1 00:00:08,560 --> 00:00:11,440 Speaker 1: Welcome to Daily Variety, your daily dose of news and 2 00:00:11,480 --> 00:00:16,239 Speaker 1: analysis for entertainment industry insiders. It's Thursday, August fourteenth, twenty 3 00:00:16,239 --> 00:00:19,960 Speaker 1: twenty five. I'm your host, Cynthia Littleton. I am co 4 00:00:20,120 --> 00:00:24,000 Speaker 1: editor in chief of Variety alongside Ramin Setuda. I'm in 5 00:00:24,160 --> 00:00:26,840 Speaker 1: la He's in New York, and Variety has reporters around 6 00:00:26,880 --> 00:00:30,400 Speaker 1: the world covering the business of entertainment. In today's episode, 7 00:00:30,440 --> 00:00:33,559 Speaker 1: we'll talk with Business editor Todd Spangler about the Paramount 8 00:00:33,600 --> 00:00:37,120 Speaker 1: Skuidance merger. He and I compare notes after we both 9 00:00:37,120 --> 00:00:40,599 Speaker 1: attended Meet the Press sessions in Gotham and Los Angeles 10 00:00:40,640 --> 00:00:44,320 Speaker 1: with the new executive team, and we'll hear from Janelle Riley, 11 00:00:44,479 --> 00:00:48,000 Speaker 1: Variety's deputy Awards and Features editor, who gives us the 12 00:00:48,040 --> 00:00:53,040 Speaker 1: backstory on Variety's Ten Storytellers to Watch feature. But before 13 00:00:53,080 --> 00:00:55,600 Speaker 1: we get to that, here are a few headlines just 14 00:00:55,680 --> 00:00:59,040 Speaker 1: in this morning that you need to know. The incomparable 15 00:00:59,080 --> 00:01:02,320 Speaker 1: Shenead O'Connor is the subject of a biopic in development. 16 00:01:02,720 --> 00:01:04,840 Speaker 1: It's been in the works since the release of the 17 00:01:04,880 --> 00:01:09,720 Speaker 1: twenty twenty two documentary Nothing Compares on the trailblazing singer 18 00:01:09,760 --> 00:01:12,319 Speaker 1: who died in twenty twenty three at age fifty six. 19 00:01:12,840 --> 00:01:16,560 Speaker 1: Alex Rittman in our London bureau has the story YouTube 20 00:01:16,600 --> 00:01:20,959 Speaker 1: is experimenting with new age verification technology in the US. 21 00:01:21,160 --> 00:01:25,160 Speaker 1: It's designed to determine if viewers are under eighteen. YouTube 22 00:01:25,160 --> 00:01:29,080 Speaker 1: began rolling out what it calls an age estimation model 23 00:01:29,400 --> 00:01:33,399 Speaker 1: powered by AI this week. If it determines the person 24 00:01:33,480 --> 00:01:37,920 Speaker 1: is under eighteen, some viewing restrictions may be added. Ll 25 00:01:38,000 --> 00:01:42,480 Speaker 1: Cooljay will host MTV's VMA Awards, airing September seventh on 26 00:01:42,640 --> 00:01:47,000 Speaker 1: CBS and Paramount Plus with a simulcast on MTV. The 27 00:01:47,120 --> 00:01:50,000 Speaker 1: wording of this announcement tells me it is a new 28 00:01:50,040 --> 00:01:53,680 Speaker 1: world order for Paramount and CBS. All of these stories 29 00:01:53,680 --> 00:01:56,240 Speaker 1: and so much more can be found on Variety dot 30 00:01:56,280 --> 00:02:02,280 Speaker 1: com right now. Now, we turned to conversations with Variety 31 00:02:02,360 --> 00:02:06,200 Speaker 1: journalists about news and trends in show business. Next up, 32 00:02:06,280 --> 00:02:09,560 Speaker 1: I'll compare notes with business editor Todd Spangler on the 33 00:02:09,639 --> 00:02:12,400 Speaker 1: vibes and the vision around the new regime At paramount 34 00:02:12,440 --> 00:02:15,959 Speaker 1: S guidance. We both attended media Q and A sessions 35 00:02:16,000 --> 00:02:19,720 Speaker 1: with CEO David Ellison and others. Todd went to Times 36 00:02:19,720 --> 00:02:22,440 Speaker 1: Square last week on the day the deal closed. I 37 00:02:22,560 --> 00:02:26,160 Speaker 1: went to the Paramount lot on Wednesday. Here's our takeaways. 38 00:02:26,880 --> 00:02:28,640 Speaker 1: Todd Spangler, thanks for joining me. 39 00:02:28,919 --> 00:02:29,840 Speaker 2: Hello, helone. 40 00:02:29,919 --> 00:02:32,520 Speaker 1: We have a fun opportunity here to compare notes because 41 00:02:32,919 --> 00:02:35,680 Speaker 1: we both had the privilege of spending some time with 42 00:02:35,919 --> 00:02:40,080 Speaker 1: the new regime. At Paramount's guidance, David Ellison, Jeff Shell. 43 00:02:40,960 --> 00:02:42,880 Speaker 1: They did a press event in New York on the 44 00:02:42,960 --> 00:02:46,800 Speaker 1: Data merger closed August seventh. Today here on August thirteenth, 45 00:02:47,120 --> 00:02:50,160 Speaker 1: they did a similar thing on the Paramount Pictures lot 46 00:02:50,200 --> 00:02:54,440 Speaker 1: on Melrose Avenue and Hollywood. You had Paramount Skuydance CEO, 47 00:02:54,520 --> 00:02:58,080 Speaker 1: David Ellison, president, Jeff Shell, who's very well known as 48 00:02:58,080 --> 00:03:01,160 Speaker 1: a media veteran, and five of their top lieutenants that 49 00:03:01,280 --> 00:03:03,799 Speaker 1: to their credit, they just fielded questions from a couple 50 00:03:03,880 --> 00:03:07,360 Speaker 1: of dozen entertainment business reporters, including me and my colleague 51 00:03:07,360 --> 00:03:11,200 Speaker 1: Matt Donnelly, Todd from your time in Times Square at 52 00:03:11,200 --> 00:03:14,000 Speaker 1: fifteen fifteen Broadway, What did you come away with? 53 00:03:14,639 --> 00:03:17,919 Speaker 2: So in New York it was literally just three or 54 00:03:17,960 --> 00:03:22,480 Speaker 2: four hours after they had officially closed the deal for Paramount. 55 00:03:22,720 --> 00:03:25,320 Speaker 2: I think the messaging that we came away with was 56 00:03:25,440 --> 00:03:28,480 Speaker 2: David Ellison saying, look, we're going to bring in some 57 00:03:28,520 --> 00:03:32,240 Speaker 2: Silicon Valley expertise, which this company has been lacking, but 58 00:03:32,320 --> 00:03:35,440 Speaker 2: we're going to remain true to Paramount's creative roots. And 59 00:03:35,480 --> 00:03:40,320 Speaker 2: then you had Jerry Cardinally, who's big investor, head of Redbird, saying, look, 60 00:03:40,360 --> 00:03:44,320 Speaker 2: we are professional managers were coming in and we're going 61 00:03:44,400 --> 00:03:49,000 Speaker 2: to manage these assets better than they had before. I 62 00:03:49,040 --> 00:03:52,440 Speaker 2: spoke to Jerry at our event and he was very emphatic, 63 00:03:52,760 --> 00:03:57,000 Speaker 2: we will invest. They really pledged to significantly up the 64 00:03:57,080 --> 00:04:02,240 Speaker 2: investment to make Paramount Plus a contender alongside Disney Plus 65 00:04:02,240 --> 00:04:04,520 Speaker 2: and HBO Max And you and I both know that's 66 00:04:04,520 --> 00:04:05,760 Speaker 2: going to take a lot of money. 67 00:04:05,600 --> 00:04:08,320 Speaker 1: If they're serious about that. They said all the things 68 00:04:08,560 --> 00:04:13,000 Speaker 1: fareholder value running the company to making it much more efficient. 69 00:04:13,080 --> 00:04:16,479 Speaker 1: They were very candid. It's funny in every merger, the 70 00:04:16,560 --> 00:04:19,320 Speaker 1: new regime always picks one or two things that they 71 00:04:19,360 --> 00:04:22,760 Speaker 1: point out as being backwards from the old regime, and 72 00:04:22,880 --> 00:04:27,200 Speaker 1: this time around there have been critical of Paramount's operation 73 00:04:27,480 --> 00:04:31,760 Speaker 1: of two very totally separate, sort of siloed Paramount Plus 74 00:04:31,800 --> 00:04:35,039 Speaker 1: Dreamer and Pluto the Fast Channel, and so that they're 75 00:04:35,080 --> 00:04:37,480 Speaker 1: saying that there's a lot of savings and even more 76 00:04:37,720 --> 00:04:40,159 Speaker 1: corporate benefit to be had by bringing them together. 77 00:04:40,880 --> 00:04:43,440 Speaker 2: They talk good talk, and it is true Pluto and 78 00:04:43,480 --> 00:04:46,520 Speaker 2: Paramount Plus, yes, should be on the same platform. But look, 79 00:04:46,520 --> 00:04:50,200 Speaker 2: it's taken Disney many years now to merge Hulu and 80 00:04:50,240 --> 00:04:53,560 Speaker 2: Disney Plus onto the same tech stack. So this is 81 00:04:53,600 --> 00:04:56,640 Speaker 2: not an easy thing. It's super expensive. I think what 82 00:04:56,920 --> 00:05:00,320 Speaker 2: I came away from the New York presentation sensing was 83 00:05:00,520 --> 00:05:03,120 Speaker 2: they were not allowed connecting the dots. How are you 84 00:05:03,240 --> 00:05:06,160 Speaker 2: going to turn this thing around other than just trying 85 00:05:06,200 --> 00:05:08,880 Speaker 2: to cut a bunch of costs. Well, between the New 86 00:05:08,960 --> 00:05:12,520 Speaker 2: York presentation and the LA presentation this past Monday, they 87 00:05:12,680 --> 00:05:14,840 Speaker 2: showed at least part of their hand this seven point 88 00:05:14,920 --> 00:05:19,120 Speaker 2: seven million dollar deal with UFC over seven years. That's 89 00:05:19,160 --> 00:05:21,400 Speaker 2: a real proof point, right that they're going to invest 90 00:05:21,520 --> 00:05:25,280 Speaker 2: in Paramount Plus and bring this premium programming to try 91 00:05:25,320 --> 00:05:29,600 Speaker 2: to make baramunt Plus on its own a thriving, standalone 92 00:05:29,760 --> 00:05:31,080 Speaker 2: winner in the streaming wars. 93 00:05:31,560 --> 00:05:35,359 Speaker 1: Ellison was very strong about that the owners of this 94 00:05:35,440 --> 00:05:39,640 Speaker 1: company now the key majority owners, their incentives are aligned 95 00:05:39,680 --> 00:05:43,120 Speaker 1: to make Paramount as successful as possible. He pointed to 96 00:05:43,240 --> 00:05:47,880 Speaker 1: the previous regime the Redstones had through super majority shares, 97 00:05:47,920 --> 00:05:50,960 Speaker 1: they had ironcloud voting control of almost eighty percent of shares, 98 00:05:51,040 --> 00:05:54,839 Speaker 1: so they could basically vote in what they wanted, but 99 00:05:55,000 --> 00:05:58,440 Speaker 1: they had only ten percent of the economic interest in 100 00:05:58,480 --> 00:06:03,200 Speaker 1: the company. Now the Ellisons and that group have seventy 101 00:06:03,240 --> 00:06:05,680 Speaker 1: percent of the economic interest and one hundred percent of 102 00:06:05,720 --> 00:06:08,320 Speaker 1: the voting power, so they have actually even more sway 103 00:06:08,640 --> 00:06:09,400 Speaker 1: over the company. 104 00:06:09,720 --> 00:06:13,080 Speaker 2: The skin in the game is definitely compelling statement. 105 00:06:13,680 --> 00:06:16,159 Speaker 1: Another thing that stood out to me from our questioning 106 00:06:16,400 --> 00:06:19,800 Speaker 1: was that they really David Ellison and Dana Goldberg, who 107 00:06:19,880 --> 00:06:21,640 Speaker 1: was going to have a very big hand in steering 108 00:06:21,680 --> 00:06:25,520 Speaker 1: film and TV there both made a very strong pledge 109 00:06:25,600 --> 00:06:29,880 Speaker 1: to support family programming, truly programming for children. Obviously they 110 00:06:29,880 --> 00:06:32,760 Speaker 1: have Nickelodeon, they have a studio that does family features, 111 00:06:33,000 --> 00:06:35,120 Speaker 1: but they both emphasize that this is a market that 112 00:06:35,160 --> 00:06:38,320 Speaker 1: is very important to them. David Ellison has two young 113 00:06:38,400 --> 00:06:41,120 Speaker 1: daughters at home that is going to influence the way 114 00:06:41,120 --> 00:06:43,200 Speaker 1: he pilots this company, no doubt. 115 00:06:43,200 --> 00:06:45,479 Speaker 2: As a media company. To be a big player, you 116 00:06:45,520 --> 00:06:51,360 Speaker 2: want to cover all the quadrants, and it's kids, sports, news, scripted, unscripted, 117 00:06:51,400 --> 00:06:53,760 Speaker 2: everything and all that takes is money, right. 118 00:06:54,160 --> 00:06:56,640 Speaker 1: You could see the eagerness. You could tell that it's 119 00:06:56,680 --> 00:07:00,480 Speaker 1: been a longslot things that we've covered in depth throughout 120 00:07:00,839 --> 00:07:04,120 Speaker 1: the last months here on Variety. You can tell that 121 00:07:04,200 --> 00:07:06,800 Speaker 1: they are eager to get to work. And of course, 122 00:07:06,960 --> 00:07:08,760 Speaker 1: while a bunch of us were sitting there eating our 123 00:07:08,839 --> 00:07:12,160 Speaker 1: quin wa and salmon salads over there at Paramount, the 124 00:07:12,200 --> 00:07:15,520 Speaker 1: company was making news in other realms. The stock went 125 00:07:15,520 --> 00:07:17,040 Speaker 1: a little crazy. Todd what happened? 126 00:07:17,680 --> 00:07:21,800 Speaker 2: Yeah, No, one is entirely sure. Because on the day 127 00:07:21,800 --> 00:07:25,280 Speaker 2: that they announced the UFC dealed, the stock declined three 128 00:07:25,360 --> 00:07:28,320 Speaker 2: about three point four percent, So you know, that didn't 129 00:07:28,360 --> 00:07:33,120 Speaker 2: seem to be what something that retail investors were going 130 00:07:33,160 --> 00:07:37,920 Speaker 2: to gravitate toward. But today stock went up thirty six percent. 131 00:07:38,640 --> 00:07:39,760 Speaker 1: I mean, that's crazy. 132 00:07:40,240 --> 00:07:44,480 Speaker 2: Jim Kramer, CNBC grasping for an explanation, and is only 133 00:07:44,960 --> 00:07:48,160 Speaker 2: it's a meme stock, you know, which indicates that their 134 00:07:48,800 --> 00:07:52,080 Speaker 2: people or groups of people who are somehow promoting this 135 00:07:52,680 --> 00:07:56,080 Speaker 2: on social media somewhere. You couldn't find a real source 136 00:07:56,080 --> 00:07:58,360 Speaker 2: of who was promoting this stock in this way, but 137 00:07:58,840 --> 00:08:00,560 Speaker 2: it definitely went up and buying today. 138 00:08:01,280 --> 00:08:04,280 Speaker 1: These meme stocks usually seem to revolve around companies that 139 00:08:04,320 --> 00:08:07,880 Speaker 1: are really really into stress or extremely flimsy, and Paramount 140 00:08:07,880 --> 00:08:10,880 Speaker 1: has its problems but it has truly has lots of 141 00:08:10,960 --> 00:08:14,160 Speaker 1: hard assets. And that wasn't the only other headline that 142 00:08:14,240 --> 00:08:17,560 Speaker 1: emerged while we were lunching and schmoozing with the executives. 143 00:08:17,880 --> 00:08:21,320 Speaker 1: One investor, Mario Gabelli, made his feelings known in a 144 00:08:21,360 --> 00:08:24,320 Speaker 1: lawsuit against former owner Sharry Redstone. 145 00:08:24,560 --> 00:08:27,640 Speaker 2: That's right. He'd been talking ever since the deal, even 146 00:08:27,680 --> 00:08:31,000 Speaker 2: before the deal was done last summer, that he wasn't 147 00:08:31,040 --> 00:08:33,680 Speaker 2: sure that this was going to give the other Class 148 00:08:33,679 --> 00:08:37,760 Speaker 2: A investors in Paaramount Global the former Paramount fair shape. 149 00:08:37,800 --> 00:08:42,840 Speaker 2: And he said his company asked for documentation from Paramount 150 00:08:43,200 --> 00:08:46,840 Speaker 2: and National Amusements and they claimed that it just didn't 151 00:08:46,880 --> 00:08:50,360 Speaker 2: provide the transparency to give them assurance that they weren't 152 00:08:50,360 --> 00:08:54,120 Speaker 2: getting cheated effectively on a steal. So the lawsuit is 153 00:08:54,400 --> 00:08:59,520 Speaker 2: alleging that Sharry Redstones National Amusements Ink received sixty bucks 154 00:08:59,559 --> 00:09:03,800 Speaker 2: per share for their Class A voting shares, well Geabelly's 155 00:09:03,880 --> 00:09:08,040 Speaker 2: firm and others similarly situated shore Owders got twenty three 156 00:09:08,080 --> 00:09:10,240 Speaker 2: bucks a share, and that was the twenty three dollars 157 00:09:10,280 --> 00:09:13,520 Speaker 2: to share with public. But he's alleging that Scherry made 158 00:09:13,559 --> 00:09:16,960 Speaker 2: out like a bandit and the other classic stockglders got stiffed. 159 00:09:17,559 --> 00:09:19,840 Speaker 1: Doesn't this stuff all have to be spelled out in 160 00:09:19,880 --> 00:09:22,800 Speaker 1: black and white in these three inch thick SEC filings 161 00:09:22,840 --> 00:09:25,040 Speaker 1: around these kind of deals? Or is there a wiggle 162 00:09:25,120 --> 00:09:28,199 Speaker 1: room because National Amusements itself was private. 163 00:09:29,000 --> 00:09:32,880 Speaker 2: Yeah, it was not disclosed what the per share price 164 00:09:33,679 --> 00:09:36,880 Speaker 2: per SE was going to be for the NAI portion 165 00:09:37,160 --> 00:09:37,400 Speaker 2: of that. 166 00:09:38,080 --> 00:09:40,040 Speaker 1: I remember there was a lot of back and forth 167 00:09:40,160 --> 00:09:43,040 Speaker 1: about that. Well, was Scherry Redstone's overall haul. It's at 168 00:09:43,040 --> 00:09:44,880 Speaker 1: one point it was over two billion, and then I 169 00:09:44,880 --> 00:09:47,440 Speaker 1: think by the end it was neated at one point 170 00:09:47,480 --> 00:09:49,319 Speaker 1: eight if I'm not mistaken. 171 00:09:49,360 --> 00:09:51,240 Speaker 2: Yep, when you back out the debt, that's right. 172 00:09:51,679 --> 00:09:54,840 Speaker 1: Well, never a dull moment covering the Redstones, even as 173 00:09:54,840 --> 00:09:57,520 Speaker 1: they let go of their empire. At the event that 174 00:09:57,600 --> 00:10:00,000 Speaker 1: I attended, I'm just going to say it the best, 175 00:10:00,240 --> 00:10:04,120 Speaker 1: just hands down. George Cheeks a super cool Sam and 176 00:10:04,240 --> 00:10:08,880 Speaker 1: pink suit. He looked very Martha's Vineyard. CBS has been 177 00:10:08,880 --> 00:10:11,640 Speaker 1: through a lot is part of this merger, so here's 178 00:10:11,679 --> 00:10:16,320 Speaker 1: hoping for brighter days for the Tiffany Network and other things. 179 00:10:16,880 --> 00:10:19,040 Speaker 1: Todd is always thank you for helping us sort all 180 00:10:19,040 --> 00:10:19,719 Speaker 1: this stuff out. 181 00:10:19,960 --> 00:10:20,400 Speaker 2: Thank you. 182 00:10:23,440 --> 00:10:25,840 Speaker 1: Next up, we'll hear from Janelle Riley on how she 183 00:10:25,920 --> 00:10:30,040 Speaker 1: assembled this year's very eclectic ten Storytellers to Watch feature. 184 00:10:30,720 --> 00:10:32,640 Speaker 1: Janelle Riley, thanks for joining me. 185 00:10:32,840 --> 00:10:35,480 Speaker 3: Hi, thank you so much for having me a longtime listener, 186 00:10:35,520 --> 00:10:36,960 Speaker 3: first time participant on here. 187 00:10:38,200 --> 00:10:42,000 Speaker 1: We published a feature this week, Ten Storytellers to Watch, 188 00:10:42,080 --> 00:10:44,840 Speaker 1: and you were the person who assembled it. You spearheaded 189 00:10:44,840 --> 00:10:48,400 Speaker 1: the recruiting and the scouting for it. Janelle, what inspired 190 00:10:48,480 --> 00:10:49,480 Speaker 1: this particular list? 191 00:10:50,120 --> 00:10:52,920 Speaker 3: We've had so many like Oscar winners and big names 192 00:10:52,920 --> 00:10:55,440 Speaker 3: come off ten Directors to Watch list, and we do 193 00:10:55,520 --> 00:10:59,000 Speaker 3: ten screenwriters as well, and obviously ten actors. But you know, 194 00:10:59,080 --> 00:11:03,040 Speaker 3: storytellers is such a great word because there's so many 195 00:11:03,160 --> 00:11:05,199 Speaker 3: unique ways to tell a story. You know, so many 196 00:11:05,200 --> 00:11:08,720 Speaker 3: different mediums, and you can do it through music, through words, 197 00:11:08,840 --> 00:11:10,719 Speaker 3: sometimes you can do it without any sound at all. 198 00:11:11,400 --> 00:11:14,880 Speaker 3: So looking for people who are creative and interesting and 199 00:11:14,920 --> 00:11:17,280 Speaker 3: telling stories in new ways, and that could be anything 200 00:11:17,360 --> 00:11:21,559 Speaker 3: from composers to podcasters to playwrights to people who will 201 00:11:21,559 --> 00:11:22,840 Speaker 3: do all three of those things at once. 202 00:11:23,480 --> 00:11:25,840 Speaker 1: Can you give me an example of folks on the 203 00:11:25,880 --> 00:11:29,640 Speaker 1: list that you think epitomize this new reformability to be 204 00:11:29,720 --> 00:11:32,880 Speaker 1: a creator that is not bound by discipline or genre. 205 00:11:33,400 --> 00:11:35,880 Speaker 3: I was not super familiar with what pad, which is 206 00:11:36,000 --> 00:11:40,160 Speaker 3: a site where authors can upload their stories, and one 207 00:11:40,200 --> 00:11:43,640 Speaker 3: of our storytellers to watch, Ariana Goody, got started by 208 00:11:43,720 --> 00:11:46,240 Speaker 3: uploading a story to a website titled Mia More de 209 00:11:46,640 --> 00:11:49,800 Speaker 3: pad My what pad Love, and you developed a big 210 00:11:49,840 --> 00:11:52,400 Speaker 3: following from there and is now, you know, publishing her 211 00:11:52,440 --> 00:11:55,079 Speaker 3: first novels that are also being made into films. 212 00:11:55,520 --> 00:11:58,160 Speaker 1: We've done some interesting stories which you realize is that 213 00:11:58,200 --> 00:12:02,599 Speaker 1: there is such a content ecosystem in Asia and the webtunes, 214 00:12:02,640 --> 00:12:05,760 Speaker 1: as you say, is not only a platform for aspiring writers, 215 00:12:05,800 --> 00:12:10,360 Speaker 1: but also just literary scouts. Now you'll have a bellweather 216 00:12:10,880 --> 00:12:13,520 Speaker 1: for how much people are reading, how much they're reacting 217 00:12:13,559 --> 00:12:17,200 Speaker 1: to a story, how they react to different characters. Variety 218 00:12:17,320 --> 00:12:20,160 Speaker 1: was on the CUSP pair because we had David jay Lee, 219 00:12:20,200 --> 00:12:22,960 Speaker 1: who is the big boss of Webtoon Entertainment, one of 220 00:12:22,960 --> 00:12:26,319 Speaker 1: the biggest publishers based in South Korea but with increasing 221 00:12:26,360 --> 00:12:29,679 Speaker 1: operations in Los Angeles. David jay Lee joined us at 222 00:12:29,679 --> 00:12:32,960 Speaker 1: our entertainment conference at CEES this year, and he was 223 00:12:33,000 --> 00:12:36,360 Speaker 1: a guest on our Strictly Business podcast back in January. 224 00:12:36,760 --> 00:12:39,800 Speaker 1: It's great that you tapped into webtunes as a springboard 225 00:12:39,840 --> 00:12:43,439 Speaker 1: for writing talent. Now I kind of addicted to that site. 226 00:12:43,600 --> 00:12:45,960 Speaker 1: There's a lot of really great writing on there. There's 227 00:12:46,000 --> 00:12:48,600 Speaker 1: so much talent out there. Where did you start in 228 00:12:48,679 --> 00:12:51,320 Speaker 1: terms of scouting and narrowing the list of folks that 229 00:12:51,360 --> 00:12:54,480 Speaker 1: you thought was worthy of inclusion. We start by asking 230 00:12:54,520 --> 00:12:57,560 Speaker 1: for recommendations, you know, from different people in the industry 231 00:12:57,679 --> 00:13:01,000 Speaker 1: or just people we know. It reached out to publishing 232 00:13:01,080 --> 00:13:04,240 Speaker 1: houses to see who were the up and coming authors were, 233 00:13:04,840 --> 00:13:06,680 Speaker 1: but a lot of it really is word of mouth. 234 00:13:06,720 --> 00:13:09,280 Speaker 1: In fact, you gave me a great suggestion that ended 235 00:13:09,360 --> 00:13:12,760 Speaker 1: up making the list. Thank you for including my suggestion. 236 00:13:12,920 --> 00:13:15,360 Speaker 1: Jake Halpern is a very distinctive voice, and I've read 237 00:13:15,360 --> 00:13:19,280 Speaker 1: his byline, I've heard his work on radio and podcast platforms. 238 00:13:19,679 --> 00:13:21,560 Speaker 3: We have a lot of discussions about like what is 239 00:13:21,600 --> 00:13:26,120 Speaker 3: a storyteller and how it encompasses so much and things 240 00:13:26,120 --> 00:13:28,320 Speaker 3: you might not have normally thought of. This year we 241 00:13:28,360 --> 00:13:31,960 Speaker 3: have Heather Christian who is a theater artist who writes books, 242 00:13:32,040 --> 00:13:36,679 Speaker 3: music lyrics, also performs does scores even for adult swim 243 00:13:36,720 --> 00:13:40,280 Speaker 3: programs and for movies for other people. Just a little 244 00:13:40,280 --> 00:13:44,000 Speaker 3: bit of everything, and it's really fun. People can be hyphenates. 245 00:13:44,080 --> 00:13:46,000 Speaker 3: Nobody feels like they have to be one or the 246 00:13:46,080 --> 00:13:48,839 Speaker 3: other anymore. You can work on Broadway and in your 247 00:13:48,840 --> 00:13:51,400 Speaker 3: spare time you can write for adult swim. It is very, 248 00:13:51,559 --> 00:13:55,440 Speaker 3: very mobile time for creative talent, that is for sure. Well, 249 00:13:55,520 --> 00:13:58,640 Speaker 3: all of the storytelling prowess is going to be celebrated 250 00:13:58,720 --> 00:14:02,120 Speaker 3: next week, August seventeenth in the Little Rock at the 251 00:14:02,160 --> 00:14:05,800 Speaker 3: Film Land Festival. A number of the honorees will be 252 00:14:05,880 --> 00:14:09,319 Speaker 3: able to join Variety there at a panel hosted by 253 00:14:09,360 --> 00:14:12,600 Speaker 3: our very own chief film critic, Peter de Bruges. Yes, 254 00:14:13,240 --> 00:14:15,200 Speaker 3: he's very excited to go to Arkansas. You know, I 255 00:14:15,240 --> 00:14:19,200 Speaker 3: was actually in Arkansas recently because the Bentonville Film Festival, 256 00:14:19,440 --> 00:14:23,560 Speaker 3: which is done in conjunction with Gena Davis's Media Institute, 257 00:14:24,000 --> 00:14:25,240 Speaker 3: is also in Arkansas. 258 00:14:26,000 --> 00:14:29,640 Speaker 1: Janelle, thank you for joining me to talk about this list. Absolutely, 259 00:14:29,680 --> 00:14:35,119 Speaker 1: thank you so much. As we close out today's episode, 260 00:14:35,280 --> 00:14:38,600 Speaker 1: here's a few things we're watching for today. In New York, 261 00:14:38,880 --> 00:14:42,040 Speaker 1: Variety and Rolling Stone are hosting our fifth annual truth 262 00:14:42,120 --> 00:14:47,440 Speaker 1: Seekers event, showcasing documentary content. We'll have highlights in Monday's episode. 263 00:14:48,200 --> 00:14:51,000 Speaker 1: Variety is about to go on a big festival run 264 00:14:51,080 --> 00:14:54,200 Speaker 1: for the rest of August. On Saturday, we'll publish the 265 00:14:54,240 --> 00:14:57,280 Speaker 1: first of three digital show dailies out of the Sarajevo 266 00:14:57,360 --> 00:15:00,840 Speaker 1: Film Festival. On Sunday, we'll have the first of three 267 00:15:00,880 --> 00:15:06,240 Speaker 1: digital dailies out of the san Fik Industria Festival in Santiago, Chile. 268 00:15:07,000 --> 00:15:10,040 Speaker 1: On Monday, we're on the coast of Norway at the 269 00:15:10,080 --> 00:15:14,600 Speaker 1: Haggisond Film Festival. And week after next comes the Venice 270 00:15:14,640 --> 00:15:18,200 Speaker 1: Film Festival, which runs August twenty seventh through September ninth. 271 00:15:18,640 --> 00:15:23,320 Speaker 1: We'll have a large contingent there. We'll publish five festival 272 00:15:23,320 --> 00:15:26,680 Speaker 1: print dailies on site in the city of Canals, and 273 00:15:26,800 --> 00:15:30,520 Speaker 1: we'll also have six digital dailies, plus some other cool 274 00:15:30,560 --> 00:15:33,440 Speaker 1: stuff that is coming together. There's a lot to cover 275 00:15:34,040 --> 00:15:37,760 Speaker 1: before we go. Congrats to Rebecca Hable, the theater veteran 276 00:15:37,800 --> 00:15:40,800 Speaker 1: has been named managing director of the Roundabout Theater Company. 277 00:15:41,040 --> 00:15:44,840 Speaker 1: Starting next year. She returns to the beloved New York 278 00:15:44,880 --> 00:15:48,400 Speaker 1: institution after spending the past six years with the Harold 279 00:15:48,440 --> 00:15:51,880 Speaker 1: and Miriam Steinberg Theater Center and what is now the 280 00:15:51,920 --> 00:15:55,920 Speaker 1: Todd Haymes Theater on Broadway. Thanks for listening. This episode 281 00:15:56,000 --> 00:15:59,680 Speaker 1: was written and reported by me Cynthia Littleton, with contributions 282 00:15:59,720 --> 00:16:03,000 Speaker 1: from Todd Spangler and Janelle Riley. It was edited by 283 00:16:03,040 --> 00:16:07,480 Speaker 1: Aaron Greenwald. Stick's Next hick Picks. Please leave us a 284 00:16:07,520 --> 00:16:10,360 Speaker 1: review at the podcast platform of your choice, and please 285 00:16:10,400 --> 00:16:14,760 Speaker 1: tune in Monday for another episode of Daily Variety.