WEBVTT - From the Vault: Oh Goat, You Devil - Part 1

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<v Speaker 1>Hey, welcome to Stuff to Blow Your Mind. My name

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<v Speaker 1>is Robert Lamb.

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<v Speaker 2>And I am Joe McCormick. And Rob and I are

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<v Speaker 2>out this week, but we are bringing you some episodes

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<v Speaker 2>from the vault, from the Halloween Vault, to be specific.

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<v Speaker 2>This was originally aired on October eighteenth, twenty twenty two,

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<v Speaker 2>and it's part one of our series on the Goat.

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<v Speaker 1>That's right, let's jump right in.

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<v Speaker 3>Welcome to Stuff to Blow Your Mind production of iHeartRadio.

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<v Speaker 1>Hey, welcome to Stuff to Blow your Mind. My name

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<v Speaker 1>is Robert.

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<v Speaker 2>Lamb and I'm Joe McCormick. Hey, it's still October here

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<v Speaker 2>on the Stuff to Blow Your Mind podcast. And you

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<v Speaker 2>may have noticed that we've been talking a good bit

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<v Speaker 2>about farm animals this month. That was not by design,

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<v Speaker 2>It just sort of happened that way. But you know,

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<v Speaker 2>it started with discussing elf shot, which was this folk

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<v Speaker 2>belief about wounds inflicted often on cattle and horses by

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<v Speaker 2>supernatural fairy weapons. And then we talked about the cattle

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<v Speaker 2>mutilation panic of the nineteen seventies, and all this talk

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<v Speaker 2>about livestock actually brought me back to a question I've

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<v Speaker 2>wondered about in recent years and I'm glad we're finally

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<v Speaker 2>getting around to devoting some episodes to it. What is

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<v Speaker 2>the deal with goats and evil incarnate? Modern audiences will

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<v Speaker 2>probably think of a particularly awesome bit of goatish devilry

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<v Speaker 2>from the twenty fifteen historical horror film The Witch, directed

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<v Speaker 2>by Robert Eggers. I don't want to spoil too much

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<v Speaker 2>for those of you who still haven't seen it. If

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<v Speaker 2>you haven't, it's great, But let's just say the movie

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<v Speaker 2>overfloweth with megacreepy goat stuff, a link between goats and

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<v Speaker 2>demons and Satan himself. And of course this link between

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<v Speaker 2>goats and demons and occult magic is not original to

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<v Speaker 2>that film. There appears to be a long running association

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<v Speaker 2>between goats and beliefs about witchcraft and devil worship, not

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<v Speaker 2>so much in New England, where that movie is set,

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<v Speaker 2>but especially in continental Europe, where the goat form was

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<v Speaker 2>an important part of, for one thing, the imagery of Baphomet,

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<v Speaker 2>a figure that will definitely come back to in more

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<v Speaker 2>detail later in this series. But I figured that I

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<v Speaker 2>think Christians associated with evil because it was allegedly worshiped

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<v Speaker 2>by the Knights Templar and later by other occultists, I

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<v Speaker 2>think emphasis on allegedly with that square with your understanding, rob.

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<v Speaker 1>Oh, yes, yes, definitely, and we'll touch on that later then.

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<v Speaker 1>And then also you can when you start talking about

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<v Speaker 1>occultists and some of the occult usages of Baphomet and

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<v Speaker 1>Baha mein iconology, like that breaks down a bit as well,

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<v Speaker 1>because you get into like, well, what is worship and

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<v Speaker 1>what is the occult? And you can certainly go down

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<v Speaker 1>some rabbit holes there as well.

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<v Speaker 2>But apart from Baphamet, even the goat pops up in

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<v Speaker 2>all other kinds of continental witchcraft imagery. Some of the

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<v Speaker 2>greatest examples that come to mind for me are two

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<v Speaker 2>similar paintings by the Spanish romantic artist Francisco Goya. The

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<v Speaker 2>first one is a painting from seventeen ninety eight called

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<v Speaker 2>Witch's Sabbath, which depicts a coven of women gathered in

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<v Speaker 2>a circle around an upright he goat in the moonlight.

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<v Speaker 2>And the goat's horns are magnificently curled, as if curled

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<v Speaker 2>by the physical substance of evil, and they're decorated with

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<v Speaker 2>branches of oak leaf, and his four hoofs are outstretched

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<v Speaker 2>like the arms of a man kind of like you

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<v Speaker 2>might see depictions of sleepwalkers with their arms stretched out

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<v Speaker 2>in front of them, but also almost like a king

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<v Speaker 2>holding out his hand so that you can kiss his ring.

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<v Speaker 2>And the women worshiping the goat are offering up children

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<v Speaker 2>for human sacrifice, and you can see bats circling the

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<v Speaker 2>moon above. It is an absolutely splendid depiction of malignant

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<v Speaker 2>magic and terror, and I love this painting.

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<v Speaker 1>Yeah, this is an interesting painting because, on one hand, yes,

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<v Speaker 1>it is invoking the very fictional idea of witchcraft and

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<v Speaker 1>sacrifice that was, as we've discussed on the show before,

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<v Speaker 1>is very much a part of the like the campaign

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<v Speaker 1>against imagined witches and played a huge part in witchcraft

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<v Speaker 1>persecution of very real human beings. On the other hand,

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<v Speaker 1>this particular image is a lot more chill compared to

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<v Speaker 1>some of the various woodcuts you see that were used

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<v Speaker 1>during the periods of witchcraft persecution and drumming up, you know,

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<v Speaker 1>fantastic ideas of satanic worship like this one. Aside from

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<v Speaker 1>the offering of the children, and even then the offering

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<v Speaker 1>of the children, it could be you're just holding the

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<v Speaker 1>child up to better see the great he goes otherwise,

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<v Speaker 1>you know, folks are just kind of hanging about and

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<v Speaker 1>here's the goat, and the goat looks not particularly evil

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<v Speaker 1>but kind of regal.

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<v Speaker 2>Well, yeah, I think some of that ambiguity might come

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<v Speaker 2>down to what this painting was intended for, because I'll

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<v Speaker 2>get back to that in just a second after I

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<v Speaker 2>mentioned there's another painting. Strangely, this one is often known

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<v Speaker 2>by the same title The Witch's Sabbath, but with the

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<v Speaker 2>subtitle The Great he Goat or El Grande Cabron. This

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<v Speaker 2>one was finished sometime in the early eighteen twenties, but

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<v Speaker 2>I think it was not actually intended for public display.

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<v Speaker 2>I think Koya just did this one like on a

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<v Speaker 2>wall in his house. But in this one, once again

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<v Speaker 2>you've got a congregation of witches gazing up at their

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<v Speaker 2>goat lord in terror and awe. But now the goat

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<v Speaker 2>is just a dark silhouette in the foreground with horns

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<v Speaker 2>and a little billy beard and his body draped in

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<v Speaker 2>robes like a priest. As brimming with menace as these

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<v Speaker 2>paintings are, I think scholars of Goya do not typically

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<v Speaker 2>understand these artworks as depictions of a literal belief in witchcraft,

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<v Speaker 2>but more kind of the exact opposite, as satirical works

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<v Speaker 2>about superstition, human brutality, and about religious persecution. Because Goya

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<v Speaker 2>was apparently a devotee of the Enlightenment, and I've seen

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<v Speaker 2>his occult paintings described as a sort of mockery of

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<v Speaker 2>the witchcraft trial mentality and of the Spanish Inquisition and

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<v Speaker 2>the darker side of human nature in general. Because Rob,

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<v Speaker 2>as you just reminded us, of course, a belief in

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<v Speaker 2>witchcraft and occult magic did lead to terror, oppression, brutality,

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<v Speaker 2>and human sacrifice, but not so much at the hands

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<v Speaker 2>of witches, almost exclusively at the hands of people who

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<v Speaker 2>thought they were opposing witchcraft and heresy rather than practicing it.

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<v Speaker 1>Yeah. Yeah, and perhaps reaching for some faint evidence of

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<v Speaker 1>the divine themselves. Yeah. This reminds me of another piece

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<v Speaker 1>by Goya that I actually they talked about in a

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<v Speaker 1>Monster Fact episode at some point in the last year

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<v Speaker 1>or so, a seventeen ninety nine piece titled the translation

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<v Speaker 1>is here comes the Boogeyman or Koko, and it has

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<v Speaker 1>a robed figure and children. There are these two children

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<v Speaker 1>held by a mother, and the children are screaming in

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<v Speaker 1>terror and trying to look away from it, and the

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<v Speaker 1>mother's gazing up at the Boogeyman almost with admiration. And

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<v Speaker 1>it's a lovely image that touches on some of these

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<v Speaker 1>elements you're talking about, because the backstory for this image

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<v Speaker 1>is not the Boogeyman is real, or it is more like,

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<v Speaker 1>look at what parents have done by engaging in this

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<v Speaker 1>kind of supernatural nonsense, this kind of supernatural terror to

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<v Speaker 1>control their children. Look at the world there helping to

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<v Speaker 1>make through this sort of thing.

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<v Speaker 2>And yet I think it's funny that despite the clearly

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<v Speaker 2>ironic intention of these paintings, Goya was a master at

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<v Speaker 2>creating deliciously frightening monsters and including these these great he goats,

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<v Speaker 2>including the Elgrand Cabron. So the question for the series

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<v Speaker 2>of episodes is why what is the deal with this

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<v Speaker 2>cultural association primarily stemming from Christian continental Europe, between goats

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<v Speaker 2>and devils or goats and wickedness? And does the thematic

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<v Speaker 2>harmony of goat and evil at all relate to the

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<v Speaker 2>biological features of the goat as an organism.

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<v Speaker 1>Yeah, it's a great question, because really, if your main

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<v Speaker 1>relationship with goats is via like goat satanic imagery and

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<v Speaker 1>baphomets and you know, you know, heavy metal iconography and

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<v Speaker 1>so forth. You might say, oh, yeah, yeah, goats are scary.

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<v Speaker 1>But if you've been around goats, either goat farms or

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<v Speaker 1>various petting zoos, you know it did zoos where children

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<v Speaker 1>are encouraged to meet the goats and the sheep and

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<v Speaker 1>to pet them and groom them, you'll quickly realize that

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<v Speaker 1>in real life goats aren't really scary at all. Like,

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<v Speaker 1>generally speaking, the scariest thing about a goat is, well,

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<v Speaker 1>I might step in poop, or if they're a little

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<v Speaker 1>revved up, one might button me a little bit, or

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<v Speaker 1>might nibble like if I have a map hanging out

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<v Speaker 1>of my pocket or something. They might try and eat

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<v Speaker 1>something they're not supposed to do. But for the most part, yeah,

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<v Speaker 1>the goat is more comical and weird and at least

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<v Speaker 1>to my eyes, as opposed to anything that is nefarious

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<v Speaker 1>when you're actually experiencing them firsthand.

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<v Speaker 2>I actually had a face to face with some goats

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<v Speaker 2>just a few weeks ago at a farm that was

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<v Speaker 2>attached to a restaurant I went to, and the goats

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<v Speaker 2>were just hanging out by the side of the fence.

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<v Speaker 2>So I went and communed with them a little bit,

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<v Speaker 2>and I walked away from that thinking, yeah, goats are

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<v Speaker 2>kind of cool. They just seemed like chill like, kind friendly,

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<v Speaker 2>maybe more more of a sense of awareness from the

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<v Speaker 2>goats than I've gotten when I've been around like cows,

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<v Speaker 2>So there's a kind of curiosity or implied intelligence, but

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<v Speaker 2>also that they were just cool. It's like they wanted

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<v Speaker 2>to hang out.

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<v Speaker 1>Yeah, they have a lot of personality I've found. I mean,

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<v Speaker 1>you also find some that are totally zoned out in

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<v Speaker 1>petting Zero's I've been touched and combed and brushed by

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<v Speaker 1>children so much that I don't even register it anymore,

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<v Speaker 1>that sort of thing. But a lot of times, yeah,

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<v Speaker 1>they have a lot of love of character, and the

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<v Speaker 1>babies are quite cute. So so yeah, in real life

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<v Speaker 1>I find goats to be rather harmless.

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<v Speaker 2>So I think it's probably good to put some very

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<v Speaker 2>basic goat biology up front, and then maybe we can

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<v Speaker 2>come back to more specific goat science questions after we

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<v Speaker 2>explore more of the goat lore.

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<v Speaker 1>So the goat for starters here, the goat is one

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<v Speaker 1>of humanity's oldest domesticated animals. Tracing back at least to

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<v Speaker 1>the fifth millennium BCE, perhaps to the region of Turkestan.

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<v Speaker 1>Goats have spread around the globe with their humans since then,

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<v Speaker 1>thriving everywhere except Antarctica. We domesticated the goat. We take

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<v Speaker 1>the goat with us, and the goat tends to do

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<v Speaker 1>really well in various environments.

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<v Speaker 2>Yeah, the goat is kind of rough and ready, the

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<v Speaker 2>goat is hardy. So the scientific name of the domestic

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<v Speaker 2>goat species is Capra Hercus hircus, with the genus Capra

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<v Speaker 2>belonging to the bovid subfamily Caproni, also known as the

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<v Speaker 2>goat antelopes. So the taxonomy from top down goes like this.

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<v Speaker 2>You got the bovids, and the bovids are all cloven,

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<v Speaker 2>hoofed ruminant mammals. This includes antelopes, cows, bison, buffalo, things

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<v Speaker 2>like that. And then the bovid subfamily Caprini includes an

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<v Speaker 2>assortment of genera such as muskox and sheep, various kinds

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<v Speaker 2>of four legged mountain critters that you would probably look

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<v Speaker 2>at and say that's some type of goat. And then

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<v Speaker 2>of course the genus Capra, which contains the true goats,

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<v Speaker 2>with Capra Hercus the domestic goat. There are hundreds of

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<v Speaker 2>breeds selected for different traits, but broadly, most domestic goats

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<v Speaker 2>are raised for one of three things, either milk or meat,

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<v Speaker 2>or skins and fiber for the coat. So when it

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<v Speaker 2>comes to fiber, you can think about cashmere. Cashmere wool

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<v Speaker 2>that comes from goat breeds such as the Kashmere goat,

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<v Speaker 2>and mohair as in electric boots and mohair suits, is

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<v Speaker 2>made from the wool of the angora goat. Confusingly, the

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<v Speaker 2>wool known as angora does not come from the angora goat,

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<v Speaker 2>but from rabbits.

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<v Speaker 1>Goat milk, especially when made into goat cheese, can be

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<v Speaker 1>quite amazing.

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<v Speaker 2>Yeah, it tends to have a friskier flavor than cow milk.

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<v Speaker 2>You get more that grass tanng in there, I think.

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<v Speaker 2>But so okay. Humans have been hurting domestic goats for

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<v Speaker 2>thousands of years, probably going back ten thousand years or so,

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<v Speaker 2>longer than most other domestic animal species. So how did

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<v Speaker 2>that happen? Well, domestic goats are mostly from an original

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<v Speaker 2>wild species known as the beezor goat or capra igagras,

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<v Speaker 2>though there are a few breeds that are descended from

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<v Speaker 2>another wild species known as the markre or Capra falconeri.

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<v Speaker 2>The markre is awesome, by the way, and worth returning

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<v Speaker 2>to later. But I was reading one highly cited paper

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<v Speaker 2>investigating the evolutionary history of the goat how we got

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<v Speaker 2>from these wild ancestors to the domestic goat, And this

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<v Speaker 2>was a paper by Sayed naderi at All published in

0:13:33.600 --> 0:13:36.240
<v Speaker 2>Proceedings in the National Academy of Sciences in two thousand

0:13:36.240 --> 0:13:40.079
<v Speaker 2>and eight, called the goat domestication process inferred from large

0:13:40.120 --> 0:13:44.959
<v Speaker 2>scale mitochondrial DNA analysis of wild and domestic individuals. So

0:13:45.120 --> 0:13:47.720
<v Speaker 2>as we know, one of the most important turning points

0:13:47.800 --> 0:13:50.280
<v Speaker 2>in the history of the human species, probably the single

0:13:50.400 --> 0:13:54.360
<v Speaker 2>most important, was the emergence of farming, which includes both

0:13:54.440 --> 0:13:58.880
<v Speaker 2>plant agriculture and domestication of livestock, and goats were one

0:13:58.920 --> 0:14:01.839
<v Speaker 2>of these early domestics. Hated farm animals, likely through a

0:14:01.920 --> 0:14:04.959
<v Speaker 2>process where the wild ancestor of the goat was a

0:14:05.000 --> 0:14:09.120
<v Speaker 2>prey species tracked and hunted by humans, and then at

0:14:09.200 --> 0:14:15.000
<v Speaker 2>some point that hunting relationship transitioned into a herding relationship, which,

0:14:15.080 --> 0:14:17.400
<v Speaker 2>by the way, fascinating to try to imagine the step

0:14:17.480 --> 0:14:21.440
<v Speaker 2>by step process of how exactly that happens. Yeah, but

0:14:21.640 --> 0:14:25.280
<v Speaker 2>these wild goats, the ancestors of domestic goats, were typically

0:14:25.440 --> 0:14:29.800
<v Speaker 2>a mountain dwelling species that lived in relatively harsh and

0:14:30.000 --> 0:14:33.440
<v Speaker 2>rocky environments and in the woods rather than in just flat,

0:14:33.560 --> 0:14:37.600
<v Speaker 2>fertile plains full of delicious grass. And this raises an

0:14:37.600 --> 0:14:42.120
<v Speaker 2>important distinction for goat biology, which is the grazing versus

0:14:42.280 --> 0:14:46.360
<v Speaker 2>browsing distinction. So you can think of ruminant mammals like

0:14:46.520 --> 0:14:51.000
<v Speaker 2>sheep and cattle as grazers. They usually prefer to eat

0:14:51.200 --> 0:14:56.240
<v Speaker 2>low lying vegetations such as grass, whereas goats typically prefer

0:14:56.400 --> 0:14:59.800
<v Speaker 2>to browse. So goats don't just put their heads down

0:15:00.000 --> 0:15:03.960
<v Speaker 2>eat nice grass. They browse on trees and shrubs, so

0:15:04.200 --> 0:15:06.600
<v Speaker 2>they prefer to keep their heads raised up instead of

0:15:06.680 --> 0:15:09.440
<v Speaker 2>down to the earth, and they'll pick it leaves and

0:15:09.640 --> 0:15:14.240
<v Speaker 2>fruits and buds and twigs from higher up food sources.

0:15:14.600 --> 0:15:18.160
<v Speaker 1>Though at the same time, you have a particular environment

0:15:18.800 --> 0:15:22.400
<v Speaker 1>invites them to graze more or to to to eat

0:15:22.480 --> 0:15:25.080
<v Speaker 1>more from lower down, they will do that too. They're

0:15:25.160 --> 0:15:27.320
<v Speaker 1>very versatile and that's one of the reasons they've been

0:15:27.400 --> 0:15:28.119
<v Speaker 1>so successful.

0:15:28.320 --> 0:15:30.720
<v Speaker 2>Oh yeah, they will definitely eat whatever they can get.

0:15:30.880 --> 0:15:33.840
<v Speaker 2>It's but I think the distinction is that you're not

0:15:34.040 --> 0:15:38.320
<v Speaker 2>gonna typically find like cows and sheep trying to browse

0:15:38.600 --> 0:15:43.120
<v Speaker 2>up on variegated, higher, higher up food sources, and goats

0:15:43.160 --> 0:15:46.280
<v Speaker 2>absolutely will. That's part of their natural repertoire.

0:15:46.120 --> 0:15:49.360
<v Speaker 1>Right, and it's also always amusing, you know, given their

0:15:49.800 --> 0:15:54.760
<v Speaker 1>their their mountainous ancestry that anywhere you find goats, you'll

0:15:54.760 --> 0:15:57.000
<v Speaker 1>often find them a top whatever they can get a

0:15:57.040 --> 0:16:03.560
<v Speaker 1>top off, be it a rock or a shed, occasionally

0:16:03.880 --> 0:16:06.720
<v Speaker 1>the roof of a building, whatever they have access to.

0:16:06.840 --> 0:16:10.200
<v Speaker 1>Its goats like to get a little height so they

0:16:10.240 --> 0:16:12.480
<v Speaker 1>can see what's going on around them exactly.

0:16:12.560 --> 0:16:15.160
<v Speaker 2>Yeah, you often see the goats up on top of

0:16:15.200 --> 0:16:18.840
<v Speaker 2>the chicken coop there go. But anyway, in the study

0:16:18.920 --> 0:16:24.400
<v Speaker 2>I mentioned by comparing DNA from modern domestic goats with

0:16:24.640 --> 0:16:29.200
<v Speaker 2>the modern relatives of their wild ancestors, this study zeroed

0:16:29.280 --> 0:16:33.360
<v Speaker 2>in on the idea that the earliest version of this

0:16:33.520 --> 0:16:38.000
<v Speaker 2>herding and domestication relationship and the emergence of the domestic

0:16:38.040 --> 0:16:43.320
<v Speaker 2>goat probably took place in eastern Anatolia and possibly the

0:16:43.520 --> 0:16:47.560
<v Speaker 2>northern and central Zagros Mountains, which are a mountain range

0:16:47.600 --> 0:16:53.040
<v Speaker 2>extending from eastern Turkey down through Iraq and Iran. And

0:16:53.280 --> 0:16:55.400
<v Speaker 2>I think it's interesting that some of the traits still

0:16:55.520 --> 0:16:58.640
<v Speaker 2>visible in domestic goats today can be traced to this

0:16:58.760 --> 0:17:02.240
<v Speaker 2>evolutionary history. Talking about especially if you think about you know,

0:17:02.360 --> 0:17:05.720
<v Speaker 2>goat bodies, goat brains, and goat behavior as adapted to

0:17:05.840 --> 0:17:09.480
<v Speaker 2>more difficult environments like woods and mountains as opposed to

0:17:09.600 --> 0:17:13.080
<v Speaker 2>plains full of green grass. And you can see this

0:17:13.240 --> 0:17:18.359
<v Speaker 2>represented in some misconceptions about goats that contain a grain

0:17:18.440 --> 0:17:22.280
<v Speaker 2>of truth. For example, if you watch old cartoons and stuff,

0:17:22.320 --> 0:17:24.320
<v Speaker 2>and you see a goat in the old cartoon, what's

0:17:24.359 --> 0:17:26.880
<v Speaker 2>it going to do. It's gonna eat a tin can, right, right,

0:17:27.200 --> 0:17:30.400
<v Speaker 2>No problem, goats just eat tin cans. Well, that's not true.

0:17:30.680 --> 0:17:33.000
<v Speaker 2>Obviously this is not real, and you should not feed

0:17:33.160 --> 0:17:37.639
<v Speaker 2>metal or any other kind of potentially dangerous garbage to

0:17:37.760 --> 0:17:40.800
<v Speaker 2>a goat. But there is a grain of truth there.

0:17:40.920 --> 0:17:44.160
<v Speaker 2>It is reflective of the fact that humans have long

0:17:44.400 --> 0:17:49.840
<v Speaker 2>noticed goat feeding behavior is more curious and adventurous and

0:17:50.000 --> 0:17:54.960
<v Speaker 2>promiscuous than the typical feeding behavior of some other familiar

0:17:55.080 --> 0:17:57.080
<v Speaker 2>domestic ungulates like sheep and cows.

0:17:57.440 --> 0:17:59.440
<v Speaker 1>Yeah, and it's why many of the places you'll find

0:17:59.520 --> 0:18:01.879
<v Speaker 1>goats in the world, you'll you'll find them often living

0:18:02.000 --> 0:18:09.000
<v Speaker 1>in otherwise very urban environments in not concrete jungles, perhaps,

0:18:09.119 --> 0:18:13.480
<v Speaker 1>but places where, yeah, there's vegetation around there in between

0:18:13.560 --> 0:18:15.520
<v Speaker 1>this building and that, and the goats can get to

0:18:15.600 --> 0:18:18.360
<v Speaker 1>it in ways where you probably wouldn't have a cow

0:18:18.520 --> 0:18:19.120
<v Speaker 1>grazing there.

0:18:19.400 --> 0:18:24.160
<v Speaker 2>Yeah. So, being natural browsers who eat leaves of plants

0:18:24.200 --> 0:18:27.320
<v Speaker 2>that would be poisonous to other animals, we eat fruits

0:18:27.400 --> 0:18:30.960
<v Speaker 2>and buds and twigs and shoots and sometimes even tree bark.

0:18:31.480 --> 0:18:34.600
<v Speaker 2>Goats will search high up in their environment for potential

0:18:34.680 --> 0:18:37.840
<v Speaker 2>food sources and will try out all kinds of things.

0:18:38.560 --> 0:18:41.919
<v Speaker 2>Like other ruminant mammals, goats break down their high fiber

0:18:42.080 --> 0:18:45.040
<v Speaker 2>diet with the help of a multi chamber digestive system

0:18:45.400 --> 0:18:49.680
<v Speaker 2>where the foregut actually uses bacterial fermentation to break down

0:18:50.119 --> 0:18:54.639
<v Speaker 2>the rough vegetation and extract the maximum usable energy. So

0:18:54.880 --> 0:18:56.960
<v Speaker 2>the goats in their foregut, they got a chamber in

0:18:57.000 --> 0:18:59.600
<v Speaker 2>there where they're making sauer kraut out of the leaves

0:18:59.640 --> 0:19:08.399
<v Speaker 2>and the grass and the twigs. Now we can come

0:19:08.480 --> 0:19:11.159
<v Speaker 2>back to more discussion of goat biology later, but I

0:19:11.320 --> 0:19:14.600
<v Speaker 2>was thinking, if we're looking for cultural links between goats

0:19:14.720 --> 0:19:17.840
<v Speaker 2>and the devil, it might be good to look at

0:19:18.560 --> 0:19:22.760
<v Speaker 2>the sort of mythic processing of other biological features of

0:19:22.840 --> 0:19:26.200
<v Speaker 2>the goat and see what other products those features get

0:19:26.240 --> 0:19:30.439
<v Speaker 2>baked into. So one thing that that screams for attention

0:19:30.640 --> 0:19:33.480
<v Speaker 2>to me, if you're certainly to anyone who's familiar with

0:19:33.560 --> 0:19:37.240
<v Speaker 2>Greek and Roman mythology, is going to be the creature

0:19:37.400 --> 0:19:39.480
<v Speaker 2>known as the satyr or the fawn.

0:19:40.040 --> 0:19:43.159
<v Speaker 1>Absolutely, and this is this is tremendously important to the

0:19:43.240 --> 0:19:48.600
<v Speaker 1>discussion of goat iconography and Western traditions and the classical

0:19:48.720 --> 0:19:52.400
<v Speaker 1>use of course, the idea of these these goat men

0:19:53.680 --> 0:19:58.000
<v Speaker 1>that are generally human from from the waist up with

0:19:58.119 --> 0:20:00.920
<v Speaker 1>some goatish features of the head and then goat like

0:20:01.080 --> 0:20:05.240
<v Speaker 1>from the waist down. And yeah, there are a number

0:20:05.280 --> 0:20:08.320
<v Speaker 1>of wonderful works of art that have depicted these beings,

0:20:08.560 --> 0:20:12.720
<v Speaker 1>and they kind of run the gamut, like sometimes a

0:20:12.840 --> 0:20:15.840
<v Speaker 1>satyr seems kind of serene, you know, playing music in

0:20:15.920 --> 0:20:19.000
<v Speaker 1>the woods or frolicking in the woods. Other times they

0:20:19.080 --> 0:20:23.840
<v Speaker 1>have a very sinister edge to them. Other times they're

0:20:23.920 --> 0:20:26.320
<v Speaker 1>just you know, being flayed alive, that sort of thing,

0:20:26.400 --> 0:20:28.320
<v Speaker 1>depending on the artwork in question.

0:20:28.720 --> 0:20:32.560
<v Speaker 2>There are numerous specific myths and tales about satyrs where

0:20:32.800 --> 0:20:38.080
<v Speaker 2>in the end the sator suffers a humiliation or punishment

0:20:38.240 --> 0:20:40.879
<v Speaker 2>or defeat of some kind. They often just like that

0:20:41.280 --> 0:20:42.640
<v Speaker 2>it doesn't turn out great for them.

0:20:42.920 --> 0:20:46.040
<v Speaker 1>Yeah, and the flaying in particular, that's the reference to

0:20:46.160 --> 0:20:50.560
<v Speaker 1>the flaying of Marsias, in which the god Apollo flays

0:20:51.359 --> 0:20:55.480
<v Speaker 1>this particular satar. And yeah, it's a grotesque sequence that

0:20:55.520 --> 0:20:58.840
<v Speaker 1>you'll often see depicted in statues and paintings. So at

0:20:58.840 --> 0:21:01.920
<v Speaker 1>any rate, yes, when we're talking about the classical Greek

0:21:02.119 --> 0:21:04.719
<v Speaker 1>goat man, we're talking about the satar. And this carries

0:21:04.760 --> 0:21:09.160
<v Speaker 1>over as well into Roman traditions of the fawn. Carol Rose,

0:21:09.200 --> 0:21:11.560
<v Speaker 1>the folklorus that I often refer to, points out that

0:21:12.000 --> 0:21:15.520
<v Speaker 1>the original satyrs were depicted as human males with goat

0:21:15.600 --> 0:21:19.760
<v Speaker 1>legs and horns that represented quote, the fruitfulness of the land.

0:21:20.840 --> 0:21:22.080
<v Speaker 1>So I guess it's one of those things where if

0:21:22.080 --> 0:21:25.280
<v Speaker 1>you have satyrs frolicking about, if your environment can support satyrs,

0:21:26.119 --> 0:21:30.000
<v Speaker 1>then everything's going all right. Clearly this is an indicator

0:21:30.400 --> 0:21:34.720
<v Speaker 1>of a very robust environment. But the form shifts over time,

0:21:34.800 --> 0:21:37.400
<v Speaker 1>as mythic bodies tend to do. And at one point

0:21:37.480 --> 0:21:39.840
<v Speaker 1>she writes, there's a type of satyr that is described

0:21:40.040 --> 0:21:43.600
<v Speaker 1>as having no nose, on its face and breathing instead

0:21:43.640 --> 0:21:48.520
<v Speaker 1>through a big hole in its chest. Later satyrs take

0:21:48.560 --> 0:21:52.960
<v Speaker 1>on the form we're more familiar with human faces, pointed ears, horns,

0:21:53.520 --> 0:21:56.440
<v Speaker 1>and the lower body of a shaggy goat the upper

0:21:56.480 --> 0:21:59.400
<v Speaker 1>body of a human male. They attend their drunken leader

0:21:59.480 --> 0:22:03.280
<v Speaker 1>s and serve the god of wine, Dionysus or Bacchus.

0:22:03.680 --> 0:22:06.399
<v Speaker 1>They live in the woods, They chase nymphs around, and

0:22:06.480 --> 0:22:12.240
<v Speaker 1>they are known for their quote aggressive drunken sexuality, lechery, rudeness,

0:22:12.640 --> 0:22:16.800
<v Speaker 1>and love of playing pranks. So you know, to humans,

0:22:17.760 --> 0:22:22.000
<v Speaker 1>there's an unpredictability about the Satar. There's possibly a danger

0:22:22.160 --> 0:22:27.080
<v Speaker 1>to the Satar. They and in this they're also the

0:22:27.160 --> 0:22:31.560
<v Speaker 1>origin of the word satire. But also in all of this,

0:22:31.640 --> 0:22:34.080
<v Speaker 1>I think they nicely sum up a lot of attitudes

0:22:34.160 --> 0:22:37.960
<v Speaker 1>towards the wild. Like, the wilderness can be fun, the

0:22:38.040 --> 0:22:41.320
<v Speaker 1>wilderness can be amusing and serene. But the wilderness can

0:22:41.359 --> 0:22:45.840
<v Speaker 1>be dangerous and it may care nothing for you at all.

0:22:46.240 --> 0:22:48.800
<v Speaker 1>It may take interest in you, the interest that you

0:22:48.880 --> 0:22:52.360
<v Speaker 1>do not want. Yeah. Now, by the medieval period, Rose

0:22:52.400 --> 0:22:55.960
<v Speaker 1>writes that they become more of a grotesque hybrid and

0:22:56.040 --> 0:22:59.720
<v Speaker 1>are often used to represent just pure debauchery and lust,

0:23:00.520 --> 0:23:04.359
<v Speaker 1>often depicted with erect fallacies to drive home this point.

0:23:04.680 --> 0:23:06.920
<v Speaker 1>But at the same time it was also said that,

0:23:07.520 --> 0:23:09.760
<v Speaker 1>and of course we've discussed this sort of thing before,

0:23:10.520 --> 0:23:14.080
<v Speaker 1>where there are accounts of the monsters and strange creatures

0:23:14.680 --> 0:23:18.040
<v Speaker 1>that live in distant lands. So it was also written that, oh,

0:23:18.119 --> 0:23:21.280
<v Speaker 1>if you go to Ethiopia, you will actually find satyrs.

0:23:21.560 --> 0:23:23.720
<v Speaker 1>They're difficult to catch, but they live there.

0:23:23.960 --> 0:23:26.280
<v Speaker 2>The travel guides of the ancient world were so bad,

0:23:26.960 --> 0:23:31.680
<v Speaker 2>zero stars. But anyway, so yeah, I was reading about

0:23:31.840 --> 0:23:34.159
<v Speaker 2>satyrs and one thing I noticed is that they were

0:23:34.280 --> 0:23:38.200
<v Speaker 2>being described in conflicting ways, like it seemed. Sometimes they're

0:23:38.240 --> 0:23:41.760
<v Speaker 2>described as having these goat like features and other times

0:23:41.800 --> 0:23:44.680
<v Speaker 2>I read them as having horse like features. So I

0:23:44.800 --> 0:23:47.400
<v Speaker 2>was trying to make sense of that, and I found

0:23:47.440 --> 0:23:52.000
<v Speaker 2>a good reference an Oxford University Press book called Classical Mythology,

0:23:52.040 --> 0:23:54.320
<v Speaker 2>A Guide to the mythical world the Greeks and Romans,

0:23:54.880 --> 0:23:58.240
<v Speaker 2>by a scholar named William Hanson. This was published in

0:23:58.280 --> 0:24:02.760
<v Speaker 2>two thousand and five, and according to Hanson, the overriding

0:24:02.920 --> 0:24:07.440
<v Speaker 2>feature of satyrs is that they're associated with the countryside,

0:24:07.480 --> 0:24:10.280
<v Speaker 2>of course, so you know, the wilderness as opposed to settlements,

0:24:10.960 --> 0:24:15.000
<v Speaker 2>and that they are hybrid beasts. They are exclusively male,

0:24:15.280 --> 0:24:18.040
<v Speaker 2>they tend to be hairy, they walk upright on two legs,

0:24:18.280 --> 0:24:22.040
<v Speaker 2>they've got, as you said, off an exaggeratedly large genitalia,

0:24:22.640 --> 0:24:26.440
<v Speaker 2>and they incorporate some type of bestial features, though early

0:24:26.560 --> 0:24:29.159
<v Speaker 2>on these features are the legs and tail of a

0:24:29.440 --> 0:24:33.320
<v Speaker 2>horse rather than a goat. That's kind of interesting. So

0:24:33.560 --> 0:24:37.320
<v Speaker 2>some depictions lean more on the bestial elements and others

0:24:37.520 --> 0:24:40.680
<v Speaker 2>make them more just kind of like ugly wild humans.

0:24:41.560 --> 0:24:44.320
<v Speaker 2>But what's the deal with the horse features versus goat

0:24:44.440 --> 0:24:50.280
<v Speaker 2>so Hanson says that satyrs were originally horsemen who again

0:24:50.359 --> 0:24:52.800
<v Speaker 2>had the legs and tails of horses, but over time

0:24:53.480 --> 0:24:58.000
<v Speaker 2>they blend together with depictions of the god Pan who

0:24:58.160 --> 0:25:01.879
<v Speaker 2>was explicitly and always a goat man. So by the

0:25:01.960 --> 0:25:05.400
<v Speaker 2>Hellenistic periods that's about the fourth century to the first

0:25:05.480 --> 0:25:09.199
<v Speaker 2>century BCE, after the conquest of Alexander the Great, at

0:25:09.200 --> 0:25:13.119
<v Speaker 2>this point, satyrs are being depicted pretty regularly as goat

0:25:13.240 --> 0:25:14.560
<v Speaker 2>men instead of horsemen.

0:25:15.080 --> 0:25:20.360
<v Speaker 1>This horse goat split is interesting because we'll come back

0:25:20.400 --> 0:25:24.480
<v Speaker 1>to this again regarding not only the goat horse split,

0:25:24.600 --> 0:25:27.920
<v Speaker 1>but the idea that some hybrid entities that are described

0:25:27.920 --> 0:25:33.160
<v Speaker 1>into different folk traditions. The goat aspect may shift. Other

0:25:33.240 --> 0:25:36.119
<v Speaker 1>times it may be another creature, but sometimes it leans

0:25:36.160 --> 0:25:36.680
<v Speaker 1>more goat.

0:25:36.960 --> 0:25:39.240
<v Speaker 2>And I think you can learn things about what these

0:25:39.280 --> 0:25:42.040
<v Speaker 2>animals mean in people's minds by seeing what kind of

0:25:42.080 --> 0:25:46.000
<v Speaker 2>animals get swapped out for what yea But anyway, so

0:25:46.160 --> 0:25:50.320
<v Speaker 2>these later pan blended goat satyrs are usually shown hanging

0:25:50.359 --> 0:25:54.320
<v Speaker 2>out in the countryside, playing the flute, chasing nymphs, dancing,

0:25:54.960 --> 0:25:58.520
<v Speaker 2>associating with Dionysus, the god of the gray harvest of

0:25:58.640 --> 0:26:01.359
<v Speaker 2>fruitfulness and fertility, actually the god of a lot of things,

0:26:01.680 --> 0:26:05.960
<v Speaker 2>of festivity and drunkenness and all kinds of stuff in

0:26:06.119 --> 0:26:09.959
<v Speaker 2>literary traditions. Hanson digs up interesting references to satyrs as

0:26:10.080 --> 0:26:15.440
<v Speaker 2>being quote worthless and unsuited to work. But another thing

0:26:15.520 --> 0:26:19.080
<v Speaker 2>that really caught my attention is that satyrs, since they

0:26:19.119 --> 0:26:23.680
<v Speaker 2>are exclusively male, cannot reproduce to create their own kind,

0:26:24.280 --> 0:26:27.280
<v Speaker 2>and are only said to be created by the union

0:26:27.520 --> 0:26:31.159
<v Speaker 2>of two other worldly beings, such as a god and

0:26:31.280 --> 0:26:33.560
<v Speaker 2>a nymph, or by the union of a god and

0:26:33.600 --> 0:26:38.080
<v Speaker 2>a human. And there's an interesting comparison here, I think,

0:26:38.160 --> 0:26:41.760
<v Speaker 2>to other figures that are considered demonic in some way.

0:26:42.359 --> 0:26:45.680
<v Speaker 2>For example, in ancient Near Eastern literature, I think of

0:26:45.760 --> 0:26:49.480
<v Speaker 2>stories from early Judaism about the creation of demonic beings

0:26:49.600 --> 0:26:52.560
<v Speaker 2>when the sons of God come down from heaven and

0:26:52.760 --> 0:26:56.600
<v Speaker 2>father children with human women. The offspring are often said

0:26:56.600 --> 0:26:59.920
<v Speaker 2>to be giants or some kind of evil beings. Want

0:26:59.920 --> 0:27:01.520
<v Speaker 2>to read more about that, you can look up the

0:27:01.640 --> 0:27:05.240
<v Speaker 2>tradition of the Nephilim or the story in the Book

0:27:05.280 --> 0:27:08.520
<v Speaker 2>of First Enoch. Now I know there's more about satyrs

0:27:08.600 --> 0:27:11.040
<v Speaker 2>we need to come back and talk about. But since

0:27:11.119 --> 0:27:15.920
<v Speaker 2>satyrs were originally horsemen who became goat men by merging

0:27:16.040 --> 0:27:19.240
<v Speaker 2>in tradition with depictions of the god Pan, what was

0:27:19.280 --> 0:27:21.840
<v Speaker 2>the deal with Pan? Who were these? What were these

0:27:21.920 --> 0:27:26.159
<v Speaker 2>Panned illustrations all about? Well, once again to reference that

0:27:26.560 --> 0:27:31.480
<v Speaker 2>Oup handbook by Hanson, Hanson writes that Pan was the

0:27:31.520 --> 0:27:35.120
<v Speaker 2>god of shepherds and flocks, and he makes his home

0:27:35.240 --> 0:27:39.280
<v Speaker 2>in the wilds of Arcadia. And while you'll find a

0:27:39.359 --> 0:27:42.399
<v Speaker 2>lot of satyrs with horse forms in earlier sources, it

0:27:42.480 --> 0:27:47.000
<v Speaker 2>seems like pans grounding in the goat form is rock solid.

0:27:47.480 --> 0:27:51.520
<v Speaker 2>So to read from the Homeric hymns. The Homeric hymns,

0:27:51.560 --> 0:27:54.720
<v Speaker 2>by the way, are an anonymous collection of hymns to

0:27:54.920 --> 0:27:59.520
<v Speaker 2>various Greek gods, dating back to probably the seventh century BCE,

0:28:00.119 --> 0:28:04.040
<v Speaker 2>sometime around then. This one I found is number nineteen,

0:28:04.200 --> 0:28:06.200
<v Speaker 2>and when I started reading it it was so good

0:28:06.280 --> 0:28:09.200
<v Speaker 2>I just I have to do an actual chunk of

0:28:09.280 --> 0:28:12.320
<v Speaker 2>the text. So this is a hymn too, the great

0:28:12.400 --> 0:28:17.240
<v Speaker 2>God Pan. Translated by Hugh G. Evelyn White. The first

0:28:17.280 --> 0:28:20.240
<v Speaker 2>part of the hymn goes like this, Muse tell me

0:28:20.320 --> 0:28:23.920
<v Speaker 2>about Pan, the dear son of Hermes, with his goat's

0:28:24.000 --> 0:28:28.360
<v Speaker 2>feet and two horns, a lover of merry noise, through

0:28:28.480 --> 0:28:32.280
<v Speaker 2>wooded glades. He wanders with dancing nymphs who footed on

0:28:32.440 --> 0:28:36.800
<v Speaker 2>some sheer cliff's edge, calling upon Pan. The shepherd god,

0:28:37.280 --> 0:28:41.520
<v Speaker 2>long haired, unkempt, He has every snowy crest and the

0:28:41.560 --> 0:28:45.360
<v Speaker 2>mountain peaks and rocky crests for his domain. Hither and

0:28:45.480 --> 0:28:49.160
<v Speaker 2>thither he goes through the close thickets, now lured by

0:28:49.280 --> 0:28:53.600
<v Speaker 2>soft streams. And now he presses on amongst towering crags

0:28:53.720 --> 0:28:57.040
<v Speaker 2>and climbs up to the highest peak that overlooks the flocks.

0:28:57.640 --> 0:29:00.520
<v Speaker 2>Often he courses through the glistening high mounts, mountains, and

0:29:00.640 --> 0:29:05.360
<v Speaker 2>often on the shouldered hills, he speeds along, slaying wild beasts,

0:29:05.520 --> 0:29:09.000
<v Speaker 2>this keen eyed god. Only at evening, as he returns

0:29:09.080 --> 0:29:12.640
<v Speaker 2>from the chase, he sounds his note, playing sweet and

0:29:12.760 --> 0:29:16.000
<v Speaker 2>low on his pipes of reed. Not even she could

0:29:16.040 --> 0:29:19.880
<v Speaker 2>excel him in melody. That bird who in flower laden spring,

0:29:20.040 --> 0:29:24.280
<v Speaker 2>pouring forth her lament utters honey voiced song amid the leaves.

0:29:25.080 --> 0:29:27.760
<v Speaker 2>At that hour, the clear voiced nymphs are with him

0:29:28.160 --> 0:29:31.680
<v Speaker 2>and move with nimble feet, singing by some spring of

0:29:31.800 --> 0:29:35.760
<v Speaker 2>dark water, while Echo wails about the mountaintop and the

0:29:35.880 --> 0:29:38.720
<v Speaker 2>God on this side or on that of the choirs,

0:29:39.240 --> 0:29:42.880
<v Speaker 2>or at times sliding into the midst plies it nimbly

0:29:43.000 --> 0:29:45.960
<v Speaker 2>with his feet on his back. He wears a spotted

0:29:46.080 --> 0:29:49.680
<v Speaker 2>lynx pelt, and he delights in high pitched songs in

0:29:49.800 --> 0:29:54.280
<v Speaker 2>a soft meadow where crocuses and sweet smelling hyacinths bloom

0:29:54.360 --> 0:29:55.520
<v Speaker 2>at random in the grass.

0:29:56.080 --> 0:29:59.480
<v Speaker 1>Oh that's beautiful. And I think one thing that instantly

0:29:59.520 --> 0:30:03.160
<v Speaker 1>hits me up about multiple passages in this is it

0:30:03.600 --> 0:30:08.320
<v Speaker 1>it almost seems like it's ruminating on the nature of

0:30:08.800 --> 0:30:14.280
<v Speaker 1>the herdsman, because the hunter, of course goes out into

0:30:14.320 --> 0:30:19.840
<v Speaker 1>the wild and acts as a predator essentially. And then

0:30:20.920 --> 0:30:24.719
<v Speaker 1>when we have modern situations of say, highly industrialized farming

0:30:24.880 --> 0:30:28.160
<v Speaker 1>and the rearing of animals, generally not with goats but

0:30:28.280 --> 0:30:30.960
<v Speaker 1>more of cattle. There is the taking of the animal

0:30:30.960 --> 0:30:33.360
<v Speaker 1>out of the natural world, placing it in an unnatural situation,

0:30:33.720 --> 0:30:35.880
<v Speaker 1>and treating it more or less like a thing. But

0:30:36.240 --> 0:30:42.840
<v Speaker 1>with this ideal, this older vision of the herdsman, the

0:30:42.920 --> 0:30:46.280
<v Speaker 1>herdsman goes out and kind of lives like the goat,

0:30:46.760 --> 0:30:49.360
<v Speaker 1>at least for periods of time, Like he has to

0:30:49.440 --> 0:30:51.840
<v Speaker 1>go out with the goats to the places the goats

0:30:51.920 --> 0:30:54.480
<v Speaker 1>want to be. And you can imagine this sort of

0:30:54.920 --> 0:30:58.080
<v Speaker 1>merging of the two, like the herdsman and the goat

0:30:58.120 --> 0:30:58.480
<v Speaker 1>as one.

0:30:58.880 --> 0:31:02.440
<v Speaker 2>He is aunt critter. Yeah, and I like the delicate

0:31:02.560 --> 0:31:05.440
<v Speaker 2>balance in this hymn, depicting Pan on one sense as

0:31:05.480 --> 0:31:09.480
<v Speaker 2>a kind of dangerous outsider and earth rim roamer, and

0:31:09.920 --> 0:31:13.120
<v Speaker 2>on the other hand as a as a soft and

0:31:13.680 --> 0:31:18.800
<v Speaker 2>delicate and a friendly representative of the of the Dewey

0:31:18.880 --> 0:31:21.120
<v Speaker 2>Glades and the and the song of the brook.

0:31:21.600 --> 0:31:24.560
<v Speaker 1>Yeah. And I wonder too about the detail about the

0:31:24.640 --> 0:31:28.400
<v Speaker 1>wearing of the spotted lynx pelt. You know, the wears

0:31:28.480 --> 0:31:31.280
<v Speaker 1>the pelt of the hunter that would otherwise endanger the

0:31:31.360 --> 0:31:34.720
<v Speaker 1>flock that's that's so many wonderful details in this So.

0:31:34.880 --> 0:31:36.680
<v Speaker 2>The part I read was just the first half of

0:31:36.760 --> 0:31:39.200
<v Speaker 2>the hymn. The second half of the hymn tells the

0:31:39.320 --> 0:31:42.360
<v Speaker 2>story of how Pan was born, and it says that

0:31:42.760 --> 0:31:45.480
<v Speaker 2>he's the offspring of the god Hermes, who in this

0:31:45.640 --> 0:31:48.600
<v Speaker 2>telling is a is a rustic god, a god of again,

0:31:48.680 --> 0:31:52.560
<v Speaker 2>of the countryside, and of a human woman. And the

0:31:52.680 --> 0:31:55.800
<v Speaker 2>hymn says that when Pan was born, he emerged with

0:31:55.920 --> 0:31:59.120
<v Speaker 2>a goat's feet and with two horns, and he was

0:31:59.360 --> 0:32:03.320
<v Speaker 2>noisy and loved to make mary. And then it says quote,

0:32:03.520 --> 0:32:06.880
<v Speaker 2>but when the nurse saw his uncouth face and full beard,

0:32:07.280 --> 0:32:10.920
<v Speaker 2>she was afraid and sprang up and fled and left

0:32:11.040 --> 0:32:16.120
<v Speaker 2>the child. But despite the terror he strikes in human hearts,

0:32:17.200 --> 0:32:20.400
<v Speaker 2>Pan is loved by Hermes and the gods. Hermi is

0:32:20.440 --> 0:32:23.240
<v Speaker 2>a big fan of this goat child, and he takes

0:32:23.280 --> 0:32:25.560
<v Speaker 2>him up to Mount Olympus and shows him off to

0:32:25.640 --> 0:32:28.400
<v Speaker 2>the other gods. And the other gods love him too,

0:32:29.120 --> 0:32:34.600
<v Speaker 2>especially Dionysus, and they name him Pan, which literally means all,

0:32:35.200 --> 0:32:39.560
<v Speaker 2>because he delighted all of their hearts. So a list

0:32:39.640 --> 0:32:41.560
<v Speaker 2>of things we have now learned about the god Pan

0:32:41.960 --> 0:32:44.760
<v Speaker 2>as we already established, he's a hairy wild man who

0:32:44.840 --> 0:32:47.520
<v Speaker 2>has goat feed and horns and a beard like a

0:32:47.560 --> 0:32:50.400
<v Speaker 2>billy goat, and he's the god of shepherds and flocks.

0:32:50.520 --> 0:32:53.280
<v Speaker 2>He rules over the wilderness. Pan is known as a

0:32:53.360 --> 0:32:58.160
<v Speaker 2>very lusty god, known for exaggerated and constant sexual arousal,

0:32:58.400 --> 0:33:01.160
<v Speaker 2>and in keeping with this, he has power over the

0:33:01.240 --> 0:33:05.800
<v Speaker 2>fertility of livestocks such as sheep and goats. But here's

0:33:05.880 --> 0:33:09.800
<v Speaker 2>another aspect that's really interesting for our purposes. Did you

0:33:09.960 --> 0:33:14.600
<v Speaker 2>know that our English word panic actually derives from the

0:33:14.720 --> 0:33:18.600
<v Speaker 2>Greek word panicon and the cognate there with the god

0:33:18.720 --> 0:33:23.040
<v Speaker 2>Pan's name is not a coincidence. Panicon is said in

0:33:23.080 --> 0:33:28.320
<v Speaker 2>ancient sources to mean relating to Pan. Originally, panic was

0:33:28.440 --> 0:33:32.360
<v Speaker 2>not a noun. There wasn't a panic. Panic was an

0:33:32.560 --> 0:33:38.120
<v Speaker 2>adjective describing a type of fear, often the type of

0:33:38.200 --> 0:33:42.240
<v Speaker 2>fear that suddenly comes over people with no apparent rhyme

0:33:42.360 --> 0:33:45.640
<v Speaker 2>or reason. And this seems to work on the logic that,

0:33:45.760 --> 0:33:49.040
<v Speaker 2>since Pan was the lord of the wilderness, when a

0:33:49.080 --> 0:33:52.000
<v Speaker 2>person walks alone in the woods or on the mountain

0:33:52.160 --> 0:33:55.920
<v Speaker 2>side and out of nowhere, they become infected with an

0:33:56.000 --> 0:33:59.520
<v Speaker 2>irrational anxiety and a dread. Maybe they just heard a

0:33:59.600 --> 0:34:02.480
<v Speaker 2>twigs snap where they felt a breeze and they get

0:34:02.520 --> 0:34:04.920
<v Speaker 2>that chill. It's like there's something watching me. There's something

0:34:05.040 --> 0:34:08.959
<v Speaker 2>dangerous out here. That was pancon dema or the fright

0:34:09.080 --> 0:34:09.560
<v Speaker 2>of Pan.

0:34:10.520 --> 0:34:13.600
<v Speaker 1>That's interesting, yeah, because if we think back, you know,

0:34:13.680 --> 0:34:16.880
<v Speaker 1>for the most part, the woods, the wilderness, this is

0:34:16.920 --> 0:34:21.720
<v Speaker 1>the place where we would feel rational anxiety. Modern humans

0:34:21.840 --> 0:34:25.160
<v Speaker 1>get to pour their irrational anxiety into so many other

0:34:25.239 --> 0:34:29.520
<v Speaker 1>things in places. Yeah, but for in particularly for non

0:34:29.680 --> 0:34:32.840
<v Speaker 1>seafaring folk, this would be the place. This would be

0:34:32.920 --> 0:34:35.240
<v Speaker 1>where that fear would overcome you totally.

0:34:35.600 --> 0:34:38.279
<v Speaker 2>Now, But that is one type of panic fear. There's

0:34:38.280 --> 0:34:41.400
<v Speaker 2>another type of panic fear described in other sources that

0:34:41.719 --> 0:34:45.240
<v Speaker 2>seems to be more like the fear that suddenly comes

0:34:45.320 --> 0:34:49.280
<v Speaker 2>over soldiers on mass, draining them of courage and causing

0:34:49.360 --> 0:34:52.680
<v Speaker 2>them to flee the battlefield. And this is related to

0:34:52.880 --> 0:34:56.000
<v Speaker 2>stories that the Greek god Pan also had such a

0:34:56.120 --> 0:34:59.719
<v Speaker 2>booming voice that if he shouted over the battlefield it

0:34:59.719 --> 0:35:02.920
<v Speaker 2>would cause his enemies to freeze in terror and give

0:35:03.000 --> 0:35:05.960
<v Speaker 2>way to a route. But anyway, putting all this together,

0:35:06.160 --> 0:35:09.080
<v Speaker 2>I think it's really interesting how well Pan, the god

0:35:09.239 --> 0:35:13.520
<v Speaker 2>Pan and the satyrs and fawns that were later stamped

0:35:13.560 --> 0:35:17.520
<v Speaker 2>in his image match elements of the demons that would

0:35:17.600 --> 0:35:20.560
<v Speaker 2>preoccupy some in the Christian world. So you've got a

0:35:20.640 --> 0:35:24.680
<v Speaker 2>goat human hybrid with hair and horns, who is the

0:35:24.840 --> 0:35:29.120
<v Speaker 2>unholy offspring of the union of God and human, who's

0:35:29.120 --> 0:35:33.760
<v Speaker 2>got an association with sinful activity, with lust or lasciviousness,

0:35:34.440 --> 0:35:37.800
<v Speaker 2>and who strikes panic into the hearts of fragile mortals

0:35:37.960 --> 0:35:38.279
<v Speaker 2>like us.

0:35:38.640 --> 0:35:40.399
<v Speaker 1>Yeah, this seemed to be a direct line there.

0:35:40.680 --> 0:35:43.399
<v Speaker 2>But the interesting stuff about satyrs doesn't stop there.

0:35:43.880 --> 0:35:48.080
<v Speaker 1>Yeah. Now, one thing about these these depictions of satyrs,

0:35:48.160 --> 0:35:50.880
<v Speaker 1>it sounds like, you know, so many of these stories

0:35:50.920 --> 0:35:54.000
<v Speaker 1>are again it's like encountering something something in the wilderness.

0:35:54.120 --> 0:35:56.040
<v Speaker 1>It might be of danger to you, it might be

0:35:56.120 --> 0:35:58.919
<v Speaker 1>of mild interest. And then we also have this mention

0:35:59.200 --> 0:36:01.839
<v Speaker 1>of this like the pan origin story of a child

0:36:02.040 --> 0:36:08.439
<v Speaker 1>born as satyr being found frightful and perhaps ominous, even

0:36:08.480 --> 0:36:11.320
<v Speaker 1>if it does seem to be something that delights the gods.

0:36:11.719 --> 0:36:15.040
<v Speaker 1>So I was rather amused when and interested when I

0:36:15.120 --> 0:36:21.360
<v Speaker 1>read this passage from Jorge Luis Borges' book on Fabulous Creatures,

0:36:22.000 --> 0:36:24.680
<v Speaker 1>which is totally worth picking up if you have a chance,

0:36:25.200 --> 0:36:28.640
<v Speaker 1>but he shares this bit concerning the Roman general Slah,

0:36:28.880 --> 0:36:32.080
<v Speaker 1>who lived one thirty eight through seventy eight BC. Quote.

0:36:32.440 --> 0:36:35.239
<v Speaker 1>Legend has it that one of these minor deities was

0:36:35.320 --> 0:36:38.360
<v Speaker 1>captured in a cave in Thessaly by the men of

0:36:38.480 --> 0:36:42.320
<v Speaker 1>one of Sullah's legions and taken to the general. It

0:36:42.440 --> 0:36:47.400
<v Speaker 1>made inarticulate sounds and was so repulsive that Sullah immediately

0:36:47.600 --> 0:36:50.920
<v Speaker 1>ordered it be returned to its mountain layer. And that

0:36:51.040 --> 0:36:55.080
<v Speaker 1>is from the Book of Imaginary Beings. So, oh, that's

0:36:55.160 --> 0:36:58.920
<v Speaker 1>just so fascinating the idea here. Selah's troops are out,

0:36:59.040 --> 0:37:03.320
<v Speaker 1>they find a sadar or something like a sator, and

0:37:03.400 --> 0:37:04.759
<v Speaker 1>they're like, well, we got to bring this. We've got

0:37:04.800 --> 0:37:07.080
<v Speaker 1>to pass this up the chain. Let's bring this to

0:37:07.200 --> 0:37:10.719
<v Speaker 1>the commander. And he brings it to him and he's like, oh, this,

0:37:11.320 --> 0:37:14.359
<v Speaker 1>this is horrifying, Please take it away. Or at least

0:37:14.400 --> 0:37:17.759
<v Speaker 1>that sounds like what occurs in my reading of this

0:37:17.960 --> 0:37:22.920
<v Speaker 1>one passage from the Book of Imaginary Beings Ah. But

0:37:23.000 --> 0:37:25.000
<v Speaker 1>it gets more fascinating than that. I was reading into

0:37:25.040 --> 0:37:27.880
<v Speaker 1>this a bit more so. First of all, if forreyone,

0:37:27.920 --> 0:37:32.080
<v Speaker 1>I'm unaware, Solo was a powerful Roman general who ultimately

0:37:32.200 --> 0:37:37.360
<v Speaker 1>revived the Roman dictatorship. And I found a fabulous discussion

0:37:37.440 --> 0:37:41.480
<v Speaker 1>of this in A Satyr for Midas by Jean Sorebella

0:37:41.560 --> 0:37:45.960
<v Speaker 1>from two thousand and seven. And apparently this particular incident

0:37:46.880 --> 0:37:50.680
<v Speaker 1>involving Sola comes from the writings of Plutarch regarding an

0:37:50.719 --> 0:37:54.800
<v Speaker 1>incident said to have occurred near Apollonia in Greece. Quote

0:37:55.160 --> 0:37:58.480
<v Speaker 1>here they say a satyar was caught asleep such an

0:37:58.600 --> 0:38:02.440
<v Speaker 1>one as sculptors and painters represent, and brought to Sullah,

0:38:02.800 --> 0:38:05.840
<v Speaker 1>where he was asked through many interpreters who he was,

0:38:06.520 --> 0:38:09.800
<v Speaker 1>and when at last he uttered nothing intelligible but with

0:38:09.960 --> 0:38:13.480
<v Speaker 1>difficulty a hoarse cry that was something between the nahing

0:38:13.560 --> 0:38:16.120
<v Speaker 1>of a horse and the bleeding of a goat, Solah

0:38:16.200 --> 0:38:18.600
<v Speaker 1>was horrified and ordered him out of his sight.

0:38:19.120 --> 0:38:21.919
<v Speaker 2>Interesting that the nature of the cry could be read

0:38:21.960 --> 0:38:25.480
<v Speaker 2>as either a horseman or a goat man, given that

0:38:25.600 --> 0:38:28.280
<v Speaker 2>these are the two different traditions of the satyr.

0:38:28.680 --> 0:38:32.040
<v Speaker 1>Yeah. Now, Sorebella writes that the tale in question here

0:38:32.200 --> 0:38:36.680
<v Speaker 1>inserts mythic happenings into a straightforward biography, and this may

0:38:36.760 --> 0:38:41.320
<v Speaker 1>stem from Solah's own memoirs, where it was known that

0:38:41.480 --> 0:38:45.400
<v Speaker 1>he put an emphasis on dreams and portents. It may

0:38:45.480 --> 0:38:49.720
<v Speaker 1>also refer to traditions of King Midas and the finding

0:38:49.760 --> 0:38:53.279
<v Speaker 1>of a goat man here is apparently meant to be

0:38:53.360 --> 0:38:57.920
<v Speaker 1>a portent of victory, as Sullah returns to Italy, defeating

0:38:58.000 --> 0:39:02.800
<v Speaker 1>his enemies ultimately and becoming dictator of Rome. The finding

0:39:02.880 --> 0:39:06.160
<v Speaker 1>of a sleeping satyar and even holding it temporarily, was

0:39:06.200 --> 0:39:10.080
<v Speaker 1>apparently seen as a good portent, despite the depictions of

0:39:10.200 --> 0:39:15.840
<v Speaker 1>horror here upon finding one, and despite the fact that

0:39:15.920 --> 0:39:18.040
<v Speaker 1>one of the most famous stories of finding a satyr,

0:39:18.160 --> 0:39:20.759
<v Speaker 1>that involving King Midas, has a dark twist to it.

0:39:20.840 --> 0:39:23.320
<v Speaker 1>So I found that fascinating. It's like, here is this

0:39:23.480 --> 0:39:26.719
<v Speaker 1>strange creature we found in the wild that may be this,

0:39:26.920 --> 0:39:29.880
<v Speaker 1>you know, half divine entity, and it's horrifying to look at.

0:39:30.280 --> 0:39:34.480
<v Speaker 1>It's horrifying to listen to. But it also is a pausitive.

0:39:34.480 --> 0:39:36.719
<v Speaker 1>It's not a dire omen it's not all well or

0:39:36.760 --> 0:39:39.440
<v Speaker 1>screwed now because look what nature turned up. It's like, no,

0:39:39.880 --> 0:39:43.200
<v Speaker 1>look at this strange marvel. It's horrifying. I think we're

0:39:43.200 --> 0:39:44.560
<v Speaker 1>gonna have a good day tomorrow.

0:39:45.680 --> 0:39:47.520
<v Speaker 2>Even though he has to order it out of his sight.

0:39:48.000 --> 0:39:51.239
<v Speaker 1>Yeah. Now, the myth of King Midas. Of course, that

0:39:51.800 --> 0:39:55.400
<v Speaker 1>kicks off with the finding of the satar Silinus, and

0:39:55.520 --> 0:39:59.680
<v Speaker 1>upon returning the creature to the god Dionysus, Midas is

0:39:59.800 --> 0:40:02.759
<v Speaker 1>rule warded with the granting of his famous wish right,

0:40:03.400 --> 0:40:07.000
<v Speaker 1>the result being that everything he touches turns to gold,

0:40:07.239 --> 0:40:08.879
<v Speaker 1>which does not work out well for him.

0:40:09.239 --> 0:40:10.880
<v Speaker 2>No, that's also a bad portent.

0:40:11.520 --> 0:40:19.200
<v Speaker 1>Yeah. Now.

0:40:19.360 --> 0:40:22.080
<v Speaker 2>The later version of the Greek satyr with goat like

0:40:22.200 --> 0:40:27.319
<v Speaker 2>characteristics is often conflated with a Roman mythological creature known

0:40:27.440 --> 0:40:31.520
<v Speaker 2>as the fawn. These are regarded as basically the same

0:40:32.000 --> 0:40:35.080
<v Speaker 2>creature in most ways, and it does seem like there

0:40:35.160 --> 0:40:37.960
<v Speaker 2>is major overlap between the two. The fawns get their

0:40:38.040 --> 0:40:42.440
<v Speaker 2>name from an ancient Italian deity called Faunas, which in

0:40:42.520 --> 0:40:45.520
<v Speaker 2>turn is similar to Pan, a god of the countryside

0:40:45.840 --> 0:40:50.000
<v Speaker 2>who was half man half goat. In the Italian tradition,

0:40:50.120 --> 0:40:53.759
<v Speaker 2>he's associated with the wilderness and the sounds echoing through

0:40:53.800 --> 0:40:56.880
<v Speaker 2>the woods, where you know the voice of Fawnus, and

0:40:57.320 --> 0:41:01.080
<v Speaker 2>like Pan, he is also associated with the dionysia inside

0:41:01.120 --> 0:41:03.640
<v Speaker 2>of life, or I guess in the Roman the bacchic,

0:41:04.280 --> 0:41:06.440
<v Speaker 2>or you might also just think of it as kind

0:41:06.480 --> 0:41:09.080
<v Speaker 2>of the id in a way like the drive toward

0:41:09.239 --> 0:41:13.680
<v Speaker 2>hedonistic pleasure and merrymaking. Now understanding that a lot of

0:41:13.760 --> 0:41:18.719
<v Speaker 2>these mythological goat flavored beast men were known for representing

0:41:18.880 --> 0:41:24.040
<v Speaker 2>a kind of inhuman pleasure seeking behavior, or specifically inhuman

0:41:24.200 --> 0:41:28.520
<v Speaker 2>sex drive, it's worth asking is that actually reflective of

0:41:28.640 --> 0:41:30.800
<v Speaker 2>anything about goats as animals.

0:41:31.280 --> 0:41:34.840
<v Speaker 1>Yeah, this is a question that I had because again,

0:41:35.400 --> 0:41:38.840
<v Speaker 1>I've never raised goats, i haven't lived among goats, but

0:41:39.719 --> 0:41:42.680
<v Speaker 1>I've been around them plenty of times, and I honestly

0:41:42.760 --> 0:41:48.400
<v Speaker 1>don't remember being in the presence of goat copulation. Certainly,

0:41:48.480 --> 0:41:52.080
<v Speaker 1>there are other animals that I've seen in various places

0:41:52.120 --> 0:41:56.680
<v Speaker 1>where that have engaged in such behavior. But with the goat,

0:41:56.719 --> 0:41:58.200
<v Speaker 1>I'm like, well, where does this come from? Is the

0:41:58.320 --> 0:42:03.680
<v Speaker 1>goat actually randier than other domesticated species? So and see,

0:42:03.880 --> 0:42:05.680
<v Speaker 1>So I was looking at a few different sources on this,

0:42:06.840 --> 0:42:09.600
<v Speaker 1>because obviously this becomes part of like we've discussed the

0:42:09.640 --> 0:42:13.160
<v Speaker 1>sator myth, the idea of pan and ultimately these ideas

0:42:13.160 --> 0:42:18.080
<v Speaker 1>of Satanic goat men and the horned one. But just

0:42:18.160 --> 0:42:20.640
<v Speaker 1>for starters, when it comes to animals that actually have

0:42:20.840 --> 0:42:25.160
<v Speaker 1>notably high reproduction or sex rates, goats generally don't make

0:42:25.200 --> 0:42:28.600
<v Speaker 1>any of those lists. Generally, the real superstars in this area,

0:42:28.680 --> 0:42:32.440
<v Speaker 1>certainly with mammals, are going to be rodents, various species

0:42:32.480 --> 0:42:35.960
<v Speaker 1>of rodents. Some are famous for like essentially rutting the

0:42:36.040 --> 0:42:39.480
<v Speaker 1>males anyway, rutting themselves to death. But of course we

0:42:39.600 --> 0:42:42.520
<v Speaker 1>have to remind ourselves that humans have been living in

0:42:42.680 --> 0:42:46.520
<v Speaker 1>close proximity to goats for a very long time and

0:42:46.600 --> 0:42:49.759
<v Speaker 1>simply get to observe more of the day to day

0:42:49.840 --> 0:42:52.239
<v Speaker 1>goat life. And then of course we tend to personify

0:42:52.320 --> 0:42:53.600
<v Speaker 1>anything animals do as well.

0:42:54.080 --> 0:42:56.400
<v Speaker 2>Right, I was thinking that, I mean, you've got goat herds,

0:42:56.480 --> 0:42:59.080
<v Speaker 2>not rat herds, so you don't you know, people are

0:42:59.080 --> 0:43:02.399
<v Speaker 2>probably watching the goats more than they're watching the rats.

0:43:02.560 --> 0:43:05.520
<v Speaker 1>Right, And of course we have a very long association

0:43:05.680 --> 0:43:08.640
<v Speaker 1>with the rats and mice, but they stick to the

0:43:08.680 --> 0:43:12.040
<v Speaker 1>shadows the goats do not. The goats have a privileged

0:43:12.040 --> 0:43:16.680
<v Speaker 1>status within our environment. So I decided to look into

0:43:16.719 --> 0:43:19.440
<v Speaker 1>goat reproduction more. And so this led me to a

0:43:19.520 --> 0:43:24.720
<v Speaker 1>few different ag science materials, including one very helpful article

0:43:24.920 --> 0:43:28.480
<v Speaker 1>from the University of Arkansas at Pine Bluff by livestock

0:43:28.520 --> 0:43:32.239
<v Speaker 1>specialist David Fernandez. And there's actually quite a bit of

0:43:32.320 --> 0:43:35.880
<v Speaker 1>variety in the reproductive cycles of goats. Again, they've been

0:43:35.920 --> 0:43:39.120
<v Speaker 1>domestigated a very long time. You have different lineages of goats,

0:43:39.160 --> 0:43:43.200
<v Speaker 1>different varieties of goats, and many of them are doing

0:43:43.400 --> 0:43:47.600
<v Speaker 1>their breeding indefinite seasons such as fall, while others are

0:43:47.680 --> 0:43:51.600
<v Speaker 1>going to be active sexually active year round. Latitude, Fernandez says,

0:43:51.760 --> 0:43:55.279
<v Speaker 1>plays a key role in seasonality. But I think this

0:43:55.440 --> 0:43:58.120
<v Speaker 1>bit from Fernandez does give us a bit more to

0:43:58.200 --> 0:44:00.640
<v Speaker 1>go on regarding the randy nature of the he goat,

0:44:00.800 --> 0:44:05.080
<v Speaker 1>especially in Greek and Roman tradition. Quote. Copulation in goats

0:44:05.200 --> 0:44:08.239
<v Speaker 1>usually lasts less than two minutes, but they will often

0:44:08.320 --> 0:44:11.960
<v Speaker 1>mate several times while the dough is an estrus. Bucks

0:44:12.080 --> 0:44:16.120
<v Speaker 1>must be carefully monitored during the breeding season, especially young bucks,

0:44:16.480 --> 0:44:19.160
<v Speaker 1>because they spend so much of their time mating that

0:44:19.280 --> 0:44:22.239
<v Speaker 1>they fail to eat. Bucks can lose up to twenty

0:44:22.320 --> 0:44:24.680
<v Speaker 1>five pounds over the course of the breeding season.

0:44:25.120 --> 0:44:27.880
<v Speaker 2>Wow, Okay, this is starting to make sense.

0:44:28.400 --> 0:44:30.880
<v Speaker 1>Yeah, so I think we can well imagine how and

0:44:31.040 --> 0:44:34.279
<v Speaker 1>why the randy image of the he goat might stick

0:44:34.320 --> 0:44:38.360
<v Speaker 1>in people's minds. And they also have a vested interest

0:44:38.440 --> 0:44:41.360
<v Speaker 1>in it all right, because you want your goats reproducing,

0:44:41.920 --> 0:44:44.239
<v Speaker 1>and you are also invested in the health of your

0:44:44.360 --> 0:44:48.720
<v Speaker 1>he goats. So I noticed some other animal science papers

0:44:48.960 --> 0:44:52.600
<v Speaker 1>also referring to goats as a quote unquote promiscuous species

0:44:53.080 --> 0:44:55.000
<v Speaker 1>in which male goats are trying to mate with as

0:44:55.080 --> 0:44:58.520
<v Speaker 1>many females as possible. So again, take all of that,

0:44:58.760 --> 0:45:01.040
<v Speaker 1>combining with the fact that people are living in close

0:45:01.080 --> 0:45:04.920
<v Speaker 1>proximity to goats. They're seeing this, you know, generally like

0:45:05.040 --> 0:45:07.600
<v Speaker 1>day to day if you were out there as a shepherd,

0:45:08.120 --> 0:45:10.640
<v Speaker 1>I mean, as your job to keep track of what

0:45:10.719 --> 0:45:13.399
<v Speaker 1>the goats are doing. And then again we cannot help

0:45:13.480 --> 0:45:15.880
<v Speaker 1>but personify the goat. We can't help but do this

0:45:16.000 --> 0:45:18.680
<v Speaker 1>with any kind of species, especially when we look at

0:45:18.719 --> 0:45:21.719
<v Speaker 1>their reproduction, you know, many of which are engaging in

0:45:21.800 --> 0:45:26.360
<v Speaker 1>reproductive styles and cycles and relationships that do not translate

0:45:26.440 --> 0:45:31.640
<v Speaker 1>well or favorably into the human realm. But we can't

0:45:31.719 --> 0:45:34.560
<v Speaker 1>help but look at them as behaving is sort of

0:45:34.680 --> 0:45:37.520
<v Speaker 1>like people, and then using those animals as models for

0:45:37.680 --> 0:45:42.360
<v Speaker 1>different sorts of people and making often moral judgments based

0:45:42.400 --> 0:45:42.600
<v Speaker 1>on that.

0:45:43.000 --> 0:45:45.800
<v Speaker 2>One of the profound absurdities of the human condition is

0:45:46.120 --> 0:45:49.239
<v Speaker 2>we're just going to be making moral judgments about the

0:45:49.280 --> 0:45:50.320
<v Speaker 2>sex lives of goats.

0:45:50.920 --> 0:45:54.200
<v Speaker 1>I'd say another factor that might be involved in ideas

0:45:54.239 --> 0:45:58.400
<v Speaker 1>concerning satyrs and faunds. Is that goats can assume a

0:45:58.480 --> 0:46:02.880
<v Speaker 1>bipedal posture either to reach higher vegetation, to aid in climbing,

0:46:03.239 --> 0:46:05.600
<v Speaker 1>or to aid and butting other goats. This is frequently

0:46:05.680 --> 0:46:07.560
<v Speaker 1>if you've ever spent some time watching goats in there,

0:46:07.640 --> 0:46:11.360
<v Speaker 1>especially the younger goats, like bucking each other, you know,

0:46:11.440 --> 0:46:13.920
<v Speaker 1>head butting. They'll often do this thing where they'll sort

0:46:13.960 --> 0:46:16.200
<v Speaker 1>of rise up on their rear legs and then kind

0:46:16.239 --> 0:46:20.600
<v Speaker 1>of use gravity to butt at something. But on top

0:46:20.600 --> 0:46:22.680
<v Speaker 1>of this, they can also balance on their back two

0:46:22.760 --> 0:46:26.719
<v Speaker 1>legs and move around, which even today makes its way

0:46:26.800 --> 0:46:30.240
<v Speaker 1>into viral goat videos. There's one I think from somewhere

0:46:30.280 --> 0:46:32.400
<v Speaker 1>in India that I sent you, Joe, because it's just

0:46:32.719 --> 0:46:35.120
<v Speaker 1>a very short video of what appears to be just

0:46:35.160 --> 0:46:38.720
<v Speaker 1>a goat walking down the street briefly on its hind legs.

0:46:39.080 --> 0:46:42.759
<v Speaker 2>Yep, just a straight two leg walking habit like it's

0:46:42.800 --> 0:46:45.600
<v Speaker 2>a you know, evil possessed somnambulist basically.

0:46:46.080 --> 0:46:48.560
<v Speaker 1>Yeah, but you only have to see that once. Yeah,

0:46:49.400 --> 0:46:53.360
<v Speaker 1>given any given community, only one person would have to

0:46:53.400 --> 0:46:56.439
<v Speaker 1>see that once to really sort of get the momentum going.

0:46:56.560 --> 0:46:58.719
<v Speaker 1>I think for various other ideas well.

0:46:58.800 --> 0:47:00.759
<v Speaker 2>I mean, I think it's part of that Canny Valley

0:47:00.800 --> 0:47:03.240
<v Speaker 2>principle that like when you see an animal that's acting

0:47:03.960 --> 0:47:07.120
<v Speaker 2>kind of human in a surprising way, that gets the

0:47:07.280 --> 0:47:11.040
<v Speaker 2>mind churning about evil magic and so yeah, seeing a

0:47:11.120 --> 0:47:13.560
<v Speaker 2>goat walk on two legs, you can easily imagine somebody

0:47:13.600 --> 0:47:17.080
<v Speaker 2>getting freaked out about that. But it's also interesting to

0:47:17.360 --> 0:47:21.439
<v Speaker 2>think about the underlying biological reasoning there. And I haven't

0:47:21.480 --> 0:47:24.279
<v Speaker 2>confirmed this is the reason, but just supposing on my part,

0:47:24.520 --> 0:47:28.040
<v Speaker 2>I think it's reasonable to assume that as browsers rather

0:47:28.200 --> 0:47:32.680
<v Speaker 2>than exclusive grazers, goats may well be adapted to get

0:47:32.760 --> 0:47:34.400
<v Speaker 2>back up on those two legs, not just so they

0:47:34.440 --> 0:47:36.759
<v Speaker 2>can head bud each other, but just so they can

0:47:36.800 --> 0:47:39.560
<v Speaker 2>reach higher branches. Like if they're browsing on trees and shrubs,

0:47:39.640 --> 0:47:41.440
<v Speaker 2>you know they want to pop up in forage from

0:47:41.520 --> 0:47:43.960
<v Speaker 2>something that's a little higher up. It would be useful

0:47:44.040 --> 0:47:46.080
<v Speaker 2>for them to be able to balance on back legs

0:47:46.120 --> 0:47:46.800
<v Speaker 2>for a moment.

0:47:46.920 --> 0:47:48.719
<v Speaker 1>Right, because a lot of tasty bites you might be

0:47:48.800 --> 0:47:51.759
<v Speaker 1>able to achieve by by climbing up with your front

0:47:51.800 --> 0:47:54.160
<v Speaker 1>legs a little bit, but sometimes you got to just

0:47:54.480 --> 0:47:56.759
<v Speaker 1>you gotta just balance you got to just go into

0:47:56.760 --> 0:47:58.839
<v Speaker 1>a bipedal posture and get up there.

0:47:59.239 --> 0:48:02.799
<v Speaker 2>Okay, I got an another goat biology uncanny valley thing

0:48:02.840 --> 0:48:06.560
<v Speaker 2>I want to explore, because this is a biological characteristic

0:48:06.760 --> 0:48:10.360
<v Speaker 2>of goats that I could easily see causing people to

0:48:10.480 --> 0:48:13.480
<v Speaker 2>look at goats in a sinister light. And it is

0:48:13.600 --> 0:48:19.600
<v Speaker 2>that some goats sometimes bleat in a way that sounds

0:48:19.840 --> 0:48:25.640
<v Speaker 2>remarkably similar to a human voice, moaning, wailing, or even

0:48:25.840 --> 0:48:30.160
<v Speaker 2>just screaming. This is not an observation original to me.

0:48:30.400 --> 0:48:32.640
<v Speaker 2>It is actually the subject of a number of once

0:48:32.680 --> 0:48:36.400
<v Speaker 2>again Internet memes and viral video compilations going back nearly

0:48:36.440 --> 0:48:37.120
<v Speaker 2>a decade.

0:48:37.560 --> 0:48:42.000
<v Speaker 1>Yeah. I mean, goats do sound a little bit human sometimes,

0:48:42.880 --> 0:48:45.160
<v Speaker 1>and of course they're not the only ones. I just

0:48:45.200 --> 0:48:47.920
<v Speaker 1>spent a lot of time around sea lions in the

0:48:47.960 --> 0:48:52.759
<v Speaker 1>Galapago Silence, which we'll come back to later. But I

0:48:52.840 --> 0:48:55.560
<v Speaker 1>have to mention these creatures briefly because especially the females

0:48:55.600 --> 0:48:58.399
<v Speaker 1>and the pups sound very human at times as well.

0:48:58.520 --> 0:49:02.440
<v Speaker 1>That can be distracting and even maybe a little uncanny,

0:49:02.800 --> 0:49:06.480
<v Speaker 1>where it either sounds like a human is coughing or

0:49:07.120 --> 0:49:09.839
<v Speaker 1>that they're warbling trying to speak like they just don't

0:49:09.960 --> 0:49:13.200
<v Speaker 1>know English or whatever your Spanish or whatever your native

0:49:13.239 --> 0:49:15.960
<v Speaker 1>language happens to be. But they're trying to say something,

0:49:16.080 --> 0:49:17.279
<v Speaker 1>perhaps to you. Oh.

0:49:17.400 --> 0:49:20.880
<v Speaker 2>Absolutely, it is clearly an unsettling experience to have a

0:49:21.040 --> 0:49:24.520
<v Speaker 2>non human animal address you in tones that sound too

0:49:24.680 --> 0:49:37.359
<v Speaker 2>close to human. Let's hear a few of those goats screams. Now,

0:49:37.600 --> 0:49:41.239
<v Speaker 2>A big qualifier is that not all goats sound the same,

0:49:41.520 --> 0:49:44.880
<v Speaker 2>as one could tell just by listening to the diversity

0:49:45.200 --> 0:49:49.239
<v Speaker 2>of humanoid groans and yelps heard even within these goat

0:49:49.320 --> 0:49:54.000
<v Speaker 2>voice supercuts. Goats produce a wide range of vocalizations, and

0:49:54.120 --> 0:49:56.759
<v Speaker 2>it is only some goats some of the time that

0:49:57.120 --> 0:50:00.560
<v Speaker 2>can willhelm scream. And I tried to find a good

0:50:00.640 --> 0:50:04.800
<v Speaker 2>source with a zoologist explaining the similar sounds in the

0:50:05.080 --> 0:50:07.480
<v Speaker 2>cries of anguish and torment that you hear from you know,

0:50:07.600 --> 0:50:11.200
<v Speaker 2>a goat just standing there versus a human and you know,

0:50:11.320 --> 0:50:16.000
<v Speaker 2>in like the pivotal dramatic scene in the movie. I

0:50:16.040 --> 0:50:19.280
<v Speaker 2>didn't find anything super compelling. One thing I came across

0:50:19.520 --> 0:50:23.400
<v Speaker 2>was a twenty thirteen article in Slate by Forrest Wickman

0:50:23.719 --> 0:50:27.239
<v Speaker 2>which addressed this question by interviewing a few goat experts.

0:50:27.760 --> 0:50:30.520
<v Speaker 2>And here are some of the main takeaways there. First

0:50:30.520 --> 0:50:33.080
<v Speaker 2>of all, for some reason, several of the goat wizards

0:50:33.120 --> 0:50:36.400
<v Speaker 2>interviewed here did not seem to find this subject especially amusing.

0:50:36.920 --> 0:50:37.239
<v Speaker 1>I don't know.

0:50:38.239 --> 0:50:42.480
<v Speaker 2>Another is that some of the animals producing humanoid screams

0:50:42.520 --> 0:50:45.880
<v Speaker 2>in these viral videos are not actually goats. A few are,

0:50:46.239 --> 0:50:48.360
<v Speaker 2>you know. A few sheeps snuck in there too, so

0:50:48.480 --> 0:50:51.400
<v Speaker 2>again not exclusive to goats. So maybe we should be

0:50:51.480 --> 0:50:55.480
<v Speaker 2>saying that while some sheep and some goats and maybe

0:50:55.560 --> 0:51:00.719
<v Speaker 2>some sea lions too make these humanoid noises. One thing

0:51:00.800 --> 0:51:03.520
<v Speaker 2>that did seem useful to know is that goats yell

0:51:03.640 --> 0:51:06.640
<v Speaker 2>for a number of different reasons. So goat handlers will

0:51:06.680 --> 0:51:09.400
<v Speaker 2>tell you that sometimes they yell when they want to

0:51:09.440 --> 0:51:11.400
<v Speaker 2>be fed. You know, if they're lining up at the

0:51:11.440 --> 0:51:14.520
<v Speaker 2>fence for a meal, they might scream at their caregiver.

0:51:15.320 --> 0:51:18.880
<v Speaker 2>Mother goats and young goats both yell when they become separated.

0:51:19.880 --> 0:51:22.279
<v Speaker 2>And then there is a quote in this article from

0:51:22.800 --> 0:51:28.040
<v Speaker 2>doctor Jean Marie Louganbule of North Carolina State University, who

0:51:28.520 --> 0:51:31.960
<v Speaker 2>specializes in goats, and this researcher says, quote, in my

0:51:32.080 --> 0:51:35.080
<v Speaker 2>experience with goats, it does not take much for them

0:51:35.160 --> 0:51:38.560
<v Speaker 2>to scream bloody murder, as if you are torturing them

0:51:38.880 --> 0:51:42.360
<v Speaker 2>when simply handling them. So sometimes goats are kind of dramatic.

0:51:42.800 --> 0:51:45.040
<v Speaker 1>Now what you mentioned about mother goats and young goats

0:51:45.480 --> 0:51:48.000
<v Speaker 1>yelling when they become separated. That also reminds me of

0:51:48.080 --> 0:51:50.720
<v Speaker 1>sea lions a bit, in that some of the vocalizations

0:51:50.800 --> 0:51:54.319
<v Speaker 1>that occur with the females and with the young ones

0:51:54.440 --> 0:51:57.240
<v Speaker 1>are communicative in nature.

0:51:57.880 --> 0:52:02.239
<v Speaker 2>Yeah, so, as yes, I can tell the primary explanation

0:52:02.480 --> 0:52:05.560
<v Speaker 2>for the similarity and the sounds would just be that

0:52:05.760 --> 0:52:09.840
<v Speaker 2>there are some coincidental structural similarities in the vocal production

0:52:10.040 --> 0:52:13.240
<v Speaker 2>organs of humans and goats and apparently some other animals,

0:52:13.600 --> 0:52:18.000
<v Speaker 2>some sheep and some sea lions and stuff. However, I

0:52:18.160 --> 0:52:21.680
<v Speaker 2>did turn up one very interesting goat behavior study that

0:52:21.760 --> 0:52:24.400
<v Speaker 2>again does not directly answer this question, but kind of

0:52:24.520 --> 0:52:29.279
<v Speaker 2>grazes it. And the study is by LDF. Briefer and

0:52:29.440 --> 0:52:34.640
<v Speaker 2>Alan gmcgeliot, published in Animal Behavior in twenty twelve, called

0:52:35.000 --> 0:52:39.120
<v Speaker 2>Social Effects on vocal Ontogeny in an ungulate, the goat

0:52:39.360 --> 0:52:44.480
<v Speaker 2>Capra Hercus. Now, you might notice a stark difference in

0:52:44.640 --> 0:52:49.360
<v Speaker 2>the range of vocalizations that are available to humans compared

0:52:49.440 --> 0:52:52.600
<v Speaker 2>to those that are available to most other animals. Humans

0:52:52.680 --> 0:52:56.160
<v Speaker 2>have a large degree of what the authors here call

0:52:56.360 --> 0:53:00.200
<v Speaker 2>vocal plasticity, meaning quote, the ability of an individual to

0:53:00.360 --> 0:53:04.920
<v Speaker 2>modify its vocalizations according to its environment. So we've got

0:53:04.960 --> 0:53:08.080
<v Speaker 2>good vocal plasticity. But most animals that are capable of

0:53:08.160 --> 0:53:12.959
<v Speaker 2>producing sounds with their voices actually produce a relatively constrained

0:53:13.200 --> 0:53:16.520
<v Speaker 2>repertoire of sounds. But there are a few exceptions found

0:53:16.560 --> 0:53:20.040
<v Speaker 2>among mammals and birds. You can probably easily think of

0:53:20.120 --> 0:53:23.520
<v Speaker 2>the birds that have a big range of vocal modulation

0:53:23.640 --> 0:53:27.120
<v Speaker 2>and control. Interestingly, some of the mammals with high vocal

0:53:27.160 --> 0:53:33.560
<v Speaker 2>plasticity include bats and whales. But one kind of unique

0:53:33.680 --> 0:53:37.600
<v Speaker 2>feature of human vocal plasticity is that it is affected

0:53:37.640 --> 0:53:41.880
<v Speaker 2>by our social environment. We modify our voices and speech

0:53:42.239 --> 0:53:46.360
<v Speaker 2>to sound like the people around us, especially the people

0:53:46.440 --> 0:53:50.359
<v Speaker 2>around us when we're growing up, and this, of course

0:53:50.480 --> 0:53:53.040
<v Speaker 2>is why people who speak the same language but grow

0:53:53.160 --> 0:53:56.160
<v Speaker 2>up in different regions will end up with different accents.

0:53:56.800 --> 0:53:59.640
<v Speaker 2>The authors argue that prior to their study, there was

0:53:59.680 --> 0:54:03.120
<v Speaker 2>no documented evidence of anything like this in other mammals,

0:54:03.640 --> 0:54:06.400
<v Speaker 2>But could it be the case that in other mammals,

0:54:06.560 --> 0:54:11.080
<v Speaker 2>especially other mammals that are highly social and highly vocal,

0:54:11.680 --> 0:54:16.040
<v Speaker 2>that they could develop something similar to different accents by

0:54:16.320 --> 0:54:20.240
<v Speaker 2>social grouping. Well. A good example of a non human

0:54:20.320 --> 0:54:24.120
<v Speaker 2>mammal that is both highly vocal and highly social is,

0:54:24.200 --> 0:54:29.000
<v Speaker 2>in fact, the goat, a shrieking, moaning, social herd animal.

0:54:29.680 --> 0:54:32.560
<v Speaker 2>So the authors proposed to test this out on kids,

0:54:32.719 --> 0:54:36.840
<v Speaker 2>meaning young goats. Could the social surroundings of goats affect

0:54:36.960 --> 0:54:39.960
<v Speaker 2>the sounds they make? And the answer is to some

0:54:40.160 --> 0:54:44.719
<v Speaker 2>extent yes. The authors found a strong genetic component to

0:54:44.880 --> 0:54:49.800
<v Speaker 2>voice similarity, so full sibling goats had more similar voices

0:54:49.880 --> 0:54:54.040
<v Speaker 2>than half siblings, but also half siblings that were raised

0:54:54.200 --> 0:54:58.080
<v Speaker 2>in the same social group had more similar calls to

0:54:58.200 --> 0:55:01.280
<v Speaker 2>each other than those that were raised in different groups.

0:55:01.800 --> 0:55:06.080
<v Speaker 2>Quote the group specific indicators in kid vocalizations show that

0:55:06.280 --> 0:55:10.480
<v Speaker 2>goat call ontogeny is affected by their social environment. This

0:55:10.600 --> 0:55:14.760
<v Speaker 2>suggests that vocal plasticity could be more widespread in mammals

0:55:14.800 --> 0:55:18.440
<v Speaker 2>than previously believed, showing a possible early pathway in the

0:55:18.480 --> 0:55:23.280
<v Speaker 2>evolution of vocal learning leading to human language. So factors

0:55:23.320 --> 0:55:28.160
<v Speaker 2>determining the sounds produced by young goats are strongly influenced

0:55:28.200 --> 0:55:32.760
<v Speaker 2>by genetics, but surprisingly also influenced by the social environment.

0:55:32.960 --> 0:55:35.959
<v Speaker 2>What are their goats they're around, and so you could

0:55:36.200 --> 0:55:39.200
<v Speaker 2>view this as analogous in a way to goats developing

0:55:39.320 --> 0:55:43.960
<v Speaker 2>different accents based on their groups. Now, I want to

0:55:44.000 --> 0:55:47.000
<v Speaker 2>be one hundred percent clear, there is no evidence I've

0:55:47.080 --> 0:55:51.040
<v Speaker 2>read whatsoever that this vocal plasticity would extend to domestic

0:55:51.120 --> 0:55:54.480
<v Speaker 2>goats adapting their voices to sound like humans, like their

0:55:54.560 --> 0:55:59.480
<v Speaker 2>human farmers and herders. But I guess it's an interesting

0:55:59.520 --> 0:56:02.920
<v Speaker 2>possibility to wonder about goat experts right in Is this

0:56:03.080 --> 0:56:06.920
<v Speaker 2>crazy idea possible that I don't know, goats spend enough

0:56:07.000 --> 0:56:09.720
<v Speaker 2>time around humans, Is it possible that they could slightly

0:56:09.800 --> 0:56:13.160
<v Speaker 2>adapt in a human vocal direction or is that absurdity?

0:56:13.440 --> 0:56:13.840
<v Speaker 2>I don't know.

0:56:14.200 --> 0:56:16.840
<v Speaker 1>Even without getting into that though, just the mere idea

0:56:17.000 --> 0:56:20.960
<v Speaker 1>that you're in close proximity with these social mammals that

0:56:21.360 --> 0:56:27.680
<v Speaker 1>communicate to some degree through vocalizations and have different vocalizations

0:56:27.719 --> 0:56:31.520
<v Speaker 1>that they're utilizing. That's enough to sort of bridge that

0:56:31.880 --> 0:56:36.000
<v Speaker 1>uncanny gap between us and them and to allow room

0:56:36.160 --> 0:56:39.600
<v Speaker 1>for folklore to emerge between the two. I mean, it's

0:56:39.640 --> 0:56:41.520
<v Speaker 1>one of the things that makes goats interesting, it's not.

0:56:41.719 --> 0:56:43.040
<v Speaker 1>I mean, it's one of the things that makes sea

0:56:43.080 --> 0:56:46.440
<v Speaker 1>lions interesting as well, Like, because you watch these animals

0:56:46.920 --> 0:56:51.200
<v Speaker 1>and they're engaging in social behaviors that are very different

0:56:51.360 --> 0:56:55.920
<v Speaker 1>from human behaviors but also not so different that we

0:56:56.040 --> 0:57:00.400
<v Speaker 1>can't anthropomorphize them. And then they're using their voice to

0:57:00.480 --> 0:57:04.160
<v Speaker 1>some degree. So even even if ancient people especially we're

0:57:04.239 --> 0:57:07.080
<v Speaker 1>not privy to all the you know, the bullet points

0:57:07.120 --> 0:57:09.359
<v Speaker 1>that we've laid out in these studies here, they would

0:57:09.400 --> 0:57:12.720
<v Speaker 1>have picked up on the fact that that something is occurring,

0:57:12.760 --> 0:57:16.800
<v Speaker 1>that there's some sort of communicative relationship going on, and

0:57:17.000 --> 0:57:21.000
<v Speaker 1>that there is the goats are raising a goaty mirror

0:57:21.360 --> 0:57:23.000
<v Speaker 1>to our own way of life.

0:57:23.520 --> 0:57:27.400
<v Speaker 2>Well said, uh, I think we have to cut Goats

0:57:27.440 --> 0:57:30.520
<v Speaker 2>part one right there, So we'll we'll come back in

0:57:30.560 --> 0:57:33.600
<v Speaker 2>the next episode to talk about goats in the Hebrew

0:57:33.680 --> 0:57:37.080
<v Speaker 2>Bible and in Christian traditions, goats and other myths and

0:57:37.160 --> 0:57:40.920
<v Speaker 2>traditions from all around the world, some more fascinating goat science.

0:57:41.080 --> 0:57:43.640
<v Speaker 1>It's going to be a blast, absolutely, So join us

0:57:43.680 --> 0:57:46.160
<v Speaker 1>for the next goat episode. Uh yeah, it's gonna be

0:57:46.160 --> 0:57:47.880
<v Speaker 1>a lot of fun. There's gonna be some more creepy

0:57:47.880 --> 0:57:51.000
<v Speaker 1>stuff in there, but also some uh some some some

0:57:51.120 --> 0:57:53.360
<v Speaker 1>of the ideas are going to be looking at are

0:57:53.440 --> 0:57:58.080
<v Speaker 1>going to be less demonic and more divine. So yeah,

0:57:58.480 --> 0:58:01.200
<v Speaker 1>there's a little something in there for everybody. In the meantime,

0:58:01.320 --> 0:58:03.360
<v Speaker 1>of course, you can find all the episodes of Stuff

0:58:03.400 --> 0:58:04.880
<v Speaker 1>to Blow Your Mind in the Stuff to Blow your

0:58:04.920 --> 0:58:08.800
<v Speaker 1>Mind podcast feed We have core episodes on Tuesdays and Thursdays.

0:58:09.200 --> 0:58:11.520
<v Speaker 1>Mondays we do listener mail. On Wednesdays we do a

0:58:11.560 --> 0:58:14.440
<v Speaker 1>short form artifact or monster fact, and on Fridays do

0:58:14.560 --> 0:58:16.440
<v Speaker 1>we do Weird House Cinema. That's our time to set

0:58:16.440 --> 0:58:19.880
<v Speaker 1>aside most serious concerns and just talk about a strange film.

0:58:20.240 --> 0:58:23.360
<v Speaker 2>Huge thanks as always to our excellent audio producer Seth

0:58:23.480 --> 0:58:26.080
<v Speaker 2>Nicholas Johnson. If you would like to get in touch

0:58:26.120 --> 0:58:28.440
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0:58:28.560 --> 0:58:30.680
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0:58:30.760 --> 0:58:33.680
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0:58:33.720 --> 0:58:35.120
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0:58:36.280 --> 0:58:45.640
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0:58:45.760 --> 0:58:48.520
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0:59:00.080 --> 0:59:04.680
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