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Speaker 1: So I know we've talked about this before. It's kind

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Speaker 1: of where Susan and I go on a walk and

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Speaker 1: we throw these different questions out to each other, and

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Speaker 1: so we've done a couple on the show and we

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Speaker 1: had an interesting one. But I haven't asked you guys this,

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Speaker 1: and it's kind of interesting and it's my wheelhouse of love,

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Speaker 1: which is history, okay, because I just love history. So

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Speaker 1: the question I think I asked her. She might have

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Speaker 1: asked me. I don't know, but I'm going to take

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Speaker 1: the credit that I asked was if you could go

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Speaker 1: to one historical event, but strictly as an observer, you

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Speaker 1: can't change anything, but you get to sit and kind

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Speaker 1: of see one thing in history. What would you pick? Man?

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Speaker 2: I love this question because I'm time travel obsessed, like

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Speaker 2: I love so time travel novels.

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Speaker 1: Oh my god. Okay, but I actually have never thought

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Speaker 1: about this. I'd wanted to be something that's like.

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Speaker 2: Cool to like visually beautiful or Okay, you know, you

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Speaker 2: don't want to go see a war, right or something

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Speaker 2: like a significant but awful, so you want to see something.

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Speaker 3: Positive so or just yeah, what would be cool to see?

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Speaker 1: Or a mystery that's The other thing is you could

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Speaker 1: use it like a mystery, could know the truth, right,

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Speaker 1: Like do you want to do you want to go

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Speaker 1: watch where you know what happened to Amelia Earhart? Like

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Speaker 1: is there if you could just be an observer of

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Speaker 1: one moment in history?

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Speaker 3: Do you have to be like are.

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Speaker 2: You going there as like a consciousness or are you

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Speaker 2: going there as a physical body?

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Speaker 3: Like you go to Amelia? Am I like playing with her?

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Speaker 1: No? I think you can. I think you kind of

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Speaker 1: go as a consciousness. It's it's as if you're watching

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Speaker 1: it on TV. So you're like a disembodied camera get

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Speaker 1: to be replaced in exactly, and you can move around.

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Speaker 1: You can see all angles, but you can't affect day

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Speaker 1: for you. Okay, great, yes, so you can see you

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Speaker 1: can you know, see that one moment in history?

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Speaker 3: Yeah, well then it wouldn't be that bad to see something. Yeah,

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Speaker 3: let's see what would.

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Speaker 1: Have got right? Tough question. This is why the see

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Speaker 1: and I were just walking there going oh. I mean

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Speaker 1: because there's little things. There's things that have stuck in

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Speaker 1: my head, like stupid horrible things like Jean Benet like

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Speaker 1: stuff like the Little Mysteries or something, or or the

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Speaker 1: Jack the Ripper, like do you want to go? And

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Speaker 1: oh that's who it is, right, So that's the question

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Speaker 1: is what how how do you use your time? Do

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Speaker 1: you go into the Last Supper? Like what do you do?

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Speaker 3: And you can translate so you don't have to like

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Speaker 3: speak correct.

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Speaker 1: Yeah, yeah, it's all it's all babbled for you.

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Speaker 4: Gosh, we'll just rattled off some really don't ones. I know,

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Speaker 4: have you watch someone get murdered? I think there for

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Speaker 4: the whole event with me.

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Speaker 1: Though, that's just just the like the mystery of womenstated

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Speaker 1: why they do it? You know.

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Speaker 2: I think I would want to go ancient history, like

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Speaker 2: I would want to go far too, so it'd be

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Speaker 2: like Rome, Greece, and maybe it'd be like the Trial

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Speaker 2: of Socrates.

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Speaker 1: You know, like that would be a great good one.

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Speaker 2: Yeah, something that is like yeah, it would just be

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Speaker 2: cool to see an action or like yeah, I would

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Speaker 2: you know, I would just love to see something that

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Speaker 2: is so abstract in my mind, like how how those

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Speaker 2: courtrooms looked? And yeah, and feel it for real, like

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Speaker 2: what were human beings? Because it would just it's so

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Speaker 2: it's such a cartoon in my mind. And I feel

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Speaker 2: like whenever movies have been made about those kinds of things.

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Speaker 2: They're always costume dramas and like maybe it really did

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Speaker 2: look like that, but I would want to see, like

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Speaker 2: what are those builds? So yeah, I would go to

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Speaker 2: ancient Greece and watch something like that, A good one.

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Speaker 4: My first thought was like something with dinosaurs, like just something,

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Speaker 4: but like the idea of like, well, how did the

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Speaker 4: dinosaurs get extinct? I wouldn't want to watch that. I'd

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Speaker 4: be it'd be so sad. I'd be like, I don't

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Speaker 4: want to watch anyone really, like I know, I don't that.

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Speaker 4: So I don't know. I mean, I do love the

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Speaker 4: idea of a mystery, like maybe i'd be there, did

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Speaker 4: Kim Kardashian really get but implants No, I'm just kidding.

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Speaker 4: That is yes, it's a question people people wonder or

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Speaker 4: is it real? Is it not real? So maybe i'd

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Speaker 4: be there, but no, I'm kidding. I do love the

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Speaker 4: idea of a mystery, though, So I don't know. Maybe

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Speaker 4: just just I just want to go back like twelve years.

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Speaker 1: Exactly, Marty, You've got to do something about Kim's butt. Yeah, no,

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Speaker 1: way different, back to.

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Speaker 4: The future, maybe like the building of the Pyramids.

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Speaker 1: He liked stuff. But that's a great one, you know.

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Speaker 4: Yeah, building of the Pyramids.

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Speaker 2: Pretty awful labor or one alien race depends on what

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Speaker 2: you're reading about.

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Speaker 4: So yeah, you know, I don't know. I'm still curious

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Speaker 4: what happened to Jensen's keys that would you know what

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Speaker 4: happened to those?

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Speaker 3: Oh my god, I would I would go to the

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Speaker 3: first of Shakespeare play.

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Speaker 2: I would go see probably Macbeth, the first Macbeth. That

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Speaker 2: would be amazing. I want to see Shakespeare himself on

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Speaker 2: stage and something.

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Speaker 1: Yes and face I have to go to a play.

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Speaker 1: Hate Shakespeare?

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Speaker 3: Is that anti Shakespeare?

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Speaker 4: Yeah? What boring? Oh my god? No thing?

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Speaker 3: Wow?

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Speaker 4: Do you think would you be able to look stuck

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Speaker 4: on writers?

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Speaker 1: Writers?

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Speaker 3: Time travel travel ship?

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Speaker 1: But I mean would you be able to see Sir

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Speaker 1: Francis Bacon there watching the first play that he wrote?

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Speaker 1: Because that'd be awesome.

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Speaker 2: I will solve a mystery and get entertained. So there

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Speaker 2: you go, ick and watch Shakespeare.

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Speaker 1: Yeah, and I think I would do Macbeth or maybe him,

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Speaker 1: I don't know whatever, but I pick up, well, what's

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Speaker 1: yours mine changes with whatever part of history I'm currently reading.

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Speaker 4: And what pair of underwear would you wear.

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Speaker 1: That's well, I'd be wearing my time travel underwear of

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Speaker 1: Crier's favorite subject. No, I think, because right now I'm

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Speaker 1: I'm all. I've been reading a ton of Alison Weir,

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Speaker 1: which she just does all of like, you know, Richard

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Speaker 1: the Third's life and uh, Henry the a slide, the

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Speaker 1: wives of Henry the a that kind of stuff. The

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Speaker 1: wars I'm reading about the Wars of the Roses right now.

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Speaker 1: So one of the big historical mysteries is who killed

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Speaker 1: the princes in the Tower. People think it's Richard the Third,

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Speaker 1: But so that kind of time right now, I think

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Speaker 1: I'd want to go back to like the court of

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Speaker 1: Edward the fourth, like that kind of craziness. You know,

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Speaker 1: the Wars of the Roses are happening, Henry the sixth

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Speaker 1: has been deposed, his wife is trying to raise an

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Speaker 1: army in France. It's like super interesting things that happened.

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Speaker 1: Daniel sleep again. It can't all stuff.

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Speaker 4: Please do not turn that into a social clip and

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Speaker 4: we cannot have Vardashian but stuff go viral than you guys.

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Speaker 1: So yeah, that's probably what That's probably what I would

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Speaker 1: do that, or I'd be on the boat with the

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Speaker 1: Tommy Lee and Pamela Anderson as a film in the

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Speaker 1: movie one of these, one of those two would be

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Speaker 1: a toss up.

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Speaker 2: I just realized it would be cool to do music

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Speaker 2: like some historic because you know, go to what's Mozart

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Speaker 2: would stock it would be something that was to experienced live,

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Speaker 2: would have.

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Speaker 4: Been So do something with less slave labor.

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Speaker 1: I want.

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Speaker 4: That's a good one. Yeah.

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Speaker 1: Or it's like you just go to a tiny little

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Speaker 1: bar in Hamburg for the first time the Beatles ever

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Speaker 1: played together, like something I'm not even a huge Beatles fan,

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Speaker 1: but just the historic kind of.

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Speaker 4: Important maybe something like Morrison.

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Speaker 1: Yeah stuff, But you're right, like something that's.

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Speaker 2: Not recorded that you could never you know, yeah, yeah,

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Speaker 2: oh god, yeah, the first recording of astral Weeks, like

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Speaker 2: being there for that.

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Speaker 3: Although I heard it was a disaster, it's oh.

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Speaker 1: I know, have you heard the whole new thing that

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Speaker 1: they're now saying that Mozart that some of his earliest stuff,

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Speaker 1: like he start writing at five or six, might have

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Speaker 1: actually been his sister. And she's it seems like maybe

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Speaker 1: she's gonna start getting some some credit now for actually

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Speaker 1: how how much a virtue of virtuoso she was back

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Speaker 1: in the day. But she was a girl, so nobody

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Speaker 1: cares right, right, but she might have had some of

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Speaker 1: his that's a movie, yeah, exactly.

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Speaker 4: Get those rights. Welcome to pod Meets World.

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Speaker 1: I'm Daniel Fishl, I'm right or Strong, and I'm Wilfredell.

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Speaker 4: So welcome to today's episode recap. Season five, episode twenty

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Speaker 4: two Promises Promises. It is our second Disney Channel Band episode.

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Speaker 4: It originally aired May one, nineteen ninety eight. The synopsis

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Speaker 4: on prom night, Corey and Sean decide they are ready

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Speaker 4: to become men, and while Angela is not ready to,

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Speaker 4: Panga agrees to getting a hotel room. It was directed

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Speaker 4: by Alan Myerson. It was written by Ellen Idelson and

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Speaker 4: Rob Loterstein, who we have mentioned before on the podcast.

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Speaker 4: Before I jump into our guest stars, overall thoughts on

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Speaker 4: the episode, writer, would you like to go first?

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Speaker 1: Sure? I was.

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Speaker 2: I was kind of dreading this episode because in my

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Speaker 2: mind it was like, I don't know why I get

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Speaker 2: I guess maybe because it was banned, or maybe I

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Speaker 2: just thought it was not going to be a good episode,

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Speaker 2: and it wasn't that bad.

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Speaker 1: I know, it was actually loved this episode.

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Speaker 2: Oh okay, yeah, I just think it's you know, it's

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Speaker 2: all it's weird to be talking about virginity and characters

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Speaker 2: and I mean all that stuff, but actually it's a farce.

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Speaker 2: It's a classic farce. I am horrible in this episode.

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Speaker 2: I don't know what was going on, but I hated

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Speaker 2: my performance. It was over the top and awkward. It's

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Speaker 2: luckily a very small part, but I was like, every

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Speaker 2: time I was on screen, I was like, what am

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Speaker 2: I doing. I feel like I was just off or

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Speaker 2: in a weird mood. But otherwise, yeah, it was totally

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Speaker 2: like I thought. It was a perfectly fine, fun funny episode.

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Speaker 2: I think it could have been a little more farcical,

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Speaker 2: like a little more room, because I kind of got

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Speaker 2: there right at the end and I was like, oh

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Speaker 2: my god, they're going to walk into each other's rooms

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Speaker 2: and I could see it all coming.

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Speaker 1: But I don't know, it was it was fun. No,

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Speaker 1: I love it.

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Speaker 4: I was. I did too. I really liked it. And

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Speaker 4: I also had a similar idea kind of maybe maybe

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Speaker 4: I've gotten it mixed up in my mind with my

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Speaker 4: feelings on the Honeymoon episode.

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Speaker 1: That's mine too. That's exactly what we did because I.

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Speaker 4: Had the same feeling because I was like, because that

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Speaker 4: again was.

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Speaker 2: About them losing their virginity, right, so that's why we

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Speaker 2: confused the two in our minds.

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Speaker 4: And Eric is there at our honeymoon, and there's like

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Speaker 4: a bunch of farce stuff pertaining to our honeymoon as well,

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Speaker 4: if I remember correctly. Yeah, so I think my feelings

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Speaker 4: for that episode somehow got transposed into thinking it was

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Speaker 4: about this episode, and then I kept waiting for like, Oh,

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Speaker 4: where's the part I'm going to really hate, where's the

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Speaker 4: where's the part of this I hate? But it was

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Speaker 4: actually I really liked it. Will tell your thoughts.

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Speaker 1: No, I loved it. I think I was also confusing

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Speaker 1: it with It's kind of become a melting of two

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Speaker 1: stories where I think it's the honeymoon, but I also

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Speaker 1: think it's the wedding episode because I remember also being

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Speaker 1: in a TuS and coming to a hotel room with

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Speaker 1: Corey and Topanga, so I thought maybe it was going

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Speaker 1: to be that. It's still the idea that Eric and

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Speaker 1: Jack are are chaperones at the promise ridiculous and stupid,

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Speaker 1: but who cares. Ben was hysterical in this, like laugh

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Speaker 1: out loud funny in this episode. I thought Rusty was

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Speaker 1: great in this episode. I disagree with you entirely, writer.

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Speaker 1: I thought performance wise, I thought we were all good

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Speaker 1: in this episode. Frankly, seeing Randy Topanga is kind of

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Speaker 1: an interesting way to see what's going on. But I

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Speaker 1: really I it was a fun we like to say it.

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Speaker 1: It was a romp, and if you're going to tackle

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Speaker 1: something like virginity, coming at it from almost like a

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Speaker 1: Faulty Towers Benny Hill esque kind of way is kind

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Speaker 1: of an interesting way to tackle teen virginity. So I

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Speaker 1: liked it, Okay.

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Speaker 2: I had this memory that there was like lots of drama,

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Speaker 2: Like I thought there was drama in the episode, like

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Speaker 2: there was lots of But I think what was happening

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Speaker 2: is that there was drama behind the scenes. I think

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Speaker 2: that there was a lot of debate about whether it

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Speaker 2: was okay.

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Speaker 1: For us to do this episode.

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Speaker 2: And I think that's what I've internalized, because in my mind,

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Speaker 2: it was like it was a very serious episode about

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Speaker 2: the importance of virginity, and what I'm remembering, I think

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Speaker 2: is actually a huge debate between the network and Michael

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Speaker 2: and the writers and everybody about whether how to end

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Speaker 2: this episode, whether to have them lose their virginity or not,

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Speaker 2: and to like can you make jokes about this? Like

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Speaker 2: that's what I remember. And I'm realizing like, oh, none

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Speaker 2: of that really placed into the episode itself.

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Speaker 1: Like the episode itself is totally.

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Speaker 2: Fine and did not bother me, and I think, you know,

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Speaker 2: but it was interesting, Like I made sure Indy went

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Speaker 2: to bed before I watched it. Yeah, so I was like,

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Speaker 2: because I was like, I don't want to have the

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Speaker 2: whole like what are they talking about? What are they

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Speaker 2: you know, not that I haven't already talked to like

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Speaker 2: Indy knows somewhere, but I was just like listen, and

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Speaker 2: I realized like, yeah, that's why they banned it for

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Speaker 2: this de channel is because if you're not in the

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Speaker 2: room to be able to explain what Corey and to

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Speaker 2: Bang are doing or talking about, it's you also.

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Speaker 4: Don't want that conversation to be thrust on you without

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Speaker 4: you having prepared for it. You know, if you aren't

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Speaker 4: sitting your child down to have that discussion or many discussions.

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Speaker 2: Asked us to watch Deadpool and you put an on

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Speaker 2: for him when he's seven, and you're suddenly when he's

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Speaker 2: asking what.

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Speaker 1: Is he doing?

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Speaker 3: To her. Oh, no, that's what happened. That was my

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Speaker 3: experience anyway.

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Speaker 4: Yes, that's an uncomfortable because now you have to say, oh,

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Speaker 4: here's my moment, here's my moment, and it's going to

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Speaker 4: be the we talk. He will remember this for the

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Speaker 4: rest of his life, and I need to know exactly

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Speaker 4: what our family's thoughts are on all the things I'm

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Speaker 4: going to share right now. So yeah, I can imagine

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Speaker 4: that that could have been difficult, and I think you're right.

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Speaker 4: I do think that one of the reasons it feels

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Speaker 4: a little out of character for Tapanga to be so

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Speaker 4: horned up and DTF. But I think the main reason

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Speaker 4: for it is that if there's any sort of feeling

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Speaker 4: at all, yep, that she is not one hundred percent

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Speaker 4: not only on board but driving the ship. Yeah, it's

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Speaker 4: going to feel creepy and awful, and I can see

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Speaker 4: how a network would be like, we don't, we can't,

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Speaker 4: we can't do that.

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Speaker 1: I also think there's something too. It's you know, the idea. Yes,

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Speaker 1: it's called boy meets World, but girls go through this

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Speaker 1: same thing that boys do. Girls are going through the

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Speaker 1: hormone changes and are are dealing with all the same

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Speaker 1: kind of stuff. So the two of them struggling with

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Speaker 1: it together is way more interesting than totally. Jipanga's like, nope,

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Speaker 1: I'm not interested, and it's just the boy who's all

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Speaker 1: you know? It was so yeah, I thought I really

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Speaker 1: like the way they tackled it.

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Speaker 4: Frankly I did too, all right. Well, jumping into our

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Speaker 4: guest stars, we have John Balma. He's the hotel clerk. Hilariously,

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Speaker 4: he would appear in a later Boy Meets World episode

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Speaker 4: as a hotel employee, but you may know him from

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Speaker 4: shows like Alias, Friends, Parks and Recreation where he was

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Speaker 4: Barney or Superstore.

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Speaker 1: I remember him just being very, very nice, and he's

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Speaker 1: super funny too.

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Speaker 4: He's so funny in the episode.

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Speaker 1: He's great, He's great.

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Speaker 4: I love that scene with Ben in where he get

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Speaker 4: oh my guys, is the first time how tired?

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Speaker 1: So great?

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Speaker 4: So good?

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Speaker 3: Just use my real name?

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Speaker 1: Don Oh did I throw you at that question, mister key.

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Speaker 4: Then we have Cindy Coin as made She basically has

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Speaker 4: just two credits Boy Meets World and Tricksie on Law

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Speaker 4: and Order four years later. And then we have Jarrett

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Speaker 4: Lennon as Howie. He appeared in the classic Robert Altman

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Speaker 4: movie Shortcuts in nineteen ninety three, as well as She's

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Speaker 4: All That, and on basically every TV show you can

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Speaker 4: think of, from Freaks and Geeks to Growing Pains to

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Speaker 4: three episodes of Cheers to Hey Arnold and The Wonder

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Speaker 4: Years where he was a young Paul Pfeifer.

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Speaker 1: Wow.

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Speaker 4: And then we have Aaron Nelms as Bobby. He was

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Speaker 4: in the movie ed Wood and TV shows like Moesha,

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Speaker 4: Sabrina and Time, Coop and Kim Sarafin as Pretty Woman.

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Speaker 4: She appeared on our show, Spin City and Single Guy,

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Speaker 4: but eventually transitioned into an entertainment reporter, working on CNN, MSNBC,

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Speaker 4: TV Guide Network, and on red carpet shows for the Oscars,

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Speaker 4: Grammys and Golden Globes.

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Speaker 1: Wow.

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Speaker 4: She also wrote a book for teens called Everything You

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Speaker 4: Need to Know About Being a Vegetarian.

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Speaker 1: Okay, grab a burger and read it.

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Speaker 4: Writer, do you remember there being any sort of preamble

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Speaker 4: to doing this episode, like being talked like this episode

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Speaker 4: of an episode about sex coming up and there being

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Speaker 4: a discussion ahead of time.

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Speaker 2: I don't remember ahead of time, but I do remember

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Speaker 2: a lot of discussion. I mean, I got I involved

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Speaker 2: myself in the discussion during that.

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Speaker 1: I remember tell us about it, remember this at all? Yeah,

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Speaker 1: I don't.

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Speaker 2: Yeah, it was it was It was just that we

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Speaker 2: were never referencing safe sex, that we never talk about

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Speaker 2: condom use or any and yet there's all this conversation

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Speaker 2: about like getting the room.

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Speaker 3: And did it, you know, and I, you know.

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Speaker 2: Felt it was really irresponsible in the era of AIDS especially,

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Speaker 2: like it was just it was something that we were

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Speaker 2: all talking about in real life, like that's anytime I

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Speaker 2: had a conversation with people, you know, other teenagers, the

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Speaker 2: responsible thing to do was to talk about how, you know,

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Speaker 2: how you were taking precautions or decisions that were being

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Speaker 2: made regarding the safety of sex. And it just I

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Speaker 2: went to Michael and I was like, I really think

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Speaker 2: that they should at least just talk about We could

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Speaker 2: just make a joke about it, and he said no.

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Speaker 2: And then the reason it really frustrated me was then

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Speaker 2: like the next season, or maybe even later this season,

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Speaker 2: there's a joke about sharing razors where Corey and Tapanga

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Speaker 2: are sharing a razor or something with their legs and

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Speaker 2: face I don't know, and uh, Michael during the note

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Speaker 2: session was like, are we being irresponsible because I just

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Speaker 2: read a study that hepatitis can be transferred between razors.

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Speaker 2: Are we being irresponsible by making this? And I was like, Oh,

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Speaker 2: that's where we're going to be irresponded or like, worry

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Speaker 2: about a responsibility if you're talking about on a kid's show,

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Speaker 2: talking about people planning to have sex or not. I

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Speaker 2: feel like having at least a some semblance of you know,

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Speaker 2: in the age of era, I mean the era of AIDS.

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Speaker 3: It's like, it just really drove me.

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Speaker 4: Yeah, there's a whole conversation between Corey and Sean before

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Speaker 4: the parents come down. Were you very easily could have

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Speaker 4: been like do you have protection?

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Speaker 3: Like anything taken?

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Speaker 1: Is like, oh yes, I remember we picked well, remember

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Speaker 1: we pitched it where the alt the vine should have

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Speaker 1: just been do you have Sean says do you have protection?

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Speaker 1: Of course says yeah, I always carry mace. And it's

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Speaker 1: like no, no, no, no, no, no, oh oh yeah yeah

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Speaker 1: no no yeah, And that's all you need. Then you

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Speaker 1: never need to touch it again. You know, you're done.

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Speaker 1: You made a joke. It's funny. You never need to

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Speaker 1: touch it again. Yep, that's what she said.

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Speaker 4: And then we're in coming into her recap.

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Speaker 3: Touch it, never talk about it again.

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Speaker 4: Then we're in the Matthew's kitchen. Cory and Sean, both

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Speaker 4: in dashing tuxedos, walk down the stairs. Corey announces that

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Speaker 4: tonight is the biggest night of their lives. Sean grinn

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Speaker 4: ear to ear the night we leave as boys and

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Speaker 4: come back men. Cory wonders, are we talking about the

401
00:19:05,240 --> 00:19:08,359
Speaker 4: same thing. Sean says he certainly hope. So Corey breaks

402
00:19:08,400 --> 00:19:11,440
Speaker 4: down the plan. So after the prom romance in the air,

403
00:19:11,560 --> 00:19:14,119
Speaker 4: you and Angela, you're gonna look into each other's eyes.

404
00:19:14,400 --> 00:19:17,960
Speaker 4: Shaan interrupts him. Me and Angela, I don't know, maybe,

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Speaker 4: what do you think? What do you think? We sat

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Speaker 4: down and discussed it. How dorky do you think we are?

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00:19:22,320 --> 00:19:25,679
Speaker 4: Sean asks, what about you and too Panga. Cory sheepishly admits,

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Speaker 4: we sat down and disgusting if we weighed the pros

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Speaker 4: and cons. We made a chart. Actually we haven't, because

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Speaker 4: she feels that I but you know, so maybe and

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Speaker 4: I love that whole run. I love the most that

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Speaker 4: the chart. It's also the thing I love about it

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Speaker 4: is that it's so very clear that in the chart

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Speaker 4: Cory's wants somehow matter a little less because the person

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Speaker 4: who was saying, yes, we should do it should always

416
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Speaker 4: matter less than the person who's saying I'm not ready.

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00:20:00,040 --> 00:20:02,680
Speaker 4: That comes across in the way he's talking about we

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Speaker 4: haven't yet because she but but I maybe it's just

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Speaker 4: it's it's so well done. I love it.

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Speaker 1: I have a logistic question because, as you know, I

421
00:20:15,560 --> 00:20:18,399
Speaker 1: did not go to my prom. I went to junior prom,

422
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Speaker 1: but I didn't go to senior problem. But aren't you

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00:20:21,160 --> 00:20:25,920
Speaker 1: like they they you get with your date in front

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Speaker 1: of all the parents and do like a photo shoot.

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Speaker 4: Normally don't normally happen? Yes, okay, people are separate and

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00:20:31,440 --> 00:20:32,639
Speaker 4: then they meet at the prom.

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Speaker 2: That's why I was at a hotel like ours was okay,

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Speaker 2: But yeah, I didn't.

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Speaker 1: I didn't know if that was hotel.

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Speaker 4: Yes we did.

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Speaker 1: I didn't know, you know, but maybe but you would

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Speaker 1: have but maybe, but no, okay, So that's what I thought.

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Speaker 1: I was watching, and I was with Sue when she

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Speaker 1: said no.

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Speaker 4: Get together and there like, and I guess Corey does

436
00:20:57,800 --> 00:21:00,879
Speaker 4: go to Penga's house, right, that is that where they

437
00:21:00,920 --> 00:21:01,520
Speaker 4: are they're.

438
00:21:01,320 --> 00:21:06,240
Speaker 1: In or its Angela's. I mean, I guess you don't

439
00:21:06,280 --> 00:21:06,840
Speaker 1: know could.

440
00:21:08,960 --> 00:21:11,840
Speaker 4: No parents are there. Nobody cares on that end of it.

441
00:21:12,000 --> 00:21:12,800
Speaker 1: No, which is odd.

442
00:21:12,840 --> 00:21:15,119
Speaker 2: No, it has to be to Panga's because how he

443
00:21:15,200 --> 00:21:18,120
Speaker 2: shows up thinking yes, yes, yes, yes, yes, okay.

444
00:21:18,160 --> 00:21:18,360
Speaker 1: Yeah.

445
00:21:18,400 --> 00:21:21,800
Speaker 4: So It'sa's aunt's house, and you would think that Corey's

446
00:21:21,840 --> 00:21:24,720
Speaker 4: parents would have gone there, and then the parents take

447
00:21:24,760 --> 00:21:27,040
Speaker 4: pictures of the couples, or at least to Panga's aunt

448
00:21:27,040 --> 00:21:27,960
Speaker 4: would be taking a picture.

449
00:21:28,000 --> 00:21:31,119
Speaker 1: So yeah, but you know you can bring in the

450
00:21:31,119 --> 00:21:31,840
Speaker 1: extra actors.

451
00:21:32,000 --> 00:21:34,200
Speaker 4: Am I changed my mind? Will was right, it's not

452
00:21:35,720 --> 00:21:39,080
Speaker 4: it's not August. He really convinced me. It's not. We

453
00:21:39,119 --> 00:21:43,479
Speaker 4: don't say July, August, September, it's it's August.

454
00:21:43,560 --> 00:21:46,560
Speaker 1: There's no consistency in the English language. There's just whatever

455
00:21:46,640 --> 00:21:47,119
Speaker 1: the tradition.

456
00:21:47,320 --> 00:21:49,600
Speaker 3: But if it can go either way, it can go

457
00:21:49,600 --> 00:21:49,879
Speaker 3: either way.

458
00:21:49,880 --> 00:21:52,320
Speaker 1: It's east coast, west coast, but you're west coast.

459
00:21:52,400 --> 00:21:56,119
Speaker 4: So I know I've changed. I'm adopting it.

460
00:21:56,320 --> 00:21:59,520
Speaker 2: Unfortunately, in the two aunts, one wants to be aunt

461
00:21:59,600 --> 00:22:01,760
Speaker 2: and the other wants to be aunt, so Indy's got

462
00:22:01,760 --> 00:22:03,440
Speaker 2: to constantly adjust in his brain.

463
00:22:03,520 --> 00:22:05,399
Speaker 4: We don't get to choose that. You don't get to

464
00:22:05,480 --> 00:22:08,919
Speaker 4: choose that as an aunt. No, No, you can choose

465
00:22:08,920 --> 00:22:11,840
Speaker 4: what they call you, Like, I want to be called,

466
00:22:12,080 --> 00:22:15,280
Speaker 4: you know, Auntie D instead of Danielle or something. You

467
00:22:15,280 --> 00:22:17,680
Speaker 4: can say that, But to say that you have to

468
00:22:17,840 --> 00:22:22,680
Speaker 4: change the term too. That's asking too much. I think

469
00:22:22,680 --> 00:22:24,200
Speaker 4: that's unfair to put on kids.

470
00:22:24,480 --> 00:22:25,959
Speaker 3: Pronouns are just too complicated.

471
00:22:26,240 --> 00:22:28,520
Speaker 4: Those are the pronouns. But the name is fine. It's

472
00:22:28,560 --> 00:22:31,440
Speaker 4: the it's the aunt aunt version of it. It's it's

473
00:22:31,480 --> 00:22:34,440
Speaker 4: clear of the same thing. It's the same relationship. Don't

474
00:22:34,760 --> 00:22:36,320
Speaker 4: now care how I pronounce it.

475
00:22:36,920 --> 00:22:39,200
Speaker 1: Yeah, don't put it on the kids. That's not fair

476
00:22:42,160 --> 00:22:43,359
Speaker 1: to deal.

477
00:22:43,400 --> 00:22:44,159
Speaker 4: What's the annoying thing?

478
00:22:44,240 --> 00:22:44,879
Speaker 3: Is that for me?

479
00:22:45,119 --> 00:22:48,080
Speaker 4: I call all my aunts and uncles aunts. I'm not

480
00:22:48,160 --> 00:22:50,480
Speaker 4: changing that, so it's still anti j. I don't call

481
00:22:50,520 --> 00:22:53,439
Speaker 4: her auntie J. But anytime I have to say I am.

482
00:22:54,560 --> 00:22:56,959
Speaker 3: Yes, I say whatever they want to be called, and

483
00:22:57,000 --> 00:22:57,919
Speaker 3: he's going to call him.

484
00:22:57,840 --> 00:23:01,880
Speaker 4: Or yes, start calling him by their first name. Yeah,

485
00:23:02,080 --> 00:23:02,600
Speaker 4: just drop it.

486
00:23:03,000 --> 00:23:04,160
Speaker 1: Yeah, I love it.

487
00:23:04,240 --> 00:23:04,760
Speaker 4: You're Susan.

488
00:23:05,600 --> 00:23:09,920
Speaker 1: Yeah you're Susan. No, everyone Susan. Every woman I meet

489
00:23:09,920 --> 00:23:12,640
Speaker 1: is Susan. Every man is Jim. That's just the way

490
00:23:12,680 --> 00:23:12,919
Speaker 1: it is.

491
00:23:15,560 --> 00:23:20,400
Speaker 4: Okay, Sean's impressed. Maybe Corey reminds him it is a maybe,

492
00:23:20,440 --> 00:23:25,160
Speaker 4: assuming everything goes exactly perfectly right, Sean makes sure, naturally,

493
00:23:25,160 --> 00:23:27,600
Speaker 4: you're gonna do everything in your power. Corey jumps in

494
00:23:27,720 --> 00:23:32,439
Speaker 4: to make sure everything goes exactly perfectly right. Sean and

495
00:23:32,440 --> 00:23:35,119
Speaker 4: Corey give each other an enthusiastic high five, shouting together.

496
00:23:35,400 --> 00:23:38,520
Speaker 4: Maybe Alan and Amy arrive at that exact moment, and

497
00:23:38,560 --> 00:23:41,080
Speaker 4: Amy wants to know maybe what Corey tells her it's

498
00:23:41,119 --> 00:23:44,360
Speaker 4: just guy stuff. So Alan jumps in, oh, guy stuff

499
00:23:44,600 --> 00:23:49,200
Speaker 4: on prom night. His tone turned serious, sit down, and

500
00:23:49,280 --> 00:23:50,920
Speaker 4: Alan could have also, by the way, this.

501
00:23:50,880 --> 00:23:54,960
Speaker 2: Is the moment perfect topics. Have a plan, you have protection, yes, okay, good.

502
00:23:54,840 --> 00:23:57,320
Speaker 4: Yeah, exactly, especially because they know they're spending the night

503
00:23:57,320 --> 00:23:57,879
Speaker 4: at a hotel.

504
00:23:58,040 --> 00:24:01,240
Speaker 3: Also, the scene ends up being about pregnancy, so notion

505
00:24:01,320 --> 00:24:04,919
Speaker 3: of planning for considering the fact that sex leads to

506
00:24:05,560 --> 00:24:07,480
Speaker 3: childbirth potentially, like let's.

507
00:24:07,280 --> 00:24:11,000
Speaker 1: Just you know, like that's what they're trying to allude to.

508
00:24:11,440 --> 00:24:14,960
Speaker 1: But at the same time, they're completely and totally ignoring

509
00:24:15,240 --> 00:24:17,119
Speaker 1: something that was hugely going on in the world at

510
00:24:17,119 --> 00:24:20,679
Speaker 1: the time, which was disease. So it was just about pregnancy.

511
00:24:20,800 --> 00:24:23,160
Speaker 1: It wasn't at all about you could get something. It

512
00:24:23,240 --> 00:24:25,159
Speaker 1: was you could do something that could forever all to

513
00:24:25,240 --> 00:24:27,399
Speaker 1: your life, and by that they specifically.

514
00:24:26,800 --> 00:24:30,720
Speaker 4: Meant and in this case, it seems as though Coriant

515
00:24:30,720 --> 00:24:34,720
Speaker 4: Topanga were the poster children for abstinence. Yeah, that the

516
00:24:34,800 --> 00:24:38,960
Speaker 4: only safe sex for pregnancy is abstinence.

517
00:24:39,480 --> 00:24:41,760
Speaker 1: I was big into abstinence. I didn't want to be,

518
00:24:42,680 --> 00:24:45,600
Speaker 1: but everyone else apparently wanted me to be abstinate, so

519
00:24:45,680 --> 00:24:48,000
Speaker 1: I was for a very long time.

520
00:24:48,280 --> 00:24:48,960
Speaker 4: So helpful.

521
00:24:49,240 --> 00:24:53,040
Speaker 1: Yeah, that was a choice that was taken away from me,

522
00:24:53,119 --> 00:24:54,800
Speaker 1: but worked out in the long haul.

523
00:24:54,920 --> 00:25:09,919
Speaker 4: So Alan explains, your senior problem can be a night

524
00:25:10,000 --> 00:25:13,160
Speaker 4: to remember without it being a big night. I want

525
00:25:13,200 --> 00:25:15,399
Speaker 4: you to remember that things can happen in a minute

526
00:25:15,600 --> 00:25:18,440
Speaker 4: that could change your life forever. He asks, Cory, do

527
00:25:18,520 --> 00:25:21,800
Speaker 4: you understand me? Corey nods yes, Dad. Alan turns to

528
00:25:21,800 --> 00:25:25,520
Speaker 4: Sean with the same question. Sean nods yes Dad. A

529
00:25:25,640 --> 00:25:27,919
Speaker 4: satisfied Alan tells the boys have a great time, but

530
00:25:27,960 --> 00:25:30,080
Speaker 4: before they leave, Amy wants a picture of the boys

531
00:25:30,119 --> 00:25:33,119
Speaker 4: on prom night, They pose for an insanely bright flash

532
00:25:33,119 --> 00:25:35,480
Speaker 4: that quite possibly could have blinded them both. They grab

533
00:25:35,560 --> 00:25:37,920
Speaker 4: their corsages and they head out. When the boys are gone,

534
00:25:38,000 --> 00:25:40,320
Speaker 4: Alan asks Amy how he did. Amy gives him a

535
00:25:40,359 --> 00:25:43,359
Speaker 4: big hug. You were great. I am so proud of you.

536
00:25:43,800 --> 00:25:47,320
Speaker 4: Alan thanks her. Then Amy throws in a footnote, I'm pregnant.

537
00:25:47,720 --> 00:25:50,479
Speaker 4: Alan let's out a howling laugh, and Amy abruptly snaps

538
00:25:50,480 --> 00:25:53,399
Speaker 4: a picture of him. Amy nonchalantly adds, I'm not kidding.

539
00:25:54,520 --> 00:25:56,520
Speaker 1: Did you remember that was this episode? I had no

540
00:25:56,600 --> 00:25:59,000
Speaker 1: idea that said it. I was like, oh God, this

541
00:25:59,119 --> 00:26:01,040
Speaker 1: is the pregnancy. I had no idea, No.

542
00:26:01,080 --> 00:26:04,160
Speaker 4: Idn't even remember we did a pregnancy episode. I did.

543
00:26:04,200 --> 00:26:06,640
Speaker 4: That's how little I remembered this part of the storyline.

544
00:26:06,680 --> 00:26:10,200
Speaker 2: I just remembered that the baby was born. I remember

545
00:26:10,520 --> 00:26:13,040
Speaker 2: you had a kid, but I didn't think it happened.

546
00:26:13,119 --> 00:26:15,160
Speaker 2: I thought it was season seven.

547
00:26:16,800 --> 00:26:17,040
Speaker 3: Later.

548
00:26:17,080 --> 00:26:19,960
Speaker 2: But the fact that we already but I do think that,

549
00:26:20,600 --> 00:26:23,200
Speaker 2: I guess there had to have been a conversation because

550
00:26:23,200 --> 00:26:26,880
Speaker 2: I remember knowing that this was a way to keep

551
00:26:26,920 --> 00:26:31,280
Speaker 2: the parents involved in the show that Rusty and Betsy

552
00:26:31,320 --> 00:26:34,399
Speaker 2: had started started to feel like their characters were drifting away.

553
00:26:34,640 --> 00:26:36,840
Speaker 2: And I remember Michael saying, like, we're going to have

554
00:26:36,880 --> 00:26:39,720
Speaker 2: a pregnancy to you know, a new kid come into

555
00:26:39,760 --> 00:26:40,320
Speaker 2: this situation.

556
00:26:40,400 --> 00:26:42,800
Speaker 4: In order to save this show. We want to save

557
00:26:42,800 --> 00:26:43,520
Speaker 4: a marriage, a.

558
00:26:45,240 --> 00:26:46,119
Speaker 3: Baby, baby.

559
00:26:47,080 --> 00:26:49,600
Speaker 1: Okay, Dear listeners, get ready to start screaming at your.

560
00:26:50,000 --> 00:26:51,800
Speaker 4: I'm going to I'm going to ask the exact same question.

561
00:26:52,320 --> 00:26:57,840
Speaker 1: Did they get married in season six Corey Intopanga or

562
00:26:57,880 --> 00:27:00,000
Speaker 1: were they engaged all season six and they got married

563
00:27:00,160 --> 00:27:01,080
Speaker 1: season seven.

564
00:27:02,760 --> 00:27:05,040
Speaker 4: And then we have one whole season of marriage and

565
00:27:05,080 --> 00:27:07,280
Speaker 4: then when was the kid born? That's what I was

566
00:27:07,280 --> 00:27:09,880
Speaker 4: gonna ask. Do we have episodes with a baby? Are

567
00:27:09,880 --> 00:27:10,920
Speaker 4: there episode?

568
00:27:11,119 --> 00:27:13,440
Speaker 2: Because there's like I just know that at the end,

569
00:27:14,119 --> 00:27:16,399
Speaker 2: the is like it's like fourteens.

570
00:27:16,600 --> 00:27:17,920
Speaker 1: Yeah, changed up.

571
00:27:17,880 --> 00:27:20,080
Speaker 3: So much because Michael put his own kid in there,

572
00:27:20,080 --> 00:27:20,720
Speaker 3: but I don't.

573
00:27:21,040 --> 00:27:25,000
Speaker 1: But also we referenced the baby because I distinctly remember

574
00:27:25,040 --> 00:27:28,199
Speaker 1: there was a time where because Betsy asked for it

575
00:27:28,240 --> 00:27:30,600
Speaker 1: to be put in where Eric lights the house on

576
00:27:30,680 --> 00:27:33,040
Speaker 1: fire and she runs upstairs yelling, save the baby, Save

577
00:27:33,080 --> 00:27:35,960
Speaker 1: the baby. Okay, So I don't know if we didn't

578
00:27:35,960 --> 00:27:37,480
Speaker 1: actually use a kid like.

579
00:27:39,400 --> 00:27:42,320
Speaker 3: Scenes we had, right, there's that one. There's a fake baby,

580
00:27:42,359 --> 00:27:42,640
Speaker 3: I think.

581
00:27:42,680 --> 00:27:44,119
Speaker 1: And then maybe that was the doll that I was

582
00:27:44,119 --> 00:27:45,440
Speaker 1: putting my cigarettes in his mouth.

583
00:27:46,480 --> 00:27:51,760
Speaker 4: I remember that. Yeah, don't you remember that they put

584
00:27:51,760 --> 00:27:52,760
Speaker 4: a cigarette in the baby's mouth?

585
00:27:52,880 --> 00:27:56,480
Speaker 1: Is very funny. Yeah, that's when that's when Justin Timberlake

586
00:27:56,520 --> 00:27:58,280
Speaker 1: and Lance were on the set and they're like, you're

587
00:27:58,480 --> 00:28:02,400
Speaker 1: you're actually crazy? It was yeah, Amy, Yes, I sure, am,

588
00:28:02,480 --> 00:28:04,320
Speaker 1: it's funny. Yeah.

589
00:28:04,320 --> 00:28:06,120
Speaker 4: I don't remember, I mean know, I was like, oh,

590
00:28:06,160 --> 00:28:07,960
Speaker 4: there's already a baby, So when does she have the baby?

591
00:28:07,960 --> 00:28:09,679
Speaker 4: Do we do episodes with a baby. Don't remember any

592
00:28:09,720 --> 00:28:09,840
Speaker 4: of it.

593
00:28:09,920 --> 00:28:12,919
Speaker 1: I don't think we actually ever had a live, actual

594
00:28:13,000 --> 00:28:14,520
Speaker 1: baby on the set.

595
00:28:14,600 --> 00:28:15,960
Speaker 4: I don't believe we'll find out.

596
00:28:16,119 --> 00:28:16,320
Speaker 1: Yeah.

597
00:28:16,760 --> 00:28:19,560
Speaker 4: So Alan's laughter intensifies, but she repeats, I'm not kidding.

598
00:28:19,680 --> 00:28:23,400
Speaker 4: She takes another picture before handing Allan a positive pregnancy test.

599
00:28:23,720 --> 00:28:26,040
Speaker 4: She takes another picture of him looking at it. Alan

600
00:28:26,119 --> 00:28:28,879
Speaker 4: is confused. These things aren't always right, you know the

601
00:28:28,960 --> 00:28:31,719
Speaker 4: first and then on cue, Amy hands him a second

602
00:28:31,720 --> 00:28:35,480
Speaker 4: positive test, snapping another pick. Alan looks horrified. All he

603
00:28:35,520 --> 00:28:39,640
Speaker 4: can muster out is eh. Amy holds him as she asks,

604
00:28:39,840 --> 00:28:43,160
Speaker 4: aren't you happy? Alan holds the two tests, unable to

605
00:28:43,200 --> 00:28:48,200
Speaker 4: fully comprehend, well, I don't understand the question. Amy's hurt.

606
00:28:48,440 --> 00:28:51,400
Speaker 4: He's not happy at all. The inmates let out a groan.

607
00:28:51,960 --> 00:28:52,720
Speaker 4: They feel bad.

608
00:28:53,040 --> 00:28:55,640
Speaker 1: They just found out that he has COVID. So, I

609
00:28:55,640 --> 00:28:57,840
Speaker 1: mean two tests positive?

610
00:29:01,240 --> 00:29:02,120
Speaker 3: You have COVID?

611
00:29:03,160 --> 00:29:06,320
Speaker 2: Now, Michael had a fourth kid right around this time, right,

612
00:29:06,440 --> 00:29:07,200
Speaker 2: isn't that This is.

613
00:29:09,200 --> 00:29:11,280
Speaker 4: Because it was about his pregnancy.

614
00:29:11,360 --> 00:29:14,560
Speaker 1: Yes, and when and when the kid went into the

615
00:29:15,160 --> 00:29:17,480
Speaker 1: that was all that was, or I thought.

616
00:29:17,560 --> 00:29:21,400
Speaker 2: I thought that was before it was Yeah, yeah, no

617
00:29:21,640 --> 00:29:23,480
Speaker 2: it was it was Josh because they ended up naming

618
00:29:23,480 --> 00:29:24,200
Speaker 2: the baby.

619
00:29:23,920 --> 00:29:27,000
Speaker 4: After write the story. You're right, yeah, itsh.

620
00:29:26,600 --> 00:29:28,800
Speaker 1: But I thought Josh was. I don't know, I can't.

621
00:29:28,560 --> 00:29:32,680
Speaker 2: I just remember he was having a baby after already

622
00:29:32,680 --> 00:29:34,040
Speaker 2: having three kids at this point.

623
00:29:34,480 --> 00:29:36,960
Speaker 1: That's probably the inspiration for this, Yeah, I'm sure. Yeah.

624
00:29:37,160 --> 00:29:40,320
Speaker 4: She storms away and Alan tries to speak honey. Eventually

625
00:29:40,360 --> 00:29:43,760
Speaker 4: he rushes after her. It's not exactly a fair scenario

626
00:29:43,840 --> 00:29:47,200
Speaker 4: to expect your significant other to be happy about a

627
00:29:47,240 --> 00:29:48,760
Speaker 4: pregnancy that's on.

628
00:29:48,760 --> 00:29:52,200
Speaker 1: Your fourth unplanned, Like an unplanned pregnancy that's fourth. Your

629
00:29:52,280 --> 00:29:53,080
Speaker 1: kids are older.

630
00:29:53,360 --> 00:29:56,480
Speaker 4: Your youngest, who's by the way, completely never mentioned in

631
00:29:56,480 --> 00:29:58,400
Speaker 4: this episode. Who was watching her?

632
00:29:58,880 --> 00:30:00,960
Speaker 1: She's a friends is at the prom.

633
00:30:01,040 --> 00:30:04,960
Speaker 4: Yeah, all all the other characters are at the prom.

634
00:30:05,040 --> 00:30:08,440
Speaker 4: They tell all the kid their kids except for Morgan,

635
00:30:08,520 --> 00:30:11,360
Speaker 4: about the pregnancy, and we have no idea where she is.

636
00:30:11,440 --> 00:30:12,680
Speaker 4: Who is watching Morgan?

637
00:30:12,840 --> 00:30:15,520
Speaker 1: I don't know. I also didn't like I would like

638
00:30:15,560 --> 00:30:17,320
Speaker 1: to have seen and I know how they have to

639
00:30:17,320 --> 00:30:19,360
Speaker 1: do it, but I would like to have seen one

640
00:30:19,360 --> 00:30:23,360
Speaker 1: more scene of Allen and Amy before he's just thrilled,

641
00:30:23,440 --> 00:30:25,200
Speaker 1: before he's just thrilled. Yeah, one more would have been

642
00:30:25,280 --> 00:30:27,680
Speaker 1: nice because it just went from that to we're having

643
00:30:27,680 --> 00:30:29,400
Speaker 1: a baby again and then now I'm so I'm super

644
00:30:29,400 --> 00:30:30,800
Speaker 1: happy with it, and it's like, okay, we could have

645
00:30:30,840 --> 00:30:31,960
Speaker 1: had one more between.

646
00:30:31,720 --> 00:30:34,920
Speaker 4: Totally a thing where he actually does work out. Am

647
00:30:35,000 --> 00:30:35,600
Speaker 4: I excited?

648
00:30:36,200 --> 00:30:38,480
Speaker 1: Yeah, and her kind of going, I'm I sprung that

649
00:30:38,600 --> 00:30:40,840
Speaker 1: on you. I get it, I get it. It's it

650
00:30:40,880 --> 00:30:43,280
Speaker 1: was a shock for me too. But and then it's

651
00:30:43,360 --> 00:30:45,400
Speaker 1: him going, well, of course, I'm excited. I just, you know,

652
00:30:45,560 --> 00:30:48,240
Speaker 1: was eating my cereal when you told me, like, give

653
00:30:48,280 --> 00:30:48,760
Speaker 1: me a break.

654
00:30:49,440 --> 00:30:52,200
Speaker 4: And then at COVID and then we get a rare

655
00:30:52,280 --> 00:30:56,800
Speaker 4: look into Tapega's aunt's house. Topega and Angela are looking

656
00:30:56,800 --> 00:30:59,120
Speaker 4: in the mirror doing their finishing touches for prom. When

657
00:30:59,160 --> 00:31:02,680
Speaker 4: Topega asks, so you and Sean talked about you two

658
00:31:02,920 --> 00:31:06,200
Speaker 4: after the prom the big night, Angela admits, we haven't

659
00:31:06,200 --> 00:31:08,320
Speaker 4: really talked about it. People think he's really cool, but

660
00:31:08,360 --> 00:31:11,360
Speaker 4: he is so shy. I've decided we're not ready until

661
00:31:11,400 --> 00:31:14,960
Speaker 4: he's ready to at least talk about it. What a

662
00:31:15,120 --> 00:31:19,680
Speaker 4: smart and mature way of thinking about it. If we

663
00:31:19,760 --> 00:31:23,280
Speaker 4: can't have an open sex, we shouldn't be having it.

664
00:31:23,520 --> 00:31:24,760
Speaker 3: That's a great way to think about it.

665
00:31:24,840 --> 00:31:27,600
Speaker 1: If you still call it ha, then we're not ready.

666
00:31:28,720 --> 00:31:31,400
Speaker 1: I'm gonna do the wah. Yeah, we're not.

667
00:31:31,400 --> 00:31:32,760
Speaker 4: Ready to pegas Miles.

668
00:31:33,720 --> 00:31:38,040
Speaker 1: That would Saisney?

669
00:31:38,120 --> 00:31:38,960
Speaker 3: Can we Who.

670
00:31:41,240 --> 00:31:46,960
Speaker 4: Do you wanna to pegus? Miles? I've been thinking about

671
00:31:46,960 --> 00:31:48,960
Speaker 4: it too, now that Corey and I know how much

672
00:31:48,960 --> 00:31:51,040
Speaker 4: we love each other, We've decided that when the time

673
00:31:51,120 --> 00:31:55,640
Speaker 4: is exactly perfectly right, Angela knows her friend so in

674
00:31:55,680 --> 00:31:58,360
Speaker 4: other words, when you say so to Peka nods an agreement.

675
00:31:58,760 --> 00:32:01,680
Speaker 4: Then the doorbell rings, Angela opens the door, and Sean

676
00:32:01,800 --> 00:32:07,000
Speaker 4: is speechless. He eventually stutters out, you look wow, Angela

677
00:32:07,040 --> 00:32:10,320
Speaker 4: beams you look pretty wow yourself. He kisses her cheek

678
00:32:10,360 --> 00:32:13,320
Speaker 4: and hands her the corsage. Angela interlocks her arm with

679
00:32:13,400 --> 00:32:16,200
Speaker 4: his and asks shall we Sean looks to Corey, who

680
00:32:16,240 --> 00:32:18,680
Speaker 4: gives him a nod go ahead, we'll catch up. And

681
00:32:18,720 --> 00:32:20,760
Speaker 4: it was in this moment when Sean is talking about

682
00:32:20,760 --> 00:32:23,720
Speaker 4: how wow Angela looks, that I realized they're not doing normally.

683
00:32:23,800 --> 00:32:26,400
Speaker 4: They'd absolutely be an establishing shot to see our addresses

684
00:32:26,440 --> 00:32:27,960
Speaker 4: and it'd be head to toe, and they can't because

685
00:32:28,000 --> 00:32:28,800
Speaker 4: she's too pregnant.

686
00:32:28,960 --> 00:32:31,480
Speaker 1: So that's the funny thing. I just right right when

687
00:32:31,560 --> 00:32:33,440
Speaker 1: Sean opened the door, that's the first line I said.

688
00:32:33,480 --> 00:32:36,480
Speaker 1: He's like, wow, you look so nine months pregnant.

689
00:32:41,000 --> 00:32:43,160
Speaker 4: Sean looks to Corey, who gives him a nod. Go ahead,

690
00:32:43,240 --> 00:32:45,760
Speaker 4: we'll catch up. Sean grins, all right, we'll be waiting

691
00:32:45,800 --> 00:32:47,840
Speaker 4: in the limo. They walk away, leaving Corey and to

692
00:32:47,920 --> 00:32:51,719
Speaker 4: Panga alone now in the house, Corey admires Topanga, there

693
00:32:51,800 --> 00:32:53,640
Speaker 4: is no one else in the world that I'd rather

694
00:32:53,680 --> 00:32:56,200
Speaker 4: be with tonight, and I just want everything to go

695
00:32:56,520 --> 00:33:01,640
Speaker 4: exactly to Panga guesses exactly perfectly right. Corey nods, she agrees,

696
00:33:01,680 --> 00:33:04,720
Speaker 4: and they kiss, and the doorbell rings again. They're confused,

697
00:33:04,720 --> 00:33:07,080
Speaker 4: but Tapanga opens to reveal a nerdy boy in a

698
00:33:07,120 --> 00:33:10,280
Speaker 4: baby blue tux paired with a ruffled undershirt. He gasps

699
00:33:10,600 --> 00:33:13,720
Speaker 4: to Panga, you look radiant. Corey and t Pega stare

700
00:33:13,760 --> 00:33:17,000
Speaker 4: back in pure confusion. Topeka asks, Howie, what are you

701
00:33:17,080 --> 00:33:19,360
Speaker 4: doing here? He explains, I'm here to take you to

702
00:33:19,400 --> 00:33:22,719
Speaker 4: the prom. My dad's waiting outside in the Plymouth. Topeka

703
00:33:22,800 --> 00:33:26,040
Speaker 4: still doesn't understand what are you talking about? Howie explains,

704
00:33:26,120 --> 00:33:28,200
Speaker 4: don't you remember a few weeks ago when I asked

705
00:33:28,240 --> 00:33:29,640
Speaker 4: you if you had a date for the prom? You

706
00:33:29,760 --> 00:33:33,320
Speaker 4: said no, and I said, great. Don't you remember that?

707
00:33:34,280 --> 00:33:35,680
Speaker 1: Howie? Oh, Howie?

708
00:33:36,920 --> 00:33:40,760
Speaker 4: Did I ever tell you about the guy? I said, no, Tom, no, no,

709
00:33:41,160 --> 00:33:44,800
Speaker 4: oh no, he put on he did this whole thing,

710
00:33:45,040 --> 00:33:47,880
Speaker 4: like a whole thing, and I got called to the

711
00:33:47,920 --> 00:33:48,760
Speaker 4: principal's office.

712
00:33:48,800 --> 00:33:49,520
Speaker 3: I had never been.

713
00:33:49,400 --> 00:33:52,200
Speaker 2: Called to a splash mob to ask you like no,

714
00:33:52,240 --> 00:33:53,640
Speaker 2: don could do a musical number.

715
00:33:53,840 --> 00:33:55,960
Speaker 4: No, But it was a thing that he had worked

716
00:33:55,960 --> 00:34:00,000
Speaker 4: out with people in the school office, like send Danielle

717
00:34:00,480 --> 00:34:02,400
Speaker 4: a note in class that she got called to the

718
00:34:02,440 --> 00:34:05,280
Speaker 4: principal's office. And then I walked in. So I had

719
00:34:05,320 --> 00:34:08,600
Speaker 4: a boyfriend and he didn't so he didn't go to

720
00:34:08,640 --> 00:34:11,040
Speaker 4: our school. And this guy didn't know that. But I

721
00:34:11,040 --> 00:34:13,439
Speaker 4: also didn't know this guy. I didn't know him. No,

722
00:34:13,520 --> 00:34:15,280
Speaker 4: I didn't know him, like I mean, I wasn't aware

723
00:34:15,320 --> 00:34:20,000
Speaker 4: he existed. But we weren't friends. Yeah, And he arranged

724
00:34:20,040 --> 00:34:22,279
Speaker 4: with the school that I got called into the principal's office.

725
00:34:22,280 --> 00:34:23,920
Speaker 4: It was the first time I'd ever been called into

726
00:34:23,960 --> 00:34:27,759
Speaker 4: the principal's office in my life. And I hortified. And

727
00:34:28,120 --> 00:34:31,400
Speaker 4: I get to the office. I'm like, I called here,

728
00:34:31,560 --> 00:34:33,960
Speaker 4: and the woman's like, okay, let me you know, you

729
00:34:34,080 --> 00:34:36,640
Speaker 4: wait here. I'll go see if the principal's ready for you.

730
00:34:37,000 --> 00:34:38,680
Speaker 4: And I'm like okay, and I sit in the chair,

731
00:34:38,760 --> 00:34:41,880
Speaker 4: like what could this be about? Then she comes back out.

732
00:34:41,920 --> 00:34:43,520
Speaker 4: She goes, okay, the principal will see you now, and

733
00:34:43,600 --> 00:34:46,359
Speaker 4: she opens the door. I walk in. The principal's chair

734
00:34:46,440 --> 00:34:49,440
Speaker 4: is turned so I can't see the person, and then

735
00:34:49,480 --> 00:34:52,440
Speaker 4: she closes the door behind me and he spins around

736
00:34:52,480 --> 00:34:54,960
Speaker 4: and it's him this and I'm like, hello.

737
00:34:56,480 --> 00:34:59,120
Speaker 3: Hello, strange guy.

738
00:35:00,400 --> 00:35:04,960
Speaker 4: Does this whole speech and asks me to prom and

739
00:35:05,080 --> 00:35:14,000
Speaker 4: I go, no, sorry, I I I have a boyfriend,

740
00:35:14,040 --> 00:35:15,920
Speaker 4: and I yeah, what magazine are you in?

741
00:35:16,080 --> 00:35:19,040
Speaker 1: Strange guy? Do you have a calendar?

742
00:35:19,120 --> 00:35:20,080
Speaker 3: Do you have a calendar?

743
00:35:20,160 --> 00:35:21,880
Speaker 1: How much do you get to you?

744
00:35:22,680 --> 00:35:26,200
Speaker 2: Johnathan Taylor Thomas four.

745
00:35:26,800 --> 00:35:28,560
Speaker 3: If he's not available, I'm gonna.

746
00:35:28,320 --> 00:35:32,120
Speaker 4: Ask was it wasn't our prom? It wasn't even it

747
00:35:32,160 --> 00:35:33,960
Speaker 4: wasn't like, it wasn't even my prom. I was like

748
00:35:33,960 --> 00:35:38,120
Speaker 4: a sophomore, so I wasn't even going sor he was

749
00:35:38,160 --> 00:35:40,920
Speaker 4: either a senior or a junior and was asking me.

750
00:35:41,320 --> 00:35:43,520
Speaker 4: And then again, now I'm saying that maybe it wasn't

751
00:35:43,560 --> 00:35:45,280
Speaker 4: a prom. Maybe it could have just been winter formal

752
00:35:45,320 --> 00:35:46,960
Speaker 4: and we were the same grade. Maybe it wasn't prom.

753
00:35:47,040 --> 00:35:48,400
Speaker 4: It may have been a winter formal. And I was

754
00:35:48,440 --> 00:35:55,040
Speaker 4: like no anyway. No, I was like, I'm really sorry,

755
00:35:55,239 --> 00:35:58,799
Speaker 4: I just you know, And then we walk out and

756
00:35:59,480 --> 00:36:11,600
Speaker 4: in the office, No, anyway, but I'm going back to class.

757
00:36:11,600 --> 00:36:12,560
Speaker 4: Thanks for running my day.

758
00:36:12,640 --> 00:36:15,160
Speaker 2: Yeah, I was gonna say, I like, it sucks that

759
00:36:15,239 --> 00:36:16,879
Speaker 2: you had to go through that because you had no

760
00:36:17,120 --> 00:36:19,560
Speaker 2: reason to have been in that situation except that this

761
00:36:19,600 --> 00:36:22,120
Speaker 2: guy wanted it and like made it happen.

762
00:36:23,000 --> 00:36:24,839
Speaker 3: Oh so yeah, I don't feel bad for him at all.

763
00:36:25,040 --> 00:36:28,319
Speaker 1: That's such a I do a little bit, but.

764
00:36:31,840 --> 00:36:35,440
Speaker 2: Putting Dan Yell in that position, which is just like no, no, no,

765
00:36:35,480 --> 00:36:37,320
Speaker 2: I don't Oh, that's horrible.

766
00:36:38,120 --> 00:36:40,920
Speaker 4: So Chapanga is sympathetic. There must have been a misunderstanding.

767
00:36:41,080 --> 00:36:43,840
Speaker 4: See Corey and I are back together. How he asks,

768
00:36:44,080 --> 00:36:46,480
Speaker 4: so do we or do we not have a date?

769
00:36:46,960 --> 00:36:49,560
Speaker 4: Corey's patience is wearing thin. No, you do not have

770
00:36:49,600 --> 00:36:52,920
Speaker 4: a date. Kapeche back in the Plymouth, Back in the Plymouth,

771
00:36:53,239 --> 00:36:56,240
Speaker 4: So funny, Proai size his senior prom dream is crumbling

772
00:36:56,320 --> 00:36:58,719
Speaker 4: right in front of him. How He admits, who am

773
00:36:58,760 --> 00:37:02,080
Speaker 4: I kidding? Even my other said it didn't make any sense.

774
00:37:04,239 --> 00:37:07,600
Speaker 4: He places the corsage on Topanga's wrist. You too, go

775
00:37:08,040 --> 00:37:14,440
Speaker 4: have fun, see you at the reunion. That's a great line.

776
00:37:14,880 --> 00:37:18,399
Speaker 4: He walks away, his head hanging. Topanga stops him. Howie wait,

777
00:37:18,680 --> 00:37:22,479
Speaker 4: Corey whispers, please no, please no, please no. Tapega turns

778
00:37:22,520 --> 00:37:25,080
Speaker 4: to Corey and, through gritted teeth, admits, I feel bad.

779
00:37:25,560 --> 00:37:27,960
Speaker 4: Corey responds, through gritted teeth as well, A friend, God,

780
00:37:28,000 --> 00:37:32,000
Speaker 4: this is our prom Nighteg reminds him it's his prom

781
00:37:32,120 --> 00:37:35,160
Speaker 4: night too. Corey reminds her, yes, but I want everything

782
00:37:35,160 --> 00:37:38,799
Speaker 4: to go exactly perfectly right to Pega explains, if poor

783
00:37:38,840 --> 00:37:40,759
Speaker 4: Howie is sitting at home crying his eyes out because

784
00:37:40,760 --> 00:37:44,480
Speaker 4: of me, I will not feel exactly perfectly right. Corey

785
00:37:44,560 --> 00:37:47,759
Speaker 4: quickly changes his tunes. Oh, Howie, you want to be

786
00:37:47,800 --> 00:37:50,439
Speaker 4: our date? He places his corsage on how He's wrist

787
00:37:50,480 --> 00:37:53,320
Speaker 4: and pats him on the back. Ali's night is made,

788
00:37:54,440 --> 00:37:57,560
Speaker 4: and now we're at the prom. Right or where was

789
00:37:57,960 --> 00:38:00,560
Speaker 4: where was your prom? No, eight people didn't do one?

790
00:38:00,760 --> 00:38:04,520
Speaker 2: No, no, no, no, too good for problem.

791
00:38:04,760 --> 00:38:06,719
Speaker 1: Did you have dances at all? Or was it more

792
00:38:06,800 --> 00:38:09,520
Speaker 1: just like dancing around campfires naked while screaming into the

793
00:38:09,520 --> 00:38:18,759
Speaker 1: wind or something nothing? Nothing okay, No, I mean you

794
00:38:18,760 --> 00:38:19,520
Speaker 1: know you know what we did.

795
00:38:19,560 --> 00:38:22,280
Speaker 2: We did a huge We did a big Thanksgiving feast

796
00:38:22,280 --> 00:38:24,359
Speaker 2: every year. So we would have a school Thanksgiving where

797
00:38:24,360 --> 00:38:26,880
Speaker 2: we would all cook and like contribute stuff together and

798
00:38:26,920 --> 00:38:29,719
Speaker 2: have a big and we would all sit outside. No,

799
00:38:30,000 --> 00:38:31,919
Speaker 2: and then the whole school there would be sixties kids

800
00:38:32,040 --> 00:38:35,000
Speaker 2: or fifty some kids, so you know, all the teachers

801
00:38:35,000 --> 00:38:35,759
Speaker 2: and it was really nice.

802
00:38:35,760 --> 00:38:36,239
Speaker 3: It was great.

803
00:38:37,239 --> 00:38:39,480
Speaker 2: That's the only real like event. And then graduation was

804
00:38:39,480 --> 00:38:41,600
Speaker 2: a huge deal. We would you know, everybody would get

805
00:38:41,600 --> 00:38:44,480
Speaker 2: an award and like every you know, speeches and stuff.

806
00:38:44,480 --> 00:38:44,959
Speaker 1: It was cool.

807
00:38:45,360 --> 00:38:46,560
Speaker 3: But yeah, no, no.

808
00:38:46,480 --> 00:38:59,879
Speaker 2: Sports teams, no prom.

809
00:38:54,120 --> 00:38:55,120
Speaker 1: Okay, well.

810
00:38:57,719 --> 00:39:05,000
Speaker 2: Spoken section though, God will called the bathroom.

811
00:39:03,600 --> 00:39:05,719
Speaker 4: Now it ProMED Topega. Thanks Cory for being such a

812
00:39:05,760 --> 00:39:08,520
Speaker 4: good sport about Howie Corey stays positive? Are you kidding?

813
00:39:08,520 --> 00:39:11,000
Speaker 4: As long as I'm here with you, Tupanga, nothing else matters.

814
00:39:11,239 --> 00:39:12,680
Speaker 4: They take a seat at the table and how he

815
00:39:12,760 --> 00:39:15,840
Speaker 4: sits right in between them, he spots a friend, Hey Zamski,

816
00:39:16,160 --> 00:39:18,600
Speaker 4: pulling Topanga and Corey close to him. Look who I'm with?

817
00:39:18,920 --> 00:39:21,960
Speaker 4: We see Zamski wearing the same tuxedo with a ruffled undershirt,

818
00:39:21,960 --> 00:39:24,600
Speaker 4: sitting between a couple as well. He pulls his couple

819
00:39:24,640 --> 00:39:27,719
Speaker 4: close and gives Howie two thumbs up. Is the joke

820
00:39:27,760 --> 00:39:29,520
Speaker 4: that the same thing happened to this other guy too,

821
00:39:29,840 --> 00:39:32,319
Speaker 4: That they both just tried to go after girls who

822
00:39:32,320 --> 00:39:35,920
Speaker 4: had recently become single. Okay, and then they they didn't.

823
00:39:35,960 --> 00:39:38,400
Speaker 1: They didn't actually technically ask, they just.

824
00:39:39,880 --> 00:39:40,640
Speaker 4: Do you have a date now?

825
00:39:40,960 --> 00:39:42,879
Speaker 2: But great was the idea that this is like part

826
00:39:42,880 --> 00:39:45,560
Speaker 2: of a scam, like a plan that they had to Like, I.

827
00:39:46,200 --> 00:39:48,719
Speaker 1: Think this is just two sad guys who ended up

828
00:39:49,000 --> 00:39:51,879
Speaker 1: in a throttle without without without knowing it was gonna happen.

829
00:39:52,080 --> 00:39:54,080
Speaker 2: I didn't love that joke, Like I loved how he

830
00:39:54,160 --> 00:39:56,000
Speaker 2: set up, but the fact that there's like another how

831
00:39:56,000 --> 00:39:56,920
Speaker 2: He did not make sense to me.

832
00:39:56,960 --> 00:39:58,040
Speaker 1: I was like, what is the point of this?

833
00:39:58,920 --> 00:40:01,040
Speaker 2: Because I always feel sorry for Howie and I like

834
00:40:01,120 --> 00:40:03,920
Speaker 2: that he's inserted into the but the payoff being that

835
00:40:03,960 --> 00:40:05,799
Speaker 2: there's another Howie? I was like, what is what are

836
00:40:05,800 --> 00:40:08,200
Speaker 2: we saying that there's just dorky guys all over the place.

837
00:40:08,280 --> 00:40:10,960
Speaker 1: Nerd nerds are bad now we run the world.

838
00:40:11,080 --> 00:40:13,880
Speaker 4: I know, I know, I don't. I didn't get anything spirited.

839
00:40:13,960 --> 00:40:15,239
Speaker 3: I was like, are we just making fun of the

840
00:40:15,280 --> 00:40:16,919
Speaker 3: way these guys look or the way they dress?

841
00:40:17,000 --> 00:40:18,319
Speaker 1: Like? I just didn't know what. It's a nerd joke.

842
00:40:18,400 --> 00:40:19,440
Speaker 1: It's a straight up nerd joke.

843
00:40:19,719 --> 00:40:22,680
Speaker 2: Yeah, which I you know, is already built into just Howie.

844
00:40:22,760 --> 00:40:24,360
Speaker 2: But at least there it was like, well, he's just

845
00:40:24,400 --> 00:40:26,640
Speaker 2: a unique guy. But the fact that he's like there's

846
00:40:26,640 --> 00:40:28,920
Speaker 2: two of them is sort of saying like there's obviously

847
00:40:29,000 --> 00:40:30,480
Speaker 2: a way to be in a way to not to be.

848
00:40:32,360 --> 00:40:33,440
Speaker 4: The people.

849
00:40:33,840 --> 00:40:35,240
Speaker 1: Right. At least they were there.

850
00:40:38,840 --> 00:40:41,760
Speaker 4: Jack and Eric are there also, dressed in tuxedos, standing

851
00:40:41,760 --> 00:40:44,399
Speaker 4: over by the punch bowl. Jack says all he can

852
00:40:44,440 --> 00:40:46,239
Speaker 4: remember from his prom is being in the back of

853
00:40:46,280 --> 00:40:49,200
Speaker 4: the limo with Karen is l. Eric has some memories

854
00:40:49,200 --> 00:40:49,680
Speaker 4: of his own.

855
00:40:50,239 --> 00:40:53,600
Speaker 1: Barbie Feldman straight up Homer Simpson read.

856
00:40:53,880 --> 00:40:56,920
Speaker 4: Your homie, Homer Simpson read, and Barbie Feldman being one

857
00:40:56,960 --> 00:40:58,439
Speaker 4: of our writers.

858
00:40:58,560 --> 00:41:02,440
Speaker 1: A fun little now she was a writer's assistant at

859
00:41:02,440 --> 00:41:04,200
Speaker 1: this time. She wasn't even one of our writers yet,

860
00:41:04,320 --> 00:41:05,800
Speaker 1: was she I think.

861
00:41:05,640 --> 00:41:07,080
Speaker 4: We've done an episode that she wrote?

862
00:41:07,160 --> 00:41:08,960
Speaker 1: Right? Yeah, she was, did we okay?

863
00:41:08,960 --> 00:41:09,200
Speaker 4: Good?

864
00:41:09,239 --> 00:41:11,960
Speaker 1: Okay good? I couldn't remember if she was. Carlos were

865
00:41:11,960 --> 00:41:13,600
Speaker 1: together all the time, and I.

866
00:41:13,520 --> 00:41:16,000
Speaker 4: Also right away I was like, wait, why are Jack

867
00:41:16,040 --> 00:41:16,759
Speaker 4: and Eric there?

868
00:41:17,000 --> 00:41:19,160
Speaker 1: It made that made This is one where I was like, oh,

869
00:41:19,400 --> 00:41:22,480
Speaker 1: apparently we're chaperones makes no sense. Pretending it makes sense

870
00:41:22,520 --> 00:41:24,080
Speaker 1: and just move and not just move?

871
00:41:24,120 --> 00:41:27,319
Speaker 4: And but do you mention here that your chaperones? It's

872
00:41:27,360 --> 00:41:28,760
Speaker 4: not mentioned until way later.

873
00:41:28,680 --> 00:41:31,000
Speaker 1: Until Feene says it to Jack. It's just we're just

874
00:41:31,200 --> 00:41:31,560
Speaker 1: it's just.

875
00:41:31,520 --> 00:41:35,640
Speaker 4: Weird, just like the punch Bowl. Yeah, I feel like

876
00:41:35,760 --> 00:41:38,440
Speaker 4: I feel like they could have been mentioned right away, like, well,

877
00:41:38,480 --> 00:41:40,319
Speaker 4: I can't believe I'm a chaperone. Doesn't feel like my

878
00:41:40,320 --> 00:41:41,920
Speaker 4: problem was that long ago, you know, like.

879
00:41:42,280 --> 00:41:45,000
Speaker 2: And for whatever reason, I'm just like, at this moment,

880
00:41:44,880 --> 00:41:46,080
Speaker 2: where's mister Turner?

881
00:41:46,880 --> 00:41:50,799
Speaker 1: I really like, I know, you know, like it's easy, but.

882
00:41:50,760 --> 00:41:52,799
Speaker 3: It's just like we had the last time we saw him.

883
00:41:52,760 --> 00:41:54,080
Speaker 1: Was a motorcycle.

884
00:41:54,120 --> 00:41:56,640
Speaker 3: It's so yeah.

885
00:41:57,400 --> 00:41:59,400
Speaker 1: Why not bring him back for a guest star? It

886
00:41:59,480 --> 00:42:00,440
Speaker 1: just seems so something.

887
00:42:02,239 --> 00:42:04,640
Speaker 4: Well, Jack adds, I can't even remember my own prom

888
00:42:04,640 --> 00:42:07,360
Speaker 4: because I was so preoccupied with what might happen. After

889
00:42:07,840 --> 00:42:11,680
Speaker 4: Eric agrees me too, Benny leans in closer. Anything happened,

890
00:42:12,480 --> 00:42:15,760
Speaker 4: Jack responds, none of your business. Eric nods me neither.

891
00:42:27,640 --> 00:42:29,800
Speaker 4: Over at another table, Sean claps his hands together. Sean

892
00:42:29,840 --> 00:42:32,480
Speaker 4: is talking to Angela. This has been one heck of

893
00:42:32,520 --> 00:42:34,560
Speaker 4: a prom, and now that it's over, you want to

894
00:42:34,600 --> 00:42:36,640
Speaker 4: go hang out in the back of the limo. Angela's

895
00:42:36,680 --> 00:42:40,000
Speaker 4: surprised and do what? Sean lets out a nervous giggle.

896
00:42:40,200 --> 00:42:45,560
Speaker 4: I don't know. Play. Meanwhile, on the dance floor, Corey

897
00:42:45,560 --> 00:42:48,280
Speaker 4: into Penga are dancing. Corey decides to shoot his shot.

898
00:42:48,520 --> 00:42:51,560
Speaker 4: Pretty shut, pretty she pretty soon. The prom is going

899
00:42:51,600 --> 00:42:54,120
Speaker 4: to be over to Pega reminds him they just got here.

900
00:42:54,680 --> 00:42:56,839
Speaker 4: Corey explains, we didn't just get here. I mean really,

901
00:42:56,920 --> 00:42:59,080
Speaker 4: it's taken us fifteen years to get here. We're not

902
00:42:59,160 --> 00:43:02,000
Speaker 4: kids anymore, adults, and I think we're ready for an

903
00:43:02,000 --> 00:43:07,239
Speaker 4: adult relationship. To Pegus Miles, fine, let's get a hotel room.

904
00:43:07,280 --> 00:43:13,960
Speaker 4: Just the idea. I know what, just the idea. Corey

905
00:43:14,040 --> 00:43:17,279
Speaker 4: goes cross eiyded and passes out, and then we're at

906
00:43:17,280 --> 00:43:19,960
Speaker 4: the hotel front desk. Corey makes his way towards the

907
00:43:20,000 --> 00:43:23,000
Speaker 4: front desk just outside the prom ballroom. He says hello

908
00:43:23,200 --> 00:43:24,919
Speaker 4: to the man behind the counter, and the clerk asks

909
00:43:24,920 --> 00:43:28,040
Speaker 4: if he's checking in. Corey acs surprised me. No, no,

910
00:43:28,200 --> 00:43:31,959
Speaker 4: I was just just admiring your bell here. He picks

911
00:43:32,040 --> 00:43:33,600
Speaker 4: up a bell from his desk and asks what it's

912
00:43:33,640 --> 00:43:35,759
Speaker 4: made of? Is it real bell?

913
00:43:36,040 --> 00:43:38,720
Speaker 3: Is it real bell? Oh my god, all these.

914
00:43:38,560 --> 00:43:42,400
Speaker 4: Scenes were so good, so good. The attendant is not amused.

915
00:43:42,520 --> 00:43:45,040
Speaker 4: Corey digs in deeper. I was just here to say,

916
00:43:45,400 --> 00:43:47,759
Speaker 4: then proceeds to ring the bell a few times. The

917
00:43:47,800 --> 00:43:50,319
Speaker 4: clerk turns away from Corey, and shortly after Corey and

918
00:43:50,840 --> 00:43:53,640
Speaker 4: the clerk turns away from Corey, and shortly after Corey resets.

919
00:43:53,840 --> 00:43:55,640
Speaker 4: He rings the bell and says, Hi, I'd like a

920
00:43:55,719 --> 00:43:59,319
Speaker 4: room please, for the reason of tiredness, and it's been

921
00:43:59,600 --> 00:44:03,319
Speaker 4: a very very long journey. The man asks, so, then

922
00:44:03,320 --> 00:44:06,759
Speaker 4: you want a bed. Corey excitedly shouts yes, then tries

923
00:44:06,760 --> 00:44:09,080
Speaker 4: to catch himself. But I mean it doesn't always have

924
00:44:09,200 --> 00:44:12,600
Speaker 4: to be a bed. We could do some dancing first.

925
00:44:13,040 --> 00:44:14,919
Speaker 4: The man asks if Corey would like a king sized

926
00:44:14,920 --> 00:44:18,400
Speaker 4: bed or two doubles, and Corey whispers, what would you

927
00:44:18,520 --> 00:44:23,600
Speaker 4: recommend for someone such as me. The man inquires, have

928
00:44:23,800 --> 00:44:29,440
Speaker 4: you been tired before? Which is really funny but also

929
00:44:29,560 --> 00:44:33,160
Speaker 4: doesn't actually tie in if you have been tired before?

930
00:44:33,640 --> 00:44:37,799
Speaker 4: Too bad? It doesn't really make sense, but I love

931
00:44:37,840 --> 00:44:38,360
Speaker 4: it anyway.

932
00:44:38,360 --> 00:44:40,879
Speaker 1: I'm not trying, you know, one to wreck and one

933
00:44:40,960 --> 00:44:41,680
Speaker 1: to sleep.

934
00:44:41,360 --> 00:44:46,000
Speaker 4: In, after all. Corey nervously admits no, Actually, this is

935
00:44:46,000 --> 00:44:50,239
Speaker 4: my first time ever being tired. The man asks exactly

936
00:44:50,400 --> 00:44:54,719
Speaker 4: how tired are you? Corey laughs. Let's put it this way.

937
00:44:54,760 --> 00:44:56,719
Speaker 4: If I don't get a room real soon, I may

938
00:44:56,760 --> 00:44:59,560
Speaker 4: fall asleep right here. The man tells him they wouldn't

939
00:44:59,560 --> 00:45:03,400
Speaker 4: want that to happen. Okay, one room, one bed, one

940
00:45:03,719 --> 00:45:07,160
Speaker 4: big night. Then he asks Cory for his name. Corey

941
00:45:07,160 --> 00:45:09,680
Speaker 4: gets flustered, and the clerk explains he just needs a

942
00:45:09,760 --> 00:45:11,920
Speaker 4: name to put in the computer. Any name will do.

943
00:45:12,400 --> 00:45:14,720
Speaker 4: Corey throws his arms in the air. This is silly.

944
00:45:15,120 --> 00:45:18,800
Speaker 4: Cory will tell him his real name. It's Don Don Quixote.

945
00:45:21,120 --> 00:45:24,720
Speaker 4: The man writes it down. That's new. Then he asks

946
00:45:24,719 --> 00:45:27,759
Speaker 4: for his address. Corey says fourteen fourteen de.

947
00:45:27,840 --> 00:45:29,600
Speaker 1: La mancha, Deila Mancha.

948
00:45:29,719 --> 00:45:34,120
Speaker 4: The man repeats back, Senor Quixote de la Mancha. I'll

949
00:45:34,160 --> 00:45:36,719
Speaker 4: just be needing your credit card. Corey goes wide eyed.

950
00:45:37,000 --> 00:45:40,560
Speaker 4: The man wonders, did I catch you off guard? Senor qyxote.

951
00:45:41,200 --> 00:45:44,600
Speaker 4: Corey pretends to search through his pockets credit card card

952
00:45:44,800 --> 00:45:49,280
Speaker 4: CREDITO darn, I've left me Kapa without it.

953
00:45:50,160 --> 00:45:52,840
Speaker 1: Just want to I mean, this scene is really really funny.

954
00:45:52,960 --> 00:45:54,280
Speaker 1: It's really funny.

955
00:45:54,520 --> 00:45:58,319
Speaker 2: Yeah, well written, yes, well performed, and just it's just

956
00:45:58,360 --> 00:46:00,279
Speaker 2: a slamm do. I mean it is so kind of

957
00:46:00,280 --> 00:46:02,680
Speaker 2: a predictable scene, right, I mean this is like it's

958
00:46:02,680 --> 00:46:05,600
Speaker 2: in the Graduate, It's in like the but it's still great.

959
00:46:05,960 --> 00:46:07,960
Speaker 4: Yeah, it never gets old. It never gets old.

960
00:46:08,120 --> 00:46:10,840
Speaker 1: Now, no watching him squirm, it's just so fun.

961
00:46:10,960 --> 00:46:13,560
Speaker 4: It's so great. He starts making his way back to

962
00:46:13,760 --> 00:46:16,760
Speaker 4: prom Corey runs back into the ballroom and he spots Eric. Listen,

963
00:46:16,760 --> 00:46:18,759
Speaker 4: I need your credit card. Don't ask me why, I

964
00:46:18,960 --> 00:46:21,920
Speaker 4: just need it. Eric grabs his wallet, saying okay, okay,

965
00:46:21,960 --> 00:46:24,600
Speaker 4: but it might be maxed out. I just bought some

966
00:46:25,040 --> 00:46:31,080
Speaker 4: good which gets completely thrown away and lost under all

967
00:46:31,160 --> 00:46:34,759
Speaker 4: the laughing and Corey screaming for the card. But it

968
00:46:34,880 --> 00:46:38,640
Speaker 4: was so funny to me. Corey interjects, just give me

969
00:46:38,680 --> 00:46:40,960
Speaker 4: the card, and he snatches it before running back to

970
00:46:40,960 --> 00:46:43,560
Speaker 4: the hotel front desk. The clerk Hans Corey is room

971
00:46:43,640 --> 00:46:46,840
Speaker 4: key room seven oh two for the former signor Kyote

972
00:46:47,120 --> 00:46:51,200
Speaker 4: and current Eric Matthews. But I suppose a man of

973
00:46:51,239 --> 00:46:55,279
Speaker 4: your ilk has many names. Corey laughs, thanks Chief. Then

974
00:46:55,320 --> 00:46:58,160
Speaker 4: he happily walks away, saying to himself, now there are

975
00:46:58,200 --> 00:47:01,360
Speaker 4: no more obstacles to Corey Matthews this big night. He

976
00:47:01,400 --> 00:47:03,760
Speaker 4: gets into the elevator with some extra bounce in his step.

977
00:47:04,160 --> 00:47:07,320
Speaker 4: Then on cue Amy and Allan walk into the hotel,

978
00:47:07,480 --> 00:47:11,560
Speaker 4: all dressed up. The inmates are shook, and this was

979
00:47:11,600 --> 00:47:14,920
Speaker 4: the first spot I said, wait, where is Morgan?

980
00:47:15,320 --> 00:47:16,280
Speaker 1: Yeah?

981
00:47:15,560 --> 00:47:19,600
Speaker 3: Yeah, I just completely forgot. I'll be honest, it never

982
00:47:19,640 --> 00:47:22,560
Speaker 3: even occurred to me.

983
00:47:23,120 --> 00:47:23,360
Speaker 1: There is.

984
00:47:23,960 --> 00:47:26,960
Speaker 3: But it is funny considering we're talking about another baby.

985
00:47:27,040 --> 00:47:29,200
Speaker 1: Yeah, maybe deal with the one you've got that you

986
00:47:29,200 --> 00:47:30,399
Speaker 1: don't seem to care about it all.

987
00:47:30,440 --> 00:47:33,120
Speaker 4: She's just missing. It wasn't there for the guys leaving

988
00:47:33,160 --> 00:47:35,759
Speaker 4: to prom like, where is she? I guess also something

989
00:47:35,800 --> 00:47:37,759
Speaker 4: pretty easy. She's spending the night at a friend's house.

990
00:47:38,000 --> 00:47:40,200
Speaker 4: But you know you would have. They just decided it

991
00:47:40,239 --> 00:47:42,560
Speaker 4: wasn't important enough. They literally were like, no one will care.

992
00:47:42,560 --> 00:47:45,279
Speaker 1: No one don't care about it. I didn't, I know, And.

993
00:47:45,280 --> 00:47:49,080
Speaker 4: That's what I'm saying. Care about it, Amy looks around.

994
00:47:49,239 --> 00:47:51,520
Speaker 4: This place is romantic. We haven't spent the night at

995
00:47:51,520 --> 00:47:53,040
Speaker 4: a hotel since our prom night.

996
00:47:54,600 --> 00:47:57,560
Speaker 1: What how is that possible? Wait, haven't been with kids?

997
00:47:57,840 --> 00:48:01,560
Speaker 4: Yeah, that's what she says. We haven't spent a night

998
00:48:01,680 --> 00:48:04,279
Speaker 4: at a hotel since our prom night.

999
00:48:05,200 --> 00:48:07,239
Speaker 3: Yeah, so years ago.

1000
00:48:07,600 --> 00:48:10,239
Speaker 1: They you don't go away for a weekend. You don't

1001
00:48:10,280 --> 00:48:11,879
Speaker 1: go on a trip somewhere everever.

1002
00:48:11,960 --> 00:48:13,879
Speaker 4: My family went to the went went on a trip.

1003
00:48:14,480 --> 00:48:15,520
Speaker 4: It just wasn't overnight.

1004
00:48:16,200 --> 00:48:19,400
Speaker 1: No, they can't that.

1005
00:48:19,480 --> 00:48:24,040
Speaker 3: We haven't gone to a hotel alone. Oh okay without

1006
00:48:24,080 --> 00:48:27,080
Speaker 3: that alone, Like, we haven't had a night alone at

1007
00:48:27,120 --> 00:48:29,719
Speaker 3: a hotel that could That makes it.

1008
00:48:29,760 --> 00:48:32,919
Speaker 1: Mean if say in a while, don't make it since

1009
00:48:33,040 --> 00:48:35,640
Speaker 1: our prom night. I mean, really, you were teenagers from

1010
00:48:35,680 --> 00:48:37,520
Speaker 1: last time you were in a hotel together alone. And

1011
00:48:37,600 --> 00:48:40,080
Speaker 1: again I asked it and nobody answered. Do we still

1012
00:48:40,120 --> 00:48:44,600
Speaker 1: own the Wilderness Store? Oh, we have no idea. I

1013
00:48:45,080 --> 00:48:46,759
Speaker 1: literally watching the store.

1014
00:48:47,200 --> 00:48:49,479
Speaker 3: We're just watching the store. That's what she's said about

1015
00:48:49,480 --> 00:48:53,960
Speaker 3: with the bear at the store. That's what she's keeping.

1016
00:48:53,719 --> 00:48:56,640
Speaker 4: The business, Afloat says, And we may not get a

1017
00:48:56,760 --> 00:48:58,879
Speaker 4: chance to do something like this again for a long time,

1018
00:48:59,320 --> 00:49:02,360
Speaker 4: which I could be happier about. He leans in for

1019
00:49:02,400 --> 00:49:04,560
Speaker 4: a kiss. Amy tells him she has a great idea.

1020
00:49:05,440 --> 00:49:07,440
Speaker 4: You check in, then meet me in the lounge and

1021
00:49:07,520 --> 00:49:10,399
Speaker 4: we'll pretend we don't know each other. She decides she'll

1022
00:49:10,480 --> 00:49:13,960
Speaker 4: be chavn This was a kink mentioned in season one,

1023
00:49:14,120 --> 00:49:14,680
Speaker 4: by the way.

1024
00:49:16,040 --> 00:49:18,760
Speaker 1: Either have you ever done this with your spouse's your partners?

1025
00:49:19,160 --> 00:49:22,360
Speaker 1: Like you're gonna pretend to be and it's like always

1026
00:49:22,360 --> 00:49:24,239
Speaker 1: Sue and I would just laugh if I went up

1027
00:49:24,280 --> 00:49:26,600
Speaker 1: and I was like, are you Rosemary? I mean, like

1028
00:49:27,680 --> 00:49:29,880
Speaker 1: we would just start laughing, Like how do you do that?

1029
00:49:30,840 --> 00:49:32,520
Speaker 4: I don't know. But it was mentioned in a season

1030
00:49:32,560 --> 00:49:35,560
Speaker 4: one episode that they that they when they went to

1031
00:49:36,160 --> 00:49:39,239
Speaker 4: what was it when they went to a restaurant.

1032
00:49:39,400 --> 00:49:42,120
Speaker 2: Oh right, right, when they think that they're having an affair,

1033
00:49:42,200 --> 00:49:43,719
Speaker 2: when everyone thinks Amy's.

1034
00:49:43,360 --> 00:49:47,120
Speaker 4: Had exactly at Lamuja and she goes by a different

1035
00:49:47,200 --> 00:49:49,320
Speaker 4: name or something like, this is the thing, this is

1036
00:49:49,360 --> 00:49:51,400
Speaker 4: their thing. They do. This turns them on.

1037
00:49:51,760 --> 00:49:53,600
Speaker 2: So it's just the class I mean, it's just the

1038
00:49:53,640 --> 00:49:56,600
Speaker 2: easiest way for you know, there to be a confusion

1039
00:49:56,640 --> 00:49:58,840
Speaker 2: about who because that was the thing that it was

1040
00:49:58,920 --> 00:50:00,640
Speaker 2: like a note from somebody else to Amy.

1041
00:50:01,160 --> 00:50:02,240
Speaker 3: Yeah, turns, but I think.

1042
00:50:02,120 --> 00:50:03,879
Speaker 1: This is I've seen it on other shows, which means

1043
00:50:04,040 --> 00:50:07,800
Speaker 1: because it's got to be. It's a perfect plot device.

1044
00:50:07,880 --> 00:50:10,359
Speaker 1: It's so easy. But do couples do this, like I'll

1045
00:50:10,360 --> 00:50:13,120
Speaker 1: meet you in the bar, I'll be pretend I'm an executive.

1046
00:50:13,160 --> 00:50:15,160
Speaker 1: I doubt it. I doubt I mean, I don't know.

1047
00:50:15,320 --> 00:50:17,560
Speaker 3: Maybe it seems to me like that's just like an

1048
00:50:17,600 --> 00:50:19,080
Speaker 3: acting job that I'm not getting paid for.

1049
00:50:19,280 --> 00:50:19,759
Speaker 1: I know, it's just.

1050
00:50:21,280 --> 00:50:24,360
Speaker 2: I'll pretend to act in order to.

1051
00:50:25,560 --> 00:50:28,120
Speaker 1: Can I workshop my character first? They need a whole backstory?

1052
00:50:28,200 --> 00:50:29,960
Speaker 3: Yeah, I think we gotta. But let's let's take back

1053
00:50:30,000 --> 00:50:32,080
Speaker 3: to one. Let me go again.

1054
00:50:32,200 --> 00:50:36,840
Speaker 4: Sorry, Alan giggles, you are bad. Amy walks away, and

1055
00:50:36,960 --> 00:50:40,479
Speaker 4: Alan calls after her, I'll see you later. Shaven, Alan

1056
00:50:40,680 --> 00:50:42,600
Speaker 4: urges the front desk clerk to be quick. He needs

1057
00:50:42,600 --> 00:50:45,239
Speaker 4: a room. Alan explains to another woman standing at the counter,

1058
00:50:45,400 --> 00:50:47,480
Speaker 4: my wife and I are celebrating. We're having a baby.

1059
00:50:47,640 --> 00:50:50,239
Speaker 4: I'm going to be a father, which I couldn't be

1060
00:50:50,360 --> 00:50:53,880
Speaker 4: happier about this. Lady is excited for him, and they hug.

1061
00:50:54,320 --> 00:50:57,160
Speaker 1: Hug a stranger. They said, your kiss on the cheek. Yeah,

1062
00:50:57,560 --> 00:50:59,880
Speaker 1: kiss on the cheek, give a little pack on the lips.

1063
00:51:00,320 --> 00:51:02,480
Speaker 4: And that's when Eric walks out of the dance to

1064
00:51:02,600 --> 00:51:09,160
Speaker 4: see them, embracing his lip quivers and disbelief. Daddy, now

1065
00:51:09,280 --> 00:51:11,560
Speaker 4: we're this is a moment too where you didn't see

1066
00:51:11,600 --> 00:51:13,960
Speaker 4: him actually get the room. So I guess just the

1067
00:51:14,040 --> 00:51:16,000
Speaker 4: fact that he's there and he's hugging a woman, you

1068
00:51:16,360 --> 00:51:18,320
Speaker 4: understand that he's checking into the hotel.

1069
00:51:19,520 --> 00:51:22,600
Speaker 1: I get, yeah, Well, it's also I think it's it's

1070
00:51:22,680 --> 00:51:26,279
Speaker 1: with the line too of the Oh you mean how

1071
00:51:26,440 --> 00:51:28,919
Speaker 1: Eric does because you come in think he just sees

1072
00:51:29,000 --> 00:51:35,320
Speaker 1: him at the Hotel's wrong? God, I do like the

1073
00:51:35,360 --> 00:51:38,040
Speaker 1: guy's line though, where he where Alan comes up, he's like,

1074
00:51:38,040 --> 00:51:40,160
Speaker 1: I need a room. Immediately he's like, ah, the voice

1075
00:51:40,200 --> 00:51:43,800
Speaker 1: of experience, like you're dealing with He's like, that's what

1076
00:51:43,920 --> 00:51:45,520
Speaker 1: I like to hear in the voice of experience.

1077
00:51:46,160 --> 00:51:48,560
Speaker 4: And then we're back inside the prom. Eric pushes through

1078
00:51:48,640 --> 00:51:51,840
Speaker 4: dancing students to find Jack and confesses, my father just

1079
00:51:51,920 --> 00:51:53,759
Speaker 4: checked into a hotel room with a person who is

1080
00:51:53,840 --> 00:51:56,680
Speaker 4: not his wife or my mother. Jack doesn't believe it.

1081
00:51:56,760 --> 00:51:59,640
Speaker 4: You're crazy. Your father is happily married. Eric insists he

1082
00:51:59,680 --> 00:52:02,560
Speaker 4: saw with his own eyes. Jack nods brom fever. It

1083
00:52:02,640 --> 00:52:05,239
Speaker 4: makes every man go crazy on prom night. We can't

1084
00:52:05,280 --> 00:52:07,640
Speaker 4: even remember our own proms because we were so obsessed

1085
00:52:07,680 --> 00:52:09,120
Speaker 4: with what might happen after.

1086
00:52:09,120 --> 00:52:13,040
Speaker 1: Which is literally like he said the exact same line, yes,

1087
00:52:13,640 --> 00:52:18,080
Speaker 1: three minutes ago, scene before, I mean literally the exact

1088
00:52:18,520 --> 00:52:19,520
Speaker 1: same line. Yeah.

1089
00:52:20,800 --> 00:52:24,600
Speaker 4: Jack heroically declares I gotta save these kids. Eric mimics

1090
00:52:24,680 --> 00:52:26,960
Speaker 4: the tone I got to save my father, and they

1091
00:52:27,000 --> 00:52:29,800
Speaker 4: had in opposite directions. Meanwhile, to Pang and how we

1092
00:52:29,880 --> 00:52:31,600
Speaker 4: are out on the dance floor, He's in awe, you

1093
00:52:31,719 --> 00:52:34,320
Speaker 4: are the best dancer. I mean, you could be a professional,

1094
00:52:34,640 --> 00:52:35,320
Speaker 4: will weren't you?

1095
00:52:35,600 --> 00:52:39,200
Speaker 3: And Jack Chaperone's in Girl Meets World for an episode.

1096
00:52:39,800 --> 00:52:42,400
Speaker 1: Yeah, the episode that I wrote, Yeah, the one that

1097
00:52:42,440 --> 00:52:44,400
Speaker 1: I know that that was like kind of an homage

1098
00:52:44,400 --> 00:52:44,879
Speaker 1: to this moment.

1099
00:52:44,920 --> 00:52:46,360
Speaker 2: Okay, I didn't know if you he was a conscious

1100
00:52:46,400 --> 00:52:50,479
Speaker 2: reference because I didn't I remember coming to this, didn't

1101
00:52:50,480 --> 00:52:55,040
Speaker 2: write that part, yeah true, yeah, no, uh yeah no,

1102
00:52:55,120 --> 00:52:56,440
Speaker 2: that was not I just remember coming to set and

1103
00:52:56,480 --> 00:52:57,880
Speaker 2: seeing you guys, but I didn't know what the episode.

1104
00:52:57,920 --> 00:53:00,680
Speaker 2: I never read your episode ever saw it, So okay,

1105
00:53:01,200 --> 00:53:02,680
Speaker 2: I thought maybe when I saw this, I was like

1106
00:53:02,800 --> 00:53:03,760
Speaker 2: didn't this happen.

1107
00:53:03,600 --> 00:53:04,359
Speaker 3: On girl means girl?

1108
00:53:04,440 --> 00:53:05,840
Speaker 1: I was trying to I don't know if we were

1109
00:53:06,000 --> 00:53:08,280
Speaker 1: chaper They changed it so much I have no idea.

1110
00:53:08,760 --> 00:53:10,920
Speaker 1: By the end, it was like, okay, I'm just happy

1111
00:53:10,960 --> 00:53:11,279
Speaker 1: to be here.

1112
00:53:12,400 --> 00:53:14,520
Speaker 4: Jack's standing guard at the exit of the ballroom. A

1113
00:53:14,600 --> 00:53:16,759
Speaker 4: high school couple walks toward him, hand in hand, and

1114
00:53:16,840 --> 00:53:18,960
Speaker 4: he stops them. Where do you think you're sneaking off?

1115
00:53:19,000 --> 00:53:22,600
Speaker 4: To the boy answers the bathroom, Jack responds, nice, try,

1116
00:53:22,680 --> 00:53:25,160
Speaker 4: I wasn't born yesterday. Now get back in there to

1117
00:53:25,239 --> 00:53:28,200
Speaker 4: the only prom you're ever gonna have. They obey his command.

1118
00:53:28,600 --> 00:53:31,000
Speaker 4: Phoene is standing nearby and takes notes of the interaction.

1119
00:53:31,360 --> 00:53:33,480
Speaker 4: I must say, you're a much better chaperone than I

1120
00:53:33,520 --> 00:53:36,600
Speaker 4: thought you'd be. Jack sternly nods. No one gets by me.

1121
00:53:37,160 --> 00:53:39,200
Speaker 4: Phoene tries to walk past him, but Jack starts to

1122
00:53:39,239 --> 00:53:41,920
Speaker 4: block him as well. Phoene eventually grabs jack shoulders and

1123
00:53:41,960 --> 00:53:46,799
Speaker 4: places him aside. Good soldier. Jack proudly salutes after those words.

1124
00:53:46,680 --> 00:53:49,279
Speaker 1: And that was it for Bill, right, that's it, I think,

1125
00:53:49,400 --> 00:53:50,120
Speaker 1: So that's what I thought.

1126
00:53:50,200 --> 00:53:53,799
Speaker 4: Yeah, And then we are in the hotel's second floor,

1127
00:53:53,920 --> 00:53:57,000
Speaker 4: which is definitely the boy's apartment hallway just with wallpaper.

1128
00:53:57,160 --> 00:53:57,960
Speaker 1: Yep. Sure Is.

1129
00:54:00,080 --> 00:54:02,279
Speaker 4: Steps out of the elevator and spots their room number.

1130
00:54:02,480 --> 00:54:04,160
Speaker 4: He sticks the room key in the slot and opens

1131
00:54:04,200 --> 00:54:07,400
Speaker 4: the door. Yes, it works, I did it. He pauses,

1132
00:54:07,440 --> 00:54:10,280
Speaker 4: then asks aloud, wait a minute, what am I forgetting?

1133
00:54:10,640 --> 00:54:12,799
Speaker 4: A cleaning lady walks by and chimes in the girl

1134
00:54:12,960 --> 00:54:15,440
Speaker 4: the girl. Ory hit the side of his head, dumbfounded.

1135
00:54:15,880 --> 00:54:18,600
Speaker 4: We're back at the prom nope. Phoene takes the stage,

1136
00:54:19,280 --> 00:54:22,359
Speaker 4: calling for the classes attention. It's time to announce prom

1137
00:54:22,520 --> 00:54:25,360
Speaker 4: king and Queen. He cues a drum roll, then reveals

1138
00:54:25,680 --> 00:54:28,520
Speaker 4: it's Tapanga, Lawrence and Corey Matthews. We hear a round

1139
00:54:28,520 --> 00:54:31,640
Speaker 4: of applause. Is Tapanga takes the stage, Corey frantically runs the.

1140
00:54:31,600 --> 00:54:33,879
Speaker 3: Best famous person in this high school. I mean it's

1141
00:54:34,040 --> 00:54:38,120
Speaker 3: just his prom king. Absolutely, Corey Matthews is prom king.

1142
00:54:38,560 --> 00:54:41,239
Speaker 1: That is were you prom queen, Danielle? You seem like

1143
00:54:41,239 --> 00:54:42,759
Speaker 1: you would have been a prom queen kind of No,

1144
00:54:43,080 --> 00:54:43,480
Speaker 1: I was not.

1145
00:54:43,800 --> 00:54:45,320
Speaker 4: I was never even up for it.

1146
00:54:45,560 --> 00:54:48,080
Speaker 1: You got it's like a big political thing, right you gotta.

1147
00:54:48,880 --> 00:54:51,239
Speaker 1: I don't run for it, don't you? Yeah?

1148
00:54:51,320 --> 00:54:53,520
Speaker 4: I mean my senior year, I really did kind of

1149
00:54:53,840 --> 00:54:56,560
Speaker 4: check out all the other years of school. I went

1150
00:54:56,640 --> 00:54:58,839
Speaker 4: to all my I went to school back on all

1151
00:54:58,880 --> 00:55:01,200
Speaker 4: of our hiatus weeks, and I was very interested in everything.

1152
00:55:01,520 --> 00:55:04,000
Speaker 4: My senior year, I was really just like, I'm just done.

1153
00:55:04,280 --> 00:55:06,959
Speaker 4: So I didn't go as much. I did win best

1154
00:55:07,080 --> 00:55:08,840
Speaker 4: Hair in the in the yearbook.

1155
00:55:11,320 --> 00:55:12,600
Speaker 3: I was Prince of the Redwoods.

1156
00:55:13,120 --> 00:55:17,919
Speaker 4: Were you just kidding? I was like, what that really

1157
00:55:18,320 --> 00:55:20,960
Speaker 4: would absolutely that would make sense.

1158
00:55:21,000 --> 00:55:26,000
Speaker 3: I also naked dressed as satyrs and ran to the woods.

1159
00:55:26,040 --> 00:55:27,840
Speaker 3: It was a whole that sounds great.

1160
00:55:29,080 --> 00:55:30,400
Speaker 4: I just smelted giant.

1161
00:55:30,320 --> 00:55:33,920
Speaker 1: Smelt a giant crown. Yes, I love that. Did. When

1162
00:55:33,960 --> 00:55:35,719
Speaker 1: you say you didn't go as much, did you ever

1163
00:55:36,040 --> 00:55:37,680
Speaker 1: just ditch classes? No?

1164
00:55:37,880 --> 00:55:39,920
Speaker 4: I never ditched classes, but I did. I did the

1165
00:55:39,960 --> 00:55:42,799
Speaker 4: majority of my senior year on set with okay.

1166
00:55:42,560 --> 00:55:44,279
Speaker 1: With that, but you never actually did either of you

1167
00:55:44,360 --> 00:55:47,000
Speaker 1: ever just like ditch a class and not go never.

1168
00:55:47,440 --> 00:55:50,520
Speaker 2: I mean, I mean my school it was it was,

1169
00:55:50,680 --> 00:55:53,600
Speaker 2: you know, class was something somewhat optional at times. It

1170
00:55:53,680 --> 00:55:55,040
Speaker 2: was more like a college experience.

1171
00:55:55,160 --> 00:55:55,320
Speaker 4: You know.

1172
00:55:55,360 --> 00:55:56,840
Speaker 3: It was like you could say to your teacher, like

1173
00:55:57,040 --> 00:55:58,000
Speaker 3: I'm going to do extra work.

1174
00:55:58,120 --> 00:55:58,239
Speaker 1: You know.

1175
00:55:58,280 --> 00:56:00,520
Speaker 2: It was like there was a lot of communication. Uh,

1176
00:56:00,600 --> 00:56:03,719
Speaker 2: so I would miss class veryly often could do my

1177
00:56:03,760 --> 00:56:04,080
Speaker 2: own thing.

1178
00:56:05,080 --> 00:56:07,720
Speaker 1: Not me, no, me, neither. I'm a real follower.

1179
00:56:08,360 --> 00:56:11,680
Speaker 2: Well, one time I went and visited my friend Aaron,

1180
00:56:11,719 --> 00:56:13,799
Speaker 2: who I met on the side of One World, remember,

1181
00:56:13,840 --> 00:56:15,400
Speaker 2: And I went to visit her in Chicago when I

1182
00:56:15,480 --> 00:56:17,880
Speaker 2: was fifteen, and I went to her public school and

1183
00:56:18,080 --> 00:56:21,239
Speaker 2: we ditched and caught a train and I was I

1184
00:56:21,360 --> 00:56:23,600
Speaker 2: was so nervous. So yeah, so that was like ditching

1185
00:56:23,840 --> 00:56:27,640
Speaker 2: you know, really you're nervous school And it was like, oh,

1186
00:56:27,719 --> 00:56:30,320
Speaker 2: we felt so her mom dropped us off and I

1187
00:56:30,400 --> 00:56:32,000
Speaker 2: was support. I had already I had done a day

1188
00:56:32,080 --> 00:56:34,040
Speaker 2: with her at school, and then the next day we

1189
00:56:34,080 --> 00:56:35,560
Speaker 2: were supposed to go back and she was like no,

1190
00:56:36,600 --> 00:56:37,840
Speaker 2: so we were like okay.

1191
00:56:38,200 --> 00:56:41,240
Speaker 4: It was so so fun. He hops up on stage

1192
00:56:41,280 --> 00:56:44,160
Speaker 4: and gets crowned right alongside to Bega. Corey asks, you

1193
00:56:44,320 --> 00:56:47,840
Speaker 4: told them Tapega is confused. He takes her hand and

1194
00:56:47,920 --> 00:56:49,800
Speaker 4: leads her right out the door, passing Jack and his

1195
00:56:49,960 --> 00:56:52,000
Speaker 4: hope to stop them. And then we're back on the

1196
00:56:52,040 --> 00:56:54,359
Speaker 4: hotel second floor. A crowned Corey and to Panga walk

1197
00:56:54,400 --> 00:56:57,359
Speaker 4: into their hotel room and notice a big, intimidating bed.

1198
00:56:58,239 --> 00:57:00,840
Speaker 4: To penga stares at it, unable to move. Corey joins

1199
00:57:00,880 --> 00:57:03,239
Speaker 4: her in amazement. We also get a POV shot of

1200
00:57:03,280 --> 00:57:05,120
Speaker 4: the giant bed. They look at each other, then back

1201
00:57:05,160 --> 00:57:08,399
Speaker 4: at the bed. Cory asks, so what do you want

1202
00:57:08,440 --> 00:57:08,560
Speaker 4: to do?

1203
00:57:09,160 --> 00:57:10,719
Speaker 1: Only thing in the room, by the way, the only

1204
00:57:10,760 --> 00:57:13,640
Speaker 1: thing in the room is just the bed. Yep, there's

1205
00:57:13,680 --> 00:57:15,160
Speaker 1: anything else there, Yep, just the bed.

1206
00:57:15,560 --> 00:57:18,200
Speaker 4: The audience laughs at their awkwardness, and then we're back

1207
00:57:18,240 --> 00:57:19,200
Speaker 4: at the hotel front.

1208
00:57:19,920 --> 00:57:21,520
Speaker 1: Like night stands next to the bed.

1209
00:57:22,160 --> 00:57:23,000
Speaker 4: I think there's a nightstand.

1210
00:57:23,200 --> 00:57:24,880
Speaker 1: I think there might be a nightstand. But that's it.

1211
00:57:25,000 --> 00:57:26,960
Speaker 1: I mean, that's here's that and then the bathroom door,

1212
00:57:27,040 --> 00:57:28,600
Speaker 1: and that's pretty much all you got. Yeah.

1213
00:57:28,960 --> 00:57:32,080
Speaker 4: Eric is incessantly ringing the bell, calling for the hotel man.

1214
00:57:32,360 --> 00:57:34,280
Speaker 4: When the clerk appears, Eric gets right to the point,

1215
00:57:34,360 --> 00:57:36,480
Speaker 4: I need to know which room mister Matthews is in,

1216
00:57:36,600 --> 00:57:39,360
Speaker 4: please promto. The man explains they don't give out that

1217
00:57:39,440 --> 00:57:42,080
Speaker 4: kind of information. Eric understands the game and pulls a

1218
00:57:42,240 --> 00:57:46,320
Speaker 4: one dollar bill from his wallet. Perhaps my friend, mister

1219
00:57:46,800 --> 00:57:51,520
Speaker 4: Washington will help change your mind. The man sarcastically celebrates, ooh,

1220
00:57:52,400 --> 00:57:55,320
Speaker 4: and Eric is pleased with himself. Then we're back in

1221
00:57:55,480 --> 00:57:57,800
Speaker 4: Topanga and Corey's room. The couple is still standing by

1222
00:57:57,840 --> 00:58:00,200
Speaker 4: the bed, right where we left them. Cory asks, you

1223
00:58:00,240 --> 00:58:02,560
Speaker 4: want to see something I've always wanted to do. Peka

1224
00:58:02,600 --> 00:58:04,600
Speaker 4: says yes, and Corey grabs her and flings her onto

1225
00:58:04,600 --> 00:58:08,080
Speaker 4: the bed to Pega lands gracefully. Smiling, She seductively asks,

1226
00:58:08,240 --> 00:58:10,560
Speaker 4: so what are you gonna do? Corey leaps onto the

1227
00:58:10,600 --> 00:58:13,600
Speaker 4: mattress like Randy macho man savage and flirts high there.

1228
00:58:14,040 --> 00:58:17,920
Speaker 4: Topega returns the sentiment high there, and then Tobanka ravishes

1229
00:58:18,000 --> 00:58:20,720
Speaker 4: him to make out. Corey screams, ah, don't hurt me.

1230
00:58:22,080 --> 00:58:24,160
Speaker 4: In the midst of the action, Corey asks, do you

1231
00:58:24,240 --> 00:58:26,280
Speaker 4: think it's rushing if I take off my jacket? Because

1232
00:58:26,280 --> 00:58:28,080
Speaker 4: I won't take off my jacket if you think it's rushing.

1233
00:58:28,440 --> 00:58:30,720
Speaker 4: Topeka grabs his jacket and tries to yank it off,

1234
00:58:30,760 --> 00:58:33,040
Speaker 4: but his head gets stuck. She says she just needs

1235
00:58:33,120 --> 00:58:35,760
Speaker 4: to unbutton this, and he explains, I'm pretty sure I'm

1236
00:58:35,760 --> 00:58:38,720
Speaker 4: supposed to see this part. But then there's a loud

1237
00:58:38,800 --> 00:58:41,160
Speaker 4: banging on the door. Corey blurts out, put it back,

1238
00:58:41,240 --> 00:58:44,280
Speaker 4: it's the vice squad. The banging continues, and Corey goes

1239
00:58:44,320 --> 00:58:45,000
Speaker 4: to answer the door.

1240
00:58:45,160 --> 00:58:46,160
Speaker 3: It's very vice squad.

1241
00:58:46,160 --> 00:58:46,720
Speaker 1: I just love that.

1242
00:58:46,960 --> 00:58:49,080
Speaker 3: I love that He's like immediately I'm in trouble.

1243
00:58:49,200 --> 00:58:52,800
Speaker 1: I'm in trouble. It's because yeah, but it's also like

1244
00:58:53,000 --> 00:58:56,200
Speaker 1: he's in trouble in the twenties, Like it's the Vice squad.

1245
00:58:56,280 --> 00:58:57,040
Speaker 1: The Coppa's are.

1246
00:58:57,000 --> 00:58:57,480
Speaker 3: Coming, you know.

1247
00:58:57,560 --> 00:59:00,320
Speaker 1: It's like, what who says vice squad? It's great?

1248
00:59:00,400 --> 00:59:02,600
Speaker 3: Oh so good, it's so Cory.

1249
00:59:03,320 --> 00:59:06,520
Speaker 4: Eric storms in, don't do this. The tramp isn't worth it.

1250
00:59:06,960 --> 00:59:09,320
Speaker 4: She casually greets to Panga. Oh good, you guys got

1251
00:59:09,360 --> 00:59:13,440
Speaker 4: here first. W here's dad. Corey holds up the do

1252
00:59:13,600 --> 00:59:15,520
Speaker 4: not disturb sign and asks Eric if he saw it.

1253
00:59:15,880 --> 00:59:18,200
Speaker 4: Eric explains the guy said this was the Matthew's room.

1254
00:59:18,360 --> 00:59:21,920
Speaker 4: Corey notts it is. Now get out. Eric clarifies, So

1255
00:59:22,360 --> 00:59:24,760
Speaker 4: it's just you and Topanga alone in a hotel room

1256
00:59:25,000 --> 00:59:27,880
Speaker 4: on prom night. Cory is screaming yes at every question.

1257
00:59:28,240 --> 00:59:30,600
Speaker 4: Eric clayfully wonders, so what you doing?

1258
00:59:30,840 --> 00:59:31,320
Speaker 1: What you doing?

1259
00:59:31,760 --> 00:59:33,920
Speaker 4: Corey grabs his brother and pushes him out of the room.

1260
00:59:34,160 --> 00:59:36,400
Speaker 4: Now alone again, Corey and Tapanga return to kissing that

1261
00:59:36,480 --> 00:59:38,919
Speaker 4: it's short lived. There's banging at the door again. Corey

1262
00:59:38,960 --> 00:59:44,560
Speaker 4: opens it to reveal. Eric Oh, Cory slams the door

1263
00:59:44,680 --> 00:59:47,400
Speaker 4: closed once more and goes back to macin on his girlfriend.

1264
00:59:48,240 --> 00:59:50,520
Speaker 4: Then we're at the hotel front desk. Eric has returned

1265
00:59:50,520 --> 00:59:52,000
Speaker 4: to the front desk to ring the bell again, this

1266
00:59:52,160 --> 00:59:56,520
Speaker 4: time even more obnoxiously. When the clerk appears, Eric immediately clarifies,

1267
00:59:56,680 --> 01:00:01,200
Speaker 4: not that mister Matthews, the other mister Matthews cheating. Mister Matthews,

1268
01:00:01,240 --> 01:00:03,440
Speaker 4: I used to be proud to call my daddy, what

1269
01:00:03,640 --> 01:00:04,840
Speaker 4: room's he in? What rooms he in?

1270
01:00:06,160 --> 01:00:10,160
Speaker 1: That was such a Michael Jacob's directly into your mouth

1271
01:00:10,240 --> 01:00:14,240
Speaker 1: read what rooms in? That was all just Michael, Yeah

1272
01:00:14,280 --> 01:00:16,760
Speaker 1: you can do. I can pick those out like it's

1273
01:00:16,840 --> 01:00:18,320
Speaker 1: so easy to see now and it's like, oh that

1274
01:00:18,360 --> 01:00:19,920
Speaker 1: was that was a straight yeah, that was.

1275
01:00:21,880 --> 01:00:25,600
Speaker 4: The clerk explains, I am afraid mister Washington has received

1276
01:00:25,760 --> 01:00:29,320
Speaker 4: all the information that mister Washington is going to get

1277
01:00:29,400 --> 01:00:30,120
Speaker 4: guys so good.

1278
01:00:30,280 --> 01:00:34,720
Speaker 3: He's great, a great. That character is always a fun

1279
01:00:34,840 --> 01:00:36,080
Speaker 3: role and nails it.

1280
01:00:36,800 --> 01:00:40,000
Speaker 4: Get to play the all knowing all the powers. Oh

1281
01:00:40,120 --> 01:00:44,440
Speaker 4: my god, buddy hints if mister Franklin were asking Eric

1282
01:00:44,520 --> 01:00:48,440
Speaker 4: searches through his wallet. Mister Franklin isn't here, But how

1283
01:00:48,480 --> 01:00:55,680
Speaker 4: about two, mister Lincoln's and uh, mystery bag. He pulls

1284
01:00:55,680 --> 01:00:57,840
Speaker 4: a little tight eyed back from his pocket and dangles

1285
01:00:57,880 --> 01:01:00,480
Speaker 4: it in front of the man. Maybe it's good, maybe

1286
01:01:00,560 --> 01:01:00,960
Speaker 4: it's not.

1287
01:01:02,920 --> 01:01:07,840
Speaker 1: Carries them with them. I go, yeah, that's awesome.

1288
01:01:20,120 --> 01:01:22,240
Speaker 4: We're back in Corey into Penga's hotel room. They're still

1289
01:01:22,320 --> 01:01:25,160
Speaker 4: passionately pecking on each other over and over again as

1290
01:01:25,160 --> 01:01:27,480
Speaker 4: they take turns saying I love you. This goes on

1291
01:01:27,600 --> 01:01:29,880
Speaker 4: for a while, and then there's another knock at the door.

1292
01:01:30,040 --> 01:01:32,000
Speaker 4: They're both annoyed as Corey gets up to see who

1293
01:01:32,040 --> 01:01:34,440
Speaker 4: it is. This time, it's Howie. I just came to

1294
01:01:34,480 --> 01:01:37,520
Speaker 4: tell you I won't be needing a ride home. He

1295
01:01:37,680 --> 01:01:43,120
Speaker 4: introduces adult woman Jan from the Hurts Rent a car

1296
01:01:44,280 --> 01:01:50,800
Speaker 4: lady to Corey. Apparently Howie resembles her ex husband Murray.

1297
01:01:51,880 --> 01:01:54,200
Speaker 4: Jan kisses Howie a few times on the cheek, and

1298
01:01:54,280 --> 01:01:55,760
Speaker 4: Corey slams the door closed.

1299
01:01:57,400 --> 01:01:58,640
Speaker 1: How is the only one who got some.

1300
01:02:01,520 --> 01:02:06,760
Speaker 4: Howie? I didn't need to know what happened HOWI no, no,

1301
01:02:07,080 --> 01:02:09,800
Speaker 4: but they did. They did think people would wonder what

1302
01:02:09,920 --> 01:02:13,080
Speaker 4: happened to Howie. But they didn't think people would wonder

1303
01:02:13,440 --> 01:02:19,560
Speaker 4: what happened to Morgan. So they answered, where Howie mystery,

1304
01:02:19,760 --> 01:02:22,520
Speaker 4: who's being sexually assaulted by an adult?

1305
01:02:22,520 --> 01:02:23,320
Speaker 1: Adust? Correct?

1306
01:02:23,480 --> 01:02:26,720
Speaker 3: Correct, and he's eighteen. Let's assume he's eighteen. Because they're eighteen.

1307
01:02:26,760 --> 01:02:27,560
Speaker 3: Everyone said they're eighteen.

1308
01:02:27,800 --> 01:02:32,280
Speaker 2: The you and Corey are eighteen. You guys have already

1309
01:02:32,280 --> 01:02:35,800
Speaker 2: said that. You said you're adults, and because you get

1310
01:02:35,840 --> 01:02:36,680
Speaker 2: in a room and you're.

1311
01:02:36,560 --> 01:02:39,440
Speaker 4: All right, yeah, okay, all right, that makes sense. I

1312
01:02:39,480 --> 01:02:42,520
Speaker 4: guess they're eighteen at least. Yeah, I was eighteen. I

1313
01:02:42,560 --> 01:02:44,640
Speaker 4: guess I was eighteen by the time my prom rolled around.

1314
01:02:44,640 --> 01:02:45,680
Speaker 4: I turned eighteen in May.

1315
01:02:46,040 --> 01:02:46,200
Speaker 1: Yeah.

1316
01:02:46,240 --> 01:02:48,200
Speaker 3: I think they're very careful to say you guys are

1317
01:02:48,240 --> 01:02:49,840
Speaker 3: both adults.

1318
01:02:49,560 --> 01:02:51,320
Speaker 4: And you say, well, I know we say it, but

1319
01:02:51,400 --> 01:02:52,840
Speaker 4: a couple every time we said it, I was like,

1320
01:02:52,920 --> 01:02:54,960
Speaker 4: but we're not. I was waiting for someone to counteract

1321
01:02:55,000 --> 01:02:57,760
Speaker 4: that we're not, but I guess we have. Isn't having

1322
01:02:57,800 --> 01:02:59,960
Speaker 4: your eighteenth birthday kind of a big deal on this show?

1323
01:03:00,000 --> 01:03:00,080
Speaker 1: Oh?

1324
01:03:00,080 --> 01:03:02,520
Speaker 3: Why wouldn't she hit it's sixteen with the wrestling?

1325
01:03:03,520 --> 01:03:06,320
Speaker 4: Why wouldn't we have addressed when any of us turned eighteen?

1326
01:03:06,440 --> 01:03:09,480
Speaker 4: I don't know it just yeah, that bumped me multiple

1327
01:03:09,560 --> 01:03:11,600
Speaker 4: times that we kept saying we're adults. Were adults, and

1328
01:03:11,640 --> 01:03:13,560
Speaker 4: she's like, you're right. And I kept waiting for someone

1329
01:03:13,600 --> 01:03:16,600
Speaker 4: to be like, well, sure, but okay, you're right. I

1330
01:03:16,600 --> 01:03:20,520
Speaker 4: guess we're eighteen. Okay. Corey turns to Topanga and laughs, quick,

1331
01:03:20,600 --> 01:03:22,680
Speaker 4: let's get this over with before Fienie gets here. To

1332
01:03:22,800 --> 01:03:24,680
Speaker 4: Pek is concerned, you want to get this over with?

1333
01:03:25,240 --> 01:03:27,080
Speaker 4: Corey assures her he didn't mean it like that. He

1334
01:03:27,200 --> 01:03:29,160
Speaker 4: just meant they don't need any more interruptions. They've been

1335
01:03:29,160 --> 01:03:32,160
Speaker 4: waiting for everything to be exactly perfectly right, and now

1336
01:03:32,240 --> 01:03:35,720
Speaker 4: it is. Tepega seems preoccupied. Now, maybe we need to

1337
01:03:35,760 --> 01:03:37,880
Speaker 4: be more spontaneous now when we think we have to.

1338
01:03:38,120 --> 01:03:40,320
Speaker 4: Like one day, on the way home from the library,

1339
01:03:40,680 --> 01:03:43,640
Speaker 4: Corey surprised, what do you want a book? He jumps

1340
01:03:43,680 --> 01:03:45,760
Speaker 4: out of bed and grabs a book from the side table.

1341
01:03:46,040 --> 01:03:47,960
Speaker 4: He opens it up to Tapanga and screeches when he

1342
01:03:48,040 --> 01:03:51,840
Speaker 4: realizes it's the Bible. It's such a good joke, and

1343
01:03:51,920 --> 01:03:54,840
Speaker 4: it's such a good Ben move. Ben.

1344
01:03:55,160 --> 01:03:58,240
Speaker 1: The whole thing is just laugh out loud funny.

1345
01:03:58,920 --> 01:04:02,120
Speaker 4: Tapega smiles and canntinues describing her ideal moment. And it's

1346
01:04:02,200 --> 01:04:04,120
Speaker 4: just starting to get dark, and you hold me because

1347
01:04:04,120 --> 01:04:06,640
Speaker 4: I'm cold, and we just look into each other's eyes

1348
01:04:06,680 --> 01:04:09,320
Speaker 4: and we just know. Maybe that's when it happens. Cory

1349
01:04:09,400 --> 01:04:11,640
Speaker 4: asks in pain, when, when?

1350
01:04:12,160 --> 01:04:15,880
Speaker 1: When? And what Ispanga's thing about being cold all the time.

1351
01:04:16,040 --> 01:04:19,120
Speaker 4: She did the same thing at the s when Amy

1352
01:04:19,200 --> 01:04:22,240
Speaker 4: wrote her stories, she was off and shivering. She was cold.

1353
01:04:22,360 --> 01:04:23,560
Speaker 1: All these women are cold.

1354
01:04:23,720 --> 01:04:28,080
Speaker 4: Women are always cold. We're always cold. And uh, it's

1355
01:04:28,120 --> 01:04:31,840
Speaker 4: super sexy when you are like little furnaces. When when

1356
01:04:31,880 --> 01:04:36,000
Speaker 4: you make us warmer, apparently God, to Banka insists, I

1357
01:04:36,120 --> 01:04:38,360
Speaker 4: want to that's why we're here. I'll do whatever you

1358
01:04:38,480 --> 01:04:41,760
Speaker 4: think is right. I'm just so confused. Meanwhile, Corey is

1359
01:04:41,800 --> 01:04:45,040
Speaker 4: repeatedly saying when each time to Banga say takes a breath.

1360
01:04:45,440 --> 01:04:47,760
Speaker 4: Corey tells her she doesn't have to be confused. They're

1361
01:04:47,760 --> 01:04:51,240
Speaker 4: adults now, and adults do not get confused. To Panga nods,

1362
01:04:51,560 --> 01:04:54,240
Speaker 4: you're right, let's go. Just then she grabs his face

1363
01:04:54,280 --> 01:04:57,040
Speaker 4: and he screams in pain, ouch, my eye, my eye.

1364
01:04:57,760 --> 01:04:59,400
Speaker 4: To Banka asks to see it, but he tells her,

1365
01:04:59,440 --> 01:05:02,400
Speaker 4: don't worry, got another eye. Just do everything on my rights.

1366
01:05:02,560 --> 01:05:06,000
Speaker 1: Do you remember doing this? Did no at all?

1367
01:05:06,080 --> 01:05:09,120
Speaker 2: Because it's a lot of good, like physical body and

1368
01:05:09,240 --> 01:05:11,040
Speaker 2: like this, These are these are scenes that are very

1369
01:05:11,520 --> 01:05:11,920
Speaker 2: hard to do.

1370
01:05:12,120 --> 01:05:14,560
Speaker 1: Actually, you know that you have to all be comfortable,

1371
01:05:14,600 --> 01:05:16,400
Speaker 1: and but you guys are doing so great.

1372
01:05:16,480 --> 01:05:17,560
Speaker 3: I just didn't know if you remember.

1373
01:05:17,800 --> 01:05:19,600
Speaker 4: I didn't remember. There was a moment where I was

1374
01:05:19,680 --> 01:05:22,720
Speaker 4: like aggressively kissing Ben's face where I did remember that,

1375
01:05:22,920 --> 01:05:25,840
Speaker 4: where I remembered that like by the fourth or fifth

1376
01:05:25,880 --> 01:05:28,040
Speaker 4: time you've done that, and you are you actually are

1377
01:05:28,200 --> 01:05:30,959
Speaker 4: kind of aggressively smashing your faces together, You're a little

1378
01:05:31,120 --> 01:05:34,400
Speaker 4: like Okay, I remembered that. I remember that being a

1379
01:05:34,440 --> 01:05:36,920
Speaker 4: feeling like uh, And I obviously remember Ben and I

1380
01:05:37,040 --> 01:05:40,320
Speaker 4: at this point were so it would have been impossible

1381
01:05:40,760 --> 01:05:43,640
Speaker 4: for us to be more comfortable with each other. Our

1382
01:05:43,720 --> 01:05:50,920
Speaker 4: physical bodies were so comfortable right, being even TV romantic,

1383
01:05:51,680 --> 01:05:54,240
Speaker 4: it just felt verre. We were super comfortable, and and

1384
01:05:54,560 --> 01:05:57,120
Speaker 4: all the blocking and all of everything we did just

1385
01:05:57,200 --> 01:06:01,280
Speaker 4: felt like second nature. It felt very like, yeah, this

1386
01:06:01,400 --> 01:06:03,600
Speaker 4: is what we do, and we are like little puzzle

1387
01:06:03,600 --> 01:06:07,640
Speaker 4: pieces at this point. So I did remember that, but

1388
01:06:07,680 --> 01:06:09,680
Speaker 4: I don't remember like that. When the eye thing happened,

1389
01:06:09,720 --> 01:06:11,800
Speaker 4: I was like, did I even remote? Did it look

1390
01:06:11,840 --> 01:06:13,439
Speaker 4: like I poked him in the eye? Wasn't he Yeah?

1391
01:06:13,440 --> 01:06:14,920
Speaker 1: I mean they did. They did it enough where you're

1392
01:06:14,920 --> 01:06:18,040
Speaker 1: grabbing his face fast and jerking back. So yeah, it worked,

1393
01:06:18,080 --> 01:06:20,320
Speaker 1: but physical comedy is hard enough. But also doing it

1394
01:06:20,760 --> 01:06:22,520
Speaker 1: in such a confined space. I mean, you guys are

1395
01:06:22,560 --> 01:06:24,800
Speaker 1: on the bed the whole time. Yeah, and that's that's

1396
01:06:24,880 --> 01:06:26,439
Speaker 1: not easy. Yeah, it was great.

1397
01:06:27,040 --> 01:06:29,280
Speaker 4: So Tapanga demands that he go get some ice. She

1398
01:06:29,360 --> 01:06:31,920
Speaker 4: won't go anywhere they have all night. Cory groans, but

1399
01:06:32,000 --> 01:06:34,120
Speaker 4: he gets up and leaves. On his way out, she adds, oh,

1400
01:06:34,400 --> 01:06:36,960
Speaker 4: and bring back a couple of sodas, and then we're

1401
01:06:36,960 --> 01:06:39,280
Speaker 4: in the hotel hallway on the second floor. Corey leaves

1402
01:06:39,320 --> 01:06:41,600
Speaker 4: the room and places his room key on the ice

1403
01:06:41,720 --> 01:06:42,720
Speaker 4: machine while he grabs a.

1404
01:06:42,760 --> 01:06:47,840
Speaker 1: Skow Ah here Benny Hill theme started, La Lana Lana

1405
01:06:47,920 --> 01:06:48,840
Speaker 1: Yet no Nah, it's coming.

1406
01:06:49,360 --> 01:06:51,439
Speaker 4: Then he leaves the key there to fetch a couple

1407
01:06:51,480 --> 01:06:54,760
Speaker 4: of sodas. Perfect timing as Alan walks out of his

1408
01:06:54,960 --> 01:06:58,000
Speaker 4: and Amy's hotel room with an ice bucket. I'll be

1409
01:06:58,160 --> 01:07:02,480
Speaker 4: right back shaven, and then the elevator opens and Eric

1410
01:07:02,560 --> 01:07:04,960
Speaker 4: has heard at all. Alan quickly runs over to the

1411
01:07:05,000 --> 01:07:08,160
Speaker 4: ice machine in his robe, giggling to himself. Eric returns

1412
01:07:08,200 --> 01:07:11,200
Speaker 4: to the elevator whimpering as the door closes. Corey is

1413
01:07:11,240 --> 01:07:13,760
Speaker 4: buying sod. And this doesn't make sense either. You have it,

1414
01:07:13,920 --> 01:07:16,120
Speaker 4: You could stop him right there? Why do you Why

1415
01:07:16,200 --> 01:07:18,520
Speaker 4: do you go back into the like? Why do you

1416
01:07:18,680 --> 01:07:21,960
Speaker 4: let the elevator take you down instead of intercepting your

1417
01:07:22,000 --> 01:07:25,000
Speaker 4: dad right there? I don't know, I know why you

1418
01:07:25,160 --> 01:07:30,320
Speaker 4: need to walk in on Topanga, But it's crazy. We've

1419
01:07:30,360 --> 01:07:33,960
Speaker 4: already bought the idea that Eric thinks something's going on there.

1420
01:07:34,040 --> 01:07:36,120
Speaker 4: We didn't technically need this moment too.

1421
01:07:37,320 --> 01:07:39,400
Speaker 1: He saw it already, he'saw it already.

1422
01:07:39,680 --> 01:07:41,760
Speaker 3: I think it's just to increase the like oh near

1423
01:07:41,840 --> 01:07:44,360
Speaker 3: misses right, Like the idea is like the audience because

1424
01:07:44,360 --> 01:07:44,560
Speaker 3: this is.

1425
01:07:45,080 --> 01:07:48,160
Speaker 2: Classic farcical theater stuff, which I love. Did you guys

1426
01:07:48,160 --> 01:07:51,960
Speaker 2: ever see Noises Off? No, it's a great it's a

1427
01:07:52,120 --> 01:07:56,160
Speaker 2: stage play. But and then it's a good movie too,

1428
01:07:56,200 --> 01:07:57,920
Speaker 2: it's a great movie. So what they do is is

1429
01:07:58,080 --> 01:08:01,760
Speaker 2: it's a it's a stage of a farce. It's a

1430
01:08:01,800 --> 01:08:04,720
Speaker 2: play within a play. So you're watching the first act,

1431
01:08:04,840 --> 01:08:10,200
Speaker 2: is watching the backstage of what's going on during and

1432
01:08:10,320 --> 01:08:12,760
Speaker 2: so it's like a real farce. Happening while on stage

1433
01:08:12,840 --> 01:08:14,760
Speaker 2: is a farce. So they rotate the stage for the second.

1434
01:08:14,920 --> 01:08:17,200
Speaker 2: It's so cool you gotta watch it. But anyway, it's

1435
01:08:17,240 --> 01:08:19,320
Speaker 2: all this stuff, you know, the door's opening, doors closing.

1436
01:08:19,479 --> 01:08:21,640
Speaker 2: That's like, this is all part of that tradition and

1437
01:08:21,720 --> 01:08:23,240
Speaker 2: so that I think they have to keep it going

1438
01:08:23,240 --> 01:08:23,839
Speaker 2: on stuff.

1439
01:08:23,960 --> 01:08:24,800
Speaker 4: And it is very fun.

1440
01:08:24,880 --> 01:08:25,240
Speaker 1: You're right.

1441
01:08:25,640 --> 01:08:28,080
Speaker 4: Yeah, So Corey's trying to buy sodas, but his dollar

1442
01:08:28,120 --> 01:08:30,280
Speaker 4: bill isn't working. This gives Alan enough time to fill

1443
01:08:30,320 --> 01:08:33,720
Speaker 4: his ice bucket, and he accidentally grabs the wrong room key.

1444
01:08:34,360 --> 01:08:37,599
Speaker 4: The inmates really freak out about this. He walks over

1445
01:08:37,680 --> 01:08:40,280
Speaker 4: to his room, but the key doesn't work. He's puzzled.

1446
01:08:40,320 --> 01:08:42,080
Speaker 4: He looks around at the other rooms. He must have

1447
01:08:42,120 --> 01:08:45,160
Speaker 4: forgotten which room they're staying in. Alan successfully opens his

1448
01:08:45,280 --> 01:08:47,920
Speaker 4: neighbor's door with the key, which is Corey. Into Pega's room.

1449
01:08:48,160 --> 01:08:51,000
Speaker 4: He lets out an overpowering yes, with no idea what

1450
01:08:51,080 --> 01:08:53,320
Speaker 4: he's what he's in for, And now we're in Corey

1451
01:08:53,360 --> 01:08:56,040
Speaker 4: into Pega's room. No one is there. He calls out, honey,

1452
01:08:56,280 --> 01:08:59,479
Speaker 4: I'm back. He begins undoing his robe. Come on out,

1453
01:08:59,680 --> 01:09:03,559
Speaker 4: don't be shy, Chavon. He poses outside of the bathroom

1454
01:09:03,600 --> 01:09:06,000
Speaker 4: in just a T shirt and boxers, let me see

1455
01:09:06,080 --> 01:09:09,160
Speaker 4: what's behind that door. Tebenga opens the bathroom door in horror,

1456
01:09:09,200 --> 01:09:11,280
Speaker 4: and Alan lets out of blood curdling screen.

1457
01:09:11,360 --> 01:09:12,080
Speaker 1: Ah, so great.

1458
01:09:13,000 --> 01:09:15,240
Speaker 4: Then we're back on the hotel second floor. Back out

1459
01:09:15,280 --> 01:09:17,360
Speaker 4: in the hall, Corey is secured two sodas and gets

1460
01:09:17,400 --> 01:09:19,360
Speaker 4: what he believes is the room key he left on

1461
01:09:19,400 --> 01:09:21,800
Speaker 4: the ice machine. He inserts it into his room, but

1462
01:09:22,000 --> 01:09:24,360
Speaker 4: it doesn't work. He looks at the surrounding room numbers

1463
01:09:24,400 --> 01:09:27,240
Speaker 4: and decides to try the neighbor's door. Sure enough, it works.

1464
01:09:27,640 --> 01:09:30,640
Speaker 4: He walks into the room with an ecstatic yes. Then

1465
01:09:30,680 --> 01:09:33,120
Speaker 4: we're in Alan and Amy's room. Corey walks in and

1466
01:09:33,240 --> 01:09:37,160
Speaker 4: realizes it's a completely different room. He calls out for tepanga, honey.

1467
01:09:37,520 --> 01:09:40,160
Speaker 4: He walks toward the bathroom and Amy asks you like

1468
01:09:40,600 --> 01:09:44,800
Speaker 4: in a sexy voice and reveals some revealing lingerie. Corey

1469
01:09:44,880 --> 01:09:46,800
Speaker 4: screams at the top of his lungs, and Amy quickly

1470
01:09:46,840 --> 01:09:50,000
Speaker 4: covers herself up with a robe. The crowd goes absolutely crazy.

1471
01:09:50,520 --> 01:09:52,439
Speaker 4: Alan hurries out of the hotel room and stares at

1472
01:09:52,479 --> 01:09:55,040
Speaker 4: the door, confused how this happened. Then at that moment,

1473
01:09:55,240 --> 01:09:57,439
Speaker 4: Eric stomps out of the elevator. Thought she could get

1474
01:09:57,479 --> 01:09:59,439
Speaker 4: away with it, didn't you? How could you do this

1475
01:09:59,520 --> 01:10:04,559
Speaker 4: to my mother? Alan's confused, but he decides to roll

1476
01:10:04,600 --> 01:10:07,920
Speaker 4: with it, thinking Eric's talking about the pregnancy. Well, nobody

1477
01:10:08,000 --> 01:10:10,680
Speaker 4: planned this. I mean, it wasn't something we planned on.

1478
01:10:10,840 --> 01:10:13,280
Speaker 4: It just kind of happened. It's like one of those

1479
01:10:13,400 --> 01:10:16,519
Speaker 4: wonderful miracles that's already happened to me three times before

1480
01:10:17,160 --> 01:10:20,240
Speaker 4: Eric plugs his ears in disgust. Alan laughs, you don't

1481
01:10:20,240 --> 01:10:22,040
Speaker 4: even live in the house anymore. It's not like I'm

1482
01:10:22,040 --> 01:10:24,960
Speaker 4: asking you to give up your room. Eric is flabbergasted.

1483
01:10:25,320 --> 01:10:28,800
Speaker 4: You're moving her into the house. He admits, I can't

1484
01:10:28,800 --> 01:10:31,160
Speaker 4: do this anymore. I gotta know who's in there. He

1485
01:10:31,280 --> 01:10:33,680
Speaker 4: yells for the woman to come out, so Tapanga obliges.

1486
01:10:34,040 --> 01:10:38,599
Speaker 4: Eric shell shocked, Oh daddy. Then Corey and Amy exit

1487
01:10:38,680 --> 01:10:40,519
Speaker 4: their room, and Eric points out, how could you do

1488
01:10:40,640 --> 01:10:43,840
Speaker 4: this to mom and Corey? He then realizes what he's seen.

1489
01:10:44,240 --> 01:10:47,360
Speaker 4: I am so out of the loop. Corey asks his parents,

1490
01:10:47,479 --> 01:10:49,880
Speaker 4: what are you guys doing here? Amy and Alan smile,

1491
01:10:49,960 --> 01:10:53,519
Speaker 4: and Alan explains we're celebrating. Amy chimes in, we were

1492
01:10:53,600 --> 01:10:57,040
Speaker 4: gonna wait until tomorrow, but Alan can't contain his excitement.

1493
01:10:57,280 --> 01:11:01,719
Speaker 4: We're having a baby. Everyone is speed. Corey eventually asks

1494
01:11:01,920 --> 01:11:05,040
Speaker 4: you're having a baby. They confirm it, Yep, they're having

1495
01:11:05,040 --> 01:11:10,880
Speaker 4: a baby. Eric explains, I'm gonna be an uncle. Cory asks,

1496
01:11:11,160 --> 01:11:14,720
Speaker 4: so you're having another kid and Alan nods, yes, we are,

1497
01:11:15,040 --> 01:11:18,040
Speaker 4: and we're thrilled about it. Corey asks if this was planned,

1498
01:11:18,080 --> 01:11:21,320
Speaker 4: and Alan answers, truthfully, it isn't. It's like I told

1499
01:11:21,360 --> 01:11:23,920
Speaker 4: you before, sometimes things can happen in a minute that

1500
01:11:23,960 --> 01:11:26,920
Speaker 4: will change your life forever. To Panga and Corey look

1501
01:11:26,920 --> 01:11:29,840
Speaker 4: at each other, Amy continues, we're just lucky that it

1502
01:11:29,920 --> 01:11:31,880
Speaker 4: came at a time when we can handle it. She

1503
01:11:32,000 --> 01:11:33,960
Speaker 4: tells her son and his girlfriend to have a nice night,

1504
01:11:34,200 --> 01:11:36,479
Speaker 4: and then they walk off back into their room. To

1505
01:11:36,560 --> 01:11:41,200
Speaker 4: Penga realizes they trust us. Corey nods, this really is

1506
01:11:41,240 --> 01:11:43,760
Speaker 4: the biggest night of our lives. Huh. To Panga holds

1507
01:11:43,760 --> 01:11:46,439
Speaker 4: out her hand and asks shall we They kiss and

1508
01:11:46,520 --> 01:11:48,880
Speaker 4: they head back into their hotel room. Music begins to

1509
01:11:48,920 --> 01:11:51,519
Speaker 4: play as the camera zooms out. We assume this is

1510
01:11:51,560 --> 01:11:53,960
Speaker 4: going to lead us to credits, but then to Panga

1511
01:11:54,000 --> 01:11:58,160
Speaker 4: and Corey open the door to leave, and Jensen said,

1512
01:11:58,200 --> 01:11:58,960
Speaker 4: well that was quick.

1513
01:12:03,000 --> 01:12:06,759
Speaker 1: I had a much worse thought because we were gone

1514
01:12:06,880 --> 01:12:09,840
Speaker 1: on our convention or at our convention, and I was

1515
01:12:09,920 --> 01:12:13,080
Speaker 1: awakened on Sunday morning by the couple next to me

1516
01:12:13,240 --> 01:12:17,479
Speaker 1: having very loud, aggressive sex in the hotel, and I

1517
01:12:17,600 --> 01:12:20,880
Speaker 1: just thought about the twist to that story is Corey

1518
01:12:20,960 --> 01:12:23,639
Speaker 1: Tebega still decide to do it and Alan and Amy

1519
01:12:23,720 --> 01:12:25,880
Speaker 1: have to listen to it happening the entire.

1520
01:12:25,680 --> 01:12:27,920
Speaker 3: Time in their room next door.

1521
01:12:28,000 --> 01:12:30,759
Speaker 1: How awful that would have been for everybody involved.

1522
01:12:31,600 --> 01:12:33,720
Speaker 4: I would have been awful also the other way around. Yeah,

1523
01:12:36,080 --> 01:12:38,719
Speaker 4: So they are wearing their crowns and heading to the elevator.

1524
01:12:38,800 --> 01:12:41,400
Speaker 4: They look happy about their decision to wait for another time.

1525
01:12:41,840 --> 01:12:43,280
Speaker 4: And then we're in the tag which is at the

1526
01:12:43,320 --> 01:12:46,080
Speaker 4: prom to Panga and Corey are slow dancing. He says,

1527
01:12:46,400 --> 01:12:48,240
Speaker 4: I can't think of anything else I'd rather be doing

1528
01:12:48,320 --> 01:12:51,640
Speaker 4: right now. She agrees me neither. Sean and Angeli are

1529
01:12:51,720 --> 01:12:55,160
Speaker 4: dancing nearby. Sean mouths what happened to Corey, and Corey

1530
01:12:55,280 --> 01:12:57,920
Speaker 4: just gives him a subtle smile. Sean dramatically rolls his

1531
01:12:58,040 --> 01:13:01,080
Speaker 4: eyes and focuses his attention back on Ange and our

1532
01:13:01,200 --> 01:13:04,840
Speaker 4: four favorite John Adams Virgins dance the night away at

1533
01:13:04,960 --> 01:13:11,000
Speaker 4: from And that's our episode. I can't believe how much

1534
01:13:11,160 --> 01:13:14,400
Speaker 4: better that episode is than it was in my memory.

1535
01:13:14,720 --> 01:13:16,840
Speaker 1: Yeah, that's the best episode we've seen in a couple

1536
01:13:16,880 --> 01:13:18,800
Speaker 1: of weeks. Rankly, I agree.

1537
01:13:19,040 --> 01:13:20,960
Speaker 2: I think it's just we all have a bad memory

1538
01:13:21,040 --> 01:13:24,000
Speaker 2: of shooting that week, which is a bummer because it's

1539
01:13:24,000 --> 01:13:26,320
Speaker 2: a fun episode and would have probably should have been fun,

1540
01:13:26,400 --> 01:13:27,479
Speaker 2: but it wasn't.

1541
01:13:28,280 --> 01:13:28,679
Speaker 3: Negative.

1542
01:13:28,800 --> 01:13:31,599
Speaker 4: Yeah, but it really was a good episode, really enjoyable

1543
01:13:31,640 --> 01:13:34,120
Speaker 4: to watch. Something I would definitely like if I were

1544
01:13:34,200 --> 01:13:38,320
Speaker 4: gonna pick episodes to do a rewatch of, first, you

1545
01:13:38,360 --> 01:13:40,280
Speaker 4: know it's a good one. Yeah, I would throw this

1546
01:13:40,360 --> 01:13:42,200
Speaker 4: one into the mix, Like, of all this, of all

1547
01:13:42,280 --> 01:13:44,760
Speaker 4: the episodes of boy Meet's World we've seen, now, if

1548
01:13:44,840 --> 01:13:46,240
Speaker 4: I had to be like, all right, I'm gonna pick

1549
01:13:46,280 --> 01:13:48,479
Speaker 4: twenty or thirty to rewatch, this might be in there.

1550
01:13:48,760 --> 01:13:55,200
Speaker 1: Yeah. Okay. Question, do you agree with Disney Channel's idea

1551
01:13:55,400 --> 01:13:57,200
Speaker 1: of banning the episode, because I think at the end

1552
01:13:57,200 --> 01:13:59,839
Speaker 1: of the day, it's kind of a decent message.

1553
01:14:00,920 --> 01:14:03,120
Speaker 2: It doesn't It doesn't actually and if you if you

1554
01:14:03,200 --> 01:14:05,760
Speaker 2: don't know what they're talking about, they we don't know

1555
01:14:05,760 --> 01:14:07,639
Speaker 2: what they're talking about. Like all the stuff that Ben

1556
01:14:07,760 --> 01:14:10,200
Speaker 2: has with the desk clerk is the tire.

1557
01:14:11,160 --> 01:14:13,640
Speaker 1: It's so funny, but if it would just.

1558
01:14:13,680 --> 01:14:15,280
Speaker 2: Be boring, if it was going over your head, which

1559
01:14:15,280 --> 01:14:19,160
Speaker 2: is fine, like it's innuendo without being like gross or weird.

1560
01:14:19,200 --> 01:14:21,640
Speaker 1: It's just funny. And they choot and at the end

1561
01:14:21,680 --> 01:14:24,240
Speaker 1: they decide that they're not ready to do yes exact.

1562
01:14:24,240 --> 01:14:26,760
Speaker 2: I think if anything, the kids might just be confused,

1563
01:14:27,080 --> 01:14:28,439
Speaker 2: you know, like they would just be like, why is

1564
01:14:28,520 --> 01:14:29,120
Speaker 2: this a story?

1565
01:14:29,479 --> 01:14:30,759
Speaker 1: Like what are they talking about?

1566
01:14:30,840 --> 01:14:33,240
Speaker 2: And so they would ask their parents like what what

1567
01:14:33,320 --> 01:14:35,200
Speaker 2: are they talking about? What, according to Banka talking about?

1568
01:14:35,280 --> 01:14:37,599
Speaker 2: And they are in a bed laying they're kissing each other.

1569
01:14:38,000 --> 01:14:41,400
Speaker 4: I mean, you think about the idea that, like, I

1570
01:14:41,479 --> 01:14:45,200
Speaker 4: think the average age of a person who watches Disney

1571
01:14:45,240 --> 01:14:47,559
Speaker 4: Channel they like think of as six to nine.

1572
01:14:48,040 --> 01:14:50,960
Speaker 1: It might be right, but they didn't. They didn't ban

1573
01:14:51,080 --> 01:14:53,120
Speaker 1: the episode that where Marguerite and I are on the

1574
01:14:53,160 --> 01:14:55,719
Speaker 1: bed making out, and I could argue that was actually

1575
01:14:55,760 --> 01:14:58,960
Speaker 1: because this was more farcical. It's kiss kiss peck peck peck,

1576
01:14:59,320 --> 01:15:01,720
Speaker 1: whereas we you were like making out with each other

1577
01:15:01,760 --> 01:15:03,240
Speaker 1: and I'm going to roll on top of her, and

1578
01:15:03,280 --> 01:15:05,200
Speaker 1: that can was his kiss peckpeckpeck.

1579
01:15:05,240 --> 01:15:06,760
Speaker 3: Again, that was a kid peck peck peck.

1580
01:15:07,439 --> 01:15:08,040
Speaker 4: It is what it was.

1581
01:15:08,240 --> 01:15:10,840
Speaker 1: Thank you, Thank you very.

1582
01:15:12,120 --> 01:15:13,839
Speaker 4: Well. Thank you all for joining us for this episode

1583
01:15:13,840 --> 01:15:15,559
Speaker 4: of Pod Meets World. As always, you can follow us

1584
01:15:15,600 --> 01:15:17,800
Speaker 4: on Instagram pod Meets World Show. You can send us

1585
01:15:17,800 --> 01:15:21,160
Speaker 4: your emails pod Meets World Show at gmail dot com and.

1586
01:15:21,840 --> 01:15:25,200
Speaker 1: We have merch No one cares about Morgan March.

1587
01:15:26,160 --> 01:15:29,599
Speaker 4: Pod Meets Worldshow dot com writer send us out.

1588
01:15:29,920 --> 01:15:31,719
Speaker 1: We love you all, pod dismissed.

1589
01:15:33,640 --> 01:15:36,280
Speaker 2: Pod Meets World is an iHeart podcast producer hosted by

1590
01:15:36,360 --> 01:15:40,320
Speaker 2: Danielle Fischel, Wilfridell and Ryder Strong executive producers, Jensen Karp

1591
01:15:40,360 --> 01:15:43,559
Speaker 2: and Amy Sugarman Executive in charge of production, Danielle Romo,

1592
01:15:43,760 --> 01:15:47,599
Speaker 2: producer and editor, Tarasubash producer, Maddie Moore engineer and Boy

1593
01:15:47,640 --> 01:15:50,640
Speaker 2: meets World Superman Easton Out. Our theme song is by

1594
01:15:50,760 --> 01:15:54,120
Speaker 2: Kyle Morton of Typhoon. Follow us on Instagram at Podmets

1595
01:15:54,160 --> 01:15:56,800
Speaker 2: World Show, or email us at pod Meeats World Show

1596
01:15:56,960 --> 01:15:58,200
Speaker 2: at gmail dot com