WEBVTT - Chris Robinson

0:00:15.476 --> 0:00:23.156
<v Speaker 1>Pushkin. Sixteen years have passed since The Black Crows last

0:00:23.156 --> 0:00:26.196
<v Speaker 1>put out an album of all new material. The world

0:00:26.316 --> 0:00:28.836
<v Speaker 1>changed a lot since then, and it appears so have

0:00:29.036 --> 0:00:32.796
<v Speaker 1>the Robinson brothers. Chris and Rich Robinson are, of course

0:00:32.876 --> 0:00:35.676
<v Speaker 1>the backbone of the group. They started together back in

0:00:35.716 --> 0:00:38.956
<v Speaker 1>Georgia in eighty four as Mister Crow's Garden before moving

0:00:38.996 --> 0:00:42.956
<v Speaker 1>to NYC, signing with Death American and changing their name

0:00:43.036 --> 0:00:46.436
<v Speaker 1>to The Black Crows. The band's debut album, Shake Your

0:00:46.436 --> 0:00:49.196
<v Speaker 1>Money Makers set them up as torch bearers of Southern

0:00:49.276 --> 0:00:52.356
<v Speaker 1>rock for the nineties and beyond. As you'll hear in

0:00:52.396 --> 0:00:56.676
<v Speaker 1>our conversation, the brothers Robinson have had a competitive relationship

0:00:56.716 --> 0:00:59.396
<v Speaker 1>for a long time. Their ups and downs have meant

0:00:59.476 --> 0:01:02.196
<v Speaker 1>hiatuses for the band over the years, but now they're

0:01:02.236 --> 0:01:04.916
<v Speaker 1>back united and seemingly in it for the long haul

0:01:05.036 --> 0:01:09.036
<v Speaker 1>with their new album Happiness Bastards. On today's episode, I

0:01:09.196 --> 0:01:11.556
<v Speaker 1>talked to Chris Robinson about his growing up in Georgia

0:01:11.596 --> 0:01:15.596
<v Speaker 1>with Rich, their dad's rockabilly career, his listening routine that

0:01:15.636 --> 0:01:19.116
<v Speaker 1>includes Sudanese and Sufi music, and how his road habits

0:01:19.116 --> 0:01:23.036
<v Speaker 1>have changed from indulging in champagne and other substances to

0:01:23.356 --> 0:01:30.076
<v Speaker 1>reading Herman Melville. This is broken record liner notes for

0:01:30.156 --> 0:01:34.156
<v Speaker 1>the digital Age. I'm justin Mitchman. Here's my conversation with

0:01:34.236 --> 0:01:38.076
<v Speaker 1>Chris Robinson of the Black Crows. Is that a gun

0:01:38.156 --> 0:01:39.876
<v Speaker 1>club like the band? Sure that you go on?

0:01:39.956 --> 0:01:40.156
<v Speaker 2>Yeah?

0:01:40.236 --> 0:01:42.956
<v Speaker 1>Yeah, yeah, oh hell yeah. I love gun Club man.

0:01:43.116 --> 0:01:46.596
<v Speaker 2>Jeffrey Lee Pierce one of my faves. And it's funny because,

0:01:47.156 --> 0:01:49.396
<v Speaker 2>you know, when we started, people would always say we

0:01:49.476 --> 0:01:51.476
<v Speaker 2>sounded like and we did. We had, you know, there

0:01:51.516 --> 0:01:55.076
<v Speaker 2>was the Jengle sort of indie pop thing, Rim of

0:01:55.116 --> 0:01:59.716
<v Speaker 2>course being the purveyors of that, but Let's Active and

0:01:59.756 --> 0:02:03.036
<v Speaker 2>the DBS and then bands from California like Game Theory.

0:02:03.076 --> 0:02:05.076
<v Speaker 2>We kind of were into like this kind of jangly

0:02:05.476 --> 0:02:09.476
<v Speaker 2>sixties inspired but we really sounded early days a lot

0:02:09.516 --> 0:02:11.916
<v Speaker 2>like the gun Club, you know, because gun Club and

0:02:12.156 --> 0:02:14.596
<v Speaker 2>X are very interesting to me, and the like early

0:02:14.756 --> 0:02:19.036
<v Speaker 2>punk scene here in Los Angeles because they were the well,

0:02:19.076 --> 0:02:21.396
<v Speaker 2>I guess you could put the Blasters and the plugs

0:02:21.396 --> 0:02:21.956
<v Speaker 2>in there too.

0:02:22.236 --> 0:02:23.956
<v Speaker 1>Blasters are from esp though, right.

0:02:23.836 --> 0:02:26.236
<v Speaker 2>Oh, Blasters are a LA band too, you are they?

0:02:26.276 --> 0:02:26.996
<v Speaker 1>Okay? Cool?

0:02:27.556 --> 0:02:31.636
<v Speaker 2>They had those kind of rootsyed things, you know, and

0:02:31.676 --> 0:02:34.156
<v Speaker 2>it would be really early on that we would think like, okay, well,

0:02:34.236 --> 0:02:39.036
<v Speaker 2>Jeffery Lee Pierce is like a punk icon, but he

0:02:39.076 --> 0:02:41.756
<v Speaker 2>plays with Robert Johnson song on the first record, you know,

0:02:41.836 --> 0:02:45.076
<v Speaker 2>I mean, it doesn't like Robert Johnson, but needless to say,

0:02:45.076 --> 0:02:49.876
<v Speaker 2>he found great inspiration and the mythology and the imagery

0:02:50.036 --> 0:02:52.596
<v Speaker 2>and the vibration of like the blues and stuff which

0:02:52.796 --> 0:02:54.036
<v Speaker 2>other punk bands really didn't.

0:02:54.316 --> 0:02:57.556
<v Speaker 1>Whatever music is happening in La, there's always some subset

0:02:57.596 --> 0:03:00.556
<v Speaker 1>of it that countrifies it. You know. It's like even

0:03:00.596 --> 0:03:02.596
<v Speaker 1>with the Birds, like Sweetheart of the Rodeo, like all

0:03:02.636 --> 0:03:05.116
<v Speaker 1>that stuff, Like the Birds got into that, and you know,

0:03:05.156 --> 0:03:07.156
<v Speaker 1>I don't know you could even feel that with Buffalo

0:03:07.236 --> 0:03:09.556
<v Speaker 1>Springfield and I mean, I know, like Neil from Canada

0:03:09.636 --> 0:03:12.276
<v Speaker 1>or whatnot. But they're making music here, you know, of course.

0:03:11.996 --> 0:03:14.516
<v Speaker 2>Of course, well I mean, you know, I mean, while

0:03:14.516 --> 0:03:17.236
<v Speaker 2>that's going on, Tim Buckley's here and you know what

0:03:17.316 --> 0:03:19.916
<v Speaker 2>I mean. And while that's going on, you have bands

0:03:19.956 --> 0:03:23.956
<v Speaker 2>like the Chambers Brothers and Eric Burden Leaves the Animals

0:03:24.116 --> 0:03:28.596
<v Speaker 2>and Northern English White Band playing blues music. And then

0:03:28.676 --> 0:03:31.156
<v Speaker 2>he's the lead singer of War It.

0:03:31.276 --> 0:03:34.996
<v Speaker 1>War is like such a quintessential La Long Beach of

0:03:35.076 --> 0:03:36.116
<v Speaker 1>fact group, you know.

0:03:36.356 --> 0:03:40.356
<v Speaker 2>I mean, I think obviously there's subsequent most famous records

0:03:41.356 --> 0:03:44.516
<v Speaker 2>don't include Eric Burdon. Yeah, And it's funny. It also

0:03:44.636 --> 0:03:47.796
<v Speaker 2>just goes to show how that's just how music is,

0:03:47.796 --> 0:03:49.476
<v Speaker 2>isn't it. You know what I mean? I mean, I

0:03:49.476 --> 0:03:51.756
<v Speaker 2>guess you obviously you can make examples of things that

0:03:51.876 --> 0:03:58.516
<v Speaker 2>seem heavy handed or things that don't contain a certain authenticity.

0:03:58.596 --> 0:04:00.636
<v Speaker 2>But I mean that was a big deal when I

0:04:00.716 --> 0:04:03.876
<v Speaker 2>you know, talking about growing up in a band, being

0:04:03.876 --> 0:04:08.196
<v Speaker 2>from Atlanta, being like in a arguably the most progressive

0:04:09.356 --> 0:04:12.716
<v Speaker 2>city in terms of race relations, and if not America

0:04:12.796 --> 0:04:14.596
<v Speaker 2>and maybe globally.

0:04:14.596 --> 0:04:16.196
<v Speaker 1>That's interesting. It probably has to be. I mean, you

0:04:16.236 --> 0:04:18.156
<v Speaker 1>might I might have been coming to say New Orleans,

0:04:18.236 --> 0:04:19.876
<v Speaker 1>but I think when you kind of look at the

0:04:19.996 --> 0:04:22.636
<v Speaker 1>musical legacy of Atlanta over the last I.

0:04:22.556 --> 0:04:25.876
<v Speaker 2>Mean New Orleans most definitely, but Atlanta is different because

0:04:25.916 --> 0:04:30.596
<v Speaker 2>of the black universities, yeah, like kind of concentrated there,

0:04:31.196 --> 0:04:34.876
<v Speaker 2>and Atlanta having Maynor Jackson as the first black mayor

0:04:34.916 --> 0:04:37.636
<v Speaker 2>the first black police chief for the black police force

0:04:37.796 --> 0:04:38.756
<v Speaker 2>in the Deep South.

0:04:38.956 --> 0:04:40.516
<v Speaker 1>When I first landed in Atlanta, I got to say,

0:04:40.516 --> 0:04:42.116
<v Speaker 1>coming from LA because I grew up in La. When

0:04:42.116 --> 0:04:44.436
<v Speaker 1>I first landed in Atlanta, I'm in the airport, I'm like,

0:04:45.196 --> 0:04:47.556
<v Speaker 1>with a whim, like, how the.

0:04:47.236 --> 0:04:49.116
<v Speaker 2>Whole airport is black? This is crazy. It was the

0:04:49.396 --> 0:04:53.676
<v Speaker 2>weirdest experience for me. Funny, that's funny. And as I said,

0:04:53.676 --> 0:04:58.236
<v Speaker 2>I'm a third generation Atlantan and I don't really make

0:04:58.276 --> 0:05:01.516
<v Speaker 2>the connection of being like I'm a Southern person, but

0:05:01.836 --> 0:05:05.156
<v Speaker 2>my connection is with Atlanta. Yeah. And so so it's

0:05:05.196 --> 0:05:07.796
<v Speaker 2>funny because Maynard Jackson is the guy who when Hartfield

0:05:07.836 --> 0:05:11.516
<v Speaker 2>International Airport becomes an international airport, He's the one who's like,

0:05:11.836 --> 0:05:16.396
<v Speaker 2>we're not doing anything unless black business owners are recognized

0:05:16.436 --> 0:05:18.036
<v Speaker 2>and have a piece in this and what that can

0:05:18.116 --> 0:05:22.436
<v Speaker 2>mean for the community. Something very subtle like that still reverberates,

0:05:22.476 --> 0:05:27.916
<v Speaker 2>I think, and besides the culture, because you start to

0:05:27.916 --> 0:05:30.676
<v Speaker 2>see Atlanta also be a city, you know, famous for

0:05:30.716 --> 0:05:33.796
<v Speaker 2>the musicians and the hip hop and the athletes that

0:05:33.836 --> 0:05:36.436
<v Speaker 2>I'll move there. But the reason that becomes attractive is

0:05:36.476 --> 0:05:39.676
<v Speaker 2>because of decisions like that and the hard line that

0:05:39.796 --> 0:05:42.676
<v Speaker 2>someone like mayn Or Jackson would take, and how Atlanta

0:05:42.796 --> 0:05:46.276
<v Speaker 2>had been pried open. Of course, having the Great Reverend

0:05:46.356 --> 0:05:49.956
<v Speaker 2>Bee from there, you know, gives Atlanta a different perspective,

0:05:50.396 --> 0:05:52.396
<v Speaker 2>but I don't know. It's a unique place in that way.

0:05:52.516 --> 0:05:55.116
<v Speaker 2>And it's funny, like I speak on it from the past,

0:05:55.196 --> 0:05:58.836
<v Speaker 2>because I really left first check, I got into Black Crows.

0:05:58.916 --> 0:06:00.836
<v Speaker 2>I moved to New York. Being in a band to

0:06:00.876 --> 0:06:04.516
<v Speaker 2>me was like, you know, shooting an arrow over the mountain,

0:06:04.716 --> 0:06:07.796
<v Speaker 2>like just I wanted to get out in the world.

0:06:08.076 --> 0:06:10.076
<v Speaker 1>Had you been to New York before we moved there?

0:06:10.316 --> 0:06:13.956
<v Speaker 2>Yeah? Yeah, Actually, you know our dad, richardized dad was

0:06:13.996 --> 0:06:17.516
<v Speaker 2>a singer. He had a top forty rock and roll

0:06:17.596 --> 0:06:20.796
<v Speaker 2>hit in the fifties called Boom a Dip Dip. You

0:06:20.836 --> 0:06:22.196
<v Speaker 2>can check it out on Spotify.

0:06:22.396 --> 0:06:23.716
<v Speaker 1>I've listened to some of that stuff.

0:06:24.716 --> 0:06:27.756
<v Speaker 2>Very good, man, it's really good. Yeah, it's a good song.

0:06:27.836 --> 0:06:30.596
<v Speaker 2>And so I really happened and looked at New York

0:06:30.636 --> 0:06:33.956
<v Speaker 2>and he was like, you know, into the theater and

0:06:34.196 --> 0:06:37.556
<v Speaker 2>music and acting and dance, you know. So he wanted

0:06:37.636 --> 0:06:39.916
<v Speaker 2>that too at a certain time in his life, and

0:06:40.356 --> 0:06:43.836
<v Speaker 2>he was in New York. And it's funny. My mom

0:06:44.116 --> 0:06:48.436
<v Speaker 2>was a flight attendant for the old Eastern Airlines, and

0:06:48.476 --> 0:06:50.236
<v Speaker 2>you know, it's funny she told me, she goes, Oh,

0:06:50.316 --> 0:06:54.796
<v Speaker 2>I served doctor King many times on flight side of Atlanta. Wow,

0:06:55.036 --> 0:06:57.036
<v Speaker 2>I always really blew my mind as a kid.

0:06:57.116 --> 0:06:59.036
<v Speaker 1>You know, of course she did. I would make I mean,

0:06:59.076 --> 0:07:01.716
<v Speaker 1>how many flights out of Atlanta? Musty have taken that

0:07:01.716 --> 0:07:02.676
<v Speaker 1>out all.

0:07:02.556 --> 0:07:05.756
<v Speaker 2>The time, you know? You know. So I moved to

0:07:05.796 --> 0:07:09.196
<v Speaker 2>New York first, and I still love New York and

0:07:09.276 --> 0:07:13.996
<v Speaker 2>some of my deepest connections and friendships are there. My

0:07:14.036 --> 0:07:17.116
<v Speaker 2>wife and I just got back from there yesterday. But

0:07:17.276 --> 0:07:20.636
<v Speaker 2>I came to Los Angeles, and I don't know, it

0:07:20.676 --> 0:07:25.196
<v Speaker 2>was farther away from Georgia, from everything. I mean, California

0:07:25.236 --> 0:07:28.596
<v Speaker 2>has an idea California. Later I would get to know

0:07:29.316 --> 0:07:32.116
<v Speaker 2>far more about this state. And I lived up north

0:07:32.156 --> 0:07:34.596
<v Speaker 2>for six years, and I was in this little hippie

0:07:34.636 --> 0:07:37.156
<v Speaker 2>band and we started. We did nine weeks just up

0:07:37.196 --> 0:07:40.316
<v Speaker 2>and down California in the van, playing all the little

0:07:40.396 --> 0:07:43.876
<v Speaker 2>beach towns and hippie towns. And you know, I got

0:07:43.876 --> 0:07:47.236
<v Speaker 2>a real appreciation for do you remember hughle.

0:07:47.036 --> 0:07:50.076
<v Speaker 1>Houser, Oh, come on, man, California's goal.

0:07:50.196 --> 0:07:53.156
<v Speaker 2>Baby. I was like the psychedelic hule Houser, you know

0:07:53.236 --> 0:07:55.756
<v Speaker 2>what I mean, you know hil Hauser. I was like,

0:07:55.876 --> 0:07:58.076
<v Speaker 2>so this is an atobe.

0:07:58.476 --> 0:07:58.796
<v Speaker 1>Wow.

0:07:59.076 --> 0:08:02.116
<v Speaker 2>He was amazed about everything too, He's like, so this

0:08:02.356 --> 0:08:08.996
<v Speaker 2>is a ball of Manuda. I love hul Hauser Lake

0:08:09.196 --> 0:08:12.516
<v Speaker 2>great Man, the late great hutle Hauser Man. I love

0:08:12.556 --> 0:08:15.876
<v Speaker 2>and you know what, he was always so excited he

0:08:15.996 --> 0:08:19.516
<v Speaker 2>saw mission from San Diego to like, you know, the

0:08:19.516 --> 0:08:24.036
<v Speaker 2>Oregon border, so that the mission like so excited.

0:08:24.876 --> 0:08:27.396
<v Speaker 1>Everything was ecstatic to him. It was crazy. It was

0:08:27.436 --> 0:08:29.356
<v Speaker 1>so that was that was a funny show to watch.

0:08:29.436 --> 0:08:30.436
<v Speaker 2>Man. I loved it.

0:08:30.476 --> 0:08:32.596
<v Speaker 1>When I moved here, I was like, what is this?

0:08:32.636 --> 0:08:35.156
<v Speaker 2>Is this good? I also am lucky that when I'm

0:08:35.196 --> 0:08:38.996
<v Speaker 2>I'm so I moved here. In ninety one early ninety two,

0:08:39.796 --> 0:08:43.596
<v Speaker 2>that was the golden age of public television. Yeah, I'm

0:08:43.796 --> 0:08:47.916
<v Speaker 2>the weirdest, weirdest of the weird stuff would come on

0:08:48.036 --> 0:08:51.316
<v Speaker 2>TV Man on the couple of public stations on your cable,

0:08:51.436 --> 0:08:57.076
<v Speaker 2>like Channel six and Channel fourteen or whatever, the most unimaginably,

0:08:58.076 --> 0:09:00.156
<v Speaker 2>I mean obviously like Tim and Eric. I don't know

0:09:00.196 --> 0:09:02.796
<v Speaker 2>if you ever got into Tim and Hell. Yeah, Tim

0:09:02.796 --> 0:09:05.716
<v Speaker 2>and Eric like take the inspiration of that into their

0:09:05.756 --> 0:09:08.836
<v Speaker 2>twisted world for the series, which is still some of

0:09:08.836 --> 0:09:11.676
<v Speaker 2>my favorite stuff. You don't need a Chinese massage, you

0:09:11.716 --> 0:09:14.836
<v Speaker 2>need an Italian massage. It was fantastic you know what

0:09:14.876 --> 0:09:17.116
<v Speaker 2>I mean, And you know the other thing about things

0:09:17.156 --> 0:09:21.036
<v Speaker 2>that were really I've always been interested in outsider culture,

0:09:21.076 --> 0:09:23.476
<v Speaker 2>you know, when those would be like driven by like this,

0:09:23.876 --> 0:09:26.276
<v Speaker 2>but because of Hollywood, it made it even weirder, Like

0:09:26.356 --> 0:09:28.756
<v Speaker 2>I'm on TV now I'm famous too, you know what

0:09:28.836 --> 0:09:33.196
<v Speaker 2>I mean, pre dating the psychoses that has become social media,

0:09:33.276 --> 0:09:33.516
<v Speaker 2>you know.

0:09:33.996 --> 0:09:36.396
<v Speaker 1>Yeah, yeah. People always describe LA when they come to

0:09:36.516 --> 0:09:39.356
<v Speaker 1>LA as being closer to the industry, as being closer

0:09:39.396 --> 0:09:42.876
<v Speaker 1>to things. But I also find that you can find

0:09:43.036 --> 0:09:45.876
<v Speaker 1>your niches and stay way out of the way of

0:09:45.876 --> 0:09:47.796
<v Speaker 1>the industry if you want. I did it.

0:09:47.916 --> 0:09:50.556
<v Speaker 2>Yeah, I mean when I moved to Topanga Canyon at

0:09:50.596 --> 0:09:53.636
<v Speaker 2>a certain point, I moved to Topanga because I have

0:09:53.796 --> 0:09:57.436
<v Speaker 2>these romantic notions of what northern California, what I've been

0:09:57.436 --> 0:09:59.596
<v Speaker 2>to northern California, but what it might feel like not

0:09:59.676 --> 0:10:02.476
<v Speaker 2>to be in LA, but to still be able to

0:10:02.556 --> 0:10:05.796
<v Speaker 2>be in LA for different reasons. I'm of the firm

0:10:05.836 --> 0:10:08.836
<v Speaker 2>belief that Los Angeles is one of the great cities

0:10:09.236 --> 0:10:13.596
<v Speaker 2>world and which is also unique because of how new

0:10:13.676 --> 0:10:18.156
<v Speaker 2>this city is comparatively. In eighteen sixty there's five thousand

0:10:18.196 --> 0:10:21.716
<v Speaker 2>people living here. That's wild ranchers and spread out and

0:10:21.756 --> 0:10:26.316
<v Speaker 2>it's just come over from Mexican rule and stuff from

0:10:26.316 --> 0:10:30.876
<v Speaker 2>that government. And they had, you know, gave everyone deeds

0:10:30.916 --> 0:10:33.916
<v Speaker 2>to these mass affincas and ranches and things that were

0:10:33.956 --> 0:10:37.556
<v Speaker 2>all of California, you know. So it's not that old

0:10:37.716 --> 0:10:42.036
<v Speaker 2>in the big scheme of things. But the other funny

0:10:42.036 --> 0:10:45.956
<v Speaker 2>thing is when I came here, I was I laugh

0:10:46.036 --> 0:10:48.516
<v Speaker 2>all the time because was like growing up in Atlanta

0:10:48.596 --> 0:10:51.316
<v Speaker 2>or whatever. In nineteen I had my first sushi in

0:10:51.396 --> 0:10:55.436
<v Speaker 2>nineteen eighty nine. My guy ended up being our manager, Like,

0:10:55.476 --> 0:10:58.876
<v Speaker 2>took me and Rich with some friends to get sushi.

0:10:59.036 --> 0:11:02.116
<v Speaker 2>And that place is called Imperial Gardens or whatever. It

0:11:02.156 --> 0:11:04.876
<v Speaker 2>was right there on Sunset. It's now like a Loco

0:11:04.996 --> 0:11:08.636
<v Speaker 2>place or something, but it was the Roxbury later. But anyway,

0:11:09.116 --> 0:11:11.516
<v Speaker 2>were sitting there and like, of course I know what

0:11:11.596 --> 0:11:16.116
<v Speaker 2>it is, but I'm you know, standing Nancy Robinson in Atlanta.

0:11:16.196 --> 0:11:19.996
<v Speaker 2>We didn't, you know what I mean. Like I remember

0:11:20.036 --> 0:11:23.476
<v Speaker 2>being sixteen and telling my dad, like coming downstairs one day,

0:11:23.556 --> 0:11:25.516
<v Speaker 2>I was like, why have we never had Indian food?

0:11:25.716 --> 0:11:27.676
<v Speaker 2>My dad was like, you're right, we should go get it.

0:11:27.716 --> 0:11:29.676
<v Speaker 2>And I was like we all drove to the one

0:11:29.716 --> 0:11:33.236
<v Speaker 2>Indian restaurant, you know, and it was amazing. Wow, I'm

0:11:33.236 --> 0:11:35.916
<v Speaker 2>here in nineteen eighty nine. I'm still working on the

0:11:35.956 --> 0:11:39.636
<v Speaker 2>first album, and I'm a kid from Atlanta. But the

0:11:39.716 --> 0:11:42.796
<v Speaker 2>cool thing is it's a mentality. You get farther away

0:11:42.836 --> 0:11:45.996
<v Speaker 2>from where you come from, and like anything else, you

0:11:46.116 --> 0:11:49.556
<v Speaker 2>figure out what's delicious about it and what's special about it,

0:11:49.596 --> 0:11:52.316
<v Speaker 2>and now it has a place in your culinary like

0:11:52.716 --> 0:11:55.676
<v Speaker 2>thing that tonight's sushi, we want to go and you

0:11:55.716 --> 0:11:57.756
<v Speaker 2>know what I mean, And then you can on that level.

0:11:57.756 --> 0:12:00.516
<v Speaker 2>But there was one time where you're you know, I

0:12:00.636 --> 0:12:03.036
<v Speaker 2>come to La I don't know anything about anything, and

0:12:03.076 --> 0:12:04.356
<v Speaker 2>I don't even know what this is.

0:12:04.636 --> 0:12:07.156
<v Speaker 1>How far removed from Atlanta do you feel now? Like

0:12:07.156 --> 0:12:08.236
<v Speaker 1>do you feel like an atlantin?

0:12:10.036 --> 0:12:14.956
<v Speaker 2>I mean not especially, And none of that is to

0:12:14.956 --> 0:12:18.676
<v Speaker 2>be taken as if Atlanta has feelings. I do love

0:12:18.716 --> 0:12:22.556
<v Speaker 2>Atlanta more than ever. But it's also I like the

0:12:22.596 --> 0:12:25.956
<v Speaker 2>remnants of the Atlanta that I remembered, so when you

0:12:25.956 --> 0:12:28.556
<v Speaker 2>go back you don't see the I mean, man, it's changed.

0:12:28.676 --> 0:12:31.756
<v Speaker 2>There was this thing on Peach Street called the Darlington Apartments,

0:12:31.756 --> 0:12:34.356
<v Speaker 2>and there it used to have this digital thing and

0:12:34.396 --> 0:12:37.236
<v Speaker 2>it would be like two million nine nine, you know

0:12:37.276 --> 0:12:38.996
<v Speaker 2>what I mean that, you know, and it was the

0:12:38.996 --> 0:12:42.756
<v Speaker 2>population and it got older. With the population sign it

0:12:42.796 --> 0:12:46.356
<v Speaker 2>got bigger and it went to three million in nineteen ninety. Wow.

0:12:46.436 --> 0:12:49.196
<v Speaker 2>You know. We used to hang around this monthly thing

0:12:49.276 --> 0:12:53.396
<v Speaker 2>called the Mudshack at this after hours Mexican burrita place,

0:12:53.396 --> 0:12:54.876
<v Speaker 2>and it was a poetry.

0:12:54.396 --> 0:12:56.836
<v Speaker 1>Reading and just the poet would get it on stage, like.

0:12:57.076 --> 0:12:59.996
<v Speaker 2>I live in a city of three million people, as

0:12:59.996 --> 0:13:02.356
<v Speaker 2>if it was like, you know this Atlanta of this

0:13:03.356 --> 0:13:05.556
<v Speaker 2>it's almost eight million people now.

0:13:05.876 --> 0:13:08.596
<v Speaker 1>Yeah, yeah, right, that sounds about right. It's huge went

0:13:08.636 --> 0:13:08.996
<v Speaker 1>on there?

0:13:09.516 --> 0:13:12.036
<v Speaker 2>I mean, of course I love it, But most a

0:13:12.076 --> 0:13:14.876
<v Speaker 2>lot of the Atlanta you know, the house where we

0:13:14.956 --> 0:13:18.116
<v Speaker 2>used to rehearse and have parties is now the Federal Reserve.

0:13:18.276 --> 0:13:21.236
<v Speaker 2>The club that we based all our rock and roll

0:13:21.356 --> 0:13:23.636
<v Speaker 2>dreams and mythology on is now at that you know,

0:13:23.636 --> 0:13:25.596
<v Speaker 2>a place where people go get stitches.

0:13:25.236 --> 0:13:27.236
<v Speaker 1>Or whatever, you know what I mean, Like all of

0:13:27.236 --> 0:13:27.836
<v Speaker 1>that kind.

0:13:27.716 --> 0:13:30.076
<v Speaker 2>Of stuff from back in the eighties, whenever the world

0:13:30.236 --> 0:13:33.876
<v Speaker 2>was new and music was all our career was ahead

0:13:33.916 --> 0:13:37.396
<v Speaker 2>of us. That's all kind of gone. Yeah, you can

0:13:37.436 --> 0:13:40.556
<v Speaker 2>see that, the skeleton of it, you know what I mean?

0:13:40.796 --> 0:13:44.556
<v Speaker 1>Yeah, wellcome back with more of my interview with Chris Robinson.

0:13:44.796 --> 0:13:53.116
<v Speaker 1>After this quick break, we're back with Chris Robinson. Do

0:13:53.156 --> 0:13:54.676
<v Speaker 1>you get excited to tour these days?

0:13:55.036 --> 0:13:55.116
<v Speaker 2>Like?

0:13:55.196 --> 0:13:56.596
<v Speaker 1>Can you still get excited about it?

0:13:56.836 --> 0:13:58.676
<v Speaker 2>I do? I do. It was funny. I've done a

0:13:58.676 --> 0:14:02.116
<v Speaker 2>couple of interviews for this project and I'm like shocked

0:14:02.116 --> 0:14:04.716
<v Speaker 2>that the people have said, you're the first musician who

0:14:04.716 --> 0:14:08.316
<v Speaker 2>says they still find inspiration doing what you do and

0:14:08.756 --> 0:14:11.156
<v Speaker 2>being on tour, they say is so boring. I'm like,

0:14:11.556 --> 0:14:15.476
<v Speaker 2>I've never lost the dream. And again, I've never been bored,

0:14:16.396 --> 0:14:18.436
<v Speaker 2>you know what I mean, even as a kid, like

0:14:18.516 --> 0:14:20.756
<v Speaker 2>with my mom and go to your room, I'd be like,

0:14:20.796 --> 0:14:24.996
<v Speaker 2>I'm amazing. That's all I want to do. All records

0:14:24.996 --> 0:14:27.076
<v Speaker 2>are in there, the books I'm reading are in there.

0:14:27.276 --> 0:14:29.756
<v Speaker 2>I can draw, I can dream, you know what I

0:14:29.796 --> 0:14:33.276
<v Speaker 2>mean daydream? I mean I was somewhere there's a permanent

0:14:33.276 --> 0:14:35.916
<v Speaker 2>record of me, and all it says is prone to daydreaming.

0:14:36.876 --> 0:14:40.516
<v Speaker 2>Not very good at math. But I was saying, I

0:14:40.556 --> 0:14:43.796
<v Speaker 2>mean it's just the way it is. I mean, is

0:14:43.836 --> 0:14:48.716
<v Speaker 2>it tedious sometimes? Fuck yes, I'm fifty seven now. Airports

0:14:48.836 --> 0:14:54.556
<v Speaker 2>fucking suck. Not every gig is a magical experience, but

0:14:55.036 --> 0:14:56.716
<v Speaker 2>you never know who you're gonna meet, and it could

0:14:56.756 --> 0:15:00.876
<v Speaker 2>be anyone. It could be the Guyanese uber driver who

0:15:00.916 --> 0:15:04.276
<v Speaker 2>pitch you up in Saint Louis, who's fucking hilarious, an amazing,

0:15:04.356 --> 0:15:07.796
<v Speaker 2>soulful person who's left a life behind to try to

0:15:07.876 --> 0:15:11.396
<v Speaker 2>eke out something better, and like it's so brave and courageous,

0:15:11.436 --> 0:15:14.436
<v Speaker 2>and you know, and you're only with this person eight

0:15:14.516 --> 0:15:16.876
<v Speaker 2>minutes from the airport or whatever, and you just two

0:15:17.036 --> 0:15:19.156
<v Speaker 2>people in the world laughing in a car. You know.

0:15:19.436 --> 0:15:22.556
<v Speaker 2>But that little thing that doesn't even necessarily have to

0:15:22.556 --> 0:15:23.956
<v Speaker 2>be a part of the narrative. It just has to

0:15:23.956 --> 0:15:27.796
<v Speaker 2>be a part of that. You still believe that there's

0:15:28.796 --> 0:15:33.356
<v Speaker 2>dynamic and meeting people and talking and laughing and sometimes crying.

0:15:33.396 --> 0:15:36.076
<v Speaker 2>But I'm just naive enough to still see it as

0:15:36.476 --> 0:15:39.316
<v Speaker 2>in the same way that I wanted. I picked music

0:15:39.636 --> 0:15:42.036
<v Speaker 2>on a lot of levels because I knew it was

0:15:42.116 --> 0:15:46.756
<v Speaker 2>the one thing that I would travel all the time. Yeah,

0:15:46.956 --> 0:15:49.076
<v Speaker 2>and then you set up your little thing and then

0:15:49.116 --> 0:15:51.196
<v Speaker 2>you put your vibes out there. You know, it is

0:15:51.236 --> 0:15:51.676
<v Speaker 2>pretty rare.

0:15:51.916 --> 0:15:54.236
<v Speaker 1>I feel like, listening to you talk, the only other

0:15:54.316 --> 0:15:57.996
<v Speaker 1>person who has had a level of success that you've

0:15:57.996 --> 0:16:00.156
<v Speaker 1>had and towards as much as you do, and travels

0:16:00.156 --> 0:16:01.676
<v Speaker 1>as much as you do. That seems to still love it.

0:16:01.716 --> 0:16:04.356
<v Speaker 1>I got lucky. I met Quincy Jones in Havana maybe

0:16:04.356 --> 0:16:07.796
<v Speaker 1>ten years ago, and the joy he has to like

0:16:07.876 --> 0:16:10.796
<v Speaker 1>travel and just talk to anybody. It's like he's like, yeah,

0:16:10.996 --> 0:16:13.156
<v Speaker 1>he'll tell Sinatra stories, and I'll tell the story about

0:16:13.196 --> 0:16:15.996
<v Speaker 1>like the cab Driver and like Memphis, and you're like

0:16:16.716 --> 0:16:20.436
<v Speaker 1>everything is like new and fun and interesting in every

0:16:20.436 --> 0:16:23.436
<v Speaker 1>person and everything and every sound and every that's a

0:16:23.436 --> 0:16:26.156
<v Speaker 1>particular joy that you don't find in a lot of

0:16:26.356 --> 0:16:27.036
<v Speaker 1>a lot of people.

0:16:27.756 --> 0:16:31.636
<v Speaker 2>Like I said, I understand, and you know, you get older.

0:16:32.756 --> 0:16:35.996
<v Speaker 2>It also helps in my life that after all the

0:16:36.116 --> 0:16:39.356
<v Speaker 2>rock and roll and all the experiences that I found

0:16:39.556 --> 0:16:44.836
<v Speaker 2>Camille my wife, because I found someone who she understands

0:16:44.956 --> 0:16:47.596
<v Speaker 2>that some of that is problematic and some of it's

0:16:47.956 --> 0:16:49.476
<v Speaker 2>pain in the ass, and some of it is like

0:16:49.556 --> 0:16:54.396
<v Speaker 2>can't we just be do normal something? And like, by

0:16:54.436 --> 0:16:57.836
<v Speaker 2>the way, we could talk about that and do our best.

0:16:57.876 --> 0:17:00.796
<v Speaker 2>But then she also realizes, like she's an artist and

0:17:00.836 --> 0:17:06.076
<v Speaker 2>she's Piss's queen Moonstone child out in the world, you know,

0:17:06.116 --> 0:17:09.316
<v Speaker 2>who wants to feel these things too, And you know.

0:17:09.396 --> 0:17:14.436
<v Speaker 2>My thing is the pandemic was such a fucking head trip. Personally,

0:17:14.516 --> 0:17:17.516
<v Speaker 2>I didn't really find it creative. I found it stifling.

0:17:17.676 --> 0:17:20.476
<v Speaker 2>But we were lucky enough to live out in the

0:17:20.516 --> 0:17:23.036
<v Speaker 2>wilds of West Marina and then we were in Southwest

0:17:23.036 --> 0:17:28.556
<v Speaker 2>Colorado amazing, Yeah, which was really really help. But one

0:17:28.636 --> 0:17:31.796
<v Speaker 2>thing I thought I would really flip out on was

0:17:31.916 --> 0:17:34.676
<v Speaker 2>it was the first time since I was basically a

0:17:34.676 --> 0:17:37.836
<v Speaker 2>teenager where I wasn't working and touring and singing and

0:17:37.876 --> 0:17:41.236
<v Speaker 2>playing and doing the whole spiel. And you know what,

0:17:41.796 --> 0:17:46.396
<v Speaker 2>it was rad really you liked it. Wow, my head

0:17:46.436 --> 0:17:50.516
<v Speaker 2>didn't fall off, you know, our lives didn't, you know,

0:17:50.676 --> 0:17:53.756
<v Speaker 2>disintegrate into nothing. It was nice. I had time for

0:17:54.196 --> 0:17:58.596
<v Speaker 2>a lot of other things. And it's funny the travel

0:17:58.796 --> 0:18:02.276
<v Speaker 2>part of it. I was just talking to my manager

0:18:02.316 --> 0:18:05.356
<v Speaker 2>Mark last night about how at a certain point it

0:18:05.356 --> 0:18:10.036
<v Speaker 2>would be nice to bow out from forming the way

0:18:10.076 --> 0:18:15.116
<v Speaker 2>we perform before. I can't because I love the travel

0:18:15.156 --> 0:18:17.156
<v Speaker 2>and we fit in the things that we want to.

0:18:17.996 --> 0:18:20.556
<v Speaker 2>But it's different to be in a place for you know,

0:18:20.676 --> 0:18:22.916
<v Speaker 2>we're going to Paris, I'm gonna see my friends. I

0:18:22.956 --> 0:18:24.436
<v Speaker 2>know all the restaurants I want to go to. I

0:18:24.476 --> 0:18:26.036
<v Speaker 2>know all the things I want to do, but you

0:18:26.076 --> 0:18:28.756
<v Speaker 2>got to leave in two days. Yeah, yeah, and you

0:18:28.836 --> 0:18:31.036
<v Speaker 2>have a show. When I was a kid, I didn't care.

0:18:31.156 --> 0:18:34.796
<v Speaker 2>We would just party, go out, champagne, drugs, this that,

0:18:35.076 --> 0:18:38.916
<v Speaker 2>two days, do the gig, go do the gig. You know,

0:18:39.116 --> 0:18:41.916
<v Speaker 2>like just all one thing was so when you're young,

0:18:41.996 --> 0:18:44.276
<v Speaker 2>you can do it, you know what I mean. I

0:18:44.276 --> 0:18:47.276
<v Speaker 2>don't feel that now. I'm really happy being in the

0:18:47.316 --> 0:18:53.076
<v Speaker 2>Black Crows and really fulfilling and satisfying and gratifying. But

0:18:53.196 --> 0:18:56.116
<v Speaker 2>at a certain point, I just want to take my

0:18:56.156 --> 0:18:59.596
<v Speaker 2>wife and go to Sicily and eat linguini and clams

0:18:59.636 --> 0:19:00.556
<v Speaker 2>and like you.

0:19:00.476 --> 0:19:03.356
<v Speaker 1>Know, drink whine and you know, read Moby Dick.

0:19:03.236 --> 0:19:05.156
<v Speaker 2>For the third time or whatever. You know what I mean.

0:19:05.796 --> 0:19:08.276
<v Speaker 2>I just want to just be a part of everything

0:19:08.316 --> 0:19:10.396
<v Speaker 2>going on. There's lots of places I haven't traveled. I

0:19:10.476 --> 0:19:12.996
<v Speaker 2>haven't been to Africa. I've always wanted to go to Africa,

0:19:13.076 --> 0:19:15.076
<v Speaker 2>you know what I mean. That would be nice to

0:19:15.436 --> 0:19:18.036
<v Speaker 2>have some time to do that. And because Africa is

0:19:18.076 --> 0:19:21.276
<v Speaker 2>such a huge thing too, you know, I'm really interested

0:19:21.316 --> 0:19:23.996
<v Speaker 2>in West Africa. I'd like to go to North Africa.

0:19:24.436 --> 0:19:26.516
<v Speaker 2>Be cool, to see the East Africa, be good.

0:19:26.556 --> 0:19:28.516
<v Speaker 1>You know what I mean, what interest you in West Africa?

0:19:28.676 --> 0:19:31.156
<v Speaker 2>I don't know. I think maybe it has something to

0:19:31.236 --> 0:19:34.676
<v Speaker 2>do just with the I mean, I love North African music,

0:19:34.716 --> 0:19:37.316
<v Speaker 2>but there's you know a lot of those West African

0:19:37.476 --> 0:19:41.796
<v Speaker 2>music could be because of the horrors of mankind and

0:19:41.836 --> 0:19:45.076
<v Speaker 2>the horrors of the slave trade, human beings found a

0:19:45.076 --> 0:19:51.516
<v Speaker 2>way somehow, through the vileness of that to communicate and

0:19:51.636 --> 0:19:55.836
<v Speaker 2>share things in art and music, cuisine. Yeah, so many

0:19:56.156 --> 0:19:59.876
<v Speaker 2>African parts of especially in the Deep South, and people

0:19:59.916 --> 0:20:04.916
<v Speaker 2>wouldn't they don't even know they're they're they're under educated anyway.

0:20:04.996 --> 0:20:07.876
<v Speaker 2>But with these things, you know, it's like, oh, every

0:20:08.196 --> 0:20:12.556
<v Speaker 2>Southern person and loves the fried okra, but okra came

0:20:12.596 --> 0:20:16.276
<v Speaker 2>over from Africa, you know, right before that, ochra came

0:20:16.276 --> 0:20:18.956
<v Speaker 2>from India to Africa. So just dumb things like that,

0:20:19.196 --> 0:20:24.916
<v Speaker 2>Plants and fruits, vegetables, natural things and supernatural things that

0:20:24.956 --> 0:20:27.676
<v Speaker 2>were brought over that could never be extinged with. And

0:20:27.716 --> 0:20:29.956
<v Speaker 2>I just have some sort of and I don't even

0:20:29.996 --> 0:20:32.676
<v Speaker 2>know what it is, because I'm not obviously that knowledgeable

0:20:32.996 --> 0:20:35.396
<v Speaker 2>as other people, but I can put a few things

0:20:35.436 --> 0:20:38.796
<v Speaker 2>together and realize, you know, so much of the music, singing,

0:20:39.036 --> 0:20:43.436
<v Speaker 2>rhythm things guitar things, especially string things come from a

0:20:43.476 --> 0:20:47.956
<v Speaker 2>West African musical tradition that represents like this African mysticism

0:20:47.996 --> 0:20:52.676
<v Speaker 2>and magic as well, that manifests when people express themselves

0:20:52.716 --> 0:20:56.476
<v Speaker 2>vocally and rhythmically and with melody and things, you know,

0:20:56.596 --> 0:20:59.716
<v Speaker 2>like a simple as something like a string guitar, And

0:20:59.756 --> 0:21:02.876
<v Speaker 2>that is something that would draw me there first, be

0:21:03.036 --> 0:21:05.916
<v Speaker 2>that in a first person and see what it feels

0:21:05.956 --> 0:21:09.316
<v Speaker 2>like for me as a real outsider. Yeah, outside your

0:21:09.316 --> 0:21:11.676
<v Speaker 2>culture is important to me just because of whether my

0:21:11.756 --> 0:21:15.796
<v Speaker 2>dyslexia or just whatever my tastes and my where I

0:21:15.836 --> 0:21:18.516
<v Speaker 2>would find the things in life that are interesting that

0:21:18.596 --> 0:21:21.996
<v Speaker 2>make me happy, things that I can understand or help

0:21:22.036 --> 0:21:24.436
<v Speaker 2>me for things that I don't understand to understand, you know,

0:21:24.676 --> 0:21:25.996
<v Speaker 2>So a lot of that you have to kind of

0:21:26.076 --> 0:21:29.636
<v Speaker 2>just vibe out viscerally fine, and I would be curious

0:21:29.636 --> 0:21:30.676
<v Speaker 2>to see what it feels like.

0:21:31.196 --> 0:21:34.236
<v Speaker 1>Yeah. Wow, we've gone from like psychedelic qal Houserd to

0:21:34.356 --> 0:21:35.756
<v Speaker 1>like psychedelic.

0:21:35.116 --> 0:21:37.076
<v Speaker 2>Like Anthony Bourdain or some shit.

0:21:39.356 --> 0:21:40.236
<v Speaker 1>I've gone global.

0:21:40.276 --> 0:21:43.076
<v Speaker 2>Now call my agent. I'm down to do this job.

0:21:43.596 --> 0:21:46.636
<v Speaker 1>That's amazing, man, I want to check out like Robert

0:21:46.636 --> 0:21:48.836
<v Speaker 1>Plant goes to rock O Go.

0:21:49.436 --> 0:21:53.036
<v Speaker 2>Yeah, he loves the Sufi music and the North African music.

0:21:53.396 --> 0:21:53.756
<v Speaker 1>Yeah.

0:21:53.796 --> 0:21:55.676
<v Speaker 2>And it's funny because I have this app where you

0:21:55.716 --> 0:21:57.996
<v Speaker 2>can listen to radio stations all over the world. But

0:21:58.076 --> 0:22:00.236
<v Speaker 2>it's like, wow, right on, man, I want to listen

0:22:00.276 --> 0:22:03.036
<v Speaker 2>to some like rad Cambodia music, It's like, uh, it's

0:22:03.196 --> 0:22:06.356
<v Speaker 2>Nicki Minaj like everywhere else. I know.

0:22:06.356 --> 0:22:08.076
<v Speaker 1>That's that's kind of a bummer about radio.

0:22:08.596 --> 0:22:10.796
<v Speaker 2>I mean it's it's like, which is cool. I'm not

0:22:11.276 --> 0:22:13.316
<v Speaker 2>bagging Nicki mi nuts, but I'm like, I'm thinking I'm

0:22:13.356 --> 0:22:15.956
<v Speaker 2>gonna like get hip to some thing I've never heard,

0:22:15.996 --> 0:22:19.836
<v Speaker 2>some regional vibes or whatever. And then it's like, oh,

0:22:20.196 --> 0:22:22.276
<v Speaker 2>it's the same shit they're playing here, is it that

0:22:22.396 --> 0:22:23.676
<v Speaker 2>radio app?

0:22:23.756 --> 0:22:25.276
<v Speaker 1>Like yeah, oh so cool.

0:22:25.316 --> 0:22:27.676
<v Speaker 2>But there's some in Morocco. And then there's a certain

0:22:27.756 --> 0:22:30.876
<v Speaker 2>kind of music that the horrors of things. There was

0:22:30.876 --> 0:22:33.316
<v Speaker 2>a slave trade in Africa for a long time too,

0:22:33.636 --> 0:22:36.636
<v Speaker 2>you know that within in Africa, and they're bringing sub

0:22:36.636 --> 0:22:40.716
<v Speaker 2>Saharan Africans to North Africa. But a great musical art

0:22:40.756 --> 0:22:42.916
<v Speaker 2>form is born from it that still exists today, and

0:22:42.916 --> 0:22:45.996
<v Speaker 2>there's whole radio stations that play it and they're basically

0:22:46.556 --> 0:22:49.996
<v Speaker 2>a living blues it's the same tradition of like the

0:22:50.036 --> 0:22:52.716
<v Speaker 2>pain and suffering of the blues that these people brought

0:22:52.716 --> 0:22:55.596
<v Speaker 2>with them that still lives today and it's now celebrated

0:22:55.636 --> 0:22:57.156
<v Speaker 2>as rebel songs. Almost.

0:22:57.476 --> 0:22:59.796
<v Speaker 1>Yeah, it's like those North African like guitar but I

0:22:59.796 --> 0:23:04.036
<v Speaker 1>don't know how to pronounce their names, but like or something, yeah, right.

0:23:04.796 --> 0:23:07.676
<v Speaker 2>I saw their first show in New York many years ago. Really,

0:23:08.076 --> 0:23:11.436
<v Speaker 2>I love that music, and I love Sudanese music, and

0:23:11.476 --> 0:23:15.316
<v Speaker 2>then you go over. I love Persian classical music, I

0:23:15.356 --> 0:23:20.036
<v Speaker 2>love music from Afghanistan, and I love Turkish music. You know,

0:23:20.156 --> 0:23:24.556
<v Speaker 2>I really have a lot of diverse interest in things

0:23:24.596 --> 0:23:25.036
<v Speaker 2>like that.

0:23:26.036 --> 0:23:28.436
<v Speaker 1>After this last break, we'll be back with more of

0:23:28.556 --> 0:23:35.316
<v Speaker 1>Chris Robinson. We're back with the rest of my conversation

0:23:35.636 --> 0:23:40.116
<v Speaker 1>with Chris Robinson within the Crows. Like maybe, like with

0:23:40.156 --> 0:23:43.396
<v Speaker 1>your brother, for instance, does he have a similar musical palette.

0:23:43.596 --> 0:23:45.916
<v Speaker 2>I think he has an appreciation. I don't think his

0:23:46.076 --> 0:23:49.236
<v Speaker 2>palette is as wide as mine, and he would admit

0:23:49.276 --> 0:23:51.956
<v Speaker 2>that I'm not. You know. He always said, like growing

0:23:52.036 --> 0:23:56.356
<v Speaker 2>up like Chris would bring back way more records than

0:23:56.396 --> 0:23:58.836
<v Speaker 2>I would listen to, or some I wouldn't be interested in.

0:23:58.916 --> 0:24:01.636
<v Speaker 2>But I got to he could be able to cherry

0:24:01.636 --> 0:24:05.156
<v Speaker 2>pick what he liked, and he loves classical Indian music.

0:24:05.676 --> 0:24:10.356
<v Speaker 2>I listened to like Mesopotamium, Sheep the music and stuff,

0:24:10.396 --> 0:24:12.156
<v Speaker 2>you know what I mean. Like, I'm really into a

0:24:12.196 --> 0:24:13.116
<v Speaker 2>lot of different things.

0:24:13.236 --> 0:24:15.396
<v Speaker 1>Do you listen to that stuff more than like rock

0:24:15.436 --> 0:24:16.996
<v Speaker 1>and roll? Like you'd rather reach for that than a

0:24:17.036 --> 0:24:17.756
<v Speaker 1>Stones record?

0:24:17.916 --> 0:24:21.756
<v Speaker 2>Yeah, I listened to all day long, Like I like

0:24:21.836 --> 0:24:25.316
<v Speaker 2>to start the morning with something mellow. We'll listen to

0:24:25.356 --> 0:24:29.196
<v Speaker 2>a lot of Indian classical music, or personally, I like

0:24:29.236 --> 0:24:32.076
<v Speaker 2>to start my mornings with the late great Ben Webster

0:24:32.276 --> 0:24:35.516
<v Speaker 2>or some think Lester Young. I love the pres you know,

0:24:35.636 --> 0:24:38.076
<v Speaker 2>but we also love Rossan Rolling Kirk, and we love

0:24:38.116 --> 0:24:41.476
<v Speaker 2>the Lonius Monk, and we love Bobby Timm bud Path.

0:24:41.716 --> 0:24:44.356
<v Speaker 2>We listened to a lot of jazz. We listened to

0:24:44.396 --> 0:24:48.036
<v Speaker 2>a lot of blues, country, R M B, funk, soul,

0:24:48.236 --> 0:24:53.076
<v Speaker 2>rock and roll, punk music, post punk music like tronic music,

0:24:53.756 --> 0:24:54.596
<v Speaker 2>rossa music.

0:24:54.716 --> 0:24:58.116
<v Speaker 1>You know, Share your Spotify right now, Share that Spotify

0:24:58.476 --> 0:24:58.836
<v Speaker 1>trying to.

0:24:59.916 --> 0:25:03.796
<v Speaker 2>I don't have Spotify envy, man, you know, Like I'm

0:25:03.836 --> 0:25:06.276
<v Speaker 2>just obsessed, you know what I mean? And I my

0:25:06.476 --> 0:25:10.956
<v Speaker 2>obsessions maybe made me way more difficult as a youth

0:25:10.996 --> 0:25:15.836
<v Speaker 2>in the music business because I also associated a certain authenticity, passion,

0:25:15.916 --> 0:25:19.076
<v Speaker 2>and purity to my obsessions and what I wanted to say.

0:25:19.196 --> 0:25:21.436
<v Speaker 2>But I also have a waking life with music that

0:25:21.516 --> 0:25:23.636
<v Speaker 2>has nothing to do with me making music or being

0:25:23.636 --> 0:25:28.436
<v Speaker 2>a musician. Yeah, those things are simpatico, but I'm sure

0:25:28.476 --> 0:25:30.996
<v Speaker 2>it's annoying. I'm the guy who I get the car

0:25:31.076 --> 0:25:33.996
<v Speaker 2>to drive down to eat dinner and West Tli and

0:25:33.996 --> 0:25:34.676
<v Speaker 2>I'm like, hey, man.

0:25:34.596 --> 0:25:37.476
<v Speaker 1>Can I play the spot? Oh yeah, in the car, dude.

0:25:37.556 --> 0:25:39.956
<v Speaker 1>I got to skicked out of a sushi spot one

0:25:39.996 --> 0:25:43.476
<v Speaker 1>time because I asked them to change the music. And

0:25:43.516 --> 0:25:46.436
<v Speaker 1>then they opened the same sushi spot across town, so

0:25:46.516 --> 0:25:48.316
<v Speaker 1>we tried to go there a year and a half later.

0:25:48.676 --> 0:25:51.836
<v Speaker 1>Turned the same lady with something. She's like, you look familiar.

0:25:51.916 --> 0:25:53.756
<v Speaker 1>I was like, I don't know, I don't know. No, no, no,

0:25:53.876 --> 0:25:55.436
<v Speaker 1>I wasn't. So did you ask me to turn off

0:25:55.436 --> 0:25:56.156
<v Speaker 1>the music one time?

0:25:56.196 --> 0:25:57.876
<v Speaker 2>I was like no, no, no, no, it must have been

0:25:57.876 --> 0:26:00.196
<v Speaker 2>my brother. I don't know. It wasn't me, Like, hey, hey,

0:26:00.276 --> 0:26:01.796
<v Speaker 2>so she's not coming in here.

0:26:02.196 --> 0:26:02.436
<v Speaker 1>You know.

0:26:03.116 --> 0:26:05.476
<v Speaker 2>They weren't happy, but I was like, just changed it.

0:26:05.516 --> 0:26:07.196
<v Speaker 1>I could tell it wasn't like pre pro it's like

0:26:07.316 --> 0:26:08.756
<v Speaker 1>it's all you're on serious or some shit.

0:26:08.836 --> 0:26:10.156
<v Speaker 2>Just change the stage.

0:26:10.196 --> 0:26:10.916
<v Speaker 1>I saw a mask.

0:26:11.276 --> 0:26:12.796
<v Speaker 2>I'm just always you know what I mean. I've just

0:26:12.956 --> 0:26:17.836
<v Speaker 2>been adventurous and things I can access what makes things

0:26:17.836 --> 0:26:20.676
<v Speaker 2>interesting to me. But I do that with with a

0:26:20.676 --> 0:26:22.876
<v Speaker 2>lot of art. I do that not with music, but

0:26:22.956 --> 0:26:27.036
<v Speaker 2>with literature, cinema, most definitely comedy as well.

0:26:27.676 --> 0:26:29.396
<v Speaker 1>So it's all that going through your mind as you're

0:26:29.396 --> 0:26:32.156
<v Speaker 1>writing lyrics for The Crows or for your other groups.

0:26:32.476 --> 0:26:36.236
<v Speaker 2>I imagine, yeah, I imagine it's something. It's all in there.

0:26:36.276 --> 0:26:38.916
<v Speaker 2>But I think when it's time to focus, like on

0:26:38.996 --> 0:26:42.196
<v Speaker 2>writing a lyric or whatever. I've written songs with other people.

0:26:42.236 --> 0:26:45.676
<v Speaker 2>I've written many songs on my own. The thing that

0:26:46.036 --> 0:26:50.476
<v Speaker 2>is the Black Crows is Rich and ize contribution together.

0:26:51.076 --> 0:26:54.836
<v Speaker 2>You know, rich, whatever he's coming from will play me something.

0:26:55.236 --> 0:26:57.796
<v Speaker 2>There's a lot of psychic energy involved in it as well,

0:26:58.076 --> 0:27:01.516
<v Speaker 2>and music is a great conduit to open those kind

0:27:01.516 --> 0:27:02.556
<v Speaker 2>of psychic channels.

0:27:02.716 --> 0:27:04.396
<v Speaker 1>And do you go into it with that intention, like

0:27:04.436 --> 0:27:06.276
<v Speaker 1>do you have to set out to do that or

0:27:06.276 --> 0:27:06.836
<v Speaker 1>does it happen?

0:27:06.996 --> 0:27:09.076
<v Speaker 2>I think there's other musicians who can do the fuck

0:27:09.196 --> 0:27:11.076
<v Speaker 2>in math and know all the shit and they do

0:27:11.156 --> 0:27:14.116
<v Speaker 2>another thing. I've only ever been able to access it

0:27:14.276 --> 0:27:17.276
<v Speaker 2>this way. Got it is my process because of however,

0:27:17.596 --> 0:27:21.116
<v Speaker 2>because we didn't learn music. We don't know shit about music.

0:27:21.676 --> 0:27:24.116
<v Speaker 1>I don't read music. Rich doesn't read music.

0:27:24.556 --> 0:27:26.796
<v Speaker 2>But we know what it feels like and we know

0:27:26.836 --> 0:27:29.956
<v Speaker 2>what sounds right, and then you keep doing that. Of course,

0:27:30.036 --> 0:27:32.516
<v Speaker 2>through that your vocabulary is bigger. But we maybe are

0:27:32.596 --> 0:27:35.116
<v Speaker 2>using different words than people who are more knowledgeable about

0:27:35.156 --> 0:27:39.116
<v Speaker 2>the inner workings and mathematics the arithmetic of music. Yeah,

0:27:39.476 --> 0:27:42.356
<v Speaker 2>and that it's escapes us. But I think it's also

0:27:42.596 --> 0:27:45.196
<v Speaker 2>in our that makes it folk and that makes you

0:27:45.276 --> 0:27:47.876
<v Speaker 2>know what I mean, there's some sort of that's why

0:27:47.916 --> 0:27:50.956
<v Speaker 2>we look at it more and like it's kind of magic.

0:27:50.996 --> 0:27:53.356
<v Speaker 2>When a song happens out of the blue. One minute,

0:27:53.396 --> 0:27:56.356
<v Speaker 2>there's nothing, one little thing like this, and then I

0:27:56.436 --> 0:27:59.596
<v Speaker 2>get an idea, and then that changes what Rich is doing.

0:27:59.956 --> 0:28:03.036
<v Speaker 2>And then it's all dictated by whatever the vibe is

0:28:03.076 --> 0:28:06.516
<v Speaker 2>that Rich plays me. There's an emotional ingredient to what

0:28:06.596 --> 0:28:09.356
<v Speaker 2>he plays me, like our probably the most famous song

0:28:09.356 --> 0:28:11.796
<v Speaker 2>as She Talks to Angels. He wrote that song. He

0:28:11.876 --> 0:28:14.156
<v Speaker 2>was very young with the riff, and then we probably

0:28:14.156 --> 0:28:16.156
<v Speaker 2>didn't get to it till like a year later when

0:28:16.436 --> 0:28:18.996
<v Speaker 2>but we would be playing things around mom and Dad's house.

0:28:19.116 --> 0:28:21.916
<v Speaker 1>He's like seventeen when he wrote that, Yes, I would

0:28:21.956 --> 0:28:22.556
<v Speaker 1>be nineteen.

0:28:22.956 --> 0:28:25.516
<v Speaker 2>So there's something about the way he pulls that first

0:28:25.596 --> 0:28:28.556
<v Speaker 2>inn and then that would just put me in a

0:28:28.636 --> 0:28:32.316
<v Speaker 2>place to write a song with that kind of dark, romantic,

0:28:33.596 --> 0:28:37.076
<v Speaker 2>melancholy imagery. But we do that today, and we do that,

0:28:37.596 --> 0:28:40.476
<v Speaker 2>I think, especially if we get around to where we're

0:28:40.516 --> 0:28:43.876
<v Speaker 2>going right now with this Happiness Bastards record and stuff.

0:28:43.876 --> 0:28:47.156
<v Speaker 2>I mean, I think that's exactly what we've done with this.

0:28:47.276 --> 0:28:49.396
<v Speaker 2>I mean, there's a lot more rock and roll on it.

0:28:49.596 --> 0:28:52.076
<v Speaker 2>There's a lot more water under the bridge. We've lived

0:28:52.116 --> 0:28:57.476
<v Speaker 2>a lot personally. I'm one of those people and I

0:28:57.556 --> 0:29:00.436
<v Speaker 2>have two children and we want everything to be the best.

0:29:00.436 --> 0:29:04.476
<v Speaker 2>But I'm also not afraid of adversity, because I don't

0:29:04.516 --> 0:29:07.036
<v Speaker 2>think you should be afraid of something that you have

0:29:07.116 --> 0:29:09.916
<v Speaker 2>to find acceptance with, you know what I mean, Because

0:29:09.916 --> 0:29:13.276
<v Speaker 2>it doesn't matter who you are, what you do, if

0:29:13.276 --> 0:29:15.516
<v Speaker 2>you do it to yourself, if someone's doing it to you,

0:29:15.676 --> 0:29:18.236
<v Speaker 2>if you have the means, if you don't have the means,

0:29:18.596 --> 0:29:21.476
<v Speaker 2>No one escapes adversity, and it changes you know what

0:29:21.516 --> 0:29:24.316
<v Speaker 2>I mean, how we deal with it. The great energy

0:29:24.396 --> 0:29:26.396
<v Speaker 2>and power of youth and where we came from in

0:29:26.476 --> 0:29:29.116
<v Speaker 2>rock and roll was the anger, the fuck you part

0:29:29.156 --> 0:29:29.396
<v Speaker 2>of it.

0:29:29.476 --> 0:29:30.636
<v Speaker 1>Yeah, even with each other.

0:29:31.036 --> 0:29:33.556
<v Speaker 2>Yeah yeah, but that boils into that. Yeah. I mean

0:29:33.636 --> 0:29:38.236
<v Speaker 2>it's like live fire, you know, and like but it's

0:29:38.236 --> 0:29:40.756
<v Speaker 2>also a great you know, if you can get that

0:29:40.916 --> 0:29:42.996
<v Speaker 2>into the dude, and you can get in the studio

0:29:43.076 --> 0:29:45.716
<v Speaker 2>and get it on there. You know, we weren't clever

0:29:45.876 --> 0:29:48.076
<v Speaker 2>enough to do the math. We were only clever enough

0:29:48.076 --> 0:29:49.796
<v Speaker 2>to wear our emotions on our sleeves.

0:29:49.836 --> 0:29:52.036
<v Speaker 1>Did your parents pick up on your guys's tension?

0:29:52.556 --> 0:29:56.756
<v Speaker 2>Yes, I mean, fuck, I mean even more so probably

0:29:56.836 --> 0:29:59.316
<v Speaker 2>the older we would get, but they weren't around when

0:29:59.356 --> 0:30:01.796
<v Speaker 2>it was like, for some reason, you know, we he

0:30:01.876 --> 0:30:03.556
<v Speaker 2>had his own bedroom. I had my own bedroom when

0:30:03.556 --> 0:30:05.996
<v Speaker 2>we lived in the suburbs, and I had like a

0:30:06.196 --> 0:30:09.756
<v Speaker 2>twin bed and a desk, stereo whatever. Rich had like

0:30:09.756 --> 0:30:11.836
<v Speaker 2>a queen size Bendings room for some reason. I don't

0:30:11.836 --> 0:30:14.516
<v Speaker 2>know why we ever got that. But it was funny

0:30:14.556 --> 0:30:16.316
<v Speaker 2>because when we were kids and it would be like

0:30:17.156 --> 0:30:19.796
<v Speaker 2>if we started getting annoyed, we'd have this game where

0:30:19.836 --> 0:30:22.116
<v Speaker 2>we'd both get on the bed, and he'd be like

0:30:22.876 --> 0:30:25.716
<v Speaker 2>I'm mad Max and I'm like I'm Snake pliskt and

0:30:25.756 --> 0:30:29.356
<v Speaker 2>then we would like who could who would win in

0:30:29.396 --> 0:30:32.236
<v Speaker 2>a fight? Mad Max or Snake clisktting? Like whoever could?

0:30:32.276 --> 0:30:34.316
<v Speaker 2>Like fucking throw the other one off the bed? Was

0:30:34.316 --> 0:30:38.476
<v Speaker 2>like the Winnersten Snake always win in that got a

0:30:38.516 --> 0:30:41.236
<v Speaker 2>batch on the eye, fucking cool outfit. I was like,

0:30:41.796 --> 0:30:45.116
<v Speaker 2>it's my motherfucker there, you know, but like dumb show

0:30:45.156 --> 0:30:47.036
<v Speaker 2>like guy. And then we've said it before, but we

0:30:47.196 --> 0:30:49.996
<v Speaker 2>fought brothers fight, but we would never punch each other

0:30:49.996 --> 0:30:52.676
<v Speaker 2>in the face. We would hit each other bodyguards, throws

0:30:52.796 --> 0:30:56.556
<v Speaker 2>at each other, try to strangle each other, nothing from

0:30:56.556 --> 0:30:59.116
<v Speaker 2>the neck up. It was weird. I don't know that

0:30:59.236 --> 0:31:00.276
<v Speaker 2>rule always.

0:30:59.956 --> 0:31:02.916
<v Speaker 1>Applied, unspoken, unwritten, just.

0:31:04.916 --> 0:31:07.716
<v Speaker 2>As if that makes it like worse than all the

0:31:07.756 --> 0:31:10.676
<v Speaker 2>other cruel shit. I love it, man, I love it.

0:31:10.716 --> 0:31:14.036
<v Speaker 1>Ye Snake doesn't need muscles though, just being a pure

0:31:14.036 --> 0:31:15.356
<v Speaker 1>badass is sometimes enough.

0:31:15.676 --> 0:31:17.676
<v Speaker 2>Yeah, they couldn't stop, you know what I mean? The

0:31:17.756 --> 0:31:20.316
<v Speaker 2>craziest come out from under the street. He gets away

0:31:20.316 --> 0:31:20.916
<v Speaker 2>from all of them.

0:31:21.556 --> 0:31:25.556
<v Speaker 1>Didn't matter. So great soundtrack to that amazing soundtrack. John

0:31:25.556 --> 0:31:27.276
<v Speaker 1>Comber is always the favorite one is.

0:31:27.276 --> 0:31:30.316
<v Speaker 2>A movie he made called, uh is it called the

0:31:30.356 --> 0:31:31.276
<v Speaker 2>Prince of Darkness?

0:31:31.316 --> 0:31:32.036
<v Speaker 1>You know that movie?

0:31:32.316 --> 0:31:34.516
<v Speaker 2>I don't know that one part of the trilogy he

0:31:34.596 --> 0:31:38.116
<v Speaker 2>did that. I think that Escape from New York, Prince

0:31:38.156 --> 0:31:40.956
<v Speaker 2>of Darkness and maybe they See or whatever. I think

0:31:40.956 --> 0:31:43.596
<v Speaker 2>those are like a trilogy he made. But Prince of

0:31:43.676 --> 0:31:45.876
<v Speaker 2>Darkness is a really cool movie. Like in this weird

0:31:45.996 --> 0:31:48.916
<v Speaker 2>church in Oakland or whatever is like where evil is

0:31:48.956 --> 0:31:51.796
<v Speaker 2>and like this liquid container and like these people find

0:31:51.916 --> 0:31:54.956
<v Speaker 2>it's really deep. Man. But the sound that one's really

0:31:54.956 --> 0:31:56.236
<v Speaker 2>I listened to it all the time.

0:31:56.836 --> 0:31:58.636
<v Speaker 1>I missed that one. I like, I like Assault on

0:31:58.716 --> 0:32:00.076
<v Speaker 1>Precinct thirteen.

0:32:00.236 --> 0:32:05.236
<v Speaker 2>That soundtracks amazing, very far ahead of his time, actually.

0:32:05.116 --> 0:32:07.156
<v Speaker 1>Way ahead of his time. It sounds like what's you know,

0:32:07.276 --> 0:32:10.836
<v Speaker 1>like a lot of like electronic composers would now go for.

0:32:11.156 --> 0:32:13.756
<v Speaker 2>Is he from Kentucky? I think originally is from Kentucky.

0:32:13.796 --> 0:32:19.556
<v Speaker 2>It's like if Tangerine Dream were from Kentucky. Yeah, yeah, right,

0:32:19.916 --> 0:32:22.756
<v Speaker 2>Tangerine Dream is from Kentucky. Maybe they just call that

0:32:22.916 --> 0:32:25.556
<v Speaker 2>like Pineapple upside down cake Dreamers.

0:32:27.916 --> 0:32:29.316
<v Speaker 1>How do you feel with a new record? I think

0:32:29.316 --> 0:32:30.076
<v Speaker 1>it sounds amazing.

0:32:30.156 --> 0:32:33.156
<v Speaker 2>Yeah, we're very happy. I think we were really focused

0:32:33.196 --> 0:32:36.636
<v Speaker 2>on what we wanted the record to be touring the

0:32:36.716 --> 0:32:39.116
<v Speaker 2>last few years and doing the Shak Your Money Makers show.

0:32:39.876 --> 0:32:43.076
<v Speaker 2>At first, I was a little bit I had a

0:32:43.076 --> 0:32:45.476
<v Speaker 2>little trepidation about it, just because I was like, Oh,

0:32:45.516 --> 0:32:48.036
<v Speaker 2>isn't that what other bands kind of get into sometimes,

0:32:48.156 --> 0:32:51.796
<v Speaker 2>is playing their most popular record or whatever. Yeah, But

0:32:51.836 --> 0:32:54.196
<v Speaker 2>once I thought about it, and I thought, Yo, don't

0:32:54.196 --> 0:32:56.836
<v Speaker 2>think about it, just do it. This is important record

0:32:56.876 --> 0:33:00.036
<v Speaker 2>to you know, this is where it all begins for us,

0:33:00.156 --> 0:33:03.556
<v Speaker 2>and let's revisit it. Let's see what happens if we

0:33:03.596 --> 0:33:07.076
<v Speaker 2>remove ourselves from the way of thinking before. You know,

0:33:07.116 --> 0:33:09.036
<v Speaker 2>why did I think that was dumb? Maybe it's not.

0:33:09.516 --> 0:33:11.836
<v Speaker 2>Maybe there's something there. And I think part of where

0:33:11.876 --> 0:33:14.636
<v Speaker 2>the Black Crows are today is getting out of our

0:33:14.676 --> 0:33:17.236
<v Speaker 2>way and you know, don't think it, do it, and

0:33:17.276 --> 0:33:20.116
<v Speaker 2>then you'll have more information about what works and what doesn't.

0:33:20.436 --> 0:33:24.236
<v Speaker 2>And it was fantastic, And that was kind of the

0:33:24.236 --> 0:33:27.516
<v Speaker 2>impetus to get us to like a real focus, up

0:33:27.556 --> 0:33:31.716
<v Speaker 2>tempo rock and roll record that hits all the notes.

0:33:31.796 --> 0:33:35.556
<v Speaker 2>I think that we finally didn't have the perspective to

0:33:35.676 --> 0:33:40.076
<v Speaker 2>know what the Black Crows sound like, and to me,

0:33:40.156 --> 0:33:43.196
<v Speaker 2>happens Bastards is like an arrow pointed towards the future

0:33:43.196 --> 0:33:46.116
<v Speaker 2>for us of what the Black Crows could be. And

0:33:46.316 --> 0:33:48.396
<v Speaker 2>once we work with a guy like Jay Joyce who

0:33:48.396 --> 0:33:53.316
<v Speaker 2>produced the record, who's very successful, popular producer. We've never

0:33:53.356 --> 0:33:55.956
<v Speaker 2>really worked with like a super producer like that. And

0:33:56.276 --> 0:33:58.836
<v Speaker 2>you know, we met so many talented people and had

0:33:58.876 --> 0:34:02.316
<v Speaker 2>so many great conversations. There's just something about Jay. Well,

0:34:02.316 --> 0:34:05.476
<v Speaker 2>first off, we felt like this guy not only can

0:34:05.596 --> 0:34:08.196
<v Speaker 2>we get him, but he could get us, and we're

0:34:08.196 --> 0:34:11.596
<v Speaker 2>incapable of doing something that we don't feel is sincere,

0:34:12.116 --> 0:34:15.476
<v Speaker 2>sincere to us of what we want to do and

0:34:15.516 --> 0:34:18.556
<v Speaker 2>how it sounds. And of course when he comes on board,

0:34:18.596 --> 0:34:21.196
<v Speaker 2>he starts to help shape the songs as well, like,

0:34:21.876 --> 0:34:24.276
<v Speaker 2>all right, we have a discussion about what I think

0:34:24.316 --> 0:34:27.396
<v Speaker 2>the record should be. What's the concept in a sense?

0:34:27.436 --> 0:34:29.636
<v Speaker 2>I mean, you can't do it one hundred percent because

0:34:29.676 --> 0:34:33.116
<v Speaker 2>it's music and things change, but if that's what we're

0:34:33.116 --> 0:34:35.556
<v Speaker 2>going for, and so he, you know, we have a

0:34:35.556 --> 0:34:38.436
<v Speaker 2>bunch of songs. He comes in, tells us what he

0:34:38.556 --> 0:34:41.116
<v Speaker 2>likes about these songs. We go back work on some songs,

0:34:41.156 --> 0:34:43.676
<v Speaker 2>write some new ones. But again, as we're in the

0:34:43.676 --> 0:34:45.996
<v Speaker 2>studio making the record, it only took us two and

0:34:46.036 --> 0:34:47.436
<v Speaker 2>a half weeks to make the record.

0:34:47.556 --> 0:34:48.196
<v Speaker 1>That's quick.

0:34:48.356 --> 0:34:50.996
<v Speaker 2>Yeah, yeah, it has an energy. It has to be

0:34:51.116 --> 0:34:53.356
<v Speaker 2>that way. Like I said, we're not the kind of

0:34:53.396 --> 0:34:56.796
<v Speaker 2>people to what are we doing, you know? And what

0:34:56.836 --> 0:35:00.076
<v Speaker 2>are we selling? What do we want people to get

0:35:00.156 --> 0:35:02.316
<v Speaker 2>from this? What are we putting out there in the world.

0:35:02.356 --> 0:35:04.276
<v Speaker 2>And we haven't made a record a long time. Basically,

0:35:04.356 --> 0:35:06.356
<v Speaker 2>you got to, like, you know, put your money where

0:35:06.396 --> 0:35:07.956
<v Speaker 2>your mouth is and if you're going to say this

0:35:08.076 --> 0:35:11.516
<v Speaker 2>is what you are, then it better fucking sound like that. Yeah,

0:35:11.516 --> 0:35:13.276
<v Speaker 2>And I made a record in so long and we've

0:35:13.316 --> 0:35:15.916
<v Speaker 2>been talking about it. We've been proving it every night

0:35:15.956 --> 0:35:18.196
<v Speaker 2>on tour of like what the presentation is, what the

0:35:18.276 --> 0:35:21.516
<v Speaker 2>vibes are, what the band sounds like. We're rich and

0:35:21.596 --> 0:35:24.756
<v Speaker 2>I are, but we're playing old songs and we're playing

0:35:24.836 --> 0:35:28.076
<v Speaker 2>songs people know, and now to do it with something new.

0:35:28.836 --> 0:35:31.756
<v Speaker 2>But after all the talk about we're a rock and

0:35:31.876 --> 0:35:34.716
<v Speaker 2>roll band, this is where we're doing this. We're in

0:35:34.756 --> 0:35:37.636
<v Speaker 2>a good place, we're creative. But then you have to

0:35:37.676 --> 0:35:38.036
<v Speaker 2>do it.

0:35:38.396 --> 0:35:40.516
<v Speaker 1>Yeah, do you think you could go out and play

0:35:40.836 --> 0:35:42.756
<v Speaker 1>when you go out on tour. You're going on tour soon.

0:35:42.756 --> 0:35:45.676
<v Speaker 1>Could you play a lot of this album or do

0:35:45.716 --> 0:35:48.116
<v Speaker 1>you do you feel you have to do a lot

0:35:48.156 --> 0:35:48.676
<v Speaker 1>of the old stuff.

0:35:48.956 --> 0:35:51.716
<v Speaker 2>I mean, that's the purpose of the tour. And we've

0:35:51.756 --> 0:35:55.476
<v Speaker 2>gone from bigger venues to a little smaller because we know,

0:35:56.276 --> 0:35:57.916
<v Speaker 2>you know, there's always going to be someone like this

0:35:57.996 --> 0:35:59.876
<v Speaker 2>is our new single and they go to the bathroom

0:35:59.956 --> 0:36:00.316
<v Speaker 2>or whatever.

0:36:00.756 --> 0:36:03.036
<v Speaker 1>Yeah, well you want to play the new record, like

0:36:03.036 --> 0:36:03.756
<v Speaker 1>that's the point of this.

0:36:03.996 --> 0:36:06.156
<v Speaker 2>Yeah, Well, we feel that it's right there with the

0:36:06.156 --> 0:36:08.916
<v Speaker 2>best of everything we've done. And as we move on

0:36:09.156 --> 0:36:11.276
<v Speaker 2>from this new record and being able to focus on

0:36:11.316 --> 0:36:14.316
<v Speaker 2>it for this period, of course, you know, we have

0:36:14.356 --> 0:36:17.156
<v Speaker 2>to play she talks angels hard to handle, jealous again twice.

0:36:17.196 --> 0:36:19.796
<v Speaker 2>It's hard during to my pride remedy. You know, we

0:36:19.876 --> 0:36:22.916
<v Speaker 2>know there's certain things wiser times, soul sing and whatever.

0:36:23.196 --> 0:36:26.396
<v Speaker 2>We know there's certain songs. I think when we were younger,

0:36:26.436 --> 0:36:29.076
<v Speaker 2>we were more arrogant and we didn't want to play along.

0:36:29.156 --> 0:36:33.756
<v Speaker 2>We wanted to push people more into we're more than

0:36:33.876 --> 0:36:38.996
<v Speaker 2>just these hit songs, and that was our right and

0:36:39.396 --> 0:36:43.916
<v Speaker 2>we did it, and we felt there was some importance

0:36:43.956 --> 0:36:48.076
<v Speaker 2>there that wasn't just ecocentric. Yeah, but I think now

0:36:48.156 --> 0:36:51.956
<v Speaker 2>we realize and that oh we can say the things

0:36:51.996 --> 0:36:54.756
<v Speaker 2>we want to say, but we also have to respect

0:36:54.756 --> 0:36:56.916
<v Speaker 2>our audience and know that somebody's going to be mad

0:36:56.916 --> 0:36:59.036
<v Speaker 2>if you don't play. She talks dandel yea And by

0:36:59.076 --> 0:37:01.876
<v Speaker 2>the way I look at she talks to angels or

0:37:01.876 --> 0:37:04.236
<v Speaker 2>hard to handle or whatever. Now in such a different

0:37:04.316 --> 0:37:07.396
<v Speaker 2>light because I realize how special it is to have

0:37:07.476 --> 0:37:10.796
<v Speaker 2>those songs in your catalog, you know, to have songs

0:37:11.436 --> 0:37:15.476
<v Speaker 2>that we play for people, but that after almost soon

0:37:15.516 --> 0:37:18.236
<v Speaker 2>it'll be getting there forty years that are been in

0:37:18.276 --> 0:37:20.596
<v Speaker 2>people's lives and it's important to them too, and they

0:37:20.676 --> 0:37:22.156
<v Speaker 2>and they want to hear it and they want to

0:37:22.196 --> 0:37:25.796
<v Speaker 2>hear you do the best you can do. Yeah, and

0:37:25.876 --> 0:37:29.716
<v Speaker 2>make it special and have that relationship with the audience.

0:37:30.076 --> 0:37:32.596
<v Speaker 1>Yeah, you said you feel like this is like an

0:37:32.676 --> 0:37:35.236
<v Speaker 1>arrow pointing to the future, like you want to do

0:37:35.276 --> 0:37:36.916
<v Speaker 1>more Black Crows music.

0:37:37.116 --> 0:37:40.516
<v Speaker 2>Yeah, you know, I mean, I know it sounds weird to, like,

0:37:40.756 --> 0:37:43.796
<v Speaker 2>you know, start wrapping up my fifties and talking about it,

0:37:43.996 --> 0:37:46.436
<v Speaker 2>But then again, you know, there's so much about what

0:37:46.836 --> 0:37:50.316
<v Speaker 2>we are as a band and as artist and as people.

0:37:50.956 --> 0:37:53.036
<v Speaker 2>It looks like one thing on the surface, but it's

0:37:53.076 --> 0:37:55.276
<v Speaker 2>not underneath, you know, in the same way that it

0:37:55.316 --> 0:37:57.316
<v Speaker 2>breaks my heart a little bit to hear like people

0:37:57.476 --> 0:38:02.156
<v Speaker 2>musicians say that they are bored or listless or not inspired,

0:38:02.236 --> 0:38:05.476
<v Speaker 2>and I'm like, well, I don't feel that way. And

0:38:05.556 --> 0:38:10.556
<v Speaker 2>this record is really even greater sort of proof that

0:38:11.196 --> 0:38:14.316
<v Speaker 2>I don't have to give up on my passion, on

0:38:14.396 --> 0:38:17.836
<v Speaker 2>my creativity. I can put it all in the correct

0:38:18.036 --> 0:38:20.996
<v Speaker 2>order and we can continue to move on. We don't

0:38:20.996 --> 0:38:23.556
<v Speaker 2>have the same expectations that you had in nineteen ninety

0:38:23.596 --> 0:38:25.876
<v Speaker 2>five when you made a record. When you know you're

0:38:25.916 --> 0:38:28.036
<v Speaker 2>spending a million and a half dollars on a record,

0:38:28.116 --> 0:38:29.836
<v Speaker 2>they want you to go out and sell fucking ten

0:38:29.876 --> 0:38:33.236
<v Speaker 2>million records and have four hit singles, and everybody's trying

0:38:33.276 --> 0:38:35.636
<v Speaker 2>to do that, and the radio is pumping your songs

0:38:35.676 --> 0:38:37.836
<v Speaker 2>all day long. And that's that's how it used to work.

0:38:37.956 --> 0:38:40.916
<v Speaker 2>Kids used to they play your records all the time

0:38:40.916 --> 0:38:43.076
<v Speaker 2>on the radio, and people will go buy your record.

0:38:43.316 --> 0:38:45.916
<v Speaker 2>That's how it works. Yeah, So even though that's gone,

0:38:46.036 --> 0:38:50.476
<v Speaker 2>that doesn't mean we don't see or feel there is

0:38:50.516 --> 0:38:53.676
<v Speaker 2>still some importance in that. And I don't feel that

0:38:53.916 --> 0:38:59.756
<v Speaker 2>making albums is that antiquated or archaic or anything. People say,

0:38:59.836 --> 0:39:02.156
<v Speaker 2>you know, you go to fucking Amiba, man, You're gonna

0:39:02.156 --> 0:39:04.156
<v Speaker 2>wait in line to pay for your shit. It's not

0:39:04.356 --> 0:39:07.076
<v Speaker 2>like there's Humble Weeds blowing through a record store or something.

0:39:07.796 --> 0:39:11.036
<v Speaker 1>It's true there are a fewer around, but you know, like, yeah,

0:39:11.276 --> 0:39:12.916
<v Speaker 1>go to Freak Beating in the valley.

0:39:12.956 --> 0:39:14.516
<v Speaker 2>There's people in the way, you know, and they have

0:39:14.516 --> 0:39:17.356
<v Speaker 2>great records in there. It's like anything else. The media

0:39:17.396 --> 0:39:20.436
<v Speaker 2>doesn't cover it because it would take too much imagination

0:39:20.556 --> 0:39:23.916
<v Speaker 2>and interest in something that isn't status driven, in something

0:39:24.236 --> 0:39:30.196
<v Speaker 2>that is collectively uh more dynamic, that contains more soulful information,

0:39:30.596 --> 0:39:35.556
<v Speaker 2>or something of a cultural reality that's not just reality

0:39:35.636 --> 0:39:38.596
<v Speaker 2>TV and going to the gym or whatever. Yeah.

0:39:38.836 --> 0:39:41.396
<v Speaker 1>Yeah, and so you do feel like it's an arrow

0:39:41.476 --> 0:39:43.356
<v Speaker 1>pointed in the future. You want to make more music,

0:39:43.396 --> 0:39:47.756
<v Speaker 1>but you mentioned earlier, maybe less touring at some point.

0:39:48.076 --> 0:39:50.156
<v Speaker 2>It's a deposition. I have to give you a day.

0:39:50.276 --> 0:39:52.356
<v Speaker 1>No, I'm just curious. No, I'm just curious.

0:39:52.356 --> 0:39:55.796
<v Speaker 2>Like it's like I don't know, like I'm just trying

0:39:55.796 --> 0:39:58.916
<v Speaker 2>to figure out where you're at here answered a Grand

0:39:58.996 --> 0:40:02.036
<v Speaker 2>Journey played this back to you. Remember you said it

0:40:03.076 --> 0:40:08.996
<v Speaker 2>you Miranda rights Man. Uh, Yes, there will come a

0:40:09.476 --> 0:40:13.236
<v Speaker 2>It's not in the near future, but maybe you know,

0:40:13.436 --> 0:40:17.996
<v Speaker 2>give me another. I don't know. It's hard to say,

0:40:18.156 --> 0:40:19.996
<v Speaker 2>you know what I mean, because getting a bit older

0:40:20.116 --> 0:40:22.316
<v Speaker 2>is weird because I don't feel older, but like, oh

0:40:22.436 --> 0:40:26.476
<v Speaker 2>fuck my knee hurt or whatever. Yeah, okay, it doesn't

0:40:26.516 --> 0:40:32.236
<v Speaker 2>dictate my dreams and passions my age, but no for

0:40:32.316 --> 0:40:34.636
<v Speaker 2>the near future, and I think, you know, it would

0:40:34.676 --> 0:40:37.276
<v Speaker 2>be pretty safe to say for the next decade of life.

0:40:37.396 --> 0:40:40.556
<v Speaker 2>I want to keep doing it while I can. Yeah,

0:40:40.676 --> 0:40:42.676
<v Speaker 2>that was another thing about the record, like, let's make

0:40:42.756 --> 0:40:44.956
<v Speaker 2>a fucking rock and roll record while we can still

0:40:45.036 --> 0:40:47.196
<v Speaker 2>fucking rock and roll. Man, you know what I mean,

0:40:47.236 --> 0:40:49.956
<v Speaker 2>Because at a certain point it's gonna be like you,

0:40:50.036 --> 0:40:54.076
<v Speaker 2>thank you rock and rolling, but intensity level comes down,

0:40:54.116 --> 0:40:56.836
<v Speaker 2>which is totally normal and fine, But rock and roll

0:40:56.916 --> 0:40:59.596
<v Speaker 2>is specific to a certain energy that you need. There's

0:40:59.636 --> 0:41:01.756
<v Speaker 2>all sorts of things that you can be passionate and

0:41:02.316 --> 0:41:07.156
<v Speaker 2>you can again have that kind of emotion and there's

0:41:07.156 --> 0:41:09.916
<v Speaker 2>still a smoldering intensity to those things. But I think

0:41:09.916 --> 0:41:12.156
<v Speaker 2>if you want to get out, shake your ass a

0:41:12.196 --> 0:41:14.236
<v Speaker 2>little bit, put it on a rock and roll show.

0:41:14.676 --> 0:41:18.116
<v Speaker 2>Hopefully people still get up and dance, and that's what

0:41:18.156 --> 0:41:18.716
<v Speaker 2>it's about.

0:41:18.916 --> 0:41:22.116
<v Speaker 1>Incredible man. Well, look, man, thanks for thanks for taking

0:41:22.156 --> 0:41:24.436
<v Speaker 1>the time. To talk. I love the new album, Excited

0:41:24.476 --> 0:41:26.636
<v Speaker 1>to see you play it, and fun talking to you. Man,

0:41:26.636 --> 0:41:28.796
<v Speaker 1>you got a lot to say. I love it all right.

0:41:28.876 --> 0:41:29.716
<v Speaker 2>I appreciate that.

0:41:32.676 --> 0:41:35.036
<v Speaker 1>Thanks to Chris Robinson for hanging out and talking about

0:41:35.076 --> 0:41:38.876
<v Speaker 1>his career along with the Black Crows new album, Happiness Bastards.

0:41:39.396 --> 0:41:41.396
<v Speaker 1>You can hear it along with our favorite songs from

0:41:41.476 --> 0:41:44.636
<v Speaker 1>Chris on a playlist at broken record podcast dot com.

0:41:44.996 --> 0:41:47.916
<v Speaker 1>Subscribe to our YouTube channel at YouTube dot com slash

0:41:47.996 --> 0:41:50.436
<v Speaker 1>broken record Podcast, where you can find all of our

0:41:50.476 --> 0:41:54.516
<v Speaker 1>new episodes. You can follow us on Twitter at broken Record.

0:41:54.996 --> 0:41:57.916
<v Speaker 1>Broken Record is produced and edited by Leah Rose, with

0:41:58.036 --> 0:42:01.516
<v Speaker 1>marketing help from Eric Sandler and Jordan McMillan. Our engineer

0:42:01.716 --> 0:42:06.076
<v Speaker 1>is Ben Tollinday. Broken Record is a production of Pushkin Industries.

0:42:06.476 --> 0:42:08.916
<v Speaker 1>If you love this show and others from Pushkin can

0:42:09.196 --> 0:42:13.076
<v Speaker 1>are subscribing to Pushkin Plus. Pushkin Plus is a podcast

0:42:13.156 --> 0:42:16.196
<v Speaker 1>subscription that offers bonus content and ad free listening for

0:42:16.276 --> 0:42:19.556
<v Speaker 1>four ninety nine a month. Look for Pushkin Plus on

0:42:19.596 --> 0:42:23.556
<v Speaker 1>Apple podcast subscriptions. And if you like this show, please

0:42:23.596 --> 0:42:26.556
<v Speaker 1>remember to share, rate and review us on your podcast app.

0:42:26.836 --> 0:42:29.596
<v Speaker 1>Our theme Music's back Anny Beats. I'm justin Richmond,