WEBVTT - Finding Peace in Turbulent Times

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<v Speaker 1>Pushkin from Pushkin Industries. This is Deep Background, the show

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<v Speaker 1>where we explore the stories behind the stories in the news.

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<v Speaker 1>I'm Noah Feldman. Today our show is just a little

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<v Speaker 1>bit different because we're going to explore a story behind

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<v Speaker 1>the story in the news. But the story in the

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<v Speaker 1>news is just the basic idea of crisis. In recent weeks,

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<v Speaker 1>the United States has felt like a nation in crisis,

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<v Speaker 1>and then that national crisis is repeated out at the

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<v Speaker 1>individual level for hundreds or thousands, or maybe even millions

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<v Speaker 1>of people, each of whom is struggling with the core

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<v Speaker 1>questions of how to live, to talk about crises, and

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<v Speaker 1>how we can draw on the resources of spirituality to

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<v Speaker 1>address them. I'm joined today by Professor Michael Alexander. Professor

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<v Speaker 1>Alexander is a professor of Religious Studies at the University

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<v Speaker 1>of California, Riverside, and he's the author of an extraordinary

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<v Speaker 1>new book called Making Peace with the Universe, Personal Crisis

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<v Speaker 1>and Spiritual Healing. I've known Mickey since we were graduate

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<v Speaker 1>students together, and I had the pleasure and the privilege

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<v Speaker 1>of hearing him talk through and work on the ideas

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<v Speaker 1>that went into this book for years. When the book

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<v Speaker 1>finally emerged. It moved me tremendously. It's written accessibly, it's

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<v Speaker 1>written beautifully, and it's written in a way that can

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<v Speaker 1>affect the reader at an individual, personal level. In other words,

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<v Speaker 1>it's nothing like an academic book usually is. Mickey, Thank

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<v Speaker 1>you so much for being here for me. This is

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<v Speaker 1>like the culmination of a little dream to get you

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<v Speaker 1>onto this podcast to talk about this amazing book and

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<v Speaker 1>making peace with the universe. So first of all, just

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<v Speaker 1>thank you for doing it, and thank you for being here. Yes,

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<v Speaker 1>you've been involved with this for a long time. I

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<v Speaker 1>cried on your shoulder many nights trying to figure this

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<v Speaker 1>thing out, and it's great to finally see it in

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<v Speaker 1>the world. Your book starts with a crisis, and then

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<v Speaker 1>it's going to give us more people's crises, but it

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<v Speaker 1>starts with a crisis of your own, and the crisis

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<v Speaker 1>takes place on Sardinia, which you call a playground for

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<v Speaker 1>Europe's richest people, which is not the obvious place for

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<v Speaker 1>a crisis. But maybe start, if you would, by telling

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<v Speaker 1>the listeners what that crisis was, because that will help

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<v Speaker 1>us understand why you wrote the book. The original inspiration

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<v Speaker 1>for the book is older than the crisis. I've been

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<v Speaker 1>teaching religion and religious studies now for twenty years and

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<v Speaker 1>have been studying it professionally for thirty. And I got

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<v Speaker 1>my first job at the University of Oklahoma in nineteen

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<v Speaker 1>ninety nine, having moved there from the East Coast. And

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<v Speaker 1>I turned on the radio and I heard this song,

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<v Speaker 1>a country song that I'd never heard before, because I'd

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<v Speaker 1>never really listened to country music before. And it was

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<v Speaker 1>by this supergroup called the Highwaymen, and it had Willie

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<v Speaker 1>Nelson and cut Johnny Cash. The song is about the

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<v Speaker 1>spirit of adventure. The first verse is sung by Willie

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<v Speaker 1>Nelson and it's about a pirate on the seas, and

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<v Speaker 1>the second verse is about some kind of other adventurer.

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<v Speaker 1>And I got in my head that someday I would

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<v Speaker 1>like to write a book about the spirit of spiritual adventure.

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<v Speaker 1>And it just sat there for ten years, and then

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<v Speaker 1>I came to my own crisis. As it were, I

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<v Speaker 1>was having family trouble. It was nothing exceptional, in fact,

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<v Speaker 1>it was just sort of very typical domestic chaos. But

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<v Speaker 1>I did wonder, after all these years of studying about

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<v Speaker 1>the care of the soul, how come I wasn't able

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<v Speaker 1>to sort of take care of my own. And at

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<v Speaker 1>that exact moment, I was called upon by a good

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<v Speaker 1>friend who was getting married on the island of Stardenia,

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<v Speaker 1>to say some words at his wedding. And I didn't

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<v Speaker 1>have anything to say. I was on the airplane, I

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<v Speaker 1>had a yellow pad in front of me that was

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<v Speaker 1>completely empty of any notes to say about the reality

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<v Speaker 1>of marriage. And off I went to try to say

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<v Speaker 1>something to these people. While I myself was contemplating getting

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<v Speaker 1>out of my own up on the dais, a verse

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<v Speaker 1>from the Upanishads returned to me, and that's what I

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<v Speaker 1>talked about. And the verse is a fascinating verse from

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<v Speaker 1>the Kathopanishad, which is a very old text roughly the

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<v Speaker 1>period of the Hebrew Bible, and it's the story about

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<v Speaker 1>a person who was given a favor or a gift

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<v Speaker 1>by the gods. They're given the opportunity to ask death

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<v Speaker 1>any question that you could possibly think of, and so

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<v Speaker 1>the person who's given the gift thinks through what would

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<v Speaker 1>you ask of death? What would you ask of the

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<v Speaker 1>entity that has seen the course of every life and

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<v Speaker 1>knows what a life amounts to? And he asks the

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<v Speaker 1>question essentially, is there anything in life that is ever

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<v Speaker 1>feels like you amounted to anything? Is there anything that's

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<v Speaker 1>worth doing? That's the question. Death responds with a verse

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<v Speaker 1>which is very terse or succinct, and the verse is

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<v Speaker 1>there is a path of pleasure and there is a

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<v Speaker 1>path of joy. Both attract the soul or a person.

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<v Speaker 1>Those who seek joy come to find it, and those

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<v Speaker 1>who seek pleasure never come to the end. That's the

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<v Speaker 1>verse that I quoted for him, and then said a

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<v Speaker 1>little couple of words about it, and then got off

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<v Speaker 1>the dais and was completely mortified that I'd said something

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<v Speaker 1>inscrutable and meaningless at my friend's wedding. But afterwards people

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<v Speaker 1>came up to me and we talked about it, and

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<v Speaker 1>I reali that I needed to look more at the

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<v Speaker 1>classic sources that for so long I had treated as

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<v Speaker 1>a scholar but had not treated for my own journey, essentially,

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<v Speaker 1>and so I made on the island of Stardiny, I

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<v Speaker 1>made this kind of pact with myself to put all

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<v Speaker 1>my other research on hold, and to start to relook

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<v Speaker 1>at all the verses and aphorisms and myths and rituals,

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<v Speaker 1>everything that I'd ever looked at as though I was

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<v Speaker 1>kind of a zookeeper at the zoo watching other people,

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<v Speaker 1>and I realized that in fact I was I needed

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<v Speaker 1>to help myself, and so that began this journey, which

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<v Speaker 1>turned out it would be a ten year journey in

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<v Speaker 1>which I had started to very deeply look into those sources.

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<v Speaker 1>Not as an academic, although it's academically solid and actually

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<v Speaker 1>all accurate, but really for me, there's something about being

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<v Speaker 1>an academic that kind of splits us into two parts.

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<v Speaker 1>Even if we study something that's about the human condition,

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<v Speaker 1>like you do, you say, a religious study, what could

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<v Speaker 1>be more fundamentally about the human condition or about the

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<v Speaker 1>relationship of the human to the divine, We nevertheless get

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<v Speaker 1>so trained in thinking about history, sociology, philosophy, anthropology that

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<v Speaker 1>we tend to split what we're studying apart from our

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<v Speaker 1>actual individual daily lives. And I think, in some ways

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<v Speaker 1>what's so fascinating to me about your whole project here

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<v Speaker 1>and about the book that came out of it, is

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<v Speaker 1>that standing there in Sardinia, you had the realization that

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<v Speaker 1>there's no point in doing all of this scholarship and

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<v Speaker 1>study about the human condition if we can't turn it

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<v Speaker 1>to ourselves and apply it to ourselves. And I think

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<v Speaker 1>a lot of academics response to that would be no, no,

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<v Speaker 1>don't don't go there and make you step back. It's

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<v Speaker 1>too hard and it'll be too hard to be objective.

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<v Speaker 1>Why did you in that moment think no, I gotta

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<v Speaker 1>take it the other way. I've got to do the

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<v Speaker 1>thing that actually non academics imagine we're all doing all

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<v Speaker 1>the time, namely, if we're looking for the answers to

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<v Speaker 1>the world's questions, try to look for those answers to

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<v Speaker 1>use them for ourselves. Well, I can't answer the question

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<v Speaker 1>in the arena of the law or in the arena

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<v Speaker 1>of medicine, where somebody can potentially die on the operating

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<v Speaker 1>table as a result of kind of a method that

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<v Speaker 1>is unorthodox. But I think I'm liberated by the fact

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<v Speaker 1>that it is religious studies and that if somebody should

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<v Speaker 1>fail one of my classes, nobody dies on the operating table.

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<v Speaker 1>Besides the marital aspect of it. I did have kind

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<v Speaker 1>of a crisis regarding what am I doing teaching religion,

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<v Speaker 1>because so much of it, as you're well aware from

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<v Speaker 1>your own work, is you know, just the crassest justifications

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<v Speaker 1>of nationalism and sexism and racism, and so I would

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<v Speaker 1>be standing up in front of my students sort of thinking,

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<v Speaker 1>what is the value here? Why are we studying all

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<v Speaker 1>of this old stuff? And it became clear to me

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<v Speaker 1>that for myself it was the value of it was

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<v Speaker 1>in the arena of therapy, personal therapy. And that's actually

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<v Speaker 1>I came to the insight in reading and teaching all

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<v Speaker 1>these confessions confessional literature for so many years. I realized

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<v Speaker 1>that most of the great confessions, from Augustine down to

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<v Speaker 1>the present, to Tulstoy or whoever else, had been the

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<v Speaker 1>result of somebody having a personal freak out in their lives.

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<v Speaker 1>And because religion had been the form for therapy before

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<v Speaker 1>there was modern therapy, people turned to it when they

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<v Speaker 1>had nowhere else to turn to, when they needed to

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<v Speaker 1>take one step forward. And I just realized that all

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<v Speaker 1>of these confessions were, in fact, case histories of spiritual therapy,

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<v Speaker 1>as it were. But I came to that realization actually

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<v Speaker 1>as somebody who was seeking. In other words, when I

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<v Speaker 1>was reading Augustine, I wanted to figure out how he'd

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<v Speaker 1>figured out his life so I could figure out my life.

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<v Speaker 1>When I read Tulstoy's Confessions, I was doing the same thing.

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<v Speaker 1>I stopped reading it as a third person and I

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<v Speaker 1>started reading the stuff as though it were self helped literature,

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<v Speaker 1>because I think that's what it was the fastest growing

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<v Speaker 1>category of quote unquote religious affiliation in the United States.

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<v Speaker 1>Its people who say, I'm not religious, I'm spiritual. And

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<v Speaker 1>it really strikes me that your book is partly about

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<v Speaker 1>how there's really no difference between those things. I mean,

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<v Speaker 1>in the end, the religious traditions were all designed from

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<v Speaker 1>the beginning to address spirituality, and the people you write

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<v Speaker 1>about in your book are on spiritual journeys. I mean,

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<v Speaker 1>what we have is people tend to associate with religion

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<v Speaker 1>the institutionalism of it, and that's not why your book

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<v Speaker 1>is about at all. And that's not what the book

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<v Speaker 1>is about at all. And I felt liberated and sort

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<v Speaker 1>of going to the spiritual because there were precedents, and

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<v Speaker 1>the greatest precedent was actually the founder of American psychology

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<v Speaker 1>and the founder of American religious studies, William James, who

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<v Speaker 1>himself had gone through a tough marriage and he was

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<v Speaker 1>in his late thirties early forties, had never published a book.

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<v Speaker 1>He was up at Harvard near your offices, sucking down

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<v Speaker 1>nitrous oxide canisters in his office and calling it research.

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<v Speaker 1>He was in a bad way, and he started to

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<v Speaker 1>return to some of the spiritual masters that he had

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<v Speaker 1>read about it in his youth more seriously, and the

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<v Speaker 1>result of that work was The Varieties of Religious Experience,

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<v Speaker 1>which you published in the early part of the twentieth century,

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<v Speaker 1>and it really turned his life around. So he makes

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<v Speaker 1>a distinction about religion as an institutional function and religion

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<v Speaker 1>as a person or private function. And I think a

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<v Speaker 1>lot of my colleagues have a lot of problem with

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<v Speaker 1>putting those blinders on it, and I do too, because

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<v Speaker 1>I think that if you're missing the nationalism and the

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<v Speaker 1>sexism and the racism and all of that, you're missing

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<v Speaker 1>a lot about how religion functions. Nevertheless, I still felt

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<v Speaker 1>this spiritual curiosity, and I felt that there was this

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<v Speaker 1>essential thing driving people to either religion or spirituality that

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<v Speaker 1>was not simply them getting pushed around by power politics.

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<v Speaker 1>That was people looking for something, and I was looking

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<v Speaker 1>for something. Let's turn now make you too the thing

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<v Speaker 1>you found. And of course this is part of why

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<v Speaker 1>people should read the book. But I'd like for listeners

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<v Speaker 1>to get a flavor of your core observation, the thing

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<v Speaker 1>you found in the different spiritual traditions that you explored,

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<v Speaker 1>each of which, in one way or another, picks up

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<v Speaker 1>on the idea that you began with, the idea that

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<v Speaker 1>there's a path of joy and a path of pleasure,

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<v Speaker 1>and you can find the path of joy, but the

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<v Speaker 1>path of pleasure has no end. That insight simply rang

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<v Speaker 1>true to me, meaning that when I thought about my

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<v Speaker 1>own life and instances of pleasure, I thought about all

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<v Speaker 1>the conquests of Saturday night, that Sunday morning receded into

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<v Speaker 1>darkness and blackness, and you know, all the times that

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<v Speaker 1>I was on an internet browser, you know, in four

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<v Speaker 1>hours later getting up and asking myself what kind of

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<v Speaker 1>a black hole was I just down? In other words,

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<v Speaker 1>there it felt like a path with no end. And

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<v Speaker 1>then I thought about other episodes in my life in

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<v Speaker 1>which they seemed edifying, the episodes that I would call joyful,

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<v Speaker 1>and even the words seemed old fashioned to make joy,

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<v Speaker 1>who even uses it? But the episodes that I would

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<v Speaker 1>use as joyful or think about as joyful had a

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<v Speaker 1>kind of edifying aspect to it. And I use the

0:13:21.876 --> 0:13:24.676
<v Speaker 1>word edifice building up. It meant that after you did

0:13:24.796 --> 0:13:27.836
<v Speaker 1>that behavior, you felt like you built yourself up, like

0:13:27.876 --> 0:13:30.556
<v Speaker 1>there was something left standing after you had done it,

0:13:30.756 --> 0:13:33.916
<v Speaker 1>which was so different from pursuits of pleasure, where they

0:13:33.956 --> 0:13:38.036
<v Speaker 1>almost receded while you're doing it, if not just shortly thereafter.

0:13:38.596 --> 0:13:41.076
<v Speaker 1>And I started to think about what's the mechanism by

0:13:41.116 --> 0:13:44.916
<v Speaker 1>which joys are created. Both of these are flavors of happiness.

0:13:44.956 --> 0:13:47.676
<v Speaker 1>They're also deeply related to one another. One can enjoy

0:13:48.196 --> 0:13:53.036
<v Speaker 1>pleasures in a joyful aspect, even something as basic as

0:13:53.076 --> 0:13:57.036
<v Speaker 1>sexual relations done within the context of a meaningful relationship,

0:13:57.356 --> 0:13:59.836
<v Speaker 1>it doesn't feel empty. It feels like something has been

0:13:59.996 --> 0:14:02.996
<v Speaker 1>edified by the act. So I wanted to get to

0:14:03.036 --> 0:14:07.596
<v Speaker 1>the mechanism of what that was, what transposes pleasures into joys?

0:14:08.236 --> 0:14:11.356
<v Speaker 1>And sometimes when pleasures aren't available, how do you have

0:14:11.436 --> 0:14:14.036
<v Speaker 1>joys even in the worst and hardest of circumstances, as

0:14:14.076 --> 0:14:16.676
<v Speaker 1>we all sometimes have to do. It's not just about

0:14:16.756 --> 0:14:20.396
<v Speaker 1>chasing pleasures. Sometimes you're alone with your best friend in

0:14:20.396 --> 0:14:24.436
<v Speaker 1>a hospital gurney and they're passing away, and so those

0:14:24.516 --> 0:14:28.396
<v Speaker 1>moments that have these intense feelings of connection that are

0:14:28.556 --> 0:14:32.316
<v Speaker 1>not necessarily related to pleasures but sort of give you

0:14:32.356 --> 0:14:35.516
<v Speaker 1>a kind of they throw you into a spiritual mood.

0:14:36.116 --> 0:14:39.556
<v Speaker 1>I wanted to find out how that happened, and I

0:14:39.676 --> 0:14:42.556
<v Speaker 1>read the sources, and it was pretty clear to me

0:14:42.596 --> 0:14:45.356
<v Speaker 1>that the obvious statement that we talked about before was

0:14:45.596 --> 0:14:48.516
<v Speaker 1>the mechanism that made all those things happen, which is

0:14:48.556 --> 0:14:50.876
<v Speaker 1>that religion was the forum, or is the forum in

0:14:50.876 --> 0:14:53.916
<v Speaker 1>which people thinking about the weight of the world. And

0:14:54.156 --> 0:14:56.436
<v Speaker 1>when I gave myself over to the fact that the

0:14:56.476 --> 0:15:00.156
<v Speaker 1>world has weight and meaning at all, that's when the

0:15:00.236 --> 0:15:04.916
<v Speaker 1>joy started to arise. What I heard you saying was

0:15:04.956 --> 0:15:08.436
<v Speaker 1>that when you feel the weight of the world on you,

0:15:09.636 --> 0:15:13.116
<v Speaker 1>that the key thing to be able to do is

0:15:13.196 --> 0:15:18.316
<v Speaker 1>to embrace the idea that the world has meaning, and

0:15:18.436 --> 0:15:21.836
<v Speaker 1>by doing that, you're able to give what you call

0:15:21.916 --> 0:15:26.276
<v Speaker 1>in the book, giving your assent to the universe instead

0:15:26.276 --> 0:15:30.276
<v Speaker 1>of fighting back against it, to be at peace with

0:15:30.356 --> 0:15:33.116
<v Speaker 1>the weight that the world has on you. And so

0:15:33.156 --> 0:15:34.596
<v Speaker 1>what I wanted to ask you about that because that

0:15:34.876 --> 0:15:37.156
<v Speaker 1>feels to me like it's very close to the heart

0:15:37.876 --> 0:15:40.916
<v Speaker 1>of your proposal in the book, very close to what

0:15:40.916 --> 0:15:45.076
<v Speaker 1>you've derived from these religious traditions. For me, sometimes when

0:15:45.116 --> 0:15:48.476
<v Speaker 1>I'm feeling that weight, the weight of the world, that's

0:15:48.476 --> 0:15:51.516
<v Speaker 1>exactly when it's hardest to believe that the world does

0:15:51.556 --> 0:15:53.836
<v Speaker 1>have meaning. But I heard you to be saying the

0:15:53.916 --> 0:15:56.876
<v Speaker 1>key is acknowledged that the world has meaning. But for

0:15:56.956 --> 0:15:59.476
<v Speaker 1>me at least, that's often the hardest part. So what's

0:15:59.476 --> 0:16:02.356
<v Speaker 1>the trick, as it were? How does one move from

0:16:02.436 --> 0:16:05.836
<v Speaker 1>feeling the weight of the world to thinking, well, the

0:16:05.836 --> 0:16:08.796
<v Speaker 1>weight of the world does have meaning, and through that meaning,

0:16:08.836 --> 0:16:12.876
<v Speaker 1>I give my assent to the universe. Weight and gravity

0:16:12.876 --> 0:16:15.276
<v Speaker 1>are a metaphor that I use, the reason being that

0:16:15.316 --> 0:16:17.916
<v Speaker 1>there's no language that can really pin it down. I

0:16:17.956 --> 0:16:20.956
<v Speaker 1>avoid the word meaning because I'm not sure that joyful

0:16:21.636 --> 0:16:26.036
<v Speaker 1>moments necessarily have meaning. In other words, I just remember

0:16:26.476 --> 0:16:28.836
<v Speaker 1>when my kids were young, there was an episode in

0:16:28.876 --> 0:16:30.796
<v Speaker 1>which my youngest, who might have been three or four

0:16:30.836 --> 0:16:33.756
<v Speaker 1>at the time, took a piece of saran wrap and

0:16:33.836 --> 0:16:36.276
<v Speaker 1>pulled it over the toilet bowl as a trap for

0:16:36.316 --> 0:16:38.876
<v Speaker 1>the next person who would use the toilet, and when

0:16:38.916 --> 0:16:41.796
<v Speaker 1>I saw it, I felt joy. Now, I don't know

0:16:41.796 --> 0:16:45.356
<v Speaker 1>what the meaning of the situation was, but I don't

0:16:45.396 --> 0:16:47.796
<v Speaker 1>think it had significance beyond the fact that the little

0:16:47.836 --> 0:16:50.596
<v Speaker 1>kid was playing a trick. And yet there was something

0:16:50.716 --> 0:16:53.236
<v Speaker 1>that about the act that made the world feel like

0:16:53.276 --> 0:16:56.156
<v Speaker 1>it was revolving on well oiled hinges, that I was

0:16:56.276 --> 0:17:00.236
<v Speaker 1>at one with a universe that was okay. Sometimes that

0:17:00.316 --> 0:17:05.076
<v Speaker 1>occurs in very hard circumstances. I used the word gravitoss

0:17:05.196 --> 0:17:09.636
<v Speaker 1>or gravity, because the idea of it is that things

0:17:09.716 --> 0:17:12.116
<v Speaker 1>feel like they have weight. I mean, things feel like

0:17:12.236 --> 0:17:15.236
<v Speaker 1>people are born and people die, and these things matter,

0:17:15.556 --> 0:17:18.956
<v Speaker 1>and that when I fall into the trap of thinking

0:17:18.956 --> 0:17:21.596
<v Speaker 1>that these things don't matter, that's usually when my own

0:17:21.716 --> 0:17:26.436
<v Speaker 1>pain and agonies are actually exacerbated and are the worst.

0:17:26.796 --> 0:17:29.036
<v Speaker 1>In other words, if one went ahead and tried to

0:17:29.116 --> 0:17:32.756
<v Speaker 1>do something about those difficulties in the world and embrace

0:17:32.836 --> 0:17:35.996
<v Speaker 1>them as important or everything about it the world is important,

0:17:36.436 --> 0:17:39.476
<v Speaker 1>that's when the joys came. So it seemed to me

0:17:39.516 --> 0:17:43.156
<v Speaker 1>it was emotion. It was an emotional response as opposed

0:17:43.196 --> 0:17:49.036
<v Speaker 1>to an intellectual one, meaning that recognizing just the reality

0:17:49.076 --> 0:17:51.436
<v Speaker 1>that I feel that the world and things in't matter,

0:17:52.116 --> 0:17:56.676
<v Speaker 1>started to feel good. Why do you think that your

0:17:56.756 --> 0:17:59.796
<v Speaker 1>kids prank had this effect on you? I mean it's

0:17:59.796 --> 0:18:02.236
<v Speaker 1>almost like a zen cohon of you know, the surround

0:18:02.316 --> 0:18:04.676
<v Speaker 1>rap or for the toilet pull seed. You know, part

0:18:04.716 --> 0:18:07.796
<v Speaker 1>of me wants to try to analyze it symbolically and

0:18:08.356 --> 0:18:12.476
<v Speaker 1>think that it's about out death and that it's about transparency,

0:18:12.556 --> 0:18:14.596
<v Speaker 1>and you know, but this is clearly the wrong way

0:18:14.596 --> 0:18:17.476
<v Speaker 1>to go about thinking of this story. The question is

0:18:17.516 --> 0:18:20.076
<v Speaker 1>why did it do this for you? Why did it

0:18:20.116 --> 0:18:24.516
<v Speaker 1>give you that feeling of the world having wait in

0:18:24.556 --> 0:18:27.716
<v Speaker 1>a good way? I think because I saw my kid,

0:18:27.716 --> 0:18:30.676
<v Speaker 1>who was two or three years old, participating in joy

0:18:30.716 --> 0:18:34.476
<v Speaker 1>and laughter, and it was a kind of pleasure at

0:18:34.476 --> 0:18:37.116
<v Speaker 1>the fact of watching a young kid come into themselves

0:18:37.156 --> 0:18:39.516
<v Speaker 1>and grow old and watch their intellect developed to the

0:18:39.516 --> 0:18:41.396
<v Speaker 1>point that they were ready to set a trap like that.

0:18:41.476 --> 0:18:44.676
<v Speaker 1>It was watching the world turn the way it's supposed to,

0:18:44.756 --> 0:18:47.836
<v Speaker 1>as it were. Something that I find really hard in

0:18:47.876 --> 0:18:52.476
<v Speaker 1>the context of spiritual growth is making the move from

0:18:52.516 --> 0:18:58.316
<v Speaker 1>the isolated experience like you're describing, where you have that

0:18:58.396 --> 0:19:01.596
<v Speaker 1>feeling of connection, you have that feeling of the world

0:19:01.636 --> 0:19:06.436
<v Speaker 1>doing what it's supposed to do and mattering, and then

0:19:07.076 --> 0:19:12.276
<v Speaker 1>translating that into a dane feeling of well being. Sometimes

0:19:12.276 --> 0:19:15.236
<v Speaker 1>I feel very lucky and I am able to experience

0:19:15.916 --> 0:19:19.476
<v Speaker 1>a moment of what you're calling joy, a moment of connection.

0:19:20.476 --> 0:19:22.876
<v Speaker 1>Yet I still find it difficult to, as it were,

0:19:23.596 --> 0:19:28.076
<v Speaker 1>regularize that sentiment or make it feel good over time.

0:19:28.676 --> 0:19:31.556
<v Speaker 1>What are the traditions that you've studied, in the examples

0:19:31.556 --> 0:19:32.756
<v Speaker 1>that you've studied, and we're going to turn to some

0:19:32.836 --> 0:19:35.196
<v Speaker 1>of those examples in a moment, What do they say

0:19:35.236 --> 0:19:39.356
<v Speaker 1>about that, about that move from a moment of recognition

0:19:39.876 --> 0:19:42.636
<v Speaker 1>to actually being able to live well and in peace

0:19:42.676 --> 0:19:45.876
<v Speaker 1>with the universe over time. First of all, it's always

0:19:45.916 --> 0:19:48.316
<v Speaker 1>moment by moment, and you always slip an in and

0:19:48.356 --> 0:19:51.756
<v Speaker 1>out of it. There's always a tension with seeing a

0:19:51.796 --> 0:19:55.516
<v Speaker 1>meaningless universe in which you only want to run away

0:19:55.556 --> 0:20:00.076
<v Speaker 1>from the problems of it. So it's simple to recognize,

0:20:00.236 --> 0:20:03.396
<v Speaker 1>but it's never easy to do. A regiment of prayer

0:20:03.556 --> 0:20:07.476
<v Speaker 1>is a means by which basically all the traditions remind

0:20:07.516 --> 0:20:09.796
<v Speaker 1>a person to sort of think about how the world

0:20:09.836 --> 0:20:12.636
<v Speaker 1>is turning. There are greater holidays and lesser holidays, but

0:20:12.716 --> 0:20:17.076
<v Speaker 1>typically most traditions really advocate taking a break every couple

0:20:17.076 --> 0:20:19.836
<v Speaker 1>of hours, and for things that you do regularly, such

0:20:19.876 --> 0:20:22.636
<v Speaker 1>as wash your hands or take a meal, in which

0:20:22.676 --> 0:20:26.956
<v Speaker 1>it's the time to stop and basically say I appreciate this.

0:20:27.116 --> 0:20:30.956
<v Speaker 1>I know the alternative it throws you back into a

0:20:30.996 --> 0:20:35.836
<v Speaker 1>position of gratitude and also of responsibility, by which I

0:20:35.876 --> 0:20:38.316
<v Speaker 1>mean when you recognize the way to the world, you

0:20:38.356 --> 0:20:41.676
<v Speaker 1>realize that your job is to pay it forward. The

0:20:41.676 --> 0:20:44.516
<v Speaker 1>metaphor that I like so much about gravity is that

0:20:44.556 --> 0:20:47.756
<v Speaker 1>it's not about you, it's about something else. It's about

0:20:47.796 --> 0:20:52.196
<v Speaker 1>throwing in your chips with some function or power that

0:20:52.436 --> 0:20:55.636
<v Speaker 1>is not of just about poor me. And the amazing

0:20:55.796 --> 0:21:01.356
<v Speaker 1>and ironic aspect of doing it is that almost as

0:21:01.356 --> 0:21:04.276
<v Speaker 1>soon as you stop thinking about poor me and throw

0:21:04.516 --> 0:21:08.876
<v Speaker 1>one's focus to things that are more important than me,

0:21:09.476 --> 0:21:13.556
<v Speaker 1>your own therapy or my own therapy was achieved almost instantly.

0:21:14.196 --> 0:21:18.196
<v Speaker 1>A lot of my own self pity really came exactly

0:21:18.236 --> 0:21:21.276
<v Speaker 1>from that poor me, poor me. Not that I don't

0:21:21.316 --> 0:21:23.476
<v Speaker 1>have my own problems, or that other people don't have very,

0:21:23.556 --> 0:21:27.916
<v Speaker 1>very substantial problems, but paying it forward is a pretty

0:21:27.956 --> 0:21:32.676
<v Speaker 1>substantial way of digging oneself out of that hole. And

0:21:32.716 --> 0:21:35.196
<v Speaker 1>I think that the religions really do try to offer

0:21:35.596 --> 0:21:50.396
<v Speaker 1>ritualized opportunities to do that. We'll be right back, Michael.

0:21:50.556 --> 0:21:54.396
<v Speaker 1>In your book, you've got amazing chapters which are sort

0:21:54.396 --> 0:21:59.356
<v Speaker 1>of spiritual biographies in miniature of figures who had crises

0:21:59.716 --> 0:22:01.916
<v Speaker 1>and engaged with them. They're all amazing, But I want

0:22:01.916 --> 0:22:05.076
<v Speaker 1>to ask you about two in particular one because it

0:22:05.196 --> 0:22:07.156
<v Speaker 1>was the one that I maybe knew the most about

0:22:07.196 --> 0:22:09.476
<v Speaker 1>to begin with, and I was fascinated by to it,

0:22:09.716 --> 0:22:11.516
<v Speaker 1>and the other because it was the one I knew

0:22:11.556 --> 0:22:13.956
<v Speaker 1>nothing about. So the one I knew a little bit

0:22:13.956 --> 0:22:18.516
<v Speaker 1>about was the story of the great Muslim philosopher and

0:22:18.596 --> 0:22:21.996
<v Speaker 1>critic of philosophy of Mohammad al Hazali. I wonder if

0:22:22.036 --> 0:22:26.316
<v Speaker 1>you'd start with his tale and what it was about

0:22:26.396 --> 0:22:30.076
<v Speaker 1>his experience that resonated for you. I came across a

0:22:30.236 --> 0:22:35.196
<v Speaker 1>title of his I didn't know anything about him, and

0:22:35.316 --> 0:22:38.156
<v Speaker 1>the title was The Alchemy of Happiness. It was written

0:22:38.156 --> 0:22:41.236
<v Speaker 1>in Persian. It was a Persian pressus of a larger

0:22:41.316 --> 0:22:44.236
<v Speaker 1>Arabic work that he had been working on for a

0:22:44.316 --> 0:22:46.596
<v Speaker 1>long time. And I didn't know anything about any of them.

0:22:47.036 --> 0:22:49.476
<v Speaker 1>And so I started digging in into who is Ghazzali

0:22:49.756 --> 0:22:53.076
<v Speaker 1>and what is the Alchemy of Happiness? And I happened

0:22:53.116 --> 0:22:57.276
<v Speaker 1>upon his autobiography, his amazing confession and autobiography The Deliverance

0:22:57.796 --> 0:23:01.636
<v Speaker 1>from Error, And as I read it to be perfectly honest,

0:23:01.676 --> 0:23:04.116
<v Speaker 1>I thought a lot about you because you and I

0:23:04.156 --> 0:23:06.836
<v Speaker 1>go back a long time. I was in graduate school

0:23:06.836 --> 0:23:09.756
<v Speaker 1>with you when you were in law school, and Gazzali

0:23:09.916 --> 0:23:12.236
<v Speaker 1>was a lawyer. He was the top lawyer for the

0:23:12.276 --> 0:23:16.076
<v Speaker 1>sultan in a period in which the sultan ran everything

0:23:16.196 --> 0:23:19.556
<v Speaker 1>practically from India to Turkey, and he had a really

0:23:19.596 --> 0:23:21.796
<v Speaker 1>good job. He was the top of the law profession.

0:23:21.916 --> 0:23:24.356
<v Speaker 1>The things that he said and the ink strokes of

0:23:24.396 --> 0:23:27.996
<v Speaker 1>his pen really changed lives, hundreds of them, thousands of them.

0:23:28.436 --> 0:23:31.116
<v Speaker 1>And then one day or over a period of a

0:23:31.116 --> 0:23:33.996
<v Speaker 1>couple of weeks, all the top people were dead. There

0:23:34.036 --> 0:23:37.156
<v Speaker 1>was either a coup or bad things happened, and everything

0:23:37.196 --> 0:23:40.356
<v Speaker 1>that Gazzali had worked towards and had become a part

0:23:40.436 --> 0:23:43.396
<v Speaker 1>of crashed into the sand, and there was a huge

0:23:43.436 --> 0:23:48.036
<v Speaker 1>power vacuum that occurred in the region. And Gazzali didn't

0:23:48.076 --> 0:23:50.916
<v Speaker 1>know what to do. He basically had a Cartesian moment

0:23:51.236 --> 0:23:54.356
<v Speaker 1>of saying, where did we go wrong? How do we

0:23:54.436 --> 0:23:58.316
<v Speaker 1>start this from the beginning, step by step? And were

0:23:58.316 --> 0:24:01.676
<v Speaker 1>there calculations that we achieved that we thought we were

0:24:01.676 --> 0:24:04.756
<v Speaker 1>doing in the name of God that in fact read

0:24:04.836 --> 0:24:09.316
<v Speaker 1>to the complete devolution of society? And so he took

0:24:09.356 --> 0:24:13.756
<v Speaker 1>a step back. He did whatever responsible adult would do

0:24:13.796 --> 0:24:18.276
<v Speaker 1>in the situation. He runs away. He runs away from

0:24:18.356 --> 0:24:22.836
<v Speaker 1>Baghdad because he's had since he was a kid's spiritual curiosity.

0:24:22.956 --> 0:24:26.276
<v Speaker 1>He'd heard about the Sufi's his whole life. They had

0:24:26.316 --> 0:24:28.636
<v Speaker 1>been on the street corners, he'd heard the things they said.

0:24:28.676 --> 0:24:31.516
<v Speaker 1>They made very little sense to him, but there was

0:24:31.596 --> 0:24:34.196
<v Speaker 1>something about them that rang like they could be true.

0:24:34.556 --> 0:24:37.476
<v Speaker 1>These simistics the Sufis are the muslimistics. Yeah, yeah, the

0:24:37.476 --> 0:24:41.476
<v Speaker 1>Sufis are the great mystics of Islam. So he took

0:24:41.516 --> 0:24:45.956
<v Speaker 1>the opportunity to go finally, to follow his spiritual curiosity.

0:24:46.356 --> 0:24:48.476
<v Speaker 1>He and a friend go to Damascus, which at the

0:24:48.516 --> 0:24:51.116
<v Speaker 1>time was the center of mysticism. It's still a great

0:24:51.556 --> 0:24:56.636
<v Speaker 1>mystical city. Christianity and Islam have great practices from there.

0:24:56.916 --> 0:25:00.116
<v Speaker 1>All the great Sufi texts seem to have been published

0:25:00.156 --> 0:25:02.716
<v Speaker 1>from there. So he gets up and he goes there

0:25:02.756 --> 0:25:06.516
<v Speaker 1>to study, and his life is turned around on account

0:25:06.556 --> 0:25:10.716
<v Speaker 1>of it, and he finds grounding, he finds spiritual grounding,

0:25:11.076 --> 0:25:14.316
<v Speaker 1>and so he really became my intellectual hero. I mean,

0:25:14.356 --> 0:25:17.516
<v Speaker 1>to this day, I think about Gazzali as the greatest

0:25:17.556 --> 0:25:20.116
<v Speaker 1>of all time, as it were, you know, because of

0:25:20.156 --> 0:25:23.316
<v Speaker 1>the bravery of that, because of the bravery of basically

0:25:23.716 --> 0:25:26.316
<v Speaker 1>being at the top of your profession, feeling like you're

0:25:26.316 --> 0:25:29.116
<v Speaker 1>not where you need to be and going for it,

0:25:29.516 --> 0:25:31.236
<v Speaker 1>Which isn't to say that people need to leave their

0:25:31.236 --> 0:25:34.316
<v Speaker 1>professions or anything like that, but it's as though. I mean,

0:25:34.356 --> 0:25:37.316
<v Speaker 1>I think Gazzali in particular gave me the permission to

0:25:37.356 --> 0:25:40.356
<v Speaker 1>look at my own spiritual curiosity because he had done

0:25:40.356 --> 0:25:44.796
<v Speaker 1>so himself so explicitly and so carefully. I mean, my God,

0:25:45.076 --> 0:25:47.796
<v Speaker 1>I can't think of an intellectual that really pierced through

0:25:47.876 --> 0:25:52.476
<v Speaker 1>to the most essential issues more clearly than Gazzali. The

0:25:52.516 --> 0:25:54.956
<v Speaker 1>other person whom I really wanted to ask you about

0:25:55.476 --> 0:26:00.836
<v Speaker 1>is the extraordinary jazz pianist Mary Lou Williams, and I

0:26:00.956 --> 0:26:03.876
<v Speaker 1>knew her only as a name and perhaps a little

0:26:03.916 --> 0:26:05.716
<v Speaker 1>bit of I'd heard a little bit of her music,

0:26:06.196 --> 0:26:09.916
<v Speaker 1>but I had no idea of the extraordinary story of

0:26:10.036 --> 0:26:13.676
<v Speaker 1>her crisis. An awakening tell us a little bit about

0:26:13.796 --> 0:26:16.556
<v Speaker 1>Mary Lou Williams. So I've been trying to teach myself

0:26:16.676 --> 0:26:18.756
<v Speaker 1>jazz quitar for at least as long as I've been

0:26:18.756 --> 0:26:22.596
<v Speaker 1>trying to study religion. I'm probably successful in both of them,

0:26:22.756 --> 0:26:25.516
<v Speaker 1>which is not very much. So. I'd heard about Mary

0:26:25.556 --> 0:26:28.916
<v Speaker 1>Lou Williams as somebody who had written a conceptual piece

0:26:28.956 --> 0:26:31.516
<v Speaker 1>in the nineteen forties, called the Zodiac Suite, and that's

0:26:31.516 --> 0:26:34.876
<v Speaker 1>how she sort of entered the cannon I somehow, I guess,

0:26:34.916 --> 0:26:39.476
<v Speaker 1>just scratching around, I learned that in nineteen fifty four,

0:26:39.516 --> 0:26:42.556
<v Speaker 1>when she was at age forty four, she had a

0:26:42.596 --> 0:26:46.556
<v Speaker 1>mental breakdown and walked off the stage in Paris and

0:26:46.636 --> 0:26:49.236
<v Speaker 1>decided she was never going back again. And so I

0:26:49.276 --> 0:26:52.636
<v Speaker 1>became very interested in the life of Mary Lou Williams

0:26:52.636 --> 0:26:56.156
<v Speaker 1>and why that happened, and so I dug in deep.

0:26:56.196 --> 0:26:59.156
<v Speaker 1>It turns out that Mary Lou Williams was a piano

0:26:59.276 --> 0:27:03.276
<v Speaker 1>genius of the rank of Count Basie. It's amazing as

0:27:03.316 --> 0:27:07.036
<v Speaker 1>a female instrumentalist. She was the piano player that basically

0:27:07.076 --> 0:27:10.316
<v Speaker 1>swung the Andy Kirk Band in the ninth thirties. So

0:27:10.356 --> 0:27:12.516
<v Speaker 1>she was a cant partner of a Kansas City group

0:27:12.836 --> 0:27:15.116
<v Speaker 1>that was there with Count Basie and Benny Goodman and

0:27:15.196 --> 0:27:18.596
<v Speaker 1>all of them, and she made her bones in the thirties.

0:27:19.636 --> 0:27:22.796
<v Speaker 1>In the nineteen forties, she moved to New York and

0:27:22.876 --> 0:27:27.276
<v Speaker 1>became part of the bebop generation and became the teacher

0:27:27.436 --> 0:27:31.356
<v Speaker 1>to some towering giants of piano, including Thelonious Monk and

0:27:31.876 --> 0:27:34.916
<v Speaker 1>the great Bud Powell. And so she was kind of

0:27:34.916 --> 0:27:37.916
<v Speaker 1>recognized as this real heavyweight in the scene. Miles Davis

0:27:37.916 --> 0:27:40.716
<v Speaker 1>was always trying to record with her. Dizzy Gillespie was

0:27:41.436 --> 0:27:43.636
<v Speaker 1>essentially her best friend or one of her best friends.

0:27:44.116 --> 0:27:47.036
<v Speaker 1>And she walked off the stage at age forty four.

0:27:47.076 --> 0:27:49.396
<v Speaker 1>And when I heard about that, or learned about that,

0:27:50.076 --> 0:27:53.916
<v Speaker 1>I just felt the same visceral reaction as many of

0:27:53.996 --> 0:27:56.036
<v Speaker 1>us do, which is the desire to just walk off

0:27:56.036 --> 0:27:59.716
<v Speaker 1>the stage. And so I investigated as deeply as I

0:27:59.756 --> 0:28:02.876
<v Speaker 1>could and saw yet another person able to turn their

0:28:02.916 --> 0:28:07.956
<v Speaker 1>life around. In her case, she was completely desponded in Paris,

0:28:09.356 --> 0:28:12.236
<v Speaker 1>shows up to get her back to New York and

0:28:12.396 --> 0:28:15.836
<v Speaker 1>tells her to start praying the Psalms. And Mary Lou

0:28:15.876 --> 0:28:18.876
<v Speaker 1>Williams had always had a spiritual curiosity, and this opened

0:28:18.956 --> 0:28:21.956
<v Speaker 1>up in her again the permission to go ahead and

0:28:22.036 --> 0:28:24.996
<v Speaker 1>look into it. She gave up the piano and she

0:28:25.116 --> 0:28:28.636
<v Speaker 1>started to pray, very very fervently. And then, even though

0:28:28.676 --> 0:28:32.196
<v Speaker 1>she was an African American woman raised essentially in Baptist

0:28:32.316 --> 0:28:34.916
<v Speaker 1>circles in New York City, as she was kind of

0:28:34.956 --> 0:28:38.636
<v Speaker 1>wandering around in Harlem on a Tuesday or Wednesday afternoon

0:28:39.156 --> 0:28:41.756
<v Speaker 1>looking for somewhere to sort of pray because she'd become

0:28:41.836 --> 0:28:44.716
<v Speaker 1>quite fervent in it. She noticed that the Catholic church

0:28:44.796 --> 0:28:47.996
<v Speaker 1>was open, which is such an amazing aspect of Catholicism,

0:28:48.036 --> 0:28:50.436
<v Speaker 1>which is that the churches, where the cathedrals, are just

0:28:50.596 --> 0:28:53.196
<v Speaker 1>there for people to walk in to get a little

0:28:53.196 --> 0:28:55.556
<v Speaker 1>bit of rest and to have maybe a private chat

0:28:55.636 --> 0:28:59.036
<v Speaker 1>with the Creator or whoever or however you want to

0:28:59.076 --> 0:29:02.516
<v Speaker 1>conceive of divinity. And she started to do that very

0:29:02.636 --> 0:29:07.876
<v Speaker 1>very regularly, and at some point she started to hear things,

0:29:07.876 --> 0:29:12.636
<v Speaker 1>specifically music on her knees praying before her suffering Savior.

0:29:12.716 --> 0:29:15.956
<v Speaker 1>She started to get sounds in her head, and she decided,

0:29:15.996 --> 0:29:18.996
<v Speaker 1>I have to put this into music for other people

0:29:19.076 --> 0:29:21.876
<v Speaker 1>to appreciate the same feeling of prayer that I have

0:29:22.476 --> 0:29:24.636
<v Speaker 1>more with than reading my book. I recommend people go

0:29:24.756 --> 0:29:27.476
<v Speaker 1>and listen to Mary Low's Mass. That's the first thing

0:29:27.516 --> 0:29:30.916
<v Speaker 1>I would tell them to do. It's a stunning work.

0:29:31.516 --> 0:29:36.236
<v Speaker 1>It's not Bach or Mozart. It swings. Her genius was

0:29:36.276 --> 0:29:40.556
<v Speaker 1>the recognition that the swing rhythm brings people together. Rhythm

0:29:40.756 --> 0:29:44.436
<v Speaker 1>is one of the most profound and ancient aspects of

0:29:44.476 --> 0:29:47.836
<v Speaker 1>the religious or spiritual life. I mean, all traditions essentially

0:29:47.876 --> 0:29:51.196
<v Speaker 1>have it. We have native American traditions from fifteen thousand

0:29:51.276 --> 0:29:54.876
<v Speaker 1>years ago. Very likely there are these architectural circles that

0:29:54.916 --> 0:29:58.436
<v Speaker 1>are created in North America that are currently reflected in

0:29:58.836 --> 0:30:02.196
<v Speaker 1>sundance rituals. But these rituals are all around the world

0:30:02.196 --> 0:30:06.676
<v Speaker 1>of people getting together with rhythm together and then commuting

0:30:06.676 --> 0:30:09.956
<v Speaker 1>with one another and something larger than themselves. And she

0:30:10.876 --> 0:30:13.796
<v Speaker 1>wrote that she realized that that's what jazz could be,

0:30:14.356 --> 0:30:17.716
<v Speaker 1>and she became absolutely committed to writing a jazz mass

0:30:17.996 --> 0:30:22.196
<v Speaker 1>and having it performed at the Vatican. It's a great story.

0:30:22.276 --> 0:30:25.716
<v Speaker 1>I could talk about it forever. It's an extraordinary story,

0:30:25.756 --> 0:30:28.596
<v Speaker 1>and I agree with your recommendation. That's what I did

0:30:28.596 --> 0:30:30.676
<v Speaker 1>when I was reading that chapter, is that I immediately

0:30:30.756 --> 0:30:32.836
<v Speaker 1>went and downloaded her music and listened to it while

0:30:32.836 --> 0:30:34.756
<v Speaker 1>I was reading the chapter, and the combination was really,

0:30:35.276 --> 0:30:39.996
<v Speaker 1>really extraordinary. I wanted to ask you, Mickey, finally, about

0:30:40.716 --> 0:30:43.836
<v Speaker 1>whether the process of writing the book, struggling with the

0:30:43.876 --> 0:30:47.476
<v Speaker 1>ideas in the book, and finding some kind of piece

0:30:47.596 --> 0:30:51.156
<v Speaker 1>through the book worked for you. I mean, I found,

0:30:51.316 --> 0:30:54.636
<v Speaker 1>I have to say, reading the book to be extremely

0:30:54.716 --> 0:31:00.076
<v Speaker 1>powerful and it really helped me in my own journey,

0:31:00.956 --> 0:31:04.476
<v Speaker 1>clearly an unfulfilled journey in my case to try to

0:31:04.516 --> 0:31:07.196
<v Speaker 1>come to terms with the weight of the world. And

0:31:07.236 --> 0:31:10.596
<v Speaker 1>I'm wondering if it was full for you. I wonder

0:31:10.636 --> 0:31:12.796
<v Speaker 1>if you know when you think about where you are

0:31:12.836 --> 0:31:15.796
<v Speaker 1>now as a human being in relation to the universe,

0:31:16.356 --> 0:31:19.076
<v Speaker 1>relative to where you were when you began thinking about

0:31:19.076 --> 0:31:21.956
<v Speaker 1>this project and struggling with it and putting it through

0:31:21.996 --> 0:31:25.076
<v Speaker 1>the draft after draft, and the efforts to try to

0:31:25.116 --> 0:31:27.396
<v Speaker 1>make sense of it and to experience it, do you

0:31:27.396 --> 0:31:28.916
<v Speaker 1>feel that you are in a different place now? Was

0:31:28.956 --> 0:31:30.956
<v Speaker 1>writing the book a journey for you in a way

0:31:30.956 --> 0:31:33.516
<v Speaker 1>that reading the book at obviously a much more modest

0:31:33.516 --> 0:31:36.796
<v Speaker 1>and small scale, feels like a journey to me? Yes,

0:31:36.916 --> 0:31:38.956
<v Speaker 1>the book, I mean the answers, Yes, I'm in a

0:31:38.996 --> 0:31:42.116
<v Speaker 1>better place. I was given permission to follow my spiritual

0:31:42.116 --> 0:31:46.876
<v Speaker 1>curiosity by Ghazzali, by Mary lou Williams, by the other

0:31:46.916 --> 0:31:50.076
<v Speaker 1>figures in the book, and that was it. That was

0:31:50.116 --> 0:31:52.196
<v Speaker 1>the Keys of the Kingdom. And I wanted to you

0:31:52.236 --> 0:31:55.196
<v Speaker 1>know that earlier desire to write a book about the

0:31:55.236 --> 0:31:57.796
<v Speaker 1>spirit of spiritual adventure is really what I was trying

0:31:57.836 --> 0:32:02.076
<v Speaker 1>to achieve, that other people and myself could just see

0:32:02.116 --> 0:32:05.116
<v Speaker 1>how it had played out in people's lives and worked

0:32:05.116 --> 0:32:07.876
<v Speaker 1>for them, and just to give people the idea that, hey,

0:32:07.876 --> 0:32:11.116
<v Speaker 1>you could potentially work from. I feel like, you know,

0:32:11.196 --> 0:32:16.516
<v Speaker 1>for listeners who may ask themselves practically speaking, Okay, I've

0:32:16.556 --> 0:32:20.196
<v Speaker 1>got spiritual curiosity, what do I do next? Right? I

0:32:20.236 --> 0:32:23.676
<v Speaker 1>think the answer is follow it. I think that I

0:32:23.716 --> 0:32:26.676
<v Speaker 1>think that's the answer. That there's no particular thing for

0:32:26.756 --> 0:32:29.716
<v Speaker 1>you to do. Everyone has to run their own experiment.

0:32:30.076 --> 0:32:32.236
<v Speaker 1>And so if you've always wanted to read the Bog

0:32:32.276 --> 0:32:35.276
<v Speaker 1>of Adida, then pick it up. And if you've always

0:32:35.356 --> 0:32:40.556
<v Speaker 1>wanted to sort of learn cantatas or whatever your curiosity is,

0:32:40.956 --> 0:32:44.836
<v Speaker 1>it's worth pursuing in its own right. That earlier distinction

0:32:44.876 --> 0:32:48.396
<v Speaker 1>between pleasure and joy is a distinction that I make

0:32:48.436 --> 0:32:52.276
<v Speaker 1>for myself now daily and regularly in a ritualized manner

0:32:52.276 --> 0:32:54.956
<v Speaker 1>that we were talking about before, which is that I'm

0:32:55.036 --> 0:32:58.396
<v Speaker 1>constantly asking myself whenever I have enough sort of sentience

0:32:58.796 --> 0:33:03.156
<v Speaker 1>to be able to ask myself this question, which is

0:33:03.316 --> 0:33:06.556
<v Speaker 1>what I'm about to do the path of pleasure or

0:33:06.636 --> 0:33:08.436
<v Speaker 1>is it the path of joy? Is it something that's

0:33:08.476 --> 0:33:10.516
<v Speaker 1>going to just to pate as soon as I do it,

0:33:10.636 --> 0:33:12.956
<v Speaker 1>or is it something that's going to be edifying and

0:33:13.036 --> 0:33:16.356
<v Speaker 1>help me to build myself up, and typically my inner

0:33:16.436 --> 0:33:20.396
<v Speaker 1>voice is staggeringly clear when I'm aware enough to ask

0:33:20.396 --> 0:33:24.716
<v Speaker 1>the question. Something tells me when I'm on the right path,

0:33:24.796 --> 0:33:27.436
<v Speaker 1>and when I'm doing something that is edifying, and when

0:33:27.476 --> 0:33:29.436
<v Speaker 1>I'm on the wrong path, and when I'm doing something

0:33:29.476 --> 0:33:34.796
<v Speaker 1>that is going to feel really bad. And spiritual curiosity,

0:33:33.996 --> 0:33:38.396
<v Speaker 1>I've never seen an instance in my life in which

0:33:38.436 --> 0:33:42.316
<v Speaker 1>it has led to conditions which I severely regretted. I

0:33:42.436 --> 0:33:44.356
<v Speaker 1>do have to say that, you know, we do face

0:33:44.436 --> 0:33:47.716
<v Speaker 1>the problem that people do use religion for all kinds

0:33:47.756 --> 0:33:51.076
<v Speaker 1>and spirituality for all kinds of terrible things, and I

0:33:51.116 --> 0:33:53.076
<v Speaker 1>don't know what their inner voice is tell them. I

0:33:53.356 --> 0:33:57.316
<v Speaker 1>don't know, but for me, that distinction between what is

0:33:57.516 --> 0:34:01.676
<v Speaker 1>edifying and what is not is clarifying to the very end.

0:34:02.436 --> 0:34:05.356
<v Speaker 1>Michael Alexander, you can't say it any better than that.

0:34:05.556 --> 0:34:09.676
<v Speaker 1>Thank you very much for that formulation. I think, especially

0:34:09.676 --> 0:34:13.316
<v Speaker 1>in times as crazy and as polarized and as intense

0:34:13.796 --> 0:34:16.996
<v Speaker 1>as the ones we're going through, to try to keep

0:34:17.036 --> 0:34:21.716
<v Speaker 1>that distinction between pleasure and joy and mind is really revelatory.

0:34:21.796 --> 0:34:26.036
<v Speaker 1>Thank you. What a pleasure. I'm a longtime listener but

0:34:26.156 --> 0:34:28.276
<v Speaker 1>a first time caller, so thanks for having me on

0:34:28.316 --> 0:34:39.636
<v Speaker 1>the show. Thanks Mickey, you well, Okay. Talking to Professor

0:34:39.716 --> 0:34:44.276
<v Speaker 1>Alexander really brought home for me just why I found

0:34:44.356 --> 0:34:49.636
<v Speaker 1>his book so powerful. We all encounter and face crises.

0:34:50.356 --> 0:34:53.076
<v Speaker 1>Sometimes those crises are not of our own making and

0:34:53.156 --> 0:34:56.396
<v Speaker 1>come from the state of the nation, the way things

0:34:56.396 --> 0:35:00.476
<v Speaker 1>have felt in recent weeks. Other times, those crises feel

0:35:00.516 --> 0:35:06.276
<v Speaker 1>like they emerge almost unbidden, out of our own limited

0:35:06.756 --> 0:35:12.916
<v Speaker 1>human spiritual capabilities and resources. When that happens, we need help,

0:35:13.756 --> 0:35:16.316
<v Speaker 1>and we need to be able to turn to wise

0:35:16.476 --> 0:35:21.476
<v Speaker 1>friends and deep thinkers, and as it happens, Mickey Alexander

0:35:21.756 --> 0:35:26.276
<v Speaker 1>is both for me. The takeaway from our conversation and

0:35:26.396 --> 0:35:30.516
<v Speaker 1>from his book is that we can look inside ourselves

0:35:30.556 --> 0:35:34.556
<v Speaker 1>and seek after a path of joy, which doesn't mean

0:35:34.596 --> 0:35:36.796
<v Speaker 1>that we have big smiles on our faces all the time,

0:35:37.236 --> 0:35:40.956
<v Speaker 1>but rather that we're able to embrace the experiences of

0:35:41.036 --> 0:35:45.236
<v Speaker 1>making meaning that we encounter at every minute and every

0:35:45.316 --> 0:35:48.716
<v Speaker 1>day in our lives, and that can help us make

0:35:49.036 --> 0:35:52.516
<v Speaker 1>better choices. It can help us move away from the

0:35:52.556 --> 0:35:57.116
<v Speaker 1>path of transient pleasures or transient pains and in the

0:35:57.116 --> 0:36:01.436
<v Speaker 1>direction of those things that matter most to us and

0:36:01.476 --> 0:36:04.436
<v Speaker 1>that therefore enable us to feel the weight of the

0:36:04.476 --> 0:36:09.076
<v Speaker 1>world and give our assent to it. Until the next

0:36:09.316 --> 0:36:12.996
<v Speaker 1>time I speak to you. Be careful, be safe, and

0:36:13.076 --> 0:36:17.756
<v Speaker 1>be well. Deep Background is brought to you by Pushkin Industries.

0:36:18.076 --> 0:36:21.636
<v Speaker 1>Our producer is Lydia Gencott, our engineer is Martin Gonzalez,

0:36:21.756 --> 0:36:24.836
<v Speaker 1>and our showrunner is Sophie Crane mckibbon. Theme music by

0:36:24.876 --> 0:36:28.636
<v Speaker 1>Luis Gera at Pushkin. Thanks to Mia Lobell, Julia Barton,

0:36:28.716 --> 0:36:32.716
<v Speaker 1>Heather Faine, Carlie mcgliori, Maggie Taylor, Eric Sandler, and Jacob Weisberg.

0:36:33.276 --> 0:36:35.356
<v Speaker 1>You can find me on Twitter at Noah R. Feldman.

0:36:35.756 --> 0:36:38.076
<v Speaker 1>I also write a column for Bloomberg Opinion, which you

0:36:38.116 --> 0:36:41.436
<v Speaker 1>can find at Bloomberg dot com slash feld To discover

0:36:41.516 --> 0:36:44.916
<v Speaker 1>Bloomberg's original slate of podcasts, go to Bloomberg dot com

0:36:44.956 --> 0:36:47.836
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0:36:48.076 --> 0:36:50.796
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0:36:50.836 --> 0:36:51.596
<v Speaker 1>Deep Background.