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Speaker 1: Rincon and Contradikamo Divas Go.

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Speaker 2: As You Rest.

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Speaker 3: Treble Days.

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Speaker 4: Previously on Princess of South Beach, Raoul and Andres are

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Speaker 4: on a mission to find Gabby and got close when

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Speaker 4: they discovered her family's burned down trailer. And just as

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Speaker 4: they were about to find out more, Raoul was knocked

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Speaker 4: out cold by someone I couldn't see who I know.

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Speaker 5: I'm omnissing. I'm a narrator. I'm supposed to see everything.

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Speaker 5: But I was looking at my phone. Yeah, we have

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Speaker 5: phones here. I got a text, and then I was

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Speaker 5: trying to listen. I got distracted. Okay.

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Speaker 4: Meanwhile, Alicia and Luisa have become besties, really besties, and

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Speaker 4: Victoria somehow knows about the investigation into Gabby's whereabouts and

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Speaker 4: is threatening his Stevan.

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Speaker 3: To keep it quiet. The plot thickens.

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Speaker 2: Ah my head.

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Speaker 3: Oh thank god, you're awake.

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Speaker 2: Oh what happened?

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Speaker 3: Someone knocked you the hell out, That's what happened. I

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Speaker 3: think that kid you were talking to you must have

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Speaker 3: told his friends to jump us. I barely got us

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Speaker 3: out of there.

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Speaker 2: Oh my god, it is you.

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Speaker 6: Save me.

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Speaker 2: You're a true friend.

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Speaker 3: I mean barely. Mostly I just screamed and flailed my arms.

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Speaker 3: I figured if it works for bears, it would work

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Speaker 3: for punk kids. I even pissed myself for territory purposes.

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Speaker 7: Damn it, I should have known that kid was being

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Speaker 7: so helpful. I really thought he was about to tell

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Speaker 7: us where Gabby is.

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Speaker 3: I told you it was dangerous. I had a bad

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Speaker 3: feeling about that place.

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Speaker 7: I think I need to go to the hospital. My

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Speaker 7: mouth tastes like blue crayons.

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Speaker 3: Why do you know what crayons taste like?

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Speaker 6: You know what?

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Speaker 3: Never mind, I'm just I'm driving us back to the hospital. Now.

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Speaker 3: Just take it easy, okay, I got you.

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Speaker 2: Thanks Andrews. Wait can you pull over? I think I'm gonna.

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Speaker 6: Peek ah uh ah, whoa, whoa, whoa.

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Speaker 3: Okay, Red buddy, just just take it easy.

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Speaker 7: Sorry to ask, but can you help me a zip?

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Speaker 7: My fingers aren't really working, they're all tingley and.

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Speaker 3: Please huh yeah of you and zip? You're sure?

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Speaker 1: Yeah?

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Speaker 3: No, I'm I can do that.

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Speaker 6: We're bros.

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Speaker 3: This is what bros do, all right. Bro, Let's just okay.

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Speaker 3: I think you know what you're doing here.

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Speaker 8: You don't need me any Oh my god, what is that?

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Speaker 2: That's my little row over.

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Speaker 3: Oh Jesus, you just it just keeps going. It's what

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Speaker 3: the fuck?

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Speaker 8: Oh man, look, I am so sorry. I did not

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Speaker 8: mean to look. I know, Connecticut, but that thing just happened,

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Speaker 8: and it just keeps happening and happening and happening. So

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Speaker 8: much about you suddenly make sense. I was thinking, why

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Speaker 8: was Gloria into you? And now it's very.

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Speaker 3: Clear that you were deep into her. Christ it really

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Speaker 3: just unfurled like a fruit rollout?

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Speaker 2: Yeah, it does the Can you help me button up?

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Speaker 3: Yep? Just give me one sect to process what I

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Speaker 3: just saw.

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Speaker 7: Okay, ready, okay, okay, all right, you push, I pull. Okay,

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Speaker 7: Ready on to go, keep going a little more. Okay,

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Speaker 7: we're bro now.

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Speaker 3: Wow, money, we're getting you to a doctor.

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Speaker 2: Oh I think I can peel on your hand.

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Speaker 3: Yeah. He takes after his dad in that way.

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Speaker 4: I hope they get to a hospital soon. That head

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Speaker 4: isn't looking so great anyway. While Raoul and Andres head

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Speaker 4: back to the city, Louisa is getting cozy with her

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Speaker 4: new boom.

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Speaker 9: M.

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Speaker 2: You know, just what did that to me?

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Speaker 6: Oh?

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Speaker 2: We should stop.

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Speaker 10: I'm going to be life for lunch with your sister.

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Speaker 11: If you wanted me to be able to stop. And

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Speaker 11: you shouldn't warn that dress. You're driving me crazy.

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Speaker 10: Oh if you like this, then I can't like to

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Speaker 10: show you what's I need live now.

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Speaker 11: You're definitely not making.

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Speaker 6: It to lunch.

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Speaker 10: Oh okay, okay, okay, okay, cowboy, take it easy.

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Speaker 2: Let's pump the brakes.

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Speaker 11: Louisa. I don't want to scare you, but I haven't

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Speaker 11: felt this way in a long time. You're so smart

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Speaker 11: and funny, and every inch of you is dropped delicious.

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Speaker 11: I know it's way too soon to say that our word.

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Speaker 10: But I really like you too, But I want to

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Speaker 10: take it slow. I'm still in a really gradual place

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Speaker 10: after my divorce and I don't want to get burned again.

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Speaker 11: I know, and I don't want to push you, but

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Speaker 11: I just wanted you to know how I feel. After

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Speaker 11: my wife died, I thought that was it for me,

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Speaker 11: that I would never love again, and I was ready

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Speaker 11: to just.

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Speaker 2: Be alone.

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Speaker 11: But you have brought me back to life. It's like

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Speaker 11: I was living in black and white and with you,

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Speaker 11: the whole world is in bloom.

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Speaker 6: Oh.

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Speaker 3: You never talk about her?

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Speaker 2: What was she like?

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Speaker 11: I can't really talk about it and it's too painful.

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Speaker 11: But someday, I promise I'll tell you all about it.

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Speaker 11: Come on, let's get you ready. I've got a head

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Speaker 11: back to the hospital anyway.

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Speaker 10: Call me tonight.

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Speaker 2: Try to stop me. You're right, this one's even dumber

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Speaker 2: than the last.

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Speaker 3: I've got her close, but she's not quite there yet.

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Speaker 11: I think one more little push and the money will

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Speaker 11: be there in the bag. Yeah, right after the wedding,

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Speaker 11: for sure. Okay, I'll see you tonight.

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Speaker 3: Oh man, this is so sad.

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Speaker 5: Look, I don't love Luisa, you know that, but even

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Speaker 5: I don't want to see her get played like this.

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Speaker 5: Can't this poor woman catch a break?

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Speaker 3: Finally, I've been waiting and waiting.

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Speaker 7: Sorry, I'm late.

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Speaker 10: I had a late morning with your brother. Sorry is

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Speaker 10: that TMI?

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Speaker 1: No, not at all. I'm jealous. I mean, I'm just

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Speaker 1: so glad things are going so well.

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Speaker 10: I just wish she would open up a little bit

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Speaker 10: more like I don't know anything about his eggs.

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Speaker 1: Oh, yes, well it's tragic. There isn't much to tell,

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Speaker 1: do we Okay, they were in love, then she got sick.

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Speaker 1: They saw a specialist after specialists, but no one could

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Speaker 1: figure out what was wrong with her and the whole

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Speaker 1: thing just really it took a toll on him. Can

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Speaker 1: you imagine how hard it would be for him, as

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Speaker 1: a doctor to be unable to cure his wife's illness?

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Speaker 1: Oh he felt so helpless.

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Speaker 4: Oh, oh my god.

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Speaker 3: Oh no, wonder he doesn't like to talk about it.

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Speaker 3: That's so awful.

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Speaker 1: That's why you're such a blessing, Louisa. I didn't think

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Speaker 1: my brother would ever smile again ever since he met you.

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Speaker 3: He's a new man.

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Speaker 10: But don't you think we're taking things too fast? My

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Speaker 10: divorce just got finalized last week.

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Speaker 1: Oh honey, you know what they say, the best way

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Speaker 1: to get over a man is to get under a

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Speaker 1: new one. Yeah, anyway, let's be serious. You're not getting

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Speaker 1: any younger.

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Speaker 10: Well, what does that have to do with anything?

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Speaker 1: Now? I'm just saying there's kind of a time limit

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Speaker 1: on how much longer you can get away with wearing

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Speaker 1: mini skirts and heels. Pretty soon, it's kinda look sad

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Speaker 1: and desperate.

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Speaker 10: Oh well, maybe you're right.

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Speaker 1: Listen, you gotta take it from me. I know the

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Speaker 1: dating pool is just going to get smaller and smaller.

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Speaker 1: And then the men, oh, the men are just going

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Speaker 1: to get uglier and ranklier. Oh, and before you know it,

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Speaker 1: you'll be changing diapers and not for your kids. Clock's chicken, honey.

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Speaker 12: Hmmm.

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Speaker 1: I don't want to hurt your feelings, but I do

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Speaker 1: think that Joel is just about as good as you're

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Speaker 1: going to get, and I don't want you to let

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Speaker 1: a good thing go out of fear.

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Speaker 10: You're such a good friend, Victodia. You remind me of

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Speaker 10: my father God rest is so aw.

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Speaker 1: I'm so glad you came into my life. You know,

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Speaker 1: some people just need a little help to reach their

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Speaker 1: full potential.

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Speaker 12: Hmm.

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Speaker 10: Oh, don't eat that.

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Speaker 3: You gonna make it.

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Speaker 10: Fat, Victoria. I'm just useless without you.

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Speaker 3: I'm so sad.

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Speaker 1: Ugh.

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Speaker 5: Between Victoria's fake friendship and Joel's manipulation, that bastard her

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Speaker 5: self esteem is going to be in the gumpster.

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Speaker 3: So tragic.

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Speaker 4: And speaking of tragic, d.

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Speaker 9: Did you stay here all night?

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Speaker 7: Yeah?

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Speaker 11: I didn't want to risk her.

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Speaker 3: Wake it up, Alad?

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Speaker 9: Any progress? Nothing yet? Do you want to take a break,

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Speaker 9: maybe go get some coffee?

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Speaker 10: No, no, no, I'm okay.

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Speaker 9: Thank you. You know you don't have to prove anything

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Speaker 9: to anyone. I know you love my daughter. It's not

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Speaker 9: that it's complicated.

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Speaker 6: Love always is.

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Speaker 9: You know, when Sarah's dad and I were first dating,

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Speaker 9: it wasn't all sunshine and roses. There was a lot

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Speaker 9: of back and forth. I've been seeing this other guy,

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Speaker 9: but I could never get Steve off my mind. Eventually

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Speaker 9: we decided to really make a go of things, settle down,

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Speaker 9: and I had a really hard time with him of

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Speaker 9: letting go.

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Speaker 3: Of my past.

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Speaker 9: You mean, I messed up big time and Steve, well,

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Speaker 9: he was rightfully pissed. It was around that time that

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Speaker 9: we found out I was pregnant with Sarah. And you

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Speaker 9: want to talk about complicated, That was complicated. But eventually

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Speaker 9: we found a way to make it work, because when

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Speaker 9: you love someone, you find a way to let go

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Speaker 9: of the past and make a new future together. I

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Speaker 9: don't know what happened between you and my daughter, and

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Speaker 9: I don't need to know, but I can tell when

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Speaker 9: someone is torturing themselves, and I promise you that it's

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Speaker 9: not gonna do anything good for you or for my

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Speaker 9: baby girl.

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Speaker 6: M m.

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Speaker 3: Indeed, Oh my god, it's a miracle.

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Speaker 1: The nurse doctor, Hey baby, hey back, it's good to

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Speaker 1: see you.

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Speaker 10: What happened, It doesn't matter You're safe.

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Speaker 6: Now.

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Speaker 4: What a beautiful scene. It's the perfect happy ending. Nothing

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Speaker 4: could possibly ruin this now.

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Speaker 2: I'm sorry, mister. Guess what I got beat up again?

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Speaker 2: Oh no, it tastes like.

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Speaker 3: Okay, buddy, let's hang up the phone. We're almost there. Hi, miss.

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Speaker 8: My friend here has a head injury and needs to

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Speaker 8: be seen by a doctor right away.

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Speaker 1: You need to fill out this paperwork and then you

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Speaker 1: can go over there, take a seat, and we'll call

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Speaker 1: you when he can be seen.

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Speaker 3: But you know, can you keep it down?

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Speaker 6: Uh?

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Speaker 3: Yeah, I guess.

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Speaker 7: Oh, I mean my head has a booboo and.

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Speaker 2: I did a moment.

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Speaker 3: You can't do vomit, can't get your code orange?

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Speaker 11: We have a code orange. Again.

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Speaker 3: I'm so sorry about your new shoes. Are you as

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Speaker 3: next to Ken? Can you fill out these papers for him? Uh? Yeah,

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Speaker 3: I I'm gonna fill out the paperwork all right, son,

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Speaker 3: come right this way.

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Speaker 2: Oh my god, I forgot nurse.

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Speaker 3: We need to put this man in a bed right away,

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Speaker 3: right away. The emergency room is full. We have no space.

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Speaker 3: There's nowhere to sit, and people are waiting forever. What

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Speaker 3: about the room with the John Doe? Isn't there a

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Speaker 3: bed in there. I guess that works. God, this hospital

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Speaker 3: is the worst. All right, mister culling me?

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Speaker 2: I forgot Hello, God, it's me.

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Speaker 9: What's wrong with you?

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Speaker 2: Why do you sound like you're going into Luisa's Hi puppy, Oh, puppy,

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Speaker 2: you're my new puppy. Now, God is my puppy? Can

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Speaker 2: I call you? God? Puppy? Guppy?

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Speaker 12: Where are you?

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Speaker 2: I need to tell you something important.

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Speaker 7: Oh no, I'm at the hospital and the nice nurse

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Speaker 7: is giving me a spongebath.

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Speaker 3: No I'm not.

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Speaker 2: She's not a nurse. Oh no, that's not a sponge No. No,

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Speaker 2: I am on my way. You just stay there, you

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Speaker 2: tell no when I am coming.

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Speaker 12: I know where Gabby is and we are going together together.

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Speaker 3: Finally.

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Speaker 5: I hope this time is for real because my heart

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Speaker 5: can't take another Gabby fake out.

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Speaker 3: Gabby, here we come.

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Speaker 12: The Princess of South Beach Season two was produced by

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Speaker 12: Sono in partnership with Our Heartsmiuntura Network. Created and directed

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Speaker 12: by Jasmine Romero, Written by Jasmine Romero with help from

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Speaker 12: Menissa Hendris. Produced by Luisa Eduardo Castillo executive produced by

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Speaker 12: Jasmine Romero executive produced by conaal Bayne and Jessel Bances

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Speaker 12: for iHeart and Camilla Victoriano and Josha Weinstein for Sonoro.

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Speaker 12: Performances in this episode by Danny Pino and the bustigious

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Speaker 12: Alden Eisenberg, Gina Torres, Brent Harvey, Kelly Conkel, Ex Mayo, Dorin,

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Speaker 12: Hamilton Hueitan, Kelsey, Gunn, Wendel Johnson and Raules Barsa. Our

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Speaker 12: production manager is Kennsa Childis. Recording engineering and sound design

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Speaker 12: by Elu Nirigoyen and Juan Diaz, with help from Cassandra

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Speaker 12: Tinajo and Andres Bayena. Casting a coordination by Kennza, Chaidis,

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Speaker 12: Angeli Martinez, Alex Gonzalez and Andres Childis. Theme song and original

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Speaker 12: music by Rodrigo Garcia. Rolis theme song performed by Jaffet,

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Speaker 12: Samayoa and Carol Velasco voices recorded at the Invisible Studios

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Speaker 12: in Los Angeles, the Relic Room in New York, and

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Speaker 12: the Hollowood Halls in Portland, with engineering by Charles Carroll,

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Speaker 12: David Wilson, Neil Wagenson, Sam Bear, Brett Tubin and Justin Phelps,

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Speaker 12: with special thanks to Heronimo A Villa