WEBVTT - Why Now?

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<v Speaker 1>Welcome to reparations, the big payback, the production of Color

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<v Speaker 1>Farm Media, I Heart Radio and the Black Effect podcast network.

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<v Speaker 1>I'm Erica, Alexander and I Whitney out. There's no reason

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<v Speaker 1>reparations what we are. The ones that were injured were solos,

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<v Speaker 1>were solos. Enslavement is stuff. The people who are owed

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<v Speaker 1>for slavery are no longer here. I want to check.

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<v Speaker 1>I don't think reparations is a good idea. Everyone should

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<v Speaker 1>be given the damage that was done to their family

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<v Speaker 1>cash payment. I don't want no government and though reparations

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<v Speaker 1>should be welcomed by all, some folks may want checks,

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<v Speaker 1>but what we're really talking about is closing that wealth

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<v Speaker 1>gap and making people whole. Let me tell you justice.

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<v Speaker 1>It's just uh. Here we are on the corner of

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<v Speaker 1>Wall and Broad Street, one of the most like famous

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<v Speaker 1>corners in America. Right, it's the seat of capitalism. We're

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<v Speaker 1>standing at the feet of George Washington, founder of our country,

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<v Speaker 1>who's looking across Wall Street at the New York Stock Exchange.

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<v Speaker 1>It this is it. It's smaller than I thought. It

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<v Speaker 1>looks more impressive than pictures. I was doing a little

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<v Speaker 1>research before we came down here. Erica, and you know

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<v Speaker 1>the value of the company's contained in the New York

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<v Speaker 1>stock has changes over thirty trillion dollars. That's ten trillion

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<v Speaker 1>dollars more than the nation's GDP every year thirty Amazon,

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<v Speaker 1>and the value and the amount of trading that is

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<v Speaker 1>done every day about of money that passes through there

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<v Speaker 1>is I think, over a hundred and sixty billion dollars

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<v Speaker 1>every day. When you think of Wall Street, what do

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<v Speaker 1>you think of I think of this. I mean, it's

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<v Speaker 1>a little a lot of stone. There's all these really

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<v Speaker 1>beautiful polished bronze doors with sparkling glass and a lot

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<v Speaker 1>of really decorative iron work around, and it's kind of

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<v Speaker 1>telling everybody, well, if you're a white man, you can

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<v Speaker 1>come in, but everybody else stay out. Meant to intimidate,

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<v Speaker 1>and it does. It's not only intimidating to New Yorkers,

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<v Speaker 1>but I think it's meant to be intimidating to the world.

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<v Speaker 1>What I didn't realize is that directly across the street

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<v Speaker 1>is Federal Halls. Walk up there a little bit America.

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<v Speaker 1>We're standing in front of Federal Hall Memorial and that's

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<v Speaker 1>another Gothic building, and out in front of it, there's

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<v Speaker 1>a statue of George Washington, and it really struck me

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<v Speaker 1>when I saw us. Here's the founder of our country,

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<v Speaker 1>and he's looking across the street at the stock exchange

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<v Speaker 1>age as if he's looking at the capitalist foundation of

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<v Speaker 1>the country. But this is where he took the oath

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<v Speaker 1>of office upstairs in this building. Wow, they really did

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<v Speaker 1>a nice job on the bronze work near his crutch,

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<v Speaker 1>and it matters because you're looking up at him and

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<v Speaker 1>you're meant to see his penis first and then go

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<v Speaker 1>up to his face and follow his eyes to the

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<v Speaker 1>stock exchange. At least that's not what I see at

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<v Speaker 1>our back is George Washington. If we look to our right,

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<v Speaker 1>we can see Trinity Church, the oldest church I think's

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<v Speaker 1>one of those churches in the country, all these church

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<v Speaker 1>in New York. If you look across the street directly

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<v Speaker 1>in front of us as a stock exchange, and then

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<v Speaker 1>if you look down the street to the water, do

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<v Speaker 1>you know what's down that street The location of New

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<v Speaker 1>York's first slave market that was founded in seventeen eleven.

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<v Speaker 1>So if we're should have like the four points of

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<v Speaker 1>the compass in America, we have politics, money, religion, slavery.

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<v Speaker 1>That sounds right. Black people will always make up the

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<v Speaker 1>four points. And in fact, none of these things could exist,

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<v Speaker 1>these politics, that religion, or that money without slavery. And

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<v Speaker 1>that's the unfortunate part. For them to have white freedom

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<v Speaker 1>and white success, they needed black bodies. You know, when

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<v Speaker 1>I met you, Whitney, I had no idea that I

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<v Speaker 1>would be stuck with you for this long. We've been

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<v Speaker 1>talking about reparations for two years. It's only been two

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<v Speaker 1>years for us, but it's been a hundred and fifty

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<v Speaker 1>years for our country. Did you ever imagine yourself making

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<v Speaker 1>a project about reparations with a guy named Whitney Burton

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<v Speaker 1>Dow from the colony of Cambridge, Massachusetts, Like you often

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<v Speaker 1>point out a look the drawing of a wasp or

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<v Speaker 1>a colonist. Well, yeah, I guess if you come from Cambridge,

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<v Speaker 1>Massachusetts in your name Mats Whitney Burton Dow, you look

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<v Speaker 1>a little whitish. So yeah, but who better than you

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<v Speaker 1>represent for your people if you're talking about white people, Yes, yes,

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<v Speaker 1>white people. Yeah, you're the guy white people in America.

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<v Speaker 1>That's you. Well, Hams Hollywood, you know you're no pauper.

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<v Speaker 1>I've seen your house. If you did, you wouldn't be

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<v Speaker 1>saying that I need reparations just as much as anybody.

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<v Speaker 1>I am no Cambridge Whitney Dow and I didn't just

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<v Speaker 1>pop into people's movie screens and on stages and in

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<v Speaker 1>theaters all over the world. I have an origin story.

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<v Speaker 1>We all have origin stories, and origin stories are how

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<v Speaker 1>you live. They don't hopefully determine who you are. It's

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<v Speaker 1>about the stories we tell ourselves, and I guess story

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<v Speaker 1>shape our present reality, and I think that's where every

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<v Speaker 1>story starts. Every good story is between reality and myth, Like,

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<v Speaker 1>what's possible telling the truth? Well, you're setting a pretty

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<v Speaker 1>high bar that you and I are going to get

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<v Speaker 1>to the truth. Everybody loves different truths, and I think

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<v Speaker 1>your truth is mixed with a lot of lies. Thanks

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<v Speaker 1>for that. Are you talking about me personally, Erica, or

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<v Speaker 1>collectively as the white guy here? Both reparations. It's a

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<v Speaker 1>complicated issue, and I'm not sure if I'm the right

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<v Speaker 1>person to tell the story with you, Erica. Yeah, I

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<v Speaker 1>might be too white. Well I'm extra black, I'm extra

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<v Speaker 1>crispy black. Does that offset some of my whiteness? Is

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<v Speaker 1>that what you're saying no, No, you're white. You white,

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<v Speaker 1>you gotta live with it, any of my problem. I'm

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<v Speaker 1>gonna coattail on your blackness here. By the way, this

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<v Speaker 1>is a conversation. If we're going to go on this

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<v Speaker 1>journey about reparations, it ain't about you. Know, you would

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<v Speaker 1>say it is about you, But I'm Harry, it's child

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<v Speaker 1>you hear me. I'm here to rescue my people. And

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<v Speaker 1>the last time I checked, we just got a new

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<v Speaker 1>black woman VP. So right now I'm feeling like, ain't

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<v Speaker 1>nothing too big for me? And if not you Whitney,

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<v Speaker 1>then who step up? If we're gonna do this, We've

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<v Speaker 1>got to make a plan. We gotta find experts. We

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<v Speaker 1>gotta you know, find people who actually know what they're

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<v Speaker 1>talking about. Just goose your eyes and make a wish

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<v Speaker 1>count to three. Yeah, that's come on, that's Sheila Jackson Lee.

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<v Speaker 1>That's Congressional hearing on hrd. America is a place and

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<v Speaker 1>welcomes the diversity of thought. We even welcome the diversity

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<v Speaker 1>of thought among the multi colored chocolate people that are

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<v Speaker 1>African Americans. Did you hear that multi colored chocolate? Do

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<v Speaker 1>you see how she got down old old girl as

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<v Speaker 1>a warrior if we were to pay reparations today, we

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<v Speaker 1>would only divide the country further about to turn on

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<v Speaker 1>him like Mr Colored Purpose. Reparations by definition, are only

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<v Speaker 1>given to victims. Victims had no consent. What you're supposed

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<v Speaker 1>to say? I give you permission to rid Maddin me

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<v Speaker 1>massa who here comes down? Mr Wakanda buck up. We

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<v Speaker 1>recognize our lineage as a generational trust as inheritance, and

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<v Speaker 1>the real dilemma posed by reparations is just that, a

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<v Speaker 1>dilemma of inheritance. Yep, that's what's happening in d C.

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<v Speaker 1>I guess that's why HR forty, a built to discuss reparations,

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<v Speaker 1>has been stuck in committee for thirty years. Meanwhile, on

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<v Speaker 1>these mean streets here we are out here, man, it's crazy.

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<v Speaker 1>The remnants of this history is all around us. Oh snap,

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<v Speaker 1>the New York's Municipal slave market. There's a sign here

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<v Speaker 1>are we less than two feet across and just over

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<v Speaker 1>one ft high. It's drawing on it and has a

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<v Speaker 1>green New York Parks emblement. It says our Wall Street

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<v Speaker 1>between Pearl and Water Streets and market that auction enslave

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<v Speaker 1>people of African ancestry is established by a Common Council

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<v Speaker 1>law on November thirtieth, sev eleven. This is the New

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<v Speaker 1>York's municipal slave market sign. But you can look up

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<v Speaker 1>from this site and see Trinity Church, and you can

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<v Speaker 1>see the New York Stock Exchange and the foundation of

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<v Speaker 1>it all. American slavery gets a two by two plaque.

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<v Speaker 1>You know, I've been here before, but this is the

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<v Speaker 1>first time I'm seeing this. Some I'm a little piste off.

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<v Speaker 1>I don't know why it's not more prominent. I don't

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<v Speaker 1>know why it's just a sign. Look, there's a big

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<v Speaker 1>old statue George Washington over there. Big buildings that we

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<v Speaker 1>talked about with stones look like it should be here,

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<v Speaker 1>and this looked like it'd be. It could be knocked

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<v Speaker 1>over by a hard wind. How does it make you

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<v Speaker 1>feel thinking about all this? You're visibly upset, You're shaking,

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<v Speaker 1>you know much shaking. I'm upset. I mean, I really

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<v Speaker 1>wish I could rip that sucker out. It's not even

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<v Speaker 1>worth it being there. And then also I'm kind of

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<v Speaker 1>mad because I have been here before, I didn't see it.

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<v Speaker 1>There are people walking through, their immigrants, got their children,

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<v Speaker 1>they've got all their families, They should be able to

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<v Speaker 1>see it. There should be the stain of it in

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<v Speaker 1>New Yorkers should have to live with it, they should

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<v Speaker 1>have to learn about it, they should be confronted with it.

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<v Speaker 1>I want them to really acknowledge slavery. I want them

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<v Speaker 1>to give us justice. Black people want justice. We deserve it.

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<v Speaker 1>We should have it by any means necessary. And part

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<v Speaker 1>of that justice is that you should not be able

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<v Speaker 1>to come and walk by a slave market marker and

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<v Speaker 1>not be moved by it, or at least have to

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<v Speaker 1>reckon with it or see it. That was so brutal.

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<v Speaker 1>Being there with you, Erica, someone who I care about,

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<v Speaker 1>and seeing the vistal reaction, the pain that it caused

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<v Speaker 1>you to be there, it left me feeling kind of helpless.

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<v Speaker 1>And I know that if I've been alone, if I

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<v Speaker 1>had been there by myself, I would have find some

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<v Speaker 1>way to push myself away from it and the absurdity

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<v Speaker 1>of it and just kind of intellectualize it. Where being

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<v Speaker 1>there with you forced me to own it a bit.

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<v Speaker 1>But that's my problem, not yours. It is your problem

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<v Speaker 1>and black people's burden to bear. I mean, we gave

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<v Speaker 1>you money and paid the big on your loan. Who

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<v Speaker 1>needs bootstraps when they've got friends like you, Whitney. That's

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<v Speaker 1>what I mean earlier when I said your truth is

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<v Speaker 1>filled with a lot of lies. These realities, they show

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<v Speaker 1>it for me every day. Meanwhile, you're underwater thinking your

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<v Speaker 1>real estate has value. What I'm thinking about is solutions.

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<v Speaker 1>And I really believe the only way towards a true

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<v Speaker 1>reconciliation is to create a funded reparations program. And white

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<v Speaker 1>Americans you have to decide if they want to rise

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<v Speaker 1>with Black Americans or fall with them. I see you,

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<v Speaker 1>Whitney down you're doing something. I mean, you're here, you're

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<v Speaker 1>working on it, you're talking about it. But don't expect

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<v Speaker 1>the parade or props are shown up to clean up

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<v Speaker 1>the mess you've made. Yeah, it is a big mess.

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<v Speaker 1>And Erica, you've told me in the past that you

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<v Speaker 1>feel like James Baldwin or Tattenhassi Coates has said that

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<v Speaker 1>you don't really believe, you don't really have faith that

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<v Speaker 1>white people of the ability to change. And I totally

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<v Speaker 1>understand that if I were black, I imagine I would

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<v Speaker 1>feel the exact same way, and especially looking at the

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<v Speaker 1>events the last you know, a few weeks and we've

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<v Speaker 1>had three or four thousand white people storming the Capitol

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<v Speaker 1>and it looks horrible. Those images were just like atrocious.

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<v Speaker 1>But at the same time, we've also had millions of

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<v Speaker 1>white people in the street marching alongside black and brown

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<v Speaker 1>people protesting police violence. So that does make me a

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<v Speaker 1>little optimistic. I hope it doesn't sound corny that I

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<v Speaker 1>do believe we can change, right, Maybe I feel like

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<v Speaker 1>I kind of have to believe we can change. Like

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<v Speaker 1>in Evanston, Illinois, things are changing. I've known his reparation

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<v Speaker 1>robbin and rolls of parks now, so that's different. How

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<v Speaker 1>about that she's a rock star. Four hundred years after

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<v Speaker 1>the first enslaved Africans got off the boat, Alderman Robin

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<v Speaker 1>Ruth Simmons passes the first reparations bill in America. Oh Man,

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<v Speaker 1>talk about the long arc. We gotta keep an eye

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<v Speaker 1>on her. We will. But I want to show you

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<v Speaker 1>something first. So Erica, tell me what do you see here?

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<v Speaker 1>What are we? What were you walking up to? Oh?

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<v Speaker 1>We're Duyne in Elk Street and it says African burial

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<v Speaker 1>ground a way. So they're building a federal building at

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<v Speaker 1>two hundred fifty six million dollar building and when they

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<v Speaker 1>broke ground on they discovered this burial ground. What does

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<v Speaker 1>this say here? Changing landscape obscures the past. The African

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<v Speaker 1>burial ground was labeled Negroes Burial Ground on the seventeen

0:14:02.600 --> 0:14:06.280
<v Speaker 1>fifty five map at right. Colonial New York laws banned

0:14:06.320 --> 0:14:12.120
<v Speaker 1>African funerals and officially consecrated graveyards, prohibited gatherings of large

0:14:12.200 --> 0:14:15.880
<v Speaker 1>numbers of enslaved Africans, and decreed that funerals had to

0:14:15.920 --> 0:14:20.320
<v Speaker 1>be held during daylight. Nonetheless, Africans and their descendants held

0:14:20.320 --> 0:14:23.600
<v Speaker 1>burial ceremonies in a cemetery outside the city wall, near

0:14:23.640 --> 0:14:26.800
<v Speaker 1>a ravine. As New York City expanded northeast, the burial

0:14:26.800 --> 0:14:30.160
<v Speaker 1>ground was closed in seventeen nine and eventually divided into

0:14:30.200 --> 0:14:33.120
<v Speaker 1>lots for sale. The land was filled in and buildings

0:14:33.120 --> 0:14:36.400
<v Speaker 1>were constructed on top. For almost two centuries. New York

0:14:36.400 --> 0:14:40.000
<v Speaker 1>City's growth obscured the graves and the African burial ground

0:14:40.120 --> 0:14:43.760
<v Speaker 1>was nearly forgotten. So we tried to put a Starbucks

0:14:43.800 --> 0:14:48.840
<v Speaker 1>on it. It's a metaphor, right, The foundation is African

0:14:48.880 --> 0:14:51.880
<v Speaker 1>Americans Americans both on top of it. They turned their

0:14:51.920 --> 0:14:56.560
<v Speaker 1>barrel ground into real estate, but that foundation wasn't paid

0:14:56.640 --> 0:15:01.400
<v Speaker 1>for it was paid for in blood, guts and suffering.

0:15:01.880 --> 0:15:07.480
<v Speaker 1>I think of the people buried here were children. So

0:15:07.520 --> 0:15:13.000
<v Speaker 1>we talk about reparations for work and value created, but

0:15:13.520 --> 0:15:18.000
<v Speaker 1>what about reparations for all the people that were destroyed

0:15:18.040 --> 0:15:21.800
<v Speaker 1>by it? It as children, the people who actually never

0:15:22.000 --> 0:15:25.440
<v Speaker 1>had a life. So this is showing the levels of

0:15:25.520 --> 0:15:29.640
<v Speaker 1>different centuries and what they built on top of those coffins.

0:15:29.880 --> 0:15:33.960
<v Speaker 1>It's a diagram. We're ground level, right, Yeah, we're ground level.

0:15:34.360 --> 0:15:37.360
<v Speaker 1>So the on top there's three different centuries. In the

0:15:37.400 --> 0:15:40.560
<v Speaker 1>lowest right, or at least, is the seventeen hundreds. People

0:15:40.600 --> 0:15:44.000
<v Speaker 1>were buried in individual coffins up to three deep. But

0:15:44.120 --> 0:15:48.920
<v Speaker 1>that looks exactly like the slave ship diagrams coming across.

0:15:49.480 --> 0:15:52.640
<v Speaker 1>That's interesting from Africa. So they went out like they

0:15:52.680 --> 0:15:58.960
<v Speaker 1>came in. That's a cold, cold thought. Let's walk up

0:15:58.960 --> 0:16:06.640
<v Speaker 1>to the next marker. This one is says Africans in

0:16:06.720 --> 0:16:10.640
<v Speaker 1>early New York before the American Revolution, York had more

0:16:10.760 --> 0:16:15.240
<v Speaker 1>enslaved Africans. It's most valuable commodity than any other colony

0:16:15.280 --> 0:16:18.360
<v Speaker 1>in the North. You're leaving out the most important thing here.

0:16:18.760 --> 0:16:21.480
<v Speaker 1>It's not that these people were just here, they say,

0:16:21.520 --> 0:16:23.920
<v Speaker 1>and they give an account of their work. Women sewed,

0:16:23.920 --> 0:16:27.360
<v Speaker 1>cooked harvests, didn't care for owners children. Labors tore up

0:16:27.400 --> 0:16:30.680
<v Speaker 1>cobblestone streets, dug trenches late and joined the pipe sections,

0:16:30.680 --> 0:16:33.720
<v Speaker 1>and filled in the trenches. Pay one dollar a day

0:16:33.760 --> 0:16:37.480
<v Speaker 1>in slave workers wages went to their owners. That's real,

0:16:38.520 --> 0:16:40.200
<v Speaker 1>and you know the real One of the reasons why

0:16:40.240 --> 0:16:43.800
<v Speaker 1>the slave market was established down on Wall Street was

0:16:43.960 --> 0:16:49.320
<v Speaker 1>because there were so many enslaved Africans here and the

0:16:49.400 --> 0:16:52.400
<v Speaker 1>actual way the labor pool was structured wasn't really structured.

0:16:52.400 --> 0:16:53.840
<v Speaker 1>There to sending people out in the street to like

0:16:53.920 --> 0:16:56.120
<v Speaker 1>earn money, and they wanted to sort of like codify

0:16:56.160 --> 0:16:59.000
<v Speaker 1>into something more structural. By the way, this whole thing

0:16:59.040 --> 0:17:02.480
<v Speaker 1>is about white fear. Yeah, you should be fucking afraid

0:17:02.960 --> 0:17:06.280
<v Speaker 1>because if we ever get what we deserve and if

0:17:06.280 --> 0:17:09.639
<v Speaker 1>we ever start to balance those books, there ain't no

0:17:09.680 --> 0:17:12.520
<v Speaker 1>stopping us, and it's over. It's not just the rebrowning

0:17:12.520 --> 0:17:15.760
<v Speaker 1>of America, it's the black nation coming into its own.

0:17:16.440 --> 0:17:20.080
<v Speaker 1>So yeah, they try to bury us too black, too strong.

0:17:21.280 --> 0:17:26.280
<v Speaker 1>From eighteen nineties and estimated fifteen thousand enslaved in free

0:17:26.320 --> 0:17:30.360
<v Speaker 1>Africans were laid to rest in African fifteen thousand bodies

0:17:30.400 --> 0:17:34.520
<v Speaker 1>are here seven burial mounds mark the locations of the

0:17:34.600 --> 0:17:39.119
<v Speaker 1>re internments. Here. They are over here, So this is it.

0:17:39.640 --> 0:17:42.800
<v Speaker 1>Look at the mounds here. Oh my god. Now to me,

0:17:43.000 --> 0:17:47.239
<v Speaker 1>this is significant. My god, look at that. What does

0:17:47.280 --> 0:17:51.120
<v Speaker 1>it make you feel to stand here and look at this? Well,

0:17:51.119 --> 0:17:54.199
<v Speaker 1>I'm very proud. I'm glad to see them. And I

0:17:54.200 --> 0:17:57.520
<v Speaker 1>don't know I gained comfort from them being here. I'd

0:17:57.520 --> 0:18:00.600
<v Speaker 1>come out here and eat my lunch with them. What

0:18:00.680 --> 0:18:03.800
<v Speaker 1>do you think? It's funny because you know, you look

0:18:03.840 --> 0:18:06.720
<v Speaker 1>over at the stone and it's all representational. This is

0:18:06.760 --> 0:18:10.000
<v Speaker 1>so much more concrete. These are real burial mounds. And

0:18:10.040 --> 0:18:14.359
<v Speaker 1>knowing that the remains lie underneath it, and knowing that

0:18:14.720 --> 0:18:18.359
<v Speaker 1>they're aligned in a certain way with their heads facing Africa.

0:18:19.000 --> 0:18:28.360
<v Speaker 1>I think it's beautiful. It's beautiful and they shall rise again.

0:18:29.920 --> 0:18:33.879
<v Speaker 1>Oh hey, you know they give tours of this stuff.

0:18:34.480 --> 0:18:40.480
<v Speaker 1>M Black Gotham, thirty books, Totally worth it. Definitely buy

0:18:40.480 --> 0:18:43.080
<v Speaker 1>several tickets. I gotta take my mom and show her

0:18:43.119 --> 0:18:45.840
<v Speaker 1>all these hidden gyms, because she's the greeno in the family.

0:18:46.760 --> 0:18:49.720
<v Speaker 1>Oh man, it's a shame because no matter how hard

0:18:49.760 --> 0:18:53.359
<v Speaker 1>she worked with me, it wasn't enough, and she won't

0:18:53.440 --> 0:18:57.000
<v Speaker 1>live to see a new world that's created through the

0:18:57.040 --> 0:19:01.560
<v Speaker 1>application of reparations. So like the Africans, underneath those buildings,

0:19:02.480 --> 0:19:04.359
<v Speaker 1>it's going to be beyond her flesh and bone. But

0:19:05.080 --> 0:19:08.679
<v Speaker 1>that means it's fertile ground. It's very fertile. My mother's

0:19:08.680 --> 0:19:13.600
<v Speaker 1>in it. It's blessed and highly favored. What really strikes

0:19:13.600 --> 0:19:16.360
<v Speaker 1>me about it, Eric because that it's called the African

0:19:16.359 --> 0:19:21.040
<v Speaker 1>burial ground. But it's not just African history. It's white

0:19:21.080 --> 0:19:25.600
<v Speaker 1>history too, and it's history that's layered across generations. And

0:19:25.960 --> 0:19:28.560
<v Speaker 1>it's not just about what happened before it happened hundreds

0:19:28.560 --> 0:19:31.080
<v Speaker 1>of years ago. You can also see in it how

0:19:31.119 --> 0:19:33.960
<v Speaker 1>it's impacted what's happening today and how you and I

0:19:34.080 --> 0:19:37.760
<v Speaker 1>how our own families are living within the legacy of slavery. Yeah, no,

0:19:37.840 --> 0:19:39.320
<v Speaker 1>I get it. I mean my brother is a Philly

0:19:39.359 --> 0:19:41.920
<v Speaker 1>copp and my sister is a social worker, and they

0:19:41.960 --> 0:19:46.040
<v Speaker 1>worked within the racist system that we're talking about every day.

0:19:46.320 --> 0:19:48.399
<v Speaker 1>You know, that's how they make their living. And the

0:19:48.400 --> 0:19:51.920
<v Speaker 1>weird part is if systematic reformation is needed and reparations

0:19:52.119 --> 0:19:54.960
<v Speaker 1>is part of the cure, we have to get ready

0:19:55.200 --> 0:19:57.800
<v Speaker 1>because there's a whole lot of black folks that are

0:19:57.840 --> 0:20:01.119
<v Speaker 1>baked into the current architecture and they ain't gonna get out. So,

0:20:01.160 --> 0:20:03.600
<v Speaker 1>I mean, it's a rough ride. It would disrupt everything.

0:20:03.680 --> 0:20:06.280
<v Speaker 1>So we got to be careful what we wish for first,

0:20:06.359 --> 0:20:08.720
<v Speaker 1>do no harm. Maybe we need to step out of

0:20:08.720 --> 0:20:21.840
<v Speaker 1>our current reality from all Reven Barber says that we're

0:20:21.840 --> 0:20:25.800
<v Speaker 1>in the third reconstruction. So Whitney, this is our opportunity

0:20:25.920 --> 0:20:29.240
<v Speaker 1>to map out a blueprint, to chart a new destiny,

0:20:30.000 --> 0:20:34.600
<v Speaker 1>to decide who our builders are. Our architects are machinists.

0:20:35.440 --> 0:20:37.440
<v Speaker 1>You would probably need a few arsonists. We're gonna have

0:20:37.440 --> 0:20:40.399
<v Speaker 1>to tear some things down along the way. But first

0:20:41.040 --> 0:20:50.280
<v Speaker 1>we need vision. Imagination, you mean a reimagination. That's a

0:20:50.320 --> 0:20:54.120
<v Speaker 1>little change. Oh, it's amazing what a good composition can

0:20:54.200 --> 0:20:59.600
<v Speaker 1>do to carry us away. Okay, I'm ready. I think. Well,

0:20:59.680 --> 0:21:01.240
<v Speaker 1>let's be real. You always feel your best at the

0:21:01.280 --> 0:21:04.920
<v Speaker 1>beginning of the marathon. I hope, I'm ready, Yeah, I hope.

0:21:04.960 --> 0:21:11.400
<v Speaker 1>I bought a black power bar this season on Reparations,

0:21:11.520 --> 0:21:14.160
<v Speaker 1>the Big Payback. I didn't have a lot of skills.

0:21:14.200 --> 0:21:16.159
<v Speaker 1>I was a bad student. That was kind of this

0:21:16.400 --> 0:21:18.720
<v Speaker 1>histof Charlie got thrown out of schools. I was always

0:21:18.720 --> 0:21:21.200
<v Speaker 1>getting good fights. So that's why you got into race work,

0:21:21.359 --> 0:21:25.679
<v Speaker 1>because you were a mediocre white man anywhere anywhere, exactly

0:21:25.680 --> 0:21:29.480
<v Speaker 1>what you're saying. I failed everywhere else, So race took

0:21:29.520 --> 0:21:31.120
<v Speaker 1>me in it. I made a career out of it

0:21:31.359 --> 0:21:34.480
<v Speaker 1>because that's what we needed. This business. We need to

0:21:34.480 --> 0:21:39.800
<v Speaker 1>rejects awesome. Look, we have to define reparations. Some people

0:21:39.800 --> 0:21:42.640
<v Speaker 1>want to define reparations as a give me a check.

0:21:43.200 --> 0:21:46.879
<v Speaker 1>That's not reparations. They treat us like animals more or

0:21:46.960 --> 0:21:50.439
<v Speaker 1>less than like human beings. And we are the ones

0:21:50.800 --> 0:21:54.399
<v Speaker 1>who lost our lives building this country and got paid

0:21:54.560 --> 0:21:58.240
<v Speaker 1>not one dime for it. But everybody else is reaping

0:21:58.359 --> 0:22:02.840
<v Speaker 1>the benefits. That's album money. My life revolves primarily around

0:22:03.119 --> 0:22:06.200
<v Speaker 1>my discovery that my ancestors were the largest slave trading

0:22:06.240 --> 0:22:09.320
<v Speaker 1>family in US history. When I looked at you, Wikipedia,

0:22:09.440 --> 0:22:12.440
<v Speaker 1>my god brother, you're not playing you like the John

0:22:12.520 --> 0:22:18.000
<v Speaker 1>Lewis of the Aristocrats, the inspiration for me and reparations.

0:22:18.040 --> 0:22:22.200
<v Speaker 1>I know that the injustice and the discrimination in the

0:22:22.320 --> 0:22:26.119
<v Speaker 1>racism is a shared problem, but which has to be

0:22:26.200 --> 0:22:30.360
<v Speaker 1>confronted if we're gonna move on successfully together. My life

0:22:30.359 --> 0:22:32.760
<v Speaker 1>would have been any different if I was black, because

0:22:32.920 --> 0:22:36.359
<v Speaker 1>it's the core of who you are. Everyone has a burden.

0:22:36.680 --> 0:22:39.800
<v Speaker 1>It's how you handle the burden, and so I truly

0:22:39.840 --> 0:22:42.920
<v Speaker 1>don't feel that there was a privilege. Absolutely not. Mom.

0:22:43.080 --> 0:22:47.240
<v Speaker 1>What happened was we were standing in there and suddenly

0:22:47.359 --> 0:22:51.840
<v Speaker 1>the window shatters. The policeman told me that he was

0:22:52.080 --> 0:22:57.280
<v Speaker 1>trying to kill some blackbirds, meaning my children, who were

0:22:57.359 --> 0:23:02.159
<v Speaker 1>standing at the window at and not been for a

0:23:02.400 --> 0:23:07.919
<v Speaker 1>double pain windows, probably I would have that morning lost

0:23:08.080 --> 0:23:11.359
<v Speaker 1>two of my children. If I had enough money to

0:23:11.960 --> 0:23:16.240
<v Speaker 1>ease the disparities and enough programs directed run by black

0:23:16.280 --> 0:23:19.520
<v Speaker 1>people to help us, then I would even be willing

0:23:19.640 --> 0:23:24.040
<v Speaker 1>not to have Chambel Harris Speed Vice President. What goes

0:23:24.080 --> 0:23:27.440
<v Speaker 1>on your playlist? The reparations playlist? Well, what I play

0:23:27.520 --> 0:23:29.320
<v Speaker 1>for my students at the end of the semester is

0:23:29.560 --> 0:23:36.159
<v Speaker 1>um when will we get paid? This podcast is produced

0:23:36.160 --> 0:23:39.560
<v Speaker 1>by Eric Alexander, Dan Arnon and Whitney daw The executive

0:23:39.560 --> 0:23:42.639
<v Speaker 1>producers are Charlomagne the God and Dolly s. Bishop, The

0:23:42.680 --> 0:23:47.280
<v Speaker 1>supervising producers Nicole Childers and the lead producers Devin Madock Robins,

0:23:47.280 --> 0:23:50.520
<v Speaker 1>the producer writer Serres Castle, and the associate producers Kevin

0:23:50.560 --> 0:23:54.400
<v Speaker 1>fan With additional research support provided by Nile Blast original

0:23:54.480 --> 0:24:04.080
<v Speaker 1>music by dj d t P Reparations. The Big Payback

0:24:04.160 --> 0:24:07.000
<v Speaker 1>is a production of color Farm Media, I Heart Radio,

0:24:07.240 --> 0:24:10.800
<v Speaker 1>and The Black Effect Podcast Network in association with Best

0:24:10.800 --> 0:24:14.680
<v Speaker 1>Case Studios. For more podcasts from I heart Radio, visit

0:24:14.680 --> 0:24:18.159
<v Speaker 1>the I heart Radio app, Apple podcast, or wherever you

0:24:18.160 --> 0:24:19.399
<v Speaker 1>listen to your favorite shows.