1 00:00:00,160 --> 00:00:04,920 Speaker 1: Dilly dilly. It's our numb birth three, our number three, 2 00:00:05,240 --> 00:00:08,799 Speaker 1: and we break it down for you NBA style here 3 00:00:08,840 --> 00:00:12,160 Speaker 1: in our number three. What grade do you give the 4 00:00:12,280 --> 00:00:16,040 Speaker 1: Lakers for adding Darden Marcus Smart over the weekend of 5 00:00:16,160 --> 00:00:20,520 Speaker 1: Former Celtic. Does this edition of Marcus Smart Smart Phil 6 00:00:20,600 --> 00:00:23,320 Speaker 1: the void for the Lakers? We'll talk about that also, 7 00:00:23,960 --> 00:00:28,840 Speaker 1: the Malor Palooza twenty twenty five continues. We will get 8 00:00:28,880 --> 00:00:31,840 Speaker 1: to more of the acts that you want in this 9 00:00:32,040 --> 00:00:35,879 Speaker 1: special edition of the podcast. Right now here it is 10 00:00:35,920 --> 00:00:40,360 Speaker 1: give it up for our number three. It's being called 11 00:00:40,440 --> 00:00:43,720 Speaker 1: a smart move. That's the headline, but is it really 12 00:00:43,760 --> 00:00:48,560 Speaker 1: a smart move? Welcome in the beginning of another hour 13 00:00:48,640 --> 00:00:51,920 Speaker 1: of the Ben Mallor Show. It is a malar Paloosa 14 00:00:52,040 --> 00:00:55,680 Speaker 1: kind of night. We are in the air everywhere, as 15 00:00:55,680 --> 00:00:59,640 Speaker 1: you are alongside as we unlock the magic. This is 16 00:00:59,680 --> 00:01:04,560 Speaker 1: gonna be the hour that we unlock the magic. Absolutely 17 00:01:04,720 --> 00:01:08,520 Speaker 1: correct here coast to coast, border to border and beyond 18 00:01:08,640 --> 00:01:15,240 Speaker 1: on the mast and unrealistically powerful microphones of FSR AMMA 19 00:01:15,360 --> 00:01:20,160 Speaker 1: nating live from the pit, the Pit of curiosities, that 20 00:01:20,360 --> 00:01:23,880 Speaker 1: is the Malard Palooza from the Fox Sports Radio Studios 21 00:01:23,959 --> 00:01:27,800 Speaker 1: as approved. They're listening on the other side, Calligan Tim 22 00:01:28,440 --> 00:01:32,200 Speaker 1: in Michigan and our friend Rachel Amontibello. You know they're 23 00:01:32,240 --> 00:01:33,680 Speaker 1: tuning into this on the other you can get to 24 00:01:33,720 --> 00:01:36,080 Speaker 1: these stage because radio goes out forever. It probably goes 25 00:01:36,120 --> 00:01:39,240 Speaker 1: to the other side. Anyway, our lead this hour and 26 00:01:39,280 --> 00:01:41,320 Speaker 1: we will get back to the malaplus. If you're just 27 00:01:41,440 --> 00:01:45,160 Speaker 1: joining us, We've been on the Red Eye flight all night. 28 00:01:45,240 --> 00:01:49,240 Speaker 1: It's a Vaudvillian type flight, a lot of entertainment. I 29 00:01:49,280 --> 00:01:51,520 Speaker 1: say that we're lacking the entertainment. We're trying. We're trying 30 00:01:51,520 --> 00:01:53,080 Speaker 1: the efforts. This is gonna be the hour. This is 31 00:01:53,080 --> 00:01:55,760 Speaker 1: like the turning point. This is where it gets good. 32 00:01:56,160 --> 00:01:59,440 Speaker 1: The Malard Palooza biggest event of the year and overnight 33 00:01:59,440 --> 00:02:01,800 Speaker 1: sports rate. These are real people, men and women and 34 00:02:01,880 --> 00:02:04,960 Speaker 1: children that are just like you, and they've stayed up 35 00:02:05,000 --> 00:02:09,160 Speaker 1: and they've provided us with jokes and comedy, some not 36 00:02:09,280 --> 00:02:15,000 Speaker 1: funny impersonations, rap. We've had some freestyle we have not had. 37 00:02:14,800 --> 00:02:17,400 Speaker 1: We did have the beginning act was Milkman, who did 38 00:02:17,400 --> 00:02:21,040 Speaker 1: some impersonations. We normally get a lot of impersonations. We 39 00:02:21,120 --> 00:02:25,720 Speaker 1: haven't had any animal impersonations. We've not had that. So 40 00:02:25,760 --> 00:02:27,320 Speaker 1: there's some things that we've had in the past that 41 00:02:27,360 --> 00:02:29,919 Speaker 1: we have not had yet. Will that change? Stay tuned 42 00:02:29,960 --> 00:02:32,760 Speaker 1: developing hot dot dot. So our lead this hour though 43 00:02:32,760 --> 00:02:35,040 Speaker 1: mini male monologu or lead this hour is from pro 44 00:02:35,200 --> 00:02:40,480 Speaker 1: Bouncy Ball. And while we were away from the watchtower 45 00:02:41,240 --> 00:02:44,520 Speaker 1: guarding the overnight, the graveyard shift, there was a move 46 00:02:44,680 --> 00:02:47,079 Speaker 1: of note. I am told the managers say. 47 00:02:47,120 --> 00:02:50,000 Speaker 2: You better mention this. You're not gonna mention it. It's 48 00:02:50,040 --> 00:02:53,400 Speaker 2: a good move. You won't bring it up. You're a hater, okay. 49 00:02:54,440 --> 00:02:58,560 Speaker 1: So while we were away from guiding you through the overnight, 50 00:02:59,080 --> 00:03:01,679 Speaker 1: the rare and appropriate night off and then a couple 51 00:03:01,720 --> 00:03:04,440 Speaker 1: of nights off, so several of you reached out. So see, 52 00:03:04,560 --> 00:03:08,880 Speaker 1: this is another smart move, savvy move. But let's get 53 00:03:08,880 --> 00:03:12,400 Speaker 1: to if you missed it, and maybe you did. The Lakers. 54 00:03:12,400 --> 00:03:14,400 Speaker 1: That's a basketball team, not a good one. So the 55 00:03:14,520 --> 00:03:19,000 Speaker 1: Lakers added journeyman garden Marcus Smart. They added him over 56 00:03:19,040 --> 00:03:21,760 Speaker 1: the weekend. You might remember Marcus Smart played with the 57 00:03:21,800 --> 00:03:25,560 Speaker 1: Celtics and was on some good Celtic teams and won 58 00:03:25,600 --> 00:03:28,600 Speaker 1: some awards there while he played in Boston. He was 59 00:03:28,760 --> 00:03:32,840 Speaker 1: just bought out by the Wizards. The Washington Wizards said 60 00:03:32,840 --> 00:03:37,400 Speaker 1: bye bye, to Marcus Smart because apparently they even have standards. 61 00:03:37,440 --> 00:03:40,920 Speaker 1: Now the Washington Wizards have standards. What is going on 62 00:03:41,000 --> 00:03:45,320 Speaker 1: in the world? The Celtics cast off Since leaving Boston, 63 00:03:45,360 --> 00:03:48,760 Speaker 1: he played in Memphis and in Washington. Now he's headed 64 00:03:48,800 --> 00:03:51,160 Speaker 1: to La La Land to play for the other team 65 00:03:51,200 --> 00:03:55,160 Speaker 1: in la And yet again my inbox. When it wasn't 66 00:03:55,240 --> 00:03:59,560 Speaker 1: Blind Scott filling up my inbox, it was Laker historians 67 00:04:00,120 --> 00:04:05,360 Speaker 1: convinced yet again that Rob Polenka skinny jeans. Rob Polenka 68 00:04:05,880 --> 00:04:09,280 Speaker 1: has solved the Rubik's Cube of basketball. And he did 69 00:04:09,280 --> 00:04:13,720 Speaker 1: it with his eyes closed. What a savvy move, a 70 00:04:13,920 --> 00:04:18,920 Speaker 1: one historian. I forget the gentleman's name. Maybe I intentionally 71 00:04:18,920 --> 00:04:21,240 Speaker 1: forget his name, but he wrote. 72 00:04:20,560 --> 00:04:23,760 Speaker 2: The Clipper's got Bradley Beale and he stinks because he 73 00:04:23,800 --> 00:04:27,279 Speaker 2: can't shoot anymore. But Marcus Smart he never could shoot, 74 00:04:27,320 --> 00:04:29,200 Speaker 2: but he'll always be able to play defense. You know 75 00:04:29,240 --> 00:04:30,839 Speaker 2: that kind of thing. That was the vibe. 76 00:04:30,880 --> 00:04:35,160 Speaker 1: So let us discuss the question is this what grade? 77 00:04:36,160 --> 00:04:40,880 Speaker 1: What grade do you give the Lakers for adding Marcus Smart? 78 00:04:40,880 --> 00:04:42,640 Speaker 1: So Remetter, it's a mini mall of monologue. So I've 79 00:04:42,640 --> 00:04:46,279 Speaker 1: got Lionel Richie and smoke detector and we will combine 80 00:04:46,320 --> 00:04:49,680 Speaker 1: all these things together and hopefully we'll get an entertaining 81 00:04:49,720 --> 00:04:52,960 Speaker 1: act in the Mallard Palooza. But first of all, let's 82 00:04:52,960 --> 00:04:56,680 Speaker 1: start with this Marcus Smart. He's one of those guys 83 00:04:56,720 --> 00:05:02,000 Speaker 1: that has the name. Does he have the game? And 84 00:05:02,120 --> 00:05:04,039 Speaker 1: I would argue at this point he doesn't let me 85 00:05:04,080 --> 00:05:09,839 Speaker 1: translate that in modern tech terms so you can relate 86 00:05:09,880 --> 00:05:15,000 Speaker 1: to it. The Lakers just added a flip phone. Now, 87 00:05:15,120 --> 00:05:17,440 Speaker 1: there was a time if you had a flip phone, 88 00:05:17,600 --> 00:05:20,320 Speaker 1: you were pretty cool, like, oh man, you got a 89 00:05:20,360 --> 00:05:24,240 Speaker 1: flip phone. But they're adding that, and they're using that 90 00:05:24,320 --> 00:05:27,120 Speaker 1: in a world with like chat, GPT and all that 91 00:05:27,120 --> 00:05:30,080 Speaker 1: stuff and folding screens on phones and all that. It's 92 00:05:31,560 --> 00:05:36,320 Speaker 1: Marcus Smart is a cracked screen type defender in a 93 00:05:36,440 --> 00:05:40,880 Speaker 1: league that now uses face ID technology. Is what he 94 00:05:41,000 --> 00:05:46,120 Speaker 1: is is still using the passcodes and all that rotaryfon 95 00:05:46,279 --> 00:05:49,000 Speaker 1: I can go on a rotary phone and a FaceTime 96 00:05:49,080 --> 00:05:51,840 Speaker 1: world and all this stuff. Now, listen, Marcus Smart. Are 97 00:05:51,880 --> 00:05:53,839 Speaker 1: there going to be times where Marcus Smart is a 98 00:05:53,920 --> 00:05:58,240 Speaker 1: lunatic jumping for loose balls? Absolutely? Is he going to 99 00:05:58,320 --> 00:06:01,919 Speaker 1: clap his hands like an absolute maniac after making a 100 00:06:02,000 --> 00:06:05,159 Speaker 1: defensive play forcing a jump ball or something like that. 101 00:06:05,200 --> 00:06:08,920 Speaker 1: Of course he will. He'll pick up full court defense 102 00:06:09,720 --> 00:06:14,240 Speaker 1: in in game number forty nine of the regular season, 103 00:06:14,279 --> 00:06:16,400 Speaker 1: he will play that game like it's Game seven of 104 00:06:16,400 --> 00:06:20,680 Speaker 1: the NBA Finals. He will, all right, And when you 105 00:06:20,720 --> 00:06:23,080 Speaker 1: give him the ball, though, right, here's the problem. When 106 00:06:23,080 --> 00:06:26,800 Speaker 1: you give Marcus Smart the ball and the defense, it's 107 00:06:26,839 --> 00:06:32,200 Speaker 1: like Russell Westbrook, like where the defenses all right, shoot Marcus, 108 00:06:32,400 --> 00:06:40,000 Speaker 1: shoot Marcus and then que the lionel Ritchie Commodore's tune 109 00:06:40,960 --> 00:06:45,479 Speaker 1: brick house. Yet one brick after another, right clankny clank 110 00:06:45,600 --> 00:06:51,040 Speaker 1: clank from Marcus Smart. And so all those hustle plays, 111 00:06:52,400 --> 00:06:55,400 Speaker 1: all of them go away, because Marcus Smart will absolutely 112 00:06:55,560 --> 00:06:58,719 Speaker 1: kill you on the offensive side. You are literally playing 113 00:06:58,760 --> 00:07:03,000 Speaker 1: shorthanded with Marcus Smart. On offense. The man treats the 114 00:07:03,080 --> 00:07:06,800 Speaker 1: three point line like it's a personal dare, which it 115 00:07:06,880 --> 00:07:11,000 Speaker 1: often is from the defense, and he keeps shooting. Now, 116 00:07:11,120 --> 00:07:14,280 Speaker 1: he is one of those glue guys, heart and soul guys. 117 00:07:14,320 --> 00:07:16,560 Speaker 1: Marcus Smart. That's the kind of player, which is we 118 00:07:16,640 --> 00:07:20,880 Speaker 1: all know his code for can't shoot. Does other things, 119 00:07:20,880 --> 00:07:23,720 Speaker 1: but can't shoot, And you don't want to say those 120 00:07:23,720 --> 00:07:25,440 Speaker 1: other things he can't do out loud, so you just 121 00:07:25,480 --> 00:07:28,800 Speaker 1: say hustle hert and soul guy, glue guy. But I 122 00:07:28,840 --> 00:07:31,200 Speaker 1: will give this on the MALA report card. I give 123 00:07:31,240 --> 00:07:39,280 Speaker 1: this a C a C move impact minimal capital m minimal, 124 00:07:39,800 --> 00:07:43,880 Speaker 1: minimal impact from Marcus Smart and like all moves that 125 00:07:43,920 --> 00:07:48,960 Speaker 1: the historians make, like way too much hype, way too 126 00:07:49,080 --> 00:07:51,640 Speaker 1: much hype. And this is the guy that chut thirty 127 00:07:51,720 --> 00:07:56,240 Speaker 1: nine percent last season on a bad team. You should 128 00:07:56,320 --> 00:08:00,840 Speaker 1: always play better on a bad team because somebody's got 129 00:08:00,840 --> 00:08:03,920 Speaker 1: to score points, and they usually the games are blowouts 130 00:08:04,520 --> 00:08:07,080 Speaker 1: and they just leave you open. And he still shot 131 00:08:07,160 --> 00:08:10,920 Speaker 1: thirty nine percent from the field. And yet he's being 132 00:08:10,960 --> 00:08:14,800 Speaker 1: treated like he maked every three point shot. But yet 133 00:08:14,880 --> 00:08:16,800 Speaker 1: I when I watched him, even going back to his 134 00:08:17,120 --> 00:08:20,240 Speaker 1: salad days with the Celtics, and he's a guy when 135 00:08:20,240 --> 00:08:23,880 Speaker 1: he makes a three pointer, he's like, wow, that's amazing. 136 00:08:23,920 --> 00:08:26,520 Speaker 1: He doesn't usually do that. You know, he makes one 137 00:08:26,560 --> 00:08:29,880 Speaker 1: about as often as a birthday candle stays lit when 138 00:08:29,880 --> 00:08:33,559 Speaker 1: it's in a wind tunnel. Doesn't happen. Now. Secondly, does 139 00:08:33,720 --> 00:08:40,000 Speaker 1: this addition of Marcus Smart phil a void for the Lakers? 140 00:08:40,480 --> 00:08:42,680 Speaker 1: Phill the foid? Well, A lot of people are saying yes, 141 00:08:42,720 --> 00:08:45,760 Speaker 1: this is what they needed. Obviously, I don't believe that. 142 00:08:45,840 --> 00:08:49,000 Speaker 1: I'm on the other side here. They do need shooting. 143 00:08:49,000 --> 00:08:52,280 Speaker 1: They need to get a little bit younger, I would 144 00:08:52,320 --> 00:08:55,199 Speaker 1: say being fair here, got to improve the second unit. 145 00:08:55,240 --> 00:08:56,920 Speaker 1: There are people saying Marcus Smart's going to be a 146 00:08:56,920 --> 00:09:01,320 Speaker 1: starting player for the Lakers. I mean, that does not 147 00:09:01,480 --> 00:09:05,000 Speaker 1: seem like a wise move if he's in your starting lineup, 148 00:09:06,040 --> 00:09:09,240 Speaker 1: and I mean the second unit. Now you look at 149 00:09:09,280 --> 00:09:13,440 Speaker 1: the Lakers, they have no depth. JJ Reddick, the podcast guy, 150 00:09:14,440 --> 00:09:17,480 Speaker 1: remember that playoff game against Minnesota where he just played 151 00:09:17,559 --> 00:09:20,800 Speaker 1: all of his starters like pretty much the entire second 152 00:09:20,840 --> 00:09:22,720 Speaker 1: and he's like, well, these guys on the bench blow 153 00:09:23,559 --> 00:09:25,679 Speaker 1: And I look at the Lakers right now, in that 154 00:09:25,800 --> 00:09:29,520 Speaker 1: second unit, it still looks like a bad YMCA team 155 00:09:30,000 --> 00:09:34,520 Speaker 1: on a Thursday night rec matchup. Keep part of that wreck. 156 00:09:35,480 --> 00:09:38,040 Speaker 1: And so what is Marcus Martin? He is a guy 157 00:09:38,080 --> 00:09:42,000 Speaker 1: that can't shoot. He is an aging one trick guy. 158 00:09:42,120 --> 00:09:47,160 Speaker 1: He's a defensive specialist. And that's what you've had it. 159 00:09:49,040 --> 00:09:54,520 Speaker 1: If he's so vital, so vital, why did Boston ship 160 00:09:54,600 --> 00:09:58,040 Speaker 1: him out and instantly win a championship without him? When 161 00:09:58,040 --> 00:10:00,800 Speaker 1: they added Drew Holliday, they got I rid of this guy, 162 00:10:00,840 --> 00:10:03,719 Speaker 1: and then they went out to Celtics and won a championship. 163 00:10:04,000 --> 00:10:07,840 Speaker 1: Even though Marcus Smartt was part of the fabric of 164 00:10:07,840 --> 00:10:11,040 Speaker 1: the Celtics, he had his own Cereal. I remember doing 165 00:10:11,080 --> 00:10:14,480 Speaker 1: a bit on the show about Wicked Smots, Wicked Smots 166 00:10:14,800 --> 00:10:18,040 Speaker 1: the Cereal. This guy loved the Celtics so much he 167 00:10:18,200 --> 00:10:21,640 Speaker 1: dyed his hair green while he played for the Boston Celtics. 168 00:10:21,840 --> 00:10:24,000 Speaker 1: And yet they got rid of him and they improved 169 00:10:24,640 --> 00:10:26,880 Speaker 1: so and now he's older, so good luck on that. 170 00:10:26,920 --> 00:10:31,160 Speaker 1: He went to Memphis, went to Washington and the only 171 00:10:31,240 --> 00:10:35,320 Speaker 1: other team like Washington, like they're desperate for anyone that 172 00:10:35,400 --> 00:10:37,439 Speaker 1: knows how to play. At this point, our buddy Rick 173 00:10:37,480 --> 00:10:40,720 Speaker 1: and Maryland morning time. He's going to be on the Wizards. 174 00:10:40,840 --> 00:10:43,560 Speaker 1: They're so bad. And they decided here's a guy that 175 00:10:43,679 --> 00:10:46,160 Speaker 1: was a Defensive Player of the Year in the NBA, 176 00:10:46,360 --> 00:10:49,040 Speaker 1: one of the highest honors you can get, the MVP 177 00:10:49,200 --> 00:10:51,880 Speaker 1: of defense, and the Wizards all like you, listen, we 178 00:10:51,960 --> 00:10:54,080 Speaker 1: don't even want you around here to mentor our g 179 00:10:54,320 --> 00:10:57,959 Speaker 1: league lottery pick roster. You know all these lottery picks. Oh, 180 00:10:57,960 --> 00:11:00,120 Speaker 1: I can't miss it until he get the Washington and 181 00:11:00,160 --> 00:11:02,839 Speaker 1: then most of them suck. So Marcus is thirty one, 182 00:11:02,880 --> 00:11:05,080 Speaker 1: which is not old turn it's thirty two during the season, 183 00:11:05,120 --> 00:11:08,280 Speaker 1: but by sports lingo, you're getting up there, and so 184 00:11:08,720 --> 00:11:12,200 Speaker 1: that's what you do. Well. He brings leadership, okay, so 185 00:11:12,520 --> 00:11:15,640 Speaker 1: Byron Scott you can bring him back, Magic Johnson, Derek Fisher, 186 00:11:15,679 --> 00:11:18,280 Speaker 1: they would all bring leadership as well. But this is 187 00:11:18,280 --> 00:11:21,080 Speaker 1: a desperate move by the Lakers. They the guys they 188 00:11:21,120 --> 00:11:23,840 Speaker 1: wanted didn't want to play for them, and so they're 189 00:11:23,880 --> 00:11:28,440 Speaker 1: stuck picking through the discount rack and they're still embarrassed 190 00:11:28,440 --> 00:11:31,200 Speaker 1: that they wanted Bradley Beal. Everyone wanted him, and he 191 00:11:31,320 --> 00:11:33,520 Speaker 1: chose the Clippers. He didn't choose the Lakers, he chose 192 00:11:33,559 --> 00:11:38,199 Speaker 1: the Clippers. So picking Marcus smart up. It's one of 193 00:11:38,280 --> 00:11:43,560 Speaker 1: those things it feels like you're replacing batteries in the 194 00:11:43,559 --> 00:11:47,600 Speaker 1: smoke detector and the house is already a blaze, while 195 00:11:47,600 --> 00:11:49,640 Speaker 1: you're like, maybe I should change the batteries and the 196 00:11:49,679 --> 00:11:53,200 Speaker 1: smell the houses aren't in fire. I noway, I just 197 00:11:53,240 --> 00:11:55,120 Speaker 1: want to He will get the crowd hype. There'll be 198 00:11:55,160 --> 00:11:57,760 Speaker 1: some moments where he looks really good and flashback and 199 00:11:57,800 --> 00:12:00,760 Speaker 1: all that and wonderful, and you say, you know, hell yeah, 200 00:12:00,840 --> 00:12:03,400 Speaker 1: let's go. We got Marcus Smart, and I will just 201 00:12:03,400 --> 00:12:05,480 Speaker 1: sit back and wait. I will sit back and wait 202 00:12:05,480 --> 00:12:07,200 Speaker 1: because I know Neville, you'll have to if you get 203 00:12:07,240 --> 00:12:11,320 Speaker 1: to the playoffs. Playoffs, you get to the playoffs, that 204 00:12:11,520 --> 00:12:13,840 Speaker 1: is when he will kill you. He'll break your heart. 205 00:12:13,920 --> 00:12:17,280 Speaker 1: The offense will stall. Teams will dare Marcus Smart to 206 00:12:17,280 --> 00:12:21,120 Speaker 1: shoot from pre point range, and he will and he'll miss, 207 00:12:21,400 --> 00:12:23,680 Speaker 1: and then the Nuggets will go on a fourteen to 208 00:12:23,760 --> 00:12:28,760 Speaker 1: two run because he keeps missing. And Marcus Smart will 209 00:12:28,920 --> 00:12:31,880 Speaker 1: jump for loose balls and he might get some of them, 210 00:12:32,200 --> 00:12:35,440 Speaker 1: but he won't get all of them, and he'll keep 211 00:12:35,440 --> 00:12:38,960 Speaker 1: shooting rather than past the ball to luc Will. He 212 00:12:39,040 --> 00:12:43,760 Speaker 1: will take over the game and clank atty clank just 213 00:12:44,200 --> 00:12:47,640 Speaker 1: all over the place. So good luck with that. It 214 00:12:47,760 --> 00:12:51,280 Speaker 1: is the Ben Mahlor Show. It is the Mallor Palooser 215 00:12:51,840 --> 00:12:55,040 Speaker 1: all right, for the Malor Palooza. We will continue on. 216 00:12:55,120 --> 00:12:58,760 Speaker 1: We have some great acts lined up here, some legends. 217 00:12:59,600 --> 00:13:03,240 Speaker 1: I see Reverend Ray Green is lined up and that'll 218 00:13:03,280 --> 00:13:05,760 Speaker 1: be one of our more interesting acts. Inca terrors are 219 00:13:05,800 --> 00:13:09,319 Speaker 1: celebrity judge. This is the night if you've only if 220 00:13:09,320 --> 00:13:11,880 Speaker 1: you're only able to tune in one night during the 221 00:13:11,960 --> 00:13:14,480 Speaker 1: year live. This and the Bennies are the most popular 222 00:13:14,520 --> 00:13:17,200 Speaker 1: shows that we do. We will get back to the 223 00:13:17,240 --> 00:13:22,920 Speaker 1: talent of the malor Militia. Buckle up, Buckle up, it's 224 00:13:23,000 --> 00:13:26,800 Speaker 1: gonna be off the edge, Off the Edge. We'll get 225 00:13:26,840 --> 00:13:29,559 Speaker 1: to that, and the Malord Blueser continues. We'll get to it. 226 00:13:29,600 --> 00:13:30,560 Speaker 1: We'll do it next. 227 00:13:30,679 --> 00:13:33,000 Speaker 3: Be sure to catch live editions of The Ben Maller 228 00:13:33,080 --> 00:13:36,600 Speaker 3: Show weekdays at two am Eastern eleven pm Pacific on 229 00:13:36,720 --> 00:13:39,640 Speaker 3: Fox Sports Radio and the iHeartRadio app. 230 00:13:40,000 --> 00:13:43,200 Speaker 4: Hey, we're Cavino and Rich Fox Sports Radio every day 231 00:13:43,440 --> 00:13:45,840 Speaker 4: five to seven pm Eastern. But here's the thing. We 232 00:13:45,920 --> 00:13:48,079 Speaker 4: never have enough time to get to everything we want 233 00:13:48,120 --> 00:13:48,440 Speaker 4: to get. 234 00:13:48,360 --> 00:13:50,880 Speaker 5: To and that's why we have a brand new podcast 235 00:13:50,920 --> 00:13:53,720 Speaker 5: called over Promised. You see, we're having so much fun 236 00:13:53,760 --> 00:13:57,440 Speaker 5: in our two hour show. We never get to everything, honestly, 237 00:13:57,840 --> 00:14:00,720 Speaker 5: because this guy is over promising things we never have 238 00:14:00,920 --> 00:14:02,880 Speaker 5: time for. Yeah, you blubber list jam in me. 239 00:14:03,040 --> 00:14:04,960 Speaker 4: Well, you know what it's called over promise. You should 240 00:14:04,960 --> 00:14:06,680 Speaker 4: be good at it because you've been over promising women 241 00:14:06,720 --> 00:14:07,120 Speaker 4: for years. 242 00:14:07,200 --> 00:14:09,760 Speaker 5: Well, it's a Covino and Rich after show, and we 243 00:14:09,800 --> 00:14:11,400 Speaker 5: want you to be a part of it. We're gonna 244 00:14:11,440 --> 00:14:13,600 Speaker 5: be talking sports, of course, but we're also gonna talk 245 00:14:13,679 --> 00:14:16,280 Speaker 5: life and relationships. And if Rich and I are arguing 246 00:14:16,320 --> 00:14:18,480 Speaker 5: about something or we didn't have enough time, it will 247 00:14:18,520 --> 00:14:21,000 Speaker 5: continue on our after show called over Promised. 248 00:14:21,080 --> 00:14:22,200 Speaker 1: Well, if you don't get enough. 249 00:14:22,080 --> 00:14:24,680 Speaker 4: Covino and Rich, make sure you check out over Promised 250 00:14:24,720 --> 00:14:27,280 Speaker 4: and also Uncensored by the way, so maybe we'll go 251 00:14:27,320 --> 00:14:29,120 Speaker 4: at it even a little harder. It's gonna be the 252 00:14:29,120 --> 00:14:31,160 Speaker 4: best after show podcast of all time. 253 00:14:31,280 --> 00:14:34,280 Speaker 5: There you go, over Promising. Remember you could see it 254 00:14:34,400 --> 00:14:37,680 Speaker 5: on YouTube, but definitely join us. Listen Over Promised with 255 00:14:37,760 --> 00:14:40,840 Speaker 5: Cavino and Rich on the iHeartRadio app, Apple Podcasts or 256 00:14:40,880 --> 00:14:42,760 Speaker 5: wherever you get your podcasts. 257 00:14:42,800 --> 00:14:45,800 Speaker 1: Bill Miller and you. It is the Ben Maller Show, 258 00:14:45,880 --> 00:14:48,280 Speaker 1: The Mallard Pulouzer twenty twenty five. We thank you for 259 00:14:48,320 --> 00:14:51,440 Speaker 1: being part of it. Big night, biggest night at Overnight 260 00:14:51,480 --> 00:14:55,040 Speaker 1: Sports Radio. Say a variety show, it's a talent show 261 00:14:55,040 --> 00:14:58,400 Speaker 1: without talent. We're proving that here so far. A couple 262 00:14:58,520 --> 00:15:01,400 Speaker 1: hours in the acts continuing give us real time feedback 263 00:15:01,480 --> 00:15:05,800 Speaker 1: on the X Machine at Ben Mahler. That's at Ben Mala. 264 00:15:05,880 --> 00:15:08,280 Speaker 1: Lorena is one of our judges as well. Sailler, her 265 00:15:08,520 --> 00:15:16,520 Speaker 1: wow A, FSR Tech, win Kooper Loop at Bronco Fan 266 00:15:16,800 --> 00:15:20,800 Speaker 1: and our friend Inca Terror can check out his musical 267 00:15:20,840 --> 00:15:26,680 Speaker 1: performances musical stylings at Incowarrior dot com. A legends performed 268 00:15:26,720 --> 00:15:31,400 Speaker 1: all over the world with his skills on the piano. 269 00:15:31,920 --> 00:15:34,760 Speaker 1: And now back to it all, right, back to what 270 00:15:34,880 --> 00:15:38,320 Speaker 1: we go. The great Inca Terror Inca fired up here 271 00:15:38,480 --> 00:15:42,320 Speaker 1: a new new hour. It's gonna get good now. The 272 00:15:42,400 --> 00:15:45,120 Speaker 1: we did have one person dropout so far, Mark the 273 00:15:45,240 --> 00:15:49,160 Speaker 1: full name Guy Inca is out. He says, hey, he apologized. 274 00:15:49,200 --> 00:15:53,680 Speaker 1: He must withdraw from the entertainment. He says he's liable 275 00:15:53,720 --> 00:15:57,400 Speaker 1: to draw some serious complaints about the noise level where 276 00:15:57,440 --> 00:16:00,760 Speaker 1: he's living. So sadly, he says, minds possibilities to have 277 00:16:00,760 --> 00:16:03,720 Speaker 1: a stain from the malleplus. I am truly sorry, and 278 00:16:04,040 --> 00:16:06,040 Speaker 1: that's fine. That's the way you do it. You can't 279 00:16:06,160 --> 00:16:10,000 Speaker 1: understand stuff comes up. Mark the fold name Guy a 280 00:16:10,120 --> 00:16:12,600 Speaker 1: great entertainer on the show, but unfortunately will not be 281 00:16:12,720 --> 00:16:16,720 Speaker 1: part of the Mallard Paloozer. So we have that Mike 282 00:16:16,800 --> 00:16:19,840 Speaker 1: the Leprechaun, he is said. Kathy and Madison played a 283 00:16:19,960 --> 00:16:23,920 Speaker 1: solid mandolin. Tammy and Montana's solid poet. 284 00:16:24,600 --> 00:16:24,720 Speaker 6: Uh. 285 00:16:25,400 --> 00:16:27,440 Speaker 1: He says, the best acts are coming soon. I guess 286 00:16:27,480 --> 00:16:29,480 Speaker 1: that means he thinks his act is going to be 287 00:16:29,880 --> 00:16:32,600 Speaker 1: uh huh, I'm sure he does. Yeah, all right, we'll 288 00:16:32,680 --> 00:16:36,280 Speaker 1: see what see what happens there now, Trucker Joe says, 289 00:16:36,320 --> 00:16:39,200 Speaker 1: I'm not gonna lie mallor so far, this this Mallard 290 00:16:39,200 --> 00:16:41,240 Speaker 1: Palooza is shaping up to be the worst one ever, 291 00:16:42,040 --> 00:16:46,240 Speaker 1: says Trucker Joe. Man, I mean he's gonna have to 292 00:16:46,280 --> 00:16:49,320 Speaker 1: send us some moonshine as a parting gift. My god, 293 00:16:49,600 --> 00:16:52,120 Speaker 1: Joe the ghost owner says, very disappointed. Kathy and Madison 294 00:16:52,200 --> 00:16:52,720 Speaker 1: did not sing. 295 00:16:53,520 --> 00:16:53,640 Speaker 6: Uh. 296 00:16:53,840 --> 00:16:57,120 Speaker 1: Kathy did say, though. She said, I was sick at 297 00:16:57,200 --> 00:16:59,920 Speaker 1: the time, so I could not sing, So my main 298 00:17:00,360 --> 00:17:04,560 Speaker 1: Lynn was doing the singing for me. She says, there 299 00:17:04,600 --> 00:17:06,640 Speaker 1: you go. She said, that was my first emission where 300 00:17:06,640 --> 00:17:10,119 Speaker 1: I didn't sing. She said, inca, thank you for the 301 00:17:10,359 --> 00:17:14,880 Speaker 1: compliment on my finger work. Yes, that was my mandolin, 302 00:17:15,359 --> 00:17:19,520 Speaker 1: says Kathy. So Kathy in Masson, let's get back to it. 303 00:17:19,640 --> 00:17:23,880 Speaker 1: Our next act, we welcome in a man that got 304 00:17:24,000 --> 00:17:27,000 Speaker 1: me in trouble with management here at Fox Sports Radio. 305 00:17:27,800 --> 00:17:30,920 Speaker 1: He lives in the Boston area. He showed up twelve 306 00:17:31,200 --> 00:17:38,080 Speaker 1: hours before his scheduled in studio appearance, getting angry messages 307 00:17:38,119 --> 00:17:41,600 Speaker 1: from management complaining, why is this lunatic who's dressed like 308 00:17:41,640 --> 00:17:45,200 Speaker 1: a leprechaun in our building? We give it up now 309 00:17:45,840 --> 00:17:49,440 Speaker 1: to the one and only a man that bribed all 310 00:17:49,520 --> 00:17:53,879 Speaker 1: of us with gift cards. And let's say hello to 311 00:17:54,200 --> 00:17:56,000 Speaker 1: Mike the Leprechaun. 312 00:17:58,200 --> 00:17:59,800 Speaker 7: And my doctor my animal acts. 313 00:18:00,520 --> 00:18:04,480 Speaker 8: Anyways, my main song today is a roast, a Boston. 314 00:18:04,600 --> 00:18:08,240 Speaker 1: Song in honor of Norm from Tears, and it called 315 00:18:08,320 --> 00:18:09,520 Speaker 1: for everyone knows your name. 316 00:18:10,040 --> 00:18:10,840 Speaker 7: My kids help me. 317 00:18:10,880 --> 00:18:14,159 Speaker 8: Write this and we made it on the computer. 318 00:18:14,320 --> 00:18:16,120 Speaker 1: And Ben, you better not give me a minus tenda 319 00:18:16,200 --> 00:18:17,679 Speaker 1: shirt please? 320 00:18:18,200 --> 00:18:19,600 Speaker 9: Has his timer already started? 321 00:18:19,800 --> 00:18:34,760 Speaker 1: We're sorry right now? Three two one, Going. 322 00:18:28,160 --> 00:18:31,800 Speaker 7: Your way on the bed Mama's show takes everything your 323 00:18:31,920 --> 00:18:39,680 Speaker 7: gosh Marshall, he's one brokest indiv for Blarne Scott. Wouldn't 324 00:18:39,720 --> 00:18:42,320 Speaker 7: you like to get your way? 325 00:18:48,560 --> 00:18:48,760 Speaker 10: All? 326 00:18:48,920 --> 00:18:53,479 Speaker 7: Its nor from Holly James Jeddy Flens He talks too 327 00:18:53,680 --> 00:18:59,440 Speaker 7: best your ain Joe Larnana on the cata By's Jay 328 00:18:59,520 --> 00:19:01,520 Speaker 7: about By It's. 329 00:19:04,040 --> 00:19:17,480 Speaker 11: It did rib and they're always you. 330 00:19:20,400 --> 00:19:22,760 Speaker 12: Want to be for comin. 331 00:19:26,800 --> 00:19:31,160 Speaker 1: All ride there he is what an amazing Mike the Leprechaun, 332 00:19:31,240 --> 00:19:33,320 Speaker 1: which it sounds like he was playing something on his phone. 333 00:19:33,520 --> 00:19:36,600 Speaker 1: It would rather him just squeeze the chicken for ninety Wow, 334 00:19:36,920 --> 00:19:43,320 Speaker 1: come on now, please, that's meetings there. Unbelievable, Okay, Mike 335 00:19:43,400 --> 00:19:46,639 Speaker 1: the Leprechaun anchored terror. It sounded like he was played 336 00:19:46,680 --> 00:19:49,640 Speaker 1: something on his phone or another phone or his computer. 337 00:19:49,920 --> 00:19:51,840 Speaker 1: But he he could have just sent that in. He 338 00:19:51,880 --> 00:19:53,879 Speaker 1: didn't need to do that. He could have just submitted it. 339 00:19:54,400 --> 00:19:57,199 Speaker 1: And there are people claiming now that might have been 340 00:19:57,280 --> 00:19:59,920 Speaker 1: a I there are people saying that, so anchor to 341 00:20:00,160 --> 00:20:00,639 Speaker 1: your thoughts. 342 00:20:01,320 --> 00:20:06,840 Speaker 6: It did sound a bit auto tuned at least, But 343 00:20:07,040 --> 00:20:10,040 Speaker 6: you know, the idea was better than I expected. So 344 00:20:10,480 --> 00:20:12,760 Speaker 6: I'm going to give him a number two. 345 00:20:13,720 --> 00:20:19,280 Speaker 1: Number two from the Great Inca. Well, listen, I really 346 00:20:19,440 --> 00:20:22,359 Speaker 1: enjoyed meeting, much to the dismay of many people. Mike 347 00:20:22,400 --> 00:20:25,040 Speaker 1: the Leprekhan. I know he's a polarizing figure of the Malamosa. 348 00:20:25,240 --> 00:20:27,119 Speaker 1: I thought he was charming. I thought he was polite, 349 00:20:27,160 --> 00:20:29,520 Speaker 1: he was nice. He's a super fan of the show, 350 00:20:30,160 --> 00:20:32,520 Speaker 1: and he kind of this guy stays up every night 351 00:20:32,640 --> 00:20:36,480 Speaker 1: writing notes while he's on hold or whatever for the show. Like, 352 00:20:36,600 --> 00:20:38,720 Speaker 1: that's dedication to the show. That's what we want. We 353 00:20:38,760 --> 00:20:41,000 Speaker 1: want people that committed the show. And I love that 354 00:20:41,160 --> 00:20:44,560 Speaker 1: about him, and I hate the fact he almost got 355 00:20:44,640 --> 00:20:47,560 Speaker 1: me fired by showing up twelve hours early. But I'm 356 00:20:47,600 --> 00:20:48,840 Speaker 1: not going to give you a minus ten, Mike the 357 00:20:48,920 --> 00:20:52,399 Speaker 1: leprecun I'm going to be completely fair here. I'm going 358 00:20:52,480 --> 00:20:56,480 Speaker 1: to give you a zero. You get a zero, So 359 00:20:56,680 --> 00:21:01,400 Speaker 1: congratulations there, Mike the Leprechaun, which is ten points better 360 00:21:01,800 --> 00:21:04,440 Speaker 1: than your score last year, Lorena. 361 00:21:05,359 --> 00:21:08,639 Speaker 9: In my opinion, Ben, he's qualified for using AI. I 362 00:21:08,760 --> 00:21:10,879 Speaker 9: know for a fact that was not him singing. I 363 00:21:11,040 --> 00:21:13,439 Speaker 9: know for a fact he was not playing the instruments 364 00:21:13,640 --> 00:21:16,360 Speaker 9: in the song. As far as I'm concerned. Yeah, he's 365 00:21:16,680 --> 00:21:18,960 Speaker 9: outed because he didn't actually do anything. 366 00:21:18,960 --> 00:21:21,480 Speaker 1: Okay, so you're back to your and what's there's no score? 367 00:21:21,560 --> 00:21:25,040 Speaker 1: Then no score, no qualifying So zero, okay, zero, I'll 368 00:21:25,040 --> 00:21:29,520 Speaker 1: put to very the watch of two. My wife says too, 369 00:21:29,720 --> 00:21:34,160 Speaker 1: So what about you, koobloo Uh? That might have been 370 00:21:34,320 --> 00:21:39,640 Speaker 1: the worst thing I've ever heard of my life. Well, 371 00:21:39,840 --> 00:21:43,480 Speaker 1: just stay tuned, buddy, we got another hour and a half. 372 00:21:44,800 --> 00:21:48,760 Speaker 1: I'm gonna go with zero, all right, So look at 373 00:21:48,800 --> 00:21:53,000 Speaker 1: that three. Zero's and aink and my wife. He got 374 00:21:53,040 --> 00:22:00,560 Speaker 1: a four, he got four. I love you, Mike the Lepreca. Okay, 375 00:22:01,320 --> 00:22:05,080 Speaker 1: let's move on our next act. A man who has 376 00:22:05,160 --> 00:22:08,159 Speaker 1: been a legend in the Malard militia for for a 377 00:22:08,280 --> 00:22:12,280 Speaker 1: long time, and he's a reverend, but not that kind 378 00:22:12,320 --> 00:22:14,800 Speaker 1: of reverend. Let's give it up now to the man, 379 00:22:15,000 --> 00:22:18,600 Speaker 1: the myth, the legend, the great Honorable Reverend Ray Green, 380 00:22:18,840 --> 00:22:22,080 Speaker 1: who is up next on the twenty twenty five Maler 381 00:22:22,119 --> 00:22:26,560 Speaker 1: of Palooza. Hello, Reverend, Welcome. The floor is yours, Reverend Red. 382 00:22:26,640 --> 00:22:31,480 Speaker 11: Greeting, greeting, Thank you, thank you. Genesis, the relations and 383 00:22:31,920 --> 00:22:33,879 Speaker 11: herb is the healing of the nations. 384 00:22:35,320 --> 00:22:35,879 Speaker 8: Chop it up. 385 00:22:36,200 --> 00:22:41,240 Speaker 11: It ain't Coca Cola. It's noodles and noodles. Malar Palooza 386 00:22:41,400 --> 00:22:42,080 Speaker 11: twenty twenty. 387 00:22:42,200 --> 00:22:45,720 Speaker 8: I got five on it, Melita. You can't see. 388 00:22:45,600 --> 00:22:49,760 Speaker 13: California without Marlon Brando's eyes or Bill Miller's pies. 389 00:22:50,400 --> 00:22:53,919 Speaker 11: It's your dealer for life, Reverend Ray Green or Stone 390 00:22:54,000 --> 00:22:58,080 Speaker 11: Array other see sen of the teacher, Man, poet, prophet, 391 00:22:59,400 --> 00:23:02,680 Speaker 11: street pre man. See me on TV, hear me on 392 00:23:02,800 --> 00:23:07,200 Speaker 11: the radio, you will know. I just say nope to FDA, 393 00:23:07,400 --> 00:23:11,240 Speaker 11: dope and yes to cannabis to treat my ms, and 394 00:23:11,320 --> 00:23:13,879 Speaker 11: I'm ready to do the song that I'm writing with 395 00:23:14,000 --> 00:23:17,920 Speaker 11: my buddy Johnny reproceed. It's called call it by one name. 396 00:23:19,119 --> 00:23:20,360 Speaker 1: Now, let's see what you got, Rover. 397 00:23:21,520 --> 00:23:25,840 Speaker 8: All right, all right, living my life like mister n 398 00:23:26,280 --> 00:23:33,640 Speaker 8: send the Midnight Express Smuggler stress. I won't complain if 399 00:23:33,680 --> 00:23:34,920 Speaker 8: you call it Mary Jean. 400 00:23:35,280 --> 00:23:37,520 Speaker 6: It has many names. 401 00:23:38,760 --> 00:23:40,760 Speaker 8: Who is smoking rope? 402 00:23:42,000 --> 00:23:44,320 Speaker 12: Rick jeans by shihwahwah. 403 00:23:44,440 --> 00:23:49,400 Speaker 11: Gimme Barton, what name. 404 00:23:51,240 --> 00:23:53,600 Speaker 14: God medicine we all need. 405 00:23:55,440 --> 00:23:58,639 Speaker 8: Calla Pott? Maybe not scare of one of for the 406 00:23:58,760 --> 00:23:59,560 Speaker 8: fun haters. 407 00:24:00,080 --> 00:24:05,399 Speaker 13: Cannabis gone to flower power torching my hand waverock, the Pope, 408 00:24:05,840 --> 00:24:06,520 Speaker 13: just don't. 409 00:24:06,359 --> 00:24:13,000 Speaker 11: Confuse my dad's from a dope. Call it weed, jazz, cabbage, tumble. 410 00:24:12,720 --> 00:24:19,520 Speaker 13: Weed, flying paper planes with Afroman across the USA. I 411 00:24:19,640 --> 00:24:22,280 Speaker 13: once to get hit with seats and rode joints to 412 00:24:22,400 --> 00:24:23,879 Speaker 13: Tommy Chong in Arizona. 413 00:24:25,080 --> 00:24:27,400 Speaker 1: All right, all right, all right, right, all right, all right, 414 00:24:29,000 --> 00:24:34,320 Speaker 1: Reverend Ray Green, Reverend Ray there. I don't know what 415 00:24:34,440 --> 00:24:36,320 Speaker 1: you do. I don't know what you do with this 416 00:24:36,520 --> 00:24:40,280 Speaker 1: inka terror, but you your thoughts on a bit of 417 00:24:40,359 --> 00:24:42,920 Speaker 1: a poetry thing at the beginning and then he broke 418 00:24:42,960 --> 00:24:46,040 Speaker 1: into song, and the song was so good the dog 419 00:24:46,119 --> 00:24:48,920 Speaker 1: almost died there in the background. So I don't know 420 00:24:49,000 --> 00:24:49,600 Speaker 1: what to do with that. 421 00:24:49,800 --> 00:24:52,800 Speaker 6: I well, he was he was a bob doing it. 422 00:24:52,880 --> 00:24:58,240 Speaker 1: Was Bob building of weed. Yes, the Bob building the weed. 423 00:24:58,400 --> 00:25:02,919 Speaker 6: Yeah, he made me laugh hysterically. 424 00:25:03,119 --> 00:25:04,440 Speaker 12: So I'm giving him a five. 425 00:25:05,080 --> 00:25:09,480 Speaker 1: Five wow, a shocking score from Inkotaro. Now, I do 426 00:25:09,720 --> 00:25:12,119 Speaker 1: enjoy that. The Reverend Ray has been a big support 427 00:25:12,160 --> 00:25:14,480 Speaker 1: of the show for many, many years, and I was 428 00:25:14,600 --> 00:25:18,320 Speaker 1: going to give him a zero, but I did like 429 00:25:18,440 --> 00:25:20,720 Speaker 1: the fact the dog was so upset. The dog kept 430 00:25:20,760 --> 00:25:22,560 Speaker 1: barking to try to get him to shut up. So 431 00:25:22,680 --> 00:25:24,560 Speaker 1: I'm gonna give him a three. I'm gonna I'm gonna 432 00:25:24,560 --> 00:25:27,480 Speaker 1: give him three. Lorena, Oh my gosh, the dog. 433 00:25:27,680 --> 00:25:29,880 Speaker 9: I'm so glad it was a Chihuahwa because I feel 434 00:25:29,880 --> 00:25:32,120 Speaker 9: like it added so much more, especially since the whole 435 00:25:32,160 --> 00:25:35,040 Speaker 9: thing was about weed, Like I imagine the dog just 436 00:25:35,400 --> 00:25:36,879 Speaker 9: stoned out of its mind. 437 00:25:37,200 --> 00:25:39,120 Speaker 1: Right secondhand smoke. Yeah. 438 00:25:39,800 --> 00:25:42,400 Speaker 9: Yeah, so due to their duo and we weren't expecting 439 00:25:42,440 --> 00:25:46,560 Speaker 9: another animal in the tonight dog, Yeah, I'm gonna go 440 00:25:46,640 --> 00:25:47,160 Speaker 9: for a six. 441 00:25:47,400 --> 00:25:48,879 Speaker 1: I loved it. 442 00:25:49,080 --> 00:25:49,560 Speaker 11: I loved it. 443 00:25:49,840 --> 00:25:53,760 Speaker 1: Oh my Cooper Loop, Please are your thoughts here, Coop? 444 00:25:53,840 --> 00:25:54,960 Speaker 1: On the Reverend Ray. 445 00:25:54,920 --> 00:25:59,800 Speaker 15: Green, I liked the Little the Little Prelude. I felt 446 00:25:59,840 --> 00:26:02,320 Speaker 15: like that actually had kind of better flow and rhyme 447 00:26:02,440 --> 00:26:06,640 Speaker 15: than the song itself. But then ever since Inkatara said 448 00:26:06,640 --> 00:26:10,639 Speaker 15: the Bob Dylan, I'm kind of I hear that. I 449 00:26:10,800 --> 00:26:15,960 Speaker 15: hear the folks see in the lyrics, and his voice 450 00:26:16,080 --> 00:26:19,320 Speaker 15: is just about as good as Bob Dylan's. So wow, 451 00:26:21,320 --> 00:26:24,480 Speaker 15: I enjoyed it. And you know what, come on, don't 452 00:26:24,520 --> 00:26:27,159 Speaker 15: do it my fellow Stoner brother. I'm gonna give him 453 00:26:27,160 --> 00:26:27,480 Speaker 15: a seven. 454 00:26:27,600 --> 00:26:33,720 Speaker 1: Oh my god, protest, protest, protest. The wife says it too, 455 00:26:33,800 --> 00:26:36,320 Speaker 1: by the way, she's going to she gave She gave 456 00:26:36,359 --> 00:26:39,000 Speaker 1: Reverendrad the same score as Mike the Leprechaun. They both 457 00:26:39,080 --> 00:26:43,160 Speaker 1: got a two. Okay, all right, Wow, the fun continues. 458 00:26:43,160 --> 00:26:46,760 Speaker 1: You're listening to our live coverage Themalapalooza twenty twenty five. 459 00:26:47,240 --> 00:26:50,399 Speaker 1: As we are rolling on and up next a another 460 00:26:50,640 --> 00:26:53,119 Speaker 1: female act here on the Mala Plusa. And now she 461 00:26:53,200 --> 00:26:57,920 Speaker 1: started calling the show from Nashville. She was Donut Kelly 462 00:26:58,119 --> 00:27:01,119 Speaker 1: from Nashville, and she had actually now is in a 463 00:27:01,240 --> 00:27:04,440 Speaker 1: relationship with another fan of the show in Des Moines. 464 00:27:04,520 --> 00:27:08,560 Speaker 1: She moved from Nashville to Des Moines and now Here 465 00:27:08,680 --> 00:27:11,960 Speaker 1: to represent the Malord Militia. As someone has been listening 466 00:27:12,000 --> 00:27:14,840 Speaker 1: in multiple cities. She's originally from Seattle. Let's give it 467 00:27:14,960 --> 00:27:18,320 Speaker 1: up to our friend Kelly, who is up next on 468 00:27:19,520 --> 00:27:26,320 Speaker 1: the Malor Balosa five. And Kelly, the floor is yours, Hi, Ben, Hello, 469 00:27:27,880 --> 00:27:31,200 Speaker 1: how are we doing? If I was any better, you 470 00:27:31,280 --> 00:27:33,200 Speaker 1: would not be asking me how I'm doing. 471 00:27:33,520 --> 00:27:33,760 Speaker 15: I know? 472 00:27:35,480 --> 00:27:35,840 Speaker 1: Here we go? 473 00:27:36,960 --> 00:27:46,000 Speaker 16: Okay, Well, I walk the streets allone, six string on 474 00:27:46,280 --> 00:27:47,000 Speaker 16: my back. 475 00:27:48,080 --> 00:27:52,080 Speaker 17: I played for Keiths so that I might not make 476 00:27:52,160 --> 00:28:01,280 Speaker 17: it back. I've been everywhere still service talk, a million prayings, 477 00:28:02,160 --> 00:28:08,480 Speaker 17: and I've robbed them all. I'm a cowboy on a 478 00:28:08,640 --> 00:28:19,800 Speaker 17: deal hour time run. I'm wanted little Anne. That's all 479 00:28:19,840 --> 00:28:20,159 Speaker 17: I got it. 480 00:28:20,480 --> 00:28:24,800 Speaker 1: Okay, all right, short and sweet brevity. There's a Kelly 481 00:28:25,280 --> 00:28:28,840 Speaker 1: in des Moines. And let's go right to the judge 482 00:28:28,840 --> 00:28:32,080 Speaker 1: of score cards and we go back to Inka terror 483 00:28:32,240 --> 00:28:34,879 Speaker 1: and she had some music in the buggers you're singing. 484 00:28:35,400 --> 00:28:38,120 Speaker 1: I thought it was actually compared to what's happened recently, 485 00:28:38,120 --> 00:28:38,920 Speaker 1: I thought it was pretty good. 486 00:28:39,680 --> 00:28:43,400 Speaker 6: I agree, I agree. You know, my my only my 487 00:28:43,520 --> 00:28:46,800 Speaker 6: only problem. Is. I mean, she was, well, she's intentionally 488 00:28:46,960 --> 00:28:49,600 Speaker 6: referencing America's team there, and I don't know what that was, 489 00:28:50,640 --> 00:28:52,440 Speaker 6: but that's a great song. I'm going to give her 490 00:28:52,480 --> 00:28:53,960 Speaker 6: a six and a half. 491 00:28:54,360 --> 00:28:58,640 Speaker 1: Six and a half from Inka Terror. Well, boy, what 492 00:28:58,760 --> 00:29:00,960 Speaker 1: a great spot to be in. She follows Mike the 493 00:29:01,080 --> 00:29:04,680 Speaker 1: Leprechaun and Reverend Ray Green. That is what you want there. 494 00:29:05,240 --> 00:29:09,720 Speaker 1: You look wonderful following those those two acts. So listen. 495 00:29:09,800 --> 00:29:13,680 Speaker 1: I liked the song, as you said, they're in Katara. 496 00:29:13,680 --> 00:29:16,120 Speaker 1: I thought that was pretty good. I thought compared to 497 00:29:16,200 --> 00:29:19,000 Speaker 1: what we've gotten recently, which was a zero and a 498 00:29:19,120 --> 00:29:23,000 Speaker 1: three by me, but it was not I was not great. 499 00:29:23,240 --> 00:29:25,640 Speaker 1: I'll give it a five. I'll give it a five. Arena. 500 00:29:25,920 --> 00:29:29,920 Speaker 9: You know, I love my cowboys, Ben. Maybe that was 501 00:29:30,000 --> 00:29:32,360 Speaker 9: a shout out to them, but I don't think it 502 00:29:32,600 --> 00:29:35,520 Speaker 9: pushed from your diaphragm. Get that force in there. 503 00:29:35,600 --> 00:29:38,080 Speaker 1: I want you to feel it down your feeling bo 504 00:29:38,400 --> 00:29:39,600 Speaker 1: saying yeah, but. 505 00:29:39,760 --> 00:29:42,920 Speaker 9: You know the effort was there and just you know, 506 00:29:43,160 --> 00:29:45,640 Speaker 9: getting up and doing it. So I'm going to give 507 00:29:45,680 --> 00:29:48,000 Speaker 9: her a five point five. 508 00:29:48,160 --> 00:29:52,320 Speaker 1: Five point five, all right, my wife, clearly losing your mind. 509 00:29:52,320 --> 00:29:57,320 Speaker 1: Give it eight eight? Okay, what's in the vending machine. 510 00:29:57,320 --> 00:30:03,000 Speaker 1: Go ahead there? Cool please? Uh? I I liked it. 511 00:30:03,080 --> 00:30:05,920 Speaker 1: I mean, look compared to you know what we have, 512 00:30:06,320 --> 00:30:10,000 Speaker 1: it's a tough night. Yeah, but where are the animal impersonations? 513 00:30:10,040 --> 00:30:12,800 Speaker 1: What happened? What happened? But where's the Boston Burper when 514 00:30:12,840 --> 00:30:14,040 Speaker 1: you need the Boston Burper? 515 00:30:14,800 --> 00:30:14,960 Speaker 4: You know? 516 00:30:15,240 --> 00:30:18,400 Speaker 15: Like like the acts that we've had comparatively Voice of 517 00:30:18,440 --> 00:30:23,840 Speaker 15: an Angel. But you know, I'm partial to parodies and 518 00:30:24,840 --> 00:30:27,560 Speaker 15: I would have liked to hear like a bon Jovi 519 00:30:27,840 --> 00:30:30,080 Speaker 15: parody with Ben Maller lyrics. 520 00:30:30,200 --> 00:30:33,000 Speaker 1: That's right, original lyrics that would have helped absolutely. 521 00:30:33,120 --> 00:30:35,320 Speaker 15: So yeah, I would have given more points if it 522 00:30:35,400 --> 00:30:35,960 Speaker 15: was something like that. 523 00:30:36,120 --> 00:30:40,400 Speaker 1: So I'm gonna go with six six all right, very good? Well, 524 00:30:40,440 --> 00:30:43,240 Speaker 1: thank you Kelly in de Moine. I appreciate you taking 525 00:30:43,280 --> 00:30:44,680 Speaker 1: part in it. It's not easy to get up here 526 00:30:44,680 --> 00:30:46,960 Speaker 1: on stage and perform, and you're doing that. It's the 527 00:30:47,080 --> 00:30:49,800 Speaker 1: Malad Paloser twenty twenty five. As we continue our next 528 00:30:49,840 --> 00:30:53,760 Speaker 1: act up, a last minute addition to the show, and 529 00:30:53,920 --> 00:31:01,000 Speaker 1: he's in Camsuh City. You're welcome in man that loves 530 00:31:01,080 --> 00:31:04,200 Speaker 1: alcohol and loves to tell you about his love of alcohol. 531 00:31:04,560 --> 00:31:07,800 Speaker 1: Our next act up, a guy that never misses a 532 00:31:07,920 --> 00:31:10,360 Speaker 1: chance to rip the Patriots and Tom Brady because he 533 00:31:10,480 --> 00:31:15,080 Speaker 1: loves Patrick Mahomes and the chiefs keg drinking Steve is. 534 00:31:15,400 --> 00:31:19,600 Speaker 12: Oh yeah, it's about to get a lot for man here. 535 00:31:20,480 --> 00:31:21,800 Speaker 12: You ain't seen nothing yet. 536 00:31:22,320 --> 00:31:23,120 Speaker 6: You put the. 537 00:31:23,200 --> 00:31:27,560 Speaker 14: APV call out like Bruce Wayne Batman's here to save 538 00:31:27,680 --> 00:31:30,800 Speaker 14: you with the with the animal calls. We're gonna do uh, 539 00:31:31,120 --> 00:31:35,240 Speaker 14: We're gonna do hog calling tonight, the annual hog call, 540 00:31:35,720 --> 00:31:40,480 Speaker 14: the annual Ben Maller hog Call. All right, the greatest 541 00:31:40,520 --> 00:31:43,720 Speaker 14: show on Earth, the Malapalooza twenty twenty five. 542 00:31:44,040 --> 00:31:50,880 Speaker 12: Okay, here we go. When it's whole calling time on 543 00:31:51,280 --> 00:32:00,800 Speaker 12: Ben Meller, When it's whole calling time on the Mailler, 544 00:32:04,400 --> 00:32:11,160 Speaker 12: when it calling time y? Is it time calling Dome? 545 00:32:12,000 --> 00:32:21,440 Speaker 12: Now it's Tall calling dime on Ben ballor o Lona? 546 00:32:22,000 --> 00:32:23,880 Speaker 8: Is the decree. 547 00:32:25,840 --> 00:32:33,440 Speaker 12: Bronco Ben entering the calls from the militia wa Ben 548 00:32:33,600 --> 00:32:39,600 Speaker 12: cheating at game shows where he goes no one knows. 549 00:32:41,120 --> 00:32:47,960 Speaker 12: Then it's Tall calling dime on Ben Ballard twenty five. 550 00:32:49,400 --> 00:33:02,000 Speaker 18: On Colora is cake drinking Steeve there from Kansas City? 551 00:33:02,400 --> 00:33:05,280 Speaker 1: Ain't good? Terror your thoughts on our next? I knew 552 00:33:05,480 --> 00:33:09,600 Speaker 1: that good? 553 00:33:09,880 --> 00:33:10,080 Speaker 16: Yeah? 554 00:33:12,480 --> 00:33:13,160 Speaker 6: Last factor. 555 00:33:13,280 --> 00:33:15,400 Speaker 3: I'm giving it a seven seven. 556 00:33:15,480 --> 00:33:18,480 Speaker 1: All right, listen, here's a deal. He did not sign 557 00:33:18,600 --> 00:33:20,440 Speaker 1: up Key Drinking Steve. He was not supposed to be 558 00:33:20,520 --> 00:33:22,760 Speaker 1: part of this. He's a last minute substitution. He's on 559 00:33:22,880 --> 00:33:26,480 Speaker 1: he was on standby, and so he didn't plan this out. 560 00:33:26,520 --> 00:33:28,520 Speaker 1: He had said he might do it, and we didn't 561 00:33:28,520 --> 00:33:30,440 Speaker 1: put him on the list and all that stuff. So 562 00:33:31,520 --> 00:33:33,360 Speaker 1: I thought it was much more in line with what 563 00:33:33,480 --> 00:33:36,320 Speaker 1: we want from the talent show. I thought the malapalooza, 564 00:33:36,400 --> 00:33:38,680 Speaker 1: this is more about it. You know, we want animal sounds, 565 00:33:38,720 --> 00:33:41,040 Speaker 1: we want original kind of lyrics and all that. So 566 00:33:41,240 --> 00:33:43,720 Speaker 1: I am going to give it an eight point five, 567 00:33:43,960 --> 00:33:45,840 Speaker 1: eight point five Larina. 568 00:33:46,040 --> 00:33:48,920 Speaker 9: Great score there, benh Yeah, No, I thought that was 569 00:33:48,960 --> 00:33:52,520 Speaker 9: absolutely fantastic. I was laughing the whole time. His pig 570 00:33:52,600 --> 00:33:54,959 Speaker 9: it almost sounded like a holler in James snort. 571 00:33:55,000 --> 00:33:55,560 Speaker 1: It was pretty good. 572 00:33:55,640 --> 00:33:57,280 Speaker 9: I was like, are you going to choke? Are you 573 00:33:57,360 --> 00:34:00,440 Speaker 9: going to choke? And then he kept going, yes, kept 574 00:34:00,520 --> 00:34:02,240 Speaker 9: on going. The squeal was amazing. 575 00:34:02,480 --> 00:34:03,560 Speaker 1: So let's let's give him. 576 00:34:04,400 --> 00:34:05,600 Speaker 9: Yeah, I'm right up with you. 577 00:34:05,680 --> 00:34:08,919 Speaker 1: Let's go for an eight and eight. All right, eight, 578 00:34:09,719 --> 00:34:10,640 Speaker 1: what about you, Coop. 579 00:34:13,120 --> 00:34:15,279 Speaker 15: I'm also I was also impressed with the fact that 580 00:34:15,480 --> 00:34:17,480 Speaker 15: this was like a spur of the moment thing. 581 00:34:18,600 --> 00:34:19,560 Speaker 1: It was pretty funny. 582 00:34:19,680 --> 00:34:23,000 Speaker 15: I was laughing, much to my chagrin, because I do 583 00:34:23,200 --> 00:34:26,640 Speaker 15: think ket drinking Steve is one of the most annoying callers. 584 00:34:26,320 --> 00:34:26,680 Speaker 1: That we have. 585 00:34:26,960 --> 00:34:32,560 Speaker 15: He's pretty bad. Yeah, can't can't stand him. So I 586 00:34:32,680 --> 00:34:34,560 Speaker 15: might be a little bit biased. I maybe would have 587 00:34:34,560 --> 00:34:36,800 Speaker 15: given a higher score if not for those things. I 588 00:34:36,920 --> 00:34:39,320 Speaker 15: know I should be judging just on the you know, 589 00:34:39,400 --> 00:34:42,200 Speaker 15: performance itself. I'm gonna give a seven. A seven, all right. 590 00:34:42,400 --> 00:34:44,840 Speaker 1: My wife suffers from missophony, as she said it was 591 00:34:44,880 --> 00:34:46,960 Speaker 1: a five because she was annoyed by the sound. All right, 592 00:34:47,440 --> 00:34:51,120 Speaker 1: very nice. We'll hold on there, incertear. We have I 593 00:34:51,239 --> 00:34:54,120 Speaker 1: believe our friend from Kansas, ready to go, Eric and Kansas. 594 00:34:54,160 --> 00:34:56,360 Speaker 1: We'll get to him. We have some other great actually 595 00:34:56,440 --> 00:34:58,919 Speaker 1: listening to our live coverage, it's the twenty twenty five 596 00:34:59,239 --> 00:35:02,920 Speaker 1: Malur pul lo As. We give you a little taste 597 00:35:03,080 --> 00:35:07,360 Speaker 1: of what's out there, the nocturnal listeners, and we'll continue 598 00:35:07,400 --> 00:35:09,400 Speaker 1: the Mallar Palooza. We'll get to it. We will do 599 00:35:09,600 --> 00:35:10,360 Speaker 1: it next. 600 00:35:10,719 --> 00:35:13,040 Speaker 3: Be sure to catch live editions of the Ben Maller 601 00:35:13,120 --> 00:35:16,439 Speaker 3: Show weekdays at two am Eastern eleven pm Pacific, Bill 602 00:35:16,520 --> 00:35:17,000 Speaker 3: Miller and. 603 00:35:17,120 --> 00:35:20,600 Speaker 1: You reminder you can stream the Ben Maler Show and 604 00:35:20,719 --> 00:35:23,799 Speaker 1: all the other Fox Sports Radio shows live twenty four 605 00:35:23,840 --> 00:35:26,239 Speaker 1: to seven. It's the new and improved iHeart Radio app. 606 00:35:26,360 --> 00:35:28,759 Speaker 1: Just search Fox Sports Radio. You hear things like the 607 00:35:28,880 --> 00:35:32,239 Speaker 1: Mallard Palooza twenty twenty five going on right now. It's 608 00:35:32,360 --> 00:35:34,440 Speaker 1: in the app. You can stream us live and one 609 00:35:34,440 --> 00:35:36,880 Speaker 1: of the newest features in the app, you can select 610 00:35:36,920 --> 00:35:39,160 Speaker 1: Fox Sports Radio The Ben Maler Show. The Fifth Hour 611 00:35:39,280 --> 00:35:41,880 Speaker 1: Podcast is some of your presets, just like the presets 612 00:35:42,280 --> 00:35:44,360 Speaker 1: on the car radio dials, so be sure to preset 613 00:35:44,680 --> 00:35:48,239 Speaker 1: Fox Sports Radio Ben Maler Show, Fifth Hour Podcast. We 614 00:35:48,320 --> 00:35:51,200 Speaker 1: had the pregame show for the Mallor Palooz on that 615 00:35:51,719 --> 00:35:55,000 Speaker 1: on the Sunday Pod and the iHeartRadio app. It will 616 00:35:55,040 --> 00:35:58,200 Speaker 1: always pop up at the top of your screen. All 617 00:35:58,239 --> 00:36:00,600 Speaker 1: right back to it. I was gonna try to two action. 618 00:36:00,760 --> 00:36:03,080 Speaker 1: I think we only have time for one though, so 619 00:36:03,560 --> 00:36:05,640 Speaker 1: we'll get back to the Mallard Palooza and we have 620 00:36:05,760 --> 00:36:10,720 Speaker 1: Inkatara there. Next up, let's get to Ohio Al. Ohio 621 00:36:10,880 --> 00:36:13,400 Speaker 1: Al is a big part of the Fifth Hour Podcast. 622 00:36:13,520 --> 00:36:15,040 Speaker 1: He sent us a lot of stuff over the years. 623 00:36:15,040 --> 00:36:18,160 Speaker 1: I know this show as well, some original tunes. A 624 00:36:18,320 --> 00:36:21,080 Speaker 1: big supporter over the years of the show, and he 625 00:36:21,280 --> 00:36:23,800 Speaker 1: put a little diddy together. Let's go now, this is 626 00:36:23,880 --> 00:36:27,840 Speaker 1: the great Ohio Awl. Here we go, Hey Militia, Ohio 627 00:36:28,040 --> 00:36:30,759 Speaker 1: L here with my song Mallard Militia twenty twenty five. 628 00:36:31,200 --> 00:36:34,400 Speaker 1: Nothing artificial, It's real and I'm doing it live to 629 00:36:34,600 --> 00:36:36,120 Speaker 1: TV doc. 630 00:36:36,400 --> 00:36:43,600 Speaker 19: Make confind you sin feeling drinking their old pea. Okay, drink, 631 00:36:43,719 --> 00:36:48,040 Speaker 19: It's Steve and the Wallas and Mike to drone to see. 632 00:36:49,880 --> 00:36:50,720 Speaker 1: Dick and David. 633 00:36:51,160 --> 00:36:55,760 Speaker 19: It's his banjo, Jay Scoops back home again. 634 00:36:56,840 --> 00:37:02,160 Speaker 1: They remain still chop the tune. He is riding. 635 00:37:04,000 --> 00:37:12,080 Speaker 10: Like Scott's in Boston, the North Tony and the Big 636 00:37:12,239 --> 00:37:21,560 Speaker 10: Guy dump the game, Larina, the Mala Militia, it's calling 637 00:37:21,680 --> 00:37:22,680 Speaker 10: ben Aline. 638 00:37:24,520 --> 00:37:29,319 Speaker 19: A bunch of crazy and drunks and druggies feeling our 639 00:37:31,600 --> 00:37:33,879 Speaker 19: truck drivers, blind folks. 640 00:37:33,640 --> 00:37:39,360 Speaker 1: Scotts and creeks, musicians too. We got what they did 641 00:37:39,400 --> 00:37:45,960 Speaker 1: in common. We all love Man and the crew, Justin. 642 00:37:45,880 --> 00:37:50,240 Speaker 10: And just Joshinsensi, Seana Hood's La. 643 00:37:52,280 --> 00:38:00,880 Speaker 19: Hollow, James An Orange Ed Flints and by Tammy's in Montana, 644 00:38:02,480 --> 00:38:04,320 Speaker 19: Alexis in New York. 645 00:38:06,160 --> 00:38:08,400 Speaker 1: Resides militia. 646 00:38:10,200 --> 00:38:16,439 Speaker 8: Now before oh nine, all right? 647 00:38:19,080 --> 00:38:19,239 Speaker 3: Eight? 648 00:38:19,360 --> 00:38:20,280 Speaker 10: Song now. 649 00:38:24,440 --> 00:38:25,480 Speaker 1: Everywhere else? 650 00:38:28,719 --> 00:38:29,160 Speaker 2: All right? 651 00:38:29,400 --> 00:38:34,640 Speaker 1: Ohiow, bravo, Ohio one of the big stars of the 652 00:38:34,719 --> 00:38:37,879 Speaker 1: Mallard Palosa and guitary. You're the musician you hear. Had 653 00:38:37,920 --> 00:38:42,520 Speaker 1: you grade the performance of our buddy? Ohiou Oh? 654 00:38:42,600 --> 00:38:45,840 Speaker 6: That was fantastic, great guitar playing. Was there a harmonica 655 00:38:46,000 --> 00:38:49,279 Speaker 6: at the end of the night? Touch uh so? And 656 00:38:49,880 --> 00:38:55,279 Speaker 6: you know, great lyrics, very emotional. I'm going to give 657 00:38:55,320 --> 00:38:56,920 Speaker 6: it my high score. I'm going to. 658 00:38:57,000 --> 00:39:01,320 Speaker 1: Nine a nine, all right, nine from mink itear so 659 00:39:02,280 --> 00:39:05,200 Speaker 1: let me make sure I write there nine there, all right, listen. 660 00:39:05,239 --> 00:39:07,920 Speaker 1: I loved it. Ohio was one of my favorites. I'm biased, 661 00:39:07,920 --> 00:39:11,000 Speaker 1: I admitted, I don't care. I'm the biased East German judge. 662 00:39:11,000 --> 00:39:13,520 Speaker 1: He's like one of my Communist brothers. I loved it 663 00:39:13,800 --> 00:39:16,840 Speaker 1: and it was very entertaining. The only thing it was 664 00:39:17,120 --> 00:39:20,000 Speaker 1: pre recorded, which you know that is allowed. It wasn't 665 00:39:20,040 --> 00:39:22,680 Speaker 1: auto tune or anything like that. I'm gonna give it 666 00:39:23,080 --> 00:39:29,240 Speaker 1: a nine point five, and nine point five is my score. 667 00:39:29,840 --> 00:39:31,440 Speaker 1: Oh what about you? Lorena? 668 00:39:31,800 --> 00:39:32,080 Speaker 16: Wow? 669 00:39:32,280 --> 00:39:33,919 Speaker 9: Let me just start with a wow. 670 00:39:34,120 --> 00:39:36,680 Speaker 1: I was so in that. I don't know if you 671 00:39:36,800 --> 00:39:39,239 Speaker 1: guys felt that was good. I felt in my boats if. 672 00:39:39,200 --> 00:39:42,120 Speaker 9: There was a can, my candles would have been in 673 00:39:42,280 --> 00:39:44,840 Speaker 9: the air with my hands. You know what I'm saying. 674 00:39:45,480 --> 00:39:48,000 Speaker 9: That was amazing, really good, absolutely amazing. 675 00:39:49,800 --> 00:39:53,000 Speaker 1: Nine. What did I say, Candle candle to the wind 676 00:39:53,080 --> 00:39:58,480 Speaker 1: like a concert that he's a lighter. Maybe that was 677 00:39:58,480 --> 00:40:00,680 Speaker 1: a memorial. You're right, it was probably death and he 678 00:40:00,840 --> 00:40:03,439 Speaker 1: was celebrating death. We've had enough people died that listen 679 00:40:03,440 --> 00:40:05,640 Speaker 1: to the show. I go ahead there, please, Coop. You 680 00:40:05,719 --> 00:40:08,160 Speaker 1: know I might get some hate for this. Oh, here 681 00:40:08,239 --> 00:40:10,320 Speaker 1: we go. This is where Coop's a bad judge. 682 00:40:10,400 --> 00:40:10,440 Speaker 6: No. 683 00:40:10,640 --> 00:40:13,520 Speaker 1: I liked it. It was great. But there's a button 684 00:40:13,520 --> 00:40:17,320 Speaker 1: that's everything discounted before the way. But but we have 685 00:40:17,600 --> 00:40:21,480 Speaker 1: heard him do it to that tune before. But it's 686 00:40:21,560 --> 00:40:25,520 Speaker 1: like a classic song that you updated lyrics. It's updated lyrics. Yes, okay, 687 00:40:26,400 --> 00:40:28,560 Speaker 1: but I I hurry on. I want to hear something different. 688 00:40:28,880 --> 00:40:30,400 Speaker 1: So I'm going to give it a nat An. 689 00:40:30,480 --> 00:40:30,680 Speaker 15: Eight. 690 00:40:30,920 --> 00:40:34,839 Speaker 1: Oh my god, the wife said ten. She said it's 691 00:40:34,840 --> 00:40:38,520 Speaker 1: a ten, all right? Uh, well, very nice. Ohio. I 692 00:40:38,719 --> 00:40:40,799 Speaker 1: loved it. I thought it was great. I think I'm 693 00:40:40,840 --> 00:40:43,279 Speaker 1: pretty sure, Ohio, Owe's in the lead now as we 694 00:40:43,520 --> 00:40:47,440 Speaker 1: have one hour yeah, your number one, one hour to 695 00:40:47,520 --> 00:40:49,560 Speaker 1: go and the mouth of polls, Oh my god, who's 696 00:40:49,600 --> 00:40:50,720 Speaker 1: going to be the big winner