WEBVTT - How being a benchwarmer pushed Ellie Kemper into comedy

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<v Speaker 1>What do you do when life doesn't go according to

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<v Speaker 1>plan that moment you lose a job, or a loved one,

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<v Speaker 1>or even a piece of yourself. I'm Brookshields and this

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<v Speaker 1>is now What, a podcast about pivotal moments as told

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<v Speaker 1>by people who lived them. Each week, I sit down

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<v Speaker 1>with a guest to talk about the times they were

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<v Speaker 1>knocked off course and what they did to move forward.

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<v Speaker 1>Some stories are funny, others are gut wrenching, but all

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<v Speaker 1>are unapologetically human and remind us that every success and

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<v Speaker 1>every setback is accompanied by a choice, and that choice

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<v Speaker 1>answers one question. Now, what one of the guys that

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<v Speaker 1>moved me into my dorm room freshman week, freshman day,

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<v Speaker 1>he's now working there and he drives by in the

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<v Speaker 1>car and he goes, Shields, get in the god Carney boy,

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<v Speaker 1>you took me to Huahwah. I got me a subway.

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<v Speaker 2>Now.

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<v Speaker 1>It was like you're.

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<v Speaker 2>Eating this right now, a Wawa subway sandwich. Heals all wounds.

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<v Speaker 2>It is that there's nothing. And I don't know how

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<v Speaker 2>recently you've been back. They've now changed the wabble, or

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<v Speaker 2>they've remodeled, they've reloaded that.

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<v Speaker 1>Well, they moved the trend, didn't they moved the station

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<v Speaker 1>or they.

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<v Speaker 2>Moved a whole dinky station I think, and the wah

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<v Speaker 2>wah with it. But there is nothing. I mean, you

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<v Speaker 2>can't compare Princeton reunions. I don't know how that statement sounds,

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<v Speaker 2>but it is what it is to anything. I mean,

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<v Speaker 2>it's like the Kentucky Derby.

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<v Speaker 1>Do you know it's the It's the second largest amount

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<v Speaker 1>of alcohol consumed. Oh lord, next to yep, second only

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<v Speaker 1>to the DY five hundred?

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<v Speaker 2>Are you kidding?

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<v Speaker 1>So there? I was close.

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<v Speaker 2>I was close with that comparison.

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<v Speaker 1>My guest today is Elliet Kemper, an actor and author,

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<v Speaker 1>a podcast host, a wife, a mother, and, as you'll

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<v Speaker 1>hear us discuss throughout this episode, a proud Princeton, a lion.

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<v Speaker 1>Like many of you, I fell in love with the

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<v Speaker 1>contagious optimism she portrayed through her roles and shows like

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<v Speaker 1>The Office and Unbreakable Kimmie Schmidt, And though I personally

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<v Speaker 1>didn't know Ellie before this interview, I was thrilled to

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<v Speaker 1>discover that she exudes the best parts of her most

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<v Speaker 1>iconic characters. She's hilarious, she's gracious, resilient, and downright impressive. So,

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<v Speaker 1>without further ado, here is Ellie Kemper. Ellie Kemper, Hello,

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<v Speaker 1>I am so happy you wanted to do the show. Obviously,

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<v Speaker 1>I'm a huge fan. My gosh. I also love that

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<v Speaker 1>I'm speaking with a fellow Princetonian.

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<v Speaker 2>I am so happy to be a guest on your show.

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<v Speaker 2>I am the enormous fan of you. So I'm not

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<v Speaker 2>even looking you in the eye right now. I'm looking

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<v Speaker 2>off to the side of my laptop. But the Princeton

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<v Speaker 2>Vaughn dies hard.

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<v Speaker 1>Have they ever asked you to speak at commencement? Yes?

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<v Speaker 2>I y And actually I'm sort of embarrassed to not know.

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<v Speaker 2>Did you You must have spoken several times.

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<v Speaker 1>No, it just just once. And Andrew Dureki, who's also

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<v Speaker 1>a past Princetonian, he talked me into doing it because

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<v Speaker 1>I was just I was sort of obliterated by fear

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<v Speaker 1>and it was just one of those things when I

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<v Speaker 1>just I wanted to be funny and I wanted to

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<v Speaker 1>and I just wanted to, you know, it was such

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<v Speaker 1>an important time for me. Have you been back lately?

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<v Speaker 2>So I just celebrated my twentieth reunion last year in

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<v Speaker 2>twenty twenty two. I know and so I live in

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<v Speaker 2>New York. So I went for the day.

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<v Speaker 1>Did you alone or did you bring your husband or

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<v Speaker 1>my husbands stayed at home. I brought my best friend

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<v Speaker 1>who also went to Princeton. Her name is Joe, and

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<v Speaker 1>we went together. And I can't imagine what it's like

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<v Speaker 1>for you. Have you been back to reunions. I've gone

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<v Speaker 1>back to the big ones. But I had my thirty fifth.

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<v Speaker 1>So I'm I'm well. And you know, it's funny because

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<v Speaker 1>my mom, my, my mom, listen to me. Oh, she

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<v Speaker 1>she wants to be in every conversation even though she's dead.

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<v Speaker 1>She's died.

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<v Speaker 2>Well, I'm sorry, but yes, that's so.

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<v Speaker 1>That's Wendy Williams. When she's talked about her mom, she

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<v Speaker 1>goes she's died. So I went. So I said to

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<v Speaker 1>my husband, Okay, I'm gonna go. And he's like, look,

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<v Speaker 1>why don't you just go alone for the first day

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<v Speaker 1>and then I'll come the next day and bring the

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<v Speaker 1>kids or whatever. And I was like, okay, all right,

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<v Speaker 1>I just I'm not gonna stay long. And then at

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<v Speaker 1>every tent I kept saying, okay, I'm not, I'm not

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<v Speaker 1>I'm not gonna stay a long I'm not gonna stay

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<v Speaker 1>long four o'clock in the morning. I am like meandering,

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<v Speaker 1>not in a straight line.

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<v Speaker 2>And the guy, one of.

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<v Speaker 1>The guys that moved me into my dorm room freshman week,

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<v Speaker 1>freshman day, he's now working there, and he drives by

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<v Speaker 1>in the car and he goes shields, get in the

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<v Speaker 1>goddamn car. And I was like, but I nice man.

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<v Speaker 2>And I was like, oh god, he.

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<v Speaker 1>Goes, some thing's never changed. Getting the goddamn carney boy.

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<v Speaker 1>He took me to it, got me in a subway.

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<v Speaker 1>It was like, you're yeating this right now.

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<v Speaker 2>Yep, a wah wah subway sandwich. Heals all wounds.

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<v Speaker 1>If you say the wah wah wighs the way to go.

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<v Speaker 1>People understand you wholeheartedly. What did did you always want

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<v Speaker 1>to go there? I?

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<v Speaker 2>And oh is the answered? No, it wasn't.

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<v Speaker 1>I didn't.

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<v Speaker 2>I mean, I don't know what your thought process was.

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<v Speaker 2>I mean, you and I had very different childhood experience.

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<v Speaker 1>Tell me about your but I so what.

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<v Speaker 2>I wasn't instantly recognizable to you every person on the globe.

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<v Speaker 2>But I didn't really give too much thought about where

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<v Speaker 2>I wanted to go to college. I knew I wanted

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<v Speaker 2>to go to college in the Northeast, and I when

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<v Speaker 2>I visited Princeton, I mean, it's iconic, it's gorgeous, it's stunning,

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<v Speaker 2>it's beautiful, and there was a comb anas I played

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<v Speaker 2>field hockey. I knew that. You know, Princeton had these

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<v Speaker 2>great theater You were also in the Triangle Club, which

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<v Speaker 2>is a theater musical theater group at Princeton for those

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<v Speaker 2>of us who don't know what that is. And I

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<v Speaker 2>and I just I had such a great experience visiting

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<v Speaker 2>and then I got in and I and I accepted.

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<v Speaker 2>But it wasn't a life long whatever dream. It just

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<v Speaker 2>felt like I felt very lucky to be able to

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<v Speaker 2>go there.

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<v Speaker 1>Now you grew up, you grew up in Saint Louis.

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<v Speaker 2>I grew up in Saint Louis, and uh yes, I

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<v Speaker 2>went to I live there all my life and in fact,

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<v Speaker 2>I mean until I graduated high school and in fact,

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<v Speaker 2>my experience leaving for college. This is one thing that

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<v Speaker 2>I don't want to like forget, which is that I

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<v Speaker 2>was profoundly homesick. My first song too, oh it was

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<v Speaker 2>my sobbed and I was like, you know, I'm just

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<v Speaker 2>I remember going home for Christmas break, but I brought

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<v Speaker 2>all of my laundry with me, but like not to

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<v Speaker 2>do it at home in Saint Louis. But because I

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<v Speaker 2>was like, well, I'm not I'm not going back, Like

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<v Speaker 2>in my head it was a weird I wasn't consciously

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<v Speaker 2>doing but but I sort of was because it. I

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<v Speaker 2>remember thinking for the first time I realized that the

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<v Speaker 2>Midwest is a different uh reagion from the rest of

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<v Speaker 2>the country. Because when I went to for instance, I said,

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<v Speaker 2>I remember checking my mom on the phone and I

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<v Speaker 2>was like, Mom, it is you know. I say hello

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<v Speaker 2>to people here, like passing them on campus, and they

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<v Speaker 2>do not smile back. And I remember feeling like this

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<v Speaker 2>is so different now, like why are people saying hi?

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<v Speaker 1>But did you feel like Saint Louis. So I'm born

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<v Speaker 1>and raised in Manhattan, right, and that has shaped me undoubtedly.

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<v Speaker 1>How do you think Saint Louis has shaped you as

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<v Speaker 1>a child.

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<v Speaker 2>I feel very lucky that I grew up there. I

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<v Speaker 2>grew up in a suburb of Saint Louis. I had

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<v Speaker 2>a very lucky childhood I had. I have a wonderful,

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<v Speaker 2>supportive family. I have three siblings, two parents. I went

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<v Speaker 2>to an excellent school. I have a kind of I

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<v Speaker 2>recognize how lucky I was, and I have maybe a

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<v Speaker 2>childhood that would make other people angry because there weren't

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<v Speaker 2>any major traumas. And I feel like living growing up

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<v Speaker 2>in Saint Louis, I now see having lived in New

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<v Speaker 2>York and Los Angeles, I do feel grateful for growing

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<v Speaker 2>up in a relatively quiet place. And I do think

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<v Speaker 2>about now. I have two boys, ages seven and almost four,

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<v Speaker 2>and I do wonder about, you know, where I will

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<v Speaker 2>be raising them because I have a different job than

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<v Speaker 2>my parents had. It as you know, it requires you

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<v Speaker 2>to be in possibly different cities than Saint Louis, And

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<v Speaker 2>you know, I do think that like having experienced the

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<v Speaker 2>Midwest and Saint Louis growing up, it had to have

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<v Speaker 2>had an impact on my outlook and personality. Like I said,

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<v Speaker 2>I do think there's just a I mean, this is

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<v Speaker 2>no great insight, but there is a friendliness and openness

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<v Speaker 2>I think to the Midwest that isn't everywhere, and I

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<v Speaker 2>appreciate that it does actually feel genuine like fake.

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<v Speaker 1>And it's got something you're trying to really impart to

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<v Speaker 1>your boys, like do you want them to also really

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<v Speaker 1>know that.

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<v Speaker 2>Yeah, yes, yes, and I think that there's you know,

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<v Speaker 2>I had a friend say once, you know, it doesn't

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<v Speaker 2>matter where you're raising your kids if you have to,

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<v Speaker 2>you know, if you have family, parents, blood relatives or not,

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<v Speaker 2>you know, chosen family, whatever it is, who have a

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<v Speaker 2>good head on their shoulders, then your kids will be fine.

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<v Speaker 2>So I do think it's it doesn't matter where you

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<v Speaker 2>know they you will be raising them so long as

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<v Speaker 2>you're setting a you know, kind of grounded example.

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<v Speaker 1>You mentioned your career, which has been incredible. How did

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<v Speaker 1>you discover that you were a comedian?

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<v Speaker 2>I did? Quick Fire?

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<v Speaker 1>Was quick Fire?

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<v Speaker 2>I don't know when was founded, Okay.

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<v Speaker 1>I think it like ninety like ninety two. I founded

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<v Speaker 1>because it didn't exist. Yes, so quick Fire is the

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<v Speaker 1>improv comedy at Princeton.

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<v Speaker 2>And I loved it, so I auditioned my sophomore year.

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<v Speaker 2>I played field hockey my freshman year, but I used

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<v Speaker 2>the term play very loosely. I sat on the bench

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<v Speaker 2>and observed it. I was just telling my friends the

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<v Speaker 2>other day who also went to Princeton. I believe it

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<v Speaker 2>was somewhere between thirteen and eighteen seconds of a playing

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<v Speaker 2>time that I had my entire field hacking career. That's

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<v Speaker 2>not a lot too. My friends goes, he goes. Isn't

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<v Speaker 2>that more insulting than just not playing at all? I

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<v Speaker 2>was like, you know, I've never thought of that way,

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<v Speaker 2>but yeah, I guess it is. I think. Yeah, So

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<v Speaker 2>I decided to leave that behind and I auditioned for

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<v Speaker 2>quip Fire, and it was this clicking that I sort

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<v Speaker 2>of had never really experienced before where I did feel

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<v Speaker 2>like I am good at this and I had never

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<v Speaker 2>I didn't suffer from low self confidence, but I don't

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<v Speaker 2>think I had ever felt as confident as I did

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<v Speaker 2>when I was in that improv group.

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<v Speaker 1>Triangle was a bit that, but it was really it

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<v Speaker 1>was doing comedy with like Bob Hope and and then

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<v Speaker 1>doing friends and realizing that my instincts were actually funnier

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<v Speaker 1>and better than what was on the page. Like it,

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<v Speaker 1>you know, the combination that I really that was like

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<v Speaker 1>a revelation to me. And it was just like, oh,

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<v Speaker 1>I finally found home. It says where I belong.

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<v Speaker 2>Well, well that's what I loved because in high school

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<v Speaker 2>I was in my high school plays and musicals and

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<v Speaker 2>you know, oh who was I? And anything goes? Bonnie?

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<v Speaker 2>I think she's like the cut up, she's like crazy,

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<v Speaker 2>but it's so it's comedy in like a very specific way.

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<v Speaker 2>This stuff that I was doing at Quip Fire in

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<v Speaker 2>Princeston or in quip Fire at Prinston felt for the

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<v Speaker 2>first time what I call now improv, which was, you know,

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<v Speaker 2>I both studied that our Citizen's Brigade and and you

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<v Speaker 2>know started in Chicago, and it was the first time

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<v Speaker 2>again where it instantly clicked and like you said, there's

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<v Speaker 2>a shorthand. So it felt like, oh, these people that

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<v Speaker 2>I'm with they get it too, like we all get it.

0:12:04.440 --> 0:12:08.040
<v Speaker 2>And I hadn't been in that environment before. I had been,

0:12:08.360 --> 0:12:10.440
<v Speaker 2>you know, kind of a jock, but I was in

0:12:10.480 --> 0:12:14.080
<v Speaker 2>the school plays. But then this I felt, you know,

0:12:14.920 --> 0:12:17.120
<v Speaker 2>at home. But I say that, I don't know why

0:12:17.120 --> 0:12:18.679
<v Speaker 2>I say that tongue in cheek, because I really did

0:12:18.679 --> 0:12:21.600
<v Speaker 2>feel at home. And I'm friends with those you know,

0:12:21.760 --> 0:12:23.760
<v Speaker 2>well they are mostly guys. I'm friends with most of

0:12:23.840 --> 0:12:26.839
<v Speaker 2>those guys to this day, which is says something you know.

0:12:26.760 --> 0:12:29.440
<v Speaker 1>Which says it's yeah, I mean that those those friendships

0:12:29.480 --> 0:12:33.600
<v Speaker 1>and comedy friendships. To me, John Ham, it comes to mind.

0:12:34.200 --> 0:12:38.960
<v Speaker 1>He he was your teacher, your drama teacher. Is that crazy?

0:12:39.320 --> 0:12:42.600
<v Speaker 2>Is that insane? Oh, it's so crazy, It's so crazy.

0:12:42.920 --> 0:12:45.080
<v Speaker 2>He went to my high school in Saint Louis, and

0:12:45.200 --> 0:12:48.400
<v Speaker 2>he went to college and then he came back to

0:12:48.440 --> 0:12:51.920
<v Speaker 2>teach at our school was called John Burrows. He came

0:12:51.960 --> 0:12:54.400
<v Speaker 2>back to teach at Burroughs for a year. He taught

0:12:54.440 --> 0:12:56.760
<v Speaker 2>theater and so I was in ninth grade at the time.

0:12:57.360 --> 0:13:01.079
<v Speaker 2>So he taught. I took a semester of I think

0:13:01.120 --> 0:13:03.679
<v Speaker 2>it was called like theater nine ninth grade, whatever ninth

0:13:03.679 --> 0:13:06.079
<v Speaker 2>grade theater was, and he taught the improv portion.

0:13:06.400 --> 0:13:08.960
<v Speaker 1>We were just at his wedde Oh. Yeah, he's really

0:13:08.960 --> 0:13:12.560
<v Speaker 1>good friends with my mi Okay, yes, who's a comedy writer.

0:13:12.960 --> 0:13:15.319
<v Speaker 2>Yes, yep, yep, yep. So I have always thought of

0:13:15.400 --> 0:13:18.000
<v Speaker 2>him as like an uncle, Like he's just kind of,

0:13:18.320 --> 0:13:21.760
<v Speaker 2>you know, there's that he he feels. I have no

0:13:21.840 --> 0:13:24.680
<v Speaker 2>idea if I'm just like projecting this and it's he

0:13:24.720 --> 0:13:28.120
<v Speaker 2>doesn't actually feel protective, but the air he gives off

0:13:28.160 --> 0:13:30.560
<v Speaker 2>is that of a protective uncle. I feel like because

0:13:30.559 --> 0:13:33.360
<v Speaker 2>I contacted him when I went to Los Angeles to

0:13:33.440 --> 0:13:36.840
<v Speaker 2>do my one person show, and I you know, emailed him,

0:13:37.040 --> 0:13:40.720
<v Speaker 2>just cold emailed him from our Burrows like alumni website.

0:13:41.000 --> 0:13:42.920
<v Speaker 2>I said, I'm doing this show. He was on mad Men.

0:13:43.080 --> 0:13:44.719
<v Speaker 2>I think it was like a third season of mad Men.

0:13:44.880 --> 0:13:47.720
<v Speaker 2>It's like, any chance you can call to see my show,

0:13:48.400 --> 0:13:50.080
<v Speaker 2>and you know, he showed up and he was in

0:13:50.080 --> 0:13:52.120
<v Speaker 2>the bah. Of course he did, and he's like that.

0:13:52.200 --> 0:13:55.760
<v Speaker 2>He helps out anyone from Saint Louis who like reaches

0:13:55.760 --> 0:13:57.280
<v Speaker 2>out to him. He's like, how can I help? He

0:13:57.400 --> 0:13:59.880
<v Speaker 2>is so giving. I adore the man.

0:14:00.280 --> 0:14:02.320
<v Speaker 1>And then you worked with him, Yeah, yeah, better.

0:14:02.600 --> 0:14:05.679
<v Speaker 2>I couldn't believe this. It's so talk about nerves. Now

0:14:05.720 --> 0:14:07.360
<v Speaker 2>you just think I'm always a nervous wreck. But when

0:14:07.360 --> 0:14:12.480
<v Speaker 2>he came so he was the reverend on Unbreakable Kimy

0:14:12.520 --> 0:14:16.160
<v Speaker 2>Schmidt where I was Kimmy and he uh showed up.

0:14:16.200 --> 0:14:18.120
<v Speaker 2>I guess it was the end of the first season.

0:14:18.679 --> 0:14:20.520
<v Speaker 2>And so I'm in a scene with him. Of course

0:14:20.560 --> 0:14:22.880
<v Speaker 2>I fled my first line. Of course I did. And

0:14:22.920 --> 0:14:25.600
<v Speaker 2>I was like, oh, because there was a combiny so

0:14:25.680 --> 0:14:28.280
<v Speaker 2>many things at play. One I knew him as Don

0:14:28.320 --> 0:14:32.640
<v Speaker 2>Draper from mad Men. Two he was my teacher, so

0:14:32.680 --> 0:14:35.840
<v Speaker 2>I feel like he's great me. And then three he's

0:14:35.840 --> 0:14:36.920
<v Speaker 2>a phenomenal actor.

0:14:37.080 --> 0:14:37.720
<v Speaker 1>So I was.

0:14:37.720 --> 0:14:40.880
<v Speaker 2>Like, I hope I don't. I hope, I like, bring

0:14:40.920 --> 0:14:43.360
<v Speaker 2>my a game. But all of that was after I

0:14:43.400 --> 0:14:45.640
<v Speaker 2>got the flubbed line out of the way. It was easy.

0:14:45.760 --> 0:14:47.320
<v Speaker 2>I was like, Okay, this is actually fun.

0:14:48.160 --> 0:14:50.520
<v Speaker 1>You know what though it's it's it's surprising to me

0:14:50.760 --> 0:14:53.000
<v Speaker 1>all that you've done, but that you really sort of

0:14:53.760 --> 0:14:57.760
<v Speaker 1>didn't kind of break into the entertainment industry until we

0:14:57.760 --> 0:14:59.200
<v Speaker 1>were like twenty nine, like you were.

0:15:00.080 --> 0:15:03.040
<v Speaker 2>Yes, I was actually thinking about that in anticipation of

0:15:03.400 --> 0:15:08.120
<v Speaker 2>our conversation because we've had so like two totally different experiences,

0:15:08.160 --> 0:15:12.120
<v Speaker 2>and I feel like, in talking about Saint Louis and

0:15:12.160 --> 0:15:16.200
<v Speaker 2>my upbringing there, it does seem how you've navigated your

0:15:16.240 --> 0:15:19.040
<v Speaker 2>way is so different from from me. But I do

0:15:19.080 --> 0:15:23.080
<v Speaker 2>feel I feel grateful that I had this quote unquote

0:15:23.120 --> 0:15:28.040
<v Speaker 2>normal childhood because then I think it has given me

0:15:28.120 --> 0:15:32.680
<v Speaker 2>perspective as I continue to navigate the entertainment industry and

0:15:32.840 --> 0:15:35.960
<v Speaker 2>especially getting older, there's been some life experience that has

0:15:36.040 --> 0:15:39.440
<v Speaker 2>just been non show business, which is valuable.

0:15:39.560 --> 0:15:39.760
<v Speaker 1>You know.

0:15:39.960 --> 0:15:43.160
<v Speaker 2>I'm not sure that I said that eloquently, but I'm

0:15:43.160 --> 0:15:45.240
<v Speaker 2>grateful that I began work a little bit later.

0:15:45.760 --> 0:15:48.080
<v Speaker 1>So what were your twenties really like you when you're

0:15:48.400 --> 0:15:51.040
<v Speaker 1>living and you're working in New York. But prior to

0:15:51.120 --> 0:15:54.120
<v Speaker 1>my office, what were those years like for you? Those

0:15:54.200 --> 0:15:55.600
<v Speaker 1>years were? They were?

0:15:56.560 --> 0:16:00.640
<v Speaker 2>I wouldn't call them. They were fine. I wasn't like happy.

0:16:01.120 --> 0:16:03.840
<v Speaker 2>I wasn't unhappy, but I wasn't, you know, living it up.

0:16:03.840 --> 0:16:07.680
<v Speaker 2>I'm much more content now, And I know that sounds trite,

0:16:07.760 --> 0:16:11.000
<v Speaker 2>but it's true. I do feel like as I've gotten older,

0:16:11.080 --> 0:16:15.280
<v Speaker 2>I feel more secure and confident, and in my twenties

0:16:15.320 --> 0:16:17.560
<v Speaker 2>it's more like, Okay, well, what is the plan here?

0:16:18.040 --> 0:16:20.960
<v Speaker 2>I'm doing improv at the People's Improv Theater at the

0:16:21.040 --> 0:16:24.680
<v Speaker 2>Upper Citizens Brigade. I'm doing that at night. I was

0:16:24.920 --> 0:16:28.600
<v Speaker 2>very lucky to have gotten a commercial agent and to

0:16:28.720 --> 0:16:32.240
<v Speaker 2>have booked commercials. I was earning a paycheck, which is

0:16:32.320 --> 0:16:36.400
<v Speaker 2>hugely satisfying, and not having to rely on my parents,

0:16:36.440 --> 0:16:38.840
<v Speaker 2>which I did have to, and was grateful to be

0:16:38.880 --> 0:16:41.520
<v Speaker 2>able to do that at first, but then began to

0:16:41.560 --> 0:16:43.480
<v Speaker 2>make my own money, which is just so satisfying on

0:16:43.520 --> 0:16:46.920
<v Speaker 2>many levels. But it also felt like, well, what is

0:16:46.960 --> 0:16:50.280
<v Speaker 2>the end goal? Is it to be a commercial actor

0:16:50.280 --> 0:16:51.040
<v Speaker 2>and do improv?

0:16:51.360 --> 0:16:52.400
<v Speaker 1>Did you have a plan? B?

0:16:53.000 --> 0:16:56.640
<v Speaker 2>No? And still don't, And so that's why I often

0:16:56.720 --> 0:16:59.680
<v Speaker 2>I don't know how your mind works. But every time

0:16:59.760 --> 0:17:02.800
<v Speaker 2>I'm like out of work for more than a month,

0:17:02.880 --> 0:17:06.320
<v Speaker 2>I'm like, well, what, I guess I'm like a peloton

0:17:06.359 --> 0:17:08.640
<v Speaker 2>shut I could become a peloton instructor, I really don't.

0:17:09.160 --> 0:17:13.440
<v Speaker 2>I don't have any others. I don't have another skill set.

0:17:13.560 --> 0:17:16.840
<v Speaker 2>So so, and not that I could become a peloton instructor,

0:17:16.840 --> 0:17:19.600
<v Speaker 2>I would get too tired. But there was no plan B.

0:17:19.840 --> 0:17:22.199
<v Speaker 2>And it was more like, you know, I got to

0:17:22.240 --> 0:17:25.680
<v Speaker 2>audition for Saturday Night Live, I think in like two

0:17:25.720 --> 0:17:27.640
<v Speaker 2>thousand and eight, so maybe when I was like twenty eight,

0:17:28.280 --> 0:17:31.280
<v Speaker 2>and I didn't get apart, but that felt like progress.

0:17:31.320 --> 0:17:35.000
<v Speaker 2>That felt like okay, I had and parks and rec too, right, yes,

0:17:35.119 --> 0:17:38.199
<v Speaker 2>actually sort of right next to each other, like the

0:17:38.240 --> 0:17:40.119
<v Speaker 2>same year, and didn't get either.

0:17:40.359 --> 0:17:41.840
<v Speaker 1>And how do you deal with how did you deal

0:17:41.880 --> 0:17:43.840
<v Speaker 1>with that? It's to me, it's like, you know, I

0:17:43.880 --> 0:17:45.840
<v Speaker 1>never get used to rejection. I just don't.

0:17:46.000 --> 0:17:47.720
<v Speaker 2>Oh, I'm I'm really deep, don't.

0:17:47.840 --> 0:17:50.040
<v Speaker 1>It's because it fills personal and you know it's not.

0:17:50.080 --> 0:17:53.119
<v Speaker 2>Personal, Yes it does. You know it's not, and yet

0:17:53.560 --> 0:17:53.960
<v Speaker 2>it's so.

0:17:53.960 --> 0:17:56.119
<v Speaker 1>How did you deal with that rejection? What did it

0:17:56.520 --> 0:17:57.919
<v Speaker 1>spur you to do it?

0:17:58.119 --> 0:18:00.560
<v Speaker 2>Oh? Do you know what it was? Actually, this is

0:18:01.200 --> 0:18:03.480
<v Speaker 2>maybe a good I don't know if it's a good quality.

0:18:03.480 --> 0:18:05.600
<v Speaker 2>It's something that I just have, which is I get

0:18:06.640 --> 0:18:10.480
<v Speaker 2>angry when I'm rejected, so it makes me work harder.

0:18:11.040 --> 0:18:13.119
<v Speaker 2>So it was a thing of like, and you know,

0:18:13.200 --> 0:18:15.280
<v Speaker 2>for Saturday Night Life, they don't outright call you and

0:18:15.320 --> 0:18:17.000
<v Speaker 2>say you didn't get it. They just don't call you.

0:18:17.080 --> 0:18:18.679
<v Speaker 2>So after like a few months, I was like, I

0:18:18.680 --> 0:18:21.440
<v Speaker 2>have a feel that the season has started.

0:18:21.040 --> 0:18:24.160
<v Speaker 1>And I'm not there, and I'm not there.

0:18:25.080 --> 0:18:27.600
<v Speaker 2>I have a Princeton education, so I was able to

0:18:27.600 --> 0:18:30.359
<v Speaker 2>put two and two together and I realized I didn't

0:18:30.359 --> 0:18:30.800
<v Speaker 2>get the job.

0:18:30.920 --> 0:18:34.160
<v Speaker 1>Were you afraid when you auditioned? Were you nervous? Oh?

0:18:34.280 --> 0:18:37.320
<v Speaker 2>Yeah, I was. I was sick with nerves because yes,

0:18:37.440 --> 0:18:40.760
<v Speaker 2>it's like it's Lauren Michaels and it's everything you've.

0:18:40.640 --> 0:18:41.880
<v Speaker 1>Read Apperiales work.

0:18:42.000 --> 0:18:44.960
<v Speaker 2>Yeah, yeah, yeah, you present When I did it, there

0:18:44.960 --> 0:18:47.359
<v Speaker 2>were I think it was three characters of your own

0:18:47.800 --> 0:18:52.439
<v Speaker 2>invention and then three celebrity impressions, which, oh wow, I

0:18:52.480 --> 0:18:58.160
<v Speaker 2>cannot do impressions. I my face sort of looks like Renezelwegger's.

0:18:58.200 --> 0:19:00.520
<v Speaker 2>It's not that's not a compliment to myself. That's not

0:19:00.920 --> 0:19:03.320
<v Speaker 2>it just is it happens to look like her, and

0:19:03.400 --> 0:19:05.359
<v Speaker 2>so I can scrunch up my face and look like her.

0:19:05.520 --> 0:19:08.840
<v Speaker 2>It requires no skill, it's just like what happens. So

0:19:08.920 --> 0:19:10.960
<v Speaker 2>I did her, and then I did I cannot. I

0:19:11.000 --> 0:19:13.800
<v Speaker 2>did a Miley Cyrus something with Miley Cyrus and I

0:19:13.800 --> 0:19:17.480
<v Speaker 2>don't know the third. But it's like I've honestly felt

0:19:17.920 --> 0:19:20.600
<v Speaker 2>the relief. I don't remember the nerves. I remember the

0:19:20.680 --> 0:19:23.600
<v Speaker 2>relief afterwards, like I did it. It's done. I never

0:19:23.680 --> 0:19:26.760
<v Speaker 2>have to do that again, Like I remember it like

0:19:27.280 --> 0:19:29.960
<v Speaker 2>a dream, I think, because it did feel so surreal

0:19:30.000 --> 0:19:33.040
<v Speaker 2>and there's no prep time. It was like a week

0:19:33.520 --> 0:19:36.919
<v Speaker 2>before I met with Seth Meyers and Lorne Michaels, and

0:19:36.960 --> 0:19:40.120
<v Speaker 2>then it's like you have a week before the actual audition,

0:19:40.240 --> 0:19:42.160
<v Speaker 2>so there was no I felt like, that's not time

0:19:42.200 --> 0:19:45.880
<v Speaker 2>to prepare anyway, and so you just have to It's exhilarating.

0:19:45.920 --> 0:19:50.040
<v Speaker 2>That was an exhilarating experience. But I should say that

0:19:50.160 --> 0:19:53.520
<v Speaker 2>it also inspired confidence because I felt like, oh wow,

0:19:53.880 --> 0:19:56.439
<v Speaker 2>I've been invited to audition by Lorne Michaels, who is

0:19:56.480 --> 0:19:59.560
<v Speaker 2>the king of comedy, and so it felt like, okay,

0:19:59.600 --> 0:20:03.280
<v Speaker 2>well I made it. That far that's something and then

0:20:03.640 --> 0:20:06.160
<v Speaker 2>you know, and then from there I think I do

0:20:06.240 --> 0:20:09.360
<v Speaker 2>feel like you know, I was able to make contacts

0:20:09.440 --> 0:20:14.159
<v Speaker 2>through the Saturday Night Live audition that introduced me to

0:20:14.240 --> 0:20:16.960
<v Speaker 2>people in Los Angeles, and that's how I was able

0:20:16.960 --> 0:20:19.719
<v Speaker 2>to audition for parts and rec and also not get it.

0:20:27.280 --> 0:20:30.440
<v Speaker 1>So I call this show now What because it really

0:20:30.520 --> 0:20:36.719
<v Speaker 1>is about those unexpected things that pop up into our lives,

0:20:36.800 --> 0:20:40.840
<v Speaker 1>you know, personal, professional, spiritual, any any of that. But

0:20:40.880 --> 0:20:44.320
<v Speaker 1>they force us to really ask ourselves, now what Now

0:20:44.359 --> 0:20:47.000
<v Speaker 1>what do I do? So looking back, do you have

0:20:47.560 --> 0:20:49.720
<v Speaker 1>is there any pivotal now what moment for you?

0:20:50.320 --> 0:20:53.879
<v Speaker 2>There are two pivotal now what moments, and the first

0:20:53.880 --> 0:20:57.040
<v Speaker 2>one is and I'm going to talk like profession wise

0:20:57.119 --> 0:20:59.880
<v Speaker 2>because it's what you and I were talking about earlier

0:21:00.320 --> 0:21:02.760
<v Speaker 2>about it happens to have taken place at Princeton, but

0:21:02.840 --> 0:21:07.240
<v Speaker 2>just about college and being nineteen years old and feeling like, Okay,

0:21:07.280 --> 0:21:09.680
<v Speaker 2>well I'm going to college to play field hockey, because

0:21:09.720 --> 0:21:13.320
<v Speaker 2>like I said, I played field hockey and I sort

0:21:13.359 --> 0:21:15.439
<v Speaker 2>of laughed it off, but I did find sitting on

0:21:15.440 --> 0:21:18.800
<v Speaker 2>the bench to be somewhat demoralizing because I was the

0:21:18.800 --> 0:21:22.040
<v Speaker 2>star in high school and I prided myself on that

0:21:22.080 --> 0:21:24.919
<v Speaker 2>and I thought it gave me a lot of I

0:21:24.960 --> 0:21:27.320
<v Speaker 2>felt a lot of self worth from that, and so

0:21:27.520 --> 0:21:31.600
<v Speaker 2>being humiliated at whether on purpose or not, at a

0:21:31.680 --> 0:21:35.439
<v Speaker 2>higher level was ultimately I have to think good for

0:21:35.520 --> 0:21:38.520
<v Speaker 2>me because I think humility is always a good thing.

0:21:39.040 --> 0:21:42.400
<v Speaker 2>But also walking away from one thing, the now what

0:21:42.480 --> 0:21:44.880
<v Speaker 2>moment of like, oh, you know, this is not going

0:21:44.880 --> 0:21:46.680
<v Speaker 2>as I planned. I thought that I would be good

0:21:46.720 --> 0:21:50.040
<v Speaker 2>on this team. I thought that I would be a

0:21:50.080 --> 0:21:53.680
<v Speaker 2>contributing member of this team and gain recognition from that,

0:21:54.359 --> 0:21:59.080
<v Speaker 2>and I was not. And instead of sitting on the bench,

0:21:59.160 --> 0:22:01.800
<v Speaker 2>which would not have been you know, I don't know

0:22:01.800 --> 0:22:03.600
<v Speaker 2>that that would have been a bad move, but I

0:22:03.640 --> 0:22:06.560
<v Speaker 2>do feel like your four years in college are precious.

0:22:06.560 --> 0:22:08.720
<v Speaker 2>I didn't want to. I had to recognize that I

0:22:08.760 --> 0:22:11.000
<v Speaker 2>am not going to succeed at the level I want to.

0:22:11.400 --> 0:22:16.560
<v Speaker 2>So pivoting from that, I now feel was invaluable because

0:22:16.600 --> 0:22:20.280
<v Speaker 2>if I hadn't quit the team, I would not have

0:22:20.320 --> 0:22:25.440
<v Speaker 2>auditioned for the improv team, and that is what absolutely

0:22:25.520 --> 0:22:28.000
<v Speaker 2>changed my outlook on what It's not that I wanted

0:22:28.000 --> 0:22:30.880
<v Speaker 2>to become a professional field hockey player, but I don't

0:22:30.880 --> 0:22:33.719
<v Speaker 2>think I would have taken improv and comedy as a

0:22:33.800 --> 0:22:38.000
<v Speaker 2>serious career track. Had I not had that experience with

0:22:38.080 --> 0:22:41.080
<v Speaker 2>Quippire where where I was introduced to the you know

0:22:41.440 --> 0:22:44.359
<v Speaker 2>history of Chicago improv and all the legends that have

0:22:44.480 --> 0:22:46.080
<v Speaker 2>come out of there, Like, I didn't see that as

0:22:46.119 --> 0:22:50.800
<v Speaker 2>a viable career for me. And then but that pivot

0:22:51.160 --> 0:22:53.679
<v Speaker 2>did I think open my eyes to that, which was

0:22:54.920 --> 0:22:55.520
<v Speaker 2>I feel.

0:22:55.359 --> 0:22:57.240
<v Speaker 1>Very grateful for it. And what was the second one?

0:22:57.400 --> 0:22:58.280
<v Speaker 1>What was the other one?

0:22:58.440 --> 0:23:01.040
<v Speaker 2>And the second one was I think that moment of

0:23:01.840 --> 0:23:05.200
<v Speaker 2>not getting the Saturday Night Live job and the Parks

0:23:05.200 --> 0:23:07.199
<v Speaker 2>and Rec job which you brought up, which is like

0:23:07.359 --> 0:23:09.800
<v Speaker 2>I was doing this one person show and so it

0:23:09.840 --> 0:23:12.239
<v Speaker 2>was like, well, you just got to keep working on

0:23:12.320 --> 0:23:16.040
<v Speaker 2>that and doing creating your own content, you know, to

0:23:16.240 --> 0:23:20.800
<v Speaker 2>bring something to it's it's it's weird with our jobs

0:23:20.840 --> 0:23:23.159
<v Speaker 2>because you're rejected in a way that feels out that

0:23:23.280 --> 0:23:25.479
<v Speaker 2>is usually out of your control. It doesn't mean you're

0:23:25.520 --> 0:23:27.840
<v Speaker 2>bad at your job. It means that you weren't chosen

0:23:27.840 --> 0:23:30.399
<v Speaker 2>for this job. So I feel like the you know,

0:23:30.640 --> 0:23:33.560
<v Speaker 2>being rejected from those two jobs opened the doors to

0:23:33.560 --> 0:23:35.960
<v Speaker 2>be on the office and that led to a lot

0:23:36.280 --> 0:23:41.400
<v Speaker 2>of other you know opportunities. So it's weird. The now

0:23:41.440 --> 0:23:46.280
<v Speaker 2>what thing is like endlessly interesting because that's all life is.

0:23:46.400 --> 0:23:49.119
<v Speaker 2>It's like so many pieces of this are out of

0:23:49.119 --> 0:23:49.639
<v Speaker 2>our control.

0:23:49.880 --> 0:23:53.679
<v Speaker 1>I think, once you have a child, you live in

0:23:53.800 --> 0:23:56.600
<v Speaker 1>perpetual Now what moments do you have any that staying

0:23:56.640 --> 0:23:57.760
<v Speaker 1>out as a parent for you?

0:23:58.119 --> 0:24:00.119
<v Speaker 2>Oh my gosh, yeah, I.

0:24:01.720 --> 0:24:01.959
<v Speaker 1>You know.

0:24:02.080 --> 0:24:04.879
<v Speaker 2>I think it's I mean, this is probably infinitely relatable.

0:24:04.920 --> 0:24:08.080
<v Speaker 2>But just the pandemic, which was like, okay, so my

0:24:08.200 --> 0:24:11.080
<v Speaker 2>kids were on the whole. I feel lucky that they

0:24:11.080 --> 0:24:13.199
<v Speaker 2>were as little as they were because they were they

0:24:13.200 --> 0:24:15.280
<v Speaker 2>didn't know what was going on. But it is that

0:24:15.320 --> 0:24:18.800
<v Speaker 2>feeling of just like okay, there's do you remember the

0:24:18.840 --> 0:24:23.159
<v Speaker 2>brainwash we all what the necessary like brainwash we all

0:24:23.200 --> 0:24:25.199
<v Speaker 2>went into, which was like okay, now we're living in

0:24:25.240 --> 0:24:28.160
<v Speaker 2>a world where nobody can see anyway. So that felt like,

0:24:28.400 --> 0:24:31.119
<v Speaker 2>but I'm raising two babies, okay, and so are millions

0:24:31.119 --> 0:24:31.720
<v Speaker 2>of other people.

0:24:32.080 --> 0:24:32.399
<v Speaker 1>Now what.

0:24:32.920 --> 0:24:36.200
<v Speaker 2>We went back to Saint Louis, we lived in we

0:24:36.200 --> 0:24:39.120
<v Speaker 2>were able to live with family for almost a year

0:24:39.280 --> 0:24:42.520
<v Speaker 2>and and hunker down in that way and that and

0:24:42.560 --> 0:24:45.720
<v Speaker 2>then it was like, but now things are ebbing, where

0:24:45.720 --> 0:24:47.280
<v Speaker 2>do we go now? And then I think, now, what

0:24:47.400 --> 0:24:49.080
<v Speaker 2>going back to New York and trying to, you know,

0:24:49.119 --> 0:24:52.520
<v Speaker 2>figure out how to how to resume some sort of

0:24:52.520 --> 0:24:53.560
<v Speaker 2>normalcy there.

0:24:53.720 --> 0:24:56.679
<v Speaker 1>Have they seen any of your stuff? Like you're do

0:24:56.800 --> 0:24:59.520
<v Speaker 1>they know who Aaron Hannon in the office is.

0:25:00.359 --> 0:25:02.640
<v Speaker 2>I think someone told him who Kimmy Schmidt was. Someone

0:25:02.640 --> 0:25:06.480
<v Speaker 2>told my almost second grader who Kimmy Schmidt was, and

0:25:06.520 --> 0:25:10.200
<v Speaker 2>so he he was like, he wasn't He didn't really

0:25:10.240 --> 0:25:11.879
<v Speaker 2>have a strong take on it. He was like, he

0:25:11.960 --> 0:25:13.760
<v Speaker 2>knows that I'm an actor and that my husband's a writer,

0:25:14.000 --> 0:25:17.240
<v Speaker 2>but he doesn't know too much about it except that

0:25:17.280 --> 0:25:19.880
<v Speaker 2>I also did a voice on Sophia the First so

0:25:19.960 --> 0:25:22.720
<v Speaker 2>he knows, which is a cartoon, so he knows those things.

0:25:23.080 --> 0:25:25.359
<v Speaker 2>How old were your daughters when they knew that you

0:25:25.400 --> 0:25:25.760
<v Speaker 2>what you do?

0:25:25.880 --> 0:25:29.760
<v Speaker 1>I mean, the irony is that I did. I did

0:25:29.840 --> 0:25:33.160
<v Speaker 1>the voice of Miss Spider this cartoon, and yes, and

0:25:33.400 --> 0:25:36.240
<v Speaker 1>yeah that was like they thought that that's they thought

0:25:36.240 --> 0:25:40.360
<v Speaker 1>that that's all I did. And then and tried on clothes.

0:25:40.640 --> 0:25:42.960
<v Speaker 1>My daughter was my younger one. When they asked her,

0:25:43.000 --> 0:25:45.159
<v Speaker 1>she was like seven or something. They so, what does

0:25:45.200 --> 0:25:48.600
<v Speaker 1>your mom do? She goes, yeah, you know, clothes. I

0:25:48.640 --> 0:25:50.960
<v Speaker 1>was like what, Because I'm always I was always in

0:25:51.040 --> 0:25:54.080
<v Speaker 1>fittings like, so I yes, and i'd have to be

0:25:55.840 --> 0:25:57.880
<v Speaker 1>she thought that's what I did for a living.

0:25:58.040 --> 0:26:01.320
<v Speaker 2>Oh I love that, but I yep, I could see

0:26:01.320 --> 0:26:03.080
<v Speaker 2>that as a kid being like, yeah, that's what she does.

0:26:03.160 --> 0:26:05.119
<v Speaker 2>She she haes on closed and then they being her

0:26:05.160 --> 0:26:06.440
<v Speaker 2>after Oh okay.

0:26:06.240 --> 0:26:11.240
<v Speaker 1>So you know, but they were like, I'm we're never

0:26:11.240 --> 0:26:14.359
<v Speaker 1>seeing any of your movies unless it's like a flat

0:26:14.400 --> 0:26:18.199
<v Speaker 1>out comedy like they've seen, Like they'll see if I

0:26:18.240 --> 0:26:20.479
<v Speaker 1>do a rom com, they'll watch that. But they have

0:26:20.560 --> 0:26:23.200
<v Speaker 1>no interest in seeing any of my earlier stuff because

0:26:23.240 --> 0:26:26.119
<v Speaker 1>it's like then it's not their mom. You know, they

0:26:26.160 --> 0:26:29.760
<v Speaker 1>don't want You're owned by the other by people, and

0:26:29.800 --> 0:26:32.000
<v Speaker 1>that means that all of a sudden, they're not just

0:26:32.119 --> 0:26:34.520
<v Speaker 1>You're You're not just their mom, and they don't like that,

0:26:34.720 --> 0:26:37.040
<v Speaker 1>you know, even at twenty right, I don't like that.

0:26:37.600 --> 0:26:39.560
<v Speaker 2>But I'm so glad that they recognize that that that

0:26:39.720 --> 0:26:42.880
<v Speaker 2>limitation is there, or that boundary is in place, because

0:26:42.920 --> 0:26:43.720
<v Speaker 2>I do think about that.

0:26:43.960 --> 0:26:52.119
<v Speaker 1>Susan Loop though. Yeah, that their rooms at night.

0:26:52.119 --> 0:26:53.760
<v Speaker 2>That's smart, that's smart.

0:26:53.840 --> 0:26:58.320
<v Speaker 1>Their mom was funny, look at her, you might.

0:26:59.640 --> 0:27:02.639
<v Speaker 2>That's the worst when I try to make them laugh

0:27:03.200 --> 0:27:05.760
<v Speaker 2>and I fail, and I'm like, you know that I

0:27:05.800 --> 0:27:08.800
<v Speaker 2>do this for a job, and I don't say that,

0:27:08.880 --> 0:27:10.720
<v Speaker 2>but I do think it, and I'm like, oh, well,

0:27:10.760 --> 0:27:13.760
<v Speaker 2>I hope someone thinks they're much. Are they always funnier?

0:27:13.800 --> 0:27:14.240
<v Speaker 1>They always?

0:27:14.240 --> 0:27:16.399
<v Speaker 2>They always their kids, of course they're funnier.

0:27:16.920 --> 0:27:20.720
<v Speaker 1>I mean that's you know, would you ever consider like

0:27:20.760 --> 0:27:23.560
<v Speaker 1>a darker role that wasn't comedic? Would you ever do that?

0:27:23.760 --> 0:27:25.960
<v Speaker 1>Or is that? I think so?

0:27:26.240 --> 0:27:28.080
<v Speaker 2>I don't, you know, I don't know where I stand

0:27:28.080 --> 0:27:29.879
<v Speaker 2>on that. I used to think, yes, I want to.

0:27:30.000 --> 0:27:32.919
<v Speaker 2>I want to, you know, expand my range and explore

0:27:32.960 --> 0:27:35.399
<v Speaker 2>something like that. But I also wonder it's sort of

0:27:35.400 --> 0:27:38.080
<v Speaker 2>the same thing as you know, admitting I guess that

0:27:38.160 --> 0:27:41.800
<v Speaker 2>you went to Princeton. It's like here where it feels

0:27:41.800 --> 0:27:44.639
<v Speaker 2>like should I not be you know? Is that something

0:27:44.640 --> 0:27:47.199
<v Speaker 2>to be ashamed of? Is that something that sounds too

0:27:47.359 --> 0:27:50.760
<v Speaker 2>you know, privileged and crazy in this world? And I

0:27:50.800 --> 0:27:54.040
<v Speaker 2>do I know this is a strange comparison, but I

0:27:54.040 --> 0:27:57.520
<v Speaker 2>I kind of feel like I enjoy doing comedy and

0:27:57.640 --> 0:27:59.600
<v Speaker 2>I feel like I'm good at it, and I don't

0:27:59.760 --> 0:28:04.720
<v Speaker 2>feel all a strong poll to try to do drama

0:28:05.160 --> 0:28:08.000
<v Speaker 2>or at this point, so no, the answer is no,

0:28:08.080 --> 0:28:09.359
<v Speaker 2>because I don't.

0:28:09.520 --> 0:28:11.680
<v Speaker 1>You know, I used to think that I would only

0:28:11.720 --> 0:28:15.440
<v Speaker 1>be credible if I, you know, went to those dark

0:28:15.680 --> 0:28:19.400
<v Speaker 1>places and was really yes, all this yeah, And then

0:28:19.680 --> 0:28:23.159
<v Speaker 1>I got older and I was just like, I don't

0:28:23.280 --> 0:28:25.960
<v Speaker 1>enjoy it. I only enjoy comedy.

0:28:26.480 --> 0:28:29.879
<v Speaker 2>You are your words of music to my ears. It

0:28:29.920 --> 0:28:33.520
<v Speaker 2>doesn't I have done you know small I've had. I've

0:28:33.560 --> 0:28:38.640
<v Speaker 2>had experiences doing that. I don't feel like I've plumbed

0:28:38.640 --> 0:28:41.560
<v Speaker 2>the depths. I don't feel like I have. There's no

0:28:41.760 --> 0:28:44.640
<v Speaker 2>I don't feel the same sense of satisfaction as as

0:28:44.680 --> 0:28:47.320
<v Speaker 2>do when I do comedy, which isn't to say like, oh,

0:28:47.400 --> 0:28:48.920
<v Speaker 2>I want to do the thing I know I can do.

0:28:49.240 --> 0:28:52.360
<v Speaker 2>I feel challenged in comedy all the time. Anytime you're

0:28:52.400 --> 0:28:54.880
<v Speaker 2>in like what a scene with johnnym okay forget, that's

0:28:54.880 --> 0:28:57.800
<v Speaker 2>a huge challenge. So I would and I would prefer

0:28:57.880 --> 0:28:59.800
<v Speaker 2>to continue to challenge myself in that way.

0:29:00.200 --> 0:29:05.760
<v Speaker 1>You also started a You've launched a comedy podcast.

0:29:05.600 --> 0:29:08.600
<v Speaker 2>On my Heart as I have on iHeart.

0:29:08.680 --> 0:29:11.480
<v Speaker 1>Yes, and it's called Born to Love. Yeah.

0:29:11.520 --> 0:29:14.680
<v Speaker 2>Correct, It's wonderful. I have been co hosting the show

0:29:15.240 --> 0:29:19.360
<v Speaker 2>with my quick Fire. He's my friend from back at

0:29:19.400 --> 0:29:23.080
<v Speaker 2>Princeton we were in our improv group together and I've

0:29:23.120 --> 0:29:25.600
<v Speaker 2>known him for over twenty years. So we host this

0:29:25.680 --> 0:29:28.600
<v Speaker 2>show called Born to Love and every week we have

0:29:28.720 --> 0:29:31.000
<v Speaker 2>a guest on to talk about something that they love

0:29:31.080 --> 0:29:36.320
<v Speaker 2>and talk about keeping it light. It is a light buoyant,

0:29:36.800 --> 0:29:41.040
<v Speaker 2>I hope boyant show where our guest talks about something

0:29:41.280 --> 0:29:44.120
<v Speaker 2>totally unrelated to what they do for a living usually

0:29:44.480 --> 0:29:47.240
<v Speaker 2>and it's just supposed to be. I think when Scott

0:29:47.240 --> 0:29:48.440
<v Speaker 2>and I were trying to think of, okay, we want

0:29:48.440 --> 0:29:50.120
<v Speaker 2>to work on something together every you know, there are

0:29:50.160 --> 0:29:52.200
<v Speaker 2>a lot of podcasts out there. What's something sort of

0:29:52.200 --> 0:29:54.200
<v Speaker 2>different we could do. What I like about this is

0:29:54.240 --> 0:29:57.720
<v Speaker 2>that you hear people talk about something you might be

0:29:57.760 --> 0:30:00.000
<v Speaker 2>surprised to know, you know that they love, and people

0:30:00.240 --> 0:30:03.320
<v Speaker 2>like talking about things that they like. It actually works

0:30:03.320 --> 0:30:03.680
<v Speaker 2>out well.

0:30:04.840 --> 0:30:06.800
<v Speaker 1>And what do you what do you think you were

0:30:06.800 --> 0:30:07.440
<v Speaker 1>born to love?

0:30:08.160 --> 0:30:10.240
<v Speaker 2>If I were a guest on my show, I would

0:30:10.240 --> 0:30:14.120
<v Speaker 2>probably talk about running. And I know that maybe sounds boring,

0:30:14.280 --> 0:30:17.920
<v Speaker 2>but I do love running. It's always been an outlet

0:30:17.960 --> 0:30:20.360
<v Speaker 2>like ever since, I mean field hockey aside, it's just

0:30:20.560 --> 0:30:23.240
<v Speaker 2>I need to do it. You have the thing I

0:30:23.280 --> 0:30:27.440
<v Speaker 2>do I need, Endoyan. I'm a junkie for Endorfis and

0:30:27.480 --> 0:30:29.800
<v Speaker 2>so it doesn't matter if I run for fifteen minutes

0:30:29.920 --> 0:30:32.440
<v Speaker 2>or you know, two hours. I never run for two hours.

0:30:32.480 --> 0:30:33.720
<v Speaker 2>I don't know why I just said that, but I

0:30:34.080 --> 0:30:38.080
<v Speaker 2>do feel like the release, the meditation it is. It's

0:30:38.160 --> 0:30:42.240
<v Speaker 2>just like I it's a both a chemical, you know, release,

0:30:42.320 --> 0:30:44.120
<v Speaker 2>but it's also just gives you time to think. And

0:30:44.160 --> 0:30:47.200
<v Speaker 2>so everybody, I know, I feel like this self care

0:30:48.120 --> 0:30:51.560
<v Speaker 2>mantra is to me. At first, I kept telling myself, Oh,

0:30:51.560 --> 0:30:53.480
<v Speaker 2>this is trendy, this is going to pass. No it's not.

0:30:53.800 --> 0:30:56.440
<v Speaker 2>It's like so valuable, Like you have to take care

0:30:56.480 --> 0:31:02.440
<v Speaker 2>of yourself. You just have to. Everybody does everybody.

0:31:03.480 --> 0:31:06.760
<v Speaker 1>That was the hilarious Ellie Kemper. If you want to

0:31:06.760 --> 0:31:09.719
<v Speaker 1>hear more from her, go listen to her new podcast

0:31:10.080 --> 0:31:14.240
<v Speaker 1>Born to Love on the iHeartRadio app or wherever you

0:31:14.280 --> 0:31:17.200
<v Speaker 1>get your podcasts. That's it for us today. Talk to

0:31:17.240 --> 0:31:25.080
<v Speaker 1>you next week now. What with Burke Shields is a

0:31:25.080 --> 0:31:29.320
<v Speaker 1>production of iHeartRadio. Our lead producer and wonderful showrunner is

0:31:29.400 --> 0:31:33.800
<v Speaker 1>Julia Weaver. Additional research and editing by Darby Masters and

0:31:33.880 --> 0:31:39.240
<v Speaker 1>Abu Zafar. Our executive producer is Christina Everett. The show

0:31:39.280 --> 0:31:41.080
<v Speaker 1>is mixed by Baheed Fraser.