1
00:00:00,320 --> 00:00:06,240
Speaker 1: Forever. Hey, y'all, it's Bowen. I just want to tell

2
00:00:06,240 --> 00:00:08,160
Speaker 1: you guys about a new podcast that Matt and I

3
00:00:08,240 --> 00:00:10,960
Speaker 1: are loving. It's called dream Boy, and it's a new

4
00:00:11,000 --> 00:00:14,720
Speaker 1: fiction podcast from Nightville Presents. It's a mysterious love story

5
00:00:14,760 --> 00:00:18,320
Speaker 1: inspired by Spielberg's cinematic blockbusters that The Guardian called an

6
00:00:18,360 --> 00:00:21,960
Speaker 1: instant Nightvale classic. Someone is changing all the street lights

7
00:00:22,000 --> 00:00:24,960
Speaker 1: in Pepper Heights, Cleveland. The color of nighttime is shifting.

8
00:00:25,320 --> 00:00:27,680
Speaker 1: Everyone thinks they know what happened at the Pepper Heights Zoo,

9
00:00:28,040 --> 00:00:31,880
Speaker 1: but do they really Wow? Wow Wow. Dreamboy follows Dane,

10
00:00:31,880 --> 00:00:34,400
Speaker 1: a spun out musician spending the winter in Cleveland, Ohio,

11
00:00:34,600 --> 00:00:36,600
Speaker 1: and Dane has two goals, keeping his job at the

12
00:00:36,600 --> 00:00:38,640
Speaker 1: Pepper Heights Zoo and trying not to waste all his

13
00:00:38,720 --> 00:00:42,120
Speaker 1: time on grinder same. What Dane doesn't expect is to

14
00:00:42,120 --> 00:00:45,400
Speaker 1: get swept up into a story about dreams, Forever's flickering lights,

15
00:00:45,479 --> 00:00:48,800
Speaker 1: unexplained deaths, relentless change, and the parts of ourselves that

16
00:00:48,840 --> 00:00:51,800
Speaker 1: we wish other people know to look for. Oh and

17
00:00:51,840 --> 00:00:55,040
Speaker 1: also a murderous zebra. Dreamboys out now. Find out more

18
00:00:55,080 --> 00:00:58,400
Speaker 1: at dream Boy podcast dot com or search for dream

19
00:00:58,440 --> 00:01:02,640
Speaker 1: Boy all one word in your favorite podcast up look man,

20
00:01:03,000 --> 00:01:06,360
Speaker 1: oh I see you? Why and look over there? How

21
00:01:06,440 --> 00:01:12,920
Speaker 1: is that culture? Yes? Goodness, ding Dong. Lost Culture is

22
00:01:13,040 --> 00:01:17,160
Speaker 1: just calling. And it's been an emotional tay or what

23
00:01:17,360 --> 00:01:21,240
Speaker 1: I mean. It's not even noon and tears have been shed,

24
00:01:21,400 --> 00:01:25,320
Speaker 1: ducks have been triggered because ducts with the hp J

25
00:01:26,080 --> 00:01:29,400
Speaker 1: Hot producer Joe Cilia and we have to say his name, Jilo.

26
00:01:29,959 --> 00:01:33,080
Speaker 1: He just came in here and he's moving to Los Angeles,

27
00:01:33,200 --> 00:01:38,840
Speaker 1: and we had a really emotional moment altogether. Yes, um,

28
00:01:38,959 --> 00:01:41,640
Speaker 1: we all just sort of joined in a hug and enjoined.

29
00:01:41,720 --> 00:01:44,720
Speaker 1: He had some very nice words to say, and I

30
00:01:45,680 --> 00:01:49,000
Speaker 1: and the fucking the thing that's that's like sending me

31
00:01:49,040 --> 00:01:51,800
Speaker 1: over the edges. He brought the like the original Lost

32
00:01:51,840 --> 00:01:54,040
Speaker 1: Cultures his hat and that's when the hats were part

33
00:01:54,040 --> 00:01:56,440
Speaker 1: of the brand back when I meant they're still the hat,

34
00:01:56,480 --> 00:02:00,400
Speaker 1: They're still there. But oh my god, just what what

35
00:02:00,560 --> 00:02:03,520
Speaker 1: a journey he's been. So he's been there since the beginning.

36
00:02:03,600 --> 00:02:05,840
Speaker 1: And you should know, like if you listen to Forever

37
00:02:05,880 --> 00:02:08,000
Speaker 1: Dog podcast, if you love Seek Treatment, if you love

38
00:02:08,080 --> 00:02:10,520
Speaker 1: Race Chaser, if you love you know black man can

39
00:02:10,600 --> 00:02:15,160
Speaker 1: jump in Hollywood. Everything like this is all. It's Joe

40
00:02:15,280 --> 00:02:17,960
Speaker 1: and Alex and everyone if Forever Dog that have like

41
00:02:18,360 --> 00:02:21,000
Speaker 1: seriously made this such a great dynamic network. There's so

42
00:02:21,040 --> 00:02:25,080
Speaker 1: many great, cool new podcasts that are still coming, and

43
00:02:25,320 --> 00:02:28,520
Speaker 1: it's just really awesome to have been at Forever Dog

44
00:02:28,600 --> 00:02:31,360
Speaker 1: since the beginning. And like we watched it, we were

45
00:02:31,360 --> 00:02:33,880
Speaker 1: just doing stuff at Alex's apartment and then like he

46
00:02:33,919 --> 00:02:37,359
Speaker 1: would like put goofing in like the way that he

47
00:02:37,400 --> 00:02:40,480
Speaker 1: would like filter out sound. Was he just put like

48
00:02:40,520 --> 00:02:44,440
Speaker 1: an air mattress in the window, like like like those

49
00:02:44,480 --> 00:02:49,519
Speaker 1: two boys built something together. That's so special. Yeah, I

50
00:02:49,520 --> 00:02:52,560
Speaker 1: wonder how they're doing going to be separated because they're

51
00:02:52,600 --> 00:02:56,520
Speaker 1: like Matt, they're like a mountain bow situation not not

52
00:02:56,520 --> 00:02:59,080
Speaker 1: not quite as codependent maybe, but like I don't know,

53
00:02:59,120 --> 00:03:01,760
Speaker 1: they run a business together. They're well sure um but

54
00:03:01,880 --> 00:03:04,519
Speaker 1: they Yeah, I'm just that was that was a really

55
00:03:04,520 --> 00:03:08,079
Speaker 1: emotional moment. That was seriously emotional and and we all

56
00:03:08,160 --> 00:03:11,520
Speaker 1: had to hold each other. Yeah, it was very special. Anyway,

57
00:03:11,520 --> 00:03:14,960
Speaker 1: we love h J. You can buy an HPJ shirt

58
00:03:15,040 --> 00:03:16,920
Speaker 1: at t public dot com, or a till or a

59
00:03:16,960 --> 00:03:20,120
Speaker 1: pillow or whatever your heart desire. I gotta you feel

60
00:03:20,200 --> 00:03:23,000
Speaker 1: this way. You throw a pillow. How que is it

61
00:03:23,200 --> 00:03:25,160
Speaker 1: didn't come in already? It came in all my merchant

62
00:03:25,200 --> 00:03:26,600
Speaker 1: came in and look, I have a phone case that

63
00:03:26,639 --> 00:03:31,480
Speaker 1: says I had a friend by an eraser tank top

64
00:03:31,560 --> 00:03:34,960
Speaker 1: and I loved the public so much. But something about

65
00:03:35,000 --> 00:03:37,240
Speaker 1: the way that that I dragged that logo to the

66
00:03:37,320 --> 00:03:41,160
Speaker 1: very top left corner it could possibly go inches below

67
00:03:41,200 --> 00:03:44,120
Speaker 1: the nipple, I was like, it doesn't doesn't really make sense.

68
00:03:44,200 --> 00:03:47,080
Speaker 1: But well, i'll talk to our people that just speak

69
00:03:47,120 --> 00:03:48,839
Speaker 1: to them at T in public. And also I heard

70
00:03:48,840 --> 00:03:51,080
Speaker 1: that you feel this way T shirt is a little

71
00:03:51,080 --> 00:03:53,000
Speaker 1: see through, but the person who got it says they

72
00:03:53,000 --> 00:03:58,680
Speaker 1: actually love like it's a little bit. Do you have

73
00:03:58,680 --> 00:04:00,760
Speaker 1: a story to share? I told you to store to

74
00:04:00,800 --> 00:04:04,240
Speaker 1: show this has just been a very stressful week, fraught,

75
00:04:04,640 --> 00:04:08,760
Speaker 1: frought week, and for me it's sort of I thought

76
00:04:08,760 --> 00:04:11,760
Speaker 1: it culminated in this one event where um, but that

77
00:04:11,840 --> 00:04:14,280
Speaker 1: it was this took place on a Friday, Yeah, this did.

78
00:04:14,280 --> 00:04:19,719
Speaker 1: This was on Friday. I wake up have a beez

79
00:04:19,880 --> 00:04:23,200
Speaker 1: or of a ship waiting for me in my bowels,

80
00:04:23,400 --> 00:04:27,000
Speaker 1: just heavy, heavy, heavy poop. I walk out of my

81
00:04:27,120 --> 00:04:31,080
Speaker 1: room and um my, one of my roommates is in

82
00:04:31,080 --> 00:04:34,800
Speaker 1: the shower and I'm like, okay, great, it's fine, I'll

83
00:04:34,839 --> 00:04:38,279
Speaker 1: just wait this out. It happens all the time. Forty

84
00:04:38,360 --> 00:04:42,359
Speaker 1: five minutes later, I'm still in there, and at this point,

85
00:04:42,960 --> 00:04:47,200
Speaker 1: I'm just my My dilations, let's say, are like two

86
00:04:47,200 --> 00:04:50,560
Speaker 1: seconds apart, like a baby child, like a baby, like

87
00:04:50,600 --> 00:04:56,600
Speaker 1: I'm giving birth. I'm giving an as birth essentially. And then, um,

88
00:04:57,120 --> 00:05:00,400
Speaker 1: really did not one of my most help one of

89
00:05:00,440 --> 00:05:04,240
Speaker 1: my most helpless moments. Run to the closet where we

90
00:05:04,279 --> 00:05:08,200
Speaker 1: store our plastic bags. Double bag. I mean, I don't so.

91
00:05:08,279 --> 00:05:10,359
Speaker 1: I told the story last night to Pat Reag in

92
00:05:10,360 --> 00:05:12,200
Speaker 1: front of the show co hosted with the Extream, and

93
00:05:12,240 --> 00:05:14,520
Speaker 1: he was like, I don't know about this story. And

94
00:05:14,720 --> 00:05:19,160
Speaker 1: but then basically choke this double bag and I went

95
00:05:19,200 --> 00:05:25,120
Speaker 1: back to my room. Um, oriented myself into a squat

96
00:05:25,320 --> 00:05:31,320
Speaker 1: over the bags in my hand, explosively shot into two

97
00:05:31,360 --> 00:05:35,320
Speaker 1: plastic bags. Um. And I want to say that it's

98
00:05:35,320 --> 00:05:38,080
Speaker 1: not my roommates fault. Um, no, it is. Well, I

99
00:05:38,120 --> 00:05:40,600
Speaker 1: didn't force them to not make me knock, you know,

100
00:05:40,680 --> 00:05:42,360
Speaker 1: like I could have knocked. But also she was in

101
00:05:42,440 --> 00:05:47,680
Speaker 1: the shower and like, no, that's also it's too long whatever. Um.

102
00:05:47,839 --> 00:05:51,039
Speaker 1: So then so okay, let's get back to the I shot,

103
00:05:51,120 --> 00:05:57,480
Speaker 1: I literally shot in two plastic bags. Um, My whole

104
00:05:57,560 --> 00:06:02,880
Speaker 1: rooms stinks like fucking ghost. And then I set the

105
00:06:02,880 --> 00:06:05,240
Speaker 1: bag on my nightstan and I'm just like, well and

106
00:06:05,320 --> 00:06:08,640
Speaker 1: I'll just I'll just test to sit there for until

107
00:06:08,720 --> 00:06:12,039
Speaker 1: she gets out of the bathroom another five seven minutes.

108
00:06:12,080 --> 00:06:15,880
Speaker 1: Finally she leaves. I bolt to the bathroom, slam the door,

109
00:06:16,680 --> 00:06:19,640
Speaker 1: invert the bag to make the ship come out into

110
00:06:19,720 --> 00:06:24,239
Speaker 1: the toilet, flush that. I can't just throw away a

111
00:06:24,279 --> 00:06:28,800
Speaker 1: poop drenched plastic bag into the trash, right, So I

112
00:06:28,880 --> 00:06:33,600
Speaker 1: go to the sink, start washing it with detergent and soap,

113
00:06:33,720 --> 00:06:36,680
Speaker 1: and just to make sure all at a molecular level,

114
00:06:36,720 --> 00:06:40,480
Speaker 1: all the ship is gone. Um, so that way, so

115
00:06:40,520 --> 00:06:42,880
Speaker 1: then I'm able to dispose of the bags. But then

116
00:06:43,160 --> 00:06:46,520
Speaker 1: my sink is covered in poop dust, so then I

117
00:06:46,600 --> 00:06:49,440
Speaker 1: have to take bleach and like a bunch of different cleaners.

118
00:06:49,480 --> 00:06:51,600
Speaker 1: I like just did the whole I just threw everything

119
00:06:51,680 --> 00:06:55,599
Speaker 1: at the actual literal sink and washed that down. And

120
00:06:55,640 --> 00:06:58,920
Speaker 1: I was like I can't I was like, I can't

121
00:06:58,960 --> 00:07:01,960
Speaker 1: believe I have to go talk to Matt Damon after

122
00:07:02,000 --> 00:07:04,359
Speaker 1: this and whatever. I don't know. I was like, I

123
00:07:04,440 --> 00:07:08,799
Speaker 1: was like, I shot and a plastic bag this morning.

124
00:07:08,800 --> 00:07:11,120
Speaker 1: Can I tell you something, Yeah, I've done the same

125
00:07:11,160 --> 00:07:14,120
Speaker 1: thing really years ago. I had to ship in the

126
00:07:14,120 --> 00:07:17,720
Speaker 1: plastic bag. Back when I was sharing a space. One

127
00:07:17,760 --> 00:07:21,360
Speaker 1: of my lovely roommates was taking a day and a

128
00:07:21,360 --> 00:07:24,200
Speaker 1: half in the bathroom. And what do you do when

129
00:07:24,240 --> 00:07:26,720
Speaker 1: you have to go? I mean, I actually asked the listeners,

130
00:07:26,800 --> 00:07:28,880
Speaker 1: what do you do? You do? You have to go,

131
00:07:28,920 --> 00:07:30,720
Speaker 1: and you're sharing a space, and you know when you

132
00:07:30,760 --> 00:07:32,520
Speaker 1: have to go, you have to go. It's actually culture

133
00:07:32,600 --> 00:07:35,160
Speaker 1: number eighteen. When you have to go, you have to go.

134
00:07:36,120 --> 00:07:38,680
Speaker 1: So I shipped in the bag as well. This is

135
00:07:38,760 --> 00:07:41,160
Speaker 1: years ago. This is I'm gonna say five six years ago.

136
00:07:42,080 --> 00:07:45,520
Speaker 1: Destroyed a paper bag in my bad paper bag not

137
00:07:45,520 --> 00:07:48,960
Speaker 1: paper plastic. I'm sorry, let's be clear, but let me

138
00:07:48,960 --> 00:07:51,640
Speaker 1: tell you something. I didn't go to the fucking needless

139
00:07:51,640 --> 00:07:54,440
Speaker 1: trouble and I don't think so, honey, all the craziness

140
00:07:54,480 --> 00:07:56,280
Speaker 1: that you did in the bathroom, I'm not gonna go

141
00:07:56,400 --> 00:07:58,800
Speaker 1: to the You go to the garbage outside, you put

142
00:07:58,800 --> 00:08:01,560
Speaker 1: it in the garbage and then the garbage people deal

143
00:08:01,600 --> 00:08:04,040
Speaker 1: with it. No, but then they fucking find your ass.

144
00:08:04,360 --> 00:08:06,960
Speaker 1: It's like you can't know I don't think so. I

145
00:08:07,000 --> 00:08:08,880
Speaker 1: don't think you're what do what do? What do dog

146
00:08:08,960 --> 00:08:10,800
Speaker 1: owners do? Do? They do? They throw those ships in

147
00:08:10,800 --> 00:08:13,520
Speaker 1: the garbage, them in the garbage, in the in the

148
00:08:13,600 --> 00:08:18,160
Speaker 1: public guard garbages. I feel this way that you just

149
00:08:18,320 --> 00:08:22,240
Speaker 1: get rid of it. I don't know. I might have

150
00:08:22,240 --> 00:08:24,840
Speaker 1: gone to one of my neighbor's garbages. They have, they

151
00:08:24,880 --> 00:08:29,880
Speaker 1: have the police. The NYPD has eyes all over the city.

152
00:08:29,920 --> 00:08:32,480
Speaker 1: They see that they have eyes on every single trash.

153
00:08:32,559 --> 00:08:36,840
Speaker 1: Can I'm convinced. I stand here a freemam, no household trash.

154
00:08:36,960 --> 00:08:40,960
Speaker 1: My shit in a double bag, it counts as household trash.

155
00:08:41,000 --> 00:08:44,320
Speaker 1: That's horrific. I really what you went through was horrific.

156
00:08:44,440 --> 00:08:46,679
Speaker 1: But I feel that you made it more complicated? Would

157
00:08:46,679 --> 00:08:50,520
Speaker 1: you often do I resent that? I just I really

158
00:08:50,559 --> 00:08:55,440
Speaker 1: wanted to make sure that, um, there was no risk,

159
00:08:55,640 --> 00:08:58,800
Speaker 1: there was no margin of any sort of thing wrong

160
00:08:58,840 --> 00:09:02,160
Speaker 1: to happen. I get it. It's just you know, look,

161
00:09:02,200 --> 00:09:04,559
Speaker 1: I think that humanity would have forgiven you had you

162
00:09:04,679 --> 00:09:08,440
Speaker 1: just thrown it out God, But like there's really no

163
00:09:08,679 --> 00:09:12,160
Speaker 1: moment like after you've just shipped in a bag, um

164
00:09:12,200 --> 00:09:13,840
Speaker 1: and you're you still don't have access to a bathroom

165
00:09:13,840 --> 00:09:15,720
Speaker 1: more toilet paper that you just sort of have this

166
00:09:15,760 --> 00:09:18,360
Speaker 1: moment or you can't sit down, you can't lie down,

167
00:09:18,400 --> 00:09:22,280
Speaker 1: You're you're forced to just stand there um with um

168
00:09:22,800 --> 00:09:28,200
Speaker 1: like a dreadged layer of your own feces lining your

169
00:09:28,480 --> 00:09:31,240
Speaker 1: your ass, your your your your fissure in your body.

170
00:09:31,280 --> 00:09:33,480
Speaker 1: And that's when you realize just how human you are.

171
00:09:35,280 --> 00:09:38,920
Speaker 1: Oh my god, I don't know. Look look, but it's

172
00:09:38,920 --> 00:09:41,600
Speaker 1: going to be up to the listeners. Yes, like I

173
00:09:41,640 --> 00:09:43,880
Speaker 1: want their feedback on this, but yes, I want their

174
00:09:43,920 --> 00:09:45,440
Speaker 1: feedback on this to what do you do? What would

175
00:09:45,480 --> 00:09:48,280
Speaker 1: you do? Also? Um, you know, really really had this

176
00:09:48,320 --> 00:09:50,360
Speaker 1: moment where I was like this, what a low moment.

177
00:09:50,440 --> 00:09:54,080
Speaker 1: But we have a guest, Oh we should do? Who

178
00:09:54,240 --> 00:09:57,600
Speaker 1: just know she would handle the situation with poise, absolutely

179
00:09:57,679 --> 00:10:00,640
Speaker 1: and she would She would be you would just have

180
00:10:01,240 --> 00:10:03,679
Speaker 1: immediately have a good humor, but you would immediately have

181
00:10:03,760 --> 00:10:11,520
Speaker 1: the the smartest, most most smart the most smartest, the smartest,

182
00:10:11,559 --> 00:10:17,440
Speaker 1: most smart smartest from smartest, thank you, but uh, just

183
00:10:17,640 --> 00:10:20,280
Speaker 1: the funniest take on it immediately the way that I

184
00:10:20,280 --> 00:10:21,800
Speaker 1: guess we'll find out, we'll find out. But the way

185
00:10:21,800 --> 00:10:25,440
Speaker 1: this person, the way this person processes information or things

186
00:10:25,440 --> 00:10:28,079
Speaker 1: that happen in her life, other people's lives, and then

187
00:10:28,160 --> 00:10:31,560
Speaker 1: is able to speak on them, speak on those experiences.

188
00:10:31,559 --> 00:10:36,160
Speaker 1: I would say, an uncommonly intelligent person. And that intelligence,

189
00:10:36,200 --> 00:10:38,240
Speaker 1: and this is very academic the way I'm speaking about

190
00:10:39,240 --> 00:10:41,880
Speaker 1: that intelligence is rooted directly to their sense of humor.

191
00:10:42,000 --> 00:10:44,880
Speaker 1: You know, some people it's like those those places. Those

192
00:10:44,880 --> 00:10:48,480
Speaker 1: two things exist deeply different parts of their brains. Whereas, however,

193
00:10:48,520 --> 00:10:51,520
Speaker 1: this person's intelligence and their sense of humor is forever

194
00:10:51,640 --> 00:10:54,559
Speaker 1: length and we are grateful, and that's why we follow

195
00:10:54,640 --> 00:10:58,320
Speaker 1: her at n Walk. Yes, and that's why we enjoy

196
00:10:58,480 --> 00:11:02,240
Speaker 1: so much the thing she does on her social media platforms.

197
00:11:02,240 --> 00:11:03,680
Speaker 1: And I will I'm about to go through the credit.

198
00:11:04,400 --> 00:11:08,640
Speaker 1: So every single time this person posts, it is an event.

199
00:11:09,559 --> 00:11:15,439
Speaker 1: So this person does performances of different like archetypes oftentimes

200
00:11:15,440 --> 00:11:19,000
Speaker 1: that actresses will play in film, and they are so

201
00:11:19,080 --> 00:11:22,320
Speaker 1: funny and dead on from a performance standpoint. From a

202
00:11:22,400 --> 00:11:25,679
Speaker 1: writing standpoint, I think most of all, because it all

203
00:11:25,679 --> 00:11:27,880
Speaker 1: starts with the text. Actually real Coach number twenty two,

204
00:11:28,040 --> 00:11:32,760
Speaker 1: It all starts with the text, and I'm always g

205
00:11:32,960 --> 00:11:37,680
Speaker 1: A G G E D D D D D. And

206
00:11:37,720 --> 00:11:40,760
Speaker 1: then to top it off, you can also get more

207
00:11:40,760 --> 00:11:43,920
Speaker 1: of these writings, these writings can be found at Vulture,

208
00:11:44,640 --> 00:11:48,000
Speaker 1: and you can also see this person as an interviews

209
00:11:48,000 --> 00:11:49,960
Speaker 1: on Vulture. Oh my god, did you read her her

210
00:11:50,000 --> 00:11:53,280
Speaker 1: piece on the Jimmy's I have read every piece. I've

211
00:11:53,320 --> 00:11:55,800
Speaker 1: read every single piece. You can check out my reviews

212
00:11:55,800 --> 00:11:57,800
Speaker 1: of RuPaul's drag Race, which I now do solo. Thank

213
00:11:57,840 --> 00:12:02,040
Speaker 1: you very much. Check And now, to top it off,

214
00:12:02,640 --> 00:12:05,560
Speaker 1: you thought that it was just happening on the written page, No,

215
00:12:06,920 --> 00:12:12,720
Speaker 1: because this person also is a fabulous performer, superlative. Yes,

216
00:12:12,920 --> 00:12:16,320
Speaker 1: And I would say, you know, just I would say,

217
00:12:16,360 --> 00:12:18,440
Speaker 1: just sit around and wait to see them perform. It

218
00:12:18,440 --> 00:12:20,800
Speaker 1: happens all the time. But guess what, I have specific information.

219
00:12:22,040 --> 00:12:25,760
Speaker 1: This is crazy. Alice by Heart is the new musical

220
00:12:25,800 --> 00:12:28,560
Speaker 1: at MCC. It's the new musical from Get This Stephen

221
00:12:28,600 --> 00:12:35,120
Speaker 1: Stater and MS Duncan Sheeps Duncan Sheep Spring Awakening the

222
00:12:35,160 --> 00:12:40,319
Speaker 1: previous week in January, and this superstar is in the show.

223
00:12:40,760 --> 00:12:45,000
Speaker 1: Literally truly excited to have this person on the podcast.

224
00:12:45,320 --> 00:12:48,080
Speaker 1: I have been saying, this is a true cultural stock

225
00:12:48,640 --> 00:12:51,400
Speaker 1: and I sometimes I even feel a sheep in wolves clothing.

226
00:12:51,480 --> 00:12:53,079
Speaker 1: I feel the same way, or am I a wolf

227
00:12:53,080 --> 00:12:59,439
Speaker 1: in sheep's cloth? Okay? Great? Number four. Clothing is the

228
00:12:59,520 --> 00:13:03,240
Speaker 1: express expression. She's really the I think she's the one

229
00:13:03,280 --> 00:13:07,560
Speaker 1: who is just really showing us all up. She's showing

230
00:13:07,640 --> 00:13:10,480
Speaker 1: us all up because it's like we think of performers now,

231
00:13:10,720 --> 00:13:13,240
Speaker 1: we think of writers now, we think we have style. No,

232
00:13:13,600 --> 00:13:16,839
Speaker 1: we think we have class. She's the one. She's the

233
00:13:16,960 --> 00:13:24,760
Speaker 1: only Natalie Walker, and I feel how do you feel

234
00:13:24,800 --> 00:13:27,320
Speaker 1: about the poop in? Oh my God? The poop intro

235
00:13:27,559 --> 00:13:31,839
Speaker 1: was flawless. I've never I've never experienced it um in

236
00:13:32,240 --> 00:13:36,319
Speaker 1: my personal living space, but I did. Uh. I got

237
00:13:36,400 --> 00:13:41,120
Speaker 1: diarrhea the first week at a new school. On we

238
00:13:41,240 --> 00:13:44,080
Speaker 1: had to go on like a wilderness trip and literally

239
00:13:44,200 --> 00:13:46,040
Speaker 1: on the way home, I was like in a car

240
00:13:46,160 --> 00:13:48,120
Speaker 1: pool with two other girls who I had just met

241
00:13:48,200 --> 00:13:50,599
Speaker 1: like the week before, and I got diarrhea, and I

242
00:13:50,679 --> 00:13:53,520
Speaker 1: like knew it was going to happen, and I just

243
00:13:53,720 --> 00:13:55,760
Speaker 1: was like, hey, can we unstop at a gas station?

244
00:13:55,800 --> 00:13:57,520
Speaker 1: I think I think I think I'm getting my period.

245
00:13:57,520 --> 00:13:59,600
Speaker 1: I think I'm getting my period. I'm just getting my period.

246
00:14:00,080 --> 00:14:08,880
Speaker 1: I'm getting get etheriod and we have to stop. And

247
00:14:08,960 --> 00:14:11,719
Speaker 1: then also while I was at NYU, there was like

248
00:14:11,760 --> 00:14:15,200
Speaker 1: a stressful day at Adler and I, uh, literally did

249
00:14:15,280 --> 00:14:17,880
Speaker 1: not make it to the bathroom, like I had to

250
00:14:18,080 --> 00:14:21,320
Speaker 1: leave like a Shakespearean scene study class, and I was like,

251
00:14:21,560 --> 00:14:23,120
Speaker 1: oh my god, I'm gonna ship myself. I can't go

252
00:14:23,120 --> 00:14:28,160
Speaker 1: on as Juliet like this. I said, congratulations, congratulation. My god. Well, no,

253
00:14:28,400 --> 00:14:30,000
Speaker 1: they did it. They did it because they wanted to

254
00:14:30,080 --> 00:14:31,920
Speaker 1: stretch me as an actress, because they were like, you're

255
00:14:31,920 --> 00:14:35,120
Speaker 1: an idiot clown, like, let's try you as this. And

256
00:14:35,280 --> 00:14:38,640
Speaker 1: then um, we had this one teacher who, like Chloe

257
00:14:38,760 --> 00:14:43,200
Speaker 1: Fund and the discussed on the show We're like in

258
00:14:43,320 --> 00:14:46,160
Speaker 1: the culture of Adler. He was like this mythic figure

259
00:14:46,240 --> 00:14:48,720
Speaker 1: where everyone's like, oh, my god, Jimmy says the darndest

260
00:14:48,760 --> 00:14:51,800
Speaker 1: things and then you look back years later and you're like, oh,

261
00:14:52,600 --> 00:14:54,680
Speaker 1: those were all abhorrent things. And he said to me

262
00:14:54,960 --> 00:14:58,000
Speaker 1: so literally after he stopped me three lines into my

263
00:14:58,120 --> 00:15:01,320
Speaker 1: roman Acjuliet scene, after I got back from shipping myself

264
00:15:01,720 --> 00:15:05,840
Speaker 1: and he was like, stop, stop, stop, why is your

265
00:15:06,000 --> 00:15:12,720
Speaker 1: Juliet disabled? And I was like, what Jesus, what's going on?

266
00:15:13,520 --> 00:15:15,160
Speaker 1: And the thing is, it's like I was trying to

267
00:15:15,200 --> 00:15:17,280
Speaker 1: play young because I've been playing four day seven year

268
00:15:17,320 --> 00:15:23,880
Speaker 1: old time in my entire life he was like, no, yes,

269
00:15:24,240 --> 00:15:26,960
Speaker 1: um wait, that's insane and also yes, a very real thing,

270
00:15:27,120 --> 00:15:31,760
Speaker 1: and also that like these teachers they were I guess

271
00:15:31,760 --> 00:15:34,320
Speaker 1: it's it's the arts, but like you can't just say

272
00:15:34,400 --> 00:15:37,560
Speaker 1: whatever the fun it's rule a culture number eight. You

273
00:15:37,600 --> 00:15:41,720
Speaker 1: can't just say whatever the fuck? Um wait, can we pause?

274
00:15:41,840 --> 00:15:45,440
Speaker 1: I literally we can keep this. I have to must

275
00:15:45,560 --> 00:15:49,880
Speaker 1: ship right now. This can't. I'm sorry. I no, Natalie,

276
00:15:49,920 --> 00:15:52,760
Speaker 1: and this is this has never happened before. I'm so sorry.

277
00:15:52,800 --> 00:15:57,280
Speaker 1: I've never Okay, we're gonna okay, if you guys want

278
00:15:57,280 --> 00:16:00,800
Speaker 1: to keep this going for a sexually. I truly love

279
00:16:00,840 --> 00:16:03,720
Speaker 1: it because that intro was He's going, oh my god.

280
00:16:04,360 --> 00:16:07,520
Speaker 1: The thing is he works is very stress yes, and

281
00:16:07,680 --> 00:16:09,760
Speaker 1: so that I guess that has to do with it.

282
00:16:09,920 --> 00:16:11,960
Speaker 1: But the thing is he's always been like this, Yes.

283
00:16:12,200 --> 00:16:13,800
Speaker 1: Do you have someone in your friend who's like in

284
00:16:13,840 --> 00:16:17,640
Speaker 1: your friend group who's like always sitting, always shitting? Oh

285
00:16:17,720 --> 00:16:20,960
Speaker 1: my god. Probably I feel like I just have. I

286
00:16:21,040 --> 00:16:23,080
Speaker 1: don't know if they shipped that much, but they just

287
00:16:23,320 --> 00:16:26,080
Speaker 1: are always announcing it, like whenever they come back from

288
00:16:26,120 --> 00:16:28,360
Speaker 1: the bathroom, They're just like, oh my god, what a ship.

289
00:16:28,640 --> 00:16:32,080
Speaker 1: And I'm like, I don't need to know every time exactly,

290
00:16:32,240 --> 00:16:34,120
Speaker 1: and I know it was a particularly stressful week, like

291
00:16:34,240 --> 00:16:36,120
Speaker 1: this is like the last week before they break. So

292
00:16:36,560 --> 00:16:38,800
Speaker 1: here he is, and like there's like a lot happening,

293
00:16:39,320 --> 00:16:42,400
Speaker 1: but it's we never it's never about this much ship

294
00:16:42,480 --> 00:16:44,560
Speaker 1: and pop on Lost Cultures. And you know that I

295
00:16:44,640 --> 00:16:48,720
Speaker 1: know that as a fan of the pod. Now, I truly,

296
00:16:48,840 --> 00:16:52,240
Speaker 1: honestly this is like a perfect little break because it

297
00:16:52,440 --> 00:16:54,880
Speaker 1: is so out of body for me, as such a

298
00:16:55,400 --> 00:17:00,360
Speaker 1: ridiculous fan girl of the podcast, Like I feel like

299
00:17:00,680 --> 00:17:02,760
Speaker 1: I am making this up. Like listening to you guys

300
00:17:02,840 --> 00:17:07,920
Speaker 1: talk about me was insane. I'm like, who is this guest?

301
00:17:08,040 --> 00:17:12,359
Speaker 1: I feel like I'm like in my apartment, like I

302
00:17:12,480 --> 00:17:15,359
Speaker 1: usually listen to the pod when I'm like trying to

303
00:17:15,440 --> 00:17:18,080
Speaker 1: power myself up to get out of my depression bed

304
00:17:19,160 --> 00:17:22,520
Speaker 1: I've been, especially in the wintertime. I'm like, culture does

305
00:17:22,560 --> 00:17:25,480
Speaker 1: please help me? Um? So, I truly I feel like

306
00:17:25,520 --> 00:17:27,080
Speaker 1: I'm in bed and I'm like, oh my god, this

307
00:17:27,200 --> 00:17:30,040
Speaker 1: guest sounds so good. Do you know that you're an

308
00:17:30,080 --> 00:17:34,920
Speaker 1: obsession worthy topic of gays nationwide? That is so delightful.

309
00:17:35,000 --> 00:17:37,680
Speaker 1: We have l a gay friends and they that you

310
00:17:37,840 --> 00:17:41,840
Speaker 1: apparently are a character and their text threat. That Wasie

311
00:17:41,880 --> 00:17:45,240
Speaker 1: Walker post. Yes I saw Louis Vertell say that, and

312
00:17:45,320 --> 00:17:50,840
Speaker 1: I you know, he's very discerning. He is incredibly discerning

313
00:17:51,040 --> 00:17:53,920
Speaker 1: you and all of those people. It's very weird for

314
00:17:54,119 --> 00:17:58,760
Speaker 1: me because like I have been following all of them

315
00:17:58,840 --> 00:18:01,000
Speaker 1: like on Twitter and like seeing them for so long,

316
00:18:01,320 --> 00:18:04,119
Speaker 1: so much longer than I was ever a person, So

317
00:18:04,320 --> 00:18:08,119
Speaker 1: stuff like that is incredibly psycho to me. And like

318
00:18:08,720 --> 00:18:12,239
Speaker 1: like Joakim Booster, like I went to his, I went

319
00:18:12,320 --> 00:18:15,600
Speaker 1: to Model Minority like you did Ago, Dan Lempert brought

320
00:18:15,680 --> 00:18:18,119
Speaker 1: Dan Lempert was like, we're going to this thing, Chris Murphy.

321
00:18:18,359 --> 00:18:20,800
Speaker 1: It was me, Dan and Chris and Chris like went

322
00:18:20,920 --> 00:18:25,440
Speaker 1: up and was like the youth guest with Aaron. But

323
00:18:25,640 --> 00:18:31,600
Speaker 1: I was like, oh my god, yes that night. I

324
00:18:31,680 --> 00:18:35,200
Speaker 1: think that's why I ended up going because I like

325
00:18:37,080 --> 00:18:38,800
Speaker 1: that was like the tipping point was that I was like, oh,

326
00:18:38,880 --> 00:18:41,280
Speaker 1: Matt and Bowen are going on, Like I already listened

327
00:18:41,280 --> 00:18:43,960
Speaker 1: to college because I am a long time fan, because

328
00:18:44,040 --> 00:18:47,040
Speaker 1: we had met at and I think we had even

329
00:18:47,080 --> 00:18:48,959
Speaker 1: met before that a couple of times, because I think

330
00:18:49,760 --> 00:18:52,119
Speaker 1: into each other a couple of times, but when you know,

331
00:18:52,440 --> 00:18:54,840
Speaker 1: chaotic time of course, and I was fully drinking the

332
00:18:54,880 --> 00:18:56,639
Speaker 1: kool aidve Adler. So I was just like wearing all

333
00:18:56,720 --> 00:19:01,200
Speaker 1: black and being like, oh I am the seagulls. Yes, yes,

334
00:19:01,640 --> 00:19:04,520
Speaker 1: but Chloe was like the Queen of Adler. Like really

335
00:19:04,640 --> 00:19:07,719
Speaker 1: Chloe was as a serious actress like the Queen of Adler.

336
00:19:07,840 --> 00:19:10,240
Speaker 1: And I was a person that like at all of

337
00:19:10,359 --> 00:19:12,840
Speaker 1: my panels they would be like, well, we know you

338
00:19:12,920 --> 00:19:17,520
Speaker 1: can do a clown role. Yeah, I did Speed the

339
00:19:17,560 --> 00:19:21,320
Speaker 1: Plow and my teacher was like, the boys were big,

340
00:19:21,520 --> 00:19:26,520
Speaker 1: but they were truthful. Oh, because it's speed the plow.

341
00:19:26,640 --> 00:19:29,440
Speaker 1: And yes, there's no fucking roule. There's no great role

342
00:19:29,520 --> 00:19:32,760
Speaker 1: for a woman, the female. The female rolling speed the

343
00:19:32,800 --> 00:19:36,639
Speaker 1: plow is literally come on, be dumb, then be a

344
00:19:36,760 --> 00:19:48,879
Speaker 1: bit the end in humiliation that on Broadway. Jeremy, Okay,

345
00:19:48,960 --> 00:19:51,800
Speaker 1: so listen, how did it go? It was? It was good.

346
00:19:52,560 --> 00:19:55,919
Speaker 1: Thank you so much for supporting me in that moment.

347
00:19:56,320 --> 00:19:58,880
Speaker 1: What I told Natalie while you were gone was, um,

348
00:19:59,560 --> 00:20:04,240
Speaker 1: that she is a topic of gays nationwise, because you know,

349
00:20:04,320 --> 00:20:07,280
Speaker 1: the l A gay is also like the they're they're

350
00:20:07,320 --> 00:20:10,800
Speaker 1: they're text threads about her and amongst LA gays, we've

351
00:20:10,880 --> 00:20:13,800
Speaker 1: taught our New York gay thread. I think that those

352
00:20:14,000 --> 00:20:16,359
Speaker 1: l A gays who literally live and die for the

353
00:20:16,400 --> 00:20:20,040
Speaker 1: Oscars and those kinds of things, like it really hits

354
00:20:20,080 --> 00:20:23,280
Speaker 1: with them because you truly do nail the sort of

355
00:20:23,440 --> 00:20:26,280
Speaker 1: like I am the actress in this movie and this

356
00:20:26,440 --> 00:20:29,639
Speaker 1: is the role I'm being given, and you know you

357
00:20:29,840 --> 00:20:32,399
Speaker 1: really like you must have like are you like an

358
00:20:32,440 --> 00:20:35,080
Speaker 1: Oscar girl? Yeah? Yeah, Okay, So I want to talk

359
00:20:35,080 --> 00:20:38,760
Speaker 1: to you about Awards season because aren't we feeling like

360
00:20:38,880 --> 00:20:43,479
Speaker 1: it's a little cookie this year? It always feels cookie

361
00:20:43,640 --> 00:20:48,480
Speaker 1: feel here's the Awards. Yeah, it's well. Also, I feel

362
00:20:48,520 --> 00:20:51,600
Speaker 1: like this is a year where people have more than

363
00:20:51,920 --> 00:20:56,719
Speaker 1: ever before, been like really staunchly advocating for less prestige,

364
00:20:56,920 --> 00:21:01,520
Speaker 1: like less movies that present as prestige movie actually get recognized,

365
00:21:01,600 --> 00:21:06,720
Speaker 1: which I think is like so fucking great. Um, But yeah,

366
00:21:06,840 --> 00:21:11,600
Speaker 1: it feels like there's more passion on on both sides

367
00:21:11,640 --> 00:21:15,159
Speaker 1: about it. Interesting, that's that's the right interpreted I think. So.

368
00:21:15,600 --> 00:21:19,160
Speaker 1: But here's the weird thing, And here's here's my take

369
00:21:19,280 --> 00:21:21,320
Speaker 1: right now on the whole Oscar season. And I actually

370
00:21:21,359 --> 00:21:23,520
Speaker 1: think it has to do with like sort of like

371
00:21:23,720 --> 00:21:26,639
Speaker 1: like the stuff that you do online and everything, the

372
00:21:26,800 --> 00:21:32,960
Speaker 1: category fraud that is happening this year, it is out

373
00:21:33,200 --> 00:21:36,399
Speaker 1: of control. Can we talk about the SAG Awards nominations.

374
00:21:37,560 --> 00:21:43,400
Speaker 1: The supporting Actress category is not acceptable, even even the globes,

375
00:21:44,240 --> 00:21:47,119
Speaker 1: all of them, all of them, because look, we've all

376
00:21:47,160 --> 00:21:51,040
Speaker 1: seen the favorite. Yes, I fucking live for the favorite.

377
00:21:51,200 --> 00:21:54,840
Speaker 1: I think the Favorite is incredible. You cannot look me

378
00:21:55,040 --> 00:21:57,800
Speaker 1: in my eyes and tell me that Emma Stone and

379
00:21:57,880 --> 00:22:02,159
Speaker 1: Rachel Vice are supporting actresses. And you know what, sometimes

380
00:22:02,359 --> 00:22:05,240
Speaker 1: when the category is very thick and there's thank god,

381
00:22:05,480 --> 00:22:10,000
Speaker 1: a ton of great actress potential nominees this year, thank god,

382
00:22:11,440 --> 00:22:13,639
Speaker 1: I'm sorry, they are not supporting actress and you are

383
00:22:13,720 --> 00:22:17,479
Speaker 1: taking it away from I'm sorry Regina King. Regina King

384
00:22:17,560 --> 00:22:20,080
Speaker 1: does not get a supporting Actress nomination at the SAG Awards,

385
00:22:20,200 --> 00:22:22,399
Speaker 1: and the nick Natania Rogers was saying other oh, Nathana

386
00:22:22,480 --> 00:22:25,359
Speaker 1: Roger said, Michelle Yo did deserve to supporting action. She

387
00:22:25,480 --> 00:22:29,440
Speaker 1: definitely deserves to be considered, but but you can not

388
00:22:30,080 --> 00:22:33,119
Speaker 1: put her up against someone like I'm sorry, Emily Blunt

389
00:22:33,200 --> 00:22:35,639
Speaker 1: in a quiet place, who is a lead, and it

390
00:22:35,760 --> 00:22:39,040
Speaker 1: just gets to do more and then say, let's compare them,

391
00:22:39,040 --> 00:22:41,640
Speaker 1: because if you compare them, you are and you're there

392
00:22:41,800 --> 00:22:46,320
Speaker 1: allowed to be up and so I would move on

393
00:22:46,440 --> 00:22:50,760
Speaker 1: this podcast right now. There needs to be Wow, do

394
00:22:50,920 --> 00:22:53,840
Speaker 1: you think No? I definitely think because also, like even

395
00:22:53,920 --> 00:22:55,920
Speaker 1: when I love the person and they end up like

396
00:22:56,280 --> 00:23:00,080
Speaker 1: the fact that Violet Davis won supporting for Fences just

397
00:23:01,200 --> 00:23:05,639
Speaker 1: ship Psycho, that is a leading role that Jerry is

398
00:23:05,720 --> 00:23:09,520
Speaker 1: that whole fucking story more even than the character of

399
00:23:09,600 --> 00:23:13,920
Speaker 1: Troy and Fences. It's like it's Rose's story really, and

400
00:23:14,080 --> 00:23:16,159
Speaker 1: so she should have won lead that year. I think

401
00:23:16,200 --> 00:23:18,080
Speaker 1: that's the year Emma Stone one for La La Land

402
00:23:18,080 --> 00:23:20,520
Speaker 1: And I'm not mad at Emma Stone ever, but like

403
00:23:21,200 --> 00:23:25,720
Speaker 1: Violence should have been nominated. Yes, I feel like it was.

404
00:23:26,359 --> 00:23:29,640
Speaker 1: It was a decision that was made because the studio

405
00:23:29,760 --> 00:23:32,359
Speaker 1: didn't have faith that Viola could win over Emma, and

406
00:23:32,480 --> 00:23:35,040
Speaker 1: I think that was rod. I think that was a

407
00:23:35,119 --> 00:23:37,840
Speaker 1: mistake because I think Violet should have been nominated in

408
00:23:38,000 --> 00:23:40,080
Speaker 1: lead and should have one lead. Violet Davis should have

409
00:23:40,200 --> 00:23:45,480
Speaker 1: a leading actress. This moment in time seals gender specific

410
00:23:45,600 --> 00:23:50,560
Speaker 1: to they is mostly centered on on on the female.

411
00:23:50,680 --> 00:23:52,760
Speaker 1: You are so right because it's something that they'll do,

412
00:23:53,119 --> 00:23:57,240
Speaker 1: like like I will fucking snap my neck if Sam

413
00:23:57,359 --> 00:24:00,840
Speaker 1: Rockwell gets a nomination for Vice for playing George because

414
00:24:01,080 --> 00:24:02,720
Speaker 1: and you know, I love sketch comedy, but it is

415
00:24:02,760 --> 00:24:05,639
Speaker 1: a sketch comedy performance. I've seen the film. That's what

416
00:24:05,760 --> 00:24:08,080
Speaker 1: it looked like. It is a sketch comedy performance. You

417
00:24:08,160 --> 00:24:10,480
Speaker 1: might as well have Will Ferrell doing it, and it

418
00:24:10,600 --> 00:24:12,879
Speaker 1: probably would have been even better. But the thing is, like,

419
00:24:13,440 --> 00:24:17,480
Speaker 1: it's true, these famous actors can fucking like basically come

420
00:24:17,520 --> 00:24:20,120
Speaker 1: in and like do a dance step in these movies

421
00:24:20,280 --> 00:24:23,760
Speaker 1: and they get nominated for like doing this bullshit, Whereas like,

422
00:24:24,440 --> 00:24:27,639
Speaker 1: why is it hard to acknowledge real supporting actresses? And

423
00:24:27,680 --> 00:24:30,280
Speaker 1: I feel like what I would say is like it's

424
00:24:30,320 --> 00:24:32,440
Speaker 1: got to be a screen time thing. If you're in

425
00:24:32,560 --> 00:24:36,400
Speaker 1: more than thirty, if you're in more than the movie,

426
00:24:36,520 --> 00:24:40,440
Speaker 1: how about that. I'll even say that you cannot be

427
00:24:40,600 --> 00:24:44,520
Speaker 1: nominated for supporting actress. It doesn't make sense. Emma Stone

428
00:24:44,640 --> 00:24:48,360
Speaker 1: is the protagonist of the favorite. That's that. And when

429
00:24:48,359 --> 00:24:51,800
Speaker 1: I'm talking about like iconic supporting actress performances, like what

430
00:24:52,000 --> 00:24:55,920
Speaker 1: it is about what that category specifically about is about

431
00:24:56,000 --> 00:24:59,800
Speaker 1: to me is making a meal out of a snack.

432
00:25:00,800 --> 00:25:05,440
Speaker 1: And like, I think that's the job of that category

433
00:25:05,520 --> 00:25:08,720
Speaker 1: is to reward the actress that does that. That is

434
00:25:08,840 --> 00:25:11,120
Speaker 1: able to take a little bit and stretch it out

435
00:25:11,240 --> 00:25:13,560
Speaker 1: like my favorite winners of the people that won for

436
00:25:13,680 --> 00:25:16,440
Speaker 1: like seven minutes of screen right, I agree with you. Yeah,

437
00:25:16,560 --> 00:25:18,920
Speaker 1: I think that's what that's for. I think I think

438
00:25:19,080 --> 00:25:21,520
Speaker 1: thank you for adding your voice to this movement. I

439
00:25:21,640 --> 00:25:24,640
Speaker 1: think we need to ring the alarm. Oh I'm sucking

440
00:25:24,720 --> 00:25:27,040
Speaker 1: ringing the alarm. And the thing is it really happens

441
00:25:27,080 --> 00:25:30,800
Speaker 1: every year, but this year, I'm like really disappointed in

442
00:25:30,880 --> 00:25:34,760
Speaker 1: actors because it's like, this is crazy, because we should

443
00:25:34,840 --> 00:25:40,160
Speaker 1: know more than anyone else, like that, like the supporting players,

444
00:25:40,280 --> 00:25:42,879
Speaker 1: like that's those are important roles. And it's like, I

445
00:25:43,040 --> 00:25:46,040
Speaker 1: under I love that actors love Emily blood You know

446
00:25:46,080 --> 00:25:48,320
Speaker 1: what I mean. I love Emily Bonds. I live for

447
00:25:48,400 --> 00:25:51,480
Speaker 1: Emily Bloods. You love her so much. Fucking nominator twice

448
00:25:51,560 --> 00:25:55,000
Speaker 1: and in the lead actress she was fucking great in

449
00:25:55,040 --> 00:25:59,680
Speaker 1: a quiet place and I am positive she's delightful. Have

450
00:25:59,800 --> 00:26:01,680
Speaker 1: you seen it? Oh? I did, because I ranked it

451
00:26:01,800 --> 00:26:07,080
Speaker 1: from I ranked the soundtrack for Vulture so fucking good.

452
00:26:07,320 --> 00:26:09,560
Speaker 1: And I was expecting not to like it because I

453
00:26:09,600 --> 00:26:11,159
Speaker 1: went to the screening and at the top of it

454
00:26:11,320 --> 00:26:13,240
Speaker 1: was one of those screenings where they come out and

455
00:26:13,280 --> 00:26:15,200
Speaker 1: They're like, you're going to leave with such a smile

456
00:26:15,280 --> 00:26:17,320
Speaker 1: on your face and I was like, we'll see about that,

457
00:26:17,920 --> 00:26:23,399
Speaker 1: and then wow, yeah. And also she is unbelievably fuckable

458
00:26:23,440 --> 00:26:28,320
Speaker 1: in this movie, like really ranking that comes an exploration

459
00:26:28,400 --> 00:26:33,600
Speaker 1: of like all of my just like gay subs, like

460
00:26:34,119 --> 00:26:37,840
Speaker 1: very pop in her as. Yeah, she's because she's just

461
00:26:38,119 --> 00:26:43,520
Speaker 1: so uh where Julie Andrews like played the by like

462
00:26:43,840 --> 00:26:46,680
Speaker 1: prim side of it. She was beautiful. Yeah, she's gorgeous,

463
00:26:46,720 --> 00:26:49,000
Speaker 1: but she's sort of like she's sort of like untouchably

464
00:26:49,000 --> 00:26:54,919
Speaker 1: beautiful and like almost a brunette Hitchcock blonde. But Emily

465
00:26:55,000 --> 00:26:58,920
Speaker 1: Blunt is like very dry and like domineering. And the

466
00:26:59,000 --> 00:27:03,000
Speaker 1: way that her first musical moment is her instructing the

467
00:27:03,080 --> 00:27:05,200
Speaker 1: kids on how to take a bath, and I was like,

468
00:27:05,359 --> 00:27:11,240
Speaker 1: this is so much for me bath, Like is that

469
00:27:11,320 --> 00:27:14,000
Speaker 1: pretty much it? Yes? And then she and then her

470
00:27:14,080 --> 00:27:16,680
Speaker 1: line readings like she does change it up, but so

471
00:27:16,840 --> 00:27:18,720
Speaker 1: many of them are my favorite kind of line reading

472
00:27:18,760 --> 00:27:24,600
Speaker 1: where she's just like, well, I suppose absolutely, you have

473
00:27:24,720 --> 00:27:27,200
Speaker 1: no idea. I'm a obsessed with Emily Black. I think

474
00:27:28,359 --> 00:27:31,080
Speaker 1: she should have had a Supporting Actress nomination for Double

475
00:27:31,119 --> 00:27:34,600
Speaker 1: Work product like that if if supporting actress were correctly

476
00:27:35,000 --> 00:27:38,520
Speaker 1: structured to show off performances like Emily Blunt's and Double

477
00:27:38,520 --> 00:27:43,800
Speaker 1: Works product where it's like a starmaking moment, then and

478
00:27:43,960 --> 00:27:46,400
Speaker 1: that's the thing is, it's like you get the sense

479
00:27:46,480 --> 00:27:48,879
Speaker 1: that it's all to make up for something, and it's like,

480
00:27:49,320 --> 00:27:51,760
Speaker 1: don't just do it right the first time. I hate

481
00:27:51,760 --> 00:27:55,240
Speaker 1: the concept of like getting out an award for another thing,

482
00:27:55,440 --> 00:27:57,840
Speaker 1: like Colin Firth went for King's speech when he should

483
00:27:57,840 --> 00:27:59,840
Speaker 1: have won first single man, I'm like to stop doing

484
00:28:00,000 --> 00:28:04,679
Speaker 1: Oh my god, I mean, and they they shot their

485
00:28:04,720 --> 00:28:06,720
Speaker 1: load with them anyway. I mean, not that she didn't

486
00:28:06,760 --> 00:28:09,800
Speaker 1: deserve the win originally, but like if she I'm sure no.

487
00:28:10,119 --> 00:28:12,639
Speaker 1: Here's what it is for her though, is that they

488
00:28:12,800 --> 00:28:17,520
Speaker 1: don't feel comfortable pushing her as best Lead Actress because

489
00:28:17,560 --> 00:28:19,320
Speaker 1: they're like, well, we're not going to take our chances

490
00:28:19,359 --> 00:28:21,800
Speaker 1: and like have that being sept close proximity with La

491
00:28:21,920 --> 00:28:25,720
Speaker 1: Lallians they I think, here's what happened. They wanted the nominator.

492
00:28:25,800 --> 00:28:27,560
Speaker 1: They were they were saying, how do we get the

493
00:28:27,640 --> 00:28:32,000
Speaker 1: most nominations? Whereas I think what they the fair thing

494
00:28:32,119 --> 00:28:34,199
Speaker 1: to do? And I think what I would have let

495
00:28:34,240 --> 00:28:36,000
Speaker 1: them get away with I actually would have let them

496
00:28:36,000 --> 00:28:38,320
Speaker 1: get away with this is if they put both Emma

497
00:28:38,400 --> 00:28:40,880
Speaker 1: Stone and Rachel Vice in the lead, see where the

498
00:28:40,920 --> 00:28:43,760
Speaker 1: chips fall, where they make guarantee. Ema Stone gets nominated.

499
00:28:43,880 --> 00:28:47,480
Speaker 1: Rachel Vice probably loses out. Debatable whether she should or shouldn't,

500
00:28:47,480 --> 00:28:49,880
Speaker 1: but politically it's probably the way it would go. Olivia

501
00:28:49,920 --> 00:28:53,160
Speaker 1: Coleman would win Supporting Actress. And I think that out

502
00:28:53,200 --> 00:28:54,920
Speaker 1: of the three of them, if you had to gun

503
00:28:55,000 --> 00:28:57,080
Speaker 1: to your head, say which one is the supporting actress,

504
00:28:57,600 --> 00:29:01,440
Speaker 1: it is Olivia. And are you saying and is the

505
00:29:01,520 --> 00:29:07,480
Speaker 1: general conversation around Olivia that she doesn't have her chances

506
00:29:07,520 --> 00:29:11,440
Speaker 1: of winning Best Lead are not super great? Well, I

507
00:29:11,640 --> 00:29:14,440
Speaker 1: will not vote for her for Best Actress for SAG

508
00:29:14,640 --> 00:29:17,080
Speaker 1: And my reasoning for that is it's not that I

509
00:29:17,160 --> 00:29:19,480
Speaker 1: don't think it's the it's a great performance. I just

510
00:29:19,600 --> 00:29:22,760
Speaker 1: think it's not a true leading performance. And I'm out

511
00:29:22,840 --> 00:29:26,680
Speaker 1: of principle, I am not I am not voting for Well,

512
00:29:26,800 --> 00:29:34,440
Speaker 1: I have to see everything still, but everyone's going to

513
00:29:34,520 --> 00:29:37,920
Speaker 1: be so mad, but I can't resist it. But also,

514
00:29:38,160 --> 00:29:43,520
Speaker 1: can you resist you're not gonna? I Well, first of all,

515
00:29:43,680 --> 00:29:51,720
Speaker 1: she's non union, she's union, she's been she's simply not union.

516
00:29:51,960 --> 00:29:56,160
Speaker 1: She's been she's been in think must join after season two,

517
00:29:56,520 --> 00:30:03,200
Speaker 1: season three, and she's not Unions and Gaga, she's my god,

518
00:30:03,680 --> 00:30:07,240
Speaker 1: you are not union. That's ridiculous. We have to have

519
00:30:07,280 --> 00:30:11,880
Speaker 1: a movement. She's joining Actors Equity finally for but like

520
00:30:13,720 --> 00:30:18,560
Speaker 1: for being non union. That what if it was? But

521
00:30:18,640 --> 00:30:22,400
Speaker 1: if I was like God, guy's sea points like st

522
00:30:22,680 --> 00:30:26,000
Speaker 1: get weather Van and I will say this. Despite having

523
00:30:26,080 --> 00:30:27,960
Speaker 1: the most money here at this table, I guarantee you

524
00:30:28,040 --> 00:30:30,200
Speaker 1: have can you vote? Did you play your dues? I

525
00:30:30,240 --> 00:30:32,680
Speaker 1: did pay my dues. I haven't gotten screeners. They have

526
00:30:32,720 --> 00:30:36,800
Speaker 1: the wrong address, froom. But I'll figure it out. You'll

527
00:30:36,840 --> 00:30:39,640
Speaker 1: figure it out. But listen, as if we could all vote,

528
00:30:39,800 --> 00:30:45,640
Speaker 1: what would you say? I'm forgetting what else? There's Melissa, Melissa,

529
00:30:46,120 --> 00:30:51,880
Speaker 1: there's Melissa, there's um Yeah, yeah, there's Olivia. There's Melissa,

530
00:30:51,960 --> 00:30:57,600
Speaker 1: there's Msgaga, there is um I guess Viola Davis missed it. Oh,

531
00:30:57,680 --> 00:31:01,320
Speaker 1: there's an Emily and Mary Poppins. That's it's not an Oscar.

532
00:31:02,360 --> 00:31:04,840
Speaker 1: You don't feel this way perform I don't feel this way.

533
00:31:05,200 --> 00:31:07,560
Speaker 1: I loved it, but I'm like, you're not going to

534
00:31:07,680 --> 00:31:10,960
Speaker 1: vote for for an Oscar, despite Julie Andrews bizarrely winning

535
00:31:11,080 --> 00:31:14,840
Speaker 1: from Mary Poppins back in the day. Well it was

536
00:31:15,600 --> 00:31:19,960
Speaker 1: I feel that the Julie Andrews win was basically them

537
00:31:20,120 --> 00:31:24,680
Speaker 1: saying like fuck you to Audrey Hepburn Audrey because they

538
00:31:24,760 --> 00:31:27,600
Speaker 1: gave Audrey My Fair Lady after Julie Andrews originated it,

539
00:31:27,800 --> 00:31:31,440
Speaker 1: and then uh, they passed over Julie when they did

540
00:31:31,480 --> 00:31:34,400
Speaker 1: the movie version, but then Julie did Mary Poppins, they

541
00:31:34,440 --> 00:31:37,760
Speaker 1: didn't even nominate Audrey Hepburn. I live for drama like this. Yeah,

542
00:31:37,960 --> 00:31:40,840
Speaker 1: they didn't even nominate Audrey, So I feel like it

543
00:31:41,000 --> 00:31:45,960
Speaker 1: was sort of weirdly a show of solidarity with Julie

544
00:31:45,960 --> 00:31:48,000
Speaker 1: Andrews having put in all that work and then they

545
00:31:48,520 --> 00:31:50,080
Speaker 1: passed her over for someone that could not see a

546
00:31:50,200 --> 00:31:56,160
Speaker 1: very sunset boulevard narrative which we're seeing play out. Hey, folks,

547
00:31:56,320 --> 00:31:58,440
Speaker 1: it's the new year, and starting a healthy routine and

548
00:31:58,520 --> 00:32:02,160
Speaker 1: sticking to it are two very different things. Inevitably, we

549
00:32:02,240 --> 00:32:04,400
Speaker 1: all skip on that full night of sleep, we skip

550
00:32:04,440 --> 00:32:06,480
Speaker 1: a workout or two, or we brush our teeth with

551
00:32:06,560 --> 00:32:09,880
Speaker 1: a tired, old toothbrush. We're not perfect, but we can

552
00:32:09,960 --> 00:32:12,960
Speaker 1: do better. And quip is a better electronic toothbrush that

553
00:32:13,040 --> 00:32:16,400
Speaker 1: can help. It's got sensitive sonic vibrations for an effective

554
00:32:16,440 --> 00:32:19,400
Speaker 1: clean that's gentle on your sensitive gums, your sensitive soul,

555
00:32:19,480 --> 00:32:22,479
Speaker 1: your sensitive heart. People brush too hard and some electric

556
00:32:22,480 --> 00:32:26,280
Speaker 1: toothbrushes are too abrace if, but Quip is perfectly gentle

557
00:32:26,520 --> 00:32:29,360
Speaker 1: on everything. Also, it's got a multi use cover that

558
00:32:29,440 --> 00:32:31,840
Speaker 1: works as a stand or a mount on a mirror,

559
00:32:31,960 --> 00:32:34,120
Speaker 1: and it slides over your bristles to pack and protect

560
00:32:34,200 --> 00:32:36,959
Speaker 1: your EQUIP on the go. And also it just declutters

561
00:32:37,000 --> 00:32:40,680
Speaker 1: everything in your bathroom wherever you're staying. It just takes

562
00:32:40,760 --> 00:32:43,760
Speaker 1: care of everything in a hygienic way. And I love

563
00:32:43,800 --> 00:32:46,720
Speaker 1: EQUIP so much. I have been impressing my hygienists, and

564
00:32:47,200 --> 00:32:50,520
Speaker 1: that's never happened, y'all. I had this one. I had

565
00:32:50,560 --> 00:32:54,160
Speaker 1: this one hygienist growing up. Would scrape, scrape, scrape, and

566
00:32:54,200 --> 00:32:55,880
Speaker 1: then she's like, show me all the plank that she

567
00:32:55,960 --> 00:32:58,240
Speaker 1: had gotten, and she was like, were you saving this

568
00:32:58,400 --> 00:33:02,120
Speaker 1: for a snack? And I'd be like, Janine, enough, But

569
00:33:02,360 --> 00:33:07,959
Speaker 1: this time this Christmas went home to get my teeth whitened, cleaned, whatever.

570
00:33:08,920 --> 00:33:11,240
Speaker 1: I didn't get any guff from Janine. And that's how

571
00:33:11,320 --> 00:33:13,440
Speaker 1: it should be and it was because of Quip. It

572
00:33:13,520 --> 00:33:15,320
Speaker 1: was because of my Quip toothbrush. So here's where you're

573
00:33:15,320 --> 00:33:17,800
Speaker 1: gonna do. You're gonna go to get quip dot com

574
00:33:17,880 --> 00:33:21,320
Speaker 1: slash ding dong right now and get your first refill

575
00:33:21,360 --> 00:33:25,360
Speaker 1: pack free with any Quip starting at twenty five dollars. Again,

576
00:33:25,440 --> 00:33:28,360
Speaker 1: that is, get quip dot com slash ding dong to

577
00:33:28,400 --> 00:33:31,960
Speaker 1: get your first refill pack free. I love Quip and

578
00:33:32,040 --> 00:33:36,280
Speaker 1: so do over one million happy healthy mouths. That's synecto key.

579
00:33:37,200 --> 00:33:41,040
Speaker 1: It's where you refer to something by the um, by

580
00:33:41,120 --> 00:33:43,240
Speaker 1: one of its parts. It's like talking about a car.

581
00:33:43,680 --> 00:33:44,760
Speaker 1: It's like when you look at a car and you

582
00:33:44,800 --> 00:33:46,600
Speaker 1: go a nice set of wheels. It's like you're referring

583
00:33:46,640 --> 00:33:52,560
Speaker 1: to the whole by its parts. Let's hear these nobs. Um.

584
00:33:52,760 --> 00:33:57,360
Speaker 1: We have Emily, as you said, we have Glenn Olivia Gaga,

585
00:33:57,920 --> 00:34:03,240
Speaker 1: my own noted enemy from the asked. I don't think, well, okay,

586
00:34:03,240 --> 00:34:06,000
Speaker 1: and this is gonna make me really I've actually seen

587
00:34:06,640 --> 00:34:11,319
Speaker 1: I've seen the favorite. I've seen um clearly, and I've

588
00:34:11,360 --> 00:34:13,399
Speaker 1: seen you. Forgive me. You haven't seen you. I haven't

589
00:34:13,440 --> 00:34:14,879
Speaker 1: seen can you ever forgive me? I would have seen

590
00:34:14,880 --> 00:34:17,640
Speaker 1: the wife I've seen the Wife. I honestly might go

591
00:34:18,080 --> 00:34:21,800
Speaker 1: of I think I might go with Melissa McCarthy. I

592
00:34:22,000 --> 00:34:24,520
Speaker 1: really really loved that movie. She was really good in

593
00:34:24,600 --> 00:34:27,200
Speaker 1: that movie. Well for me, like she was she was

594
00:34:27,239 --> 00:34:29,560
Speaker 1: giving you a great performance in such grounded nous, But

595
00:34:29,719 --> 00:34:34,399
Speaker 1: like it didn't fully click until that courtroom scene. Right, Yeah,

596
00:34:34,880 --> 00:34:37,040
Speaker 1: I don't know, but yeah, no I'm not. I'm not that.

597
00:34:37,200 --> 00:34:39,239
Speaker 1: Sometimes it doesn't Dane on you to the courtroom scene,

598
00:34:41,000 --> 00:34:47,360
Speaker 1: actually sixty six. Sometimes it doesn't dawne ontroom scene. I

599
00:34:47,400 --> 00:34:51,080
Speaker 1: couldn't remember what I said. Remembered famously last year who

600
00:34:51,120 --> 00:34:54,320
Speaker 1: got my vote? Margot Wow for Sag for Sag And

601
00:34:54,440 --> 00:34:56,800
Speaker 1: it was the courtroom scene that did it. But mostly

602
00:34:56,920 --> 00:34:59,520
Speaker 1: that scene where she was like putting her makeup on.

603
00:34:59,600 --> 00:35:03,200
Speaker 1: All Right, any scene of putting on makeup or taking

604
00:35:03,239 --> 00:35:05,600
Speaker 1: off makeup, I want to watch for it. Can you

605
00:35:05,719 --> 00:35:08,400
Speaker 1: can you do that for your next audition video map

606
00:35:08,960 --> 00:35:14,240
Speaker 1: makeup scene? Yeah? Um, I've like private moment. Chloe Fineman again,

607
00:35:14,560 --> 00:35:19,600
Speaker 1: um has has has sort of mimified steering, I think,

608
00:35:19,800 --> 00:35:22,080
Speaker 1: which I saw like right after I saw Tully and

609
00:35:22,160 --> 00:35:24,520
Speaker 1: I was like steering real acting, and then I saw

610
00:35:24,600 --> 00:35:27,720
Speaker 1: that video from Chloe I was like, how her mind

611
00:35:28,000 --> 00:35:30,160
Speaker 1: person Um, I feel like you could do like a

612
00:35:30,280 --> 00:35:34,320
Speaker 1: bathtube acting thing. I'm super into bathtube acting moments with

613
00:35:34,400 --> 00:35:38,359
Speaker 1: the wine, um so many coin or the thing where

614
00:35:38,360 --> 00:35:43,720
Speaker 1: you go underwater. I'm just long enough. Need to breathe again,

615
00:35:47,480 --> 00:35:49,320
Speaker 1: and you can put like a fake montage over like

616
00:35:49,480 --> 00:35:53,560
Speaker 1: remember what she's thinking about? Ye wait, you need to

617
00:35:53,600 --> 00:35:57,959
Speaker 1: do private makeup moment. Yeah, private must happen like maybe

618
00:35:58,040 --> 00:36:02,879
Speaker 1: like the like interior like monologue like written below. Yes,

619
00:36:03,120 --> 00:36:05,399
Speaker 1: because I do need more prop work ones. I think

620
00:36:05,480 --> 00:36:09,200
Speaker 1: that's the next front that I've done a wordless one.

621
00:36:09,400 --> 00:36:14,720
Speaker 1: I feel like I'm just I need to continue continue shifting.

622
00:36:15,200 --> 00:36:17,040
Speaker 1: Although I feel like is this here to say? I

623
00:36:17,120 --> 00:36:19,800
Speaker 1: feel like, were you mind? A lot of the comedy

624
00:36:19,840 --> 00:36:21,759
Speaker 1: in your other videos is that these are characters who

625
00:36:21,760 --> 00:36:25,600
Speaker 1: are peripheral to some lead character. Is that there to say?

626
00:36:25,640 --> 00:36:27,279
Speaker 1: It's like, it's like, is it deliberate in that it

627
00:36:27,360 --> 00:36:32,640
Speaker 1: doesn't It isn't usually the lead role. Yeah. Yeah, that's

628
00:36:32,680 --> 00:36:34,680
Speaker 1: the thing is I feel like the makeup the makeup

629
00:36:34,719 --> 00:36:36,719
Speaker 1: scenes are usually in movies that I actually like, where

630
00:36:36,719 --> 00:36:40,400
Speaker 1: I think the character is actually compelling legitimately, isn't like

631
00:36:40,719 --> 00:36:43,759
Speaker 1: a man writing a woman and like, oh my god,

632
00:36:43,920 --> 00:36:45,480
Speaker 1: but I think, but I think I think this isn't

633
00:36:45,560 --> 00:36:47,120
Speaker 1: this is a good except the makeup thing is a good.

634
00:36:47,120 --> 00:36:49,640
Speaker 1: Except yes, I think I think it's just it's it's

635
00:36:49,680 --> 00:36:52,200
Speaker 1: like niche enough where it's like, yeah, I think it's

636
00:36:52,640 --> 00:36:55,440
Speaker 1: you can make it work. But anyway, yeah, this I mean,

637
00:36:55,880 --> 00:36:59,160
Speaker 1: and then support should look at supporting. Yeah it's a joke, Okay,

638
00:36:59,280 --> 00:37:01,520
Speaker 1: Amy Adams in Ice, who you who you love? I

639
00:37:01,640 --> 00:37:04,839
Speaker 1: loved um, I loved Emily Blunt in a quiet place,

640
00:37:05,160 --> 00:37:11,440
Speaker 1: Margot Robbie Mary Queen of scott which is insane thing.

641
00:37:11,719 --> 00:37:14,320
Speaker 1: It's psycho that that's happened. When the when the trailer

642
00:37:14,480 --> 00:37:17,040
Speaker 1: first came out, everyone was a little was pretty gooped.

643
00:37:17,120 --> 00:37:19,440
Speaker 1: They were like, this looks amazing, this is gonna be

644
00:37:19,560 --> 00:37:22,560
Speaker 1: great everyone. I was the only one saying, I think

645
00:37:22,600 --> 00:37:29,200
Speaker 1: Margo looks better because Marco is like, Margot is doing

646
00:37:29,360 --> 00:37:37,000
Speaker 1: Eddie Redmain's voice. Yeah, she's she's doing Anie Redmain drag, drag,

647
00:37:37,160 --> 00:37:39,759
Speaker 1: that lack of eyebrows too, Like it's all, yeah, it's

648
00:37:39,840 --> 00:37:42,160
Speaker 1: all Eddie redmaan drag. That's all it comes back to.

649
00:37:43,560 --> 00:37:46,839
Speaker 1: And then the favorites and then the favorites girls, Yes, um,

650
00:37:47,960 --> 00:37:53,479
Speaker 1: I think Rachel vices. I think Rachel VISs actually has

651
00:37:53,680 --> 00:37:57,960
Speaker 1: the hardest part. She well, that's a tough one. Like

652
00:37:58,239 --> 00:38:01,520
Speaker 1: Emma Emma gets like end Baxter Rule, which is like

653
00:38:01,719 --> 00:38:05,440
Speaker 1: fun and cute. And yes, I think that Emma Stone

654
00:38:05,520 --> 00:38:09,200
Speaker 1: has an extremely difficult part because she has to appear

655
00:38:10,360 --> 00:38:14,000
Speaker 1: like likable to the Queen while we know she's being sneaky,

656
00:38:14,400 --> 00:38:17,120
Speaker 1: and she didn't do this like Reese Wetherspoon and Vanity

657
00:38:17,200 --> 00:38:21,160
Speaker 1: fair thing of like I'm being really sneaky and it's obvious,

658
00:38:21,360 --> 00:38:24,239
Speaker 1: but no one that I'm talking to can tell. It's

659
00:38:24,280 --> 00:38:26,759
Speaker 1: like Emma Stone was genuinely like you get while the

660
00:38:26,800 --> 00:38:30,000
Speaker 1: other characters bought into her. And then Rachel Weiss has

661
00:38:30,040 --> 00:38:34,160
Speaker 1: to play exactly and Rachel Weiss has to play like

662
00:38:34,520 --> 00:38:38,000
Speaker 1: I fucking see you, bitch and watch it. And also

663
00:38:38,200 --> 00:38:40,839
Speaker 1: she just has to say so strong while also being

664
00:38:40,960 --> 00:38:44,400
Speaker 1: so They're all three of them are just so. It's

665
00:38:44,400 --> 00:38:51,120
Speaker 1: an amazing that the end. Yeah, I love him so much.

666
00:38:51,280 --> 00:38:53,800
Speaker 1: I loved the lobster. I loved killing up a sacred

667
00:38:53,880 --> 00:38:59,040
Speaker 1: deer like he's miss Orgos. Yes, Orgos, he creates a world.

668
00:38:59,400 --> 00:39:04,880
Speaker 1: He creates a world, and I in tone specific tone,

669
00:39:05,239 --> 00:39:08,040
Speaker 1: the best. I forgot that he was killing it a

670
00:39:08,040 --> 00:39:11,279
Speaker 1: sacred dear, what a different thing he can do it

671
00:39:11,360 --> 00:39:15,280
Speaker 1: all that bit. Yes, and that movie is really fucking

672
00:39:15,320 --> 00:39:17,400
Speaker 1: good and I wish I wish that. I wish that

673
00:39:17,520 --> 00:39:21,439
Speaker 1: it felt like you know what's crazy too? That movie

674
00:39:21,480 --> 00:39:25,920
Speaker 1: doesn't get an ensemble lamination, oh because everyone is good

675
00:39:25,960 --> 00:39:30,320
Speaker 1: in it, even the guys. Guys do their jobs similar

676
00:39:30,400 --> 00:39:32,040
Speaker 1: to the men and Mom and Mia, where they like

677
00:39:32,320 --> 00:39:34,600
Speaker 1: know that it's not about them, but they're still doing

678
00:39:34,640 --> 00:39:37,400
Speaker 1: their best, like they're committing to it, but they also

679
00:39:37,560 --> 00:39:41,160
Speaker 1: know what their role in the movie is. Nicholas women

680
00:39:41,320 --> 00:39:42,960
Speaker 1: making a meal out of it, making a meal out

681
00:39:42,960 --> 00:39:45,799
Speaker 1: of a snack, make me out of it. And even

682
00:39:45,960 --> 00:39:49,960
Speaker 1: um Taylor Sis boyfriend. Yeah, he was good, he was

683
00:39:50,080 --> 00:39:53,280
Speaker 1: very good. He was good. I liked it all pretty

684
00:39:53,320 --> 00:39:56,040
Speaker 1: much all around. And it's bizarre because it's like, I

685
00:39:56,160 --> 00:40:00,720
Speaker 1: think it's weird because sag After really fucked up again

686
00:40:00,840 --> 00:40:04,360
Speaker 1: with this nominate, with the film nominations or the cast nominations,

687
00:40:04,440 --> 00:40:07,160
Speaker 1: because they did both of their things that I think

688
00:40:07,239 --> 00:40:09,799
Speaker 1: are wrong. They did the thing where it's like, well,

689
00:40:09,880 --> 00:40:11,800
Speaker 1: it's a big cash so it asked to be nominated.

690
00:40:11,920 --> 00:40:20,640
Speaker 1: Bohemian Rhapsody. It is a hellscape rash the ensemble of Bohemian.

691
00:40:25,120 --> 00:40:28,160
Speaker 1: I thought my brain was broken when I read I

692
00:40:28,280 --> 00:40:33,920
Speaker 1: really did, literally for doing what? For doing what? That

693
00:40:34,120 --> 00:40:38,520
Speaker 1: movie is one of is one of the worst things

694
00:40:38,600 --> 00:40:41,800
Speaker 1: I've sat through. I think. Remember, I couldn't see it,

695
00:40:42,160 --> 00:40:44,439
Speaker 1: but I was just like, who is in the movie?

696
00:40:44,520 --> 00:40:48,640
Speaker 1: I've heard nothing about any I've heard nothing about any performances,

697
00:40:48,719 --> 00:40:55,480
Speaker 1: even like he was terrible. All Rommie does is he

698
00:40:55,680 --> 00:40:58,920
Speaker 1: sticks his fist up in the air and like just

699
00:40:59,360 --> 00:41:02,440
Speaker 1: the a actually that he takes with with doing Freddie.

700
00:41:03,280 --> 00:41:05,800
Speaker 1: I thought was that it was so cheesy and corny.

701
00:41:05,960 --> 00:41:09,480
Speaker 1: That was a sketch performance too. Absolutely. I mean there

702
00:41:09,560 --> 00:41:11,640
Speaker 1: was moments towards the end where I was like, Okay,

703
00:41:12,320 --> 00:41:14,680
Speaker 1: I guess it's getting me a little bit. But that

704
00:41:14,760 --> 00:41:17,040
Speaker 1: has so much more to do with Queen than the

705
00:41:17,080 --> 00:41:21,239
Speaker 1: movie was. Like that music is full proof. Yeah, you're like, oh,

706
00:41:21,320 --> 00:41:23,920
Speaker 1: the music is good, like and that's not that doesn't

707
00:41:23,920 --> 00:41:26,239
Speaker 1: needed the container of this film that is two and

708
00:41:26,280 --> 00:41:28,960
Speaker 1: a half hours long. It's like, and this is my thing.

709
00:41:29,040 --> 00:41:31,400
Speaker 1: It's like, so can you read the nominations for the films?

710
00:41:31,400 --> 00:41:34,319
Speaker 1: I believe it's Foreman d Crazy Rich Asians, Black Panther,

711
00:41:34,520 --> 00:41:38,440
Speaker 1: and then a Star is Born and a fifth one. Okay,

712
00:41:38,520 --> 00:41:43,200
Speaker 1: sorry sorry, the best Ensemble. Okay, oh sorry, sorry I

713
00:41:43,280 --> 00:41:46,879
Speaker 1: skipped through, um a weekend. Okay, here we go. Yeah,

714
00:41:46,920 --> 00:41:51,479
Speaker 1: Stars Born, Black Panther, Black Klansman, Bohemian Napstick, Crazy Rich Asians,

715
00:41:51,520 --> 00:41:54,000
Speaker 1: Black Klansman. I don't I didn't see that. I have

716
00:41:54,120 --> 00:41:56,080
Speaker 1: to see. That's just good. It was good. It wasn't

717
00:41:56,160 --> 00:41:58,200
Speaker 1: like it wasn't the best Spike Lee. It wasn't like

718
00:41:58,280 --> 00:42:00,320
Speaker 1: the best Like to me, it's like, I have to

719
00:42:00,320 --> 00:42:03,440
Speaker 1: see a Black Klansman still. But if that seems like

720
00:42:03,560 --> 00:42:06,120
Speaker 1: if they want to nominate that, it's it's great. But

721
00:42:06,239 --> 00:42:08,959
Speaker 1: for me, it's like, Okay, then we have Black Panther

722
00:42:09,080 --> 00:42:12,640
Speaker 1: and Crazy Rich Asians, two big casts, two great casts.

723
00:42:13,040 --> 00:42:17,920
Speaker 1: But like but but it's like Prestige Awards. I don't know.

724
00:42:18,360 --> 00:42:21,520
Speaker 1: I think Black Panthers phenomenal and I love I live

725
00:42:21,560 --> 00:42:24,680
Speaker 1: for Crazy Rich Asians. They don't feel and it's not

726
00:42:24,760 --> 00:42:26,959
Speaker 1: that they need to feel awardsy, it's just like hot,

727
00:42:27,080 --> 00:42:29,200
Speaker 1: did we just do this because it was a big cast? Right?

728
00:42:29,600 --> 00:42:32,160
Speaker 1: But I still love that they're both nominated. But then like,

729
00:42:32,239 --> 00:42:33,640
Speaker 1: on the other side of that, it's like then my

730
00:42:34,080 --> 00:42:37,279
Speaker 1: Behaving Rhapsody, Why Star is Born Bohemian Rhapsody. I think

731
00:42:37,600 --> 00:42:40,520
Speaker 1: they I think it probably came out at the right time,

732
00:42:40,800 --> 00:42:43,960
Speaker 1: and like, um, I think they saw a big cast,

733
00:42:44,080 --> 00:42:46,000
Speaker 1: and I think that off this often happened. Not a

734
00:42:46,040 --> 00:42:49,920
Speaker 1: big cast, it is they just don't all don't do anything.

735
00:42:50,520 --> 00:42:53,880
Speaker 1: Is there literally, like any person other than m Malleck

736
00:42:54,000 --> 00:42:58,400
Speaker 1: that's like a person I really. That's my other criticism

737
00:42:58,520 --> 00:43:00,480
Speaker 1: with the movie, the supporting characters. It's like the rest

738
00:43:00,520 --> 00:43:02,160
Speaker 1: of the It's like the rest of the members of

739
00:43:02,280 --> 00:43:05,200
Speaker 1: Queen have no personality, no personalities. And then it's the

740
00:43:05,280 --> 00:43:08,520
Speaker 1: woman that he kept like that he had a relationship with,

741
00:43:09,120 --> 00:43:12,120
Speaker 1: the most vacant performance ever, and the man that he

742
00:43:12,239 --> 00:43:15,719
Speaker 1: ended up just partnering with before he passed away. Like

743
00:43:16,160 --> 00:43:23,000
Speaker 1: it's like, truly such peripheral, unrealized characters, Like, yeah, that

744
00:43:23,600 --> 00:43:27,719
Speaker 1: that's Alan Leach, who plays the manipulative gay lover, the

745
00:43:27,880 --> 00:43:32,680
Speaker 1: character I hate, is performing in the act. But it's

746
00:43:32,719 --> 00:43:36,040
Speaker 1: like what else I mean? And then with the Star

747
00:43:36,200 --> 00:43:41,600
Speaker 1: is Born, it's like, Okay, you really like those two performances, Yeah,

748
00:43:41,920 --> 00:43:47,400
Speaker 1: and maybe Sam Elliott And then no one else does anything.

749
00:43:47,480 --> 00:43:50,960
Speaker 1: No one else has given really an opportunity to do anything,

750
00:43:53,600 --> 00:43:57,160
Speaker 1: William and if William and Chantela nominated as part of

751
00:43:57,200 --> 00:44:00,239
Speaker 1: the cast, well that because those are the only two

752
00:44:00,280 --> 00:44:04,280
Speaker 1: other characters that I cared about. Who are you nominating

753
00:44:04,320 --> 00:44:07,040
Speaker 1: instead of them? Like that stretch of the movie is

754
00:44:07,480 --> 00:44:09,680
Speaker 1: the best, best part of the movie. You know what's

755
00:44:09,719 --> 00:44:12,000
Speaker 1: crazy The rules are and this is a big I

756
00:44:12,040 --> 00:44:15,040
Speaker 1: don't think so, honey from me is you have to

757
00:44:15,120 --> 00:44:18,239
Speaker 1: appear on your own title card to be nominated as

758
00:44:18,280 --> 00:44:21,280
Speaker 1: part of the cast. So Harry Shum Jr. From Crazy

759
00:44:21,360 --> 00:44:24,640
Speaker 1: Ridge Asians gets nominated. And you know who doesn't? The

760
00:44:24,719 --> 00:44:30,359
Speaker 1: single mom? You know who doesn't? Um. You could rattle

761
00:44:30,440 --> 00:44:33,279
Speaker 1: up Ken Jong, probably know Ken Jong does, but I

762
00:44:33,360 --> 00:44:37,359
Speaker 1: guarantee his wife doesn't like big, big roles in the movie.

763
00:44:37,520 --> 00:44:40,040
Speaker 1: Um gemma chance husband in the movie does not get

764
00:44:40,080 --> 00:44:44,799
Speaker 1: a nomination. Major parts of the film, major roles Harry

765
00:44:44,840 --> 00:44:49,680
Speaker 1: Shum Jr. Fucking God, blessing, appearing in the post credit.

766
00:44:49,880 --> 00:44:53,759
Speaker 1: I lovely for appearing in the post credits. I mean

767
00:44:54,560 --> 00:44:56,879
Speaker 1: between those movies, for me, what makes the most sense

768
00:44:57,000 --> 00:45:01,280
Speaker 1: is honestly, Black Panther. That's probably what because great entmble,

769
00:45:01,360 --> 00:45:05,240
Speaker 1: great performances considered across the board. Yes, across the board.

770
00:45:05,520 --> 00:45:10,560
Speaker 1: But can I say something controversial. It's crazy to me

771
00:45:11,320 --> 00:45:14,359
Speaker 1: that the person being singled out as the one who

772
00:45:14,440 --> 00:45:17,640
Speaker 1: gives like the best slash most memorable performance that people

773
00:45:17,680 --> 00:45:20,759
Speaker 1: are like maybe supporting actor is Michael B. Jordan's. I

774
00:45:20,840 --> 00:45:23,400
Speaker 1: think he gives the weakest performance in the movie. I

775
00:45:23,480 --> 00:45:28,960
Speaker 1: think villain and showed up and acted tough. I think

776
00:45:29,040 --> 00:45:30,880
Speaker 1: that if there's a if there's a performance in that

777
00:45:31,000 --> 00:45:36,480
Speaker 1: movie that is superlative, it is Oh. I think Denigeria

778
00:45:36,719 --> 00:45:39,400
Speaker 1: is absolutely a star. I what you're talking about with

779
00:45:39,440 --> 00:45:42,319
Speaker 1: Michael B. Jordan is actually something that I loved about

780
00:45:42,400 --> 00:45:47,239
Speaker 1: his performance because I felt like that character, because of

781
00:45:47,440 --> 00:45:51,120
Speaker 1: his past, because of yeah, he would have like tried

782
00:45:51,200 --> 00:45:55,800
Speaker 1: to harden himself after like that heartbreaking disappointment and like

783
00:45:56,360 --> 00:45:59,920
Speaker 1: the moment with his father like that, Once that moment

784
00:46:00,239 --> 00:46:04,439
Speaker 1: between him and Sterling K. Brown happened, I was like, Oh,

785
00:46:05,520 --> 00:46:11,480
Speaker 1: I get it. He has like invented this protective persona

786
00:46:11,840 --> 00:46:14,400
Speaker 1: of a bad guy, Like all of this is stemming

787
00:46:14,440 --> 00:46:16,400
Speaker 1: from that. And then I felt like that also carried

788
00:46:16,480 --> 00:46:21,960
Speaker 1: through to his uh his climactic scene, like there there

789
00:46:22,040 --> 00:46:25,000
Speaker 1: was so much vulnerability there. Um so I felt like

790
00:46:25,040 --> 00:46:28,920
Speaker 1: it was sort of a damn bursting type thing. Um

791
00:46:29,120 --> 00:46:31,440
Speaker 1: So I actually I really I really love him in

792
00:46:31,480 --> 00:46:35,000
Speaker 1: that movie. For me, it's it's it is the Nigeria

793
00:46:35,200 --> 00:46:38,480
Speaker 1: raser to to not watch to watch that movie and

794
00:46:38,560 --> 00:46:42,200
Speaker 1: not be like the supporting performance in this movie that

795
00:46:42,200 --> 00:46:44,600
Speaker 1: should we should be talking about. Sure, And I feel

796
00:46:44,640 --> 00:46:47,359
Speaker 1: like it's because she's not as big of a star. Sure, Sure,

797
00:46:47,480 --> 00:46:50,640
Speaker 1: but she will be fine, she'll be fine money, but

798
00:46:51,160 --> 00:46:54,959
Speaker 1: a Broadway playwright. She but I want to give credit

799
00:46:55,000 --> 00:46:57,520
Speaker 1: where it's due, the nomination. But of course when we're

800
00:46:57,680 --> 00:47:00,520
Speaker 1: when we're talking about when we are literally having this

801
00:47:00,719 --> 00:47:06,839
Speaker 1: thing of okay, I pooped earlier, Yeah, I'm crying over famously,

802
00:47:06,960 --> 00:47:08,759
Speaker 1: it's rule of coach number eighty. What do we not

803
00:47:08,880 --> 00:47:16,000
Speaker 1: do over spilled milk? But but it's it's just interesting

804
00:47:16,040 --> 00:47:18,640
Speaker 1: to me. Obviously the industry is like chopping at the

805
00:47:18,719 --> 00:47:21,279
Speaker 1: bit to want to reward Michael B. Jordan's and I

806
00:47:21,360 --> 00:47:24,120
Speaker 1: think it's like, Okay, I know we're excited about this movie.

807
00:47:24,200 --> 00:47:26,279
Speaker 1: But for me, anyway, I hear what you're saying. Yeah,

808
00:47:26,560 --> 00:47:28,320
Speaker 1: I hear what you're saying, but I also hear what

809
00:47:28,400 --> 00:47:31,120
Speaker 1: you're saying because I like noticed it. But I felt

810
00:47:31,120 --> 00:47:32,880
Speaker 1: like it was part of his performance. And that's stuff

811
00:47:32,920 --> 00:47:36,040
Speaker 1: that I'm always down to discuss, Like I'm so much

812
00:47:36,200 --> 00:47:39,800
Speaker 1: more interested in discussing from a standpoint of like I

813
00:47:39,880 --> 00:47:42,960
Speaker 1: see what this actor was doing. Then I am from

814
00:47:43,000 --> 00:47:45,239
Speaker 1: the standpoint of like, oh, they're bad, like I was

815
00:47:45,280 --> 00:47:48,480
Speaker 1: Shaw Williams and Cabaret, and I loved what she did.

816
00:47:48,600 --> 00:47:50,120
Speaker 1: And then I felt like a lot of the reviews

817
00:47:50,160 --> 00:47:52,200
Speaker 1: were just like she was bad, and I'm like, no,

818
00:47:52,440 --> 00:47:55,600
Speaker 1: that's the point, and she's doing a thing and it's

819
00:47:56,239 --> 00:48:00,600
Speaker 1: actually so stupid to be like she's bad because she's

820
00:48:00,800 --> 00:48:03,719
Speaker 1: one of the smartest actresses around. I think she's so

821
00:48:03,880 --> 00:48:06,160
Speaker 1: good and I feel pretty, which like I didn't live

822
00:48:06,320 --> 00:48:08,640
Speaker 1: for the movie, but she's brilliant in it. She's like

823
00:48:08,680 --> 00:48:10,759
Speaker 1: the most compelling part of it. She's like giving you

824
00:48:10,880 --> 00:48:13,400
Speaker 1: a baby Madaline con performance. And I was so happy

825
00:48:13,480 --> 00:48:16,759
Speaker 1: to see her like being dumb and having fun at

826
00:48:16,800 --> 00:48:19,000
Speaker 1: the end, at the gall or whatever the big event is,

827
00:48:19,040 --> 00:48:21,279
Speaker 1: Like that is like the true like beat before she

828
00:48:21,320 --> 00:48:27,239
Speaker 1: starts talking. Yes, when she it's like it's insane and

829
00:48:27,320 --> 00:48:29,759
Speaker 1: it's inspired and it is brilliant and I'm sure it's

830
00:48:29,800 --> 00:48:32,360
Speaker 1: all intentional and deliberate, and you know her head on

831
00:48:32,480 --> 00:48:39,400
Speaker 1: the table, although I will say she's absolutely heinous and

832
00:48:39,560 --> 00:48:46,520
Speaker 1: venom that I'm unfortunately, why is she in this one?

833
00:48:46,680 --> 00:48:52,839
Speaker 1: Like what possessed her to do this? You know she's

834
00:48:52,840 --> 00:48:54,680
Speaker 1: in a movie and probably so excited for her in

835
00:48:54,719 --> 00:48:57,120
Speaker 1: the Fossy Show. I'm going to lose my mind. I

836
00:48:57,200 --> 00:49:00,320
Speaker 1: totally forgot. Yeah, she's she's Gwen Burden in the Fossey

837
00:49:00,360 --> 00:49:02,919
Speaker 1: Show with Sam Rockwell, wait are they're doing so? I'm sorry,

838
00:49:02,920 --> 00:49:05,920
Speaker 1: I'm so oh no, no worries so played dumb. So

839
00:49:06,040 --> 00:49:09,120
Speaker 1: it's a Fosse It's it's a Bob Fossey like growth

840
00:49:09,360 --> 00:49:13,200
Speaker 1: retrospective things. Um no, it's um X is doing it,

841
00:49:13,760 --> 00:49:17,359
Speaker 1: I believe, and it's I think, yeah, I think it's Yeah,

842
00:49:17,400 --> 00:49:20,080
Speaker 1: it's a mini series. I think it's like looking at

843
00:49:20,120 --> 00:49:23,560
Speaker 1: a specific section of his life. I forget which show

844
00:49:23,719 --> 00:49:26,640
Speaker 1: he's working on in the context of the show, but

845
00:49:27,200 --> 00:49:32,520
Speaker 1: it's Sam Rockwell as Bob Fosse and Michelle as Gwen

846
00:49:32,680 --> 00:49:35,759
Speaker 1: Verdon and I'm so excited for it. And they're like

847
00:49:36,000 --> 00:49:41,239
Speaker 1: a bunch of normal Leo Butts is like, it's yeah,

848
00:49:41,360 --> 00:49:44,680
Speaker 1: it's they're really casting like a bunch of legit theater

849
00:49:44,760 --> 00:49:48,239
Speaker 1: actors to round out round out the cast. But I

850
00:49:48,400 --> 00:49:52,640
Speaker 1: love very excited about it. I mean, Michelle fucking books work,

851
00:49:52,840 --> 00:49:56,120
Speaker 1: Michelle books. I mean she'sn't like a lot of ship.

852
00:49:56,840 --> 00:49:59,600
Speaker 1: Good for her, Yeah, it's great for her. Whenever I

853
00:50:00,080 --> 00:50:03,960
Speaker 1: see her happy, it really does film spirit because you know,

854
00:50:04,040 --> 00:50:05,839
Speaker 1: there have been periods of her life where she has

855
00:50:05,840 --> 00:50:08,080
Speaker 1: been unhappy, and so we love to see her happy,

856
00:50:08,800 --> 00:50:12,000
Speaker 1: even when she's absolutely learning her line fifteen minutes before

857
00:50:14,000 --> 00:50:16,439
Speaker 1: there's a scene where she gets fired from her job

858
00:50:16,840 --> 00:50:21,440
Speaker 1: because and she's like, she's literally the movie is horrible. Stop.

859
00:50:21,480 --> 00:50:25,480
Speaker 1: But Jenny s but you said is by far the

860
00:50:25,560 --> 00:50:27,440
Speaker 1: best part of it because she knows how bad the

861
00:50:27,520 --> 00:50:30,040
Speaker 1: movie is. Yes, I was talking to someone about your

862
00:50:30,200 --> 00:50:37,439
Speaker 1: assessment of her and that when she does thirty plus

863
00:50:37,600 --> 00:50:40,960
Speaker 1: year old woman who's someone who's lived a full, full

864
00:50:41,000 --> 00:50:44,880
Speaker 1: adult life point she's going to die and she the

865
00:50:44,920 --> 00:50:54,040
Speaker 1: way she feels about her life ending is it's so

866
00:50:54,360 --> 00:50:57,120
Speaker 1: genius and honestly that maybe I love that. What is

867
00:50:57,160 --> 00:50:59,239
Speaker 1: the part of the movie that Michelle Wills gets fired

868
00:50:59,280 --> 00:51:01,239
Speaker 1: and that you were going to say, so she gets

869
00:51:01,280 --> 00:51:04,120
Speaker 1: fired because Tom Hardy does some ship where like she's

870
00:51:04,200 --> 00:51:07,320
Speaker 1: like he like us, it's his girlfriend is Michelle Williams,

871
00:51:07,360 --> 00:51:09,560
Speaker 1: and he like uses like some stuff in her job.

872
00:51:09,640 --> 00:51:12,360
Speaker 1: She's like a big fancy lawyer. And then she's like

873
00:51:12,440 --> 00:51:14,800
Speaker 1: carrying her little box of ship outside of her like

874
00:51:14,880 --> 00:51:18,040
Speaker 1: corporate building, and she goes, you are unbelievable. I can't

875
00:51:18,080 --> 00:51:21,799
Speaker 1: believe this. How could you? And it's like less personality

876
00:51:21,840 --> 00:51:24,000
Speaker 1: and character than that. I feel like, you know what,

877
00:51:24,520 --> 00:51:27,320
Speaker 1: don't call me anymore? And they live together. She's like

878
00:51:30,320 --> 00:51:35,080
Speaker 1: and then like, I don't know, it's funniest honestly, maybe

879
00:51:35,400 --> 00:51:38,680
Speaker 1: maybe she's actually genius in it, Like Okay, I don't know.

880
00:51:38,800 --> 00:51:42,239
Speaker 1: Are we Are we getting a revived discussion around camp

881
00:51:42,280 --> 00:51:44,200
Speaker 1: because I feel like a star Sporn sort of kicked

882
00:51:44,239 --> 00:51:47,759
Speaker 1: that into gear. Maybe Venom is camp. Maybe Venom I'll

883
00:51:47,800 --> 00:51:49,880
Speaker 1: tell you what was Camp nut Cracker? In the Four Realms?

884
00:51:50,120 --> 00:51:56,120
Speaker 1: Was Camp Bring Myself? Kiera Knightley is doing Burnette Peters

885
00:51:56,200 --> 00:52:01,360
Speaker 1: as moaning Myrtle, and it is leavable. The layers in

886
00:52:01,480 --> 00:52:08,560
Speaker 1: that moaning Myrtle, you can do impressions truly referenced trickingometry

887
00:52:08,600 --> 00:52:11,960
Speaker 1: in my brain. Kiera Nightley has a big heel turn

888
00:52:12,120 --> 00:52:14,560
Speaker 1: as the sugar Plump Ferry, where it turns out she

889
00:52:14,680 --> 00:52:19,440
Speaker 1: was evil the whole time. I love that literally a

890
00:52:19,520 --> 00:52:22,160
Speaker 1: moment where like the maybe she'sn't talking like this, and

891
00:52:22,280 --> 00:52:26,320
Speaker 1: then she like mobilizes the toy soldiers she has just

892
00:52:27,000 --> 00:52:31,200
Speaker 1: brought to life against Clara. And then she like the

893
00:52:31,320 --> 00:52:35,640
Speaker 1: first thing she does she turns back whence Whence their

894
00:52:35,680 --> 00:52:43,440
Speaker 1: person says, she guess, hello boys, And it's unreal. I

895
00:52:44,560 --> 00:52:49,640
Speaker 1: truly gassed, honestly. The thing is, though, like you had

896
00:52:49,719 --> 00:52:51,479
Speaker 1: to think like maybe that was going to happen, because

897
00:52:51,520 --> 00:52:53,600
Speaker 1: whenever there's like a huge actor in a part and

898
00:52:53,640 --> 00:52:57,120
Speaker 1: you're like, why are they ask that question? Are they evil?

899
00:52:57,719 --> 00:53:00,920
Speaker 1: Richard E. Grant is the not kraker at the Four Realms.

900
00:53:01,000 --> 00:53:04,000
Speaker 1: He's like the king of the Shiver Realm. He's the

901
00:53:04,080 --> 00:53:07,319
Speaker 1: king of a snowrooms booking. All of a sudden, he's

902
00:53:07,360 --> 00:53:08,759
Speaker 1: the fucking oh my god, why am I blinking on

903
00:53:08,840 --> 00:53:10,920
Speaker 1: his name from last year just to call me by

904
00:53:10,920 --> 00:53:16,839
Speaker 1: her name? And uh, he's like the Stolberger this year. Yeah,

905
00:53:16,920 --> 00:53:20,520
Speaker 1: he's he's popping up in everything and he's can you

906
00:53:20,600 --> 00:53:26,040
Speaker 1: ever forgive me? And to me debris mussessed in him

907
00:53:26,160 --> 00:53:32,840
Speaker 1: and like he's having like yes, like thirsting for and

908
00:53:32,960 --> 00:53:35,719
Speaker 1: it destroys me. And now she like, because she knows

909
00:53:35,800 --> 00:53:38,279
Speaker 1: that I saw his two major films this year. She

910
00:53:38,400 --> 00:53:45,360
Speaker 1: will text me like, just photos of him and Natalie.

911
00:53:45,440 --> 00:53:50,520
Speaker 1: What's wrong with me? Yeah, I've seen Instagram story and

912
00:53:50,600 --> 00:53:52,960
Speaker 1: I think she's included Richard and some right. Yeah, yeah,

913
00:53:53,040 --> 00:53:56,359
Speaker 1: yeah to me, he'll always He's always in Forever Spiceworld

914
00:53:58,200 --> 00:54:01,240
Speaker 1: as the manager. Yes, God's bast world just so formative.

915
00:54:01,320 --> 00:54:04,719
Speaker 1: For the moment when the alien touches Scaryes boob was

916
00:54:04,840 --> 00:54:08,520
Speaker 1: really huge. I was truly like out of sleep over.

917
00:54:08,640 --> 00:54:10,000
Speaker 1: I was like, I have to pee in a weird way,

918
00:54:14,360 --> 00:54:17,440
Speaker 1: you know what. I can't stand the idea that one

919
00:54:17,560 --> 00:54:20,480
Speaker 1: mattress is best for everyone. Your mattress sucks because it

920
00:54:20,600 --> 00:54:24,120
Speaker 1: wasn't designed for you and it's ruining your sleep. Okay,

921
00:54:24,560 --> 00:54:26,480
Speaker 1: And here's the thing. He looks. Sleep built a sleep

922
00:54:26,560 --> 00:54:28,799
Speaker 1: quiz that takes two minutes to complete, and they use

923
00:54:28,880 --> 00:54:31,360
Speaker 1: the answers to match your body type and sleep preferences

924
00:54:31,640 --> 00:54:35,040
Speaker 1: to the perfect mattress for you, whether you're a side

925
00:54:35,040 --> 00:54:37,640
Speaker 1: sleep or a hot sleeper like a plus ure firm bed.

926
00:54:37,840 --> 00:54:40,080
Speaker 1: With Helix, there's no more guessing or confusion. Just go

927
00:54:40,160 --> 00:54:43,560
Speaker 1: to Helix sleep dot com. Slash Lost Culture East US

928
00:54:43,840 --> 00:54:46,040
Speaker 1: take their two minutes sleep quiz and they'll match you

929
00:54:46,120 --> 00:54:48,200
Speaker 1: to a mattress that will give you the best sleep

930
00:54:48,280 --> 00:54:51,399
Speaker 1: of your life, guaranteed. And for couples, heliks can even

931
00:54:51,440 --> 00:54:54,520
Speaker 1: split the mattress down the middle, providing individual support needs

932
00:54:54,560 --> 00:54:56,680
Speaker 1: and field preferences for each side. And if you want

933
00:54:56,680 --> 00:54:59,520
Speaker 1: to switch sides with your sso just flip the mattress

934
00:54:59,600 --> 00:55:04,160
Speaker 1: around owned get it not vertically, but like um along

935
00:55:04,239 --> 00:55:08,160
Speaker 1: the same axis, like the access is like down the

936
00:55:08,320 --> 00:55:10,680
Speaker 1: center right. Does that make sense? Okay, you know what

937
00:55:10,719 --> 00:55:12,480
Speaker 1: I mean. They have a ten year warranty and you

938
00:55:12,560 --> 00:55:14,680
Speaker 1: get to try it out for a hundred nights risk free.

939
00:55:14,840 --> 00:55:17,200
Speaker 1: And here's what you're gonna do right now, he looks

940
00:55:17,239 --> 00:55:20,600
Speaker 1: Sleep is offering a hundred dollars off all mattress orders,

941
00:55:20,680 --> 00:55:23,759
Speaker 1: so you can get that one off at he look

942
00:55:23,800 --> 00:55:26,840
Speaker 1: sleep dot com slash Lost Culture rest Us. That's he

943
00:55:26,960 --> 00:55:29,960
Speaker 1: looks Sleep dot com slash Lost Culture East US for

944
00:55:30,040 --> 00:55:33,680
Speaker 1: a hundred dollars off your mattress order. And one more time,

945
00:55:33,800 --> 00:55:38,720
Speaker 1: that is he looks Sleep dot com slash Last Culture restas.

946
00:55:39,160 --> 00:55:40,680
Speaker 1: So go do it, go do it, go, do it.

947
00:55:44,000 --> 00:55:46,920
Speaker 1: Speaking of formative a perfect I guess we should ask

948
00:55:46,960 --> 00:55:49,040
Speaker 1: the question that we ask every single one of our guests,

949
00:55:49,040 --> 00:55:51,279
Speaker 1: and we were asking this question, look at fifty two

950
00:55:51,400 --> 00:55:54,400
Speaker 1: minutes of this episode, which I love. I love that

951
00:55:54,480 --> 00:56:01,520
Speaker 1: for us to be fair, thirty minutes did so what

952
00:56:01,719 --> 00:56:04,600
Speaker 1: was the culture Natalie Walker that made you say culture

953
00:56:04,840 --> 00:56:07,320
Speaker 1: is for me? It was the culture that formed you

954
00:56:07,440 --> 00:56:12,160
Speaker 1: at a young age, that truly brought you. It's a whirlwind,

955
00:56:12,200 --> 00:56:14,960
Speaker 1: but you ended up in this chair right now. Yes, yes, Um,

956
00:56:15,960 --> 00:56:18,759
Speaker 1: I am sort of a fifty fifty split between both

957
00:56:18,840 --> 00:56:20,560
Speaker 1: of my parents, and both of my parents have like

958
00:56:20,920 --> 00:56:26,279
Speaker 1: wildly desparate cultural influences, and so from my dad, my

959
00:56:26,560 --> 00:56:31,680
Speaker 1: dad had a whole collection of VHS tapes of The

960
00:56:31,760 --> 00:56:35,600
Speaker 1: Twilight Zone with like a huge booklet that he got

961
00:56:35,640 --> 00:56:37,880
Speaker 1: on like eBay in the early days that was like

962
00:56:37,920 --> 00:56:41,120
Speaker 1: a synopsis of every episode before like DVDs came with

963
00:56:41,239 --> 00:56:43,879
Speaker 1: that stuff. Um, And so there was like a huge

964
00:56:43,920 --> 00:56:47,200
Speaker 1: booklet with synopsis of every episode. And I loved watching

965
00:56:47,280 --> 00:56:50,959
Speaker 1: those so much. I love never had this before. Yeah,

966
00:56:51,400 --> 00:56:53,680
Speaker 1: I really love Twilet Zone. And I'm so excited for

967
00:56:53,719 --> 00:56:58,640
Speaker 1: the Jordan people. Every announcement about the Jordan peele version incredible.

968
00:56:58,800 --> 00:57:02,400
Speaker 1: I'm so excited. Just like the one thing I do

969
00:57:02,560 --> 00:57:04,560
Speaker 1: want so badly. And when I was at Comic Con

970
00:57:04,640 --> 00:57:08,480
Speaker 1: for Vulture, there was God what was his name? I'm

971
00:57:08,800 --> 00:57:12,360
Speaker 1: I feel so bad, but he is um the co

972
00:57:12,560 --> 00:57:15,640
Speaker 1: producer on New Twilight Zone. But he was there to

973
00:57:16,280 --> 00:57:22,400
Speaker 1: plug the new um oh Jean Gray movie The Turner,

974
00:57:22,440 --> 00:57:25,000
Speaker 1: and so they brought him in and with all of

975
00:57:25,080 --> 00:57:27,680
Speaker 1: those I was like, I don't care about the actual

976
00:57:27,760 --> 00:57:29,040
Speaker 1: comic con thing. I was like, I want to get

977
00:57:29,040 --> 00:57:31,200
Speaker 1: into Twilight's and so I was like, we talked about

978
00:57:31,240 --> 00:57:33,560
Speaker 1: Twilight Zone forever, and I was and I was just like,

979
00:57:33,640 --> 00:57:37,080
Speaker 1: all I want is a remake of Time Enough at

980
00:57:37,120 --> 00:57:39,800
Speaker 1: Last with Jeffrey Wright in the British Meritage role, because

981
00:57:39,840 --> 00:57:41,840
Speaker 1: that's one of my favorite episodes of Twilight Zone ever.

982
00:57:41,960 --> 00:57:45,520
Speaker 1: But I would all the time. I love Time Enough

983
00:57:45,560 --> 00:57:48,520
Speaker 1: at Last, which is um the one where he just

984
00:57:48,600 --> 00:57:51,160
Speaker 1: wants to read books and his wife is horrible to

985
00:57:51,280 --> 00:57:53,720
Speaker 1: him and everyone is mean to him, and then he

986
00:57:54,080 --> 00:58:00,600
Speaker 1: goes down into uh the like basement of his office, UM,

987
00:58:00,880 --> 00:58:03,960
Speaker 1: and he and like there's a huge bomb that goes

988
00:58:04,040 --> 00:58:07,120
Speaker 1: off above ground, and he comes back up and everyone

989
00:58:07,160 --> 00:58:09,280
Speaker 1: has gone. But then he's like walking around and there's

990
00:58:09,280 --> 00:58:12,120
Speaker 1: a library and he's like, oh, I have all the

991
00:58:12,240 --> 00:58:15,240
Speaker 1: time to read all of these books, like all of

992
00:58:15,320 --> 00:58:19,520
Speaker 1: these books are mine. And then his glasses break and

993
00:58:19,720 --> 00:58:22,880
Speaker 1: he is blind without them, and he's just alone with

994
00:58:23,040 --> 00:58:26,920
Speaker 1: all these books. And it's the most heartbreaking thing because

995
00:58:27,160 --> 00:58:31,080
Speaker 1: I'm I'm legally blind without my contacts. Um so like,

996
00:58:31,200 --> 00:58:33,200
Speaker 1: and I grew up with like coke bottle glasses. I

997
00:58:33,240 --> 00:58:35,880
Speaker 1: had no friends growing up, like none at all, and

998
00:58:36,040 --> 00:58:40,240
Speaker 1: so I really felt for this, like, oh, sad, sad,

999
00:58:40,360 --> 00:58:43,440
Speaker 1: middle aged man um with a bitch wife. Who Now

1000
00:58:43,480 --> 00:58:45,480
Speaker 1: I'm like, maybe we should do it where it's gender

1001
00:58:46,400 --> 00:58:48,720
Speaker 1: because really a big part of it looking back is

1002
00:58:48,800 --> 00:58:53,560
Speaker 1: that his wife is like a nightmare. Bit yeah that's me. Um.

1003
00:58:53,720 --> 00:58:55,800
Speaker 1: I love that one. I love um. Monsters Are Do

1004
00:58:55,920 --> 00:59:00,280
Speaker 1: on Maple Street is one where like this whole street

1005
00:59:00,480 --> 00:59:02,880
Speaker 1: just like random lights keep going off and it's like

1006
00:59:02,880 --> 00:59:08,080
Speaker 1: a McCarthy is um uh parallel. It's so good and

1007
00:59:08,160 --> 00:59:10,840
Speaker 1: I feel like now is the exact right time to

1008
00:59:10,960 --> 00:59:13,400
Speaker 1: bring it back because like so much of it in

1009
00:59:14,360 --> 00:59:19,040
Speaker 1: its original incarnation was like about social parallels, and Jordan

1010
00:59:19,120 --> 00:59:21,320
Speaker 1: Peele is obviously the exact right person to do it.

1011
00:59:21,600 --> 00:59:23,640
Speaker 1: They tried to reboot it in two thousand two, which

1012
00:59:23,720 --> 00:59:26,400
Speaker 1: is a very fun like bad Watch. There's an episode

1013
00:59:26,400 --> 00:59:32,240
Speaker 1: where Katherine Heigl, yes, yes, she was a baby. Katherine

1014
00:59:32,320 --> 00:59:36,160
Speaker 1: Heigel goes back in time to kill Hitler and she

1015
00:59:36,400 --> 00:59:41,200
Speaker 1: but like she goes back too far and she's Hitler's babysitter.

1016
00:59:44,720 --> 00:59:50,360
Speaker 1: We It's an episode called Cradle of Darkness and it

1017
00:59:50,520 --> 00:59:54,959
Speaker 1: is truly unreal. It is unreal. There's a spoiler, there's

1018
00:59:55,120 --> 00:59:58,200
Speaker 1: the way that that ending happens as Wild and I

1019
00:59:58,240 --> 01:00:00,480
Speaker 1: won't spoil it for you because it is a camp

1020
01:00:00,560 --> 01:00:04,040
Speaker 1: classic to me, insane. She's like maybe even like she's

1021
01:00:04,040 --> 01:00:06,760
Speaker 1: like twenty two or something. During it, Forest Whittaker does

1022
01:00:06,840 --> 01:00:10,640
Speaker 1: the rod sterling like voiceovers and stuff. Yeah, it's it's wild.

1023
01:00:10,800 --> 01:00:13,800
Speaker 1: Molly Sims does I have a Beholder? Which is another

1024
01:00:13,840 --> 01:00:15,760
Speaker 1: one of my favorite episodes. Yeah, it's all of these

1025
01:00:15,800 --> 01:00:19,040
Speaker 1: people that are either about to become huge or are

1026
01:00:19,160 --> 01:00:23,480
Speaker 1: people that Hollywood thought was going to be like these

1027
01:00:23,520 --> 01:00:26,600
Speaker 1: are these are the next people? Oh? Amber Tamblin is

1028
01:00:26,600 --> 01:00:29,600
Speaker 1: an in an episode. It's wild, um, because I'm excited

1029
01:00:29,640 --> 01:00:32,200
Speaker 1: for an actual good one. It's one of my goals

1030
01:00:32,240 --> 01:00:34,760
Speaker 1: as an actor to do something scary. Yeah, I really

1031
01:00:34,840 --> 01:00:36,720
Speaker 1: want to do something scary, and you know, what's crazy.

1032
01:00:36,800 --> 01:00:40,440
Speaker 1: I hate scary shit, like I really bothershed me, but

1033
01:00:40,600 --> 01:00:44,040
Speaker 1: I always I in my writing sometimes like and like

1034
01:00:44,080 --> 01:00:46,800
Speaker 1: I would love to perform something scary because I love

1035
01:00:46,880 --> 01:00:50,360
Speaker 1: immersive stuff like that, like stuff that I don't understand.

1036
01:00:51,440 --> 01:00:54,320
Speaker 1: You won't even watch Killing Eve because you think it's

1037
01:00:54,400 --> 01:00:59,720
Speaker 1: too scary. Well anyway, and it's how dare you Olivia

1038
01:00:59,760 --> 01:01:01,840
Speaker 1: cole than that No no no no no no no no.

1039
01:01:03,200 --> 01:01:09,439
Speaker 1: Fleback Fish is in Fleaback the day you have to see.

1040
01:01:09,800 --> 01:01:12,000
Speaker 1: I haven't seen the whole way here. I'm so I'm bad,

1041
01:01:12,200 --> 01:01:14,160
Speaker 1: So listen. But I want to get back into twiltone

1042
01:01:14,160 --> 01:01:15,520
Speaker 1: because I want to connect it to something. But what

1043
01:01:15,720 --> 01:01:19,280
Speaker 1: was the other? Fift is from my mom? And my

1044
01:01:19,440 --> 01:01:24,520
Speaker 1: mom was more musically inclined. And my mom also like

1045
01:01:24,680 --> 01:01:28,960
Speaker 1: volunteered at our church and like she's not super religious now,

1046
01:01:29,040 --> 01:01:31,320
Speaker 1: like she never goes, but I think she just wanted

1047
01:01:31,360 --> 01:01:33,440
Speaker 1: to be in charge of as many things as possible,

1048
01:01:33,920 --> 01:01:37,400
Speaker 1: so she would like direct art. Yeah, she was like

1049
01:01:37,880 --> 01:01:41,600
Speaker 1: she would direct our Christmas pageant every year, and she

1050
01:01:41,920 --> 01:01:47,800
Speaker 1: put in uh, she like scrapped the script from before

1051
01:01:47,920 --> 01:01:49,360
Speaker 1: she was running it, and then she was like, we're

1052
01:01:49,360 --> 01:01:51,240
Speaker 1: going to put in all these songs from Preacher's Wife

1053
01:01:51,480 --> 01:01:54,280
Speaker 1: and like who would imagine a King and Sister Act

1054
01:01:54,560 --> 01:01:56,280
Speaker 1: and so like my mom, but all of those songs

1055
01:01:56,320 --> 01:01:58,280
Speaker 1: that and so six Stract two I feel like was

1056
01:01:58,440 --> 01:02:03,160
Speaker 1: very incredically formative, truly one of my favorite favorite movies.

1057
01:02:03,200 --> 01:02:05,440
Speaker 1: And it makes me, it makes me crazy that they

1058
01:02:05,520 --> 01:02:08,520
Speaker 1: did a Broadway musical of The Lesser Sister Act. It's

1059
01:02:08,560 --> 01:02:12,120
Speaker 1: how can you not have Joyful? Joyful? How can you?

1060
01:02:13,160 --> 01:02:15,160
Speaker 1: It's It's one of those examples of a sequel that

1061
01:02:15,320 --> 01:02:18,760
Speaker 1: is so objectively superior to the original. I've never happened

1062
01:02:19,080 --> 01:02:21,560
Speaker 1: sharell Lee Ralph speaking of support and making a meal

1063
01:02:21,600 --> 01:02:24,520
Speaker 1: out of a snack. Shaw Lee Ralph has an entire

1064
01:02:24,920 --> 01:02:28,280
Speaker 1: arc over the course of Joyful Joyful In three cutaway

1065
01:02:28,320 --> 01:02:31,800
Speaker 1: shots to sharell Lee Ralph, she's mad and we're like,

1066
01:02:31,880 --> 01:02:34,040
Speaker 1: oh no, she's not going to support. The middle of

1067
01:02:34,120 --> 01:02:37,760
Speaker 1: the song, she's kind of getting into it, and she lives,

1068
01:02:38,000 --> 01:02:40,680
Speaker 1: she lives, and we went on a whole journey. The

1069
01:02:41,080 --> 01:02:46,320
Speaker 1: line I am so proud of you that is acting. Yeah.

1070
01:02:46,880 --> 01:02:50,400
Speaker 1: The line take off your robes your teacher says, take

1071
01:02:50,440 --> 01:02:55,880
Speaker 1: off your robes is one of my favorite headset Harriet

1072
01:02:55,920 --> 01:03:04,000
Speaker 1: headset woman, that your teachers. I've never seen they never

1073
01:03:04,160 --> 01:03:07,240
Speaker 1: yell at me, never yet, never yell at shut up,

1074
01:03:07,280 --> 01:03:13,479
Speaker 1: baby baby. Jennifer love Hewitt is in the class doing

1075
01:03:13,600 --> 01:03:20,480
Speaker 1: nothing great iconic whoopee and yea icon a happy day

1076
01:03:20,880 --> 01:03:23,880
Speaker 1: when she's la la la la la la God the

1077
01:03:23,960 --> 01:03:28,120
Speaker 1: best that there's a scene where a male student hits

1078
01:03:28,120 --> 01:03:35,560
Speaker 1: a whistletone when oh, yeah, it was higher than that,

1079
01:03:35,760 --> 01:03:40,000
Speaker 1: but it is, oh my god, such a good movie. Yeah,

1080
01:03:40,080 --> 01:03:42,600
Speaker 1: and Lauren Hill when she sings his Eyes on the Sparrow,

1081
01:03:43,800 --> 01:03:47,040
Speaker 1: that was a star's born moment. It's her and her

1082
01:03:47,120 --> 01:03:49,080
Speaker 1: best friend in the movie are just like sitting at

1083
01:03:49,120 --> 01:03:52,760
Speaker 1: a piano and they do the most gorgeous harmonies. Yeah,

1084
01:03:52,920 --> 01:03:56,920
Speaker 1: it's And then they had this exchange where, um, Lauren's

1085
01:03:57,040 --> 01:03:58,800
Speaker 1: goes to the friend. She goes, hey, you could really

1086
01:03:58,880 --> 01:04:01,240
Speaker 1: make it, and she goes, no, this is for church.

1087
01:04:02,120 --> 01:04:04,480
Speaker 1: You could really make it, and Lauren's like, wow, I

1088
01:04:04,560 --> 01:04:07,520
Speaker 1: don't know. And then basically what you get from the

1089
01:04:07,560 --> 01:04:11,400
Speaker 1: scene is that she could really make it. Famously, Lauren

1090
01:04:11,480 --> 01:04:15,200
Speaker 1: Hill really made actually real culture number one hundred and three. Famously,

1091
01:04:15,440 --> 01:04:17,720
Speaker 1: Lauren Hill really really made it. I don't know if

1092
01:04:17,760 --> 01:04:20,880
Speaker 1: she did that. That's debatable. Well, no, but then but

1093
01:04:21,000 --> 01:04:27,680
Speaker 1: now it's like it's but now it's just whatever we've

1094
01:04:27,680 --> 01:04:29,760
Speaker 1: we've We've had a whole with Chloe. We had a

1095
01:04:29,800 --> 01:04:34,840
Speaker 1: whole discussion about Chloe, about about miseducation. Anyway, Um, this

1096
01:04:35,080 --> 01:04:38,960
Speaker 1: is these are two two great pieces and they do

1097
01:04:39,280 --> 01:04:42,720
Speaker 1: sort of add more texture to Natalie. What Natalie does?

1098
01:04:42,800 --> 01:04:46,280
Speaker 1: I think. I think it's we obviously have the performance

1099
01:04:46,760 --> 01:04:51,360
Speaker 1: and the creation. Can I connect something? Because I famously

1100
01:04:51,880 --> 01:04:55,560
Speaker 1: am a Walt Disney World gay. Now being the fan

1101
01:04:55,640 --> 01:04:58,440
Speaker 1: of Twilight own that you are, have you experienced the

1102
01:04:58,480 --> 01:05:02,040
Speaker 1: Tower of Terror? I have? I have. I was very scared.

1103
01:05:02,240 --> 01:05:04,960
Speaker 1: I want to go back so badly. I have not

1104
01:05:05,200 --> 01:05:10,120
Speaker 1: been to Disney forever, and being a huge fanatic of

1105
01:05:10,160 --> 01:05:12,800
Speaker 1: the podcast as I am, I've heard so much about

1106
01:05:12,920 --> 01:05:15,800
Speaker 1: Disney and I'm like, oh, every time you make me

1107
01:05:15,880 --> 01:05:17,480
Speaker 1: want to go, you make me want to go back.

1108
01:05:17,520 --> 01:05:19,880
Speaker 1: But I did. I did go the last time I

1109
01:05:20,000 --> 01:05:24,240
Speaker 1: was there, when I was like or something, I'm so scared.

1110
01:05:24,360 --> 01:05:26,240
Speaker 1: I was so scared. I think that the Tower of

1111
01:05:26,360 --> 01:05:29,160
Speaker 1: Terror crosses over into art. Actually it is. It is

1112
01:05:29,200 --> 01:05:32,240
Speaker 1: actually an artful ride and the entire experience is amazing

1113
01:05:32,360 --> 01:05:36,240
Speaker 1: and even into what sleep no More wishes it was sleep,

1114
01:05:36,280 --> 01:05:38,840
Speaker 1: no market only dream of being Tower of Terror whenever

1115
01:05:38,920 --> 01:05:41,360
Speaker 1: that whenever like the cast members that two are getting

1116
01:05:41,440 --> 01:05:43,160
Speaker 1: lazy and being nice. I'm like, no, no, no, no, no,

1117
01:05:43,320 --> 01:05:45,800
Speaker 1: that's not it. You have to commit. And when they are,

1118
01:05:45,840 --> 01:05:49,280
Speaker 1: when they're scary, that is when it is art. I

1119
01:05:49,360 --> 01:05:52,000
Speaker 1: have to tell you, like from from your right, from

1120
01:05:52,080 --> 01:05:55,880
Speaker 1: beginning to end, the Tower of Terror is. If they

1121
01:05:55,960 --> 01:05:58,440
Speaker 1: ever tear it down, like to put some bullshit with

1122
01:05:58,520 --> 01:06:01,120
Speaker 1: their I p up. I'm I'm an actually down there

1123
01:06:01,160 --> 01:06:04,040
Speaker 1: in protest because i feel it should be a national landmark.

1124
01:06:04,880 --> 01:06:08,360
Speaker 1: I'm not even kidding. We have to have towers tower

1125
01:06:08,440 --> 01:06:10,640
Speaker 1: on this on this planet because if we lose it,

1126
01:06:10,960 --> 01:06:15,760
Speaker 1: I will be So we have to. It's like it's

1127
01:06:15,800 --> 01:06:17,880
Speaker 1: like it's like, honestly, like the Arc to Triumph, This

1128
01:06:18,200 --> 01:06:22,040
Speaker 1: this thing that most that people with disabilities cannot access,

1129
01:06:22,240 --> 01:06:25,120
Speaker 1: so they can they can. It is a a compliant

1130
01:06:25,120 --> 01:06:37,640
Speaker 1: and you know it is compliant. You know. Wait, honestly,

1131
01:06:38,640 --> 01:06:41,520
Speaker 1: it's so fucking good and and like I love that,

1132
01:06:41,720 --> 01:06:45,479
Speaker 1: Like you can go there now and experience that piece

1133
01:06:45,520 --> 01:06:47,280
Speaker 1: of culture that is the Twilight Zone. Through that the

1134
01:06:47,600 --> 01:06:50,240
Speaker 1: attraction which millions of people do every every day. You

1135
01:06:50,320 --> 01:06:56,720
Speaker 1: know I love millions thousands, um millions do every year roughly,

1136
01:06:57,440 --> 01:07:01,240
Speaker 1: but um, I have to tell you what's happening in

1137
01:07:01,400 --> 01:07:04,880
Speaker 1: Orlando right now. What they're gearing up for is to

1138
01:07:04,960 --> 01:07:09,080
Speaker 1: shake them up, shake them up. It's shake up. Are

1139
01:07:09,120 --> 01:07:12,120
Speaker 1: you big? Next time you went to Disney World? It's

1140
01:07:12,120 --> 01:07:15,600
Speaker 1: been a long time. Yeah, no, No, it was my

1141
01:07:16,440 --> 01:07:20,280
Speaker 1: junior year of college or something. Okay, so it's it's yeah,

1142
01:07:20,400 --> 01:07:22,560
Speaker 1: it's sort of. It's sort of recent. But I didn't

1143
01:07:22,600 --> 01:07:25,840
Speaker 1: have that much time, and I don't have the encyclopedic

1144
01:07:26,200 --> 01:07:30,200
Speaker 1: knowledge of it. I have large swats of blind spots.

1145
01:07:30,440 --> 01:07:32,880
Speaker 1: Just I wouldn't dare take a culture kind of time

1146
01:07:32,920 --> 01:07:34,560
Speaker 1: with this in the poet. But I feel that in

1147
01:07:34,640 --> 01:07:36,880
Speaker 1: the early days I used to really give updates and

1148
01:07:36,920 --> 01:07:39,280
Speaker 1: I just want to give a short update. So Star

1149
01:07:39,320 --> 01:07:42,800
Speaker 1: Wars Land is coming, and it looks like there was

1150
01:07:42,840 --> 01:07:47,120
Speaker 1: going to be a Millennium Falcon attraction. It's opening, um

1151
01:07:47,600 --> 01:07:53,880
Speaker 1: like late fall. So this year, um, there's gonna be

1152
01:07:53,880 --> 01:07:56,280
Speaker 1: a Millennium Falcon attraction. Which one it's going to be

1153
01:07:56,360 --> 01:07:58,960
Speaker 1: six people. One is the pilot ones like the shooter,

1154
01:07:59,480 --> 01:08:01,120
Speaker 1: ones like the this one, so that it's gonna be

1155
01:08:01,200 --> 01:08:07,640
Speaker 1: a would be like a hologram oscar Isaac. I would

1156
01:08:07,640 --> 01:08:11,200
Speaker 1: be into it. Yeah, for sure, he could break my arm. Yeah. Um.

1157
01:08:11,280 --> 01:08:13,680
Speaker 1: Then there's gonna be a Battle of the First Order attraction,

1158
01:08:13,760 --> 01:08:15,800
Speaker 1: which is like more of a dark ride experience, and

1159
01:08:15,880 --> 01:08:18,240
Speaker 1: that whole thing, And those are the two attractions there.

1160
01:08:18,280 --> 01:08:22,240
Speaker 1: There's gonna be a cantina which is alcohol, which you

1161
01:08:22,280 --> 01:08:26,880
Speaker 1: know it's different for for Disney, and very much very

1162
01:08:26,920 --> 01:08:29,880
Speaker 1: that um toy storyline is up in Roaring. I have

1163
01:08:29,960 --> 01:08:31,519
Speaker 1: to just add something. By the end of the space

1164
01:08:31,560 --> 01:08:34,160
Speaker 1: I keep coming. Um. Epcot is getting a Guardian too,

1165
01:08:34,160 --> 01:08:36,839
Speaker 1: the Galaxy roller coaster, which is the biggest building in Epcot.

1166
01:08:36,880 --> 01:08:38,240
Speaker 1: It's going to be state of the art. You can

1167
01:08:38,280 --> 01:08:40,479
Speaker 1: look and see what kind of technology they're using for

1168
01:08:40,520 --> 01:08:42,479
Speaker 1: the ride system. It's going to be out of control.

1169
01:08:42,800 --> 01:08:44,920
Speaker 1: It's gonna be able to swing three sixty and be

1170
01:08:45,000 --> 01:08:49,080
Speaker 1: a fully launched roller coaster. Um, you are fucking no.

1171
01:08:49,320 --> 01:08:53,280
Speaker 1: I just want you to get through that, um and

1172
01:08:54,120 --> 01:08:56,640
Speaker 1: et cetera. And also over at Universal there's gonna be

1173
01:08:56,640 --> 01:08:58,360
Speaker 1: a Harry Potter roller coaster, which will be the most

1174
01:08:58,439 --> 01:09:01,160
Speaker 1: highly themed full roller coaster in our land, which I

1175
01:09:01,280 --> 01:09:05,280
Speaker 1: don't I don't know what that means. Highly but our

1176
01:09:05,400 --> 01:09:13,559
Speaker 1: beer at the top, you guys to Bay and then

1177
01:09:14,760 --> 01:09:24,200
Speaker 1: Natalie Walker does. Yes, there's rumors that we're getting a

1178
01:09:24,280 --> 01:09:26,439
Speaker 1: Jurassic Park roller coaster that will be themed to Raptors,

1179
01:09:26,640 --> 01:09:29,599
Speaker 1: that will be eventually as high fet and be launched

1180
01:09:29,680 --> 01:09:34,360
Speaker 1: and be the fastest roller coaster in our land. I'm

1181
01:09:34,360 --> 01:09:36,880
Speaker 1: not dragging you. I'm just saying some of I love

1182
01:09:36,920 --> 01:09:40,479
Speaker 1: a coaster will actually know. The more I have, the

1183
01:09:40,560 --> 01:09:43,519
Speaker 1: more I evolve in my relationship to theme parks, the

1184
01:09:43,600 --> 01:09:47,840
Speaker 1: more I realize that coasters are key and those more

1185
01:09:48,120 --> 01:09:50,960
Speaker 1: like that Millennium falcon right that you just described. I

1186
01:09:51,040 --> 01:09:52,799
Speaker 1: was like, as soon as you said that, I was like, okay,

1187
01:09:52,960 --> 01:09:54,880
Speaker 1: Like cool, there's a pilot, there's this, there's a that,

1188
01:09:55,000 --> 01:09:58,160
Speaker 1: there's a that like literally all that amounts to is

1189
01:09:58,360 --> 01:10:02,000
Speaker 1: one person pressing a button. They're literally yes, like it's

1190
01:10:02,520 --> 01:10:05,600
Speaker 1: it doesn't matter, it doesn't matter. And but then but

1191
01:10:05,640 --> 01:10:07,240
Speaker 1: then I'm thinking, oh, but the coasters are what I

1192
01:10:07,320 --> 01:10:10,760
Speaker 1: actually like. Those are like because the button thing, it's like, well,

1193
01:10:10,760 --> 01:10:13,160
Speaker 1: I can just stay at home and play video and

1194
01:10:13,280 --> 01:10:16,880
Speaker 1: you often do, and as I often do. But then, um,

1195
01:10:16,960 --> 01:10:19,519
Speaker 1: it's the it's the coaster, it's the highly themed coasters.

1196
01:10:20,080 --> 01:10:23,880
Speaker 1: We need coasters, and don't worry because they're coming. I

1197
01:10:24,360 --> 01:10:26,920
Speaker 1: sometimes feel that these theme parks try to impress us

1198
01:10:26,960 --> 01:10:29,200
Speaker 1: with screens and buttons, and it's just I can get

1199
01:10:29,240 --> 01:10:31,240
Speaker 1: that anywhere, baby, I just truly I don't need to play.

1200
01:10:31,280 --> 01:10:33,799
Speaker 1: I don't need to pay upwards of hundreds of dollars

1201
01:10:33,880 --> 01:10:35,960
Speaker 1: to play a video exactly. Oh, do you have an

1202
01:10:36,040 --> 01:10:40,040
Speaker 1: update on Tron roller Coaster coming? Yes, it's coming, and

1203
01:10:40,080 --> 01:10:45,479
Speaker 1: they've just broken ground. It's anniversary and also all of

1204
01:10:45,560 --> 01:10:49,120
Speaker 1: tomorrow it's so it's just disney World for now, just

1205
01:10:49,280 --> 01:10:51,400
Speaker 1: Disney World for now, but Orlando's getting it and it's

1206
01:10:51,439 --> 01:10:54,760
Speaker 1: coming has been broken, They've shut down, They've shut down

1207
01:10:54,840 --> 01:11:00,200
Speaker 1: the the, the the railroad in order to do it,

1208
01:11:00,280 --> 01:11:05,240
Speaker 1: and they're gonna move the the tomorrow Land Speedway to

1209
01:11:05,360 --> 01:11:07,200
Speaker 1: make room for this, and it's gonna go right behind

1210
01:11:07,280 --> 01:11:10,599
Speaker 1: Space Mountain and all all of tomorrow Land is getting

1211
01:11:10,600 --> 01:11:14,200
Speaker 1: a visual rebrand to go along with Tron because it's hard,

1212
01:11:14,840 --> 01:11:18,000
Speaker 1: it's hard to make futuristic with Trons there, and but

1213
01:11:18,120 --> 01:11:20,960
Speaker 1: also a lot of people are would you agree that

1214
01:11:21,000 --> 01:11:23,519
Speaker 1: I feel like light Cycle is the spiritual successor of

1215
01:11:23,600 --> 01:11:26,000
Speaker 1: Space Mountain and to put that next to Space Mountain

1216
01:11:26,080 --> 01:11:28,559
Speaker 1: is very much in all about Eve situation, and they

1217
01:11:28,600 --> 01:11:31,200
Speaker 1: will fight. They will fight, they will it will be tense.

1218
01:11:31,840 --> 01:11:34,160
Speaker 1: The hundred yards between the two attractions will be tense.

1219
01:11:34,200 --> 01:11:36,000
Speaker 1: It will be at ten hundred yards. Here's here's what

1220
01:11:36,080 --> 01:11:38,280
Speaker 1: you will never get anywhere else. Tower of Terror is

1221
01:11:38,320 --> 01:11:44,240
Speaker 1: the Addison to Wit. You will never get this on

1222
01:11:44,280 --> 01:11:47,200
Speaker 1: any other podcast where we describe Whalt Disney World rides

1223
01:11:47,320 --> 01:11:50,479
Speaker 1: in terms of Addison de Witt, in terms of Betty,

1224
01:11:50,560 --> 01:11:53,960
Speaker 1: in terms of and Baxter. Bitch, we're comparing like this.

1225
01:11:54,200 --> 01:12:02,240
Speaker 1: This is what you get here, celest Home is a yes, yes,

1226
01:12:03,680 --> 01:12:06,720
Speaker 1: I just like it's been a while since I no, no, yes,

1227
01:12:06,760 --> 01:12:08,960
Speaker 1: I'm glad you and I want to propose something to

1228
01:12:09,040 --> 01:12:12,360
Speaker 1: you off off the mike just because oh my god,

1229
01:12:12,360 --> 01:12:14,360
Speaker 1: I had a trip fall through and I think I

1230
01:12:14,560 --> 01:12:17,720
Speaker 1: need to go. I need to go very soon, much

1231
01:12:17,800 --> 01:12:19,639
Speaker 1: sooner than it might even have to be an impromptu

1232
01:12:19,720 --> 01:12:24,280
Speaker 1: trip in the next few weeks. That's what I'm saying. Wow, bitch, okay, listen,

1233
01:12:24,360 --> 01:12:27,000
Speaker 1: I have some updates for you. I'm filt these updates.

1234
01:12:27,000 --> 01:12:29,400
Speaker 1: I'm unhappy to hear that a trip fell through, Yes,

1235
01:12:29,520 --> 01:12:31,920
Speaker 1: well for you for good reasons and for bad. But yes, okay,

1236
01:12:32,040 --> 01:12:34,880
Speaker 1: well listen, I'm always down to go. Like, here's the thing, Like,

1237
01:12:35,160 --> 01:12:40,000
Speaker 1: I am a theme park. We know that. Yes, yes,

1238
01:12:40,560 --> 01:12:43,080
Speaker 1: do you even do six flags? I do? I do

1239
01:12:43,280 --> 01:12:46,600
Speaker 1: six flags? I have done six flags. You don't. You

1240
01:12:46,680 --> 01:12:54,920
Speaker 1: don't have to appease them, guys, please your culture. She's

1241
01:12:54,960 --> 01:12:58,720
Speaker 1: talking about art like Twilight, Classic TV, and we're like

1242
01:12:59,439 --> 01:13:01,720
Speaker 1: im and I fully used it as an opening to

1243
01:13:01,800 --> 01:13:09,920
Speaker 1: talk about disney World. Got Disneyney I can subscribe to

1244
01:13:11,920 --> 01:13:16,080
Speaker 1: Oh my god? Were Rod Serling? I think that maybe

1245
01:13:16,160 --> 01:13:24,040
Speaker 1: the hottest man. He was hot. That voice another dimension

1246
01:13:24,640 --> 01:13:30,599
Speaker 1: that wasn't good? It wasna Yeah, another dimension. This is good.

1247
01:13:30,720 --> 01:13:34,640
Speaker 1: It's it's a clinch. Yeah, you're right. I can't. I

1248
01:13:34,720 --> 01:13:41,400
Speaker 1: can't shut up your impressions. When you did Pat Regan

1249
01:13:41,439 --> 01:13:44,280
Speaker 1: at the start of this episode, I really and truly

1250
01:13:44,360 --> 01:13:49,600
Speaker 1: had to cover. He's a shocking impression when when you

1251
01:13:49,680 --> 01:13:54,559
Speaker 1: guys should do a show as Cat and I can

1252
01:13:54,680 --> 01:13:59,200
Speaker 1: do Catherine Cohen. I know all her songs. Yeah, and

1253
01:13:59,479 --> 01:14:01,519
Speaker 1: we have the same pianist, and you have the same

1254
01:14:01,560 --> 01:14:04,640
Speaker 1: pianist I did. I've seen Pat said enough times now

1255
01:14:04,680 --> 01:14:06,320
Speaker 1: that I could do it from so you just slipped

1256
01:14:06,720 --> 01:14:15,120
Speaker 1: into Pat Reagan that this isn't because this isn't because

1257
01:14:15,160 --> 01:14:17,599
Speaker 1: we're good. This is because they're both caricatures of human

1258
01:14:21,520 --> 01:14:27,000
Speaker 1: that they just have established identities. Um, but listen, we love,

1259
01:14:27,360 --> 01:14:29,760
Speaker 1: we love, and like, also, I had a lot of

1260
01:14:29,800 --> 01:14:31,559
Speaker 1: fun with Pat. I don't think so, honey, you were

1261
01:14:31,600 --> 01:14:34,280
Speaker 1: deeply missed. I loved the episodes. But you know what

1262
01:14:34,360 --> 01:14:36,360
Speaker 1: everyone said. Everyone was like, it's weird to see you

1263
01:14:36,479 --> 01:14:38,519
Speaker 1: be the straight man. I was like, yeah, because Pat

1264
01:14:38,560 --> 01:14:41,680
Speaker 1: Reagan is the unusual thing wherever. He always straight man

1265
01:14:41,760 --> 01:14:47,960
Speaker 1: to Pat. Yes, yes, But here's the thing is, I

1266
01:14:48,040 --> 01:14:51,040
Speaker 1: would almost move that we you know, it's my dream,

1267
01:14:51,080 --> 01:14:53,799
Speaker 1: it's my goal, with my fucking dream to take everyone

1268
01:14:53,840 --> 01:14:56,280
Speaker 1: I love in this community and supplant them in Orlando.

1269
01:14:57,600 --> 01:15:00,559
Speaker 1: And then I think you would love I really would

1270
01:15:00,640 --> 01:15:03,439
Speaker 1: love that. It would be an actual dream come true

1271
01:15:03,920 --> 01:15:06,320
Speaker 1: to go with my celebrity, to go with my number

1272
01:15:06,360 --> 01:15:11,280
Speaker 1: one celebrity crests Oh god, truly insane and we have

1273
01:15:11,520 --> 01:15:14,519
Speaker 1: we have pals there now. Yeah, and that that worked though.

1274
01:15:14,560 --> 01:15:17,080
Speaker 1: That Let listen to the pod and like, oh my god,

1275
01:15:17,320 --> 01:15:18,880
Speaker 1: it's been so long since I've talked about it, and

1276
01:15:18,960 --> 01:15:21,439
Speaker 1: now they're now they might gag. Oh that that that

1277
01:15:21,560 --> 01:15:23,760
Speaker 1: that you're talking about that, I'm talking about the theme

1278
01:15:23,840 --> 01:15:26,640
Speaker 1: parks in general, because I feel that there's a contingency

1279
01:15:27,040 --> 01:15:28,680
Speaker 1: of people that listen to those podcasts that want to

1280
01:15:28,720 --> 01:15:30,760
Speaker 1: hear the breaking tea and we have we have some.

1281
01:15:31,240 --> 01:15:34,000
Speaker 1: And oh and for people in Orlando, if who are

1282
01:15:34,920 --> 01:15:39,320
Speaker 1: we're we're um distraught that we are not stopping by

1283
01:15:39,400 --> 01:15:41,640
Speaker 1: there for the tour. We're working, We're gonna work on

1284
01:15:41,720 --> 01:15:43,360
Speaker 1: and we would love to. And same to us for Chicago.

1285
01:15:43,439 --> 01:15:45,439
Speaker 1: Same goes for Denversity, because for Atlanta, we're going to

1286
01:15:45,520 --> 01:15:47,519
Speaker 1: try to make this happen. Maybe that could be like

1287
01:15:47,600 --> 01:15:49,800
Speaker 1: a good reason to go down there as we book

1288
01:15:49,800 --> 01:15:53,800
Speaker 1: a show. Yeah, I would go down if you need

1289
01:15:53,880 --> 01:15:56,680
Speaker 1: a guest for the Orlando come down. I think we

1290
01:15:56,760 --> 01:15:58,400
Speaker 1: do a video. I think we do like we do

1291
01:15:58,520 --> 01:16:01,360
Speaker 1: the show is there's a segment that's or the whole

1292
01:16:01,400 --> 01:16:04,519
Speaker 1: thing is is just built around Natalie Walker's first experience,

1293
01:16:04,680 --> 01:16:07,040
Speaker 1: right and wait, do you want a gag? Really quick?

1294
01:16:08,680 --> 01:16:13,360
Speaker 1: Put our tour together. Book the dates. February We're going

1295
01:16:13,400 --> 01:16:17,080
Speaker 1: to San Francisco. Guess what night that is? Oscars the

1296
01:16:17,200 --> 01:16:21,400
Speaker 1: Academy Awards. So first we were like Oscar night. But

1297
01:16:21,479 --> 01:16:23,320
Speaker 1: first we were like, oh shoot. But then of course

1298
01:16:23,400 --> 01:16:25,120
Speaker 1: Matt had the brilliant idea of just making it like

1299
01:16:25,280 --> 01:16:27,479
Speaker 1: a part, like a viewing party. Were lean into it,

1300
01:16:27,520 --> 01:16:29,400
Speaker 1: we'renn lean into it and then like during commercial breaks

1301
01:16:29,439 --> 01:16:30,760
Speaker 1: have I don't think so, honey, is that are maybe

1302
01:16:30,800 --> 01:16:34,720
Speaker 1: Oscar themes or movie themed or something that's actually perfect? Then?

1303
01:16:34,840 --> 01:16:37,639
Speaker 1: So that's how I would want to watch the Oscar.

1304
01:16:37,760 --> 01:16:39,080
Speaker 1: There you go and it's a party and we'll have

1305
01:16:39,360 --> 01:16:40,880
Speaker 1: you know, they'll be drinks, will be food, it'll be

1306
01:16:40,880 --> 01:16:42,840
Speaker 1: it'll be fun. We're going to lean in because we

1307
01:16:42,960 --> 01:16:45,080
Speaker 1: have to. We have to because we've already announced the show,

1308
01:16:45,120 --> 01:16:47,439
Speaker 1: like literally the day before Bowen Goes, the day before

1309
01:16:47,439 --> 01:16:49,960
Speaker 1: we announced that the that it was going on sale

1310
01:16:50,160 --> 01:16:51,840
Speaker 1: because we already announced the date. And I was like,

1311
01:16:51,880 --> 01:16:53,320
Speaker 1: oh my god, it's the night of the Oscars. What

1312
01:16:53,360 --> 01:16:55,040
Speaker 1: should we do? And I was like, I feel like,

1313
01:16:55,120 --> 01:16:58,000
Speaker 1: we can't. We can't change it. Yeah, you have to

1314
01:16:58,080 --> 01:17:00,719
Speaker 1: just leave it in. It'll be great for culture. LISTA

1315
01:17:00,840 --> 01:17:07,439
Speaker 1: is watching Culture and I will say this. I will

1316
01:17:07,479 --> 01:17:10,439
Speaker 1: say this, and I think you can agree. If we're

1317
01:17:10,439 --> 01:17:13,640
Speaker 1: watching it and Lady Gaga doesn't win, it's going to

1318
01:17:13,720 --> 01:17:16,160
Speaker 1: feel bad. We're gonna want her to win. What do

1319
01:17:16,240 --> 01:17:18,439
Speaker 1: you mean in the room just us at the three

1320
01:17:18,479 --> 01:17:20,519
Speaker 1: of us? No, no, No, I'm saying, like the night

1321
01:17:20,560 --> 01:17:23,240
Speaker 1: of the Oscars, the night of the Oscars, if she

1322
01:17:23,280 --> 01:17:25,120
Speaker 1: doesn't win, if we're there with all those gays that

1323
01:17:25,720 --> 01:17:28,879
Speaker 1: to see the show and Best Actress rolls around, ye

1324
01:17:28,960 --> 01:17:30,599
Speaker 1: and she doesn't win the award, I feel like it's

1325
01:17:30,600 --> 01:17:33,400
Speaker 1: going to be disappointed. I mean sure, but like that's

1326
01:17:33,560 --> 01:17:35,880
Speaker 1: not specific to us. What do you mean? No, I'm

1327
01:17:35,920 --> 01:17:39,000
Speaker 1: just saying, like there's a discussion about whether or not

1328
01:17:39,120 --> 01:17:42,000
Speaker 1: Lady Gaga actually deserves to win. I don't think people

1329
01:17:42,040 --> 01:17:44,720
Speaker 1: are going to be that disappointed if she wins. She

1330
01:17:44,800 --> 01:17:47,760
Speaker 1: doesn't win. Honestly, remember that there are people in any

1331
01:17:47,880 --> 01:17:52,080
Speaker 1: room don't believe in her. So that's true. I said,

1332
01:17:52,160 --> 01:17:54,040
Speaker 1: if she does that during the Oscar speech, I'm gonna

1333
01:17:57,000 --> 01:18:01,200
Speaker 1: now yeah, She's like, that's honestly why I'm surprised that

1334
01:18:01,280 --> 01:18:04,439
Speaker 1: it continued as long as it did because she feels

1335
01:18:04,520 --> 01:18:08,439
Speaker 1: so in control of public perception of her and her

1336
01:18:08,920 --> 01:18:12,760
Speaker 1: brand that it was wild to watch her do the

1337
01:18:12,960 --> 01:18:17,200
Speaker 1: same like Studio Spiel over and over. Thank god, Jonah

1338
01:18:17,280 --> 01:18:22,599
Speaker 1: Hill said something we needed I did. I did rewatch

1339
01:18:22,680 --> 01:18:25,439
Speaker 1: the Super cud again this week, and it made me

1340
01:18:25,960 --> 01:18:27,759
Speaker 1: laugh and laugh. I was like, this is so funny

1341
01:18:28,760 --> 01:18:33,960
Speaker 1: that she changes it. It's unbelievable. It feels like when

1342
01:18:34,200 --> 01:18:36,320
Speaker 1: you are going in for like one line on an

1343
01:18:36,360 --> 01:18:38,519
Speaker 1: episode of a TV show and you're just standing in

1344
01:18:38,560 --> 01:18:41,519
Speaker 1: front of your mirror and you're like, you can go

1345
01:18:41,600 --> 01:18:43,920
Speaker 1: in if you want now. You can go in if

1346
01:18:43,960 --> 01:18:46,200
Speaker 1: you want now. You can go if you want to,

1347
01:18:48,120 --> 01:18:51,679
Speaker 1: you can go in if you want now. I've done

1348
01:18:51,840 --> 01:18:55,479
Speaker 1: so many auditions for like mean reception like vaguely mean

1349
01:18:55,560 --> 01:18:59,280
Speaker 1: receptionists is sort of my deal right now, just constantly

1350
01:18:59,320 --> 01:19:01,360
Speaker 1: going in for those and not getting them, but just

1351
01:19:01,479 --> 01:19:04,720
Speaker 1: being like, why am I here? I mean, I just

1352
01:19:04,920 --> 01:19:07,439
Speaker 1: I had a call back for a Duncan not dunkin

1353
01:19:07,479 --> 01:19:10,560
Speaker 1: Donuts Duncan, which I thought I slayed it, but the

1354
01:19:10,680 --> 01:19:14,240
Speaker 1: one it was gird because the first audition was just

1355
01:19:14,360 --> 01:19:16,200
Speaker 1: one line, and then I came back and the character

1356
01:19:16,320 --> 01:19:19,599
Speaker 1: had been blown out and I had tons of lines.

1357
01:19:19,600 --> 01:19:20,920
Speaker 1: All of a sudden, I'm like, they wanted to see

1358
01:19:20,960 --> 01:19:22,639
Speaker 1: the improv and all that ship and I really thought

1359
01:19:22,640 --> 01:19:26,760
Speaker 1: I booked but didn't book That's no no that I

1360
01:19:26,800 --> 01:19:30,960
Speaker 1: would have been there Auston, Massachusetts, but didn't book despite

1361
01:19:31,160 --> 01:19:35,200
Speaker 1: playing um, but the but the line was, um, the

1362
01:19:35,240 --> 01:19:39,919
Speaker 1: password is Duncan, I know the password is. The password

1363
01:19:40,000 --> 01:19:46,479
Speaker 1: is hockey, and I was like password hockey, saying hockey.

1364
01:19:46,960 --> 01:19:49,200
Speaker 1: You don't sound natural saying that word. No, I agree,

1365
01:19:49,200 --> 01:19:51,240
Speaker 1: and then I'm sorry? What was the context? Are you?

1366
01:19:51,320 --> 01:19:53,400
Speaker 1: Are you? Is this like? I was a Duncan Donuts

1367
01:19:53,439 --> 01:19:55,880
Speaker 1: employee who was telling someone the WiFi password of the

1368
01:19:56,160 --> 01:19:58,479
Speaker 1: of the hockey rink. Okay, let's let's let's do let's

1369
01:19:58,479 --> 01:20:00,479
Speaker 1: do some readings between me and Nat. Let's just do

1370
01:20:00,520 --> 01:20:03,720
Speaker 1: a lrondo readings. This is this is one of my

1371
01:20:03,840 --> 01:20:10,360
Speaker 1: favorite games. Come on, let's go. The password is hockey, great, Okay,

1372
01:20:12,000 --> 01:20:18,240
Speaker 1: the passwords hockey. The password is hockey. Wow. Let's do

1373
01:20:18,720 --> 01:20:27,640
Speaker 1: two arounds. Okay, okay, the password it's hockey. The password

1374
01:20:27,760 --> 01:20:43,400
Speaker 1: is hockey. The pastle bird hocky. Okay, that wouldn't book

1375
01:20:43,439 --> 01:20:46,240
Speaker 1: me the gig that would that would not Okay, That's

1376
01:20:46,280 --> 01:20:48,760
Speaker 1: what I did? Was that bad in the audition? Yes,

1377
01:20:50,080 --> 01:20:56,920
Speaker 1: so listeners you can vote you like the best. None

1378
01:20:56,960 --> 01:20:58,719
Speaker 1: of us did. None of us did a Boston accent,

1379
01:20:58,800 --> 01:21:02,200
Speaker 1: and I think that was our failing. You should Yeah,

1380
01:21:05,080 --> 01:21:07,880
Speaker 1: the past where it is hockey. Oh and he's John F.

1381
01:21:08,000 --> 01:21:14,800
Speaker 1: Kennedy JFK. The past word is hockey, Boston labster. I

1382
01:21:14,920 --> 01:21:19,040
Speaker 1: can only I only learned like what JFK's voice sounded

1383
01:21:19,120 --> 01:21:22,519
Speaker 1: like in air quotes from Clone High, Like like only

1384
01:21:22,640 --> 01:21:24,800
Speaker 1: two lines from Clone High where he's like, I era

1385
01:21:25,160 --> 01:21:30,200
Speaker 1: wanna party platter. It's incredible. I haven't seen that. Damn

1386
01:21:30,280 --> 01:21:32,040
Speaker 1: just hosted US and L. Did he do a Boston accent?

1387
01:21:32,160 --> 01:21:35,760
Speaker 1: He did a Boston thank god, thank god? The boxers?

1388
01:21:36,000 --> 01:21:39,599
Speaker 1: Oh yeah, Heidi did Angel every boxer's girlfriend. Good. Yes,

1389
01:21:40,040 --> 01:21:43,360
Speaker 1: I love that so much. And someone someone wants responded

1390
01:21:43,400 --> 01:21:45,719
Speaker 1: to the audition videos and was like, is it Heidi

1391
01:21:45,800 --> 01:21:48,240
Speaker 1: Gardner doing this bit on SNL? And I was like,

1392
01:21:48,640 --> 01:21:52,439
Speaker 1: I've been doing this for two years. So it's possible that, like,

1393
01:21:53,040 --> 01:21:57,120
Speaker 1: more than one woman is annoyed by reductive female characters

1394
01:21:57,200 --> 01:21:59,880
Speaker 1: in film, Like it's not a thing that only one

1395
01:22:00,160 --> 01:22:02,960
Speaker 1: person has a monopoly on of just being like, hey,

1396
01:22:03,200 --> 01:22:06,000
Speaker 1: a lot of female characters and male driven films are

1397
01:22:06,000 --> 01:22:11,040
Speaker 1: not great. It's like, come on something. Also, to be honest,

1398
01:22:11,400 --> 01:22:13,599
Speaker 1: Amy Adams did it first. I mean we should toss

1399
01:22:13,640 --> 01:22:22,360
Speaker 1: Heidie and Natalie out and gorgeous, gorgeous she's so great

1400
01:22:22,520 --> 01:22:26,800
Speaker 1: and Aim is so good Advice I can't wait to say.

1401
01:22:26,800 --> 01:22:28,280
Speaker 1: And if she were to win the Oscar for this,

1402
01:22:28,400 --> 01:22:30,439
Speaker 1: I'd be like bummed because I wanted to win the

1403
01:22:30,479 --> 01:22:33,840
Speaker 1: Best Actress Oscar. But she is in a viola, in

1404
01:22:33,920 --> 01:22:38,799
Speaker 1: a viola sort of way. It's like, you deserve, you deserve, deserve.

1405
01:22:39,280 --> 01:22:41,599
Speaker 1: I want to make sure you get something. Yeah, it's

1406
01:22:41,680 --> 01:22:43,600
Speaker 1: unfair for me to say this without having seen it,

1407
01:22:43,600 --> 01:22:45,120
Speaker 1: but I feel like Vice makes more sense as the

1408
01:22:45,160 --> 01:22:49,760
Speaker 1: best ensemble. Yeah, certainly does like it. It feels like

1409
01:22:49,800 --> 01:22:53,160
Speaker 1: such a well Harry Colin Powell. Yeah, he's good, He's

1410
01:22:53,200 --> 01:22:55,800
Speaker 1: really good. What was the other prestige thing that he

1411
01:22:55,880 --> 01:22:58,680
Speaker 1: did where he wasn't girl gone? He was great? And

1412
01:22:59,680 --> 01:23:01,840
Speaker 1: I really like it's weird too because Tyler Perry is

1413
01:23:01,880 --> 01:23:05,000
Speaker 1: like absolutely huge, But every time he's in a movie,

1414
01:23:05,240 --> 01:23:07,320
Speaker 1: is that part of the ensemble. It really works. It

1415
01:23:07,439 --> 01:23:12,600
Speaker 1: works because so much of his brand is like not

1416
01:23:12,880 --> 01:23:16,160
Speaker 1: looking like himself and right. And so I went to

1417
01:23:16,280 --> 01:23:18,960
Speaker 1: this Vice SAG screening and afterwards they did a talk

1418
01:23:19,040 --> 01:23:21,479
Speaker 1: back with Adam McKay, Amy Adams and a bunch of

1419
01:23:21,560 --> 01:23:25,080
Speaker 1: the members and I was in the same room. His

1420
01:23:25,200 --> 01:23:30,800
Speaker 1: name and um Adam McKay and his scarf. Um. But

1421
01:23:31,600 --> 01:23:36,880
Speaker 1: basically what happened was, um, they were talking about Colin Power.

1422
01:23:37,160 --> 01:23:39,720
Speaker 1: They were talking about Tyler Perry, and Tyler Perry had

1423
01:23:39,800 --> 01:23:43,160
Speaker 1: to call Colin Powell and like get his blessing. And

1424
01:23:43,280 --> 01:23:45,800
Speaker 1: like he said, only Tyler Perry could just call Colin Power.

1425
01:23:46,560 --> 01:23:49,160
Speaker 1: But apparently, like they talked because this is not like

1426
01:23:49,280 --> 01:23:51,679
Speaker 1: a good it doesn't depict a good moment in Colin

1427
01:23:51,720 --> 01:23:55,000
Speaker 1: Powell's life. But like Colin Powell was fully cool about it.

1428
01:23:55,080 --> 01:23:57,280
Speaker 1: He was like, yeah, I mean that is what happened. Like,

1429
01:23:57,880 --> 01:24:00,200
Speaker 1: this is the truth of the situation. Play it as

1430
01:24:00,240 --> 01:24:03,880
Speaker 1: truthfully as possible. I went out there against my better

1431
01:24:04,000 --> 01:24:06,559
Speaker 1: judgment and said there were weapons of mass destruction out

1432
01:24:06,600 --> 01:24:10,400
Speaker 1: of without a doubt, and I knew my instinct told

1433
01:24:10,439 --> 01:24:12,200
Speaker 1: me otherwise than I did exactly what they told me

1434
01:24:12,240 --> 01:24:15,679
Speaker 1: to do and play that. Wow, has he has Colin

1435
01:24:15,720 --> 01:24:17,120
Speaker 1: Power himself? I mean, I don't know if any of

1436
01:24:17,200 --> 01:24:18,920
Speaker 1: us know the answer to this. Has he come out

1437
01:24:18,960 --> 01:24:22,000
Speaker 1: and like said as much in public He's called and

1438
01:24:22,200 --> 01:24:23,720
Speaker 1: this is in the movie. He's called it the worst

1439
01:24:23,800 --> 01:24:25,320
Speaker 1: day of his life, the day when he had to

1440
01:24:25,360 --> 01:24:27,280
Speaker 1: get up in front of everyone and be like without

1441
01:24:27,320 --> 01:24:29,559
Speaker 1: a doubt, like we're doing the right thing. They say

1442
01:24:29,600 --> 01:24:31,479
Speaker 1: in the movie, Like it's a really good scene where

1443
01:24:31,800 --> 01:24:34,479
Speaker 1: Tyler Perry is saying it and then you kind of

1444
01:24:34,520 --> 01:24:36,360
Speaker 1: see on his face he's uneasy about it, and the

1445
01:24:36,479 --> 01:24:39,400
Speaker 1: voiceover over it is like Colin Powell would would later

1446
01:24:39,479 --> 01:24:41,560
Speaker 1: call this the worst I mean wow, I mean like

1447
01:24:41,680 --> 01:24:44,360
Speaker 1: that is like whatever. Like the fact that it happened

1448
01:24:44,360 --> 01:24:45,679
Speaker 1: in real life and that it led to this horrible

1449
01:24:45,720 --> 01:24:48,439
Speaker 1: war is like terrible, but like that is like meti meti,

1450
01:24:48,479 --> 01:24:51,240
Speaker 1: METI medi medi role. There is a lot of criticism

1451
01:24:51,320 --> 01:24:54,040
Speaker 1: of Advice, calling it the Michael Moore of movies, which

1452
01:24:54,120 --> 01:24:56,880
Speaker 1: is not not true. But the thing is, I thought

1453
01:24:57,000 --> 01:25:00,519
Speaker 1: Vice was excellent, and I think Adam McKay is f Yeah,

1454
01:25:01,080 --> 01:25:04,160
Speaker 1: he's fantastic, and not only just like his scripts are

1455
01:25:04,280 --> 01:25:07,880
Speaker 1: so clear, his his worlds are. It's so cohesive amongst

1456
01:25:07,880 --> 01:25:10,360
Speaker 1: all the actors. Even when it gets like merely like

1457
01:25:10,479 --> 01:25:13,200
Speaker 1: you were saying, like it still feels right um, and

1458
01:25:13,400 --> 01:25:16,080
Speaker 1: he gives his actors really fun stuff to do. I

1459
01:25:16,160 --> 01:25:18,320
Speaker 1: can't wait for you guys to see this movie, to

1460
01:25:18,439 --> 01:25:21,240
Speaker 1: see this one scene between Amy Adams and Christian Bale,

1461
01:25:21,479 --> 01:25:24,000
Speaker 1: which is like there's so many moments in the script

1462
01:25:24,040 --> 01:25:26,639
Speaker 1: that just like are like, wow, you don't see movies

1463
01:25:26,720 --> 01:25:29,479
Speaker 1: have fun with themselves like this. And there's this one

1464
01:25:29,520 --> 01:25:32,559
Speaker 1: scene where it's it's very very cool and it gives

1465
01:25:32,560 --> 01:25:34,560
Speaker 1: the actors a really cool opportunity and it's like a

1466
01:25:35,880 --> 01:25:38,280
Speaker 1: it's like a it's like a knowing subversion. But it's

1467
01:25:38,400 --> 01:25:41,400
Speaker 1: so funny and it's so truthful and real, and I

1468
01:25:41,439 --> 01:25:44,280
Speaker 1: mean there's also some really real moments that have to

1469
01:25:44,360 --> 01:25:47,160
Speaker 1: do with Mary Cheney, who's played by Alison pill in

1470
01:25:47,240 --> 01:25:51,160
Speaker 1: the film, um about how you know her family really

1471
01:25:51,320 --> 01:25:53,960
Speaker 1: like ultimately really left her out to dry in a

1472
01:25:54,120 --> 01:25:57,840
Speaker 1: crazy way, and like it's it's a it's a good movie,

1473
01:25:57,960 --> 01:26:00,200
Speaker 1: and I it's coming out kind of late, but it's

1474
01:26:00,200 --> 01:26:03,000
Speaker 1: still getting the awards attention deservedly and I think that

1475
01:26:03,080 --> 01:26:05,040
Speaker 1: it's I think it'll actually make a splash at the Oscars.

1476
01:26:05,240 --> 01:26:08,880
Speaker 1: Especially screenplay. I'm always so excited to see anything. Ammy

1477
01:26:08,920 --> 01:26:12,519
Speaker 1: Adam says she's in this category of actresses where they

1478
01:26:12,560 --> 01:26:15,960
Speaker 1: can do any genre, and I am obsessed with that,

1479
01:26:16,120 --> 01:26:18,719
Speaker 1: and it's what I love about Emily Blunt. Rose Byrne

1480
01:26:18,920 --> 01:26:24,560
Speaker 1: is very much in that place. Charlie's Charlie's kills me

1481
01:26:25,000 --> 01:26:28,160
Speaker 1: in everything and always like knows what movie she's in,

1482
01:26:28,600 --> 01:26:31,559
Speaker 1: like never seems floundering at all, even at this point.

1483
01:26:31,600 --> 01:26:35,559
Speaker 1: Melissa McCarthy, Yes, she's like crossed over to whatever can

1484
01:26:35,680 --> 01:26:38,080
Speaker 1: any genre. If you think about the range that it

1485
01:26:38,120 --> 01:26:42,240
Speaker 1: would take to do something like Santra, Santra doing killing

1486
01:26:42,600 --> 01:26:48,840
Speaker 1: like comic any genre and is able to seamlessly use

1487
01:26:48,960 --> 01:26:51,880
Speaker 1: all of her talents to bring it all to life.

1488
01:26:52,360 --> 01:26:55,840
Speaker 1: Think about being one actress and doing Monster and Mad

1489
01:26:55,960 --> 01:27:00,760
Speaker 1: Next Fury Road and Young Adults and like all these

1490
01:27:00,840 --> 01:27:04,439
Speaker 1: things and all even like a fucking snoway on The Huntsman,

1491
01:27:04,479 --> 01:27:06,640
Speaker 1: which like is not a good movie, but she is

1492
01:27:06,840 --> 01:27:11,559
Speaker 1: incredible because she knows exactly what it is. And I would,

1493
01:27:11,800 --> 01:27:16,160
Speaker 1: oh my god, I would rather watch that performance then

1494
01:27:16,479 --> 01:27:21,160
Speaker 1: like most male like prestige movie performance. That's what I

1495
01:27:21,240 --> 01:27:23,040
Speaker 1: was thinking. I was like, I don't feel this way

1496
01:27:23,080 --> 01:27:27,360
Speaker 1: about male actors at all. I don't care about whatever

1497
01:27:27,360 --> 01:27:30,280
Speaker 1: they're quote unquote versatility is because they don't I don't know.

1498
01:27:30,400 --> 01:27:32,479
Speaker 1: It's like it's just so wooden in that way where

1499
01:27:32,520 --> 01:27:35,680
Speaker 1: they're just like they don't want either, they don't have

1500
01:27:35,760 --> 01:27:37,680
Speaker 1: the opportunities to do that kind of fun stuff or

1501
01:27:37,720 --> 01:27:42,000
Speaker 1: it's like and I feel like, also, male actors weirdly

1502
01:27:42,040 --> 01:27:45,920
Speaker 1: get away with so much more hair and makeup and

1503
01:27:46,040 --> 01:27:49,960
Speaker 1: prosthetic actors and we don't talk about it, whereas like

1504
01:27:50,120 --> 01:27:52,200
Speaker 1: when a woman like puts on a fake nose or

1505
01:27:52,280 --> 01:27:54,920
Speaker 1: something to play a historical figure, everyone's like, let's talk

1506
01:27:54,960 --> 01:27:59,400
Speaker 1: about the nose for a million years, Like Margot Robbie, Like, yes,

1507
01:27:59,479 --> 01:28:01,040
Speaker 1: the hair and make up team like does a great

1508
01:28:01,120 --> 01:28:04,600
Speaker 1: job in that movie, but like she's not unrecognizable and

1509
01:28:04,680 --> 01:28:07,840
Speaker 1: Mars and all of these pieces are being done about it.

1510
01:28:07,960 --> 01:28:11,200
Speaker 1: That's sort of like undermine the acting work that women

1511
01:28:11,320 --> 01:28:14,080
Speaker 1: do whenever they use hair and makeup in prosthetics. And

1512
01:28:14,160 --> 01:28:17,400
Speaker 1: then meanwhile, like I feel like Gary Oldman, like all

1513
01:28:17,439 --> 01:28:19,800
Speaker 1: of these actors that I'm like, they just gave you

1514
01:28:19,920 --> 01:28:22,760
Speaker 1: a fucking new face and that and you did and

1515
01:28:22,840 --> 01:28:25,439
Speaker 1: you yelled and that was it, and like it doesn't

1516
01:28:25,479 --> 01:28:28,080
Speaker 1: get covered as much as when women do, like one

1517
01:28:28,160 --> 01:28:30,439
Speaker 1: thing to alter their appearance for something. It makes me

1518
01:28:30,920 --> 01:28:33,000
Speaker 1: in st that is interesting. I will shout out one

1519
01:28:33,040 --> 01:28:35,200
Speaker 1: actor and I'm gonna start to talk about vice again,

1520
01:28:35,320 --> 01:28:39,320
Speaker 1: one actor who I think actually is really fucking good. Well,

1521
01:28:39,360 --> 01:28:41,400
Speaker 1: Steve Carrel I think it's great. Welcome to Marwin. He's

1522
01:28:41,400 --> 01:28:47,560
Speaker 1: always just performing what is welcome to Marrow. I was

1523
01:28:47,760 --> 01:28:50,679
Speaker 1: just welcoming me to marrowin over, I know, but we're

1524
01:28:50,720 --> 01:28:53,080
Speaker 1: in a concert together, and she was just like she

1525
01:28:53,320 --> 01:29:00,880
Speaker 1: kept going through this door to the bar and love

1526
01:29:00,960 --> 01:29:08,879
Speaker 1: its welcome tomorrow. I just want to say the actual

1527
01:29:09,000 --> 01:29:11,920
Speaker 1: tie it up. It just what I was going to

1528
01:29:12,000 --> 01:29:14,800
Speaker 1: shout out was Christian Bale. He's so fucking and he's

1529
01:29:14,840 --> 01:29:18,840
Speaker 1: so talented, and he's does a lot of different versatile things.

1530
01:29:18,920 --> 01:29:21,840
Speaker 1: So I will give one actor a shout out, and

1531
01:29:21,920 --> 01:29:30,760
Speaker 1: it's Christian Belle and Richard Lucas Hedges. I love that

1532
01:29:30,840 --> 01:29:38,479
Speaker 1: sweet boy. Stop it, you're cruel. He's your type? Did

1533
01:29:38,520 --> 01:29:40,680
Speaker 1: you say that because you have a crush on And

1534
01:29:40,800 --> 01:29:42,599
Speaker 1: I was like, yeah, He's like he's like the Matt

1535
01:29:42,720 --> 01:29:45,080
Speaker 1: Rogers type. What do you mean by that? He's like,

1536
01:29:45,920 --> 01:29:49,640
Speaker 1: let's unpack a sweet little white boy, exactly right, And

1537
01:29:49,760 --> 01:29:54,320
Speaker 1: that's fine. He thinks I don't contain multitudes sexually. I meanwhile,

1538
01:29:54,360 --> 01:29:56,800
Speaker 1: he does. He has no idea what I jack off to? Huh,

1539
01:29:57,200 --> 01:29:59,280
Speaker 1: no idea, no idea? Why do you jack off to?

1540
01:29:59,640 --> 01:30:01,840
Speaker 1: What am I jacking off too? Yeah? He's gonna lie,

1541
01:30:01,920 --> 01:30:05,120
Speaker 1: I don't. I've talked about this in the past. Um

1542
01:30:06,000 --> 01:30:08,680
Speaker 1: check off to all sorts of things exactly, No, I

1543
01:30:08,760 --> 01:30:15,000
Speaker 1: mean same, huh, same, Yes, what do you jack off? Variety?

1544
01:30:16,520 --> 01:30:20,560
Speaker 1: I love riding the magazine industry. I love porn t

1545
01:30:21,840 --> 01:30:24,920
Speaker 1: I love porn, and I have been really into daddy

1546
01:30:25,000 --> 01:30:29,080
Speaker 1: porn lately. But also it feels insane to say what

1547
01:30:29,160 --> 01:30:31,280
Speaker 1: you jack off too, because the categories and porn are

1548
01:30:31,360 --> 01:30:34,880
Speaker 1: so disgusting and so like it's so like bizarre and

1549
01:30:34,960 --> 01:30:36,720
Speaker 1: like the way they categorize things. It's like, oh, this

1550
01:30:36,880 --> 01:30:40,360
Speaker 1: is so weird. Anyway, I used to jack off to

1551
01:30:40,400 --> 01:30:44,519
Speaker 1: the cruel intentions like sha, yeah, when Sarah Michel is

1552
01:30:44,640 --> 01:30:49,960
Speaker 1: lowering or someone right, that's beautiful and that, Yeah, that's

1553
01:30:50,479 --> 01:30:54,320
Speaker 1: formative cultural moment for me. It's time. It's time. It's

1554
01:30:54,400 --> 01:30:56,400
Speaker 1: time to move on to I don't think somebody have

1555
01:30:56,439 --> 01:31:00,519
Speaker 1: a legend among us, a legend of the form. Now

1556
01:31:00,760 --> 01:31:02,720
Speaker 1: this is the first time, because this is the first

1557
01:31:02,760 --> 01:31:06,559
Speaker 1: time that I have not pre written anything. I want

1558
01:31:06,640 --> 01:31:09,559
Speaker 1: to know because I heard you guys be like, it's

1559
01:31:09,600 --> 01:31:10,920
Speaker 1: not a good I don't think so, honey. When you

1560
01:31:13,680 --> 01:31:16,040
Speaker 1: simply read Glenn close off my phone because I wanted

1561
01:31:16,080 --> 01:31:20,120
Speaker 1: to make sure that I as much as I always

1562
01:31:20,200 --> 01:31:23,800
Speaker 1: wanted to. Yes, yes, I fully, but yeah, we're the

1563
01:31:23,840 --> 01:31:27,760
Speaker 1: first time, we're we're pushing the boundaries of what they

1564
01:31:27,760 --> 01:31:29,840
Speaker 1: I don't think so Honey is, and if you do,

1565
01:31:30,040 --> 01:31:34,599
Speaker 1: if people who read them, I've I understand people who

1566
01:31:34,640 --> 01:31:36,800
Speaker 1: read it off their phones in a way. Right. But then,

1567
01:31:37,080 --> 01:31:39,600
Speaker 1: but I think Joel was saying that a true I

1568
01:31:39,640 --> 01:31:44,360
Speaker 1: don't think so Honey is as as minimally written as possible.

1569
01:31:45,880 --> 01:31:48,360
Speaker 1: The driving force is just your hinges are off. The

1570
01:31:48,439 --> 01:31:50,599
Speaker 1: hinges are off, and that's what makes it fun. Um.

1571
01:31:51,240 --> 01:31:53,840
Speaker 1: But we you know, but but but Matt and I,

1572
01:31:54,120 --> 01:31:56,280
Speaker 1: well we'll see how. No, I'm just a slave to

1573
01:31:56,479 --> 01:32:00,280
Speaker 1: the forum. I just want to always honor them that

1574
01:32:00,360 --> 01:32:03,080
Speaker 1: you have created you always, You've never you've never fallen short,

1575
01:32:03,360 --> 01:32:06,800
Speaker 1: You've never fallen short. I'm gonna this is my time.

1576
01:32:06,920 --> 01:32:08,800
Speaker 1: This is my validation that will get me out of that.

1577
01:32:08,880 --> 01:32:10,560
Speaker 1: And as you guys are talking about this, I'm like,

1578
01:32:10,840 --> 01:32:12,280
Speaker 1: do I want to do my my topic? I do

1579
01:32:12,360 --> 01:32:14,240
Speaker 1: want to do my Okay, so you want to go first? Yes,

1580
01:32:14,439 --> 01:32:16,000
Speaker 1: is Matt Rodgers, I don't think so Hony. As time

1581
01:32:16,000 --> 01:32:18,400
Speaker 1: starts now, I don't think so honey, Sam Rockwell. And

1582
01:32:18,439 --> 01:32:20,160
Speaker 1: it's not that I don't like you, it's just that

1583
01:32:20,240 --> 01:32:24,200
Speaker 1: I don't think so honey, because honestly, like when you

1584
01:32:24,320 --> 01:32:26,600
Speaker 1: won the Oscar last year, I was like, because it

1585
01:32:26,680 --> 01:32:29,240
Speaker 1: felt like whatever, I really didn't want to see that movie,

1586
01:32:29,280 --> 01:32:30,880
Speaker 1: and then I was forced to and I was like, yeah, fine,

1587
01:32:30,960 --> 01:32:32,840
Speaker 1: you're good, but I don't think so honey. Like and

1588
01:32:32,880 --> 01:32:34,840
Speaker 1: I am sexually attracted to you, but I still don't

1589
01:32:34,840 --> 01:32:36,880
Speaker 1: think so honey. I kind of always feel like you're

1590
01:32:36,920 --> 01:32:39,240
Speaker 1: kind of doing sort of the same thing, like it's

1591
01:32:39,240 --> 01:32:42,200
Speaker 1: always very Sam Rockwell. And it's not that that's bad.

1592
01:32:42,240 --> 01:32:45,439
Speaker 1: I just don't think so And I really don't think

1593
01:32:45,520 --> 01:32:49,360
Speaker 1: so honey. You invited getting awards recognition, and the thing is,

1594
01:32:49,479 --> 01:32:52,120
Speaker 1: it's not that you are doing anything wrong. It's the

1595
01:32:52,200 --> 01:32:54,800
Speaker 1: conversation around you being so bloated. And it's this thing

1596
01:32:54,880 --> 01:32:57,000
Speaker 1: we're talking about, which I don't think so honey about,

1597
01:32:57,040 --> 01:32:59,559
Speaker 1: which is like allowing people to get praised for doing

1598
01:32:59,640 --> 01:33:02,720
Speaker 1: kind of easy things, and it's like you're getting kind

1599
01:33:02,720 --> 01:33:05,679
Speaker 1: of like recognition for doing this I'm sorry, but sketch

1600
01:33:05,800 --> 01:33:07,600
Speaker 1: comedy performance, and this is not I don't think so

1601
01:33:07,600 --> 01:33:09,840
Speaker 1: many sketch comedy. It's Sam rock It's Sam rock Well.

1602
01:33:09,840 --> 01:33:12,160
Speaker 1: I don't think so many getting praised for doing the

1603
01:33:12,240 --> 01:33:14,719
Speaker 1: sketch comedy performances on the world stage of the Oscars.

1604
01:33:14,840 --> 01:33:16,640
Speaker 1: I don't think Sony Sam rock Well, I loved you

1605
01:33:16,720 --> 01:33:18,680
Speaker 1: most in Charlie's Angels, and that's one minute. He was

1606
01:33:18,720 --> 01:33:24,000
Speaker 1: great in Charlie's Angels. Incredible finale. He was Charlie's Angels

1607
01:33:24,360 --> 01:33:26,320
Speaker 1: and so good and like it was the first time

1608
01:33:26,360 --> 01:33:28,479
Speaker 1: I kind of got a sense of Sam Rockwell, and

1609
01:33:28,520 --> 01:33:31,120
Speaker 1: I was like, oh, he's like sexy, and but isn't

1610
01:33:31,160 --> 01:33:33,240
Speaker 1: it funny that he starts out like in the movie

1611
01:33:33,280 --> 01:33:36,120
Speaker 1: being like dwee Bey and like who and then when

1612
01:33:36,200 --> 01:33:38,240
Speaker 1: when he does the heel turn, it's fun in that

1613
01:33:38,400 --> 01:33:43,160
Speaker 1: house and that's sexual. Both of my types are like

1614
01:33:43,520 --> 01:33:47,639
Speaker 1: dweeby nerd who worships me, and then like a full

1615
01:33:47,720 --> 01:33:53,160
Speaker 1: on villain and he's rocking that tank top, Sam secret

1616
01:33:53,200 --> 01:33:56,639
Speaker 1: good body. Oh that's okay. And that just Charlie's Angels.

1617
01:33:56,760 --> 01:33:59,680
Speaker 1: The first one is such a good movie because the

1618
01:33:59,720 --> 01:34:02,840
Speaker 1: way that that turn is executed, it's all one shot

1619
01:34:03,520 --> 01:34:05,880
Speaker 1: and it's like it's like it's Marvin Gay's playing and

1620
01:34:06,000 --> 01:34:09,000
Speaker 1: like drews like in her like is like is like

1621
01:34:09,280 --> 01:34:12,599
Speaker 1: naked with the sheet over her, and you really don't

1622
01:34:12,640 --> 01:34:14,200
Speaker 1: see it. You don't see it coming in the way

1623
01:34:14,320 --> 01:34:24,120
Speaker 1: that it McGee, what a genius and the and then

1624
01:34:24,160 --> 01:34:26,800
Speaker 1: he moved on to d sc Yes, okay, so this

1625
01:34:27,240 --> 01:34:31,479
Speaker 1: has to be don't think, my god, you good. I'm good.

1626
01:34:31,479 --> 01:34:34,320
Speaker 1: I'm good. His time starts now. I don't think so, honey.

1627
01:34:34,920 --> 01:34:39,920
Speaker 1: My sister demanding and badgering me for screeners, and it's

1628
01:34:40,040 --> 01:34:42,240
Speaker 1: truly one of the most stressful things that's been happening

1629
01:34:42,280 --> 01:34:43,360
Speaker 1: to me the last couple of months. And she's like,

1630
01:34:43,360 --> 01:34:45,000
Speaker 1: what are you getting screens? When are you getting screeners?

1631
01:34:45,000 --> 01:34:47,800
Speaker 1: When are you getting screeners? Yeng? I love you. I don't.

1632
01:34:48,800 --> 01:34:51,000
Speaker 1: This is my first year getting them. I haven't gotten

1633
01:34:51,040 --> 01:34:52,960
Speaker 1: them yet. I think SAD doesn't give you as many

1634
01:34:53,040 --> 01:34:54,880
Speaker 1: as writers Gill does, as w g A does, And

1635
01:34:54,920 --> 01:34:56,360
Speaker 1: all my w g A friends are getting all their

1636
01:34:56,400 --> 01:34:59,560
Speaker 1: screeners ahead of time, and I I don't think that

1637
01:35:00,000 --> 01:35:02,280
Speaker 1: you should feel entitled to what's to something that I

1638
01:35:02,479 --> 01:35:06,800
Speaker 1: don't even particularly even have the time to like take

1639
01:35:06,840 --> 01:35:08,800
Speaker 1: care of. I know she's listening. I love her so much.

1640
01:35:08,800 --> 01:35:12,760
Speaker 1: She's she's she's she's been supportive very recently, but also like,

1641
01:35:13,600 --> 01:35:16,479
Speaker 1: come on, just like fucking pirate that ship then, or

1642
01:35:16,560 --> 01:35:19,120
Speaker 1: just go to the movies. You're in Atlanta have gorgeous

1643
01:35:19,200 --> 01:35:23,639
Speaker 1: giant megaplex malls where you just go to like recline

1644
01:35:23,680 --> 01:35:26,160
Speaker 1: in seats and watch these films. I you know, it's

1645
01:35:26,280 --> 01:35:28,280
Speaker 1: it's don't don't rely on me. I'm not your gate

1646
01:35:28,320 --> 01:35:29,920
Speaker 1: way to show biz. You are your own gate way

1647
01:35:29,960 --> 01:35:32,320
Speaker 1: to show biz. Everyone is a culture is too. No

1648
01:35:32,360 --> 01:35:34,800
Speaker 1: one needs anyone to be shepherded into culture. You are

1649
01:35:34,880 --> 01:35:37,160
Speaker 1: your own shepherd. And that's one minute. You know what,

1650
01:35:37,280 --> 01:35:42,000
Speaker 1: Yang you have the screeners, join the union union something script? Yeah,

1651
01:35:42,080 --> 01:35:44,800
Speaker 1: you want the screen you want to get script. She

1652
01:35:44,800 --> 01:35:46,839
Speaker 1: wants to write a script actually with her friend Borhini,

1653
01:35:46,920 --> 01:35:49,080
Speaker 1: and they're they're both growing up. They were like the

1654
01:35:49,400 --> 01:35:52,479
Speaker 1: best smartest people, and they wrote a lot of they

1655
01:35:52,520 --> 01:35:54,120
Speaker 1: wrote a lot of like I mean, like granted they

1656
01:35:54,120 --> 01:35:56,000
Speaker 1: were in the tenth grade, but they wrote like, they

1657
01:35:56,040 --> 01:35:59,040
Speaker 1: wrote a lot of stuff together and they're two very funny,

1658
01:35:59,120 --> 01:36:02,800
Speaker 1: creatively keatan people. And then like you know, the thing

1659
01:36:02,920 --> 01:36:05,040
Speaker 1: life happened. And then like but then Gang is having

1660
01:36:05,120 --> 01:36:07,160
Speaker 1: this really great sort of moment where she's like I

1661
01:36:07,240 --> 01:36:09,439
Speaker 1: think I want to like a creative research try. She's

1662
01:36:09,439 --> 01:36:12,000
Speaker 1: having a creative resurgence, and I fully supportive. I love that.

1663
01:36:12,160 --> 01:36:15,040
Speaker 1: But you know what, she's gonna get her own screeners.

1664
01:36:15,160 --> 01:36:17,240
Speaker 1: You know what. I don't think so many people like

1665
01:36:18,200 --> 01:36:21,120
Speaker 1: demanding things that require me to go put something in

1666
01:36:21,200 --> 01:36:24,600
Speaker 1: the mail exactly, like guys, because then I have to

1667
01:36:24,640 --> 01:36:27,800
Speaker 1: go to the fucking mail. Yeah, exactly. I feel that

1668
01:36:27,960 --> 01:36:30,200
Speaker 1: I feel this way, I feel this way, I feel

1669
01:36:30,240 --> 01:36:32,360
Speaker 1: that way, I feel this way, I feel that way.

1670
01:36:32,400 --> 01:36:33,760
Speaker 1: I feel this way that way, and the way I

1671
01:36:33,840 --> 01:36:35,439
Speaker 1: feel right now is that we're going to feel a

1672
01:36:35,479 --> 01:36:38,200
Speaker 1: certain kind of what with Natalie Walker. Natalie Walker is

1673
01:36:38,200 --> 01:36:40,200
Speaker 1: going to do her I don't think so. This is

1674
01:36:40,280 --> 01:36:43,680
Speaker 1: Natalie Walker's I don't think so, honey. Her time starts now.

1675
01:36:44,200 --> 01:36:47,040
Speaker 1: I don't think so, honey. James Franco, Why are we

1676
01:36:47,200 --> 01:36:51,000
Speaker 1: allowing James Franco to be around and about he has?

1677
01:36:51,400 --> 01:36:53,840
Speaker 1: Why are we giving him so many chances? Why is

1678
01:36:53,960 --> 01:36:56,479
Speaker 1: this the person that we've decided He gets to fucking

1679
01:36:56,560 --> 01:36:58,960
Speaker 1: proposition a seventeen year old at the stage door after

1680
01:36:59,080 --> 01:37:02,400
Speaker 1: his Broadway show. He gets to like Busy Phillips comes

1681
01:37:02,439 --> 01:37:04,639
Speaker 1: out and he's like he abused me on the set

1682
01:37:04,880 --> 01:37:07,920
Speaker 1: of Franks and Geeks. And although we were at n

1683
01:37:08,040 --> 01:37:10,360
Speaker 1: y U when he was on the motherfucking Loose, he

1684
01:37:10,520 --> 01:37:13,240
Speaker 1: became spend Dolly figure of this girl in my year

1685
01:37:13,280 --> 01:37:16,320
Speaker 1: at Adler who was from Canada and like didn't know

1686
01:37:16,400 --> 01:37:18,160
Speaker 1: what she was getting into and he was horrible at

1687
01:37:18,200 --> 01:37:21,120
Speaker 1: her and did a bullshit play at Adler where he

1688
01:37:21,200 --> 01:37:22,960
Speaker 1: like yelled at her on stage. He had people do

1689
01:37:23,040 --> 01:37:24,720
Speaker 1: angels in America and he was on a godmike in

1690
01:37:24,800 --> 01:37:27,639
Speaker 1: the back and he would just repeat, like the actress

1691
01:37:27,640 --> 01:37:29,080
Speaker 1: would go are you a homeown? He would go, are

1692
01:37:29,160 --> 01:37:32,720
Speaker 1: you a homeo? An idiot? And he's not talented, And

1693
01:37:32,840 --> 01:37:35,680
Speaker 1: I am so insense that he is allowed to just

1694
01:37:35,800 --> 01:37:39,960
Speaker 1: continue being James Franco around and about middling level of talent.

1695
01:37:40,120 --> 01:37:41,960
Speaker 1: I don't think so funny. Oh my god, at a

1696
01:37:42,080 --> 01:37:45,240
Speaker 1: middling level of talent. Thank you so much, and yes,

1697
01:37:45,360 --> 01:37:47,479
Speaker 1: we need to talk about this, James. The James Franco

1698
01:37:47,520 --> 01:37:49,800
Speaker 1: present at YU between the eight years of like two

1699
01:37:49,840 --> 01:37:53,720
Speaker 1: thousand seven and two thousand eleven something like that, he

1700
01:37:53,760 --> 01:37:57,360
Speaker 1: was like it was like like he was there for

1701
01:37:57,439 --> 01:38:00,720
Speaker 1: a decade because he it was what a raised sporadically

1702
01:38:00,760 --> 01:38:03,880
Speaker 1: come to classes and then hit on young girls every

1703
01:38:04,000 --> 01:38:06,519
Speaker 1: lecture across every school. This wasn't even in c as

1704
01:38:06,600 --> 01:38:08,560
Speaker 1: I would it would just be like me like Conversations

1705
01:38:08,600 --> 01:38:11,479
Speaker 1: of the West or whatever bullshit social Studies class I

1706
01:38:11,680 --> 01:38:14,240
Speaker 1: had to take for my core. But people would come

1707
01:38:14,280 --> 01:38:17,760
Speaker 1: in every single day and be like wow and out

1708
01:38:17,760 --> 01:38:20,120
Speaker 1: here's a picture like in Washington Square Park and it's like,

1709
01:38:20,640 --> 01:38:25,120
Speaker 1: what is this celebrity worship going on here? It's not work,

1710
01:38:25,200 --> 01:38:28,040
Speaker 1: like doesn't oh, And that fucking moment where the person

1711
01:38:28,040 --> 01:38:29,880
Speaker 1: who took the photo of him in like sleeping in

1712
01:38:29,920 --> 01:38:32,920
Speaker 1: the lecture, nodding off like it just he was asleep

1713
01:38:32,960 --> 01:38:35,559
Speaker 1: in every class I heard, yeah, but like it grossed

1714
01:38:35,600 --> 01:38:39,719
Speaker 1: me out then and then he was like also fucking

1715
01:38:40,160 --> 01:38:43,920
Speaker 1: so many like young women that were like impressionable and

1716
01:38:44,520 --> 01:38:49,760
Speaker 1: I just did not dig and he um. And now

1717
01:38:50,200 --> 01:38:53,320
Speaker 1: when he was doing a play at Adler, which he

1718
01:38:53,439 --> 01:38:55,519
Speaker 1: just like used their space and was like all cell

1719
01:38:55,560 --> 01:38:59,000
Speaker 1: tickets or whatever. Uh, my friend was in it. He

1720
01:38:59,160 --> 01:39:01,920
Speaker 1: recruited like six add their kids to be in it,

1721
01:39:02,280 --> 01:39:04,479
Speaker 1: including the girl that he was with at the time,

1722
01:39:05,040 --> 01:39:09,920
Speaker 1: And there was one rehearsal where a woman walked in

1723
01:39:10,360 --> 01:39:14,680
Speaker 1: like stumbled in and James was like, oh, I'm I'm sponsoring.

1724
01:39:14,760 --> 01:39:19,200
Speaker 1: I'm like, this girl's a sponsor, and it was Lindsay

1725
01:39:19,280 --> 01:39:22,280
Speaker 1: Lohan and she like stumbled in and was with her

1726
01:39:22,360 --> 01:39:26,000
Speaker 1: friends and was like giggling and just talking through the

1727
01:39:26,000 --> 01:39:29,200
Speaker 1: whole rehearsal, and James apparently like yelled at her and

1728
01:39:29,280 --> 01:39:31,519
Speaker 1: told her to leave in front of everyone, and she

1729
01:39:31,880 --> 01:39:35,760
Speaker 1: cried and left. Um, this is true ego to think

1730
01:39:35,840 --> 01:39:40,200
Speaker 1: that you can just allow like, oh my gosh, oh

1731
01:39:40,320 --> 01:39:42,719
Speaker 1: my god. There's so much going on in that story.

1732
01:39:42,840 --> 01:39:47,120
Speaker 1: It's truly so much. I will never forget my friend Will.

1733
01:39:47,520 --> 01:39:50,599
Speaker 1: My best friend Will got back and was like, as

1734
01:39:50,640 --> 01:39:54,040
Speaker 1: someone that grew up obsessed with Lindsay Lohan, I was

1735
01:39:54,160 --> 01:39:59,479
Speaker 1: so sad for so many reasons that. Honestly, the thing

1736
01:39:59,560 --> 01:40:02,680
Speaker 1: with James Franco is I've always just been like allured

1737
01:40:02,840 --> 01:40:05,080
Speaker 1: by him, and now as of late, I'm just kind

1738
01:40:05,080 --> 01:40:07,760
Speaker 1: of like, oh God, I really don't care. Are just

1739
01:40:07,920 --> 01:40:11,639
Speaker 1: so many reasons to not with James Franco that I'm

1740
01:40:12,200 --> 01:40:15,680
Speaker 1: absolutely baffled that we continue. There's a ton of other

1741
01:40:15,760 --> 01:40:18,680
Speaker 1: people in the world to admire like, and it's just

1742
01:40:18,800 --> 01:40:23,120
Speaker 1: like the Busy Phillips thing is weird. The fact that

1743
01:40:23,200 --> 01:40:25,639
Speaker 1: he ever thought he could just push her to the ground.

1744
01:40:26,560 --> 01:40:29,160
Speaker 1: I get that people are young, they do whatever they do,

1745
01:40:29,280 --> 01:40:31,200
Speaker 1: whatever they do, stupid ship, But like he pushed someone

1746
01:40:31,240 --> 01:40:33,840
Speaker 1: to the ground and infected her enough to keep talking

1747
01:40:33,920 --> 01:40:37,760
Speaker 1: about it. Just it just these men just like can

1748
01:40:37,880 --> 01:40:40,400
Speaker 1: keep taking these heads and like it doesn't really even

1749
01:40:40,760 --> 01:40:43,200
Speaker 1: the heads keep coming, Yeah, because it's a glorification of

1750
01:40:43,280 --> 01:40:47,720
Speaker 1: a time in Hollywood, especially where like male actors when

1751
01:40:47,760 --> 01:40:50,719
Speaker 1: they were really quote unquote in it could do whatever

1752
01:40:50,760 --> 01:40:53,080
Speaker 1: they wanted and they would just be heralded as a genius.

1753
01:40:53,160 --> 01:40:56,320
Speaker 1: Like Dustin Hoffman conspired with his director and Cramer versus

1754
01:40:56,320 --> 01:40:59,799
Speaker 1: cremertax a glass at Meryl Street. And it's not okay,

1755
01:41:00,120 --> 01:41:03,920
Speaker 1: that's not that's truly not okay. And especially it was

1756
01:41:03,960 --> 01:41:06,439
Speaker 1: like very pervasive at NYU, even just like beyond James

1757
01:41:06,520 --> 01:41:08,960
Speaker 1: right go, it's just like you see how all of

1758
01:41:09,080 --> 01:41:13,080
Speaker 1: that is ingrained. Yeah yeah, yeah, wow. We should move

1759
01:41:13,160 --> 01:41:15,479
Speaker 1: on from men. We should move to move on from then.

1760
01:41:16,280 --> 01:41:20,360
Speaker 1: We are a post man, postman, postman, We are postman. Hey,

1761
01:41:20,920 --> 01:41:25,519
Speaker 1: wait a minute, and we're the postman. Wow? Thank you?

1762
01:41:26,240 --> 01:41:28,280
Speaker 1: Can you believe this up? I can't believe this app

1763
01:41:28,439 --> 01:41:30,719
Speaker 1: m what a true I came in I came in today.

1764
01:41:30,720 --> 01:41:33,200
Speaker 1: You saw me today earlier. I was tired. Oh babe,

1765
01:41:33,240 --> 01:41:35,320
Speaker 1: I don't know if I like I was. I was

1766
01:41:35,400 --> 01:41:38,560
Speaker 1: just like tired. No, it wasn't, I was tired. I

1767
01:41:38,600 --> 01:41:40,439
Speaker 1: was like, I was like, I was like this, I

1768
01:41:40,560 --> 01:41:42,880
Speaker 1: was like, this is like such a weird place for

1769
01:41:42,960 --> 01:41:44,479
Speaker 1: me to be, like, I don't know, like where I'm at.

1770
01:41:44,880 --> 01:41:50,519
Speaker 1: And Natalie just recalibrated my emotional state. She's the perfect

1771
01:41:50,520 --> 01:41:52,840
Speaker 1: She's the perfect one, the perfection. Can I tell you

1772
01:41:52,920 --> 01:41:54,840
Speaker 1: what a dream come true this has been? And I

1773
01:41:54,920 --> 01:41:57,639
Speaker 1: feel that you must come back. You must because because

1774
01:41:57,840 --> 01:42:01,080
Speaker 1: this is an yes, and look, we have great guests,

1775
01:42:01,080 --> 01:42:03,400
Speaker 1: but not everyone's a culture Not everyone's a culturesta. I

1776
01:42:03,439 --> 01:42:06,040
Speaker 1: think Natalie is one of the few. Just a compendium

1777
01:42:06,080 --> 01:42:09,080
Speaker 1: of references really but that but that mixed with the

1778
01:42:09,120 --> 01:42:10,920
Speaker 1: way that you were able to communicate that to a

1779
01:42:11,000 --> 01:42:15,160
Speaker 1: larger audience, mixed with um, mixed with this very this

1780
01:42:15,479 --> 01:42:18,679
Speaker 1: very textured background, I think is everything that a culture

1781
01:42:18,720 --> 01:42:21,640
Speaker 1: Rista is. It's and she's schooling me on and what

1782
01:42:21,720 --> 01:42:24,320
Speaker 1: a culture eista should be. And that is why we love,

1783
01:42:24,400 --> 01:42:26,960
Speaker 1: That is why we love Natalie Walker. And I would

1784
01:42:26,960 --> 01:42:30,880
Speaker 1: actually give you the opportunity of ending us on the

1785
01:42:30,960 --> 01:42:34,400
Speaker 1: song and we will join in. Oh my god, Oh

1786
01:42:34,479 --> 01:42:38,080
Speaker 1: my god, this is so stressful. What do I know

1787
01:42:38,360 --> 01:43:13,760
Speaker 1: songs Chello, Shoo, Shollo, show ah, Bye Bye. Forever. This

1788
01:43:13,960 --> 01:43:17,880
Speaker 1: has been a Forever Dog production executive produced by Brett Boham,

1789
01:43:18,240 --> 01:43:23,000
Speaker 1: Joe Silio, and Alex Ramsey. For more original podcasts, please

1790
01:43:23,120 --> 01:43:26,840
Speaker 1: visit Forever Dog Podcasts dot com and subscribe to our

1791
01:43:26,920 --> 01:43:31,440
Speaker 1: shows on Apple Podcasts, Spotify, or wherever you get your podcasts.

1792
01:43:31,760 --> 01:43:34,559
Speaker 1: Keep up with the latest Forever Dog news by following

1793
01:43:34,680 --> 01:43:38,840
Speaker 1: us on Twitter and Instagram at Forever Dog Team, and

1794
01:43:39,040 --> 01:43:40,920
Speaker 1: liking our page on Facebook.