WEBVTT - Too $hort

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<v Speaker 1>All my life, the grinding all my life, second fights,

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<v Speaker 1>hustle back price one slice, got theron dice to swap

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<v Speaker 1>all my life. I've been grinding all my life, all

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<v Speaker 1>my life, the grinding all my life, sacond fights, hustle

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<v Speaker 1>back prices. One a slice, got the ba dice to

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<v Speaker 1>swapping all my life. I've been grinding all my life. Hello,

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<v Speaker 1>welcome to another edition of Club Shaha. I am your

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<v Speaker 1>whole Shan and Sharp, also the proprietor of Club sha Shade.

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<v Speaker 1>The guy that's stopping by for conversation and a drink

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<v Speaker 1>today really needs no introduction. He's hip hop royalty and

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<v Speaker 1>a rap legend. Golden platinum selling rapper and songwriter, record

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<v Speaker 1>producer and executive with almost forty years in the game,

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<v Speaker 1>The King of the Bay too short? What did it due?

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<v Speaker 1>What's up man? That's a multi platinum, multime multipe multi

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<v Speaker 1>Yeah cause I did it. I did it like seven

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<v Speaker 1>times in a row. What oh yeah, we talked to

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<v Speaker 1>us about it. I'm just trying to trick you got

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<v Speaker 1>a new you got a new single coming out called

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<v Speaker 1>Nasty Dance. You'll always seem to have an album coming out.

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<v Speaker 1>What number album is this for? You. I lost count,

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<v Speaker 1>but it's it's up to like twenty something like twenty one,

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<v Speaker 1>so somewhere up there. So you got this tell us

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<v Speaker 1>about the single that you got that you're about to drop. Well,

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<v Speaker 1>you know, I'm just trying our new platforms and stuff.

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<v Speaker 1>I partnered up with a company called Encore, okay, and

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<v Speaker 1>it's just a new style of how they shoot the

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<v Speaker 1>videos and how they present it. And I'm just you know,

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<v Speaker 1>at this age and with my career accolades, I really

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<v Speaker 1>don't have much to prove, right, So you know, you know,

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<v Speaker 1>we formed the Mount Westmore group. That's me, Snoop Cube

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<v Speaker 1>and E forty, right, and that's kind of like my thing.

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<v Speaker 1>So outside of that, I'm just freelancing a little bit,

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<v Speaker 1>doing stuff, right, having fun. I love RAPS, right, I'm

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<v Speaker 1>just doing it. You started, you got forty years in

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<v Speaker 1>this game, so you started back in the eighties. Obviously

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<v Speaker 1>it's a lot different. What's some of the biggest differences

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<v Speaker 1>that you noticed between you rap when you started and

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<v Speaker 1>currently where it is now. Probably the platforms is the

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<v Speaker 1>biggest thing. The Internet and that changed the game as

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<v Speaker 1>far as we were so worried about duplicating CDs, and

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<v Speaker 1>copying MP three's and file sharing, and it just went

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<v Speaker 1>straight to streaming, and streaming with streaming brought multiple multiple platforms, right,

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<v Speaker 1>and you can you can maximize just like a artist

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<v Speaker 1>can get one hot song right now, and you make

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<v Speaker 1>a boatload of money right just by the fame you

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<v Speaker 1>get and the different opportunities you can send your song,

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<v Speaker 1>all these different platforms paying you. So it's it's a

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<v Speaker 1>different ball game, and it's it used to be a

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<v Speaker 1>lot about skills and what you can bring to the

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<v Speaker 1>table original. Now it's just about popularity. Like the most

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<v Speaker 1>popular guys gonna get the money. So he don't listen.

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<v Speaker 1>He or she doesn't necessarily have to be good, but

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<v Speaker 1>just have a hot soul and a hustle and a

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<v Speaker 1>hustle and a hustle. So with the new platform that's out,

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<v Speaker 1>you have the streaming, you have the Internet, you have

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<v Speaker 1>social media guys, you can go directly. So do you

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<v Speaker 1>really need a record company? Do you really need an

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<v Speaker 1>you need a record company? The majors have the airwaves

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<v Speaker 1>on lock right. They got you know, the big numbers

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<v Speaker 1>on lock right. Yeah, worldwide, that international's on lock right.

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<v Speaker 1>But you can get in there without a major and

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<v Speaker 1>you could be like a young Dolf rest in peace,

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<v Speaker 1>young Dolf who was making millions independent. It's still it's

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<v Speaker 1>still a lane to get in there and master these

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<v Speaker 1>platforms and make make room for yourself, right without a

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<v Speaker 1>major label. Yeah, I recommend that as much as possible. Right,

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<v Speaker 1>it depends on who you are individually and what you

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<v Speaker 1>want out of this, right, But there is a way

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<v Speaker 1>to have ownership and run your own show and have

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<v Speaker 1>your own team and be and be a major artist. Right.

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<v Speaker 1>But if you just like you, like I want to

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<v Speaker 1>be that guy, I need to be Drake, You're gonna

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<v Speaker 1>need that machine behind exactly. Well, you know what, let's

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<v Speaker 1>tost I have my own brand of Carnact. You've been

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<v Speaker 1>forty years deep in the game. You did it your way,

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<v Speaker 1>and you'll still continue to do it your way. Sloop

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<v Speaker 1>brou here we go. That's my own brand. Tell me

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<v Speaker 1>they smooth. We go ahead and talk to me. Sure, No,

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<v Speaker 1>it really is good. I was. I wouldn't even watch either.

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<v Speaker 1>It's it's because if you could just drink it and

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<v Speaker 1>it's not a problem, right, it's smooth, Like I don't.

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<v Speaker 1>It's coniac man. This reminds me of the old in

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<v Speaker 1>the nineties. Tell the story we was telling off fair

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<v Speaker 1>to say, you know what, I used to be a

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<v Speaker 1>big conjac drinker. I don't really drink as much as

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<v Speaker 1>I want. I don't really partake into connact as much

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<v Speaker 1>as I once did, because it reminds me of the

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<v Speaker 1>days before I really made it big, and I was

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<v Speaker 1>just a little guy, you know, hanging in the streets

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<v Speaker 1>with the homies, and we get the bottle and pass

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<v Speaker 1>it around. On a cold day, you know, Coniac was

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<v Speaker 1>your jacket. Yeah, on a hot day, Coniac was your

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<v Speaker 1>air condition. From that, and then I start getting a

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<v Speaker 1>little money going into some different little places and I'm like,

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<v Speaker 1>you know, but let me get a margar read it. Yeah,

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<v Speaker 1>if you got poof, you got brand new us. So

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<v Speaker 1>I saw all, you know, I just I just swished

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<v Speaker 1>it up a little bit. And then when I when

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<v Speaker 1>I sip a little bit, as soon as I sip

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<v Speaker 1>in a smell of to see it, I'm like, oh,

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<v Speaker 1>here we go. I'm back on the street corner in Oakland.

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<v Speaker 1>In my mind, you know what I'm so, you know,

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<v Speaker 1>I'm a tequila guy, but at the same time, I

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<v Speaker 1>have a great coneyak drink that I've I've made many

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<v Speaker 1>people over the years that it's high calorie, but it's

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<v Speaker 1>the bomb. So you take you take an even shot

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<v Speaker 1>of the coneyak, the Calua and the Bailey's Irish Cream.

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<v Speaker 1>Even they gotta be even shots. Put them on a

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<v Speaker 1>lot of ice and let it just get together, stirred up,

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<v Speaker 1>real good. It's like a it's like a separator, but

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<v Speaker 1>with a ghetto twist, right, and then the other version

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<v Speaker 1>is replaced the ice with ice cream. So a couple

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<v Speaker 1>of scoops of ice cream, one shot of Hennessy, well

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<v Speaker 1>notot Hennessy, we want to yeah, one shot of port Yeah,

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<v Speaker 1>one shot of u Kalua and one shot of the

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<v Speaker 1>Bailey's Irish Cream. Mix it with the ice cream and

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<v Speaker 1>let it. Let it turn into a milkshake. I'm trying

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<v Speaker 1>to tell you, well, we're going to try that. I'm

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<v Speaker 1>telling you it's called a dirty m okay and people

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<v Speaker 1>such as uh Alan Ivison used to like it once

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<v Speaker 1>fun time, right, it was it was I turned on

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<v Speaker 1>I turned Scarface the rapper onto it, right, and between

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<v Speaker 1>me and him, we turned a lot of people onto

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<v Speaker 1>the dirty mfs okay. I like that. So what can

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<v Speaker 1>we expect from this album though, Uh, you can expect

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<v Speaker 1>hip hop to expand, meaning that every time one of

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<v Speaker 1>your legacy artists who have who has been around for

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<v Speaker 1>a long time, right and you know Nah still dropping albums,

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<v Speaker 1>jay Z still dropping hit. You know, rappers who are

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<v Speaker 1>well into their forties are doing good, and some into

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<v Speaker 1>their fifties, you know, Snoop Snoop Dog Justify, and it's like,

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<v Speaker 1>we're just expanding hip hop. Hip Hop hasn't had, uh,

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<v Speaker 1>fifty year old rappers that have any type of success.

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<v Speaker 1>If I had told you in your twenties and your

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<v Speaker 1>early twenties that you still be doing this in your fifties,

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<v Speaker 1>what would you have saying? I would have said you're crazy,

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<v Speaker 1>because I was like at my early twenties, I would saying,

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<v Speaker 1>anybody that's thirty two is an old man. Right, you're

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<v Speaker 1>calling me an old man rapper. And the young rappers

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<v Speaker 1>right now and see it the same way. They're like

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<v Speaker 1>maybe old dudes, and I'm like, dude, you're gonna be

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<v Speaker 1>an old dude one day. Yeah, and your old wish,

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<v Speaker 1>you're gonna wish. If you're a twenty two year old rapper,

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<v Speaker 1>you're gonna wish that you could be a forty two

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<v Speaker 1>year old rapper on stage and they love you, because

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<v Speaker 1>that's hard to do. You know what My grandfather's say, Hey,

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<v Speaker 1>I've been your age, you've never been mind. Yeah forty

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<v Speaker 1>forty just said that in the Rapper saying that you

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<v Speaker 1>keep you keep living. So yeah, man, you know, I

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<v Speaker 1>just think it's a beautiful thing that to do what

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<v Speaker 1>you do. What I'm doing right in my fifties, right

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<v Speaker 1>that I did when I was a teenager, and it's

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<v Speaker 1>still something I love and it's still getting me money. Right,

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<v Speaker 1>Is that why you do it? Because you still love it.

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<v Speaker 1>You don't have to do it, obviously, if you've made money,

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<v Speaker 1>you still made your money. But I do it because

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<v Speaker 1>once upon a time I announced that I was retiring.

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<v Speaker 1>It's thirty years old, and it was a big promotional

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<v Speaker 1>push behind Too Short retiring. I was on my tenth

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<v Speaker 1>album at the time, and I remember DJ Red Alert

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<v Speaker 1>said to me, he was like, you don't ever see

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<v Speaker 1>jazz musicians retiring or blues You know what I'm saying,

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<v Speaker 1>Yanna Ross and smoking in him they on the stage.

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<v Speaker 1>Stephen doesn't rapper have to stop. So when he said that,

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<v Speaker 1>I never ever considered retirement ever again. And I think

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<v Speaker 1>that the more I get older and wiser, I'm like,

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<v Speaker 1>somebody's gotta keep doing. Is Doctor Dre is older than

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<v Speaker 1>me and he's about to perform at the super Bowl.

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<v Speaker 1>It be lit too. They didn't go get a young

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<v Speaker 1>thug and gunner. They didn't go get you know, money

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<v Speaker 1>bag out, They got I go the Dre. Whether you're

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<v Speaker 1>in LA, I mean you got to How you come

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<v Speaker 1>to LA and don't get Drake? How you don't get

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<v Speaker 1>sloop you? I mean you can't. But agism is a

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<v Speaker 1>real thing in entertainment. It is. And they got doctor Drake.

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<v Speaker 1>So that's like that that is the host narrative of

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<v Speaker 1>what I'm trying to be a part of. Is every

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<v Speaker 1>time jay Z steps up to the plate, we accept it.

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<v Speaker 1>And ever since he was twenty something, right, you know.

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<v Speaker 1>So it's like, this is saying, not for me, look

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<v Speaker 1>what I did. This is saying for my young homie,

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<v Speaker 1>Look what I can do? Right? Look what is Tom

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<v Speaker 1>Brady doing right now? Quarterbacks? Right? You know what I'm saying.

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<v Speaker 1>He's saying it can't be done, right, I don't know

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<v Speaker 1>if you could do it? Who are some of the

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<v Speaker 1>features you have on this album. Features I'm trying to

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<v Speaker 1>think right now, because you know, I really don't know.

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<v Speaker 1>I really don't like value that that much. So if

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<v Speaker 1>I got like like say Geasy was on there, and

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<v Speaker 1>my mind is just the homie easy, It's like it's

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<v Speaker 1>like nothing I can really like brag on it, right,

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<v Speaker 1>But I definitely have some features. I always go out

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<v Speaker 1>there and get some homies. I just I do so

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<v Speaker 1>many projects, right, you know, like my westmore like, I'm

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<v Speaker 1>not really focused on the bragging part of it. When

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<v Speaker 1>it comes out, you're gonna see. How do you determine

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<v Speaker 1>who you hop on a track with? Obviously, if Snoop

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<v Speaker 1>come gon h forty waterco you gonna It's basically it's

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<v Speaker 1>based on friendships relationships. I could have a relationship with

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<v Speaker 1>the label or somebody at the label and not the artist,

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<v Speaker 1>and they call me and say I need one, Need

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<v Speaker 1>you do one? And I do it. I got a

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<v Speaker 1>call from jazz Fai last night about the artists they

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<v Speaker 1>were working with Atlanta, and they sent me the song.

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<v Speaker 1>I don't know the artist, but I'm gonna do the

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<v Speaker 1>song because it's a jazzy fake production right beat. It's hot. So.

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<v Speaker 1>A lot of times it could be is a song

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<v Speaker 1>hot right? A lot of times it could be who's

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<v Speaker 1>the artist, right, and it's an artist I don't know.

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<v Speaker 1>I might check the numbers and go a little homie

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<v Speaker 1>doing it right, I'm gonna get down so and it

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<v Speaker 1>could be family. I mean, like I all my cousins

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<v Speaker 1>get one favorite and after that, like cause you want

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<v Speaker 1>your favorite to do be a show, you want me

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<v Speaker 1>to show me at your party, you need to help

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<v Speaker 1>with a car, right, you get one favorite? Right in

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<v Speaker 1>a lifetime. When I look at some of the guys

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<v Speaker 1>that you've been up with, too big at jay Z's

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<v Speaker 1>the best, I mean yeah, I mean dray T I.

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<v Speaker 1>I'm the big homie though, because you eat while you

0:11:27.559 --> 0:11:29.280
<v Speaker 1>boyd you have you been at it the longest. I'm

0:11:29.320 --> 0:11:31.960
<v Speaker 1>the big homie. A lot of people get at me

0:11:32.000 --> 0:11:34.120
<v Speaker 1>and they ask me these stats and these numbers in

0:11:34.160 --> 0:11:35.840
<v Speaker 1>this what was happening in and there? I was like,

0:11:35.920 --> 0:11:39.240
<v Speaker 1>all these stories you're telling me, I'm the big homie

0:11:39.840 --> 0:11:42.600
<v Speaker 1>and in these stories, in these situations you're talking about

0:11:42.640 --> 0:11:46.800
<v Speaker 1>big pot name all these people. I was plattingum when

0:11:46.840 --> 0:11:49.439
<v Speaker 1>these dudes in high school and middle school and stuff,

0:11:49.480 --> 0:11:51.720
<v Speaker 1>I was out there and living in kicking and so

0:11:51.800 --> 0:11:53.959
<v Speaker 1>when they came to the party, I was already the

0:11:54.000 --> 0:11:56.240
<v Speaker 1>big dog at the party, like you know, Snoop Dog

0:11:56.360 --> 0:11:58.719
<v Speaker 1>was in middle school bumping too short. They all I'm

0:11:58.800 --> 0:12:03.560
<v Speaker 1>old g man. So you know, these this list of

0:12:03.800 --> 0:12:07.520
<v Speaker 1>artists I've collaborated with a lot of times, a lot

0:12:07.559 --> 0:12:09.480
<v Speaker 1>of times. Majority of the times they were getting at

0:12:09.520 --> 0:12:11.719
<v Speaker 1>me right now, like I need too short on the song.

0:12:11.760 --> 0:12:14.760
<v Speaker 1>I brought a whole lot with me and you know,

0:12:14.800 --> 0:12:17.920
<v Speaker 1>I'm proud of it. But at the same time, when

0:12:17.960 --> 0:12:19.360
<v Speaker 1>you look back on it, you look like all of

0:12:19.400 --> 0:12:21.560
<v Speaker 1>us were right there. But nah, when jay Z first

0:12:21.559 --> 0:12:25.000
<v Speaker 1>got at me, I had way more platinums than that

0:12:25.120 --> 0:12:28.000
<v Speaker 1>was established all that. So it's it's cool, man. I

0:12:28.400 --> 0:12:30.800
<v Speaker 1>love where it all, the way it all played out.

0:12:31.200 --> 0:12:33.679
<v Speaker 1>I love that when I look back at it, you know,

0:12:33.760 --> 0:12:36.480
<v Speaker 1>I'm a part of an elite group, right and and

0:12:36.559 --> 0:12:39.040
<v Speaker 1>you know, and it's history. It's it's hip hop history.

0:12:39.240 --> 0:12:41.280
<v Speaker 1>I mean, it's it's it's I mean, when you think

0:12:41.280 --> 0:12:44.640
<v Speaker 1>about it, think about when you started. I was live.

0:12:45.400 --> 0:12:48.680
<v Speaker 1>Look at where we are now. I'm still on the scene.

0:12:48.880 --> 0:12:51.199
<v Speaker 1>Like you said, you just mentioned Tom Brady. Tom Brady

0:12:51.200 --> 0:12:53.880
<v Speaker 1>said look, I'm three generations. Rod did the two thousand,

0:12:53.880 --> 0:12:55.880
<v Speaker 1>I did twenty ten. Here I'm in twenty twenties, still

0:12:55.960 --> 0:12:58.920
<v Speaker 1>doing work. He's playing against quarterbacks that wasn't born when

0:12:58.960 --> 0:13:01.319
<v Speaker 1>you got to the league, that was two years old

0:13:01.320 --> 0:13:04.240
<v Speaker 1>when he got to the league. Did you did you

0:13:04.280 --> 0:13:06.719
<v Speaker 1>think you would have this kind of success, this kind

0:13:06.720 --> 0:13:09.360
<v Speaker 1>of staying power when you started. So when you're a

0:13:09.440 --> 0:13:13.800
<v Speaker 1>legend and you're breaking records and you blazing trails, you

0:13:13.840 --> 0:13:16.200
<v Speaker 1>don't care about that or even know that, right because

0:13:16.240 --> 0:13:18.839
<v Speaker 1>you're a trailblazer. That means you're in front, right, and

0:13:18.960 --> 0:13:21.840
<v Speaker 1>you you're the one burning the trail, right. You don't

0:13:21.880 --> 0:13:24.520
<v Speaker 1>realize it till it's a paved road. You look back

0:13:24.520 --> 0:13:27.319
<v Speaker 1>and go, I started that. So I'm saying, and you

0:13:27.400 --> 0:13:32.480
<v Speaker 1>were in that status of of of just like you're

0:13:32.520 --> 0:13:36.240
<v Speaker 1>doing greatness, right, You can't think I'm doing greatness. While

0:13:36.280 --> 0:13:38.760
<v Speaker 1>you're doing greatness, you're like just trying to outdo the

0:13:38.840 --> 0:13:41.120
<v Speaker 1>men in the room with you, and and and you,

0:13:41.679 --> 0:13:46.800
<v Speaker 1>like we talked this stuff about sports heiress, who would

0:13:46.840 --> 0:13:49.880
<v Speaker 1>have been who? And what error? And I'm like, a

0:13:49.960 --> 0:13:53.440
<v Speaker 1>grown man is a grown man side strength, speed? You

0:13:53.559 --> 0:13:56.679
<v Speaker 1>put that grown man in any putting back in Africa

0:13:56.920 --> 0:13:59.480
<v Speaker 1>five hundred years ago. He gonna be a man amongst

0:13:59.480 --> 0:14:04.000
<v Speaker 1>men because that's who he is. And I think, you know,

0:14:04.160 --> 0:14:05.760
<v Speaker 1>you drop me off in any era, you drop me

0:14:05.840 --> 0:14:08.280
<v Speaker 1>off in this era hip hop, I'm gonna shine. I

0:14:08.360 --> 0:14:11.080
<v Speaker 1>just feel that confident about who I am as an

0:14:11.120 --> 0:14:16.600
<v Speaker 1>individ drop me off in the hood in Baltimore, Maryland. Right,

0:14:16.679 --> 0:14:19.560
<v Speaker 1>I'm gonna get home. You know what I'm saying. Everybody

0:14:19.560 --> 0:14:20.960
<v Speaker 1>ain't gonna make it home. I'm gonna make it home.

0:14:21.360 --> 0:14:23.360
<v Speaker 1>Your style, how did you come up with the way

0:14:23.920 --> 0:14:29.000
<v Speaker 1>you were gonna rap? I was mimicking New York rappers.

0:14:29.000 --> 0:14:31.760
<v Speaker 1>It's early eighties, okay. And when I say mimicing New

0:14:31.840 --> 0:14:35.280
<v Speaker 1>York rappers, I just mean party rap. You know, you

0:14:35.320 --> 0:14:37.400
<v Speaker 1>know the girl in the blue dress, well, you know,

0:14:37.600 --> 0:14:39.560
<v Speaker 1>you know, just just it was like a shot out

0:14:39.640 --> 0:14:41.680
<v Speaker 1>thing and the fun thing. You just kind of rhyming

0:14:41.720 --> 0:14:44.000
<v Speaker 1>little simple words and and just trying to get your

0:14:44.040 --> 0:14:47.200
<v Speaker 1>cadence and your patterns together. And then I heard the message,

0:14:47.960 --> 0:14:49.920
<v Speaker 1>and the message is one of those songs that came

0:14:49.960 --> 0:14:52.920
<v Speaker 1>out in nineteen eighty two. I was in eleventh grade.

0:14:53.400 --> 0:14:55.440
<v Speaker 1>I was one of them little kids that had the

0:14:55.480 --> 0:14:58.720
<v Speaker 1>beat box my big boom box and I'm walking down

0:14:58.720 --> 0:15:01.560
<v Speaker 1>the street bu this day. I always remember this day

0:15:01.560 --> 0:15:04.800
<v Speaker 1>because I was by myself and had no car. Probably

0:15:04.800 --> 0:15:07.440
<v Speaker 1>was walking from somewhere to the bus stop or something

0:15:08.200 --> 0:15:10.320
<v Speaker 1>coming from the bus or something, and the song came on.

0:15:10.440 --> 0:15:14.320
<v Speaker 1>I stopped in my tracks by myself on the I was.

0:15:14.360 --> 0:15:15.680
<v Speaker 1>I wasn't even on the main street. I was in

0:15:15.720 --> 0:15:18.000
<v Speaker 1>like a neighborhood and the song come on and I'm like,

0:15:18.040 --> 0:15:19.920
<v Speaker 1>I put the bright away up to my ears. He's

0:15:19.960 --> 0:15:24.880
<v Speaker 1>like broken glass everywhere. I'm like what, And I'm I'm

0:15:24.920 --> 0:15:27.960
<v Speaker 1>in the streets of Oakland. I'm a rapper. I'm pretty popular.

0:15:27.960 --> 0:15:32.240
<v Speaker 1>I'm like little baby popular, right, And I think to myself,

0:15:32.280 --> 0:15:35.720
<v Speaker 1>oh my god, I gotta start rapping about Oakland, right,

0:15:36.000 --> 0:15:39.160
<v Speaker 1>And literally at that moment, that's what it turned into.

0:15:39.360 --> 0:15:43.480
<v Speaker 1>And everything from that point on has been like it's

0:15:43.520 --> 0:15:45.480
<v Speaker 1>just been like a match made in heaven. Like when

0:15:45.720 --> 0:15:47.720
<v Speaker 1>I put the pen to the paper, I just think

0:15:47.760 --> 0:15:50.160
<v Speaker 1>about Oakland, right, and I write songs, and it's just

0:15:50.360 --> 0:15:53.160
<v Speaker 1>it's the message gave me that. Yeah, but you write

0:15:53.160 --> 0:15:56.960
<v Speaker 1>about Oakland. Obviously Oakland is in you, but you were

0:15:57.000 --> 0:16:00.240
<v Speaker 1>able to branch out because it wasn't just that Bay

0:16:00.320 --> 0:16:02.440
<v Speaker 1>Rappers that we wanted to do too short on the hook.

0:16:02.800 --> 0:16:07.280
<v Speaker 1>So so I spent my early years born in LA, right,

0:16:07.720 --> 0:16:11.200
<v Speaker 1>and I moved to Oakland right after ninth grade. Okay,

0:16:11.240 --> 0:16:14.600
<v Speaker 1>so I'm of that age where if I was in

0:16:14.800 --> 0:16:18.000
<v Speaker 1>LA probably could have been trying to dip and dodge

0:16:18.000 --> 0:16:20.960
<v Speaker 1>and with gangs. If I get to Oakland and it's

0:16:21.000 --> 0:16:23.360
<v Speaker 1>a different thing. It's not the street gangs, blue and red.

0:16:23.400 --> 0:16:26.800
<v Speaker 1>It's not like that. It's to me, Oakland looked like

0:16:26.880 --> 0:16:29.680
<v Speaker 1>a movie. It looked like a Black Spoyltation movie that

0:16:29.760 --> 0:16:32.280
<v Speaker 1>came to life, like I'm on set in the movie.

0:16:32.360 --> 0:16:35.800
<v Speaker 1>Everything was colorful. It was the cars, it was the lifestyle.

0:16:35.800 --> 0:16:37.880
<v Speaker 1>It just I'm looking at it. It It was totally different

0:16:37.880 --> 0:16:43.400
<v Speaker 1>in LA and it just you know it just really

0:16:43.480 --> 0:16:46.840
<v Speaker 1>like I think that me telling the story of my

0:16:46.920 --> 0:16:49.560
<v Speaker 1>experiences and what Oakland taught me and brought to me

0:16:50.720 --> 0:16:57.200
<v Speaker 1>was partially because of my outside influences. I spent every

0:16:57.200 --> 0:17:01.000
<v Speaker 1>summer in my childhood in New Orleans. My mother couldn't

0:17:01.040 --> 0:17:05.000
<v Speaker 1>wait till May junior schools out. You're like, oh, being

0:17:05.080 --> 0:17:07.600
<v Speaker 1>my brother, You're on the plane, like come back sea

0:17:07.640 --> 0:17:09.679
<v Speaker 1>in August, right, Like you don't get rid of us

0:17:09.720 --> 0:17:13.239
<v Speaker 1>for two months every summer. Yeah, y'all, go stay with

0:17:13.240 --> 0:17:16.120
<v Speaker 1>my sister, Go stay with my mama. And I think

0:17:16.160 --> 0:17:19.640
<v Speaker 1>that that music in New Orleans gave me a whole

0:17:19.640 --> 0:17:25.800
<v Speaker 1>different cultural thing. That West Coast represent half my knowing,

0:17:25.960 --> 0:17:28.240
<v Speaker 1>and the streets of LA and coming up and being

0:17:28.280 --> 0:17:30.640
<v Speaker 1>around and Blue and the red and and the hood

0:17:30.680 --> 0:17:32.679
<v Speaker 1>stuff out here and the music influence out here. When

0:17:32.720 --> 0:17:35.280
<v Speaker 1>I get to Oakland, I bring all this with me,

0:17:36.119 --> 0:17:40.040
<v Speaker 1>like subconsciously, and then I absorb all this Bay stuff.

0:17:40.040 --> 0:17:43.200
<v Speaker 1>In the Bay Area, the Bay Area music is sliding

0:17:43.240 --> 0:17:46.439
<v Speaker 1>the family stone, you know, the whispers, the point of sisters,

0:17:46.960 --> 0:17:53.200
<v Speaker 1>power power, and this is before rap and you know confunction.

0:17:53.280 --> 0:17:55.520
<v Speaker 1>It's like the Bay has as a I can name

0:17:55.560 --> 0:17:58.560
<v Speaker 1>a lot of groups. The Bay has a very rich

0:17:58.680 --> 0:18:01.760
<v Speaker 1>music heritage, even the gospel, the Hawkins family. You know,

0:18:02.119 --> 0:18:04.800
<v Speaker 1>like it's a lot. And when I come up as

0:18:04.840 --> 0:18:07.160
<v Speaker 1>a rapper, I'm the first rapper. I'm the first guy

0:18:07.359 --> 0:18:10.760
<v Speaker 1>who steps up to the plate. And I'm looking at

0:18:10.800 --> 0:18:13.080
<v Speaker 1>it like because people are you know, the people that

0:18:13.119 --> 0:18:14.840
<v Speaker 1>were I was working with when I first came up,

0:18:15.080 --> 0:18:18.000
<v Speaker 1>some of them have been around Rick James, They had

0:18:18.040 --> 0:18:21.240
<v Speaker 1>been around Power Power, they had been around sly Larry

0:18:21.280 --> 0:18:25.920
<v Speaker 1>Graham right, and I'm like, okay, I gotta they telling

0:18:25.960 --> 0:18:29.639
<v Speaker 1>me me, o, you taking big way back. Lar Graham

0:18:29.680 --> 0:18:32.040
<v Speaker 1>wanted the men you convunct your love trade, but you

0:18:32.400 --> 0:18:36.439
<v Speaker 1>love trade. But I'm saying these old Jesus telling me, look, youngster,

0:18:36.640 --> 0:18:38.320
<v Speaker 1>you know this is what we did. This we you know,

0:18:38.680 --> 0:18:41.520
<v Speaker 1>they telling me the greatness. I'm like, I gotta live

0:18:41.600 --> 0:18:44.720
<v Speaker 1>up to this. So from the start, it's quality man,

0:18:44.760 --> 0:18:47.600
<v Speaker 1>It's it's it's it's gotta be quality. And you gonna

0:18:47.640 --> 0:18:49.760
<v Speaker 1>listen to the early two short songs and I'm this

0:18:50.000 --> 0:18:52.960
<v Speaker 1>musicianship man. It's I got real like musicians on there

0:18:52.960 --> 0:18:57.600
<v Speaker 1>trying to uphold the legacy. So you know, how did

0:18:57.600 --> 0:19:04.639
<v Speaker 1>you live with forty? Me? Forty have street ties? Okay,

0:19:04.960 --> 0:19:08.040
<v Speaker 1>So E forty is definitely a street guy from the streets.

0:19:08.600 --> 0:19:11.840
<v Speaker 1>And my whole influence on how I came to be

0:19:12.800 --> 0:19:16.879
<v Speaker 1>was from street guys. Like literally, I had a hustle

0:19:17.160 --> 0:19:20.800
<v Speaker 1>where I sold cassette tapes in the streets and one

0:19:22.160 --> 0:19:25.680
<v Speaker 1>of our clientele I had a rap partner named Freddie Bent.

0:19:25.720 --> 0:19:29.600
<v Speaker 1>Of our clientele was street level drug dealers who was

0:19:29.680 --> 0:19:36.400
<v Speaker 1>on the street selling drugs. And through that, through those relationships.

0:19:37.680 --> 0:19:40.400
<v Speaker 1>When I started the label, the first thing I went

0:19:40.480 --> 0:19:42.720
<v Speaker 1>to I didn't go to Wells Fargo. I went to

0:19:42.760 --> 0:19:45.119
<v Speaker 1>the street dudes to start the label. If you go

0:19:45.200 --> 0:19:50.399
<v Speaker 1>back and check almost the entire hip hop industry, a

0:19:50.440 --> 0:19:53.119
<v Speaker 1>lot of us got bankrolled by the streets, right and

0:19:53.160 --> 0:19:57.000
<v Speaker 1>because when you couldn't get along, So what's your occupation

0:19:57.160 --> 0:20:01.240
<v Speaker 1>on the aspiring rep? Get out of here? So E

0:20:01.520 --> 0:20:05.600
<v Speaker 1>Forty and his cousins and brother, they's some street dudes

0:20:05.600 --> 0:20:08.159
<v Speaker 1>who financed themselves. They wouldn't got the game from their

0:20:08.240 --> 0:20:12.280
<v Speaker 1>uncle Charles, who was affiliated with the music scene around

0:20:12.320 --> 0:20:15.800
<v Speaker 1>Vallejo to confunction around it. And I got the game

0:20:15.920 --> 0:20:18.760
<v Speaker 1>from a guy named Dean Hodges, who was also a

0:20:18.800 --> 0:20:22.480
<v Speaker 1>street dude who was dabbling with a lot. He I

0:20:22.480 --> 0:20:23.960
<v Speaker 1>feel like he wanted to be a rock star, but

0:20:24.000 --> 0:20:26.480
<v Speaker 1>he really didn't. Couldn't play guitar, as a drums or saying.

0:20:26.800 --> 0:20:29.639
<v Speaker 1>So he surrounded himself by all these music making people

0:20:29.800 --> 0:20:31.119
<v Speaker 1>and he learned a lot. He taught me how to

0:20:31.160 --> 0:20:33.360
<v Speaker 1>run an independent label. He taught me how to make

0:20:33.440 --> 0:20:36.400
<v Speaker 1>music in a studio and mix it down and put

0:20:36.440 --> 0:20:41.000
<v Speaker 1>it out. And me and Forty was on the same

0:20:41.119 --> 0:20:46.000
<v Speaker 1>trajectory he's in Vallejo. I started rapping and getting popular

0:20:46.080 --> 0:20:49.280
<v Speaker 1>before him. He's motivated by me, but he's like on

0:20:49.320 --> 0:20:53.480
<v Speaker 1>a whole nother island thirty miles away and he's doing

0:20:53.520 --> 0:20:55.720
<v Speaker 1>it on his own. He's like, I'm getting out there.

0:20:56.040 --> 0:21:01.879
<v Speaker 1>And I think the way we connected was his immediate

0:21:01.920 --> 0:21:06.680
<v Speaker 1>crew was literally doing street business with my immediate crew,

0:21:06.960 --> 0:21:10.479
<v Speaker 1>right and at the same time they mixing in England

0:21:11.119 --> 0:21:13.280
<v Speaker 1>were to wrap guys, We're in the same crew, and

0:21:13.320 --> 0:21:16.879
<v Speaker 1>we keep meeting up, hanging out around the same you know, crew,

0:21:17.000 --> 0:21:20.520
<v Speaker 1>not really talking about music, but not even really connecting,

0:21:21.160 --> 0:21:23.560
<v Speaker 1>just around each other. What's up. You know, I've seen

0:21:23.680 --> 0:21:26.120
<v Speaker 1>your tape. I've seen your tape. Whatever. Right, No, it's cool.

0:21:26.160 --> 0:21:27.640
<v Speaker 1>I know who you are. I know who you are.

0:21:27.640 --> 0:21:32.119
<v Speaker 1>It's cool. Respect. And then it started getting more and

0:21:32.160 --> 0:21:35.639
<v Speaker 1>more popular, and he always tells the story that he

0:21:35.720 --> 0:21:37.960
<v Speaker 1>flagged me down on the freeway. You know, how he

0:21:38.040 --> 0:21:41.080
<v Speaker 1>flaxed right on the freeway were the doing fifty five

0:21:41.200 --> 0:21:43.679
<v Speaker 1>sixty five eight? Man, we didn't work together, you know,

0:21:43.960 --> 0:21:45.520
<v Speaker 1>he like, I kind of big willied on him a

0:21:45.520 --> 0:21:47.920
<v Speaker 1>little bit, like yeah, okay and roll them window backs

0:21:48.000 --> 0:21:51.040
<v Speaker 1>up there. I don't you know, I don't think it

0:21:51.040 --> 0:21:53.760
<v Speaker 1>would like that, whether the role or whether the electric

0:21:53.760 --> 0:21:55.639
<v Speaker 1>you know you can you do this. This was a

0:21:55.720 --> 0:21:59.280
<v Speaker 1>row down there. You know, it's a road down, you

0:21:59.359 --> 0:22:04.880
<v Speaker 1>roll it down. And that was that. We still the same,

0:22:05.080 --> 0:22:07.520
<v Speaker 1>I know him, We still like family, but we not

0:22:07.840 --> 0:22:11.520
<v Speaker 1>music back then. Nobody, man, you don't ask me to

0:22:11.640 --> 0:22:15.240
<v Speaker 1>use my producer and uh me try to do a

0:22:15.280 --> 0:22:17.480
<v Speaker 1>collab with somebody from something. We don't do that like

0:22:17.560 --> 0:22:21.000
<v Speaker 1>Yo crew, Yo crew, love your public enemy, love your beats, everything,

0:22:21.000 --> 0:22:22.720
<v Speaker 1>but I don't want to use your producers, you know

0:22:22.760 --> 0:22:24.480
<v Speaker 1>what I mean. It was just it was just like that. So,

0:22:25.800 --> 0:22:28.720
<v Speaker 1>uh fast forward a little bit. We had a big

0:22:28.800 --> 0:22:30.520
<v Speaker 1>event that we used to do they still do in

0:22:30.560 --> 0:22:33.199
<v Speaker 1>the bass called up Summer Jams. Right. It was you

0:22:33.240 --> 0:22:35.600
<v Speaker 1>know that where the radio station bring the fifty artists album.

0:22:35.640 --> 0:22:38.040
<v Speaker 1>Let everybody gets ten fifteen minutes and you know, the

0:22:38.440 --> 0:22:40.199
<v Speaker 1>thirty forty thousand people in the crowd and it's just

0:22:40.240 --> 0:22:42.320
<v Speaker 1>a big day. So I had done that a couple

0:22:42.320 --> 0:22:46.320
<v Speaker 1>of times and this particular year it was forties turn

0:22:46.720 --> 0:22:49.639
<v Speaker 1>to be the headline. He's hide, He's about to you know,

0:22:49.720 --> 0:22:53.360
<v Speaker 1>big show. And I wasn't on the show that year.

0:22:54.080 --> 0:23:00.040
<v Speaker 1>Some stuff that happened where I moved to Atlanta and

0:23:00.840 --> 0:23:03.720
<v Speaker 1>a young group called the Loonies. I got five on

0:23:03.800 --> 0:23:07.199
<v Speaker 1>it and had mentioned my name and a record and

0:23:07.240 --> 0:23:10.280
<v Speaker 1>they mentioned this one line is said it was trying

0:23:10.280 --> 0:23:13.560
<v Speaker 1>to say insinuate that they were a part of some

0:23:13.800 --> 0:23:17.280
<v Speaker 1>situation that that came my way and they made me

0:23:17.320 --> 0:23:19.840
<v Speaker 1>move to Atlanta, which is far from the truth, right,

0:23:20.359 --> 0:23:23.320
<v Speaker 1>far from the truth, right. And I was totally offended

0:23:23.640 --> 0:23:26.520
<v Speaker 1>that this record. The line was that's why the town

0:23:26.600 --> 0:23:28.880
<v Speaker 1>got rid of Short and they was talking about some

0:23:28.880 --> 0:23:31.399
<v Speaker 1>some gangs, gangs of shit or whatever, that's why the

0:23:31.400 --> 0:23:34.040
<v Speaker 1>town got rid of Short. And I'm like, what, like,

0:23:34.040 --> 0:23:36.960
<v Speaker 1>were them guys in the streets? Me and my rhythm guys? Right,

0:23:37.080 --> 0:23:38.800
<v Speaker 1>And you can't get away with saying that. You can't

0:23:38.880 --> 0:23:44.639
<v Speaker 1>say that. And okay, so I was being diplomatic because

0:23:44.640 --> 0:23:48.200
<v Speaker 1>the Loonies are literally connected, right, I could tell you

0:23:48.320 --> 0:23:50.400
<v Speaker 1>many layers of the story, Like the way they get

0:23:50.400 --> 0:23:53.800
<v Speaker 1>in the game is through people that I influenced. My guys,

0:23:53.920 --> 0:23:56.040
<v Speaker 1>all this stuff. We family, right, But I don't go

0:23:56.080 --> 0:23:57.760
<v Speaker 1>to route them and let's just go get these dudes.

0:23:57.760 --> 0:23:59.800
<v Speaker 1>And I'm not even thinking like that. I'm like, we

0:24:00.080 --> 0:24:02.919
<v Speaker 1>gonna do this the right way. Summer jam is coming up.

0:24:03.119 --> 0:24:04.960
<v Speaker 1>That's the show where everybody the bad is gonna be

0:24:05.000 --> 0:24:07.399
<v Speaker 1>in the crowd. The Loonies is on the show e

0:24:07.560 --> 0:24:09.639
<v Speaker 1>forty on the show. Ever, we're gonna step up in

0:24:09.680 --> 0:24:11.879
<v Speaker 1>front of the crowd, me and the Loonies and just

0:24:11.960 --> 0:24:14.560
<v Speaker 1>say to the crowd, ain't no beef between us. You

0:24:14.560 --> 0:24:17.000
<v Speaker 1>ain't gonna explain this song. Ain't got Just step up there.

0:24:17.000 --> 0:24:19.080
<v Speaker 1>If you say that in front of them, I'm too

0:24:19.320 --> 0:24:22.600
<v Speaker 1>who So I come to the show. They tell me,

0:24:23.000 --> 0:24:24.920
<v Speaker 1>you know, we can only give you four passes short,

0:24:24.920 --> 0:24:27.800
<v Speaker 1>but they gave me them a sticker sticker passes. I'm like,

0:24:28.000 --> 0:24:30.400
<v Speaker 1>I tell my guys we're good to go. I got

0:24:30.400 --> 0:24:33.600
<v Speaker 1>four stickers. So we go to the show. Four guys

0:24:33.680 --> 0:24:37.440
<v Speaker 1>go in. I send one guy out with four passes,

0:24:38.160 --> 0:24:41.439
<v Speaker 1>four more guys come in. One guy goes out with

0:24:41.480 --> 0:24:44.399
<v Speaker 1>four passes, four more guys come in. We do that

0:24:44.440 --> 0:24:48.240
<v Speaker 1>shit all day. Right, So the Loonies are on stage,

0:24:48.600 --> 0:24:51.359
<v Speaker 1>and I'm telling the k and El radio station people,

0:24:51.880 --> 0:24:53.959
<v Speaker 1>let's do this thing I got in mind. Let's do

0:24:54.000 --> 0:24:57.400
<v Speaker 1>it right. I'll hold up right here, let's go get

0:24:57.720 --> 0:25:01.080
<v Speaker 1>this is a person. Now the Loonies are stage. They

0:25:01.119 --> 0:25:03.560
<v Speaker 1>all missed the opportunity. So now we got all this

0:25:03.640 --> 0:25:09.360
<v Speaker 1>friction backstage. Uh long story shorts that not the loonies,

0:25:09.400 --> 0:25:13.959
<v Speaker 1>but their manager got roughed up a little bit. We

0:25:14.000 --> 0:25:16.000
<v Speaker 1>went out in the crowd watched the show. He was

0:25:16.040 --> 0:25:20.240
<v Speaker 1>a little upset, and I guess the presence of us

0:25:20.720 --> 0:25:25.159
<v Speaker 1>and the over exaggeration of what how we showed up

0:25:25.200 --> 0:25:28.960
<v Speaker 1>and what we did prompted them to end the show

0:25:29.880 --> 0:25:32.399
<v Speaker 1>before E forty could perform. Then they went to the

0:25:32.440 --> 0:25:38.040
<v Speaker 1>scandal of of Monday morning. Right, they get on the

0:25:38.119 --> 0:25:42.000
<v Speaker 1>radio and have a comedian somebody funny fake my voice

0:25:42.040 --> 0:25:44.439
<v Speaker 1>and pretend like I called the radio station and I

0:25:44.520 --> 0:25:47.040
<v Speaker 1>and the dude was like, it's just too short, man,

0:25:47.040 --> 0:25:48.439
<v Speaker 1>I don't Yeah, I don't care if your name was

0:25:48.480 --> 0:25:50.800
<v Speaker 1>E one hunted, you ain't getting no state if I'm like,

0:25:50.960 --> 0:25:53.760
<v Speaker 1>you know, I'm run this thing. And E forty called me.

0:25:53.840 --> 0:25:56.280
<v Speaker 1>He was he had that that that sort of anger

0:25:56.800 --> 0:25:59.520
<v Speaker 1>that was not like an angry voice. But Judy, He's like, hey, man,

0:26:00.200 --> 0:26:02.520
<v Speaker 1>was you on the radio this morning? And I'm like nah,

0:26:02.640 --> 0:26:04.840
<v Speaker 1>He's like so you wasn't you sure? He wouldn't you

0:26:04.840 --> 0:26:06.880
<v Speaker 1>didn't call it there? I'm like, what didn't mean? He's

0:26:06.920 --> 0:26:11.200
<v Speaker 1>like all right, hang a phone. And then however, circle

0:26:11.240 --> 0:26:13.560
<v Speaker 1>back and start coming out about the call and this

0:26:13.720 --> 0:26:15.800
<v Speaker 1>and that, and then E forty is a kind of guy.

0:26:15.800 --> 0:26:17.800
<v Speaker 1>He said, I talked to you and you said to

0:26:17.840 --> 0:26:21.000
<v Speaker 1>me man, and man, wasn't you. Didn't investigation wasn't me.

0:26:21.040 --> 0:26:24.920
<v Speaker 1>It was somebody funny and long story short, the radio

0:26:24.960 --> 0:26:27.720
<v Speaker 1>station was trying to make us enemies. They figured these

0:26:27.760 --> 0:26:30.800
<v Speaker 1>big dudes a little too short lao E forty and

0:26:30.840 --> 0:26:33.680
<v Speaker 1>them to click, you know, they gonna beat too short

0:26:33.720 --> 0:26:36.440
<v Speaker 1>up and too. You know. The pro the program director

0:26:36.480 --> 0:26:39.119
<v Speaker 1>was trying to check, was sending around fax machines, fax

0:26:39.280 --> 0:26:43.600
<v Speaker 1>faxes and emails like band too short. It was. It

0:26:43.640 --> 0:26:46.159
<v Speaker 1>was terrible. So E forty, who I give all the

0:26:46.160 --> 0:26:47.880
<v Speaker 1>credit too, was like, man, you know, we gotta turn

0:26:47.920 --> 0:26:50.240
<v Speaker 1>this negative into a positive. He really wanted to do

0:26:50.280 --> 0:26:52.200
<v Speaker 1>that show, right. They really tried to tell him it

0:26:52.280 --> 0:26:54.720
<v Speaker 1>was all my phone, and you know, they we need

0:26:54.720 --> 0:26:57.480
<v Speaker 1>to be enemies, but we had already had a friendship, right,

0:26:57.560 --> 0:26:59.960
<v Speaker 1>So we took all that and we made this song

0:27:00.160 --> 0:27:03.640
<v Speaker 1>called rappers Ball, which went platinum. It was our first

0:27:03.720 --> 0:27:06.600
<v Speaker 1>record we did together. We probably done dozens of songs together.

0:27:06.960 --> 0:27:10.520
<v Speaker 1>We did dozens of songs since then, and it was

0:27:10.560 --> 0:27:13.719
<v Speaker 1>almost like he could have took that bait and just

0:27:13.800 --> 0:27:15.800
<v Speaker 1>been like he if he would have said, yeah, okay, pun,

0:27:15.960 --> 0:27:18.040
<v Speaker 1>would I see you, then it would have just been

0:27:18.119 --> 0:27:22.000
<v Speaker 1>no turning back and just but he's he's he's a

0:27:22.640 --> 0:27:26.520
<v Speaker 1>he's a smart guy. Yes, and that was a great

0:27:26.520 --> 0:27:29.040
<v Speaker 1>decision because I probably shot on the other foot. I

0:27:29.080 --> 0:27:31.439
<v Speaker 1>don't know what my reaction would have been or yours.

0:27:31.440 --> 0:27:33.400
<v Speaker 1>It was a big day for him. He had spent

0:27:33.480 --> 0:27:35.000
<v Speaker 1>a lot of money out of his pocket to put

0:27:35.000 --> 0:27:38.200
<v Speaker 1>this big show on and they shut it down and said, well,

0:27:38.359 --> 0:27:41.359
<v Speaker 1>blame too short. And it was just you know, I

0:27:41.520 --> 0:27:44.160
<v Speaker 1>always look back at that and I'm like a radio

0:27:44.280 --> 0:27:48.399
<v Speaker 1>station tried to end my career, tried to pit me

0:27:48.440 --> 0:27:54.160
<v Speaker 1>against my number one ally and all that backfire because

0:27:54.200 --> 0:27:57.400
<v Speaker 1>we like we our music is from us to the streets, right,

0:27:57.880 --> 0:28:01.199
<v Speaker 1>and you're gonna put a commercial middleman in there, Like

0:28:01.320 --> 0:28:03.720
<v Speaker 1>I'm ana alter this and I can I can end

0:28:03.760 --> 0:28:06.280
<v Speaker 1>your career with a fact machine. No you can't. So

0:28:06.880 --> 0:28:10.640
<v Speaker 1>now that you mentioned that this transition, is that what's

0:28:10.680 --> 0:28:13.960
<v Speaker 1>happening Because we see a lot of beasts and maybe

0:28:13.960 --> 0:28:17.760
<v Speaker 1>the beef is manufactured, maybe it's real because a lot

0:28:17.760 --> 0:28:20.760
<v Speaker 1>of these. You know, you rap about the proximity of

0:28:20.880 --> 0:28:22.800
<v Speaker 1>where you grew up, You talk about what you see,

0:28:22.840 --> 0:28:26.359
<v Speaker 1>what you've experienced, and because you've experienced doesn't make his

0:28:26.480 --> 0:28:29.919
<v Speaker 1>experience any less or her experience any less. Is that

0:28:29.920 --> 0:28:32.080
<v Speaker 1>what we're getting at? Because, like you said, or he

0:28:32.119 --> 0:28:34.639
<v Speaker 1>could have been a totally different way, but he called

0:28:34.640 --> 0:28:37.000
<v Speaker 1>you and stuff like a man, He's like, Okay, I'm

0:28:37.000 --> 0:28:41.000
<v Speaker 1>gonna do my due diligence. Too short said it wasn't him.

0:28:41.040 --> 0:28:43.040
<v Speaker 1>I'm gonna do my due diligence. Get to the bottom

0:28:43.080 --> 0:28:45.760
<v Speaker 1>of it, as opposed is just capping off and then

0:28:46.000 --> 0:28:48.640
<v Speaker 1>ain't no turning back from that. Yeah, a lot of

0:28:48.720 --> 0:28:52.640
<v Speaker 1>situations that we see happening now, where we got injuries,

0:28:52.760 --> 0:28:55.920
<v Speaker 1>loss of life could have been handled by a phone

0:28:55.960 --> 0:28:59.400
<v Speaker 1>call from man, from one man to another man, and

0:28:59.560 --> 0:29:03.600
<v Speaker 1>just what was it? Because clickbait is playing a part.

0:29:04.400 --> 0:29:09.200
<v Speaker 1>UH rappers are using the clickbait to get popular. It's

0:29:09.240 --> 0:29:12.240
<v Speaker 1>the most It's one of the easiest ways to get

0:29:12.240 --> 0:29:16.160
<v Speaker 1>free publicity, right is to pick a guy you got

0:29:16.160 --> 0:29:18.480
<v Speaker 1>to play the same position as you and you got

0:29:18.480 --> 0:29:22.240
<v Speaker 1>You didn't we didn't have social media to cause so, uh,

0:29:22.360 --> 0:29:24.280
<v Speaker 1>the week before the game, you just start hitting me.

0:29:25.280 --> 0:29:30.240
<v Speaker 1>It's sorry week getting with the personal your ex girlfriend.

0:29:30.440 --> 0:29:33.160
<v Speaker 1>Yeah that he's hot when he see you, right, but

0:29:33.280 --> 0:29:35.640
<v Speaker 1>this is a different kind of hot. They sitting there saying,

0:29:36.400 --> 0:29:39.000
<v Speaker 1>you know street stuff, right, and then you got this

0:29:39.080 --> 0:29:41.320
<v Speaker 1>whole ego thing. You gotta live up to it, right,

0:29:41.840 --> 0:29:46.800
<v Speaker 1>And it's it's so bad man. Where you know social

0:29:46.840 --> 0:29:49.960
<v Speaker 1>media and playing with these streets and this music. You

0:29:49.960 --> 0:29:52.640
<v Speaker 1>you get like you got albums out in videos and

0:29:52.720 --> 0:29:55.000
<v Speaker 1>your face is popular. But you're gonna send out a

0:29:55.040 --> 0:29:58.640
<v Speaker 1>message on social media saying I'm on such and such street.

0:29:59.360 --> 0:30:01.760
<v Speaker 1>If you and your whole crew and they pull up

0:30:01.760 --> 0:30:04.080
<v Speaker 1>in five minutes and shoot you, you just told him

0:30:04.080 --> 0:30:06.480
<v Speaker 1>for you. It was at like, it's really it's really

0:30:07.120 --> 0:30:11.240
<v Speaker 1>crazy than me because I know what my guys did

0:30:11.240 --> 0:30:13.560
<v Speaker 1>when I was coming up. I didn't do what they did, right,

0:30:14.400 --> 0:30:16.560
<v Speaker 1>They protected me from that. Right when they did what

0:30:16.600 --> 0:30:19.320
<v Speaker 1>they did, they said, then you probably want to go

0:30:19.800 --> 0:30:21.840
<v Speaker 1>because something about to happen. And they would even tell

0:30:21.920 --> 0:30:24.160
<v Speaker 1>somebody may get short up out of here and things

0:30:24.200 --> 0:30:26.560
<v Speaker 1>would happen. They would not say, come with us, we're

0:30:26.600 --> 0:30:28.640
<v Speaker 1>about to go do this, right, or come staying on

0:30:28.640 --> 0:30:30.400
<v Speaker 1>the corner while we do this. They wouldn't say that.

0:30:30.880 --> 0:30:32.840
<v Speaker 1>They would literally say stay away from what we do

0:30:32.840 --> 0:30:35.120
<v Speaker 1>because we need you to be you. We can't get

0:30:35.200 --> 0:30:37.320
<v Speaker 1>in places that you get into if we don't have

0:30:37.480 --> 0:30:39.760
<v Speaker 1>you right who you were at God for that, We

0:30:39.840 --> 0:30:42.000
<v Speaker 1>got a God for this other stuff. And I think

0:30:42.040 --> 0:30:49.080
<v Speaker 1>that if a rapper is promoting beef in these days

0:30:49.680 --> 0:30:53.720
<v Speaker 1>with the social media, you got a crew of thirty

0:30:53.800 --> 0:30:56.440
<v Speaker 1>forty people, it's only one popular face in your crew,

0:30:56.640 --> 0:31:00.560
<v Speaker 1>right as you. So your guys do this and y'alla

0:31:00.600 --> 0:31:03.760
<v Speaker 1>insited some stuff and then you provoking it with your song.

0:31:04.640 --> 0:31:07.160
<v Speaker 1>When they see y'all around the town, they only know

0:31:07.200 --> 0:31:09.760
<v Speaker 1>what a face you. And that's why I think personally

0:31:09.920 --> 0:31:12.640
<v Speaker 1>I think we're losing a lot of rappers is because

0:31:14.080 --> 0:31:16.560
<v Speaker 1>you know, chop it off at the head man. That's

0:31:16.560 --> 0:31:18.600
<v Speaker 1>the bread and butter. When you when you gun down

0:31:18.640 --> 0:31:23.680
<v Speaker 1>the rapper, you just gunned down five other employees income, right,

0:31:23.960 --> 0:31:28.240
<v Speaker 1>You just gunned down school kids clothes. You know what

0:31:28.240 --> 0:31:32.400
<v Speaker 1>I'm saying. Christmas a birthday, dope birthday that was gonna happen,

0:31:32.440 --> 0:31:35.080
<v Speaker 1>you gunned down it. And same thing with jail when

0:31:35.120 --> 0:31:37.000
<v Speaker 1>the rapper do so much dirt with his homies and

0:31:37.040 --> 0:31:38.680
<v Speaker 1>he ended up catching the case and going to jail.

0:31:39.120 --> 0:31:43.320
<v Speaker 1>You locked up the income. You feel me. So I

0:31:43.360 --> 0:31:45.240
<v Speaker 1>think that we're not looking at the big picture. When

0:31:45.240 --> 0:31:46.760
<v Speaker 1>I say we, I'm talking about us in the hip

0:31:46.840 --> 0:31:51.320
<v Speaker 1>hop industry of the trinkle down, the economic trinkle down

0:31:51.760 --> 0:31:56.320
<v Speaker 1>of rappers murdered and going to jail like you. Like, man,

0:31:56.400 --> 0:32:00.560
<v Speaker 1>you got a rapper that's making fifty grand, am a weekend,

0:32:00.600 --> 0:32:03.000
<v Speaker 1>not a month, right, a weekend? Every weekend. You go

0:32:03.000 --> 0:32:05.480
<v Speaker 1>out to make fifty grand. That money go to the

0:32:05.520 --> 0:32:08.720
<v Speaker 1>crew we shared. We you know, you're my role manager.

0:32:08.960 --> 0:32:11.720
<v Speaker 1>You know what I'm saying. You're my hype man, You're

0:32:11.760 --> 0:32:15.320
<v Speaker 1>my DJ. We were from nothing, right, and all that

0:32:15.400 --> 0:32:18.040
<v Speaker 1>stops while you go do six months a year, three

0:32:18.120 --> 0:32:21.920
<v Speaker 1>years untail. All that stops. So I'm like, we ain't

0:32:21.920 --> 0:32:24.880
<v Speaker 1>thinking about the big picture. You lead the bay and

0:32:24.960 --> 0:32:26.520
<v Speaker 1>you go to the A. I don't know if a

0:32:26.520 --> 0:32:29.640
<v Speaker 1>lot of people knew this that Atlanta has been your

0:32:29.680 --> 0:32:33.880
<v Speaker 1>home for two decades. Yeah, I mean I would I

0:32:33.880 --> 0:32:36.040
<v Speaker 1>stayed in Atlanta fifteen years. Okay, I'm back on the

0:32:36.040 --> 0:32:40.320
<v Speaker 1>West Nat. I can't so in the nineties, mid nineties,

0:32:40.520 --> 0:32:43.280
<v Speaker 1>I'm from ninety three to two thousand and eight, Okay, Yeah,

0:32:43.440 --> 0:32:45.480
<v Speaker 1>you know your boy was there. That's the boy was there.

0:32:45.560 --> 0:32:47.440
<v Speaker 1>I'm telling you. So you know all about one twelve.

0:32:47.800 --> 0:32:50.560
<v Speaker 1>You know about diamonds and Pearls. I know the Gold Club.

0:32:50.760 --> 0:32:53.560
<v Speaker 1>I know everything. Okay, I know it was diamonds and pearls.

0:32:53.760 --> 0:32:56.200
<v Speaker 1>And one twelve was at the other location. Yeah, and

0:32:56.200 --> 0:32:59.480
<v Speaker 1>then one twelve one, Yeah, this is gonna Kroger. Yeah,

0:32:59.480 --> 0:33:02.520
<v Speaker 1>that's what I'm well, David Justicson, not David just with

0:33:02.640 --> 0:33:05.120
<v Speaker 1>the uh, Andre Rosen and left. I was in there

0:33:05.480 --> 0:33:08.800
<v Speaker 1>wailing out in the grocery store Atlanta Live. Yeah, go

0:33:08.920 --> 0:33:13.280
<v Speaker 1>down the stairs. Uh. And then one twelve moved to

0:33:13.400 --> 0:33:16.560
<v Speaker 1>the old Diamonds in prol location, Chu Ridge, Thank you.

0:33:16.640 --> 0:33:18.640
<v Speaker 1>So I know all that, man, I know a lot.

0:33:18.680 --> 0:33:20.800
<v Speaker 1>I know the you know the original Magic City. I

0:33:20.920 --> 0:33:23.120
<v Speaker 1>really be bad for. I'm the guy in Blue Flag.

0:33:23.440 --> 0:33:25.800
<v Speaker 1>It's broke us. Oh you name all of them spots.

0:33:25.840 --> 0:33:29.760
<v Speaker 1>I'm the guy when the club closed. I'm in there

0:33:29.960 --> 0:33:32.400
<v Speaker 1>hanging out. I'm he put the tables the chairs on

0:33:32.440 --> 0:33:35.400
<v Speaker 1>the table, right, I'm in there. I'm in the Uh.

0:33:35.440 --> 0:33:37.760
<v Speaker 1>I'm down there with the house mom. Right while all

0:33:37.840 --> 0:33:40.360
<v Speaker 1>the girls is changing in their regular clothes. They don't

0:33:40.440 --> 0:33:42.040
<v Speaker 1>let nobody down there I'm not in that kigging in.

0:33:42.360 --> 0:33:45.239
<v Speaker 1>I got some wings. You've been to the Clairemont, who

0:33:45.320 --> 0:33:50.680
<v Speaker 1>haven't you everywhere eat breakfast? See people don't know about it.

0:33:51.520 --> 0:33:53.520
<v Speaker 1>I'll leave it. You leave it because you know what

0:33:53.600 --> 0:33:56.240
<v Speaker 1>goes on to the claire Box. Come on, I know everything.

0:33:56.280 --> 0:33:59.200
<v Speaker 1>But y'all, I can tell you a lot about that

0:33:59.200 --> 0:34:02.160
<v Speaker 1>that atl When I got to hl it was ninety three.

0:34:02.720 --> 0:34:07.560
<v Speaker 1>I went to the freak Nick April ninety three. I

0:34:07.720 --> 0:34:12.160
<v Speaker 1>heard about the freak Nick. That Fricknick happened in ninety one.

0:34:12.680 --> 0:34:14.879
<v Speaker 1>It was a pig nick. It happened in ninety two.

0:34:14.920 --> 0:34:17.440
<v Speaker 1>Pe My Park sold the whole park out and they

0:34:17.560 --> 0:34:19.400
<v Speaker 1>was like, man, this freak Nick. I heard about it.

0:34:19.960 --> 0:34:22.439
<v Speaker 1>So me and a whole bunch of people heard about

0:34:22.480 --> 0:34:26.480
<v Speaker 1>it and we freak Nick probably went from twenty thousand

0:34:26.520 --> 0:34:29.480
<v Speaker 1>people to four hundred thousand in a year. Yeah, I

0:34:29.600 --> 0:34:32.040
<v Speaker 1>was there. I moved to Atlanta because of freak Nick.

0:34:33.000 --> 0:34:35.760
<v Speaker 1>That's my story. At the time, I was living in Savannah.

0:34:35.760 --> 0:34:37.200
<v Speaker 1>I had went back to so I had went back

0:34:37.239 --> 0:34:39.600
<v Speaker 1>finished in my school by schooling. But I was living

0:34:39.640 --> 0:34:41.600
<v Speaker 1>in Savannah in the off season, and I called my

0:34:41.640 --> 0:34:43.880
<v Speaker 1>brother Na. I kept hearing people talking about it. I said, well,

0:34:43.880 --> 0:34:45.640
<v Speaker 1>I'm gonna go to the Freak I go to Freak Nick.

0:34:45.920 --> 0:34:48.080
<v Speaker 1>I called my brother Abro. They got this thing called

0:34:48.080 --> 0:34:50.360
<v Speaker 1>freak Nick going off in Atlanta. He like win in it.

0:34:50.960 --> 0:34:52.879
<v Speaker 1>I said, such a sucking You're like, okay, I'll meet

0:34:52.920 --> 0:34:56.480
<v Speaker 1>you there. Freak Nick ninety three was life changing the wounds.

0:34:56.560 --> 0:34:58.799
<v Speaker 1>It was a month. It was life change. We we

0:34:58.880 --> 0:35:02.280
<v Speaker 1>got wind of it right. We about probably like fifteen

0:35:02.360 --> 0:35:05.240
<v Speaker 1>dudes from Oakland, like some baller little baller crew. Yeah,

0:35:05.239 --> 0:35:07.880
<v Speaker 1>you went out there. We we checked into a little hotel.

0:35:07.960 --> 0:35:11.120
<v Speaker 1>It was like a bunch of Detroit dudes, Miami some

0:35:11.120 --> 0:35:13.560
<v Speaker 1>some uh some Cleveland dudes and we kind of all

0:35:13.600 --> 0:35:15.680
<v Speaker 1>clicked up and our hotel was like a like a

0:35:15.760 --> 0:35:20.279
<v Speaker 1>crew and Freak Nick ninety three. I went for the

0:35:20.320 --> 0:35:24.399
<v Speaker 1>weekend that mind you. I'm born April twenty eight. Freak

0:35:24.520 --> 0:35:29.160
<v Speaker 1>Nigga is my birthday. Oh that's the weekend my birthdays.

0:35:29.320 --> 0:35:33.120
<v Speaker 1>It's freak Nick. I check in the hotel three nights.

0:35:34.040 --> 0:35:38.640
<v Speaker 1>I check out probably like three weeks later. And one

0:35:38.680 --> 0:35:41.759
<v Speaker 1>of my homies from Oakland had moved to Atlanta, and

0:35:41.800 --> 0:35:43.360
<v Speaker 1>he was like, man, what't you buy? What you gonna do?

0:35:43.400 --> 0:35:44.560
<v Speaker 1>What you like, what you're doing in life. I'm like,

0:35:44.560 --> 0:35:46.319
<v Speaker 1>I'm about to get me a little crib in the town.

0:35:46.440 --> 0:35:49.279
<v Speaker 1>Probably probably spent about a half meal up on the hill,

0:35:49.360 --> 0:35:51.600
<v Speaker 1>little on the little private roads or something. He was like,

0:35:51.600 --> 0:35:54.239
<v Speaker 1>you're gonna spend five hundred thousand in Oakland. He'd let

0:35:54.239 --> 0:35:56.080
<v Speaker 1>me show you what you're getting in Atlantic for five hundred.

0:35:56.280 --> 0:35:59.080
<v Speaker 1>We rode around looking at houses. He's showing me these

0:35:59.320 --> 0:36:03.040
<v Speaker 1>big hole I was just for like three fifty. I'm like, what,

0:36:03.320 --> 0:36:07.279
<v Speaker 1>so it was? It was planted. Yes, I went home.

0:36:07.800 --> 0:36:10.960
<v Speaker 1>I get home. Ain't nothing but drive bys and shootings

0:36:11.000 --> 0:36:14.800
<v Speaker 1>and violence. And I mean seriously, man, At the time,

0:36:16.040 --> 0:36:19.040
<v Speaker 1>friends of mine had split up into a street war.

0:36:19.800 --> 0:36:23.160
<v Speaker 1>So friends went a small town Oakland's four hundred thousand populations.

0:36:23.600 --> 0:36:26.880
<v Speaker 1>We got a small crew of homies that are now enemies.

0:36:27.920 --> 0:36:31.919
<v Speaker 1>And it's really hard in that situation to determine what's

0:36:31.960 --> 0:36:36.120
<v Speaker 1>coming your way, right because who's who's who picked up side.

0:36:36.120 --> 0:36:38.320
<v Speaker 1>I don't know who's who's friends who's mad at me

0:36:38.320 --> 0:36:40.400
<v Speaker 1>because I hang out with them Like it's it was

0:36:40.440 --> 0:36:45.759
<v Speaker 1>really weird. And I'm going to Atlanta taking a little

0:36:45.840 --> 0:36:49.200
<v Speaker 1>trips and I just was like, man, I'm about to

0:36:49.200 --> 0:36:51.120
<v Speaker 1>buy me a house out here. I went to the

0:36:51.200 --> 0:36:54.359
<v Speaker 1>Jack the Rapper, which is in August, four or five

0:36:54.400 --> 0:36:57.600
<v Speaker 1>months after Freak Nick. I didn't tell nobody nothing. We

0:36:57.640 --> 0:37:01.400
<v Speaker 1>had Jack the Rapper. It's tupodts snooped, it's people everywhere,

0:37:01.400 --> 0:37:04.040
<v Speaker 1>it's it's it's not Freak Nig, but it's still it's

0:37:04.040 --> 0:37:07.160
<v Speaker 1>still an eight. Yeah. Oh absolutely, I just got I

0:37:07.160 --> 0:37:09.040
<v Speaker 1>had a little rented car. I just drove over to

0:37:09.160 --> 0:37:13.120
<v Speaker 1>Southwest Atlanta by myself and bought a house and then

0:37:13.160 --> 0:37:15.200
<v Speaker 1>went back to the convention like I didn't even do it.

0:37:15.880 --> 0:37:17.640
<v Speaker 1>And by the end of the year the house was ready.

0:37:17.719 --> 0:37:21.000
<v Speaker 1>I moved out. The rest is history, you know, as

0:37:21.080 --> 0:37:24.360
<v Speaker 1>I happened. Atlanta was a hit town too. It wasn't

0:37:24.400 --> 0:37:26.919
<v Speaker 1>it was nothing like it was cause I got there.

0:37:27.040 --> 0:37:29.000
<v Speaker 1>I went to Freak Nig like you. I went to

0:37:29.000 --> 0:37:31.120
<v Speaker 1>the Freak Nigg the first time at ninety two, went

0:37:31.160 --> 0:37:34.120
<v Speaker 1>back in ninety three. I called my agent that was

0:37:34.160 --> 0:37:38.160
<v Speaker 1>our Friday, Saturday, Sunday start breaking down waiting out Sunday.

0:37:38.280 --> 0:37:44.000
<v Speaker 1>I called my agent Monday I moved to Atlanta. He's like, okay,

0:37:44.040 --> 0:37:45.440
<v Speaker 1>we got this kind of you got this k this

0:37:45.600 --> 0:37:47.399
<v Speaker 1>much money to get a house. I said, I don't

0:37:47.400 --> 0:37:49.640
<v Speaker 1>care what nobody in Atlanta at that time. It was

0:37:49.680 --> 0:37:54.200
<v Speaker 1>Bobby Brown. It was I'm trying to think who was

0:37:54.280 --> 0:37:57.560
<v Speaker 1>there and that was that was like really like kicking

0:37:57.640 --> 0:38:00.200
<v Speaker 1>up some dust. I remember my boy Eric Sermon got

0:38:00.200 --> 0:38:01.960
<v Speaker 1>there kind of early. Yeah, well, I mean you had

0:38:02.040 --> 0:38:04.560
<v Speaker 1>like I think La, I think baby Face. I'm saying

0:38:05.520 --> 0:38:08.680
<v Speaker 1>that that was the gang. Yeah, but but no, but

0:38:08.760 --> 0:38:11.279
<v Speaker 1>like you said, Bobby Brown was really the only like

0:38:11.520 --> 0:38:14.759
<v Speaker 1>celebrity lay up that was there. Because I got there

0:38:14.800 --> 0:38:16.880
<v Speaker 1>and I watched a little bit, and I've seen Bobby

0:38:16.880 --> 0:38:19.440
<v Speaker 1>Brown having so much fun. I was like, I'm about

0:38:19.440 --> 0:38:21.839
<v Speaker 1>to do what he's doing because he's having too much fun.

0:38:22.400 --> 0:38:24.719
<v Speaker 1>And that's when the clubs stayed over long. I probably

0:38:24.760 --> 0:38:26.759
<v Speaker 1>stayed over feel seven o'clock in the moment, Yeah, yeah,

0:38:26.760 --> 0:38:28.680
<v Speaker 1>I probably. I probably. I got there and at the

0:38:28.719 --> 0:38:31.800
<v Speaker 1>end of ninety three, and at that point in time,

0:38:31.920 --> 0:38:36.840
<v Speaker 1>I had a platinum Albam at eighty nine, ninety ninety

0:38:37.200 --> 0:38:39.680
<v Speaker 1>ninety two, ninety three, I had four platinum albums when

0:38:39.719 --> 0:38:42.440
<v Speaker 1>I got there, right, I show up, I got my

0:38:42.520 --> 0:38:46.040
<v Speaker 1>little car, I got like twenty inch rims. They're like,

0:38:46.080 --> 0:38:50.600
<v Speaker 1>what are those flying saucers? What is that you know.

0:38:50.640 --> 0:38:54.960
<v Speaker 1>I was like Michael Jackson, that's when you when somebody

0:38:54.960 --> 0:38:59.040
<v Speaker 1>got maybe from California, you know, Michael Jackson. Of course

0:38:59.080 --> 0:39:02.439
<v Speaker 1>I know, Mike when you talk about it, like, man,

0:39:02.520 --> 0:39:05.560
<v Speaker 1>I used to be a magic city. I I never

0:39:05.600 --> 0:39:06.960
<v Speaker 1>really tell a story. I used to be a maggic

0:39:07.040 --> 0:39:12.160
<v Speaker 1>city and I had I had an endless supply of

0:39:12.200 --> 0:39:17.360
<v Speaker 1>the really good California weed. And literally, people like you

0:39:18.040 --> 0:39:20.319
<v Speaker 1>you want to tell some chick Uh, yeah, girl, I'm

0:39:20.320 --> 0:39:21.840
<v Speaker 1>trying to kick with you what I gotta do. I

0:39:21.960 --> 0:39:27.560
<v Speaker 1>was open that bag, like what is that? Like, that's dad,

0:39:27.840 --> 0:39:31.759
<v Speaker 1>Cali baby? Like I was having so much fun in

0:39:31.880 --> 0:39:35.839
<v Speaker 1>ninety three. But Atlanta, uh, the Atlanta that we know now,

0:39:36.040 --> 0:39:38.759
<v Speaker 1>I was. I'm proud that I was there to see it.

0:39:39.120 --> 0:39:43.600
<v Speaker 1>Born Young, Dallas Austin, Young, Jermaine Dupree, Young, lit Face Records,

0:39:44.200 --> 0:39:48.240
<v Speaker 1>Outcast came out of all that. Yeah got the Tis

0:39:48.320 --> 0:39:52.640
<v Speaker 1>now you got. The Olympics came and then they started

0:39:52.719 --> 0:39:55.920
<v Speaker 1>building up Atlanta with the Olympic money. And when the

0:39:55.920 --> 0:39:58.919
<v Speaker 1>Olympics left, Atlanta was a nice city. Yes, it was nice.

0:39:58.960 --> 0:40:02.440
<v Speaker 1>And from that point on the music industry was establishing

0:40:02.480 --> 0:40:06.040
<v Speaker 1>itself and it turned into a whole new Atlanta to

0:40:06.080 --> 0:40:08.600
<v Speaker 1>Atlanta it is now. I just it doesn't make you

0:40:08.680 --> 0:40:10.680
<v Speaker 1>proud when you go out there and you see the

0:40:10.920 --> 0:40:14.720
<v Speaker 1>entrepreneurs and you see the dream, you see the firing

0:40:14.800 --> 0:40:17.200
<v Speaker 1>people try trying to make it, yes, trying to make it.

0:40:17.239 --> 0:40:19.640
<v Speaker 1>Like everybody ain't making it, but they be trying to

0:40:19.719 --> 0:40:22.480
<v Speaker 1>make it. That's like that to me. It's so important

0:40:22.520 --> 0:40:25.640
<v Speaker 1>that you try, because people have dreams and they sit

0:40:25.719 --> 0:40:28.160
<v Speaker 1>around and they think of stuff, but they don't try it.

0:40:28.680 --> 0:40:31.799
<v Speaker 1>You said something very interesting early. You said that you

0:40:32.000 --> 0:40:34.279
<v Speaker 1>left the bay because there are some things going on.

0:40:34.760 --> 0:40:38.200
<v Speaker 1>Do you feel that rappers have to leave their hometown,

0:40:38.360 --> 0:40:41.040
<v Speaker 1>have to leave where they grew up from in order

0:40:41.080 --> 0:40:44.840
<v Speaker 1>to get away because everybody is not happy. Too short

0:40:45.480 --> 0:40:48.359
<v Speaker 1>is what he became. They like too short. When too

0:40:48.400 --> 0:40:51.640
<v Speaker 1>short was the same level we drank it were hanging out.

0:40:51.800 --> 0:40:53.439
<v Speaker 1>He ain't got no more than I got. I ain't

0:40:53.480 --> 0:40:55.879
<v Speaker 1>got no more than he got. Too short, My dog

0:40:56.120 --> 0:40:58.640
<v Speaker 1>hold on too short, got more than I got. They're

0:40:58.640 --> 0:41:01.800
<v Speaker 1>too short, got three calls man too short. They bump

0:41:01.840 --> 0:41:05.360
<v Speaker 1>in too short stuff. So in my case, it was

0:41:05.480 --> 0:41:07.360
<v Speaker 1>it was a lot of violence, And I think that

0:41:07.400 --> 0:41:10.640
<v Speaker 1>if you're close to that, you probably should separate yourself

0:41:10.640 --> 0:41:13.520
<v Speaker 1>from it, because anybody that's into that, that's closer, you

0:41:13.520 --> 0:41:16.040
<v Speaker 1>shouldn't want you to be there. If you're a ball player,

0:41:16.440 --> 0:41:19.200
<v Speaker 1>if you would, entertainer, whatever it is, help that person.

0:41:21.000 --> 0:41:22.360
<v Speaker 1>Help people make it out when you see, when you

0:41:22.360 --> 0:41:28.799
<v Speaker 1>see it, got a chance. So I think that in

0:41:28.920 --> 0:41:33.399
<v Speaker 1>certain situations, like I noticed long after I moved, long

0:41:33.520 --> 0:41:39.160
<v Speaker 1>before I moved, that in the daytime, shine a little bit,

0:41:39.360 --> 0:41:41.920
<v Speaker 1>come by and say hi, what's up? You know, But

0:41:42.000 --> 0:41:45.040
<v Speaker 1>at night it's somebody that saw you earlier that day

0:41:45.080 --> 0:41:48.320
<v Speaker 1>it was like f him and they might see you

0:41:48.400 --> 0:41:50.120
<v Speaker 1>at the gas station of the store and just act

0:41:50.160 --> 0:41:53.640
<v Speaker 1>on that. So I used to have like my my,

0:41:55.360 --> 0:41:59.120
<v Speaker 1>you know, different uniforms. Yeah, my uniform for hanging out

0:41:59.160 --> 0:42:02.000
<v Speaker 1>at night was be I look at everybody else, I'm like, okay,

0:42:02.000 --> 0:42:04.600
<v Speaker 1>put on some black jeans, put on a little black hoodie,

0:42:04.640 --> 0:42:07.719
<v Speaker 1>maybe a little raider hoodie or something, and uh, you know,

0:42:07.840 --> 0:42:12.279
<v Speaker 1>don't put the fly something cool and just come out

0:42:12.280 --> 0:42:14.360
<v Speaker 1>there and zip it up. You know what I'm saying.

0:42:15.040 --> 0:42:19.320
<v Speaker 1>I literally stand out. Literally. I wouldn't bought me a

0:42:19.480 --> 0:42:23.160
<v Speaker 1>nineteen seventy three Camaro Gotta. I wouldn't took it to

0:42:23.200 --> 0:42:25.959
<v Speaker 1>the cheapest paint shop. Gotta the cheap paint paint job

0:42:26.320 --> 0:42:28.680
<v Speaker 1>where if the if the little green chip, it'll be

0:42:28.719 --> 0:42:31.200
<v Speaker 1>blue underneath, right, you know what I'm saying, And put

0:42:31.200 --> 0:42:35.440
<v Speaker 1>some hub caps on it and have my little music inside.

0:42:35.480 --> 0:42:38.600
<v Speaker 1>I had a brand new engine, right, it was reliable, right,

0:42:38.760 --> 0:42:41.120
<v Speaker 1>but I would drive that at night. And when you

0:42:41.120 --> 0:42:43.640
<v Speaker 1>pull up cash just me like all that short. You know,

0:42:43.719 --> 0:42:48.560
<v Speaker 1>you ain't really pulling up with five chains on and

0:42:48.560 --> 0:42:51.080
<v Speaker 1>and jumping out acting like you the man, and it

0:42:51.160 --> 0:42:53.839
<v Speaker 1>just irritates people a little bit a show off. So

0:42:53.920 --> 0:42:56.719
<v Speaker 1>what I'm saying is, in certain situations, you don't got

0:42:56.800 --> 0:43:00.080
<v Speaker 1>a leader hood. Just understand that. You rub it and

0:43:00.120 --> 0:43:03.680
<v Speaker 1>then folks face right, all that social media posting saying

0:43:03.880 --> 0:43:06.279
<v Speaker 1>you got way more than everybody else. Somebody don't like

0:43:06.400 --> 0:43:08.760
<v Speaker 1>that man, right, And it might be somebody that normally

0:43:08.800 --> 0:43:11.040
<v Speaker 1>wouldn't even be mad at you, but you're making them mad. Right.

0:43:11.120 --> 0:43:12.920
<v Speaker 1>And then you come around and you're showing up and

0:43:12.960 --> 0:43:16.239
<v Speaker 1>you're jumping out, and you ain't really sharing because it

0:43:16.239 --> 0:43:20.800
<v Speaker 1>ain't your obligation to necessarily share, right, So you're irritating somebody.

0:43:20.840 --> 0:43:23.319
<v Speaker 1>You might get a jealous a jealous reaction. So I

0:43:23.360 --> 0:43:27.160
<v Speaker 1>think Smart's the thing you do. Man, You be smart.

0:43:27.200 --> 0:43:29.160
<v Speaker 1>You be smart how you move and if you gotta

0:43:29.239 --> 0:43:32.120
<v Speaker 1>move out if you don't have that respect from like

0:43:32.280 --> 0:43:34.920
<v Speaker 1>guys who fight good and guys who are very violent,

0:43:35.400 --> 0:43:39.040
<v Speaker 1>don't come around them after you make it. And you

0:43:39.160 --> 0:43:43.040
<v Speaker 1>know somebody been you know flight way bully situation, or

0:43:43.320 --> 0:43:45.840
<v Speaker 1>it's a dude that like it's in the hood. Is

0:43:45.920 --> 0:43:48.799
<v Speaker 1>dudes like this. You gotta respect. All these dudes gonna

0:43:48.800 --> 0:43:51.400
<v Speaker 1>respect you. But it's just one dude that none of

0:43:51.440 --> 0:43:53.920
<v Speaker 1>them is gonna miss with if he go bad on you.

0:43:54.760 --> 0:43:58.279
<v Speaker 1>Oh man, Debo, don't win bad on you. Everybody who

0:43:58.320 --> 0:44:00.640
<v Speaker 1>will protect you now that ain't pect Like do you stop?

0:44:01.320 --> 0:44:05.160
<v Speaker 1>Can't that DEEPO? So you know, right, So it's all

0:44:05.160 --> 0:44:08.719
<v Speaker 1>these situations that you gotta navigate through. DEEPO. Might not

0:44:08.760 --> 0:44:10.279
<v Speaker 1>be the guy who want a job. He don't want

0:44:10.280 --> 0:44:11.920
<v Speaker 1>to be your bodyguard. They don't want nothing from you.

0:44:11.960 --> 0:44:13.600
<v Speaker 1>He just you just don't like you could do a

0:44:13.680 --> 0:44:17.440
<v Speaker 1>punk showing off right and you in it. Right, So

0:44:17.880 --> 0:44:20.400
<v Speaker 1>you gotta be smart man. Right. You were in the

0:44:20.520 --> 0:44:25.440
<v Speaker 1>nineties in Atlanta. In the nineties, Tupac was also in Atlanta.

0:44:25.560 --> 0:44:27.839
<v Speaker 1>He was there, he was in joy, he was early,

0:44:27.960 --> 0:44:30.759
<v Speaker 1>he was the early one again. Yeah, yeah, so and

0:44:30.800 --> 0:44:33.480
<v Speaker 1>you also in the studio with Biggie. What was what

0:44:33.560 --> 0:44:35.400
<v Speaker 1>was it like? What was it? I mean because I

0:44:35.440 --> 0:44:38.040
<v Speaker 1>talked to Snoop and Snoop what was what was Park

0:44:38.200 --> 0:44:40.280
<v Speaker 1>really like? What was it like? With it being around

0:44:40.360 --> 0:44:45.320
<v Speaker 1>him in the studio? You know that you notice instantly

0:44:46.000 --> 0:44:49.240
<v Speaker 1>that Biggie and Park both You notice instantly like these

0:44:49.280 --> 0:44:53.000
<v Speaker 1>guys are not in the same universe as me because

0:44:54.160 --> 0:44:58.440
<v Speaker 1>the way they the way that their method of recording

0:44:59.200 --> 0:45:05.600
<v Speaker 1>is truly unbelievable. Biggie, no pain, no paper. That didn't

0:45:05.680 --> 0:45:08.799
<v Speaker 1>seem like you know, the one time I was around

0:45:08.840 --> 0:45:13.440
<v Speaker 1>and when he wrote a classic rhyme, which was the

0:45:13.480 --> 0:45:16.680
<v Speaker 1>world is field when the Rimmy's in my system, ain't

0:45:16.680 --> 0:45:21.520
<v Speaker 1>no telling, you know what I'm saying. Classic. We were

0:45:21.600 --> 0:45:25.560
<v Speaker 1>in the room and it was drink, it was smoking,

0:45:25.840 --> 0:45:29.400
<v Speaker 1>it was girls, it was loud, it was storytelling, it

0:45:29.480 --> 0:45:33.000
<v Speaker 1>was jokes. It was just a lot of distractions. So

0:45:33.000 --> 0:45:37.000
<v Speaker 1>we're working on the song. Puffy got the first verse.

0:45:37.640 --> 0:45:40.720
<v Speaker 1>Carl Thomas is on the hook. Beat is already done.

0:45:41.520 --> 0:45:43.880
<v Speaker 1>Carl Thomas and Puffy already area they Puffy is playing it,

0:45:44.239 --> 0:45:47.160
<v Speaker 1>doing his dance thing, and it's you know it was puffs. Uh.

0:45:47.600 --> 0:45:52.000
<v Speaker 1>I forget how his verst started, but but he come

0:45:52.080 --> 0:45:56.959
<v Speaker 1>in slick and puff. At the time, wasn't really known

0:45:57.040 --> 0:45:59.520
<v Speaker 1>for like raps. He hadn't done a lot on Biggie's

0:45:59.560 --> 0:46:02.040
<v Speaker 1>first album, right. This was the second album, right, and

0:46:02.080 --> 0:46:04.040
<v Speaker 1>he was proud. He was hitting the knob and like,

0:46:04.560 --> 0:46:07.120
<v Speaker 1>look at sound like he did it. He he he

0:46:07.239 --> 0:46:09.920
<v Speaker 1>crafted his away from everybody and it was however he

0:46:10.000 --> 0:46:13.560
<v Speaker 1>did it, he did it right. So that's the first phase.

0:46:14.120 --> 0:46:15.839
<v Speaker 1>But I'm in the room. I was supposed to be

0:46:15.840 --> 0:46:18.120
<v Speaker 1>doing my little sixteen bars and but there's a lot

0:46:18.160 --> 0:46:20.520
<v Speaker 1>of distractions. It's two girls and racket it. You're drinking.

0:46:20.600 --> 0:46:23.520
<v Speaker 1>Let me hit that. Let you know, it's a treat.

0:46:23.800 --> 0:46:26.160
<v Speaker 1>So Biggie right there, we laughed, we steal it, and

0:46:26.200 --> 0:46:30.120
<v Speaker 1>he's like, I'm ready. What you mean you're ready? What's

0:46:30.160 --> 0:46:32.440
<v Speaker 1>what's he talks about? He's ready, He's going there and

0:46:33.840 --> 0:46:36.000
<v Speaker 1>he's like he tell everybody like watching him duce in

0:46:36.040 --> 0:46:37.839
<v Speaker 1>one take and he going he go when the room

0:46:37.880 --> 0:46:40.200
<v Speaker 1>and in my sistim ain't no tell it and he stopped.

0:46:40.200 --> 0:46:42.120
<v Speaker 1>He goes, hull, hello, hollo, take it back, you like

0:46:42.200 --> 0:46:45.520
<v Speaker 1>watch it. And the next take he wrapped that whole

0:46:45.560 --> 0:46:48.040
<v Speaker 1>verse at one take, and he you know, when you

0:46:48.400 --> 0:46:52.000
<v Speaker 1>it's this is why I like about rap, whether it's

0:46:52.040 --> 0:46:54.160
<v Speaker 1>on you or you put it on somebody else. He

0:46:54.280 --> 0:46:58.440
<v Speaker 1>came out that boot and everybody was like, whoo, I'm

0:46:58.480 --> 0:47:01.640
<v Speaker 1>sitting here two verses on the song on the hook

0:47:01.800 --> 0:47:04.040
<v Speaker 1>is there to beat? There ain't but an open sixteen?

0:47:05.360 --> 0:47:10.239
<v Speaker 1>And me, I'm like, oh, like, oh man, it was.

0:47:10.560 --> 0:47:12.400
<v Speaker 1>It was It's that dudes like that put you in

0:47:12.400 --> 0:47:16.040
<v Speaker 1>that situation. How he did that with all that noise

0:47:16.080 --> 0:47:18.400
<v Speaker 1>and him talking, and how did he put that in

0:47:18.480 --> 0:47:21.719
<v Speaker 1>his head and memorize? You know. Jay Z went on

0:47:21.800 --> 0:47:26.440
<v Speaker 1>to develop that technique and then little Wayne stand I'm

0:47:26.640 --> 0:47:29.880
<v Speaker 1>I'm throwing down the pen and now based on Biggie

0:47:30.600 --> 0:47:33.839
<v Speaker 1>evolution and notory is big. Ain't nobody trying to use

0:47:33.880 --> 0:47:36.920
<v Speaker 1>pen and paper because it's sort of like it's it's

0:47:36.960 --> 0:47:39.960
<v Speaker 1>like a straight jacket. Is It's it's limiting your your freedom?

0:47:40.000 --> 0:47:43.600
<v Speaker 1>Movie how you Go? So I found my way up

0:47:43.600 --> 0:47:45.719
<v Speaker 1>out of it. I I I boxed my way out

0:47:45.719 --> 0:47:47.920
<v Speaker 1>of it. It was, you know, I love those situations.

0:47:47.920 --> 0:47:50.960
<v Speaker 1>I learned that when you get around somebody that's better

0:47:50.960 --> 0:47:54.359
<v Speaker 1>than you and you ain't got no choice. You get better, right,

0:47:54.719 --> 0:47:57.840
<v Speaker 1>you have to. And Tupac was a whole different beast

0:47:58.080 --> 0:48:01.280
<v Speaker 1>because he actually would actually take a pen and paper,

0:48:01.560 --> 0:48:02.920
<v Speaker 1>and I don't know if you've seen any of his

0:48:03.000 --> 0:48:06.520
<v Speaker 1>written stuff. Yeah, he writes really fast and it's really

0:48:06.600 --> 0:48:09.640
<v Speaker 1>like like it has emotions in the pen. And he

0:48:10.280 --> 0:48:13.120
<v Speaker 1>and I one night, I remember in particular, he came

0:48:13.160 --> 0:48:16.120
<v Speaker 1>in and did something on my album, a song called

0:48:16.120 --> 0:48:20.719
<v Speaker 1>this Is How We Do, And he came in there

0:48:20.760 --> 0:48:22.359
<v Speaker 1>He's like, hey, man, we had already made this song.

0:48:22.400 --> 0:48:24.680
<v Speaker 1>He's like, man, let me get on that song like you, Tupac,

0:48:24.760 --> 0:48:27.560
<v Speaker 1>get on it. And he gets the pen, he gets

0:48:27.640 --> 0:48:30.280
<v Speaker 1>the paper and he starts writing. And I watching him

0:48:30.320 --> 0:48:33.600
<v Speaker 1>and he's writing a line and he's writing as fast

0:48:33.600 --> 0:48:36.040
<v Speaker 1>as you can just keep writing. He just keeps writing.

0:48:36.360 --> 0:48:40.200
<v Speaker 1>Like when I write a rhyme, I'm wrap it. Think

0:48:40.239 --> 0:48:42.960
<v Speaker 1>I'm thinking right, you know, taking me about thirty minutes,

0:48:43.000 --> 0:48:44.279
<v Speaker 1>could take me an hour and get it like a

0:48:44.320 --> 0:48:46.960
<v Speaker 1>cool sixteen or something, you know, right, this man wrote

0:48:47.000 --> 0:48:49.400
<v Speaker 1>this verse I'm like five minutes as fast as he

0:48:49.400 --> 0:48:51.880
<v Speaker 1>could write it. And I'm like he had to notice

0:48:51.920 --> 0:48:54.920
<v Speaker 1>beforehand or something. But when you find out he's been

0:48:54.960 --> 0:48:58.040
<v Speaker 1>doing that everywhere, and he gets in there and he

0:48:58.120 --> 0:49:01.120
<v Speaker 1>just says to his opening line, was I finger fuck

0:49:01.200 --> 0:49:03.480
<v Speaker 1>up with my diamonds, Like you just thought of that,

0:49:04.200 --> 0:49:07.800
<v Speaker 1>like you just just come in here, and and everybody

0:49:07.920 --> 0:49:10.600
<v Speaker 1>said it. Man. They're like, Tupac, I have like two

0:49:10.719 --> 0:49:13.040
<v Speaker 1>verses written by the time you like just starting your

0:49:13.040 --> 0:49:15.320
<v Speaker 1>first couple of lines, right, and he in the booth

0:49:15.400 --> 0:49:20.040
<v Speaker 1>dancing circles around. You don't listen to a lot of

0:49:20.080 --> 0:49:23.280
<v Speaker 1>the songs he did with the with the his Crew,

0:49:23.719 --> 0:49:30.200
<v Speaker 1>the got Me Throwed Off now with the Who, with

0:49:30.280 --> 0:49:36.320
<v Speaker 1>the Kadafi and all that, and the outlaws, thinking Tupac

0:49:36.360 --> 0:49:37.920
<v Speaker 1>do the first two verses, and then they come on

0:49:38.600 --> 0:49:40.120
<v Speaker 1>and they said a lot of the songs he got

0:49:40.160 --> 0:49:42.680
<v Speaker 1>with people, He's already on verse two before you could

0:49:42.680 --> 0:49:45.400
<v Speaker 1>even start, and he just he going to boot and

0:49:45.480 --> 0:49:47.200
<v Speaker 1>rappers so fast while you're still writing, and he's like

0:49:47.480 --> 0:49:52.040
<v Speaker 1>catch up. And I don't know how these guys come

0:49:52.120 --> 0:49:54.319
<v Speaker 1>up with this. I don't know. I just think it's

0:49:55.800 --> 0:49:58.359
<v Speaker 1>I wouldn't even call it genius. I would just I

0:49:58.400 --> 0:50:02.840
<v Speaker 1>think that think about people who die young, they seem

0:50:02.920 --> 0:50:05.560
<v Speaker 1>to and do great things. They seem to have an

0:50:05.640 --> 0:50:07.560
<v Speaker 1>urgency that they got to hurry up and do this

0:50:07.640 --> 0:50:10.759
<v Speaker 1>because they seem to know and a lot of time. Right.

0:50:11.200 --> 0:50:15.480
<v Speaker 1>In Tupac's case, he rapped about it multiple times. He

0:50:15.600 --> 0:50:19.839
<v Speaker 1>rapped about dying young, yes, getting murdered. Like, people don't

0:50:19.880 --> 0:50:22.560
<v Speaker 1>realize Tupac was what twenty five twenty five, Biggie was

0:50:22.680 --> 0:50:26.719
<v Speaker 1>him in twenty five two. Yeah, And it's hard to

0:50:26.719 --> 0:50:28.960
<v Speaker 1>accomplish that much at that age. And that's the thing

0:50:29.040 --> 0:50:32.000
<v Speaker 1>where people don't realize. You would think that bigger in

0:50:32.000 --> 0:50:35.320
<v Speaker 1>Tupac had teen and fifteen twenty year careers, like five,

0:50:35.960 --> 0:50:37.960
<v Speaker 1>we take time, Brady, where in twenty five he's not

0:50:38.000 --> 0:50:40.640
<v Speaker 1>a legend, we take two shot awear, twenty five ain't

0:50:40.640 --> 0:50:43.360
<v Speaker 1>no legend. Yeah, Like I need time to get to

0:50:43.400 --> 0:50:46.240
<v Speaker 1>this right. That he didn't have a jay Z career,

0:50:46.400 --> 0:50:48.480
<v Speaker 1>He didn't have an ll cool J or an ice

0:50:48.560 --> 0:50:52.000
<v Speaker 1>Cube or Snoop dog the longevity. But I honestly think

0:50:52.080 --> 0:50:56.360
<v Speaker 1>that somewhere in there you get it, you get the insight.

0:50:56.440 --> 0:50:59.040
<v Speaker 1>I know people who weren't as popular as them that

0:50:59.200 --> 0:51:01.959
<v Speaker 1>die young and they did great things, right, great things.

0:51:02.040 --> 0:51:04.080
<v Speaker 1>I'm like, how do you know to do this right?

0:51:04.120 --> 0:51:06.440
<v Speaker 1>How you know you gotta do this? Much though, I

0:51:06.480 --> 0:51:10.719
<v Speaker 1>think I think those guys were gifts gifts to hip hop, right.

0:51:11.560 --> 0:51:14.600
<v Speaker 1>Tupac brought Biggie, brought that style to No pen and Pad,

0:51:14.920 --> 0:51:17.200
<v Speaker 1>a lot of cadences, a lot of stuff, you know,

0:51:17.280 --> 0:51:22.640
<v Speaker 1>the big guy swag. But you know Tupac, I think, man,

0:51:22.680 --> 0:51:25.640
<v Speaker 1>if you look at him, how many rappers had tattoos

0:51:25.760 --> 0:51:28.640
<v Speaker 1>thug wife on their stomach before Tupacci? Yeah, you know

0:51:28.680 --> 0:51:30.239
<v Speaker 1>what I'm saying. How many? How many people was trying

0:51:30.239 --> 0:51:33.160
<v Speaker 1>to little skinny niggas was trying to tat it all

0:51:33.239 --> 0:51:35.360
<v Speaker 1>up and he was you know, he was immulating gangbangers,

0:51:35.960 --> 0:51:37.879
<v Speaker 1>you know, cripts and bloods. But at the same time,

0:51:38.400 --> 0:51:40.640
<v Speaker 1>that's the look of hip hop now right, Like, you

0:51:40.680 --> 0:51:42.840
<v Speaker 1>can't really be a rapper, Like I'm a rapper with

0:51:42.880 --> 0:51:46.640
<v Speaker 1>no tattoos. I've been laughed at girls be like, let

0:51:46.680 --> 0:51:48.640
<v Speaker 1>me see all tattoos. I ain't gotten nohing. You ain't

0:51:48.640 --> 0:51:51.520
<v Speaker 1>how you ain't got no tattoos? I'm like, I wasn't

0:51:51.480 --> 0:51:57.719
<v Speaker 1>before Tupac. Baby, you tell a story about the road

0:51:57.760 --> 0:52:02.080
<v Speaker 1>trip from Miami to atl to be on Jay Z's

0:52:03.080 --> 0:52:05.560
<v Speaker 1>big pimping Oh yeah, yeah, I mean not big clipping, yeah,

0:52:06.000 --> 0:52:10.879
<v Speaker 1>big pippy. Yeah, that was the there's a whole thing

0:52:10.920 --> 0:52:14.360
<v Speaker 1>with Pimp C, U g k Y, Pimpcy and BUNB

0:52:14.640 --> 0:52:18.000
<v Speaker 1>and the big Pimping song, and I hear bun talk

0:52:18.080 --> 0:52:20.719
<v Speaker 1>about it, and I knew the story. I knew a

0:52:20.760 --> 0:52:23.680
<v Speaker 1>little bit of it because the label Drive Records were

0:52:23.680 --> 0:52:25.600
<v Speaker 1>all in the same label was trying to get Pimp

0:52:25.640 --> 0:52:30.480
<v Speaker 1>to do the song, and I knew Pimp's opinion on

0:52:30.600 --> 0:52:36.759
<v Speaker 1>the situation, and it was open and shut. If you don't,

0:52:36.800 --> 0:52:39.520
<v Speaker 1>if you don't fool with Tupac, I don't fool with

0:52:39.560 --> 0:52:43.440
<v Speaker 1>your no bending of the rules. We're talking about a

0:52:43.440 --> 0:52:46.560
<v Speaker 1>guy who never met Tupac, right, he's even knowing and

0:52:46.640 --> 0:52:51.319
<v Speaker 1>he's like, I'll ride with pot to the end. So

0:52:51.480 --> 0:52:55.919
<v Speaker 1>anybody who ever said this on Tupac ever, PIMPC didn't

0:52:55.960 --> 0:52:59.319
<v Speaker 1>like you, just just never would food with you ever

0:52:59.440 --> 0:53:02.880
<v Speaker 1>ever her. So he put jay Z in the category

0:53:02.960 --> 0:53:06.160
<v Speaker 1>of I don't think Tupac liked him. Tupac wouldn't you

0:53:06.160 --> 0:53:08.760
<v Speaker 1>know as Biggie HOMEI or whatever, I ain't ain't fooling

0:53:08.800 --> 0:53:13.359
<v Speaker 1>with him, but Bumby the label myself included was trying

0:53:13.360 --> 0:53:15.680
<v Speaker 1>to say, no, Jay ain't like that, brother j JA.

0:53:16.120 --> 0:53:18.839
<v Speaker 1>You know it's it's a great opportunity right, jay Z

0:53:18.920 --> 0:53:22.400
<v Speaker 1>getting that you right, do it? I ain't doing it?

0:53:23.040 --> 0:53:26.040
<v Speaker 1>You know all this stuff. So whatever bund and all

0:53:26.080 --> 0:53:28.319
<v Speaker 1>of them did, they talked him into it. The song

0:53:28.400 --> 0:53:31.880
<v Speaker 1>got recorded. The pimp still had an attitude about the

0:53:32.000 --> 0:53:35.160
<v Speaker 1>East West and then he from Port Arthur, Texas, but

0:53:35.200 --> 0:53:41.840
<v Speaker 1>he mad, how y'all feel about Tupac right and Bumby?

0:53:41.880 --> 0:53:44.279
<v Speaker 1>It give you way more insight on pimp's state of

0:53:44.320 --> 0:53:46.920
<v Speaker 1>mind about this. But I was given the task of

0:53:48.640 --> 0:53:51.520
<v Speaker 1>pimp won't go to the video the two day video shoot.

0:53:52.560 --> 0:53:54.240
<v Speaker 1>I think it really was a one day video shoot.

0:53:54.280 --> 0:53:57.799
<v Speaker 1>They was gonna shooting in Trinidad at Carnival, and this

0:53:57.840 --> 0:54:00.560
<v Speaker 1>fool got a song with jay Z, a video and

0:54:00.680 --> 0:54:04.440
<v Speaker 1>Carnival Trinidad, and he ain't going like you would have

0:54:04.480 --> 0:54:07.480
<v Speaker 1>called me and said, do the song win, you know,

0:54:07.520 --> 0:54:11.919
<v Speaker 1>the video, Carnival win, my flight win exactly. Not see,

0:54:12.000 --> 0:54:15.080
<v Speaker 1>she was hard headed. So I was giving the task

0:54:15.080 --> 0:54:16.759
<v Speaker 1>because can you get him to come to the video.

0:54:16.800 --> 0:54:19.160
<v Speaker 1>They gonna add another day and shoot in Miami. They

0:54:19.160 --> 0:54:21.480
<v Speaker 1>gotta get see is a big budget video. I think

0:54:21.560 --> 0:54:26.719
<v Speaker 1>hype waves that right. So Pimpse had just bought a

0:54:26.760 --> 0:54:29.640
<v Speaker 1>brand new Mercedes. He loved this new Mercedes and I

0:54:29.640 --> 0:54:32.120
<v Speaker 1>think I had just got this little Porsche. So I

0:54:32.160 --> 0:54:35.319
<v Speaker 1>was like, we should He knew about the video. Wasn't

0:54:35.320 --> 0:54:37.920
<v Speaker 1>like I wasn't scamming him and nothing. Right, I was like,

0:54:37.920 --> 0:54:41.040
<v Speaker 1>we should get the cars, go down to the video. Shoot.

0:54:41.080 --> 0:54:42.480
<v Speaker 1>You know what I'm saying. We get down there, stay

0:54:42.480 --> 0:54:44.600
<v Speaker 1>a couple, we get some I was, well, you know whatever,

0:54:45.280 --> 0:54:48.600
<v Speaker 1>And I made it a thing. And he always show up,

0:54:48.640 --> 0:54:50.400
<v Speaker 1>you know if I said it, cause I was. I

0:54:50.560 --> 0:54:52.959
<v Speaker 1>was just like he looked up the tupac. He looked

0:54:53.040 --> 0:54:56.680
<v Speaker 1>up to me, right. And in all situations, pimp would

0:54:56.680 --> 0:54:59.000
<v Speaker 1>be like throwing a fit and they'd be like, man,

0:54:59.040 --> 0:55:00.839
<v Speaker 1>go talk to you a little brother. Man, gonna talk

0:55:00.880 --> 0:55:02.840
<v Speaker 1>to him, right. I go in there and we're like,

0:55:03.800 --> 0:55:06.520
<v Speaker 1>can't talk him down, but you could throw some logic

0:55:06.640 --> 0:55:09.879
<v Speaker 1>in there. We like, see, we came here to get

0:55:09.880 --> 0:55:11.560
<v Speaker 1>the money. Man. Then people out there. I want to

0:55:11.560 --> 0:55:13.600
<v Speaker 1>see the show man. You know what I'm saying, right,

0:55:13.719 --> 0:55:16.160
<v Speaker 1>that's men people, man, look, get them made at this show.

0:55:16.160 --> 0:55:17.600
<v Speaker 1>That's how we just how we do it. Bruh, We

0:55:17.719 --> 0:55:20.160
<v Speaker 1>get at them. He did with them later and he'd

0:55:20.200 --> 0:55:21.680
<v Speaker 1>be like, all right, if you if you say so,

0:55:22.200 --> 0:55:24.520
<v Speaker 1>but we show out. He would throw the stuff around,

0:55:24.640 --> 0:55:27.279
<v Speaker 1>like if everybody, man, I don't get your money out out.

0:55:28.040 --> 0:55:32.520
<v Speaker 1>So we took the road trip. We got him down there,

0:55:32.600 --> 0:55:34.960
<v Speaker 1>didn't sing it, and we kicked it. We stayed in Miami.

0:55:35.840 --> 0:55:38.040
<v Speaker 1>We stayed in Miami for a few weeks and had

0:55:38.040 --> 0:55:42.600
<v Speaker 1>a ball like we we really did kick it. You

0:55:42.800 --> 0:55:46.120
<v Speaker 1>love you love sports. I'm a sports fan. You you

0:55:46.239 --> 0:55:50.440
<v Speaker 1>sports junking. You love it all basketball, football, boxing, Barry

0:55:50.640 --> 0:55:53.680
<v Speaker 1>Barry sports fans very biased, you buy used, very biased,

0:55:53.760 --> 0:55:57.200
<v Speaker 1>So you still curry above all. I'm Warriors, the Warriors.

0:55:57.239 --> 0:55:59.160
<v Speaker 1>You're the Warriors. You know, I was my tell us.

0:55:59.800 --> 0:56:03.480
<v Speaker 1>You was there before Steph and Clay and Draymond. You

0:56:03.520 --> 0:56:05.680
<v Speaker 1>were what did they call himselves? That was the Matt Barnes,

0:56:05.719 --> 0:56:08.360
<v Speaker 1>Stephen Jakes? What they what they did? We believe to you,

0:56:08.480 --> 0:56:11.600
<v Speaker 1>yeah yeah, yeah, yeah, we believe. We believe we had

0:56:11.719 --> 0:56:14.839
<v Speaker 1>run TMC. You know. Yeah yeah, but look at this man,

0:56:15.040 --> 0:56:18.120
<v Speaker 1>I'm I'm the We're the Warriors. Man. We really questioned

0:56:18.960 --> 0:56:22.839
<v Speaker 1>the mate trade my teels like you're gonna trade my tail?

0:56:22.920 --> 0:56:25.879
<v Speaker 1>And who who little our point, little little little little

0:56:25.920 --> 0:56:28.040
<v Speaker 1>kid with the U with the with the weak ankles. Yeah,

0:56:28.640 --> 0:56:31.759
<v Speaker 1>people was mad and stuff, you know, I really think

0:56:31.800 --> 0:56:34.400
<v Speaker 1>he was that little kid all the way upteen. You

0:56:34.440 --> 0:56:37.399
<v Speaker 1>get got that go teeth, when he got that go tee,

0:56:38.960 --> 0:56:42.000
<v Speaker 1>when that got came, he grew up. He's like y'all know,

0:56:42.120 --> 0:56:45.160
<v Speaker 1>ain't I remember the first time seeing Steph Curry the

0:56:45.280 --> 0:56:47.960
<v Speaker 1>Warriors was they used to club. You know, the new

0:56:47.960 --> 0:56:50.600
<v Speaker 1>Warriors don't really club. They they they are a little

0:56:50.640 --> 0:56:54.320
<v Speaker 1>more refined. And you know the Steve Kurr Warriors. But

0:56:54.440 --> 0:56:56.960
<v Speaker 1>the old Warriors, Baron Davids and them, Stephen Jackson and them.

0:56:57.080 --> 0:56:59.040
<v Speaker 1>Was they went to the Matt Barns. They was in

0:56:59.080 --> 0:57:04.000
<v Speaker 1>the club every night. And I was like, who is

0:57:04.040 --> 0:57:07.279
<v Speaker 1>that little boy with the Warriors? Who's the little boy?

0:57:07.560 --> 0:57:09.880
<v Speaker 1>Like that's the back of the point guard. I like,

0:57:09.960 --> 0:57:12.400
<v Speaker 1>he's like a little kid. Man, he was a little

0:57:12.560 --> 0:57:17.080
<v Speaker 1>kid and he's Steph Curry out. So you know, for real,

0:57:17.600 --> 0:57:20.960
<v Speaker 1>so short athletes, give me your no first of all,

0:57:21.400 --> 0:57:24.120
<v Speaker 1>you say big it in Tupac. Obviously give me your

0:57:25.000 --> 0:57:29.360
<v Speaker 1>my rushmore rappers. And that's that's a tough one, man.

0:57:29.640 --> 0:57:32.480
<v Speaker 1>That's really a tough, tough, tough one. I'm from a

0:57:32.560 --> 0:57:36.120
<v Speaker 1>different era than most hip hop fans, and you know,

0:57:36.840 --> 0:57:40.280
<v Speaker 1>with me right out, he can't do nothing without Mellie Mail,

0:57:40.560 --> 0:57:43.520
<v Speaker 1>like and a lot of people ain't gonna put him there,

0:57:44.040 --> 0:57:47.560
<v Speaker 1>but he put the MC in it. He was the

0:57:47.600 --> 0:57:50.520
<v Speaker 1>first one to me to just put the MC in it, yep,

0:57:50.840 --> 0:57:53.240
<v Speaker 1>like in it like on a on, not on a

0:57:53.360 --> 0:57:58.600
<v Speaker 1>New York scale, on a commercial national scale. Yeah, this

0:57:58.760 --> 0:58:03.360
<v Speaker 1>is a songwriter rapper, right maker, Grand mess Flash, first

0:58:03.440 --> 0:58:09.480
<v Speaker 1>five League rapper, Mellie Mail. You know, that's just a

0:58:09.560 --> 0:58:14.040
<v Speaker 1>tough question, man, because I'm biased on the West Coast bias.

0:58:15.080 --> 0:58:17.120
<v Speaker 1>Give me your West Coast, give me your Mount Rushmore

0:58:17.200 --> 0:58:19.360
<v Speaker 1>West Coast. But we just made the Mount Westmore group

0:58:20.160 --> 0:58:23.880
<v Speaker 1>which does it, which is my guys. And then so

0:58:24.040 --> 0:58:29.680
<v Speaker 1>you got forty you snoop and I got DJ Quick

0:58:29.760 --> 0:58:32.200
<v Speaker 1>and I got warn No you ain't got before you got,

0:58:33.000 --> 0:58:34.919
<v Speaker 1>but you ain't been there nor heads to my rush board.

0:58:35.440 --> 0:58:38.400
<v Speaker 1>But of all time, man, you know I would put

0:58:38.400 --> 0:58:40.160
<v Speaker 1>I would put Mellie Mail up there just because of

0:58:40.320 --> 0:58:42.800
<v Speaker 1>his impact on hip hop. And I would put jay

0:58:42.880 --> 0:58:46.960
<v Speaker 1>Z up there because I feel like jay Z. I

0:58:47.000 --> 0:58:49.000
<v Speaker 1>don't know where Biggie and jay Z would have ended

0:58:49.080 --> 0:58:52.560
<v Speaker 1>up as Brooklyn brothers if they both had a long career.

0:58:52.600 --> 0:58:54.760
<v Speaker 1>I don't know where they would have went what Puffy

0:58:54.800 --> 0:58:57.080
<v Speaker 1>would have did with Big whether it would evolve to

0:58:57.960 --> 0:58:59.880
<v Speaker 1>But I do know that jay Z is an ex

0:59:00.080 --> 0:59:03.200
<v Speaker 1>tension of Biggie, and I don't I do know that

0:59:03.360 --> 0:59:05.760
<v Speaker 1>he I don't notice for a fact, but I do

0:59:05.960 --> 0:59:09.400
<v Speaker 1>know that he took on everything jay Z was gonna

0:59:09.400 --> 0:59:11.720
<v Speaker 1>be and everything Biggie was gonna be. And he said,

0:59:11.720 --> 0:59:14.240
<v Speaker 1>I'm wearing both these both these fuck roats and and

0:59:14.440 --> 0:59:18.640
<v Speaker 1>and and hold it down for Brooklyn, right. So where

0:59:18.680 --> 0:59:22.160
<v Speaker 1>he got to is definitely it a rapper wise, you

0:59:22.240 --> 0:59:24.160
<v Speaker 1>can't put doctor Dre in it because he's not a

0:59:25.240 --> 0:59:29.200
<v Speaker 1>writing rapper, but he's doctor Dre and he had the

0:59:29.560 --> 0:59:32.680
<v Speaker 1>best resume. He got the best branches on his tree

0:59:32.760 --> 0:59:36.120
<v Speaker 1>of eminem and Snoop Doug and fifty cent and you

0:59:36.240 --> 0:59:42.360
<v Speaker 1>know he's a producer. But rap wise, man, it's it's

0:59:42.440 --> 0:59:45.600
<v Speaker 1>just too many. It's too many. It's too many to

0:59:45.720 --> 0:59:47.720
<v Speaker 1>just go down the line and go who's the goat

0:59:47.800 --> 0:59:50.720
<v Speaker 1>because there's too many goats. Man, I got my my boys.

0:59:50.720 --> 0:59:54.680
<v Speaker 1>Scar Face, I mean, he's he's goat. Stop that's on us.

0:59:54.800 --> 0:59:58.320
<v Speaker 1>The songs he wrote like scar face, you're gonna say scarface,

0:59:58.400 --> 1:00:00.680
<v Speaker 1>but go back and listen to the word he wrote

1:00:01.120 --> 1:00:07.720
<v Speaker 1>like the words he wrote, he's it's so poetic, poetic

1:00:07.880 --> 1:00:10.640
<v Speaker 1>and yeah, there were the different style because people don't

1:00:10.680 --> 1:00:15.160
<v Speaker 1>give k kr s it's lyricist kr. People don't give

1:00:15.240 --> 1:00:18.040
<v Speaker 1>krs is due. But but I'm old enough. You and

1:00:18.120 --> 1:00:20.240
<v Speaker 1>I are both old enough to know who krs won it.

1:00:20.400 --> 1:00:24.200
<v Speaker 1>And Big Daddy Kane whom I mean, Kumoda he was

1:00:24.240 --> 1:00:26.560
<v Speaker 1>a yep, you know, he was a guy for a while,

1:00:26.760 --> 1:00:30.320
<v Speaker 1>rock Hill rock him. He changed a lot of a

1:00:30.400 --> 1:00:32.560
<v Speaker 1>lot of the way people rap. Right, I'm saying every

1:00:32.920 --> 1:00:34.400
<v Speaker 1>a lot of people rot a lot to the table, man,

1:00:34.480 --> 1:00:36.560
<v Speaker 1>So it's hard to it's hard to go to with me. Man,

1:00:36.600 --> 1:00:39.320
<v Speaker 1>I can't top five nothing. I'm not arguing no top

1:00:39.400 --> 1:00:43.280
<v Speaker 1>five arguments. I'm not agreed with no top five that

1:00:43.440 --> 1:00:46.280
<v Speaker 1>you gotta. I'm not. It's just it's just not I

1:00:46.320 --> 1:00:50.520
<v Speaker 1>can't even top ten. It not even top ten. I can't. Man. Okay,

1:00:50.560 --> 1:00:54.680
<v Speaker 1>we'll give me your rushmore basketball. Now you can do

1:00:54.800 --> 1:01:00.680
<v Speaker 1>that hoop. Let's see. Uh. I'm definitely gonna go with

1:01:02.160 --> 1:01:05.760
<v Speaker 1>Magic and Jordan. Okay, let's putting them on there. Okay,

1:01:08.440 --> 1:01:11.360
<v Speaker 1>I got the witness and I've seen the I've seen

1:01:11.440 --> 1:01:15.880
<v Speaker 1>the college clips and I've seen a lot of the youngster.

1:01:18.160 --> 1:01:20.320
<v Speaker 1>It's hard, you know, Kareem app Dow with jabar Man

1:01:21.360 --> 1:01:25.520
<v Speaker 1>a little ausender, you know what I mean. It's it's

1:01:25.640 --> 1:01:28.200
<v Speaker 1>it's savage. Yeah, cause me picture his end of his

1:01:28.280 --> 1:01:30.520
<v Speaker 1>career when he wasn't really going back on defense, but

1:01:31.040 --> 1:01:33.439
<v Speaker 1>a lot layed up to that. Yeah, to still hold

1:01:33.480 --> 1:01:35.840
<v Speaker 1>these he still hold that scoring. He had it for

1:01:35.960 --> 1:01:38.919
<v Speaker 1>another year and a half till Lebron, Lebron, Lebron gonna

1:01:38.920 --> 1:01:40.400
<v Speaker 1>get that. It's coming. He got you, He got you,

1:01:41.000 --> 1:01:46.480
<v Speaker 1>That's part of it. While you hanging around. Yeah, uh, Lebron,

1:01:46.600 --> 1:01:48.800
<v Speaker 1>I'm gonna give Lebron. They they talked to Lebron Steph

1:01:48.880 --> 1:01:52.120
<v Speaker 1>Curry thing. But I'm like, I have a theory. You

1:01:52.240 --> 1:01:54.600
<v Speaker 1>might dispute it. I know, you big up Lebron a lot.

1:01:55.760 --> 1:02:00.240
<v Speaker 1>I have a theory that later on they're going to

1:02:00.360 --> 1:02:04.720
<v Speaker 1>introduced the technology of human hybrids. And I gotta let

1:02:04.800 --> 1:02:08.680
<v Speaker 1>us know that Lebron was one of the first, Like

1:02:08.800 --> 1:02:12.320
<v Speaker 1>he was partially a robot six nine two fifty, could run,

1:02:12.400 --> 1:02:15.200
<v Speaker 1>could jump body like Karl Malone. And I always thought

1:02:15.280 --> 1:02:17.360
<v Speaker 1>it when he was a youngster, because he was a

1:02:17.400 --> 1:02:21.360
<v Speaker 1>grown man at sixteen, right literally the grown man and

1:02:22.960 --> 1:02:27.160
<v Speaker 1>he held up and he's still like coming down that lane.

1:02:29.760 --> 1:02:32.480
<v Speaker 1>I pitied the food that take a charge from Lebron,

1:02:34.000 --> 1:02:37.120
<v Speaker 1>Like they get out the way. I literally seen players

1:02:37.200 --> 1:02:38.800
<v Speaker 1>like you watched you watched the game a different way

1:02:38.840 --> 1:02:42.000
<v Speaker 1>to be but you jump out the way when he

1:02:42.000 --> 1:02:43.480
<v Speaker 1>comes out. You ain't got no pads on Why am

1:02:43.520 --> 1:02:45.320
<v Speaker 1>I taking Why am I taking a nail boat to

1:02:45.400 --> 1:02:47.320
<v Speaker 1>the chair? Why am I taking a knee to the chair.

1:02:47.440 --> 1:02:50.720
<v Speaker 1>I see dudes take that charge and later like, yeah

1:02:51.520 --> 1:02:54.120
<v Speaker 1>he's a robot. Yeah he's a robot. He done a

1:02:54.160 --> 1:02:56.680
<v Speaker 1>lot of robot stuff in the game too. Appreciate it, yes,

1:02:56.800 --> 1:02:59.640
<v Speaker 1>sir for stopping by. Wait, don't mean yet it because

1:02:59.640 --> 1:03:01.320
<v Speaker 1>I need to know because I thought you and your

1:03:01.360 --> 1:03:05.240
<v Speaker 1>brother was twins for years. Who the oldest he is?

1:03:05.600 --> 1:03:08.120
<v Speaker 1>He is the oldest? Okay, I'm three years younger for real. Yeah,

1:03:08.800 --> 1:03:12.000
<v Speaker 1>you get the twins stuff a lot. No, well no,

1:03:12.240 --> 1:03:15.400
<v Speaker 1>not really, but no people mistake me for him. They say, well,

1:03:16.000 --> 1:03:18.320
<v Speaker 1>were you the one that played in Green Bay? I mean,

1:03:18.400 --> 1:03:20.840
<v Speaker 1>people know we're brothers, but they always you know what

1:03:20.840 --> 1:03:23.000
<v Speaker 1>I'm You know, I'm a raider now, so man, y'all

1:03:25.600 --> 1:03:27.120
<v Speaker 1>always been a raider. You got to get you a

1:03:27.200 --> 1:03:31.240
<v Speaker 1>new team. Bro, y'all gonna do that. We're about to

1:03:31.280 --> 1:03:36.240
<v Speaker 1>get us a quarterback. Everything AMC West, you know? Yeah?

1:03:36.680 --> 1:03:38.480
<v Speaker 1>You know how we get down to mc west? Oh yeah,

1:03:38.640 --> 1:03:41.840
<v Speaker 1>aint love, ain't love lost three nobody in that individual. Yeah.

1:03:41.920 --> 1:03:46.880
<v Speaker 1>So where y'all from? Born in Chicago, raised in South Georgia. Okay,

1:03:47.320 --> 1:03:49.360
<v Speaker 1>so down in Savannah way yeah see yea, I went

1:03:49.360 --> 1:03:51.800
<v Speaker 1>to school to Savannah. I'm about sixty five miles from Savannah.

1:03:51.840 --> 1:03:55.600
<v Speaker 1>I know everything geographically. Okay, yeah, so you so you

1:03:56.120 --> 1:03:57.800
<v Speaker 1>not only where do you live? So you parked it?

1:03:57.920 --> 1:04:02.720
<v Speaker 1>You all died in Themaican Savannah going down there, Georgia, Columbus,

1:04:02.760 --> 1:04:04.960
<v Speaker 1>all that, Yeah, okay, so yeah, I know it all.

1:04:05.600 --> 1:04:07.440
<v Speaker 1>I know it all every I know every little town

1:04:07.480 --> 1:04:10.760
<v Speaker 1>in Mississippi, Louisiana, Arkansas. I didn't hit the back rows.

1:04:11.120 --> 1:04:14.800
<v Speaker 1>I didn't get the Chilean second. Bryeahing about you short

1:04:14.920 --> 1:04:18.160
<v Speaker 1>beg you bro? Good stuff? All my life, the grinding

1:04:18.240 --> 1:04:22.880
<v Speaker 1>all my life, sacrifice, hustle backer price, want a slice,

1:04:23.160 --> 1:04:25.680
<v Speaker 1>got the broler dice to swap all my life. I've

1:04:25.680 --> 1:04:28.840
<v Speaker 1>been grinding all my life, all my life, then grinding

1:04:28.880 --> 1:04:33.520
<v Speaker 1>all my life sacrifice custle backer. Price want a slice,

1:04:33.800 --> 1:04:36.320
<v Speaker 1>got the brother dice to swap all my life. I've

1:04:36.360 --> 1:04:37.479
<v Speaker 1>been grinding all my life.