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Speaker 1: So, as I just said, we're talking about what pre

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Speaker 1: show chatter should be, and I have something I've wanted

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Speaker 1: to talk to you about, but unfortunately most of it

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Speaker 1: is is going.

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Speaker 2: To be bleeped.

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Speaker 3: I mean yeah, but once you said that, it was like, well,

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Speaker 3: there's no other thing we're going to let you talk about, Okay.

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Speaker 1: I recently have discovered a new favorite swear word, really

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Speaker 1: I have and I can't stop.

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Speaker 2: Saying it, and it's brilliant. And that word is twat.

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Speaker 1: There's something about the word twat that is so this

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Speaker 1: or oh I love it.

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Speaker 4: I like my swears to have edges, and that one's

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Speaker 4: a little funny.

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Speaker 2: It's a little like a kind of why I like

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Speaker 2: it because it used to.

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Speaker 4: Be yeah see that has edged.

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Speaker 1: Yeah, because it's the only one that still has a

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Speaker 1: visceral reaction.

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Speaker 4: You hear, you hear.

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Speaker 2: None of that matters.

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Speaker 1: But what there's there's also a specific like we were

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Speaker 1: I was talking about somebody that we know, and somebody

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Speaker 1: was describing this person and they're not a good individual.

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Speaker 2: This person someone we know, we know, you you.

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Speaker 1: Don't know them, You don't know. This is somebody that

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Speaker 1: susan and we're trying to discuss. We'll figure it out.

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Speaker 1: Trying to discuss how to describe this person.

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Speaker 4: That was the perfect word.

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Speaker 2: It was because people were like.

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Speaker 1: Is it douche Like, no, he's not a douche, and

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Speaker 1: then it was like, he's a.

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Speaker 3: Difference between it.

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Speaker 1: That's great question, Danielle, And I think we have to

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Speaker 1: really so. I think a douche can still be a

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Speaker 1: good there's times where I'm a douche.

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Speaker 2: Yeah, yeah, a little is a little squat, daniel.

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Speaker 4: But you're definitely douchey at times.

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Speaker 2: That's what that's like. A little yes, I see, but

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Speaker 2: I know I can be a douche too, Like you

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Speaker 2: can be a bit of a douche. It can be

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Speaker 2: a bit of a douche.

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Speaker 4: It's like being douche implies that you're like pretending to

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Speaker 4: be something you're not, or like or thinking you're something

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Speaker 4: you're not, or you have.

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Speaker 2: Some sort of an affectation you're using maybe.

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Speaker 3: A little cheesy like.

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Speaker 2: Like this is my parrot.

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Speaker 4: Like you could mean well and still be douche correct, yes,

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Speaker 4: but a twat doesn't.

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Speaker 3: Yeah, you're a little like Yes, I'd.

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Speaker 1: Like to add a new category. Then, if you're a

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Speaker 1: douche twat. It's a whole different thing like dot good. Yeah,

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Speaker 1: gender it's just sort of like you're such by the way,

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Speaker 1: being a twat is, it's one of the few genderless

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Speaker 1: things in the world.

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Speaker 2: Yes, I just.

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Speaker 1: I'm a big fan of the word twat. I'm saying

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Speaker 1: it all the time now. I think all the kids

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Speaker 1: should start saying it because it's great.

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Speaker 4: It's also you could put a British twang on it. Yeah,

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Speaker 4: I say it's slightly British, but I think I like twat.

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Speaker 2: Wow. See now you're taking it. Yeah, that's what you're just.

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Speaker 4: Twat by itself sounds almost playful and well.

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Speaker 1: Douche twat kind of works because you can use that

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Speaker 1: in all kindergarten company, you know what I mean. Little

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Speaker 1: kids can say douchewat. It's the new thing. It's the

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Speaker 1: new six seven is douche twat.

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Speaker 3: I will not be my kids that one.

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Speaker 4: Yeah.

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Speaker 2: By the way, this entire pre shiow jetter is just

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Speaker 2: going to be silenced with the.

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Speaker 3: Occasional no, twat doesn't need to be.

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Speaker 2: Bleeped, Okay it does.

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Speaker 3: No twat does not, and I don't think douche does.

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Speaker 3: So douche Twat also doesn't need to be I'm guessing

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Speaker 3: they're going to, oh, yeah, that's that's baked.

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Speaker 2: I'm not sure i've ever heard you say that. Well, no, man,

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Speaker 2: I think i've heard you say it once or twice.

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Speaker 3: Daniell, Yeah, there's there's one person I have you. There's

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Speaker 3: one person I've said it about for sure. Douche Twat

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Speaker 3: is actually headlining Coachella. I don't know if you know that.

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Speaker 1: Oh my god, to be a perfect douche Twat band,

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Speaker 1: you'd have to do house music New Merch.

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Speaker 4: Merchant.

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Speaker 3: Speaking of house music, I have to tell you, guys,

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Speaker 3: we went to Adler's best friend, Damien, had his seventh

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Speaker 3: birthday party. By the way, they did a six seven

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Speaker 3: It was is six turning seven, okay, And it was there.

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Speaker 3: It was in this place. It was like Deep Valley,

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Speaker 3: and I was like, what where did they Where did

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Speaker 3: they even find this place? And it was called glows Vibes.

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Speaker 2: And I was like, is this you walk out with

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Speaker 2: booty dust?

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Speaker 3: What kind of kind of party is this Glows Vibes?

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Speaker 3: And I was and it's like g l O dou

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Speaker 3: w Z Vibes and the double is part of the

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Speaker 3: Z it's like the It was just it was crazy

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Speaker 3: and I was like, what is this place? And you

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Speaker 3: walk in it's all dim The walls are painted with

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Speaker 3: very cool graphics with glow in the dark paint. Okay,

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Speaker 3: it's an indoor play place that has you know, slides

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Speaker 3: and like a trampoline and all that.

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Speaker 2: And you just heard over those speakers, Cinnamon to the

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Speaker 2: main stage. Cinnamon to the main stage.

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Speaker 3: Now they had a big open space. There was a

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Speaker 3: DJ playing great music, and then in the open space

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Speaker 3: they did musical chairs for the kids. Then when the

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Speaker 3: kids were done, they did musical chairs for the adults,

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Speaker 3: and they played all like nineties and eighties music for

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Speaker 3: the adults, and then they did streamers, silver streamers kind

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Speaker 3: of like tinsel, but wide thick tinsel, tons of it.

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Speaker 3: They stood in a corner with a blower like a

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Speaker 3: you know flower, than you turned it on and then

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Speaker 3: threw the tinsel in front of it and it was

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Speaker 3: like a rave tinsel flying everywhere. Kids just dancing their

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Speaker 3: foul heads off, parents then picking up the tinsel, throwing

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Speaker 3: it everywhere. It's going. It's absolutely insane. It was a

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Speaker 3: kid's rave. It was a kid wrave birthday party, and

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Speaker 3: I have never had so much fun at a birthday party.

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Speaker 2: It sounds it sounds like amazing.

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Speaker 1: They probably give little kid doses of ecstasy, just small ones, yeah,

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Speaker 1: a little small, just under the.

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Speaker 4: Top big and then just showing their face off. So

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Speaker 4: much fun.

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Speaker 2: I just can't stop tickling Elmo. This is the best.

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Speaker 4: That's a great idea.

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Speaker 2: Though a kid rave, every kid probably went home and

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Speaker 2: passed out like you.

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Speaker 3: Juster was asleep in thirty seconds in the car. Jensen

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Speaker 3: sent me a picture.

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Speaker 2: He was like this.

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Speaker 4: Just absolutely all raves were is an excuse to be

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Speaker 4: a seven year old agues. I know, it's like the

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Speaker 4: whole idea. It was just like, oh, be a child.

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Speaker 3: And I as an adult who has now gone to

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Speaker 3: many a kid birthdays, they're not for us, They're not fun.

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Speaker 3: You're very much like this is one of the things

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Speaker 3: you do for your children so that they can enjoy.

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Speaker 3: I had so much fun. It was great. So anyway,

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Speaker 3: shout out to glows Vibes. Welcome to pod meets World.

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Speaker 3: I'm Daniel Fishl I'm right or strong.

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Speaker 2: And I'm a douche twat. I'm wild.

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Speaker 3: Today we are recapping season seven, episode six. They're Killing Us.

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Speaker 3: It originally aired October twenty ninth, nineteen ninety nine. The

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Speaker 3: synopsis Corey and Topanga reveal the ups and downs of

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Speaker 3: planning their wedding, including drama surrounding the best man and

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Speaker 3: her dress hating bridesmaids. It was directed by our very

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Speaker 3: own William Rusty Russ rust Day. It was written by

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Speaker 3: David Brownfield, a former podcast guest who went from our

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Speaker 3: studio executive to show writer. He is a great guy

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Speaker 3: who spent a lot of his post boy meets World

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Speaker 3: career inside the Dick Wolf universe. We only have one

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Speaker 3: guest start today, so I'm going to read the guest start,

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Speaker 3: then we can jump into our overall thoughts. Guest starring

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Speaker 3: Megan Faye as Juji Habefoe. A seasoned character actor out

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Speaker 3: of Second City in Chicago. She has an extensive and

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Speaker 3: impressive resume and is still working today. She's been on

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Speaker 3: Roseanne Gilmore Girls, Freaks and Geeks, Malcolm in the Middle,

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Speaker 3: and played Chelsea's mom on Two and a Half Men.

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Speaker 3: She also appeared in movies like Barton Fink and PTA's Magnolia,

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Speaker 3: That's Paul Thomas Anderson's Magnolia, but most recently was a

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Speaker 3: regular on the Apple TV Show with Maya Rudolph Loot.

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Speaker 3: So overall, thoughts, I really enjoyed it.

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Speaker 4: Yeah, I really liked it.

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Speaker 1: Like I kind of wish every episode this season had

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Speaker 1: this vibe going in, if we're gonna go crazy, let's

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Speaker 1: go crazy.

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Speaker 2: It was fun.

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Speaker 1: It was Ben is so over the top hysterical in

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Speaker 1: this You Danielle are absolutely hysterical in this episode.

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Speaker 2: I would have loved I would have.

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Speaker 1: Killed to see two seasons or three seasons of this

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Speaker 1: Corey and Tebanga. I thought it was just twenty two

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Speaker 1: minutes of total fun and it and then it ends

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Speaker 1: with Susan crying next to me because the wedding's coming

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Speaker 1: next to it.

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Speaker 2: I mean, it was like it was a great episode.

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Speaker 2: I really enjoyed it.

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Speaker 1: Ooh writer.

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Speaker 4: I thought it was like structurally really fun. Yeah. I

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Speaker 4: love the idea of like the interviews and there's something

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Speaker 4: about like you and Ben getting to do that kind

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Speaker 4: of acting. What was really fun to see It was

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Speaker 4: like that when Harry met Sally opening like just like

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Speaker 4: off the and like I love that. I feel like

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Speaker 4: the bits themselves could have been more based around the characters. Yeah,

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Speaker 4: like it just didn't like Southern Bell wedding.

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Speaker 2: Oh no, I've given up on the kit. You can't think.

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Speaker 4: But it was distracting because it's like, you could have

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Speaker 4: this exact same idea and do it in a way

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Speaker 4: where it feels true to their characters.

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Speaker 2: Any Fower children.

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Speaker 4: Yes, if she wants everybody to dress like it's the

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Speaker 4: nineteen sixties, you know, and it's tied I crown Flower,

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Speaker 4: it would have been exactly the same story, but it

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Speaker 4: would have been true to Tapanga and and even like Eric,

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Speaker 4: like when by the time you're proposing to her, I

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Speaker 4: was like, but isn't there a version of this that

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Speaker 4: makes more sense for like Eric and Tapana like it?

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Speaker 4: But it didn't, I know, But so I guess I

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Speaker 4: just you know, I don't know. Yes, it was fun

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Speaker 4: because it was so out of like left field, and

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Speaker 4: I love the structure, but I just wish it had

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Speaker 4: been a little more true to like the actual people

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Speaker 4: instead of calling back on Yeah.

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Speaker 1: I think we have to realize that for season seven

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Speaker 1: they've just completely thrown the characters out.

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Speaker 3: The word different characters, completely.

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Speaker 2: Different characters, and just going for the jokes in the Beast.

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Speaker 4: But it's just such an easy reawrite, you know, like

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Speaker 4: you could have had the same jokes but have them

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Speaker 4: built around things we've already established. But it was fun.

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Speaker 4: It definitely had fun.

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Speaker 3: I literally laughed out loud a couple of times. Yeah,

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Speaker 3: I feel exactly the same way writer. I definitely thought, well,

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Speaker 3: there is very this is very funny, and every bride

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Speaker 3: at some point does have something where you go, wow,

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Speaker 3: I had you told me I was going to care

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Speaker 3: so much about this thing, I would not have believed you.

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Speaker 3: Maybe I have lost my mind a little bit. Maybe

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Speaker 3: I need to like reevaluate here. And I love the

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Speaker 3: idea that Tapango would be obsessed with some dress that

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Speaker 3: everyone else can't stand. So, yeah, it's so funny. I

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Speaker 3: think it's really great. But Southern Bell is just not

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Speaker 3: her vibe, is not what she would have ever, of

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Speaker 3: course loved, and so I loved that whole storyline, but

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Speaker 3: would have agreed that there's more things. I just goffawed

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Speaker 3: at the chapin down the door room, that chopping down

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Speaker 3: the dorm room you with the fires in this episode

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Speaker 3: made me laugh so much, and right or to your point,

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Speaker 3: you're right, had they done something where I mean, I

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Speaker 3: guess we have seen Eric make some silly moves with

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Speaker 3: Topanga and whatever, like we've seen them have this dynamic before,

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Speaker 3: but they could have definitely done where Eric thinks one

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Speaker 3: of the best man's responsibilities is something that very clearly

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Speaker 3: isn't and have had him do that instead something that

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Speaker 3: really ruins something for Topanga or is crossing a boundary

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Speaker 3: in some other way.

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Speaker 1: Yep.

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Speaker 4: But overall overall, I think hysterical in this episode. Oh Michael,

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Speaker 4: my god, everybody everybody's well, I'm like barely in it.

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Speaker 4: I felt like it was a weird toss up, Like

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Speaker 4: but I think I'm a big part of the next episode,

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Speaker 4: so it makes sense that Sean sort of pushed aside.

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Speaker 4: But like, yeah, I thought Trina was really good. But

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Speaker 4: even like even Betsy's wedding dress was like a little

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Speaker 4: like out of care. I love the idea, but what

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Speaker 4: if it's like instead it's like actually a very sexy

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Speaker 4: dress and like it's really inappropriate. That would actually feel

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Speaker 4: more like do you know what I mean? Like there's

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Speaker 4: just it said it was like a full on like

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Speaker 4: I don't know, it was just there was just it

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Speaker 4: was all the right ideas, just not the specific choices

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Speaker 4: that I would have liked. But fine, that's.

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Speaker 3: Well, you know why they couldn't have put me in

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Speaker 3: a very revealing dress because Michael would have been absolutely

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Speaker 3: disgusted by how fat I was in a dress.

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Speaker 2: Do you think that's what it was?

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Speaker 3: That's why you never see tapeg his arms?

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Speaker 2: Really?

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Speaker 3: Never again I wear a long sleeve wedding dress. Betsy's

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Speaker 3: dress has sleeves down to the elbows.

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Speaker 4: Never was this actually told to you, like, oh no, it.

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Speaker 3: Was just very apparent. Everything I tried on was always

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Speaker 3: like and then what cardigan are you putting on over that?

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Speaker 3: And then what sweater are you wearing over that? Really

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Speaker 3: everything so never they never would have done it, which,

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Speaker 3: by the way, it definitely we have seen missus Matthews

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Speaker 3: bease she leans towards the side of sex us.

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Speaker 4: That's what I thought. It would have been funny if

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Speaker 4: it's like, but instead it's like this weird like uh,

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Speaker 4: you know, Amish dress or something you know with like

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Speaker 4: a head thing, And I get like the joke, but

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Speaker 4: it's like, the point is it's this different taste, and

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Speaker 4: that taste should reflect the characters, right, Like if the

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Speaker 4: joke is they have bad taste or taste that doesn't

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Speaker 4: you know connect You could do that based on who

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Speaker 4: these people are and it would be so much better.

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Speaker 2: But whatever, none of us are our characters. Literally, Rusty's

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Speaker 2: not his character.

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Speaker 3: It's like we're just new characters this season.

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Speaker 2: Different.

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Speaker 4: I feeni with the like the horn, which is kind

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Speaker 4: of funny.

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Speaker 1: Oh, it's all funny bits, but nobody is that there's

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Speaker 1: nobody is the same character.

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Speaker 3: Bill print out of the still faster than me. I

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Speaker 3: was dying. It's it was really funny. So yeah, I

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Speaker 3: mean even though we're even though we have some you know, nitpicks.

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Speaker 2: Yeah, overall totally different, totally different characters, but funny episode.

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Speaker 3: Yeah. I was not in any way vomiting on myself

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Speaker 3: like it happened the last couple of weeks. So no vomiting,

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Speaker 3: no vomiting this time. So jumping into our recap, we

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Speaker 3: have a close up of Corey and Ta Panga sitting

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Speaker 3: on a couch looking very serious, with only stark blackness

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Speaker 3: behind them. Topanga talks to someone off camera. We've come

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Speaker 3: to you because we have a very big problem. We

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Speaker 3: had no idea planning a wedding was going to be

300
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Speaker 3: so difficult Corey compares the process to writing a pogo

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Speaker 3: stick in a minefield. Boom boying, boom boying.

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Speaker 4: What a weird joke. I loved it. It's so random.

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Speaker 4: Do you remember doing these bits, Danielle, Yes, it was

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Speaker 4: actually in the living are having fun?

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Speaker 3: So much fun? It was, it was it wasn't the

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Speaker 3: whole thing.

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Speaker 2: Okay, I couldn't remember.

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Speaker 4: If they just can tell that you and Pan were

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Speaker 4: like just relaxed and having so much because it was like,

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Speaker 4: you're able to be humans in a way that we

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Speaker 4: often weren't. Like acting wise, you aren't able to you know,

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Speaker 4: in a sitcom, you're like in a stagy situation. But

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Speaker 4: this is like lock camera just talking and being like humans.

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Speaker 1: It's Cory is all of a sudden just an old

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Speaker 1: Jewish man, so fun and it works like it's great

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Speaker 1: And Danielle, the playing eye each other thing.

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Speaker 4: You guys have to like the ability to play off

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Speaker 4: each other and like keep it. Oh, I wanted to

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Speaker 4: see this, Gory and Tobago, I want to see this, yeh.

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Speaker 3: I know it was really fun. I remember this week

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Speaker 3: being great and I remember, you know, just to balance

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Speaker 3: it out because I have always shared when people were

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Speaker 3: not happy with my performances. I remember this week when

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Speaker 3: they wrote the I twitch thing, which I don't think

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Speaker 3: was in the original script. I think it was something

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Speaker 3: that was added because you could just do it like yeah,

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Speaker 3: And I remember that right off the bat, so cool

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Speaker 3: being able to do it and everyone just had it

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Speaker 3: was like a big laugh and everyone was like, oh

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Speaker 3: my gosh, this is great. And so it was one

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Speaker 3: of those weeks where I felt confident. I felt I

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Speaker 3: felt empowered, I tributed, I contributed, and that people were

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00:17:33,200 --> 00:17:36,920
Speaker 3: happy with my performance, and so I felt good about

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00:17:36,960 --> 00:17:40,719
Speaker 3: myself this week. Well, I was definitely still fat. There's

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Speaker 3: no world where they were not going to let me feel.

336
00:17:43,680 --> 00:17:46,920
Speaker 3: I was never going to be thin for the nineties

337
00:17:46,960 --> 00:17:52,200
Speaker 3: standards and for the preferences of our white male writer's room.

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Speaker 3: But I could occasionally be funny, funny, so good.

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Speaker 2: I was always funny, So it didn't matter that I

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Speaker 2: was fair.

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00:18:00,880 --> 00:18:04,360
Speaker 3: Yeah no, they well, yeah, and as a man, you're

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00:18:04,760 --> 00:18:07,080
Speaker 3: just not any no matter what you look like.

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Speaker 2: It just didn't matter.

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Speaker 3: Just your inherent value is in your penis.

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Speaker 2: So well, thank you. It's about time someone noticed.

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Speaker 1: I always call my penis the shocking off because at

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00:18:24,040 --> 00:18:25,200
Speaker 1: first they're shocked, and they're like.

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Speaker 3: Oh, how long have you been sitting on that joke? Oh?

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Speaker 4: God?

350
00:18:29,119 --> 00:18:31,840
Speaker 2: Since shocking? Was that the nineties? When did we invade

351
00:18:31,920 --> 00:18:32,800
Speaker 2: Iraq the first time?

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Speaker 4: Oh?

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Speaker 3: My gosh. We quickly cut to a location less startling

354
00:18:43,400 --> 00:18:45,919
Speaker 3: for the show. We're in the girl's apartment. Topanga is

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00:18:45,960 --> 00:18:49,800
Speaker 3: buried in tomorrow's bride magazine, impatiently tapping her finger on

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Speaker 3: its spine. She abruptly closes it. Come on, what's taking

357
00:18:53,040 --> 00:18:56,119
Speaker 3: you guys so long? When no one appears, immediately, she

358
00:18:56,119 --> 00:18:57,960
Speaker 3: claps her hands and shouts, come on, come on, come on,

359
00:18:58,040 --> 00:19:01,000
Speaker 3: come on, come on, come on, come on. I heard

360
00:19:01,000 --> 00:19:01,880
Speaker 3: Michael in that.

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00:19:02,119 --> 00:19:02,840
Speaker 2: Just of course, I.

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00:19:04,800 --> 00:19:08,240
Speaker 3: Just knew exactly I heard that. I heard that. This week.

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00:19:08,600 --> 00:19:10,960
Speaker 3: With that, Angela and Rachel stomp into the room wearing

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00:19:11,000 --> 00:19:14,399
Speaker 3: giant pink dresses with puffy sleeves, purple bow accents, and

365
00:19:14,440 --> 00:19:18,600
Speaker 3: a matching floppy hat. Think deep South, Little bo Peep,

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00:19:18,680 --> 00:19:22,119
Speaker 3: Barbie and the girls are not stoked to be wearing

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00:19:22,160 --> 00:19:24,960
Speaker 3: it to Pega is in shock. Then she starts to

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00:19:25,000 --> 00:19:30,439
Speaker 3: tear up. Those are the most beautiful dresses I have

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Speaker 3: ever seen. Rachel looks at Angela in horror.

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00:19:34,040 --> 00:19:34,720
Speaker 2: Don't you think.

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00:19:34,600 --> 00:19:36,600
Speaker 3: Maybe you're a little too emotional to make the right

372
00:19:36,600 --> 00:19:40,120
Speaker 3: decision about this. To PEG's unfazed, she just reiterates how

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Speaker 3: beautiful the dresses are, until Angela just gives up, knowing

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00:19:43,160 --> 00:19:45,480
Speaker 3: there's no way to change her mind. To Pega wonders,

375
00:19:45,520 --> 00:19:48,159
Speaker 3: where's Morgan. I want to see how beautiful my future

376
00:19:48,200 --> 00:19:51,840
Speaker 3: sister looks. Rachel calls her into the living room, sarcastically

377
00:19:51,880 --> 00:19:55,879
Speaker 3: adding share the joy. So Morgan comes walking out in

378
00:19:55,920 --> 00:19:58,479
Speaker 3: the same get up, somehow a little less offensive. So

379
00:19:58,520 --> 00:20:01,760
Speaker 3: the inmates aw at how adorable it kind of looks.

380
00:20:02,320 --> 00:20:06,680
Speaker 3: She disagrees and bluntly asks Tapanga, what are you, psycho that.

381
00:20:06,800 --> 00:20:10,439
Speaker 3: Topanga is adamant that she looks beautiful. Morgan assures her,

382
00:20:10,480 --> 00:20:13,600
Speaker 3: we look like clowns. Angela tries to lessen the blow

383
00:20:13,840 --> 00:20:19,399
Speaker 3: beautiful clowns. Rachel chimes in circ to selet clowns. Morgan argues,

384
00:20:19,560 --> 00:20:22,520
Speaker 3: no horn honking, big shoe wearing clowns good.

385
00:20:22,960 --> 00:20:28,480
Speaker 4: So I just love If Morgan's a truth teller's.

386
00:20:26,720 --> 00:20:28,080
Speaker 3: Like, I'm not gonna do this.

387
00:20:28,200 --> 00:20:29,320
Speaker 4: I'm over it, I'm done.

388
00:20:29,640 --> 00:20:31,600
Speaker 3: The rest of these people don't love you. No one's

389
00:20:31,640 --> 00:20:32,440
Speaker 3: telling you the truth.

390
00:20:32,560 --> 00:20:34,560
Speaker 4: I wish they just always written her character this way.

391
00:20:34,560 --> 00:20:37,199
Speaker 4: I mean those insinuations of it earlier. You know that

392
00:20:37,280 --> 00:20:39,920
Speaker 4: she's sarcastic, but like if she just walked into every

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00:20:39,960 --> 00:20:44,480
Speaker 4: scene and was like, you're you're crazy, Corey, you're an idiot, Eric, you're.

394
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Speaker 3: Terrible boyfriend, You're gonna lose her.

395
00:20:46,040 --> 00:20:48,159
Speaker 4: Yes, it would have been a great, like voice of

396
00:20:48,240 --> 00:20:50,320
Speaker 4: reason to always be able to just have her like this.

397
00:20:50,400 --> 00:20:51,680
Speaker 4: It's so funny. Oh my god.

398
00:20:52,960 --> 00:20:54,439
Speaker 3: The girls try to get her to calm down, but

399
00:20:54,480 --> 00:20:57,600
Speaker 3: Morgan just tells Rachel to shut up and defiantly tells Tapanga,

400
00:20:57,840 --> 00:21:00,920
Speaker 3: I ain't wearing it. We returned to that black background

401
00:21:00,920 --> 00:21:04,000
Speaker 3: couch with Tapanga and Corey. The soon to be bride admits, okay,

402
00:21:04,160 --> 00:21:06,680
Speaker 3: so you know, there was a little controversy over the

403
00:21:06,680 --> 00:21:10,159
Speaker 3: bridesmaid's dresses, but I really thought if I just expressed

404
00:21:10,160 --> 00:21:13,800
Speaker 3: my feelings, everyone would understand. Then we're back in the

405
00:21:13,840 --> 00:21:17,800
Speaker 3: girl's apartment. Topanga is twirling a lacy umbrella parasol that

406
00:21:17,880 --> 00:21:20,639
Speaker 3: matches the girl's poofy outfits in an attempt to convince

407
00:21:20,680 --> 00:21:23,239
Speaker 3: them of its beauty. And the best part is that

408
00:21:23,320 --> 00:21:25,720
Speaker 3: after the wedding, you guys are obviously gonna want to

409
00:21:25,720 --> 00:21:30,359
Speaker 3: wear these dresses over and over again, which, if you

410
00:21:30,440 --> 00:21:32,920
Speaker 3: guys don't know because you've never been a bridesmaid in

411
00:21:32,960 --> 00:21:37,280
Speaker 3: a wedding, is absolutely one of the things that is

412
00:21:37,359 --> 00:21:40,480
Speaker 3: said while planning a wedding and trying to talk to

413
00:21:40,520 --> 00:21:43,520
Speaker 3: your bridesmaids about their dresses. Is it's worth it? Why

414
00:21:43,520 --> 00:21:45,960
Speaker 3: don't you pick one that you're gonna want to wear again?

415
00:21:46,240 --> 00:21:49,119
Speaker 3: Never you will never wear it again, Which is why

416
00:21:49,160 --> 00:21:55,040
Speaker 3: for my wedding, I said, wear whatever black dress you want, right, just.

417
00:21:55,000 --> 00:21:56,080
Speaker 4: Pick a color and sort of.

418
00:21:56,800 --> 00:21:58,320
Speaker 3: And by the way, pick a dress you do want

419
00:21:58,320 --> 00:22:00,600
Speaker 3: to we again, wear a dress you already have. I

420
00:22:00,640 --> 00:22:03,159
Speaker 3: don't care as long as you guys are all in

421
00:22:03,200 --> 00:22:05,720
Speaker 3: the same color. And even some people now don't even

422
00:22:05,720 --> 00:22:07,760
Speaker 3: do the same color now you do like we're in

423
00:22:07,840 --> 00:22:10,720
Speaker 3: the nudes tone. Pick anything that you like that looks

424
00:22:10,760 --> 00:22:12,359
Speaker 3: good on your body, as long as it all like

425
00:22:12,400 --> 00:22:16,359
Speaker 3: is in the same color. Wheel family. But yeah, this

426
00:22:16,400 --> 00:22:20,400
Speaker 3: has changed a lot over the years to modernize what

427
00:22:20,440 --> 00:22:22,960
Speaker 3: we expect of the people who love us enough to

428
00:22:23,000 --> 00:22:25,679
Speaker 3: be in our weddings. When you guys were watching this,

429
00:22:25,720 --> 00:22:27,919
Speaker 3: did you half expect the parasol to get stuck? And

430
00:22:27,960 --> 00:22:29,600
Speaker 3: for me, to trip over something in the corner.

431
00:22:29,840 --> 00:22:31,119
Speaker 2: Just seen it so many times.

432
00:22:32,400 --> 00:22:35,480
Speaker 3: Our season seven blooper reel includes this scene, and for

433
00:22:35,480 --> 00:22:37,159
Speaker 3: those of you who've come to our live show, you

434
00:22:37,280 --> 00:22:40,160
Speaker 3: are aware of that. But i really wanted to see

435
00:22:40,160 --> 00:22:41,920
Speaker 3: it happen because I'm just so used to seeing it now.

436
00:22:43,080 --> 00:22:45,879
Speaker 3: Morgan angrily Shimmy's out of the dress and starts hitting

437
00:22:45,880 --> 00:22:49,840
Speaker 3: it with her parasol. Die dress Die. I love that

438
00:22:49,880 --> 00:22:53,600
Speaker 3: the dress also came with the appropriate undergarments.

439
00:22:54,000 --> 00:22:55,800
Speaker 4: It was like it was period.

440
00:22:56,200 --> 00:23:01,560
Speaker 3: It was a period piece. Angela and Rachel pull her

441
00:23:01,600 --> 00:23:03,800
Speaker 3: away from the innocent dress, hoping to calm her down,

442
00:23:03,840 --> 00:23:06,480
Speaker 3: while to Panga watches on in horror and Lindsay's so

443
00:23:06,560 --> 00:23:08,439
Speaker 3: good in this, Like you can tell she was like

444
00:23:08,520 --> 00:23:10,560
Speaker 3: still trying to go for it as they were yanking

445
00:23:10,560 --> 00:23:13,560
Speaker 3: her away, like she was very passionately hitting the stress

446
00:23:14,320 --> 00:23:17,080
Speaker 3: with Morgan reined in, Angela and Rachel check on Topanga

447
00:23:17,119 --> 00:23:19,640
Speaker 3: to make sure she's doing okay. They take turns carefully

448
00:23:19,640 --> 00:23:22,800
Speaker 3: breaking the news to her that even though the dresses

449
00:23:22,840 --> 00:23:27,480
Speaker 3: are lovely, the girls might not be lovely enough for

450
00:23:27,560 --> 00:23:31,120
Speaker 3: the dresses to Penga glares at them knowingly, just cut

451
00:23:31,119 --> 00:23:34,720
Speaker 3: the crap at least Morgan was honest, true, true. She

452
00:23:34,880 --> 00:23:37,840
Speaker 3: pushes past her poofy bridesmaids. If you can't put on

453
00:23:37,920 --> 00:23:39,960
Speaker 3: these dresses and get caught up in the magic of

454
00:23:40,000 --> 00:23:45,480
Speaker 3: my Southern bell wedding, then who needs y'all? Which great?

455
00:23:45,640 --> 00:23:46,240
Speaker 3: Great writing?

456
00:23:46,280 --> 00:23:46,520
Speaker 2: Great?

457
00:23:46,720 --> 00:23:49,040
Speaker 3: Yeah, wish I could have acted it better, but really

458
00:23:49,080 --> 00:23:49,560
Speaker 3: good writing.

459
00:23:49,600 --> 00:23:50,800
Speaker 2: Oh no, the acting was great.

460
00:23:51,240 --> 00:23:53,240
Speaker 3: Oh thanks, I thought I could have I feel like

461
00:23:53,240 --> 00:23:54,840
Speaker 3: I could have done it. I could have taken one

462
00:23:54,840 --> 00:23:57,639
Speaker 3: more take. She bursts into tears, and Morgan approaches her

463
00:23:57,680 --> 00:24:03,080
Speaker 3: with no remorse. You're from Philadelphia, a stupid Morgan with her,

464
00:24:03,640 --> 00:24:04,880
Speaker 3: she's really driving it home.

465
00:24:04,960 --> 00:24:05,280
Speaker 2: She is.

466
00:24:05,480 --> 00:24:09,000
Speaker 3: She called me psycho and stupid. In one scene, we

467
00:24:09,080 --> 00:24:11,240
Speaker 3: freeze and then we're back on the couch. In the Abyss,

468
00:24:11,359 --> 00:24:14,920
Speaker 3: Corey is surprised a Southern fel wedding. Huh when did

469
00:24:14,920 --> 00:24:18,480
Speaker 3: we decide on that? Tapanga emphasizes that every wedding needs

470
00:24:18,480 --> 00:24:21,760
Speaker 3: a theme. Corey patiently asks for what reason my darling,

471
00:24:21,840 --> 00:24:25,560
Speaker 3: and Topega simply answers because it does. He still doesn't understand.

472
00:24:25,600 --> 00:24:28,240
Speaker 3: Repeating the question, and Topanga reveals she wants the theme

473
00:24:28,320 --> 00:24:32,040
Speaker 3: to be gone with the wind, Corey isn't sold. Frankly,

474
00:24:32,119 --> 00:24:35,520
Speaker 3: my dear, that's not the theme I want. If they

475
00:24:35,520 --> 00:24:39,120
Speaker 3: need a theme, he suggests have a nash with Corey.

476
00:24:38,920 --> 00:24:45,760
Speaker 2: And he's always doing this and to Panga though.

477
00:24:50,040 --> 00:24:53,520
Speaker 3: So funny. Tapega looks off camera and complaints, do you

478
00:24:53,520 --> 00:24:55,639
Speaker 3: see what I'm dealing with here? Plus we have a

479
00:24:55,680 --> 00:25:00,639
Speaker 3: guest list of two seventy two.

480
00:25:00,880 --> 00:25:01,680
Speaker 2: And seventy people.

481
00:25:01,680 --> 00:25:07,520
Speaker 4: Oh that's like that's gigantic, massive, yeah, insane, but I mean,

482
00:25:07,640 --> 00:25:09,920
Speaker 4: is it I don't know, like yes, so long.

483
00:25:11,000 --> 00:25:14,680
Speaker 3: My first wedding was very big. It was two hundred

484
00:25:14,680 --> 00:25:17,880
Speaker 3: and twenty people. Oh my god, that's me knowing that's

485
00:25:18,080 --> 00:25:21,959
Speaker 3: all the people we worked with, Like that's that's every

486
00:25:22,080 --> 00:25:25,440
Speaker 3: family member with a plus one. That's massive.

487
00:25:25,760 --> 00:25:29,560
Speaker 4: Yeah, I had East Coast more, East Coast more. Traditional

488
00:25:29,560 --> 00:25:32,840
Speaker 4: weddings are very big though, Like yeah, I know that, Like,

489
00:25:32,920 --> 00:25:37,080
Speaker 4: you know, my wife's Italian family, Like people have huge

490
00:25:37,359 --> 00:25:40,800
Speaker 4: get like a giant hall in Jersey, you know, and

491
00:25:40,840 --> 00:25:43,399
Speaker 4: it's like packed and it's all about the dancing and like,

492
00:25:43,680 --> 00:25:47,280
Speaker 4: but I mean, almost everybody I know here on the

493
00:25:47,280 --> 00:25:49,040
Speaker 4: West coast like one hundred people.

494
00:25:50,080 --> 00:25:53,440
Speaker 1: My wedding with Jensen was one hundred yes, yeah, yeah,

495
00:25:53,520 --> 00:25:55,880
Speaker 1: we stopped it we capped it like we I think

496
00:25:55,880 --> 00:25:58,520
Speaker 1: invited sixteen assuming some people because we had a destination

497
00:25:58,560 --> 00:26:00,000
Speaker 1: wedding work and a fly and everybody came.

498
00:26:00,119 --> 00:26:01,960
Speaker 2: And I was like, oh my god, everybody, everybody came.

499
00:26:02,000 --> 00:26:02,880
Speaker 2: It was great. It was great.

500
00:26:03,040 --> 00:26:05,400
Speaker 4: Yeah. I mean you just you don't even like get

501
00:26:05,440 --> 00:26:07,560
Speaker 4: to talk to I mean even at one hundred people,

502
00:26:07,640 --> 00:26:10,080
Speaker 4: like I felt like I barely got to talk to anybody. Yeah, exactly,

503
00:26:10,119 --> 00:26:12,840
Speaker 4: I can imagine two fifty or seventy. Is that what

504
00:26:12,880 --> 00:26:13,200
Speaker 4: they say?

505
00:26:13,440 --> 00:26:17,320
Speaker 2: Yeah, all that seats eighty. It's not even close, not

506
00:26:17,400 --> 00:26:18,160
Speaker 2: even remotely.

507
00:26:18,400 --> 00:26:20,359
Speaker 3: It's not even like, okay, we've really got some trimming.

508
00:26:20,560 --> 00:26:21,600
Speaker 2: Yeah, no, exactly.

509
00:26:21,800 --> 00:26:24,960
Speaker 4: I guess is like the most popular person at school, right, true.

510
00:26:25,200 --> 00:26:28,680
Speaker 4: Every woman who wants him, every woman Missy Robinson.

511
00:26:29,200 --> 00:26:30,560
Speaker 2: Robinson's going to be there.

512
00:26:30,760 --> 00:26:32,480
Speaker 1: I'm sure there's a wrestler too that are going to

513
00:26:32,480 --> 00:26:35,320
Speaker 1: be attendee k is gonna come to be there.

514
00:26:35,400 --> 00:26:38,879
Speaker 3: Yes, I mean believe he's going to be there, going

515
00:26:38,920 --> 00:26:42,320
Speaker 3: to be there, ye. Corey chimes in. And a hall

516
00:26:42,400 --> 00:26:45,320
Speaker 3: that seats eighty, Tapanga admits we're not panicking because we

517
00:26:45,359 --> 00:26:47,679
Speaker 3: know a lot of people won't show. Corey ads and

518
00:26:47,720 --> 00:26:50,719
Speaker 3: many of the old people have shrunk. He tears up.

519
00:26:50,960 --> 00:26:54,920
Speaker 3: I'm miss Grandpa Poppy. No one should die in prison?

520
00:26:55,680 --> 00:27:00,720
Speaker 4: What okay? Now this is actually consistent because isn't the

521
00:27:00,760 --> 00:27:03,919
Speaker 4: Grandpa Poppy the one that he cries or do you

522
00:27:04,000 --> 00:27:06,359
Speaker 4: cry about in the Christmas episode? Do you remember like

523
00:27:06,359 --> 00:27:07,760
Speaker 4: we did a whole Grandpa Poppy?

524
00:27:07,960 --> 00:27:10,280
Speaker 3: Yeah, there is a Grandpa Poppy. There's a car back, but.

525
00:27:10,680 --> 00:27:12,040
Speaker 4: Yeah, what he remember?

526
00:27:12,080 --> 00:27:12,520
Speaker 2: Who did it?

527
00:27:13,040 --> 00:27:14,760
Speaker 4: I think it's you Will. I think there's like an

528
00:27:14,880 --> 00:27:19,040
Speaker 4: Eric storyline crying about Poppy with really rusty. Doesn't that

529
00:27:19,040 --> 00:27:19,600
Speaker 4: sound familiar?

530
00:27:19,880 --> 00:27:22,399
Speaker 3: I think it's Ben. I think it's I think so.

531
00:27:22,560 --> 00:27:24,959
Speaker 3: I think there's another Grandpa Poppy.

532
00:27:25,280 --> 00:27:27,520
Speaker 4: Oh god, but I don't remember him being.

533
00:27:27,320 --> 00:27:30,840
Speaker 3: In prison, and like, no one should die in prison?

534
00:27:31,080 --> 00:27:33,960
Speaker 3: Do we agree with that statement? Or like should some

535
00:27:34,040 --> 00:27:38,320
Speaker 3: people die in prison? Depending on what Grandpa Poppy did?

536
00:27:38,400 --> 00:27:42,160
Speaker 3: I could maybe understand the argument. What is he in for?

537
00:27:42,480 --> 00:27:46,080
Speaker 4: Yeah?

538
00:27:46,160 --> 00:27:49,040
Speaker 3: But Tapanga is still confident. However, while everyone else has

539
00:27:49,080 --> 00:27:51,879
Speaker 3: been going crazy over this wedding, we at least have

540
00:27:51,960 --> 00:27:56,360
Speaker 3: been keeping it together. Set up, set up, And then

541
00:27:56,440 --> 00:27:58,880
Speaker 3: we're in the student union. Corey's reading the newspaper next

542
00:27:58,880 --> 00:28:02,760
Speaker 3: to Topanga when she excited mentions for our honeymoon. Corey

543
00:28:02,880 --> 00:28:06,320
Speaker 3: quickly puts the paper down. Now all ears. He sings, honeymoon.

544
00:28:07,920 --> 00:28:12,840
Speaker 4: Is this a reference to something or it's just saying honeymoon?

545
00:28:13,160 --> 00:28:15,399
Speaker 2: I think that's just been Ya's so funny.

546
00:28:15,119 --> 00:28:16,520
Speaker 4: Because when I heard it, I was like, oh, yeah,

547
00:28:16,600 --> 00:28:18,680
Speaker 4: that was like a recurring joke. But I didn't know

548
00:28:18,720 --> 00:28:20,320
Speaker 4: if it was a reference to like a previous show

549
00:28:20,400 --> 00:28:22,359
Speaker 4: or another movie or something. So we just did this.

550
00:28:22,520 --> 00:28:25,639
Speaker 1: Yehs, he's excited to just have sex finally after twenty

551
00:28:25,640 --> 00:28:26,840
Speaker 1: two years or however old he is.

552
00:28:26,880 --> 00:28:29,480
Speaker 3: Now. Yeah, I will say this scene gave me the ick.

553
00:28:29,720 --> 00:28:32,399
Speaker 1: It does, of course the ones. It's super icky, but

554
00:28:32,480 --> 00:28:33,640
Speaker 1: you kind of forget about.

555
00:28:33,400 --> 00:28:35,760
Speaker 3: It, not even because of the conversation between Corey and

556
00:28:35,840 --> 00:28:39,200
Speaker 3: Penga totally fine, like fine, you want to have this discussion. Great,

557
00:28:39,440 --> 00:28:41,280
Speaker 3: the fact that he gets up and yells it to

558
00:28:41,560 --> 00:28:43,080
Speaker 3: the room full of people, and.

559
00:28:43,160 --> 00:28:45,240
Speaker 4: Well, did you notice that they had to add like

560
00:28:45,280 --> 00:28:50,040
Speaker 4: a music cue to soften its jurist music. It's it's

561
00:28:50,080 --> 00:28:53,360
Speaker 4: actually our music cue that ends a scene is playing

562
00:28:53,400 --> 00:28:56,480
Speaker 4: in the middle of this scene when he's screaming at you,

563
00:28:56,920 --> 00:28:58,920
Speaker 4: and it's and you realize they had to do it

564
00:28:59,000 --> 00:29:03,000
Speaker 4: because otherwise it's chilling, it's like weird. It's like Corey dude,

565
00:29:03,160 --> 00:29:05,840
Speaker 4: like yeah, clock down, but they yeah, it's so real.

566
00:29:05,920 --> 00:29:07,600
Speaker 4: I was like, I actually went back and played it

567
00:29:07,640 --> 00:29:09,840
Speaker 4: twice because I was like, what is with this random

568
00:29:09,920 --> 00:29:11,640
Speaker 4: music cue? And it's like the only way they could

569
00:29:11,680 --> 00:29:14,520
Speaker 4: soften what it is otherwise like a very weird moment.

570
00:29:14,360 --> 00:29:15,320
Speaker 3: Like yeah, it's weird.

571
00:29:15,560 --> 00:29:17,680
Speaker 2: Yeah, and they also are We've talked about this.

572
00:29:17,720 --> 00:29:20,360
Speaker 1: They are also very much insinuating with him getting up

573
00:29:20,360 --> 00:29:22,720
Speaker 1: and saying, let me touch something that they've literally just

574
00:29:22,800 --> 00:29:24,040
Speaker 1: kissed for seventeen years.

575
00:29:24,320 --> 00:29:26,520
Speaker 2: That's it. Nothing else.

576
00:29:27,120 --> 00:29:29,360
Speaker 3: There's a lot of weird music cues this season. There's

577
00:29:29,400 --> 00:29:31,640
Speaker 3: a lot of I don't necessarily know that they're all weird,

578
00:29:31,720 --> 00:29:33,240
Speaker 3: but there are a lot of.

579
00:29:33,600 --> 00:29:36,240
Speaker 4: More music just more a lot of juice interesting.

580
00:29:36,480 --> 00:29:37,360
Speaker 3: Yeah, yeah, this is the.

581
00:29:37,400 --> 00:29:39,080
Speaker 4: Only one that really stood out to me. I was like,

582
00:29:39,120 --> 00:29:41,160
Speaker 4: what is happening? And then I was like, no, it's

583
00:29:41,200 --> 00:29:43,720
Speaker 4: because I think if you if you were to pull

584
00:29:43,760 --> 00:29:46,120
Speaker 4: the music cue, it would be it would it would

585
00:29:46,160 --> 00:29:48,080
Speaker 4: be the weird scene that it actually is.

586
00:29:48,320 --> 00:29:50,000
Speaker 2: Yeah, exactly, and well, really what.

587
00:29:49,920 --> 00:29:52,560
Speaker 4: It is is there's no reason for for to Panga

588
00:29:52,600 --> 00:29:55,280
Speaker 4: to like suddenly find it cute. Do you know what

589
00:29:55,360 --> 00:29:57,560
Speaker 4: I mean? Like, because she like goes from like, no,

590
00:29:57,920 --> 00:30:04,680
Speaker 4: I'm about to like, you're such a man. I know, guy, Yeah,

591
00:30:04,760 --> 00:30:06,760
Speaker 4: it's like it's I don't know what that you know,

592
00:30:06,800 --> 00:30:09,959
Speaker 4: it's not cute. He's screaming to an entire room of people,

593
00:30:10,280 --> 00:30:12,440
Speaker 4: like it's actually very uncomfortable.

594
00:30:12,920 --> 00:30:15,520
Speaker 3: Yeah, it's it's pretty weird. So she's been thinking, how

595
00:30:15,560 --> 00:30:18,200
Speaker 3: about trekking in Peru, scuba diving in the Caribbean, or

596
00:30:18,280 --> 00:30:22,080
Speaker 3: river rafting down the Colorado. Corey stammers, it's not necessary,

597
00:30:22,240 --> 00:30:24,440
Speaker 3: She huffs, I've made a ton of suggestions and you

598
00:30:24,440 --> 00:30:26,720
Speaker 3: don't like any of them. He says it's because she

599
00:30:26,760 --> 00:30:29,240
Speaker 3: hasn't mentioned the one place he wants to go to.

600
00:30:29,360 --> 00:30:32,800
Speaker 3: Pego wonders where that is, and Corey slyly responds, you know.

601
00:30:36,760 --> 00:30:37,520
Speaker 4: That's a better joke.

602
00:30:37,560 --> 00:30:40,840
Speaker 2: Actually wants to population And.

603
00:30:41,760 --> 00:30:46,680
Speaker 3: I mean, yeah, I don't, but like she's gonna be

604
00:30:46,720 --> 00:30:50,000
Speaker 3: there no matter where. I okay, I don't even really

605
00:30:50,120 --> 00:30:52,880
Speaker 3: get the I don't quite understand the thing. He could

606
00:30:52,960 --> 00:30:55,400
Speaker 3: just be like, listen, honey, I'm happy to go wherever

607
00:30:55,480 --> 00:30:58,240
Speaker 3: you want, as long as we're going to have a

608
00:30:58,320 --> 00:31:02,400
Speaker 3: room in a place you pick, that's what I want.

609
00:31:02,600 --> 00:31:04,160
Speaker 3: Great conversation over.

610
00:31:04,080 --> 00:31:06,400
Speaker 2: I can bang you on a river. I can beg scuba.

611
00:31:06,400 --> 00:31:07,480
Speaker 2: Div doesn't matter.

612
00:31:07,680 --> 00:31:10,600
Speaker 4: Fine, that says, we can like it's fine.

613
00:31:10,640 --> 00:31:13,040
Speaker 3: Yeah, so it's like yes, So I don't really know

614
00:31:13,080 --> 00:31:15,360
Speaker 3: why this is even why this is even a yeah,

615
00:31:15,400 --> 00:31:19,240
Speaker 3: a conflict. She's annoyed and Corey just demands I want

616
00:31:19,240 --> 00:31:21,880
Speaker 3: it to peg is now concerned. I'm beginning to think

617
00:31:21,880 --> 00:31:24,440
Speaker 3: that this wedding is just a prelude to sex for you.

618
00:31:24,520 --> 00:31:27,720
Speaker 3: So okay, I guess, I guess had he just said

619
00:31:27,760 --> 00:31:32,200
Speaker 3: that there's the conflict? She which, honey, have you not

620
00:31:32,280 --> 00:31:36,320
Speaker 3: understood that over? You actually ever heard a word he

621
00:31:36,360 --> 00:31:37,479
Speaker 3: said about you or to you?

622
00:31:37,600 --> 00:31:40,320
Speaker 4: I never doesn't care about you at all.

623
00:31:40,800 --> 00:31:48,840
Speaker 3: No, Corey sarcastically counters, that's brilliant, Sherlock. I mean to

624
00:31:48,920 --> 00:31:52,680
Speaker 3: Panga wonders, is he only marrying her to consummate their relationship?

625
00:31:52,760 --> 00:31:58,680
Speaker 3: And Corey shouts out me and nine hundred million other guys.

626
00:31:59,760 --> 00:32:04,680
Speaker 1: So so the only reason to get married, it's.

627
00:32:05,400 --> 00:32:08,320
Speaker 4: Guys, is to have sex, and that should be understood.

628
00:32:08,360 --> 00:32:11,480
Speaker 4: That that's all right. Yeah, let's throw up. I don't

629
00:32:11,520 --> 00:32:13,760
Speaker 4: know CoA Romeo and Juliette.

630
00:32:13,960 --> 00:32:16,080
Speaker 2: Yeah, I don't know.

631
00:32:16,080 --> 00:32:19,240
Speaker 4: Ay from it. Let's just for the joke. Whatever.

632
00:32:19,280 --> 00:32:21,880
Speaker 2: Weird, Yeah, weird. The rest of it's funny, and there's

633
00:32:21,920 --> 00:32:23,280
Speaker 2: fire later, so yeah.

634
00:32:23,120 --> 00:32:26,200
Speaker 3: Exactly, so it's okay. Topeka is beginning to think he'd

635
00:32:26,240 --> 00:32:28,280
Speaker 3: just be fine if they spent their honeymoon in any

636
00:32:28,320 --> 00:32:32,520
Speaker 3: old hotel. Corey shrugs, or in the road to Pega,

637
00:32:32,560 --> 00:32:35,920
Speaker 3: stands up and shouts, that's sick. Offended, Corey addresses the

638
00:32:36,040 --> 00:32:40,560
Speaker 3: entire room. You know what's sick everyone. We have been

639
00:32:40,600 --> 00:32:43,400
Speaker 3: in a relationship for seventeen years, and.

640
00:32:43,400 --> 00:32:46,840
Speaker 4: Do you children for most of that? This is a

641
00:32:46,960 --> 00:32:50,320
Speaker 4: disturbing Yes, he expected to get three years old to

642
00:32:50,360 --> 00:32:51,000
Speaker 4: be making out.

643
00:32:51,320 --> 00:32:54,520
Speaker 3: Yep, that's what he wanted. And do you know what

644
00:32:54,560 --> 00:32:57,600
Speaker 3: I've gotten in all that time? He turns to Topanga

645
00:32:57,600 --> 00:33:02,160
Speaker 3: and screams in desperation, let me touch something. We get

646
00:33:02,160 --> 00:33:04,840
Speaker 3: a very odd transition, quickly flashing to Corey and to

647
00:33:04,920 --> 00:33:07,600
Speaker 3: Panga watching themselves from the Black Abyss, only to return

648
00:33:07,640 --> 00:33:10,560
Speaker 3: to their fight in the student union. Nothing like this

649
00:33:10,600 --> 00:33:13,560
Speaker 3: has ever happened on boy Me's world before. We've never

650
00:33:13,640 --> 00:33:17,640
Speaker 3: done We've never done this, like whoop and then back Yeah,

651
00:33:17,880 --> 00:33:20,320
Speaker 3: Corey asks her, do you understand that you owe me

652
00:33:22,320 --> 00:33:28,680
Speaker 3: when you read the words out loud own? Topanga says yes,

653
00:33:28,800 --> 00:33:32,520
Speaker 3: well at least you got it. So he asks if

654
00:33:32,560 --> 00:33:34,720
Speaker 3: she intends to pay him.

655
00:33:35,640 --> 00:33:38,880
Speaker 4: So they exchange is because he's marrying her or he's

656
00:33:38,920 --> 00:33:39,880
Speaker 4: agreed to make cut.

657
00:33:40,000 --> 00:33:45,520
Speaker 3: No, she owes him because for it. For seventeen years

658
00:33:45,560 --> 00:33:48,200
Speaker 3: he has been her boyfriend and she hasn't put out,

659
00:33:48,240 --> 00:33:51,040
Speaker 3: and she hasn't put out. Now that they're getting married,

660
00:33:51,120 --> 00:33:52,800
Speaker 3: it's time to pay him.

661
00:33:53,920 --> 00:33:56,040
Speaker 2: And Tapega's like, I know, I know that.

662
00:33:56,160 --> 00:33:57,640
Speaker 4: She's like, you're so cute.

663
00:33:57,760 --> 00:33:59,040
Speaker 2: It's the cutest thing ever.

664
00:33:59,720 --> 00:34:03,080
Speaker 4: Yeah, k dark.

665
00:34:03,360 --> 00:34:08,400
Speaker 3: She nods, so he clarifies in the road, and then

666
00:34:09,080 --> 00:34:13,440
Speaker 3: she agrees to do it in the road, and he

667
00:34:13,480 --> 00:34:16,799
Speaker 3: finally asks, and you'll call me Don Francisco.

668
00:34:18,400 --> 00:34:20,440
Speaker 2: Just a funny line. It's a funny line.

669
00:34:20,680 --> 00:34:24,160
Speaker 1: It's a horrible, creepy scene with a couple funny bits

670
00:34:24,200 --> 00:34:26,399
Speaker 1: in it, because Ben's so funny.

671
00:34:26,440 --> 00:34:31,279
Speaker 3: And then she laughs before divulging yes. He tests her,

672
00:34:31,840 --> 00:34:37,839
Speaker 3: yes who She grins and corrects herself, yes, Don Francisco,

673
00:34:38,480 --> 00:34:41,719
Speaker 3: and he lated Corey grabs her head and kisses her cheek.

674
00:34:41,760 --> 00:34:45,400
Speaker 3: All right, I'll marry you and with that he prances away,

675
00:34:45,640 --> 00:34:52,120
Speaker 3: leaving Tapanga shaking her head. He's so adorable, smiling.

676
00:34:51,960 --> 00:34:54,640
Speaker 2: Best scene we've ever done, So great, and the Emmy

677
00:34:54,719 --> 00:34:55,080
Speaker 2: goes to.

678
00:34:58,600 --> 00:35:00,799
Speaker 3: Back on the couch. Corey into Pang admit that was

679
00:35:00,840 --> 00:35:03,080
Speaker 3: just the beginning. In fact, things got a lot worse,

680
00:35:03,400 --> 00:35:05,719
Speaker 3: especially when Corey had to decide who his best man

681
00:35:05,760 --> 00:35:08,520
Speaker 3: would be. It came down to his brother or his

682
00:35:08,600 --> 00:35:11,520
Speaker 3: best friend. And then we're in the guy's dorm as

683
00:35:11,520 --> 00:35:14,319
Speaker 3: he finishes up studying, Sean tells Corey, as far as

684
00:35:14,360 --> 00:35:16,239
Speaker 3: the wedding goes, I'm sure you're under a lot of

685
00:35:16,280 --> 00:35:19,600
Speaker 3: pressure for the whole best man situation. Corey admits he's

686
00:35:19,600 --> 00:35:21,600
Speaker 3: been wanting to talk to him about that, but Sean

687
00:35:21,680 --> 00:35:24,680
Speaker 3: makes the decision for him. You should ask Eric. I

688
00:35:24,680 --> 00:35:25,759
Speaker 3: think it's the right thing to do.

689
00:35:26,400 --> 00:35:28,840
Speaker 2: It is, by the way, but it is.

690
00:35:29,600 --> 00:35:32,239
Speaker 1: It totally is if you have brothers, your brothers, brother

691
00:35:32,360 --> 00:35:34,520
Speaker 1: your brother's your best man, and it's not even best man.

692
00:35:34,640 --> 00:35:36,200
Speaker 2: What you do is you just have everybody stand up

693
00:35:36,239 --> 00:35:36,920
Speaker 2: with you.

694
00:35:36,920 --> 00:35:38,960
Speaker 1: You have your brothers, you have your friend, everybody just

695
00:35:39,160 --> 00:35:40,040
Speaker 1: anybody at your wedding.

696
00:35:40,040 --> 00:35:40,560
Speaker 4: Did you will No?

697
00:35:40,600 --> 00:35:41,400
Speaker 2: I have my two brothers.

698
00:35:41,520 --> 00:35:42,000
Speaker 4: You did, Oh?

699
00:35:42,080 --> 00:35:45,560
Speaker 1: Yeah, party, and then I went by age, so Gary

700
00:35:45,600 --> 00:35:47,320
Speaker 1: held the ring because he was the oldest.

701
00:35:47,320 --> 00:35:49,360
Speaker 2: But yeah, and Greg did the same thing. You have.

702
00:35:49,760 --> 00:35:52,200
Speaker 1: If you have brothers that's and you're close to them

703
00:35:52,200 --> 00:35:54,440
Speaker 1: at all, those are the people that stand right next

704
00:35:54,440 --> 00:35:54,520
Speaker 1: to you.

705
00:35:54,560 --> 00:35:55,799
Speaker 2: And then you have your friends up there as well.

706
00:35:55,840 --> 00:35:57,640
Speaker 1: I mean you could it could easily have been Eric

707
00:35:57,680 --> 00:35:59,960
Speaker 1: and Sean right next to each other without a problem.

708
00:36:00,480 --> 00:36:02,839
Speaker 1: So but Sean's right, It's like, it's the right thing

709
00:36:02,840 --> 00:36:03,719
Speaker 1: to do. You gotta ask your.

710
00:36:03,600 --> 00:36:05,600
Speaker 4: Brother, right, if your brother's Eric. I mean, that's the

711
00:36:05,600 --> 00:36:07,480
Speaker 4: whole point of this episode. I know, but that's the

712
00:36:07,520 --> 00:36:09,960
Speaker 4: safe that's your brother's funny though, you know.

713
00:36:10,160 --> 00:36:13,560
Speaker 3: But like think about now, I do. If you come

714
00:36:13,600 --> 00:36:18,880
Speaker 3: from a family where warts and all family's family, family

715
00:36:18,960 --> 00:36:22,960
Speaker 3: over everything, you're going to be like, no matter what,

716
00:36:23,280 --> 00:36:26,160
Speaker 3: you know, your brothers will be in your life, then

717
00:36:26,200 --> 00:36:28,760
Speaker 3: it probably is the smartest move because I do always

718
00:36:28,800 --> 00:36:31,439
Speaker 3: think it's sad when you look back at a wedding

719
00:36:31,480 --> 00:36:33,239
Speaker 3: picture and you're like, I don't talk to any of

720
00:36:33,239 --> 00:36:35,480
Speaker 3: those people anymore, Right, I'm not friends with any of

721
00:36:35,480 --> 00:36:37,480
Speaker 3: the people that stood up there with me in that

722
00:36:37,520 --> 00:36:41,560
Speaker 3: wedding party. And if you're you're fit. You have family,

723
00:36:41,760 --> 00:36:43,600
Speaker 3: you and you are that type of family. You could

724
00:36:43,640 --> 00:36:45,880
Speaker 3: probably say they will always be there. I'll always at

725
00:36:45,920 --> 00:36:49,000
Speaker 3: least have my brothers. With that said, if you are

726
00:36:49,040 --> 00:36:52,319
Speaker 3: in a situation where you and your brother do not

727
00:36:52,480 --> 00:36:56,400
Speaker 3: get along, that's and you're only you only have a

728
00:36:56,440 --> 00:37:00,000
Speaker 3: relationship with your brother because your parents would be devastating

729
00:37:00,200 --> 00:37:02,040
Speaker 3: for you. But like, once your parents are gone, you're

730
00:37:02,120 --> 00:37:04,920
Speaker 3: never going to speak to them again. Then I think

731
00:37:05,120 --> 00:37:06,919
Speaker 3: you are in a situation and you have a best

732
00:37:06,920 --> 00:37:09,600
Speaker 3: friend who's like a Sean who they've known since the

733
00:37:09,719 --> 00:37:12,680
Speaker 3: Lama pen, who is like family. That was actually one

734
00:37:12,719 --> 00:37:14,440
Speaker 3: of the things that kind of bothered me about this

735
00:37:14,480 --> 00:37:18,240
Speaker 3: episode is that they were so mad about it being Sean,

736
00:37:18,640 --> 00:37:21,040
Speaker 3: and I think the conversation, even though they still would

737
00:37:21,040 --> 00:37:22,799
Speaker 3: have had a preference for Amy and Allen to be like,

738
00:37:22,960 --> 00:37:26,000
Speaker 3: we think it should be your brother. I could actually

739
00:37:26,080 --> 00:37:28,880
Speaker 3: at least in this situation, See, we understand why this

740
00:37:29,000 --> 00:37:30,279
Speaker 3: is a tough choice.

741
00:37:30,400 --> 00:37:32,360
Speaker 1: For you, But I think it's only a tough choice

742
00:37:32,360 --> 00:37:35,440
Speaker 1: because of how close he is to Sean, meaning yeah, yeah,

743
00:37:35,520 --> 00:37:38,160
Speaker 1: Corey and Eric always got along, like Eric was always

744
00:37:38,480 --> 00:37:39,479
Speaker 1: essentially a good brother.

745
00:37:39,600 --> 00:37:41,399
Speaker 4: The tough choice is that Eric is going to mess

746
00:37:41,440 --> 00:37:43,920
Speaker 4: it up in some way, which so that's a comedy.

747
00:37:44,800 --> 00:37:46,520
Speaker 4: Might forget comed it's so funny, man. Yeah, I think

748
00:37:46,520 --> 00:37:48,520
Speaker 4: it's great. I think it's a bit and I like

749
00:37:48,560 --> 00:37:51,960
Speaker 4: that Sean doesn't really care Sean. It's like, no, dude,

750
00:37:51,960 --> 00:37:54,840
Speaker 4: it's fine, it's cool, you know, because he would he

751
00:37:54,840 --> 00:37:55,480
Speaker 4: would be like it.

752
00:37:55,680 --> 00:37:59,000
Speaker 1: Yeah, Like if if Sean gets married, my guess is

753
00:37:59,000 --> 00:38:01,959
Speaker 1: Sean isn't going to ask Jack to be his best

754
00:38:01,960 --> 00:38:05,160
Speaker 1: friend because he's forgotten for three seasons that they're even brothers.

755
00:38:05,280 --> 00:38:07,600
Speaker 2: Yes, but but he would ask Corey.

756
00:38:07,600 --> 00:38:10,120
Speaker 1: But it's different with Corey and Eric, who lived together,

757
00:38:10,160 --> 00:38:12,000
Speaker 1: who worked together, in the same room together.

758
00:38:12,040 --> 00:38:14,160
Speaker 2: I mean, that's that's got to be your best Yeah.

759
00:38:14,160 --> 00:38:15,799
Speaker 4: It was a little sad when I think about Girl

760
00:38:15,800 --> 00:38:19,480
Speaker 4: Mats World that, like, Sean and Jack never talk to

761
00:38:19,520 --> 00:38:21,720
Speaker 4: each other, like, and Sean gets married.

762
00:38:22,400 --> 00:38:24,920
Speaker 2: Yeah, Eric wasn't there either. Thanks for the invite, bro.

763
00:38:25,320 --> 00:38:28,759
Speaker 3: Yeah, well I think I think you had contractually said

764
00:38:28,800 --> 00:38:32,080
Speaker 3: you only wanted to do one episode.

765
00:38:32,280 --> 00:38:33,000
Speaker 2: That's what it was.

766
00:38:34,360 --> 00:38:35,440
Speaker 3: The wedding didn't fit into that.

767
00:38:35,520 --> 00:38:36,280
Speaker 2: So God.

768
00:38:37,719 --> 00:38:39,680
Speaker 3: They were back with the couple on the couch. Corey

769
00:38:39,719 --> 00:38:43,080
Speaker 3: Wax is poetic about Sean my best friend, my absolute

770
00:38:43,160 --> 00:38:46,000
Speaker 3: best friend who I love. Tapega begs him to get

771
00:38:46,000 --> 00:38:48,640
Speaker 3: on with it. I'm not sure why I'm not. I'm not.

772
00:38:50,120 --> 00:38:53,000
Speaker 2: Maybe because she's harping on how much he loves Sean.

773
00:38:53,080 --> 00:38:53,359
Speaker 2: Is that what?

774
00:38:53,480 --> 00:38:56,440
Speaker 3: That's the only thing I But it's delivered so sweetly.

775
00:38:56,480 --> 00:38:58,600
Speaker 3: It's like, we get it, honey, just move on as

776
00:38:58,640 --> 00:39:00,560
Speaker 3: opposed like we get it, you know.

777
00:39:00,840 --> 00:39:01,400
Speaker 2: Yeah, I don't know.

778
00:39:01,440 --> 00:39:03,480
Speaker 4: I was justance.

779
00:39:03,680 --> 00:39:05,719
Speaker 3: I guess if that if it was supposed to be a.

780
00:39:05,800 --> 00:39:07,399
Speaker 4: Joke, it should have been more of an eye roll,

781
00:39:07,480 --> 00:39:08,239
Speaker 4: like exactly, it.

782
00:39:08,200 --> 00:39:10,239
Speaker 3: Should have been like we hear this all the time,

783
00:39:10,280 --> 00:39:13,080
Speaker 3: but Topeka's never had that's not that's not a thing

784
00:39:13,120 --> 00:39:14,840
Speaker 3: for Topanga until Girl Meets World.

785
00:39:15,640 --> 00:39:18,520
Speaker 4: I think it's it's next episode, though. I think the

786
00:39:18,560 --> 00:39:21,880
Speaker 4: actual wedding becomes about how it Corey and Sean are

787
00:39:21,920 --> 00:39:25,120
Speaker 4: the real relationship, and Topanga feels cut out. I think

788
00:39:25,120 --> 00:39:27,360
Speaker 4: that's so we're already I think they already knew that.

789
00:39:28,960 --> 00:39:31,719
Speaker 3: Okay, all right, Yeah, you're right, that hasn't been the

790
00:39:31,800 --> 00:39:33,080
Speaker 3: Dynamic's not that's not the dynamic.

791
00:39:33,120 --> 00:39:34,080
Speaker 4: The dynamic is where we.

792
00:39:34,080 --> 00:39:35,080
Speaker 2: Established that dynamic.

793
00:39:35,120 --> 00:39:37,120
Speaker 4: That's because I remember during Girl Meets World being a

794
00:39:37,160 --> 00:39:38,120
Speaker 4: little confused.

795
00:39:37,760 --> 00:39:41,879
Speaker 3: By me too, being that show was like all about.

796
00:39:41,800 --> 00:39:44,480
Speaker 4: Him ignoring you to be with me, and yeah and

797
00:39:44,600 --> 00:39:46,440
Speaker 4: retro that hasn't happened this entire show.

798
00:39:46,600 --> 00:39:49,359
Speaker 3: No, as a matter of fact, to Panga encourages their

799
00:39:49,560 --> 00:39:54,719
Speaker 3: friendship and loves their relationship, and yeah, I've never It's never.

800
00:39:54,760 --> 00:39:58,160
Speaker 4: Even when I'm cheating on my girlfriend with Corey, it's

801
00:39:58,200 --> 00:40:02,080
Speaker 4: always about my he's not letting to is actually helping

802
00:40:02,160 --> 00:40:02,719
Speaker 4: us get back.

803
00:40:02,640 --> 00:40:04,799
Speaker 3: To Yeah, yeah, I stand up for you guys, I'm

804
00:40:04,840 --> 00:40:08,359
Speaker 3: like so interesting. So it's never. That's never. That's why

805
00:40:08,400 --> 00:40:13,600
Speaker 3: I'm saying I didn't when I saw this, I didn't think, oh,

806
00:40:13,640 --> 00:40:16,319
Speaker 3: that was a bad performance. I thought, why did they

807
00:40:16,360 --> 00:40:18,760
Speaker 3: need to paying get to shut him up? Why couldn't

808
00:40:18,760 --> 00:40:20,319
Speaker 3: it just be a quick blurb? But we've already done

809
00:40:20,320 --> 00:40:22,960
Speaker 3: these quick blurbs. Why couldn't he just say my best friend,

810
00:40:22,960 --> 00:40:25,360
Speaker 3: my absolute best friend who I love, Sean's the greatest

811
00:40:25,360 --> 00:40:26,920
Speaker 3: guy there is And then we go back to the

812
00:40:26,920 --> 00:40:29,279
Speaker 3: other thing. Why they need me jumping in? So if

813
00:40:29,280 --> 00:40:30,960
Speaker 3: that was supposed to be the joke that I was

814
00:40:30,960 --> 00:40:32,680
Speaker 3: starting to feel jealous, one, that would have been the

815
00:40:32,680 --> 00:40:35,640
Speaker 3: first time we've seen it, and two definitely needed a

816
00:40:35,640 --> 00:40:36,400
Speaker 3: different performance.

817
00:40:36,480 --> 00:40:40,600
Speaker 4: It's interesting because when we went to ATX, that television.

818
00:40:40,200 --> 00:40:43,120
Speaker 3: Festival when my best friend Jamie got married, and I

819
00:40:43,160 --> 00:40:44,280
Speaker 3: wasn't there yet, right.

820
00:40:44,200 --> 00:40:47,200
Speaker 4: So you weren't there. But Michael did a talk like

821
00:40:47,239 --> 00:40:50,919
Speaker 4: a like a Q and a an extended thing about

822
00:40:50,920 --> 00:40:53,000
Speaker 4: writing in his career, and it was really interesting because

823
00:40:53,000 --> 00:40:54,960
Speaker 4: he talked about a lot of things that I didn't know,

824
00:40:55,080 --> 00:40:57,759
Speaker 4: like his past and stuff. But one of the things

825
00:40:57,800 --> 00:41:00,640
Speaker 4: he said is that his favorite theme that he goes

826
00:41:00,680 --> 00:41:04,080
Speaker 4: back to all time and time again is the conflict.

827
00:41:04,120 --> 00:41:06,760
Speaker 4: The comedy that can come from the conflict between best

828
00:41:06,800 --> 00:41:10,799
Speaker 4: friends and a girlfriend or a romantic partner, and that

829
00:41:10,840 --> 00:41:13,080
Speaker 4: triangle and that sort of idea that like, you know,

830
00:41:13,120 --> 00:41:14,879
Speaker 4: you have your best friend, but you also have your

831
00:41:14,880 --> 00:41:17,560
Speaker 4: girlfriend or your wife. And it's interesting because he's talked

832
00:41:17,560 --> 00:41:20,400
Speaker 4: about how he's written that into all his previous shows,

833
00:41:20,440 --> 00:41:23,160
Speaker 4: like My Two Dads. It's always that's but and so

834
00:41:23,239 --> 00:41:25,440
Speaker 4: I always assumed that it was an essential conflict of

835
00:41:25,480 --> 00:41:27,200
Speaker 4: boy Mee's world, but it's actually hasn't been.

836
00:41:27,440 --> 00:41:31,560
Speaker 3: That's so interesting, No, hasn't hasn't been. I mean, it

837
00:41:31,640 --> 00:41:35,120
Speaker 3: becomes it clearly, and and I think sometimes it is

838
00:41:35,200 --> 00:41:39,640
Speaker 3: for uh, maybe for Corey. Corey feels a little torn

839
00:41:39,760 --> 00:41:43,960
Speaker 3: sometimes between right who who will I spend the time

840
00:41:44,040 --> 00:41:47,839
Speaker 3: with my best friend or my woman? But Tapanga's never

841
00:41:47,880 --> 00:41:51,480
Speaker 3: been the problem. Japang has never created the conflict for him.

842
00:41:51,920 --> 00:41:54,799
Speaker 3: He's felt the conflict about who who do I want

843
00:41:54,800 --> 00:41:57,160
Speaker 3: to spend this moment with or how do I include

844
00:41:57,200 --> 00:41:57,760
Speaker 3: them both?

845
00:41:58,120 --> 00:41:58,239
Speaker 1: Right?

846
00:42:00,000 --> 00:42:15,160
Speaker 3: Oh, anyway, we're back in the guy's dorm. Corey tells Sean,

847
00:42:15,239 --> 00:42:17,920
Speaker 3: you're the greatest guy there is. Shawn assures him it's

848
00:42:17,920 --> 00:42:20,040
Speaker 3: a new big deal. Eric is his family, his blood,

849
00:42:20,120 --> 00:42:23,239
Speaker 3: his brother. No bond is more sacred. Corey lets out

850
00:42:23,239 --> 00:42:25,239
Speaker 3: a deep sigh, letting it sink in that Eric is

851
00:42:25,280 --> 00:42:27,840
Speaker 3: now his best man. You know he's gonna drop the

852
00:42:27,880 --> 00:42:31,600
Speaker 3: ring down the minister's pants. Sean nods and dive in

853
00:42:31,719 --> 00:42:34,920
Speaker 3: right after them. They go through this nightmare scenario, claiming

854
00:42:35,040 --> 00:42:37,760
Speaker 3: Eric will reach in with both hands, causing the minister

855
00:42:37,880 --> 00:42:39,879
Speaker 3: to freak out and cough.

856
00:42:40,640 --> 00:42:42,800
Speaker 2: Jen cough and cough.

857
00:42:43,880 --> 00:42:46,200
Speaker 3: Then he'll knock over the candles and set the entire

858
00:42:46,280 --> 00:42:49,040
Speaker 3: church on fire, which means firefighters show up with their

859
00:42:49,080 --> 00:42:54,200
Speaker 3: hoses and axes, and ultimately Tapanga would blame Corey. Corey

860
00:42:54,280 --> 00:42:57,200
Speaker 3: stares off into space, terrified, and I don't get nothing

861
00:42:57,280 --> 00:43:01,600
Speaker 3: on the honeymoon. Now convince. He asks Sean for one

862
00:43:01,640 --> 00:43:04,239
Speaker 3: good reason to pick Eric as the best man. We

863
00:43:04,360 --> 00:43:06,480
Speaker 3: flipped to later. Corey and Eric are in the dorm

864
00:43:06,560 --> 00:43:09,759
Speaker 3: room and Eric explains, because I'm bigger than he is

865
00:43:10,160 --> 00:43:14,000
Speaker 3: and stronger than he is, and you flex, which is

866
00:43:14,000 --> 00:43:16,920
Speaker 3: so funny. Cory wonders why that matters, and Eric's amused.

867
00:43:17,120 --> 00:43:19,440
Speaker 3: Don't you want somebody who's strong enough to lift you

868
00:43:19,520 --> 00:43:22,400
Speaker 3: up for the traditional for he's a jolly good fellow dance.

869
00:43:23,520 --> 00:43:26,040
Speaker 3: Corey's never heard of the dance, so Eric insists he'll

870
00:43:26,040 --> 00:43:28,440
Speaker 3: show him. They struggle, but eventually Eric.

871
00:43:28,760 --> 00:43:33,480
Speaker 1: This, I remember Ben refuse to jump, refuse to give

872
00:43:33,520 --> 00:43:36,000
Speaker 1: me anything, was just dead.

873
00:43:36,239 --> 00:43:36,479
Speaker 2: Wait.

874
00:43:36,760 --> 00:43:39,600
Speaker 1: Every time I had to do this, and it was like, dude,

875
00:43:39,719 --> 00:43:41,200
Speaker 1: help me out.

876
00:43:42,400 --> 00:43:48,359
Speaker 2: He's work makes himself. Yeah, it's like a protester who

877
00:43:48,440 --> 00:43:49,040
Speaker 2: just goes.

878
00:43:48,880 --> 00:43:51,120
Speaker 4: Limp feet to the ground.

879
00:43:52,480 --> 00:43:54,960
Speaker 2: It's like, my god, dude, help me out a little bit.

880
00:43:55,120 --> 00:43:57,799
Speaker 2: I'm a big fat guy. Now this is stressed on

881
00:43:57,920 --> 00:44:01,040
Speaker 2: my heart. Please help me in my giant shirt. So

882
00:44:01,080 --> 00:44:01,960
Speaker 2: that's you see.

883
00:44:01,760 --> 00:44:03,799
Speaker 3: How big my shirt is, sir, It's way too big.

884
00:44:03,920 --> 00:44:06,200
Speaker 2: Several people in mind you know your shirt is too.

885
00:44:06,040 --> 00:44:08,200
Speaker 3: Big for your You were not fat in any way,

886
00:44:08,200 --> 00:44:08,759
Speaker 3: shape or form.

887
00:44:09,040 --> 00:44:12,800
Speaker 2: We neither were. You. See you don't believe about yourself,

888
00:44:12,840 --> 00:44:13,080
Speaker 2: do you?

889
00:44:13,760 --> 00:44:15,560
Speaker 4: Guys are still carrying this weight.

890
00:44:19,480 --> 00:44:20,440
Speaker 2: It makes me sad.

891
00:44:20,560 --> 00:44:24,480
Speaker 4: Guys, neither of you are like overweight by any measure

892
00:44:24,640 --> 00:44:26,640
Speaker 4: except your teenage body.

893
00:44:26,840 --> 00:44:30,800
Speaker 2: The year before I was overait, slightly overweight.

894
00:44:30,880 --> 00:44:33,319
Speaker 1: Sure by this point my doctor told me I was

895
00:44:33,360 --> 00:44:34,440
Speaker 1: technically obese.

896
00:44:34,840 --> 00:44:38,080
Speaker 2: No, yes, you hit a certain You hit a certain

897
00:44:40,400 --> 00:44:41,600
Speaker 2: were all of a sudden you are technical?

898
00:44:41,960 --> 00:44:44,640
Speaker 4: I was you just? Yeah, you could, you could stand

899
00:44:44,640 --> 00:44:46,960
Speaker 4: to get back to a little bit less than what

900
00:44:46,960 --> 00:44:48,839
Speaker 4: you were. But like you, look at what you look

901
00:44:48,920 --> 00:44:51,520
Speaker 4: like two seasons ago, you were super thin.

902
00:44:52,160 --> 00:44:54,239
Speaker 3: So this is just what you look like in more

903
00:44:54,280 --> 00:44:56,560
Speaker 3: fitted clothes one week earlier.

904
00:44:56,880 --> 00:45:00,000
Speaker 2: Yes, yeah, you're different. Yeah, it's different. Definitely. They were

905
00:45:00,080 --> 00:45:02,520
Speaker 2: dressing us weird because again I think you're right, Danielle.

906
00:45:03,000 --> 00:45:05,280
Speaker 4: Like the wardrobe took a turn this season.

907
00:45:05,400 --> 00:45:08,239
Speaker 1: Yeah, I think they also. Somebody told them that we're

908
00:45:08,360 --> 00:45:13,040
Speaker 1: overweight dressing Yeah, call a tent maker.

909
00:45:13,719 --> 00:45:22,040
Speaker 3: Correct. Whatever you do hide their hideous forms, it is,

910
00:45:22,520 --> 00:45:26,120
Speaker 3: oh guy, absolutely is make them look taller. That's why

911
00:45:26,160 --> 00:45:28,080
Speaker 3: I'm wearing those giant platform shoes, which I also love,

912
00:45:28,160 --> 00:45:29,839
Speaker 3: by the way, I'm not trying not shoes. I love

913
00:45:29,880 --> 00:45:32,680
Speaker 3: those the time, but like make them taller and then

914
00:45:32,920 --> 00:45:34,279
Speaker 3: just moomoo her up.

915
00:45:35,080 --> 00:45:39,239
Speaker 2: Gets yeah, look like a couple of douche twats.

916
00:45:43,320 --> 00:45:47,200
Speaker 3: They struggle, but Eric eventually lifts him up, bumping foot

917
00:45:47,360 --> 00:45:52,680
Speaker 3: into a lit candle. Flames erupt onto Corey's curtains. As

918
00:45:52,719 --> 00:45:55,960
Speaker 3: an underware, Eric bounces his brother up and down on

919
00:45:56,000 --> 00:46:00,319
Speaker 3: his shoulder, singing for He's a jolly good fellow. The

920
00:46:00,360 --> 00:46:03,680
Speaker 3: fire alarm starts to blare, and Eric pays it no mind.

921
00:46:04,000 --> 00:46:07,440
Speaker 3: Corey watches the fire spread, realizing his prediction came true

922
00:46:07,520 --> 00:46:10,640
Speaker 3: sooner than he thought. Eric finally notices the blaze and

923
00:46:10,680 --> 00:46:13,319
Speaker 3: starts to sing in the tune of Jolly Goodfellow. The

924
00:46:13,440 --> 00:46:17,120
Speaker 3: curtains us on fire.

925
00:46:18,200 --> 00:46:20,239
Speaker 2: And then the fastest firefighters and.

926
00:46:21,840 --> 00:46:25,040
Speaker 3: Seconds and they don't even try the door.

927
00:46:26,280 --> 00:46:32,960
Speaker 4: Shut it down. It's so good a big show. I know,

928
00:46:33,360 --> 00:46:37,200
Speaker 4: on like stunt door to get chopped down fire on set.

929
00:46:38,680 --> 00:46:40,080
Speaker 2: Because they do it to get in the living room.

930
00:46:40,080 --> 00:46:42,000
Speaker 2: They chop in the living room too.

931
00:46:42,120 --> 00:46:46,080
Speaker 4: But man, what a good bit. So perfectly it's perfectly

932
00:46:46,280 --> 00:46:49,319
Speaker 4: You're just waiting for it and then play not only once,

933
00:46:49,360 --> 00:46:51,360
Speaker 4: but they play it out twice. It's so good and

934
00:46:51,360 --> 00:46:52,279
Speaker 4: it's funny to me.

935
00:46:52,360 --> 00:46:54,600
Speaker 3: It's really funny because even though you say you're waiting

936
00:46:54,640 --> 00:46:57,719
Speaker 3: for it, you're only waiting for it once you realize

937
00:46:57,760 --> 00:47:00,560
Speaker 3: it can happen here. Because when they're talking about it

938
00:47:00,600 --> 00:47:02,000
Speaker 3: in the future at the wedding, you're like, well that

939
00:47:02,200 --> 00:47:04,440
Speaker 3: the wedding is in this week, so like you're like, oh,

940
00:47:04,480 --> 00:47:06,600
Speaker 3: I wonder if in the future that will happen. You're

941
00:47:06,600 --> 00:47:08,640
Speaker 3: not expecting to have an immediate payoff.

942
00:47:08,719 --> 00:47:12,200
Speaker 1: It's so funny and nothing needs explanations, like why Corey's

943
00:47:12,239 --> 00:47:14,000
Speaker 1: by himself with five lit candles.

944
00:47:14,000 --> 00:47:16,279
Speaker 3: I mean I didn't think that why it was why

945
00:47:16,320 --> 00:47:18,759
Speaker 3: are there candles lit? But whatever, It's just it is

946
00:47:18,800 --> 00:47:23,319
Speaker 3: so Corey. He set the mood for himself. Well, he

947
00:47:23,360 --> 00:47:25,160
Speaker 3: had previously been with Sean, so he was setting the

948
00:47:25,200 --> 00:47:25,760
Speaker 3: mood for Sean.

949
00:47:25,960 --> 00:47:26,640
Speaker 2: That's what it was.

950
00:47:27,000 --> 00:47:30,520
Speaker 3: Then Corey's door is busted down by a firefighter's axe

951
00:47:30,560 --> 00:47:34,640
Speaker 3: and Eric quickly recovers they're chomping up the door jumps

952
00:47:34,680 --> 00:47:35,960
Speaker 3: in on the dorm.

953
00:47:36,520 --> 00:47:37,000
Speaker 4: So good.

954
00:47:38,200 --> 00:47:42,799
Speaker 3: I watched this last night laying on a yoga mat

955
00:47:43,040 --> 00:47:45,960
Speaker 3: with my legs in the full compression boots that I

956
00:47:46,000 --> 00:47:48,800
Speaker 3: have because I've been dancing on concrete floors for another week.

957
00:47:49,120 --> 00:47:52,239
Speaker 3: And uh with so with my compression boots on and

958
00:47:52,320 --> 00:47:54,640
Speaker 3: my red light masko on, holding my cell phone up

959
00:47:54,640 --> 00:47:57,640
Speaker 3: over my head, and I just started I just started laughing.

960
00:47:57,840 --> 00:48:00,680
Speaker 3: Jenson's like, first of all, you weirdo, what are you doing?

961
00:48:00,880 --> 00:48:02,600
Speaker 3: I'm thinking of all, which part are you laughing at?

962
00:48:02,640 --> 00:48:04,920
Speaker 3: And I'm lett they're jump into the dorm room. I

963
00:48:05,120 --> 00:48:07,719
Speaker 3: literally it made me. I had to watch it twice.

964
00:48:08,000 --> 00:48:12,120
Speaker 3: It's so funny. It was fun Corey continues the melody,

965
00:48:12,160 --> 00:48:15,520
Speaker 3: now screaming in Eric's face, my brother is a moron.

966
00:48:16,000 --> 00:48:19,520
Speaker 3: As the firefighters extinguish the fire, Eric caps off the song,

967
00:48:19,680 --> 00:48:24,400
Speaker 3: which nobody can deny. He starts doing the robot and

968
00:48:24,480 --> 00:48:29,840
Speaker 3: Corey tackles him onto the bed in rage. These moments,

969
00:48:29,960 --> 00:48:32,520
Speaker 3: this moment where he tackled you onto the bed, I did.

970
00:48:32,560 --> 00:48:36,200
Speaker 3: I realized later when we see me tackle you that

971
00:48:36,280 --> 00:48:38,840
Speaker 3: it was for sure in the script, But the way

972
00:48:38,880 --> 00:48:41,960
Speaker 3: it looked, did Ben ever used to tackle you guys

973
00:48:42,080 --> 00:48:42,359
Speaker 3: like this?

974
00:48:42,719 --> 00:48:43,680
Speaker 2: Oh God, all the time?

975
00:48:43,800 --> 00:48:46,359
Speaker 3: Okay? So it just it looked to me like a

976
00:48:46,400 --> 00:48:48,520
Speaker 3: moment where at the end of the scene, Ben was

977
00:48:48,560 --> 00:48:51,480
Speaker 3: having fun and just tackled you. And then later when

978
00:48:51,520 --> 00:48:52,800
Speaker 3: I saw it, I was like, oh no, it wasn't

979
00:48:52,840 --> 00:48:55,760
Speaker 3: it was it wasn't real. It's a total ways tackle

980
00:48:55,800 --> 00:48:57,880
Speaker 3: us And it was just like that too, where it

981
00:48:57,920 --> 00:49:00,879
Speaker 3: was like he do low, low and stiff elf right

982
00:49:00,960 --> 00:49:05,280
Speaker 3: onto the bed. So then back on the couch. Corey declares,

983
00:49:05,320 --> 00:49:07,759
Speaker 3: and that's why Sean's my best man. And I don't

984
00:49:07,760 --> 00:49:10,719
Speaker 3: want to hear anything from anybody a visibly stressed Corey

985
00:49:10,800 --> 00:49:12,920
Speaker 3: or just a panga to talk. Now, I've got like

986
00:49:12,960 --> 00:49:14,600
Speaker 3: a rip. Here is my panreas.

987
00:49:15,520 --> 00:49:17,839
Speaker 2: It's so good. Both of you are so good.

988
00:49:17,880 --> 00:49:20,320
Speaker 3: In this episode, Ti Penga tries to comfort him with

989
00:49:20,360 --> 00:49:23,120
Speaker 3: a massage. He's always so tense. She doesn't know why

990
00:49:23,120 --> 00:49:26,080
Speaker 3: that is. Corey quips back, No, but you know where

991
00:49:26,120 --> 00:49:27,480
Speaker 3: the shoe department is.

992
00:49:29,480 --> 00:49:31,960
Speaker 2: I dare still still a woman.

993
00:49:33,000 --> 00:49:35,840
Speaker 3: I didn't understand if this meant and that's why he

994
00:49:35,880 --> 00:49:38,600
Speaker 3: has a rip in his pancreas or I care more

995
00:49:38,600 --> 00:49:41,359
Speaker 3: about shoes than him. I don't. I honestly don't get

996
00:49:41,360 --> 00:49:41,680
Speaker 3: the joke.

997
00:49:41,920 --> 00:49:43,960
Speaker 1: No, So the joke I think is you don't know

998
00:49:44,000 --> 00:49:47,080
Speaker 1: why he's so stressed. Where it's because he hasn't had sex,

999
00:49:47,200 --> 00:49:49,160
Speaker 1: but you do know where the shoe department is.

1000
00:49:50,520 --> 00:49:52,520
Speaker 2: Okay, that's what I think they were going for.

1001
00:49:52,800 --> 00:49:54,680
Speaker 1: It's like, really, you don't know why I'm so stressed

1002
00:49:54,719 --> 00:49:57,040
Speaker 1: because you've never given me any come, but you know

1003
00:49:57,080 --> 00:49:57,319
Speaker 1: where the.

1004
00:49:57,320 --> 00:50:00,000
Speaker 2: Shoe department is. I think that's what they were going for.

1005
00:50:00,640 --> 00:50:04,399
Speaker 3: Gosh to blame. I'm also to blame for him being

1006
00:50:04,440 --> 00:50:07,880
Speaker 3: so stressed, even though this was all about Eric lighting

1007
00:50:08,080 --> 00:50:10,480
Speaker 3: his dorm room on fire and screwing everything up. But

1008
00:50:10,680 --> 00:50:12,640
Speaker 3: somehow it still has to do with me. Of course,

1009
00:50:13,040 --> 00:50:17,480
Speaker 3: has no opinion, certainly not an important one. You can

1010
00:50:17,560 --> 00:50:20,120
Speaker 3: have one, Yeah, just going.

1011
00:50:20,080 --> 00:50:20,600
Speaker 4: To be cute.

1012
00:50:20,760 --> 00:50:22,000
Speaker 2: It's just gonna be a cute opinion.

1013
00:50:24,040 --> 00:50:26,560
Speaker 3: Tapenga rolls her eyes and asks that they talk about

1014
00:50:26,600 --> 00:50:30,840
Speaker 3: something more positive. Corey wonders what was positive. She suggests

1015
00:50:30,880 --> 00:50:32,720
Speaker 3: the talk he had with his father and how proud

1016
00:50:32,760 --> 00:50:35,640
Speaker 3: he is of his little man. Corey remembers, yeah, Dad

1017
00:50:35,680 --> 00:50:37,640
Speaker 3: and I had some talks, all right. And there's a

1018
00:50:37,680 --> 00:50:39,799
Speaker 3: bit of an optical flip here to the Matthews living room.

1019
00:50:39,880 --> 00:50:43,080
Speaker 3: Alan is yelling at Corey, you chowed Sean as your

1020
00:50:43,080 --> 00:50:45,960
Speaker 3: best man over your own flesh and blood. You're dead

1021
00:50:46,000 --> 00:50:49,160
Speaker 3: to me. Amy comes walking down the stairs. What did

1022
00:50:49,200 --> 00:50:52,359
Speaker 3: I just hear? Corey repeats, you're dead to me. Your

1023
00:50:52,440 --> 00:50:55,520
Speaker 3: husband just said that to your own son. Corey asks,

1024
00:50:55,560 --> 00:50:58,040
Speaker 3: do you have any idea how scarring that is? Amy

1025
00:50:58,160 --> 00:51:00,600
Speaker 3: is horrified, so Alan tells her the best man news,

1026
00:51:00,800 --> 00:51:05,880
Speaker 3: and Amy looks right at Corey and disgust you scum

1027
00:51:06,120 --> 00:51:08,960
Speaker 3: so funny. They urge him to sit down, as Eric,

1028
00:51:09,080 --> 00:51:12,480
Speaker 3: revealed to also be there, agrees Corey is scum. Alan

1029
00:51:12,520 --> 00:51:14,600
Speaker 3: begins a lecture about how their family came to be.

1030
00:51:14,920 --> 00:51:17,120
Speaker 3: He and Amy fell in love, got married, and had

1031
00:51:17,160 --> 00:51:20,680
Speaker 3: a son. Eric appears behind them and gleeful me too,

1032
00:51:20,840 --> 00:51:24,200
Speaker 3: This hole run is amazing.

1033
00:51:24,400 --> 00:51:27,680
Speaker 4: You like nuzzy in this arm.

1034
00:51:29,680 --> 00:51:32,960
Speaker 3: It's so cute. He gleefully kisses each of their cheeks.

1035
00:51:33,000 --> 00:51:36,759
Speaker 3: Alan continues, we were a family, your mother, me and Eric.

1036
00:51:37,440 --> 00:51:41,320
Speaker 3: Eric adds, and yet there was a void. Alan's guilt

1037
00:51:41,320 --> 00:51:44,480
Speaker 3: trip continues, and Eric wanted a baby brother more than

1038
00:51:44,520 --> 00:51:49,240
Speaker 3: anything else. Eric's voice quivers, I love you, Corey. Corey

1039
00:51:49,280 --> 00:51:52,480
Speaker 3: looks unmoved, but Alan continues, we had you, Corey and

1040
00:51:52,680 --> 00:51:54,799
Speaker 3: Eric had a brother, and the two of you could

1041
00:51:54,840 --> 00:51:58,040
Speaker 3: go through the world together. Amy chimes in looking out

1042
00:51:58,080 --> 00:52:01,120
Speaker 3: for each other, taking care of each other. Alan ads

1043
00:52:01,200 --> 00:52:04,120
Speaker 3: putting each other first, and Eric wraps it up with

1044
00:52:04,200 --> 00:52:09,040
Speaker 3: a bow. That's all I wanted. Finally, Alan tells Corey

1045
00:52:09,080 --> 00:52:11,919
Speaker 3: that if it means anything to him, they'd like Eric

1046
00:52:12,000 --> 00:52:17,080
Speaker 3: to be his best man. Corey sighs and defeat. Yeah, fine, good,

1047
00:52:17,120 --> 00:52:20,960
Speaker 3: whatever you want. Eric is thrilled. Yeah, Eric Matthews best man,

1048
00:52:21,080 --> 00:52:23,880
Speaker 3: I accept my brother. He takes a seat next to Corey.

1049
00:52:24,000 --> 00:52:25,920
Speaker 3: He had a feeling that was going to happen, so

1050
00:52:26,200 --> 00:52:29,080
Speaker 3: he thinks this calls for a celebration. He pulls out

1051
00:52:29,120 --> 00:52:32,480
Speaker 3: a lighter and lights a sparkler. This is the eternal

1052
00:52:32,560 --> 00:52:35,359
Speaker 3: flame of the Love of the Matthews. When the flame

1053
00:52:35,400 --> 00:52:37,920
Speaker 3: gets too close to his fingers, he yells out hot,

1054
00:52:38,280 --> 00:52:40,680
Speaker 3: causing him to throw it onto the floor behind him

1055
00:52:40,719 --> 00:52:41,640
Speaker 3: without a second thought.

1056
00:52:41,960 --> 00:52:43,800
Speaker 2: Of course, this was the scene, by the way, where

1057
00:52:43,960 --> 00:52:46,560
Speaker 2: as we're shooting, in the middle of shooting, this was

1058
00:52:46,640 --> 00:52:48,560
Speaker 2: Rusty going okay. Now we all.

1059
00:52:48,360 --> 00:52:57,120
Speaker 1: Turn the scene and we're like, Rusty, we're actually filming

1060
00:52:57,200 --> 00:52:57,480
Speaker 1: right now?

1061
00:52:57,520 --> 00:52:58,920
Speaker 4: Is it on camera?

1062
00:53:00,239 --> 00:53:00,399
Speaker 3: Now?

1063
00:53:00,440 --> 00:53:02,640
Speaker 4: We a alter on it.

1064
00:53:03,000 --> 00:53:06,960
Speaker 3: It's so funny. Of course, this leads to the curtains

1065
00:53:06,960 --> 00:53:10,480
Speaker 3: catching on fire while Eric nurses his burn. Corey isn't surprise,

1066
00:53:10,600 --> 00:53:13,640
Speaker 3: but Alan and Amy are freaking out. Corey Intopanga from

1067
00:53:13,680 --> 00:53:16,880
Speaker 3: the couch watch the scene unfold. Then firefighters rush in

1068
00:53:16,960 --> 00:53:17,960
Speaker 3: to extinguish the fire.

1069
00:53:18,320 --> 00:53:22,640
Speaker 1: This was also Betsy at one point said, you realize

1070
00:53:22,640 --> 00:53:25,880
Speaker 1: we haven't mentioned that we have another child in several episodes?

1071
00:53:25,920 --> 00:53:28,520
Speaker 1: Can I say somebody saved the baby? Somebody saved the baby.

1072
00:53:28,560 --> 00:53:30,920
Speaker 1: Mike was like, yeah, good idea. So that was like,

1073
00:53:32,000 --> 00:53:34,759
Speaker 1: that was the extent of them having another kid.

1074
00:53:34,960 --> 00:53:39,440
Speaker 3: Wow, so funny. Then firefighters rush in to extinguish the fire.

1075
00:53:39,600 --> 00:53:43,080
Speaker 3: A panic dennounces he's out, Sean's in. Amy runs upstairs

1076
00:53:43,120 --> 00:53:46,560
Speaker 3: to check on the baby. Here it is the one,

1077
00:53:47,200 --> 00:53:50,479
Speaker 3: maybe only baby mentioned for the last several episodes, yep.

1078
00:53:50,800 --> 00:53:54,160
Speaker 3: As the firefighters chop at doors and the ceiling, don't

1079
00:53:54,160 --> 00:53:56,120
Speaker 3: know how that happened, why they need the ceiling. As

1080
00:53:56,120 --> 00:53:59,160
Speaker 3: they run up the stairs, fire spreads. Eric just smiles

1081
00:53:59,200 --> 00:54:02,480
Speaker 3: and says, spark her fun. Corey once again tackles him,

1082
00:54:02,480 --> 00:54:05,439
Speaker 3: this time freezing before they hit the floor, and then

1083
00:54:05,560 --> 00:54:07,279
Speaker 3: we're back on the couch with Corey and Topanga, and

1084
00:54:07,360 --> 00:54:10,239
Speaker 3: Corey concludes, I have my best man and I'm very

1085
00:54:10,280 --> 00:54:14,640
Speaker 3: happy Topanga admits I'm not, but Corey instantly announces yes,

1086
00:54:14,800 --> 00:54:18,640
Speaker 3: but I am, and I am. Don Francisco Tapega voices

1087
00:54:18,680 --> 00:54:21,080
Speaker 3: her opinion regardless. I know it was supposed to be

1088
00:54:21,120 --> 00:54:25,560
Speaker 3: an honor and everything, but come on. And then we're

1089
00:54:25,560 --> 00:54:27,719
Speaker 3: back at the girl's apartment. Now Amy is the one

1090
00:54:27,719 --> 00:54:30,360
Speaker 3: flipping through the bridle magazine as Morgan sits by in

1091
00:54:30,400 --> 00:54:33,560
Speaker 3: her poofy bridesmaid's dress. Amy echoes to Panga's lack of

1092
00:54:33,560 --> 00:54:36,600
Speaker 3: patience from earlier, shouting, come on, what's taking you so long?

1093
00:54:37,040 --> 00:54:38,840
Speaker 3: When no one appears, she shouts, come on, come on,

1094
00:54:38,880 --> 00:54:42,600
Speaker 3: come on, come on. And then suddenly Tapanga appears in

1095
00:54:42,640 --> 00:54:46,239
Speaker 3: a school marm style wedding dress and a bland headdress.

1096
00:54:46,680 --> 00:54:49,719
Speaker 3: We hear a whimsical tune as she angrily marches down

1097
00:54:49,800 --> 00:54:54,000
Speaker 3: the stairs to Amy. Surprisingly, Amy loves it, Well, you

1098
00:54:54,080 --> 00:54:58,719
Speaker 3: look at that. My wedding dress fits you perfectly. There's

1099
00:54:58,760 --> 00:55:01,439
Speaker 3: no world in what Jamie would dress. Will they ever

1100
00:55:01,480 --> 00:55:06,280
Speaker 3: fit me? Just for the record, not possible.

1101
00:55:06,760 --> 00:55:10,360
Speaker 2: By the way. You are so good in this entire episode,

1102
00:55:10,400 --> 00:55:12,560
Speaker 2: but this scene especially.

1103
00:55:12,640 --> 00:55:14,640
Speaker 3: Thank you. I thought this scene was really funny.

1104
00:55:14,719 --> 00:55:16,319
Speaker 2: You are phenomenal in this scene.

1105
00:55:16,360 --> 00:55:19,920
Speaker 1: This is great your facial expression, everything, when you snap

1106
00:55:19,960 --> 00:55:24,440
Speaker 1: at her like, this is a such a wonderfully acted.

1107
00:55:24,239 --> 00:55:25,880
Speaker 2: Scene by you. This is a great scene.

1108
00:55:25,960 --> 00:55:29,080
Speaker 4: This might be the first time we've passed the Bechdel test. Yeah,

1109
00:55:29,239 --> 00:55:32,240
Speaker 4: two female characters, more than the female characters not talking

1110
00:55:32,280 --> 00:55:35,759
Speaker 4: about a boy or a relationship. They're just talking about

1111
00:55:35,800 --> 00:55:39,359
Speaker 4: the situation you and Morgan having like a bit like

1112
00:55:39,400 --> 00:55:43,440
Speaker 4: it's That's probably why it feels so good. These characters

1113
00:55:43,440 --> 00:55:45,160
Speaker 4: have lives outside of Yeah.

1114
00:55:45,160 --> 00:55:51,040
Speaker 3: Well technically Alexandra Nikita and Morgan had that. But I

1115
00:55:51,080 --> 00:55:53,520
Speaker 3: wonder if one since both of them were supposed to

1116
00:55:53,560 --> 00:55:57,360
Speaker 3: be twelve or thirteen, yep, if that even counts, because

1117
00:55:57,640 --> 00:56:00,480
Speaker 3: do we expect even young a five year old to

1118
00:56:00,520 --> 00:56:02,640
Speaker 3: talk about boys? So I don't know that that would

1119
00:56:02,719 --> 00:56:03,800
Speaker 3: necessarily even counts.

1120
00:56:03,840 --> 00:56:05,840
Speaker 4: But did they also have a scene by themselves or

1121
00:56:05,880 --> 00:56:08,520
Speaker 4: were they always in the scene with Corey off to

1122
00:56:08,560 --> 00:56:10,000
Speaker 4: the side, Like, I don't think you ever saw them

1123
00:56:10,000 --> 00:56:12,000
Speaker 4: have a scene completely by themselves, did you?

1124
00:56:12,400 --> 00:56:15,680
Speaker 2: Yeah, I think so. In the kitchen, I thought, yeah,

1125
00:56:15,719 --> 00:56:17,680
Speaker 2: in the kitchen with them, she's not just part of

1126
00:56:17,680 --> 00:56:18,800
Speaker 2: the family for some reason.

1127
00:56:19,480 --> 00:56:21,439
Speaker 1: No, but didn't the first scene with the Southern bell

1128
00:56:21,520 --> 00:56:24,480
Speaker 1: dresses that passes the Cagniate lazy test, doesn't it?

1129
00:56:24,560 --> 00:56:27,319
Speaker 3: Yeah, yeah it does. You're right, So this episode, this

1130
00:56:27,360 --> 00:56:31,600
Speaker 3: episode test. Tapanga glares at Morgan, who just laughs at

1131
00:56:31,600 --> 00:56:34,600
Speaker 3: her future sister in law's discomfort, and then back on

1132
00:56:34,640 --> 00:56:38,280
Speaker 3: the couch, Tapanga kindly admits, I don't want to offend anyone,

1133
00:56:38,440 --> 00:56:41,520
Speaker 3: and my family's feelings are the most important thing to me.

1134
00:56:42,000 --> 00:56:44,120
Speaker 3: And then she turns a bit more harsh. But if

1135
00:56:44,120 --> 00:56:46,400
Speaker 3: she thought I was getting married in that freaking monstrosity,

1136
00:56:46,440 --> 00:56:47,040
Speaker 3: she must have been.

1137
00:56:46,960 --> 00:56:49,200
Speaker 2: Hitting the sauce, hitting the sauce.

1138
00:56:49,680 --> 00:56:51,880
Speaker 3: I love hitting the sauce. We don't say that enough. No,

1139
00:56:52,800 --> 00:56:56,120
Speaker 3: Corey is not impressed with her choice of words. Very nice,

1140
00:56:56,760 --> 00:56:59,080
Speaker 3: And then we returned to the girl's apartment. Amy explains

1141
00:56:59,120 --> 00:57:01,560
Speaker 3: to Topanga that this has been in her family since

1142
00:57:01,560 --> 00:57:04,719
Speaker 3: the Civil War. To Panga cringes.

1143
00:57:04,400 --> 00:57:07,200
Speaker 4: Another civil war references, I know, very funny.

1144
00:57:07,760 --> 00:57:08,440
Speaker 2: War's funny.

1145
00:57:08,640 --> 00:57:14,960
Speaker 3: I mean it's also so timely. Years later here another

1146
00:57:15,120 --> 00:57:19,640
Speaker 3: civil war? Musty little devil, ain't it? Amy says that

1147
00:57:19,720 --> 00:57:21,960
Speaker 3: every woman in her family that has worn that dress

1148
00:57:21,960 --> 00:57:25,040
Speaker 3: has had a long and healthy life. In fact, except

1149
00:57:25,040 --> 00:57:28,280
Speaker 3: for the engagement ring, which I already gave to you.

1150
00:57:28,880 --> 00:57:31,840
Speaker 3: There is no more important possession that I own. So

1151
00:57:31,920 --> 00:57:35,560
Speaker 3: Amy formally asks, please do me the honor of being

1152
00:57:35,600 --> 00:57:39,040
Speaker 3: married in it. Tapanga's face says it all. She simply

1153
00:57:39,120 --> 00:57:43,400
Speaker 3: lands on. Oh who.

1154
00:57:44,920 --> 00:57:45,439
Speaker 4: That's great.

1155
00:57:45,480 --> 00:57:46,400
Speaker 2: Reading that's great.

1156
00:57:47,560 --> 00:57:50,560
Speaker 3: Morgan stands up and mimics to Panga from earlier. That

1157
00:57:51,120 --> 00:57:55,520
Speaker 3: is the most beautiful dress I have ever seen. Amy

1158
00:57:55,680 --> 00:57:59,000
Speaker 3: is so proud. Oh you're happy for your new sister.

1159
00:57:59,200 --> 00:58:03,120
Speaker 3: That is so sowet eat. Morgan responds, yep, I think

1160
00:58:03,200 --> 00:58:07,400
Speaker 3: she deserves that dress. Topanga looks at her with fire

1161
00:58:07,480 --> 00:58:08,880
Speaker 3: in her eyes and yells.

1162
00:58:08,760 --> 00:58:12,640
Speaker 2: Bite me, bite me. That snap was great, And.

1163
00:58:12,720 --> 00:58:15,440
Speaker 3: Then on the couch, Tapega shakes her head. I don't know,

1164
00:58:15,920 --> 00:58:18,760
Speaker 3: I just lashed out. It was as if I was

1165
00:58:18,840 --> 00:58:21,680
Speaker 3: possessed by the ghost of your Nana Boo boo. Corey

1166
00:58:21,760 --> 00:58:25,320
Speaker 3: begins to sob oh, Nana Booboo, I miss you, he

1167
00:58:25,400 --> 00:58:28,640
Speaker 3: snaps out of it. Is Nana Booboo dead? Tapega says no,

1168
00:58:28,720 --> 00:58:31,760
Speaker 3: and he quickly composes himself. He continues, and so it

1169
00:58:31,880 --> 00:58:34,200
Speaker 3: was at this crucial point of the chaos, which is

1170
00:58:34,240 --> 00:58:37,080
Speaker 3: our wedding, that we finally decided to regain control and

1171
00:58:37,200 --> 00:58:40,600
Speaker 3: call in a professional. And then We're in Corey and

1172
00:58:40,640 --> 00:58:43,560
Speaker 3: Tepega's wedding hall. A woman stands between Corey and Topanga,

1173
00:58:43,640 --> 00:58:47,160
Speaker 3: explaining in a very proper British Mary Poppins esque accent,

1174
00:58:47,800 --> 00:58:52,400
Speaker 3: when Judy Habbefeld plans your wedding, Judy Hobbefeld is there

1175
00:58:52,520 --> 00:58:52,840
Speaker 3: for you.

1176
00:58:53,600 --> 00:58:58,200
Speaker 4: Isn't this like a strange echo of Reginald Fairfield. It's

1177
00:58:58,240 --> 00:59:00,520
Speaker 4: like something about a British character with the funny name

1178
00:59:00,800 --> 00:59:03,840
Speaker 4: saying it, announcing themselves over and over. It's like it's

1179
00:59:03,880 --> 00:59:05,240
Speaker 4: a it's a boy Beats World.

1180
00:59:05,080 --> 00:59:08,280
Speaker 3: Trope and it's very funny. I love every second of it.

1181
00:59:08,720 --> 00:59:10,000
Speaker 4: I love it because the second I heard her, I

1182
00:59:10,120 --> 00:59:12,600
Speaker 4: was like, this has got to relate to Feoenie in

1183
00:59:12,760 --> 00:59:15,000
Speaker 4: somewhere it came back. I loved it.

1184
00:59:15,880 --> 00:59:19,800
Speaker 3: From guest list to guest last and she laughs at herself.

1185
00:59:20,280 --> 00:59:23,640
Speaker 3: From first dance to grand finale. There is no detail

1186
00:59:23,760 --> 00:59:27,520
Speaker 3: too small for Judy Habbifeld to Panka admits, We've heard

1187
00:59:27,560 --> 00:59:30,160
Speaker 3: wonderful things about you, miss Haberfeld. The woman lets out

1188
00:59:30,200 --> 00:59:40,440
Speaker 3: a laugh. Please call me, call me Judy Habifeld. Then

1189
00:59:40,560 --> 00:59:42,800
Speaker 3: Amy and Allen run in and apologize for being late.

1190
00:59:42,920 --> 00:59:44,960
Speaker 3: Alan says, I hope we didn't miss any of the planning,

1191
00:59:45,040 --> 00:59:47,840
Speaker 3: but she couldn't be too far in because my wallet

1192
00:59:48,080 --> 00:59:53,680
Speaker 3: doesn't feel any lighter. He gives his Ed McMahon impression. Hell,

1193
00:59:54,920 --> 00:59:57,160
Speaker 3: we love a good allan impression as.

1194
00:59:57,120 --> 00:59:59,680
Speaker 2: You know do it makes no sense for the character,

1195
00:59:59,720 --> 01:00:01,040
Speaker 2: but it's it's just great.

1196
01:00:00,960 --> 01:00:04,880
Speaker 3: It's awesome. Judy Haberfeld fan's a laugh. Well that's enough.

1197
01:00:05,920 --> 01:00:08,560
Speaker 3: She pivots to the guest list. The hall seats eighty,

1198
01:00:08,680 --> 01:00:11,560
Speaker 3: but she can't possibly fit more than sixty five with

1199
01:00:11,680 --> 01:00:14,480
Speaker 3: the theme the bride has in mind. Tapenga breaks the

1200
01:00:14,560 --> 01:00:16,840
Speaker 3: news that they invited two hundred and seventy, and Judy

1201
01:00:16,920 --> 01:00:19,160
Speaker 3: lets out a little giggle laugh before ignoring her and

1202
01:00:19,280 --> 01:00:22,520
Speaker 3: changing the conversation completely. She takes a look at her planner.

1203
01:00:22,760 --> 01:00:25,080
Speaker 3: Now I understand that the father of the groom has

1204
01:00:25,120 --> 01:00:28,880
Speaker 3: agreed to pay for the beverages and the music, and

1205
01:00:29,040 --> 01:00:31,880
Speaker 3: with the budget you have allowed me, I have assembled

1206
01:00:31,960 --> 01:00:38,680
Speaker 3: your musical choices. Over there, She motions toward a ragtag

1207
01:00:38,760 --> 01:00:40,600
Speaker 3: group of musicians at the other end of the hall,

1208
01:00:40,960 --> 01:00:44,320
Speaker 3: an old man drinking out of a flask, two Elvis impersonators,

1209
01:00:44,400 --> 01:00:47,000
Speaker 3: a man in a frilly top standing with bongos, a

1210
01:00:47,120 --> 01:00:49,560
Speaker 3: DJ with a cigarette hanging out of his mouth. These

1211
01:00:49,600 --> 01:00:53,840
Speaker 3: are a few of the stellar options. Corey sarcastically asks

1212
01:00:54,240 --> 01:00:58,439
Speaker 3: Cruz business a little slow, boys. They all nodded, admit, yeah,

1213
01:00:58,880 --> 01:01:01,560
Speaker 3: Alan whispers to Corey, don't worry, I got you covered.

1214
01:01:01,960 --> 01:01:06,720
Speaker 3: He channels Ed McMahon once again, heyo, hey with that.

1215
01:01:07,120 --> 01:01:09,840
Speaker 3: A trumpet is heard from in the hall. A man

1216
01:01:09,960 --> 01:01:13,120
Speaker 3: in a dark suit and Fedora walks in, impressively blowing

1217
01:01:13,240 --> 01:01:16,680
Speaker 3: the horn. And sure enough, wouldn't you know it, it's

1218
01:01:16,840 --> 01:01:20,560
Speaker 3: mister Feenie. The jazz man finishes his solo and smirks,

1219
01:01:20,720 --> 01:01:25,440
Speaker 3: oh yeah to Panga and Corey beam with fake smiles.

1220
01:01:26,200 --> 01:01:28,440
Speaker 3: Back on the couch, Corey and Pang are still holding

1221
01:01:28,480 --> 01:01:31,280
Speaker 3: the fake smiles, and they ask through their teeth, do

1222
01:01:31,400 --> 01:01:33,320
Speaker 3: you have any idea how hard it is to keep

1223
01:01:33,360 --> 01:01:35,680
Speaker 3: a smile on your face under these circumstances?

1224
01:01:35,920 --> 01:01:38,280
Speaker 4: You you're even doing it now? You guys do that

1225
01:01:38,680 --> 01:01:39,120
Speaker 4: very well.

1226
01:01:39,520 --> 01:01:41,440
Speaker 3: I can talk with my off closed so well. I

1227
01:01:41,480 --> 01:01:43,280
Speaker 3: could have done an incredible tloquest.

1228
01:01:43,440 --> 01:01:43,880
Speaker 4: I can do that.

1229
01:01:44,000 --> 01:01:45,360
Speaker 2: I can do that too. Can you not do that?

1230
01:01:45,760 --> 01:01:46,680
Speaker 4: Can you not talk with you?

1231
01:01:46,880 --> 01:01:47,520
Speaker 3: You can't tell this.

1232
01:01:50,400 --> 01:01:52,640
Speaker 2: To do these bees and peas?

1233
01:01:54,080 --> 01:01:56,480
Speaker 1: Please see that's oh you would have been a great

1234
01:01:56,560 --> 01:01:58,040
Speaker 1: Vrillo cresties.

1235
01:01:58,480 --> 01:02:01,240
Speaker 2: Yeah, that's good. That's a good one, really good.

1236
01:02:01,640 --> 01:02:03,280
Speaker 4: I actually thought you guys were too good at it.

1237
01:02:03,360 --> 01:02:06,360
Speaker 4: I thought it looked looped. I was like, wait, are

1238
01:02:06,360 --> 01:02:09,200
Speaker 4: there supposed to be? You and Ben were both we were.

1239
01:02:09,160 --> 01:02:09,760
Speaker 2: Good at it.

1240
01:02:10,120 --> 01:02:14,960
Speaker 3: We are so so good at it. Back in the

1241
01:02:15,000 --> 01:02:18,200
Speaker 3: wedding hall, the couple is still frozen, smiling and speechless.

1242
01:02:18,240 --> 01:02:21,560
Speaker 3: When Alan asks, isn't it wonderful? George and his jazz

1243
01:02:21,600 --> 01:02:23,880
Speaker 3: group have agreed to be the band at your reception

1244
01:02:24,480 --> 01:02:28,240
Speaker 3: for free? Foenie announces, consider it my present to the

1245
01:02:28,360 --> 01:02:31,720
Speaker 3: bride and groom. Corey admits of Lender would have been

1246
01:02:32,040 --> 01:02:32,760
Speaker 3: just lovely.

1247
01:02:33,640 --> 01:02:35,600
Speaker 1: Do you think Bill ever read his script the night

1248
01:02:35,640 --> 01:02:39,520
Speaker 1: before and was like like, I was like, okay, now

1249
01:02:39,560 --> 01:02:41,800
Speaker 1: I'm I'm a jazz guy and I'm coming in.

1250
01:02:41,920 --> 01:02:42,439
Speaker 2: It's like okay.

1251
01:02:42,680 --> 01:02:44,520
Speaker 3: I think the answer to that is yes, yeah, But

1252
01:02:44,600 --> 01:02:45,600
Speaker 3: he never let us know.

1253
01:02:45,880 --> 01:02:49,760
Speaker 4: Of course, performance wise, he's so committed.

1254
01:02:50,240 --> 01:02:52,480
Speaker 2: Because because he's a pro, he would never ever let

1255
01:02:52,560 --> 01:02:55,360
Speaker 2: us know that he did episode.

1256
01:02:56,280 --> 01:02:57,880
Speaker 4: But he had to like snatch.

1257
01:02:58,520 --> 01:03:00,520
Speaker 3: Did you ever went and talked to Michael and was

1258
01:03:00,560 --> 01:03:03,120
Speaker 3: like he did in the pilot that well, yeah, legendary story.

1259
01:03:03,480 --> 01:03:05,200
Speaker 1: I know, but I wonder that once we were in

1260
01:03:05,320 --> 01:03:07,800
Speaker 1: the show, maybe he just at this point he was like,

1261
01:03:07,960 --> 01:03:08,880
Speaker 1: it's we're seven years in.

1262
01:03:09,280 --> 01:03:12,320
Speaker 4: I think he felt it respect enough, you know. I

1263
01:03:12,360 --> 01:03:16,560
Speaker 4: think it was established that Michael would would protect him

1264
01:03:16,760 --> 01:03:18,400
Speaker 4: like you take care of him. That I think he

1265
01:03:18,520 --> 01:03:19,720
Speaker 4: didn't have to complain that much.

1266
01:03:19,880 --> 01:03:21,840
Speaker 2: Yes, that was also really him playing the trumpet.

1267
01:03:23,520 --> 01:03:24,840
Speaker 3: I love this sits wearing.

1268
01:03:25,040 --> 01:03:25,439
Speaker 2: That's great.

1269
01:03:26,080 --> 01:03:31,000
Speaker 3: It's like green dark green. It's really nice. Alan continues,

1270
01:03:31,160 --> 01:03:33,040
Speaker 3: If I can just figure out how to water down

1271
01:03:33,080 --> 01:03:34,520
Speaker 3: the drink so I can get out of this whole

1272
01:03:34,560 --> 01:03:39,000
Speaker 3: thing for about seventy bucks. And then Judy, the wedding planner,

1273
01:03:39,080 --> 01:03:43,959
Speaker 3: sings Phoenie's name, Georgie as she seductively approaches him. Phoene

1274
01:03:44,120 --> 01:03:49,000
Speaker 3: is frozen in the audience. Ooh, Judy continues, Georgie, Phoenie,

1275
01:03:49,120 --> 01:03:52,680
Speaker 3: is that you? Phoenie matters, oh, please know. His back

1276
01:03:52,760 --> 01:03:56,040
Speaker 3: is still turned to her as she reveals it's me Jugie,

1277
01:03:56,400 --> 01:04:00,600
Speaker 3: Horbil Judiel. He turns around and throw his arms in

1278
01:04:00,640 --> 01:04:05,800
Speaker 3: the air. Judy, She corrects him half of e. Phoene

1279
01:04:05,880 --> 01:04:08,280
Speaker 3: insists he was gonna call her, but he moved out

1280
01:04:08,280 --> 01:04:10,920
Speaker 3: of state a mission for the government espionage. All very

1281
01:04:11,040 --> 01:04:11,480
Speaker 3: hush hush.

1282
01:04:11,560 --> 01:04:15,800
Speaker 2: How about I got married? He's married? Yes, yes, that's

1283
01:04:15,800 --> 01:04:18,000
Speaker 2: all you have to say. I met somebody who got married.

1284
01:04:30,320 --> 01:04:32,920
Speaker 3: Then Phoenie, not so slyly, mimics a phone ringing and

1285
01:04:33,000 --> 01:04:35,320
Speaker 3: pretends it's coming from his watch. He pretends to be

1286
01:04:35,400 --> 01:04:38,360
Speaker 3: talking to his boss North Korea. Damn, I'll be right there,

1287
01:04:38,840 --> 01:04:41,440
Speaker 3: and he sprints Prince.

1288
01:04:41,240 --> 01:04:43,120
Speaker 2: Out of the hall and out the door.

1289
01:04:44,680 --> 01:04:47,360
Speaker 3: Everyone has no idea what they just saw, and Judy admits,

1290
01:04:47,640 --> 01:04:51,800
Speaker 3: you know, they all do that, every stinking one of them.

1291
01:04:52,360 --> 01:04:53,600
Speaker 3: But I plow on.

1292
01:04:55,760 --> 01:04:56,000
Speaker 4: Oh.

1293
01:04:56,640 --> 01:05:00,320
Speaker 3: Then Sean comes walking in, confused. Phoene just jumped over

1294
01:05:00,440 --> 01:05:04,240
Speaker 3: a wall and landed in the pool. Judy introduces herself

1295
01:05:04,280 --> 01:05:07,200
Speaker 3: and Sean nods, yeah, that's the name you was screaming.

1296
01:05:08,640 --> 01:05:10,760
Speaker 3: He asks Corey and Topanga how it's going, and Corey

1297
01:05:10,840 --> 01:05:13,600
Speaker 3: lets him know. We're overbooked by like a thousand dads,

1298
01:05:13,640 --> 01:05:15,959
Speaker 3: trying to save money by using Feenie as the band,

1299
01:05:16,240 --> 01:05:19,640
Speaker 3: and Topanga's left eye is beginning to twitch. Topanga, whose

1300
01:05:19,720 --> 01:05:23,240
Speaker 3: left eye is indeed twitching, denies it, but she quickly

1301
01:05:23,320 --> 01:05:27,000
Speaker 3: turns away to hide her face. Sean grins well. Topanga

1302
01:05:27,160 --> 01:05:30,600
Speaker 3: do I got a surprise for you. Left eye still twitching,

1303
01:05:30,680 --> 01:05:35,400
Speaker 3: Topanga begs please no. Sean shouts into the hall ladies

1304
01:05:35,560 --> 01:05:39,320
Speaker 3: front and center. Then Rachel, Angela, and Morgan appear in

1305
01:05:39,360 --> 01:05:42,560
Speaker 3: their bridesmaid's dresses, grinning from ear to ear. Sean calls

1306
01:05:42,600 --> 01:05:44,720
Speaker 3: up Rachel first, and she tells Toapanga how much she

1307
01:05:45,000 --> 01:05:49,440
Speaker 3: loves the dress. She robotically repeats this twice. She's clearly

1308
01:05:49,520 --> 01:05:52,200
Speaker 3: been forced to do this. Then Angela walks up and

1309
01:05:52,280 --> 01:05:55,400
Speaker 3: forces herself to say, I feel like a delicate Georgia

1310
01:05:55,480 --> 01:05:57,720
Speaker 3: Peach in this dress, and I'm thrilled to wear it.

1311
01:05:58,160 --> 01:06:02,520
Speaker 3: Thank you. Lastly, it's Morgan's turn. I was very selfish

1312
01:06:02,560 --> 01:06:05,960
Speaker 3: and inconsiderate yesterday. This is your wedding, and I'm going

1313
01:06:06,040 --> 01:06:08,920
Speaker 3: to tell you the truth. She grins at Sean, then

1314
01:06:08,960 --> 01:06:11,640
Speaker 3: turns a one to eighty. Your friends are stinking liars.

1315
01:06:11,720 --> 01:06:13,920
Speaker 3: Sean paid them fifty bucks each, and why wouldn't you

1316
01:06:13,960 --> 01:06:20,040
Speaker 3: use this dress to wipe my so good? Alan quickly

1317
01:06:20,200 --> 01:06:22,800
Speaker 3: places his hand over her mouth to stop her midward,

1318
01:06:22,880 --> 01:06:26,320
Speaker 3: and he drags her out of the room. Just great

1319
01:06:26,480 --> 01:06:29,240
Speaker 3: work all around by everyone in the scene.

1320
01:06:29,600 --> 01:06:29,800
Speaker 4: Yep.

1321
01:06:30,320 --> 01:06:33,760
Speaker 3: Then Eric and Jack arrived to large fanfare. Eric is

1322
01:06:33,760 --> 01:06:36,440
Speaker 3: wearing a large black cape that covers him completely.

1323
01:06:36,600 --> 01:06:38,280
Speaker 4: This is Matt's whole part this episode.

1324
01:06:38,400 --> 01:06:41,360
Speaker 2: Yeah, just to see I think so yeah, I love

1325
01:06:41,400 --> 01:06:44,120
Speaker 2: a good cape. Oh god, I love a good cape.

1326
01:06:44,400 --> 01:06:49,200
Speaker 3: Yep, so good. Heroic music scores your entrance. He dramatically

1327
01:06:49,240 --> 01:06:53,040
Speaker 3: announces hello everyone, and Jack whispers to him, please don't

1328
01:06:53,080 --> 01:06:57,120
Speaker 3: do this, look at me, I'm begging you. Eric silences him.

1329
01:06:57,320 --> 01:06:59,400
Speaker 3: And this was I think maybe the first time I

1330
01:06:59,520 --> 01:07:01,760
Speaker 3: saw him at in a in an outfit that I

1331
01:07:01,920 --> 01:07:04,320
Speaker 3: was like, this is how tight all of his clothes

1332
01:07:04,840 --> 01:07:07,040
Speaker 3: used to be. Yeah, and this is how this is

1333
01:07:07,080 --> 01:07:09,560
Speaker 3: why you would always be like, do you have anything tighter? Yeah?

1334
01:07:09,560 --> 01:07:10,360
Speaker 2: Whant you get the tight one?

1335
01:07:10,520 --> 01:07:12,240
Speaker 1: It looked like he had the clothes where then you

1336
01:07:12,440 --> 01:07:14,440
Speaker 1: you you put one of the pumps to the thing

1337
01:07:14,520 --> 01:07:15,600
Speaker 1: and you suck out the air.

1338
01:07:15,920 --> 01:07:17,439
Speaker 3: Yeah, when you pack, when you pack.

1339
01:07:17,600 --> 01:07:19,840
Speaker 2: And that was just like his shirts, Like you would

1340
01:07:19,880 --> 01:07:21,520
Speaker 2: do that for his shirts in his pants. Yeah, this

1341
01:07:21,720 --> 01:07:22,920
Speaker 2: is painted on.

1342
01:07:24,560 --> 01:07:27,560
Speaker 3: Eric silences him quiet. Half breed, there are some people

1343
01:07:27,600 --> 01:07:28,760
Speaker 3: in this room. I shall.

1344
01:07:30,320 --> 01:07:32,320
Speaker 2: Means it's so awful.

1345
01:07:32,480 --> 01:07:36,439
Speaker 3: It makes no sense because you're half half half brother?

1346
01:07:37,160 --> 01:07:38,440
Speaker 4: Is that what I think?

1347
01:07:39,600 --> 01:07:39,880
Speaker 3: Brother?

1348
01:07:40,000 --> 01:07:43,680
Speaker 2: But half breed.

1349
01:07:43,880 --> 01:07:47,920
Speaker 3: It's awful. There are some people in this room who

1350
01:07:47,960 --> 01:07:51,400
Speaker 3: shall remain nameless, Corey and Mommy and Daddy. Then, don't

1351
01:07:51,480 --> 01:07:54,880
Speaker 3: think I'm best man material, But he's here to prove himself.

1352
01:07:55,160 --> 01:07:56,960
Speaker 3: Jack begs him one last time not to do it,

1353
01:07:57,040 --> 01:07:59,640
Speaker 3: but Eric shows him away. Eric removes his cape to

1354
01:07:59,720 --> 01:08:02,680
Speaker 3: review a silky robe with a pocket square and an

1355
01:08:02,720 --> 01:08:05,600
Speaker 3: ex scarf. If I can't be the best man, then

1356
01:08:05,720 --> 01:08:07,000
Speaker 3: I'm gonna be the room.

1357
01:08:07,800 --> 01:08:10,440
Speaker 2: I watched this twice, and the second time I just

1358
01:08:10,600 --> 01:08:12,760
Speaker 2: watched Rider. It is so much fun.

1359
01:08:13,640 --> 01:08:17,120
Speaker 4: I'm right behind you trying not to laugh the entire time.

1360
01:08:17,560 --> 01:08:22,719
Speaker 3: Sorry, Tapega's eye is twitching so much now it's practically closed.

1361
01:08:23,120 --> 01:08:26,280
Speaker 3: Eric announces in a soap opera tone, Panga, I love you.

1362
01:08:26,880 --> 01:08:30,040
Speaker 3: I've always loved you ever since I saw you through

1363
01:08:30,160 --> 01:08:36,040
Speaker 3: that peopole in the bathroom. What oh gosh gross.

1364
01:08:37,760 --> 01:08:38,040
Speaker 4: With that.

1365
01:08:38,360 --> 01:08:41,760
Speaker 3: Both of Tapega's eyes start to twitch. Eric dramatically continues,

1366
01:08:41,840 --> 01:08:44,400
Speaker 3: and I know how you've secretly longed for me as well,

1367
01:08:44,960 --> 01:08:46,519
Speaker 3: So let's drop this charad?

1368
01:08:47,479 --> 01:08:57,639
Speaker 4: Do you think it was written? Charad? So good? Now? Actually,

1369
01:08:58,280 --> 01:09:00,920
Speaker 4: now that we've watched the show, there was a moment

1370
01:09:00,960 --> 01:09:04,639
Speaker 4: where Tepega was in there. There was multiple moments, because

1371
01:09:04,640 --> 01:09:06,840
Speaker 4: there's the one where you're working out and she's checking

1372
01:09:07,240 --> 01:09:10,839
Speaker 4: daddy rocks yes, and then there was a whole episode

1373
01:09:10,840 --> 01:09:12,840
Speaker 4: about her coming to Yeah. So funny.

1374
01:09:13,000 --> 01:09:16,200
Speaker 2: So yeah, so it could worked. You should tried it.

1375
01:09:16,640 --> 01:09:18,920
Speaker 3: He grabs his pocket square and wipes the floor before

1376
01:09:18,960 --> 01:09:22,000
Speaker 3: getting down on one knee to Pega, marry me and

1377
01:09:22,160 --> 01:09:28,200
Speaker 3: let's make nick nick. Pega turns to Corey with her

1378
01:09:28,240 --> 01:09:31,559
Speaker 3: two twitchy eyes, and Corey nods get him. She yells

1379
01:09:31,600 --> 01:09:33,920
Speaker 3: at the top of her lungs and lunges at Eric.

1380
01:09:34,160 --> 01:09:35,519
Speaker 3: We freeze at impact.

1381
01:09:35,680 --> 01:09:42,080
Speaker 4: That's a great fee frame. How did you sure totally

1382
01:09:42,200 --> 01:09:43,719
Speaker 4: vertical is a wrestling move?

1383
01:09:43,920 --> 01:09:46,400
Speaker 2: Yeah, it's totally vertical with no pads.

1384
01:09:46,600 --> 01:09:50,160
Speaker 4: There's no pads on the ground. It's crazy. So will

1385
01:09:50,240 --> 01:09:51,360
Speaker 4: you just think you absorbed?

1386
01:09:51,720 --> 01:09:54,720
Speaker 1: I have literally don't remember, but I mean I must have,

1387
01:09:54,800 --> 01:09:57,320
Speaker 1: but I don't truly like it's get and I'm in

1388
01:09:57,479 --> 01:10:02,080
Speaker 1: platform sandals. Yeah you I don't remember the actual impact though.

1389
01:10:02,400 --> 01:10:06,400
Speaker 3: Wow, I don't remember the impact either. No on the couch.

1390
01:10:06,520 --> 01:10:09,120
Speaker 3: Topanga sums it all up. So I'm afraid that all

1391
01:10:09,240 --> 01:10:12,639
Speaker 3: of our horrible experiences have brought us here. Corey admits,

1392
01:10:12,760 --> 01:10:14,680
Speaker 3: we knew that planning a wedding was going to be tough,

1393
01:10:14,800 --> 01:10:16,280
Speaker 3: but I don't think any of us are going to

1394
01:10:16,320 --> 01:10:19,760
Speaker 3: survive this engagement. Tapanga agrees, there's no way we'll make

1395
01:10:19,760 --> 01:10:20,479
Speaker 3: it until June.

1396
01:10:20,720 --> 01:10:21,120
Speaker 2: No way.

1397
01:10:21,600 --> 01:10:23,160
Speaker 3: Her eye starts to twitch at the thought of it.

1398
01:10:23,400 --> 01:10:24,960
Speaker 3: I'll do something very bad to Eric.

1399
01:10:25,160 --> 01:10:25,479
Speaker 4: I will.

1400
01:10:25,960 --> 01:10:28,080
Speaker 3: Corey is concerned at her state. She barks at him,

1401
01:10:28,080 --> 01:10:29,760
Speaker 3: I know I'm twitching. Back off.

1402
01:10:30,560 --> 01:10:31,160
Speaker 4: She looks off.

1403
01:10:31,160 --> 01:10:34,240
Speaker 3: Camera once more. Please, we're asking you to understand this

1404
01:10:34,360 --> 01:10:37,479
Speaker 3: wedding is the most important day of our lives. Corey adds,

1405
01:10:37,680 --> 01:10:40,519
Speaker 3: but you people have turned this sacred, beautiful event into

1406
01:10:40,600 --> 01:10:43,880
Speaker 3: a freak show. Tapanga insists we all mean well, we

1407
01:10:44,040 --> 01:10:46,519
Speaker 3: just don't think we're going to survive in eight month engagement.

1408
01:10:47,040 --> 01:10:49,720
Speaker 3: They share a look before Corey announces we want to

1409
01:10:49,720 --> 01:10:53,439
Speaker 3: get married next week. Tapanka explains, no wedding hall, no

1410
01:10:53,600 --> 01:10:57,519
Speaker 3: fancy planner, just our friends and family. Corey continues, all

1411
01:10:57,600 --> 01:11:01,000
Speaker 3: the people who care about us right here next Friday night,

1412
01:11:01,240 --> 01:11:07,200
Speaker 3: eight o'clock, seventh Central. So funny. Then we hear Phoene

1413
01:11:07,280 --> 01:11:10,120
Speaker 3: from off camera one question. The lights turn on and

1414
01:11:10,200 --> 01:11:12,559
Speaker 3: we realize it's been the matthews living room. The whole time,

1415
01:11:13,040 --> 01:11:16,080
Speaker 3: the whole cast surrounds them. Phoenie asks, You're going to

1416
01:11:16,120 --> 01:11:18,640
Speaker 3: go through with it this time, aren't you. Corey and

1417
01:11:18,720 --> 01:11:21,200
Speaker 3: Tapega share a loving look with one another as violins

1418
01:11:21,200 --> 01:11:24,360
Speaker 3: play in the background. An invitation pops upon the screen

1419
01:11:24,400 --> 01:11:27,280
Speaker 3: that reads, you are cordially invited to the wedding of

1420
01:11:27,400 --> 01:11:30,400
Speaker 3: Corey Matthews into Panga Lawrence at the home of Alan

1421
01:11:30,479 --> 01:11:34,280
Speaker 3: and Amy Matthews on Friday, November fifth, nineteen ninety nine,

1422
01:11:34,400 --> 01:11:37,320
Speaker 3: at eight o'clock in the evening. Your RSVP is requested

1423
01:11:37,560 --> 01:11:41,240
Speaker 3: at www dot coreyantopanga dot com.

1424
01:11:41,920 --> 01:11:43,840
Speaker 4: Does anybody have like, isn't there a way to like

1425
01:11:43,960 --> 01:11:46,200
Speaker 4: do like the wayback machine or whatever and find.

1426
01:11:45,960 --> 01:11:49,040
Speaker 3: Oh yeah, if somebody sent it to us, we did this, but.

1427
01:11:49,080 --> 01:11:50,120
Speaker 2: They couldn't find the whole thing.

1428
01:11:50,240 --> 01:11:53,840
Speaker 3: It was like just they couldn't find the voting vote

1429
01:11:53,840 --> 01:11:55,439
Speaker 3: whether or not we should get married, but they could

1430
01:11:55,520 --> 01:11:57,760
Speaker 3: find a majority of the website like it had the

1431
01:11:57,800 --> 01:11:58,400
Speaker 3: invitation on.

1432
01:11:58,439 --> 01:12:03,559
Speaker 1: Their which again, great idea nineteen ninety nine, just starting

1433
01:12:03,680 --> 01:12:04,639
Speaker 1: the whole internet thing.

1434
01:12:04,800 --> 01:12:07,000
Speaker 2: This is a was a wonderful idea, talking right to

1435
01:12:07,080 --> 01:12:07,599
Speaker 2: the audience.

1436
01:12:07,880 --> 01:12:10,280
Speaker 4: It's a great way to get poss ratings.

1437
01:12:10,040 --> 01:12:14,240
Speaker 3: Right, yeah, yeah, And then we're in the tag in

1438
01:12:14,320 --> 01:12:17,519
Speaker 3: the Matthews living room, Corey and Tapanga or is it

1439
01:12:17,600 --> 01:12:21,160
Speaker 3: Ben and Danielle look directly into camera to tell viewers

1440
01:12:21,200 --> 01:12:24,719
Speaker 3: that they're finally doing it. They're getting married. Corey insists,

1441
01:12:24,800 --> 01:12:27,519
Speaker 3: we want you to be there this time next Friday night.

1442
01:12:27,800 --> 01:12:30,240
Speaker 3: Tapega tells her fiance, you're going to look so cute

1443
01:12:30,240 --> 01:12:32,920
Speaker 3: in a tuxedo. He jokes that it's powder blue, and

1444
01:12:33,040 --> 01:12:36,080
Speaker 3: she assures viewers it is not. Corey reveals to the

1445
01:12:36,120 --> 01:12:37,920
Speaker 3: camera all our friends are going to be there too,

1446
01:12:38,160 --> 01:12:40,840
Speaker 3: including you. To Panga ads it wouldn't be the same

1447
01:12:40,920 --> 01:12:44,000
Speaker 3: without you. Corey and Tapanga ask viewers to RSVP on

1448
01:12:44,080 --> 01:12:47,839
Speaker 3: their website, coreyantapanga dot com. Corey explains Corey and Tapanga

1449
01:12:47,920 --> 01:12:50,439
Speaker 3: one word is sort of like a symbol of our unity.

1450
01:12:50,800 --> 01:12:54,639
Speaker 3: Tapega argues, no, it's a computer thing. Corey insists, unity,

1451
01:12:54,840 --> 01:12:56,720
Speaker 3: computer thing. It's a computer thing.

1452
01:12:57,280 --> 01:12:59,000
Speaker 4: I could have done, shout, I could have done without

1453
01:12:59,040 --> 01:13:01,640
Speaker 4: this tag. Yeah, I thought just putting up the invitations.

1454
01:13:01,920 --> 01:13:06,120
Speaker 4: But it's so funny because I feel like there, you know,

1455
01:13:06,200 --> 01:13:08,640
Speaker 4: the Internet was still so new that that's felt the

1456
01:13:08,720 --> 01:13:09,000
Speaker 4: need to have.

1457
01:13:09,120 --> 01:13:11,600
Speaker 2: It was for the internet at this point. For to

1458
01:13:11,680 --> 01:13:12,679
Speaker 2: go to the website, that's.

1459
01:13:12,640 --> 01:13:15,040
Speaker 4: Like go to your computer if you have one and

1460
01:13:15,240 --> 01:13:15,720
Speaker 4: look it up.

1461
01:13:16,479 --> 01:13:18,240
Speaker 3: But I also think it's a way of making the

1462
01:13:18,360 --> 01:13:22,960
Speaker 3: viewers feel really included. I have to Yeah, I mean,

1463
01:13:23,040 --> 01:13:26,760
Speaker 3: I I agree with you that I wish I wish

1464
01:13:26,840 --> 01:13:29,519
Speaker 3: maybe it had been a little punchier, But I do

1465
01:13:29,920 --> 01:13:31,560
Speaker 3: like the idea that they put up. I think what

1466
01:13:31,640 --> 01:13:34,880
Speaker 3: happened is they put up that invitation and they you

1467
01:13:35,000 --> 01:13:38,160
Speaker 3: didn't have pausing, so there was no way of guaranteeing

1468
01:13:38,320 --> 01:13:42,200
Speaker 3: that people were able to see coreyantopanga dot com at

1469
01:13:42,240 --> 01:13:45,200
Speaker 3: the bottom. There so much information, so much information to

1470
01:13:45,280 --> 01:13:48,840
Speaker 3: take in. We had to hit there's a website, and

1471
01:13:48,960 --> 01:13:51,439
Speaker 3: we want you to r s VP, and so we

1472
01:13:51,640 --> 01:13:54,759
Speaker 3: had to basically sell. We had we had to tell people.

1473
01:13:54,600 --> 01:13:57,960
Speaker 1: That, yeah, and this is there's something nice about your

1474
01:13:58,040 --> 01:14:00,559
Speaker 1: talking to everybody in the family and how you're talking

1475
01:14:00,640 --> 01:14:03,000
Speaker 1: directly to the exact way who you're inviting.

1476
01:14:03,000 --> 01:14:04,000
Speaker 2: I thought that was kind of nice.

1477
01:14:04,320 --> 01:14:06,960
Speaker 3: Yeah, it was. It was cute. He tells viewers the

1478
01:14:07,040 --> 01:14:09,320
Speaker 3: name of the website once more, and then Tapanga essentially

1479
01:14:09,439 --> 01:14:12,360
Speaker 3: begs for higher ratings. While on the bubble of cancelation.

1480
01:14:12,640 --> 01:14:14,880
Speaker 3: Y see you at our wedding?

1481
01:14:17,240 --> 01:14:19,639
Speaker 4: So would this have been sweeps? This is sweeps?

1482
01:14:19,640 --> 01:14:19,840
Speaker 1: Weeek?

1483
01:14:20,040 --> 01:14:22,120
Speaker 3: Well it was? This was October. This one aired October

1484
01:14:22,160 --> 01:14:24,400
Speaker 3: twenty ninth, So was there? Was it November sweeps?

1485
01:14:24,560 --> 01:14:25,960
Speaker 2: Yep? Right, that's it.

1486
01:14:26,600 --> 01:14:28,799
Speaker 3: Wow, there we go. Is it a two parter.

1487
01:14:30,160 --> 01:14:30,559
Speaker 4: The wedding?

1488
01:14:31,680 --> 01:14:34,400
Speaker 2: No, I don't remember. There's a lot that happens. I

1489
01:14:34,439 --> 01:14:35,760
Speaker 2: remember Eric gets the whole.

1490
01:14:36,600 --> 01:14:38,479
Speaker 1: Well, yes, it's a two parter, but I think the

1491
01:14:38,640 --> 01:14:40,920
Speaker 1: wedding is the first part and then the second part.

1492
01:14:40,960 --> 01:14:45,120
Speaker 1: They get arrested in the hotel because he's because Eric

1493
01:14:45,160 --> 01:14:49,639
Speaker 1: steals the whole, right venue, if memory serves?

1494
01:14:49,760 --> 01:14:51,559
Speaker 2: Yeah, okay, all right, here we go.

1495
01:14:51,760 --> 01:14:52,640
Speaker 4: Here we go, Here we go.

1496
01:14:53,720 --> 01:14:55,400
Speaker 3: Well, thank you all for joining us for this episode

1497
01:14:55,400 --> 01:14:57,280
Speaker 3: of Pod Meets World. As always, you can follow us

1498
01:14:57,320 --> 01:14:59,600
Speaker 3: on Instagram pod Meets World Show. You can send us

1499
01:14:59,600 --> 01:15:02,040
Speaker 3: your email else Podmeets World Show at gmail dot com.

1500
01:15:02,280 --> 01:15:05,160
Speaker 2: And we've got merch tipanga.

1501
01:15:05,160 --> 01:15:05,560
Speaker 1: I love you.

1502
01:15:06,360 --> 01:15:07,679
Speaker 2: Let's get married and make merch.

1503
01:15:07,800 --> 01:15:14,760
Speaker 3: Merch, merchda.

1504
01:15:14,600 --> 01:15:15,679
Speaker 4: Do it with your friend Trillius.

1505
01:15:15,720 --> 01:15:19,760
Speaker 3: Factored by Vision I pod Meets World Show dot com

1506
01:15:20,600 --> 01:15:21,720
Speaker 3: writer send us out.

1507
01:15:21,880 --> 01:15:24,840
Speaker 1: We love you all. I can't do it.

1508
01:15:25,240 --> 01:15:27,760
Speaker 2: I can't do It's terrible trill.

1509
01:15:30,600 --> 01:15:31,240
Speaker 4: No, we love you.

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01:15:31,320 --> 01:15:32,360
Speaker 2: One pod dismissed it.

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01:15:33,920 --> 01:15:36,400
Speaker 4: Pod Meets World is an iHeart podcast producer and hosted

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01:15:36,439 --> 01:15:40,320
Speaker 4: by Danielle Fischel, Wilfredell and Rider Strong Executive producers Jensen

1513
01:15:40,400 --> 01:15:43,840
Speaker 4: Carp and Amy Sugarman Executive in charge of production, Danielle Romo,

1514
01:15:44,040 --> 01:15:47,880
Speaker 4: producer and editor, Tarasubash, producer, Maddie Moore, engineer and Boy

1515
01:15:47,920 --> 01:15:50,920
Speaker 4: Meets World superman Easton Allen. Our theme song is by

1516
01:15:51,040 --> 01:15:54,400
Speaker 4: Kyle Morton of Typhoon. Follow us on Instagram at Podmeats

1517
01:15:54,400 --> 01:15:57,080
Speaker 4: World Show or email us at pod Meeats World Show

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01:15:57,240 --> 01:15:58,479
Speaker 4: at gmail dot com