WEBVTT - #697 - Karma, Failure & Vulnerability

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<v Speaker 1>Hey, everybody. I've never really been someone to believe in karma.

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<v Speaker 1>I don't think there's some invisible scorekeeper that is watching

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<v Speaker 1>everything and then handing out rewards when we're good and

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<v Speaker 1>punishments when we're bad, mostly because I know really good

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<v Speaker 1>people that have had terrible circumstances and tragedies. And I

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<v Speaker 1>know some awful people that have had really great things

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<v Speaker 1>happen to them and they would continue to land on

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<v Speaker 1>their feet. I don't feel like life generally is fair

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<v Speaker 1>enough to explain that karma is sitting around rewarding people equally.

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<v Speaker 1>So not a karma guy. However, I do believe that

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<v Speaker 1>the people you keep yourself close to and the situations

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<v Speaker 1>that you put yourself in shape your odds. It's a

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<v Speaker 1>bit of math, linear, logically. You spend time around kind,

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<v Speaker 1>honest people who want to do something with their lives.

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<v Speaker 1>You generally and genuinely start to have that rub off

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<v Speaker 1>on you. And it starts to affect you even when

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<v Speaker 1>you don't even realize that. They encourage you. They tell

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<v Speaker 1>you the truth, even when it's not comfortable. They introduce

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<v Speaker 1>you to somebody they can help you. Or they mention

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<v Speaker 1>an opportunity that you take, or they remind you that

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<v Speaker 1>you're probably more capable than you think. And maybe it

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<v Speaker 1>doesn't change your life overnight, but those little moments can

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<v Speaker 1>add up. And maybe it doesn't feel like lightning bolt karma,

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<v Speaker 1>but all those micro decisions that you're making do end

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<v Speaker 1>up making, for the most part, a macro happy life.

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<v Speaker 1>It works the other way too. If you're always around

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<v Speaker 1>people who are angry or reckless or pulling you into

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<v Speaker 1>one bad decision after another, pretty soon that starts to

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<v Speaker 1>feel normal. Think about chaotic people. If you surround yourself

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<v Speaker 1>with chaotic people, you're always going to live in chaos.

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<v Speaker 1>And what happens in chaos? Well, chaotic things. And it's

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<v Speaker 1>weird to go, karma must be getting me because everything's chaotic.

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<v Speaker 1>For the most part, you've put yourself, just a the

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<v Speaker 1>bad choices are going to catch up with you. You

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<v Speaker 1>might miss good opportunities. Sometimes because you're dealing with the

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<v Speaker 1>fallout from the last opportunity. Again, this doesn't mean everybody

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<v Speaker 1>around you has to be perfect. It just means the

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<v Speaker 1>people and the places that you spend the most time

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<v Speaker 1>have an absolute influence on you, on what you think,

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<v Speaker 1>on what you think is normal, on what you think

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<v Speaker 1>is possible. All those are affected. I think about this

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<v Speaker 1>a little bit now because I've I have a baby.

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<v Speaker 1>She's seven months old, about to be eight. And I

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<v Speaker 1>don't really want to teach her that if you just

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<v Speaker 1>do good, maybe the karma blows in like a gust

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<v Speaker 1>of wind and helps you out. I want to teach

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<v Speaker 1>her that if you just generally point in a direction,

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<v Speaker 1>things from that direction are going to come into your purview.

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<v Speaker 1>And so let me be clear about this because I'll

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<v Speaker 1>get to a point here in a second. I don't

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<v Speaker 1>think it means if something bad happens to you, you

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<v Speaker 1>brought it on yourself. even mathematically speaking. I don't think

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<v Speaker 1>that at all. Good people get sick. Good people lose

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<v Speaker 1>people they love. Bad things happen to people that absolutely

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<v Speaker 1>do not deserve it. I don't believe the world works

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<v Speaker 1>as a very neat, simple equation as much as I'm

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<v Speaker 1>talking about math here. I do believe though, mostly in probabilities,

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<v Speaker 1>like probably this is going to happen if you do

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<v Speaker 1>it most of the time. So I do think we

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<v Speaker 1>have influence on our surroundings and sometimes more than we

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<v Speaker 1>like to admit. Who do you call when you need advice?

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<v Speaker 1>Who are you around when you're making decisions? I think

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<v Speaker 1>about this to teenagers. When I was a teenager, like

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<v Speaker 1>who did I surround myself with that put me in

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<v Speaker 1>a place to actually be a functioning, a hopefully giving

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<v Speaker 1>back to society, young adult, and then main adult. And

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<v Speaker 1>I think a lot of parents probably have to deal

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<v Speaker 1>with this with their kids. Like how do you get

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<v Speaker 1>them in the right environment? They're not going to make

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<v Speaker 1>every decision right. They're kids, but can they make a

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<v Speaker 1>lot right that put them in the best place? Who

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<v Speaker 1>are they eating lunch with? Who are they hanging out

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<v Speaker 1>with on Friday night? Maybe luck's a part of it.

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<v Speaker 1>I'm also not a big luck guy. It's a whole

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<v Speaker 1>different topic. Maybe timing is a part of it, but

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<v Speaker 1>more often than not, when you put yourself around good

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<v Speaker 1>people and good situations and Good things are more likely

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<v Speaker 1>to find you. And when you keep choosing the opposite,

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<v Speaker 1>the opposite is more likely to find you too. That

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<v Speaker 1>isn't karma. That's the effect of what and who you

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<v Speaker 1>keep close. Now, hopefully you can remember that. On my

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<v Speaker 1>computer that I have right here, I keep a list

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<v Speaker 1>of people that I really don't like. My therapist says,

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<v Speaker 1>he doesn't love that I do this. But I keep

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<v Speaker 1>a list in my notes app. People I'm feuding with.

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<v Speaker 1>It never goes more than 10. And I don't root

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<v Speaker 1>for bad things to happen to them. If they do,

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<v Speaker 1>I don't care as much. I don't really think about them.

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<v Speaker 1>But I want to be reminded, oh, I don't want

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<v Speaker 1>to be around those people. I don't want to have

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<v Speaker 1>anything to do with those people. Now, I have had people...

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<v Speaker 1>on my list that we have made amends and they

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<v Speaker 1>were pulled from my list one of them Kentucky Sports

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<v Speaker 1>Radio's Matt Jones we were good friends he came to

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<v Speaker 1>my wedding we had a bit of a falling out

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<v Speaker 1>I put him on my list of people I'm feuding

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<v Speaker 1>with we had a good talk after he's no longer

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<v Speaker 1>someone I'm feuding with but I have this list and

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<v Speaker 1>again I don't think about the people on this list

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<v Speaker 1>I don't root for bad things to happen to them

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<v Speaker 1>And remember all the stuff about karma, right? Don't believe

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<v Speaker 1>in karma, but I believe if you keep doing bad,

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<v Speaker 1>it's a numbers game. Eventually bad is going to happen

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<v Speaker 1>to you. In my professional world, I have people that

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<v Speaker 1>will come after me because they know if I fight back,

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<v Speaker 1>they will be platformed. Something I've spoken about many times.

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<v Speaker 1>So it's hard for me as someone who is highly competitive, unhealthily,

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<v Speaker 1>wholly insecure, unhealthily. And I'm an eight, so I'm a challenger.

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<v Speaker 1>Every part of me just wants to punch them in

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<v Speaker 1>the face. And there's this one, we'll just say this

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<v Speaker 1>unit that constantly begs for me to fight. And they

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<v Speaker 1>say some really nasty things about me. And for me,

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<v Speaker 1>I know it's better for them If I engage and interact.

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<v Speaker 1>So I don't. I'd love to. Because they're the worst.

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<v Speaker 1>Literally the worst. I don't believe in karma. What's been

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<v Speaker 1>happening with this unit? I wouldn't root for bad. But

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<v Speaker 1>we're starting to see the numbers catch up. one after

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<v Speaker 1>the other, after the other. And I'm going to be

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<v Speaker 1>a bit vague here, but I think maybe we can

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<v Speaker 1>put the pieces together and see that things aren't shaping

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<v Speaker 1>up so good over and over again. And it's not

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<v Speaker 1>karma because you're a bad person. It's you're a bad

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<v Speaker 1>person so often that bad things eventually happen back. Congratulations.

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<v Speaker 1>You suck and now sucky things are happening to you.

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<v Speaker 1>That's my TED talk on karma with a slight vague

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<v Speaker 1>dig added in without platforming someone on my list of

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<v Speaker 1>people I'm feuding with. Congratulations on your last few months.

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<v Speaker 1>That's number one. Number two, and I'm going to talk

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<v Speaker 1>to you guys here and I'm not going to clip this. Now,

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<v Speaker 1>a lot of what we do It has to be

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<v Speaker 1>consumed in different parts for us to actually make a

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<v Speaker 1>good living off of it. If you're any sort of creator,

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<v Speaker 1>you basically have three ways that you can create. You

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<v Speaker 1>have the audio part, which this podcast goes on to

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<v Speaker 1>audio feed. And my audio feed does really well, which

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<v Speaker 1>is great because I've been podcasting since 2006. And luckily,

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<v Speaker 1>I have folks that keep coming back. And I appreciate

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<v Speaker 1>that so much. I've never lost people. sight of who

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<v Speaker 1>I am I've definitely changed which we all do as

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<v Speaker 1>we get older I'm not the same person that I

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<v Speaker 1>was at age 25 but I would like to think

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<v Speaker 1>that I am still compellingly authentic that doesn't mean you

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<v Speaker 1>have to agree with everything I say doesn't mean you

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<v Speaker 1>have to like everything I say it doesn't mean you

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<v Speaker 1>have to like me all the time because you don't

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<v Speaker 1>do that with your friends you don't like your friends

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<v Speaker 1>all the time you don't like everything about them but

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<v Speaker 1>what I appreciate is with you guys that listen to

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<v Speaker 1>me regularly or that watch me regularly is that you

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<v Speaker 1>don't put an unfair expectation on me to be perfect

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<v Speaker 1>because I don't present myself as that. I present myself

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<v Speaker 1>as someone who will read you a list of people

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<v Speaker 1>I'm feuding with because I'm so insecure. And then my

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<v Speaker 1>therapist says, you shouldn't do that. But I do anyway.

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<v Speaker 1>I know a lot of my faults and flaws. I

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<v Speaker 1>have really good awareness of that. And I'm at the

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<v Speaker 1>age now where that okay. Good. Like I know what

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<v Speaker 1>my ceiling is, but I have a great appreciation for

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<v Speaker 1>everybody that has been riding with me for decades that

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<v Speaker 1>has allowed me to have a really happy and successful

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<v Speaker 1>career and have a great appreciation for people that just

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<v Speaker 1>started riding with me. And so I try to be honest,

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<v Speaker 1>from me. I don't know that I'm always telling the truth,

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<v Speaker 1>but I don't think I lie on purpose. I don't

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<v Speaker 1>think I mislead on purpose. I've just been wrong at times.

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<v Speaker 1>And so I come on and I share things and

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<v Speaker 1>I appreciate the support. And I appreciate at times when

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<v Speaker 1>you don't support, but then you still come back, right?

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<v Speaker 1>I've been able to build this, this business into something

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<v Speaker 1>pretty good. And the three ways you make money is audio.

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<v Speaker 1>The first one, the second one is video. And luckily video-wise,

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<v Speaker 1>I have a really wonderful, substantial deal with Netflix and

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<v Speaker 1>it's a fantastic contract and we're still in the middle

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<v Speaker 1>of it and we're doing a lot of episodes and

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<v Speaker 1>it has been a really great working relationship. And so

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<v Speaker 1>thank you for everybody watching on Netflix. The third way,

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<v Speaker 1>because you have audio and you have video, and that's

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<v Speaker 1>the long form video, is there's a clipping, right? And

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<v Speaker 1>so We clip all kinds of stuff. If something is impactful,

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<v Speaker 1>if it's a moment or if it's a minute and

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<v Speaker 1>a half, we clip it. And sometimes even in interviews,

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<v Speaker 1>like I have Billy Corgan from Smashing Pumpkins coming up.

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<v Speaker 1>I'm like, hey, we're going to do this part of

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<v Speaker 1>the interview. And he knows. He's like, oh, you're going

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<v Speaker 1>to clip this.

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<v Speaker 2>Yeah.

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<v Speaker 1>So we've got those three ways. And clipping really for

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<v Speaker 1>me does not make me any money because all that's

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<v Speaker 1>doing is like helping my social media. I don't make

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<v Speaker 1>any money off social media. I don't do brand deals.

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<v Speaker 1>So Instagram, I don't get paid anything. Twitter. That's just

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<v Speaker 1>basically a terrorist attack over there. I don't even know

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<v Speaker 1>what Twitter is anymore. TikTok, I don't make any money.

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<v Speaker 1>When I got on TikTok, I got into the, whatever

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<v Speaker 1>the program is for creators, it's the creator fund. And

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<v Speaker 1>I feel like even if it's unfair, I could be wrong,

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<v Speaker 1>that as soon as I got into that creator fund,

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<v Speaker 1>my videos were starting to get suppressed because who wants

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<v Speaker 1>to pay out? I get it. But those are the

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<v Speaker 1>three ways. And what I'm going to say now, we're

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<v Speaker 1>not going to clip. All that to say, we're not

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<v Speaker 1>going to clip this Because I'm going to keep it

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<v Speaker 1>only in this space because if anybody sees this, I

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<v Speaker 1>would hope they don't use this for their own ammunition

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<v Speaker 1>or use it against me. Because I'm going to be

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<v Speaker 1>vulnerable here and I'm going to share with you some

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<v Speaker 1>ideas that over the past few years I have created,

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<v Speaker 1>gotten to different stages with, and haven't crossed the finish

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<v Speaker 1>line as far as production deals for television shows, etc.

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<v Speaker 1>And it's going to get to the idea that I

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<v Speaker 1>sent out last night. And normally I would never share

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<v Speaker 1>these ideas when they're still in the works. Because, well,

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<v Speaker 1>you could be like, well, I don't want to jinx it,

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<v Speaker 1>but I don't want anybody to steal it before somebody

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<v Speaker 1>says no to it. But I'm going to leave it here.

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<v Speaker 1>No one's going to clip it. Just me and you talking.

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<v Speaker 1>All good. I'll tell you an idea that I really

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<v Speaker 1>thought was going to get far. A couple of years ago,

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<v Speaker 1>I sent a voicemail to the head of Nat Geo.

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<v Speaker 1>She's the president of Nat Geo. I'd done a couple

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<v Speaker 1>of shows with her. She's awesome. Her name's Courtney Monroe.

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<v Speaker 1>And she's Nat Geo, Disney Plus. And I told her

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<v Speaker 1>about this idea that I had. And I said, I

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<v Speaker 1>want to do this show called Take Me to Your Leader. Now,

0:13:26.280 --> 0:13:28.660
<v Speaker 1>if you watch any sort of alien television shows in

0:13:28.679 --> 0:13:30.120
<v Speaker 1>the 80s or 90s, they'd be like, take me to

0:13:30.140 --> 0:13:32.580
<v Speaker 1>your leader. They want to be taken to whoever the

0:13:32.600 --> 0:13:34.950
<v Speaker 1>leader was in America. They take us to the president.

0:13:35.550 --> 0:13:37.229
<v Speaker 1>My idea was to show up to a foreign country.

0:13:38.090 --> 0:13:39.150
<v Speaker 1>And the show was going to be called Take Me

0:13:39.170 --> 0:13:42.270
<v Speaker 1>to Your Leader. And I would just go spend the

0:13:42.290 --> 0:13:46.490
<v Speaker 1>day with whomever the president or chancellor or or prime

0:13:46.530 --> 0:13:51.000
<v Speaker 1>minister was with almost no knowledge of them, go to

0:13:51.020 --> 0:13:55.200
<v Speaker 1>where they're from. I'm not intimidated by them. I guess

0:13:55.240 --> 0:13:57.219
<v Speaker 1>I would have respect for the office, but since I

0:13:57.240 --> 0:14:02.680
<v Speaker 1>don't live there, the office does not hold like the

0:14:02.710 --> 0:14:07.430
<v Speaker 1>same power. The office doesn't hold, you know, there's nothing

0:14:07.530 --> 0:14:10.030
<v Speaker 1>about it that like the president, I'm like, I'll never

0:14:10.050 --> 0:14:11.850
<v Speaker 1>meet a president. That's crazy. The president's a whole different thing.

0:14:12.130 --> 0:14:14.810
<v Speaker 1>If you're the prime minister of Zubakistan, I don't give

0:14:14.830 --> 0:14:17.920
<v Speaker 1>a crap. That's cool. So I wanted to go do

0:14:17.960 --> 0:14:19.560
<v Speaker 1>this show and look at these people that I didn't

0:14:19.620 --> 0:14:24.800
<v Speaker 1>know that were these leaders and do a profile piece

0:14:24.860 --> 0:14:28.540
<v Speaker 1>on them from my perspective. And then at the end,

0:14:28.580 --> 0:14:30.520
<v Speaker 1>give my feedback on what I thought about them, not

0:14:30.580 --> 0:14:33.250
<v Speaker 1>knowing where they stood on anything. And so I called

0:14:33.260 --> 0:14:33.970
<v Speaker 1>her and I said, hey, I want to go to

0:14:33.990 --> 0:14:35.270
<v Speaker 1>these countries. How do I get in touch with different

0:14:35.290 --> 0:14:37.830
<v Speaker 1>presidents around the world? Bold idea, because I was just

0:14:37.850 --> 0:14:42.330
<v Speaker 1>going to do it online. And she said, you're nuts.

0:14:43.210 --> 0:14:44.450
<v Speaker 1>I said, why? She goes, do you think you can

0:14:44.470 --> 0:14:47.510
<v Speaker 1>just email presidents And they would just answer and say, yeah,

0:14:47.550 --> 0:14:50.670
<v Speaker 1>come on over and spend the day here. And I said, oh,

0:14:50.710 --> 0:14:52.550
<v Speaker 1>so you're saying no. She goes, no, I think you're

0:14:52.570 --> 0:14:55.070
<v Speaker 1>so nuts. I've never heard anyone talk about it like that.

0:14:55.110 --> 0:14:56.910
<v Speaker 1>People have done travel shows. But to say, take me

0:14:56.930 --> 0:14:57.930
<v Speaker 1>to your leader and just want to go hang out

0:14:57.950 --> 0:14:59.670
<v Speaker 1>with the president of every country and get to know them.

0:15:00.050 --> 0:15:03.050
<v Speaker 1>She goes, that's interesting. So this is the fun part

0:15:03.080 --> 0:15:05.680
<v Speaker 1>about it. She says, I think that's a very interesting idea.

0:15:05.700 --> 0:15:10.240
<v Speaker 1>I'm going to introduce you to someone that I think

0:15:10.300 --> 0:15:14.340
<v Speaker 1>you guys would really have a lot in common. And

0:15:14.380 --> 0:15:17.310
<v Speaker 1>maybe an idea can come from this. I said, great.

0:15:17.850 --> 0:15:19.310
<v Speaker 1>I said, who's that person? She goes, I'm going to

0:15:19.330 --> 0:15:21.730
<v Speaker 1>put you on text now. So the president of Nat Geo,

0:15:21.750 --> 0:15:24.110
<v Speaker 1>Courtney Monroe, puts me on a group text with Mariana

0:15:24.130 --> 0:15:27.290
<v Speaker 1>Van Zeller, who has now been on this show multiple times.

0:15:27.830 --> 0:15:31.430
<v Speaker 1>She had the show trafficked. She just had the romance

0:15:31.450 --> 0:15:34.120
<v Speaker 1>scammer show, the documentary that was out. Again, she's been

0:15:34.140 --> 0:15:37.500
<v Speaker 1>on the Bobbycast twice. She is my favorite guest. She

0:15:37.920 --> 0:15:40.960
<v Speaker 1>basically lived with cartels for a while to report on them.

0:15:41.020 --> 0:15:44.940
<v Speaker 1>She risks her life constantly. That's really how we got

0:15:44.960 --> 0:15:46.760
<v Speaker 1>to know each other. We had a show on Nat

0:15:46.800 --> 0:15:50.300
<v Speaker 1>Geo at the same time, and her show followed mine,

0:15:50.320 --> 0:15:51.500
<v Speaker 1>but I didn't know her. I just knew of her,

0:15:51.520 --> 0:15:53.440
<v Speaker 1>and I would watch her show and go, holy cow,

0:15:53.460 --> 0:15:56.920
<v Speaker 1>she's with people that are stealing cars and selling them

0:15:56.940 --> 0:15:58.520
<v Speaker 1>on the black market, and she's reporting on that. How

0:15:58.580 --> 0:16:00.940
<v Speaker 1>is she not getting murdered all the time? Little did

0:16:00.980 --> 0:16:04.490
<v Speaker 1>I know we would become friends later because of Courtney Monroe,

0:16:04.780 --> 0:16:08.550
<v Speaker 1>the president over there, linking us together. And so before

0:16:08.930 --> 0:16:11.370
<v Speaker 1>Mariana Benzela did anything with me over on my shows—

0:16:12.390 --> 0:16:14.270
<v Speaker 1>She said, I think that idea is very interesting. She

0:16:14.290 --> 0:16:17.130
<v Speaker 1>has a production company. It's called Muck Media. She said,

0:16:17.230 --> 0:16:19.790
<v Speaker 1>why don't you come to LA? Let's sit with our

0:16:19.810 --> 0:16:22.940
<v Speaker 1>whole team and go through all of your ideas and

0:16:22.980 --> 0:16:24.380
<v Speaker 1>see where we can come. So we go and we

0:16:24.400 --> 0:16:27.700
<v Speaker 1>had multiple meetings and it then started getting pitched to networks.

0:16:27.720 --> 0:16:32.680
<v Speaker 1>And we were getting medium feedback. Occasionally someone would come

0:16:32.710 --> 0:16:36.310
<v Speaker 1>back and they'd have more questions. And at one point

0:16:36.350 --> 0:16:37.550
<v Speaker 1>we thought for a second it was going to get

0:16:37.570 --> 0:16:41.220
<v Speaker 1>picked up. And the idea had slowly disappeared. changed a

0:16:41.240 --> 0:16:42.920
<v Speaker 1>little bit over time because depending on what a network

0:16:42.940 --> 0:16:44.920
<v Speaker 1>wants to buy and it's been very tough to get

0:16:45.000 --> 0:16:50.480
<v Speaker 1>networks to buy anything recently and that show did not

0:16:51.440 --> 0:16:53.860
<v Speaker 1>in the end get picked up and I thought Take

0:16:53.900 --> 0:16:56.770
<v Speaker 1>Me to Your Leader was a pretty good show and

0:16:56.790 --> 0:17:00.450
<v Speaker 1>a pretty good idea also I just wanted the free

0:17:00.490 --> 0:17:03.030
<v Speaker 1>trips to all these countries and to get pictures of

0:17:03.070 --> 0:17:06.210
<v Speaker 1>me and all these presidents so that's one idea that

0:17:06.230 --> 0:17:08.990
<v Speaker 1>didn't get picked up it's still kind of out there

0:17:09.630 --> 0:17:11.890
<v Speaker 1>I then also thought about doing that same idea, take

0:17:11.930 --> 0:17:13.910
<v Speaker 1>me to your leader as a podcast, but I wouldn't

0:17:13.930 --> 0:17:17.409
<v Speaker 1>do presidents. I would go talk to different CEOs and different,

0:17:18.030 --> 0:17:20.030
<v Speaker 1>I don't want to just go to all sports, but

0:17:20.090 --> 0:17:23.389
<v Speaker 1>different leaders in general here domestically in the States or

0:17:23.590 --> 0:17:25.609
<v Speaker 1>in North America. And it was a very much a

0:17:25.670 --> 0:17:29.020
<v Speaker 1>leadership type podcast. I did a book. My second book

0:17:29.040 --> 0:17:31.040
<v Speaker 1>was called fail until you don't and how to succeed,

0:17:31.619 --> 0:17:36.320
<v Speaker 1>except I wasn't giving away any sort of miraculous cure

0:17:36.340 --> 0:17:38.909
<v Speaker 1>or snake oil, or it was just, These are the

0:17:38.990 --> 0:17:44.070
<v Speaker 1>pragmatic steps to actually win. And I think a lot

0:17:44.090 --> 0:17:46.990
<v Speaker 1>of times we don't focus on the real practical stuff.

0:17:47.010 --> 0:17:49.859
<v Speaker 1>We focus on how do we get there the fastest

0:17:49.900 --> 0:17:53.240
<v Speaker 1>and the highest. And a lot of times that's the

0:17:53.300 --> 0:17:55.960
<v Speaker 1>worst idea because you have to really grab one ladder

0:17:56.020 --> 0:17:58.879
<v Speaker 1>rung at a time for the most part. And I

0:17:58.900 --> 0:18:02.219
<v Speaker 1>think Nick Saban's the one that said it. Never let

0:18:02.260 --> 0:18:04.909
<v Speaker 1>a failure go to waste. I think a lot of

0:18:04.930 --> 0:18:06.469
<v Speaker 1>times we do let failures go to waste. And what

0:18:06.510 --> 0:18:08.909
<v Speaker 1>I mean by that is When it doesn't work out,

0:18:08.950 --> 0:18:11.510
<v Speaker 1>because eventually, inevitably, it's not going to work out, if

0:18:11.590 --> 0:18:15.409
<v Speaker 1>anything that you're doing is worth it, sometimes it's not

0:18:15.430 --> 0:18:19.810
<v Speaker 1>going to work. Don't fail and not learn something from it,

0:18:19.840 --> 0:18:24.800
<v Speaker 1>especially if you want to keep doing it. Like my, well, heights.

0:18:25.880 --> 0:18:28.700
<v Speaker 1>Other than heights. My greatest fear is for me to

0:18:28.770 --> 0:18:33.169
<v Speaker 1>fail at something and learn nothing from it. It's not

0:18:33.190 --> 0:18:35.770
<v Speaker 1>me trying something and it not working. I do that

0:18:35.850 --> 0:18:40.660
<v Speaker 1>all the time. My career is that. It's me trying something,

0:18:41.040 --> 0:18:43.580
<v Speaker 1>it not working, and me not being any smarter at

0:18:43.640 --> 0:18:46.619
<v Speaker 1>all because of it. That's the worst. That's the fear.

0:18:46.640 --> 0:18:56.590
<v Speaker 1>I probably 99 to 1 on ideas that I have,

0:18:56.690 --> 0:18:59.020
<v Speaker 1>that I spend time on, that I work through, that

0:18:59.119 --> 0:19:02.139
<v Speaker 1>actually don't to do get picked up or used in

0:19:02.160 --> 0:19:07.639
<v Speaker 1>some form. 99 no's. Hopefully one yes. It's not even

0:19:07.660 --> 0:19:12.840
<v Speaker 1>a full yes. So that idea went from the beginning

0:19:13.500 --> 0:19:15.760
<v Speaker 1>and it still lives in me a little bit because

0:19:15.780 --> 0:19:18.320
<v Speaker 1>I think it could be turned into something else. I

0:19:18.320 --> 0:19:19.720
<v Speaker 1>think Take Me to Your Leader could be any kind

0:19:19.740 --> 0:19:22.230
<v Speaker 1>of leader. It could be any series here. Still pretty good.

0:19:22.250 --> 0:19:24.030
<v Speaker 1>I think we could do that even here on Netflix.

0:19:24.430 --> 0:19:25.870
<v Speaker 1>And I go sit with leaders and it's a Take

0:19:25.890 --> 0:19:28.310
<v Speaker 1>Me to Your Leader type show. Like I have a

0:19:28.369 --> 0:19:30.570
<v Speaker 1>parenting show that sometimes I jump into. We haven't done

0:19:30.590 --> 0:19:33.130
<v Speaker 1>it in a bit, but the parenting show is called,

0:19:33.150 --> 0:19:37.450
<v Speaker 1>it's not called My Two Dads. What was that one called?

0:19:37.830 --> 0:19:41.169
<v Speaker 1>Father knows less. Father knows less. Okay. It's like a

0:19:41.290 --> 0:19:43.520
<v Speaker 1>parody of Father Knows Best, which also was like a

0:19:43.540 --> 0:19:46.790
<v Speaker 1>black and white TV show. So that was number one

0:19:46.830 --> 0:19:48.510
<v Speaker 1>that didn't work out. A lot of times I'll get

0:19:48.550 --> 0:19:50.980
<v Speaker 1>people that come to me. and say, hey, you should

0:19:51.040 --> 0:19:55.399
<v Speaker 1>really try to do something based around Dancing with the

0:19:55.420 --> 0:19:57.820
<v Speaker 1>Stars since you won the show. And I'm not really

0:19:57.880 --> 0:20:00.470
<v Speaker 1>involved officially, but I do talk about it a good amount.

0:20:00.970 --> 0:20:02.750
<v Speaker 1>It gets brought up to me more than I talk

0:20:02.790 --> 0:20:05.690
<v Speaker 1>about it. And for the most part, I really only

0:20:05.770 --> 0:20:09.330
<v Speaker 1>stay and talk about it during shows. the season, because

0:20:09.350 --> 0:20:10.590
<v Speaker 1>I know that's going to get a lot of clicks,

0:20:10.950 --> 0:20:13.209
<v Speaker 1>but I get TV producers sometimes hit me up going, Hey,

0:20:13.270 --> 0:20:15.510
<v Speaker 1>what do you have? Do you think we'll be interesting

0:20:15.530 --> 0:20:17.850
<v Speaker 1>about dancing with the stars? And at one point I

0:20:17.910 --> 0:20:22.040
<v Speaker 1>wrote a script. It wasn't a full pilot, but I

0:20:22.080 --> 0:20:26.040
<v Speaker 1>wrote a miniature pilot, a pilot is what we call

0:20:26.060 --> 0:20:30.320
<v Speaker 1>in the industry. It's really not a term, but I

0:20:30.359 --> 0:20:33.050
<v Speaker 1>wrote it and it was a parody of dancing with

0:20:33.070 --> 0:20:36.850
<v Speaker 1>the stars and And it included a lot of what

0:20:36.890 --> 0:20:39.129
<v Speaker 1>I learned about behind the scenes and the TV production

0:20:39.150 --> 0:20:42.280
<v Speaker 1>part of it. But we were using, it was scripted

0:20:42.300 --> 0:20:44.160
<v Speaker 1>and it was a comedy, but we were using actual

0:20:44.180 --> 0:20:51.760
<v Speaker 1>real celebrities playing themselves in it. So let's say James

0:20:51.780 --> 0:20:53.940
<v Speaker 1>Franco was going to be one of the people on

0:20:53.960 --> 0:20:58.050
<v Speaker 1>Dancing with the Stars. James Franco would play himself. And

0:20:58.090 --> 0:21:00.190
<v Speaker 1>I think that inspiration, because I'm trying to think back

0:21:00.230 --> 0:21:04.420
<v Speaker 1>as to why I had the idea to put people

0:21:04.460 --> 0:21:07.600
<v Speaker 1>playing themselves in it. Jury Duty was the show. And

0:21:07.820 --> 0:21:11.860
<v Speaker 1>in that show, Jury Duty, the real good looking guy,

0:21:12.359 --> 0:21:15.840
<v Speaker 1>is his name James too? The actor, he was in

0:21:15.880 --> 0:21:20.680
<v Speaker 1>Sonic the Hedgehog. That dude, he played himself and he

0:21:20.720 --> 0:21:24.720
<v Speaker 1>was a celebrity. Yeah, this dude's like 55 or something

0:21:24.740 --> 0:21:28.850
<v Speaker 1>and still looks like he's 25. James Marsden, Sonic the

0:21:28.890 --> 0:21:31.950
<v Speaker 1>freaking Hedgehog dude. And I thought that was so interesting.

0:21:31.970 --> 0:21:35.550
<v Speaker 1>He was playing himself in that show where it was

0:21:35.570 --> 0:21:37.210
<v Speaker 1>a comedy, but the person didn't know that it was

0:21:37.230 --> 0:21:38.570
<v Speaker 1>all set up. I thought, what if we did a

0:21:38.590 --> 0:21:41.410
<v Speaker 1>Dancing with the Stars comedy? We couldn't call it that.

0:21:42.109 --> 0:21:44.190
<v Speaker 1>And then we had four or five real celebrities playing themselves, right?

0:21:45.340 --> 0:21:49.219
<v Speaker 1>That show, I thought it was getting picked up. And

0:21:49.540 --> 0:21:51.580
<v Speaker 1>I had written me a very small role in it

0:21:52.060 --> 0:21:53.680
<v Speaker 1>because I created it and I was just going to

0:21:53.700 --> 0:21:55.780
<v Speaker 1>be the host of the show, which fun fact, they

0:21:55.800 --> 0:21:57.060
<v Speaker 1>had talked to me forever about being the host of

0:21:57.080 --> 0:21:59.000
<v Speaker 1>the show. And they're like, you're the guy, you're the guy.

0:21:59.500 --> 0:22:00.859
<v Speaker 1>And I thought I was the guy until one day

0:22:00.900 --> 0:22:03.840
<v Speaker 1>they said, I mean, my, my, Twitter just said, Tyra

0:22:03.880 --> 0:22:05.220
<v Speaker 1>Banks hired as a new host. I was like, no,

0:22:05.330 --> 0:22:07.770
<v Speaker 1>they're hiring me. They must have tweeted this out wrong.

0:22:08.350 --> 0:22:10.550
<v Speaker 1>I've been in meetings. They said they're hiring me. So

0:22:10.630 --> 0:22:15.129
<v Speaker 1>there was definitely talk to me. We were having not

0:22:15.410 --> 0:22:19.290
<v Speaker 1>active negotiations, but we were having logistics conversations about me

0:22:19.330 --> 0:22:22.429
<v Speaker 1>hosting that show. That being said, I wrote me a

0:22:22.550 --> 0:22:24.410
<v Speaker 1>very small role as the host because the show wasn't

0:22:24.450 --> 0:22:27.050
<v Speaker 1>about me. It was about what was happening behind the scenes.

0:22:27.070 --> 0:22:29.880
<v Speaker 1>And I thought that would be funny to get actors

0:22:29.890 --> 0:22:32.830
<v Speaker 1>to play themselves. And The next year, you just have

0:22:32.869 --> 0:22:35.649
<v Speaker 1>a new cast. You have five new actors coming in

0:22:35.670 --> 0:22:40.230
<v Speaker 1>to play themselves on a dance show. I met with

0:22:40.250 --> 0:22:48.679
<v Speaker 1>some really big producers, one specifically. And it felt as

0:22:48.780 --> 0:22:52.020
<v Speaker 1>real to me as far as it was getting picked

0:22:52.080 --> 0:22:54.740
<v Speaker 1>up as any show that I have ever fully pitched

0:22:54.859 --> 0:22:59.609
<v Speaker 1>that didn't get picked up. And we had talked to

0:22:59.630 --> 0:23:02.910
<v Speaker 1>a couple of networks. And this is how my experience,

0:23:02.930 --> 0:23:04.770
<v Speaker 1>I should say that my experience, this is my experience

0:23:04.830 --> 0:23:07.970
<v Speaker 1>with Los Angeles and Hollywood because I've never lived there

0:23:08.010 --> 0:23:09.929
<v Speaker 1>full time, but I've been there enough and I've had

0:23:09.970 --> 0:23:18.730
<v Speaker 1>enough jobs and I've professionally had moderate time in Los Angeles. Man,

0:23:18.770 --> 0:23:24.330
<v Speaker 1>they gas you up every single meeting. I would go

0:23:24.390 --> 0:23:26.429
<v Speaker 1>in if they were like looking for a host for

0:23:26.490 --> 0:23:28.429
<v Speaker 1>something or looking for someone to be a part of it.

0:23:28.609 --> 0:23:32.820
<v Speaker 1>I would go in And you leave every single room going, oh,

0:23:34.200 --> 0:23:37.639
<v Speaker 1>they think I'm a massive star. They wanted to give

0:23:37.680 --> 0:23:39.320
<v Speaker 1>me a million dollars for just sitting in the room.

0:23:39.340 --> 0:23:41.300
<v Speaker 1>And then you leave the room and you never hear

0:23:41.320 --> 0:23:45.240
<v Speaker 1>from them again. At one point, I went to a meeting.

0:23:46.910 --> 0:23:49.190
<v Speaker 1>Let me back it up. At one point, I left

0:23:49.250 --> 0:23:54.830
<v Speaker 1>Nashville on a private jet with Scooter Braun, flew to LA,

0:23:57.369 --> 0:24:02.100
<v Speaker 1>had a great conversation about a project. went in, scooter-less,

0:24:02.180 --> 0:24:05.600
<v Speaker 1>but it was a project that he was doing. They said,

0:24:05.980 --> 0:24:08.830
<v Speaker 1>you are the man. Let's go meet the network president.

0:24:09.930 --> 0:24:12.730
<v Speaker 1>We went from the office where I was with executives

0:24:13.609 --> 0:24:15.910
<v Speaker 1>to the network president, the head of the entire network.

0:24:16.250 --> 0:24:20.410
<v Speaker 1>And he said, I won't tell you who, but he said,

0:24:20.540 --> 0:24:26.419
<v Speaker 1>you're so-and-so. He said, and I found him. And obviously

0:24:26.460 --> 0:24:28.020
<v Speaker 1>everybody knows who he is now. He said, you're him.

0:24:30.619 --> 0:24:32.760
<v Speaker 1>Matter of fact, I think you can do things better

0:24:32.780 --> 0:24:35.380
<v Speaker 1>than he can. How does that sound? Sounds great to me.

0:24:35.400 --> 0:24:38.420
<v Speaker 1>Write the check. Never heard from him again after that day.

0:24:39.320 --> 0:24:42.379
<v Speaker 1>There's a microcosm of how that place works. And it

0:24:42.400 --> 0:24:44.030
<v Speaker 1>started to happen so much that I don't believe anything

0:24:44.530 --> 0:24:48.010
<v Speaker 1>at all that gets said in any room in LA ever.

0:24:48.750 --> 0:24:50.530
<v Speaker 1>And if it works out great, otherwise I expect to

0:24:50.570 --> 0:24:51.870
<v Speaker 1>go in and then to be like, you're the greatest.

0:24:52.369 --> 0:24:53.340
<v Speaker 1>And then nothing to happen.

0:24:54.150 --> 0:25:01.060
<v Speaker 2>The Bobbycast. We'll be right back. Welcome back to the

0:25:01.119 --> 0:25:01.840
<v Speaker 2>Bobby cast.

0:25:02.180 --> 0:25:04.820
<v Speaker 1>But that being said, this show where I'd created these, these,

0:25:04.940 --> 0:25:08.199
<v Speaker 1>these characters and I created these scenes, just like the

0:25:08.220 --> 0:25:10.580
<v Speaker 1>backstage of dancing with the stars and things behind the scenes.

0:25:12.600 --> 0:25:15.109
<v Speaker 1>That big producer I was talking with, we had a

0:25:15.119 --> 0:25:17.469
<v Speaker 1>call and they were like, Hey, on Monday, we're going

0:25:17.490 --> 0:25:19.629
<v Speaker 1>to line this up. I got a feeling that the

0:25:19.670 --> 0:25:22.090
<v Speaker 1>deal is going to get accepted. Monday came and I

0:25:22.130 --> 0:25:24.850
<v Speaker 1>got an email. Hey, let's move it to Wednesday. Got

0:25:24.869 --> 0:25:25.970
<v Speaker 1>another email. Hey, we're going to move it to the

0:25:26.090 --> 0:25:29.419
<v Speaker 1>next week. Didn't get an email. I never heard from

0:25:29.440 --> 0:25:32.419
<v Speaker 1>them again. Just never heard from them again. It went

0:25:32.460 --> 0:25:35.200
<v Speaker 1>from that to nothing. I was a hundred miles an hour.

0:25:35.240 --> 0:25:37.160
<v Speaker 1>And then somewhere along the way, they thought this isn't

0:25:37.180 --> 0:25:40.540
<v Speaker 1>going to work. So they just, they just cut it.

0:25:41.640 --> 0:25:44.480
<v Speaker 1>And I've been the shiny toy for a minute. Like

0:25:44.540 --> 0:25:48.600
<v Speaker 1>whenever I had my four years on idol, I was

0:25:48.640 --> 0:25:50.120
<v Speaker 1>dancing with the stars at a couple of TV shows

0:25:50.160 --> 0:25:52.199
<v Speaker 1>that kind of hit at the same time. I did

0:25:52.220 --> 0:25:56.810
<v Speaker 1>breaking Bobby bones. That was really cool. I had a

0:25:56.830 --> 0:26:01.710
<v Speaker 1>show called snake in the grass. That was, Sadly, never

0:26:01.770 --> 0:26:06.020
<v Speaker 1>got renewed because of that deal. And that's a whole

0:26:06.040 --> 0:26:08.580
<v Speaker 1>different conversation. But Breaking By Bones was an idea that

0:26:08.660 --> 0:26:11.300
<v Speaker 1>did get picked up because it was, and that one

0:26:11.320 --> 0:26:12.760
<v Speaker 1>I didn't think was going to, and that was my idea.

0:26:12.780 --> 0:26:17.980
<v Speaker 1>That one was, I don't know. Could work. Got a call.

0:26:18.380 --> 0:26:22.530
<v Speaker 1>We're in. Let's start planning filming. So every idea that

0:26:22.550 --> 0:26:24.609
<v Speaker 1>I've had that I thought was really great and that

0:26:24.630 --> 0:26:26.030
<v Speaker 1>people have told me is really great hasn't worked out.

0:26:26.690 --> 0:26:28.510
<v Speaker 1>The ideas that I've been, that they've been like, ah,

0:26:28.550 --> 0:26:31.070
<v Speaker 1>lukewarm about That's the only one that's ever really turned

0:26:31.109 --> 0:26:35.490
<v Speaker 1>into anything good. And so those are two ideas so

0:26:35.510 --> 0:26:38.639
<v Speaker 1>far that I've had that I felt pretty good about

0:26:39.080 --> 0:26:40.760
<v Speaker 1>that did not make it. Now, this isn't all, but

0:26:40.780 --> 0:26:41.840
<v Speaker 1>I'm going to give you the one that I sent

0:26:41.880 --> 0:26:44.860
<v Speaker 1>last night. Because I get hit up a lot going, hey,

0:26:44.900 --> 0:26:49.119
<v Speaker 1>what do you have in the reality space? And the

0:26:49.140 --> 0:26:50.590
<v Speaker 1>reason they ask that for the most part is because

0:26:50.609 --> 0:26:55.550
<v Speaker 1>it's pretty cheap to produce. Nothing's cheap to produce, but

0:26:55.590 --> 0:26:59.440
<v Speaker 1>it's pretty cheap to produce some sort of reality concept.

0:27:00.619 --> 0:27:02.740
<v Speaker 1>And so I'm going to read you this and this

0:27:02.760 --> 0:27:06.200
<v Speaker 1>may be a terrible idea. And actually I sent it

0:27:06.220 --> 0:27:07.860
<v Speaker 1>to my agent and I've not even got a response

0:27:07.980 --> 0:27:10.619
<v Speaker 1>to this, but because a lot of the things that

0:27:10.830 --> 0:27:12.899
<v Speaker 1>I'm being asked about are, Hey, what do you have

0:27:12.920 --> 0:27:14.879
<v Speaker 1>that's in the reality space or the competition space? Or

0:27:14.920 --> 0:27:16.389
<v Speaker 1>what do you, what do you think would be cool

0:27:16.470 --> 0:27:19.330
<v Speaker 1>about Dancing with the Stars? I did have some meetings

0:27:20.330 --> 0:27:23.730
<v Speaker 1>about basically like a Manning cast for Dancing with the

0:27:23.750 --> 0:27:26.929
<v Speaker 1>Stars and Like we set up a studio here and

0:27:26.950 --> 0:27:29.429
<v Speaker 1>then it's a secondary Dancing with the Stars show that

0:27:29.470 --> 0:27:32.520
<v Speaker 1>we're watching and commenting on it. It's Peyton and Eli Manning.

0:27:32.540 --> 0:27:33.760
<v Speaker 1>I was like, that would be interesting. I don't have

0:27:33.780 --> 0:27:36.379
<v Speaker 1>to really go anywhere. I definitely did not want to

0:27:36.440 --> 0:27:38.520
<v Speaker 1>fly out every week and sit in a studio in

0:27:38.540 --> 0:27:42.720
<v Speaker 1>Los Angeles for what that was. I thought that was

0:27:42.850 --> 0:27:46.609
<v Speaker 1>a pretty easy slam dunk. Never got to the final stage.

0:27:47.250 --> 0:27:51.889
<v Speaker 1>But we had some meetings with BBC, with ABC. This

0:27:51.910 --> 0:27:55.820
<v Speaker 1>is what I sent last night. It's called The Mirrorball Experiment.

0:27:56.760 --> 0:28:00.770
<v Speaker 1>It's a documentary event series. I have, this is not

0:28:00.790 --> 0:28:02.189
<v Speaker 1>what I wrote, but I've said many times, if you

0:28:02.210 --> 0:28:04.950
<v Speaker 1>give me somebody that's halfway decent on that show, I

0:28:04.970 --> 0:28:07.609
<v Speaker 1>don't need a ringer. Like on this season, the ringers

0:28:07.670 --> 0:28:11.080
<v Speaker 1>are Jenna Dewan, Harry Shum Jr. Like they have professional

0:28:11.100 --> 0:28:13.880
<v Speaker 1>dance experience. There are also ringers that maybe haven't been

0:28:13.940 --> 0:28:18.119
<v Speaker 1>professional dancers that just have a bunch of dance experience

0:28:18.740 --> 0:28:20.600
<v Speaker 1>because they learned to dance or they were in some

0:28:20.619 --> 0:28:22.679
<v Speaker 1>sort of production where they danced a lot. A lot

0:28:22.700 --> 0:28:24.540
<v Speaker 1>of the Disney kids have a lot of dance experience

0:28:24.580 --> 0:28:26.980
<v Speaker 1>before they go on that show. I said, if you

0:28:27.000 --> 0:28:30.199
<v Speaker 1>give me somebody decent, middle of the pack, I can

0:28:30.220 --> 0:28:32.410
<v Speaker 1>win the show with them. As long as they focus

0:28:32.690 --> 0:28:35.949
<v Speaker 1>and they learn from their dancer, I can do all

0:28:35.990 --> 0:28:40.729
<v Speaker 1>the things personality wise, build the campaigns. I can make

0:28:40.810 --> 0:28:43.670
<v Speaker 1>anybody win that show. I have said that boldly. That's

0:28:43.690 --> 0:28:46.460
<v Speaker 1>how I won the show. So I called it the

0:28:46.500 --> 0:28:50.280
<v Speaker 1>mirror ball experiment. And in quotes, I said, give me

0:28:50.300 --> 0:28:53.510
<v Speaker 1>a capable dancer. Not necessarily the best, and I believe

0:28:53.550 --> 0:28:55.110
<v Speaker 1>I can coach them to win Dancing with the Stars.

0:28:55.570 --> 0:28:59.550
<v Speaker 1>End of quote. Then here's the pitch I wrote. Bobby Bones,

0:28:59.590 --> 0:29:02.890
<v Speaker 1>the show's most controversial champion, is putting that claim to

0:29:02.910 --> 0:29:07.420
<v Speaker 1>the test. Filmed confidentially throughout the season and revealed only

0:29:07.680 --> 0:29:10.680
<v Speaker 1>after the finale, the series follows Bobby as he secretly

0:29:10.720 --> 0:29:14.620
<v Speaker 1>mentors one contestant in everything beyond the choreography. Social media,

0:29:14.680 --> 0:29:18.600
<v Speaker 1>live interviews, handling criticism, building the audience connection that turns

0:29:18.640 --> 0:29:22.690
<v Speaker 1>viewers into voters. The professional partner teaches the dancing, as always,

0:29:23.230 --> 0:29:29.190
<v Speaker 1>but Bobby coaches the campaign. With production approved access, cameras

0:29:29.230 --> 0:29:32.690
<v Speaker 1>follow the contestant, their pro, and Bobby at times through rehearsals,

0:29:32.770 --> 0:29:36.910
<v Speaker 1>backstage decisions, weekly performances, and elimination nights. Every week tests

0:29:37.090 --> 0:29:40.410
<v Speaker 1>his strategy. Every result raises the stakes. An early exit

0:29:40.430 --> 0:29:42.880
<v Speaker 1>could end the experiment. A victory could validate his most

0:29:43.360 --> 0:29:47.920
<v Speaker 1>disputed achievement. As a former American Idol mentor and Mirrorball winner,

0:29:47.960 --> 0:29:49.880
<v Speaker 1>Bobby knows what it takes to compete and what it

0:29:49.900 --> 0:29:52.640
<v Speaker 1>feels like when the audience sees something that the judges don't.

0:29:53.200 --> 0:29:56.060
<v Speaker 1>But can he recreate the connection for someone else? The

0:29:56.080 --> 0:29:59.340
<v Speaker 1>project remains unannounced until the competition ends, preserving the central

0:29:59.400 --> 0:30:05.280
<v Speaker 1>reveal Now they discover the story unfolding behind it. Was

0:30:05.320 --> 0:30:08.880
<v Speaker 1>Bobby's victory a once in a lifetime phenomenon or does

0:30:08.900 --> 0:30:11.940
<v Speaker 1>he know how to build another champion? Does he have

0:30:11.960 --> 0:30:16.020
<v Speaker 1>the secret sauce? That's the pitch I sent last night.

0:30:17.440 --> 0:30:21.520
<v Speaker 1>I think it's pretty legit. I did then think, and

0:30:21.540 --> 0:30:24.220
<v Speaker 1>I don't add this, but I did think, what if

0:30:24.240 --> 0:30:25.530
<v Speaker 1>you get cast on that show and they tell you

0:30:25.550 --> 0:30:27.230
<v Speaker 1>you're part of a documentary where I'm coming to coach you?

0:30:28.010 --> 0:30:30.219
<v Speaker 1>Like that might be a little annoying. Unless they come

0:30:30.240 --> 0:30:31.760
<v Speaker 1>to me and say, hey, what if we go find

0:30:31.800 --> 0:30:35.080
<v Speaker 1>somebody together? Like, what if we get somebody in country

0:30:35.100 --> 0:30:36.590
<v Speaker 1>music that you know or somebody in music that you

0:30:36.610 --> 0:30:38.190
<v Speaker 1>know or somebody in sports that you know and bring

0:30:38.230 --> 0:30:40.470
<v Speaker 1>them on? And that's the idea because there is added

0:30:40.510 --> 0:30:42.110
<v Speaker 1>value in them being a part of a documentary even

0:30:42.150 --> 0:30:46.630
<v Speaker 1>after the show ends because there's more exposure there. So

0:30:46.670 --> 0:30:50.800
<v Speaker 1>that was what I pitched. I like it, but obviously

0:30:50.820 --> 0:30:53.400
<v Speaker 1>I like it or I wouldn't pitch it. We're not

0:30:53.440 --> 0:30:56.979
<v Speaker 1>clipping it. It'll only live here. And I only share

0:30:57.000 --> 0:30:58.290
<v Speaker 1>it because odds are it ain't gonna get picked up.

0:31:00.190 --> 0:31:01.910
<v Speaker 1>And if it does, and then this ends up coming out,

0:31:02.090 --> 0:31:07.590
<v Speaker 1>and oh my God, that would be the worst. But

0:31:07.610 --> 0:31:08.910
<v Speaker 1>I just want to be vulnerable here and share with

0:31:08.930 --> 0:31:12.450
<v Speaker 1>you guys what I'm doing a lot of times, because

0:31:12.970 --> 0:31:16.110
<v Speaker 1>I will just keep creating and getting no's and getting

0:31:16.150 --> 0:31:17.990
<v Speaker 1>no's and getting no's, and eventually I get a maybe,

0:31:18.650 --> 0:31:20.330
<v Speaker 1>and then I get ghosted, and eventually I get a maybe,

0:31:20.370 --> 0:31:23.650
<v Speaker 1>and then I get ghosted, and no, no, no. But

0:31:23.760 --> 0:31:26.020
<v Speaker 1>it's one yes. All you need is one yes. And

0:31:26.040 --> 0:31:30.710
<v Speaker 1>I've had a couple of those one yeses. I have

0:31:30.890 --> 0:31:35.160
<v Speaker 1>one other idea that I really wasn't going to share here,

0:31:35.360 --> 0:31:39.340
<v Speaker 1>but I'm feeling pretty vulnerable. It's another docu-series that I

0:31:39.360 --> 0:31:47.490
<v Speaker 1>thought about shooting myself. Now in Nashville, there are hundreds,

0:31:47.570 --> 0:31:51.330
<v Speaker 1>if not a thousand songwriting sessions happening every weekday and

0:31:51.370 --> 0:31:55.630
<v Speaker 1>songwriting in Nashville, very much factory. It's still creative, but

0:31:55.670 --> 0:31:56.650
<v Speaker 1>it's done in a way of you get two and

0:31:56.670 --> 0:31:58.570
<v Speaker 1>three people together and A lot of times their publishers

0:31:58.650 --> 0:32:00.550
<v Speaker 1>put them together. Hey, you'll meet these other two people

0:32:00.570 --> 0:32:02.290
<v Speaker 1>at 9 a.m. You guys will write till 3. Maybe

0:32:02.310 --> 0:32:06.130
<v Speaker 1>you cut a demo. Maybe, who knows, right? And then

0:32:07.230 --> 0:32:09.750
<v Speaker 1>you write a song that maybe nobody ever hears. You

0:32:09.770 --> 0:32:11.910
<v Speaker 1>write a song that maybe gets put on hold by

0:32:11.930 --> 0:32:15.290
<v Speaker 1>an artist, but they don't ever cut it. Maybe you

0:32:15.310 --> 0:32:17.700
<v Speaker 1>get a song and an artist hears it, likes it,

0:32:17.730 --> 0:32:20.209
<v Speaker 1>puts it on hold, cuts it, but it doesn't make

0:32:20.230 --> 0:32:22.710
<v Speaker 1>the record. Maybe it makes the record and isn't a single.

0:32:22.970 --> 0:32:24.920
<v Speaker 1>Maybe it makes the record and is a single, but

0:32:24.980 --> 0:32:27.680
<v Speaker 1>doesn't go number one. Maybe it goes number one. There

0:32:27.700 --> 0:32:30.880
<v Speaker 1>are all these options. My idea was, and it is,

0:32:30.900 --> 0:32:32.200
<v Speaker 1>and I haven't written this one up yet because it's

0:32:32.220 --> 0:32:33.420
<v Speaker 1>kind of just up here and I kind of thought

0:32:33.460 --> 0:32:37.060
<v Speaker 1>maybe just I would do it. I find three different

0:32:38.520 --> 0:32:43.870
<v Speaker 1>songwriting rooms of three different levels. I go in, I

0:32:44.010 --> 0:32:47.410
<v Speaker 1>have a fake name. My name would be Herb Tarlick.

0:32:48.190 --> 0:32:51.430
<v Speaker 1>It's not going to be now, but Herb Tarlick. And

0:32:51.470 --> 0:32:54.610
<v Speaker 1>at one point I did create a group called Neon

0:32:54.670 --> 0:32:59.620
<v Speaker 1>People and with two really accomplished songwriter producers in town.

0:33:00.220 --> 0:33:02.720
<v Speaker 1>And we had written a bunch of songs under fake names.

0:33:02.880 --> 0:33:06.380
<v Speaker 1>We never were going to be front facing. And then

0:33:06.580 --> 0:33:08.240
<v Speaker 1>one of the songwriters in the group, and I've talked

0:33:08.260 --> 0:33:10.620
<v Speaker 1>about this before, ended up running a record label. So

0:33:10.660 --> 0:33:12.739
<v Speaker 1>she couldn't do it anymore. So we had to cut

0:33:12.760 --> 0:33:15.030
<v Speaker 1>the group, but it is up on, on any sort

0:33:15.070 --> 0:33:19.850
<v Speaker 1>of digital service provider, like whatever you get your music,

0:33:20.050 --> 0:33:24.630
<v Speaker 1>but it's in, let me see. Cause it's spelled weird.

0:33:26.930 --> 0:33:31.150
<v Speaker 1>How did we spell Neon People? Because that was a

0:33:31.230 --> 0:33:39.730
<v Speaker 1>bit of a different... It was like N, maybe 3-O-N? Regardless,

0:33:39.950 --> 0:33:40.880
<v Speaker 1>Brandon's going to tell me in a second.

0:33:41.200 --> 0:33:42.360
<v Speaker 2>Neon P-P-L.

0:33:42.780 --> 0:33:46.920
<v Speaker 1>Oh, so it is Neon spelled the same. Neon P-P-L. Yeah, confusing.

0:33:47.480 --> 0:33:51.459
<v Speaker 1>I should have never done that. We do have one

0:33:51.500 --> 0:33:55.390
<v Speaker 1>song with 403,000 streams. Which is pretty cool because we

0:33:55.430 --> 0:33:57.840
<v Speaker 1>never officially did anything. We never really announced it. We

0:33:57.860 --> 0:33:59.959
<v Speaker 1>just put it up there and parked it. So that

0:34:00.000 --> 0:34:02.900
<v Speaker 1>was that idea. That is a failure that I learned from.

0:34:03.640 --> 0:34:05.940
<v Speaker 1>So when I talk about never have a failure that

0:34:05.960 --> 0:34:09.350
<v Speaker 1>you don't learn anything from, we did that. And I

0:34:09.390 --> 0:34:11.109
<v Speaker 1>wouldn't say it failed because it didn't work. It failed

0:34:11.130 --> 0:34:13.009
<v Speaker 1>because there are a hundred different things that have to

0:34:13.030 --> 0:34:15.430
<v Speaker 1>happen right for it to succeed. And not everything happened

0:34:15.469 --> 0:34:18.669
<v Speaker 1>right for it to succeed. But I've written a lot

0:34:18.710 --> 0:34:22.500
<v Speaker 1>of music, almost all comedy music. Maybe you've heard my

0:34:22.520 --> 0:34:27.050
<v Speaker 1>greatest hit, Hobby Lobby Bobby. What a jam. Me, Brandon

0:34:27.090 --> 0:34:31.000
<v Speaker 1>Ray wrote that one. That one didn't just fall out

0:34:31.040 --> 0:34:33.500
<v Speaker 1>of us either. And I know you think Hobby Lobby Bobby,

0:34:33.739 --> 0:34:35.480
<v Speaker 1>that probably fell out in a minute. It didn't. It

0:34:35.500 --> 0:34:39.500
<v Speaker 1>was very hard. We couldn't find a word that rhymed

0:34:39.520 --> 0:34:40.820
<v Speaker 1>with hobby and lobby because it was just going to

0:34:40.840 --> 0:34:43.719
<v Speaker 1>be a song about Hobby Lobby. And then Brandon said,

0:34:43.760 --> 0:34:49.459
<v Speaker 1>your name's Bobby. I was like, wow. So I'd done

0:34:49.520 --> 0:34:53.880
<v Speaker 1>that experiment and we had tried to launch that unsuccessfully.

0:34:54.830 --> 0:34:57.390
<v Speaker 1>I learned that I can sit in a room with

0:34:57.450 --> 0:35:01.410
<v Speaker 1>accomplished songwriters and actually hold my own to the point

0:35:01.450 --> 0:35:05.819
<v Speaker 1>where I'm not detrimental to the process. So I've also

0:35:05.880 --> 0:35:10.260
<v Speaker 1>been in radio enough to see how the music process

0:35:10.320 --> 0:35:14.509
<v Speaker 1>works and how record labels work. And my idea was this.

0:35:15.790 --> 0:35:20.350
<v Speaker 1>Of the three rooms, one room would be two new songwriters.

0:35:20.430 --> 0:35:21.569
<v Speaker 1>One could be an artist. It doesn't matter to me.

0:35:22.700 --> 0:35:27.149
<v Speaker 1>that really don't have success, much success at all. Maybe

0:35:27.190 --> 0:35:31.130
<v Speaker 1>there's a cut they got on, you know, an Aldine

0:35:31.190 --> 0:35:37.120
<v Speaker 1>record back in 2001. I don't know. But it's an

0:35:37.180 --> 0:35:41.500
<v Speaker 1>easy room to get into. We write a song and

0:35:41.540 --> 0:35:42.620
<v Speaker 1>we're in the room that day and we have the

0:35:42.640 --> 0:35:47.400
<v Speaker 1>cameras on and we cut the demo and we track it.

0:35:48.070 --> 0:35:50.850
<v Speaker 1>We see if anybody puts it on hold. We see

0:35:50.870 --> 0:35:52.750
<v Speaker 1>what publishers like it. They never know it's me. Nobody

0:35:52.770 --> 0:35:55.029
<v Speaker 1>can know it's me because the name that I write under, remember,

0:35:55.050 --> 0:35:58.710
<v Speaker 1>is Herb Tarlick. Now I got a second room that

0:35:58.730 --> 0:36:00.550
<v Speaker 1>I go and write with. Not the same day. It

0:36:00.650 --> 0:36:02.089
<v Speaker 1>could be two weeks later. It could be a month later.

0:36:02.590 --> 0:36:05.000
<v Speaker 1>We record the session. Now these people, maybe they've got

0:36:05.020 --> 0:36:08.180
<v Speaker 1>a couple number ones. Maybe they're younger and they're like

0:36:08.219 --> 0:36:10.719
<v Speaker 1>the next ones up. And they got a little heat

0:36:10.760 --> 0:36:14.040
<v Speaker 1>behind them. And we write a song. They don't know

0:36:14.060 --> 0:36:16.040
<v Speaker 1>what I've done with anyone else. They think we're just

0:36:16.060 --> 0:36:18.879
<v Speaker 1>shooting a documentary on the songwriting process and what happens

0:36:18.900 --> 0:36:21.660
<v Speaker 1>with that one song that we write. So we write

0:36:21.700 --> 0:36:26.630
<v Speaker 1>that song. And then we track where that goes. Does

0:36:26.650 --> 0:36:31.350
<v Speaker 1>the publisher think it's good? Does an artist want to

0:36:31.469 --> 0:36:34.830
<v Speaker 1>option and hold it? Then the third one, I get

0:36:34.870 --> 0:36:38.850
<v Speaker 1>with real power bangers here in town. And I know them.

0:36:38.890 --> 0:36:41.770
<v Speaker 1>I'm good friends with a lot of them. And I

0:36:41.810 --> 0:36:44.510
<v Speaker 1>go in. I'm Herb Tarlick. We write a song that's

0:36:44.530 --> 0:36:47.859
<v Speaker 1>going to get a look because of who I'm writing with.

0:36:48.640 --> 0:36:50.940
<v Speaker 1>They write nothing without getting looks. They don't wake up,

0:36:50.930 --> 0:36:52.660
<v Speaker 1>they don't roll out of bed without getting a look.

0:36:53.860 --> 0:36:55.580
<v Speaker 1>And then we track that song, where it goes in

0:36:55.620 --> 0:36:58.740
<v Speaker 1>its story. Who holds it? Who cuts it? Who doesn't?

0:36:58.980 --> 0:37:03.259
<v Speaker 1>Does it die? And we follow all three stories and

0:37:03.320 --> 0:37:05.480
<v Speaker 1>see what happens with all three of those songs in

0:37:05.500 --> 0:37:09.060
<v Speaker 1>the entire process. And in the end, maybe nothing. All

0:37:09.080 --> 0:37:13.839
<v Speaker 1>three get killed and there is no storybook fairytale ending.

0:37:14.420 --> 0:37:15.860
<v Speaker 1>But also how crazy would it be if like one

0:37:15.880 --> 0:37:17.790
<v Speaker 1>of the songs you actually got to, I go to

0:37:17.830 --> 0:37:20.049
<v Speaker 1>my phone, I put on speakerphone and I'm talking to

0:37:21.110 --> 0:37:23.049
<v Speaker 1>one of my friends and he's like, yeah, can you

0:37:23.070 --> 0:37:25.900
<v Speaker 1>believe Chesney just put it on hold? And like, we're

0:37:25.940 --> 0:37:30.700
<v Speaker 1>documenting all this. And then at the end, all three

0:37:30.719 --> 0:37:34.200
<v Speaker 1>of the stories are kind of merged with the, how

0:37:34.460 --> 0:37:36.279
<v Speaker 1>difficult it is to be a songwriter in this town

0:37:36.880 --> 0:37:43.739
<v Speaker 1>and the process of a song from creation to recording

0:37:43.780 --> 0:37:45.660
<v Speaker 1>a demo, to getting it to the publishers, to the

0:37:45.700 --> 0:37:48.540
<v Speaker 1>publishers sending it out, to who likes it, to it

0:37:48.580 --> 0:37:50.200
<v Speaker 1>being put on hold, to it being cut, to it

0:37:50.239 --> 0:37:53.140
<v Speaker 1>being number one, to me winning a Grammy. Can you imagine?

0:37:54.100 --> 0:37:57.879
<v Speaker 1>I'm on stage winning a freaking Grammy because the song

0:37:57.960 --> 0:38:02.900
<v Speaker 1>I wrote resonated with the world. Hobby Lobby Bobby wins

0:38:02.920 --> 0:38:07.890
<v Speaker 1>a Grammy. I just, I merged two storylines there. But

0:38:07.930 --> 0:38:12.750
<v Speaker 1>that's the other idea that I've been working through in

0:38:12.790 --> 0:38:15.400
<v Speaker 1>my head that I really wasn't going to pitch to

0:38:15.440 --> 0:38:17.259
<v Speaker 1>anyone because I don't know if they would understand it

0:38:17.680 --> 0:38:20.040
<v Speaker 1>like I do. And the thing with content now is

0:38:20.060 --> 0:38:23.279
<v Speaker 1>it doesn't have to be living on one of the

0:38:23.840 --> 0:38:28.070
<v Speaker 1>premier or I say traditional platforms. It's not going to

0:38:28.190 --> 0:38:32.530
<v Speaker 1>air on network television. Maybe a streamer like a Netflix

0:38:32.550 --> 0:38:34.750
<v Speaker 1>would possibly take a run at that even if they don't.

0:38:35.330 --> 0:38:37.710
<v Speaker 1>Who cares? Put it out yourself. Spend some time. Spend

0:38:37.730 --> 0:38:39.830
<v Speaker 1>some money on it. I think that would be cool.

0:38:40.510 --> 0:38:46.600
<v Speaker 2>Hang tight. The Bobbycast will be right back. And we're

0:38:46.640 --> 0:38:48.319
<v Speaker 2>back on the Bobbycast.

0:38:49.100 --> 0:38:55.799
<v Speaker 1>All that to say, I do that all the time. Constantly.

0:38:56.480 --> 0:38:58.640
<v Speaker 1>And it's no, no, no, no, no. And it's all

0:38:58.660 --> 0:39:03.979
<v Speaker 1>for different reasons. I had a pilot that got picked up. Two.

0:39:04.140 --> 0:39:09.400
<v Speaker 1>I've got two pilot stories. My first pilot story was

0:39:09.440 --> 0:39:12.319
<v Speaker 1>a talk show that I was doing from Nashville. And

0:39:12.719 --> 0:39:14.440
<v Speaker 1>CMT came to me and said, do you want to

0:39:14.480 --> 0:39:18.670
<v Speaker 1>do a late night talk show? I said, that would

0:39:18.690 --> 0:39:21.110
<v Speaker 1>be fantastic. Of course, my hero has always been David Letterman.

0:39:21.130 --> 0:39:22.370
<v Speaker 1>I would love to do a late night talk show.

0:39:23.010 --> 0:39:24.610
<v Speaker 1>And they said, we think it'd be fantastic. You come

0:39:24.630 --> 0:39:26.970
<v Speaker 1>and do it from our studio. You have a studio audience.

0:39:27.910 --> 0:39:29.990
<v Speaker 1>And I had started doing standup just for that reason.

0:39:31.250 --> 0:39:32.210
<v Speaker 1>So when I needed to go up and do a

0:39:32.270 --> 0:39:35.469
<v Speaker 1>two minute monologue, more or less, I can get up

0:39:35.510 --> 0:39:37.239
<v Speaker 1>and feel comfortable doing it because I've spent time on

0:39:37.260 --> 0:39:39.569
<v Speaker 1>the road just doing comedy. That's literally the only reason

0:39:39.590 --> 0:39:41.420
<v Speaker 1>I started doing standup and writing it was because I

0:39:41.440 --> 0:39:42.739
<v Speaker 1>thought one day I'd be able to use that in

0:39:42.800 --> 0:39:47.239
<v Speaker 1>a show. And so we get in the soundstage, they

0:39:47.900 --> 0:39:50.410
<v Speaker 1>fund us. A full pilot. And I got a band.

0:39:50.430 --> 0:39:53.250
<v Speaker 1>I got an audience there. I had a couple guests.

0:39:53.270 --> 0:39:55.290
<v Speaker 1>I think John Party was one of my guests. This

0:39:55.310 --> 0:39:58.170
<v Speaker 1>has been a few years. And the show goes. And

0:39:58.430 --> 0:40:00.029
<v Speaker 1>I felt really good about it. We had recorded some.

0:40:01.920 --> 0:40:07.960
<v Speaker 1>Comedy sketches. But not to the level. That you would

0:40:08.020 --> 0:40:11.620
<v Speaker 1>see like in an SNL. They were a little bit improv-y.

0:40:11.840 --> 0:40:14.850
<v Speaker 1>And not as long. Because the whole show was a

0:40:14.870 --> 0:40:18.239
<v Speaker 1>half hour. I had two guests. It was. I felt

0:40:18.260 --> 0:40:21.610
<v Speaker 1>like it was really put together well. And it was

0:40:21.640 --> 0:40:24.989
<v Speaker 1>going to get picked up. We were already talking about

0:40:25.969 --> 0:40:28.049
<v Speaker 1>my salary, which wasn't a lot because it was the

0:40:28.110 --> 0:40:29.529
<v Speaker 1>first year of a show. It was going to be

0:40:29.550 --> 0:40:31.430
<v Speaker 1>a three-year deal, but it was the first year. And

0:40:31.450 --> 0:40:37.650
<v Speaker 1>years two and three were options. And they changed, I

0:40:38.969 --> 0:40:42.310
<v Speaker 1>don't know if it was the president, but they changed

0:40:42.370 --> 0:40:45.009
<v Speaker 1>leadership in the company. And when a new boss comes in,

0:40:45.050 --> 0:40:46.630
<v Speaker 1>it's like a new head coach on a team. You

0:40:46.650 --> 0:40:48.930
<v Speaker 1>don't keep all the old coordinators. So we were a

0:40:48.969 --> 0:40:52.989
<v Speaker 1>victim of that. They cut the show. Maybe cut, it's

0:40:53.010 --> 0:40:54.890
<v Speaker 1>not the word because it never got picked up, but they,

0:40:55.670 --> 0:40:57.650
<v Speaker 1>the person who was coming in, it wasn't their project.

0:40:58.910 --> 0:41:01.930
<v Speaker 1>So it did not continue. And when that happens, that sucks.

0:41:02.150 --> 0:41:05.110
<v Speaker 1>That's okay. Another one was I went to just an

0:41:05.410 --> 0:41:10.049
<v Speaker 1>open audition in Los Angeles on day one where they

0:41:10.090 --> 0:41:13.430
<v Speaker 1>brought pretty much anybody in. They had any sort of

0:41:14.469 --> 0:41:18.930
<v Speaker 1>background in acting or comedy or or television at all.

0:41:19.190 --> 0:41:22.090
<v Speaker 1>And there were just like 200 of us. It was

0:41:22.110 --> 0:41:28.500
<v Speaker 1>like me and somebody from Real Housewives of Poughkeepsie, my

0:41:28.540 --> 0:41:32.739
<v Speaker 1>favorite Real Housewives series and season. And so I spent

0:41:32.760 --> 0:41:37.420
<v Speaker 1>like four hours there sitting at a table for like

0:41:37.440 --> 0:41:41.940
<v Speaker 1>a morning, The View type show, And I said it

0:41:42.080 --> 0:41:44.219
<v Speaker 1>and I just kept lasting and kept lasting. And I

0:41:44.239 --> 0:41:45.299
<v Speaker 1>didn't know what it was. I didn't know I was

0:41:45.340 --> 0:41:46.940
<v Speaker 1>trying to last per se. I just know I didn't

0:41:46.980 --> 0:41:50.279
<v Speaker 1>want to get cut and sent home. And so I

0:41:50.320 --> 0:41:53.240
<v Speaker 1>kept lasting and finished day one. And there was like

0:41:53.239 --> 0:41:55.540
<v Speaker 1>13 of us. I remember Julianna Rancic was one of them.

0:41:55.739 --> 0:41:57.819
<v Speaker 1>I remember Sonny Hostin, who's now on The View, was

0:41:58.000 --> 0:42:00.680
<v Speaker 1>one of them. And they said, hey, can you guys

0:42:00.700 --> 0:42:02.509
<v Speaker 1>come back tomorrow for day two? Well, I didn't know

0:42:02.530 --> 0:42:03.509
<v Speaker 1>there was going to be a day two, but I

0:42:03.510 --> 0:42:05.650
<v Speaker 1>was like, yeah, sure. I'll stay for day two. Go

0:42:05.690 --> 0:42:07.390
<v Speaker 1>to day two. And it was funny because the people

0:42:07.410 --> 0:42:09.130
<v Speaker 1>were just a little more famous on day two. And

0:42:09.150 --> 0:42:10.630
<v Speaker 1>I was like, oh, I'm like, I'm in double A

0:42:10.650 --> 0:42:13.540
<v Speaker 1>ball now. I was in rookie ball. I didn't know that.

0:42:13.580 --> 0:42:19.360
<v Speaker 1>I thought I was just competing against the people from TLC,

0:42:19.420 --> 0:42:26.339
<v Speaker 1>my 700-pound cousin. So we do day two, and now

0:42:26.360 --> 0:42:29.120
<v Speaker 1>I realize that, oh, I'm just trying to get them

0:42:29.140 --> 0:42:30.980
<v Speaker 1>to like me and keep me in the mix here.

0:42:31.560 --> 0:42:33.840
<v Speaker 1>I go all the way through day two. There's a

0:42:33.840 --> 0:42:36.140
<v Speaker 1>few of us that last day two. They're like, hey,

0:42:36.160 --> 0:42:38.630
<v Speaker 1>will you go to day three? Absolutely. That's where I

0:42:38.650 --> 0:42:42.100
<v Speaker 1>met Deion Sanders. And so at this point, there's like

0:42:42.100 --> 0:42:47.540
<v Speaker 1>20 total because these were pretty heavy hitters. Like every

0:42:47.760 --> 0:42:52.759
<v Speaker 1>one of them was known. And so I go and

0:42:53.239 --> 0:42:57.050
<v Speaker 1>at this point I'm going, I'm 17, 18, 19, 20

0:42:57.050 --> 0:42:58.890
<v Speaker 1>on the list. I know that just by looking around

0:42:58.910 --> 0:43:01.710
<v Speaker 1>the room. But I just kept moving forward. They kept

0:43:01.730 --> 0:43:05.170
<v Speaker 1>me all day, all day, all day. In the end,

0:43:05.190 --> 0:43:09.950
<v Speaker 1>it was me, Deion Sanders, and one other person. And

0:43:09.969 --> 0:43:12.549
<v Speaker 1>they said, will you three come back tomorrow? I've been

0:43:12.570 --> 0:43:14.410
<v Speaker 1>here three days. I plan to stay one day. But

0:43:14.450 --> 0:43:18.029
<v Speaker 1>of course, I'll come back tomorrow. So we go in

0:43:18.050 --> 0:43:20.149
<v Speaker 1>the next day and it was just us three for

0:43:20.810 --> 0:43:22.550
<v Speaker 1>a couple hours. They were just testing us all together.

0:43:22.910 --> 0:43:26.630
<v Speaker 1>They said, it's you guys. We're going to spend, I

0:43:28.070 --> 0:43:33.259
<v Speaker 1>think it was about six weeks creating this pilot, which

0:43:33.340 --> 0:43:34.739
<v Speaker 1>meant talking with us about what we're good at, what

0:43:34.760 --> 0:43:36.379
<v Speaker 1>we want to do. And then we're going to shoot

0:43:36.420 --> 0:43:38.200
<v Speaker 1>it as a pilot. It's going to be financed. It's

0:43:38.219 --> 0:43:39.569
<v Speaker 1>going to be great. So we did the show. Dion

0:43:39.590 --> 0:43:41.270
<v Speaker 1>and I were the main two people. We had another

0:43:41.650 --> 0:43:45.830
<v Speaker 1>kind of co-host that was doing news and some audience stuff.

0:43:46.250 --> 0:43:48.450
<v Speaker 1>And I felt like it went pretty well. And we

0:43:48.469 --> 0:43:49.690
<v Speaker 1>went all the way to pilot. Dion and I got

0:43:49.710 --> 0:43:52.850
<v Speaker 1>to know each other really well. And in the end,

0:43:53.030 --> 0:43:55.550
<v Speaker 1>it did not get picked up. So I've had a

0:43:55.570 --> 0:43:59.580
<v Speaker 1>couple pilots that didn't make it. What's funny about that

0:43:59.640 --> 0:44:05.310
<v Speaker 1>story is one day I get a FaceTime randomly not

0:44:05.350 --> 0:44:08.430
<v Speaker 1>a call, a FaceTime from somebody that I had met

0:44:08.810 --> 0:44:13.240
<v Speaker 1>while shooting that show a few years prior, the actual pilot.

0:44:13.640 --> 0:44:15.739
<v Speaker 1>It was one of the producers that I'd gotten to know.

0:44:15.760 --> 0:44:17.719
<v Speaker 1>And she was like a mid-level producer. She wasn't the

0:44:18.040 --> 0:44:21.600
<v Speaker 1>head producer, but she was mid, she was young. And

0:44:21.620 --> 0:44:24.460
<v Speaker 1>so she called and she said, hey, I got this

0:44:24.480 --> 0:44:25.969
<v Speaker 1>show I need a host for. And I was like,

0:44:25.989 --> 0:44:27.730
<v Speaker 1>you remember who I am? She goes, of course. It

0:44:27.750 --> 0:44:29.210
<v Speaker 1>didn't get picked up. It doesn't mean I don't think

0:44:29.230 --> 0:44:30.890
<v Speaker 1>you're good. And I was like, dang. She goes, can

0:44:30.910 --> 0:44:33.009
<v Speaker 1>you talk tomorrow to like me and another person about

0:44:33.050 --> 0:44:35.660
<v Speaker 1>this show? I said, sure. So we get on zoom

0:44:35.680 --> 0:44:37.359
<v Speaker 1>the next day and there's like nine people on there

0:44:37.390 --> 0:44:39.049
<v Speaker 1>and it's people in ties and you can definitely tell

0:44:39.070 --> 0:44:43.110
<v Speaker 1>their executives there. And her name's Tommy. And she said, Hey,

0:44:43.130 --> 0:44:44.390
<v Speaker 1>we want you to host a show called snake in

0:44:44.410 --> 0:44:49.450
<v Speaker 1>the grass. And I said, wow, wait, where's no audition.

0:44:49.590 --> 0:44:55.350
<v Speaker 1>Cause you auditioned for me for eight weeks. And I said, wow. Okay.

0:44:55.450 --> 0:44:57.310
<v Speaker 1>I said, when is it? They said, it's in like

0:44:57.370 --> 0:45:00.710
<v Speaker 1>nine days. And I said, that sounds great. We're going

0:45:00.730 --> 0:45:04.520
<v Speaker 1>to shoot it here. No, it's in South America. So

0:45:04.580 --> 0:45:06.580
<v Speaker 1>I moved to South America for a month and a

0:45:06.600 --> 0:45:08.560
<v Speaker 1>half or so. I was living in Costa Rica in

0:45:08.600 --> 0:45:10.700
<v Speaker 1>the jungle shooting that show while also doing my radio show.

0:45:12.450 --> 0:45:17.310
<v Speaker 1>But I knew her from that other failure that didn't

0:45:17.350 --> 0:45:21.110
<v Speaker 1>work out. But I learned stuff and I met people.

0:45:22.030 --> 0:45:23.710
<v Speaker 1>And I'm nice to people. I feel like I'm nice

0:45:23.730 --> 0:45:27.200
<v Speaker 1>to people. And that turned into something. So I never

0:45:27.239 --> 0:45:28.580
<v Speaker 1>want there to be a failure that I don't get

0:45:28.600 --> 0:45:31.480
<v Speaker 1>something from. I don't gain something from. If it's a relationship,

0:45:31.540 --> 0:45:40.320
<v Speaker 1>if it's knowledge. But that show worked out. And I'm

0:45:40.340 --> 0:45:44.239
<v Speaker 1>going to keep creating these show ideas. I'm going to

0:45:44.300 --> 0:45:46.560
<v Speaker 1>keep doing the podcast. I'm going to keep doing my

0:45:46.600 --> 0:45:48.920
<v Speaker 1>radio show. I'm going to keep getting all the no's.

0:45:49.460 --> 0:45:52.029
<v Speaker 1>And I'm okay with that. I don't think anything is

0:45:52.050 --> 0:45:57.930
<v Speaker 1>going to be a yes. But when it is, inevitably,

0:45:58.570 --> 0:46:02.730
<v Speaker 1>that's going to be amazing. I have no expectation for

0:46:02.750 --> 0:46:06.950
<v Speaker 1>a yes. Except for my expectation is if I keep pushing,

0:46:06.989 --> 0:46:10.600
<v Speaker 1>it will happen. And that's pretty much been my expectation

0:46:10.620 --> 0:46:16.180
<v Speaker 1>my whole career. Because it never happens. Until it does.

0:46:19.010 --> 0:46:24.310
<v Speaker 1>And that's what's up. We talked about karma. I slammed Mr. Rogers.

0:46:24.590 --> 0:46:27.110
<v Speaker 1>You know we talked about. I know you do. We

0:46:27.130 --> 0:46:31.950
<v Speaker 1>talked about karma. I shared vulnerable ideas with you that

0:46:31.969 --> 0:46:36.799
<v Speaker 1>you're not allowed to steal. And also we talked about

0:46:37.160 --> 0:46:41.290
<v Speaker 1>failing and how Even in the middle of it, it's

0:46:41.330 --> 0:46:46.009
<v Speaker 1>not over until you quit. It could feel like the

0:46:46.050 --> 0:46:47.330
<v Speaker 1>end of it. You're actually just in the middle as

0:46:47.370 --> 0:46:49.810
<v Speaker 1>long as you don't quit. Like those pilots I got,

0:46:49.850 --> 0:46:52.049
<v Speaker 1>they never, they didn't work out. They all led to

0:46:52.110 --> 0:46:53.609
<v Speaker 1>something else. And who knows what they're going to lead

0:46:53.630 --> 0:46:58.379
<v Speaker 1>to in the future. When I did Hell's Kitchen recently,

0:46:59.260 --> 0:47:00.700
<v Speaker 1>like I started to think about these relationships that I've

0:47:00.719 --> 0:47:02.739
<v Speaker 1>had that have turned into like random one-offs that I met.

0:47:03.280 --> 0:47:06.000
<v Speaker 1>Like that was from a relationship that I had. So

0:47:06.520 --> 0:47:09.359
<v Speaker 1>thank you guys for being here. If any producer loves

0:47:09.400 --> 0:47:11.319
<v Speaker 1>my ideas, you know how to get in touch with me.

0:47:12.300 --> 0:47:16.170
<v Speaker 1>Just touch the screen. Rub the screen. This screen's like

0:47:16.190 --> 0:47:18.190
<v Speaker 1>a genie. Whatever you're watching me on, a phone, if

0:47:19.090 --> 0:47:21.549
<v Speaker 1>you're watching me on the television, rub the screen. I'll

0:47:21.570 --> 0:47:26.480
<v Speaker 1>come out. I'll work for food. That's going to do

0:47:26.520 --> 0:47:30.580
<v Speaker 1>it for today. Don't be afraid to fail because it

0:47:30.620 --> 0:47:35.340
<v Speaker 1>ain't actual failure unless you quit. I don't believe in karma,

0:47:35.360 --> 0:47:36.850
<v Speaker 1>but I do believe the more you do things right,

0:47:36.870 --> 0:47:39.750
<v Speaker 1>good things will happen to you. It's math. It's logic.

0:47:41.630 --> 0:47:44.570
<v Speaker 1>And don't steal my ideas. All right, we'll see you

0:47:44.590 --> 0:47:46.049
<v Speaker 1>guys soon. Bye, everybody.

0:47:46.810 --> 0:47:49.850
<v Speaker 2>Thanks for listening to The Bobbycast. Share this episode with

0:47:49.890 --> 0:47:52.320
<v Speaker 2>a friend because they don't pay to advertise us.