1 00:00:01,760 --> 00:00:04,800 Speaker 1: Hey, discos, need a little more Disgraceland in your life, 2 00:00:05,160 --> 00:00:08,039 Speaker 1: just to touch to get you through. Yeah, me too. 3 00:00:08,760 --> 00:00:12,000 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:12,000 --> 00:00:30,480 Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, 5 00:00:30,560 --> 00:00:33,080 Speaker 1: a little thing we like to call the after party. 6 00:00:33,120 --> 00:00:35,320 Speaker 1: This is the show after the show, the party after 7 00:00:35,320 --> 00:00:37,520 Speaker 1: the party, the bridge to get you from one full 8 00:00:37,520 --> 00:00:40,760 Speaker 1: episode of Disgraceland to the other, the backyard to dig 9 00:00:40,840 --> 00:00:43,720 Speaker 1: into the dirt. On this bonus episode, we are talking 10 00:00:43,720 --> 00:00:48,280 Speaker 1: about this week's subject of the Disgraceland full episode, the band. 11 00:00:48,680 --> 00:00:51,400 Speaker 1: And we're doing so because it's Thanksgiving, and that means 12 00:00:51,440 --> 00:00:54,640 Speaker 1: it's the week we celebrate the Last Waltz, and we 13 00:00:54,680 --> 00:00:57,120 Speaker 1: are talking to you about the greatest concert films from 14 00:00:57,200 --> 00:01:00,760 Speaker 1: rock and roll history. Sean Combs was back in this week, 15 00:01:01,240 --> 00:01:03,760 Speaker 1: and of course we are diving into your voicemails, text 16 00:01:03,840 --> 00:01:06,600 Speaker 1: and more, and as always, a whole lot of rosie. 17 00:01:06,600 --> 00:01:19,560 Speaker 1: Al Right, discoes, let's get into it. My favorite thing 18 00:01:19,560 --> 00:01:23,280 Speaker 1: about The Last Waltz, the Scorsese directed concert film depicting 19 00:01:23,600 --> 00:01:26,880 Speaker 1: the final performance of the band, subject that we're all 20 00:01:27,000 --> 00:01:30,360 Speaker 1: now pretty familiar with just because of our rock and 21 00:01:30,480 --> 00:01:32,959 Speaker 1: roll pedigrees, but also it's the subject of this week's 22 00:01:32,959 --> 00:01:36,520 Speaker 1: full episode of Disgraceland, a concert that took place on 23 00:01:36,560 --> 00:01:40,360 Speaker 1: Thanksgiving nineteen seventy six. So apropos for this week. My 24 00:01:40,440 --> 00:01:43,800 Speaker 1: favorite part of The Last Waltz isn't a musical moment. 25 00:01:44,000 --> 00:01:48,920 Speaker 1: It's a cinematic moment. It's the opening seconds of the film. 26 00:01:49,200 --> 00:01:53,400 Speaker 1: It's Rick Danko negotiating with that pool table like he's 27 00:01:53,400 --> 00:01:57,320 Speaker 1: a freaking corporate litigator going in for the attack in 28 00:01:57,400 --> 00:02:01,280 Speaker 1: a full courtroom. Rick is in total control. He looks 29 00:02:01,400 --> 00:02:04,920 Speaker 1: as comfortable with that poolqueue in that pool hall as 30 00:02:04,960 --> 00:02:09,240 Speaker 1: he does on stage with his bass. To me, in 31 00:02:09,320 --> 00:02:11,920 Speaker 1: this moment, Rick Danko always looked like a real life 32 00:02:12,160 --> 00:02:16,280 Speaker 1: version of Robert de Niro's Johnny Boy character from Mean Streets, 33 00:02:16,320 --> 00:02:18,440 Speaker 1: just a little worse for wear, a little more knowing. 34 00:02:19,200 --> 00:02:22,600 Speaker 1: And then after this, after Rick at the pool table, 35 00:02:22,919 --> 00:02:27,840 Speaker 1: incomes this sort of burbling crowd noise from Bill Graham's 36 00:02:27,840 --> 00:02:32,480 Speaker 1: Winterland ballroom, and Robbie Robertson, dazed with a cigarette in 37 00:02:32,480 --> 00:02:35,800 Speaker 1: his mouth, walks back out onto stage to the applause. 38 00:02:35,840 --> 00:02:37,600 Speaker 1: That's the next thing we see. The next thing we 39 00:02:37,680 --> 00:02:41,880 Speaker 1: hear Robby's a little confused, confused about what. We're not 40 00:02:41,919 --> 00:02:45,000 Speaker 1: sure where is he? What does the crowd want? Why 41 00:02:45,040 --> 00:02:48,120 Speaker 1: are they still there? It doesn't matter. Like his bandmate 42 00:02:48,240 --> 00:02:51,720 Speaker 1: Rick Danko, Robbie Robertson is beyond cool in this moment. 43 00:02:51,800 --> 00:02:53,880 Speaker 1: And I know this moment well. Every rock and roller, 44 00:02:53,960 --> 00:02:57,080 Speaker 1: every professional musician who's toured, knows the moment here that 45 00:02:57,200 --> 00:03:00,880 Speaker 1: is being depicted on films. As a guy in a band, 46 00:03:00,960 --> 00:03:03,800 Speaker 1: you live for this moment, the moment when the crowd 47 00:03:03,840 --> 00:03:06,280 Speaker 1: goes in on the gag with you requesting an encore, 48 00:03:06,440 --> 00:03:08,920 Speaker 1: knowing that you're gonna come back out on stage, and 49 00:03:08,960 --> 00:03:11,080 Speaker 1: maybe there's a one percent chance that you won't, but 50 00:03:11,160 --> 00:03:14,000 Speaker 1: still the audience can't help but give you the adulation 51 00:03:14,080 --> 00:03:17,360 Speaker 1: that you deserve for scorching them for the past ninety 52 00:03:17,360 --> 00:03:21,079 Speaker 1: minutes or however long your set was. So Robbie's putting 53 00:03:21,120 --> 00:03:25,160 Speaker 1: it on a bit in this in this bit, really, 54 00:03:25,200 --> 00:03:27,640 Speaker 1: I mean, come on, what he's not gonna do an encore? 55 00:03:27,680 --> 00:03:31,200 Speaker 1: They're making a fucking movie about but the band and 56 00:03:31,240 --> 00:03:35,960 Speaker 1: their live performance and this whole thing is recognizable. But 57 00:03:36,040 --> 00:03:39,080 Speaker 1: as a viewer watching it, I don't care. I'm into 58 00:03:39,160 --> 00:03:43,040 Speaker 1: the minor show business indulgence here, and you know, Robbie 59 00:03:43,080 --> 00:03:45,840 Speaker 1: speaks into the microphone like he just woke up, you know, like. 60 00:03:45,800 --> 00:03:48,400 Speaker 2: He's surprised to be there. He's surprised to see anybody there. 61 00:03:48,840 --> 00:03:50,920 Speaker 2: He's like, oh, you guys are still here, That's what 62 00:03:51,000 --> 00:03:54,120 Speaker 2: he asked the audience. Of course they're still there. Who 63 00:03:54,200 --> 00:03:57,080 Speaker 2: the hell is they gonna go? They miss Thanksgiving dinner 64 00:03:57,120 --> 00:03:59,320 Speaker 2: at home to be with you, Robbie Robertson. Their families 65 00:03:59,480 --> 00:04:02,520 Speaker 2: are likely pissed off, wondering why their kids are away 66 00:04:02,520 --> 00:04:04,720 Speaker 2: from home on the greatest holiday of the year while 67 00:04:04,720 --> 00:04:05,600 Speaker 2: they're at a concert. 68 00:04:06,000 --> 00:04:08,560 Speaker 1: Who is a concert on Thanksgiving? Anyways? I always wondered 69 00:04:08,640 --> 00:04:10,720 Speaker 1: that in the back of my head, God, what did 70 00:04:10,880 --> 00:04:13,600 Speaker 1: what did? What did Garth Garth Hudson tell his tell 71 00:04:13,640 --> 00:04:20,039 Speaker 1: his parents It's a dumb ship you think about when 72 00:04:20,040 --> 00:04:23,400 Speaker 1: you're young and stoned. And then, of course, after Robbie 73 00:04:23,400 --> 00:04:27,120 Speaker 1: gets on stage in his sweatshirt over his collared shirt 74 00:04:27,720 --> 00:04:31,480 Speaker 1: with a cool kind of fedora looking hat, On in 75 00:04:31,520 --> 00:04:35,040 Speaker 1: his cigarette, after that, Levon and rick In, a roadie 76 00:04:35,040 --> 00:04:38,880 Speaker 1: who looks like he missed the Electric Mayhem tryout, is 77 00:04:38,920 --> 00:04:41,120 Speaker 1: behind him. They all, the three of these dudes come 78 00:04:41,120 --> 00:04:46,320 Speaker 1: out now. They're they're all business. Levan is all business. 79 00:04:46,720 --> 00:04:49,320 Speaker 1: Rick is just still all cool. Levan's cool too, but 80 00:04:49,400 --> 00:04:52,640 Speaker 1: Rick is just fucking cool. Rick wishes the crowd a 81 00:04:52,640 --> 00:04:57,480 Speaker 1: happy Thanksgiving, and I guess Garth and Richard Manuel were 82 00:04:57,520 --> 00:05:00,080 Speaker 1: already stationed at their keyboards because in the cut, in 83 00:05:00,120 --> 00:05:03,360 Speaker 1: the edit, and within seconds, Levon is on the beat 84 00:05:03,400 --> 00:05:06,680 Speaker 1: for Marvin Gay's Don't You Do It? And in that moment, 85 00:05:07,400 --> 00:05:12,120 Speaker 1: as the orange Scorsese esque movie font flashes the names 86 00:05:12,200 --> 00:05:15,880 Speaker 1: of the band, the musicians from the band across the screen, 87 00:05:16,520 --> 00:05:21,839 Speaker 1: you have no godly idea who Marvin Gay even is anymore. Okay, 88 00:05:21,880 --> 00:05:24,720 Speaker 1: the song is, I guess, kind of familiar, and like 89 00:05:24,839 --> 00:05:27,360 Speaker 1: the way that deja vu is familiar, right, you get 90 00:05:27,400 --> 00:05:29,880 Speaker 1: a taste of what the song, but you don't care 91 00:05:30,160 --> 00:05:33,480 Speaker 1: because this is now the version of the song. Okay, 92 00:05:33,640 --> 00:05:37,680 Speaker 1: this is so thick, this version of the song. I 93 00:05:37,720 --> 00:05:42,320 Speaker 1: hate this word funky, but it's just funk. Man. The 94 00:05:42,360 --> 00:05:47,039 Speaker 1: band incredible. They sound in this song. They sound and 95 00:05:47,240 --> 00:05:52,040 Speaker 1: feel and look as great as the movie looks. It's real, 96 00:05:52,120 --> 00:05:56,920 Speaker 1: it's exciting, it's soulful, and as a music fan, as 97 00:05:56,960 --> 00:06:02,400 Speaker 1: a rock and roll fan, I watch this just gratitude. Okay, 98 00:06:02,440 --> 00:06:05,279 Speaker 1: you're watching it, and you've never been more grateful to 99 00:06:05,360 --> 00:06:09,720 Speaker 1: watch anything before on television as you are right now 100 00:06:09,760 --> 00:06:12,800 Speaker 1: in the moment watching the Band's Last Waltz. Sorry, I 101 00:06:12,800 --> 00:06:15,000 Speaker 1: get a little lost in that, got pulled back into 102 00:06:15,000 --> 00:06:17,000 Speaker 1: where I was when I used to watch this thing 103 00:06:17,080 --> 00:06:20,839 Speaker 1: over and over again with my friends. This is my 104 00:06:21,000 --> 00:06:24,760 Speaker 1: recollection of the Last Waltz. It's how I feel about it, anyways, 105 00:06:24,800 --> 00:06:28,120 Speaker 1: And that's my favorite part of my favorite concert film. 106 00:06:28,120 --> 00:06:31,760 Speaker 1: It's the beginning. And I don't know if it's because 107 00:06:32,600 --> 00:06:35,479 Speaker 1: I don't want it to end, because this ends up 108 00:06:35,520 --> 00:06:39,360 Speaker 1: being the end of the band. The song raps, the 109 00:06:39,360 --> 00:06:44,320 Speaker 1: first song in the film, and the band exits stage left. 110 00:06:44,600 --> 00:06:48,800 Speaker 1: Just genius filmmaking by Martin Scorsese and the band from 111 00:06:48,800 --> 00:06:52,039 Speaker 1: that moment on in reality, if not on film, the 112 00:06:52,040 --> 00:06:54,200 Speaker 1: band is no more. That's the whole point of the 113 00:06:54,279 --> 00:06:57,640 Speaker 1: Last Waltz. It's the killing of the band. And I 114 00:06:57,720 --> 00:07:02,000 Speaker 1: never got over it. I never got it. Actually, that's 115 00:07:02,040 --> 00:07:04,640 Speaker 1: the better you know. I do now. I understand now 116 00:07:04,800 --> 00:07:07,320 Speaker 1: why it was the end, and I understand why people 117 00:07:07,320 --> 00:07:09,600 Speaker 1: are pissed at Robbie Robertson. But come on, man, in 118 00:07:09,640 --> 00:07:12,760 Speaker 1: defense of Robbie Robertson. You can't get out there every 119 00:07:12,800 --> 00:07:14,679 Speaker 1: night and do something that your heart's just not into, 120 00:07:15,000 --> 00:07:16,840 Speaker 1: especially if you're afraid you're gonna die if you keep 121 00:07:16,840 --> 00:07:21,720 Speaker 1: doing it. But you know, like I got, I alluded 122 00:07:21,720 --> 00:07:24,560 Speaker 1: to a second ago. My friends and I we watched 123 00:07:24,560 --> 00:07:27,679 Speaker 1: the shit out of this movie, me, Greg Conley, Scott Janovitz. 124 00:07:27,680 --> 00:07:30,040 Speaker 1: It was like we watched this movie once a week 125 00:07:30,120 --> 00:07:32,760 Speaker 1: at least. It was always on, even when we weren't 126 00:07:32,760 --> 00:07:35,320 Speaker 1: watching it. It was just on in the background while we 127 00:07:35,400 --> 00:07:39,360 Speaker 1: partied at Greg's house. Epic parties, by the way, But still, 128 00:07:39,440 --> 00:07:43,000 Speaker 1: I mean, you just get sucked in the performances. They're arresting, 129 00:07:43,920 --> 00:07:47,280 Speaker 1: they just stop you in your tracks. It's just, I 130 00:07:47,320 --> 00:07:49,200 Speaker 1: don't know a better word for it than arresting. It's 131 00:07:49,240 --> 00:07:51,120 Speaker 1: just like, oh my god, I can't believe what I'm watching. 132 00:07:51,800 --> 00:07:53,880 Speaker 1: But you know, the dramatic side of the film, the 133 00:07:53,960 --> 00:07:56,360 Speaker 1: dramatic piece of the film, which is the breakup of 134 00:07:56,440 --> 00:07:59,679 Speaker 1: the band, it was confounding to me. I never bought 135 00:07:59,680 --> 00:08:02,320 Speaker 1: the rat in the moment. Then I do now, like 136 00:08:02,360 --> 00:08:03,680 Speaker 1: I just said, But in the moment when I was 137 00:08:03,720 --> 00:08:06,160 Speaker 1: younger watching this, I never bought into why the band 138 00:08:06,240 --> 00:08:09,920 Speaker 1: was breaking up, it seemed, probably because it was the 139 00:08:09,960 --> 00:08:12,760 Speaker 1: breakup anyways, seemed to be solely a Robbie Robertson thing. 140 00:08:13,560 --> 00:08:16,120 Speaker 1: The need for the band to end. It kind of 141 00:08:16,160 --> 00:08:19,160 Speaker 1: also seemed that Robbie needed a plot for the movie 142 00:08:19,160 --> 00:08:21,120 Speaker 1: that he was making with Scorsese, and this was the 143 00:08:21,160 --> 00:08:24,320 Speaker 1: perfect dramatic conceit. And the other guys in the band, 144 00:08:24,360 --> 00:08:28,120 Speaker 1: Richard Manuel in particular, they appear to be along for 145 00:08:28,200 --> 00:08:30,520 Speaker 1: the ride, with the premise of the film like this is, 146 00:08:30,680 --> 00:08:33,080 Speaker 1: you know, the band's last performance. They're breaking up after 147 00:08:33,120 --> 00:08:38,080 Speaker 1: they filmed this set at Bill Graham's ballroom, Winterland Ballroom. 148 00:08:39,000 --> 00:08:41,079 Speaker 1: But you can tell their hearts aren't into it, Leavon, 149 00:08:41,280 --> 00:08:43,240 Speaker 1: especially now that I think about it, They just don't 150 00:08:43,280 --> 00:08:46,080 Speaker 1: seem into it. They don't seem into the rationale for 151 00:08:46,120 --> 00:08:48,280 Speaker 1: breaking up. They collectively seem to me to be like 152 00:08:48,280 --> 00:08:52,080 Speaker 1: a like a like a nineteen sixties or seventies or eighties, 153 00:08:52,480 --> 00:08:55,080 Speaker 1: like a like a mid twentieth century politician's wife on 154 00:08:55,120 --> 00:08:58,600 Speaker 1: the campaign trail, kind of shell shocked but along for 155 00:08:58,679 --> 00:09:02,440 Speaker 1: the ride, hijacked by their husband's ambition. The husband in 156 00:09:02,440 --> 00:09:06,520 Speaker 1: this scenario, the politician being Robbie Robertson, you know, I 157 00:09:06,559 --> 00:09:09,880 Speaker 1: never read Levon's book. I never read Robbie's book. I 158 00:09:09,920 --> 00:09:12,400 Speaker 1: suppose I will at some point. I didn't write this 159 00:09:12,480 --> 00:09:14,199 Speaker 1: episode of The Last Waltz, so I didn't have to 160 00:09:14,240 --> 00:09:16,679 Speaker 1: read those books. Death Lundy did and he did an 161 00:09:16,720 --> 00:09:20,640 Speaker 1: incredible job writing this as Matt Bowden as well, while 162 00:09:20,600 --> 00:09:24,080 Speaker 1: I want on topic, just phenomenal job mixing this episode. 163 00:09:24,920 --> 00:09:28,800 Speaker 1: Both those guys like me have deep affection for the band. 164 00:09:29,480 --> 00:09:31,400 Speaker 1: But I'm grateful that I didn't have to read these 165 00:09:31,440 --> 00:09:34,120 Speaker 1: books because I don't want to hate Robbie Robertson. I 166 00:09:34,160 --> 00:09:37,000 Speaker 1: don't want to feel bad for Levon Helm or Rick 167 00:09:37,080 --> 00:09:39,880 Speaker 1: Danko or Richard Manuel anymore than I already do or 168 00:09:39,920 --> 00:09:44,320 Speaker 1: Garth Garth Hudson. I want to remember the band the 169 00:09:44,360 --> 00:09:48,200 Speaker 1: way Martin Scorsese wanted them to be remembered, which is 170 00:09:48,400 --> 00:09:51,280 Speaker 1: all up there on the screen in the Last Waltz. 171 00:09:51,840 --> 00:09:55,560 Speaker 1: These guys are magical, they are musical giants. They are 172 00:09:55,760 --> 00:10:01,120 Speaker 1: masters of their craft. They're unfuck withable on stage, sadly, 173 00:10:01,440 --> 00:10:05,440 Speaker 1: especially when you look at Richard and Garth. Stage was 174 00:10:05,960 --> 00:10:09,120 Speaker 1: appeared to be the only comfort zone, and Scorsese knew 175 00:10:09,120 --> 00:10:11,920 Speaker 1: how to capture that and more. There are so many 176 00:10:11,920 --> 00:10:15,720 Speaker 1: great moments in this film, of course, moments ago beyond 177 00:10:15,760 --> 00:10:18,640 Speaker 1: the five musicians in the band, right, Okay, the Neil 178 00:10:18,679 --> 00:10:22,000 Speaker 1: Young Coke thing, which we got into in the episode 179 00:10:22,040 --> 00:10:26,200 Speaker 1: we did funny little detail. There's another one of my 180 00:10:26,240 --> 00:10:30,319 Speaker 1: favorite moments of all time, not just in this film 181 00:10:30,320 --> 00:10:34,560 Speaker 1: but just a music history, is Robbie Robertson smoking Eric 182 00:10:34,600 --> 00:10:39,120 Speaker 1: Clapton on stage. Clapton, who's the guitar god, and Robbie 183 00:10:39,160 --> 00:10:41,439 Speaker 1: just toasts them. It's one of the greatest burns in 184 00:10:41,520 --> 00:10:45,200 Speaker 1: rock and roll history. There's Muddy Waters cementing the concepts 185 00:10:45,200 --> 00:10:48,440 Speaker 1: of masculinity into my post adolescent consciousness. The guy I 186 00:10:48,520 --> 00:10:51,600 Speaker 1: spell m An just amazing. There's Van Morrison with his 187 00:10:51,640 --> 00:10:55,080 Speaker 1: Elaine Benis kicks, one of the most badass stage exits 188 00:10:55,080 --> 00:10:58,600 Speaker 1: we've ever seen, and to bring it fully into Disgraceland 189 00:10:58,640 --> 00:11:01,640 Speaker 1: in twenty twenty four, in the Last Waltz, there's a 190 00:11:01,760 --> 00:11:04,599 Speaker 1: story from Robbie, Rick and Richard about playing one of 191 00:11:04,640 --> 00:11:08,480 Speaker 1: their early gigs in Jack Ruby's club outside Dallas. And 192 00:11:08,520 --> 00:11:11,240 Speaker 1: we've been doing all this Kennedy assassination stuff because last 193 00:11:11,240 --> 00:11:14,280 Speaker 1: week was the anniversary of November twenty second. Jack Ruby, 194 00:11:14,320 --> 00:11:15,880 Speaker 1: of course makes it makes a lot of sense here. 195 00:11:15,880 --> 00:11:19,480 Speaker 1: There's so much that I love about this film, so much, 196 00:11:19,640 --> 00:11:22,840 Speaker 1: too much, too much to list. And for all these reasons, 197 00:11:22,880 --> 00:11:25,640 Speaker 1: the Last Waltz is my favorite concert film. It's hard 198 00:11:25,640 --> 00:11:30,000 Speaker 1: to even come up with a close second. Maybe gimme 199 00:11:30,120 --> 00:11:34,520 Speaker 1: Shelter for kind of the opposite reasons as this. I 200 00:11:34,559 --> 00:11:36,400 Speaker 1: guess I don't really know what I mean by that, 201 00:11:36,800 --> 00:11:40,360 Speaker 1: at least for the wrong reasons. I don't even know 202 00:11:40,400 --> 00:11:45,080 Speaker 1: what else. Madonna's Truth or dare I'm serious. I love that, 203 00:11:45,240 --> 00:11:49,160 Speaker 1: but I don't put it even close to The Last Waltz. Anyways, 204 00:11:49,160 --> 00:11:50,600 Speaker 1: I'm excited to hear what you guys think. That was 205 00:11:50,600 --> 00:11:52,600 Speaker 1: the question of the week. You know, what's the greatest 206 00:11:52,679 --> 00:11:56,800 Speaker 1: concert film? What's your favorite concert film? Is there though? 207 00:11:57,000 --> 00:11:59,439 Speaker 1: Another one? Is there a close second? Is there? Is 208 00:11:59,480 --> 00:12:02,400 Speaker 1: there another concert film that demands yearly viewing as The 209 00:12:02,480 --> 00:12:05,000 Speaker 1: Last Waltz does on Thanksgiving? Is there another concert film 210 00:12:05,040 --> 00:12:08,680 Speaker 1: that causes pilgrimages to Woodstock to try to root down 211 00:12:08,720 --> 00:12:11,160 Speaker 1: into the band's lord, to take that long and windy 212 00:12:11,200 --> 00:12:13,480 Speaker 1: dirt road into the woods in search of the big 213 00:12:13,520 --> 00:12:16,880 Speaker 1: Pink House. I don't think there is, and we're gonna 214 00:12:16,880 --> 00:12:18,280 Speaker 1: try to find though we're gonna try to cope with 215 00:12:18,280 --> 00:12:20,839 Speaker 1: some answers in this after party. We're gonna we're gonna 216 00:12:20,840 --> 00:12:24,800 Speaker 1: dig into your voicemails and your text on concert films 217 00:12:24,800 --> 00:12:29,280 Speaker 1: that maybe approach the awesomeness of the Last Waltz. We're 218 00:12:29,280 --> 00:12:32,800 Speaker 1: also gonna touch on this week's rewind episode Here Remind 219 00:12:32,840 --> 00:12:36,040 Speaker 1: episode on David Bowie, and we're gonna tee up next 220 00:12:36,040 --> 00:12:39,320 Speaker 1: week's John Lennon episode. No, not those John Lennon episodes. 221 00:12:39,360 --> 00:12:42,400 Speaker 1: This John Lennon episode John in the early early seventies, 222 00:12:42,520 --> 00:12:45,280 Speaker 1: John the radical, not domestic John who was shot down 223 00:12:45,320 --> 00:12:47,600 Speaker 1: by Chapman. We did a two partter on that we're 224 00:12:47,640 --> 00:12:50,520 Speaker 1: gonna get. We did another one fully on John's politics 225 00:12:50,520 --> 00:12:52,920 Speaker 1: in the early part of the nineteen seventies. Next week 226 00:12:53,000 --> 00:12:54,680 Speaker 1: is the in versuy of John's death, so we're gonna 227 00:12:54,679 --> 00:12:57,400 Speaker 1: be paying tribute to John all week long, just like 228 00:12:57,480 --> 00:12:59,360 Speaker 1: we were kind of doing with the band this week 229 00:12:59,400 --> 00:13:02,120 Speaker 1: for Thanksgiving and next week's Question of the Week. When 230 00:13:02,120 --> 00:13:04,199 Speaker 1: you're listening to that Lenin episode, I want you guys 231 00:13:04,240 --> 00:13:06,679 Speaker 1: to be thinking about just it's an obvious one. We've talked. 232 00:13:06,720 --> 00:13:08,680 Speaker 1: We talked about this before, but we didn't give it 233 00:13:09,040 --> 00:13:12,800 Speaker 1: enough time as I think it deserves. When you're listening 234 00:13:12,800 --> 00:13:15,679 Speaker 1: to the Lenin episode next week, be thinking about UH 235 00:13:15,880 --> 00:13:20,520 Speaker 1: solo beatles. Be thinking about which Beatles solo career you 236 00:13:20,679 --> 00:13:25,360 Speaker 1: like the most. Is it John's? Is it? Paul's? Is it? George's? 237 00:13:25,480 --> 00:13:29,400 Speaker 1: Is it? Ring Goes. There's a lot to dive into here, 238 00:13:29,440 --> 00:13:31,000 Speaker 1: and I know you guys are passionate about it, so 239 00:13:31,040 --> 00:13:32,760 Speaker 1: be thinking about that when you're listening to the John 240 00:13:32,840 --> 00:13:35,400 Speaker 1: Lennon episode. I want to hear from the George Heads, 241 00:13:35,440 --> 00:13:37,640 Speaker 1: especially Get at Me six one seven nine oh six 242 00:13:37,760 --> 00:13:40,400 Speaker 1: six six three eight. But that's next week, all right. 243 00:13:40,400 --> 00:13:42,920 Speaker 1: Also this week in this episode, got a Diddy update 244 00:13:43,000 --> 00:13:45,800 Speaker 1: as usual in the UH and then the all access 245 00:13:45,880 --> 00:13:48,360 Speaker 1: portion of this episode, I'm going to share with you 246 00:13:48,440 --> 00:13:51,319 Speaker 1: my story about working with and meeting the band from 247 00:13:51,360 --> 00:13:53,280 Speaker 1: back when I was a kid. I'll be back right 248 00:13:53,320 --> 00:14:15,640 Speaker 1: after this with your voicemails, text and dms. All Right, 249 00:14:15,679 --> 00:14:18,040 Speaker 1: we are back, guys. I'm grateful for you. You know this. 250 00:14:18,120 --> 00:14:21,880 Speaker 1: It's Thanksgiving. It bears repeating, it needs to be said. 251 00:14:22,800 --> 00:14:26,320 Speaker 1: I love being able to talk to you every week. 252 00:14:26,440 --> 00:14:28,840 Speaker 1: I love being able to create stuff, put it out 253 00:14:28,840 --> 00:14:32,000 Speaker 1: into the world and just get feedback. From you guys 254 00:14:32,080 --> 00:14:34,480 Speaker 1: on what you think about it. It is truly a 255 00:14:34,600 --> 00:14:37,960 Speaker 1: gift and I am truly grateful that you guys allowed 256 00:14:38,000 --> 00:14:39,440 Speaker 1: me to do this and that you're here with me, 257 00:14:39,600 --> 00:14:41,280 Speaker 1: along for this ride. Some of you have been with 258 00:14:41,280 --> 00:14:43,240 Speaker 1: me since the beginning, going all the way back to 259 00:14:43,320 --> 00:14:46,400 Speaker 1: two thousand and eighteen. Can you believe that that's when 260 00:14:46,400 --> 00:14:50,120 Speaker 1: we launched Disgraceland and we're still telling stories. We're not 261 00:14:50,200 --> 00:14:54,080 Speaker 1: stopping anytime soon. We're finding new ways to bring you music, 262 00:14:54,200 --> 00:14:57,320 Speaker 1: storytelling and stories from the dark side of entertainment. Just 263 00:14:57,840 --> 00:15:00,560 Speaker 1: really grateful all you guys who hit me up every 264 00:15:00,640 --> 00:15:06,400 Speaker 1: week Instagram, email, in the Patreon wherever, keep doing it. 265 00:15:06,640 --> 00:15:09,480 Speaker 1: Thank you. Love being along for the ride with you guys. 266 00:15:09,800 --> 00:15:12,480 Speaker 1: I hope you all have an awesome Thanksgiving with your 267 00:15:12,480 --> 00:15:15,560 Speaker 1: families this week. And I'm hoping you're digging this this 268 00:15:15,680 --> 00:15:19,160 Speaker 1: last Waltz episode. I hope you're digging as well. How 269 00:15:19,200 --> 00:15:22,800 Speaker 1: we've been sort of theming our programming weeks, trying to 270 00:15:22,800 --> 00:15:26,040 Speaker 1: give you things in sort of bunches based on you know, 271 00:15:26,320 --> 00:15:30,040 Speaker 1: historical events, world events, whatever. It's like we've been talking 272 00:15:30,080 --> 00:15:33,280 Speaker 1: about last Waltz week here in Disgraceland, and you know, 273 00:15:33,320 --> 00:15:35,800 Speaker 1: we're talking about the greatest concert films, and I don't 274 00:15:35,800 --> 00:15:37,920 Speaker 1: think there's a close second. Some of you guys do. 275 00:15:38,080 --> 00:15:41,640 Speaker 1: Some of you guys think there's a a better concert 276 00:15:41,680 --> 00:15:45,000 Speaker 1: film than The Last Waltz, And who am I to disagree? 277 00:15:45,120 --> 00:15:46,960 Speaker 1: All right? Six months, seven nine oh six, six sixty 278 00:15:46,960 --> 00:15:48,800 Speaker 1: three eight, we're going to get into it all right now. 279 00:15:48,840 --> 00:15:50,480 Speaker 1: You can leave a voicemail, send me a text on 280 00:15:50,560 --> 00:15:52,120 Speaker 1: anything you know. The question of the week for next 281 00:15:52,120 --> 00:15:53,960 Speaker 1: week is going to be on the Beatles solo careers. 282 00:15:54,000 --> 00:15:57,240 Speaker 1: But for right now, like I said, let's check out 283 00:15:57,840 --> 00:16:00,840 Speaker 1: Chips in the three to oh three on the question 284 00:16:01,040 --> 00:16:03,520 Speaker 1: of the greatest concert film for music history. 285 00:16:04,200 --> 00:16:07,680 Speaker 3: Yo, this is Chips from the three h three Colorful 286 00:16:07,760 --> 00:16:13,760 Speaker 3: Colorado answering your question this week about the greatest concert 287 00:16:13,840 --> 00:16:18,560 Speaker 3: film of all time. I do believe it's got to 288 00:16:18,600 --> 00:16:22,320 Speaker 3: be stop making sense talking heads. A long time ago, 289 00:16:22,480 --> 00:16:26,200 Speaker 3: I remember walking downstairs while my parents were making dinner. 290 00:16:26,720 --> 00:16:30,080 Speaker 3: They're mid jam of found a Job band, and that 291 00:16:30,120 --> 00:16:34,160 Speaker 3: shit really locked me in, stuck me in immediately. Been 292 00:16:34,160 --> 00:16:39,520 Speaker 3: into them guys since ever since. You know, and yeah, 293 00:16:39,560 --> 00:16:40,960 Speaker 3: the iconic Big. 294 00:16:40,720 --> 00:16:46,200 Speaker 4: Suit, the Beautiful Lamp Dance with Naives Melody, all those 295 00:16:46,240 --> 00:16:51,160 Speaker 4: songs so touching, and watching that shit, oh chills. 296 00:16:50,840 --> 00:16:54,960 Speaker 3: Man, amazing. It's no awesome behind the scenes or anything 297 00:16:55,040 --> 00:16:58,560 Speaker 3: like that. Nothing crazy, just the concert. But I do 298 00:16:58,640 --> 00:17:02,760 Speaker 3: believe that's got to be a really good contender, and personally, 299 00:17:03,680 --> 00:17:06,680 Speaker 3: that's my greatest of all time. That's my goat right there. 300 00:17:07,800 --> 00:17:09,880 Speaker 3: Thanks a lot, tootle. 301 00:17:10,640 --> 00:17:11,800 Speaker 1: Chips, thanks to the call. 302 00:17:11,880 --> 00:17:12,359 Speaker 4: My man. 303 00:17:14,359 --> 00:17:18,440 Speaker 1: Yeah, dude, stop making sense. I love it. It's fantastic, 304 00:17:19,200 --> 00:17:22,760 Speaker 1: it's great. I understand why you're sucked into it, especially 305 00:17:22,760 --> 00:17:24,879 Speaker 1: with that experience with your parents and your family, and 306 00:17:24,920 --> 00:17:28,239 Speaker 1: so much of this is is subjective, right, I mean, 307 00:17:28,280 --> 00:17:31,160 Speaker 1: so much of my loving the Last Waltz is because 308 00:17:31,240 --> 00:17:33,440 Speaker 1: of the experience I had watching it with my friends 309 00:17:33,440 --> 00:17:36,680 Speaker 1: when I was a young adult. Blew my mind. And 310 00:17:36,960 --> 00:17:39,480 Speaker 1: I get it. But I can't go there with putting 311 00:17:39,480 --> 00:17:41,920 Speaker 1: it above the last Walts. Not that you necessarily are 312 00:17:41,960 --> 00:17:45,080 Speaker 1: put but you know that that is the question. And 313 00:17:45,200 --> 00:17:47,480 Speaker 1: on that question, seven three to two rites in and 314 00:17:47,560 --> 00:17:51,560 Speaker 1: this is I'm interested in this one because it it 315 00:17:51,600 --> 00:17:54,360 Speaker 1: reveals my ignorance, and I like when I'm hip to things, 316 00:17:54,440 --> 00:17:57,080 Speaker 1: or at least I'm reminded, or at least I'm reminded 317 00:17:57,119 --> 00:17:59,239 Speaker 1: of things that I should be hipped to seven three 318 00:17:59,280 --> 00:18:02,160 Speaker 1: to two rights in Hey, Jake Mark in the seven 319 00:18:02,200 --> 00:18:05,080 Speaker 1: three to two checking in with a great concert documentary 320 00:18:05,359 --> 00:18:09,000 Speaker 1: Prince's Sign of the Times from dropping off risers in 321 00:18:09,040 --> 00:18:11,919 Speaker 1: those high heeled boots to dancing like James Brown to 322 00:18:11,960 --> 00:18:15,040 Speaker 1: a sweet version of Little Red Corvette at the piano 323 00:18:15,119 --> 00:18:18,880 Speaker 1: and well Sheila E on drums, it's Prince at his best. 324 00:18:19,480 --> 00:18:21,480 Speaker 1: Check it out. I will check it out. I've never 325 00:18:21,520 --> 00:18:24,960 Speaker 1: seen Sign of the Times. I think I was burned 326 00:18:25,000 --> 00:18:28,639 Speaker 1: by Purple Rain. I don't love Purple Rain. I'm not 327 00:18:28,640 --> 00:18:32,680 Speaker 1: gonna lie. I mean, do you, honestly do you really 328 00:18:32,720 --> 00:18:35,200 Speaker 1: love Purple Rain? Not talking about the song or the record, 329 00:18:35,200 --> 00:18:37,720 Speaker 1: I'm talking about the movie. I mean, seriously, do you 330 00:18:37,760 --> 00:18:42,480 Speaker 1: repeat watch Purple Rain. Prince, for all of the talent 331 00:18:42,520 --> 00:18:46,120 Speaker 1: that that man possessed, was not a good actor at all. 332 00:18:46,640 --> 00:18:50,680 Speaker 1: And the story is not great either. Honestly, Mars Day 333 00:18:50,800 --> 00:18:55,480 Speaker 1: might be the most interesting, might be the most interesting 334 00:18:55,520 --> 00:18:58,359 Speaker 1: part of Purple Rain. But I haven't seen Sign of 335 00:18:58,359 --> 00:19:00,000 Speaker 1: the Times, and I bet it's a lot better because 336 00:19:00,040 --> 00:19:03,040 Speaker 1: it is Prince in his natural habitat, which is performing 337 00:19:03,080 --> 00:19:06,320 Speaker 1: on stage, not acting under the stage lights. So I'm 338 00:19:06,320 --> 00:19:08,880 Speaker 1: gonna check that out. I appreciate the text seven three 339 00:19:08,880 --> 00:19:10,840 Speaker 1: to two, appreciate it reminding me of the Sign of 340 00:19:10,880 --> 00:19:13,800 Speaker 1: the times. Eight one and four comes at us with Hey, Jake, 341 00:19:13,880 --> 00:19:17,440 Speaker 1: my submission for other than the Last Waltz. Great music 342 00:19:17,440 --> 00:19:21,960 Speaker 1: concert films are Joe Cocker's Mad Dogs and Englishmen and 343 00:19:22,119 --> 00:19:24,960 Speaker 1: George Harrison's Concert for Bangladesh. I had them as a tie. 344 00:19:25,040 --> 00:19:28,480 Speaker 1: Both were filmed extremely well, with some tricky photography. Both 345 00:19:28,480 --> 00:19:32,080 Speaker 1: featured Leon Russell as band leader slash musical director. Large 346 00:19:32,160 --> 00:19:36,240 Speaker 1: number of band members were in both concerts. Bangladesh featured Clapton, 347 00:19:36,400 --> 00:19:38,960 Speaker 1: Ringo and Dylan, who also performed in the Last Waltz. 348 00:19:39,000 --> 00:19:40,919 Speaker 1: I enjoyed the podcast as I do your others. Keep 349 00:19:40,920 --> 00:19:43,240 Speaker 1: with the great work, John T. John T from the 350 00:19:43,280 --> 00:19:45,800 Speaker 1: eight one to four great text Man. I have not 351 00:19:45,920 --> 00:19:49,080 Speaker 1: seen either of those either. Hey, I guess if I'm 352 00:19:49,080 --> 00:19:51,520 Speaker 1: going to ask the question what's the greatest concert film 353 00:19:51,800 --> 00:19:55,359 Speaker 1: of all time or in music history, I should at 354 00:19:55,440 --> 00:19:58,600 Speaker 1: least do my homework and watch some more concert films. 355 00:19:58,600 --> 00:20:01,440 Speaker 1: But I've never seen Bangladesh. I've read about it. I've 356 00:20:01,440 --> 00:20:04,360 Speaker 1: read a lot about it, and I've never seen Mad 357 00:20:04,400 --> 00:20:06,840 Speaker 1: Dogs an Englishman, I didn't even know what existed. How's 358 00:20:06,840 --> 00:20:09,080 Speaker 1: that I have the album? I guess the album is 359 00:20:09,080 --> 00:20:12,120 Speaker 1: the soundtrack? Is it? I don't know. And I knew 360 00:20:12,119 --> 00:20:15,879 Speaker 1: of Leon Russell's involvement with both, but I did not. 361 00:20:16,240 --> 00:20:18,639 Speaker 1: I have not seen either, and now I will. They 362 00:20:18,680 --> 00:20:20,679 Speaker 1: all kind of seem to be of a piece. I 363 00:20:20,720 --> 00:20:25,679 Speaker 1: guess right those two films with the Last Waltz, I 364 00:20:25,720 --> 00:20:28,920 Speaker 1: believe Bangladesh was it earlier? I don't know. I need 365 00:20:28,960 --> 00:20:31,359 Speaker 1: to find out. Maybe I'll be updating my opinion on 366 00:20:31,400 --> 00:20:34,720 Speaker 1: the greatest concert film. I don't know. We'll see nine 367 00:20:34,760 --> 00:20:37,120 Speaker 1: oh four Rights and Jake Spencer from the nine oh four. 368 00:20:37,119 --> 00:20:39,080 Speaker 1: I'm not sure if you've seen the HBO series White 369 00:20:39,080 --> 00:20:41,639 Speaker 1: House Plumbers, but I think this connection should be pointed 370 00:20:41,640 --> 00:20:44,480 Speaker 1: out given the Woody episode in The Tramp Theory with 371 00:20:44,480 --> 00:20:48,679 Speaker 1: Woody's dad. In White House Plumbers, Woody plays e Howard Hunt. 372 00:20:48,840 --> 00:20:52,240 Speaker 1: The show is hilarious and anyone interested in Watergate should watch. Also, 373 00:20:52,320 --> 00:20:54,760 Speaker 1: I love The Last Waltz, but the best concert film, 374 00:20:54,800 --> 00:20:58,320 Speaker 1: hands down, is Stopped making Sense. That, of course, is 375 00:20:58,359 --> 00:21:03,880 Speaker 1: the Talking Heads concert film the Chips mentioned earlier. Spencer 376 00:21:04,280 --> 00:21:08,160 Speaker 1: haven't seen White House Plumbers. Uh, it's right up my alley. 377 00:21:08,359 --> 00:21:10,280 Speaker 1: I should see I should. I should have watched it 378 00:21:10,280 --> 00:21:12,720 Speaker 1: by now, but I have not. I think it's because 379 00:21:12,760 --> 00:21:14,959 Speaker 1: I know that it's kind of comical and I'm just 380 00:21:15,000 --> 00:21:18,480 Speaker 1: not ready for humor with this subject. I just want, 381 00:21:18,560 --> 00:21:21,080 Speaker 1: I want, I want All the President's Been Part two. 382 00:21:21,240 --> 00:21:24,359 Speaker 1: I know that's never coming, and uh, I don't know. 383 00:21:24,359 --> 00:21:26,600 Speaker 1: I should probably get over and watch this. I love Woodie, 384 00:21:26,640 --> 00:21:28,680 Speaker 1: I really do. And that other dude who's in it? 385 00:21:28,760 --> 00:21:32,760 Speaker 1: Who plays the other dude? What's his name? Josh? The 386 00:21:32,800 --> 00:21:35,560 Speaker 1: guy with the dogs? Who am I thinking of? Doesn't matter, 387 00:21:35,640 --> 00:21:37,879 Speaker 1: Let's keep going six one seven nine oh six six 388 00:21:37,960 --> 00:21:41,280 Speaker 1: sixty three eight voicemail and text. You can also DM 389 00:21:41,320 --> 00:21:45,000 Speaker 1: me at Disgrace Slam pod on Instagram on x I 390 00:21:45,040 --> 00:21:47,639 Speaker 1: even respond to Facebook every now and then. On Instagram, 391 00:21:47,720 --> 00:21:50,439 Speaker 1: Chuck the podcaster writes, oh man, I'm so excited to 392 00:21:50,440 --> 00:21:52,760 Speaker 1: walk my dog this morning. My favorite group from that 393 00:21:52,880 --> 00:21:55,679 Speaker 1: era and the best concert film hands down. Chuck is 394 00:21:55,760 --> 00:22:01,880 Speaker 1: of course talking about the band andast Waltz and Chuck 395 00:22:01,920 --> 00:22:04,199 Speaker 1: has a great taste. It's Chuck from stuff you should know. 396 00:22:04,880 --> 00:22:07,840 Speaker 1: Let's see who else we got here? Ask the Nawik 397 00:22:08,880 --> 00:22:11,880 Speaker 1: rights on Instagram. Thanks, I'll be thinking to this lore 398 00:22:11,960 --> 00:22:14,320 Speaker 1: while I'm playing this movie during Thanksgiving dinner. And I 399 00:22:14,359 --> 00:22:18,000 Speaker 1: read that because how many of you honestly put The 400 00:22:18,040 --> 00:22:20,480 Speaker 1: Last Walts on every Thanksgiving? I do. I do it 401 00:22:20,480 --> 00:22:22,639 Speaker 1: at some point. It might be a day late, it 402 00:22:22,760 --> 00:22:25,240 Speaker 1: might be a couple days before, but it's always a 403 00:22:25,240 --> 00:22:28,359 Speaker 1: reminder to watch it. And I'm never let down. And 404 00:22:28,600 --> 00:22:30,600 Speaker 1: I say this only because if you're not watching The 405 00:22:30,640 --> 00:22:33,119 Speaker 1: Last Walts on Thanksgiving, you should be. It's a great tradition. 406 00:22:33,240 --> 00:22:35,359 Speaker 1: I invite you to celebrate in it the way that 407 00:22:35,400 --> 00:22:37,399 Speaker 1: a lot of us are already doing. Okay, so go 408 00:22:37,440 --> 00:22:40,320 Speaker 1: ahead and check that out Last Waltz and get on Apple. 409 00:22:40,560 --> 00:22:42,560 Speaker 1: Probably get it somewhere else for free. But I own it. 410 00:22:42,600 --> 00:22:45,240 Speaker 1: What can I tell you? All Right, let's see over 411 00:22:45,359 --> 00:22:48,439 Speaker 1: on the old X machine. Gemma Lighton writes, Hey, I've 412 00:22:48,480 --> 00:22:51,400 Speaker 1: been listening to this Disgrace slam pod for a while now. 413 00:22:51,520 --> 00:22:53,520 Speaker 1: I'm so into it. I reckon some of you would 414 00:22:53,520 --> 00:22:56,160 Speaker 1: be too. It's great music and true crime. If that's 415 00:22:56,160 --> 00:23:00,600 Speaker 1: your jive, get on to it. Yeah, Gemma, I know you, Jemma, 416 00:23:00,640 --> 00:23:03,439 Speaker 1: I haven't seen you before. I appreciate you just popping 417 00:23:03,560 --> 00:23:07,760 Speaker 1: up an hour ago and shouting to the rooftops about disgracelam. Guys, 418 00:23:08,400 --> 00:23:11,399 Speaker 1: hit me up on x at disgracelam pod, give us 419 00:23:11,400 --> 00:23:15,399 Speaker 1: a follow. I wasn't active there for years, but I 420 00:23:15,440 --> 00:23:19,240 Speaker 1: have been recently and you can follow me there elsewhere. 421 00:23:19,320 --> 00:23:22,919 Speaker 1: I'm talking to people everywhere. I'm an equal opportunity talker, 422 00:23:23,160 --> 00:23:26,440 Speaker 1: okay at disgracelam pod, on the socials six one seven 423 00:23:26,560 --> 00:23:29,600 Speaker 1: nine oh six six six three eight on the voicemail 424 00:23:29,720 --> 00:23:34,840 Speaker 1: and text disgracelam pod at gmail on email and I 425 00:23:34,840 --> 00:23:36,639 Speaker 1: will be back in the flash read some of your 426 00:23:36,680 --> 00:23:39,880 Speaker 1: emails and give you a little ditty update and talk 427 00:23:39,880 --> 00:23:57,040 Speaker 1: about some other stuff in just one moment. All right, 428 00:23:57,080 --> 00:23:59,560 Speaker 1: we are back, and as promised, you're Sean Comb's update. 429 00:23:59,600 --> 00:24:01,639 Speaker 1: Here it is. Listen. I thought we were going to 430 00:24:01,720 --> 00:24:06,560 Speaker 1: get on Friday. Now this is interesting for a couple 431 00:24:06,560 --> 00:24:09,520 Speaker 1: different reasons. I thought we were going to get news 432 00:24:09,640 --> 00:24:13,000 Speaker 1: on whether or not the judge was granting bail to Diddy. 433 00:24:13,320 --> 00:24:16,600 Speaker 1: The hearing was on Friday. It's been postponed, and there's 434 00:24:16,600 --> 00:24:19,600 Speaker 1: been a couple different hearings already this week, and I 435 00:24:19,600 --> 00:24:21,399 Speaker 1: think there's gonna be another one today as of this 436 00:24:21,520 --> 00:24:25,320 Speaker 1: recording on Wednesday. That will decide this the fate of 437 00:24:25,400 --> 00:24:29,000 Speaker 1: Sean Combs and his bail, and the fact that this 438 00:24:29,080 --> 00:24:31,800 Speaker 1: has not been sussed out and was not sussed out 439 00:24:31,920 --> 00:24:35,200 Speaker 1: quickly and one hearing is telling, and I don't think 440 00:24:35,200 --> 00:24:39,200 Speaker 1: it's good for the prosecution. So I'm not going to 441 00:24:39,240 --> 00:24:42,760 Speaker 1: get into all the legal mumbo jemo and the drama 442 00:24:42,800 --> 00:24:45,920 Speaker 1: of it here from the courtroom. It's not that dramatic. Actually, 443 00:24:46,520 --> 00:24:48,640 Speaker 1: you read these accounts and they make it seem like it's, 444 00:24:48,880 --> 00:24:50,679 Speaker 1: you know, law and order or something, and it's not. 445 00:24:51,200 --> 00:24:54,159 Speaker 1: It's a lot of just kind of dry legal maneuvering. 446 00:24:54,800 --> 00:24:57,640 Speaker 1: But there is drama in the fact that there wasn't 447 00:24:57,680 --> 00:25:00,960 Speaker 1: a ruling, like I said, and there is a question 448 00:25:01,760 --> 00:25:06,720 Speaker 1: of how authorities handled legal I should put quotes around 449 00:25:06,720 --> 00:25:10,760 Speaker 1: that legal materials, air quotes around legal because there's a 450 00:25:10,840 --> 00:25:12,800 Speaker 1: question of if or not, of whether or not they're 451 00:25:12,800 --> 00:25:17,080 Speaker 1: actually legal documents of how authorities handled Ditty's legal documents 452 00:25:17,119 --> 00:25:19,600 Speaker 1: in his cell. So I just want to I want 453 00:25:19,640 --> 00:25:21,520 Speaker 1: to say this, I said it before, and I don't 454 00:25:21,520 --> 00:25:23,280 Speaker 1: think this is going to happen, but there is a 455 00:25:23,560 --> 00:25:28,080 Speaker 1: slight chance that the case gets tossed completely because of this. Again, 456 00:25:28,520 --> 00:25:30,520 Speaker 1: I don't think that's going to happen, but in the 457 00:25:30,680 --> 00:25:32,760 Speaker 1: you know what, ten percent chance that it does, I 458 00:25:32,760 --> 00:25:35,399 Speaker 1: want to be on record at least having brought you 459 00:25:35,480 --> 00:25:38,920 Speaker 1: that possibility. So that's what I'm doing here. So that's 460 00:25:38,960 --> 00:25:41,959 Speaker 1: going on. The Other thing that's going on is Ditty's 461 00:25:42,000 --> 00:25:44,399 Speaker 1: defense is making a really good case on why he 462 00:25:44,440 --> 00:25:54,320 Speaker 1: should be released. And I would say beginning of this week, 463 00:25:54,359 --> 00:25:56,639 Speaker 1: I thought there was a better than fifty percent chance 464 00:25:57,119 --> 00:26:00,920 Speaker 1: that Diddy gets released. As of what I have read 465 00:26:01,080 --> 00:26:03,080 Speaker 1: up to this point today, I would put it back 466 00:26:03,119 --> 00:26:07,240 Speaker 1: at even odds that he's released on bail. On bail, 467 00:26:07,400 --> 00:26:10,080 Speaker 1: not that the case is thrown out. There is another 468 00:26:10,240 --> 00:26:15,119 Speaker 1: very dramatic piece of news this week related to Shawn 469 00:26:15,160 --> 00:26:17,879 Speaker 1: Combs's court case and a couple other sort of just 470 00:26:17,960 --> 00:26:22,440 Speaker 1: kind of conspiracy gossipy, big name things that came out, 471 00:26:22,480 --> 00:26:25,439 Speaker 1: which that's what the that's what they call a tease, 472 00:26:25,560 --> 00:26:27,160 Speaker 1: which I won't tease you for too long on I'll 473 00:26:27,160 --> 00:26:30,560 Speaker 1: give you that information. But the prosecutor from the Southern 474 00:26:30,600 --> 00:26:33,320 Speaker 1: District of New York, the federal prosecutor who's leading this 475 00:26:33,359 --> 00:26:37,680 Speaker 1: whole thing, resigned this week. Now the scuttle but there 476 00:26:37,720 --> 00:26:40,480 Speaker 1: is that that has more to do with our president 477 00:26:40,520 --> 00:26:44,320 Speaker 1: elect than it has to do with Shawn Combs. But still, 478 00:26:44,520 --> 00:26:47,320 Speaker 1: this is the face of the investigation, and he has 479 00:26:47,400 --> 00:26:51,240 Speaker 1: now resigned. This is the face of the Shawan Combs investigation, 480 00:26:51,840 --> 00:26:55,080 Speaker 1: and he has now resigned. What that means, I don't know, 481 00:26:55,160 --> 00:26:59,639 Speaker 1: but it is worth mentioning now. So we're going to know. 482 00:26:59,720 --> 00:27:01,600 Speaker 1: You might know by Thanksgiving when you're listening to this 483 00:27:01,640 --> 00:27:03,840 Speaker 1: episode if Shawn Combs got out or not. But I 484 00:27:03,840 --> 00:27:06,560 Speaker 1: would say fifty to fifty maybe forty nine to fifty 485 00:27:06,640 --> 00:27:09,160 Speaker 1: one that he doesn't get out. It's close. We'll see. 486 00:27:09,200 --> 00:27:11,960 Speaker 1: They're doing a walkthrough of the apartment where he will 487 00:27:11,960 --> 00:27:15,760 Speaker 1: be living if he is to be released. Sorry, defense 488 00:27:15,760 --> 00:27:19,119 Speaker 1: attorneys are doing that today for the judge, I believe 489 00:27:19,200 --> 00:27:22,320 Speaker 1: at the judge's request. And there's all these stipulations that 490 00:27:22,680 --> 00:27:26,199 Speaker 1: they're proposing that Combs's attorneys are proposing for if he 491 00:27:26,280 --> 00:27:29,400 Speaker 1: is released security, he won't have access to the internet, 492 00:27:29,560 --> 00:27:35,000 Speaker 1: he'll be under security lock and key, basically won't have 493 00:27:35,080 --> 00:27:37,160 Speaker 1: access to a phone except to talk to his lawyers. 494 00:27:38,200 --> 00:27:41,399 Speaker 1: So it seems like they're kind of making they're creating 495 00:27:41,400 --> 00:27:44,000 Speaker 1: a pathway for this to happen. But again, we don't know. 496 00:27:44,119 --> 00:27:48,879 Speaker 1: We shall see Now, in more interesting news, Jamie Fox 497 00:27:49,119 --> 00:27:52,639 Speaker 1: is making some fascinating news lately. There's a lot of people, 498 00:27:52,680 --> 00:27:56,280 Speaker 1: like we have talked about this, I believe, who have 499 00:27:56,320 --> 00:28:00,639 Speaker 1: attended Jamie Fox's taping of his Netflix special which is 500 00:28:00,680 --> 00:28:05,600 Speaker 1: coming on December tenth, and they are claiming that Jamie 501 00:28:05,680 --> 00:28:13,320 Speaker 1: Fox in the special discloses information about Sean Combs's treatment 502 00:28:13,400 --> 00:28:19,639 Speaker 1: of him, specifically how he was drugged and how he 503 00:28:20,000 --> 00:28:24,280 Speaker 1: Jamie Fox dropped a dime on Combs to the Feds, 504 00:28:24,840 --> 00:28:28,639 Speaker 1: and that's why Diddy was arrested. Is this true? I 505 00:28:28,680 --> 00:28:31,919 Speaker 1: do not know, but you have a lot of people 506 00:28:32,240 --> 00:28:35,000 Speaker 1: saying the same damn thing at the same damn time 507 00:28:35,200 --> 00:28:38,440 Speaker 1: and putting their credibility on the line doing so. It 508 00:28:38,480 --> 00:28:42,880 Speaker 1: could be some hoax, it could be completely fake. I 509 00:28:42,920 --> 00:28:45,800 Speaker 1: do not know, but this shit drops on December tenth, 510 00:28:45,840 --> 00:28:48,120 Speaker 1: and I'm getting my popcorn ready for that Jamie Fox 511 00:28:48,160 --> 00:28:51,440 Speaker 1: special on Netflix. And no, this isn't an ad for Netflix. 512 00:28:51,480 --> 00:28:53,480 Speaker 1: This is just something that's happening in the world and 513 00:28:53,520 --> 00:28:55,640 Speaker 1: I'm letting you guys know about it because it is 514 00:28:55,760 --> 00:28:58,479 Speaker 1: music and true crime. Now the other final thing here 515 00:28:58,480 --> 00:29:00,640 Speaker 1: on Diddy, and then I'm gonna move on. Bron James 516 00:29:00,680 --> 00:29:04,680 Speaker 1: was at a La Rams game in his skybox and 517 00:29:04,720 --> 00:29:06,280 Speaker 1: the dude a couple of rows in front of him 518 00:29:06,480 --> 00:29:12,600 Speaker 1: was just harassing him brutally about Lebron's alleged involvement at 519 00:29:12,600 --> 00:29:14,840 Speaker 1: the Diddy parties. And just you know, if you want 520 00:29:14,880 --> 00:29:18,080 Speaker 1: a quick laugh, if you're no fan of Lebron, go 521 00:29:18,160 --> 00:29:20,240 Speaker 1: on the old Internet and search that up. You won't 522 00:29:20,240 --> 00:29:23,400 Speaker 1: be let down. All right, let's do some emails. I'm 523 00:29:23,760 --> 00:29:27,880 Speaker 1: a little floored at the amount of incoming emails that 524 00:29:27,920 --> 00:29:35,120 Speaker 1: we received on the Kennedy assassination and very little actually 525 00:29:35,200 --> 00:29:39,160 Speaker 1: on concert films. It's rare that the previous subject just 526 00:29:39,240 --> 00:29:41,840 Speaker 1: keeps going and going and going and going. But that's 527 00:29:41,840 --> 00:29:44,280 Speaker 1: the case, and there's a lot, there's a lot to 528 00:29:44,280 --> 00:29:46,520 Speaker 1: get into. You guys love sharing this, You love sharing 529 00:29:46,560 --> 00:29:50,760 Speaker 1: your conspiracy theories, and I get it. It's fascinating. I'm 530 00:29:50,800 --> 00:29:53,200 Speaker 1: trying to keep it here to our corner of the street, 531 00:29:53,520 --> 00:29:55,560 Speaker 1: and I'm going to read this one from Grayson Schmidt, 532 00:29:55,560 --> 00:30:00,200 Speaker 1: which is very short, very concise. Grayson goes on to say, hey, 533 00:30:00,720 --> 00:30:04,440 Speaker 1: nice job talking about Bush and JFK. One thousand percent 534 00:30:04,720 --> 00:30:08,600 Speaker 1: he was involved or had knowledge of the hit. This 535 00:30:08,640 --> 00:30:11,400 Speaker 1: is some good stuff. About him, and then Grayson gives 536 00:30:11,520 --> 00:30:14,320 Speaker 1: this article I'm going to invite you all to check 537 00:30:14,320 --> 00:30:19,640 Speaker 1: out called Idaho Observer deathbed Confessions photos support claims that 538 00:30:19,760 --> 00:30:25,040 Speaker 1: George H. W. Bush, and then you know, you can 539 00:30:25,080 --> 00:30:27,080 Speaker 1: go check out the rest. I'm not gonna read the 540 00:30:27,080 --> 00:30:32,440 Speaker 1: whole thing, just Idaho Observer Deathbed Confessions search that up. Now, 541 00:30:33,080 --> 00:30:35,720 Speaker 1: on the issue of conspiracy, this is not This is 542 00:30:36,000 --> 00:30:39,360 Speaker 1: a hill that I'm going to waste this battle on. 543 00:30:39,680 --> 00:30:43,200 Speaker 1: There's clearly interest here. Okay, you guys are clearly interested 544 00:30:43,240 --> 00:30:45,920 Speaker 1: in talking about this stuff, and I'm interested in talking 545 00:30:45,920 --> 00:30:48,600 Speaker 1: about it, and I want to find a way to 546 00:30:48,600 --> 00:30:51,360 Speaker 1: talk about it. There's no room to talk about it here. 547 00:30:51,680 --> 00:30:54,840 Speaker 1: And there's has just conspiracies as they relate to John F. Kennedy, 548 00:30:54,880 --> 00:30:57,000 Speaker 1: which is the big enchilada, that's the super Bowl, like 549 00:30:57,000 --> 00:30:59,800 Speaker 1: we talked about, we talked about this last week, where 550 00:30:59,800 --> 00:31:03,800 Speaker 1: there's yesterday's conspiracy is today's fact. And there should be 551 00:31:03,840 --> 00:31:06,080 Speaker 1: a way for us to talk about this that doesn't 552 00:31:06,440 --> 00:31:09,600 Speaker 1: require tinfoil hats, because there are a lot of conspiracies 553 00:31:09,640 --> 00:31:11,360 Speaker 1: that are connected to a lot of the musicians that 554 00:31:11,400 --> 00:31:14,959 Speaker 1: we're talking about as well, and I don't mean talking 555 00:31:14,960 --> 00:31:17,200 Speaker 1: about them though in a way that's like, we believe this, 556 00:31:17,640 --> 00:31:20,080 Speaker 1: it's just objectively you can be talking about it in 557 00:31:20,160 --> 00:31:22,360 Speaker 1: a way it's like, isn't the shit nuts that people 558 00:31:22,440 --> 00:31:25,680 Speaker 1: actually believe the Earth is flat? Well, flat earthers are 559 00:31:25,720 --> 00:31:28,040 Speaker 1: fucking fascinating to me. Not that I want to go 560 00:31:28,120 --> 00:31:31,320 Speaker 1: down that road, but as those types of conspiracies apply 561 00:31:31,760 --> 00:31:35,320 Speaker 1: to the subjects that we are discussing weekly, I think 562 00:31:35,360 --> 00:31:38,080 Speaker 1: it's worth getting into, and I'm clearly getting the indication 563 00:31:38,120 --> 00:31:40,040 Speaker 1: from you guys that you think it's worth it as well. 564 00:31:40,920 --> 00:31:43,840 Speaker 1: The problem is, this episode's already these episodes here, the 565 00:31:43,880 --> 00:31:46,720 Speaker 1: Aftterboarty episodes are already too long. So I don't know 566 00:31:46,720 --> 00:31:48,880 Speaker 1: where the hell we're going to do it on social 567 00:31:48,920 --> 00:31:51,360 Speaker 1: media on zoom. I don't know. We'll figure it out. 568 00:31:52,080 --> 00:31:54,120 Speaker 1: We'll find a way to do it, because when you 569 00:31:54,120 --> 00:31:56,520 Speaker 1: guys talk, I'm trying to listen. Here give you a 570 00:31:56,520 --> 00:31:58,280 Speaker 1: case in point. I think I might have mentioned this 571 00:31:58,360 --> 00:32:01,800 Speaker 1: last week. I'm fascinated with this now, you guys. The 572 00:32:01,800 --> 00:32:05,959 Speaker 1: Britney Murphy episode of Disgraceland is one of the most 573 00:32:06,280 --> 00:32:11,080 Speaker 1: listened to episodes of twenty twenty four, and we can't 574 00:32:11,080 --> 00:32:18,120 Speaker 1: figure out why. It's not like Britney Murphy is a 575 00:32:18,160 --> 00:32:21,040 Speaker 1: beloved musician. Like this upcoming rewind episode, the one You're 576 00:32:21,040 --> 00:32:23,360 Speaker 1: Gonna hear next to Your Feet tomorrow, is on David Bowie. 577 00:32:23,920 --> 00:32:28,520 Speaker 1: David Bowie occupies rare air in music history with music fans. 578 00:32:28,520 --> 00:32:31,720 Speaker 1: He's like Prince, who I mentioned before. He's weird and 579 00:32:31,760 --> 00:32:35,400 Speaker 1: wonderful and he's beloved. People love him, and they love 580 00:32:35,440 --> 00:32:37,280 Speaker 1: him in a different way than they love Bob Dylan. 581 00:32:37,400 --> 00:32:39,080 Speaker 1: They love him in a different way than they love 582 00:32:39,120 --> 00:32:41,160 Speaker 1: Mick Jagger. They love him in a different way that 583 00:32:41,480 --> 00:32:44,560 Speaker 1: they love Michael Jackson. It's just different. Bowie and Prince 584 00:32:44,600 --> 00:32:48,840 Speaker 1: are beloved. Britney Murphy. What the fuck why is the 585 00:32:48,840 --> 00:32:52,160 Speaker 1: Britney Murphy episode? I think it's gonna be the most 586 00:32:52,200 --> 00:32:57,320 Speaker 1: downloaded new episode of ours from twenty twenty four. But why? 587 00:32:57,360 --> 00:32:59,440 Speaker 1: And I think it has something to do with the 588 00:32:59,480 --> 00:33:03,040 Speaker 1: kidspira around her death or the thinking around her death 589 00:33:03,840 --> 00:33:06,680 Speaker 1: and the unsolved mystery of her death, I should say, 590 00:33:07,160 --> 00:33:10,280 Speaker 1: But to my point, there's a Britney Murphy connection to 591 00:33:10,400 --> 00:33:12,959 Speaker 1: Sean Combs. And this is how it always happens with 592 00:33:13,000 --> 00:33:15,720 Speaker 1: me with conspiracies. I see something on the Internet and 593 00:33:15,720 --> 00:33:17,360 Speaker 1: I go, no fucking way and I don't pay attention 594 00:33:17,360 --> 00:33:18,640 Speaker 1: to it. Then I see it again and I go 595 00:33:19,000 --> 00:33:20,480 Speaker 1: Then I see it a third time and I click 596 00:33:20,520 --> 00:33:22,160 Speaker 1: on it. Then I see it a fourth time, and 597 00:33:22,200 --> 00:33:24,720 Speaker 1: I'm stuck in the fucking wormhole four hours later reading 598 00:33:24,800 --> 00:33:27,680 Speaker 1: about it. The Britney Murphy connection through Ashton Kutcher to 599 00:33:27,760 --> 00:33:31,280 Speaker 1: Shawn Colmbs and kim Porter is really really interesting and 600 00:33:31,360 --> 00:33:34,240 Speaker 1: worth getting into. But it's like a forty five minute 601 00:33:34,280 --> 00:33:36,560 Speaker 1: conversation forty five minutes that we don't yet have that 602 00:33:36,600 --> 00:33:37,880 Speaker 1: we're going to have to try to figure out how 603 00:33:37,920 --> 00:33:40,080 Speaker 1: to have. That's what I'm getting at. And you know, 604 00:33:40,160 --> 00:33:42,200 Speaker 1: the JFK thing I think is teaching me that based 605 00:33:42,200 --> 00:33:43,720 Speaker 1: on your emails from this week, I'm not going to 606 00:33:43,760 --> 00:33:46,080 Speaker 1: read all the emails again. We would just be here 607 00:33:46,160 --> 00:33:51,480 Speaker 1: going through conspiracy, conspiracy, conspiracy. But anyhow, that's where my thinking, Zach. 608 00:33:51,680 --> 00:33:53,920 Speaker 1: I'm going off on a wild tangent here. But I 609 00:33:53,920 --> 00:33:55,320 Speaker 1: did get to the point that I wanted to make 610 00:33:55,360 --> 00:33:58,800 Speaker 1: here about Bowie. Bowie's coming up in the rewind episode 611 00:33:58,840 --> 00:34:00,760 Speaker 1: of Disgrace. Landwich is going to hit feed next. Check 612 00:34:00,800 --> 00:34:03,719 Speaker 1: that out. It's a very weird episode. It's one of 613 00:34:03,760 --> 00:34:06,520 Speaker 1: the weirdest I think I've ever written. I was reading 614 00:34:06,520 --> 00:34:08,799 Speaker 1: a lot about Fourth Way at the time, and I 615 00:34:08,840 --> 00:34:12,759 Speaker 1: was reading a lot about death. And you know, the 616 00:34:12,800 --> 00:34:16,960 Speaker 1: way that Bowie treated his death as almost almost as 617 00:34:17,000 --> 00:34:22,160 Speaker 1: an art project, it really spoke to me in this deep, deep, 618 00:34:22,200 --> 00:34:24,000 Speaker 1: deep way. I wrote it in the in the middle 619 00:34:24,040 --> 00:34:27,040 Speaker 1: of the lockdown as well. The pandemic. I think that 620 00:34:27,120 --> 00:34:29,040 Speaker 1: had something to do with the craziness of it. It 621 00:34:29,080 --> 00:34:31,320 Speaker 1: goes pretty nuts there at the end, and I welcome 622 00:34:31,320 --> 00:34:33,560 Speaker 1: to you to buy a ticket and come along for 623 00:34:33,640 --> 00:34:36,439 Speaker 1: the ride with me on it one more time. All right, 624 00:34:36,520 --> 00:34:38,160 Speaker 1: check that out. It's coming your way. It's coming your 625 00:34:38,160 --> 00:34:39,640 Speaker 1: way with a lot of black magic, a lot of 626 00:34:39,840 --> 00:34:43,759 Speaker 1: Alistair Crowley, some Zeppelin. I think. Does Zeppelin show up 627 00:34:43,800 --> 00:34:45,680 Speaker 1: in the Bowie episode or does Bowie show up in 628 00:34:45,680 --> 00:34:48,080 Speaker 1: my Zeppelin episode? I don't know either way. Check it out. 629 00:34:48,680 --> 00:34:51,239 Speaker 1: This episode, on the other hand, is nearing its end, 630 00:34:51,280 --> 00:34:53,439 Speaker 1: but you know, the after party continues for our All 631 00:34:53,480 --> 00:34:55,440 Speaker 1: Access members. Sign up today you're going to hear an 632 00:34:55,440 --> 00:34:57,640 Speaker 1: extended version of this after party or this week. I'm 633 00:34:57,640 --> 00:35:00,359 Speaker 1: going to get into my experience with the and as 634 00:35:00,400 --> 00:35:05,560 Speaker 1: a young man, my experience with Rick Danko. Leave on Garth, 635 00:35:05,800 --> 00:35:08,160 Speaker 1: all right, you're gonna get that. You're also going to 636 00:35:08,200 --> 00:35:13,520 Speaker 1: get commercial free listening, ad free listening of Disgraceland. That's 637 00:35:13,600 --> 00:35:18,640 Speaker 1: disgracelampod dot com slash membership to sign up and jump 638 00:35:18,680 --> 00:35:21,400 Speaker 1: in the chat talk to us on a daily basis. 639 00:35:21,440 --> 00:35:23,400 Speaker 1: Talk to me right now. I'm on this Beastie Boys 640 00:35:23,440 --> 00:35:26,200 Speaker 1: kick in the chat talking about their influences because I'm 641 00:35:26,239 --> 00:35:28,360 Speaker 1: researching the Beastie Boys episode which is coming out in 642 00:35:28,360 --> 00:35:31,879 Speaker 1: early twenty twenty five. Anyways, you're gonna get that kind 643 00:35:31,880 --> 00:35:34,200 Speaker 1: of all access if you sign up. All right, disgrace 644 00:35:34,239 --> 00:35:55,439 Speaker 1: lampod dot com slash membership. All right, we are back. 645 00:35:55,520 --> 00:35:57,640 Speaker 1: Thank you for spending your time with me on this 646 00:35:57,800 --> 00:36:01,080 Speaker 1: Thanksgiving if that's when you're listening. As I said, grateful 647 00:36:01,080 --> 00:36:03,960 Speaker 1: for you guys, Appreciate you all. Got my dog barking 648 00:36:04,040 --> 00:36:06,160 Speaker 1: in the background there, get some got a little frog 649 00:36:06,160 --> 00:36:09,040 Speaker 1: in my throat. It's all happening. We're gonna land this plane. Anyways, 650 00:36:09,400 --> 00:36:12,960 Speaker 1: got a Rewind episode coming tomorrow on David Bowie top 651 00:36:13,000 --> 00:36:14,640 Speaker 1: of your feed. Check that out. We talked about in 652 00:36:14,680 --> 00:36:17,680 Speaker 1: this episode a couple other subjects from our archive. Van 653 00:36:17,760 --> 00:36:23,000 Speaker 1: Morrison episode five actually five, released back on April third, 654 00:36:23,160 --> 00:36:28,000 Speaker 1: twenty eighteen. That's surprisingly a very Boston episode inspired by 655 00:36:28,080 --> 00:36:31,920 Speaker 1: Ryan Walsh's excellent book Astra Weeks. Check out Van Morrison 656 00:36:32,000 --> 00:36:34,879 Speaker 1: in our archive. Also talking Heads, we talked about them, 657 00:36:34,880 --> 00:36:38,000 Speaker 1: of course and Stop Making Sense The Great Concert Film 658 00:36:38,160 --> 00:36:41,560 Speaker 1: episode one eighty five, released this year July ninth, twenty 659 00:36:41,640 --> 00:36:45,440 Speaker 1: twenty four. Episode on Talking Heads, very very seventy seven, 660 00:36:45,760 --> 00:36:47,839 Speaker 1: New York City. If you're into that vibe, you'll dig 661 00:36:47,880 --> 00:36:50,919 Speaker 1: the talking Heads episode. And of course, if you're talking 662 00:36:50,920 --> 00:36:53,640 Speaker 1: about the Last Waltz, you're mentioned in Bob Dylan. Also 663 00:36:53,680 --> 00:36:56,560 Speaker 1: from this year, May twenty eight, twenty twenty four, episode 664 00:36:56,560 --> 00:36:58,560 Speaker 1: one seventy eight. Go check that out. Thank you, guys 665 00:36:58,560 --> 00:37:02,160 Speaker 1: for all the calls, all the voicemails. I didn't do 666 00:37:02,280 --> 00:37:05,080 Speaker 1: reviews this week. I spaced, but you know, leave a 667 00:37:05,120 --> 00:37:09,520 Speaker 1: review at disgracelamdpod for Disgraceland. Those of you who have 668 00:37:09,600 --> 00:37:12,680 Speaker 1: left reviews in the past, I've seen your emails, your dms. 669 00:37:12,680 --> 00:37:15,600 Speaker 1: If I have not responded, have no fear I will soon. 670 00:37:15,880 --> 00:37:17,399 Speaker 1: End of the month is coming up and I will 671 00:37:17,440 --> 00:37:20,600 Speaker 1: get you. Get you some special merch right now. Number 672 00:37:20,600 --> 00:37:23,239 Speaker 1: one in your feed our episode on Martin Scorsese in 673 00:37:23,280 --> 00:37:25,280 Speaker 1: the band's last walt Number two come in tomorrow special 674 00:37:25,320 --> 00:37:27,800 Speaker 1: remind episode from our archive on David Bowie. As I mentioned, 675 00:37:27,960 --> 00:37:30,799 Speaker 1: and remember, if you're listening to this bonus episode way 676 00:37:30,840 --> 00:37:32,960 Speaker 1: off in the future than that Bowie episode that I'm 677 00:37:32,960 --> 00:37:34,960 Speaker 1: talking about, it's going to be back in the archive, 678 00:37:35,040 --> 00:37:36,959 Speaker 1: so just go give that a search. Number three. Okay, 679 00:37:37,000 --> 00:37:40,520 Speaker 1: next week we're talking about John Lennon's early seventy solo career. 680 00:37:40,960 --> 00:37:42,400 Speaker 1: That's the episode you're going to be getting in the 681 00:37:42,480 --> 00:37:45,000 Speaker 1: question of the week is going to be which Beatles 682 00:37:45,000 --> 00:37:48,120 Speaker 1: solo career are you most into John, George Ringo, Paul, 683 00:37:49,160 --> 00:37:52,000 Speaker 1: let me know which Beatle solo albums as well. That's 684 00:37:52,000 --> 00:37:54,080 Speaker 1: a good one. That's a good question. Number four, merch winners, 685 00:37:54,080 --> 00:37:56,440 Speaker 1: get in touch. You know who you are. Number five. Remember, 686 00:37:56,440 --> 00:37:58,520 Speaker 1: no one cares about great storytelling more than you guys do. 687 00:37:58,560 --> 00:38:01,040 Speaker 1: And well that's a disgrace. And hey, discos, I am 688 00:38:01,080 --> 00:38:04,040 Speaker 1: grateful for you guys. Have an amazing Thanksgiving with your families. 689 00:38:04,239 --> 00:38:06,359 Speaker 1: I will talk to you next week, all right. In 690 00:38:06,440 --> 00:38:10,760 Speaker 1: honor of this week's episode on the Band, me reading 691 00:38:10,800 --> 00:38:14,279 Speaker 1: to you the Billboard charts from Thanksgiving Day back in 692 00:38:14,400 --> 00:38:20,280 Speaker 1: nineteen seventy six, one. Tonight's the Night Gonna be Alright? 693 00:38:20,800 --> 00:38:25,880 Speaker 1: Rod Stewart last week one peak position one weeks on 694 00:38:26,000 --> 00:38:30,439 Speaker 1: chart nine, number two, The reck of Them Men, Fitzgerald 695 00:38:30,760 --> 00:38:36,040 Speaker 1: Gordon Lightfoot last week two peak position two weeks on 696 00:38:36,160 --> 00:38:43,799 Speaker 1: chart fourteen number three, Love So Right Begs last week three, 697 00:38:43,880 --> 00:38:49,600 Speaker 1: peak positions three weeks on Charts eleven number four, number five, 698 00:38:49,760 --> 00:38:54,839 Speaker 1: Muskrat Captain and Tanisians last week last week four peak 699 00:38:54,920 --> 00:38:59,560 Speaker 1: positions position four, five weeks on charts ten six number five, 700 00:39:00,360 --> 00:39:15,240 Speaker 1: Spines Spinus six s position spot Quit talking and start mixing? 701 00:39:15,440 --> 00:39:17,000 Speaker 3: Could m