WEBVTT - CZM Book Club: Black Hole, by November Rush

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<v Speaker 1>Cool Zone Media.

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<v Speaker 2>Book Club book Club, book Club book Club. Hello and

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<v Speaker 2>welcome to the Coolzone Media book Club, the only book

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<v Speaker 2>club that is introduced by me. Going book Club, book Club,

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<v Speaker 2>book Club.

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<v Speaker 1>This week we're back to fiction, and I have a

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<v Speaker 1>little Valentine's treat for you. This is a really fun

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<v Speaker 1>story by a writer named November Rush. Hazel pitched this

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<v Speaker 1>story to me as what if Alien The movie was

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<v Speaker 1>about the horror of falling in love, and so what

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<v Speaker 1>more could you want from Valentine's Day than a story

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<v Speaker 1>about falling in love? That is horrible. I will have

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<v Speaker 1>seen Wuthering Heights by the time that you hear this,

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<v Speaker 1>but I have not seen it yet by the time

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<v Speaker 1>I'm recording it, So I wonder whether it will also

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<v Speaker 1>misunderstand stories about love. Anyway, that's entirely unrelated. We are

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<v Speaker 1>going to be reading a story called black Hole by

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<v Speaker 1>November Rush. It's a weird little space journey through psychedelic,

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<v Speaker 1>out of control body horror. It's about parasitic body jumping,

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<v Speaker 1>codependent lesbians searching to find each other again, and the

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<v Speaker 1>wake of destruction they leave behind them. That sounds like

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<v Speaker 1>romance to me. I'm not actually a cynical as I'm

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<v Speaker 1>making it sound. This story is from the collection Bury

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<v Speaker 1>Your Gaze, an Anthology of tragic queer horror, edited by

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<v Speaker 1>Sophia Asram, which Hazel describes as very fucking good. So yeah,

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<v Speaker 1>the story's fun. Just trust us here. It is black

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<v Speaker 1>Hole by November Rush. Morgan blinks down at her hands,

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<v Speaker 1>sluggishly touching her thumbs and fingers together as she tries

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<v Speaker 1>to figure out how an ordinary cinicied plan could cause

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<v Speaker 1>a psychedelic effect in a human. The palm of the

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<v Speaker 1>hand she's just used to touch the alien plant sample

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<v Speaker 1>is covered with a mist of tiny beads of blood,

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<v Speaker 1>as though her flesh is a sponge, as though something

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<v Speaker 1>minuscule on the plant has burrowed into her skin and bloodstream,

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<v Speaker 1>which seems like a clue, though she's having trouble focusing

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<v Speaker 1>on how. Splitting splitting another clue, like a splitting headache,

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<v Speaker 1>but more like her head is split. Her mind is split, kaleidoscopic,

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<v Speaker 1>fracturing into yes, that's me and actually this is Morgan

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<v Speaker 1>attempts to sort through the disjointed foreign images in her mind.

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<v Speaker 1>Terror bubbling up from her stomach like bile, and it

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<v Speaker 1>occurs to her she may have an increasingly short window

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<v Speaker 1>of time. She feels her mouth open and her tongue

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<v Speaker 1>run along her teeth, feels the sting as her teeth

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<v Speaker 1>close on her lip a little too hard. Something is

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<v Speaker 1>trailing up her arms and pulling gently experimentally on the joints,

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<v Speaker 1>and she realizes belatedly it's her own fingers, no longer

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<v Speaker 1>under her command, and a single idea pierces the fog

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<v Speaker 1>of panic. Find void, except Morgan actually wants to alert

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<v Speaker 1>Allan and get help, not find void, because she suspects

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<v Speaker 1>she is dying. How exactly would one go about alerting

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<v Speaker 1>Alan and getting help and not dying a little hard

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<v Speaker 1>to figure out, even if she could control her hands

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<v Speaker 1>or make noises. Since she has the overwhelming and bizarre

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<v Speaker 1>feeling this is the first time in maybe years, she

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<v Speaker 1>has had access to a mind capable of this level

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<v Speaker 1>of intellect. Morgan is intoxicated by the dizzying rush of

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<v Speaker 1>unfamiliar memories that her plant and insect bodies can only

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<v Speaker 1>comprehend as emotions or maybe temperature warm and safe for

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<v Speaker 1>the times the two of them wait her and who

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<v Speaker 1>the void were little furred animals together for the times,

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<v Speaker 1>dozing in puddles of light as children or invertebrates, or

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<v Speaker 1>bandits cool for waiting in stasis for an opportunity, for

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<v Speaker 1>centuries passing, as the tree of her body thrust knobbed

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<v Speaker 1>roots through the soil to lap up nutrients and brush

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<v Speaker 1>fronds against the sky, And most of all, the frigid loss,

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<v Speaker 1>the grief when they are torn apart, the cold of searching,

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<v Speaker 1>searching for the warmth of hoping, the heat of finding

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<v Speaker 1>overlaid confusingly with her own short human life, Morgan remembers

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<v Speaker 1>the blur of thousands of lives, looping thousands of times

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<v Speaker 1>around hun undreds of suns, of knowing so much and

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<v Speaker 1>only sometimes having the brain to understand it all. She

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<v Speaker 1>sees winding through them all like a vein of gold,

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<v Speaker 1>like a fracture void her eyes, her multitude of eyes

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<v Speaker 1>that are pale and orange and black, all at different times,

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<v Speaker 1>but all void. Her smile, her smiles, the twist of them,

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<v Speaker 1>and the way that a serpentine body, or a cartilagineous one,

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<v Speaker 1>or a leaf can smile, can smile with a twist.

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<v Speaker 1>Morgan feels her mind's eye fixed hungrily on a pool

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<v Speaker 1>of light as the fallible, tactile biology around it, royals,

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<v Speaker 1>shaped shifts huge than tiny, scaled than feathered, then vibrant green,

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<v Speaker 1>recognizing some of the animals, people, and alien life forms,

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<v Speaker 1>but not most. The consistent glow of void recognizable throughout

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<v Speaker 1>her many shapes, perceived by a multitude of sensory organs

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<v Speaker 1>in a jumble of identity, purpose, and form. Moving towards

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<v Speaker 1>void is an instinct that doesn't require a brain at all.

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<v Speaker 1>Even a plant knows to turn and face the sun.

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<v Speaker 1>The love of Void is unlike anything Morgan has ever felt.

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<v Speaker 1>The confusion of her self destructive love for the metamorphizing

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<v Speaker 1>void calls an old human story to mind. Okay, so

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<v Speaker 1>in retrospect, most of those thoughts probably don't belong to Morgan.

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<v Speaker 1>It's been mere seconds, but she's lost control of her body,

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<v Speaker 1>worse her brain. Morgan realizes that a foreign consciousness has

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<v Speaker 1>dug its tendrils into her mind, her personhood, and is

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<v Speaker 1>pressing her down, holding her still as she feebly thrashes

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<v Speaker 1>like a fish in the bottom of a rowboat. Taking over.

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<v Speaker 1>Morgan's lungs take a soft, shaky breath, and her throat

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<v Speaker 1>constricts a few times, making a noise like which is

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<v Speaker 1>not enough to attract attention, and her mind begins to

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<v Speaker 1>blur sideways. It feels a little like being the sinicied

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<v Speaker 1>plant sample. Again. With her last strength, she tries to

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<v Speaker 1>cling to why it matters whether she was really a

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<v Speaker 1>parasitic entity occupying a plant a few moments ago, or

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<v Speaker 1>whether she was a human woman named doctor Morgan Christie

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<v Speaker 1>who knew how to breathe with her lungs and analyze

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<v Speaker 1>a sample of alien fauna, who could use part of

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<v Speaker 1>her throat to communicate with other humans in a natural

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<v Speaker 1>and unsuspicious way. She fails. Star feels a cautious satisfaction

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<v Speaker 1>as the consciousness of doctor Morgan Christie fades to black

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<v Speaker 1>and her own consciousness takes over the body completely. Doctor

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<v Speaker 1>Christie says, Alan, these first few moments are critical. Star

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<v Speaker 1>flicks through Morgan's mead's eyelids fluttering, then discards that idea

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<v Speaker 1>and focuses on Morgan's general knowledge of her identity in

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<v Speaker 1>the world instead. How would she have appeared to Alan?

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<v Speaker 1>Just now, Ah, I've identified something unexpected in the sample,

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<v Speaker 1>she says, place it back in quarantine for me. Was

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<v Speaker 1>that enough? Actually? Now that she's here there's only four

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<v Speaker 1>other crew members, so there's a one in four chance.

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<v Speaker 1>Star dubiously surveys Alan's bland concern and Morgan's knowledge of

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<v Speaker 1>this unremarkable man, and shelves that idea. If she knows Void,

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<v Speaker 1>and she does, like one hand knows the other, Alan

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<v Speaker 1>wouldn't be it. She makes an excuse to him and

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<v Speaker 1>turns from his searching expression, picking up a clipboard and

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<v Speaker 1>wincing as unexpectedly light it rises a little too fast

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<v Speaker 1>in her clumsy hands. She heads for the door, searching.

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<v Speaker 1>But you, dear listener, don't have to search too hard

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<v Speaker 1>yourself in order to find these sweet deals and let

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<v Speaker 1>them subsume your personality and destroy it until there is nothing,

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<v Speaker 1>nothing but left over. That's all that will be left

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<v Speaker 1>of you. Here's ads, and we're back. It's been decades

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<v Speaker 1>and hundreds of forms since Star and Void last saw

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<v Speaker 1>each other. Star runs through the old signs and signals

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<v Speaker 1>they've used in the past, finding them all wanting. She

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<v Speaker 1>considers any possible reason for Morgan to mention to her

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<v Speaker 1>crewmates moving water thrice, or to reference the entangled rulers

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<v Speaker 1>of a historic dynasty on a planet that human have

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<v Speaker 1>no idea exists. As she walks, she runs Morgan's limited

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<v Speaker 1>color vision over the metal and plastic contours of the ship.

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<v Speaker 1>Its sterile and artificial. Here, few life forms other than

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<v Speaker 1>the humans, their lab samples, and a little of their food,

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<v Speaker 1>barely even a micro organism. It's hostile, with precious few

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<v Speaker 1>options should she need to hop Nowhere to shelter, no

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<v Speaker 1>where to hide. Star is sure enough that Void is

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<v Speaker 1>wearing someone on the ship that she has bet everything

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<v Speaker 1>on it. Once she had received Void's signal, it was

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<v Speaker 1>hard enough to coordinate her arrival here, following the movements

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<v Speaker 1>and plans of the ship, occupying just the right animal

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<v Speaker 1>or plant, just the right place, waiting dormant and insensible

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<v Speaker 1>for the moisture and bacterial scent of a new life

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<v Speaker 1>form to touch her fragile, borrowed body with a porous

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<v Speaker 1>part of their own, or lean close enough to breathe her.

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<v Speaker 1>She arrives at the bridge, surveying a crew as close

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<v Speaker 1>as family to her body and entirely alien to her mind.

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<v Speaker 1>The captain and first mate are here, two out of four.

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<v Speaker 1>She runs through Morgan's knowledge of each of them, scans

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<v Speaker 1>them as subtly as she can for hints, The captain

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<v Speaker 1>turns and smiles at her expectantly. The sample from planet

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<v Speaker 1>Side turned up some very interesting characteristics that I think

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<v Speaker 1>you should know about, Starr says, using Morgan's voice in

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<v Speaker 1>Morgan's expertise. She smiles professionally and looks over Captain Jace's

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<v Speaker 1>rigid posture, her hair tidily secure in a dark bun

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<v Speaker 1>at the nape of her neck. Power often attracts void,

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<v Speaker 1>which she has to admit does make things easier. The

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<v Speaker 1>captain is wearing a meticulously maintained squarish jacket in a

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<v Speaker 1>light blue sleeves pulled practically back to her elbows, not

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<v Speaker 1>part of stand uniform. Could that be anything? She considers,

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<v Speaker 1>which alien languages this body's throat and tongue could articulate

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<v Speaker 1>through a cough. Star begins to detail her report. She

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<v Speaker 1>considers how long she can draw this out and thinks,

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<v Speaker 1>my hunger for you is teaching me to hate each

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<v Speaker 1>one of these beautiful, soft creatures I discover because they

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<v Speaker 1>are not you. It takes her more than an hour

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<v Speaker 1>to think of anything to try, and by the time

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<v Speaker 1>she does, she's running out of excuses to stay on

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<v Speaker 1>the bridge. Failing to find a natural way to bring

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<v Speaker 1>up any of the old signals. She turns instead to

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<v Speaker 1>their one constant change, the malleability and interchangeability of the body.

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<v Speaker 1>She could say something like I'm not feeling myself, or

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<v Speaker 1>I'd love you as a lion or a swan or

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<v Speaker 1>a campfire. What was that story that Morgan had been

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<v Speaker 1>reminded of before her feeble kicking turned a twitching and

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<v Speaker 1>stopped altogether? Some elf prince named tam Lee or something.

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<v Speaker 1>What does that have to do with her and Void?

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<v Speaker 1>Four people on the bridge that doesn't leave mushroom, says

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<v Speaker 1>a voice from behind her. That's that's a pun, a

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<v Speaker 1>mushroom pun. That's so stupid. God, it's so much better

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<v Speaker 1>than what she was going to say. She turns. Void's

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<v Speaker 1>expression is carefully neutral, and her eyes shimmering. The corner

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<v Speaker 1>of her mouth trembles, just a fraction wanting to smile

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<v Speaker 1>before being carefully schooled with a twist of her Void

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<v Speaker 1>is in a surprising, fragile body. Her blonde hair is

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<v Speaker 1>greasy at the roots, like she hasn't quite figured out

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<v Speaker 1>how to deal with it, and there is an anxiety

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<v Speaker 1>that has permanently marked her. Peaky face with somewhat the

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<v Speaker 1>look of a white lab rabbit. Her uniform hangs awkwardly

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<v Speaker 1>on her frame and is afraid at the wrists, where

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<v Speaker 1>it looks like she choos it. It's not the kind

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<v Speaker 1>of body that Void usually chooses, and she wears it

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<v Speaker 1>with a softness. The thrumbs Star's chest with physical pain.

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<v Speaker 1>She's wearing a chunky and tasteless beaded necklace that looks

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<v Speaker 1>like it was made by a child, and Star's new

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<v Speaker 1>heart jitters as she recognizes the colors that harold a

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<v Speaker 1>house they once dedicated their lives to as bounty hunters.

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<v Speaker 1>And that's not all. Her fraying collar is fraying in

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<v Speaker 1>a very specific way, actually, and the patterns of little

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<v Speaker 1>tears and protruding threads form a world in a language

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<v Speaker 1>only spoken several galaxies away, the name of a cult.

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<v Speaker 1>They had found it and became extremely fond of one

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<v Speaker 1>of the only places they'd been accepted and cherished for

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<v Speaker 1>what they truly were to have the divinity of their

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<v Speaker 1>changeable flesh acknowledged. And craziest of all, her coveralls are

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<v Speaker 1>unbuttoned to reveal a T shirt with an image of

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<v Speaker 1>a fox skull with mushrooms growing out of it. That's

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<v Speaker 1>just two on the nose, there were dicks less. Creature

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<v Speaker 1>didn't even have to use her stupid, risky pun because

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<v Speaker 1>she's wearing their lives all over herself, not knowing if

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<v Speaker 1>her transmission had been received or if Star were even

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<v Speaker 1>still alive. Void has been sending signals out into an

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<v Speaker 1>empty universe on speck on faith. Star Love's are so

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<v Speaker 1>goddamn much she could scream. Morgan's memory recognizes the body

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<v Speaker 1>Void as wearing Cole the ship's tech. Notably, Cole and

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<v Speaker 1>Morgan were friendly, if slightly awkward coworkers and not thousand

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<v Speaker 1>year old star crossed lovers. But she's gone speechless. She's staring.

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<v Speaker 1>Priority one needs to be staying safe and not lunging

0:15:44.320 --> 0:15:47.200
<v Speaker 1>across the bridge and finding out what two of these

0:15:47.320 --> 0:15:50.320
<v Speaker 1>warm and lightly furred bodies feel like when they press

0:15:50.360 --> 0:15:55.120
<v Speaker 1>against each other. She has to say something chill and normal. Actually,

0:15:55.400 --> 0:15:58.320
<v Speaker 1>now that you're here, I'm having issues with the lab processor.

0:15:58.480 --> 0:16:01.640
<v Speaker 1>If you could take a look, she manages, and Void

0:16:01.720 --> 0:16:05.760
<v Speaker 1>Coal is saying, of course, doctor before she's even finished,

0:16:05.760 --> 0:16:08.640
<v Speaker 1>and she may simply not be able to control Morgan's face.

0:16:09.480 --> 0:16:12.840
<v Speaker 1>As they leave the bridge together. She catches a few glances,

0:16:13.280 --> 0:16:19.120
<v Speaker 1>and the first mate leans whispering towards the captain. Oh well,

0:16:19.440 --> 0:16:22.320
<v Speaker 1>they'll think of a good excuse for this later. Now

0:16:22.320 --> 0:16:26.600
<v Speaker 1>that they're finally, finally together again, Star isn't wasting another

0:16:26.680 --> 0:16:30.960
<v Speaker 1>moment on catering to expectation. Void leans close to her,

0:16:31.440 --> 0:16:35.000
<v Speaker 1>murmuring in the language of these people, finding expression there

0:16:35.040 --> 0:16:39.880
<v Speaker 1>so naturally idiot, She says, I would know you anywhere

0:16:40.200 --> 0:16:44.600
<v Speaker 1>and anything. The place that Void brings her to is

0:16:44.680 --> 0:16:47.360
<v Speaker 1>hidden enough to do for now, and as they duck

0:16:47.480 --> 0:16:50.880
<v Speaker 1>squeezing into the crawl space beneath the large computer together,

0:16:51.600 --> 0:16:54.800
<v Speaker 1>Star has to agree that the warmth, the hum and

0:16:54.880 --> 0:16:58.880
<v Speaker 1>the smallness of it, the darkness punctuated by flickering lights,

0:16:59.600 --> 0:17:03.440
<v Speaker 1>is pleasure and comforting. They fold together, finding the parts

0:17:03.480 --> 0:17:06.640
<v Speaker 1>of themselves and each other that are soft or pointed

0:17:06.720 --> 0:17:11.119
<v Speaker 1>to lie against. Void drags the translucent scales at the

0:17:11.240 --> 0:17:14.040
<v Speaker 1>ends of her fingers through the mane of hair that

0:17:14.160 --> 0:17:18.400
<v Speaker 1>crests Star's head, showing her how the feeling sends prickles

0:17:18.400 --> 0:17:23.280
<v Speaker 1>of physical pleasure down Star's scalp and spine. I love it,

0:17:23.400 --> 0:17:26.960
<v Speaker 1>she says, I'm like a little you know, those flexible

0:17:27.000 --> 0:17:31.439
<v Speaker 1>mammals that live inside, says Star. Comprehends that concept of

0:17:31.440 --> 0:17:36.240
<v Speaker 1>housecats and giggles and feels the vibration of laughter bubble

0:17:36.320 --> 0:17:40.200
<v Speaker 1>through her for the first time. The combination of Star's

0:17:40.240 --> 0:17:44.240
<v Speaker 1>love of Void and Morgan's body's instinct has made her

0:17:44.320 --> 0:17:47.359
<v Speaker 1>desperate to touch the pale silver of skin visible at

0:17:47.440 --> 0:17:51.960
<v Speaker 1>Void's collar and sleeves, and Void rolls the coveralls back

0:17:52.280 --> 0:17:55.520
<v Speaker 1>to allow Star's thumb and index to circle her wrists

0:17:55.640 --> 0:18:00.720
<v Speaker 1>with a gentle craving. There are soft, dark bruises spotting

0:18:00.800 --> 0:18:05.879
<v Speaker 1>Void's skin, like she's an over ripe fruit. Morgan's scientist's

0:18:05.960 --> 0:18:09.119
<v Speaker 1>mind recognizes the heaviest bruising on the part of the

0:18:09.160 --> 0:18:13.000
<v Speaker 1>forearm that must rest against the desk. As Void sits

0:18:13.000 --> 0:18:16.919
<v Speaker 1>at the console, she frowns, and Void glances down at

0:18:16.920 --> 0:18:21.320
<v Speaker 1>her own arms. That's gotten a bit worse. Void says, Damn,

0:18:21.359 --> 0:18:24.720
<v Speaker 1>I was trying to be careful. You're pressing too hard,

0:18:24.760 --> 0:18:27.679
<v Speaker 1>I think, says Star. I know, but that's not the

0:18:27.720 --> 0:18:30.520
<v Speaker 1>only reason. I dent much easier than when I first

0:18:30.520 --> 0:18:34.439
<v Speaker 1>got the body. Look and Void takes Star's finger and

0:18:34.480 --> 0:18:37.240
<v Speaker 1>grinds it into her own wrists so hard that the

0:18:37.280 --> 0:18:40.399
<v Speaker 1>tips of both of their fingers turn white, then rolls

0:18:40.440 --> 0:18:44.080
<v Speaker 1>the skin a little between Star's fingers, as though crushing

0:18:44.080 --> 0:18:47.400
<v Speaker 1>a leaf. Sure enough, when Void lets her take her

0:18:47.400 --> 0:18:51.320
<v Speaker 1>hand away, a yellowish mark has begun to blossom. The

0:18:51.359 --> 0:18:57.280
<v Speaker 1>fragility is hypnotizing malnutrition. Probably, Star says, you have to

0:18:57.320 --> 0:19:00.760
<v Speaker 1>be more careful than this, doesn't it hurt? And Void

0:19:00.800 --> 0:19:04.480
<v Speaker 1>nods and shrugs. Star continues, If we're going to find

0:19:04.480 --> 0:19:06.040
<v Speaker 1>a way off the ship, we have to make these

0:19:06.080 --> 0:19:09.240
<v Speaker 1>bodies last and keep them looking normal. You have to

0:19:09.240 --> 0:19:13.159
<v Speaker 1>pay attention to the pain. Don't lecture me, I know,

0:19:13.400 --> 0:19:16.439
<v Speaker 1>says Void, rolling her eyes. I was waiting for you.

0:19:16.920 --> 0:19:20.520
<v Speaker 1>I'll be more careful now. But Star is still frowning

0:19:20.560 --> 0:19:24.000
<v Speaker 1>a little, running through Morgan's memories of coal and noting

0:19:24.040 --> 0:19:26.960
<v Speaker 1>how her skin looks a little too tight. Her uniform

0:19:27.000 --> 0:19:30.200
<v Speaker 1>fits a little wrong, her eyes are brighter and wider

0:19:30.240 --> 0:19:33.760
<v Speaker 1>than they used to be. This body is already starting

0:19:33.760 --> 0:19:37.720
<v Speaker 1>to give. Void is riding it too hard. I mean it,

0:19:37.920 --> 0:19:40.760
<v Speaker 1>says Star. Maybe this could be our shot. We could

0:19:40.800 --> 0:19:43.800
<v Speaker 1>live a thousand years among these humans and not run

0:19:43.840 --> 0:19:46.399
<v Speaker 1>out of things to be. And these two are good,

0:19:46.640 --> 0:19:50.600
<v Speaker 1>healthy and intelligent. I want to stop running love, and

0:19:50.680 --> 0:19:54.800
<v Speaker 1>I want to hop less as little as possible, void

0:19:54.920 --> 0:19:58.000
<v Speaker 1>smiles a little. Your sensitivity is part of what I

0:19:58.080 --> 0:20:01.440
<v Speaker 1>love about you, she says, I know you hate seeing them.

0:20:01.440 --> 0:20:05.000
<v Speaker 1>Empty voids certainly been in coal long enough that the

0:20:05.040 --> 0:20:08.440
<v Speaker 1>mind of the sweet and quiet programmer with a surprisingly

0:20:08.480 --> 0:20:12.760
<v Speaker 1>wicked streak of humor is gone, forever. Left to her

0:20:12.800 --> 0:20:15.760
<v Speaker 1>own whims shall grind the body down to the quick,

0:20:16.320 --> 0:20:19.919
<v Speaker 1>shall ride the fraying nervous system as the body deteriorates

0:20:19.920 --> 0:20:23.879
<v Speaker 1>around her, delighting in the mind the sensations, and when

0:20:23.920 --> 0:20:28.440
<v Speaker 1>she becomes too obvious or too uncomfortable, shall jump a

0:20:28.520 --> 0:20:33.280
<v Speaker 1>memory bobs to the surface. They had activated queendom, and

0:20:33.359 --> 0:20:36.320
<v Speaker 1>they stayed as long as the fragile and decaying bodies

0:20:36.359 --> 0:20:41.480
<v Speaker 1>could disguise them, piloting near corpses, pressing chalky powder to

0:20:41.560 --> 0:20:44.679
<v Speaker 1>the skin to hide the rot, filling their chambers with

0:20:44.760 --> 0:20:48.720
<v Speaker 1>sickly sweet blooms to mask the smell, the strips of

0:20:48.800 --> 0:20:52.439
<v Speaker 1>flesh ribboning away, sending the prickle of impulses through the

0:20:52.520 --> 0:20:57.320
<v Speaker 1>nerves and dead meat, the limbs ceasing to function, frantically,

0:20:57.359 --> 0:20:59.639
<v Speaker 1>trying too late to figure out what had gone wrong,

0:20:59.720 --> 0:21:02.480
<v Speaker 1>not being able to reverse the decay that had begun

0:21:03.280 --> 0:21:06.119
<v Speaker 1>and Void in her arms at the last, her mouth

0:21:06.160 --> 0:21:10.320
<v Speaker 1>parts black as she smiled, eyes feverish, dragging the husk

0:21:10.359 --> 0:21:13.399
<v Speaker 1>of herself to the communicator to summon a page for

0:21:13.440 --> 0:21:17.720
<v Speaker 1>the first time in months, asking for strong ones, two

0:21:17.760 --> 0:21:22.439
<v Speaker 1>of them. Ugh, that had been bad. It's not just

0:21:22.480 --> 0:21:25.639
<v Speaker 1>the emptiness I'm worried about, says Star, picking up her

0:21:25.680 --> 0:21:28.760
<v Speaker 1>train of thought. If we leave these bodies anywhere, they'll

0:21:28.760 --> 0:21:31.760
<v Speaker 1>identify the traces of us in them. Yeah, they know

0:21:31.880 --> 0:21:35.000
<v Speaker 1>about us. That's bad luck, says Void. There have been

0:21:35.040 --> 0:21:39.160
<v Speaker 1>others that got caught. I wonder who. Yes, I want

0:21:39.200 --> 0:21:41.560
<v Speaker 1>to try. Let's live it out. We'll stay on the

0:21:41.600 --> 0:21:44.760
<v Speaker 1>ship and be Morgan and Coal and wait and live

0:21:44.840 --> 0:21:48.080
<v Speaker 1>like real people and rest. We can wait for a

0:21:48.080 --> 0:21:53.840
<v Speaker 1>good opportunity. Relief washes over Star. Of course, Star knows

0:21:53.880 --> 0:21:56.560
<v Speaker 1>that even if she tends Morgan's body like a garden,

0:21:56.680 --> 0:21:59.439
<v Speaker 1>learns to be gentle in the right places, uses all

0:21:59.440 --> 0:22:03.480
<v Speaker 1>the systems properly, Morgan's mind and self will still be dead.

0:22:04.400 --> 0:22:07.080
<v Speaker 1>But she is now the keeper of Morgan's memories, and

0:22:07.160 --> 0:22:09.960
<v Speaker 1>she will incorporate them into herself, carry them forward with

0:22:10.000 --> 0:22:13.200
<v Speaker 1>her as a sign of gratitude and respect. That's how

0:22:13.200 --> 0:22:18.040
<v Speaker 1>it should be, how it could be maybe now, and

0:22:18.440 --> 0:22:21.240
<v Speaker 1>says Voyd, There's so much more I want to show you.

0:22:21.800 --> 0:22:25.440
<v Speaker 1>She reaches behind Star fingers, skimming the waistband of her pants,

0:22:26.119 --> 0:22:29.600
<v Speaker 1>and pulls her shirt free. Void's hand finds the heat

0:22:29.640 --> 0:22:33.520
<v Speaker 1>of stars Morgan's skin, and Star shivers in a new way.

0:22:34.600 --> 0:22:37.359
<v Speaker 1>They tumble from the humming crush of the crawl space

0:22:37.400 --> 0:22:41.240
<v Speaker 1>onto the floor. Star finds herself on her stomach as

0:22:41.320 --> 0:22:45.480
<v Speaker 1>Void's thigh presses between her legs and sparks thrum through

0:22:45.520 --> 0:22:49.679
<v Speaker 1>the length of her. Desire kindles in Star and if

0:22:49.680 --> 0:22:52.720
<v Speaker 1>her lungs feel a little tight a Void is lying

0:22:52.800 --> 0:22:55.399
<v Speaker 1>on her a little too heavy, and her pelvis is

0:22:55.440 --> 0:22:59.439
<v Speaker 1>grinding into the floor too hard, it matters less and less.

0:23:00.320 --> 0:23:04.879
<v Speaker 1>Void Coal's narrow, cold hands slide under Star's clothing completely

0:23:05.280 --> 0:23:09.560
<v Speaker 1>and begin to demonstrate what human bodies can do. Void

0:23:09.680 --> 0:23:12.439
<v Speaker 1>rolls the bulk of Coal forward onto Star's neck and

0:23:12.520 --> 0:23:15.480
<v Speaker 1>head and no, okay, now she really can't breathe, and

0:23:15.480 --> 0:23:18.960
<v Speaker 1>that's clearly a problem. Her arms and torso are pinned

0:23:18.960 --> 0:23:22.360
<v Speaker 1>in place, but she rolls her jaw experimentally to the side,

0:23:22.560 --> 0:23:24.800
<v Speaker 1>seeing if it's flexible and strong enough to lift her

0:23:24.840 --> 0:23:28.720
<v Speaker 1>head and create a little space for air. It isn't

0:23:29.359 --> 0:23:32.440
<v Speaker 1>what she realizes at the exact moment, as Void grinds

0:23:32.520 --> 0:23:36.400
<v Speaker 1>down into her heart, lost in her own exploration of sensation.

0:23:37.720 --> 0:23:42.000
<v Speaker 1>Terrible timing, that's what it is. Star hears the pop

0:23:42.320 --> 0:23:45.480
<v Speaker 1>and doesn't understand what it means. She dazedly tries to

0:23:45.560 --> 0:23:48.399
<v Speaker 1>run her tongue over the inside of her mouth and

0:23:48.520 --> 0:23:51.919
<v Speaker 1>finds that the shape is wrong, the tongue too, and

0:23:51.960 --> 0:23:55.280
<v Speaker 1>in a moment, Morgan's nervous system fires a white explosion

0:23:55.320 --> 0:23:58.920
<v Speaker 1>of pain into her. Something hot is filling her mouth,

0:23:58.960 --> 0:24:01.840
<v Speaker 1>and her cheek is too on the floor. It seems

0:24:01.920 --> 0:24:05.360
<v Speaker 1>wrong that she could break so easily. Her strangled yell

0:24:05.480 --> 0:24:08.520
<v Speaker 1>is choked off. She can't close her mouth or actually

0:24:08.520 --> 0:24:11.399
<v Speaker 1>move it at all. She still can't breathe, and her

0:24:11.400 --> 0:24:14.640
<v Speaker 1>writhing and gargling must read a little too much as pleasure.

0:24:16.040 --> 0:24:19.440
<v Speaker 1>It takes precious seconds until she begins to gag and cough,

0:24:19.520 --> 0:24:23.040
<v Speaker 1>sincerely for Void to catch on to what's happening. Star

0:24:23.119 --> 0:24:26.160
<v Speaker 1>can't blame her. Once lost in pleasure, they often don't

0:24:26.160 --> 0:24:28.560
<v Speaker 1>express it the way that memories of the species they

0:24:28.600 --> 0:24:32.760
<v Speaker 1>occupy would expect. Void bucks off of her and flings

0:24:32.760 --> 0:24:35.880
<v Speaker 1>her onto her back. Ah. Good, now she'll be able

0:24:35.880 --> 0:24:39.040
<v Speaker 1>to breathe and spread Morgan's ribs like a flower in

0:24:39.080 --> 0:24:42.840
<v Speaker 1>the sunlight, creating the vacuum that will fill them with relief.

0:24:43.240 --> 0:24:45.680
<v Speaker 1>But oh no, there isn't any air in her mouth.

0:24:45.880 --> 0:24:48.560
<v Speaker 1>There's that hot liquid which doesn't feel right at all. No,

0:24:48.960 --> 0:24:51.639
<v Speaker 1>that doesn't work. It has to be air. But with

0:24:51.720 --> 0:24:54.560
<v Speaker 1>all this liquid, there isn't mushroom left in her lungs.

0:24:54.600 --> 0:24:58.919
<v Speaker 1>And actually something has gone very wrong. Indeed, a prepper

0:24:59.000 --> 0:25:01.320
<v Speaker 1>human would probably have known not to take such a

0:25:01.400 --> 0:25:06.000
<v Speaker 1>huge and greedy lungful of a non air substance. Her

0:25:06.040 --> 0:25:09.360
<v Speaker 1>face is starting to feel thick. She tries to raise

0:25:09.400 --> 0:25:11.560
<v Speaker 1>a hand to touch it, and watches the hand swim

0:25:11.680 --> 0:25:15.440
<v Speaker 1>helplessly at the corner of her vision, before veering away somewhere.

0:25:16.520 --> 0:25:18.960
<v Speaker 1>As the world begins to blacken at the edges, like

0:25:19.000 --> 0:25:23.080
<v Speaker 1>a love note burning in a grate, star focuses Morgan's

0:25:23.080 --> 0:25:27.359
<v Speaker 1>eyes on the white and purple triangle avoids coal face,

0:25:27.920 --> 0:25:32.760
<v Speaker 1>the terror and panic there looking like starvation. And do

0:25:32.840 --> 0:25:35.280
<v Speaker 1>you know what you can lock onto in your own

0:25:35.359 --> 0:25:38.439
<v Speaker 1>moments of terror and panic? Like a love note burning

0:25:38.560 --> 0:25:42.680
<v Speaker 1>bright against the blazing meaningless void of space and time.

0:25:43.520 --> 0:26:01.520
<v Speaker 1>It ads and we're back, and Jase glances at Mira

0:26:01.680 --> 0:26:06.000
<v Speaker 1>and Alan ready she asks, no skin showing, make sure

0:26:06.040 --> 0:26:09.240
<v Speaker 1>they don't touch you, and don't take off the filtration masks.

0:26:10.440 --> 0:26:13.159
<v Speaker 1>What had been nothing more than a whispered suspicion between

0:26:13.240 --> 0:26:16.720
<v Speaker 1>Jason her first mate, has quickly become a full blown

0:26:16.800 --> 0:26:20.119
<v Speaker 1>rescue operation now that Coal, or the fungal entity that

0:26:20.200 --> 0:26:24.919
<v Speaker 1>is currently controlling her, as disappeared with Morgan, Jace and

0:26:24.960 --> 0:26:28.720
<v Speaker 1>Beira raise their weapons, moving Alan behind them a little,

0:26:29.240 --> 0:26:32.000
<v Speaker 1>and Jace reaches forward and punches the button to open

0:26:32.040 --> 0:26:36.919
<v Speaker 1>the door. The Coal thing crouches over Morgan, knuckles white

0:26:37.160 --> 0:26:40.280
<v Speaker 1>as her fingers dig into the doctor's arms, holding her

0:26:40.280 --> 0:26:43.720
<v Speaker 1>face down above the floor and almost seeming to shake her.

0:26:44.440 --> 0:26:48.680
<v Speaker 1>Morgan's dark hair falls forward limply, and a long red

0:26:48.800 --> 0:26:52.399
<v Speaker 1>drool of blood connects her unseen face to the dark

0:26:52.440 --> 0:26:56.720
<v Speaker 1>puddle on the floor. Jiggling and swaying as she hacks

0:26:56.960 --> 0:27:01.520
<v Speaker 1>with gagging coughs, What used to be Coal snaps its

0:27:01.560 --> 0:27:06.320
<v Speaker 1>head forward, mouth slack and eyes like dark pits. Blank

0:27:06.400 --> 0:27:10.480
<v Speaker 1>with horror. Jace expects her to scramble to her feet. Instead,

0:27:10.920 --> 0:27:15.879
<v Speaker 1>her legs coiled beneath her abruptly spring pistoning her body

0:27:15.920 --> 0:27:19.280
<v Speaker 1>towards them like a projectile, making no attempt to use

0:27:19.280 --> 0:27:22.600
<v Speaker 1>her arms to cushion her fall. As she cannons into

0:27:22.600 --> 0:27:27.080
<v Speaker 1>their little huddle, Jace registers the thunk sound of Mira's

0:27:27.080 --> 0:27:30.680
<v Speaker 1>blaster being fired. A little after part of Coal's head

0:27:30.760 --> 0:27:35.600
<v Speaker 1>goes missing, Cole's remaining eye slides sideways, as though a

0:27:35.720 --> 0:27:38.719
<v Speaker 1>string that was holding it steady has been cut, and

0:27:38.760 --> 0:27:42.720
<v Speaker 1>her tongue protrudes from her mouth, stretching forward inquisitively, like

0:27:42.760 --> 0:27:47.320
<v Speaker 1>a tentacle mind its own. She's drier inside than Jace

0:27:47.320 --> 0:27:50.040
<v Speaker 1>thought she would be. All the puff of what looked

0:27:50.080 --> 0:27:52.639
<v Speaker 1>like dust that rises from the crater of her face

0:27:53.080 --> 0:27:57.280
<v Speaker 1>may contribute to that impression. Not dust, of course, thinks

0:27:57.320 --> 0:28:00.320
<v Speaker 1>to Jace as she raises her blaster. Those it must

0:28:00.320 --> 0:28:04.600
<v Speaker 1>be the spores. How incredible that whitish cotton fluff across

0:28:04.640 --> 0:28:06.920
<v Speaker 1>that bit of brain she can see must be part

0:28:06.920 --> 0:28:11.879
<v Speaker 1>of it too. Thank God for the filtration masks. Jace

0:28:11.960 --> 0:28:15.120
<v Speaker 1>fires into the trunk of what was Coal, and its

0:28:15.280 --> 0:28:18.240
<v Speaker 1>neck bends like a flower stem bearing too heavy a

0:28:18.320 --> 0:28:22.520
<v Speaker 1>blossom and opaque pink fluid. The texture of thickened milk

0:28:22.880 --> 0:28:26.080
<v Speaker 1>dribbles from her half head, but the creature is twitching

0:28:26.160 --> 0:28:30.920
<v Speaker 1>and swaying, but not falling. Its head rolls drunkenly, mouth

0:28:31.040 --> 0:28:35.480
<v Speaker 1>slowly widening, and a hand snaps up with instinctual speed

0:28:36.080 --> 0:28:41.560
<v Speaker 1>and rips the ventilator from Mira's face. The coal thing

0:28:41.680 --> 0:28:45.120
<v Speaker 1>finally buckles and folds to the floor, a few grayish

0:28:45.200 --> 0:28:48.360
<v Speaker 1>lumps spattering from its head, as though spilled from a bowl.

0:28:49.120 --> 0:28:53.000
<v Speaker 1>Jace watches transfixed for a moment too long, and that

0:28:53.080 --> 0:28:58.760
<v Speaker 1>cross her everything. Uh thunk whispers from beside her, and

0:28:58.840 --> 0:29:02.360
<v Speaker 1>she wrenches herself to see Mirah with her blaster in hand.

0:29:02.800 --> 0:29:05.120
<v Speaker 1>Her gaze follows the line of the shot to see

0:29:05.160 --> 0:29:09.040
<v Speaker 1>Alan collapse on the ground, eye lids twitching and neck missing.

0:29:09.880 --> 0:29:12.720
<v Speaker 1>Jace stumbles back, but it doesn't look like Mira's attention

0:29:12.920 --> 0:29:17.600
<v Speaker 1>is on her, or Jace thinks whatever is now occupying Mira.

0:29:18.320 --> 0:29:21.360
<v Speaker 1>The body of one of Jace's oldest friends lurches to

0:29:21.400 --> 0:29:25.200
<v Speaker 1>the ground next to Morgan, yanking her wheezing form upright,

0:29:25.680 --> 0:29:28.680
<v Speaker 1>winding its arms around the doctor and latching to her

0:29:28.960 --> 0:29:32.880
<v Speaker 1>like a limpet. Morgan's head jerks back and Jace's heart

0:29:32.960 --> 0:29:38.080
<v Speaker 1>drops sickeningly. Morgan is alive, gasping raspily, but the bottom

0:29:38.080 --> 0:29:41.040
<v Speaker 1>half of her face isn't in the right place. Her

0:29:41.080 --> 0:29:44.040
<v Speaker 1>bitten through tongue is so swollen it fills her lulling

0:29:44.160 --> 0:29:46.880
<v Speaker 1>skewed mouth, and her cheek has ripped a little at

0:29:46.880 --> 0:29:50.800
<v Speaker 1>the corner, torn skin frilling at the edge, stretched to

0:29:50.840 --> 0:29:54.800
<v Speaker 1>the point it becomes lacy. Her face is purplish and

0:29:54.800 --> 0:29:58.240
<v Speaker 1>her bulging eyes are watering. The Mira thing is clinging

0:29:58.280 --> 0:30:01.520
<v Speaker 1>to Morgan as though it's trying to, which makes it

0:30:01.640 --> 0:30:06.360
<v Speaker 1>considerably more difficult to get a clear shot. The Mirra

0:30:06.520 --> 0:30:10.560
<v Speaker 1>thing begins to windmill its legs awkwardly, scrambling to drag

0:30:10.640 --> 0:30:14.960
<v Speaker 1>both Morgan and itself towards Captain Jase. Still holding the

0:30:14.960 --> 0:30:18.160
<v Speaker 1>gun level, Jase reaches for the dispenser at her side,

0:30:18.560 --> 0:30:23.200
<v Speaker 1>pops the safety and douses both women with the entire contents.

0:30:24.400 --> 0:30:28.160
<v Speaker 1>Foul smelling yellow liquid plasters the thing's hair to its

0:30:28.200 --> 0:30:31.240
<v Speaker 1>face in strands, and drips from the edge of its

0:30:31.280 --> 0:30:35.840
<v Speaker 1>nose onto the doctor. Mira's body arches, and a soft

0:30:36.080 --> 0:30:40.200
<v Speaker 1>animal keening comes from its throat. A flossy strand of

0:30:40.240 --> 0:30:44.720
<v Speaker 1>myilium begins to snake from one nostril. The frond's tip

0:30:45.200 --> 0:30:51.320
<v Speaker 1>quests blind, seeking moisture, bacterial sense, organic life forms. The

0:30:51.400 --> 0:30:55.040
<v Speaker 1>first thread is followed by more furred, little tendrils curling

0:30:55.080 --> 0:30:58.680
<v Speaker 1>around the edges of the nose. Almost shy, Mira's eyes

0:30:58.800 --> 0:31:02.240
<v Speaker 1>roll back and slide closed. The creature tilts its head

0:31:02.280 --> 0:31:06.800
<v Speaker 1>and continues easing forwards, Propelled wormlike by the strangely flexible

0:31:06.840 --> 0:31:09.840
<v Speaker 1>movements of shoulder and hip. It seems to be relying

0:31:09.920 --> 0:31:13.440
<v Speaker 1>on the filaments as its primary sense organ and moves

0:31:13.480 --> 0:31:17.760
<v Speaker 1>as though pulled. Jay screams and flings the empty canister

0:31:17.880 --> 0:31:21.000
<v Speaker 1>at the creature that was supposed to kill the fucking thing,

0:31:21.080 --> 0:31:24.080
<v Speaker 1>not merely draw it out. She lifts her blaster and

0:31:24.120 --> 0:31:28.080
<v Speaker 1>then sees something else, another pale thread, writhing like a

0:31:28.160 --> 0:31:31.680
<v Speaker 1>headless snake against the broken cheek of doctor Morgan Christie

0:31:32.080 --> 0:31:37.520
<v Speaker 1>protruding from a tear at the corner of her mouth. Oh, unexpected,

0:31:38.280 --> 0:31:41.840
<v Speaker 1>there's two of them. Jase fires into the doctor's chest.

0:31:42.240 --> 0:31:45.120
<v Speaker 1>Morgan sputters and chokes anew, but the creature and mirror

0:31:45.200 --> 0:31:50.360
<v Speaker 1>doesn't stop advancing. The captain breathes in, breathes out, shudders,

0:31:50.400 --> 0:31:53.160
<v Speaker 1>a part of her brain and nimbly fires point blank

0:31:53.240 --> 0:31:57.400
<v Speaker 1>three times in Emer's head. A headless neck dips towards

0:31:57.400 --> 0:32:01.400
<v Speaker 1>her severed white tendrils, shivering in the spine, and Jace

0:32:01.560 --> 0:32:04.760
<v Speaker 1>lunges backwards as she feels a vice like grip lock

0:32:04.840 --> 0:32:09.200
<v Speaker 1>around her boot, fingers digging and burrowing. Mindless of pain,

0:32:09.640 --> 0:32:12.200
<v Speaker 1>she can only scrabble backwards a half step before she

0:32:12.240 --> 0:32:15.000
<v Speaker 1>feels the press of Mira's hand on her bare ankle.

0:32:15.600 --> 0:32:18.280
<v Speaker 1>Jay snaps her foot out in a kick to dislodge

0:32:18.280 --> 0:32:22.240
<v Speaker 1>the headless corpse, whose grip on the shuddering doctor is slackened,

0:32:22.760 --> 0:32:26.640
<v Speaker 1>except she doesn't do that. She tries again, and her

0:32:26.720 --> 0:32:29.800
<v Speaker 1>leg does move, but it folds under her props her

0:32:29.920 --> 0:32:33.960
<v Speaker 1>up insensitive to Jace's desperate attempts to control it. She

0:32:34.040 --> 0:32:37.600
<v Speaker 1>still has time moments. She's still herself, and she's still alive,

0:32:37.640 --> 0:32:41.840
<v Speaker 1>and that can't be it. She kicks herself free clambers back,

0:32:42.560 --> 0:32:47.080
<v Speaker 1>except she doesn't. Jace watches a helpless prisoner as her

0:32:47.120 --> 0:32:51.360
<v Speaker 1>body sits and leans forward, fluttering its hands over the doctor,

0:32:51.400 --> 0:32:55.080
<v Speaker 1>whose face is wrong and es is collapsed. She feels

0:32:55.080 --> 0:32:58.920
<v Speaker 1>the slipperiness of the doctor's blood and a few troubling chunks,

0:32:59.320 --> 0:33:01.719
<v Speaker 1>but she can't even control the direction of her eyes,

0:33:02.080 --> 0:33:05.160
<v Speaker 1>fixed on what's left of Morgan or the water that

0:33:05.240 --> 0:33:10.000
<v Speaker 1>begins to fill them. No, that can't be it. They

0:33:10.040 --> 0:33:13.760
<v Speaker 1>still have time moments. She's alive, she's right here. But

0:33:13.840 --> 0:33:16.320
<v Speaker 1>if they could get her to a plant, yes, that's it,

0:33:16.360 --> 0:33:19.200
<v Speaker 1>to the labs, she'll be fine, like always. But the

0:33:19.280 --> 0:33:21.960
<v Speaker 1>lab is far. The samples are locked in quarantine that

0:33:22.040 --> 0:33:25.000
<v Speaker 1>only Morgan or Allan's brains knew how to access. And

0:33:25.080 --> 0:33:28.320
<v Speaker 1>this is so much blood. Joyce Void could lift her.

0:33:28.720 --> 0:33:31.800
<v Speaker 1>Jace's body is strong and she's whole, at least one

0:33:31.840 --> 0:33:34.320
<v Speaker 1>of them is. She could carry her. But if she

0:33:34.360 --> 0:33:37.480
<v Speaker 1>begins to lift stars Star lets out a gurgling gasp

0:33:37.840 --> 0:33:40.360
<v Speaker 1>as something in the openness of her ribs sucks in

0:33:40.480 --> 0:33:45.320
<v Speaker 1>and out. Wetly. Star reaches up a hand, movements syrupy slow.

0:33:45.960 --> 0:33:48.640
<v Speaker 1>Her fingers drift to the Captain's ear, as though in

0:33:48.680 --> 0:33:52.160
<v Speaker 1>a dream, rolling the lobe so gently, with a kind

0:33:52.200 --> 0:33:54.880
<v Speaker 1>of wonder, like she's the first person in the universe

0:33:54.920 --> 0:33:58.160
<v Speaker 1>you've ever thought to do it. The twist of Jace

0:33:58.240 --> 0:34:03.280
<v Speaker 1>Void feels like it's unspooling. Morgan's Star's body dipsent on unconsciousness.

0:34:04.200 --> 0:34:06.800
<v Speaker 1>The danger doesn't occur to Void until she's looking down

0:34:06.880 --> 0:34:10.440
<v Speaker 1>dreamily at the body she had so recently occupied. Oh wait,

0:34:11.040 --> 0:34:15.000
<v Speaker 1>she wasn't. She's void. She never had Morgan's body. She

0:34:15.120 --> 0:34:16.839
<v Speaker 1>was borne into it and died in it to day

0:34:17.040 --> 0:34:20.680
<v Speaker 1>or Star was, which is herself. Void is aware of

0:34:20.719 --> 0:34:24.400
<v Speaker 1>a flicker of images, scratched and jumpy, like an artifacting video,

0:34:24.760 --> 0:34:28.160
<v Speaker 1>her own memories, but othered flipped. She sees her own

0:34:28.239 --> 0:34:31.240
<v Speaker 1>myriad shapes through the myriad eyes of Star and thinks,

0:34:32.040 --> 0:34:33.960
<v Speaker 1>I thought I was my best with her, but she

0:34:34.000 --> 0:34:36.200
<v Speaker 1>saw how wretched I was, and she loved me for it.

0:34:36.840 --> 0:34:42.319
<v Speaker 1>Oh no, not this dizzy in semi lucid, Star is

0:34:42.360 --> 0:34:45.600
<v Speaker 1>in Jace, and Void is in Jase, and so Star

0:34:46.080 --> 0:34:51.120
<v Speaker 1>is in Void. As above, so below. Without sentient thought

0:34:51.200 --> 0:34:55.160
<v Speaker 1>or purpose, trapped in an invalid host, Starr's most basic

0:34:55.239 --> 0:35:00.000
<v Speaker 1>chemistry has attempted to hail Mary any port in a storm,

0:35:00.080 --> 0:35:04.200
<v Speaker 1>including hostile takeover. Frantically attempting to make room for Star

0:35:04.320 --> 0:35:08.160
<v Speaker 1>inside Jace, Void presses her hands to Morgan's bare neck,

0:35:08.600 --> 0:35:11.880
<v Speaker 1>mashes her mouth against the clammy lips, and puffs breath

0:35:11.920 --> 0:35:15.120
<v Speaker 1>into her. But she can't force the transfer. There's not

0:35:15.320 --> 0:35:18.520
<v Speaker 1>enough left of the woman. Her attempt to hop to

0:35:18.600 --> 0:35:22.480
<v Speaker 1>Morgan's rapidly spoiling body and die with it has failed.

0:35:23.520 --> 0:35:26.239
<v Speaker 1>Void wants to vomit. She's sweating and shaking, and she

0:35:26.280 --> 0:35:29.359
<v Speaker 1>doesn't know whether it's her biology's natural reaction to Star,

0:35:29.920 --> 0:35:32.520
<v Speaker 1>fighting her off like a fever, or if it's her

0:35:32.560 --> 0:35:36.239
<v Speaker 1>heart's natural reaction to Star. Willing herself to die in

0:35:36.320 --> 0:35:39.560
<v Speaker 1>Star's place and destroy every fraction of herself and her name.

0:35:41.080 --> 0:35:44.640
<v Speaker 1>That could work, She thinks desperately, I always hoped i'd

0:35:44.680 --> 0:35:47.080
<v Speaker 1>die for you, and I can do it. Now, take

0:35:47.239 --> 0:35:50.600
<v Speaker 1>Jace's body from me. She tries to make herself weak,

0:35:51.120 --> 0:35:54.320
<v Speaker 1>to still her panic, to give up. That would be

0:35:54.320 --> 0:35:57.560
<v Speaker 1>a poetic end, fitting, there could be a point to it,

0:35:58.440 --> 0:36:03.080
<v Speaker 1>but nature doesn't care for poetry, and Void has always

0:36:03.080 --> 0:36:06.840
<v Speaker 1>had a strong immune system. She's dying again, and this

0:36:07.000 --> 0:36:10.760
<v Speaker 1>time it's the big one. No, unfortunately not the Void

0:36:10.800 --> 0:36:15.440
<v Speaker 1>half the Star. Half. Void isn't sure if Star can

0:36:15.520 --> 0:36:18.759
<v Speaker 1>hear her, but suspended in the moment before the drop off,

0:36:19.440 --> 0:36:23.240
<v Speaker 1>Void thinks to her lover as though thinking can save them.

0:36:24.120 --> 0:36:27.200
<v Speaker 1>I always felt, even with our bodies pressed together, I

0:36:27.239 --> 0:36:29.800
<v Speaker 1>can never get close enough to you to slake my thirst,

0:36:30.520 --> 0:36:34.200
<v Speaker 1>and look at us now. We have become divine, not

0:36:34.480 --> 0:36:37.520
<v Speaker 1>for the power and expansiveness of us, but for the

0:36:37.640 --> 0:36:40.719
<v Speaker 1>end of our story. At once one heart and the

0:36:40.760 --> 0:36:46.240
<v Speaker 1>dagger thrust through it. We are aspirational and cautionary God.

0:36:46.320 --> 0:36:52.239
<v Speaker 1>Creatures should be parables. Star's tiny fungal corpse will be

0:36:52.280 --> 0:36:57.399
<v Speaker 1>processed and expelled invisibly by Jas's body. Void won't even

0:36:57.440 --> 0:37:01.759
<v Speaker 1>have a smear of mucus to weep over the emptiness

0:37:02.239 --> 0:37:07.080
<v Speaker 1>of a cold universe stretches away from her on all sides.

0:37:09.840 --> 0:37:12.520
<v Speaker 1>The end. That's the end of the story, and what

0:37:12.920 --> 0:37:15.360
<v Speaker 1>a story. We've actually we've been talking about doing this

0:37:15.400 --> 0:37:17.200
<v Speaker 1>one for a long time now, and we wanted to

0:37:17.239 --> 0:37:22.200
<v Speaker 1>wait for Valentine's Day because we're not monsters, totally, not

0:37:22.360 --> 0:37:25.319
<v Speaker 1>at all. Anyway, Thanks for coming along in that wild

0:37:25.440 --> 0:37:28.680
<v Speaker 1>ride with us, Hazel, who helps me pick out the stories.

0:37:28.960 --> 0:37:30.719
<v Speaker 1>We and I talked about the story a lot when

0:37:30.719 --> 0:37:33.880
<v Speaker 1>we first read it, And if you take Star and

0:37:33.960 --> 0:37:37.480
<v Speaker 1>Void as the main characters, it's this cautionary tale against

0:37:37.520 --> 0:37:40.799
<v Speaker 1>codependence and becoming too lost in romantic love at the

0:37:40.800 --> 0:37:43.640
<v Speaker 1>cost of literally any other aspect of your life. But

0:37:43.680 --> 0:37:46.520
<v Speaker 1>if you take Morgan and Cole as the protagonists. It's

0:37:46.520 --> 0:37:49.440
<v Speaker 1>this allegory about how falling in love new relationship energy,

0:37:49.440 --> 0:37:53.520
<v Speaker 1>the swoons. Whatever is this out of body experience like

0:37:53.600 --> 0:37:57.960
<v Speaker 1>being taken over or possessed? Hazel says about it quote,

0:37:58.280 --> 0:38:00.960
<v Speaker 1>I particularly loved how star and to run up against

0:38:01.000 --> 0:38:04.120
<v Speaker 1>the fragility of the human body in small and big ways.

0:38:04.160 --> 0:38:07.319
<v Speaker 1>It felt so relatable to new relationship energy when I

0:38:07.360 --> 0:38:09.839
<v Speaker 1>often find myself consumed by something that feels so much

0:38:09.840 --> 0:38:12.600
<v Speaker 1>bigger than my bodily needs, Like no, I don't want

0:38:12.600 --> 0:38:14.239
<v Speaker 1>to get out of bed to eat, I want to

0:38:14.320 --> 0:38:18.520
<v Speaker 1>keep cuddling. And then what do I have to say

0:38:18.560 --> 0:38:20.839
<v Speaker 1>about it? I mean, you could take it as a

0:38:20.880 --> 0:38:26.239
<v Speaker 1>story about how if you try to save your friends

0:38:26.480 --> 0:38:30.239
<v Speaker 1>from codependence you have to shoot them with blasters in

0:38:30.360 --> 0:38:34.960
<v Speaker 1>order to do it. That's probably not the takeaway, but

0:38:35.080 --> 0:38:36.920
<v Speaker 1>it is interesting how the people who are trying to

0:38:36.960 --> 0:38:40.759
<v Speaker 1>save them from this like codependence destructive relationship end up dead.

0:38:41.480 --> 0:38:45.440
<v Speaker 1>I don't know whatever. This is what science fiction does best,

0:38:45.960 --> 0:38:51.239
<v Speaker 1>you know, is make these like non subtle metaphors yet

0:38:51.280 --> 0:38:55.560
<v Speaker 1>that are still somehow psychedelic and that you can't necessarily

0:38:55.640 --> 0:38:59.080
<v Speaker 1>pin exactly what they mean. We feel its meaning and

0:38:59.120 --> 0:39:01.160
<v Speaker 1>we can point to pe pieces of it, but we

0:39:01.239 --> 0:39:06.680
<v Speaker 1>can't grasp the entirety of what it's saying about everything.

0:39:07.360 --> 0:39:08.920
<v Speaker 1>I just really like that about art, and I think

0:39:08.920 --> 0:39:11.120
<v Speaker 1>that science fiction is incredibly well posed to do this.

0:39:11.360 --> 0:39:13.440
<v Speaker 1>When I first started reading it, I actually tend not

0:39:13.480 --> 0:39:17.640
<v Speaker 1>to like psychedelically written fiction, and so the first scene

0:39:18.480 --> 0:39:22.640
<v Speaker 1>I almost passed on this story. But it's worth it

0:39:22.719 --> 0:39:25.160
<v Speaker 1>and it becomes a little bit more understandable. But I

0:39:25.200 --> 0:39:27.200
<v Speaker 1>have to admit this is one of these stories that, like,

0:39:27.440 --> 0:39:29.080
<v Speaker 1>I don't know, y'all might need to listen to it

0:39:29.120 --> 0:39:33.320
<v Speaker 1>again or bury your gaze to read it properly anyway.

0:39:33.600 --> 0:39:37.200
<v Speaker 1>Bio the author November Rush. November Rush is a tattoo

0:39:37.280 --> 0:39:40.680
<v Speaker 1>artist and painter living in Montreal, Canada. This is her

0:39:40.719 --> 0:39:43.400
<v Speaker 1>debut as a writer, and you can follow her tattoo

0:39:43.440 --> 0:39:49.040
<v Speaker 1>and painting work at Underscore November Underscore Rush, which I

0:39:49.120 --> 0:39:52.080
<v Speaker 1>believe is Instagram is what it's saying, and on Blue

0:39:52.080 --> 0:39:58.360
<v Speaker 1>Sky at November Rush dot bsky dot social. I'm Margaret Kiljoy.

0:39:58.560 --> 0:40:01.000
<v Speaker 1>I have been your host. You can find my writing

0:40:01.160 --> 0:40:04.839
<v Speaker 1>on Substack. My newsletter there it's called Birds before the Storm.

0:40:04.880 --> 0:40:07.799
<v Speaker 1>It's really just Margaret Kiljoy dot substock dot com. And

0:40:07.840 --> 0:40:10.640
<v Speaker 1>I have various other podcasts on this very network. I

0:40:10.680 --> 0:40:12.520
<v Speaker 1>have cool people who did cool stuff. If you haven't

0:40:12.560 --> 0:40:14.560
<v Speaker 1>listened to it, what are you doing with your life

0:40:14.960 --> 0:40:17.440
<v Speaker 1>not listening to my podcast? That's what you're doing because

0:40:17.480 --> 0:40:19.839
<v Speaker 1>you hate me. That's what I think of everyone doesn't

0:40:19.840 --> 0:40:22.439
<v Speaker 1>listen to my podcast. I think they hate me. That's

0:40:22.440 --> 0:40:23.799
<v Speaker 1>actually not true at all. A lot of my best

0:40:23.840 --> 0:40:26.160
<v Speaker 1>friends don't listen to my podcasts. But that's out of

0:40:26.280 --> 0:40:30.799
<v Speaker 1>like weird stuff that's too personal. You don't get to

0:40:30.840 --> 0:40:34.480
<v Speaker 1>know that anyway. Dear listener, take care, love the ones

0:40:34.520 --> 0:40:39.840
<v Speaker 1>closest to you. I'll see you next week. Fuck Ice bye.

0:40:41.920 --> 0:40:44.400
<v Speaker 1>It could happen here as a production of cool Zone Media.

0:40:44.520 --> 0:40:47.200
<v Speaker 1>For more podcasts from cool Zone Media, visit our website

0:40:47.200 --> 0:40:49.440
<v Speaker 1>cool Zonemedia dot com, or check us out on the

0:40:49.480 --> 0:40:53.040
<v Speaker 1>iHeartRadio app, Apple Podcasts, or wherever you listen to podcasts.

0:40:53.480 --> 0:40:55.560
<v Speaker 1>You can find sources where it could Happen here, updated

0:40:55.680 --> 0:40:59.160
<v Speaker 1>monthly at cool zone Media dot com slash sources. Thanks

0:40:59.160 --> 0:40:59.720
<v Speaker 1>for listening.