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Speaker 1: Time to wake up Chicken, Stanci League and Charlotte Mean

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Speaker 1: the Doctor to practice club Bitches the voice of the culture.

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Speaker 1: People watch The Breakfast Club for like news to really

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Speaker 1: be tuned in. It's one of my favorite shows to

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Speaker 1: do just because y'all always keep you one honey, y'all

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Speaker 1: keep it real. They might not watch the news, but

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Speaker 1: they're on Twitter, they're on Facebook, they're you know, they're

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Speaker 1: listening to The Breakfast Brother, Get your ass, wake up,

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Speaker 1: wake up, wake y'all. This is your time to get

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Speaker 1: it off your chest. Whether you're man or blass, we

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Speaker 1: want to hear from you on the Breakfast Club. Hello,

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Speaker 1: Who's this? That was so letter? Chicken areaway South Carolina

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Speaker 1: staff crew to act? What's happening? Get it off your chest?

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Speaker 1: I just came around and take one settle dollar man.

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Speaker 1: I want to blasch. I want to really quit my

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Speaker 1: freestyle recrow next time with y'all. Uh, I swear you

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Speaker 1: brother from South Carolina. I always shut this down, but

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Speaker 1: go ahead the head brother go ahead changes out of

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Speaker 1: if I liked it the same way. Sometimes I feel

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Speaker 1: like I wait to the same day trying to make

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Speaker 1: a giving man. I'm trying to make it out. I'm

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Speaker 1: trying to make sure that my favorite. So we spitching that.

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Speaker 1: So every day I hustled, y'all pay the guard day

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Speaker 1: watching me in the streets, and somebody will try to

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Speaker 1: play man watch right, so I break down. You gotta

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Speaker 1: slow that down, my South Carolina bredren, you're going too fast,

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Speaker 1: like what you're gonna? What's up? You're wrapping like your

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Speaker 1: life depends on it. Drum, that's disrespectful. Dry I was drum. Drum,

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Speaker 1: that's disrespectful. Don't hang up on my South Carolina back

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Speaker 1: is all him now, no Envies back and it's all him. Wow, Dad,

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Speaker 1: he was like Envies back and it's all him. Wow.

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Speaker 1: Goodness that damn Jesus Christ. Hello, who's this? Hey? This

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Speaker 1: is Jessica. Hey Jessica, get it off your chance, Jessica. Well,

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Speaker 1: what's up? What's up? Good morning guys. So I'm in Schausa,

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Speaker 1: South Carolina. Three Yeah, all day, but I still got

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Speaker 1: my nine one seven over heard, so I'm gonna for driver.

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Speaker 1: So I was on Folly Beach and my phone plays

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Speaker 1: music automatically, like I play a playlist. So this on commercials,

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Speaker 1: I like the nigga fe comfortable no, no offense, but

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Speaker 1: for Caucasian people got into my car and I had

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Speaker 1: to take them twenty eight minutes away. It was cool.

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Speaker 1: We were driving rock them played track music, then played

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Speaker 1: fall Out Boy, then played I had a range of music. Lady, Guy, Guy,

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Speaker 1: And as soon as Beyonce Brown skinned Girl came on

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Speaker 1: the lady in the back, I heard them whispering amongst themselves,

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Speaker 1: like who's gonna say it? Finally somebody was brave enough

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Speaker 1: to come up and say it. It was excuse me,

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Speaker 1: could you turn that song off? It's offending me? And

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Speaker 1: I was like, what that song offending you? And she said, well,

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Speaker 1: it's all about like black girls. I'm not black. I

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Speaker 1: don't relate to that. I was like, so something that

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Speaker 1: I'm breddy Madskin is offending you. So what did I do?

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Speaker 1: I started the whole playlist off that dogs on. He

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Speaker 1: got all the black power music for all twenty in music.

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Speaker 1: Everybody stepped from this situation, didn't look at it objectively.

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Speaker 1: Oh boy, you're an uber driver, correct, And when you're

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Speaker 1: an uber driver, you're playing music because you want people

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Speaker 1: to feel comfortable. Correct. They don't feel comfortable about the song.

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Speaker 1: You don't gotta get offended. Bike. She can't relate. She's

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Speaker 1: the panels Man's flavoring mammal. Yeah, but it's not that

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Speaker 1: type of song. It's it's not like saying, you know,

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Speaker 1: f white people. That's not that. She's just upset that

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Speaker 1: she don't have that tan. That's all. Well, she goes,

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Speaker 1: I'm just mad that all this trap music played. We

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Speaker 1: don't hurt drug dealing music. We don't hurt wip, we

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Speaker 1: don't hurt everything. You didn't get offended about nothing because

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Speaker 1: she no drug dealers. She knows drug dealers, that she

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Speaker 1: uses drugs. She might have she got, she might might

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Speaker 1: me white as her Okay, oh my goodness, she just

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Speaker 1: can't relate. What kind of what kind of ratings did

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Speaker 1: you give her? Oh? No, listen, I gave her the

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Speaker 1: same rating I usually give everybody else, because she didn't

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Speaker 1: rate me no less because she fos. But after she

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Speaker 1: said it all right, because mine, if you heard the

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Speaker 1: music that I was playing around, I was playing corn

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Speaker 1: fall out boy, I was playing all this other stuff

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Speaker 1: in rotation. If anybody know what that music is, even

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Speaker 1: know that it was diverse, and and I think you

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Speaker 1: missed a good opportunity to teach to though, because you

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Speaker 1: could have just told her like, look, this is an

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Speaker 1: old to to to melan him. All right, well hello,

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Speaker 1: who's this? Hey? How's it going? Then? Good morning? Yes,

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Speaker 1: I was going. I got a quick question for Charlot

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Speaker 1: man Man. Yes, sir, I ask you a question. I

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Speaker 1: don't know if somebody ever asked you this, But who's

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Speaker 1: your top three donkeys of all the time and what

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Speaker 1: you're considered consider giving donkey a donkey Hall of fame?

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Speaker 1: Oh yeah, I mean at the end of the year

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Speaker 1: we do a top five Donkeys of the year. I

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Speaker 1: don't I'm gonna be honest with you. Top donkeys of

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Speaker 1: all time? Donald Trump is definitely in the top three.

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Speaker 1: I mean I've given it to him more than anybody.

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Speaker 1: And um, I'm gonna always put myself in the top

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Speaker 1: three because I always say, you know, when you give

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Speaker 1: people the credit, you gotta give everybody to credit they

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Speaker 1: deserve for being stupid, including yourself. I don't know who

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Speaker 1: the third one would be though, sounds first sound y'all

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Speaker 1: want to clude wrong from the breakfast club? However, going

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Speaker 1: did your time to get it off your chests, whether

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Speaker 1: you're man or blast so so you better have the

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Speaker 1: same minutry we want to hear from you on the

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Speaker 1: breakfast club. Hello, who's this Jeremy, Hey, Jeremy, get it

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Speaker 1: off your chest? Hey, what's going on? Eddie? Charlomagne, Tokyo,

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Speaker 1: this is crazy because I never get through. Um. I

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Speaker 1: just want to shout out. You know, I'm Biden and

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Speaker 1: Kamalas are winning. I want to shout out my roommate Eddie,

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Speaker 1: and I just want to tell everyone have a nice day. Um.

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Speaker 1: And I got your book, Charlomagne. I got the audio

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Speaker 1: version of Black Privilege, and then I have than copy

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Speaker 1: the other one. Man, Um, and I hope you guys

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Speaker 1: all have a nice day. Shot. Shout after your roommate

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Speaker 1: Eddie too. Man Oh, he's gonna love that in college together.

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Speaker 1: Nah we um were I'm twenty eight, he's twenty nine.

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Speaker 1: I'm ana count it. He's an anti salesman. Okay, okay,

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Speaker 1: y'all love his roommates. Roommate rocks just a place, not

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Speaker 1: being love, bro. I'm just asking questions, That's all he

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Speaker 1: was trying to. He would try to buck. That's the

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Speaker 1: reason why you scenario. And I was asking questions. They

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Speaker 1: definitely just asking question. I got shot out and Eddie, damn,

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Speaker 1: I say, what was happening? All right? Bro? He never

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Speaker 1: wants to get through again. I know, right. This guy

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Speaker 1: got fantasies over there, y'all love Hello. Who's this hey, Rochelle,

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Speaker 1: get it off your chest. I just wanted to shout

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Speaker 1: up my amazing boyfriend. You're gonna say. His name is

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Speaker 1: his name, Rochelle, name Toddy Todd. Good morning. That was

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Speaker 1: nice to you, Rochelle. What did he do that? What

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Speaker 1: did he do yesterday that made you feel that way?

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Speaker 1: I'm gonna shot him out, numb one under reader, he

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Speaker 1: had to do something well every day. He always makes

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Speaker 1: sure that I have breakfast, and you make sure I

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Speaker 1: have lunch. We worked together, See go a long way.

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Speaker 1: I'm telling you, man, that's right. All my brothers give

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Speaker 1: you a woman, some pop tarts in the morning, some lunch,

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Speaker 1: a bus for lunch, and it'll go a long way. Salute.

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Speaker 1: What are you gonna do for him to show how

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Speaker 1: thankful you are? On pockets every morning? Coffee? Yeah, amazing.

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Speaker 1: Every morning he gets a fresh cup of coffee. Amazing.

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Speaker 1: See it's the little things, man, Shut up, that's it. Yeah,

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Speaker 1: she appreciates it, he appreciates it. They love each other. Oh, yes,

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Speaker 1: of course. All right, well you have a good morning. Hello.

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Speaker 1: Who's this yo? Yo's up? Man? DC? Do you see

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Speaker 1: what's what's suburb um? You know, I just want to

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Speaker 1: say I'm trying to keep together y'all, and I'm not

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Speaker 1: having a good day. You know, my uh lost my

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Speaker 1: dad on Friday. You know, hold off, I'm strong. Okay,

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Speaker 1: your time, Okay, I got there. I don't want to

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Speaker 1: waste somebody's fun. Please take your time. Great guy, it's great,

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Speaker 1: stand up man, veteran fucking devil storm Persian golf. You know,

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Speaker 1: just get a guy, god fearing guy. Married to my

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Speaker 1: mom for thirty years. That's all day's ever known since

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Speaker 1: they were fourteen years old. You know, that love real.

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Speaker 1: You know it's real. I don't know what to say,

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Speaker 1: but I just want y'all to look it's like it.

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Speaker 1: Since they're doing challenges, dude, this challenge old. If you

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Speaker 1: next song you see your dad, just hold him for

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Speaker 1: sixty ste hold them for sixty don't let go, Howard,

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Speaker 1: no matter how awkward it gets, just holding real tight

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Speaker 1: sixty seconds because you just never know. You know, my dad,

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Speaker 1: I would have been fifty years old next month. But

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Speaker 1: I don't want I don't want to keep you. I

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Speaker 1: don't want to keep you all man, but you know,

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Speaker 1: just stay up. I listened to y'all. It's my first

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Speaker 1: day back. I worked. I know I might be going

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Speaker 1: to work too soon, but things need to get paid. Listen,

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Speaker 1: I'm gonna tell you something. I know. I know your father.

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Speaker 1: I know your father was a good man because I

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Speaker 1: can I can tell by the impact he had. He

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Speaker 1: had on his son, man, because would have he wouldn't

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Speaker 1: impacted everybody. He was just that guy. You know. I

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Speaker 1: want to say, just alright, pe Dwayne Foster, Man, Dwayne Foster.

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Speaker 1: That's the thing, Okay, rest in peace and listen. Don't

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Speaker 1: be afraid to cry and let it out. It's fine.

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Speaker 1: You don't have to be strong like that. It's okay,

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Speaker 1: that's right. You told about myself right now, work, you know.

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Speaker 1: But I'm just you know, my mom called me, so

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Speaker 1: let me call y'all lady. I love y'all. Man, all right, brother,

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Speaker 1: and by the way, my brothers, tids don't don't make

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Speaker 1: you weak. Is just mean that you care. That's right,

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Speaker 1: you can and so yeah, that's right. You just tars

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Speaker 1: are just uh. I guess what you would call weakness

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Speaker 1: leaving the body. But I don't think it's weak at all.

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Speaker 1: It just means you care. Eight hundreds five eight five

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Speaker 1: one o five one. Get it off your chest. It's

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Speaker 1: the Breakfast Club, Go morning. What's up, y'alls? Angela, you

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Speaker 1: wishing you and your family the very best sut holiday

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Speaker 1: season from all of us here at their breakfast Club,

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Speaker 1: the Breakfast Club Morning. Everybody is Steen Jay Envy Angela Yee,

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Speaker 1: Charlomagne the guy we all the breakfasts Club. You have

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Speaker 1: a special guest in the build. In the building, I

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Speaker 1: was gonna say the beautiful we have a long here

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Speaker 1: Nia long. I said, you got to your own day

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Speaker 1: in New York from the mayor. Also, oh my, you guys.

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Speaker 1: I cried about that for like a week. Yeah, congratulation.

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Speaker 1: That was like the biggest honor. And I was so

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Speaker 1: blown away, honestly, because you don't expect, like I have

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Speaker 1: my own day August twenty seven. Yes, you feel the

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Speaker 1: pressure to have to do something on that day now,

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Speaker 1: like in New York, like an event to come here

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Speaker 1: every year on that day and talk to you. That's

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Speaker 1: what I can yeah, we can do that. Let's do

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Speaker 1: it there, we can do that. Coming up. I know

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Speaker 1: it is, how are you though, I'm okay. I lost

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Speaker 1: my father condolescently. Thank you. He was a great man

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Speaker 1: and it's it's it's amazing. I learned more about him

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Speaker 1: by being in Trenton, in Trenton, New Jersey for a week,

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Speaker 1: just putting the whole thing together than I ever knew.

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Speaker 1: And he was such an icon in the community and

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Speaker 1: did so much for so many of those kids living

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Speaker 1: down there, So I was I was really proud of

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Speaker 1: him though. He was a poet, right, he's a poet. Yeah,

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Speaker 1: he's a poet, a writer, a photographer, like a real

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Speaker 1: just a renaissance man, love jazz music and good food.

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Speaker 1: And he was really like Lorenz Tate and Love Jones,

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Speaker 1: but older. But I felt the school, trent And High

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Speaker 1: School did a beautiful tribute to my father. I could

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Speaker 1: not stop crying. I was just saying, this is amazing,

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Speaker 1: because sometimes what a person can't do for their own children,

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Speaker 1: they do for the world. And I'm okay with that.

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Speaker 1: If that meant that I had to share him, well,

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Speaker 1: I think that's because parents, they learned more than they

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Speaker 1: as they grow so when they was raising us. Yeah,

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Speaker 1: I was thinking about that. I was thinking, I said, mommy.

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Speaker 1: I looked at my mother during the service. I said, Mommy,

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Speaker 1: you were twenty two years old when you had me.

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Speaker 1: Right now, two day anything, I forgive you for every thing,

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Speaker 1: because I couldn't have done it at twenty two, twenty two,

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Speaker 1: I was in the club. That's been a heavy conversation

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Speaker 1: with my therapist the past couple of weeks. What's that

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Speaker 1: that whole conversation about forgiving your parents, Well, my father

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Speaker 1: in particular, because they only to do the best that

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Speaker 1: they could because they didn't know any better when they

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Speaker 1: were younger. You have to really do it for yourself.

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Speaker 1: It's if you, if you commit that healing to with yourself,

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Speaker 1: it will honestly change the way you experience your own life.

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Speaker 1: Because I think for a lot of years I was

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Speaker 1: I was disappointed and angry, and I wanted, you know,

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Speaker 1: my dad to like read me a bedtime story and

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Speaker 1: be there and do all of the things that a

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Speaker 1: daddy is supposed to do. And I think my father

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Speaker 1: had a very old school way of approaching life because

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Speaker 1: black people are raised to survive, that's right, and my

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Speaker 1: mother and my grandmother coming from the Islands, they had

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Speaker 1: a different philosophy. So had my parents stayed together, I

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Speaker 1: have still been an actress. But I don't think it

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Speaker 1: would have happened as quickly as it did in my life,

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Speaker 1: and I don't think I would have been a part

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Speaker 1: of the era that really helped to define black cinema.

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Speaker 1: When I look at my life and I'm going to

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Speaker 1: be fifty. This fifty, you guys, I get to do

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Speaker 1: whatever I want to. I can't wait. We got we

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Speaker 1: gotta upgrade the turn black crack. It's got to be

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Speaker 1: talking about fifty. Wow, I can't believe it. But my

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Speaker 1: point is is when you get to this age, it's

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Speaker 1: a beautiful time in my life because I can actually

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Speaker 1: put everything into perspective and now it all makes sense,

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Speaker 1: and I feel more free and alive than I have

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Speaker 1: in the last ten years because I have understanding, and

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Speaker 1: I've forgiven myself for not forgiving people sooner in my

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Speaker 1: own life, or forgiving my father for things that he

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Speaker 1: was unable to do. And it's a good thing to do.

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Speaker 1: Don't we have the luxury of healing His generation, like

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Speaker 1: de generation, has little late healing. The fact that you

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Speaker 1: just said, I've taught spoken to my therapist about certain things.

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Speaker 1: Black people were not saying that fifteen twenty years ago.

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Speaker 1: We were like, we didn't because because there was this,

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Speaker 1: you know, the idea was if you go to therapy,

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Speaker 1: there's something really wrong with you. But the reality that

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Speaker 1: you're crazy, And the reality is is we have so

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Speaker 1: much information coming at us. You need to be able

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Speaker 1: to sit down and organize your life and your thoughts,

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Speaker 1: all right, and if you don't do that, you will

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Speaker 1: be in a constant state of you'll have anxiety. Yeah, yeah,

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Speaker 1: all right, we got more with Nia Long. When we

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Speaker 1: come back, don't move. It's the Breakfast Club. Come on,

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Speaker 1: Rudolph the Red Nose out and if you ever saw him,

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Speaker 1: Breakfast Club. We all the Breakfast Club. We're still kicking

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Speaker 1: it with Nia Long actress. Ye. So, Nia, how is

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Speaker 1: your experience producing for the first time? Like when you said, yeah,

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Speaker 1: I cast it a more? Did I say it? Like?

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Speaker 1: Because I've seen you talking about how you see all

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Speaker 1: these white men getting rich off of movies that you're

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Speaker 1: in and now look at you producing. Is that the

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Speaker 1: inspiration for that? And what was it like being on

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Speaker 1: the other side It was difficult at times because I

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Speaker 1: was very specific and deliberate about certain things. And and

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Speaker 1: to your point, the crew was white, the director was white,

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Speaker 1: the producer was white, and they were lovely because they

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Speaker 1: allowed me to correct things that needed to be corrected.

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Speaker 1: But it's still frustrating that you have to over explain yourself.

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Speaker 1: I kept feeling like I needed to apologize for wanting

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Speaker 1: to change something. But why aren't I apologizing? Right, You're

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Speaker 1: trying to make this the best movie you possibly can make.

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Speaker 1: It a benefits everybody, and that's also being a woman

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Speaker 1: in a position of power where there's all men around you.

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Speaker 1: I was literally like they were literally like three women

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Speaker 1: on that side, and I never backed down. I was like, Nope,

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Speaker 1: you need to change that. Nope, don't like that angle, Nope,

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Speaker 1: move the camera, nope. You see that a lot like

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Speaker 1: if you know, if that's a guy, and they'll say

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Speaker 1: that guy's being a boss, but if it's a woman,

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Speaker 1: they'll be like, oh, she alone has a history of

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Speaker 1: deva behavior. Yeah, for sure. Because when I started in

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Speaker 1: this business, you weren't supposed to say anything except thank you,

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Speaker 1: And I was like thank you, but I wasn't even

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Speaker 1: aware I was just being myself. I just don't think

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Speaker 1: that you need to behave in any situation. I think

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Speaker 1: you need to grow and learn. Do you feel your

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Speaker 1: evolution as a woman is shown for your characters? M

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Speaker 1: not in Rock Sand Rock Sand. I don't know that lady.

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Speaker 1: She's not a part of me. I do know that lady,

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Speaker 1: but but I had to know that woman and have

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Speaker 1: some experience. Look, we live right down the street from

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Speaker 1: the projects when I lived in Brooklyn to understand how

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Speaker 1: to play her, right, I do think so. I mean

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Speaker 1: I'd like to do more. I'd like to have more

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Speaker 1: diversity in my portfolio. You haven't played your dream roal yet, right,

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Speaker 1: I don't think so. I think it's also like the

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Speaker 1: body of work is what makes me proud, right since

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Speaker 1: an impact to this day and age, Thank you, and

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Speaker 1: I'm still doing it. But after every job, I'm like, Okay,

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Speaker 1: what's that the last one? What's happening next? And it

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Speaker 1: never is. Still got a lot in the pipeline to

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Speaker 1: the young actress right now. That's that's watching this and

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Speaker 1: wishing to be you one day or like you one day.

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Speaker 1: Authenticity don't change based on what you see, change based

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Speaker 1: on what you know you need to do to better

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Speaker 1: yourself because I think a lot of times young artists

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Speaker 1: come and they steal a little bit of this, and

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Speaker 1: they steal a little bit of that. But if you

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Speaker 1: really start from your authentic self, all the embellishments will

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Speaker 1: come through your experiences, and that's what creates and grows

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Speaker 1: the artists. When we did Love Jones, Everyone's like, oh

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Speaker 1: my god, this is like the modern Dame. And I

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Speaker 1: was like, okay, but that isn't that what art is.

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Speaker 1: You take from the past and you recreated, and you

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Speaker 1: are to be inspired by the thing that came before

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Speaker 1: you and the thing that's in front of you. What

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Speaker 1: do you think was different about blacks in them in

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Speaker 1: the nineties? Though? That's lacking now because black films don't

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Speaker 1: have that feeling. I'm sorry it is, they just don't.

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Speaker 1: There's no Boys in the Hood, there's no Love Jones. Is.

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Speaker 1: It don't have that same energy. I know, I don't know.

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Speaker 1: Boys in the Hood was a great story. Love Jones

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Speaker 1: was a great story. But in Society was a great story.

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Speaker 1: And he's the stories just be wacke man. Look, here's

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Speaker 1: the thing. I think, you know, when you have a

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Speaker 1: person like John Singleton rusted his soul and when he died,

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Speaker 1: that broke my heart. Right, he discovered me. He created

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Speaker 1: a lane for people to even care about my name.

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Speaker 1: And so losing him and then losing my father, and

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Speaker 1: I was like god like and they were kind of

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Speaker 1: like the same kind of dude. You know, I don't

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Speaker 1: know that they make them like that anymore. I don't

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Speaker 1: know that they make men and that are so aware

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Speaker 1: of the black struggle, so savvy to make change and

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Speaker 1: then make art. So you got to produce more. You

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Speaker 1: have to produce and I will, guys, I will thank you.

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Speaker 1: That was a beautiful interview the Breakfast Club. It's miss

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Speaker 1: Niel Long, It's topic times. The phone called eight hundred

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Speaker 1: five eight five one five one to join it to

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Speaker 1: the discussion with the Breakfast Club. Talk about it morning.

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Speaker 1: Everybody is DJ Envy, Angela Yee, Charlemagne the Gay, We

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Speaker 1: are the Breakfast Club. Good morning. Now, today is National

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Speaker 1: past gas Day. We're just having some fun with it.

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Speaker 1: So we're asking eight hundred five eight five one oh

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Speaker 1: five one, do you have an embarrassing or crazy passing

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Speaker 1: gas or farting story? Now our board, our dramas. He

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Speaker 1: just said when he first started working here, he let

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Speaker 1: one loose and it was horribly it smelled. Let drum

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Speaker 1: tell his own story. Put the mic on his beard. Okay,

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Speaker 1: it was like my first week working with you guys,

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Speaker 1: and you know, my stone was a little upset. You're

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Speaker 1: trying to make a good impression. I was trying fired.

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Speaker 1: I was hoping no noticed. But then of course somebody

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Speaker 1: made a comment about it, and you guys mind the air.

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Speaker 1: You blamed the other producer, Eddie for it, and you

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Speaker 1: know I was, I was near You know what I'm saying.

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Speaker 1: I wanted to have a bad impression my first weekend.

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Speaker 1: Now you're a liar. Hey, I'm sorry. Sorry, Now what

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Speaker 1: about you? Well, we just heard about Charlomagne story him

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Speaker 1: and Curry at the list. Here's the thing. I don't

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Speaker 1: have these problems with embarrassing fart stories because I don't

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Speaker 1: fight in my clothes. And the reason I don't fight

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Speaker 1: in my clothes because the last time I farted in

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Speaker 1: my clothes was around two thousand and three. Two thousand

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Speaker 1: and fourtis when I was living in Columbia, South Carolina,

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Speaker 1: working a hot one on three nine. My now wife

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00:21:47,440 --> 00:21:49,639
Speaker 1: was going to the University of South Carolina. The night

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Speaker 1: before I went to this Jamaica spot called Cool Runnings.

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Speaker 1: I was dropping her off at her dorm and I

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Speaker 1: wanted to run upstairs and use her bathroom, but I

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Speaker 1: could tell it was gonna be like one of those

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Speaker 1: really irassing, like nasty, disgusting, blow up the bathroom type things.

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Speaker 1: So I tried to make it back home and I

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Speaker 1: got to the light and I was like, I'm a

396
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Speaker 1: fart a little bit, just to ease off the pressure.

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Speaker 1: He's chansing off the stomach. And when I let that

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00:22:11,080 --> 00:22:13,720
Speaker 1: little fart out, I felt some warmness and like some

399
00:22:13,840 --> 00:22:16,920
Speaker 1: liquidy stuff going down like the back of my leg

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00:22:17,000 --> 00:22:18,399
Speaker 1: and my cheeks. And that wasn't a little, that was

401
00:22:18,440 --> 00:22:19,760
Speaker 1: a lot. So at that point I had on some

402
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Speaker 1: Peco jeans, I think it was called pococ, some Poco jeans,

403
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Speaker 1: and at that point I was just like letter rip

404
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Speaker 1: And so as I kept farting, it just kept coming

405
00:22:29,400 --> 00:22:31,679
Speaker 1: out nice, warm and running. And then I pulled up

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Speaker 1: to my apartment complex, all of my cafe to drive

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Speaker 1: a little great Honda Civic, and I pulled up to

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Speaker 1: the apartment complex and I'm like, yo, I hope my

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Speaker 1: next door neighbor vows not outside because her and her

410
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Speaker 1: friends be outside, because it's like, I'm disgusting right now.

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Speaker 1: So I ran upstairs. She wasn't there. My Poco jeans

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Speaker 1: were destroyed, and I actually threw the underwear weave, but

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00:22:50,200 --> 00:22:51,959
Speaker 1: took my Poco jeans to the cleaners, but was too

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Speaker 1: embarrassed to go back for getting nasty. Yes, what about you?

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Speaker 1: I farted in my sleep before, and I only know

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Speaker 1: that because my boy friends tell me I do that

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00:23:01,160 --> 00:23:03,919
Speaker 1: all the time. Oh okay, so yeah, that's kind of embarrassing.

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Speaker 1: And then there's times and I've had to really struggle

419
00:23:06,400 --> 00:23:10,120
Speaker 1: to hold it in during times that you know, it's

420
00:23:10,160 --> 00:23:13,120
Speaker 1: a really bad time to fart. Yeah, you know. I'm

421
00:23:13,160 --> 00:23:15,159
Speaker 1: the king of getting an elevator farting and then not

422
00:23:15,240 --> 00:23:16,639
Speaker 1: thinking that nobody else is gonna come, and then the

423
00:23:16,720 --> 00:23:19,480
Speaker 1: elevator stops at another floor and they walk in, and

424
00:23:19,520 --> 00:23:21,399
Speaker 1: I always gotta be like, WHOA, I don't know who

425
00:23:21,480 --> 00:23:23,160
Speaker 1: did this before I got it there. Well, another reason

426
00:23:23,240 --> 00:23:25,680
Speaker 1: I don't. I don't. I don't fart around people because

427
00:23:25,680 --> 00:23:27,360
Speaker 1: I tell people all the time farting is a form

428
00:23:27,400 --> 00:23:30,159
Speaker 1: of flirting. So if you're a man who likes to

429
00:23:30,280 --> 00:23:33,640
Speaker 1: fart around another man, like you're really sending off signals

430
00:23:33,800 --> 00:23:37,879
Speaker 1: like those are like male pharomones. Men got pharomones, right,

431
00:23:38,200 --> 00:23:41,200
Speaker 1: So those are ass paramons. Those are pharomones from your ass. Basically,

432
00:23:41,720 --> 00:23:43,680
Speaker 1: you just don't if you if you don't want another

433
00:23:43,720 --> 00:23:45,840
Speaker 1: man to think you're flirting with them, don't fart around

434
00:23:45,840 --> 00:23:47,200
Speaker 1: them because the truth of the matter is, why would

435
00:23:47,200 --> 00:23:48,639
Speaker 1: you want another man to know what your assmell like?

436
00:23:48,800 --> 00:23:50,440
Speaker 1: And the worst is when you don't know an invite

437
00:23:50,480 --> 00:23:51,960
Speaker 1: to me, God, when you're about to fart and you

438
00:23:52,000 --> 00:23:54,520
Speaker 1: don't know it and you go to pee and your

439
00:23:55,000 --> 00:23:56,960
Speaker 1: significant others in the bed and they hear you fart

440
00:23:57,040 --> 00:23:58,880
Speaker 1: while you pee. What about when you sneeze and fart

441
00:23:58,880 --> 00:24:00,399
Speaker 1: at the same time, but you you don't know if

442
00:24:00,400 --> 00:24:01,680
Speaker 1: people heard the far through that as well, So you

443
00:24:01,720 --> 00:24:05,520
Speaker 1: don't say that so loud, but the farts down to

444
00:24:05,640 --> 00:24:10,199
Speaker 1: just as loud, so you just don't say nothing. Hi, guys,

445
00:24:10,359 --> 00:24:12,120
Speaker 1: Oh my god, I can't believe I made it through.

446
00:24:12,240 --> 00:24:15,320
Speaker 1: Were you've been farting at? Huh? Well, it's actually not me.

447
00:24:15,520 --> 00:24:17,760
Speaker 1: I witnessed the fart. So my husband and I had

448
00:24:17,800 --> 00:24:20,200
Speaker 1: a group of friends went to the African American Museum

449
00:24:20,600 --> 00:24:24,080
Speaker 1: and Washington, DC, and it was really quiet. Everyone was

450
00:24:24,160 --> 00:24:27,400
Speaker 1: taking it in. And this old white guy he farted

451
00:24:27,960 --> 00:24:30,520
Speaker 1: so loudly and tried to play it off like it

452
00:24:30,640 --> 00:24:35,199
Speaker 1: wasn't them. Now, how old is he? Now? He had

453
00:24:35,280 --> 00:24:38,440
Speaker 1: to have been like seventies. You gotta let a seventy

454
00:24:38,560 --> 00:24:40,320
Speaker 1: old man fought where he wants to fart. Man, he's

455
00:24:40,320 --> 00:24:43,440
Speaker 1: are in the right. He played it. It's not it's

456
00:24:43,640 --> 00:24:45,960
Speaker 1: it's it's just the context that we were in. We're

457
00:24:46,000 --> 00:24:49,480
Speaker 1: in an African American museum. You're an old white guy

458
00:24:49,560 --> 00:24:52,000
Speaker 1: and you just gonna fart while everybody's just trying to

459
00:24:52,040 --> 00:24:54,680
Speaker 1: take in this. He ain't doing no purpose, was making

460
00:24:54,720 --> 00:25:00,480
Speaker 1: them nervous African American Museum. His grandda did he killed

461
00:25:00,480 --> 00:25:02,760
Speaker 1: some of those people. Y'allways? Looking at good? Come on now,

462
00:25:03,160 --> 00:25:05,280
Speaker 1: eight hundred and five, and I have no sympathy for

463
00:25:05,400 --> 00:25:07,359
Speaker 1: no one on five When we're talking far stories, I'm

464
00:25:07,359 --> 00:25:08,919
Speaker 1: scared to sleep on the plane sometimes. I know when

465
00:25:08,920 --> 00:25:10,280
Speaker 1: I sleep on the plane, I know I like that

466
00:25:10,359 --> 00:25:14,120
Speaker 1: plane up. Yeah, I can attest that you have see Hello,

467
00:25:14,200 --> 00:25:17,920
Speaker 1: who's this Jay? What's up? Bro? We're talking about embarrassing

468
00:25:18,000 --> 00:25:20,520
Speaker 1: far stories. So yeah. Look, I was in the club

469
00:25:20,600 --> 00:25:22,879
Speaker 1: one night and then the club was letting out and

470
00:25:23,000 --> 00:25:25,360
Speaker 1: we was in lying to get our coat. I had

471
00:25:25,480 --> 00:25:28,159
Speaker 1: gas bad as hell, and I was holding it. I

472
00:25:28,280 --> 00:25:29,960
Speaker 1: was trying to be you know, pord or whatever, but

473
00:25:30,080 --> 00:25:32,560
Speaker 1: it was too it was too chicks behind me, and

474
00:25:32,920 --> 00:25:34,440
Speaker 1: I had to let it go. When I let it go,

475
00:25:34,840 --> 00:25:36,760
Speaker 1: I tried to play it off and turn around, like, man,

476
00:25:36,800 --> 00:25:39,320
Speaker 1: where the hell that cream from? When I chere, they

477
00:25:39,400 --> 00:25:42,040
Speaker 1: was looking at me so crazy, like I knew it

478
00:25:42,160 --> 00:25:45,320
Speaker 1: was on black ass like we did. I just was like,

479
00:25:45,680 --> 00:25:47,200
Speaker 1: you know, like I tried to play it off with it.

480
00:25:47,400 --> 00:25:50,720
Speaker 1: It funk the club up. I really got two stories.

481
00:25:50,760 --> 00:25:52,640
Speaker 1: I'm the he in Detroit, like a few weeks ago.

482
00:25:52,720 --> 00:25:57,280
Speaker 1: He Detroit. Oh my gosh, man, listen, the picture we

483
00:25:57,359 --> 00:26:00,680
Speaker 1: took your face was so prices, like it just looks

484
00:26:00,680 --> 00:26:03,760
Speaker 1: like I farted. I don't know if was this a footlocker? No?

485
00:26:03,960 --> 00:26:07,120
Speaker 1: This is that la culture. Okay, that's a little okay, Yeah,

486
00:26:07,119 --> 00:26:08,879
Speaker 1: you probably did fight. You're just foughting all over the

487
00:26:08,920 --> 00:26:10,920
Speaker 1: place and you're a chef nast. Yes, I don't feel

488
00:26:10,960 --> 00:26:12,399
Speaker 1: sorry for none of y'all, because I think all of

489
00:26:12,480 --> 00:26:14,480
Speaker 1: y'all are terrorists. First of all, you fought in your clothes,

490
00:26:14,640 --> 00:26:16,720
Speaker 1: and when you fought in front of people, are on people,

491
00:26:16,840 --> 00:26:19,399
Speaker 1: especially in enclosed places, you need to be arrested. We

492
00:26:19,520 --> 00:26:21,680
Speaker 1: need to treat like especially foughting on a plane, we

493
00:26:21,800 --> 00:26:23,280
Speaker 1: need to treat that the way we treat people who

494
00:26:23,280 --> 00:26:25,520
Speaker 1: threatened the president. But for some reason, when you when

495
00:26:25,560 --> 00:26:27,840
Speaker 1: when you when you go up on that plane, something

496
00:26:28,240 --> 00:26:32,880
Speaker 1: with the air and makes you that makes you want

497
00:26:32,880 --> 00:26:35,680
Speaker 1: to fight. Yes, it's probably what you eat. It's trobably

498
00:26:35,720 --> 00:26:38,879
Speaker 1: what you eat the plane and gives you more gas. No,

499
00:26:39,520 --> 00:26:42,639
Speaker 1: I've never felt like a gas right now, we believe you, bro,

500
00:26:43,119 --> 00:26:45,800
Speaker 1: you're a very gassy person. I ain't flirting with y'all. Hello,

501
00:26:45,880 --> 00:26:50,640
Speaker 1: who's this Hey? We're talking about embarrassing far stories. Yeah,

502
00:26:50,720 --> 00:26:53,240
Speaker 1: so one night off, I'm getting my stun ready for bed,

503
00:26:53,359 --> 00:26:56,400
Speaker 1: bringing them more story. I'm trying to slide one hour

504
00:26:56,520 --> 00:27:01,560
Speaker 1: through violence. Came out a little louder than anticipated myself. Mommy, sorry,

505
00:27:02,680 --> 00:27:06,000
Speaker 1: what was that? So? Mommy florid it it's so said

506
00:27:06,680 --> 00:27:16,760
Speaker 1: with sheer disappointment on his face. Mommy spart Yeah, same

507
00:27:16,800 --> 00:27:18,359
Speaker 1: thing comes out of me if it comes out of you,

508
00:27:19,560 --> 00:27:22,960
Speaker 1: that's not true. It's gonna be that time. It's gonna

509
00:27:22,960 --> 00:27:25,159
Speaker 1: be that time a month one day, and he might

510
00:27:25,200 --> 00:27:26,879
Speaker 1: see a little bit more than he needs to see it.

511
00:27:27,160 --> 00:27:29,120
Speaker 1: And you can't say what comes out of mommy comes

512
00:27:29,160 --> 00:27:31,720
Speaker 1: out of you, out of the out of my foot?

513
00:27:32,080 --> 00:27:35,560
Speaker 1: How bid? Okay, you gotta tell everybody at school, that's right.

514
00:27:35,840 --> 00:27:37,600
Speaker 1: If one day you wake up in your son's butter

515
00:27:37,680 --> 00:27:40,520
Speaker 1: is bleeding, you better call goddamn dipher. You go too far? Hello,

516
00:27:40,600 --> 00:27:43,680
Speaker 1: who's this, Kobe? Kobe? We have we're talking about your

517
00:27:43,920 --> 00:27:47,000
Speaker 1: embarrassing fart stories. One time I was eating the scirl

518
00:27:47,359 --> 00:27:52,840
Speaker 1: from the back. You that's sound sounded similar to a

519
00:27:52,960 --> 00:27:55,440
Speaker 1: far She claimed that. She quized, Yeah, that could be

520
00:27:55,480 --> 00:27:58,480
Speaker 1: a quick getting farther on your nose or quips on

521
00:27:58,600 --> 00:28:01,320
Speaker 1: your tongue. Did you smell it? The room smelled like

522
00:28:01,400 --> 00:28:03,679
Speaker 1: we so I really didn't even know that. You know what, man,

523
00:28:05,320 --> 00:28:08,399
Speaker 1: it was a que A lot of a lot of

524
00:28:08,480 --> 00:28:10,920
Speaker 1: women are a member of a tribe called quiff. I

525
00:28:10,960 --> 00:28:13,720
Speaker 1: don't see anything wrong with that. Don't shame her for quefing. Yeah,

526
00:28:13,800 --> 00:28:18,879
Speaker 1: quefing happens. Finish it up, man, it was a night

527
00:28:18,960 --> 00:28:21,399
Speaker 1: as usual. What does it like? What did it sound like?

528
00:28:23,720 --> 00:28:25,760
Speaker 1: Did you did you stop or did you stay down there?

529
00:28:25,800 --> 00:28:30,160
Speaker 1: Did you got a flat tire? Bro Yo, I think

530
00:28:30,160 --> 00:28:36,720
Speaker 1: you got flat? Goodness the homie goodbye here? Oh my?

531
00:28:37,880 --> 00:28:39,520
Speaker 1: What's the moral of the story. The moral of the

532
00:28:39,560 --> 00:28:41,680
Speaker 1: story is, when someone sneezes, you say God bless you.

533
00:28:41,760 --> 00:28:44,120
Speaker 1: When someone farts, what do you say? I'm asking for

534
00:28:44,160 --> 00:28:46,040
Speaker 1: a friend. I don't know. I don't know. I just

535
00:28:46,080 --> 00:28:47,560
Speaker 1: feel like you should say something. If you hear a

536
00:28:47,640 --> 00:28:50,080
Speaker 1: fart out loud, you can't act like you didn't hear it, right,

537
00:28:50,520 --> 00:28:54,040
Speaker 1: Excuse you, Excuse you, Excuse you, Excuse you. You nasty

538
00:28:54,160 --> 00:28:57,880
Speaker 1: pizza couldn't excuse you? All right. We got more coming

539
00:28:57,960 --> 00:29:02,720
Speaker 1: up next with a Breakfast Club Happy Holidays, Wishing you

540
00:29:02,800 --> 00:29:05,040
Speaker 1: and your family the very best this holiday season from

541
00:29:05,080 --> 00:29:07,560
Speaker 1: all of us here at the Breakfast Club, the Breakfast

542
00:29:07,640 --> 00:29:15,640
Speaker 1: Club Morning. Everybody is DJ M v Angela Yee, Charlomagne

543
00:29:15,680 --> 00:29:17,440
Speaker 1: the guy. We are the Breakfast Club. We got a

544
00:29:17,480 --> 00:29:21,160
Speaker 1: special guest on the line right now, the legend Morris

545
00:29:21,360 --> 00:29:27,360
Speaker 1: day Man. Yes, play skin is always in the building. Hey,

546
00:29:27,440 --> 00:29:29,240
Speaker 1: you know what you know? How y'all doing? We do

547
00:29:29,440 --> 00:29:31,160
Speaker 1: blood black and Holly favor. But I feel like I

548
00:29:31,360 --> 00:29:33,200
Speaker 1: know you because my daddy used to listen to so

549
00:29:33,400 --> 00:29:36,640
Speaker 1: much Mars Day and the time growing up, and and

550
00:29:36,840 --> 00:29:38,960
Speaker 1: and you know, in Monk's Corner Soft Caroline and his

551
00:29:39,040 --> 00:29:41,280
Speaker 1: little juke joint, he always been playing Mars Day in

552
00:29:41,320 --> 00:29:44,880
Speaker 1: the time he props the pops, Yes, sir, and you

553
00:29:45,000 --> 00:29:48,080
Speaker 1: still got the gay hairline popping. Hey watch y'all. Now,

554
00:29:48,280 --> 00:29:53,360
Speaker 1: you know, we gotta keep it nice. You know, Mars

555
00:29:53,480 --> 00:29:56,760
Speaker 1: is head because he's released a new book. But let's

556
00:29:56,800 --> 00:29:58,400
Speaker 1: start because there might be some people that don't know

557
00:29:58,480 --> 00:30:00,360
Speaker 1: who Mars Day is that listened to the breadth Was Club.

558
00:30:00,440 --> 00:30:02,640
Speaker 1: So let's explain to the people who Morris Days and

559
00:30:02,760 --> 00:30:05,200
Speaker 1: how you got your start? So where are you from

560
00:30:05,760 --> 00:30:07,560
Speaker 1: start to high school we went to high school with

561
00:30:07,640 --> 00:30:10,080
Speaker 1: and how you got and started in the music industry. Well,

562
00:30:10,160 --> 00:30:13,400
Speaker 1: I'm actually from a small town in Illinois, Springfield, which

563
00:30:13,440 --> 00:30:16,480
Speaker 1: is actually the capital. Everybody thinks Chicago is, but it's

564
00:30:16,640 --> 00:30:19,840
Speaker 1: it's Springfield and early years, you know, but then I

565
00:30:19,920 --> 00:30:22,680
Speaker 1: moved to Minneapolis. We were supposed to be going to California,

566
00:30:23,040 --> 00:30:25,400
Speaker 1: but my mom said we're gonna stop in Minneapolis to

567
00:30:25,600 --> 00:30:28,120
Speaker 1: visit a sick on and we stayed there for the

568
00:30:28,200 --> 00:30:30,560
Speaker 1: next twenty years. Wow, you know, it turned out I

569
00:30:30,640 --> 00:30:34,240
Speaker 1: lived on the same block that Prince did around the corner,

570
00:30:34,320 --> 00:30:35,880
Speaker 1: and I didn't even I didn't know, you know what

571
00:30:35,920 --> 00:30:38,200
Speaker 1: I mean. He was like ten years old and I'd

572
00:30:38,240 --> 00:30:42,080
Speaker 1: see him and his sister, Typer plan outside, and I

573
00:30:42,160 --> 00:30:44,680
Speaker 1: didn't meet him till like four or five years later,

574
00:30:45,160 --> 00:30:47,120
Speaker 1: and ended up being in the same band with him.

575
00:30:47,400 --> 00:30:49,640
Speaker 1: We had a band, Cark Grand Central, and you know,

576
00:30:50,080 --> 00:30:52,440
Speaker 1: Prince helped me get my start. He got his solo

577
00:30:52,560 --> 00:30:54,640
Speaker 1: start and helped me get my start, and you know,

578
00:30:54,680 --> 00:30:57,120
Speaker 1: it's kind of history from there. So y'all literally grew

579
00:30:57,240 --> 00:31:00,120
Speaker 1: up together in the same little neighborhoods as y'all was

580
00:31:00,160 --> 00:31:02,960
Speaker 1: ten years old and didn't know it. That was he

581
00:31:03,040 --> 00:31:05,360
Speaker 1: always good in basketball that y'all used to play basketball.

582
00:31:05,800 --> 00:31:08,200
Speaker 1: I didn't know him. I mean I saw him back then,

583
00:31:08,480 --> 00:31:12,000
Speaker 1: you know, plan outside with his sister, but you know,

584
00:31:12,120 --> 00:31:14,600
Speaker 1: I didn't find out, you know, that he was a

585
00:31:14,720 --> 00:31:18,959
Speaker 1: musician and all that until like five years later, fifteen

586
00:31:19,040 --> 00:31:21,680
Speaker 1: years old. But yeah, he was an awesome basketball player.

587
00:31:21,840 --> 00:31:23,800
Speaker 1: We now. Your book is interesting how you wrote it

588
00:31:23,920 --> 00:31:27,080
Speaker 1: because a lot of it is what you would imagine

589
00:31:27,200 --> 00:31:29,960
Speaker 1: Prince would respond to. Some of the stories that you

590
00:31:30,080 --> 00:31:32,520
Speaker 1: have to tell in your recollections of you coming up

591
00:31:32,600 --> 00:31:35,720
Speaker 1: and becoming you know, the Morris Day and the time

592
00:31:35,760 --> 00:31:38,560
Speaker 1: and the whole journey to get to that point. So

593
00:31:39,120 --> 00:31:42,320
Speaker 1: it seems like you guys had such an interesting relationship

594
00:31:42,360 --> 00:31:44,960
Speaker 1: because y'allknew each other for so long. He was very

595
00:31:45,040 --> 00:31:48,280
Speaker 1: much intricately involved with you becoming the superstar that you became.

596
00:31:48,760 --> 00:31:51,600
Speaker 1: But then there were some discrepancies between you two along

597
00:31:51,680 --> 00:31:57,360
Speaker 1: the way. You know, brothers fight. But you're right, you

598
00:31:57,480 --> 00:32:01,000
Speaker 1: better believe that the responses that in the book, that

599
00:32:01,200 --> 00:32:04,480
Speaker 1: that I came up with a real world responses because

600
00:32:04,640 --> 00:32:06,720
Speaker 1: you know, we knew each other well after I got

601
00:32:06,760 --> 00:32:08,640
Speaker 1: out of his camp. You know, we didn't talk all

602
00:32:08,720 --> 00:32:11,040
Speaker 1: that much, but we spent a lot of time together

603
00:32:11,800 --> 00:32:15,040
Speaker 1: in the early years on time, a Princely life and Funk.

604
00:32:15,240 --> 00:32:16,720
Speaker 1: Let me ask you a question, mister Day, do you

605
00:32:16,800 --> 00:32:18,880
Speaker 1: feel you get your proper credit or do people thinking

606
00:32:18,920 --> 00:32:21,920
Speaker 1: you as just the prince creation? Well, you know some

607
00:32:22,120 --> 00:32:26,600
Speaker 1: people think that, and you know, social media is beautiful

608
00:32:26,760 --> 00:32:29,640
Speaker 1: and it's ugly at the same time. As far as credit,

609
00:32:30,000 --> 00:32:31,760
Speaker 1: you know, I know what I did. You know in

610
00:32:32,160 --> 00:32:35,680
Speaker 1: the organization. If anybody questions whether I can write a song,

611
00:32:35,800 --> 00:32:38,920
Speaker 1: that you need to research that because that's how I

612
00:32:39,000 --> 00:32:42,560
Speaker 1: got my start. But Prince was such a creative genius.

613
00:32:42,840 --> 00:32:47,400
Speaker 1: I would never dispute how somebody feels about him versus me.

614
00:32:47,880 --> 00:32:50,360
Speaker 1: I'm humble about that, you know. I think people are

615
00:32:50,520 --> 00:32:54,160
Speaker 1: entitled to their opinions and it's all good thing that

616
00:32:54,240 --> 00:32:57,240
Speaker 1: if you would have tried to negotiate more for yourself,

617
00:32:57,400 --> 00:32:58,800
Speaker 1: that you would have been in the position that you

618
00:32:58,880 --> 00:33:00,360
Speaker 1: were in with him, or you think he would have

619
00:33:00,360 --> 00:33:02,440
Speaker 1: shut it down, because it feels like he was like,

620
00:33:02,600 --> 00:33:04,120
Speaker 1: this is what it is, take it or leave it.

621
00:33:04,720 --> 00:33:07,160
Speaker 1: That's the way he came across. But sometimes I question

622
00:33:07,200 --> 00:33:09,120
Speaker 1: if I had taken a harder position with him, I

623
00:33:09,280 --> 00:33:12,680
Speaker 1: probably have a little more that Purple rain money. Yeah,

624
00:33:12,800 --> 00:33:15,000
Speaker 1: and he brought up an interesting point because your songs

625
00:33:15,040 --> 00:33:18,840
Speaker 1: aren't on the soundtrack, right, and those were huge songs,

626
00:33:18,960 --> 00:33:22,240
Speaker 1: and I think it would have benefited the actual soundtrack.

627
00:33:22,280 --> 00:33:24,040
Speaker 1: There were some other songs in the movie that weren't

628
00:33:24,080 --> 00:33:27,480
Speaker 1: on the soundtrack also. Yeah, no, we had decent sales,

629
00:33:27,600 --> 00:33:29,920
Speaker 1: but had we been on the soundtrack, which was a

630
00:33:29,960 --> 00:33:33,160
Speaker 1: shrewd move on the brother's part, you know, the sales

631
00:33:33,200 --> 00:33:36,800
Speaker 1: would have been, you know, um, substantially greater. What was

632
00:33:36,840 --> 00:33:38,520
Speaker 1: your relationship when he when he passed away, did you

633
00:33:38,600 --> 00:33:41,200
Speaker 1: have a type relationship good relationship. You know, I've been

634
00:33:41,520 --> 00:33:44,160
Speaker 1: fortunate enough to not really have people close to me

635
00:33:44,280 --> 00:33:47,200
Speaker 1: pass away, so that was a real shocker for me.

636
00:33:47,280 --> 00:33:49,600
Speaker 1: That was that was the closest, well one of the

637
00:33:49,640 --> 00:33:54,800
Speaker 1: closest people to me. And he insisted that we come

638
00:33:54,880 --> 00:33:59,440
Speaker 1: to Haisley Park to do a show for him, and

639
00:33:59,560 --> 00:34:01,120
Speaker 1: in the past asked he had kind of stiffed me

640
00:34:01,160 --> 00:34:02,880
Speaker 1: a few times, so I was like, brother, if you

641
00:34:02,960 --> 00:34:06,120
Speaker 1: want me to bring my band to Minneapolis again, you're

642
00:34:06,160 --> 00:34:08,759
Speaker 1: gonna have to pay me upfront. And you know, he

643
00:34:08,840 --> 00:34:10,920
Speaker 1: said all the money and everything. And know, we went

644
00:34:11,000 --> 00:34:13,520
Speaker 1: there and he was very gracious and we got to talk.

645
00:34:13,600 --> 00:34:16,319
Speaker 1: We talked before the show, we talked after the show,

646
00:34:16,719 --> 00:34:19,160
Speaker 1: and in party he said, you know, I love you

647
00:34:19,600 --> 00:34:22,680
Speaker 1: and he had never said anything like that to me before,

648
00:34:23,080 --> 00:34:26,440
Speaker 1: and I was like, I love you and that was

649
00:34:26,960 --> 00:34:29,279
Speaker 1: pretty much the last words that we had. So, you know,

650
00:34:29,600 --> 00:34:32,520
Speaker 1: I walked away from that feeling like what changed, you know,

651
00:34:32,600 --> 00:34:34,680
Speaker 1: what's different? Why did he say that? And two months

652
00:34:34,760 --> 00:34:37,800
Speaker 1: later that was it. Wow. Wow. Now one thing that

653
00:34:37,840 --> 00:34:39,719
Speaker 1: people might not know is that you had Jimmy jam

654
00:34:39,840 --> 00:34:42,040
Speaker 1: and Terry Lewis as part of your band early on

655
00:34:42,200 --> 00:34:44,759
Speaker 1: before they went to go become the super producers and

656
00:34:44,840 --> 00:34:47,960
Speaker 1: writers who they are. So how did you mend that

657
00:34:48,080 --> 00:34:52,520
Speaker 1: relationship after you fire them from working with you? Damn it, man,

658
00:34:53,680 --> 00:34:56,000
Speaker 1: you're just gonna fire those the super producers. You could

659
00:34:56,040 --> 00:34:58,600
Speaker 1: have signed that the book. But how But how do

660
00:34:58,680 --> 00:35:01,440
Speaker 1: you mend a relationship like that? Because to me, it's like, look,

661
00:35:01,480 --> 00:35:04,560
Speaker 1: we're popping over here, you know, so do we need

662
00:35:04,640 --> 00:35:06,960
Speaker 1: to come back and work again? So how does that

663
00:35:07,080 --> 00:35:10,160
Speaker 1: even like, how does that conversation happen? That's a great question.

664
00:35:10,280 --> 00:35:13,120
Speaker 1: You know what. First of all, I didn't fire them.

665
00:35:13,320 --> 00:35:16,880
Speaker 1: I was signed to Prince's production company and he fired

666
00:35:17,160 --> 00:35:19,520
Speaker 1: French fire Jimmy jam and Terry Lewis. He's not here

667
00:35:19,560 --> 00:35:21,520
Speaker 1: to defend himself, Mars. We don't know if we believe

668
00:35:21,600 --> 00:35:25,920
Speaker 1: your thoughts. You know what. I want the brother to

669
00:35:26,040 --> 00:35:27,759
Speaker 1: rest in peace, So I ain't gonna sit here lying

670
00:35:27,800 --> 00:35:31,919
Speaker 1: on the body he fired. That was a tough moment

671
00:35:32,000 --> 00:35:34,279
Speaker 1: for me because we were in the studio recording ice

672
00:35:34,360 --> 00:35:36,960
Speaker 1: Cream Castles, not just the album, but the song ice

673
00:35:37,040 --> 00:35:39,759
Speaker 1: Cream Castles, and they he called them in and they

674
00:35:39,800 --> 00:35:42,120
Speaker 1: showed up and he fired them, And you know, one

675
00:35:42,160 --> 00:35:44,360
Speaker 1: of my pet keeps coming up as a musician was

676
00:35:44,440 --> 00:35:47,480
Speaker 1: I always hated to see one of my favorite bands

677
00:35:47,560 --> 00:35:51,120
Speaker 1: start replacing members because I like my bands to stay away.

678
00:35:51,400 --> 00:35:53,880
Speaker 1: I like them, and you know, I really dropped my

679
00:35:53,960 --> 00:35:57,000
Speaker 1: head and had a real tough day when he did

680
00:35:57,160 --> 00:36:00,160
Speaker 1: fire them. So I never had a relationship to with

681
00:36:00,280 --> 00:36:03,640
Speaker 1: them because they know I didn't fire them. Okay, becauld

682
00:36:03,680 --> 00:36:06,759
Speaker 1: the time have been as successful as they were if

683
00:36:06,840 --> 00:36:10,239
Speaker 1: Alexander O'Neill remained the lead and not you well, they

684
00:36:10,280 --> 00:36:12,920
Speaker 1: wouldn't have had an lead singer who was quite as pretty.

685
00:36:13,040 --> 00:36:19,000
Speaker 1: But I don't know that, you know, I don't know.

686
00:36:19,200 --> 00:36:21,480
Speaker 1: I think it would have changed the whole dynamic of things,

687
00:36:21,600 --> 00:36:24,879
Speaker 1: to be honest, I love Alex Alex as an incredible singer.

688
00:36:24,920 --> 00:36:26,920
Speaker 1: I wish I could sing half as well as Alex

689
00:36:27,080 --> 00:36:31,000
Speaker 1: um but it just would have been a whole different dynamic.

690
00:36:31,480 --> 00:36:35,280
Speaker 1: And you know, Alex and I were we were best buddies,

691
00:36:35,360 --> 00:36:38,800
Speaker 1: you know, back through then, but he wanted something, you know,

692
00:36:39,200 --> 00:36:41,520
Speaker 1: more than what we had, and it just kind of

693
00:36:41,600 --> 00:36:43,800
Speaker 1: turned out I just wanted to be a drummer, so

694
00:36:43,960 --> 00:36:45,719
Speaker 1: I kind of got pushed out there. We tried a

695
00:36:45,760 --> 00:36:49,040
Speaker 1: few lead singers, including Alex, and it didn't work out,

696
00:36:49,120 --> 00:36:51,280
Speaker 1: and Prince was like, well you do it? How often

697
00:36:51,320 --> 00:36:53,759
Speaker 1: did give the drummer something get you late? Well, I

698
00:36:53,800 --> 00:36:55,919
Speaker 1: didn't get the lead singers something works a little better,

699
00:36:58,800 --> 00:37:00,560
Speaker 1: all right? We got more with the ledge Derry Morris

700
00:37:00,680 --> 00:37:02,919
Speaker 1: Day when we come back, don't move as the Breakfast Club,

701
00:37:03,000 --> 00:37:08,600
Speaker 1: Good morning morning. Everybody is dj Envy Angela Yee. Charlomagne,

702
00:37:08,640 --> 00:37:11,000
Speaker 1: the guy we all to Breakfast Club was still kicking

703
00:37:11,120 --> 00:37:14,400
Speaker 1: with Morris Day. Charlomagne, did writing this book serve as

704
00:37:14,440 --> 00:37:16,520
Speaker 1: a form of therapy to work out maybe some remaining

705
00:37:16,560 --> 00:37:19,040
Speaker 1: grief you had from from the laws and princes. You'd

706
00:37:19,080 --> 00:37:21,360
Speaker 1: like to ask them good questions, don't you. Yeah? No,

707
00:37:21,520 --> 00:37:27,319
Speaker 1: it was definitely therapeutic because I found myself going down,

708
00:37:27,840 --> 00:37:30,720
Speaker 1: you know, memory lane in a way that I probably

709
00:37:30,880 --> 00:37:33,920
Speaker 1: didn't want to at times, and at times it was

710
00:37:34,000 --> 00:37:36,759
Speaker 1: really great. And I always thought in my life I

711
00:37:36,800 --> 00:37:40,200
Speaker 1: would like to like do the memoirs of Morris Day,

712
00:37:40,760 --> 00:37:42,839
Speaker 1: and I just didn't know that I would do them

713
00:37:42,840 --> 00:37:45,399
Speaker 1: as soon as I did. And you know, at times

714
00:37:45,440 --> 00:37:48,560
Speaker 1: it was painful, but it was therapeutic because I did

715
00:37:48,640 --> 00:37:50,919
Speaker 1: get some things off my chest and revisit some things

716
00:37:50,960 --> 00:37:53,520
Speaker 1: that I probably needed to revisit. And how did it

717
00:37:53,800 --> 00:37:56,480
Speaker 1: being in the band and you also battled your own

718
00:37:56,560 --> 00:38:00,239
Speaker 1: demons during that time affect your relationships, you know, because

719
00:38:00,280 --> 00:38:03,520
Speaker 1: you did get married, you did have children during that time,

720
00:38:03,600 --> 00:38:07,080
Speaker 1: So how did that affect your relationships? Well, you know,

721
00:38:07,200 --> 00:38:11,080
Speaker 1: the demons are among us, so but I dealt with

722
00:38:11,160 --> 00:38:14,600
Speaker 1: them big time when I was younger and dumber, you know.

723
00:38:14,719 --> 00:38:17,840
Speaker 1: But fortunately, you know, God had a plan for me.

724
00:38:18,040 --> 00:38:21,400
Speaker 1: I'm still here. I think I'm doing better than I

725
00:38:21,480 --> 00:38:25,279
Speaker 1: ever have, you know, even through this pandemic they call it,

726
00:38:25,960 --> 00:38:28,759
Speaker 1: but you know, it's it's life is life, you know,

727
00:38:28,920 --> 00:38:32,240
Speaker 1: you gotta deal with it. I had some serious demons,

728
00:38:32,400 --> 00:38:34,920
Speaker 1: but you know, and they caused some serious damage to

729
00:38:35,360 --> 00:38:38,279
Speaker 1: me and other people. But you know I got through it.

730
00:38:38,360 --> 00:38:40,680
Speaker 1: Everybody got through it. Did What did your kids say

731
00:38:40,719 --> 00:38:42,560
Speaker 1: reading this book? Because I know you reflected it on

732
00:38:42,800 --> 00:38:44,879
Speaker 1: how you wish you would have had a better relationship

733
00:38:45,280 --> 00:38:47,959
Speaker 1: while your kids were young. So how did you mend

734
00:38:48,000 --> 00:38:49,520
Speaker 1: that and what did they say when they read this?

735
00:38:50,239 --> 00:38:54,200
Speaker 1: The love from kids is unconditional. It's a true statement. So, um,

736
00:38:54,680 --> 00:38:57,879
Speaker 1: my kids don't really drag me through it so much?

737
00:38:58,080 --> 00:39:00,399
Speaker 1: About you know how it was. I really wasn't that bad.

738
00:39:00,480 --> 00:39:03,360
Speaker 1: I'm not like a bad person. But you know my

739
00:39:03,520 --> 00:39:07,520
Speaker 1: older kids, you know, um, you know, my oldest is

740
00:39:07,760 --> 00:39:13,200
Speaker 1: forties three, and you know she you know, she doesn't

741
00:39:13,320 --> 00:39:15,520
Speaker 1: you know, rip me up about it too much. It's

742
00:39:15,600 --> 00:39:18,160
Speaker 1: it's all of so, you know, people are people, and

743
00:39:18,360 --> 00:39:21,319
Speaker 1: people make mistakes and life goes on. Was there any

744
00:39:21,360 --> 00:39:24,239
Speaker 1: pushback from anybody on the dialogue between you and French

745
00:39:24,280 --> 00:39:26,719
Speaker 1: throughout the book? Maybe his a state or something. Yeah,

746
00:39:26,800 --> 00:39:31,040
Speaker 1: if you go on to princess online community, he has

747
00:39:31,160 --> 00:39:33,400
Speaker 1: you know that everybody has their opinion, But at the

748
00:39:33,520 --> 00:39:36,200
Speaker 1: end of the day, I was the one that was there,

749
00:39:36,320 --> 00:39:39,280
Speaker 1: So you can have your opinion, but you gotta understand

750
00:39:39,400 --> 00:39:41,800
Speaker 1: that it was my life that I lived and I

751
00:39:42,040 --> 00:39:44,480
Speaker 1: was there. Did you have to get approval from Princess

752
00:39:44,480 --> 00:39:47,120
Speaker 1: of the State to speak on his behalf in the books? Now,

753
00:39:47,239 --> 00:39:49,480
Speaker 1: they haven't bothered me so far, you know, because I

754
00:39:49,560 --> 00:39:52,520
Speaker 1: think they know that might be a mistake because even

755
00:39:52,560 --> 00:39:55,600
Speaker 1: though I do speak about Prince, I'm telling my life

756
00:39:55,640 --> 00:39:58,200
Speaker 1: story right because you know, all of you know, all

757
00:39:58,239 --> 00:39:59,920
Speaker 1: the bones are buried. If you need to go dig

758
00:40:00,040 --> 00:40:04,799
Speaker 1: come up. Trust me, I left a lot of them buried. Well,

759
00:40:04,840 --> 00:40:07,120
Speaker 1: you did, you did. You did speak on the rivalry

760
00:40:07,239 --> 00:40:09,799
Speaker 1: between Prince and Michael Jackson in the book. What would

761
00:40:09,840 --> 00:40:13,080
Speaker 1: Prince's true feelings towards Michael Jackson? Well, you know he

762
00:40:13,160 --> 00:40:16,200
Speaker 1: had respect from Michael, but you know there's a rivalry

763
00:40:16,280 --> 00:40:19,840
Speaker 1: because you know, Prince rose to that level where it

764
00:40:19,960 --> 00:40:23,120
Speaker 1: was appropriate to say, you know, this is competition, and

765
00:40:23,239 --> 00:40:26,160
Speaker 1: anybody who could say they were in direct competition with

766
00:40:26,280 --> 00:40:29,000
Speaker 1: Michael Jackson, they're in a good space as far as

767
00:40:29,040 --> 00:40:32,400
Speaker 1: an entertainer goes. I remember reading one time when you

768
00:40:32,480 --> 00:40:37,080
Speaker 1: said Rick James was jealous of Prince. He was, you know, Rick,

769
00:40:37,280 --> 00:40:39,800
Speaker 1: you know, started to feel the pressure. And you know,

770
00:40:39,960 --> 00:40:42,520
Speaker 1: I understand that pressure because that's the kind of pressure

771
00:40:42,600 --> 00:40:45,279
Speaker 1: that the Time started to put on Prince. You know,

772
00:40:45,400 --> 00:40:47,480
Speaker 1: when we were doing concerts and Prince was putting that

773
00:40:47,560 --> 00:40:49,600
Speaker 1: type of pressure on Rick James where he was starting

774
00:40:49,640 --> 00:40:52,040
Speaker 1: to steal the show. Rick, being the kind of brother

775
00:40:52,160 --> 00:40:55,360
Speaker 1: that he was, he wasn't liking that show. So you know,

776
00:40:55,400 --> 00:40:57,440
Speaker 1: I understand it because, like I said, that's what the

777
00:40:57,520 --> 00:40:59,319
Speaker 1: Time did the Prince, and that's why he took us

778
00:40:59,360 --> 00:41:01,320
Speaker 1: off of some of the major markets. We couldn't go

779
00:41:01,400 --> 00:41:03,759
Speaker 1: to Chicago, La New York. We couldn't go to the

780
00:41:03,840 --> 00:41:06,360
Speaker 1: major markets with it because we was putting fresh on.

781
00:41:09,000 --> 00:41:11,200
Speaker 1: Because you're talking about all these different shows. Did y'all

782
00:41:11,200 --> 00:41:18,440
Speaker 1: ever get physical? Well, it's in the book. No. The

783
00:41:18,520 --> 00:41:21,800
Speaker 1: closest we came to getting physical. We had a huge

784
00:41:22,239 --> 00:41:25,200
Speaker 1: food fight and it was in I blew sewing pancakes

785
00:41:25,239 --> 00:41:29,520
Speaker 1: all over the goddamn place, pancakes, sausage, everything. Man, we

786
00:41:29,960 --> 00:41:32,200
Speaker 1: you know, but he started it. We was on stage

787
00:41:32,520 --> 00:41:35,160
Speaker 1: and he for some reason it got the bright ideas

788
00:41:35,200 --> 00:41:37,040
Speaker 1: that he want to start throwing aids up on the

789
00:41:37,120 --> 00:41:39,120
Speaker 1: stage while we was up there, y'all performing, and they

790
00:41:39,239 --> 00:41:42,200
Speaker 1: chucking eggs at y'all, Eggs coming across the stage, so,

791
00:41:42,800 --> 00:41:44,879
Speaker 1: you know, he said, And then he threatened me, he said,

792
00:41:44,920 --> 00:41:46,960
Speaker 1: you better not try and do that to me when

793
00:41:47,080 --> 00:41:49,560
Speaker 1: I'm on stage. And I you know, you know how

794
00:41:49,600 --> 00:41:51,239
Speaker 1: it is. If you say don't do it, guess what

795
00:41:51,400 --> 00:41:53,800
Speaker 1: you gotta do it. I gotta do it. So we

796
00:41:53,960 --> 00:41:56,719
Speaker 1: did the same thing and it carried on after the show.

797
00:41:57,480 --> 00:42:02,080
Speaker 1: It went into the back stage area. They had my

798
00:42:02,200 --> 00:42:06,719
Speaker 1: guitar player, Jesse, handcuffed to a cote rack and just

799
00:42:06,880 --> 00:42:09,840
Speaker 1: all kind of crazy stuff and it ended up me

800
00:42:09,960 --> 00:42:12,600
Speaker 1: getting the bill. I had to pay five thousand dollars

801
00:42:12,680 --> 00:42:14,640
Speaker 1: out of the you know, a little money I was getting,

802
00:42:15,600 --> 00:42:18,279
Speaker 1: you know, to clean because the venue charged us a

803
00:42:18,360 --> 00:42:21,359
Speaker 1: clean up fee. So that's really and it got ugly.

804
00:42:21,400 --> 00:42:23,560
Speaker 1: It did get ugly. So that's really the closest we

805
00:42:23,640 --> 00:42:26,120
Speaker 1: came to, you know, getting physical. I'm shocked, as you said,

806
00:42:26,239 --> 00:42:28,200
Speaker 1: Prince you know, didn't take yell on the roll because

807
00:42:28,239 --> 00:42:30,880
Speaker 1: he didn't like pressure. I would think somebody like Prince

808
00:42:31,160 --> 00:42:34,279
Speaker 1: would love to have somebody challenging him on that stage. Well,

809
00:42:34,360 --> 00:42:37,440
Speaker 1: you gotta understand, it's the Frankenstein monster that he built.

810
00:42:37,719 --> 00:42:40,200
Speaker 1: I think he believed that we would be good, but

811
00:42:40,360 --> 00:42:42,239
Speaker 1: I don't think he believed that we would be as

812
00:42:42,320 --> 00:42:45,800
Speaker 1: good as we were. So I believe, you know, we

813
00:42:46,040 --> 00:42:48,160
Speaker 1: took it. And I think that the members of the

814
00:42:48,280 --> 00:42:51,000
Speaker 1: time speak for itself because if you think about, you know,

815
00:42:51,160 --> 00:42:54,680
Speaker 1: what everybody did. You know, Terry and Jimmy, you know,

816
00:42:55,120 --> 00:42:59,200
Speaker 1: unlimited ability as songwriters and producers. Jesse Johnson had a

817
00:42:59,239 --> 00:43:04,480
Speaker 1: great solo. Jerome was a great personality, great actor, you know,

818
00:43:04,600 --> 00:43:07,760
Speaker 1: and and you know, we just we had a chemistry

819
00:43:07,840 --> 00:43:10,000
Speaker 1: that I don't think he expected. Now, did you ever

820
00:43:10,120 --> 00:43:12,840
Speaker 1: think of doing a movie yourself, because I know obviously

821
00:43:12,880 --> 00:43:15,560
Speaker 1: you were in Purple Rain, the Graffiti Bridge movie. Had

822
00:43:15,600 --> 00:43:18,080
Speaker 1: you ever at that time said I should just write

823
00:43:18,120 --> 00:43:20,680
Speaker 1: my own movie, just the way Prince was writing these

824
00:43:20,760 --> 00:43:25,719
Speaker 1: movies and developing these ideas. Yes, I thought that, and

825
00:43:25,880 --> 00:43:28,200
Speaker 1: that's that's in my brain, and it's it's it's on

826
00:43:28,280 --> 00:43:31,239
Speaker 1: the back runner right now, moving toward the front. Yeah,

827
00:43:31,400 --> 00:43:33,919
Speaker 1: you you had a TV show back in the day. Yeah,

828
00:43:34,200 --> 00:43:37,480
Speaker 1: and it was canceled. Not I heard. This is what

829
00:43:37,600 --> 00:43:40,000
Speaker 1: I heard. It was canceled, not because of ratings, but

830
00:43:40,120 --> 00:43:42,720
Speaker 1: because the studio didn't get along with your show's producer,

831
00:43:42,880 --> 00:43:46,759
Speaker 1: Ralph fa I think his name is. Yeah, I've had

832
00:43:46,840 --> 00:43:49,560
Speaker 1: two like that that you know, were canceled, and you

833
00:43:49,680 --> 00:43:53,480
Speaker 1: know the one that I did New Attitude with Cheryley,

834
00:43:53,640 --> 00:43:57,800
Speaker 1: Ralph and m von Stickney. That was a bona fide

835
00:43:58,120 --> 00:44:01,719
Speaker 1: hit as far as the Nielsen ratings were concerned. But

836
00:44:02,080 --> 00:44:04,719
Speaker 1: there was a hiatus and they canceled the show. And

837
00:44:05,280 --> 00:44:08,360
Speaker 1: then they show aired and it had high high ratings,

838
00:44:08,440 --> 00:44:10,799
Speaker 1: but it didn't exist anymore. And then we had another

839
00:44:10,800 --> 00:44:14,640
Speaker 1: show Jerome and I um that that was called Hotel Dixon.

840
00:44:14,719 --> 00:44:21,320
Speaker 1: We were both hotel detectives and that Yeah, that's a

841
00:44:21,400 --> 00:44:26,560
Speaker 1: wild name, wild name man. And you know that show

842
00:44:26,640 --> 00:44:29,600
Speaker 1: got canceled. But there was a lot of internal issues

843
00:44:29,680 --> 00:44:32,240
Speaker 1: and they were changing powers at Fox at the time,

844
00:44:32,440 --> 00:44:34,560
Speaker 1: so um, you know that one was what it could

845
00:44:34,560 --> 00:44:36,759
Speaker 1: just kind of made me believe maybe I'm not an

846
00:44:36,800 --> 00:44:40,840
Speaker 1: actor because I can act, but I don't like the

847
00:44:41,520 --> 00:44:44,239
Speaker 1: part of acting where somebody tells me what to do,

848
00:44:44,400 --> 00:44:46,919
Speaker 1: what time to get up, what time to be at work,

849
00:44:47,120 --> 00:44:50,680
Speaker 1: and all of that stuff. That's a lot of money

850
00:44:50,719 --> 00:44:52,640
Speaker 1: to do these productions. They need you on the side.

851
00:44:53,160 --> 00:44:55,200
Speaker 1: Yes it doesn't I understand that, but I don't like

852
00:44:55,320 --> 00:44:57,360
Speaker 1: that part of it. So so when they so the

853
00:44:57,480 --> 00:44:59,800
Speaker 1: rumor about the studio not getting along with your shows

854
00:44:59,800 --> 00:45:03,080
Speaker 1: for do so Ralph true, or whether you not wanting

855
00:45:03,120 --> 00:45:05,560
Speaker 1: to do the work, well I wanted to do the work.

856
00:45:05,600 --> 00:45:07,480
Speaker 1: I was there. I was there every day on time,

857
00:45:07,600 --> 00:45:10,320
Speaker 1: looking good, ready to go in and new my lines

858
00:45:10,360 --> 00:45:12,279
Speaker 1: and all of that. So it wasn't me, it was

859
00:45:12,400 --> 00:45:15,160
Speaker 1: it was internal problems. Got you all right? The old

860
00:45:15,200 --> 00:45:17,080
Speaker 1: move we got more with Morris Day. When we come back,

861
00:45:17,120 --> 00:45:20,720
Speaker 1: it's the Breakfast Club, Good morning morning, everybody is DJ

862
00:45:21,120 --> 00:45:24,480
Speaker 1: and Angela Yee, Charlomagne, the God We all, the Breakfast

863
00:45:24,560 --> 00:45:27,279
Speaker 1: Club was still kicking with Morris Day. Ye. Now, your

864
00:45:27,360 --> 00:45:32,200
Speaker 1: mom managed you early on, So how was that experience

865
00:45:32,239 --> 00:45:35,040
Speaker 1: having her as your manager? And then when did you

866
00:45:35,400 --> 00:45:38,600
Speaker 1: kind of break away from that? How is that separation? Well,

867
00:45:39,160 --> 00:45:41,200
Speaker 1: you know, first of all, having your mom manage you

868
00:45:41,360 --> 00:45:44,680
Speaker 1: is it sounds cool? But it's pressure, you know, because

869
00:45:44,840 --> 00:45:48,399
Speaker 1: you got a group of individuals and sometimes they don't

870
00:45:48,440 --> 00:45:51,799
Speaker 1: agree with what the manager has to say. And when

871
00:45:51,800 --> 00:45:54,120
Speaker 1: it's your mom, you don't appreciate that. You know what

872
00:45:54,160 --> 00:45:57,240
Speaker 1: I'm saying, so and saying, hey, you know the manager,

873
00:45:57,280 --> 00:45:58,680
Speaker 1: I don't like what she said. I don't like this.

874
00:45:58,920 --> 00:46:01,160
Speaker 1: I'm like, but wait a minute, this is double edge

875
00:46:01,280 --> 00:46:03,680
Speaker 1: for me because that's my mom you talking about. So

876
00:46:04,960 --> 00:46:07,960
Speaker 1: it was cool. How long did that last? Um? She

877
00:46:08,120 --> 00:46:10,960
Speaker 1: probably managed us for maybe two years. UM, and that

878
00:46:11,120 --> 00:46:16,560
Speaker 1: was when we were teenagers. It was tough, but you know,

879
00:46:16,719 --> 00:46:20,000
Speaker 1: she she had big ideas for us. UM. She was

880
00:46:20,080 --> 00:46:23,160
Speaker 1: definitely shooting toward trying to get us a record deal. UM.

881
00:46:23,520 --> 00:46:25,960
Speaker 1: The problem with my mom was she was a you know,

882
00:46:26,040 --> 00:46:28,560
Speaker 1: she was very attractive young lady, and so you know,

883
00:46:28,640 --> 00:46:30,839
Speaker 1: we had people like Isaac Hayes coming to I'm getting

884
00:46:30,880 --> 00:46:36,080
Speaker 1: a deal. But what was you really looking for? Now,

885
00:46:39,160 --> 00:46:41,160
Speaker 1: I listen, would you look at her any other way

886
00:46:41,200 --> 00:46:43,440
Speaker 1: if you found out that, you know, come on, she

887
00:46:43,520 --> 00:46:45,479
Speaker 1: might have done some things just to make some things happen.

888
00:46:45,640 --> 00:46:48,759
Speaker 1: That's his mama. Now, I know, I'm just sayingship, I

889
00:46:48,840 --> 00:46:54,560
Speaker 1: told you when you're looking at what there was, I

890
00:46:54,600 --> 00:46:56,360
Speaker 1: don't know. I don't you know. First of all, I

891
00:46:56,600 --> 00:47:00,360
Speaker 1: never even like considered that. But um, I don't know,

892
00:47:00,520 --> 00:47:03,680
Speaker 1: man I, mister Day, what do you think was different

893
00:47:03,760 --> 00:47:06,280
Speaker 1: about the era that y'all came up in as opposed

894
00:47:06,320 --> 00:47:10,080
Speaker 1: to this one? Because back then, you know, y'all were flamboyant, right,

895
00:47:10,640 --> 00:47:14,120
Speaker 1: but nobody ever called y'all out of your name or say, oh,

896
00:47:14,200 --> 00:47:19,000
Speaker 1: those guys are gay. Yeah they did, because you know,

897
00:47:19,120 --> 00:47:22,600
Speaker 1: we did stuff like wear makeup and high heels and

898
00:47:22,680 --> 00:47:25,800
Speaker 1: stuff like that, and you know, you know, uh, you know,

899
00:47:25,880 --> 00:47:28,640
Speaker 1: Prince was was you know, big on. You know, he

900
00:47:28,800 --> 00:47:31,239
Speaker 1: even like crossed the line as far as dressing, you know,

901
00:47:31,360 --> 00:47:33,600
Speaker 1: with the hills and you know, and and all of

902
00:47:33,640 --> 00:47:36,040
Speaker 1: that stuff. So you know, that came up a lot.

903
00:47:36,200 --> 00:47:38,480
Speaker 1: But I really think that that at the end of

904
00:47:38,520 --> 00:47:43,080
Speaker 1: the day, talent and ability prevailed, and that's why so people,

905
00:47:43,160 --> 00:47:46,399
Speaker 1: many people loved Prince and people respected you know, I didn't,

906
00:47:46,600 --> 00:47:51,480
Speaker 1: you know, go that metro sexual road as far as

907
00:47:51,560 --> 00:47:54,319
Speaker 1: he did. But um, I know the brother wasn't gay.

908
00:47:54,560 --> 00:47:56,600
Speaker 1: You know, people say that to me. I'd be like, okay,

909
00:47:56,640 --> 00:47:58,920
Speaker 1: well leave your girlfriend and with him for a few

910
00:47:59,000 --> 00:48:01,480
Speaker 1: hours and come and tell me is he's still get you?

911
00:48:01,560 --> 00:48:03,600
Speaker 1: That's what I saw. I saw y'all with all the women.

912
00:48:03,719 --> 00:48:06,440
Speaker 1: Y'all had all the beautiful women around y'all. Yeah, so

913
00:48:07,000 --> 00:48:09,680
Speaker 1: you know it was all good. Man. You gotta take

914
00:48:09,920 --> 00:48:11,840
Speaker 1: bitter with the sweet, you know. That's why that's the

915
00:48:11,920 --> 00:48:14,520
Speaker 1: tough thing about born on social media. You you petting

916
00:48:14,520 --> 00:48:16,279
Speaker 1: all this praise and everybody's like, hey, I love it,

917
00:48:16,280 --> 00:48:18,360
Speaker 1: I love it, and then here comes that one hate it.

918
00:48:18,680 --> 00:48:20,520
Speaker 1: You know, that's just part of life, I guess. You know.

919
00:48:20,600 --> 00:48:22,800
Speaker 1: People have their opinions and you gotta let him have it,

920
00:48:23,040 --> 00:48:25,480
Speaker 1: you said. Prince even got booed off stage at a

921
00:48:25,800 --> 00:48:28,640
Speaker 1: was it a Rolling Stone concert because they thought he

922
00:48:28,719 --> 00:48:32,040
Speaker 1: looked too feminine. Oh yeah, well, you know with rolling

923
00:48:32,120 --> 00:48:35,680
Speaker 1: Stone concert it would look like a bunch of Hell's

924
00:48:35,680 --> 00:48:38,839
Speaker 1: Angels or motorcycle gangs out there, and here comes Prince

925
00:48:38,920 --> 00:48:41,120
Speaker 1: with a trench coat on and some bikinis and some

926
00:48:41,280 --> 00:48:44,640
Speaker 1: leg warmers and some high heels that that mess with

927
00:48:45,040 --> 00:48:46,680
Speaker 1: their minds, you know what I mean. They're like, I'm

928
00:48:46,680 --> 00:48:48,880
Speaker 1: not expecting this. I'm here to see the Rolling Stones.

929
00:48:48,920 --> 00:48:51,360
Speaker 1: And then next thing you know, beer bottles started flying.

930
00:48:51,480 --> 00:48:54,879
Speaker 1: And at that time, I was the cameraman for Prince,

931
00:48:54,960 --> 00:48:57,239
Speaker 1: so I had my video camera set up and I'm

932
00:48:57,280 --> 00:48:59,879
Speaker 1: in the back and I'm back by the sound board

933
00:49:00,160 --> 00:49:04,000
Speaker 1: and they're booing and throwing beer bottles and it was ugly.

934
00:49:04,400 --> 00:49:06,360
Speaker 1: What about when Prince pulled up with the pants with

935
00:49:06,440 --> 00:49:09,759
Speaker 1: the ass cheeks up. Yeah, I saw that. I wasn't around. Man.

936
00:49:09,840 --> 00:49:11,520
Speaker 1: I was like, that's pushing it a little bit, right,

937
00:49:14,880 --> 00:49:18,879
Speaker 1: Did you hit him up and tell him that. Here's

938
00:49:18,880 --> 00:49:22,120
Speaker 1: the funny thing, Um, I never had Prince's phone number

939
00:49:22,160 --> 00:49:25,880
Speaker 1: once I left the camp. I never had the ability

940
00:49:26,040 --> 00:49:28,759
Speaker 1: to call the brother. You know. The only way we

941
00:49:28,880 --> 00:49:30,720
Speaker 1: talked is if he called me, and it was always

942
00:49:30,800 --> 00:49:33,239
Speaker 1: his security calling me first, and then you know, he

943
00:49:33,400 --> 00:49:36,319
Speaker 1: comes in with a mysterious deep voice, you know, after

944
00:49:36,520 --> 00:49:38,520
Speaker 1: you know, they find you know, after I answered the phone.

945
00:49:38,840 --> 00:49:41,759
Speaker 1: So you know, I really didn't have that privilege or

946
00:49:41,840 --> 00:49:44,160
Speaker 1: whatever you want to call it, to call him but

947
00:49:44,719 --> 00:49:47,120
Speaker 1: you know, I probably would have been like, what's up

948
00:49:47,160 --> 00:49:49,960
Speaker 1: with What's up with the pants? Brother? You know, did

949
00:49:50,040 --> 00:49:53,719
Speaker 1: you ever have any slight jealousy for Prince? Are huge

950
00:49:53,800 --> 00:49:57,160
Speaker 1: jealousy for Prince? I don't know. I think my jealousy

951
00:49:57,400 --> 00:50:00,680
Speaker 1: probably came in is I really feel I should have

952
00:50:01,200 --> 00:50:04,320
Speaker 1: partook in the finances a little more than the fifty

953
00:50:04,360 --> 00:50:08,080
Speaker 1: thousand that I got for Purple Rain. And then I'm

954
00:50:08,440 --> 00:50:10,640
Speaker 1: watching him on the cover of People magazine and they

955
00:50:10,680 --> 00:50:14,120
Speaker 1: said he made it seventeen million, and the movie, the

956
00:50:14,239 --> 00:50:16,200
Speaker 1: movie was just heating up at that point, So I

957
00:50:16,280 --> 00:50:18,560
Speaker 1: felt a little jealous about getting let out of the

958
00:50:18,680 --> 00:50:22,000
Speaker 1: financial part of it. Yeah, that was so interesting because

959
00:50:22,080 --> 00:50:24,480
Speaker 1: you guys weren't allowed to do anything with anyone else.

960
00:50:24,560 --> 00:50:27,680
Speaker 1: It was exclusive. So even when you had opportunities to

961
00:50:27,760 --> 00:50:30,040
Speaker 1: go right for other people and work with other people,

962
00:50:30,440 --> 00:50:33,960
Speaker 1: it just couldn't happen. And that's a real sacrifice that

963
00:50:34,120 --> 00:50:37,399
Speaker 1: you made, which is really why I left the camp,

964
00:50:37,560 --> 00:50:40,520
Speaker 1: because you know, I was comfortable there. If I had

965
00:50:40,560 --> 00:50:43,200
Speaker 1: been able to do other things, and I had gone

966
00:50:43,280 --> 00:50:45,600
Speaker 1: to Prince and I had to go through the management

967
00:50:45,920 --> 00:50:48,240
Speaker 1: and told them I wanted to do a solo record,

968
00:50:48,600 --> 00:50:50,920
Speaker 1: and they said Okay, give me a minute on that.

969
00:50:51,040 --> 00:50:53,080
Speaker 1: They come back to me and they said, okay, Prince says, yes,

970
00:50:53,120 --> 00:50:55,920
Speaker 1: but he has to be executive producer. Well, I know

971
00:50:56,040 --> 00:50:58,920
Speaker 1: what that means. I means that means total control over

972
00:50:58,960 --> 00:51:01,759
Speaker 1: the project. And that's why I chose to lead right now.

973
00:51:01,800 --> 00:51:03,800
Speaker 1: I had to pay a substantial amount of money to

974
00:51:03,840 --> 00:51:06,480
Speaker 1: get out to deal with him, but I said, I

975
00:51:06,600 --> 00:51:10,080
Speaker 1: need my own creative freedom, which I don't think I

976
00:51:10,120 --> 00:51:12,080
Speaker 1: would have gotten had I stayed. So you know, I

977
00:51:12,160 --> 00:51:14,640
Speaker 1: had to make a move. Wow, so we can expect

978
00:51:14,680 --> 00:51:18,120
Speaker 1: a movie from this book, right hopefully now you're talking.

979
00:51:19,920 --> 00:51:22,040
Speaker 1: It's my final question before you missed the day? Did

980
00:51:22,320 --> 00:51:26,319
Speaker 1: you write this book for yourself or print this book

981
00:51:26,440 --> 00:51:28,960
Speaker 1: for myself? And you know what, it was suggested that

982
00:51:29,080 --> 00:51:31,440
Speaker 1: I do a book, and um, you know, we have

983
00:51:31,560 --> 00:51:34,600
Speaker 1: one of the best writers in the business, David Ritz,

984
00:51:34,800 --> 00:51:38,520
Speaker 1: who wanted to do this book with me because you know,

985
00:51:38,600 --> 00:51:42,160
Speaker 1: I'm not a writer for se but you know, and

986
00:51:42,440 --> 00:51:45,200
Speaker 1: and it just made so much sense that I said, Okay,

987
00:51:45,239 --> 00:51:47,279
Speaker 1: I'll do it. And I was really afraid of the

988
00:51:47,440 --> 00:51:51,400
Speaker 1: time commitment because you know, I'm not a workaholic, so

989
00:51:51,760 --> 00:51:53,360
Speaker 1: you know, I was just thinking, now I gotta be

990
00:51:53,680 --> 00:51:57,560
Speaker 1: every day, you know, writing this book, you know, but

991
00:51:57,760 --> 00:52:00,759
Speaker 1: David made it an easy process for me, and I'm

992
00:52:00,760 --> 00:52:03,560
Speaker 1: really glad I got an opportunity to do it now,

993
00:52:03,960 --> 00:52:06,480
Speaker 1: you know, if you really pay attention to it, I've

994
00:52:06,560 --> 00:52:08,719
Speaker 1: done a lot in my lifetime, and you know it

995
00:52:08,840 --> 00:52:12,400
Speaker 1: ain't gonna stop. But you know, the right Blackbuster movie book,

996
00:52:12,680 --> 00:52:16,400
Speaker 1: been a performer, been an actor, you know, and so

997
00:52:16,800 --> 00:52:19,480
Speaker 1: you know, you know, life is beautiful. All right, Well,

998
00:52:19,520 --> 00:52:22,880
Speaker 1: we're glad you exist, my brother, Absolutely glad your art exists.

999
00:52:22,920 --> 00:52:25,160
Speaker 1: Were glad that this new book on time a Princely

1000
00:52:25,239 --> 00:52:28,280
Speaker 1: life and funk exists as well. And I hope everybody

1001
00:52:28,360 --> 00:52:30,680
Speaker 1: goes out there and grabs it. Absolutely so much for

1002
00:52:30,760 --> 00:52:35,359
Speaker 1: having me appreciate Game Morris Days to Breakfast Club, Good morning,

1003
00:52:39,120 --> 00:52:44,560
Speaker 1: It's time for Donkey of the Day. Being Donky of

1004
00:52:44,600 --> 00:52:46,480
Speaker 1: the Day is a little bit of a mick U

1005
00:52:46,680 --> 00:52:54,000
Speaker 1: so like a Donkey o the Day. Now, I've been

1006
00:52:54,080 --> 00:52:56,240
Speaker 1: called a lot of my twenty three years that Donkey

1007
00:52:56,320 --> 00:52:58,200
Speaker 1: of the Day is a new wife. Donkey of the

1008
00:52:58,239 --> 00:53:01,280
Speaker 1: Day goes to a hip hop music producer named J. W. Lucas.

1009
00:53:01,360 --> 00:53:03,480
Speaker 1: I have never heard of this individual in my life.

1010
00:53:03,800 --> 00:53:06,840
Speaker 1: Didn't know he existed until yesterday. Envy, you ever heard them? No,

1011
00:53:06,960 --> 00:53:10,239
Speaker 1: I have it, Angelie, you have heard them? Nope? Okay,

1012
00:53:10,320 --> 00:53:12,920
Speaker 1: but he's produced for a little Oozy, Jack Harlow, the

1013
00:53:13,000 --> 00:53:16,240
Speaker 1: Baby and Pop Smoke. So says the Shade Room and Genius.

1014
00:53:16,320 --> 00:53:17,840
Speaker 1: I feel like I am giving this man what he

1015
00:53:17,960 --> 00:53:20,080
Speaker 1: wants and what he seems. The one is at tension.

1016
00:53:20,600 --> 00:53:22,759
Speaker 1: I don't know how or why you wake up and

1017
00:53:22,840 --> 00:53:26,000
Speaker 1: go to your social media and open up your Twitter

1018
00:53:26,080 --> 00:53:28,279
Speaker 1: and decide to tweet out something like this. This is

1019
00:53:28,320 --> 00:53:31,479
Speaker 1: what j W. Lucas tweeted out. Why is the world

1020
00:53:31,560 --> 00:53:34,800
Speaker 1: asking for justice for hashtag Brianna Taylor? Of course she

1021
00:53:34,880 --> 00:53:37,279
Speaker 1: shouldn't have lost her life, but do you realize that

1022
00:53:37,360 --> 00:53:40,000
Speaker 1: she was involved with multiple drug dealers who were using

1023
00:53:40,040 --> 00:53:42,359
Speaker 1: her house as a trap spot. If you sign up

1024
00:53:42,400 --> 00:53:45,600
Speaker 1: for that life, there are consequences. In tweet, he actually

1025
00:53:45,680 --> 00:53:49,200
Speaker 1: posted that those words came out of his thumbs. First

1026
00:53:49,239 --> 00:53:51,839
Speaker 1: of all, none of that is true. All right, none

1027
00:53:51,880 --> 00:53:53,680
Speaker 1: of that is true. Let's just start there. None of

1028
00:53:53,760 --> 00:53:55,480
Speaker 1: that is true. We should all know the story of

1029
00:53:55,560 --> 00:53:58,560
Speaker 1: Brianna Taylor by now. If you don't, hears a quick

1030
00:53:58,600 --> 00:54:02,480
Speaker 1: recap Shortly after midnight on March thirteenth, Louisville police officers

1031
00:54:02,560 --> 00:54:05,200
Speaker 1: executing a search warrant used the battering ram to enter

1032
00:54:05,280 --> 00:54:08,320
Speaker 1: the apartment of twenty six year old Brianna Taylor. Contrary

1033
00:54:08,360 --> 00:54:11,040
Speaker 1: to J. W. Lucas's dumbass tweet, she was not a

1034
00:54:11,120 --> 00:54:14,440
Speaker 1: trap queen. She was an emergency room technician, all right.

1035
00:54:14,520 --> 00:54:16,600
Speaker 1: She was in bed with her husband, I mean her boyfriend,

1036
00:54:16,680 --> 00:54:19,040
Speaker 1: Kenneth Walker, okay, when they both heard the door get

1037
00:54:19,120 --> 00:54:21,600
Speaker 1: banged down. It was a brief exchange, and Kenneth did

1038
00:54:21,680 --> 00:54:23,719
Speaker 1: what I believe any human in America who owns a

1039
00:54:23,800 --> 00:54:26,719
Speaker 1: firearm would do if someone broke into his house, and

1040
00:54:26,840 --> 00:54:29,600
Speaker 1: that's let the hammer fly, all right. That's exactly what

1041
00:54:29,719 --> 00:54:31,600
Speaker 1: the right to bear arms is all about. Okay. The

1042
00:54:31,640 --> 00:54:33,880
Speaker 1: Second Amendment is the right for people to possess weapons

1043
00:54:33,920 --> 00:54:36,279
Speaker 1: for their own defense. There is not a man, a woman,

1044
00:54:36,400 --> 00:54:38,799
Speaker 1: or child in America who owns a gun, who knows

1045
00:54:38,840 --> 00:54:41,000
Speaker 1: how to fire a gun who would not have done

1046
00:54:41,040 --> 00:54:44,120
Speaker 1: the same thing. And that's in a situation. Okay, Kenneth fired,

1047
00:54:44,400 --> 00:54:48,480
Speaker 1: police fired back several shots, and poor Brianna Taylor was murdered. Now,

1048
00:54:48,520 --> 00:54:50,560
Speaker 1: there was so many things wrong with this situation, but

1049
00:54:50,640 --> 00:54:53,040
Speaker 1: the main problem was police have been investigating two men

1050
00:54:53,239 --> 00:54:55,960
Speaker 1: who they believe was selling drugs out of a house

1051
00:54:56,040 --> 00:54:59,719
Speaker 1: that was far from miss Taylor's home. Okay, but a

1052
00:55:00,040 --> 00:55:02,120
Speaker 1: udge had also signed the warrant allowing the police to

1053
00:55:02,160 --> 00:55:06,600
Speaker 1: searchments Taylor's residents because the police said they believed that

1054
00:55:06,760 --> 00:55:08,800
Speaker 1: one of the two men had used her apartment to

1055
00:55:08,920 --> 00:55:13,720
Speaker 1: receive packages. No drugs were found in the apartment, Okay, none.

1056
00:55:14,120 --> 00:55:17,320
Speaker 1: The police report contained multiple errors. They listened Brianna Taylor's

1057
00:55:17,360 --> 00:55:20,360
Speaker 1: injuries as none, even though she had been shot eight times,

1058
00:55:20,520 --> 00:55:23,000
Speaker 1: and they say they had not forced They did not

1059
00:55:23,120 --> 00:55:25,440
Speaker 1: force their way into the apartment, though they used the

1060
00:55:25,520 --> 00:55:28,359
Speaker 1: battering ram to break the door open, and police had

1061
00:55:28,480 --> 00:55:33,560
Speaker 1: already located the main suspect in the investigation by the

1062
00:55:33,680 --> 00:55:36,320
Speaker 1: time they decided to run up in Brihanna's apartment, so

1063
00:55:36,440 --> 00:55:38,960
Speaker 1: they had who they were looking for already. Okay. The

1064
00:55:39,080 --> 00:55:41,440
Speaker 1: marl of the story is J. W. Lucas doesn't know

1065
00:55:41,480 --> 00:55:44,000
Speaker 1: what the hell he's talking about, and only in America,

1066
00:55:44,200 --> 00:55:46,480
Speaker 1: well a white man find a way to defend the

1067
00:55:46,520 --> 00:55:50,120
Speaker 1: oppressor while making the oppressed a victim. Now, I saw

1068
00:55:50,239 --> 00:55:53,960
Speaker 1: on Hollywood Unlocked and the Shade Room yesterday where one

1069
00:55:54,000 --> 00:55:56,239
Speaker 1: of our Fearless Leaders. Queen to Mika Mallory dropped on

1070
00:55:56,280 --> 00:55:59,760
Speaker 1: a clues bonds for Timika Mallory speaking to J. W. Lucas.

1071
00:56:00,239 --> 00:56:03,480
Speaker 1: Some people said Tamika was wasting her time. I don't

1072
00:56:03,520 --> 00:56:06,080
Speaker 1: think standing up for Brianna tayl or any black person

1073
00:56:06,120 --> 00:56:09,000
Speaker 1: who has lost their life due to systemic racism is

1074
00:56:09,040 --> 00:56:11,520
Speaker 1: a waste of time. I thought maybe this guy, J W.

1075
00:56:11,760 --> 00:56:13,560
Speaker 1: Lucas would have come to his senses and let to me.

1076
00:56:13,600 --> 00:56:16,480
Speaker 1: You could talk some sensing to him after being corrected.

1077
00:56:16,560 --> 00:56:21,080
Speaker 1: But no, let's listen. Extremely racist for a white man

1078
00:56:21,239 --> 00:56:24,040
Speaker 1: to try to tell Black people what we are doing,

1079
00:56:24,160 --> 00:56:26,719
Speaker 1: where we need to go, what our issues are. That

1080
00:56:26,960 --> 00:56:31,000
Speaker 1: is part of the gaging institution. I should be I

1081
00:56:31,080 --> 00:56:33,360
Speaker 1: should be a leader in the Black Lives Matter movement

1082
00:56:33,440 --> 00:56:36,320
Speaker 1: because I'm more capable than you. Yes I am. You

1083
00:56:36,400 --> 00:56:40,440
Speaker 1: know what you don't understand the nature of all negative

1084
00:56:40,520 --> 00:56:44,640
Speaker 1: externalities must be eliminated. The people that you do business

1085
00:56:44,760 --> 00:56:47,840
Speaker 1: with to make a decision about whether or not what

1086
00:56:48,040 --> 00:56:51,080
Speaker 1: you're saying and the propaganda and the lies that you're

1087
00:56:51,160 --> 00:56:54,239
Speaker 1: spreading is something that they should continue to support. So

1088
00:56:54,360 --> 00:56:56,880
Speaker 1: what I promise you is that you will have to

1089
00:56:57,040 --> 00:56:59,520
Speaker 1: deal with me for the rest of your life, because

1090
00:56:59,640 --> 00:57:02,440
Speaker 1: any why do YouTube business with, I'm gonna show up

1091
00:57:02,480 --> 00:57:04,360
Speaker 1: to make sure that they know that you are a

1092
00:57:04,600 --> 00:57:08,000
Speaker 1: racist and that's your rhetoric and the tone that you're

1093
00:57:08,160 --> 00:57:11,600
Speaker 1: using is extremely dangerous and that you disrespected the life

1094
00:57:11,640 --> 00:57:15,440
Speaker 1: of a yard twenty never. I will not accept that

1095
00:57:18,160 --> 00:57:22,680
Speaker 1: you're about decreasing problem. Do you care about getting your

1096
00:57:22,720 --> 00:57:26,800
Speaker 1: own political game? Did you hear the white privilege losing

1097
00:57:26,880 --> 00:57:30,000
Speaker 1: out of his purse? Right? First of all, people really

1098
00:57:30,080 --> 00:57:31,959
Speaker 1: need to watch their tone when it comes to talking

1099
00:57:32,040 --> 00:57:34,920
Speaker 1: two queens like Tamica Mallory. Second of all, for him

1100
00:57:34,960 --> 00:57:37,320
Speaker 1: to say he can lead the movement better than to Mika,

1101
00:57:39,480 --> 00:57:41,840
Speaker 1: what do you even say to that? Like, what's your response?

1102
00:57:41,880 --> 00:57:44,160
Speaker 1: Why do you even dignify that with a response? Why

1103
00:57:44,200 --> 00:57:47,520
Speaker 1: does he feel comfortable talking like that and saying I'm

1104
00:57:47,560 --> 00:57:51,360
Speaker 1: discussed like could he could lead the movement better than

1105
00:57:51,440 --> 00:57:54,000
Speaker 1: to Mika? You know why? Because he's a white man

1106
00:57:54,680 --> 00:57:57,480
Speaker 1: talking to a black person, especially a black woman. So

1107
00:57:57,600 --> 00:57:59,800
Speaker 1: it's a level of superiority and privilege that just comes

1108
00:57:59,840 --> 00:58:02,440
Speaker 1: with that. All right, sexism, racism, we already know what

1109
00:58:02,560 --> 00:58:04,640
Speaker 1: it is. Now. Keep in mind, he's a hip hop producer,

1110
00:58:04,840 --> 00:58:07,040
Speaker 1: so he was also on last night talking hip hop.

1111
00:58:07,280 --> 00:58:10,080
Speaker 1: Listen to what this man said about our culture. You're

1112
00:58:10,120 --> 00:58:13,480
Speaker 1: calling me when I am telling you that I bring

1113
00:58:13,600 --> 00:58:17,080
Speaker 1: more to your pop culture than anyone in it period.

1114
00:58:17,440 --> 00:58:19,760
Speaker 1: He does more for hip hop than anyone in it.

1115
00:58:20,360 --> 00:58:23,120
Speaker 1: That's crazy. Now you heard you, Now you've heard of

1116
00:58:23,160 --> 00:58:27,320
Speaker 1: you tell yesterday. Okay, the cau cassidy, the unmitigated ghostly

1117
00:58:27,440 --> 00:58:30,360
Speaker 1: pale gall of this human you know, j W. Feel

1118
00:58:30,400 --> 00:58:32,000
Speaker 1: how you want to feel, say what you want to say.

1119
00:58:32,200 --> 00:58:34,960
Speaker 1: It's America. You have that right do your thing, but

1120
00:58:35,400 --> 00:58:38,800
Speaker 1: there has to be consequences and repercussions for people who

1121
00:58:38,920 --> 00:58:40,880
Speaker 1: talk like this. So you can have freedom of speech,

1122
00:58:40,920 --> 00:58:44,840
Speaker 1: but you cannot be free of the consequences of said speech.

1123
00:58:44,920 --> 00:58:47,040
Speaker 1: And this is why we need our own version of

1124
00:58:47,200 --> 00:58:50,840
Speaker 1: like the Southern Poverty Low Center or the ADL, these

1125
00:58:51,000 --> 00:58:54,800
Speaker 1: organizations that fight against bigotry and racism. When someone does it,

1126
00:58:54,880 --> 00:58:59,880
Speaker 1: says something that's offensive, you know, to our culture, hip hop, blackness,

1127
00:59:00,080 --> 00:59:02,400
Speaker 1: we should be organized or have an organization that lets

1128
00:59:02,440 --> 00:59:05,480
Speaker 1: people know this ain't welcome. Okay, we see it happened

1129
00:59:05,480 --> 00:59:08,000
Speaker 1: to people all the time, but for some reason, when

1130
00:59:08,040 --> 00:59:10,840
Speaker 1: it comes to hip hop in blackness, people are just

1131
00:59:10,960 --> 00:59:16,320
Speaker 1: allowed to continuously disrespect us, and nobody says anything. All right,

1132
00:59:16,440 --> 00:59:19,320
Speaker 1: nothing happens. Case in point. As I've said before, we

1133
00:59:19,440 --> 00:59:22,440
Speaker 1: can't even get the cops who kill us fires. We

1134
00:59:22,560 --> 00:59:25,240
Speaker 1: can't even get people canceled when they kill us. So

1135
00:59:25,400 --> 00:59:29,640
Speaker 1: of course someone like J. W. Lucas feels comfortable disrespecting

1136
00:59:29,800 --> 00:59:34,280
Speaker 1: us on all levels while making money in and off

1137
00:59:34,640 --> 00:59:38,080
Speaker 1: our culture. Jay Lucas, today is a nice day. So

1138
00:59:38,560 --> 00:59:42,040
Speaker 1: at some point today I want you to go outside barefoot,

1139
00:59:42,080 --> 00:59:44,760
Speaker 1: if you can, put your feet in the ground. Okay,

1140
00:59:44,880 --> 00:59:48,560
Speaker 1: get grounded, all right, take a few deep ocean breaths.

1141
00:59:48,640 --> 00:59:53,160
Speaker 1: Make sure your inhales and exhales are long, full and deep.

1142
00:59:53,440 --> 00:59:56,120
Speaker 1: After you do that, look up, Look up, Look up,

1143
00:59:56,200 --> 00:59:58,800
Speaker 1: Look up. There as a star at the center of

1144
00:59:58,880 --> 01:00:01,840
Speaker 1: the solar system. It's the foundation of the solar system.

1145
01:00:01,960 --> 01:00:04,680
Speaker 1: It's a nearly perfect spear of hot plasma. I want

1146
01:00:04,720 --> 01:00:06,960
Speaker 1: you to look at it, feel the raised from it,

1147
01:00:07,200 --> 01:00:11,080
Speaker 1: Let it shine on your white skin, and say to yourself, son,

1148
01:00:11,800 --> 01:00:15,520
Speaker 1: scream it, son, and then spell it to yourself as

1149
01:00:16,120 --> 01:00:19,480
Speaker 1: you and give me your ass, give me a yo,

1150
01:00:19,920 --> 01:00:22,320
Speaker 1: give me your n and let it be a reminder

1151
01:00:22,400 --> 01:00:26,440
Speaker 1: to you that sun means shut up. Now. That's what

1152
01:00:26,600 --> 01:00:29,000
Speaker 1: you have to do when you feel like tweeting something

1153
01:00:29,120 --> 01:00:32,800
Speaker 1: stupid or getting on Live and saying something stupid, Just

1154
01:00:33,040 --> 01:00:37,320
Speaker 1: go outside and get some sun and remind yourself that

1155
01:00:37,640 --> 01:00:41,400
Speaker 1: shut up. And yes, white folks can be n words too.

1156
01:00:42,000 --> 01:00:44,480
Speaker 1: Please let rem mark give J. W. Lucas the biggest

1157
01:00:44,520 --> 01:00:48,480
Speaker 1: he had. Hee ha hee haa you stupid mother? Far

1158
01:00:48,520 --> 01:00:53,200
Speaker 1: are you dumb? All right? M I'm surprised at you, brother.

1159
01:00:53,880 --> 01:00:56,760
Speaker 1: Who you This is usually where we do a petty

1160
01:00:56,840 --> 01:00:59,800
Speaker 1: party or something like that. You ain't gonna do that today. Oh,

1161
01:01:00,200 --> 01:01:03,120
Speaker 1: do some clown emojs? You know, if you know, you know,

1162
01:01:03,360 --> 01:01:05,000
Speaker 1: we can do clown emojis. But what we need to

1163
01:01:05,080 --> 01:01:08,560
Speaker 1: do is go in his comments j W. Lucas seven

1164
01:01:08,600 --> 01:01:11,920
Speaker 1: oh two, all right, j W. Lucas seven o two,

1165
01:01:12,480 --> 01:01:15,280
Speaker 1: and put a bunch of sons in his comments all

1166
01:01:15,360 --> 01:01:20,919
Speaker 1: right and say shut up. Okay, and let's see. Let's

1167
01:01:20,960 --> 01:01:23,919
Speaker 1: see if he's stupid enough. They get on Live later

1168
01:01:24,400 --> 01:01:26,080
Speaker 1: and say, I got a bunch of people telling me

1169
01:01:26,160 --> 01:01:31,160
Speaker 1: to shut up in my comments. Let's see what happens. Guys.

1170
01:01:31,440 --> 01:01:33,920
Speaker 1: This is a good social experiment. Let's see how far

1171
01:01:34,040 --> 01:01:36,800
Speaker 1: he's willing to take this. Okay, go to his comments.

1172
01:01:36,880 --> 01:01:40,640
Speaker 1: His Instagram is j W Lucas j W l uc

1173
01:01:40,880 --> 01:01:42,920
Speaker 1: A S seven O two. Oh he must be in

1174
01:01:43,040 --> 01:01:45,440
Speaker 1: Vegas and put a bunch of sons. Just put the

1175
01:01:45,560 --> 01:01:51,920
Speaker 1: sun in his comments with the phrase shut up, okay, okay,

1176
01:01:52,280 --> 01:01:54,120
Speaker 1: keep it like. We have more coming up next. It's

1177
01:01:54,120 --> 01:01:58,960
Speaker 1: the Breakfast Club. Hey, Charlemagne to God here and I

1178
01:01:59,040 --> 01:02:00,720
Speaker 1: just want to wish him Mary Christmas stow all my

1179
01:02:00,760 --> 01:02:03,760
Speaker 1: credit card scameras out there. Did the season to find

1180
01:02:03,800 --> 01:02:05,840
Speaker 1: you a scamera friend, so you can save some money

1181
01:02:05,920 --> 01:02:13,440
Speaker 1: in any major department store in America. Breakfast Club the

1182
01:02:13,600 --> 01:02:18,120
Speaker 1: relationship advice. Need personal advice, just the real advice. Call

1183
01:02:18,240 --> 01:02:23,800
Speaker 1: up now for asking morning. Everybody is DJ mzy Angela Yee,

1184
01:02:23,920 --> 01:02:26,160
Speaker 1: Charlomagne the guy We all the breakfast Club. It is

1185
01:02:26,200 --> 01:02:30,240
Speaker 1: time for ask yee. Hello, who's this? Um? I'm saying Anonymous?

1186
01:02:30,480 --> 01:02:32,760
Speaker 1: All right, what's your question for you? Anonymous? Yes we

1187
01:02:32,880 --> 01:02:36,600
Speaker 1: can all right? So I have a delaba um. When

1188
01:02:36,640 --> 01:02:38,840
Speaker 1: my boyfriend and I first started dating, is we're gonna,

1189
01:02:38,920 --> 01:02:40,640
Speaker 1: you know, do it in the car And he pulled

1190
01:02:40,680 --> 01:02:45,800
Speaker 1: his pants down there the foul older didn't he didn't fart,

1191
01:02:46,240 --> 01:02:48,640
Speaker 1: He just like had took a dump and like didn't

1192
01:02:48,680 --> 01:02:52,720
Speaker 1: wipe his butt. Hey, now we like lived together, and

1193
01:02:53,560 --> 01:02:57,200
Speaker 1: whenever we're gonna do it, I always you know, hesit

1194
01:02:57,280 --> 01:03:01,480
Speaker 1: cant because he doesn't wipe his butt. So ah, how older,

1195
01:03:01,880 --> 01:03:06,640
Speaker 1: and you know he always has to fox those skid marks.

1196
01:03:06,680 --> 01:03:09,440
Speaker 1: That's what they call him, Yes, skid marks. So how

1197
01:03:09,480 --> 01:03:11,360
Speaker 1: do you tell your man, like, babe, can you please

1198
01:03:11,400 --> 01:03:13,480
Speaker 1: wipe you out? Is he a grown man or a

1199
01:03:13,680 --> 01:03:16,440
Speaker 1: baby wearing a diaper? That is disgusting? First of all,

1200
01:03:17,320 --> 01:03:19,560
Speaker 1: don't you judge that? Man? I'm gonna tell you, Oh,

1201
01:03:19,720 --> 01:03:24,760
Speaker 1: is this envy we're talking about you? All right? So

1202
01:03:25,120 --> 01:03:26,840
Speaker 1: first of all, do y'all have wet wipes in the

1203
01:03:26,880 --> 01:03:29,040
Speaker 1: bathrooms in the house? I think I need to keep

1204
01:03:29,120 --> 01:03:31,000
Speaker 1: him there, but that is what you use them. You

1205
01:03:31,080 --> 01:03:33,040
Speaker 1: gotta help him out, man, because there's first of all,

1206
01:03:33,040 --> 01:03:34,680
Speaker 1: there's no way he don't smell the dude who coming

1207
01:03:34,680 --> 01:03:37,480
Speaker 1: out his butt when he pulls his pants down. Number one.

1208
01:03:37,840 --> 01:03:40,840
Speaker 1: Number two, you might have to tell him you gotta

1209
01:03:40,880 --> 01:03:42,600
Speaker 1: get up in there when you wipe yourself and wipe

1210
01:03:42,600 --> 01:03:44,680
Speaker 1: yourself good. And you might have to buy him some

1211
01:03:44,800 --> 01:03:46,680
Speaker 1: wet wipes to carry with him when he goes places

1212
01:03:46,720 --> 01:03:48,960
Speaker 1: and tell him to use those when he uses the bathroom,

1213
01:03:48,960 --> 01:03:50,960
Speaker 1: because this is not something that you can dance around.

1214
01:03:51,240 --> 01:03:54,440
Speaker 1: You have to be direct about this hygiene. She's right,

1215
01:03:54,600 --> 01:03:57,600
Speaker 1: but I'm not his mama though. Embarrassing. One time you

1216
01:03:58,680 --> 01:04:00,560
Speaker 1: you have to tell him because you know what, if

1217
01:04:00,560 --> 01:04:02,360
Speaker 1: you don't say something, you're gonna just end up having

1218
01:04:02,400 --> 01:04:04,760
Speaker 1: the smell doodo every time you have sex. Yeah, I

1219
01:04:04,840 --> 01:04:08,120
Speaker 1: can't do that, So just just time and be like, babe,

1220
01:04:08,280 --> 01:04:11,840
Speaker 1: look at your underwear and see this. You're not wiping yourself. Well,

1221
01:04:11,880 --> 01:04:14,320
Speaker 1: are you getting up in the hole so you have

1222
01:04:14,360 --> 01:04:17,240
Speaker 1: doodoo stains on your sheets too? Huh? No, No, I

1223
01:04:17,280 --> 01:04:19,960
Speaker 1: would never do have to if it's in his underwears

1224
01:04:20,000 --> 01:04:21,920
Speaker 1: in the sheets, but you gotta, you gotta point it

1225
01:04:21,960 --> 01:04:24,080
Speaker 1: out because if you don't say anything, then I don't

1226
01:04:24,120 --> 01:04:26,080
Speaker 1: are you just having sex? And then during the smell,

1227
01:04:26,640 --> 01:04:29,280
Speaker 1: oh girl, I don't go down here. But I won't

1228
01:04:29,320 --> 01:04:31,600
Speaker 1: go down on him a lot because of that, Like

1229
01:04:31,680 --> 01:04:35,040
Speaker 1: I'm always afraid, like I don't want to. Why is

1230
01:04:35,040 --> 01:04:36,920
Speaker 1: it so hard to tell a man is asking? I

1231
01:04:36,960 --> 01:04:39,000
Speaker 1: don't know, but you could get can't you get you

1232
01:04:39,080 --> 01:04:42,320
Speaker 1: call out or something? I mean, I can't wait till

1233
01:04:42,360 --> 01:04:45,480
Speaker 1: you ask I don't want to Oh, hell no, I

1234
01:04:45,520 --> 01:04:47,720
Speaker 1: don't want to hurt his ego. That's it. Well, girl,

1235
01:04:47,760 --> 01:04:51,160
Speaker 1: I don't want you to get some type of disease either, bacteria, infection.

1236
01:04:52,400 --> 01:04:54,720
Speaker 1: But this is this is for his own good. First

1237
01:04:54,760 --> 01:04:57,720
Speaker 1: of all, if you're doing laundry sometimes you don't want

1238
01:04:57,760 --> 01:05:00,440
Speaker 1: to have to touch that and clean that, right, right,

1239
01:05:00,920 --> 01:05:02,840
Speaker 1: And this is for his own benefit. This is to

1240
01:05:03,000 --> 01:05:06,520
Speaker 1: help him out in his life. You gotta show him. Look, baby,

1241
01:05:06,680 --> 01:05:09,000
Speaker 1: these are wet wipes. Now, me and you were having

1242
01:05:09,040 --> 01:05:11,600
Speaker 1: this conversation. Don't be embarrassed because we could talk about anything.

1243
01:05:11,880 --> 01:05:13,600
Speaker 1: And trust me, if you're having sex with this man,

1244
01:05:13,960 --> 01:05:15,480
Speaker 1: I'm protected. You should be able to tell him his

1245
01:05:15,560 --> 01:05:18,320
Speaker 1: ass stinks and he's not wiping himself. If you can

1246
01:05:18,400 --> 01:05:20,480
Speaker 1: do that, and you could lay up with him and

1247
01:05:20,640 --> 01:05:22,280
Speaker 1: do all of that, then you should be able to

1248
01:05:22,320 --> 01:05:24,400
Speaker 1: communicate with him and tell him, Babe, you need to

1249
01:05:24,400 --> 01:05:26,200
Speaker 1: clean your butt. It's gonna be so funny when you

1250
01:05:26,200 --> 01:05:27,520
Speaker 1: tell him his butt stinks. And he was like, man,

1251
01:05:27,560 --> 01:05:29,400
Speaker 1: I was thinking the same thing about your poom poom

1252
01:05:30,440 --> 01:05:32,880
Speaker 1: and guess and guess what she would do, white pomp

1253
01:05:32,920 --> 01:05:37,120
Speaker 1: poom poom with a wet wipe. You ain't crap, ain't crap,

1254
01:05:37,440 --> 01:05:42,240
Speaker 1: you don't even crap, and just listen. This isn't time

1255
01:05:42,240 --> 01:05:44,360
Speaker 1: when when you got to be direct and be like, look,

1256
01:05:44,720 --> 01:05:46,560
Speaker 1: you know, I don't know if you're just not wiping

1257
01:05:46,600 --> 01:05:49,240
Speaker 1: yourself right, but there's these stains in your underwand sometimes

1258
01:05:49,280 --> 01:05:51,240
Speaker 1: I could smell it. So I just want to say,

1259
01:05:51,320 --> 01:05:53,919
Speaker 1: you gotta wipe yourself better. Here some wet wipes every

1260
01:05:53,920 --> 01:05:55,920
Speaker 1: time you go to the bathroom. And you shouldn't even

1261
01:05:55,960 --> 01:05:57,760
Speaker 1: have sex with him to after he showers. But if

1262
01:05:57,800 --> 01:06:00,040
Speaker 1: he's not cleaning his button in the shower either, and

1263
01:06:00,080 --> 01:06:03,720
Speaker 1: then get like that, I don't know what I say,

1264
01:06:03,880 --> 01:06:07,600
Speaker 1: but it's cleaning his buttirement I will say. I've been

1265
01:06:07,640 --> 01:06:10,480
Speaker 1: on my wife twenty one years and I do remember

1266
01:06:10,560 --> 01:06:15,560
Speaker 1: a time about fourteen fifteen years ago where she went

1267
01:06:15,680 --> 01:06:17,920
Speaker 1: down and she was like, hey, man, you need to

1268
01:06:17,960 --> 01:06:20,880
Speaker 1: go take a shower or something, because you know and

1269
01:06:20,960 --> 01:06:23,919
Speaker 1: you appreciate it. It. Yeah, I went. Maybe I didn't

1270
01:06:23,960 --> 01:06:25,600
Speaker 1: wipe properly. I don't know what it was, but she

1271
01:06:25,800 --> 01:06:27,600
Speaker 1: told me it didn't hurt my feelings. I just went

1272
01:06:27,680 --> 01:06:31,440
Speaker 1: and took a shower. Issue between then, like, I don't understand,

1273
01:06:31,680 --> 01:06:33,480
Speaker 1: I don't think it was a commentation to me before

1274
01:06:33,600 --> 01:06:36,000
Speaker 1: once or twice, three times, four times, five times happened

1275
01:06:36,040 --> 01:06:38,040
Speaker 1: to me before. Yeah so, but like so, that's why

1276
01:06:38,080 --> 01:06:39,680
Speaker 1: you got to point it out. One day y'all will

1277
01:06:39,760 --> 01:06:41,840
Speaker 1: laugh about it, and hopefully that day that chella laughing

1278
01:06:41,880 --> 01:06:44,440
Speaker 1: his butt will be clean. She got embarrassed and pick

1279
01:06:44,480 --> 01:06:46,200
Speaker 1: up the underwear and be like, what's this and then

1280
01:06:46,280 --> 01:06:48,040
Speaker 1: let him see to do those things, and he'll get

1281
01:06:48,040 --> 01:06:50,480
Speaker 1: embarrassed and I'll never do it again. I like that,

1282
01:06:50,800 --> 01:06:52,760
Speaker 1: you know what I mean? And check your sheets, and

1283
01:06:52,840 --> 01:06:54,720
Speaker 1: I bet you gotta do those things on your sheets. Yeah,

1284
01:06:54,760 --> 01:06:58,120
Speaker 1: I bet you. Aby knows trust me. Tapping to me

1285
01:06:58,160 --> 01:07:00,240
Speaker 1: once or twice put the skip marks in his face?

1286
01:07:01,000 --> 01:07:03,200
Speaker 1: You go too far? Thank you, mama. How do you

1287
01:07:03,360 --> 01:07:06,920
Speaker 1: like it? That's actually that's some young boys stuff though,

1288
01:07:07,040 --> 01:07:08,920
Speaker 1: because you know like that. That's one of the reasons

1289
01:07:09,320 --> 01:07:11,000
Speaker 1: after I do a number two, I do go take

1290
01:07:11,040 --> 01:07:13,160
Speaker 1: a shower, except if you're at work. Yeah, if I'm

1291
01:07:13,200 --> 01:07:14,680
Speaker 1: at work, but then I'm not like I'm going home

1292
01:07:14,720 --> 01:07:16,200
Speaker 1: and like me and my wife gonna get right to it.

1293
01:07:16,200 --> 01:07:18,280
Speaker 1: I don't want to go home smelling like never pooh

1294
01:07:18,320 --> 01:07:20,680
Speaker 1: and then have sex right after. Hell, you can take

1295
01:07:20,680 --> 01:07:22,280
Speaker 1: a shower. How we don't want your money, butter pi

1296
01:07:22,400 --> 01:07:24,800
Speaker 1: either you better white, better bro? All right, ask ye

1297
01:07:24,920 --> 01:07:26,720
Speaker 1: eight hundred and five A five one oh five one.

1298
01:07:26,760 --> 01:07:28,960
Speaker 1: If you need relationship advice, ye, Now it's the breakfast club.

1299
01:07:29,000 --> 01:07:34,040
Speaker 1: Good morning coma. Get some real advice with anthela ye

1300
01:07:34,360 --> 01:07:39,560
Speaker 1: gets ask ye punting. Everybody is DJ envy angela, yee, Charlotte, Na, guy.

1301
01:07:39,640 --> 01:07:41,920
Speaker 1: We are the breakfast club. We're in the middle of

1302
01:07:42,080 --> 01:07:47,280
Speaker 1: ask yee, Hello, who's this? Oh? What's the matter? Givanna?

1303
01:07:47,560 --> 01:07:53,000
Speaker 1: Thank you? Whispering. I'm wispering because my college students is home. Okay, okay,

1304
01:07:53,040 --> 01:07:55,520
Speaker 1: and I don't want him to hear my question. Oh boy,

1305
01:07:55,600 --> 01:07:59,240
Speaker 1: mommy freaky? All right, let's go. Yeah, j happy anniversary,

1306
01:08:00,120 --> 01:08:06,200
Speaker 1: be celebrating twenty four years or summer too? Wowwies COSI yeah,

1307
01:08:06,320 --> 01:08:10,520
Speaker 1: same to you, Same to you. My question is I

1308
01:08:10,560 --> 01:08:12,240
Speaker 1: don't know how you do with all those kids, But

1309
01:08:12,560 --> 01:08:15,120
Speaker 1: what to do now? These kids at home when you're

1310
01:08:15,120 --> 01:08:20,519
Speaker 1: trying to get freaky with us? But why you sustaining

1311
01:08:20,560 --> 01:08:23,639
Speaker 1: these loans are marriages because you'll do all kinds of crazy,

1312
01:08:24,240 --> 01:08:27,280
Speaker 1: you know, but we're trying to figure it out. Kids

1313
01:08:28,360 --> 01:08:31,160
Speaker 1: just one, just one, but Okay, he's home from college.

1314
01:08:31,720 --> 01:08:35,360
Speaker 1: He he's graduated last years, thank goodness. But you know,

1315
01:08:35,520 --> 01:08:38,840
Speaker 1: with everything going on, his grad plans that't work out.

1316
01:08:39,200 --> 01:08:42,280
Speaker 1: He was supposed to relocate to California. He's home with us.

1317
01:08:42,840 --> 01:08:46,120
Speaker 1: We have a condo and can't get down the way

1318
01:08:46,160 --> 01:08:48,720
Speaker 1: we usually get down, you know, So is there as

1319
01:08:48,800 --> 01:08:51,879
Speaker 1: he ever going outside? Is there someplace like outdoor space?

1320
01:08:53,680 --> 01:08:56,360
Speaker 1: And we you know, normally would go to parks, but

1321
01:08:56,920 --> 01:08:59,880
Speaker 1: parks have been closed. We don't want to get arrested

1322
01:09:00,080 --> 01:09:03,479
Speaker 1: because he's essential. I own a cater this kind of

1323
01:09:03,640 --> 01:09:05,720
Speaker 1: you know, in the in the public eye that I

1324
01:09:05,840 --> 01:09:09,240
Speaker 1: don't want to be, you know, known for anything scandalous.

1325
01:09:09,400 --> 01:09:18,320
Speaker 1: But of course, no, no, no, she said, yeah, they

1326
01:09:18,680 --> 01:09:21,920
Speaker 1: not now, not now, not doing now. Of course everything

1327
01:09:22,040 --> 01:09:24,559
Speaker 1: is shut down. Were trying to be safe. As I said,

1328
01:09:24,600 --> 01:09:27,679
Speaker 1: my husband is essential. I own a cater and business.

1329
01:09:27,760 --> 01:09:29,760
Speaker 1: Shout out to the small business owners. I've fed the

1330
01:09:29,840 --> 01:09:33,720
Speaker 1: front line. Still doing my business. Let's plug that too

1331
01:09:33,760 --> 01:09:36,559
Speaker 1: while we're on here. Oh thank you. Imp Mama's signature

1332
01:09:36,640 --> 01:09:40,479
Speaker 1: recipes where I'm in club side part but I work

1333
01:09:40,520 --> 01:09:44,759
Speaker 1: out of a commercial kitchen and Inglewood so Inglewood Hospital,

1334
01:09:44,840 --> 01:09:48,000
Speaker 1: Holy name tea neck feed the front line. We're still

1335
01:09:48,080 --> 01:09:51,120
Speaker 1: doing more so. But now, Javannah, let me ask you this.

1336
01:09:51,240 --> 01:09:52,800
Speaker 1: Doesn't your son have to go to sleep at some

1337
01:09:52,880 --> 01:09:56,280
Speaker 1: point um now that he's home? Not really? I mean,

1338
01:09:56,360 --> 01:09:58,600
Speaker 1: come on, you know these older kids, they are FaceTime

1339
01:09:58,640 --> 01:10:02,639
Speaker 1: all hours of the night, you know, um, and we're

1340
01:10:02,680 --> 01:10:04,479
Speaker 1: not quiet, you know what, you know what? I think

1341
01:10:04,520 --> 01:10:09,000
Speaker 1: it's fine you need to have sex quietly, quietly, yes,

1342
01:10:09,200 --> 01:10:12,559
Speaker 1: and that actually is really fun. But it doesn't normally happen.

1343
01:10:12,640 --> 01:10:16,240
Speaker 1: But it's actually very exciting when you know people louder

1344
01:10:16,280 --> 01:10:21,679
Speaker 1: than me. Actually, you're gonna have to cover his mouth

1345
01:10:21,720 --> 01:10:23,840
Speaker 1: while you're doing it. But it's actually something really fun

1346
01:10:25,120 --> 01:10:27,400
Speaker 1: about trying to be quiet while you have sex. And

1347
01:10:27,560 --> 01:10:29,120
Speaker 1: that might just be something y'all gonna have to do.

1348
01:10:29,400 --> 01:10:35,519
Speaker 1: Just be careful quiet. It is exciting that we're gonna try. Mama, Mama, Mama.

1349
01:10:35,560 --> 01:10:39,040
Speaker 1: I cannot be honest with you, especially from DJ people

1350
01:10:39,280 --> 01:10:41,400
Speaker 1: all those kids. We live in a conduct well first

1351
01:10:41,400 --> 01:10:43,080
Speaker 1: of all, first of all, the kids go to sleep,

1352
01:10:43,240 --> 01:10:44,920
Speaker 1: the kids go to sleep, and and the older kids.

1353
01:10:46,280 --> 01:10:48,000
Speaker 1: But oh, he knows what's going on. You don't think

1354
01:10:48,040 --> 01:10:50,479
Speaker 1: he haven't sex you know him to hear that. Nobody

1355
01:10:50,560 --> 01:10:53,200
Speaker 1: want to hear their parents that the kids don't want

1356
01:10:53,240 --> 01:10:55,200
Speaker 1: to hear that. Put a lock on that door, and

1357
01:10:55,360 --> 01:10:59,040
Speaker 1: you and your hub' gonna walk in, and don't worry

1358
01:10:59,040 --> 01:11:00,720
Speaker 1: about it. He'll put his heads old one and he'll

1359
01:11:00,720 --> 01:11:02,840
Speaker 1: be in this video game. Let me, let me tell

1360
01:11:02,840 --> 01:11:04,320
Speaker 1: you what else you can do. Let me tell you

1361
01:11:04,360 --> 01:11:05,599
Speaker 1: what else you could do because you said the head.

1362
01:11:05,640 --> 01:11:07,280
Speaker 1: But I'm glad you said that. Put a sheet on

1363
01:11:07,360 --> 01:11:10,240
Speaker 1: the floor and have sex quietly on the floor. We

1364
01:11:10,479 --> 01:11:13,160
Speaker 1: have carpet on the under the floor under our bab

1365
01:11:13,280 --> 01:11:19,240
Speaker 1: But all right, listen, put floor, put on some music,

1366
01:11:19,439 --> 01:11:22,280
Speaker 1: put the TV on. Whatever you gotta do. Mama, don't

1367
01:11:22,320 --> 01:11:24,320
Speaker 1: even worry about your son. You know, my daughter came

1368
01:11:24,360 --> 01:11:26,320
Speaker 1: into me. She came into my room the other morning,

1369
01:11:26,439 --> 01:11:28,519
Speaker 1: was like, guys, you know I don't go to sleep

1370
01:11:28,560 --> 01:11:30,720
Speaker 1: at twelve o'clock, right, you know, I hear everything that

1371
01:11:30,880 --> 01:11:32,880
Speaker 1: was going on, and and you know what I said,

1372
01:11:33,000 --> 01:11:34,479
Speaker 1: I said, well you know how you got here, right?

1373
01:11:34,479 --> 01:11:36,400
Speaker 1: And then she just walked out. It is what it is.

1374
01:11:36,560 --> 01:11:38,920
Speaker 1: My daughter's eighteen. Your son is he graduated college. You

1375
01:11:38,960 --> 01:11:42,120
Speaker 1: gotta be in his twenties. He understand. I listen. I

1376
01:11:42,240 --> 01:11:44,760
Speaker 1: just want to I just want to say you just

1377
01:11:44,920 --> 01:11:46,720
Speaker 1: need to make a fun game out of it. Put

1378
01:11:46,760 --> 01:11:48,400
Speaker 1: that sheet on the floor to him, all right, we

1379
01:11:48,479 --> 01:11:51,240
Speaker 1: gotta be quiet, turn on some music kind of low,

1380
01:11:51,320 --> 01:11:54,240
Speaker 1: and just have sex slowly and quietly. He's a grown

1381
01:11:54,400 --> 01:11:58,360
Speaker 1: ass boy, Mama, he's in your house. He's old enough

1382
01:11:58,560 --> 01:12:01,439
Speaker 1: now you and hope you get freaky after the two

1383
01:12:01,960 --> 01:12:04,280
Speaker 1: He doesn't want to see his mother's face. His father

1384
01:12:04,439 --> 01:12:06,280
Speaker 1: come out smiling, but he doesn't want to see me

1385
01:12:06,720 --> 01:12:09,439
Speaker 1: come down to make his avocado toast after I didn't

1386
01:12:10,040 --> 01:12:17,160
Speaker 1: avocado toast. I hope you wash your hands, washing my

1387
01:12:17,280 --> 01:12:20,320
Speaker 1: hands and everything. But okay, we'll try the sheet on

1388
01:12:20,400 --> 01:12:25,280
Speaker 1: the four things. Mama gets you freaky as he emmy,

1389
01:12:25,439 --> 01:12:28,320
Speaker 1: this is ask ye. She wanted advice, and my advice

1390
01:12:28,720 --> 01:12:30,519
Speaker 1: has some time with that. It's a different time, it's

1391
01:12:30,560 --> 01:12:32,400
Speaker 1: a different error. She don't want her son to hear,

1392
01:12:32,600 --> 01:12:36,639
Speaker 1: but that she's on the floor to be quiet, quarantine sex,

1393
01:12:36,840 --> 01:12:41,439
Speaker 1: maintaking the long term marriages. You gotta don't any time.

1394
01:12:42,000 --> 01:12:44,160
Speaker 1: And every time he makes a little noise with his

1395
01:12:44,280 --> 01:12:45,960
Speaker 1: mouth and he stays getting too loud, just cover his

1396
01:12:46,040 --> 01:12:48,639
Speaker 1: mouth and be like, hey, you gotta be quiet, mama, nah,

1397
01:12:48,800 --> 01:12:50,200
Speaker 1: and let me ask you a question. When you find

1398
01:12:50,240 --> 01:12:52,040
Speaker 1: out what to do with the help me out with

1399
01:12:52,080 --> 01:12:53,640
Speaker 1: the bed, because I haven't figured that out. Yeah, my

1400
01:12:53,680 --> 01:12:55,599
Speaker 1: baby squeaking. We haven't figured that out, man, we haven't

1401
01:12:55,600 --> 01:12:57,680
Speaker 1: figured we'd be used w D forty. We put the

1402
01:12:57,920 --> 01:13:00,840
Speaker 1: mattress and everything, and it's still it's still gone too.

1403
01:13:01,120 --> 01:13:05,880
Speaker 1: The mattress you, I said label, it said type of matches.

1404
01:13:05,960 --> 01:13:09,200
Speaker 1: You have an air mattress. No, we don't have. No, please,

1405
01:13:09,240 --> 01:13:11,080
Speaker 1: we have a bustled air mattress. We tried that back

1406
01:13:11,120 --> 01:13:14,519
Speaker 1: in trying to play you. Angelae just tried to play you. Mom.

1407
01:13:16,400 --> 01:13:19,280
Speaker 1: You're a grown ass woman trying to play you like

1408
01:13:19,360 --> 01:13:27,560
Speaker 1: you some young air mattress I have, I have a

1409
01:13:28,560 --> 01:13:30,880
Speaker 1: I have I actually have an air mattress as a

1410
01:13:31,040 --> 01:13:33,200
Speaker 1: spare mattress in my house in case I have company.

1411
01:13:33,280 --> 01:13:36,160
Speaker 1: And I'm like, okay, here's an air mattress. So sometimes

1412
01:13:36,200 --> 01:13:42,720
Speaker 1: people come up, you could no, I don't know, don't work,

1413
01:13:43,479 --> 01:13:45,519
Speaker 1: and it said, actually it's a it's a pillow top

1414
01:13:45,560 --> 01:13:49,760
Speaker 1: air mattress and it's very nice. I got daughter played automatically. Yeah,

1415
01:13:49,800 --> 01:13:51,519
Speaker 1: I have that for guests. But I don't think that's

1416
01:13:51,560 --> 01:13:54,960
Speaker 1: gonna work. Mom, wa go in story about we're gonna

1417
01:13:55,040 --> 01:13:57,479
Speaker 1: go and go, Okay, I'm gonna take your advice. Go

1418
01:13:57,920 --> 01:14:01,439
Speaker 1: and he knows understand, So I know, you know, DJ

1419
01:14:01,600 --> 01:14:03,519
Speaker 1: and long term marriage. You gotta do what you gotta do.

1420
01:14:03,800 --> 01:14:08,000
Speaker 1: That's right, that's right. Or stick your face out the window.

1421
01:14:08,240 --> 01:14:09,559
Speaker 1: Let help you hit it from the back of that way.

1422
01:14:09,560 --> 01:14:11,960
Speaker 1: If you're yellous outside, you go in, you get freaky.

1423
01:14:12,439 --> 01:14:15,960
Speaker 1: Then I've already had notices under my door from my neighbors.

1424
01:14:16,000 --> 01:14:17,519
Speaker 1: So that's the last thing I needed for them to

1425
01:14:17,520 --> 01:14:27,240
Speaker 1: see my hanging out the window. Now too long, hanging

1426
01:14:27,280 --> 01:14:33,320
Speaker 1: out the window. But you know, let's pick my face

1427
01:14:33,400 --> 01:14:39,040
Speaker 1: out the window. That's gonna come next. Get on that floor.

1428
01:14:41,600 --> 01:14:44,680
Speaker 1: And to stain these long, long term marriages, we are

1429
01:14:44,760 --> 01:14:48,360
Speaker 1: here doing it too. Black love, black hand, black love.

1430
01:14:48,439 --> 01:14:51,320
Speaker 1: Don't do your don't do your catering straight from doing

1431
01:14:51,400 --> 01:14:52,840
Speaker 1: what you do with your husband. Just make sure you

1432
01:14:53,000 --> 01:14:56,040
Speaker 1: wash your hands, shower. We don't want any extra food.

1433
01:14:56,360 --> 01:14:59,080
Speaker 1: More loving it boy, all right, thank you, mama? Alright?

1434
01:14:59,160 --> 01:15:03,360
Speaker 1: Eight undred that ain't that? Ain't love that at creamy

1435
01:15:06,040 --> 01:15:08,680
Speaker 1: eight hundred five eight five one oh five, won't keep

1436
01:15:08,720 --> 01:15:11,320
Speaker 1: a lock this to breakfast club, Good morning, it's that time.

1437
01:15:11,400 --> 01:15:16,040
Speaker 1: Ask Charlemagne and DJ Envy anything, pick it up, pick up,

1438
01:15:17,479 --> 01:15:24,080
Speaker 1: It's time to ask any morning. Everybody is DJ Envy, angela, Ye, Charlemagne,

1439
01:15:24,120 --> 01:15:26,360
Speaker 1: the guy. We are the breakfast Club. It's time for

1440
01:15:26,560 --> 01:15:28,880
Speaker 1: ass C and E. If you need relationship advice or

1441
01:15:28,920 --> 01:15:31,240
Speaker 1: any type of advice, we're gonna help you out. We're

1442
01:15:31,240 --> 01:15:33,280
Speaker 1: gonna get through as many as we can. Hello, who's

1443
01:15:33,320 --> 01:15:37,720
Speaker 1: this well suck? What's up? DJ Charlemagne and guy? This

1444
01:15:37,960 --> 01:15:39,960
Speaker 1: may O? Man? This guy? How old are you? Brother?

1445
01:15:40,720 --> 01:15:44,120
Speaker 1: I'm forty six. Now you're dating a nineteen year old girl. Lord,

1446
01:15:44,200 --> 01:15:46,800
Speaker 1: have mercy? Oh no, man, don't play me like that. No,

1447
01:15:46,920 --> 01:15:49,639
Speaker 1: I'm nineteen years older than oh your nineteen. I didn't

1448
01:15:49,680 --> 01:15:51,120
Speaker 1: do this better than the room report. This was a

1449
01:15:51,160 --> 01:15:53,360
Speaker 1: great rumor. You just started on this poor young man.

1450
01:15:54,800 --> 01:15:57,360
Speaker 1: So you're you're forty nine and you're dating a young

1451
01:15:57,439 --> 01:16:02,080
Speaker 1: lady that's nineteen. Man lit in me, I'm forty six. Okay,

1452
01:16:02,200 --> 01:16:05,640
Speaker 1: she's twenty seven. Oh okay, that ain't too bad. Yes

1453
01:16:05,760 --> 01:16:11,000
Speaker 1: that is better than ain't you? The food, work and stuff?

1454
01:16:11,040 --> 01:16:13,560
Speaker 1: You know what I'm saying. Over time, you know, I

1455
01:16:13,960 --> 01:16:16,439
Speaker 1: started digging or we've been kicking it for about seven

1456
01:16:16,520 --> 01:16:19,720
Speaker 1: months or whatever. But sometimes like you haven't feeling kind

1457
01:16:19,800 --> 01:16:23,880
Speaker 1: of funny because of the age, my age, you know, yeah,

1458
01:16:25,720 --> 01:16:27,840
Speaker 1: because you're cracking jokes. You'd be talking to her and

1459
01:16:27,880 --> 01:16:30,000
Speaker 1: you'd like, you're so smart, you a regular dougie houses.

1460
01:16:30,040 --> 01:16:34,599
Speaker 1: She's like, who the hell is Dugie Houser? But if

1461
01:16:34,640 --> 01:16:37,040
Speaker 1: you feel like kids? Who kids? What people think? Bro?

1462
01:16:37,320 --> 01:16:39,320
Speaker 1: If you're feeling us, she's feeling you. You just taking

1463
01:16:39,439 --> 01:16:41,400
Speaker 1: viagg You're leavit, you the blue pill, and just do

1464
01:16:41,479 --> 01:16:44,880
Speaker 1: what you gotta do. No, I'm ain't one on my

1465
01:16:45,160 --> 01:16:48,600
Speaker 1: end lying you got. I'm gonna feel like that. You

1466
01:16:48,680 --> 01:16:51,760
Speaker 1: gotta be yourself. That's your own insecurities because you're old

1467
01:16:51,760 --> 01:16:54,800
Speaker 1: as hell and she young and you're trying to keep up.

1468
01:16:55,080 --> 01:16:57,040
Speaker 1: You know what I mean. That's your own insecurities. You

1469
01:16:57,080 --> 01:16:58,439
Speaker 1: gotta get out your own head. If you're gonna be

1470
01:16:58,479 --> 01:17:02,040
Speaker 1: with that young girl now, I'll see you on that well,

1471
01:17:02,080 --> 01:17:06,800
Speaker 1: good luck, LaVita, the blue pill, Viagra you got. You

1472
01:17:06,800 --> 01:17:08,760
Speaker 1: know what, She's gonna leave you because you gotta keep it.

1473
01:17:09,000 --> 01:17:12,080
Speaker 1: I need that Al Green and that Heney you're riding

1474
01:17:12,080 --> 01:17:14,160
Speaker 1: around with Jai Le see that Al Green. You want

1475
01:17:14,160 --> 01:17:15,840
Speaker 1: to hear Chris Brown. You're listening to the Al Green.

1476
01:17:15,880 --> 01:17:18,040
Speaker 1: I love Al Green. You know what I'm saying, y'all

1477
01:17:18,120 --> 01:17:19,960
Speaker 1: arguing about rather to listen to the new Act two

1478
01:17:20,000 --> 01:17:21,880
Speaker 1: of the Savage Mo two. You know what I mean.

1479
01:17:22,040 --> 01:17:24,160
Speaker 1: I'm talking about this. I'm talking about the trees. I

1480
01:17:24,200 --> 01:17:29,400
Speaker 1: ain't coming on Al Green. Oh that's my whole drink.

1481
01:17:29,439 --> 01:17:31,280
Speaker 1: I'm sorry. I didn't know. I didn't know what y'all

1482
01:17:31,280 --> 01:17:32,680
Speaker 1: called weed. Now, Jason, I don't know what it's called.

1483
01:17:32,720 --> 01:17:36,120
Speaker 1: Our green had no idea back then. Okay, do you

1484
01:17:36,200 --> 01:17:39,479
Speaker 1: know who Al Green is? Yes? You know who Al

1485
01:17:39,560 --> 01:17:43,320
Speaker 1: Green is? She should no, ain't no should. She thinks

1486
01:17:43,360 --> 01:17:45,840
Speaker 1: al Green is a screen of weed, and y'all call

1487
01:17:45,920 --> 01:17:48,080
Speaker 1: it that because the weed is green. She has no

1488
01:17:48,240 --> 01:17:53,040
Speaker 1: idea that that's an actual singer. Right, good luck, brother,

1489
01:17:53,320 --> 01:17:56,519
Speaker 1: appreciate you like he said, don't let your insecurities bother you. Man.

1490
01:17:56,560 --> 01:17:58,479
Speaker 1: If you like that girl she liked you, just enjoy

1491
01:17:59,120 --> 01:18:02,120
Speaker 1: all right. For Sean ages is too hard to get over.

1492
01:18:02,200 --> 01:18:03,720
Speaker 1: I know that. You know you can't help when you

1493
01:18:03,800 --> 01:18:06,240
Speaker 1: grow in love with, but when you're damned here fifty

1494
01:18:06,280 --> 01:18:08,080
Speaker 1: and a woman is just twenty seven years old? What

1495
01:18:08,160 --> 01:18:11,040
Speaker 1: the hell are y'all talking about? Seriously? Like, what are

1496
01:18:11,120 --> 01:18:12,679
Speaker 1: y'all talking about? She can't name none of the members

1497
01:18:12,680 --> 01:18:15,120
Speaker 1: of woodin Clan. Nope, she don't remember no episodes of

1498
01:18:15,200 --> 01:18:17,400
Speaker 1: Coffee Show. Nope. Like what are y'all talking about? I

1499
01:18:17,439 --> 01:18:19,960
Speaker 1: can't tell you about new edition? Nothing. Don't let you

1500
01:18:20,000 --> 01:18:22,400
Speaker 1: know about new addition to this movie. She's on BT, right, Yeah,

1501
01:18:22,760 --> 01:18:26,559
Speaker 1: that's it. Hello, who's this? Hey? What's this? Crystal? Hey? Kristy?

1502
01:18:26,600 --> 01:18:28,840
Speaker 1: What's your question for C and E? All right? Okay,

1503
01:18:29,200 --> 01:18:31,960
Speaker 1: So I have a sister. We're fourteen months apart, really close.

1504
01:18:32,320 --> 01:18:35,320
Speaker 1: So we went on a trip to the Silenttees in December.

1505
01:18:35,479 --> 01:18:37,360
Speaker 1: But two weeks before the trip, I got fired for

1506
01:18:37,479 --> 01:18:40,240
Speaker 1: my job. Great job, didn't it was there for ten years.

1507
01:18:40,640 --> 01:18:42,320
Speaker 1: So I never gave her the money for the trip.

1508
01:18:42,360 --> 01:18:45,080
Speaker 1: When we came back, so I didn't see her. I

1509
01:18:45,240 --> 01:18:46,920
Speaker 1: was in my filings about being the prest you know,

1510
01:18:47,080 --> 01:18:49,040
Speaker 1: bosk on my job or whatever. The case was, so

1511
01:18:49,240 --> 01:18:51,599
Speaker 1: fast soward. She told me that, you know, I think

1512
01:18:51,640 --> 01:18:54,720
Speaker 1: advantage of her. I'm like, take advantage of you. You're

1513
01:18:54,760 --> 01:18:58,280
Speaker 1: my sister, Like we're adult, nobody you's know one of us. Well,

1514
01:18:58,360 --> 01:19:00,680
Speaker 1: she's not presch the twelve hundred dollars, and you know

1515
01:19:00,760 --> 01:19:02,599
Speaker 1: I was kind of in my simies. I have two kids,

1516
01:19:02,640 --> 01:19:04,720
Speaker 1: I have aloyage. I was my job and we're in

1517
01:19:04,720 --> 01:19:07,160
Speaker 1: the middle of Corona now. So now she just mad

1518
01:19:07,160 --> 01:19:08,880
Speaker 1: about the five hundred dollars and she feels that I

1519
01:19:09,240 --> 01:19:11,920
Speaker 1: took advantage of her. I agree with her. Hundred dollars

1520
01:19:13,479 --> 01:19:18,280
Speaker 1: dollars with her. No, why you didn't give her her

1521
01:19:18,320 --> 01:19:20,320
Speaker 1: money back? Because she lost her job, she got two kids.

1522
01:19:20,560 --> 01:19:23,720
Speaker 1: She shouldn't went to the Philippines then, But then she

1523
01:19:23,920 --> 01:19:26,720
Speaker 1: was already paid for it. Yeah, clearly it wasn't so

1524
01:19:27,920 --> 01:19:30,040
Speaker 1: he paid for me. Did she tell you that she

1525
01:19:30,200 --> 01:19:31,800
Speaker 1: was paying for you? Or did she paid for it

1526
01:19:31,920 --> 01:19:34,240
Speaker 1: with the assumption that you was gonna pay her back.

1527
01:19:34,520 --> 01:19:36,920
Speaker 1: I was gonna pay her back exactly. So I agree

1528
01:19:36,960 --> 01:19:39,280
Speaker 1: with her. Don't happen. She got a job, my job,

1529
01:19:39,560 --> 01:19:43,880
Speaker 1: that's right, Okay, Yes, sister, gotta take that note for me,

1530
01:19:44,160 --> 01:19:46,600
Speaker 1: because she see you out here still buying stuff. She

1531
01:19:46,720 --> 01:19:48,960
Speaker 1: see you out here still living, you still doing something

1532
01:19:49,000 --> 01:19:50,599
Speaker 1: that make her know that you got that twelve hundred

1533
01:19:50,600 --> 01:19:53,360
Speaker 1: dollars was the last time he went out. Mama, Well

1534
01:19:53,479 --> 01:20:00,560
Speaker 1: you came back to Jamaica. I know you, so you

1535
01:20:00,640 --> 01:20:03,479
Speaker 1: should get her money back. So you went to Jamaica.

1536
01:20:03,640 --> 01:20:08,160
Speaker 1: You should be ashamed of yourself. Oh, you gave her

1537
01:20:08,200 --> 01:20:10,600
Speaker 1: the money back. I gave her her money back, but

1538
01:20:10,880 --> 01:20:13,080
Speaker 1: she feels that I took advantage of her. But now

1539
01:20:13,120 --> 01:20:16,200
Speaker 1: we're just one situation overall over our lives. But I

1540
01:20:16,360 --> 01:20:19,960
Speaker 1: feel like she just mean and insensitive and based on

1541
01:20:20,120 --> 01:20:22,479
Speaker 1: for those feelings that I have, I don't really want

1542
01:20:22,520 --> 01:20:25,400
Speaker 1: to have discussion on her anymore. Like I love my sisters, Davis,

1543
01:20:25,439 --> 01:20:27,160
Speaker 1: but I don't want to be friends with her anymore. Well,

1544
01:20:27,160 --> 01:20:29,479
Speaker 1: if you take advantage of her, she should be mad

1545
01:20:29,520 --> 01:20:31,280
Speaker 1: at you. Well if you gave her the money back,

1546
01:20:31,280 --> 01:20:33,320
Speaker 1: and she's just being mad at you for being mad,

1547
01:20:33,400 --> 01:20:35,080
Speaker 1: but she probably how long did it take to get

1548
01:20:35,120 --> 01:20:36,760
Speaker 1: the money back? Right before you? With the Jamaica It

1549
01:20:36,840 --> 01:20:38,200
Speaker 1: is kind of slack that you didn't give her her

1550
01:20:38,240 --> 01:20:39,720
Speaker 1: money back. You just out here, ball, And don't you

1551
01:20:39,800 --> 01:20:41,400
Speaker 1: hate when somebody owe you money and it is out

1552
01:20:41,479 --> 01:20:44,679
Speaker 1: here ball? Y'all are missing it. I'll have two kids.

1553
01:20:44,800 --> 01:20:50,200
Speaker 1: She has an out of Jamaica. She said, I got

1554
01:20:50,280 --> 01:20:53,240
Speaker 1: two kids and she got it out of here at seven. Listen,

1555
01:20:53,720 --> 01:20:58,560
Speaker 1: you're wrong, You're wrong. That's good. You should need to

1556
01:20:58,600 --> 01:21:00,760
Speaker 1: get over it with your room you foul? Are you wrong?

1557
01:21:00,880 --> 01:21:03,559
Speaker 1: She's wrong? All right? We got more coming up next

1558
01:21:03,640 --> 01:21:08,000
Speaker 1: with a breakfast club Morning. Everybody is DJ Envy, Angela Yee,

1559
01:21:08,080 --> 01:21:10,559
Speaker 1: Charlomagne the guy, we are the breakfast club. I leave.

1560
01:21:10,560 --> 01:21:12,840
Speaker 1: It's on a positive note. Listen to positive notice simply.

1561
01:21:12,920 --> 01:21:16,000
Speaker 1: This man actually posted this on my Instagram another day.

1562
01:21:16,000 --> 01:21:17,920
Speaker 1: But this is something that I truly believe. A bad

1563
01:21:17,960 --> 01:21:22,320
Speaker 1: attitude can literally block love, blessings and destiny from finding.

1564
01:21:22,400 --> 01:21:25,120
Speaker 1: You don't be the reason you don't succeed.