1: of months. Yeah, I crushed it. Go ahead, go ahead, 887 00:43:14,719 --> 00:43:18,480 Speaker 1: keep on coming with accolades. The employ the month this 888 00:43:18,600 --> 00:43:31,720 Speaker 1: month is Mike team God watchless He's wait, Lunchbox ahead 889 00:43:31,719 --> 00:43:33,120 Speaker 1: and reach your speech. Mike didn't even know he's up 890 00:43:33,160 --> 00:43:36,279 Speaker 1: for the award. But Lunchbox, go ahead, knock knock, Who's 891 00:43:36,520 --> 00:43:39,480 Speaker 1: who's there? Oh it's me again, Employee of the Month. 892 00:43:40,040 --> 00:43:42,320 Speaker 1: You missed me. You thought I was gone, but I 893 00:43:42,440 --> 00:43:44,759 Speaker 1: keep coming back and coming back. And maybe it's because 894 00:43:44,800 --> 00:43:46,839 Speaker 1: I'm riding my bike so I'm fresh in the morning. 895 00:43:46,880 --> 00:43:48,880 Speaker 1: You guys are cooped up in your car. I got 896 00:43:48,960 --> 00:43:51,239 Speaker 1: the breeze blowing in my hair and it's making my 897 00:43:51,360 --> 00:43:54,400 Speaker 1: mind free. And you know what, one day you'll be 898 00:43:54,520 --> 00:43:59,560 Speaker 1: like me. Are you trying to ride that high though? 899 00:43:59,680 --> 00:44:01,239 Speaker 1: That's up? But you had a really good last couple 900 00:44:01,239 --> 00:44:03,680 Speaker 1: of months. I'll be honest with you. I know you 901 00:44:04,040 --> 00:44:08,640 Speaker 1: even eligible. I know he wasn't eligible, and we worked 902 00:44:08,640 --> 00:44:11,400 Speaker 1: together and Mike did. Mike actually said Lunchbox had a 903 00:44:11,640 --> 00:44:14,840 Speaker 1: great month. Yeah, Mike knows I deserve it. But this 904 00:44:15,040 --> 00:44:16,520 Speaker 1: is sort of like when I think I know it 905 00:44:16,640 --> 00:44:18,640 Speaker 1: deserves it, I know there's like, go ahead. It's like 906 00:44:18,760 --> 00:44:21,440 Speaker 1: you can't give the MVP Award to Michael Jordan every time. 907 00:44:21,480 --> 00:44:24,319 Speaker 1: You gotta make the other players in the NBA feel Okay, Yeah, 908 00:44:24,760 --> 00:44:27,719 Speaker 1: that's why Barkley won. Mike, you did not know you're 909 00:44:27,800 --> 00:44:29,120 Speaker 1: up for what would you like to say you are 910 00:44:29,200 --> 00:44:32,600 Speaker 1: now employees? Yeah, I didn't even know I was eligible. 911 00:44:32,719 --> 00:44:34,960 Speaker 1: I don't really like getting any kind of recognition for 912 00:44:35,040 --> 00:44:37,400 Speaker 1: the show. I just like working to provide great content. 913 00:44:37,560 --> 00:44:39,880 Speaker 1: So this is awesome. I'd even think i'd be up 914 00:44:39,880 --> 00:44:41,480 Speaker 1: for this. We had a couple of emergency situations and 915 00:44:41,560 --> 00:44:43,840 Speaker 1: Mike was there like, okay, we'll do this, We'll do that. 916 00:44:43,920 --> 00:44:45,880 Speaker 1: I was out of town. I mean, nobody covered like 917 00:44:46,000 --> 00:44:47,920 Speaker 1: Mike did, and I don't think it gets enough recognition. 918 00:44:48,040 --> 00:44:51,760 Speaker 1: So the employee of the month Mike dear the first 919 00:44:51,800 --> 00:44:54,960 Speaker 1: time ever. Now, Mike, you get to choose. Would you 920 00:44:55,080 --> 00:44:57,400 Speaker 1: like to spend the wheel of cash? Because I'm this 921 00:44:57,440 --> 00:45:00,760 Speaker 1: wheel of cash. There's something from one to one hundred 922 00:45:00,760 --> 00:45:04,080 Speaker 1: dollars and if you land on spin again times three, 923 00:45:04,560 --> 00:45:07,359 Speaker 1: you get three times what it lands on. Or would 924 00:45:07,360 --> 00:45:10,759 Speaker 1: you like self promotion for fifteen seconds? Or you can 925 00:45:10,800 --> 00:45:13,560 Speaker 1: take someone out of the running for next month? All 926 00:45:13,600 --> 00:45:16,800 Speaker 1: our good options. I've never been able to spend the wheel, 927 00:45:16,840 --> 00:45:21,040 Speaker 1: So let's spend that wheel. You want that money, Let's 928 00:45:21,280 --> 00:45:35,560 Speaker 1: see oh oh and again, Amy, we have been the rules, 929 00:45:35,920 --> 00:45:43,840 Speaker 1: didn't even know Let's spend Oh, there it is. You 930 00:45:43,960 --> 00:45:49,400 Speaker 1: got him come on hundred Okay, you can take that 931 00:45:49,480 --> 00:45:52,120 Speaker 1: twenty one dollars total. Yeah, and you just take it 932 00:45:52,120 --> 00:45:56,719 Speaker 1: and go home. Or you can risk it all for 933 00:45:56,800 --> 00:46:00,319 Speaker 1: two spins. What take the money? Bro? I may never 934 00:46:00,400 --> 00:46:07,360 Speaker 1: get this chance again. So let's spend again. Come on, 935 00:46:09,400 --> 00:46:16,120 Speaker 1: you're bankrupt on the wheel away from one hundred dollars. 936 00:46:16,600 --> 00:46:19,719 Speaker 1: Blow blow on it. That is that is on the line. 937 00:46:19,760 --> 00:46:21,680 Speaker 1: It won't more. Spend Mikey. Okay, if you're going to 938 00:46:21,800 --> 00:46:23,880 Speaker 1: keep the twenty one or do you want to expending? No, no, 939 00:46:24,000 --> 00:46:33,239 Speaker 1: that's so close. I feel like COVID. Let's spit. Wow, bankrupt, 940 00:46:34,239 --> 00:46:40,840 Speaker 1: give me the Benjamin alright, alright, Mikey, you walk with 941 00:46:41,000 --> 00:46:42,600 Speaker 1: one dollar? How do you feel? I feel pretty good 942 00:46:42,640 --> 00:46:47,320 Speaker 1: about that, alright. Our employee of the month for September 943 00:46:47,400 --> 00:46:52,080 Speaker 1: in August, it's Mikey. Alright, great job, great job. It's 944 00:46:52,120 --> 00:46:55,600 Speaker 1: the best bits of the week with Morgan. Number two, 945 00:46:56,840 --> 00:46:59,960 Speaker 1: super exciting stuff for Amy. She started a new hobby. 946 00:47:00,360 --> 00:47:03,520 Speaker 1: She is taking acting classes and yes they are in person, 947 00:47:03,960 --> 00:47:08,280 Speaker 1: unlike lunchboxes who are still on the internet post COVID. 948 00:47:08,560 --> 00:47:11,280 Speaker 1: We're not really sure about that situation, but she shared 949 00:47:11,360 --> 00:47:14,120 Speaker 1: why she's doing it and how fun it's been for her. 950 00:47:14,239 --> 00:47:16,920 Speaker 1: So hey, she's showing you that picking up a new hobby, 951 00:47:17,360 --> 00:47:20,600 Speaker 1: just like I picked up gymnastics in my adult age 952 00:47:20,880 --> 00:47:24,000 Speaker 1: and she's picking up acting classes. Now, you can do anything. 953 00:47:24,120 --> 00:47:25,759 Speaker 1: If you want to do something, just go do it. 954 00:47:25,960 --> 00:47:28,799 Speaker 1: Your age doesn't matter. So I'm just telling y'all right now, 955 00:47:28,920 --> 00:47:31,480 Speaker 1: pretty fun. It can motivate you to do something you've 956 00:47:31,520 --> 00:47:33,600 Speaker 1: been wanting to do. But you know there's also in 957 00:47:33,680 --> 00:47:37,000 Speaker 1: here where lunchboxes. A little bit confused by what's happening. 958 00:47:37,600 --> 00:47:39,680 Speaker 1: Number three Okay, I didn't know when to get to this, 959 00:47:39,719 --> 00:47:40,920 Speaker 1: so we're just gonna do it right now. I know 960 00:47:41,000 --> 00:47:44,160 Speaker 1: it's not gonna be comfortable for me. It's fine, but 961 00:47:44,200 --> 00:47:46,439 Speaker 1: it's Amy who's not gonna be comfortable. Amy, have somebody 962 00:47:46,480 --> 00:47:48,600 Speaker 1: to the lunchbox that he's not gonna want to hear 963 00:47:49,160 --> 00:47:52,239 Speaker 1: something you've been up to. Yeah, go ahead, I don't 964 00:47:52,280 --> 00:47:53,799 Speaker 1: even know how to say it. Well, are you want 965 00:47:53,840 --> 00:47:55,920 Speaker 1: to say it for me? Do you want me to lunchbox? 966 00:47:55,960 --> 00:47:58,160 Speaker 1: You've been doing something in your free time. You've been 967 00:47:58,400 --> 00:48:01,279 Speaker 1: working zoom, you've been working too something. I've been acting. Yeah, 968 00:48:01,280 --> 00:48:03,520 Speaker 1: you're an act yeah, and I'm acting. Yeah, I'm an actor. 969 00:48:03,960 --> 00:48:06,759 Speaker 1: So I built a ramp for you, Amy, so go ahead. Okay. Well, 970 00:48:06,920 --> 00:48:08,600 Speaker 1: so you know how, I'm in a movie coming up, 971 00:48:08,880 --> 00:48:11,520 Speaker 1: a Christmas movie. It comes out on Thanksgiving Day, big 972 00:48:11,600 --> 00:48:16,120 Speaker 1: acting on HBO Max. It's called Falliday Harmony, and I'm 973 00:48:16,280 --> 00:48:18,720 Speaker 1: very excited about it. I flew to la and filmed 974 00:48:18,760 --> 00:48:21,360 Speaker 1: it back in May and was on set for hours, 975 00:48:21,760 --> 00:48:23,440 Speaker 1: way more time than I thought I was going to 976 00:48:23,480 --> 00:48:26,400 Speaker 1: be on there, and I thoroughly enjoyed every minute of it. 977 00:48:26,520 --> 00:48:28,359 Speaker 1: And they even talked about how one of their last 978 00:48:28,440 --> 00:48:31,000 Speaker 1: Christmas movies went to sequel, like there's a part one 979 00:48:31,040 --> 00:48:33,400 Speaker 1: in part two the next year, and that if this 980 00:48:33,600 --> 00:48:36,320 Speaker 1: movie goes to sequel, they said, we'd love to have 981 00:48:36,440 --> 00:48:41,040 Speaker 1: you back. And I had no acting experience or coaching 982 00:48:41,160 --> 00:48:43,560 Speaker 1: or anything going into that one. So I was incredibly nervous, 983 00:48:44,239 --> 00:48:46,840 Speaker 1: and I thought, well, if there is a sequel, I 984 00:48:46,880 --> 00:48:48,880 Speaker 1: want to be prepared. And then also I had so 985 00:48:49,040 --> 00:48:51,560 Speaker 1: much fun, Like what if I could audition for other things? 986 00:48:51,640 --> 00:48:56,600 Speaker 1: Oh stop, So don't tell me you started auditioning crowd. 987 00:48:56,719 --> 00:49:00,640 Speaker 1: I started, well, not yet, but I started in person 988 00:49:01,520 --> 00:49:07,400 Speaker 1: with acting lessons who not soon but and I mean 989 00:49:08,000 --> 00:49:10,080 Speaker 1: is a little too Seriously, you weren't you probably weren't 990 00:49:10,160 --> 00:49:12,239 Speaker 1: good in your movie. Let's you might want to wait, 991 00:49:13,120 --> 00:49:15,120 Speaker 1: That's what I'm saying. Let us see reviews, like we 992 00:49:15,239 --> 00:49:17,160 Speaker 1: know that you're not even in a movie. Why I'm 993 00:49:17,200 --> 00:49:19,120 Speaker 1: in Bad out of Hell this weekend in Las Vegas. 994 00:49:19,320 --> 00:49:21,759 Speaker 1: I mean I'm in a live action. They trust me, 995 00:49:21,800 --> 00:49:23,719 Speaker 1: ah show, Yeah, here's gonna ben hbo man. But they 996 00:49:23,880 --> 00:49:25,759 Speaker 1: trust me not to mess up. There is no oh 997 00:49:25,960 --> 00:49:27,359 Speaker 1: you know, if you mess up, we can do it again. 998 00:49:27,600 --> 00:49:30,040 Speaker 1: They know that my acting skills are so good that 999 00:49:30,160 --> 00:49:31,560 Speaker 1: they said, you know what, We're gonna put you in 1000 00:49:31,640 --> 00:49:34,359 Speaker 1: a live performance. I think it was Bad out of Hell. 1001 00:49:34,400 --> 00:49:36,960 Speaker 1: I think it was kind of a promotion line of 1002 00:49:37,040 --> 00:49:39,440 Speaker 1: performance this weekend at the Paris Casino, Bad out of 1003 00:49:39,480 --> 00:49:41,840 Speaker 1: Hell Saturday night. Come see me if you're in Las Vegas. 1004 00:49:41,920 --> 00:49:45,480 Speaker 1: Lay lines you have I have at least three lines. 1005 00:49:45,640 --> 00:49:49,359 Speaker 1: At least at least three lines a multiple scenes. Okay, 1006 00:49:49,360 --> 00:49:51,080 Speaker 1: hold on, well this is about bat out of Hell. 1007 00:49:51,239 --> 00:49:52,840 Speaker 1: I think this is really cool. You you're now in 1008 00:49:53,000 --> 00:49:56,280 Speaker 1: person taking acting lessons. Yeah, if anything, just to challenge myself. 1009 00:49:56,440 --> 00:49:58,279 Speaker 1: I don't know what I'll do with it, but I 1010 00:49:58,400 --> 00:50:01,040 Speaker 1: thought I had some discouraging out to my brain. I'm 1011 00:50:01,120 --> 00:50:02,960 Speaker 1: forty one. Why would you even try to do that? 1012 00:50:03,320 --> 00:50:05,759 Speaker 1: You know, you're so stupid those kind of thoughts, and 1013 00:50:05,840 --> 00:50:08,359 Speaker 1: then I so that made me want to sign up 1014 00:50:08,400 --> 00:50:11,920 Speaker 1: even more. What's it like? It's well, yesterday I did 1015 00:50:12,000 --> 00:50:15,600 Speaker 1: a script read over and over and over. My character 1016 00:50:15,719 --> 00:50:18,640 Speaker 1: was Shannon, her name Shannon, and I was talking to 1017 00:50:18,920 --> 00:50:20,879 Speaker 1: a homeless girl. She didn't have a name, her name 1018 00:50:20,960 --> 00:50:23,319 Speaker 1: was just girl. And we would go back and forth 1019 00:50:23,400 --> 00:50:25,680 Speaker 1: and back and forth, and I just really a lot 1020 00:50:25,719 --> 00:50:28,839 Speaker 1: of breathing before we start doing work, because she wants 1021 00:50:28,880 --> 00:50:31,319 Speaker 1: you to be able to tap into your emotion, your 1022 00:50:31,360 --> 00:50:35,000 Speaker 1: feelings deep inside. So actually it's pretty therapeutic. Do we 1023 00:50:35,080 --> 00:50:36,800 Speaker 1: have audio of you acting, because I mean, i'd like 1024 00:50:36,840 --> 00:50:39,680 Speaker 1: to hear it. I haven't recorded yet, but so Lunchbox 1025 00:50:39,760 --> 00:50:41,600 Speaker 1: is still on zoom. Though. How come you started immediately 1026 00:50:41,680 --> 00:50:44,160 Speaker 1: in person and he's still reading cheers? She went, she 1027 00:50:44,280 --> 00:50:46,000 Speaker 1: didn't do the same classes I did. She didn't start 1028 00:50:46,080 --> 00:50:48,440 Speaker 1: during the pandemic. She Lunchbox had script of alf from 1029 00:50:48,480 --> 00:50:51,720 Speaker 1: like ninety one, and he just reads that. Are you learning? 1030 00:50:52,239 --> 00:50:54,239 Speaker 1: I don't know, but I feel incredibly blessed because I 1031 00:50:54,320 --> 00:50:56,800 Speaker 1: found out this person that I was able to connect with, 1032 00:50:57,040 --> 00:51:00,719 Speaker 1: like she wasn't name dropping or anything, but coincidentally she 1033 00:51:00,800 --> 00:51:02,239 Speaker 1: works as a lot of people in town we know, 1034 00:51:02,760 --> 00:51:07,239 Speaker 1: and I'm like, what that's crazy, John Party, Jake Owen Well, 1035 00:51:07,440 --> 00:51:09,880 Speaker 1: John Party. John already said her name before, so I 1036 00:51:09,920 --> 00:51:11,719 Speaker 1: feel fine saying that. But there's other people. Jack was 1037 00:51:11,760 --> 00:51:12,960 Speaker 1: in a big movie. He had a big role in 1038 00:51:13,000 --> 00:51:15,880 Speaker 1: a movie. I'm happy for you. Let's as far as 1039 00:51:15,880 --> 00:51:20,520 Speaker 1: acting acting experience, I think I probably in the Leader 1040 00:51:20,600 --> 00:51:23,280 Speaker 1: Year you are, the movie band Slam, like three episodes 1041 00:51:23,280 --> 00:51:25,200 Speaker 1: in Nashville where actually had real lines, right, But I 1042 00:51:25,280 --> 00:51:29,400 Speaker 1: do not consider myself an actor. Um. Secondly, probably Amy 1043 00:51:30,080 --> 00:51:32,279 Speaker 1: Amy is in an HBO a movie, a streaming plot. 1044 00:51:32,480 --> 00:51:34,359 Speaker 1: I was in Friday Night Lights. You didn't have a line. 1045 00:51:34,400 --> 00:51:36,600 Speaker 1: You're an extra, and they over they dubbed you like 1046 00:51:36,719 --> 00:51:39,480 Speaker 1: a someone's voice over your voice. Maybe Morgan Morgan did 1047 00:51:39,480 --> 00:51:42,400 Speaker 1: a lot of stage work. Whoallo, it's true. So until 1048 00:51:42,440 --> 00:51:44,399 Speaker 1: your movie comes out, Amy, we're gonna go Morgan sitting 1049 00:51:44,440 --> 00:51:46,879 Speaker 1: over two of the power rankings of acting, and then 1050 00:51:46,960 --> 00:51:50,400 Speaker 1: Amy's at three and lunchboxes at four. Anybody else have 1051 00:51:50,440 --> 00:51:53,160 Speaker 1: any acting experience at all? In high school? Oh? Hell 1052 00:51:53,239 --> 00:51:55,840 Speaker 1: of an actor? Really? Product, because I did say I 1053 00:51:55,840 --> 00:51:58,319 Speaker 1: did Greece fandom of the Augushopper Horse. Wow. Oh, Eddie 1054 00:51:58,400 --> 00:51:59,920 Speaker 1: might be ahead of lunch Bow. I think I did 1055 00:52:00,320 --> 00:52:02,239 Speaker 1: Adventures of Tom Saw. He doesn't even know he's now, 1056 00:52:02,280 --> 00:52:05,440 Speaker 1: he's just making things. You're such an actor, you know 1057 00:52:05,520 --> 00:52:07,480 Speaker 1: what you've been in? Okay, So power rankings of actors 1058 00:52:07,640 --> 00:52:13,440 Speaker 1: me for now? Morgan Morgan done, Morgan tell Lunchbox. I've 1059 00:52:13,440 --> 00:52:15,879 Speaker 1: been a Wizard of Oz and I did step out 1060 00:52:15,920 --> 00:52:22,000 Speaker 1: of college when I was in Wichita Theater. Whoa she 1061 00:52:22,120 --> 00:52:24,399 Speaker 1: was part of a company. Wow, aren't you R two 1062 00:52:24,440 --> 00:52:26,239 Speaker 1: D two two? I did play R two D two. 1063 00:52:26,480 --> 00:52:32,239 Speaker 1: So let me get power rankings me, Morgan, Amy, Eddie 1064 00:52:32,239 --> 00:52:35,000 Speaker 1: a little bit over. You see, I was in Friday 1065 00:52:35,120 --> 00:52:36,920 Speaker 1: Night Lights, you were. I was in a Chris Jansen 1066 00:52:37,040 --> 00:52:39,520 Speaker 1: music video. I was in I'm gonna be in Bad 1067 00:52:39,560 --> 00:52:41,840 Speaker 1: out of Hell on Saturday. Eddie has done music videos. 1068 00:52:42,080 --> 00:52:46,719 Speaker 1: That's right, a videos. You play music that's not acting. Well, 1069 00:52:46,760 --> 00:52:48,239 Speaker 1: we'll see Bad out of Hell. We'll look at the 1070 00:52:48,239 --> 00:52:50,200 Speaker 1: footage and let you know. But I'm super proud of you. 1071 00:52:50,440 --> 00:52:52,680 Speaker 1: Keep stretching yourself. Thank you. I'm true to myself too, 1072 00:52:52,680 --> 00:52:54,560 Speaker 1: because I was about to talk myself out of it. 1073 00:52:54,680 --> 00:52:58,080 Speaker 1: No limits Yeah, you're straight up masterpe no limits sold 1074 00:52:58,120 --> 00:53:02,120 Speaker 1: you and I like that. Wow, it's the best bits 1075 00:53:02,200 --> 00:53:09,520 Speaker 1: of the week with Morgan. Number two. There's obviously segments 1076 00:53:09,600 --> 00:53:12,120 Speaker 1: that are on the show, but then there's rejected segments 1077 00:53:12,160 --> 00:53:15,000 Speaker 1: that also Aaron on the show. These rejected segments are 1078 00:53:15,360 --> 00:53:17,120 Speaker 1: things that got pitched to be on the show but 1079 00:53:17,160 --> 00:53:19,200 Speaker 1: they never made it, and yet we'd still find a 1080 00:53:19,239 --> 00:53:21,840 Speaker 1: way to talk about them in this segment rejected segments. 1081 00:53:21,840 --> 00:53:24,360 Speaker 1: And you guys love to hear the crazy ideas we 1082 00:53:24,440 --> 00:53:26,200 Speaker 1: came up with. And I'm telling you one of these 1083 00:53:26,280 --> 00:53:28,239 Speaker 1: in here. It's pretty crazy. And if we did it, 1084 00:53:28,280 --> 00:53:30,240 Speaker 1: I think I would have cried if it would have happened. 1085 00:53:30,400 --> 00:53:34,360 Speaker 1: So very glad it's rejected number two. It's time for 1086 00:53:34,440 --> 00:53:38,120 Speaker 1: a segment about segments. And all these segments were rejected segments, 1087 00:53:38,760 --> 00:53:41,640 Speaker 1: rejected segments. So you guys sent these in and I 1088 00:53:41,719 --> 00:53:43,759 Speaker 1: was like, oh, we can never do that. For one 1089 00:53:43,800 --> 00:53:46,920 Speaker 1: reason or another, either somebody's going to die. It's horribly boring. 1090 00:53:48,000 --> 00:53:50,120 Speaker 1: Mostly those are the only two trams. It's one of 1091 00:53:50,160 --> 00:53:54,040 Speaker 1: the two draft number five. This one's called shave it 1092 00:53:54,160 --> 00:53:57,520 Speaker 1: to Save It, and Mike d sent us in. We 1093 00:53:57,600 --> 00:53:59,560 Speaker 1: tell everybody We're going to do another Bobby Bones show 1094 00:53:59,600 --> 00:54:02,160 Speaker 1: showing Tell, where the goal is to have everybody bring 1095 00:54:02,200 --> 00:54:04,759 Speaker 1: a prized item of their own. They're proud to tell 1096 00:54:04,800 --> 00:54:07,879 Speaker 1: a story, something they love, something that's one of a kind. 1097 00:54:08,480 --> 00:54:10,360 Speaker 1: What no one else knows is that there's a twist. 1098 00:54:10,520 --> 00:54:12,760 Speaker 1: After we present all of our items, we let everyone 1099 00:54:12,840 --> 00:54:15,200 Speaker 1: know their object will be destroyed unless they agreed to 1100 00:54:15,200 --> 00:54:19,239 Speaker 1: shave a body part. WHOA, that's intense, and then we 1101 00:54:19,280 --> 00:54:20,960 Speaker 1: spind the wheel. Whatever body part of lands on your 1102 00:54:20,960 --> 00:54:26,040 Speaker 1: shave and then you get dried them back way. WHOA stuff? 1103 00:54:26,040 --> 00:54:29,040 Speaker 1: He should be writing scripts, not these games. Shave it 1104 00:54:29,600 --> 00:54:36,799 Speaker 1: to save it? Rejected segments number four from Raimundo. He said, hey, 1105 00:54:36,840 --> 00:54:38,239 Speaker 1: can we do a segment because I'm bend having some 1106 00:54:38,320 --> 00:54:42,080 Speaker 1: break ins near my apartment. I need a weapon, and 1107 00:54:42,160 --> 00:54:43,800 Speaker 1: so he wanted to talk about this, right, What was 1108 00:54:43,840 --> 00:54:46,480 Speaker 1: your question? Yeah, Bazer's not comfortable with a gun. She 1109 00:54:46,600 --> 00:54:49,040 Speaker 1: thought maybe she may shoot me if she got terrified 1110 00:54:49,160 --> 00:54:51,040 Speaker 1: or something. And I came in from work or something, 1111 00:54:51,400 --> 00:54:53,480 Speaker 1: and so I was wondering, what would you recommend? We 1112 00:54:53,560 --> 00:54:56,040 Speaker 1: were talking knives? Is it a bat? Is it somewhere 1113 00:54:56,080 --> 00:54:58,680 Speaker 1: where I could swing a club? What exactly would you 1114 00:54:58,840 --> 00:55:01,719 Speaker 1: do if it was your sitch. Well me specifically, I 1115 00:55:01,840 --> 00:55:04,400 Speaker 1: do have guns, right, But if I were you and 1116 00:55:04,480 --> 00:55:05,480 Speaker 1: I did not want to have a gun, and I 1117 00:55:05,600 --> 00:55:08,440 Speaker 1: understand that fear. I think unless you were raised or 1118 00:55:08,560 --> 00:55:10,600 Speaker 1: trained with a weapon, you probably shouldn't just have one 1119 00:55:10,640 --> 00:55:12,239 Speaker 1: to have one, because a lot of bad things can 1120 00:55:12,280 --> 00:55:14,719 Speaker 1: happen there. I think a baseball bat's good. You should 1121 00:55:14,760 --> 00:55:18,000 Speaker 1: put it, maybe under the bed. Strategically, We've got a 1122 00:55:18,040 --> 00:55:19,560 Speaker 1: few places in the house where I have different things 1123 00:55:19,560 --> 00:55:24,440 Speaker 1: like cold grab at a moment's notice, machete, Yeah, where 1124 00:55:24,440 --> 00:55:26,560 Speaker 1: are you gonna put that? And secondly, somebody else is 1125 00:55:26,560 --> 00:55:30,839 Speaker 1: gonna get cut? But yes, golf club, baseball bat. Um. 1126 00:55:30,920 --> 00:55:34,359 Speaker 1: You could even do a paintball gun. Honestly, Oh, paintball gun. 1127 00:55:34,480 --> 00:55:37,120 Speaker 1: That's a great idea because that will scare the crap 1128 00:55:37,160 --> 00:55:40,919 Speaker 1: out of something and it's gonna hurt. But that's one too. 1129 00:55:41,200 --> 00:55:43,640 Speaker 1: The paint then just goes old after a while, so 1130 00:55:43,800 --> 00:55:46,040 Speaker 1: you almost I think they're easy to catch because they 1131 00:55:46,120 --> 00:55:49,080 Speaker 1: got paint all over the good call. Wow, ay, that's 1132 00:55:49,120 --> 00:55:51,400 Speaker 1: good paintball gun. So I mean we're doing the rejected 1133 00:55:51,400 --> 00:55:53,560 Speaker 1: segment now, but I think those are the options. You 1134 00:55:53,560 --> 00:55:56,040 Speaker 1: just have to keep the paint separate and then quickly 1135 00:55:56,120 --> 00:55:59,200 Speaker 1: you get you opened up the little on the top 1136 00:55:59,239 --> 00:56:03,520 Speaker 1: of the paintball, the holder he poured in. That's awesome. 1137 00:56:03,920 --> 00:56:05,719 Speaker 1: That's why I do paintball. That's good man, all right. 1138 00:56:05,800 --> 00:56:08,680 Speaker 1: Next one up, let's go up with three rejected segments. 1139 00:56:09,400 --> 00:56:14,479 Speaker 1: Number three. Number three is also from Mike d. He says, 1140 00:56:14,520 --> 00:56:18,480 Speaker 1: there was a story about a soccer player named Christiano 1141 00:56:18,560 --> 00:56:23,080 Speaker 1: Ronaldo getting botox injections down down there, down where, down there, 1142 00:56:23,120 --> 00:56:26,120 Speaker 1: down there, he got botox injections down there so that 1143 00:56:26,239 --> 00:56:29,880 Speaker 1: it looks better down the stair right. So his idea 1144 00:56:30,120 --> 00:56:31,880 Speaker 1: was for all the guys that will of botox, the 1145 00:56:31,920 --> 00:56:35,560 Speaker 1: loser gets botox down there. What is he talking about? Now, 1146 00:56:35,600 --> 00:56:38,399 Speaker 1: I don't even understand. I don't understand what botox does 1147 00:56:38,520 --> 00:56:40,880 Speaker 1: down there. So it makes get bigger right now, I 1148 00:56:40,880 --> 00:56:43,839 Speaker 1: think the prop your lips, no, that is that's that's 1149 00:56:44,600 --> 00:56:49,680 Speaker 1: I see the girls with a big lips. That is 1150 00:56:49,719 --> 00:56:51,840 Speaker 1: not a good thing. It's so gross. I don't know 1151 00:56:51,920 --> 00:56:54,279 Speaker 1: a single dude that goes I love some filled lips, 1152 00:56:55,120 --> 00:56:59,600 Speaker 1: says So it does that to you're down there. No, okay, 1153 00:57:00,239 --> 00:57:05,799 Speaker 1: that's different products. It relaxes them whatever, and probably less wrinkles. Yeah, 1154 00:57:06,200 --> 00:57:08,200 Speaker 1: I'm rinkle free. So we spend the will and whoever 1155 00:57:08,320 --> 00:57:13,040 Speaker 1: Lanson has to get botoxed down there up rejected. That 1156 00:57:13,560 --> 00:57:19,400 Speaker 1: was rejected. Rejected. Segments check up number two. This one's 1157 00:57:19,440 --> 00:57:23,000 Speaker 1: from Raimundo. Ray says, am I going to my hair 1158 00:57:23,040 --> 00:57:25,720 Speaker 1: lader for five years and now she's disappeared, and he 1159 00:57:25,800 --> 00:57:27,360 Speaker 1: wanted to talk about that, right what happened to her? 1160 00:57:28,000 --> 00:57:30,800 Speaker 1: Usually she texts right away. I'm unable to go to 1161 00:57:30,880 --> 00:57:32,880 Speaker 1: her business unless you have an appointment. They don't let 1162 00:57:32,880 --> 00:57:34,560 Speaker 1: you in the front door. It was from COVID and 1163 00:57:34,600 --> 00:57:37,200 Speaker 1: it's just kept going. I couldn't find her for three week, 1164 00:57:37,520 --> 00:57:39,720 Speaker 1: three weeks. We do have an update. She was in Belarus. 1165 00:57:40,080 --> 00:57:42,560 Speaker 1: I found her. I have a schedule an appointment. She 1166 00:57:42,680 --> 00:57:46,040 Speaker 1: is alive and well, well, we're glad we got that 1167 00:57:46,080 --> 00:57:47,480 Speaker 1: out of the way. Yeah. Well, I mean it was 1168 00:57:47,600 --> 00:57:49,640 Speaker 1: going to talk about then and now, but I didn't 1169 00:57:49,640 --> 00:57:52,240 Speaker 1: know there was an update. I thought we were gonna 1170 00:57:52,240 --> 00:57:53,640 Speaker 1: go want to search for his hair person didn't want 1171 00:57:53,640 --> 00:57:55,280 Speaker 1: to cut his hair anymore. Hey, I'm glad she's okay, 1172 00:57:55,560 --> 00:58:02,640 Speaker 1: And finally rejected. Segments one. Lunchbox took audio when out 1173 00:58:02,640 --> 00:58:06,360 Speaker 1: and recorded CNF celebrities get special boarding on airplanes and 1174 00:58:06,640 --> 00:58:09,680 Speaker 1: using yourself as an example exactly because Ray talked about 1175 00:58:09,720 --> 00:58:13,680 Speaker 1: how some girl from Southern charm or something got special 1176 00:58:13,760 --> 00:58:16,040 Speaker 1: boarding at the airport. So I was like, well, I'm flying, 1177 00:58:16,120 --> 00:58:21,080 Speaker 1: let's see if they'll let me on. Specially how long 1178 00:58:21,200 --> 00:58:23,360 Speaker 1: is this clip? Ray? Thirty seconds? Okay, here we go. 1179 00:58:24,600 --> 00:58:26,280 Speaker 1: I just had a question real quickly. Is there is 1180 00:58:26,280 --> 00:58:29,560 Speaker 1: there like a special like boarding process for like celebrities, 1181 00:58:30,080 --> 00:58:31,880 Speaker 1: like do you like to save us seats? Or where 1182 00:58:31,920 --> 00:58:33,160 Speaker 1: we get on first, or we get we get to 1183 00:58:33,160 --> 00:58:37,200 Speaker 1: pick when we get on. I mean, why I don't 1184 00:58:37,320 --> 00:58:39,440 Speaker 1: I don't. I don't really I usually fly private. So 1185 00:58:39,520 --> 00:58:42,480 Speaker 1: I'm just I'm not used to this board by your groups. 1186 00:58:43,040 --> 00:58:45,160 Speaker 1: But even for celebrities like you know, like do you wait? 1187 00:58:45,320 --> 00:58:47,800 Speaker 1: Like if I say I want to see a one, 1188 00:58:47,920 --> 00:58:50,520 Speaker 1: you call ahead and then that way you can pay 1189 00:58:50,560 --> 00:58:58,640 Speaker 1: for upgraded boarding. Next, she had no time. Ye had 1190 00:58:58,760 --> 00:59:00,480 Speaker 1: no time. It was really business. You wanted none of 1191 00:59:00,520 --> 00:59:02,480 Speaker 1: your nonsense. I mean I couldn't line to ask that 1192 00:59:03,040 --> 00:59:05,720 Speaker 1: said I usually, like so many times in the past, 1193 00:59:05,800 --> 00:59:09,120 Speaker 1: I don't know year if you fell in private, zero year, 1194 00:59:09,400 --> 00:59:11,920 Speaker 1: five years less. I'm just walking. I'm walking our listeners 1195 00:59:11,960 --> 00:59:15,520 Speaker 1: through this zero. Okay, just making sure you So that 1196 00:59:15,640 --> 00:59:17,880 Speaker 1: was a final rejected seconment, but that means it was 1197 00:59:18,000 --> 00:59:19,520 Speaker 1: number one, so it was the closest to making it. 1198 00:59:19,840 --> 00:59:22,880 Speaker 1: That is crazy that that Southern charmed person had their seat, says. 1199 00:59:23,040 --> 00:59:25,920 Speaker 1: That's what I'm saying. People do that. That's what I 1200 00:59:26,000 --> 00:59:27,520 Speaker 1: was trying to figure out. Are you doing in a 1201 00:59:27,600 --> 00:59:29,200 Speaker 1: weird way? You're like, hey, let me ask you a question. 1202 00:59:29,200 --> 00:59:31,720 Speaker 1: It's a question. I'm asked this question. Let's just say 1203 00:59:31,720 --> 00:59:34,920 Speaker 1: I got a question, like a question, and then you're like, 1204 00:59:35,240 --> 00:59:37,120 Speaker 1: if we want to get a seat, say it just 1205 00:59:37,200 --> 00:59:39,400 Speaker 1: confuses people. Well, I mean she was trying to walk away. 1206 00:59:39,440 --> 00:59:41,160 Speaker 1: I think if she just called like an eight hundred 1207 00:59:41,240 --> 00:59:42,520 Speaker 1: number and asked the question, like, hey, I have a 1208 00:59:42,600 --> 00:59:45,080 Speaker 1: high profile person that I'm representing, what we do to 1209 00:59:45,120 --> 00:59:47,400 Speaker 1: make sure they don't get swamped? I think that's probably 1210 00:59:47,480 --> 00:59:50,360 Speaker 1: the way to do it. Oh yeah, well I didn't know. 1211 00:59:50,400 --> 00:59:51,800 Speaker 1: I was just I was at the airport and I 1212 00:59:51,880 --> 00:59:53,240 Speaker 1: was like, man, might as well ask I like it. 1213 00:59:53,480 --> 00:59:55,240 Speaker 1: But if you're touch a celebrity, people should have been 1214 00:59:55,240 --> 00:59:58,120 Speaker 1: swarming you right then. I was in a different city. Man, 1215 00:59:58,480 --> 01:00:01,280 Speaker 1: she didn't even get celebrity is only not. It just 1216 01:00:01,400 --> 01:00:03,040 Speaker 1: depends what city it was one of my cities that 1217 01:00:03,120 --> 01:00:05,160 Speaker 1: I'm not I guess one of your cities now that 1218 01:00:05,360 --> 01:00:10,160 Speaker 1: I wasn't big in Belarus? Many chance, Ah, no I Belarus. 1219 01:00:10,440 --> 01:00:13,960 Speaker 1: All right, there you go. That is rejected segments. Rejected segments. 1220 01:00:15,400 --> 01:00:18,959 Speaker 1: It's the best bits of the week with Morgan number 1221 01:00:18,960 --> 01:00:22,840 Speaker 1: two and of course in that number one spot. This week, 1222 01:00:22,960 --> 01:00:26,040 Speaker 1: Amy's psychic cousin Amanda came on the show. She answered 1223 01:00:26,200 --> 01:00:28,640 Speaker 1: all kinds of questions. Did her reading on Bobby in 1224 01:00:28,800 --> 01:00:31,840 Speaker 1: his life. She also talks about this show and apparently 1225 01:00:31,920 --> 01:00:34,680 Speaker 1: somebody's gonna be leaving in the next year, and she 1226 01:00:34,840 --> 01:00:37,959 Speaker 1: also mentioned who's going to have the better acting career 1227 01:00:38,040 --> 01:00:41,240 Speaker 1: between Amy and Lunchbox. I'm just gonna tell you I 1228 01:00:41,400 --> 01:00:43,920 Speaker 1: believe her. I mean, I don't have any choice but 1229 01:00:44,040 --> 01:00:45,680 Speaker 1: to believe that. There's other things that exist that I 1230 01:00:45,720 --> 01:00:49,320 Speaker 1: don't understand. So I believe her. Lunchbox does not, And 1231 01:00:49,400 --> 01:00:52,960 Speaker 1: that's okay. But listen to it. It's super entertaining whether 1232 01:00:53,040 --> 01:00:55,120 Speaker 1: you believe it or not. It's all good stuff. If 1233 01:00:55,160 --> 01:00:57,000 Speaker 1: you want to watch it instead, you can also head 1234 01:00:57,120 --> 01:00:59,960 Speaker 1: to Bobby Bones dot com. Number one. Ay, would you 1235 01:01:00,040 --> 01:01:01,880 Speaker 1: like to introduce our audience to who's on with us 1236 01:01:02,000 --> 01:01:05,520 Speaker 1: right now. Oh, yes, this is my cousin Amanda, and 1237 01:01:05,760 --> 01:01:08,960 Speaker 1: she's coming to us live from Austin, Texas. Okay. And 1238 01:01:09,200 --> 01:01:11,560 Speaker 1: Amanda has been on the show before where she accurately 1239 01:01:11,600 --> 01:01:14,080 Speaker 1: predicted when I was going to get engaged with no 1240 01:01:14,320 --> 01:01:16,600 Speaker 1: heads up whatsoever, and we sealed it and then we 1241 01:01:16,680 --> 01:01:18,360 Speaker 1: opened it afterwards, and she was right, and I couldn't 1242 01:01:18,360 --> 01:01:20,840 Speaker 1: believe it. And so I've never Amanda, I've never seen 1243 01:01:20,960 --> 01:01:23,560 Speaker 1: you before. We're on zoom watching like we can see 1244 01:01:23,600 --> 01:01:25,520 Speaker 1: her as we're talking. I had no idea. It looks 1245 01:01:25,520 --> 01:01:28,200 Speaker 1: so normal. I'll be honest with you. Well, I mean 1246 01:01:28,240 --> 01:01:31,000 Speaker 1: I didn't bring my crystal ball today in my cape. 1247 01:01:31,080 --> 01:01:35,960 Speaker 1: I tried to really normalize myself. I'm shocked. I'm shocked. 1248 01:01:36,080 --> 01:01:38,200 Speaker 1: She looks. You said something like you thought her hair 1249 01:01:38,240 --> 01:01:41,120 Speaker 1: as be wrapped up. I thought she'd been Miss Cleo. Yeah. Well, 1250 01:01:41,160 --> 01:01:43,360 Speaker 1: I mean I need a turban. I forgot it. But 1251 01:01:43,720 --> 01:01:45,760 Speaker 1: you know, usually I wear a turban. That's how I 1252 01:01:45,800 --> 01:01:48,840 Speaker 1: get all my downloads of information. The only crazy thing 1253 01:01:48,880 --> 01:01:51,040 Speaker 1: happening right now with her is that she is wearing 1254 01:01:51,680 --> 01:01:56,320 Speaker 1: headphones with a cord. Her name both ninety six, So 1255 01:01:56,480 --> 01:01:59,920 Speaker 1: we're in corded headphones in the family. It's old school, 1256 01:02:00,160 --> 01:02:03,720 Speaker 1: it's old cool. How often how many times a week 1257 01:02:03,800 --> 01:02:09,280 Speaker 1: do you do psychic readings for people? About fifteen? Wow? 1258 01:02:09,720 --> 01:02:11,480 Speaker 1: And so do you ever get in these readings and 1259 01:02:11,800 --> 01:02:16,720 Speaker 1: you cry or they cry because something's happening. Yes, sometimes 1260 01:02:16,760 --> 01:02:20,040 Speaker 1: I get emotional. People get emotional quite often, just a 1261 01:02:20,120 --> 01:02:23,920 Speaker 1: whole fluctuation. But sometimes I get emotional because the way 1262 01:02:24,000 --> 01:02:27,200 Speaker 1: that I receive information, I'm not only seeing it or 1263 01:02:27,320 --> 01:02:30,560 Speaker 1: hearing it or translating it interpreting it. I feel it, 1264 01:02:30,880 --> 01:02:33,920 Speaker 1: so I can feel it in my body, the expressiveness. 1265 01:02:34,000 --> 01:02:36,880 Speaker 1: So I don't necessarily break down and cry, but I 1266 01:02:36,960 --> 01:02:39,880 Speaker 1: can tear up or I laugh a whole lot. People 1267 01:02:40,040 --> 01:02:42,680 Speaker 1: know when I read, I giggle and it's almost like 1268 01:02:43,040 --> 01:02:46,680 Speaker 1: a happy kind of opening of energy. And I've expressed 1269 01:02:46,720 --> 01:02:49,000 Speaker 1: this to you before that you know I'm not big 1270 01:02:49,040 --> 01:02:51,320 Speaker 1: psychic guy. You know I'm not. I'm not. I'm not 1271 01:02:51,320 --> 01:02:53,000 Speaker 1: going to mess with it like I'm gonna respect it, 1272 01:02:53,120 --> 01:02:56,360 Speaker 1: but I'm not someone who just believes in psychics. Fully, however, 1273 01:02:56,400 --> 01:02:58,440 Speaker 1: you've come on here and you've perform and you've nailed stuff. 1274 01:02:58,560 --> 01:03:01,480 Speaker 1: So what am I gonna do? Tell her? She's not right. No, 1275 01:03:01,760 --> 01:03:03,520 Speaker 1: I can't do that, but I do think it's fun 1276 01:03:03,600 --> 01:03:06,920 Speaker 1: to talk to her. And she's nailed stuff before, so 1277 01:03:07,000 --> 01:03:08,840 Speaker 1: let's see if she can do it again. A couple 1278 01:03:08,960 --> 01:03:12,600 Speaker 1: questions about you, because Amy said you've been able to 1279 01:03:12,640 --> 01:03:14,640 Speaker 1: talk to her mom, like, are you able to see 1280 01:03:14,680 --> 01:03:19,000 Speaker 1: anybody that has died most of the time? Most of 1281 01:03:19,080 --> 01:03:22,200 Speaker 1: the time, And usually I tell clients that you know 1282 01:03:22,560 --> 01:03:24,840 Speaker 1: loved ones come through. If someone is not coming through, 1283 01:03:25,000 --> 01:03:27,680 Speaker 1: let me know, and I will work to communicate with them. 1284 01:03:27,760 --> 01:03:30,360 Speaker 1: And if I can't, I will blatantly let you know. 1285 01:03:30,960 --> 01:03:32,439 Speaker 1: Is it a bad idea to buy a house where 1286 01:03:32,440 --> 01:03:36,360 Speaker 1: someone has been murdered. It's not a bad idea, but 1287 01:03:36,480 --> 01:03:39,880 Speaker 1: it's really good to be aware so the energy can 1288 01:03:39,960 --> 01:03:43,480 Speaker 1: be cleared. And whether that means praying over it or 1289 01:03:43,600 --> 01:03:46,640 Speaker 1: blessing it or really feeling you or walking into that 1290 01:03:46,800 --> 01:03:49,440 Speaker 1: house to hold space for love, I think being intentional 1291 01:03:49,560 --> 01:03:52,600 Speaker 1: is what's most important, but also having that knowledge that 1292 01:03:52,720 --> 01:03:55,120 Speaker 1: that has happened, so you can make that kind of decision. 1293 01:03:55,880 --> 01:03:57,400 Speaker 1: So if I saw a house and they were like, 1294 01:03:57,440 --> 01:03:59,920 Speaker 1: there's a eight people were murdered, but twenty percent off, 1295 01:04:00,000 --> 01:04:02,400 Speaker 1: you'd say it's okay. If I bought it. I would 1296 01:04:02,440 --> 01:04:06,480 Speaker 1: be really wary of that because I'm talking twenty percent off. 1297 01:04:06,520 --> 01:04:08,760 Speaker 1: I'm probably in the conversation at that once, and I 1298 01:04:08,880 --> 01:04:11,360 Speaker 1: love a good deal better than anyone. But eight people 1299 01:04:11,520 --> 01:04:13,800 Speaker 1: murdered is pretty um, you know, I mean that would 1300 01:04:13,800 --> 01:04:16,480 Speaker 1: be a crime special. Well, then no more than six 1301 01:04:16,640 --> 01:04:18,680 Speaker 1: is what we're going to say, thank you exactly cut 1302 01:04:18,720 --> 01:04:20,400 Speaker 1: it off at six. What do you say to people 1303 01:04:20,440 --> 01:04:22,560 Speaker 1: who go, well, if you're a psychic keecum, you haven't 1304 01:04:22,560 --> 01:04:27,320 Speaker 1: won the lottery yet. So the way that my gift works, um, 1305 01:04:27,560 --> 01:04:30,600 Speaker 1: you know that information is not stuff that I want 1306 01:04:30,640 --> 01:04:32,560 Speaker 1: to have because I feel like you're messing with fate 1307 01:04:32,680 --> 01:04:35,040 Speaker 1: a little bit. And I really work to step back 1308 01:04:35,400 --> 01:04:37,800 Speaker 1: and to be able to hold space for people to 1309 01:04:37,880 --> 01:04:40,480 Speaker 1: see their highest and truest lights. So my intention is 1310 01:04:40,600 --> 01:04:43,800 Speaker 1: more to reflect someone's self and their highest self and 1311 01:04:43,880 --> 01:04:48,160 Speaker 1: their soul back facilitate healing rather than create abundance. And 1312 01:04:48,240 --> 01:04:50,439 Speaker 1: we know the stories with the lottery, so I don't 1313 01:04:50,440 --> 01:04:52,160 Speaker 1: I don't really want to mess with all the lottery 1314 01:04:52,200 --> 01:04:54,480 Speaker 1: winners and the kind of the doom and gloom stories 1315 01:04:54,480 --> 01:04:57,800 Speaker 1: that accompany that I do. I'd like to know those numbers, 1316 01:04:59,120 --> 01:05:01,040 Speaker 1: and hey, I will tell this, I'm not the best. 1317 01:05:01,240 --> 01:05:05,160 Speaker 1: Like some people are great at locating items, finding things, 1318 01:05:05,280 --> 01:05:10,200 Speaker 1: knowing names, specifically specifics like names and numbers. As far 1319 01:05:10,280 --> 01:05:12,920 Speaker 1: as identifying stuff that is not I'm not. I'm not 1320 01:05:13,080 --> 01:05:15,200 Speaker 1: very good at that. That's not my kind of primary 1321 01:05:15,320 --> 01:05:18,600 Speaker 1: gift sometimes, but I do know people who are actually 1322 01:05:18,800 --> 01:05:21,880 Speaker 1: very very good at those sorts of things, locating items 1323 01:05:22,080 --> 01:05:25,720 Speaker 1: or predicting numbers. Yeah, I misplace my PS five controller 1324 01:05:25,760 --> 01:05:27,919 Speaker 1: sometimes and I cannot find it. One time I found 1325 01:05:27,960 --> 01:05:30,720 Speaker 1: a refrigerator and I just wish I had her to go, 1326 01:05:30,880 --> 01:05:33,080 Speaker 1: like where is it to? But that's not it's not 1327 01:05:33,160 --> 01:05:37,960 Speaker 1: your specialty. So CEOs and you know, business people will 1328 01:05:38,040 --> 01:05:40,680 Speaker 1: will contact you and ask you questions. What advice to 1329 01:05:41,040 --> 01:05:44,440 Speaker 1: the heads of business ask a lot of times it's 1330 01:05:44,560 --> 01:05:46,960 Speaker 1: very normal stuff. You know, when you've reached the top 1331 01:05:47,040 --> 01:05:50,760 Speaker 1: of something and you have so much responsibility. People are 1332 01:05:50,840 --> 01:05:53,200 Speaker 1: looking for the next high, the next amount of the 1333 01:05:53,320 --> 01:05:57,800 Speaker 1: next bit of clarity, and so finding their most direct 1334 01:05:58,040 --> 01:06:02,040 Speaker 1: route to their happiness, theirs their joy. They're healing all 1335 01:06:02,080 --> 01:06:04,360 Speaker 1: the same things that a yoga mom would ask, you know, 1336 01:06:04,440 --> 01:06:08,200 Speaker 1: a soccer mom. CEO's have those questions too. I'm just 1337 01:06:08,280 --> 01:06:10,720 Speaker 1: in disbelieve it how normally cool she looks. Guys, I 1338 01:06:10,800 --> 01:06:13,720 Speaker 1: expect that somebody that's joping purple with an orb or 1339 01:06:14,200 --> 01:06:17,080 Speaker 1: like some crazy starry background, just something as you, just 1340 01:06:17,280 --> 01:06:19,360 Speaker 1: like somebody you'd see at the store. Okay, So Amy's 1341 01:06:19,360 --> 01:06:21,920 Speaker 1: cousin is on, she's a psychic, and I'm gonna ask 1342 01:06:21,960 --> 01:06:25,840 Speaker 1: some questions professionally about myself. And if you don't know it, 1343 01:06:25,920 --> 01:06:27,720 Speaker 1: you don't see it, you definitely don't have to answer 1344 01:06:27,760 --> 01:06:29,440 Speaker 1: no if a pressure to answer, because I'm not sure 1345 01:06:29,480 --> 01:06:31,760 Speaker 1: how the process works. And so a couple of things 1346 01:06:31,840 --> 01:06:34,919 Speaker 1: I'm curious about. There's been some drama over the past 1347 01:06:34,960 --> 01:06:38,880 Speaker 1: few years professionally with me about me being not allowed 1348 01:06:38,920 --> 01:06:40,840 Speaker 1: to host one of the two big award shows in 1349 01:06:40,880 --> 01:06:43,919 Speaker 1: country music, the ACMs or the CMAS. Now, I don't 1350 01:06:44,480 --> 01:06:46,280 Speaker 1: want you to say yes if you don't see it 1351 01:06:46,360 --> 01:06:49,200 Speaker 1: being a yes, obviously, but will either one of those shows, 1352 01:06:49,280 --> 01:06:51,840 Speaker 1: the ACMs or the CMA's, will they ever let me 1353 01:06:51,880 --> 01:06:56,440 Speaker 1: host a show. Yes, yes they will, but it's almost 1354 01:06:56,520 --> 01:06:59,720 Speaker 1: like by that time it's going to be a little 1355 01:06:59,720 --> 01:07:01,120 Speaker 1: bit of a struggle because you're going to have some 1356 01:07:01,200 --> 01:07:03,360 Speaker 1: other things on your plate. And even though I know 1357 01:07:03,480 --> 01:07:05,720 Speaker 1: that you're a big multi tasker and you say yes 1358 01:07:05,800 --> 01:07:08,760 Speaker 1: and you show up. It's almost like, Okay, this is 1359 01:07:08,800 --> 01:07:10,920 Speaker 1: something I really wanted, and now all of a sudden 1360 01:07:10,960 --> 01:07:13,360 Speaker 1: it's not that important to me. But yes, it does happen, 1361 01:07:13,600 --> 01:07:16,160 Speaker 1: and I don't know which one it actually maybe both 1362 01:07:16,920 --> 01:07:19,880 Speaker 1: at the same time. We combine them. Oh yeah, okay, okay, 1363 01:07:20,240 --> 01:07:22,760 Speaker 1: kind of like all or nothing, but it doesn't have 1364 01:07:22,880 --> 01:07:24,760 Speaker 1: the same even though you'll do it, and I can 1365 01:07:24,840 --> 01:07:28,439 Speaker 1: imagine you do a great job, it's almost like it's lost. 1366 01:07:28,480 --> 01:07:31,360 Speaker 1: It's lackluster for you. You like the competitive edge, so 1367 01:07:31,520 --> 01:07:34,439 Speaker 1: you kind of like being told no because it makes 1368 01:07:34,480 --> 01:07:36,800 Speaker 1: you want something that much harder. That's why you've gotten 1369 01:07:36,840 --> 01:07:38,760 Speaker 1: where you are. They're showing me that very clearly. You're 1370 01:07:38,760 --> 01:07:41,920 Speaker 1: not wrong. She's not wrong. My wife says the two life. 1371 01:07:41,960 --> 01:07:44,000 Speaker 1: You may want to clarify for listeners. When she's saying, 1372 01:07:44,120 --> 01:07:46,600 Speaker 1: they're showing me that very clearly. Who is the day? 1373 01:07:46,640 --> 01:07:48,440 Speaker 1: I don't know you have both the family members there. No, 1374 01:07:48,640 --> 01:07:52,000 Speaker 1: she'll explain, Oh, she will explain it. Yea. It showing her, Yeah, 1375 01:07:52,040 --> 01:07:55,200 Speaker 1: who is they? So when I am doing a session, 1376 01:07:55,320 --> 01:07:58,240 Speaker 1: I'm tapping into your highest self and you show up 1377 01:07:58,360 --> 01:08:03,160 Speaker 1: in a very multidimensional way. So masculine, feminine, energy, light, memories, 1378 01:08:03,240 --> 01:08:06,720 Speaker 1: all all the things. So I've always been, you know, 1379 01:08:06,920 --> 01:08:10,920 Speaker 1: using that non binary term they because it's like a 1380 01:08:11,040 --> 01:08:14,240 Speaker 1: collective of yourself, your soul. So I use they. It's 1381 01:08:14,320 --> 01:08:16,479 Speaker 1: not your spirit guides or your loved one. It is 1382 01:08:16,640 --> 01:08:18,920 Speaker 1: every aspect of you that ever has been or ever 1383 01:08:19,000 --> 01:08:22,599 Speaker 1: will be. Well I at this point, will I still? 1384 01:08:22,680 --> 01:08:26,400 Speaker 1: Will I ever get into politics? Yes, I think that's 1385 01:08:26,439 --> 01:08:28,559 Speaker 1: in your heart because it's kind of like me talking 1386 01:08:28,600 --> 01:08:32,000 Speaker 1: to those CEOs. You're going to always be craving a 1387 01:08:32,080 --> 01:08:34,439 Speaker 1: new frontier, which is actually part of your lesson in 1388 01:08:34,520 --> 01:08:37,160 Speaker 1: this lifetime to be able to actually be in a 1389 01:08:37,240 --> 01:08:40,360 Speaker 1: space of piece and ease, really finding a baseline and 1390 01:08:40,560 --> 01:08:44,240 Speaker 1: finding your highest joy, you know, at base camp, sitting 1391 01:08:44,280 --> 01:08:47,400 Speaker 1: outside with you know, Caitlin and the dogs and just 1392 01:08:47,680 --> 01:08:50,840 Speaker 1: enjoying a fire, those kinds of things. Really finding your 1393 01:08:50,920 --> 01:08:54,559 Speaker 1: highest joy, not through achievement, is one of your biggest lessons. 1394 01:08:54,600 --> 01:08:57,360 Speaker 1: But yes, will you go for politics? You will? But 1395 01:08:58,120 --> 01:08:59,960 Speaker 1: I think I've said this before, but they keep showing 1396 01:09:00,080 --> 01:09:03,000 Speaker 1: me there's a different trajectory than you think in that 1397 01:09:03,640 --> 01:09:06,320 Speaker 1: and that's coming sooner rather than later, even though it's 1398 01:09:06,320 --> 01:09:09,479 Speaker 1: been postponed somewhat. You have some big changes coming up 1399 01:09:09,560 --> 01:09:11,799 Speaker 1: in the next year and a half and you're actually 1400 01:09:11,880 --> 01:09:15,280 Speaker 1: on the precipice of making decisions around those changes right now, 1401 01:09:15,600 --> 01:09:18,960 Speaker 1: and there's fear attached to it because you're like, what 1402 01:09:19,080 --> 01:09:20,400 Speaker 1: if I do this and what if it changes my 1403 01:09:20,479 --> 01:09:22,679 Speaker 1: identity and I lose my edge and all the things 1404 01:09:22,720 --> 01:09:25,439 Speaker 1: that you know to be you. But it's almost like 1405 01:09:25,600 --> 01:09:29,479 Speaker 1: surrender to win, basically saying Okay, I'm afraid to I'm 1406 01:09:29,600 --> 01:09:31,760 Speaker 1: not afraid to try this brave new world, this brave 1407 01:09:31,840 --> 01:09:35,679 Speaker 1: new path, to say no, to actually discontinue some things 1408 01:09:35,960 --> 01:09:38,360 Speaker 1: in order to open up the space and opportunity for 1409 01:09:38,439 --> 01:09:40,920 Speaker 1: new things. Oh, I'm gonna ask one more career question, 1410 01:09:41,920 --> 01:09:45,000 Speaker 1: is there? Do you have any idea of what will 1411 01:09:45,040 --> 01:09:50,760 Speaker 1: happen new in my career that will excite me. They're 1412 01:09:50,800 --> 01:09:55,000 Speaker 1: showing me solitary opportunities, like they're showing me opportunities to 1413 01:09:55,080 --> 01:09:58,920 Speaker 1: be able to own something to this is coming through 1414 01:09:59,040 --> 01:10:02,240 Speaker 1: multiple times to do something, to be behind the scenes 1415 01:10:02,280 --> 01:10:04,400 Speaker 1: and in front of it, and it's almost like it 1416 01:10:05,040 --> 01:10:08,479 Speaker 1: it builds a different kind of stability, a different kind 1417 01:10:08,520 --> 01:10:12,080 Speaker 1: of authority, a different kind of leadership that you're looking 1418 01:10:12,200 --> 01:10:15,559 Speaker 1: for significance or recognition around. So it's like a production 1419 01:10:15,680 --> 01:10:19,800 Speaker 1: company and a network or something where you're behind the 1420 01:10:19,920 --> 01:10:22,280 Speaker 1: scenes and you're not having to show up every day 1421 01:10:22,400 --> 01:10:26,000 Speaker 1: and host and hold space. Okay, I mean that's a 1422 01:10:26,040 --> 01:10:28,400 Speaker 1: couple of life questions here. By the way, Amy's cousin 1423 01:10:28,520 --> 01:10:33,560 Speaker 1: is on with us and Demanda psychic. What do I 1424 01:10:33,760 --> 01:10:35,200 Speaker 1: I'm just I'm sitting on the question if I ask 1425 01:10:35,280 --> 01:10:36,720 Speaker 1: every man, I'm wanting nervous. I don't know you're want 1426 01:10:36,720 --> 01:10:38,439 Speaker 1: to ask it? Do I want to do any want 1427 01:10:38,439 --> 01:10:41,920 Speaker 1: to ask? No? No, I was going to ask about well, 1428 01:10:41,960 --> 01:10:43,559 Speaker 1: I live a long life, but I don't think now 1429 01:10:43,560 --> 01:10:44,600 Speaker 1: that I'm in it, I don't think I want to 1430 01:10:44,600 --> 01:10:46,599 Speaker 1: ask you. Let's just say, like, do people ever ask 1431 01:10:46,680 --> 01:10:50,559 Speaker 1: you that? Like when am I going to die? Sometimes? 1432 01:10:50,640 --> 01:10:52,720 Speaker 1: And that's not my gift. I mean, like, as you know, 1433 01:10:52,880 --> 01:10:55,400 Speaker 1: with your dad, I knew he was Amy, I knew 1434 01:10:55,479 --> 01:10:57,680 Speaker 1: he was really sick, but I don't want to be 1435 01:10:57,760 --> 01:11:00,320 Speaker 1: shown that. You know, my mom is terminally ill right now, 1436 01:11:00,400 --> 01:11:02,560 Speaker 1: and I kind of have a feeling or an impression, 1437 01:11:03,280 --> 01:11:05,040 Speaker 1: but I don't really go there. I don't want to 1438 01:11:05,080 --> 01:11:07,280 Speaker 1: be right. And that's that's for God to know. That's 1439 01:11:07,360 --> 01:11:10,000 Speaker 1: for my higher power in God. I don't pretend to 1440 01:11:10,200 --> 01:11:12,880 Speaker 1: have that kind of authority. I just reflect back what 1441 01:11:13,080 --> 01:11:15,599 Speaker 1: I'm shown. Is there someone around me that I should 1442 01:11:15,600 --> 01:11:18,599 Speaker 1: be weary of or not trust? Yeah? Two or three 1443 01:11:18,640 --> 01:11:22,439 Speaker 1: people right now? Wait, right now, right the second like 1444 01:11:22,560 --> 01:11:24,880 Speaker 1: in this room. No, not in this No, not this 1445 01:11:25,200 --> 01:11:28,040 Speaker 1: crew of folks. No, no, not this crew of folks. 1446 01:11:28,120 --> 01:11:29,920 Speaker 1: But there's some people, a couple of people in your 1447 01:11:29,960 --> 01:11:33,000 Speaker 1: life that you're disassociating from, and you're looking at how 1448 01:11:33,080 --> 01:11:36,719 Speaker 1: to transition that, evolve it, evolve it. Who should I fire? 1449 01:11:39,520 --> 01:11:42,280 Speaker 1: I don't think me. Okay, no, it's not lunch box. 1450 01:11:42,600 --> 01:11:45,880 Speaker 1: Oh no, boom see I'm clear, Eddie, you're clear, lunch 1451 01:11:46,040 --> 01:11:48,840 Speaker 1: You're clear. Okay, okay, okay. What do my dogs want 1452 01:11:48,880 --> 01:11:54,840 Speaker 1: me to know about them? Oh? Well, there's there's one 1453 01:11:55,520 --> 01:11:59,920 Speaker 1: that is super resilient UM and it's like nine lives. 1454 01:12:00,000 --> 01:12:01,640 Speaker 1: It was like a cat. One of your dogs is 1455 01:12:01,720 --> 01:12:04,080 Speaker 1: like a cat. It's like, you know, kind of going 1456 01:12:04,120 --> 01:12:06,960 Speaker 1: through the ringer over and over and it's like requires 1457 01:12:07,000 --> 01:12:11,040 Speaker 1: a lot of attention. Do you have a UM you have? 1458 01:12:11,200 --> 01:12:13,160 Speaker 1: I know you have a bulldog. I know that about you. 1459 01:12:13,240 --> 01:12:15,120 Speaker 1: I think you have two dogs. I mean I know 1460 01:12:15,280 --> 01:12:18,040 Speaker 1: those things about you. But like the bulldog like is 1461 01:12:18,240 --> 01:12:20,880 Speaker 1: very much requiring a lot of your time, a lot 1462 01:12:20,920 --> 01:12:24,920 Speaker 1: of your attention. Um, the other dog is just saying, gosh, 1463 01:12:25,040 --> 01:12:27,040 Speaker 1: when is it going to be my turn for attention? 1464 01:12:27,360 --> 01:12:30,760 Speaker 1: When is it my turn? Uh? Fell on this show? 1465 01:12:30,960 --> 01:12:33,160 Speaker 1: You guys don't mean my turning gets in attention around here? 1466 01:12:33,280 --> 01:12:36,439 Speaker 1: What is it? Okay? Okay, Um, I've got a few 1467 01:12:36,479 --> 01:12:42,720 Speaker 1: more here. Will anyone leave the Bobby Bone Show on 1468 01:12:42,720 --> 01:12:47,320 Speaker 1: the next year, Yes, I don't know who, and I'm 1469 01:12:47,360 --> 01:12:50,120 Speaker 1: not even gonna go there with you all. Uh not 1470 01:12:50,280 --> 01:12:53,160 Speaker 1: on the air, certainly, but they showed me yes, and 1471 01:12:53,280 --> 01:12:57,920 Speaker 1: it could be you, Bobby, So you know, is your 1472 01:12:57,960 --> 01:13:02,080 Speaker 1: show that's true? Who will be more successful acting lunchbox 1473 01:13:02,200 --> 01:13:06,800 Speaker 1: or Amy? Amy? Of course? It's crazy? Okay, Hey, I 1474 01:13:06,880 --> 01:13:10,080 Speaker 1: said that because, like, you know, I'm biased. No, I'm 1475 01:13:10,080 --> 01:13:12,720 Speaker 1: just ye. They did blurt out Amy though they did, like, 1476 01:13:13,160 --> 01:13:15,760 Speaker 1: but I also know when I'm biased. I have learned 1477 01:13:15,800 --> 01:13:20,920 Speaker 1: when she blurts things, it's very biased. No, no, no, 1478 01:13:21,160 --> 01:13:24,679 Speaker 1: Sometimes yeah, like we'll be a dinner and nobody's asking 1479 01:13:24,800 --> 01:13:27,080 Speaker 1: her opinion about something. Really, it's just more of a 1480 01:13:27,160 --> 01:13:29,080 Speaker 1: statement that comes up and then stuff will just blurt 1481 01:13:29,120 --> 01:13:30,600 Speaker 1: out of her mouth, and she's like, sorry about that, 1482 01:13:31,000 --> 01:13:33,360 Speaker 1: couldn't And then she's like but normally that's when it's 1483 01:13:33,400 --> 01:13:35,479 Speaker 1: spot on. Is it a good idea for me to 1484 01:13:35,520 --> 01:13:39,479 Speaker 1: go into business with Lunchbox anymore? I don't want to 1485 01:13:39,560 --> 01:13:42,400 Speaker 1: touch that one, you know, because we did. We went 1486 01:13:42,479 --> 01:13:44,400 Speaker 1: to a little business together. I haven't seen any money 1487 01:13:44,439 --> 01:13:46,800 Speaker 1: yet from the shoes. Oh, I still have some of 1488 01:13:46,840 --> 01:13:48,840 Speaker 1: the shoes to sell. Man, you've sold one, and I 1489 01:13:48,960 --> 01:13:50,479 Speaker 1: know any of it. I haven't got the money from 1490 01:13:50,479 --> 01:13:52,760 Speaker 1: me by either. They gotta mail me a check. They 1491 01:13:52,800 --> 01:13:55,200 Speaker 1: haven't mail me a check? How are you doing? Check? Well? 1492 01:13:55,240 --> 01:13:56,439 Speaker 1: How else do you get money from you? Did you 1493 01:13:56,479 --> 01:13:59,160 Speaker 1: get it right to you? Skooboard? Are you yelling mail checks? 1494 01:13:59,240 --> 01:14:01,560 Speaker 1: It's all a trying through PayPal or some sort of 1495 01:14:01,640 --> 01:14:04,880 Speaker 1: payments you by now, it'd be fraudule in charge. It 1496 01:14:04,960 --> 01:14:09,439 Speaker 1: doesn't exist talking about one. By the way, if people 1497 01:14:09,479 --> 01:14:10,920 Speaker 1: want to reach out to you, Amda, what do they do? 1498 01:14:11,000 --> 01:14:13,600 Speaker 1: How do they get in touch with you? My website 1499 01:14:13,880 --> 01:14:19,440 Speaker 1: is www dot soul pathology dot com or on Instagram 1500 01:14:19,560 --> 01:14:24,040 Speaker 1: at soul pathology. Final question, my grandmother and my mom 1501 01:14:24,120 --> 01:14:25,960 Speaker 1: both Oh, my grandmother raised me for a long time. 1502 01:14:26,000 --> 01:14:29,280 Speaker 1: My mom did as well. Are any one of them 1503 01:14:29,439 --> 01:14:34,880 Speaker 1: reaching out to tell me anything? Well, they're they're both here. 1504 01:14:35,000 --> 01:14:38,600 Speaker 1: They're always with you. But I'm going to assume this 1505 01:14:38,720 --> 01:14:41,040 Speaker 1: is your mom. It's the younger, it's the younger energy. 1506 01:14:41,280 --> 01:14:44,120 Speaker 1: It seems like of the two. Um, it's just talking 1507 01:14:44,200 --> 01:14:46,920 Speaker 1: about how you've adulted since you came onto the planet, 1508 01:14:47,439 --> 01:14:51,080 Speaker 1: that you you showed up very responsible, very adult like, 1509 01:14:51,200 --> 01:14:53,439 Speaker 1: if you could control your environment, if you could figure 1510 01:14:53,479 --> 01:14:57,040 Speaker 1: out how to control things, you felt safe, you felt secure. 1511 01:14:57,439 --> 01:15:00,559 Speaker 1: And she's saying, you know, she's proud of you. She's saying, 1512 01:15:00,640 --> 01:15:02,599 Speaker 1: I know that you you had things on your shoulders 1513 01:15:02,680 --> 01:15:04,720 Speaker 1: that a young person shouldn't have had to carry. You've 1514 01:15:04,760 --> 01:15:06,960 Speaker 1: done a lot of work around that. But she says, 1515 01:15:07,120 --> 01:15:10,160 Speaker 1: you need to know that you don't always have to 1516 01:15:10,200 --> 01:15:14,200 Speaker 1: feel responsible for everyone else's safety, security, and happiness, and 1517 01:15:14,280 --> 01:15:16,560 Speaker 1: you don't have to be afraid for your own. She 1518 01:15:16,720 --> 01:15:19,599 Speaker 1: loves you very much, and she says, he's so freaking smart. 1519 01:15:19,880 --> 01:15:22,599 Speaker 1: He was always so smart. And she says, even when 1520 01:15:22,640 --> 01:15:25,400 Speaker 1: I wasn't around, did your grandmother your grandmother raised you more? 1521 01:15:25,479 --> 01:15:28,240 Speaker 1: And your grandmother says, of course he's smart. You know, 1522 01:15:28,360 --> 01:15:30,200 Speaker 1: of course he's a step ahead and she's like, he's 1523 01:15:30,240 --> 01:15:32,600 Speaker 1: a wheeler and a dealer. Your was your grandmother a 1524 01:15:32,680 --> 01:15:34,560 Speaker 1: wheeler and a dealer. I don't know what that like, 1525 01:15:34,760 --> 01:15:37,439 Speaker 1: meaning just really quick and fast and able to, like, 1526 01:15:38,160 --> 01:15:40,640 Speaker 1: you know, kind of make lemonade out of limits. Like 1527 01:15:41,000 --> 01:15:44,519 Speaker 1: she was really resourceful, your grandmother, she was. And she yeah, 1528 01:15:44,680 --> 01:15:47,320 Speaker 1: she don't hear one. So I'm just kidding. She didn't. 1529 01:15:47,560 --> 01:15:51,639 Speaker 1: Just I'm just kidding. No, she was. She was. He's 1530 01:15:51,640 --> 01:15:53,160 Speaker 1: the wheeler and a dealer. I'm just kidding. She did 1531 01:15:53,240 --> 01:15:55,160 Speaker 1: not deal here. Hey, tell, I'm kidding. Tell my grand 1532 01:15:55,280 --> 01:15:57,679 Speaker 1: I'm kidding. He knows, she knows, all right, Good, Okay, 1533 01:15:57,920 --> 01:16:01,040 Speaker 1: she knows. I think we've said we need to say 1534 01:16:01,040 --> 01:16:02,559 Speaker 1: someone on the show I was leaving in the next year. 1535 01:16:02,720 --> 01:16:04,599 Speaker 1: Are they Are they leaving or they getting fired? Well 1536 01:16:04,640 --> 01:16:06,680 Speaker 1: that's a good question. No, I don't think anyone is 1537 01:16:06,680 --> 01:16:09,479 Speaker 1: getting fired. I think there's gonna be some some show 1538 01:16:09,640 --> 01:16:13,160 Speaker 1: staffing changes, some status changes in the next year to 1539 01:16:13,320 --> 01:16:15,479 Speaker 1: eighteen months something like that. I mean, so there's some 1540 01:16:15,640 --> 01:16:21,120 Speaker 1: changes coming up, that's for sure. Everyone's like, Okay, your 1541 01:16:21,200 --> 01:16:24,000 Speaker 1: grandmother is back, and she's talking about um. I don't 1542 01:16:24,280 --> 01:16:26,320 Speaker 1: like she's talking about food, and I don't know if 1543 01:16:26,360 --> 01:16:30,280 Speaker 1: it's like macaroni or hamburger helper. Um. But she's just 1544 01:16:30,439 --> 01:16:33,640 Speaker 1: talking about stuff you used to eat when you were 1545 01:16:33,720 --> 01:16:36,519 Speaker 1: younger that are still like comfort foods to you today. 1546 01:16:36,600 --> 01:16:38,960 Speaker 1: That does that mean I don't know what that's about? 1547 01:16:38,960 --> 01:16:41,920 Speaker 1: Does that make sense? It does? And I will say this, 1548 01:16:45,200 --> 01:16:48,040 Speaker 1: it's it's hard for me to be this is not 1549 01:16:48,080 --> 01:16:49,880 Speaker 1: toward you a man in anyway, but he won't. Even 1550 01:16:49,920 --> 01:16:51,800 Speaker 1: when I meet somebody new and they know something, I'm like, 1551 01:16:51,840 --> 01:16:54,439 Speaker 1: you probably read this somewhere, Like that's what I think 1552 01:16:55,800 --> 01:16:58,080 Speaker 1: initially when I meet anyone new and they're like, oh, 1553 01:16:58,120 --> 01:16:59,600 Speaker 1: I guess this about you, And I'm like, did you 1554 01:16:59,760 --> 01:17:04,200 Speaker 1: just guess? But when I was a kid, my grandmother 1555 01:17:04,320 --> 01:17:07,120 Speaker 1: used to make something called that we called granny suit 1556 01:17:07,200 --> 01:17:09,040 Speaker 1: because she could take hamburger helper and making it into 1557 01:17:09,120 --> 01:17:12,200 Speaker 1: this whole pot. Shut shut up, I know nothing about that. 1558 01:17:12,400 --> 01:17:14,639 Speaker 1: Like all she was showing me was like the box, 1559 01:17:14,760 --> 01:17:17,960 Speaker 1: the hamburger helper and like throwing different things into it 1560 01:17:18,320 --> 01:17:20,120 Speaker 1: based on what you had, and it was like you 1561 01:17:20,280 --> 01:17:22,439 Speaker 1: loved it. That's all she's showing me in it's very 1562 01:17:22,520 --> 01:17:26,880 Speaker 1: small kitchen. Okay, that's it. I think we're done here. 1563 01:17:27,680 --> 01:17:31,240 Speaker 1: We will see. Um, somebody on the show is out 1564 01:17:31,320 --> 01:17:34,120 Speaker 1: the door. Is it an elevated they being elevated or 1565 01:17:34,120 --> 01:17:36,479 Speaker 1: are they like being told like I just one more 1566 01:17:36,520 --> 01:17:37,920 Speaker 1: on that one. Are they feel like we need the 1567 01:17:38,040 --> 01:17:41,880 Speaker 1: music back because now we're out of the body, you're 1568 01:17:41,920 --> 01:17:44,600 Speaker 1: not performing, let's you go somewhere else. Or is it 1569 01:17:44,720 --> 01:17:46,360 Speaker 1: like you're going to do your own thing and you're 1570 01:17:46,360 --> 01:17:48,559 Speaker 1: crushing it. Now you're going to do your own thing. 1571 01:17:48,640 --> 01:17:51,880 Speaker 1: It's a new trajectory. And then I think people are 1572 01:17:51,960 --> 01:17:55,920 Speaker 1: going starting to think about different trajectories. And I will 1573 01:17:56,040 --> 01:17:59,519 Speaker 1: say this, You know, I do know certain things from Amy, 1574 01:17:59,760 --> 01:18:02,080 Speaker 1: but that is not based on that, like and it's 1575 01:18:02,240 --> 01:18:05,040 Speaker 1: I just mean like ideas and things she has personally 1576 01:18:05,160 --> 01:18:07,960 Speaker 1: going on. And I'm not talking about Amy, like, it's 1577 01:18:08,040 --> 01:18:10,840 Speaker 1: not about disfferent about her. So I just a full 1578 01:18:10,880 --> 01:18:14,320 Speaker 1: disclosure on that, Like it's I do have bias on things, 1579 01:18:14,439 --> 01:18:17,719 Speaker 1: but I'm not answering from biased as best I can. Okay, 1580 01:18:17,880 --> 01:18:20,280 Speaker 1: could this trajectory be because I have chosen something else? 1581 01:18:20,320 --> 01:18:25,240 Speaker 1: Now they must she's answering that so fast. I already 1582 01:18:25,240 --> 01:18:26,760 Speaker 1: I already know the rest of your question. Could it 1583 01:18:26,800 --> 01:18:29,080 Speaker 1: because I've chosen something I'm taking different path. Does this 1584 01:18:29,200 --> 01:18:32,720 Speaker 1: shoot everybody else into something? Yes? Just so what you're 1585 01:18:32,760 --> 01:18:34,719 Speaker 1: saying is Bobby's leaving us, just some of the folks. 1586 01:18:34,800 --> 01:18:37,280 Speaker 1: So I didn't say that some of the people some 1587 01:18:37,400 --> 01:18:44,240 Speaker 1: shifts go along with me. Potentially, Yeah, potentially that one 1588 01:18:44,320 --> 01:18:47,640 Speaker 1: has a couple of probabilities, but they're just different capacities. 1589 01:18:48,200 --> 01:18:50,559 Speaker 1: But yeah, potentially. So we check in in six months, 1590 01:18:51,120 --> 01:18:54,120 Speaker 1: seck in in six months. Well, I guess we found 1591 01:18:54,120 --> 01:18:57,360 Speaker 1: out I'll live along and healthy life. You didn't ask, Yeah, 1592 01:18:57,439 --> 01:19:01,320 Speaker 1: but she glad that one. I think everybody on the 1593 01:19:01,360 --> 01:19:03,280 Speaker 1: show is good right now. I think you all are well. 1594 01:19:03,880 --> 01:19:06,280 Speaker 1: Thank you very much for your time. I'm sure we 1595 01:19:06,439 --> 01:19:09,400 Speaker 1: will just look back in six months and go, holy moly, 1596 01:19:09,479 --> 01:19:11,360 Speaker 1: like we did last time, do it again. And I 1597 01:19:11,400 --> 01:19:13,479 Speaker 1: hope lots of listeners here are you and are so 1598 01:19:13,720 --> 01:19:15,400 Speaker 1: moved to reach out to you and you can help 1599 01:19:15,479 --> 01:19:18,559 Speaker 1: lives in whatever way that you do. And you're again 1600 01:19:18,720 --> 01:19:21,240 Speaker 1: so normal, And I'm just in shocked that she's so normally. 1601 01:19:22,200 --> 01:19:24,640 Speaker 1: I thought she'd wear like a crystal necklace. Am I 1602 01:19:24,640 --> 01:19:27,439 Speaker 1: a little bit disappointed that she's not wearing a crystal necklace? Yeah? 1603 01:19:27,760 --> 01:19:30,599 Speaker 1: Well look I have crystal brace. Okay, I feel pretty good. 1604 01:19:30,640 --> 01:19:32,439 Speaker 1: Then you've got it. Do you feel better now? I do? 1605 01:19:32,840 --> 01:19:35,599 Speaker 1: Hold the bracelets and all the things all right, Amanda, 1606 01:19:35,680 --> 01:19:37,960 Speaker 1: Thank you. I hope you have a great day. Yell two, 1607 01:19:38,040 --> 01:19:43,320 Speaker 1: thanks for having me on. Bye, guys, it's the best 1608 01:19:43,479 --> 01:19:47,960 Speaker 1: Bits of the week with Morgan number two. Thank y'all 1609 01:19:48,040 --> 01:19:50,600 Speaker 1: so much for hanging out with me this weekend. I 1610 01:19:50,800 --> 01:19:55,160 Speaker 1: hope you're doing awesome. I am celebrating my twenty ninth birthday, 1611 01:19:55,240 --> 01:19:58,960 Speaker 1: which is super fun but also kind of sad because 1612 01:19:58,960 --> 01:20:02,000 Speaker 1: I'm not twenty nine. Life is moving so fast, but 1613 01:20:02,160 --> 01:20:04,040 Speaker 1: I appreciate you guys hanging out with me for my 1614 01:20:04,120 --> 01:20:06,519 Speaker 1: birthday weekend. I love y'all so much. Make sure you 1615 01:20:06,600 --> 01:20:10,160 Speaker 1: follow me at web girl, Morgan on all the Things, TikTok, Instagram. 1616 01:20:10,280 --> 01:20:12,920 Speaker 1: Come hang out with me, message me, tell me some thoughts, 1617 01:20:13,000 --> 01:20:15,519 Speaker 1: let's have some conversations if you listen to the best bits. 1618 01:20:15,840 --> 01:20:18,720 Speaker 1: I love hearing from you guys. And of course, make 1619 01:20:18,760 --> 01:20:21,320 Speaker 1: sure you follow the show at Bobby Bones Show. Thank 1620 01:20:21,400 --> 01:20:26,400 Speaker 1: y'all so much. Bye, huh