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Speaker 1: Let's the Iron Rapports Stereo Podcast. I got a fan favorite,

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Speaker 1: one of my favorites right here in the flesh. He's belligerent,

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Speaker 1: he's disruptive. Last time it took the worldwide phenomenon to

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Speaker 1: another level. He's always right. Don't forget that one. He

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Speaker 1: thinks he's always right. I got the great Wood Harrison

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Speaker 1: here for the Iron Rapports Stereo Podcast. Return guests French Montona, say,

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Speaker 1: my man, Wood Harris, who just we just worked on. Listen,

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Speaker 1: there's so many different things. Let me just stay focused here.

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Speaker 1: The last time we did the podcast, the world was

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Speaker 1: a different place. Would okay? It was all fun and

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Speaker 1: games the last time we did the podcast. Um, if

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Speaker 1: you didn't hear the first and second time, what would

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Speaker 1: We did the Fullwood Harris interview, which is up part

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Speaker 1: of the Iron Rapports signature series, and now we got

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Speaker 1: part two. It's not even like a guest. It's a

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Speaker 1: guest because I have such respect for this dude as

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Speaker 1: an actor and as a dude. But he's really kind

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Speaker 1: of like part of the show. Again, I will say,

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Speaker 1: he's belligerent, so if things get out of hand, you

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Speaker 1: hear Mike drops nothing physical will go down, but there

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Speaker 1: could be some some off Mike arguing, we got the

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Speaker 1: great Wood Harris in the building for the Iron Rapports

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Speaker 1: stereo podcast. What what's what's really good? Would Man? I'm

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Speaker 1: I'm good, Mike, and I'm glad to do this with you. Man,

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Speaker 1: it is a lot to talk about. There's so much.

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Speaker 1: I don't even know where to start. We could just

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Speaker 1: start with congratulating everybody that had to do with the

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Speaker 1: Smash Hit New Edition movie for bt um Me and

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Speaker 1: Wood worked on that. We had a couple of scenes

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Speaker 1: in passing, a little little, little little light work. But

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Speaker 1: it was a pleasure to see you do your thing.

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Speaker 1: And I'm always reminded every time I watch you acting,

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Speaker 1: no matter what it is, just how good you are

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Speaker 1: and how much respect I have for you. One of

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Speaker 1: a kind, totally unique. Like I when I watch you water,

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Speaker 1: when I watch you work, I think a water like

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Speaker 1: I think your ship is just pure water like you.

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Speaker 1: You could play ball, but it's a little clunky like.

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Speaker 1: I would never say that your game was was ice

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Speaker 1: water like I've seen you bang on dudes. He got

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Speaker 1: that whole school Dr Jay ship. But but I wouldn't

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Speaker 1: say your game as water would, but as an actor

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Speaker 1: pure water, you can't have everything. Okay, fine, um, so

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Speaker 1: you tore it up. The movie was a huge success. Likewise,

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Speaker 1: to thank you, fun fun movie. We we're very fortunate,

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Speaker 1: very fortunate because you never know how those bio picks

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Speaker 1: gonna turn out, and really you never know how any

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Speaker 1: of them are really gonna turn out. And do you

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Speaker 1: know when you're working on a movie or a show,

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Speaker 1: can you tell? I could? I could tell you this

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Speaker 1: is one exceeded my my man, but I knew it

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Speaker 1: was gonna be good. But can you tell here? Forget this?

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Speaker 1: Can you tell when you're making a piece of ship?

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Speaker 1: I think I can more tell, and it's probably not

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Speaker 1: gonna be that great. Okay you want to call it

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Speaker 1: not be great? It's harsh, it's harsh. But I can

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Speaker 1: tell you, like you know, I'll tell my mom or

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Speaker 1: my father, my my friends. I'll tell her the iron

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Speaker 1: wrap or stereo podcast. Don't don't waste your time because

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Speaker 1: if I say it's good and in my heart I

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Speaker 1: know it's not good, then I look like an assholetely

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Speaker 1: like you just can't. We can't. We can't trust him.

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Speaker 1: You lose all credibility, like like I will tell like

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Speaker 1: the people close to me, I will tell the listeners

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Speaker 1: of the show, like, just watch something else. You know,

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Speaker 1: there's plenty of you know, stay on your phone, watch

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Speaker 1: something else. You know. Tell tell me you know you're uber.

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Speaker 1: Didn't pick you up, whatever your car broke down, don't, don't,

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Speaker 1: don't waste your time. But but but do you know

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Speaker 1: when you're doing something that quote unquote not very good? Yeah,

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Speaker 1: I feel like you get a gut feeling before you

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Speaker 1: even start shooting it sometimes because you can see how

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Speaker 1: passionate the director is or isn't. You can see how

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Speaker 1: um passionate and how how much the producers really want

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Speaker 1: the piece to be the best thing. Right, Some people

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Speaker 1: just want to get something over. They want to get

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Speaker 1: it done. They want to get it done, and they

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Speaker 1: might not be having like director might not have a

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Speaker 1: good relationship anymore with people who who like, uh, like

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Speaker 1: the producers and whatnot, and or they might have a

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Speaker 1: poor relationship with some of the actors. And that all

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Speaker 1: really affects at all, that really does. It stinks from

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Speaker 1: the head down, and it starts thinking from the head down.

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Speaker 1: And sometimes you can be in a project that might

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Speaker 1: seem like, Oh, I don't know what's gonna like remember

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Speaker 1: the Titans. To me, I couldn't figure that to be

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Speaker 1: like what it was gonna be, or the Wire or

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Speaker 1: the Wire. Yet you talked about the Wire last time,

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Speaker 1: but I think we did. Yeah, you were watching the

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Speaker 1: Wire and then watch the Wire. I didn't watch the stuff,

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Speaker 1: but I haven't watched the stuff I'm in, but I

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Speaker 1: I like, I um like the fanfare. You would just

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Speaker 1: never I just never thought it would be like it is.

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Speaker 1: It's right, you know, there was no predicting that Avon Barksdale.

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Speaker 1: Every day someone says that to you. Yeah, every day

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Speaker 1: when you when you walk into a gas station late

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Speaker 1: at night and that like, oh ship, somebody might say

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Speaker 1: that or something like that. But because because that struck

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Speaker 1: a nerve and struck a nerve and I'm glad about

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Speaker 1: that all right now now, before we get into to basketball,

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Speaker 1: to to the world that's changed since the last time

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Speaker 1: you did the podcast cute Little World we Live in,

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Speaker 1: Oh my goodness, cute, Oh my goodness. Last time it

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Speaker 1: was all about how would hate Steph Curry solely because

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Speaker 1: he's like, we'll get to it, We'll get to it. Later.

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Speaker 1: We'll get to it. We'll get to it. We don't

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Speaker 1: want to rush, but just just because I just want

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Speaker 1: to fan out and let the fans fan out. What

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Speaker 1: else have you been working on as an actor? Recently?

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Speaker 1: I did Blade Runner with Ryan See. I love how

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Speaker 1: you just say that, Like it's just like the thing

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Speaker 1: about Wood Harris, Like you're you're one of the few

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Speaker 1: people who, to me is a pure artist. Like you're like,

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Speaker 1: I remember I saw you on the street. You're like, oh,

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Speaker 1: I just did Blade Round. I was like, if I

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Speaker 1: did Blade Runner, I'd have a fucking pom pom. I

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Speaker 1: just didn't. But but you're just so chill about it.

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Speaker 1: So you did Blade Runners a big ass It's a

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Speaker 1: big gass movie. Did you feel the bigness and the

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Speaker 1: sort of the business we shot in Budapest? Uh, you know,

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Speaker 1: I knew the producers. I knew Ryan already from Remember

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Speaker 1: the Titans, and I went from shooting working on a

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Speaker 1: project in New York comes out February Twentie called the

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Speaker 1: breaks to going and shooting shooting um Blade Runner. But

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Speaker 1: you know what, it's kind of like, I guess the

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Speaker 1: way I look at it, like I don't know what

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Speaker 1: the movie is gonna be like? Right, So did you

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Speaker 1: feel like I'm not excited about I was excited about

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Speaker 1: getting the opportunity, but when I'm done with it, I

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Speaker 1: really don't know what's gonna be like, So I kind

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Speaker 1: of get it away from my head, Like I don't

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Speaker 1: really I can't celebrate, you know, I can't have a celebration.

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Speaker 1: I already celebrated in fact, you know, being in being

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Speaker 1: around good people and stuff like that and doing the

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Speaker 1: work and just being focused. That's kind of the celebration.

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Speaker 1: But I don't know what it's gonna be like. Did

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Speaker 1: you feel the bigness of doing like a big studio

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Speaker 1: movie that had, you know, like with a huge hot

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Speaker 1: star right now, like he's hot right now, and like

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Speaker 1: like what was this? You know? And and also is

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Speaker 1: a movie set in Budapest although you're doing an American film?

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Speaker 1: Is it the same as a movie set in Baltimore?

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Speaker 1: What's different about like the way a set's running over there?

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Speaker 1: The set the way the set was run over there.

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Speaker 1: In fact, when you're when you're when you're working in

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Speaker 1: other countries, there's certain rules that they have to go by.

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Speaker 1: SAG and other unions they have rules, so you have

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Speaker 1: to use a certain amount of people from the area

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Speaker 1: that you're working in. So if you're in Budapest, you

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Speaker 1: have people working from Budapest in the film and then

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Speaker 1: some acting capacity to a little bit uh like the

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Speaker 1: craft service craft service and it's like the service is

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Speaker 1: a little different too, depending on where you are. You know,

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Speaker 1: the food craft services win for people who don't know

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Speaker 1: craft services is on movie sets to people, Yeah, they

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Speaker 1: cater to snatch the gummy bears, the pretzels, a bunch

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Speaker 1: of ship cats. Don't like I don't eat I don't

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Speaker 1: really eat pretzels and gummy bears, but Nona's and apples

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Speaker 1: is all they have. And but like and like the

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Speaker 1: difference between like sets, like the budget, like I would

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Speaker 1: imagine like on a on a big budget film like

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Speaker 1: Blade Running three, like you could have some fly shit.

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Speaker 1: Maybe not in Budapest because like that there's no trailer.

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Speaker 1: I was super fly. It was it was super fly,

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Speaker 1: Like like did they have like Tahini and all that

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Speaker 1: fly ship like like was it or oh yeah, well

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Speaker 1: the set fool was actually excellent. I did aunt Man.

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Speaker 1: Aunt Man had the best, Like I had a solar

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Speaker 1: powered trailer I had, like, uh, you know, every meal

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Speaker 1: was was really like a high end meal. But in

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Speaker 1: Budapest they asked me whatever I wanted. You know, it's

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Speaker 1: kind of like what would you like to eat or whatever?

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Speaker 1: And you tell them and I'm kind of the same.

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Speaker 1: I'll eat like a Caesar salad the whole time, Like

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Speaker 1: I just eat the same ship like the whole time.

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Speaker 1: Kind of. And what's Ryan Ryan Gossling's deal? Because I'm

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Speaker 1: a fan of his. I like him. I never I

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Speaker 1: never met him, I never met him. Super cool, super

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Speaker 1: cool for so of a. Ryan is the nicest guy

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Speaker 1: you ever met. And it's true, I mean a real

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Speaker 1: nice person. You know, there's some people who are nice.

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Speaker 1: Ryan Gosling is genuinely kind hearted, nice. Um he's um

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Speaker 1: how to describe him. I mean he's a great artist.

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Speaker 1: He's artistic, and then he's um man. It's hard to

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Speaker 1: describe Brian because he's so normal in a sense. But dude,

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Speaker 1: like to see somebody like you And remember the Titans,

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Speaker 1: he's just acting number nine on the call sheet. Then

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Speaker 1: to go to be like Academy Awards. Let me say

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Speaker 1: this about Ryan even in Remember the Titans, So he

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Speaker 1: was like acting number nine or whatever he was on

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Speaker 1: the call sheet. He was doing major character work because

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Speaker 1: even then we thought one way of Ryan, we we

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Speaker 1: never knew he was like he was in character the

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Speaker 1: whole time. He was already being like the Ryan we

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Speaker 1: see now and before that on something like he would

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Speaker 1: be in character. Heacter very specific and it was not

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Speaker 1: like Ryan, and he was in character the whole time.

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Speaker 1: And um, you know, he's the type of an actor

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Speaker 1: you can uh that you can tell is in his character.

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Speaker 1: You know, you don't want to like move him away

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Speaker 1: from the reality he's creating. You know, are you on

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Speaker 1: that ship? I am on that I think they like? Um,

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Speaker 1: it depends, right, It just depends because some some workloads

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Speaker 1: ain't the same, you know, like you don't really got

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Speaker 1: to do it sometimes. But really the acting is just

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Speaker 1: living truthfully in the imaginary circumstance. So the more you

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Speaker 1: can believe the imaginary circumstances, really the better actor. And

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Speaker 1: then it's about listening, like you want to listen to people,

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Speaker 1: so your eyes because in a movie it's different in theater.

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Speaker 1: In theater you can almost fake listen and do a

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Speaker 1: bunch of acting smack ing, but in film you can't

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Speaker 1: because it'll be right on your eyes. So if if

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Speaker 1: we we feel higher learning and your eyes ain't giving

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Speaker 1: it up. You see, sometimes when actors don't you see,

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Speaker 1: they have that dead pants stare. It's not it's not

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Speaker 1: even a dead pan stair. Excuse me. It's more like

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Speaker 1: um searching for my lines, or or they could be

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Speaker 1: lost in what you're doing, like they could be in

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Speaker 1: a mesmerized place because of you. Well, I'm known from

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Speaker 1: mesmerizing actors. You saw it happen. I've seen that I mesmerized.

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Speaker 1: Motherfucker's like like like, I'm like, yo, be professional. No, Mike,

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Speaker 1: you you know I'm good. But now you don't have

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Speaker 1: to do I mean, like state be a pro, like

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Speaker 1: just just trying to be a pro. I know it's hard.

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Speaker 1: I know I'm on a different plane, but be a

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Speaker 1: fucking pro. You are getting paid, but you are actually

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Speaker 1: on a different plane because you come from I mean,

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Speaker 1: I hate to say it like this, but we come

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Speaker 1: from like old school movie world. Like then then we're

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Speaker 1: we're closer to you know, James Cagney and those cats

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Speaker 1: than we are some of the more current actors, like

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Speaker 1: the newest generation of actors I think that we're probably

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Speaker 1: more akin to you know, the old school cats who

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Speaker 1: never like these guys who never It's almost like children

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Speaker 1: never seeing a home phone, you know, a landline. Like

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Speaker 1: there's a lot of actors they have seen those big

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Speaker 1: cameras we saw they never saw Daily's like that took

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Speaker 1: like time to to like process. It's crazy because everything

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Speaker 1: is digital that they really watched everything right there by

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Speaker 1: the way. That's why movies are more abundant, because it takes.

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Speaker 1: They can be made faster. Yeah, it's crazy. You could

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Speaker 1: literally shoot a take. You can shoot, have seen, edit

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Speaker 1: the fucking scene, and by lunchtime have a rough cut.

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Speaker 1: I have a rough cut up. I mean, and there's

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Speaker 1: good and bad to that. You're dope because you're a

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Speaker 1: director too. I mean, let's not forget like that. That

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Speaker 1: and and and Trip came out with a new record,

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Speaker 1: five Pass. Yes, I didn't even think I talked to you.

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Speaker 1: We didn't talked to hip hop this time. We gotta

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Speaker 1: talk a little hip hop, Yes, we gotta talk hip hops.

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Speaker 1: Don't know mother's no hip hop. Yeah, we're gonna go.

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Speaker 1: We're gonna talk some hip hop. What did you think

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Speaker 1: of the Trip record? You know, man, I'm a fan

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Speaker 1: who like, I'm just a fan, one of those die

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Speaker 1: hard fans when I'm a fan, so you know, I

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Speaker 1: still like other Trip stuff more right, You're always looking

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Speaker 1: for You've watched them beat out something that they made

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Speaker 1: before and you haven't seen that happen again. That's all

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Speaker 1: it is. It was. I mean, I think that they

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Speaker 1: achieved it at points on this new record. There there's

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Speaker 1: moments of the Bible was consistent back in the days. Well,

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Speaker 1: the first you listen to the whole album, the first

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Speaker 1: three is you can't you can't it fun? Man? You

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Speaker 1: still got to go by that though they did. Of course,

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Speaker 1: they set the bar so high, and I think that's

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Speaker 1: one of the reasons why I took them even before,

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Speaker 1: you know, with with the great five Dog passing. One

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Speaker 1: of the reasons why because the bar was so high.

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Speaker 1: It's like ship can we can we achieve that? And

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Speaker 1: they became very well aware of that. So so the

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Speaker 1: new album for me, you know, to hear five, to

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Speaker 1: hear Tip, to hear them rock, to hear them rock together,

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Speaker 1: and to hear them Although I think that the record

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Speaker 1: is in classic classic, they had reached those classic moments

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Speaker 1: on the record, and I was just glad they got

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Speaker 1: it done with all the adversity and obviously the five factory.

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Speaker 1: Passing the five and they hear fife to it bugged

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Speaker 1: me out. It bugged me out, but it made me

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Speaker 1: feel good in the way to know it would make

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Speaker 1: me feel good. Like I was like, oh, that's fight.

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Speaker 1: But then I liked it. I was like, man, he's

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Speaker 1: kind of alive in these moments, so I like and

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Speaker 1: he sounded great. He sounded great, and the puns and

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Speaker 1: and and and you know, tipping they did it. It It

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Speaker 1: was it was. It was tough, man. It was a

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Speaker 1: tough fucking I'm sure, Like I mean, he's always hard

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Speaker 1: on himself, but to make that it hasn't even been

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Speaker 1: a year since this dude passed. I mean, knock on

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Speaker 1: wood man. Your health, your health is everything. What what what?

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Speaker 1: Before we go into more hip hop, what have you seen?

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Speaker 1: What actors? What? Um? You know the Academy Awards are

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Speaker 1: coming up. What have you seen? What if you're not seen?

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Speaker 1: What's excited you? What's impressed you? Um, I've seen I've

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Speaker 1: seen a few of them. I watched him. Uh, I

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Speaker 1: saw La La Land, I saw Moonlight. What did you

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Speaker 1: think of moon Because last time I saw you, you

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Speaker 1: didn't see I hadn't seen it. Moonlight was well made.

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Speaker 1: I like that film in the sense of how it

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Speaker 1: was made. Is tough subject matter to me to watch.

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Speaker 1: And so because of that, you know, you feel that

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Speaker 1: the the distance that the subject matter might make with

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Speaker 1: some people, and you know you don't want to be

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Speaker 1: one of those people. But it's one of those things

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Speaker 1: you're watching and you kind of like, I don't know

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Speaker 1: how you feel about what you've just seen. It's well

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Speaker 1: well enough made that you could feel that way. So

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Speaker 1: if it would have been messed up or not properly made,

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Speaker 1: you wouldn't really feel that way. Right, So it's a

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Speaker 1: well made film. It's extremely well made. It's you know,

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Speaker 1: a tough, tough subject matter. It ain't a feel good movie. Yeah,

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Speaker 1: it's not. It's not because it's it's it's it's it's

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Speaker 1: about abuse. It it looks the director fucked my head up. Director.

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Speaker 1: Oh I saw I saw a Rival, Yeah, they that

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Speaker 1: director did Blade Runners. That movie was very good. And

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Speaker 1: what about what else did you see? Did you see?

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Speaker 1: Did you see your Man Denzel? And Fences? Did you

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Speaker 1: see Fences too? What did you think of that? I

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Speaker 1: think Fences is tough. You know, here's the thing about

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Speaker 1: there's just schools of acting, and then there's our Our

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Speaker 1: business has an evolution, you know, and if we have

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Speaker 1: to be part of that, we have to be part

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Speaker 1: of that evolution, as as as the artists in it.

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Speaker 1: And sometimes, you know, as much as I love Denzel

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Speaker 1: and I do uh and I love Fences, I just

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Speaker 1: think that in a movie like that, I would like

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Speaker 1: to see more of freedom with the actors. All the

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Speaker 1: actors seemed like Denzel to me, you know, they all

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Speaker 1: seemed like they came from that school. But I ain't

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Speaker 1: really from the Denzel school of acting, So I would

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Speaker 1: like I would love to work with him because the

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Speaker 1: contrast would be there. They all handled the text almost

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Speaker 1: like Denzel would have. You understand, part of that's directing.

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Speaker 1: I could see Denzel maybe controlling the actors a little

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Speaker 1: because he's such a good actor. Maybe asking for actor

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Speaker 1: is to do things he would do, which indeed, if

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Speaker 1: you do that enough, it just makes um one voice happen.

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Speaker 1: I got you. So I kind of felt like that

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Speaker 1: about it, you know, But I love the play. I've

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Speaker 1: done the play before, I want to do mar Rainy,

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Speaker 1: hopefully the film version of Marainy. You know they're doing

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Speaker 1: he had them all, I know, HBO, like he's doing

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Speaker 1: all of them, right, I gotta do that. I gotta

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Speaker 1: you gotta do it. Yeah, I'm gonna end up doing

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Speaker 1: marain you gotta do it. I love you. I love

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Speaker 1: your acting and your style of acting so much, and like,

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Speaker 1: I just have such respect for it, and like, you know,

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Speaker 1: I and we're friends, but I say that, I'm like, yo,

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Speaker 1: I funk with would and like when I watch you,

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Speaker 1: like even in the new edition where I was like,

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Speaker 1: fucking guy, like you elevate ship when we got to

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Speaker 1: I don't, don't, you know. It's just that's something that

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Speaker 1: happens because people believe in you after a while. I

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Speaker 1: believe because I don't feel like I'm doing something different,

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Speaker 1: you know, I don't feel like I'm doing anything different

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Speaker 1: than I probably ever did, you know, in terms of

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Speaker 1: my approach, Like, I just think after you show people

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Speaker 1: some concerned level consistently because you do the same thing,

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Speaker 1: it's a week thing. We elevate the process of the

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Speaker 1: project because people have seen enough of trust. Yeah, they

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Speaker 1: trust you already. Their expectations get met. They might expect

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Speaker 1: you to be good and then you're good, you know,

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Speaker 1: all great and you're great. And so if you do

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Speaker 1: that enough, uh like if I like I remember going

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Speaker 1: and by I'm I'm gonna use hip hop analogies a

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Speaker 1: little bit, so you go by the rock him you

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00:18:25,560 --> 00:18:28,880
Speaker 1: expect that to be you'll be let down if those

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Speaker 1: albums you bought wasn't fresh you put them on. But

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Speaker 1: because you expected, you're already like, Okay, I'm about to

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Speaker 1: put this ship about to be dope already. And people

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Speaker 1: feel that way about us sometimes because we're in a

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Speaker 1: lot of their favorite things of Paiding Full Pop. Any

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Speaker 1: fan of mine from Paiding Full they have an expectation.

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Speaker 1: Hopefully I meet their expectation, and as long as that happens,

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Speaker 1: it just it's breeding consistency to the fans, right and

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Speaker 1: then that person that tells somebody, And because we kind

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Speaker 1: of like I said, we're from the James Cagney era, yeah,

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Speaker 1: we need grassroots, you know, even if it's social media. Absolutely,

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Speaker 1: absolutely the fan appreciation every fan is what it's all about.

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Speaker 1: Absolutely would not be able to have consistency without it.

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Speaker 1: So I truly do love the fans, people who can

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Speaker 1: look at us and say, man, I see I see

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Speaker 1: the star. Yes, because they have to see a star,

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Speaker 1: you know, because we look in the mirror and you

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Speaker 1: see Mike, I see Wood. I don't see it. I

385
00:19:23,920 --> 00:19:28,840
Speaker 1: don't see nothing like I just see a dusty. Mike

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00:19:29,000 --> 00:19:31,320
Speaker 1: is like fucking Eminem. He's so good at talking about it.

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Speaker 1: So but let but let me. The real question is

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Speaker 1: talking about it. This is a hard hitting question, and

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Speaker 1: I want you to be honest. Okay, because there's been

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Speaker 1: some rumors circulating you had some questionable wigs in New Edition,

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Speaker 1: the New Edition movie. There's actually it ain't funny, neither

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Speaker 1: man listen to me. You had some questionable wigs. You

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Speaker 1: had to fucking Jerry kurr Apparently that Jerry Kirk, that

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Speaker 1: Jerry Kurwade is not funny though? Is that is that?

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00:19:58,080 --> 00:20:01,479
Speaker 1: Is that Jerry kurwwig? Now only was stolen? It's missing

396
00:20:01,480 --> 00:20:04,960
Speaker 1: like Tom Brady's Super Bowl jersey. Where is that fucking

397
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Speaker 1: Jerry crow wig? And can I have it? I would

398
00:20:07,000 --> 00:20:11,280
Speaker 1: love Jerry curl wig look great good. It looked real

399
00:20:11,359 --> 00:20:15,320
Speaker 1: as ship and that's real crazy. I remember talking to you,

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Speaker 1: Remember when I remember when I first got the set

401
00:20:18,960 --> 00:20:21,119
Speaker 1: and I didn't know, like you know, like it was

402
00:20:21,200 --> 00:20:23,800
Speaker 1: eighties out and I'm like, talking to Wood, he got

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Speaker 1: this fucking Jerry Crow wig on, and you're trying to

404
00:20:25,920 --> 00:20:27,959
Speaker 1: have a normal like you're just talking to me regularly.

405
00:20:27,960 --> 00:20:30,400
Speaker 1: And I'm like, yo, my man, we're gonna acknowledge this

406
00:20:30,400 --> 00:20:33,359
Speaker 1: wig before we get into house. Your family, how's your kids?

407
00:20:33,560 --> 00:20:35,320
Speaker 1: What's up with your knicks? I'm like, I need to

408
00:20:35,359 --> 00:20:37,840
Speaker 1: talk about your wig piece due because your wig piece

409
00:20:38,240 --> 00:20:42,080
Speaker 1: is a living, breathing entity and it's on your fucking dome.

410
00:20:42,359 --> 00:20:45,719
Speaker 1: So where's the wig? And where's Tom Brady's jersey? And

411
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Speaker 1: cut the fucking ship, okay, because the Texas Rangers are

412
00:20:48,840 --> 00:20:51,159
Speaker 1: looking for the wig and the jersey right now. The

413
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Speaker 1: wig and the wig in the jersey is with Old

414
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Speaker 1: Jay's knife, with Old Jay's knife. No, you know, to

415
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Speaker 1: be honest with you, Um, I like the wig. I

416
00:21:01,400 --> 00:21:04,240
Speaker 1: like wig work. Do you wig work is cool? I'm

417
00:21:04,240 --> 00:21:06,840
Speaker 1: not done that before. I'm not done wig work. Do

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Speaker 1: you don't mind sitting down? Like the extra time and

419
00:21:09,080 --> 00:21:11,200
Speaker 1: the trailer and the makeup and hair, because it drives

420
00:21:11,240 --> 00:21:13,080
Speaker 1: me fucking They got to be faster. I don't like that.

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00:21:13,320 --> 00:21:15,560
Speaker 1: I don't like taking time, Like so, I don't like that.

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Speaker 1: I don't like people taking time. But I use the

423
00:21:17,840 --> 00:21:19,800
Speaker 1: time I look at the script. You know what I'm saying,

424
00:21:20,480 --> 00:21:22,320
Speaker 1: what I'm going to set? The thing that I noticed

425
00:21:22,320 --> 00:21:24,880
Speaker 1: about younger actors. And maybe if you are an actor

426
00:21:24,920 --> 00:21:26,720
Speaker 1: and you're listening to this, so listen to it because

427
00:21:26,720 --> 00:21:28,760
Speaker 1: it's coming from what is this thing here? And I'm

428
00:21:28,760 --> 00:21:31,520
Speaker 1: sure you probably do this too. But when I'm on

429
00:21:31,600 --> 00:21:34,560
Speaker 1: the set, you can be on the set about twelve

430
00:21:34,600 --> 00:21:38,080
Speaker 1: hours or more, sometimes eight hours. That's a short day.

431
00:21:38,080 --> 00:21:42,520
Speaker 1: On get eight hours, you're like, like your life is

432
00:21:42,560 --> 00:21:45,840
Speaker 1: back to you what you're doing twelve anyway, on the

433
00:21:45,880 --> 00:21:48,240
Speaker 1: set the whole time, I'm really just doing the work.

434
00:21:48,560 --> 00:21:51,800
Speaker 1: Like when I I'm not around people, I'm just in

435
00:21:51,840 --> 00:21:55,359
Speaker 1: the room, still looking at the script, still trying to

436
00:21:55,359 --> 00:21:58,639
Speaker 1: figure out the lines, still trying to figure out a

437
00:21:58,760 --> 00:22:01,440
Speaker 1: moment a moment to I'm not trying to I'm just

438
00:22:01,480 --> 00:22:04,360
Speaker 1: trying to use my imagination a whole twelve hours because

439
00:22:04,400 --> 00:22:06,480
Speaker 1: it's only gonna be a few weeks or days or

440
00:22:06,480 --> 00:22:10,520
Speaker 1: have a long with shooting, and for that whole time,

441
00:22:10,520 --> 00:22:12,840
Speaker 1: so I don't go to the lunch thing with everybody

442
00:22:12,840 --> 00:22:14,919
Speaker 1: and chill with lunch, and I tend to not do

443
00:22:15,000 --> 00:22:19,480
Speaker 1: that a little bit. Uh um. But I'm not off

444
00:22:19,520 --> 00:22:21,840
Speaker 1: set set from them, you know, in terms of I'm

445
00:22:21,840 --> 00:22:25,240
Speaker 1: not like unavailable for the people, for the actors. I'm

446
00:22:25,240 --> 00:22:29,520
Speaker 1: not hoity toity kind. I'm just in the room. You

447
00:22:29,560 --> 00:22:31,119
Speaker 1: can come in the room. I'm just gonna be in

448
00:22:31,119 --> 00:22:33,800
Speaker 1: the room looking at the script. Like I'll even chop

449
00:22:33,840 --> 00:22:35,439
Speaker 1: it up, but I really just want to look at

450
00:22:35,480 --> 00:22:39,399
Speaker 1: the script because I want to look at it figure

451
00:22:39,400 --> 00:22:42,160
Speaker 1: out something I don't know, see if I can find

452
00:22:42,200 --> 00:22:44,640
Speaker 1: a moment that that that I didn't think about. I'm

453
00:22:44,680 --> 00:22:46,760
Speaker 1: just trying to use my imagination to the most, because

454
00:22:46,800 --> 00:22:49,520
Speaker 1: that's really what we're doing. To Mike, We're using our imaginations.

455
00:22:49,560 --> 00:22:52,240
Speaker 1: And if we we forget that, we just click click

456
00:22:52,320 --> 00:22:55,400
Speaker 1: it on, start doing a process that we already do. Right.

457
00:22:55,920 --> 00:22:59,520
Speaker 1: But the fun times when we was like just getting

458
00:22:59,560 --> 00:23:02,920
Speaker 1: involved that as young actors, you know, the the young

459
00:23:03,000 --> 00:23:05,119
Speaker 1: lions take, trying to take the pride that energy of

460
00:23:05,160 --> 00:23:07,880
Speaker 1: feeling like I got I got this, Like I feel

461
00:23:07,920 --> 00:23:10,399
Speaker 1: like that newness. You want to feel that on the

462
00:23:10,440 --> 00:23:12,560
Speaker 1: set sometimes and to me, I feel it when I'm

463
00:23:12,600 --> 00:23:16,280
Speaker 1: just looking for more more in the role, like more

464
00:23:16,400 --> 00:23:19,320
Speaker 1: in the in the scene we're about to shoot, because

465
00:23:19,400 --> 00:23:22,840
Speaker 1: different than than than than the overall script. I'm here

466
00:23:22,880 --> 00:23:24,920
Speaker 1: today and I'm shooting the scene. I know what I'm

467
00:23:24,960 --> 00:23:27,560
Speaker 1: going to work on. I have an idea of what

468
00:23:27,640 --> 00:23:30,680
Speaker 1: it's gonna look like. I'm on this. I've seen the set.

469
00:23:30,920 --> 00:23:34,080
Speaker 1: That's another thing experience. Come. I go on the set

470
00:23:34,080 --> 00:23:36,240
Speaker 1: alone too. I go on the set when everybody no

471
00:23:36,359 --> 00:23:40,520
Speaker 1: one's there on the set. I get into the set,

472
00:23:41,000 --> 00:23:42,760
Speaker 1: I kind of do. I do a lot in the thing,

473
00:23:42,800 --> 00:23:44,440
Speaker 1: you know. But it's just normal for me now because

474
00:23:44,480 --> 00:23:47,640
Speaker 1: it's been twenty years, do you know at this point,

475
00:23:47,680 --> 00:23:49,639
Speaker 1: because when I was younger, I would so defer to

476
00:23:49,760 --> 00:23:51,960
Speaker 1: like the director and like is it good? Is it good? Okay,

477
00:23:52,000 --> 00:23:55,240
Speaker 1: let's move on. Like but for me personally, now I

478
00:23:55,359 --> 00:23:58,400
Speaker 1: know that's good. Like I don't even I even caught

479
00:23:58,440 --> 00:23:59,879
Speaker 1: myself saying it, and I don't want to say on

480
00:23:59,840 --> 00:24:01,360
Speaker 1: the arrogant way, but like, if you're doing to take

481
00:24:01,359 --> 00:24:03,639
Speaker 1: I'll be that was good. That was good, you know,

482
00:24:03,680 --> 00:24:05,920
Speaker 1: like I'll say it out loud because like I'm like also,

483
00:24:05,960 --> 00:24:08,240
Speaker 1: like that was good. Let's let's move forward, unless unless

484
00:24:08,240 --> 00:24:10,040
Speaker 1: we're gonna do because you know, like one of the

485
00:24:10,040 --> 00:24:12,560
Speaker 1: things with some directors will be like they'll have you

486
00:24:12,600 --> 00:24:14,639
Speaker 1: do it again and again, and I'm like, I'm just

487
00:24:14,640 --> 00:24:17,000
Speaker 1: gonna do the same ship. Like we we don't need

488
00:24:17,040 --> 00:24:20,239
Speaker 1: to keep doing it if it's the same ship. If

489
00:24:20,280 --> 00:24:22,560
Speaker 1: you've got some new ideas or it wasn't good or

490
00:24:22,600 --> 00:24:24,960
Speaker 1: it wasn't what you want, I'm game. But if you

491
00:24:24,960 --> 00:24:27,200
Speaker 1: want me to do the same fucking thing nine times,

492
00:24:27,480 --> 00:24:30,199
Speaker 1: I'm done. I found myself like, I'm like, come on,

493
00:24:30,400 --> 00:24:32,120
Speaker 1: like I have done that before. I have, I have,

494
00:24:32,359 --> 00:24:34,520
Speaker 1: I have said Okay, I'm not doing I'm not gonna

495
00:24:34,520 --> 00:24:37,040
Speaker 1: do this again unless it's something different, and then I'm

496
00:24:37,080 --> 00:24:39,240
Speaker 1: then cool. But if you just want the same that's

497
00:24:39,240 --> 00:24:41,359
Speaker 1: exactly what I did. I did exactly that. I was like,

498
00:24:41,840 --> 00:24:44,159
Speaker 1: did you get everything? Because if you want something else,

499
00:24:44,520 --> 00:24:46,960
Speaker 1: you know, no, just just give me one more, you know,

500
00:24:48,040 --> 00:24:50,400
Speaker 1: Like that was there a problem with the things? Why

501
00:24:50,400 --> 00:24:52,800
Speaker 1: are we no problem with what I'm not doing again?

502
00:24:53,000 --> 00:24:54,280
Speaker 1: I don't need to do it again, do it again?

503
00:24:54,400 --> 00:24:56,680
Speaker 1: I like the peanut butter jelly sandwich. You liked it.

504
00:24:56,880 --> 00:24:58,439
Speaker 1: Now we're either going to go on to like some

505
00:24:58,520 --> 00:25:01,639
Speaker 1: chocolate bars something else so or something. But I'm not

506
00:25:01,680 --> 00:25:05,160
Speaker 1: gonna have another fucking peanut butter and jelly. I'm cool.

507
00:25:05,840 --> 00:25:09,440
Speaker 1: And Clint Eastwood does eight hour days consistently as a director,

508
00:25:09,560 --> 00:25:12,479
Speaker 1: so it could be done. He's got Oscar winning films,

509
00:25:12,520 --> 00:25:17,960
Speaker 1: he does sad days and and I'm sure they probably

510
00:25:17,960 --> 00:25:21,000
Speaker 1: have grown into that. Like like like I said, you know,

511
00:25:21,040 --> 00:25:22,680
Speaker 1: like and then you hear some of the directors like

512
00:25:22,760 --> 00:25:24,879
Speaker 1: Kubrick was on something like just keep doing it just

513
00:25:24,920 --> 00:25:26,840
Speaker 1: too and like and obviously you're working with a master

514
00:25:26,920 --> 00:25:29,680
Speaker 1: and a genius, and then you're sort of gonna sort

515
00:25:29,680 --> 00:25:31,879
Speaker 1: of let yourself be free because you're like, you know

516
00:25:31,920 --> 00:25:34,520
Speaker 1: when by the time you know you you you like

517
00:25:34,560 --> 00:25:36,399
Speaker 1: with our age, when we could have worked at Kubrick

518
00:25:36,400 --> 00:25:38,560
Speaker 1: before he passed, you like whatever you want. It's like

519
00:25:38,600 --> 00:25:41,720
Speaker 1: there's certain like Scorsese, these guys, you're a part of

520
00:25:41,760 --> 00:25:44,560
Speaker 1: their painting, and you're gonna be before you know what.

521
00:25:44,640 --> 00:25:49,240
Speaker 1: I met him once. I met Martin Scorsese once at

522
00:25:49,280 --> 00:25:51,639
Speaker 1: like some Oscar thing, and he came up to me

523
00:25:51,680 --> 00:25:54,639
Speaker 1: and said nice things, and I literally was like he

524
00:25:54,720 --> 00:25:57,760
Speaker 1: shut I was like, he fucked me up. And I

525
00:25:57,840 --> 00:26:01,240
Speaker 1: was bugging because Martin Scorsese, you know, you think he's short,

526
00:26:01,720 --> 00:26:04,920
Speaker 1: but he's really short. So I was like, oh ship

527
00:26:05,000 --> 00:26:06,920
Speaker 1: and he you know, he complimented me. I was gonna

528
00:26:06,920 --> 00:26:09,120
Speaker 1: go over to compliment in and he's no, no, no,

529
00:26:09,160 --> 00:26:11,840
Speaker 1: you know, and he's talking and he's short, he's short

530
00:26:11,880 --> 00:26:14,159
Speaker 1: of than you. So that was my only you know,

531
00:26:14,200 --> 00:26:17,960
Speaker 1: to be startling sometimes some of these cats, because Marrence Corsese, like,

532
00:26:18,000 --> 00:26:21,800
Speaker 1: you love this fucking guy and he's like five five,

533
00:26:23,160 --> 00:26:26,320
Speaker 1: but but he's like. I was like, literally like, you know,

534
00:26:26,359 --> 00:26:29,600
Speaker 1: I'll talk to anybody. He stumped me, Like it was

535
00:26:29,880 --> 00:26:32,040
Speaker 1: like when I, you know who stumped me. Also totally

536
00:26:32,080 --> 00:26:35,440
Speaker 1: different thing, but same kind of thing and totally reason,

537
00:26:35,560 --> 00:26:38,680
Speaker 1: totally different reason why she stumped me. Rihanna. I was like,

538
00:26:39,320 --> 00:26:40,960
Speaker 1: she said to me, I know who you are. I

539
00:26:41,040 --> 00:26:45,439
Speaker 1: was like, get I did. Nothing came out. She's tall

540
00:26:45,480 --> 00:26:49,719
Speaker 1: to right that, Oh yes, is she pretty? She's everything.

541
00:26:49,840 --> 00:26:53,919
Speaker 1: She's everything. She looked like, she looked like exactly like

542
00:26:54,000 --> 00:26:56,280
Speaker 1: she looked like it, and and and the air look

543
00:26:56,480 --> 00:27:00,160
Speaker 1: felt fresher when she walked past me, Like the air

544
00:27:00,160 --> 00:27:01,720
Speaker 1: felt freshen like the air like it was just like

545
00:27:01,760 --> 00:27:03,879
Speaker 1: you know when you spray, like not like light soul,

546
00:27:04,119 --> 00:27:05,840
Speaker 1: but like a nice air freshener that comes in or

547
00:27:05,880 --> 00:27:08,200
Speaker 1: like a perfume comes in the room, like she filled

548
00:27:08,200 --> 00:27:10,240
Speaker 1: the whole arena. I staw a basketball game and she

549
00:27:10,280 --> 00:27:11,880
Speaker 1: said I know who you are. And I was like,

550
00:27:13,000 --> 00:27:15,600
Speaker 1: that's nothing came out of my mouth. She's talked to me, kid,

551
00:27:15,720 --> 00:27:19,320
Speaker 1: you you'll be ready. I hear you. But if the

552
00:27:19,320 --> 00:27:21,520
Speaker 1: fact that she said something to me first fuck me

553
00:27:21,640 --> 00:27:23,560
Speaker 1: up one on one, you know what I'm sa I

554
00:27:23,600 --> 00:27:28,080
Speaker 1: hear you. No doubt what Harris set the ball first.

555
00:27:28,440 --> 00:27:33,000
Speaker 1: Wouldn't wouldn't that'd be a good couple, guy like you

556
00:27:33,080 --> 00:27:34,960
Speaker 1: on co star Sometimes a matter of fact, that might

557
00:27:35,000 --> 00:27:38,400
Speaker 1: happen a lot of happens because she's on some show

558
00:27:38,440 --> 00:27:41,280
Speaker 1: now too, she's she's on some show. She on show

559
00:27:41,280 --> 00:27:43,960
Speaker 1: her a movie. I don't know, man, one of those

560
00:27:44,040 --> 00:27:47,160
Speaker 1: have you ever met Scorsese? Never met, never came. Never.

561
00:27:47,320 --> 00:27:49,639
Speaker 1: Because you're your wood's a little taller than me, You're

562
00:27:49,680 --> 00:27:52,119
Speaker 1: gonna be ready because my man is he makes a

563
00:27:52,200 --> 00:27:55,520
Speaker 1: weird like kareem. I don't like that though, What do

564
00:27:55,520 --> 00:27:58,280
Speaker 1: you mean? Like like people really do have like some

565
00:27:58,320 --> 00:27:59,679
Speaker 1: kind of they feel some kind of way when they

566
00:27:59,680 --> 00:28:01,919
Speaker 1: come in us because we're tall, Like I don't know

567
00:28:01,920 --> 00:28:05,760
Speaker 1: how he didn't give a fuck. Scorsese came right up

568
00:28:05,760 --> 00:28:07,760
Speaker 1: to you. I mean, Scorsese came right here. I'm just

569
00:28:07,760 --> 00:28:10,040
Speaker 1: saying for you just be like, because you know when

570
00:28:10,080 --> 00:28:13,400
Speaker 1: you see somebody like that's surprised you like you're surprisingly small,

571
00:28:13,440 --> 00:28:16,119
Speaker 1: and it just bucked me. I was like, oh, ship,

572
00:28:16,320 --> 00:28:18,720
Speaker 1: my man is shorter than I heard. I met Prince

573
00:28:19,200 --> 00:28:21,919
Speaker 1: how what was that? Was super cool? Whereasually he came

574
00:28:22,000 --> 00:28:24,360
Speaker 1: up to me as a fan like on some are

575
00:28:24,400 --> 00:28:26,679
Speaker 1: you serious? You know I did Jimmy Hendrews thing right,

576
00:28:26,880 --> 00:28:28,480
Speaker 1: you tell you this what Prince did? Real? Yeah, you

577
00:28:28,600 --> 00:28:32,600
Speaker 1: give me some ship. When I met Prince, don't remember Guy? Yes,

578
00:28:33,240 --> 00:28:37,840
Speaker 1: his shot his his club club right next to Jerry's

579
00:28:37,880 --> 00:28:40,160
Speaker 1: Ane of years ago. This dude Guy not Guy out

580
00:28:40,200 --> 00:28:45,080
Speaker 1: series Guy his family on Jerry's Jerry's Deli, which is

581
00:28:45,080 --> 00:28:46,600
Speaker 1: a popular delhi in l A. Then he had a

582
00:28:46,640 --> 00:28:50,479
Speaker 1: spot called Guys. Yeah. So one night Prince when night

583
00:28:50,480 --> 00:28:54,400
Speaker 1: I was there because Princess DJ Rashida was dating my

584
00:28:54,480 --> 00:28:56,480
Speaker 1: friend of mine. He was like it will come up,

585
00:28:56,560 --> 00:28:59,200
Speaker 1: you know Rashida's birthday party. So I go there. You

586
00:28:59,200 --> 00:29:01,800
Speaker 1: remember guy spot was small, I mean maybe maybe a

587
00:29:01,880 --> 00:29:03,880
Speaker 1: hundred people, not even I mean like eighty five people

588
00:29:03,920 --> 00:29:07,640
Speaker 1: could fitting. It was small and uh but dark. So

589
00:29:07,720 --> 00:29:11,800
Speaker 1: Prince comes up to me and he's like, uh, tap

590
00:29:11,880 --> 00:29:14,520
Speaker 1: me on my back. I turned around. Yeah, tap me

591
00:29:14,560 --> 00:29:16,720
Speaker 1: on the back and turn around his Prince you know

592
00:29:16,720 --> 00:29:20,160
Speaker 1: what I'm saying. And he was going, yeah, what Prince

593
00:29:20,240 --> 00:29:22,400
Speaker 1: was a h percent Prince and he goes uh in

594
00:29:22,400 --> 00:29:24,560
Speaker 1: a deep Prince voice because you know them cats be

595
00:29:24,560 --> 00:29:26,680
Speaker 1: working with their voice and voice be overhead, the voice

596
00:29:26,720 --> 00:29:29,840
Speaker 1: be falsetto sometime in the deep Prince voice. He goes,

597
00:29:30,240 --> 00:29:34,840
Speaker 1: recognized my suit? So I did? I recognized his suit? Right?

598
00:29:35,000 --> 00:29:37,040
Speaker 1: So I was about to say I said yeah, And

599
00:29:37,080 --> 00:29:38,600
Speaker 1: I was about to say what I thought it was,

600
00:29:38,680 --> 00:29:41,640
Speaker 1: and he said, hold, I thought, and he did he

601
00:29:41,720 --> 00:29:43,280
Speaker 1: did right. So I was with one of my boys

602
00:29:43,320 --> 00:29:45,320
Speaker 1: and I was like, yo, my man, that's Prince. He

603
00:29:45,400 --> 00:29:48,160
Speaker 1: was like, yo, dude, you around. It's yeah, man, that's Prince.

604
00:29:48,200 --> 00:29:49,880
Speaker 1: We're going back and forth. I was like, yo, he

605
00:29:49,960 --> 00:29:53,120
Speaker 1: comes back and then the Prince way he goes, well,

606
00:29:54,840 --> 00:29:56,560
Speaker 1: it seems like purple ray. You know what I'm saying.

607
00:29:56,760 --> 00:30:00,880
Speaker 1: He said. He said well, and I said, as Jimmy

608
00:30:00,960 --> 00:30:03,760
Speaker 1: Hendrick's suit, he had a double. He had a double

609
00:30:03,800 --> 00:30:08,040
Speaker 1: breasted pen strike Jimmy Hendricks suit on from that Jimmy

610
00:30:08,080 --> 00:30:11,040
Speaker 1: Hendricks war in a court trial that he had And

611
00:30:11,080 --> 00:30:13,120
Speaker 1: so it's real obscure ship to know, but I totally

612
00:30:13,200 --> 00:30:15,240
Speaker 1: recognized it because I played Jimmy Hendricks and we did

613
00:30:15,280 --> 00:30:18,719
Speaker 1: the scene and the suit was real specific. So, uh,

614
00:30:19,000 --> 00:30:22,240
Speaker 1: what was it had on? The suit? He had on

615
00:30:22,360 --> 00:30:24,120
Speaker 1: that suit? He had that suit on. That's what I'm

616
00:30:24,120 --> 00:30:27,560
Speaker 1: trying to Hendrix was much smaller than people think he

617
00:30:27,600 --> 00:30:31,160
Speaker 1: looked tall. Oh no, Prince had on a replica of it. Okay, okay,

618
00:30:31,600 --> 00:30:33,800
Speaker 1: you had the exactly replicise you because I asked him

619
00:30:33,840 --> 00:30:35,760
Speaker 1: the same thing I thought that he had on because

620
00:30:35,800 --> 00:30:39,640
Speaker 1: he probably could afford to buy print, uh Jimmy's suit,

621
00:30:40,240 --> 00:30:42,640
Speaker 1: But anyway, had that on and I knew the answer,

622
00:30:42,640 --> 00:30:44,840
Speaker 1: and then you know, and then I got invited to

623
00:30:44,880 --> 00:30:47,960
Speaker 1: his crib, went to his crib one here, Yeah, and

624
00:30:48,040 --> 00:30:50,200
Speaker 1: what the fun was that? Like crib was crazy, man,

625
00:30:50,320 --> 00:30:53,240
Speaker 1: I mean it was huge. It was just like huge, huge, huge.

626
00:30:53,680 --> 00:30:55,960
Speaker 1: I think it was off moult Holland if I'm not mistaken,

627
00:30:56,560 --> 00:30:58,720
Speaker 1: but like his his crib is just gigantic, and it

628
00:30:58,760 --> 00:31:01,600
Speaker 1: was more like a villa, like a group of houses

629
00:31:01,960 --> 00:31:04,560
Speaker 1: and they were huge. Did you see him perform like

630
00:31:04,600 --> 00:31:06,479
Speaker 1: one of those concerts, like and he was in we

631
00:31:06,480 --> 00:31:08,080
Speaker 1: were in the living room. It was just Prince. He

632
00:31:08,160 --> 00:31:10,200
Speaker 1: was just being itself And it was not a lot

633
00:31:10,200 --> 00:31:13,800
Speaker 1: of people there but his He had like like an

634
00:31:13,800 --> 00:31:16,320
Speaker 1: open band thing where anybody could come and play in

635
00:31:16,800 --> 00:31:19,200
Speaker 1: and they're just up there rocking there. But it was

636
00:31:19,240 --> 00:31:24,440
Speaker 1: cla e Um. I think Larry Graham was there. Prince

637
00:31:24,520 --> 00:31:27,560
Speaker 1: was in and out of it. Yeah. I saw Prince

638
00:31:27,600 --> 00:31:31,840
Speaker 1: and D'Angelo performed together in a small venue one time. Um.

639
00:31:31,920 --> 00:31:34,760
Speaker 1: But yeah, you know, that was an interesting thing on meeting.

640
00:31:35,240 --> 00:31:37,920
Speaker 1: Give me one more other person, like a celebrity that

641
00:31:38,000 --> 00:31:41,120
Speaker 1: you admired that you met over the years, because because

642
00:31:42,040 --> 00:31:45,000
Speaker 1: you know, like people think like you get detached, like

643
00:31:45,080 --> 00:31:49,400
Speaker 1: and and like you get sort of like I made

644
00:31:49,400 --> 00:31:51,080
Speaker 1: a promise when I came out that I was never

645
00:31:51,120 --> 00:31:54,720
Speaker 1: gonna be unimpressed with people. You have to you have

646
00:31:54,840 --> 00:31:58,640
Speaker 1: to stay exciting, you have to stay like, oh shit,

647
00:31:58,720 --> 00:32:01,120
Speaker 1: it's I mean, obviously any body's gonna it would take

648
00:32:01,200 --> 00:32:03,200
Speaker 1: years to get over fucking hanging out with prints like

649
00:32:03,240 --> 00:32:06,040
Speaker 1: you're always gonna like that's princes. Like, who was another

650
00:32:06,040 --> 00:32:08,000
Speaker 1: one that that you met over the years that you

651
00:32:08,040 --> 00:32:12,000
Speaker 1: were like, oh ship, well man, man, I've been Man,

652
00:32:12,360 --> 00:32:14,080
Speaker 1: it's weird now that I think of it. I met

653
00:32:14,320 --> 00:32:16,840
Speaker 1: quite a few that I would say like, wow, that

654
00:32:16,960 --> 00:32:20,200
Speaker 1: was an incident that was similar to Princess too. Like

655
00:32:20,240 --> 00:32:24,560
Speaker 1: I met Paul Newman for Paul Newman died and I

656
00:32:24,640 --> 00:32:26,240
Speaker 1: was a fan of Paul Newman's you know know what I'm saying,

657
00:32:26,280 --> 00:32:28,000
Speaker 1: cool hand Luke and all that type of ship. Those

658
00:32:28,000 --> 00:32:32,080
Speaker 1: are like cats I really liked so so um, I

659
00:32:32,160 --> 00:32:35,760
Speaker 1: end up doing a play off Broadway. The joint would

660
00:32:35,760 --> 00:32:39,400
Speaker 1: have directed years of years of years ago. His wife

661
00:32:40,200 --> 00:32:43,080
Speaker 1: and we rehearsed that his at his crib, you know

662
00:32:43,160 --> 00:32:46,680
Speaker 1: what I'm saying, And so me Marissa Tommay. And at

663
00:32:46,720 --> 00:32:48,840
Speaker 1: that time, it was a long time ago, like there

664
00:32:48,920 --> 00:32:51,920
Speaker 1: was you know, we weren't, no one, nobody was famous.

665
00:32:51,960 --> 00:32:55,240
Speaker 1: I was actually like getting out of school. I was

666
00:32:55,280 --> 00:32:57,880
Speaker 1: in school maybe still. It was a summer or something

667
00:32:58,120 --> 00:33:01,719
Speaker 1: something like that, and I meet Paul Newman. He and

668
00:33:01,760 --> 00:33:03,800
Speaker 1: Sydney Portier. They get on the elevated with me, right

669
00:33:03,800 --> 00:33:07,600
Speaker 1: because Paul Newman live on like ninety ninety fifth Street

670
00:33:08,200 --> 00:33:10,960
Speaker 1: or for like fifth Street, the top floor as his

671
00:33:11,120 --> 00:33:14,800
Speaker 1: and the building is crazy super fly ship Paul Newman

672
00:33:14,880 --> 00:33:18,600
Speaker 1: ship like Newman Zone, real real talk, So get on it.

673
00:33:18,720 --> 00:33:20,680
Speaker 1: So it's you hit these two dudes before you see him.

674
00:33:20,680 --> 00:33:23,800
Speaker 1: They're laughing and you hit these robust laughs. Come around

675
00:33:23,800 --> 00:33:26,840
Speaker 1: the corner and it's Sydney Portier Paul Newman, two of

676
00:33:26,880 --> 00:33:30,959
Speaker 1: my favorite. Yeah, I was just like, oh ship, literally

677
00:33:31,040 --> 00:33:33,720
Speaker 1: like oh ship. Took a deep breath and just was

678
00:33:33,760 --> 00:33:35,880
Speaker 1: like trying to relax and just be cool and sort

679
00:33:35,920 --> 00:33:37,959
Speaker 1: of disappear, you know, And they got on because they

680
00:33:38,000 --> 00:33:40,600
Speaker 1: was having a conversation. Were't gonna say nothing to him,

681
00:33:40,680 --> 00:33:46,160
Speaker 1: so roll to his floor with them, got off, and

682
00:33:46,160 --> 00:33:48,880
Speaker 1: when we got off, you know, we just went inside

683
00:33:48,880 --> 00:33:52,000
Speaker 1: and he and sydneypot they disappeared because the problem was huge,

684
00:33:52,080 --> 00:33:54,480
Speaker 1: much bigger than any thing you can imagine right now,

685
00:33:54,520 --> 00:33:58,160
Speaker 1: Like you can get lost in his and we go

686
00:33:58,320 --> 00:34:00,880
Speaker 1: we go off and rehearse. Anyway, own story short, We

687
00:34:00,880 --> 00:34:03,680
Speaker 1: we do the play. It was waiting for good Dog,

688
00:34:04,240 --> 00:34:07,880
Speaker 1: I mean waiting for Lefty, waiting for left this old

689
00:34:07,880 --> 00:34:10,120
Speaker 1: play that nobody does anymore. When we did it in

690
00:34:10,160 --> 00:34:12,360
Speaker 1: a round to some real super New York ships, some

691
00:34:12,480 --> 00:34:14,879
Speaker 1: super artistic New York ship with Mirriss Tomay and these

692
00:34:14,920 --> 00:34:18,319
Speaker 1: other people, and so he came. He saw the play

693
00:34:18,400 --> 00:34:21,520
Speaker 1: open at night. But Paul Newman walks up to me.

694
00:34:21,560 --> 00:34:23,880
Speaker 1: I see him sneaking through this crowd of people after

695
00:34:23,920 --> 00:34:27,400
Speaker 1: the play and people are sort of meandering and talking

696
00:34:27,400 --> 00:34:29,680
Speaker 1: and drinking wine and all that type of ship, and

697
00:34:29,719 --> 00:34:31,480
Speaker 1: he sort of like, I see him sneaking over to me.

698
00:34:31,560 --> 00:34:34,560
Speaker 1: I'm standing there with Marissa Tomayn. He comes over to

699
00:34:34,600 --> 00:34:38,319
Speaker 1: me and he's like, yeah, he said, listen, you said

700
00:34:38,320 --> 00:34:41,200
Speaker 1: you kick gas kids. He said that, Yeah, Paul Newman

701
00:34:41,200 --> 00:34:43,839
Speaker 1: said to me, you kicked that with the blue eyes

702
00:34:43,880 --> 00:34:46,960
Speaker 1: and all that. And Marris Tomay like slapped him on

703
00:34:47,000 --> 00:34:49,680
Speaker 1: his shoulder for some reason. You know, he was a

704
00:34:49,680 --> 00:34:51,560
Speaker 1: big flirt. He was. He was cool with the chicks

705
00:34:51,640 --> 00:34:55,080
Speaker 1: like that. He said something to her that was perfect.

706
00:34:55,080 --> 00:34:56,440
Speaker 1: I should have wrote it down, but I did right

707
00:34:56,520 --> 00:34:59,239
Speaker 1: down what he told me. It's like the only thing

708
00:34:59,280 --> 00:35:03,399
Speaker 1: I ever had a diary of. I got a one

709
00:35:03,440 --> 00:35:05,920
Speaker 1: sentence diary and I just told the whole world. That's it.

710
00:35:06,000 --> 00:35:08,760
Speaker 1: That's all you need. Paul Newman's said, I kicked as kids.

711
00:35:08,880 --> 00:35:10,680
Speaker 1: That's it. You don't need to fix that. Fand upon

712
00:35:10,800 --> 00:35:12,840
Speaker 1: him and then to meet Denzel later and work with

713
00:35:12,880 --> 00:35:15,759
Speaker 1: him all those guys. I was a big fan, like huge, huge, huge,

714
00:35:15,800 --> 00:35:19,960
Speaker 1: hue star studded fan, like anybody would be whoever was

715
00:35:20,000 --> 00:35:23,320
Speaker 1: a fan of somebody, Like do you find that because

716
00:35:23,320 --> 00:35:28,800
Speaker 1: since you've played so many criminal cock suckers from Painting

717
00:35:28,920 --> 00:35:31,200
Speaker 1: Full to Above the Rim, it's a lot of bad

718
00:35:31,239 --> 00:35:35,680
Speaker 1: guys to avon Barksdale And I'm sure there's like a

719
00:35:35,680 --> 00:35:37,759
Speaker 1: whole list of ship, like you know, if I went through,

720
00:35:37,800 --> 00:35:41,640
Speaker 1: like you know, I'm sure there's probably we didn't justify Yes,

721
00:35:41,760 --> 00:35:44,919
Speaker 1: yes we worked. Just you have an ice cold way

722
00:35:45,080 --> 00:35:47,720
Speaker 1: like that you that you could do as a bad guy.

723
00:35:47,840 --> 00:35:49,319
Speaker 1: But you weren't a bad guy in Painting for but

724
00:35:49,360 --> 00:35:52,120
Speaker 1: you know, you know the character was was a drug dare,

725
00:35:52,160 --> 00:35:54,000
Speaker 1: but you were the best of the bunch. But you

726
00:35:54,000 --> 00:35:56,840
Speaker 1: you've you've played a lot of street ship. Do you

727
00:35:56,920 --> 00:35:59,520
Speaker 1: find that people when they approach you like street dudes,

728
00:35:59,560 --> 00:36:02,000
Speaker 1: like they're trying to like, are you on some real

729
00:36:02,280 --> 00:36:03,799
Speaker 1: like are they trying to size you up? Or they

730
00:36:03,880 --> 00:36:06,960
Speaker 1: like or most motherfuckers they get it because you've played

731
00:36:06,960 --> 00:36:09,879
Speaker 1: some motherfucker's like especially like back in Above the Room

732
00:36:09,920 --> 00:36:12,560
Speaker 1: before you're real famous, Like people like I was like

733
00:36:12,800 --> 00:36:15,560
Speaker 1: who the fund is? This fucking guy, like like, who

734
00:36:15,640 --> 00:36:17,520
Speaker 1: is this fucking guy got the razor in his mouth?

735
00:36:17,560 --> 00:36:21,840
Speaker 1: Like I was like, dude, who is this fucking guy here? Uh?

736
00:36:22,239 --> 00:36:25,000
Speaker 1: My experience with with with with with cats in the

737
00:36:25,040 --> 00:36:27,759
Speaker 1: real world who have seen like me play the bad

738
00:36:27,760 --> 00:36:30,480
Speaker 1: guy who might be like those characters. They do acknowledge

739
00:36:30,480 --> 00:36:34,360
Speaker 1: that with me, that they they have the experience of

740
00:36:34,400 --> 00:36:40,920
Speaker 1: some pretty big time cats, um showing me love the

741
00:36:40,920 --> 00:36:42,640
Speaker 1: way they showed love. You know, I always look at

742
00:36:42,640 --> 00:36:44,200
Speaker 1: it like, oh, that's how they probably that's how the

743
00:36:44,320 --> 00:36:49,200
Speaker 1: Italians treat de Niro. You know what I'm saying. Do

744
00:36:49,239 --> 00:36:52,040
Speaker 1: you have you ever met Robert DeNiro? Of course you

745
00:36:52,160 --> 00:36:53,959
Speaker 1: never met him, But I got a note from Robert

746
00:36:54,000 --> 00:36:56,520
Speaker 1: DeNiro as a that's somebody I gotta knowe from who

747
00:36:56,760 --> 00:37:00,000
Speaker 1: complimented me one time. Serious, I never met Robert DeNiro,

748
00:37:00,080 --> 00:37:04,400
Speaker 1: bro Yo, what was the note? What induced me to Robert? Yeah, Robert,

749
00:37:05,080 --> 00:37:07,360
Speaker 1: I want to we're best friends. But dude, Robert Neils

750
00:37:07,920 --> 00:37:10,920
Speaker 1: might be. I mean, what's your top five? Robert deniros

751
00:37:10,960 --> 00:37:13,600
Speaker 1: in my top five? Nowadays, this young generation only sees

752
00:37:14,040 --> 00:37:16,839
Speaker 1: the grandfather Robert DeNiro. They don't They're crazy. They don't

753
00:37:16,880 --> 00:37:20,160
Speaker 1: even know Robert they don't even watch Raging Bull. What's

754
00:37:20,200 --> 00:37:22,200
Speaker 1: your top five actors? You do want? I'll do one

755
00:37:23,800 --> 00:37:25,080
Speaker 1: and then we need you need to tell me how

756
00:37:25,120 --> 00:37:27,200
Speaker 1: you got the note from Robert DeNiro, But no from

757
00:37:27,320 --> 00:37:30,640
Speaker 1: Robert de Niro. Came from my agent, all for what project?

758
00:37:30,680 --> 00:37:37,120
Speaker 1: It was off of Jimmy Hendricks, right, little scene overlooked

759
00:37:37,160 --> 00:37:42,719
Speaker 1: performance in Jimmie Hendricks movie. I was fucking floored by

760
00:37:42,719 --> 00:37:45,680
Speaker 1: that ship like you had like you don't look like

761
00:37:45,760 --> 00:37:48,960
Speaker 1: you can said, well, he don't look exactly essence down.

762
00:37:49,440 --> 00:37:52,520
Speaker 1: You had the fucking essence of Jimi Hendrick down. And

763
00:37:52,520 --> 00:37:54,319
Speaker 1: and I advise you, I'm sure you could watch it

764
00:37:54,320 --> 00:37:56,279
Speaker 1: on on Netflix. Can get that if you want. Well,

765
00:37:56,320 --> 00:38:00,800
Speaker 1: what's the name of the Hendricks? Watchwood Harrison in Hendricks

766
00:38:00,960 --> 00:38:04,120
Speaker 1: because it just kind of came and went and and

767
00:38:04,120 --> 00:38:05,880
Speaker 1: and it should have gotten more sort of life than

768
00:38:05,920 --> 00:38:08,560
Speaker 1: it should because your performance. I remember I hit you

769
00:38:08,680 --> 00:38:11,000
Speaker 1: or we were playing in the NBA Entertainment Basketball and

770
00:38:11,000 --> 00:38:13,759
Speaker 1: I was just like, you know how much I was

771
00:38:13,760 --> 00:38:16,120
Speaker 1: impressed by that. I remember where I was when I

772
00:38:16,160 --> 00:38:18,640
Speaker 1: saw it, you know what I mean, Like I like

773
00:38:18,680 --> 00:38:20,319
Speaker 1: I remember like I was in my old career. I

774
00:38:20,320 --> 00:38:22,640
Speaker 1: had this big the flat screen TVs that you had

775
00:38:22,680 --> 00:38:24,520
Speaker 1: to move around. They weren't on the wall like them

776
00:38:24,560 --> 00:38:28,480
Speaker 1: ship And I remember being like, yo, some motherfucker's actually

777
00:38:28,520 --> 00:38:31,399
Speaker 1: like Jimmy Hendrix, Like it wasn't like you were doing

778
00:38:31,400 --> 00:38:35,440
Speaker 1: an impression, like you captured his essence. Yeah, I think that.

779
00:38:35,840 --> 00:38:38,239
Speaker 1: I think that that's what you really want to do,

780
00:38:38,280 --> 00:38:41,680
Speaker 1: is like you wanted to try to find if you're

781
00:38:41,680 --> 00:38:47,360
Speaker 1: playing a real person, then your research is simpler. Really,

782
00:38:47,400 --> 00:38:50,200
Speaker 1: it's almost easier to be a real person in acting.

783
00:38:50,840 --> 00:38:53,319
Speaker 1: If you're capable of doing it. Then have to use

784
00:38:53,320 --> 00:38:57,399
Speaker 1: the imagination and constantly create fictitious, fictitious characters, making making

785
00:38:57,480 --> 00:39:00,320
Speaker 1: from scratch, making from scratch, know something was already made.

786
00:39:01,080 --> 00:39:03,480
Speaker 1: These are the ingredients? Can you can you find these

787
00:39:03,560 --> 00:39:08,960
Speaker 1: ingredients within yourself type thing? So Jimmy Hendry's Avon Boxdale,

788
00:39:09,200 --> 00:39:11,240
Speaker 1: most of the characters, people say, those are real people.

789
00:39:12,080 --> 00:39:14,720
Speaker 1: It's a blessing for me and my myself. I believe

790
00:39:14,760 --> 00:39:17,319
Speaker 1: as an artist that you know, you kind of in act.

791
00:39:17,400 --> 00:39:19,480
Speaker 1: I think actors get what's thrown to him in a sense,

792
00:39:20,080 --> 00:39:22,640
Speaker 1: so you end up shaped up the way your career was.

793
00:39:22,760 --> 00:39:25,279
Speaker 1: Your career makes you the actor who you got you

794
00:39:25,880 --> 00:39:28,080
Speaker 1: And uh, I don't know. I think that. UM, I've

795
00:39:28,080 --> 00:39:32,520
Speaker 1: been very fortunate in that sense. The I n Rapports

796
00:39:32,560 --> 00:39:36,239
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797
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808
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Speaker 1: com Forward slash rapp Report. Gamer Tag Radio is headed

811
00:40:33,600 --> 00:40:37,040
Speaker 1: to E three. Three is one of the biggest events

812
00:40:37,040 --> 00:40:39,120
Speaker 1: for gamer tag Radio and you don't want to miss

813
00:40:39,160 --> 00:40:42,520
Speaker 1: this Douin, host Danny Pana, Paris Lilly, and Peter Toledo

814
00:40:42,640 --> 00:40:45,000
Speaker 1: direct from the convention center floor. What are the plants

815
00:40:45,040 --> 00:40:48,120
Speaker 1: from Microsoft? We're gonna see more new titles from Sony PlayStation.

816
00:40:48,160 --> 00:40:52,000
Speaker 1: How about Nintendo interviews, rock table discussion reviews, hand on

817
00:40:52,040 --> 00:40:58,600
Speaker 1: impressions and more coverage on gamer tag Radio, gammer tag

818
00:40:58,680 --> 00:41:08,080
Speaker 1: radio dot com or play Who are your top five?

819
00:41:08,160 --> 00:41:09,759
Speaker 1: Top five? You do one and we can we can

820
00:41:09,840 --> 00:41:11,960
Speaker 1: you well, you know we'll do top five. We can't duplicate,

821
00:41:12,520 --> 00:41:14,640
Speaker 1: but your actors that mean the most. You do one,

822
00:41:14,680 --> 00:41:17,200
Speaker 1: I'll do one, We'll do five each. I would say,

823
00:41:17,600 --> 00:41:21,600
Speaker 1: I'm gonna have to say, you know, well that put Denzel.

824
00:41:21,719 --> 00:41:24,560
Speaker 1: This is not like me saying this is my favorite

825
00:41:24,600 --> 00:41:28,560
Speaker 1: actor's list. Is that I don't know how this is

826
00:41:28,560 --> 00:41:30,920
Speaker 1: the top five available. So it's the top ten between

827
00:41:30,960 --> 00:41:33,799
Speaker 1: me and what Harris, go ahead, you got Denzel. I'm

828
00:41:33,800 --> 00:41:37,480
Speaker 1: gonna say, Denzel, I'm gonna take DeNiro, all right. It's

829
00:41:37,480 --> 00:41:39,840
Speaker 1: like we're like we're doing a drip, like we're like

830
00:41:39,880 --> 00:41:42,360
Speaker 1: do it all Star team. So you're Denzel, I got DeNiro.

831
00:41:43,760 --> 00:41:45,920
Speaker 1: Well you're gonna make me go Anthony Hopkins, all right,

832
00:41:47,120 --> 00:41:50,520
Speaker 1: exactly Okay, okay, you better get who I think you

833
00:41:50,520 --> 00:41:53,040
Speaker 1: should get right now, because if you don't, because if

834
00:41:53,080 --> 00:41:57,680
Speaker 1: you don't get her, oh, I'm gonna let you get

835
00:41:57,680 --> 00:41:59,680
Speaker 1: her because because I wasn't gonna pick her, but you

836
00:41:59,760 --> 00:42:01,880
Speaker 1: got Anthony Hopkins. So I thought I'm gonna get it.

837
00:42:01,880 --> 00:42:04,640
Speaker 1: Because I got Anthony Hopkins. Your squad is over No.

838
00:42:04,719 --> 00:42:06,839
Speaker 1: I got really, because I got de Niro and now

839
00:42:06,880 --> 00:42:09,439
Speaker 1: I got Marlon Brando. Okay, I don't know what the funk. Okay,

840
00:42:09,440 --> 00:42:12,839
Speaker 1: Marlon brand was playing center this time. Okay, I'm putting.

841
00:42:13,120 --> 00:42:18,880
Speaker 1: I'm going. I'm sticking with my Meryl Street. Fine, got

842
00:42:18,960 --> 00:42:23,919
Speaker 1: it right? If you make twenty times, if you made

843
00:42:23,920 --> 00:42:28,160
Speaker 1: Trump quote, she's over rated. Your team's fucked squad is

844
00:42:28,200 --> 00:42:30,560
Speaker 1: crazy right now? Yeah, So you got Meryl, So you

845
00:42:30,640 --> 00:42:35,319
Speaker 1: got Denzel, your Malin? Who you got? You? I got bombed.

846
00:42:35,320 --> 00:42:37,200
Speaker 1: I got my third pick coming up right now. I'm

847
00:42:37,200 --> 00:42:40,319
Speaker 1: gonna go with Dustin Hoffman. He's my, he's my. I

848
00:42:40,480 --> 00:42:42,200
Speaker 1: fucking love it. I need a woman now, I gotta.

849
00:42:42,200 --> 00:42:45,160
Speaker 1: I'm gonna come back to a woman. That's what I'm saying. No,

850
00:42:45,320 --> 00:42:48,279
Speaker 1: go ahead, you got the woman. I got the woman.

851
00:42:48,600 --> 00:42:50,560
Speaker 1: Now there's this, there's there's some cool ones out there.

852
00:42:51,320 --> 00:42:56,640
Speaker 1: Excuse me, I'm gonna have to go. Geez. We got

853
00:42:56,680 --> 00:42:59,240
Speaker 1: a good team though, huh, you have a good squad.

854
00:42:59,280 --> 00:43:01,920
Speaker 1: Wad you see my squad. I let you when you

855
00:43:01,960 --> 00:43:03,120
Speaker 1: said to her, I knew you were going to go.

856
00:43:03,840 --> 00:43:08,040
Speaker 1: But she's so overrated, she's so over fucking rating. But

857
00:43:08,080 --> 00:43:10,600
Speaker 1: I don't say that she been in I'm just kidding.

858
00:43:10,719 --> 00:43:12,800
Speaker 1: I know that's the Trump What had she been in? Trump?

859
00:43:13,040 --> 00:43:16,120
Speaker 1: That's the Trump in you? Remember who was that? Who

860
00:43:16,160 --> 00:43:18,680
Speaker 1: was that? That was the bitch in you? Comm and

861
00:43:18,719 --> 00:43:20,840
Speaker 1: that's the bitch in you that should be. That's the

862
00:43:20,880 --> 00:43:25,480
Speaker 1: Trump and you the Trump and you common that's you.

863
00:43:25,480 --> 00:43:27,120
Speaker 1: You gott he gotta do that. That's the Trump in you.

864
00:43:27,360 --> 00:43:29,239
Speaker 1: Oh know, let me see. That's my three and then

865
00:43:29,280 --> 00:43:31,360
Speaker 1: I'm gonna go four. I'm gonna have to go. You

866
00:43:31,360 --> 00:43:33,800
Speaker 1: know who used to be on the listen? I probably

867
00:43:33,840 --> 00:43:35,319
Speaker 1: have to just put him back on that listen, just

868
00:43:35,440 --> 00:43:37,520
Speaker 1: not not disrespect him by saying he used to be

869
00:43:37,560 --> 00:43:40,480
Speaker 1: on there. I'm gonna go with Lawrence fishburn Man. Great,

870
00:43:41,160 --> 00:43:44,080
Speaker 1: do you see he's bt man down? I didn't see it.

871
00:43:44,080 --> 00:43:45,440
Speaker 1: I ain't see, I ain't see. I need to see

872
00:43:45,480 --> 00:43:48,000
Speaker 1: that you know it lived. He Yeah, I'm a Lawrence

873
00:43:48,000 --> 00:43:49,560
Speaker 1: Fisherman fan. I got a chance to work with him

874
00:43:49,600 --> 00:43:51,520
Speaker 1: last year too, had a robust last year. Would you

875
00:43:51,560 --> 00:43:54,719
Speaker 1: work with him on this thing called Bronzeville? Okay that

876
00:43:55,719 --> 00:43:59,319
Speaker 1: you know, I funk with fishburn hard body. I'm an

877
00:43:59,440 --> 00:44:01,440
Speaker 1: fun all right, because because now and now you have

878
00:44:01,760 --> 00:44:06,440
Speaker 1: not only do you have a multicultural list you I

879
00:44:06,480 --> 00:44:09,239
Speaker 1: got a bunch of Italians, guy from New York, I

880
00:44:09,239 --> 00:44:12,600
Speaker 1: got Italians. I got a couple of times and and

881
00:44:12,600 --> 00:44:18,040
Speaker 1: and I want to do it Samuel Jackson. I'm gonna

882
00:44:18,040 --> 00:44:20,279
Speaker 1: go with sam That's a good one. That's about third

883
00:44:20,320 --> 00:44:24,400
Speaker 1: on that one. Okay, So now I gotta find a

884
00:44:24,480 --> 00:44:27,680
Speaker 1: woman ship. You need a chick. You don't need a

885
00:44:27,719 --> 00:44:33,000
Speaker 1: chick because Meryl Streep, she's like the I got Mike

886
00:44:33,080 --> 00:44:35,759
Speaker 1: now strip, but I got Mike though, that's Mike on

887
00:44:35,800 --> 00:44:38,400
Speaker 1: the squad. Really, if you think about I know she's overrated,

888
00:44:38,400 --> 00:44:40,839
Speaker 1: but totally overrated, totally over you know what I'm saying.

889
00:44:40,920 --> 00:44:42,600
Speaker 1: Joke like the way she did silk Wood and the

890
00:44:42,640 --> 00:44:47,879
Speaker 1: way silk yeah, yeah, that was terrible about to see

891
00:44:47,880 --> 00:44:52,200
Speaker 1: her and be like, you know, you're overrated. I mean

892
00:44:52,200 --> 00:44:53,759
Speaker 1: I would be impressed to see you. But the only

893
00:44:53,800 --> 00:44:55,960
Speaker 1: thing that I wanted to tell you you're overrated. That's

894
00:44:55,960 --> 00:44:57,759
Speaker 1: what I'm saying. I never remember you say, you know,

895
00:44:57,880 --> 00:44:59,560
Speaker 1: come on, like when I cried about that, when I

896
00:44:59,560 --> 00:45:03,400
Speaker 1: actually right doing when you made me cry that you overrated? Yeah,

897
00:45:03,719 --> 00:45:05,880
Speaker 1: Sophie's choice. You know what I thought. It was just

898
00:45:05,880 --> 00:45:08,320
Speaker 1: like the reason why I was crying is how overrated

899
00:45:08,360 --> 00:45:10,239
Speaker 1: you are? And she and it was so long ago,

900
00:45:10,360 --> 00:45:12,839
Speaker 1: like and she was like that bad that long ago,

901
00:45:12,920 --> 00:45:15,040
Speaker 1: and how how bad can you like for how long

902
00:45:15,719 --> 00:45:18,759
Speaker 1: that bad? Like the consistency of being bad for a

903
00:45:18,880 --> 00:45:21,440
Speaker 1: year after bad is that she does every role the

904
00:45:21,480 --> 00:45:23,920
Speaker 1: same way. Every role is the same with the accents

905
00:45:24,280 --> 00:45:27,760
Speaker 1: almost gotta laugh like I'm like, I'm now I'm laughing.

906
00:45:28,000 --> 00:45:31,480
Speaker 1: I'm literally laughing, like like like as far as the versatility,

907
00:45:31,480 --> 00:45:34,839
Speaker 1: it's like, do something different. It's almost like saying Mike

908
00:45:35,000 --> 00:45:38,919
Speaker 1: was overrated, Yeah, like oh yeah, Michael Jordan's like yeah,

909
00:45:38,960 --> 00:45:43,000
Speaker 1: but what about Steve Kerr what about Bill Kerrwright? You

910
00:45:43,040 --> 00:45:46,640
Speaker 1: remember he was on that team? All right? So who's

911
00:45:46,640 --> 00:45:51,280
Speaker 1: your fifth? Number five? I said fish Burn, I said Denzel,

912
00:45:51,440 --> 00:45:55,279
Speaker 1: I said Young Meryl Streeps, I said, And I said

913
00:45:55,280 --> 00:45:58,640
Speaker 1: Anthony Hawkins. That's crazy. So you know what, I'm gonna go.

914
00:45:59,080 --> 00:46:01,279
Speaker 1: I got one for you. No, I'm gonna go. You know,

915
00:46:01,360 --> 00:46:03,120
Speaker 1: this guy is one of my favorites and he's been

916
00:46:03,120 --> 00:46:05,640
Speaker 1: falling off a little bit. But I'm gonna go. Johnny

917
00:46:05,680 --> 00:46:10,200
Speaker 1: Depp on you man, Okay, Yeah, that's another guy who morphs. No, No,

918
00:46:10,440 --> 00:46:12,279
Speaker 1: can I take that back? Go ahead, you can take it.

919
00:46:12,320 --> 00:46:15,720
Speaker 1: You can put Johnny as your sixth man, the bench,

920
00:46:16,480 --> 00:46:20,239
Speaker 1: six man acting. Sean Penn Rock, I was gonna take

921
00:46:20,280 --> 00:46:22,960
Speaker 1: him Game of Rock. I was gonna take me Rock.

922
00:46:23,000 --> 00:46:24,440
Speaker 1: Do you ever work where he never worked with him?

923
00:46:24,480 --> 00:46:27,040
Speaker 1: I never met. Sean's my favorite act. He's he's a

924
00:46:27,040 --> 00:46:30,000
Speaker 1: cool dude. No El Chapo. You heard not. Noel Chopper,

925
00:46:30,320 --> 00:46:35,640
Speaker 1: Shan Noel Chopper. Alright, what's all that about. He's a

926
00:46:35,640 --> 00:46:38,640
Speaker 1: wild cowboy. He's a wild cowboy. It was Sean Pinn

927
00:46:39,000 --> 00:46:41,240
Speaker 1: went to Haydi when the ship right after the storm.

928
00:46:41,280 --> 00:46:44,040
Speaker 1: I respect storm. Sean like fun with him. He was short.

929
00:46:44,280 --> 00:46:46,439
Speaker 1: It was Sean Pin slapped the ship up. Madonna, you'll

930
00:46:46,480 --> 00:46:51,880
Speaker 1: come here, I fuck you up. Back in the day shop,

931
00:46:52,560 --> 00:46:54,400
Speaker 1: it was sharp and your Madonna funk out of here

932
00:46:54,440 --> 00:46:58,880
Speaker 1: with that. Yeah, homeless back then when you could do

933
00:46:58,920 --> 00:47:00,799
Speaker 1: that type of ship he was doing. Now you can

934
00:47:00,920 --> 00:47:03,359
Speaker 1: video tape put up in real time. All right, I'm

935
00:47:03,400 --> 00:47:06,000
Speaker 1: gonna go with John Taturo because I funk with him

936
00:47:06,000 --> 00:47:12,040
Speaker 1: and he's totally underrated, underappreciating. Are you crazy? Robert DeNiro

937
00:47:16,080 --> 00:47:20,600
Speaker 1: al Pacino's. And I was gonna pick Jack Nicholson, but

938
00:47:20,640 --> 00:47:23,000
Speaker 1: he's a little overweight right now. Who I was gonna

939
00:47:23,000 --> 00:47:25,200
Speaker 1: pick Jack Nicholson, but I picked al over Jack. My

940
00:47:25,239 --> 00:47:27,640
Speaker 1: squad is just I don't know what the fans are going.

941
00:47:27,640 --> 00:47:30,759
Speaker 1: I'm gonna let the fans. So it was this this

942
00:47:30,840 --> 00:47:35,480
Speaker 1: game with these squads. You heard the squads the Noble

943
00:47:35,600 --> 00:47:38,759
Speaker 1: Gang wins again. All right, but but all right, this

944
00:47:38,800 --> 00:47:40,279
Speaker 1: is this is where things I think they're gonna go

945
00:47:40,360 --> 00:47:44,000
Speaker 1: off the rails. They banned Charles Oakley from the Garden.

946
00:47:44,640 --> 00:47:46,440
Speaker 1: You're not in New Yorker, but you're sort of a

947
00:47:46,480 --> 00:47:50,240
Speaker 1: New Yorker at York and you were there during the nineties.

948
00:47:50,239 --> 00:47:54,120
Speaker 1: You're a basketball dude. And Oakley was Chicago dude. Yeah,

949
00:47:54,440 --> 00:47:56,800
Speaker 1: he was Chicago and the Nicks. What what what? What

950
00:47:57,000 --> 00:47:59,640
Speaker 1: is your take on on this whole thing with Oakley

951
00:47:59,680 --> 00:48:01,440
Speaker 1: and this the way this whole thing forgetting and now

952
00:48:01,440 --> 00:48:04,359
Speaker 1: they've got a temporary band. This has been a bad

953
00:48:04,440 --> 00:48:08,000
Speaker 1: year for bands, first the banded Muslims, they're doing airport

954
00:48:08,040 --> 00:48:13,680
Speaker 1: bands and now what the fund is going on. Both

955
00:48:13,680 --> 00:48:16,239
Speaker 1: of them should go to go to court. But um,

956
00:48:16,280 --> 00:48:19,880
Speaker 1: I think that. I think that, you know, it's actually

957
00:48:20,040 --> 00:48:23,440
Speaker 1: very sad. It just makes me feel sad. Actually, you know,

958
00:48:24,160 --> 00:48:27,880
Speaker 1: it made me feel really bad. Um to see that

959
00:48:28,960 --> 00:48:32,719
Speaker 1: with such a divided place nowadays, some of it doesn't

960
00:48:32,760 --> 00:48:34,759
Speaker 1: even make sense. It doesn't really make sense. I don't

961
00:48:34,800 --> 00:48:37,920
Speaker 1: even care if he said something in Dolan like, so

962
00:48:38,000 --> 00:48:40,880
Speaker 1: what let's say you said, you know, fuck you Dolan,

963
00:48:40,920 --> 00:48:43,200
Speaker 1: you're sucking the squat up. Well you are, dude. You

964
00:48:43,280 --> 00:48:46,640
Speaker 1: only won seven playoff games in in sixteen years or

965
00:48:46,640 --> 00:48:51,960
Speaker 1: some ship twelve years. I think it's seventeen seven games too, right,

966
00:48:52,239 --> 00:48:56,680
Speaker 1: seven seven playoff games in seventeen years, it's seven, whatever

967
00:48:56,680 --> 00:49:00,520
Speaker 1: it is, it's seven playoff games in over a decade.

968
00:49:00,600 --> 00:49:03,400
Speaker 1: Let's just say, yeah, yeah, yeah, yeah, yeah, that's seven.

969
00:49:03,440 --> 00:49:06,440
Speaker 1: You know it take four to get out the we

970
00:49:06,480 --> 00:49:08,400
Speaker 1: won one. We want to win four and out of it.

971
00:49:08,480 --> 00:49:10,360
Speaker 1: So so I don't want to hear it because I

972
00:49:10,400 --> 00:49:14,319
Speaker 1: do respect the game of basketball. I respect the New

973
00:49:14,400 --> 00:49:16,160
Speaker 1: York history as it relates to the game of basketball

974
00:49:16,160 --> 00:49:19,120
Speaker 1: from Chicago Originally. I love the rivalry we had with

975
00:49:19,160 --> 00:49:21,799
Speaker 1: the Knicks, but not the Bulls and the Knicks. They sucked.

976
00:49:21,800 --> 00:49:26,440
Speaker 1: They both sucked. A lot of rings are still shining

977
00:49:26,480 --> 00:49:29,480
Speaker 1: because we had Michael Jordan, Scutty Pippen. No ship, y'all

978
00:49:29,480 --> 00:49:32,080
Speaker 1: never had two players like that, No, nobody has. I

979
00:49:32,080 --> 00:49:35,319
Speaker 1: mean now you can almost say those players exist. But yeah,

980
00:49:35,480 --> 00:49:38,000
Speaker 1: but we had that, and we had the young phild Jackson,

981
00:49:38,040 --> 00:49:40,160
Speaker 1: and we had all these and which come on, man,

982
00:49:40,280 --> 00:49:46,959
Speaker 1: but krous right. Fuck the crosses. Dog. You guys feel

983
00:49:47,000 --> 00:49:50,799
Speaker 1: that way about Crowds can't stand him. Dog. Nobody likes him.

984
00:49:50,920 --> 00:49:53,400
Speaker 1: He's not likable. What's your opinion on pipping? Do you

985
00:49:53,440 --> 00:49:57,040
Speaker 1: think pipping? Like as a as a true blue Chicago fan,

986
00:49:57,360 --> 00:49:59,640
Speaker 1: do you think pipping? It's It's so hard to say

987
00:49:59,680 --> 00:50:01,839
Speaker 1: because it's like such a big what if these kinds

988
00:50:01,880 --> 00:50:05,920
Speaker 1: of like theoretically, like would Obama have beaten George Washington

989
00:50:05,960 --> 00:50:08,120
Speaker 1: in the game of Monopoly? Like who would have want

990
00:50:08,320 --> 00:50:11,160
Speaker 1: a fifty yard dash between uh, you know, Nancy Reagan

991
00:50:11,280 --> 00:50:14,839
Speaker 1: and Michelle Obama? Like these feel philosophical things, but do

992
00:50:14,880 --> 00:50:19,520
Speaker 1: you think Pippen obviously his greatness had to have been accentuated,

993
00:50:19,640 --> 00:50:23,440
Speaker 1: and he talked about like, you know at do you

994
00:50:23,440 --> 00:50:25,160
Speaker 1: think he's got a great player? Do you think he's

995
00:50:25,200 --> 00:50:30,960
Speaker 1: top fifty player? This is hilarious. It's so difficult for

996
00:50:30,960 --> 00:50:34,200
Speaker 1: Scottie Pippen. It's totally difficult because he's underneath the shadow

997
00:50:34,239 --> 00:50:38,160
Speaker 1: of Michael Jordan, who was a better player in the

998
00:50:38,239 --> 00:50:44,120
Speaker 1: league than Scottie Pippen. Other than Michael Jordan's truth, Barkley

999
00:50:44,320 --> 00:50:48,560
Speaker 1: man either fucking box of garbage. Barkley was nowhere near

1000
00:50:49,000 --> 00:50:51,600
Speaker 1: as good as Scottie Pippen. He could not, he could

1001
00:50:51,600 --> 00:50:53,799
Speaker 1: not shoot as good as him. He could not. He's

1002
00:50:53,840 --> 00:50:57,120
Speaker 1: not an all around player. You're right, yeah, I'm joking. Ahead,

1003
00:50:58,200 --> 00:51:03,040
Speaker 1: help nurse go ahead. Uh So you think at the

1004
00:51:03,120 --> 00:51:06,759
Speaker 1: time that their prime, at the time, at the time

1005
00:51:06,800 --> 00:51:08,880
Speaker 1: they all were in the league in their prime, there

1006
00:51:08,960 --> 00:51:11,120
Speaker 1: was not a better basketball player in the league but

1007
00:51:11,320 --> 00:51:13,840
Speaker 1: Michael Jordan's of course, to show you how great he was.

1008
00:51:14,280 --> 00:51:17,960
Speaker 1: So but for Michael Jordan's you watched the games, I

1009
00:51:18,000 --> 00:51:20,360
Speaker 1: mean I saw the local games. There was not a

1010
00:51:20,400 --> 00:51:23,239
Speaker 1: more exciting player to watch. He used his left hand

1011
00:51:23,320 --> 00:51:26,880
Speaker 1: like no other basketball Scott or George Scotty is taller

1012
00:51:27,040 --> 00:51:30,040
Speaker 1: and defender. He's the greatest defender, one of the greatest

1013
00:51:30,040 --> 00:51:33,080
Speaker 1: defenders the league ever had. The only person who probably

1014
00:51:33,080 --> 00:51:36,919
Speaker 1: could stick Jordan's was Pipping. There was not a better

1015
00:51:36,960 --> 00:51:40,480
Speaker 1: basketball player, but they blocked shots like Mike. He scored

1016
00:51:40,560 --> 00:51:44,640
Speaker 1: forty with Mike sometimes in the game. He passed the

1017
00:51:44,760 --> 00:51:47,000
Speaker 1: rock already like he was like a lamar Old him.

1018
00:51:47,040 --> 00:51:49,600
Speaker 1: Do you don't think that's what they say lamar oldhim

1019
00:51:49,719 --> 00:51:52,040
Speaker 1: is like, no, he's not overrated. He created a breed

1020
00:51:52,080 --> 00:51:54,719
Speaker 1: of players. So you don't think being around Michael Jai

1021
00:51:54,800 --> 00:51:56,960
Speaker 1: Magic Johnson, you don't think it gave him. It gave him.

1022
00:51:57,040 --> 00:51:59,400
Speaker 1: It gave him the sort of he can handled the

1023
00:51:59,520 --> 00:52:02,440
Speaker 1: rock all ready like like k D. Stop pretending like

1024
00:52:02,480 --> 00:52:07,320
Speaker 1: you ain't see what Listen mansh going to get. Irish

1025
00:52:07,360 --> 00:52:12,360
Speaker 1: basketball player named Scotty Pippen was incredible. The only player

1026
00:52:12,400 --> 00:52:14,280
Speaker 1: in the league at the time that he was playing

1027
00:52:14,280 --> 00:52:18,080
Speaker 1: that I could say was really greater than him. Greater

1028
00:52:18,160 --> 00:52:21,399
Speaker 1: than him was Michael Jordan's. All the other players were

1029
00:52:21,440 --> 00:52:24,000
Speaker 1: no more than equal, and Barkley was at best equal.

1030
00:52:24,280 --> 00:52:26,960
Speaker 1: You don't think that Scotty being with Michael obviously Scotty

1031
00:52:27,000 --> 00:52:29,840
Speaker 1: being with Michael. No, it's hard to do that. That's Kobe.

1032
00:52:30,320 --> 00:52:32,359
Speaker 1: It's not easy to play with the dominant player would

1033
00:52:32,360 --> 00:52:34,880
Speaker 1: demands the ball. I totally get it. I just asked

1034
00:52:34,960 --> 00:52:37,200
Speaker 1: the question. He did that role better than Kobe though?

1035
00:52:37,480 --> 00:52:40,880
Speaker 1: Absolutely he went't got six tips with Mike, hean and

1036
00:52:40,920 --> 00:52:44,200
Speaker 1: then and then when Mike left, Yo, he talk, but

1037
00:52:44,280 --> 00:52:46,400
Speaker 1: he fu up. You know what I'm talking about, the

1038
00:52:46,400 --> 00:52:50,120
Speaker 1: one moment Tony Kuko. You know, because because Phil Jackson

1039
00:52:50,200 --> 00:52:52,920
Speaker 1: was was the Zinn, wasn't the zen master back then?

1040
00:52:53,000 --> 00:52:54,680
Speaker 1: You know, he had this, he had three. He should

1041
00:52:54,680 --> 00:52:56,480
Speaker 1: not have been trying to He should not have been

1042
00:52:56,480 --> 00:52:59,120
Speaker 1: trying to listen, Who's gonna defer that last shot to

1043
00:52:59,800 --> 00:53:02,799
Speaker 1: some at that at that time when when Pippen, when

1044
00:53:02,880 --> 00:53:06,160
Speaker 1: Jordan retired, the best player in the league was Scotty Pippen.

1045
00:53:06,880 --> 00:53:11,120
Speaker 1: The Bulls went back. How come they went back anyway?

1046
00:53:11,239 --> 00:53:18,040
Speaker 1: They went backing Barkley Barkley. I'm just because right now,

1047
00:53:18,120 --> 00:53:22,359
Speaker 1: like because can you imagine him even passing the time

1048
00:53:22,400 --> 00:53:25,120
Speaker 1: of the rebounded. That's it. Kobe was Kobe in the league,

1049
00:53:25,560 --> 00:53:28,520
Speaker 1: was in the league. Yeah, this is ninety five. I said,

1050
00:53:28,520 --> 00:53:31,040
Speaker 1: A better player now Shack was a dominant player as

1051
00:53:31,040 --> 00:53:33,440
Speaker 1: a center. I'm just getting the times messed up. I

1052
00:53:33,880 --> 00:53:35,720
Speaker 1: wasn't in the Kope might have been in the league.

1053
00:53:35,719 --> 00:53:38,640
Speaker 1: Who else was in the car Malone? He's pretty good.

1054
00:53:38,640 --> 00:53:40,879
Speaker 1: He wasn't a better player. That shows you how great

1055
00:53:40,920 --> 00:53:42,440
Speaker 1: he was at times. He was the best player in

1056
00:53:42,440 --> 00:53:44,960
Speaker 1: the lead. The motherfucker. He was the motherfucker if you

1057
00:53:45,000 --> 00:53:47,640
Speaker 1: put him into perspective like that. Now. I know people

1058
00:53:47,640 --> 00:53:49,960
Speaker 1: don't like to sit down on the bench ship and

1059
00:53:50,000 --> 00:53:53,600
Speaker 1: I don't like that, but I get it though. He

1060
00:53:53,680 --> 00:53:56,359
Speaker 1: might have played itself, but you know what the coach

1061
00:53:56,360 --> 00:53:58,560
Speaker 1: should have. He was the star and the captain of

1062
00:53:58,600 --> 00:54:02,239
Speaker 1: the squad. He was the best player on the team. Coo.

1063
00:54:02,320 --> 00:54:05,040
Speaker 1: Coach was making more money than him. Right, it was

1064
00:54:05,080 --> 00:54:08,840
Speaker 1: whack time out because I am let me just see this,

1065
00:54:09,520 --> 00:54:10,920
Speaker 1: because I was first of all the fans out there.

1066
00:54:10,960 --> 00:54:14,200
Speaker 1: Go look up and google who the fuck Tony is

1067
00:54:14,520 --> 00:54:17,319
Speaker 1: because y'all don't even know who we're talking about. But

1068
00:54:17,320 --> 00:54:19,280
Speaker 1: but I might say this, as much as I hated

1069
00:54:19,320 --> 00:54:21,680
Speaker 1: the Bulls, I didn't like the Tony ku Koke train

1070
00:54:22,239 --> 00:54:24,520
Speaker 1: like I hated the Bulls, but I wasn't like good

1071
00:54:24,600 --> 00:54:27,239
Speaker 1: Tony Kucko fuck Scotty Pippen. I thought it was fucked up.

1072
00:54:27,320 --> 00:54:29,360
Speaker 1: Come on, he made more money than min Yeah, it

1073
00:54:29,440 --> 00:54:34,080
Speaker 1: was crazy, it was crazy. My privilege sour Kraus is

1074
00:54:34,120 --> 00:54:40,840
Speaker 1: over there. He was from something like that. And I

1075
00:54:40,880 --> 00:54:43,640
Speaker 1: ain't mad at him, can't be mad at him, but like,

1076
00:54:43,719 --> 00:54:46,520
Speaker 1: just think about that. So he came on that team.

1077
00:54:46,560 --> 00:54:49,520
Speaker 1: He wasn't a better player. He was a European player.

1078
00:54:49,920 --> 00:54:52,880
Speaker 1: He was. He was a very good player. Um, he

1079
00:54:52,920 --> 00:54:54,960
Speaker 1: wasn't a great player because he wasn't consistent. No, he

1080
00:54:55,000 --> 00:54:58,160
Speaker 1: wasn't a great Scotty Pippen was consistent. He always played

1081
00:54:58,200 --> 00:55:00,839
Speaker 1: at a high level. He used left hand just like

1082
00:55:00,880 --> 00:55:03,200
Speaker 1: his right hand. He was six ft seven or eight.

1083
00:55:03,280 --> 00:55:04,759
Speaker 1: I saw him one time. I swear a guy six

1084
00:55:04,760 --> 00:55:08,160
Speaker 1: ft eight his hands like four inches long. Um, he

1085
00:55:08,200 --> 00:55:11,680
Speaker 1: could dribble the ball like k D back then. Um

1086
00:55:11,760 --> 00:55:14,560
Speaker 1: he used the glass like nobody else in the league.

1087
00:55:14,680 --> 00:55:17,360
Speaker 1: And he could and he could, and he could anybody

1088
00:55:17,360 --> 00:55:19,360
Speaker 1: in the league, a center to a guard. Have I

1089
00:55:19,400 --> 00:55:21,480
Speaker 1: ever told you that it ain't a better basketball player

1090
00:55:21,560 --> 00:55:24,160
Speaker 1: than than him. Yeah, he belong in the top fifty. Really,

1091
00:55:24,200 --> 00:55:26,279
Speaker 1: he's in the top twenty. I'm not sure if I

1092
00:55:26,280 --> 00:55:29,520
Speaker 1: I shared this with The Iron Report, a stereo podcast fans,

1093
00:55:29,520 --> 00:55:31,759
Speaker 1: and I'm pretty sure I didn't share this with you

1094
00:55:31,800 --> 00:55:35,919
Speaker 1: would but I um was once had relations with a girl,

1095
00:55:36,640 --> 00:55:40,080
Speaker 1: very beautiful girl. Uh looked like Uma Thurman. She had

1096
00:55:40,120 --> 00:55:45,200
Speaker 1: had sex with Michael Jordan's The hips to Waste ratio

1097
00:55:45,360 --> 00:55:51,239
Speaker 1: is real nice. Yeah yeah, yeah, yeah yeah. He's saying

1098
00:55:51,280 --> 00:55:53,160
Speaker 1: things off Mike, But I had I had I had

1099
00:55:53,160 --> 00:55:58,200
Speaker 1: relations with a girl who had Mike ship. What dido

1100
00:55:58,480 --> 00:56:02,960
Speaker 1: we're talking about Jordan, You're off Mike shit. I had

1101
00:56:02,960 --> 00:56:05,560
Speaker 1: had relations with a girl who had relations with both

1102
00:56:05,600 --> 00:56:09,160
Speaker 1: Scotty and Mike on that Clinton ship. They're having relations then,

1103
00:56:09,480 --> 00:56:12,239
Speaker 1: And I always felt like when when with this girl,

1104
00:56:12,239 --> 00:56:15,520
Speaker 1: I wanted to bring my best I wanted to bring

1105
00:56:15,520 --> 00:56:20,480
Speaker 1: my best work to the because because she had been

1106
00:56:20,520 --> 00:56:25,760
Speaker 1: with the greatest of all time Mike and Scotty not together, separate, separate,

1107
00:56:25,760 --> 00:56:28,040
Speaker 1: but equal. But but as a young guy, this is

1108
00:56:28,080 --> 00:56:30,000
Speaker 1: this is when I was a young guy, I had

1109
00:56:30,040 --> 00:56:32,960
Speaker 1: always wanted to really sort of bring my Fox style

1110
00:56:33,440 --> 00:56:35,880
Speaker 1: to the occasion because you know, she has been with

1111
00:56:35,920 --> 00:56:38,239
Speaker 1: Michael Jordan's and do you know what I'm saying? Like

1112
00:56:38,280 --> 00:56:41,000
Speaker 1: he and I didn't know this till later, but when

1113
00:56:41,000 --> 00:56:42,759
Speaker 1: I found that out. I was like, I put that

1114
00:56:42,840 --> 00:56:46,560
Speaker 1: work in and I wanted to you know, that's how

1115
00:56:46,600 --> 00:56:49,560
Speaker 1: men think. So this is in my twenties. This is

1116
00:56:49,600 --> 00:56:51,600
Speaker 1: not me. Now, this in my twenties. I don't I

1117
00:56:51,600 --> 00:56:54,560
Speaker 1: don't want to listen, Mike, you're looking orlean like you're

1118
00:56:54,560 --> 00:56:56,440
Speaker 1: getting ready for a role or something like that. I'm not.

1119
00:56:56,600 --> 00:56:59,399
Speaker 1: I'm not. I lost a little bit of weight. I'm

1120
00:56:59,400 --> 00:57:02,279
Speaker 1: trying to stay. I'm in my yoga. You look good.

1121
00:57:02,400 --> 00:57:04,359
Speaker 1: Thank you all that. Thank you as one of If

1122
00:57:04,360 --> 00:57:09,360
Speaker 1: it's the black sweater, the black is helping me. Fucking

1123
00:57:09,400 --> 00:57:11,160
Speaker 1: guys like you look like I don't know it's because

1124
00:57:11,160 --> 00:57:13,680
Speaker 1: you're in all black. You look just like n w

1125
00:57:13,840 --> 00:57:17,440
Speaker 1: A and this motherfucker who's winning the championship. How are

1126
00:57:17,480 --> 00:57:20,880
Speaker 1: you feeling about your Golden State Warriors? Are you still?

1127
00:57:21,000 --> 00:57:23,920
Speaker 1: Are you still? What about your boy Lebron blames? I

1128
00:57:24,000 --> 00:57:29,320
Speaker 1: say it again, your boy Lebron blames. This is fucking weird.

1129
00:57:29,440 --> 00:57:31,960
Speaker 1: Come on, First of all, he had a hissy fit

1130
00:57:32,000 --> 00:57:36,240
Speaker 1: a few weeks ago. I need a playmaker. So what playmaker?

1131
00:57:36,320 --> 00:57:38,560
Speaker 1: What's the big deal about that? Why? Why is it

1132
00:57:38,680 --> 00:57:42,960
Speaker 1: that he can't express what he needs? He's the captain

1133
00:57:43,000 --> 00:57:45,600
Speaker 1: Why is he telling some beat reporter in Cleveland? Why

1134
00:57:45,600 --> 00:57:47,120
Speaker 1: don't he tell it right to the old that's a

1135
00:57:47,120 --> 00:57:49,120
Speaker 1: little bit. Did he have a sentence if you think

1136
00:57:49,120 --> 00:57:51,160
Speaker 1: about it, like, imagine me saying, you know, we could

1137
00:57:51,200 --> 00:57:54,120
Speaker 1: use a playmaker. So what but it's Lebron. Now it's

1138
00:57:54,160 --> 00:57:58,600
Speaker 1: like the Goodyear blimping ship over the over the field, like, oh,

1139
00:57:58,680 --> 00:58:00,720
Speaker 1: he said you need a playmaker. And the thing is that,

1140
00:58:01,040 --> 00:58:03,320
Speaker 1: why is he saying that he can't do it hisself? Now?

1141
00:58:03,400 --> 00:58:06,320
Speaker 1: It's called a fucking team and that guy's the consummate

1142
00:58:06,960 --> 00:58:10,240
Speaker 1: team player. You must admit he does not have to

1143
00:58:10,240 --> 00:58:12,280
Speaker 1: pass the ball. He could be a bully. He built

1144
00:58:12,320 --> 00:58:16,080
Speaker 1: like Superman literally and he got the strength. He could

1145
00:58:16,120 --> 00:58:18,080
Speaker 1: be a dick. The guy is not a dick. He

1146
00:58:18,160 --> 00:58:21,400
Speaker 1: takes the high road too much. Man man with Lebron,

1147
00:58:21,480 --> 00:58:25,320
Speaker 1: Lebron James and little Bron Bron Man Google Bron Brown,

1148
00:58:25,400 --> 00:58:29,920
Speaker 1: go to YouTube, look up Bron Bron his son. His

1149
00:58:30,000 --> 00:58:32,280
Speaker 1: son looks like thoughts out the game every game, hitting

1150
00:58:32,280 --> 00:58:35,040
Speaker 1: two half court shots. Yeah, he's on dropping the number

1151
00:58:35,160 --> 00:58:38,320
Speaker 1: zero because he played more aggressive than his dad. He

1152
00:58:38,400 --> 00:58:40,920
Speaker 1: played like Russ, but he played like his dad. Do

1153
00:58:40,960 --> 00:58:43,000
Speaker 1: you think he's trying to do that half court shots

1154
00:58:43,000 --> 00:58:45,640
Speaker 1: before the game because his favorite player, Steph Curry. Do

1155
00:58:45,680 --> 00:58:50,800
Speaker 1: you think every know his favorite players? Russell Russell, Russell Westbrook.

1156
00:58:51,120 --> 00:58:53,640
Speaker 1: You know what, man, I'm gonna say this. Come I

1157
00:58:54,160 --> 00:58:56,120
Speaker 1: say this. You see, I'm trying to they need a

1158
00:58:56,160 --> 00:59:01,120
Speaker 1: piece because Kevin Durant did what he did, yes, which

1159
00:59:01,200 --> 00:59:03,640
Speaker 1: to me, you know, I ain't gonna be mad at

1160
00:59:03,720 --> 00:59:06,760
Speaker 1: Kevin Durant. I'm no longer mad at Kevin Durant, State

1161
00:59:06,800 --> 00:59:10,600
Speaker 1: Warriors him. I don't hate him. I don't hate nobody.

1162
00:59:11,120 --> 00:59:13,640
Speaker 1: I'm not a fan, you know what I'm saying. I

1163
00:59:13,680 --> 00:59:15,640
Speaker 1: was a fan before. I ain't a fan. You're not

1164
00:59:15,680 --> 00:59:17,120
Speaker 1: a fan of the move that he made. I'm not

1165
00:59:17,160 --> 00:59:19,720
Speaker 1: a fan of the movie made. I love his basketball game.

1166
00:59:19,760 --> 00:59:22,200
Speaker 1: The guy can really play basketball, and I'm not I'm

1167
00:59:22,200 --> 00:59:23,840
Speaker 1: not a KD fan. You know, ain't going to buy

1168
00:59:23,840 --> 00:59:26,840
Speaker 1: no kds. You know what I'm saying that, uh It's

1169
00:59:26,920 --> 00:59:29,040
Speaker 1: kicks are actually all right. I watch his games though,

1170
00:59:29,040 --> 00:59:31,080
Speaker 1: so I support them. Yeah, but I got two pairs

1171
00:59:31,120 --> 00:59:33,280
Speaker 1: of Lebrons. The Lebrons are way better. But you might

1172
00:59:33,280 --> 00:59:36,280
Speaker 1: as well wear Timberland boots, dude, you might as well

1173
00:59:36,600 --> 00:59:38,880
Speaker 1: Timberland boots because them ships. Yeah, I know, but instead

1174
00:59:38,920 --> 00:59:40,520
Speaker 1: of wearing your teams, you might as well your lebrons

1175
00:59:40,520 --> 00:59:42,600
Speaker 1: because them ships are clunky. Like if you're going in

1176
00:59:42,680 --> 00:59:46,120
Speaker 1: the yeah, if you're going into like military or like

1177
00:59:46,120 --> 00:59:48,840
Speaker 1: like like look fresh, dude, they look super friends. When

1178
00:59:48,840 --> 00:59:51,720
Speaker 1: do you rock those when you play ball? Even with

1179
00:59:51,800 --> 00:59:54,200
Speaker 1: what I get on enough, if I had them some lebrons,

1180
00:59:54,280 --> 00:59:55,840
Speaker 1: you don't feel like your feet are heavy like them,

1181
00:59:56,000 --> 00:59:58,760
Speaker 1: just like like some men, like you know, we're like

1182
00:59:58,800 --> 01:00:00,680
Speaker 1: we used to wear like the ain't waits to stay in,

1183
01:00:01,680 --> 01:00:05,000
Speaker 1: just got like this much fucking like you're showing them

1184
01:00:06,200 --> 01:00:08,200
Speaker 1: and how long does it take you to get in?

1185
01:00:08,200 --> 01:00:10,880
Speaker 1: And they got strapped and that's the only thing they're

1186
01:00:10,880 --> 01:00:12,760
Speaker 1: getting in part and getting out. It's like, damn, I

1187
01:00:12,840 --> 01:00:16,360
Speaker 1: need a fucking nurse. He funked up with his sneaker game.

1188
01:00:16,720 --> 01:00:20,440
Speaker 1: His sneaker game is atrocious and it's so wrong about that.

1189
01:00:20,800 --> 01:00:25,720
Speaker 1: Lebron's freshest. Let's ask the people are they are like

1190
01:00:25,760 --> 01:00:29,720
Speaker 1: technically clunky? Clunky looking me just clunky to get into.

1191
01:00:30,320 --> 01:00:32,240
Speaker 1: They are clunky to get in and out. As a

1192
01:00:32,320 --> 01:00:35,800
Speaker 1: punishment for myself last year when he beat the Golden State,

1193
01:00:35,880 --> 01:00:39,200
Speaker 1: worried I wore them. It was it was a self

1194
01:00:39,240 --> 01:00:42,440
Speaker 1: imposed punishment, and for the day, I was like what

1195
01:00:42,520 --> 01:00:45,480
Speaker 1: the I felt like I was actually like like like

1196
01:00:45,520 --> 01:00:49,520
Speaker 1: there was like surveillance on me. Yeah, they're big, clunky ships,

1197
01:00:49,560 --> 01:00:51,280
Speaker 1: and I feel like maybe he's just selling them and

1198
01:00:51,400 --> 01:00:54,320
Speaker 1: he can't play in these fucking things. He's so strong

1199
01:00:54,400 --> 01:00:56,960
Speaker 1: he playing them. But what about mere mortals like you

1200
01:00:57,040 --> 01:00:58,960
Speaker 1: and me? Like make some sneakers are aware of, but

1201
01:00:59,000 --> 01:01:01,720
Speaker 1: I'm not a mere mortal man would listen told you

1202
01:01:01,760 --> 01:01:03,959
Speaker 1: I was. When it comes to play a ball, Wood,

1203
01:01:04,320 --> 01:01:07,480
Speaker 1: can you dunk anymore? Yeah? You can. You can throw

1204
01:01:07,480 --> 01:01:09,040
Speaker 1: it one hand like you could do your Doctor J

1205
01:01:09,160 --> 01:01:12,440
Speaker 1: ship because Wood got big gass hands and Wood was

1206
01:01:12,480 --> 01:01:15,480
Speaker 1: on that Doctor J ship. And you know, I I

1207
01:01:15,520 --> 01:01:17,800
Speaker 1: thought about doing this. Yeah, I think you could. You

1208
01:01:17,800 --> 01:01:19,560
Speaker 1: could still pull it off because you're still looking you

1209
01:01:19,560 --> 01:01:21,600
Speaker 1: still look young enough, Like I have this idea my

1210
01:01:21,640 --> 01:01:24,800
Speaker 1: hand for a short film about a young kid who

1211
01:01:24,920 --> 01:01:29,240
Speaker 1: is a dysfunctional family relationship, who has an imaginary friendship

1212
01:01:29,560 --> 01:01:32,560
Speaker 1: with Dr J. And I've always imagined and you playing

1213
01:01:32,560 --> 01:01:37,120
Speaker 1: a doctor that's a well, that's a cool as idea. Yeah,

1214
01:01:37,120 --> 01:01:39,840
Speaker 1: I've always I've always thought about it because Doc like

1215
01:01:39,840 --> 01:01:43,200
Speaker 1: like I'm sure you he was. He was my Superman,

1216
01:01:43,360 --> 01:01:45,360
Speaker 1: he was my Batman, he was my spider Man. It

1217
01:01:45,440 --> 01:01:48,480
Speaker 1: was no Toby McGuire. It was Dr fucking J. He

1218
01:01:48,560 --> 01:01:51,800
Speaker 1: was my Like I have such affection for that dude,

1219
01:01:51,800 --> 01:01:54,280
Speaker 1: Like talking about meeting somebody, I couldn't say ship when

1220
01:01:54,280 --> 01:01:56,240
Speaker 1: I met Doc, and I met him a few times

1221
01:01:56,280 --> 01:01:59,840
Speaker 1: and I still haven't gotten pasted. Like it's like some

1222
01:02:00,040 --> 01:02:02,840
Speaker 1: think magical about it is actually like, yeah, the magical,

1223
01:02:03,000 --> 01:02:06,120
Speaker 1: most dreamy kind of basketball player and ship perfectly. Have

1224
01:02:06,160 --> 01:02:08,960
Speaker 1: you ever met Doc, I've never met Dr J. You

1225
01:02:09,000 --> 01:02:11,520
Speaker 1: could play Doc that met Dr J. I would love

1226
01:02:11,520 --> 01:02:15,960
Speaker 1: to play Dr J. But you know, you know what, Also, Cleveland.

1227
01:02:16,480 --> 01:02:20,280
Speaker 1: The Calves can't believe this guy's a Cleveland cavalist. Man.

1228
01:02:21,000 --> 01:02:22,600
Speaker 1: I want my squad to come out the East Bro,

1229
01:02:22,680 --> 01:02:24,640
Speaker 1: I'm a Bulls fan. I want, but I'm clear, I'm

1230
01:02:24,680 --> 01:02:26,640
Speaker 1: clearing my head. The Bulls ain't coming out, the Nicks

1231
01:02:26,680 --> 01:02:29,160
Speaker 1: ain't coming out, the Calves are. So I'm just giving

1232
01:02:29,200 --> 01:02:31,400
Speaker 1: a map of the future. If I could change the

1233
01:02:31,440 --> 01:02:33,840
Speaker 1: future and make the Bulls go, but it's not gonna happen.

1234
01:02:33,920 --> 01:02:37,120
Speaker 1: And Rondo and Ship the head going over with Wade

1235
01:02:37,160 --> 01:02:40,240
Speaker 1: and disgusting. It's actually discussed he should go over to

1236
01:02:40,400 --> 01:02:43,000
Speaker 1: China with step Stephan Marbury. When they when they let

1237
01:02:43,080 --> 01:02:45,640
Speaker 1: when they let Tivoto go, I felt like they didn't

1238
01:02:45,640 --> 01:02:48,120
Speaker 1: give a funk about winning no more. I agree. Thought

1239
01:02:48,440 --> 01:02:51,000
Speaker 1: that guy's a Hall of Fame coach. I totally agree.

1240
01:02:51,120 --> 01:02:53,240
Speaker 1: So say what you want. He's gonna be Papovich in

1241
01:02:53,280 --> 01:02:56,800
Speaker 1: like four years. I totally agree. So that Minnesota team

1242
01:02:56,800 --> 01:03:00,240
Speaker 1: is getting they would be hot. Thebari Parker guy hurt,

1243
01:03:00,280 --> 01:03:05,040
Speaker 1: that getting hurt. But um yeah, but Calves are coming out.

1244
01:03:05,440 --> 01:03:07,600
Speaker 1: They need they need a couple of pieces and they

1245
01:03:07,600 --> 01:03:10,120
Speaker 1: can compete. It's gonna be a tough, tough game because

1246
01:03:10,200 --> 01:03:13,680
Speaker 1: KD did what he did. But be honest with you,

1247
01:03:13,800 --> 01:03:17,680
Speaker 1: Steph nullified with with Kyrie. K D is pretty much

1248
01:03:17,760 --> 01:03:22,600
Speaker 1: nullified with Lebron. Now you got Clay, that's a beast.

1249
01:03:22,720 --> 01:03:26,440
Speaker 1: He's a mother's underrated and and so is he Draymond,

1250
01:03:26,520 --> 01:03:29,600
Speaker 1: He's underrated, Draymond. Put your weight on, put your weight on,

1251
01:03:29,840 --> 01:03:32,200
Speaker 1: and what's her name? Is playing good? The fucking uh

1252
01:03:32,360 --> 01:03:36,040
Speaker 1: shackt and the fool's Hall of Yeah, he's gonna be

1253
01:03:36,080 --> 01:03:39,000
Speaker 1: the X factor. They can keep his medication like leveled

1254
01:03:39,000 --> 01:03:41,040
Speaker 1: out and keep him. Don't want nobody to get injured.

1255
01:03:41,080 --> 01:03:44,440
Speaker 1: But I'm gonna with cats getting hurt. Ah, you fucked.

1256
01:03:44,680 --> 01:03:48,640
Speaker 1: I'm serious, because they're so stacked. I don't want nobody,

1257
01:03:48,680 --> 01:03:50,800
Speaker 1: I said, not injured. Okay, you mean just like a

1258
01:03:50,800 --> 01:03:53,320
Speaker 1: little tweak. I want casts to be hurt like a tweak.

1259
01:03:53,960 --> 01:03:58,520
Speaker 1: You miss a game here, You boy created the Big

1260
01:03:58,560 --> 01:04:02,960
Speaker 1: three concept, your boy Lebron. That's not true. I'm gonna

1261
01:04:02,960 --> 01:04:07,160
Speaker 1: break Kevin. I'm gonna break it down. He went down,

1262
01:04:07,560 --> 01:04:10,560
Speaker 1: He went down there, and he he went down there

1263
01:04:10,560 --> 01:04:15,720
Speaker 1: in his prime. Rondo rondo count. Okay, let me finish,

1264
01:04:15,800 --> 01:04:17,919
Speaker 1: and then I want to hear your point. KG Ray

1265
01:04:17,920 --> 01:04:21,120
Speaker 1: Allen and Paul Pierce. They were all now they weren't

1266
01:04:21,240 --> 01:04:25,880
Speaker 1: past their prime, but they weren't. No, he wasn't. He

1267
01:04:25,880 --> 01:04:29,640
Speaker 1: was thirty something, Okay, he was thirty something. None of

1268
01:04:29,640 --> 01:04:32,560
Speaker 1: them were the number one player in the league. None

1269
01:04:32,560 --> 01:04:34,400
Speaker 1: of them were the number one something else. So how

1270
01:04:34,400 --> 01:04:36,840
Speaker 1: old was he when he played for the set of

1271
01:04:37,160 --> 01:04:42,440
Speaker 1: checking when he was your imagination? He thirty's something now, okay,

1272
01:04:42,480 --> 01:04:45,640
Speaker 1: with skinny jeans on. So that guy, I don't know, man,

1273
01:04:46,080 --> 01:04:48,440
Speaker 1: he was he was still over thirty. He was definitely

1274
01:04:48,440 --> 01:04:51,680
Speaker 1: over thirty guaranteed for sure, This guaranteed for sure. This

1275
01:04:51,680 --> 01:04:53,760
Speaker 1: is the Iron Rapport stereo pokers. We're not fact checking.

1276
01:04:53,800 --> 01:04:56,200
Speaker 1: What do you think of Kevin Garnett he's on TNT,

1277
01:04:56,560 --> 01:04:58,120
Speaker 1: I like when he's kicking it? Do you like his

1278
01:04:58,160 --> 01:05:00,080
Speaker 1: skinny jeans? Like? Do you think he needs a style?

1279
01:05:00,200 --> 01:05:01,959
Speaker 1: You know, I don't think men should wear skinny jeans.

1280
01:05:02,000 --> 01:05:03,880
Speaker 1: To me, that looks like their little sister pants. And

1281
01:05:04,160 --> 01:05:06,959
Speaker 1: he's seven feet with the skinny jeans. Stop it already, KG.

1282
01:05:08,400 --> 01:05:10,120
Speaker 1: I'm not saying this is the nineties, you don't need

1283
01:05:10,160 --> 01:05:12,400
Speaker 1: to What are they talking like in this bitch like?

1284
01:05:12,400 --> 01:05:13,880
Speaker 1: How do you win? Though? It's like, are they like

1285
01:05:14,440 --> 01:05:18,240
Speaker 1: a fucking Are we going to yoga class? Like, if

1286
01:05:18,240 --> 01:05:21,320
Speaker 1: we're going to yoga class, you're good in yoga class.

1287
01:05:21,320 --> 01:05:23,920
Speaker 1: You can wear your types, Like if you go to workout,

1288
01:05:24,200 --> 01:05:27,520
Speaker 1: I'm just saying when when you work with your balls

1289
01:05:27,600 --> 01:05:29,720
Speaker 1: cuffed by your denom, when you work out where what

1290
01:05:29,840 --> 01:05:31,440
Speaker 1: you want? I get that, But when you're on T

1291
01:05:31,600 --> 01:05:33,640
Speaker 1: and T KG, you're better than that. I'm not saying

1292
01:05:34,280 --> 01:05:36,920
Speaker 1: you don't need to the what was that group? I

1293
01:05:36,960 --> 01:05:40,040
Speaker 1: want to make you jump? Just reinvent the whole fashioned

1294
01:05:40,040 --> 01:05:43,640
Speaker 1: things takes it. Yeah, because the skinny jean thing is stupid.

1295
01:05:43,760 --> 01:05:45,880
Speaker 1: It doesn't have to be baggy, but like there should

1296
01:05:45,880 --> 01:05:49,919
Speaker 1: be like a middle regular size pans. Yeah, why why

1297
01:05:49,920 --> 01:05:52,800
Speaker 1: does it have to be like snug? I don't get it.

1298
01:05:53,440 --> 01:05:55,120
Speaker 1: I don't funk with skinny jeans. I don't know why

1299
01:05:55,160 --> 01:05:57,640
Speaker 1: people why men? Women wear that ship they wore the

1300
01:05:57,640 --> 01:06:00,720
Speaker 1: whole time we've been alive, and especially like grown fucking

1301
01:06:00,720 --> 01:06:04,760
Speaker 1: men like that. That's gonna literally wearing women's pants because

1302
01:06:04,800 --> 01:06:07,000
Speaker 1: women have won skinny jeans they whole life, right, those

1303
01:06:07,040 --> 01:06:11,480
Speaker 1: are those Caitlyn Jenners. Caitlyn Jenners cats win skinny jeans. Okay,

1304
01:06:11,600 --> 01:06:13,600
Speaker 1: So I tried to sell the ones who sagged the

1305
01:06:13,640 --> 01:06:15,720
Speaker 1: skinny jeans, the young ones. I really need to stop,

1306
01:06:15,720 --> 01:06:18,840
Speaker 1: and he go ahead, Yeah, no stop. You know my

1307
01:06:18,920 --> 01:06:21,840
Speaker 1: man got his phone snatched from him by a motherfucker

1308
01:06:21,880 --> 01:06:24,400
Speaker 1: with sagging skinny jeans, and he caught him and I

1309
01:06:24,480 --> 01:06:28,760
Speaker 1: was like, good, dumb, fuck you. Your jeans tighter than

1310
01:06:28,800 --> 01:06:33,160
Speaker 1: your drawers, Yeah, before yours. Your skinny jeans are falling

1311
01:06:33,200 --> 01:06:35,640
Speaker 1: off your ass and you're snatching phones. If you're gonna

1312
01:06:35,640 --> 01:06:37,000
Speaker 1: be ri if you're gonna be a stick up, kid,

1313
01:06:37,040 --> 01:06:39,360
Speaker 1: You need to dress like a stick up kid. Please

1314
01:06:39,360 --> 01:06:43,120
Speaker 1: already get a belt, motherfucker. You're robbing people with no belt,

1315
01:06:43,160 --> 01:06:47,600
Speaker 1: you dumb fuck. You gotta run like a duck, stupid ass.

1316
01:06:51,200 --> 01:06:55,200
Speaker 1: Gammer Tag Radio is headed to E three is one

1317
01:06:55,240 --> 01:06:57,480
Speaker 1: of the biggest events for gammer Tag Radio and you

1318
01:06:57,520 --> 01:07:02,080
Speaker 1: don't want to Mr Paris Lilly and Peter Toledo direct

1319
01:07:02,080 --> 01:07:04,800
Speaker 1: from the contention center floor. What are the plants from Microsoft?

1320
01:07:04,840 --> 01:07:07,440
Speaker 1: We're gonna see more new titles from Sony PlayStation. How

1321
01:07:07,480 --> 01:07:11,800
Speaker 1: about nintended interviews, rock tables, discussion reviews, hand on impressions,

1322
01:07:11,880 --> 01:07:18,080
Speaker 1: and more coverage on gamer tag Radio, gamer tag radio

1323
01:07:18,200 --> 01:07:21,120
Speaker 1: dot com or played that in Ford slash gamer tag

1324
01:07:25,160 --> 01:07:28,080
Speaker 1: All right, what let me ask you a question. Wait,

1325
01:07:28,320 --> 01:07:31,320
Speaker 1: what are you listening to right now? Musically? Yeah, because

1326
01:07:31,320 --> 01:07:36,080
Speaker 1: we're talking hip hop? What are you listening to right now?

1327
01:07:37,440 --> 01:07:39,840
Speaker 1: All right? What's been the last time you were like, damn,

1328
01:07:39,880 --> 01:07:44,680
Speaker 1: you were hyped something you turn on something new. Ain't

1329
01:07:44,680 --> 01:07:47,080
Speaker 1: listening to nothing new right now? But I'm just listening

1330
01:07:47,120 --> 01:07:53,000
Speaker 1: to m F Doom Okay, and uh, I've just been

1331
01:07:53,000 --> 01:07:56,280
Speaker 1: listening to a lot of m F Doom. Really, what ship?

1332
01:07:56,400 --> 01:07:58,760
Speaker 1: What stuff? Is the new ship? The Old Chip, the

1333
01:07:58,800 --> 01:08:01,360
Speaker 1: old Ship. I've just been listening to Old m F

1334
01:08:01,480 --> 01:08:03,560
Speaker 1: do him a lot. I like his lyrics, and I've

1335
01:08:03,560 --> 01:08:07,640
Speaker 1: been listening to uh, Chance to Rapper as far as

1336
01:08:07,640 --> 01:08:09,480
Speaker 1: the New Cats. So what do you think of him?

1337
01:08:09,840 --> 01:08:12,760
Speaker 1: Chance to Rapper? That kind is super dope? Well what's

1338
01:08:12,800 --> 01:08:14,680
Speaker 1: dope about him? Because I gotta be honest, I can't

1339
01:08:14,720 --> 01:08:16,800
Speaker 1: form an opinion on him. I haven't given him another time.

1340
01:08:16,880 --> 01:08:18,439
Speaker 1: You have to give him time because I kind of

1341
01:08:18,479 --> 01:08:21,040
Speaker 1: felt that same way. Because the thing about Chance to

1342
01:08:21,120 --> 01:08:25,200
Speaker 1: Rapper that might set you back is that sometimes you

1343
01:08:25,280 --> 01:08:27,880
Speaker 1: need as a lyricist. I like lyricists who got a

1344
01:08:27,960 --> 01:08:31,000
Speaker 1: voice texture a certain way, like a Chance the Rapper

1345
01:08:31,080 --> 01:08:33,720
Speaker 1: has more of a His voice is um not like

1346
01:08:33,760 --> 01:08:39,080
Speaker 1: a deep kind of rich voices, kind of a boyish voice.

1347
01:08:39,120 --> 01:08:41,160
Speaker 1: If you're not into that, then you might. But if

1348
01:08:41,640 --> 01:08:43,240
Speaker 1: but if you listen to he's a young man. But

1349
01:08:43,280 --> 01:08:46,200
Speaker 1: if you listen to him, that dudes lyrical ability is

1350
01:08:46,240 --> 01:08:50,200
Speaker 1: just quite amazing. And he sings a lot too, And yeah,

1351
01:08:50,240 --> 01:08:53,639
Speaker 1: put him on your play Chance to Rapper and you'll see,

1352
01:08:53,760 --> 01:08:55,880
Speaker 1: all right, I'm gonna play. I'm play, I'm playing while

1353
01:08:55,880 --> 01:08:58,439
Speaker 1: we're here. What other ship? What other ship? Do you like?

1354
01:08:58,560 --> 01:09:00,720
Speaker 1: What other ship are you listening to? But hip hop? Like?

1355
01:09:00,720 --> 01:09:02,920
Speaker 1: What else? Get you height and listen to nothing but

1356
01:09:02,920 --> 01:09:05,880
Speaker 1: get your mind right for music. I've only been listening

1357
01:09:05,960 --> 01:09:09,080
Speaker 1: to hip hop, okay only that's all I've been listening to. Really,

1358
01:09:09,280 --> 01:09:12,880
Speaker 1: let's play the same game we did with actors. You

1359
01:09:12,920 --> 01:09:15,720
Speaker 1: pick five mcs. I picked five mcs. I'll let you

1360
01:09:15,760 --> 01:09:17,800
Speaker 1: go first because because you're the guest, so you get

1361
01:09:17,800 --> 01:09:20,320
Speaker 1: to go first. St Um, I'm gonna go with the

1362
01:09:20,400 --> 01:09:28,800
Speaker 1: God sorry, m rock him Allah that's number one yet? Sorry, Well,

1363
01:09:28,840 --> 01:09:32,360
Speaker 1: then I'm gonna grab I'm gonna grab tupap fuck. Alright, fine,

1364
01:09:32,920 --> 01:09:35,920
Speaker 1: I'm gonna grab nasty Nos in your area. He's about

1365
01:09:35,920 --> 01:09:39,240
Speaker 1: to cause mass hysteria. He got an ill voice too.

1366
01:09:39,479 --> 01:09:41,240
Speaker 1: I'm gonna trip you out right now. I'm about to

1367
01:09:41,280 --> 01:09:44,960
Speaker 1: pickle take eminem. I'm not gonna argue with it, and

1368
01:09:44,960 --> 01:09:47,519
Speaker 1: I don't want to get in the battle because it's

1369
01:09:47,560 --> 01:09:50,479
Speaker 1: over and he's a mean motherfucker. Now you got rock

1370
01:09:50,600 --> 01:09:52,680
Speaker 1: him though, that's fresh. Yeah, I got rock him and

1371
01:09:52,720 --> 01:09:54,679
Speaker 1: I got Nasty Nos in your area about the cause

1372
01:09:54,720 --> 01:09:59,080
Speaker 1: mass hysteria. Um, I'm gonna go with ship. You left

1373
01:09:59,160 --> 01:10:05,080
Speaker 1: him on the table still I love his ship, caress One.

1374
01:10:05,280 --> 01:10:07,200
Speaker 1: The thing is, when I was thinking about taking him,

1375
01:10:07,200 --> 01:10:12,479
Speaker 1: you heard the controversy going on African Bambada. Kress had

1376
01:10:12,520 --> 01:10:14,360
Speaker 1: something to do with it. Carress had nothing to do

1377
01:10:14,360 --> 01:10:18,080
Speaker 1: with it. But when he was interviewed, he kind of defended,

1378
01:10:18,320 --> 01:10:21,680
Speaker 1: you know, African membdo. So it was just it was

1379
01:10:21,720 --> 01:10:24,320
Speaker 1: just a weird like I didn't hear. But the Africa

1380
01:10:24,960 --> 01:10:27,679
Speaker 1: I'm way up up to speed on. Yeah. Well, anyway,

1381
01:10:27,760 --> 01:10:31,400
Speaker 1: caress One was was was was a defender in a sense,

1382
01:10:31,439 --> 01:10:33,400
Speaker 1: I got you. So it put a little bit of

1383
01:10:33,439 --> 01:10:36,760
Speaker 1: like of a cloud over his over his over him.

1384
01:10:36,800 --> 01:10:38,320
Speaker 1: I got you, I got you. I didn't know I

1385
01:10:38,360 --> 01:10:40,360
Speaker 1: had him in mind straight away when you said rock him.

1386
01:10:40,400 --> 01:10:43,320
Speaker 1: Obviously you think like carress One still on my crew

1387
01:10:44,000 --> 01:10:46,080
Speaker 1: and your crew, I dump them, throw him off like

1388
01:10:46,120 --> 01:10:49,080
Speaker 1: you did. Sean Pennon, I didn't. I who did you

1389
01:10:49,120 --> 01:10:51,320
Speaker 1: dump off? Your career? You jumped you like Johnny Depp.

1390
01:10:51,360 --> 01:10:52,880
Speaker 1: Oh you know what I'm saying. Ll L COJ, but

1391
01:10:52,920 --> 01:10:55,880
Speaker 1: the old school LLL COUJ. Good pick Hello was fresh back?

1392
01:10:55,920 --> 01:10:58,400
Speaker 1: Come on. Cats don't even know they're looking at him

1393
01:10:58,400 --> 01:11:00,519
Speaker 1: on c side. They don't even know up the bells

1394
01:11:00,720 --> 01:11:02,559
Speaker 1: talk about you never thought that hip hop can make

1395
01:11:02,600 --> 01:11:07,040
Speaker 1: it this far. LLL cool j in in in with

1396
01:11:07,160 --> 01:11:09,640
Speaker 1: with the sweatsuit, no shirt and the red kneo. And

1397
01:11:09,640 --> 01:11:14,519
Speaker 1: now he's on CSS getting c S. I good for him,

1398
01:11:14,560 --> 01:11:17,080
Speaker 1: Good for fucking l O. I funk with a good choice,

1399
01:11:17,120 --> 01:11:25,240
Speaker 1: good pick. I'm gonna say number four, um um god damn,

1400
01:11:25,920 --> 01:11:28,479
Speaker 1: this is tough. All right, Well he's on the table,

1401
01:11:28,520 --> 01:11:31,879
Speaker 1: so I'm sorry to do it. I'm gonna take uh

1402
01:11:32,200 --> 01:11:36,560
Speaker 1: B B d K big Daddy Kane. Yeah, I got him.

1403
01:11:36,680 --> 01:11:38,320
Speaker 1: I like that. That's a good one to chief. You

1404
01:11:38,400 --> 01:11:40,040
Speaker 1: might want to go with an obvious choice here to

1405
01:11:40,080 --> 01:11:42,240
Speaker 1: help you because your your team is I mean, you

1406
01:11:42,560 --> 01:11:44,479
Speaker 1: got some youth, but you might want to go with

1407
01:11:44,520 --> 01:11:46,160
Speaker 1: the big guns laid on the table because if not,

1408
01:11:46,200 --> 01:11:49,320
Speaker 1: I'm gonna get him. I know you're talking about just

1409
01:11:49,720 --> 01:11:51,800
Speaker 1: I know it's obvious, but you can't deny what the

1410
01:11:53,040 --> 01:11:57,000
Speaker 1: I want to just think a second, go ahead. I'm

1411
01:11:57,000 --> 01:11:58,800
Speaker 1: gonna just take Andre. I'm gonna take I was gonna

1412
01:11:58,800 --> 01:12:02,400
Speaker 1: say him, I was gonna good good, He's a motherfucker

1413
01:12:03,680 --> 01:12:06,040
Speaker 1: because I'm trying because our squad is more modern than

1414
01:12:06,040 --> 01:12:09,400
Speaker 1: your squad's good. I'm just gonna just because the wadys

1415
01:12:09,520 --> 01:12:15,360
Speaker 1: fucking like this squad now could actually make songs. Now

1416
01:12:15,479 --> 01:12:21,360
Speaker 1: your team can't make songs, now, I got, I got,

1417
01:12:21,439 --> 01:12:23,639
Speaker 1: So my team is, uh that squad I lost again,

1418
01:12:23,720 --> 01:12:27,080
Speaker 1: dog Hove, Nasty Nose. And then my big three is

1419
01:12:27,120 --> 01:12:31,360
Speaker 1: Big Daddy fucking came, rock him and caress one. That's hot.

1420
01:12:31,640 --> 01:12:34,679
Speaker 1: All right, So that's my five. That's that's hard to beat.

1421
01:12:35,000 --> 01:12:38,320
Speaker 1: Barely making it out the eighties though. Listen, sat here,

1422
01:12:38,840 --> 01:12:42,639
Speaker 1: listen my squad. Everybody on my squad still got songs,

1423
01:12:42,680 --> 01:12:45,639
Speaker 1: except for Tupac, one of the dead guys on the squad,

1424
01:12:45,960 --> 01:12:50,320
Speaker 1: Tupac and Eminem Stop it. I'm talking about slim Shady too.

1425
01:12:50,360 --> 01:12:52,719
Speaker 1: I get to choose the era, okay, but slim Shady

1426
01:12:52,880 --> 01:12:56,880
Speaker 1: c side is he's not making much songs. Now. Yeah,

1427
01:12:57,040 --> 01:13:00,479
Speaker 1: the ladies, I told you which LLL do you want?

1428
01:13:00,680 --> 01:13:02,840
Speaker 1: You wanted with the king? Go which kill which rock him?

1429
01:13:02,880 --> 01:13:04,960
Speaker 1: You want the one? Right? It is only one? No, no,

1430
01:13:05,200 --> 01:13:15,400
Speaker 1: that's the right. Now, get in the truck to me. Okay,

1431
01:13:15,680 --> 01:13:17,720
Speaker 1: that's what LLL I got, all right, all right, all right,

1432
01:13:17,760 --> 01:13:20,960
Speaker 1: you got one more pick? Oh? I got another pick? No, yeah,

1433
01:13:20,960 --> 01:13:22,519
Speaker 1: you got one more? Wait? Who I got? I got,

1434
01:13:22,680 --> 01:13:27,040
Speaker 1: I got, I got lll eminem eminem tupac Andre and

1435
01:13:27,439 --> 01:13:30,080
Speaker 1: oh yeah, one more pick your five. I could go

1436
01:13:30,160 --> 01:13:32,479
Speaker 1: Biggie on you. I could go Coogi wrap on you.

1437
01:13:33,560 --> 01:13:35,200
Speaker 1: So many of these cats I could go. I don't

1438
01:13:35,240 --> 01:13:40,759
Speaker 1: know what to do. Um, I think I'm gonna go biggie. Alright, fine,

1439
01:13:41,040 --> 01:13:45,160
Speaker 1: this is a good topic. Bump bump. Oh yeah, that

1440
01:13:45,200 --> 01:13:48,840
Speaker 1: was the perfect time. That was all right, it's Wood

1441
01:13:48,880 --> 01:13:54,559
Speaker 1: Harris again on the Iron rapports. The people are going

1442
01:13:54,600 --> 01:13:58,000
Speaker 1: to be excited and we'll be back soon Patriots. I'm

1443
01:13:58,080 --> 01:14:00,439
Speaker 1: just I was so we didn't even get that. You

1444
01:14:00,439 --> 01:14:02,439
Speaker 1: know the good thing about Charles Oakley. Another good thing

1445
01:14:02,439 --> 01:14:06,880
Speaker 1: about Charles Oakley it totally annihilated. That's the best thing

1446
01:14:06,920 --> 01:14:11,240
Speaker 1: about Charles Oka. The Super Bowl celebration was two and

1447
01:14:11,240 --> 01:14:13,120
Speaker 1: then Charles looking did he not only did he tear

1448
01:14:13,200 --> 01:14:16,320
Speaker 1: up the guard and he fucked your whole celebration. Shot

1449
01:14:16,360 --> 01:14:21,000
Speaker 1: off to Charles, thank you so much. Oneking about Julian

1450
01:14:21,120 --> 01:14:24,160
Speaker 1: Edelman shut that you didn't even have a week to celebrate.

1451
01:14:24,680 --> 01:14:26,840
Speaker 1: He shut that ship down on a Tuesday night. He

1452
01:14:26,960 --> 01:14:30,240
Speaker 1: was gorgeous. Did you know Tom Brady? He never went

1453
01:14:30,280 --> 01:14:32,720
Speaker 1: to the Obama, never went to talk about it all

1454
01:14:32,760 --> 01:14:34,960
Speaker 1: the time. You want to just kick that real quick.

1455
01:14:35,040 --> 01:14:36,919
Speaker 1: He didn't go to the White House to meet President

1456
01:14:36,920 --> 01:14:40,360
Speaker 1: Barack Obama, and he said he had family things. And

1457
01:14:40,400 --> 01:14:43,400
Speaker 1: that same day, this is a fact. I don't fact check,

1458
01:14:43,439 --> 01:14:45,439
Speaker 1: but this is a fact. That same day, while the

1459
01:14:45,479 --> 01:14:50,320
Speaker 1: patriots were meeting Barack Obama, President Barack Obama, he was

1460
01:14:50,400 --> 01:14:52,840
Speaker 1: at the Apple Store trying on Apple watches. Why you

1461
01:14:52,840 --> 01:14:55,920
Speaker 1: can't get some Apple watches sent to you? You don't

1462
01:14:55,920 --> 01:14:58,600
Speaker 1: know nobody at Apple? Do you mean you'd rather go

1463
01:14:58,680 --> 01:15:01,559
Speaker 1: to the Apple store? Are you sure that's a fact.

1464
01:15:01,880 --> 01:15:04,519
Speaker 1: It's been fact checked, it's it's been backed up, and

1465
01:15:04,520 --> 01:15:06,760
Speaker 1: and you know, we we we've we've talked way out

1466
01:15:06,800 --> 01:15:08,519
Speaker 1: of our ass. We talked we don't even know who's

1467
01:15:08,520 --> 01:15:10,120
Speaker 1: playing in ninety four and nine. If I don't know

1468
01:15:10,120 --> 01:15:13,080
Speaker 1: what that's a fact, you want to just end this

1469
01:15:13,120 --> 01:15:15,880
Speaker 1: podcast on what your opinion is of that. I just

1470
01:15:15,920 --> 01:15:18,599
Speaker 1: think that's just terrible. Man. I did not know that

1471
01:15:18,800 --> 01:15:21,240
Speaker 1: his character until this week. It was it was, it

1472
01:15:21,360 --> 01:15:23,559
Speaker 1: was skirted onto it was, it was sort of brushed

1473
01:15:23,600 --> 01:15:25,200
Speaker 1: onto the thing because I think people would have found

1474
01:15:25,200 --> 01:15:28,040
Speaker 1: out and then everybody was getting hyped because martellis Bennett,

1475
01:15:28,360 --> 01:15:32,000
Speaker 1: Garrett Blunt black athletes and get used to it. Trump.

1476
01:15:32,560 --> 01:15:36,639
Speaker 1: They're gonna have football teams showing up with thirty three dudes. Okay,

1477
01:15:36,920 --> 01:15:42,200
Speaker 1: you gotta have basketbaball. You know. The basketball teams they're

1478
01:15:42,200 --> 01:15:43,960
Speaker 1: gonna be like, there's gonna be like like a trainer,

1479
01:15:44,240 --> 01:15:46,800
Speaker 1: the Calves. I know Lebron ain't going to the White House.

1480
01:15:46,840 --> 01:15:49,160
Speaker 1: I mean Steve Kerr might go because he's classy, but

1481
01:15:49,240 --> 01:15:51,639
Speaker 1: he's he's he's spoken up and he's not to say

1482
01:15:51,640 --> 01:15:54,120
Speaker 1: that other people on classy. Steve kerrmight go because he's

1483
01:15:54,360 --> 01:15:57,160
Speaker 1: politically correct, but he's been he might not be invited.

1484
01:15:57,439 --> 01:16:00,160
Speaker 1: I mean he might not be invited. Yeah, the basketball

1485
01:16:00,280 --> 01:16:03,120
Speaker 1: teams might not even be invited because who's gonna show up?

1486
01:16:03,880 --> 01:16:07,519
Speaker 1: And it's twelve dude. It's not like footboards. It's a

1487
01:16:07,560 --> 01:16:10,439
Speaker 1: tight knit community of twelve dude. Man, who's gonna literally

1488
01:16:10,479 --> 01:16:13,559
Speaker 1: who's gonna show up? Who's gonna show up? I mean,

1489
01:16:13,640 --> 01:16:17,160
Speaker 1: so would you go? I wouldn't go if he was

1490
01:16:17,200 --> 01:16:21,799
Speaker 1: like YO, would like Steve Harvey did yo? Or ray Lewis.

1491
01:16:22,080 --> 01:16:25,000
Speaker 1: Ray Lewis gets on my nerves, man, your man Kanye

1492
01:16:25,040 --> 01:16:30,519
Speaker 1: went and now now he's all right, I gotta get

1493
01:16:30,520 --> 01:16:34,080
Speaker 1: the funk out of there. Helicopter circling ci Iron Rapports

1494
01:16:34,080 --> 01:16:37,559
Speaker 1: stereo podcast. My man would Harris recurring guests, We gotta

1495
01:16:37,600 --> 01:16:40,439
Speaker 1: do it sooner, and uh, you know you're gonna see

1496
01:16:40,479 --> 01:16:42,960
Speaker 1: him in all sorts of ship and I'm done no

1497
01:16:43,080 --> 01:16:53,439
Speaker 1: fact checking. Once upon a time, there was a new

1498
01:16:53,479 --> 01:16:56,439
Speaker 1: crossover that refused to play by the rules. It flipped

1499
01:16:56,439 --> 01:16:58,919
Speaker 1: the script and made all the others look like foods

1500
01:16:59,280 --> 01:17:02,559
Speaker 1: featuring style. Then that's sexier by far and handles like

1501
01:17:02,600 --> 01:17:07,360
Speaker 1: a rock star. Introducing the first ever Toyota c HR.

1502
01:17:08,040 --> 01:17:11,600
Speaker 1: Enjoy agile handling in the body of a seductive crossover

1503
01:17:11,680 --> 01:17:15,400
Speaker 1: that comes with standard eighteen niche alloy wheels. The first

1504
01:17:15,479 --> 01:17:18,720
Speaker 1: ever Toyota c HR the perfect ride to spin your

1505
01:17:18,720 --> 01:17:21,559
Speaker 1: own tail. Toyota, Let's go Places.