WEBVTT - The Wow Moment (DWTS: The Next Pro 105)

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<v Speaker 1>We are back for episode five of the next pro

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<v Speaker 1>just literal weeks away from the start of season thirty

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<v Speaker 1>five of Dancing with the Stars, I already feel the

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<v Speaker 1>buzz building, rumors freely flying online about who will be

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<v Speaker 1>participating val Do you look for any of this online

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<v Speaker 1>chatter or do you completely avoid it?

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<v Speaker 2>About next bro?

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<v Speaker 3>No, about dance season thirty five of Dancing with the Stars.

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<v Speaker 2>Dancing with the Stars, I am outside of the chatter.

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<v Speaker 3>You don't love, you don't know.

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<v Speaker 2>I'm not a good recipient of gossip, okay, Like I

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<v Speaker 2>don't reciprocate, you know. I like to gossip for the

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<v Speaker 2>like the social equity that you have. Right You're like, yo,

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<v Speaker 2>did you know? And I'm like cool, And then they're like,

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<v Speaker 2>well that was underwhelming. I'm not wasting my secrets on

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<v Speaker 2>this dude, you know. So they go somewhere else. It

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<v Speaker 2>does intersect me, obviously, because I'm not completely ignorant. I

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<v Speaker 2>do want to participate, you know. I think that's me

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<v Speaker 2>walking the line is like I don't want to be

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<v Speaker 2>this high brow like I'm above this. I want to participate,

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<v Speaker 2>but I want to participate it in an order, like

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<v Speaker 2>a real authentic way. You know what I'm not supposed

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<v Speaker 2>to know. I'm not supposed to know, and I don't

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<v Speaker 2>want to know, you know, Like right now is when

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<v Speaker 2>it's like, oh, I heard this one, got this one.

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<v Speaker 2>I heard this one's doing the show. They're definitely going

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<v Speaker 2>to pair up this one with this one, and I'm

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<v Speaker 2>just not interested in that because I know for a

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<v Speaker 2>fact that they change things around last second, like literally

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<v Speaker 2>last second until you see each other in the room.

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<v Speaker 2>I don't believe it.

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<v Speaker 3>Yeah, you know, And so the speculation, yeah, it's.

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<v Speaker 2>It's a it's a it's a waste of my energy,

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<v Speaker 2>right because I started building things in my mind. Oh okay, cool,

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<v Speaker 2>Oh we could do this and then it flip. So

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<v Speaker 2>I'd rather, like I said, I'd just rather be genuinely

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<v Speaker 2>surprised when I mean my partner.

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<v Speaker 1>Yeah then yeah, Well you and I did some interviews

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<v Speaker 1>together at the Dancing with the Stars Con, but we

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<v Speaker 1>did not check in again with our listeners once it began.

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<v Speaker 1>Now that it is in the books, it's done, the

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<v Speaker 1>first ever Dancing with the Stars con. What did you

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<v Speaker 1>think of the first annual event?

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<v Speaker 2>I thought it was massive. I thought it was like

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<v Speaker 2>larger than life. Moments you know. I mean, obviously I'm

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<v Speaker 2>a big sports fan. Having in an arena we had

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<v Speaker 2>the Glitter Games on Friday, when we entered the arena

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<v Speaker 2>with the co two like oh yeah, it just fell

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<v Speaker 2>and having kind of maybe not three sixty but eighty five.

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<v Speaker 2>I mean, you know, I never passed geometry, but whatever.

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<v Speaker 2>Just having a crowd around us was epic. And then

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<v Speaker 2>everything else is like the things that I love to

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<v Speaker 2>do in the dance space just you know, magnified, right,

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<v Speaker 2>I love to teach. So I got to teach an

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<v Speaker 2>arena full of dance. You know people, everybody was up

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<v Speaker 2>in their seats dancing. Like my little half an hour

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<v Speaker 2>group class was probably my favorite part of the weekend.

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<v Speaker 3>I love it.

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<v Speaker 2>We had the Phaedra Parks Assist thing. It was just

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<v Speaker 2>again to me, a social dance class. Now again, when

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<v Speaker 2>I teach like serious dance classes, that's different. But again

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<v Speaker 2>I'm trying to build something where it's accessible to as

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<v Speaker 2>many people as possible. And a lot of times dance

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<v Speaker 2>obviously is very intimidating, So you know, I I treat

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<v Speaker 2>it more like a like a fun line dance I teach.

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<v Speaker 2>On the backdrop off, I get to do stand up

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<v Speaker 2>and just you know, have fun and make jokes and

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<v Speaker 2>people walk away feeling good. I walk away alive, full

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<v Speaker 2>of service. You know. I feel like I've earned my

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<v Speaker 2>keeping this life and that's it, you know, And then

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<v Speaker 2>we keep it moving. But the pictures, the meeting, the hugging,

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<v Speaker 2>you know, the panels, getting to share my thoughts on

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<v Speaker 2>the thing that has occupied my life for so long,

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<v Speaker 2>and in the best way possible. I mean, it's a

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<v Speaker 2>dream weekend for me. Yeah, and you know, in the

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<v Speaker 2>process again, connecting with the people, not just people, but

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<v Speaker 2>the people in particular that have made the show success. Yes,

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<v Speaker 2>oh yeah, it's an exchange of gratitude and it's really fun.

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<v Speaker 1>Well, let's jump into the next pro We only have

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<v Speaker 1>six dancers left, so we are here to recap season one,

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<v Speaker 1>episode five. We get the highlights from last week and

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<v Speaker 1>Robert returns to greet our remaining hopefuls and let them

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<v Speaker 1>know they are at the competition's halfway point. It's only

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<v Speaker 1>going to get harder from here. Our judges, Surely and

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<v Speaker 1>Mark Ballas then enter the room. Surely's in a white

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<v Speaker 1>frilly top. Not sure if that's important to the recap,

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<v Speaker 1>but I did just want to mention it, because she

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<v Speaker 1>looks fantastic, very important. I'm always looking at what she's wearing,

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<v Speaker 1>and I like that. Every week it's something totally different.

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<v Speaker 1>We've seen bare shoulders, fully covered shoulders. She has got

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<v Speaker 1>incredible fashion sense.

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<v Speaker 2>Again, there are dancers, there are dancers trying to win

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<v Speaker 2>a show. But the star of this, this, this entire

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<v Speaker 2>project that Shirley Dallas.

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<v Speaker 3>Yeah.

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<v Speaker 1>Well, Shirley mentions she's looking for confidence, and then Mark,

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<v Speaker 1>a Dancing with the Stars finalist eleven times, then tells

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<v Speaker 1>them to embrace the pressure because that is what makes

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<v Speaker 1>Diamonds such a hater.

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<v Speaker 2>I immediately thought to myself, well, you know, we're tied for

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<v Speaker 2>that record.

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<v Speaker 3>They didn't even mention it. How rude tied for that?

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<v Speaker 2>Yeah, apparently Mark and I share the most Finals appearance ever. Wow,

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<v Speaker 2>I think I believe. So we'll fact check this.

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<v Speaker 3>And who's done. Have you guys also done the same

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<v Speaker 3>amount of seasons?

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<v Speaker 2>I believe so at this point, yes, because he started earlier,

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<v Speaker 2>but then he took a little break.

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<v Speaker 3>A little break. Yeah, wow, you guys are neck and neck.

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<v Speaker 2>Oh anyway, anyway, Yeah, no, it's it's it's a great episode.

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<v Speaker 2>I think it's a it's a great challenge. Yeah, and then.

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<v Speaker 1>We're introduced to this week's guest judge, twenty twenty one's

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<v Speaker 1>Mirror Ball champ, the Emmy nominated Ferrari herself, Daniella Kara Gosh,

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<v Speaker 1>m Now, what can you tell us about Daniella as

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<v Speaker 1>a dancer, a partner, a competitor.

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<v Speaker 3>She's special, right.

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<v Speaker 2>Oh yeah, I mean she's been spa I know her

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<v Speaker 2>since she was a kid. We kind of came up

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<v Speaker 2>from the same area, Brooklyn, New York. There's just so

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<v Speaker 2>much I have so much pride for the individual that

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<v Speaker 2>comes from that region. I mean, obviously I'm a product that,

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<v Speaker 2>but again I moved from Brooklyn at a young age

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<v Speaker 2>as well, and you know, I'm a New Yorker. Obviously

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<v Speaker 2>I love the tri said area, but those were formative years. Anyway,

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<v Speaker 2>I know Daniella from that dance scene and before we

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<v Speaker 2>get to the accolades and the competitive stuff. Just to

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<v Speaker 2>see her do a contemporary piece as the highlight of

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<v Speaker 2>who she's coming, you know, how she's showing up. That

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<v Speaker 2>to me is such a huge accomplishment. I'm so proud

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<v Speaker 2>of her because again, neither one of us grew up

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<v Speaker 2>with contemporary in our vocabulary, and the fact that when

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<v Speaker 2>she joined the show, contemporary was still not part of

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<v Speaker 2>her vocabulary. This is something that she's grown into while

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<v Speaker 2>doing the show right, and again, for me, that's a

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<v Speaker 2>testament to when she joined Dancing with the Stars, she

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<v Speaker 2>was elite, the master of her craft on a different

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<v Speaker 2>level that everybody got to see very quickly. But the

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<v Speaker 2>fact that she was humble enough and open enough and

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<v Speaker 2>still hungry enough to learn other styles enough to now

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<v Speaker 2>be an exampful to the show to the next bro

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<v Speaker 2>I'm proud of that. I'm proud of her, and I'm

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<v Speaker 2>proud to have the world celebrate this talent.

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<v Speaker 3>Yeah.

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<v Speaker 2>You know, we hear a lot, obviously about the incredible

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<v Speaker 2>talent that comes out of Provo, Utah and Utah in general.

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<v Speaker 2>You know, there's there's a community in Brooklyn, New York,

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<v Speaker 2>in the greater tri State New York area that is

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<v Speaker 2>producing some of the best ballroom land dancers that represent

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<v Speaker 2>this country, the United States for a long time as winners,

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<v Speaker 2>World Champions, Blackpool Champions. You know, we're proud to be

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<v Speaker 2>Americans too. Yeah, even though we have these odd sounding names. Right,

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<v Speaker 2>So again, she's a product of that environment, and I

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<v Speaker 2>you know, I appreciate her in the room that I

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<v Speaker 2>get to shining as well.

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<v Speaker 1>It's always so nice to hear you lay praise on

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<v Speaker 1>everyone that you know you do such a good job

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<v Speaker 1>of it. Daniella performs to a slow rendition of Tears

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<v Speaker 1>for Fears Everybody wants to Rule the World, and as always,

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<v Speaker 1>it is stellar, with lots of awe inspiring lifts and

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<v Speaker 1>a few of her biggest viral moments from past seasons.

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<v Speaker 1>I know, it was like a cocktail of it was

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<v Speaker 1>like valves knee walks, and then there was the walk

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<v Speaker 1>and yeah, Robert has only three words when it's done.

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<v Speaker 3>Wow, Wow, Wow.

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<v Speaker 1>Daniella explains that she has learned that successful Dancing with

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<v Speaker 1>the Stars dances have to include wow moments that can

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<v Speaker 1>go viral and that means more votes. So this week's

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<v Speaker 1>challenge for the theme is Wow Moments, and it'll be

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<v Speaker 1>contemporary and we'll need to include one of three Dancing

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<v Speaker 1>with the Star's viral moments celebrity podcaster Valschmarkowsky's knee walks,

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<v Speaker 1>Whitney Carson's leg lift, or Daniella's very own air walk.

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<v Speaker 1>Plus they will need to add one of their own

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<v Speaker 1>unique viral attempts into the mix. As Shirley explains, look

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<v Speaker 1>to find something the audience has never seen before.

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<v Speaker 3>How hard is that?

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<v Speaker 1>Like when we talk about music or TV or movies,

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<v Speaker 1>a lot of what comes up is is there any

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<v Speaker 1>anything new? Is there ever anything truly that we haven't

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<v Speaker 1>experienced before? Or is something always you know, somewhat taken

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<v Speaker 1>from something else? How hard is it to come up

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<v Speaker 1>with a dance move that no one's ever seen?

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<v Speaker 2>Uh, It's very hard.

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<v Speaker 3>How do you guys seem to do it so easily?

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<v Speaker 2>We don't. I just think dance moves are just you know,

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<v Speaker 2>they're they're just the script. They're just the words. You know,

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<v Speaker 2>these words take on different shape with every single person,

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<v Speaker 2>you know, a different person doing them. You know, they're

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<v Speaker 2>not the same. And so this is a hard episode

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<v Speaker 2>for me because, you know, a wow moment? What is

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<v Speaker 2>a wow moment? I'm a believer in the human part

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<v Speaker 2>of this thing, right, I think people make the dance incredible,

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<v Speaker 2>not the dance, yeah, you know, And so of course

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<v Speaker 2>I want cool choreography. But I'm never tripping about choreography honestly,

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<v Speaker 2>because I'll make any choreography great because I am a

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<v Speaker 2>part of it. I'm going to be doing that choreography,

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<v Speaker 2>even the craziest stuff, unless it's like breaking my body.

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<v Speaker 2>You know, I will put so much soul into that

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<v Speaker 2>it'll it'll be the greatest thing you've ever seen. Right.

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<v Speaker 2>So that's what I believe in. And for that reason,

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<v Speaker 2>I'm not a trickster. I'm not really a thrower or

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<v Speaker 2>any of that stuff.

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<v Speaker 3>But we saw you try to do a double cart

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<v Speaker 3>wheel last year.

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<v Speaker 2>I did, and you see how that ended. I love

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<v Speaker 2>the spirit. But on the flip side, it's not about

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<v Speaker 2>what I think, or what I am or what you know.

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<v Speaker 2>I do see the value in the wow moment that

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<v Speaker 2>is physical, acrobatic just that I think there's a psychology

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<v Speaker 2>there that isn't about dance at all. It's just about

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<v Speaker 2>the human psychology of like, Wow, this death, death defying

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<v Speaker 2>feet that you see. That's not dance to me. That

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<v Speaker 2>is just a dole acrobatic, cergus lete type of performative thing.

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<v Speaker 2>If you're asking me as a pure dancer, and that's

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<v Speaker 2>where I am again. For me, the wow moments have

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<v Speaker 2>always been about the exchange between two people and the

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<v Speaker 2>quality of everything else. That's the wow. The wow is

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<v Speaker 2>how I how I move?

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<v Speaker 3>But that may be for dance, but we're talking Dancing

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<v Speaker 3>with the Stars totally, and so now we're talking votes

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<v Speaker 3>and social I liked.

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<v Speaker 2>This episode and it's important. I'm just not the guy

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<v Speaker 2>for this episode. This is the episode I would have

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<v Speaker 2>been eliminated.

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<v Speaker 3>Really, this would have been your week. You would have

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<v Speaker 3>been totally. I don't want to do I spoil it.

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<v Speaker 3>How do the people know? Are they waiting till the end?

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<v Speaker 2>I don't know waiting. I think it's a very controversial moment.

0:12:47.679 --> 0:12:51.320
<v Speaker 3>Yeah, now I did. I just got word about something.

0:12:51.520 --> 0:12:52.040
<v Speaker 2>What is it.

0:12:53.400 --> 0:12:55.160
<v Speaker 1>Remember at the beginning of the show, we had talked

0:12:55.160 --> 0:12:58.960
<v Speaker 1>about how you and Mark were tied for being in

0:12:59.000 --> 0:13:00.320
<v Speaker 1>the finals eleven times.

0:13:00.440 --> 0:13:01.960
<v Speaker 2>Yeah, I brought that up.

0:13:02.040 --> 0:13:05.880
<v Speaker 1>Yeah, well, I did just get word that you've You've

0:13:05.880 --> 0:13:10.199
<v Speaker 1>actually only only been in the finals ten times to

0:13:10.320 --> 0:13:13.760
<v Speaker 1>Mark eleven, so he does have one more than you there.

0:13:13.800 --> 0:13:18.280
<v Speaker 1>But but you guys are tied with ten each for

0:13:18.480 --> 0:13:19.760
<v Speaker 1>top three finishes.

0:13:19.960 --> 0:13:21.920
<v Speaker 2>So top three finish, top three.

0:13:21.760 --> 0:13:24.079
<v Speaker 1>Finishes, you are tied with ten each. But he has

0:13:24.160 --> 0:13:26.040
<v Speaker 1>made it to the finals one more time than you.

0:13:26.920 --> 0:13:30.400
<v Speaker 2>Listen, because they'll squeeze him into the final just to

0:13:30.400 --> 0:13:33.160
<v Speaker 2>have him in there. I mean for me, the final

0:13:33.200 --> 0:13:33.800
<v Speaker 2>is top three.

0:13:34.160 --> 0:13:36.280
<v Speaker 3>Okay, I see and we tied there? You tied there?

0:13:36.360 --> 0:13:37.600
<v Speaker 2>Yeah, that is I don't want to hear.

0:13:52.920 --> 0:13:53.240
<v Speaker 3>Okay.

0:13:53.240 --> 0:13:55.520
<v Speaker 1>So Adele admits that this will be her first time

0:13:55.559 --> 0:14:00.200
<v Speaker 1>performing at contemporary, which sounds daunting, especially when Robert remind

0:14:00.280 --> 0:14:02.880
<v Speaker 1>them at the end of the episode someone will be

0:14:02.920 --> 0:14:06.600
<v Speaker 1>eliminated and for some inspiration this week, Robert says he

0:14:06.640 --> 0:14:08.960
<v Speaker 1>wants to take them to a place that makes him

0:14:09.000 --> 0:14:10.800
<v Speaker 1>say wow every day.

0:14:11.480 --> 0:14:13.079
<v Speaker 3>The cheesecake factory.

0:14:13.240 --> 0:14:15.240
<v Speaker 2>Just kidding, he takes.

0:14:16.640 --> 0:14:20.520
<v Speaker 1>He takes them to his family's Australia zoo. We see

0:14:20.560 --> 0:14:25.480
<v Speaker 1>giraffes and zebras and Robert, who's holding a snake. The

0:14:25.560 --> 0:14:29.280
<v Speaker 1>contestants are wowed while feeding a porcupine and petting a

0:14:29.360 --> 0:14:33.040
<v Speaker 1>rhino cuddling with a koala. Wow, do you want to

0:14:33.040 --> 0:14:33.840
<v Speaker 1>cuddle with a koala?

0:14:33.880 --> 0:14:35.280
<v Speaker 2>I always have wanted.

0:14:35.600 --> 0:14:41.360
<v Speaker 1>I know I've never been to Australia. Should we take

0:14:41.440 --> 0:14:45.800
<v Speaker 1>to a family trip together? Because for the finale, great idea.

0:14:46.600 --> 0:14:48.200
<v Speaker 1>You start the season at the finale, So that's a

0:14:48.240 --> 0:14:51.000
<v Speaker 1>bad idea. The premiere of the next Dancing with a

0:14:51.560 --> 0:14:54.480
<v Speaker 1>great idea. Oh I love it. Let's plan that now.

0:14:54.880 --> 0:14:56.760
<v Speaker 2>I don't know if we said the same thing just now, but.

0:14:56.880 --> 0:14:57.400
<v Speaker 3>I know what you mean.

0:14:57.440 --> 0:15:00.440
<v Speaker 1>The premiere of Stepping on Toes with the Dancing with

0:15:00.480 --> 0:15:03.360
<v Speaker 1>the Stars. The next pro when that premieeres, we go

0:15:03.840 --> 0:15:08.080
<v Speaker 1>and we can interview Robert to promote the season Zoo

0:15:08.120 --> 0:15:15.320
<v Speaker 1>at his Zoo manifestation. I think a lot of people

0:15:15.360 --> 0:15:19.560
<v Speaker 1>see Robert as a TV star, the champion of Dancing

0:15:19.560 --> 0:15:22.960
<v Speaker 1>with the Stars, but his entire life has been dedicated

0:15:23.000 --> 0:15:26.880
<v Speaker 1>to preserving wildlife and taking care of animals. And it's

0:15:26.960 --> 0:15:29.880
<v Speaker 1>so inspiring and it's so sweet to see him in

0:15:29.920 --> 0:15:35.840
<v Speaker 1>his element, even though he is trying to make comparisons

0:15:35.880 --> 0:15:39.440
<v Speaker 1>to the cuddly softness of a koala with the cuddly

0:15:39.480 --> 0:15:41.640
<v Speaker 1>softness of dancing TV.

0:15:42.120 --> 0:15:43.120
<v Speaker 3>It is great to be.

0:15:43.600 --> 0:15:47.520
<v Speaker 2>Yeah, Robert's the rock Star is an incredible family. He's

0:15:47.600 --> 0:15:52.880
<v Speaker 2>such a talent. Yes, I love that he shared a

0:15:52.880 --> 0:15:56.760
<v Speaker 2>bit of himself. Yeah, it is completely random to have

0:15:56.880 --> 0:15:59.960
<v Speaker 2>animals with dance moves, but I like.

0:16:00.400 --> 0:16:01.120
<v Speaker 3>It was cute.

0:16:01.240 --> 0:16:04.880
<v Speaker 1>They found ways the cuddly softness of this koala don't

0:16:04.920 --> 0:16:08.560
<v Speaker 1>lose that softness in the dance totally. So the dancers

0:16:08.560 --> 0:16:11.280
<v Speaker 1>are sent back to the ballroom. Now reinvigorated with some

0:16:11.480 --> 0:16:14.760
<v Speaker 1>wow and ready to rehearse. Danielliswings by to help and

0:16:14.800 --> 0:16:18.080
<v Speaker 1>they chat a little about the process. Selena says this

0:16:18.320 --> 0:16:21.080
<v Speaker 1>is her wheelhouse. She feels like she has a leg

0:16:21.160 --> 0:16:24.080
<v Speaker 1>up on the other dancers, so she is walking into

0:16:24.120 --> 0:16:27.440
<v Speaker 1>this one with some of that confidence that Shirley was

0:16:27.440 --> 0:16:31.360
<v Speaker 1>talking about. They're going to be dancing as couples, and

0:16:31.440 --> 0:16:35.120
<v Speaker 1>this time the guys will select their partners, which is

0:16:35.160 --> 0:16:38.280
<v Speaker 1>a flip from last week. And reminder, if more than

0:16:38.320 --> 0:16:41.400
<v Speaker 1>one guy chooses the same girl, the girl will pick

0:16:41.440 --> 0:16:44.600
<v Speaker 1>between the two, and then the guy must re select.

0:16:45.040 --> 0:16:48.480
<v Speaker 2>That was so confusing. He just said, I was like

0:16:48.520 --> 0:16:53.400
<v Speaker 2>trying to follow if the guy chooses the two girls.

0:16:52.040 --> 0:16:53.720
<v Speaker 1>The girls went to the guy, and then when he

0:16:53.800 --> 0:16:55.840
<v Speaker 1>had two women on his arm, he had to choose

0:16:55.880 --> 0:16:57.680
<v Speaker 1>which of them, So now it's the reverse.

0:16:57.760 --> 0:17:02.400
<v Speaker 2>I'm definitely getting eliminated this episode too much thinking I'm

0:17:02.440 --> 0:17:06.080
<v Speaker 2>trying to figure out how to dance, Like this.

0:17:06.119 --> 0:17:08.600
<v Speaker 3>Part doesn't seem that hard. Just go to a person.

0:17:08.680 --> 0:17:10.600
<v Speaker 3>If two of you were with one person, someone has

0:17:10.640 --> 0:17:11.399
<v Speaker 3>to choose totally.

0:17:11.920 --> 0:17:14.479
<v Speaker 2>I mean I'd be chosen every time regardless.

0:17:14.560 --> 0:17:15.840
<v Speaker 3>And then you'd have the hard decision.

0:17:15.840 --> 0:17:18.080
<v Speaker 1>You'd have all three ladies, yeah on your arm, then

0:17:18.119 --> 0:17:18.920
<v Speaker 1>you'd have to choose one.

0:17:19.520 --> 0:17:20.240
<v Speaker 3>So there you go.

0:17:20.800 --> 0:17:24.879
<v Speaker 1>And so Alan stands with Adele, Aj and Eric stand

0:17:24.880 --> 0:17:28.760
<v Speaker 1>with Selena, and no one picks Nina. And I felt

0:17:28.760 --> 0:17:31.560
<v Speaker 1>like Nina was like, I'm not used to this. I

0:17:31.600 --> 0:17:35.560
<v Speaker 1>am not used to this. And then, because now Selena

0:17:35.640 --> 0:17:42.360
<v Speaker 1>has to choose, she picks Eric over Aj, and she immediately.

0:17:41.840 --> 0:17:44.000
<v Speaker 2>This is this episode should be called karmos.

0:17:44.880 --> 0:17:46.720
<v Speaker 3>She bursts into tears.

0:17:47.440 --> 0:17:50.600
<v Speaker 2>I know that was that was I mean, yeah, it's

0:17:50.640 --> 0:17:51.119
<v Speaker 2>tough for her.

0:17:51.160 --> 0:17:54.359
<v Speaker 3>I guess it was, Yeah, very very difficult for her

0:17:54.400 --> 0:17:54.960
<v Speaker 3>to make that well.

0:17:55.160 --> 0:17:57.600
<v Speaker 2>At this point, also, they're spending more time in the house.

0:17:57.640 --> 0:18:00.919
<v Speaker 2>I think they're now building like they're closer, they're fighting,

0:18:00.920 --> 0:18:04.119
<v Speaker 2>they're making up, they're forgiving each other. Maybe they're yeah

0:18:04.119 --> 0:18:06.359
<v Speaker 2>moving on and yeah they're closer friends.

0:18:06.800 --> 0:18:12.080
<v Speaker 1>Yeah, So all right, AJ is not chosen. Selena becomes

0:18:12.200 --> 0:18:17.119
<v Speaker 1>very emotional. She apologizes to Aj, who then settles with Nina,

0:18:17.240 --> 0:18:21.320
<v Speaker 1>who remember has never done contemporary before, and Aj admits

0:18:21.560 --> 0:18:26.280
<v Speaker 1>it is not within his comfort zone either, and then

0:18:26.480 --> 0:18:30.080
<v Speaker 1>we jump right into couples rehearsals and there are two

0:18:30.359 --> 0:18:34.720
<v Speaker 1>days remaining. Alan takes charge with a spinning somewhat WWE

0:18:34.920 --> 0:18:39.760
<v Speaker 1>adjacent wow moment, which she h Allen Copter.

0:18:43.440 --> 0:18:44.280
<v Speaker 2>It's good well.

0:18:44.359 --> 0:18:47.360
<v Speaker 1>Selena and dark Horse Eric seem to be working well

0:18:47.400 --> 0:18:51.639
<v Speaker 1>together with lifts and tricks, Selena's specialty. AJ and Nina

0:18:51.720 --> 0:18:55.560
<v Speaker 1>have actually implemented some inspiration from Robert's Zoo I was.

0:18:56.040 --> 0:18:58.600
<v Speaker 1>I mean, if we thought they weren't going to really

0:18:58.640 --> 0:19:02.120
<v Speaker 1>be inspired, we were wrong because they mentioned kangaroo jumps,

0:19:02.400 --> 0:19:07.600
<v Speaker 1>python squeezes, koala cuddles, and Nina mentions her past musical

0:19:07.680 --> 0:19:12.000
<v Speaker 1>theater experience left field I know, and boy did it

0:19:12.040 --> 0:19:14.160
<v Speaker 1>really come in handy for her totally.

0:19:14.560 --> 0:19:20.040
<v Speaker 2>I think she was making sounds yeah, yeah, yeah.

0:19:20.760 --> 0:19:25.440
<v Speaker 1>Do you think the music well, yeah, like gasping totally.

0:19:25.840 --> 0:19:27.879
<v Speaker 1>We Also another thing you don't see in the show

0:19:28.760 --> 0:19:31.359
<v Speaker 1>is that they are hearing there, that they know what

0:19:31.400 --> 0:19:32.240
<v Speaker 1>their music is.

0:19:33.280 --> 0:19:35.679
<v Speaker 3>What their music like, the songs they're dancing to.

0:19:35.800 --> 0:19:37.560
<v Speaker 2>I know, we only hear for the first time when

0:19:37.720 --> 0:19:41.320
<v Speaker 2>we don't hear that the rehearsal space exactly. But on

0:19:41.400 --> 0:19:43.760
<v Speaker 2>the dancing when the stars you also don't hear, but

0:19:43.840 --> 0:19:44.520
<v Speaker 2>we talk about it.

0:19:44.600 --> 0:19:46.720
<v Speaker 3>We talk about it. We say that I'm dancing.

0:19:46.359 --> 0:19:49.240
<v Speaker 2>To this and yeah, I understand the importance of that.

0:19:49.320 --> 0:19:50.880
<v Speaker 2>I hate when they make us say that.

0:19:50.960 --> 0:19:53.040
<v Speaker 3>And now you realize, right, because.

0:19:53.200 --> 0:19:55.159
<v Speaker 2>Like as an is, we want clarity, we want to

0:19:55.200 --> 0:19:58.240
<v Speaker 2>know what they're dancing to. Yes, this week we're doing

0:19:58.280 --> 0:20:01.440
<v Speaker 2>the samba ky Mi Naj's Hero.

0:20:02.280 --> 0:20:03.320
<v Speaker 3>Yeah, exactly.

0:20:03.760 --> 0:20:05.560
<v Speaker 1>By the way, some of it, Like when I'm watching

0:20:05.640 --> 0:20:07.919
<v Speaker 1>them in rehearsal, it is very cool. Then when it

0:20:08.040 --> 0:20:11.000
<v Speaker 1>when it's time for the performance and I see them

0:20:11.080 --> 0:20:14.960
<v Speaker 1>do the move and you know, she gasps and.

0:20:14.920 --> 0:20:16.680
<v Speaker 3>It goes along with the lyric, and I wise, oh,

0:20:16.680 --> 0:20:20.399
<v Speaker 3>that's why they were doing that earlier in rehearsal. So

0:20:20.480 --> 0:20:21.440
<v Speaker 3>it is kind of cool.

0:20:21.520 --> 0:20:25.000
<v Speaker 1>But also I think if we knew that ahead of time,

0:20:25.000 --> 0:20:26.920
<v Speaker 1>we'd see it rehearsal be like, well, that looks good.

0:20:27.040 --> 0:20:27.240
<v Speaker 3>Yeah.

0:20:27.720 --> 0:20:31.200
<v Speaker 2>Oh no, I missed it every rehearsal, but I saw

0:20:31.240 --> 0:20:35.200
<v Speaker 2>it to the performance and I wish she didn't gasp.

0:20:35.560 --> 0:20:36.440
<v Speaker 3>No, he is too much.

0:20:36.560 --> 0:20:36.919
<v Speaker 2>Yeah.

0:20:37.040 --> 0:20:38.639
<v Speaker 3>Do you like contemporary?

0:20:38.800 --> 0:20:41.800
<v Speaker 2>I love contemporary? Do you? Yeah? Do you know what

0:20:41.840 --> 0:20:45.080
<v Speaker 2>I don't like? What bad contemporary? Yeah?

0:20:45.119 --> 0:20:47.320
<v Speaker 3>So would you say musical theater?

0:20:48.280 --> 0:20:51.640
<v Speaker 2>Yeah, I don't know. Maybe a musical maybe.

0:20:51.760 --> 0:20:53.919
<v Speaker 1>Well that's what she That's what she was saying was

0:20:53.960 --> 0:20:57.680
<v Speaker 1>her musical theater background is kind of the very like.

0:20:58.320 --> 0:21:01.520
<v Speaker 2>So she sang falsetto and the why is it so breathy?

0:21:02.560 --> 0:21:05.480
<v Speaker 2>What does that have? Listen? I think she's an amazing

0:21:05.680 --> 0:21:10.119
<v Speaker 2>Latin dancer. She's not a good contemporary dancer, and neither

0:21:10.200 --> 0:21:15.159
<v Speaker 2>is AJ. And that's okay, and neither am I to

0:21:15.240 --> 0:21:18.520
<v Speaker 2>be fair, you know, it's hard. So that's what I'm saying,

0:21:18.680 --> 0:21:24.119
<v Speaker 2>is like, that's a tough episode for them, regardless of

0:21:24.200 --> 0:21:26.879
<v Speaker 2>whether they accomplish the goal or not of the wow moment.

0:21:27.600 --> 0:21:32.879
<v Speaker 2>To me, anything that isn't quality is inevitably not going

0:21:32.960 --> 0:21:35.760
<v Speaker 2>to be wow enough. You could fake it, you could

0:21:35.760 --> 0:21:38.760
<v Speaker 2>do something, you could throw something, you could try your best.

0:21:38.760 --> 0:21:41.840
<v Speaker 2>And I think they did, Sure everybody did, but they did.

0:21:42.000 --> 0:21:44.640
<v Speaker 2>I'm not taking away their effort. I'm just saying it.

0:21:45.000 --> 0:21:48.600
<v Speaker 2>I'm just saying something that they also know. This is

0:21:48.640 --> 0:21:52.679
<v Speaker 2>not their style, and there are masters of that style

0:21:52.760 --> 0:21:55.360
<v Speaker 2>for a reason. When you see them the same way,

0:21:56.040 --> 0:21:59.040
<v Speaker 2>AJ gets to shine in his style, and you could

0:21:59.080 --> 0:22:00.000
<v Speaker 2>really see the difference.

0:22:01.000 --> 0:22:01.400
<v Speaker 3>Yeah.

0:22:01.640 --> 0:22:04.240
<v Speaker 1>Yeah, Well, back at the house that night, the contestants

0:22:04.280 --> 0:22:07.879
<v Speaker 1>are very tired and physically drained. I could see on

0:22:08.040 --> 0:22:10.560
<v Speaker 1>all of them, and I who's like, I've been there.

0:22:10.760 --> 0:22:12.439
<v Speaker 1>I know when that part of the season hit me,

0:22:12.640 --> 0:22:13.840
<v Speaker 1>where at the end of the night.

0:22:13.720 --> 0:22:14.199
<v Speaker 3>You're just like.

0:22:17.600 --> 0:22:20.159
<v Speaker 1>Adele breaks down to Alan about the stress, and he

0:22:20.240 --> 0:22:23.320
<v Speaker 1>reminds her to know her worth, that she is born

0:22:23.440 --> 0:22:27.640
<v Speaker 1>for this. And now it is the last couple's rehearsal

0:22:27.720 --> 0:22:31.120
<v Speaker 1>Day two. Daniella returns and checks out Adele and Alan. First,

0:22:31.480 --> 0:22:34.119
<v Speaker 1>she suggests they refine their tricks a little more and

0:22:34.200 --> 0:22:37.679
<v Speaker 1>avoid packing too much in. Daniella moves on Danina and

0:22:37.760 --> 0:22:40.360
<v Speaker 1>aj and is impressed with their Koala moment. She does

0:22:40.440 --> 0:22:43.359
<v Speaker 1>recommend really breaking out of their shell and not thinking

0:22:43.400 --> 0:22:47.280
<v Speaker 1>about perfection. Daniella then watches Selena and Eric, who do

0:22:47.400 --> 0:22:50.400
<v Speaker 1>not have their own wow moment yet, and they are

0:22:50.440 --> 0:22:53.520
<v Speaker 1>clashing a little about what they want to do. Adele

0:22:53.600 --> 0:22:57.480
<v Speaker 1>is also developing intense blisters on her feet. Ooh, she

0:22:57.560 --> 0:23:01.240
<v Speaker 1>has never danced barefoot before. Can we talk a little

0:23:01.240 --> 0:23:06.040
<v Speaker 1>about dancing barefoot? Because I hated it.

0:23:05.520 --> 0:23:10.240
<v Speaker 2>I hated it too, But again, if you've if you've

0:23:10.240 --> 0:23:15.320
<v Speaker 2>done contemporary all your life, that's like cake because because

0:23:15.320 --> 0:23:17.399
<v Speaker 2>they just build this callous on their feet.

0:23:17.880 --> 0:23:21.280
<v Speaker 3>My feet have never worked hard. There's baby feet.

0:23:21.400 --> 0:23:23.040
<v Speaker 2>Well, they've worked hard in a sneaker.

0:23:23.480 --> 0:23:26.480
<v Speaker 3>Correct, My sneakers work hard, not my feet.

0:23:26.640 --> 0:23:30.000
<v Speaker 2>Oh yeah, yeah, No, there's no direct impact on the bottles.

0:23:30.520 --> 0:23:32.400
<v Speaker 1>Then when I had to do my contemporaries, like, eh,

0:23:32.640 --> 0:23:35.960
<v Speaker 1>there's like crumbs.

0:23:35.000 --> 0:23:39.840
<v Speaker 2>In your feet, in your feet, I mean your feet whatever.

0:23:40.160 --> 0:23:42.879
<v Speaker 2>My feet looked like they got spiders on them. You know,

0:23:43.040 --> 0:23:45.600
<v Speaker 2>I don't want, no money needs to see that. I

0:23:45.600 --> 0:23:46.359
<v Speaker 2>don't want to see that.

0:23:47.000 --> 0:23:49.159
<v Speaker 3>Do you try to push off contemporary as long as

0:23:49.200 --> 0:23:49.560
<v Speaker 3>you can.

0:23:49.840 --> 0:23:54.199
<v Speaker 2>I love contemporary for the storytelling aspect of it, and I,

0:23:54.280 --> 0:23:56.720
<v Speaker 2>you know, in the season, that's why this is so hard.

0:23:56.800 --> 0:24:00.920
<v Speaker 2>I don't really you know, I sores help from my contemporaries,

0:24:01.640 --> 0:24:03.720
<v Speaker 2>you know, like others source a lot of help for

0:24:03.760 --> 0:24:06.720
<v Speaker 2>their ballrooms and their latins. I need. I need to

0:24:06.760 --> 0:24:09.840
<v Speaker 2>confront the fact that now again depends on my partner.

0:24:09.880 --> 0:24:13.040
<v Speaker 2>If it's an elementary routine, of course, I'm more than

0:24:13.119 --> 0:24:17.399
<v Speaker 2>equipped to choreograph that and execute that at this point,

0:24:17.480 --> 0:24:21.199
<v Speaker 2>not not in the beginning, but if I have a

0:24:21.320 --> 0:24:26.119
<v Speaker 2>remarkable partner, remarkable talent, and we're just doing stuff on

0:24:26.160 --> 0:24:29.600
<v Speaker 2>a high level in all the other styles like and

0:24:29.680 --> 0:24:33.000
<v Speaker 2>it comes to contemporary, I owe it to her to

0:24:33.880 --> 0:24:36.600
<v Speaker 2>give her that type of routine, and so I would

0:24:36.600 --> 0:24:38.760
<v Speaker 2>go and I would work with somebody who's great on

0:24:38.800 --> 0:24:42.720
<v Speaker 2>contemporary to teach me and help me help her create

0:24:42.800 --> 0:24:45.080
<v Speaker 2>this piece. And then and then I would go into

0:24:45.119 --> 0:24:47.320
<v Speaker 2>the room and teach her that piece. And you know,

0:24:47.359 --> 0:24:50.399
<v Speaker 2>by that time, I know, but it's not that I

0:24:50.440 --> 0:24:55.119
<v Speaker 2>can't execute it. It's just I don't speak that language naturally,

0:24:55.200 --> 0:24:59.040
<v Speaker 2>you know, So I need to speak to and all

0:24:59.080 --> 0:25:01.480
<v Speaker 2>of a sudden, I got to write poem, you know.

0:25:01.760 --> 0:25:05.199
<v Speaker 2>So I could write the poem, but I need the words,

0:25:05.240 --> 0:25:07.000
<v Speaker 2>you know, And so I would go and help, like

0:25:07.080 --> 0:25:09.280
<v Speaker 2>this is what I'm thinking, this is the creative we

0:25:09.320 --> 0:25:12.200
<v Speaker 2>want to tell this story. I kind of like, these

0:25:12.200 --> 0:25:14.359
<v Speaker 2>are some of the things that I'm really like, I

0:25:14.400 --> 0:25:17.080
<v Speaker 2>know I could do that are effective. How do we

0:25:17.359 --> 0:25:19.600
<v Speaker 2>mix that up? Switch that up? You know? But I

0:25:19.720 --> 0:25:21.600
<v Speaker 2>do my work to make sure that when I do

0:25:21.720 --> 0:25:26.000
<v Speaker 2>come into the room, that that piece of work is

0:25:26.119 --> 0:25:31.080
<v Speaker 2>worth yes, the talent in front of me and her

0:25:31.160 --> 0:25:34.399
<v Speaker 2>journey on the show. So I try to really do

0:25:34.520 --> 0:25:37.040
<v Speaker 2>my work for my shortcomings, you know, and make sure

0:25:37.080 --> 0:25:41.000
<v Speaker 2>that my shortcomings are not reflected on my partner or

0:25:41.040 --> 0:25:46.119
<v Speaker 2>her journey on the show. So yeah, what was the

0:25:46.240 --> 0:25:46.840
<v Speaker 2>question again?

0:25:47.440 --> 0:25:50.160
<v Speaker 1>I said, I'm dancing with the stars. Do you try

0:25:50.160 --> 0:25:51.800
<v Speaker 1>to put off contemporary as long as possible?

0:25:51.880 --> 0:25:54.560
<v Speaker 2>Yah? Yeah, yeah, No, I try to squeeze it somewhere

0:25:54.560 --> 0:25:56.960
<v Speaker 2>in the middle where it's just like not that long

0:25:57.000 --> 0:26:00.720
<v Speaker 2>over routine yet but still a very important week where again,

0:26:00.800 --> 0:26:05.800
<v Speaker 2>contemporary does lend itself to more of a human exchange

0:26:05.840 --> 0:26:10.040
<v Speaker 2>and a human like storytelling, right, So like I love

0:26:10.080 --> 0:26:13.119
<v Speaker 2>those type of contemporaries too, Again, not for the tricks

0:26:13.119 --> 0:26:15.560
<v Speaker 2>and the lifts of contemporary, but for the fact that

0:26:15.600 --> 0:26:18.320
<v Speaker 2>I get to be a human touching, you know, connecting

0:26:18.359 --> 0:26:21.359
<v Speaker 2>and really tell a story that I don't have to

0:26:21.400 --> 0:26:24.480
<v Speaker 2>be like an intense Latin dancer for which again I

0:26:24.520 --> 0:26:27.239
<v Speaker 2>love that energy too, but I'm not that energy all

0:26:27.280 --> 0:26:30.119
<v Speaker 2>the time, so it allows for a softer feeling, a

0:26:30.200 --> 0:26:33.600
<v Speaker 2>more delicate tone, you know. I mean again, contemporary is

0:26:33.600 --> 0:26:38.000
<v Speaker 2>such a wide range, but that's again, that's that's my

0:26:38.520 --> 0:26:39.520
<v Speaker 2>kind of approach to it.

0:26:52.240 --> 0:26:55.720
<v Speaker 1>Aj who has been having issues opening up emotionally in dance,

0:26:55.800 --> 0:26:58.120
<v Speaker 1>begins to feel the pressure and he leaves the room.

0:26:58.640 --> 0:27:01.359
<v Speaker 1>He breaks down outside it and Nina comforts him. He

0:27:01.400 --> 0:27:04.160
<v Speaker 1>has sacrificed so much to be there. He even moved

0:27:04.200 --> 0:27:06.800
<v Speaker 1>his wedding, so he does not want to go home.

0:27:08.480 --> 0:27:10.200
<v Speaker 2>But did he move his bachelor party?

0:27:10.240 --> 0:27:11.960
<v Speaker 3>That's I don't know.

0:27:12.040 --> 0:27:14.840
<v Speaker 2>I don't think so. No, I think I think.

0:27:14.840 --> 0:27:18.280
<v Speaker 3>He still had the bachelor definitely while he was on

0:27:18.320 --> 0:27:22.960
<v Speaker 3>the show. Maybe you're starting starting rumors.

0:27:25.440 --> 0:27:28.479
<v Speaker 1>And now just like that, it's show night. We are

0:27:28.480 --> 0:27:30.879
<v Speaker 1>back on the dance floor and Robert reminds them of

0:27:30.920 --> 0:27:34.680
<v Speaker 1>the assignment. Our judges are back now with a guest judge, Daniella,

0:27:34.800 --> 0:27:37.159
<v Speaker 1>and though they are dancing as couples, they will be

0:27:37.280 --> 0:27:40.879
<v Speaker 1>judged individually with one dancer going home.

0:27:42.400 --> 0:27:43.800
<v Speaker 3>Why is that fair?

0:27:44.520 --> 0:27:49.679
<v Speaker 1>This week only one person's going home.

0:27:50.400 --> 0:27:52.840
<v Speaker 2>We're invested now, so that's I.

0:27:52.760 --> 0:27:54.680
<v Speaker 3>Mean, yeah, and I get it.

0:27:54.680 --> 0:27:57.919
<v Speaker 1>It's such good TV to have double elimination, but my

0:27:58.040 --> 0:28:01.720
<v Speaker 1>heart breaks for the couple last week.

0:28:01.760 --> 0:28:02.640
<v Speaker 3>Who knew.

0:28:03.920 --> 0:28:07.000
<v Speaker 1>Whichever one of you couples doesn't shine, you're both out.

0:28:07.960 --> 0:28:12.240
<v Speaker 1>Even though this ultimately is a you know one person

0:28:12.320 --> 0:28:14.880
<v Speaker 1>is going to win, and now in this case it's

0:28:15.080 --> 0:28:17.720
<v Speaker 1>a couple, but it could be could be one person

0:28:17.760 --> 0:28:19.560
<v Speaker 1>from two different couples who's in the bottom two.

0:28:20.240 --> 0:28:21.359
<v Speaker 3>Doesn't have to be a couple.

0:28:21.840 --> 0:28:24.199
<v Speaker 2>That's the part that I don't like. You feel like

0:28:24.359 --> 0:28:27.480
<v Speaker 2>the bottom should be made up of all the contestants.

0:28:27.720 --> 0:28:30.080
<v Speaker 2>Yeah right, not just the bottom.

0:28:30.160 --> 0:28:33.119
<v Speaker 3>So last week instead of it, instead of it being

0:28:34.400 --> 0:28:35.760
<v Speaker 3>a bottom couple.

0:28:35.720 --> 0:28:40.280
<v Speaker 2>Okay, assess, assess the competition still regardless of these challenges.

0:28:40.320 --> 0:28:43.280
<v Speaker 2>These challenges are really important, but we should be assessing

0:28:43.320 --> 0:28:46.760
<v Speaker 2>them just in the totality of the talent in front

0:28:46.760 --> 0:28:50.440
<v Speaker 2>of you, whereas it then narrows it down to just

0:28:51.080 --> 0:28:52.160
<v Speaker 2>the two person unit.

0:28:53.400 --> 0:28:54.040
<v Speaker 3>Very good point.

0:28:54.240 --> 0:28:56.920
<v Speaker 1>Had they last week still done a double elimination but

0:28:57.000 --> 0:28:59.680
<v Speaker 1>it wasn't based on per couple, I would have been

0:28:59.760 --> 0:29:03.560
<v Speaker 1>I would have been fine with it. You're right, Yeah,

0:29:03.680 --> 0:29:05.920
<v Speaker 1>that's that's my issue is that Why does it have

0:29:05.960 --> 0:29:09.320
<v Speaker 1>to be based on couple? Okay, so this week, yes,

0:29:09.360 --> 0:29:12.280
<v Speaker 1>and not this week? So Aj and Nina are up first.

0:29:12.360 --> 0:29:15.680
<v Speaker 1>They danced to Human by Christina Perry and their wow moment,

0:29:15.920 --> 0:29:19.240
<v Speaker 1>the rotating Kowala cuddle is kind of cool looking.

0:29:19.400 --> 0:29:23.480
<v Speaker 2>It's very cool looking, so awesome, so beautiful song. He

0:29:23.560 --> 0:29:26.800
<v Speaker 2>did a great job. Again, I have so much I

0:29:26.840 --> 0:29:31.200
<v Speaker 2>give them so much props. I they did not rub

0:29:31.240 --> 0:29:35.160
<v Speaker 2>me the right way on a human level, but they

0:29:35.200 --> 0:29:40.240
<v Speaker 2>are working so hard and I did. He he won

0:29:40.320 --> 0:29:43.600
<v Speaker 2>me over with the emotional thing he did not from

0:29:43.600 --> 0:29:45.959
<v Speaker 2>the dance point, but he had this like little breakdown.

0:29:48.000 --> 0:29:49.640
<v Speaker 2>He covered his eyes for too long, so I wasn't

0:29:49.680 --> 0:29:50.960
<v Speaker 2>sure if he's really crying.

0:29:50.760 --> 0:29:53.360
<v Speaker 1>Or just scratching his eyes for the fact, but he

0:29:53.440 --> 0:29:56.280
<v Speaker 1>did you the rules to crying.

0:29:56.480 --> 0:29:59.800
<v Speaker 2>Look, I just want to celebrate the fact that these

0:29:59.800 --> 0:30:02.960
<v Speaker 2>two people are not contemporary dancers at all, regardless of

0:30:02.960 --> 0:30:07.120
<v Speaker 2>her musical theater background. Yep. Uh. And they put together

0:30:07.240 --> 0:30:08.360
<v Speaker 2>a pretty good piece.

0:30:08.440 --> 0:30:09.280
<v Speaker 3>Yes, they really did.

0:30:09.440 --> 0:30:11.600
<v Speaker 2>To my eyes know of course.

0:30:12.240 --> 0:30:12.920
<v Speaker 3>Yeah.

0:30:12.960 --> 0:30:16.000
<v Speaker 2>But to the to the to the viewer on Dancing

0:30:16.040 --> 0:30:19.320
<v Speaker 2>with the Stars, that's a good contemporary they would be like, wow,

0:30:19.400 --> 0:30:22.280
<v Speaker 2>that's a great dance. It had great wow moments. I

0:30:22.400 --> 0:30:25.760
<v Speaker 2>really felt you had it, had the things.

0:30:25.640 --> 0:30:27.640
<v Speaker 3>Right, so checked all the box They.

0:30:27.720 --> 0:30:30.000
<v Speaker 2>Checked all the boxes. They really did. I don't want

0:30:30.000 --> 0:30:30.680
<v Speaker 2>to say they didn't.

0:30:30.800 --> 0:30:32.280
<v Speaker 1>I don't want to gloss over the fact that you

0:30:32.280 --> 0:30:34.680
<v Speaker 1>said Aj won you over with his with his tears.

0:30:34.960 --> 0:30:39.080
<v Speaker 2>He did. He did only because I understand the stress

0:30:39.160 --> 0:30:42.440
<v Speaker 2>that he was under right in that moment. Just that

0:30:42.840 --> 0:30:46.080
<v Speaker 2>because knowing that they really only had each other to

0:30:46.200 --> 0:30:53.160
<v Speaker 2>choreograph in the room, that's a lot to ask from them. Yeah,

0:30:53.240 --> 0:30:54.960
<v Speaker 2>you know, it's like kind of what we were talking

0:30:55.000 --> 0:30:57.479
<v Speaker 2>about with Tristan when he had to choreograph a tango

0:30:57.640 --> 0:31:01.000
<v Speaker 2>or yeah, or like a really competitive of Latin dance.

0:31:01.440 --> 0:31:03.800
<v Speaker 2>That's a lot to ask from him. This is a

0:31:03.800 --> 0:31:06.000
<v Speaker 2>lot to ask from Aj and Nina, and so I

0:31:06.040 --> 0:31:10.120
<v Speaker 2>appreciate that they remember we talked about creatives and craftsmen,

0:31:10.160 --> 0:31:12.920
<v Speaker 2>you know. They they crafted this routine together based on

0:31:13.880 --> 0:31:18.040
<v Speaker 2>his experience. They're you know, working together passion, and then

0:31:18.080 --> 0:31:21.080
<v Speaker 2>they performed it as as best as they could. And

0:31:21.160 --> 0:31:28.080
<v Speaker 2>they really did throw in, like I said, to a

0:31:28.200 --> 0:31:31.600
<v Speaker 2>non knowing eye, something that was really dramatic, really good.

0:31:31.960 --> 0:31:34.440
<v Speaker 2>It was really good. They did check all the boxes.

0:31:34.800 --> 0:31:40.040
<v Speaker 2>This would get eight or nines on Dancing with the Stars.

0:31:38.800 --> 0:31:43.640
<v Speaker 1>Okay, we also get VAL's knee walks in there and

0:31:43.960 --> 0:31:48.720
<v Speaker 1>Daniella's airwalk. Daniella dug itt Mark was impressed, especially with

0:31:48.760 --> 0:31:49.960
<v Speaker 1>a trustfall move.

0:31:49.800 --> 0:31:54.320
<v Speaker 2>They did and GT's everywhere just just live in life

0:31:54.400 --> 0:31:58.080
<v Speaker 2>right now. Yes, knee walks, do that more?

0:31:58.200 --> 0:32:01.200
<v Speaker 3>Do get more patients?

0:32:02.760 --> 0:32:06.520
<v Speaker 1>Surely said she may even steal the Koala cuddle. AJ

0:32:06.680 --> 0:32:10.200
<v Speaker 1>and Nina had a big showing. Next up is Alan

0:32:10.280 --> 0:32:14.080
<v Speaker 1>and Adele and they perform to Elenium and Teddy Swims

0:32:14.120 --> 0:32:17.360
<v Speaker 1>all that really matters. We get Danielle's airwalk and that

0:32:17.600 --> 0:32:22.240
<v Speaker 1>wwe move we saw earlier the Alan copter and they

0:32:22.240 --> 0:32:25.720
<v Speaker 1>did a cool caveman walk together on each other's feet.

0:32:26.320 --> 0:32:27.920
<v Speaker 3>What did you think of that move?

0:32:30.960 --> 0:32:33.840
<v Speaker 2>It is a move that's been done before.

0:32:33.640 --> 0:32:38.040
<v Speaker 3>Okay in dance, in dance because I don't with my sons.

0:32:38.160 --> 0:32:41.320
<v Speaker 2>Yeah, it's fun, it's so great. Yeah, not like that.

0:32:41.520 --> 0:32:43.400
<v Speaker 2>I mean, I don't know about the interpretation.

0:32:43.560 --> 0:32:46.440
<v Speaker 3>I know the man we don't do that now, No,

0:32:47.480 --> 0:32:48.080
<v Speaker 3>I ssh, you try it.

0:32:48.240 --> 0:32:53.320
<v Speaker 2>Yeah, but it's a cool move. Yeah, yeah, that's what

0:32:53.360 --> 0:32:53.680
<v Speaker 2>I thought.

0:32:53.680 --> 0:32:54.240
<v Speaker 3>That's what you thought.

0:32:54.400 --> 0:32:58.040
<v Speaker 2>Again one more time. This is not their forte Yeah.

0:32:58.080 --> 0:33:01.720
<v Speaker 2>And they did a good piecing and routine together, so

0:33:01.920 --> 0:33:06.800
<v Speaker 2>again checked off the boxes. I would say slight edge

0:33:06.880 --> 0:33:11.840
<v Speaker 2>over Ag and Nina only because just certain moments that

0:33:11.920 --> 0:33:15.560
<v Speaker 2>were better quality, just different things. That Alan copter actually

0:33:15.640 --> 0:33:18.320
<v Speaker 2>is a very effective, very strong move that was cool.

0:33:18.400 --> 0:33:20.440
<v Speaker 1>It was that moment that they pointed out, and I'm

0:33:20.440 --> 0:33:22.680
<v Speaker 1>glad they pointed it out where where there was a

0:33:22.720 --> 0:33:25.360
<v Speaker 1>moment where he was handsless basically and she was just

0:33:25.560 --> 0:33:28.400
<v Speaker 1>kind of free moving without that little slow down.

0:33:28.600 --> 0:33:30.880
<v Speaker 3>You don't necessarily know that. It just looks like he

0:33:30.960 --> 0:33:33.280
<v Speaker 3>was spinning and then he brings her down into his arms.

0:33:33.280 --> 0:33:35.200
<v Speaker 3>But there is a moment where oh, it's cool.

0:33:35.000 --> 0:33:37.680
<v Speaker 2>Because you do you build momentum, then you stop, but

0:33:37.800 --> 0:33:39.960
<v Speaker 2>she keeps going and that's so cool.

0:33:41.200 --> 0:33:42.000
<v Speaker 3>I do like that.

0:33:42.920 --> 0:33:45.600
<v Speaker 1>Mark loved the Allan Copter and thought they were great together.

0:33:45.680 --> 0:33:49.360
<v Speaker 1>He's blown away that that was Adele's first ever contemporary

0:33:49.800 --> 0:33:53.200
<v Speaker 1>and he calls her a diamond and surely thinks. Adele

0:33:53.320 --> 0:33:56.600
<v Speaker 1>is beyond a diamond and one of the best female

0:33:56.680 --> 0:34:01.400
<v Speaker 1>dancers she has ever seen in sixty countries of Dancing

0:34:01.400 --> 0:34:08.400
<v Speaker 1>with the Stars or strictly come dancing. Whoa from Shirley Ballast.

0:34:08.480 --> 0:34:10.160
<v Speaker 1>That is quite a compliment.

0:34:11.040 --> 0:34:14.279
<v Speaker 2>She is phenomenal. She is phenomenal. I don't know if

0:34:14.280 --> 0:34:18.839
<v Speaker 2>that's the routine that showcased that, but totally I don't.

0:34:18.880 --> 0:34:19.840
<v Speaker 2>I don't take that away.

0:34:20.000 --> 0:34:27.120
<v Speaker 1>But knowing it's her first, that's crazy what she said

0:34:27.160 --> 0:34:28.640
<v Speaker 1>she'd never done one total.

0:34:28.800 --> 0:34:32.480
<v Speaker 2>I believe that. Yeah, listen again, there there's some skills

0:34:32.480 --> 0:34:36.040
<v Speaker 2>that are transferable, but no, but she's such a master

0:34:36.640 --> 0:34:40.240
<v Speaker 2>at dance in this other language that she can still

0:34:40.320 --> 0:34:43.200
<v Speaker 2>storytell and make you know. It's like when you have

0:34:43.239 --> 0:34:46.160
<v Speaker 2>to speak gibberish. You can't, but you're an excellent actor,

0:34:46.640 --> 0:34:51.680
<v Speaker 2>like you can make that gibberish Like, oh yeah, you'll

0:34:51.719 --> 0:34:54.000
<v Speaker 2>create a scene, is what I'm saying. Right, you just

0:34:54.120 --> 0:35:00.120
<v Speaker 2>know how to perform because you're just excellent. So that

0:35:00.120 --> 0:35:03.359
<v Speaker 2>that's where she's at, Like I think she's just showcasing

0:35:03.400 --> 0:35:07.040
<v Speaker 2>that she's an amazing performer, amazing dancer, just on a

0:35:07.080 --> 0:35:07.720
<v Speaker 2>different level.

0:35:07.840 --> 0:35:11.800
<v Speaker 1>Yeah, Eric and Selena are last. We get our got

0:35:11.840 --> 0:35:15.080
<v Speaker 1>to Be product placement as he gets his hair ready

0:35:15.120 --> 0:35:15.880
<v Speaker 1>for the big moment.

0:35:16.000 --> 0:35:16.520
<v Speaker 2>I like it.

0:35:16.760 --> 0:35:21.160
<v Speaker 3>Remember everyone be bold, be you with got to be glue.

0:35:21.440 --> 0:35:21.760
<v Speaker 2>Glue.

0:35:22.920 --> 0:35:25.920
<v Speaker 1>They danced too, You Stole the show by Sienna Spiro.

0:35:26.120 --> 0:35:28.759
<v Speaker 1>They both do their knee walks in this one. Val

0:35:29.040 --> 0:35:30.200
<v Speaker 1>What did you think of this dance?

0:35:30.920 --> 0:35:33.520
<v Speaker 2>I mean, the best dance of the show for sure.

0:35:33.800 --> 0:35:34.960
<v Speaker 3>Yeah.

0:35:35.600 --> 0:35:39.279
<v Speaker 2>Just again, the choice is the quality, the seamlessness. She

0:35:39.560 --> 0:35:44.720
<v Speaker 2>obviously was the glue of Why. Here's the thing we're

0:35:44.760 --> 0:35:48.560
<v Speaker 2>doing most of the support work. That's where the real

0:35:49.200 --> 0:35:53.160
<v Speaker 2>like texture and quality exposes itself. Is like in the

0:35:53.280 --> 0:35:56.560
<v Speaker 2>points of the feet. You know, once you're off that heel,

0:35:56.680 --> 0:36:01.279
<v Speaker 2>you're speaking of caveman wall, you know you don't have

0:36:01.320 --> 0:36:04.759
<v Speaker 2>that same quality I mean, these are tools. These are

0:36:04.760 --> 0:36:07.440
<v Speaker 2>not just like, oh, her feet are great. No, this

0:36:07.480 --> 0:36:10.160
<v Speaker 2>is a tool that you develop, and the quality of

0:36:10.200 --> 0:36:12.960
<v Speaker 2>how you move that tool and work that tool depends

0:36:13.000 --> 0:36:17.000
<v Speaker 2>on what you're training for, you know. So these are

0:36:17.080 --> 0:36:22.320
<v Speaker 2>ballroom dancers that have really no quality outside of their heels.

0:36:23.360 --> 0:36:26.400
<v Speaker 2>You take them away from those tools. It's like asking

0:36:26.480 --> 0:36:29.840
<v Speaker 2>an ice skater to all of a sudden be a

0:36:30.120 --> 0:36:33.120
<v Speaker 2>I don't know a sprinter like, okay, cool, I'll run

0:36:33.160 --> 0:36:37.000
<v Speaker 2>as fast as I can, but I have no structural advantage.

0:36:37.520 --> 0:36:41.560
<v Speaker 2>Just because I'm a world superstar in ice skating doesn't

0:36:41.600 --> 0:36:44.280
<v Speaker 2>mean that I'm going to be a great let's say, skier.

0:36:45.000 --> 0:36:48.839
<v Speaker 2>It's a completely different part of your body, different ask.

0:36:49.560 --> 0:36:55.719
<v Speaker 2>So that's kind of like Selena has contemporary background. That's

0:36:55.760 --> 0:36:58.319
<v Speaker 2>the thing. It's like, I'm rocking with you on a

0:36:58.400 --> 0:37:01.839
<v Speaker 2>different a different in a different space from what I'm

0:37:01.880 --> 0:37:06.360
<v Speaker 2>comfortable with. And so, okay cool, and she's looking pretty good, yes,

0:37:06.800 --> 0:37:09.160
<v Speaker 2>but you put her in her space. It's like, you know,

0:37:09.360 --> 0:37:12.160
<v Speaker 2>it's taking candy from a baby. It's like not even clothes.

0:37:12.640 --> 0:37:16.680
<v Speaker 2>And she showcased that, and she but then Eric in

0:37:16.800 --> 0:37:19.480
<v Speaker 2>return because he had a Selena and because he's also

0:37:19.960 --> 0:37:25.880
<v Speaker 2>he's him, He's him totally. I'm him, He's him. He

0:37:26.040 --> 0:37:32.480
<v Speaker 2>was just perfect with her back to back, two strongest

0:37:32.640 --> 0:37:37.160
<v Speaker 2>dances of the season besides Alan and Adele, these two,

0:37:37.719 --> 0:37:40.040
<v Speaker 2>and that's why they're choosing each other, because they obviously

0:37:40.080 --> 0:37:44.120
<v Speaker 2>work really well together and they have chemistry. And there

0:37:44.239 --> 0:37:46.759
<v Speaker 2>right now, to me, there that was the best dance

0:37:46.800 --> 0:37:49.720
<v Speaker 2>of the night by far, And that's a wow moment

0:37:50.040 --> 0:37:54.080
<v Speaker 2>to me. To me, the quality, the seamlessness, the transitions,

0:37:54.160 --> 0:37:57.000
<v Speaker 2>the the fact that I got lost, you know, to me,

0:37:57.080 --> 0:38:00.359
<v Speaker 2>a wow moment is also not waiting for the next

0:38:00.440 --> 0:38:03.360
<v Speaker 2>acro move, you know, it's like to get lost in

0:38:04.640 --> 0:38:07.320
<v Speaker 2>this moment in time between two people that are.

0:38:07.160 --> 0:38:10.960
<v Speaker 3>Like sounds like what Eric was saying that sometimes the silence,

0:38:11.040 --> 0:38:13.520
<v Speaker 3>sometimes the stillness, can be the whe totally.

0:38:13.560 --> 0:38:15.480
<v Speaker 2>That's why I said, you know, I'm not the one

0:38:15.800 --> 0:38:18.880
<v Speaker 2>to talk about this episode because I completely disagree with

0:38:18.920 --> 0:38:23.319
<v Speaker 2>the result. I completely disagree with, yeah, the notion that

0:38:23.360 --> 0:38:28.440
<v Speaker 2>this is what dances about. But I understand the assignment

0:38:28.600 --> 0:38:31.960
<v Speaker 2>and I understand the importance of that in regards to

0:38:32.000 --> 0:38:33.640
<v Speaker 2>dancing with the stars and being effective.

0:38:33.840 --> 0:38:37.320
<v Speaker 1>Yeah, I'm dancing with the stars right well, Sureley admits

0:38:37.400 --> 0:38:40.440
<v Speaker 1>she's conflicted. She asks what the wow move was and

0:38:40.480 --> 0:38:43.799
<v Speaker 1>Selena says, sometimes the wow is in the silence, just

0:38:43.840 --> 0:38:44.440
<v Speaker 1>like you said.

0:38:44.719 --> 0:38:46.040
<v Speaker 3>But Surely isn't so sure.

0:38:46.280 --> 0:38:49.720
<v Speaker 1>She bickers a little with Mark, which is always fun

0:38:49.760 --> 0:38:55.080
<v Speaker 1>for us to watch what a beautiful, true look into

0:38:55.160 --> 0:38:58.360
<v Speaker 1>what his life was like having her as well his

0:38:58.440 --> 0:39:01.759
<v Speaker 1>whole life and to see that dynamic play out is

0:39:02.800 --> 0:39:04.479
<v Speaker 1>just very special because you know it's real.

0:39:05.080 --> 0:39:07.960
<v Speaker 2>Oh yeah, she was so hard on the growing up.

0:39:08.560 --> 0:39:11.200
<v Speaker 1>Surely thinks Eric needed to let himself go more. She

0:39:11.320 --> 0:39:14.120
<v Speaker 1>expected more from Selena. It was good quality, but it

0:39:14.200 --> 0:39:18.440
<v Speaker 1>wasn't great. Mark thought everything was quality dancing, but didn't

0:39:18.440 --> 0:39:21.799
<v Speaker 1>think there was a wow moment. Daniella thought they looked

0:39:21.800 --> 0:39:23.840
<v Speaker 1>like two pros out there, but again didn't think they

0:39:23.920 --> 0:39:28.040
<v Speaker 1>completed the Wow challenge today and with our dances done,

0:39:28.160 --> 0:39:30.800
<v Speaker 1>it is time for the results. One dancer will be

0:39:30.880 --> 0:39:33.360
<v Speaker 1>leaving the show, and Mark says this was their most

0:39:33.440 --> 0:39:38.040
<v Speaker 1>difficult decision yet. Shirley asks Selena and Eric whose idea

0:39:38.120 --> 0:39:40.840
<v Speaker 1>it was to not have a larger than life wow

0:39:40.920 --> 0:39:46.640
<v Speaker 1>moment and Eric, it really kind of bothered me here

0:39:47.600 --> 0:39:49.520
<v Speaker 1>because at least the way it was edited, and I

0:39:49.600 --> 0:39:52.000
<v Speaker 1>recognized that there were a lot of moments that are

0:39:52.040 --> 0:39:55.040
<v Speaker 1>on the cutting room floor that we don't see. But

0:39:55.120 --> 0:39:58.200
<v Speaker 1>there were many moments in this episode where Selena said,

0:39:59.000 --> 0:40:01.680
<v Speaker 1>we don't have it. We don't have a wow moment.

0:40:01.840 --> 0:40:04.040
<v Speaker 1>I feel like it needs to be bigger. I feel

0:40:04.040 --> 0:40:05.799
<v Speaker 1>like it needs to be bolder. I feel like we

0:40:05.840 --> 0:40:09.640
<v Speaker 1>need to do something really ah, And I'm feeling extra

0:40:09.640 --> 0:40:13.120
<v Speaker 1>pressure because I am the contemporary dancer here.

0:40:13.920 --> 0:40:16.160
<v Speaker 3>And every time he would.

0:40:15.840 --> 0:40:19.720
<v Speaker 1>Say I think we've got it, the silence is the wow,

0:40:20.239 --> 0:40:21.600
<v Speaker 1>We've got it, We've got it.

0:40:21.920 --> 0:40:22.960
<v Speaker 3>Many times they.

0:40:22.840 --> 0:40:28.960
<v Speaker 1>Had this discussion and then surely asks point blank between

0:40:29.000 --> 0:40:33.120
<v Speaker 1>the two of you, which one of you was more

0:40:33.480 --> 0:40:35.040
<v Speaker 1>comfortable saying we've got it?

0:40:35.160 --> 0:40:36.439
<v Speaker 2>And he was not him.

0:40:36.920 --> 0:40:40.200
<v Speaker 1>He was not him. So Val I found a Russian

0:40:40.239 --> 0:40:45.120
<v Speaker 1>phrase okay that I think fits this moment. I'd like

0:40:45.200 --> 0:40:47.480
<v Speaker 1>for you to read it for me. Okay, there's two,

0:40:47.640 --> 0:40:50.200
<v Speaker 1>but I think this top one is the best. M

0:40:52.560 --> 0:40:55.120
<v Speaker 1>Hold on, those are two different ones.

0:40:58.719 --> 0:40:59.799
<v Speaker 2>Where did you find these?

0:41:01.600 --> 0:41:02.759
<v Speaker 3>Do you like either of them?

0:41:03.080 --> 0:41:11.400
<v Speaker 2>Not really, I've never heard either one of them? Or

0:41:11.480 --> 0:41:15.759
<v Speaker 2>did you find these in English? And translating them? Well?

0:41:15.960 --> 0:41:19.239
<v Speaker 2>The second one, this one is is lies are on

0:41:19.400 --> 0:41:24.920
<v Speaker 2>spider legs? And truth is on the strong ones who

0:41:25.040 --> 0:41:25.440
<v Speaker 2>wrote that.

0:41:27.800 --> 0:41:31.279
<v Speaker 3>Passing and that the one not spider legs.

0:41:31.320 --> 0:41:35.760
<v Speaker 1>They said cockroach legs, cockroaches and cockroaches.

0:41:35.960 --> 0:41:37.719
<v Speaker 3>Okay, okay, okay.

0:41:37.440 --> 0:41:46.400
<v Speaker 2>So Vidyovich, this is a good one, but it has

0:41:46.440 --> 0:41:49.240
<v Speaker 2>nothing to do with this moment. It says, no matter

0:41:49.280 --> 0:41:53.000
<v Speaker 2>how much rope you make, the end is going to come.

0:41:53.160 --> 0:41:54.880
<v Speaker 1>It says, no matter how I think it was, no

0:41:54.880 --> 0:41:58.200
<v Speaker 1>matter how long the ropes are, the truth is going

0:41:58.280 --> 0:42:00.600
<v Speaker 1>to come and there are consequences.

0:42:00.640 --> 0:42:05.920
<v Speaker 3>It's something along like yeah, okay, well that's what it was.

0:42:05.960 --> 0:42:08.479
<v Speaker 2>Definitely a metaphor. That's good.

0:42:08.680 --> 0:42:10.160
<v Speaker 3>Okay, you like those.

0:42:10.200 --> 0:42:12.920
<v Speaker 1>Okay, so let me tell you what the fact that

0:42:13.560 --> 0:42:16.440
<v Speaker 1>no matter how long the rope twists, there will be

0:42:16.520 --> 0:42:17.040
<v Speaker 1>an end.

0:42:17.880 --> 0:42:18.279
<v Speaker 2>Mm hmm.

0:42:19.440 --> 0:42:23.359
<v Speaker 1>Deception or wrongdoing may continue for a while, but eventually

0:42:23.520 --> 0:42:24.440
<v Speaker 1>the truth comes out.

0:42:24.520 --> 0:42:27.240
<v Speaker 2>You know what I'm saying there? Do want to others

0:42:27.120 --> 0:42:31.640
<v Speaker 2>as well. It's like so playful and youthful. Say that

0:42:31.760 --> 0:42:33.720
<v Speaker 2>last one again just so people understand.

0:42:33.920 --> 0:42:38.000
<v Speaker 1>Yes, no matter how long the rope twists, there will

0:42:38.040 --> 0:42:42.719
<v Speaker 1>be an end, meaning the deception are wrongdoing may continue

0:42:42.760 --> 0:42:46.200
<v Speaker 1>for a while, but eventually the truth comes out and

0:42:46.280 --> 0:42:47.560
<v Speaker 1>there are consequences.

0:42:47.600 --> 0:42:51.759
<v Speaker 2>And there are consequences in English. That's the truth. She'll

0:42:51.800 --> 0:42:54.759
<v Speaker 2>set you free. You know, it's just so optimistic. Go

0:42:55.040 --> 0:42:58.480
<v Speaker 2>with the truth because there is life out there. No,

0:42:58.680 --> 0:43:01.799
<v Speaker 2>here's like, look, we're not promising you anything and you're

0:43:01.800 --> 0:43:05.640
<v Speaker 2>going to die. Yeah, pretty much, which is But.

0:43:08.000 --> 0:43:12.040
<v Speaker 3>It very much bothered me that he did not.

0:43:12.160 --> 0:43:16.280
<v Speaker 2>Say, well, his whole flavor is just such a gentleman

0:43:16.440 --> 0:43:20.520
<v Speaker 2>and yeah, a gentleman. No, No, that's what I'm saying.

0:43:20.560 --> 0:43:23.480
<v Speaker 2>That's why, yeah, yeah, that's why. That was a one

0:43:23.520 --> 0:43:25.880
<v Speaker 2>eighty moment. I also didn't understand why that.

0:43:26.239 --> 0:43:32.200
<v Speaker 1>And then she didn't speak up for herself either. Then

0:43:32.320 --> 0:43:35.319
<v Speaker 1>they they he said, we very much came to that

0:43:35.360 --> 0:43:36.480
<v Speaker 1>decision together.

0:43:38.280 --> 0:43:39.800
<v Speaker 3>And you see her kind of who.

0:43:41.200 --> 0:43:47.680
<v Speaker 1>And surely goes Is that true, yes, ma'am?

0:43:47.800 --> 0:43:52.880
<v Speaker 3>And I thought if she had said to be fair.

0:43:53.880 --> 0:43:56.560
<v Speaker 1>Of course, at the end of the day, I allowed,

0:43:56.719 --> 0:44:02.040
<v Speaker 1>I acquiesced, and I consent to to this dance. But

0:44:02.280 --> 0:44:06.040
<v Speaker 1>all week, all two days, I did feel like we

0:44:06.040 --> 0:44:10.160
<v Speaker 1>were missing the wow moment, and Eric felt more comfortable

0:44:10.320 --> 0:44:13.479
<v Speaker 1>in the silence being the moment. I think what would

0:44:13.480 --> 0:44:16.280
<v Speaker 1>have happened was Eric would have been in the bottom

0:44:16.280 --> 0:44:19.680
<v Speaker 1>two and someone else would have been in the bottom two. Now,

0:44:19.800 --> 0:44:21.680
<v Speaker 1>ultimately being in the bottom two and you're not the

0:44:21.719 --> 0:44:24.400
<v Speaker 1>one to go home doesn't really mean anything. No, but

0:44:25.440 --> 0:44:27.200
<v Speaker 1>but she wouldn't have been on the chopping block. You

0:44:27.200 --> 0:44:30.040
<v Speaker 1>don't think so, I don't think so. They were trying

0:44:30.040 --> 0:44:34.759
<v Speaker 1>to decide who thought they had it. And if Eric

0:44:34.800 --> 0:44:38.400
<v Speaker 1>had said I thought we had our wow moment in

0:44:38.440 --> 0:44:42.719
<v Speaker 1>the silence, Sureley would have said, you know, that was

0:44:42.760 --> 0:44:44.839
<v Speaker 1>a tough choice. That was the wrong week to make

0:44:44.880 --> 0:44:47.520
<v Speaker 1>this decision. You're in the bottom two, and then we

0:44:47.560 --> 0:44:51.320
<v Speaker 1>could have seen who else they thought was the weakest link.

0:44:51.719 --> 0:44:54.399
<v Speaker 1>But because they both said it's both of us, they said,

0:44:54.440 --> 0:44:55.680
<v Speaker 1>well then there's our bottom two.

0:44:57.680 --> 0:45:01.640
<v Speaker 2>So then look, then all happened the right way.

0:45:01.920 --> 0:45:04.360
<v Speaker 3>Well, no, who I mean, you thought this was the

0:45:04.400 --> 0:45:05.160
<v Speaker 3>strongest dance of it?

0:45:05.280 --> 0:45:06.880
<v Speaker 2>Yeah? I don't think either one of them should have

0:45:06.880 --> 0:45:09.960
<v Speaker 2>been on the bottom too. Yeah, but the challenge was clear.

0:45:10.360 --> 0:45:13.560
<v Speaker 2>And again this is me feeling what I feel watching.

0:45:14.920 --> 0:45:17.839
<v Speaker 2>Perhaps they felt something else, Yeah, right, you know, they

0:45:17.840 --> 0:45:20.319
<v Speaker 2>weren't wowed like I was wowed. What did you think

0:45:20.360 --> 0:45:24.040
<v Speaker 2>of the dance? You are not a professional dancer? Yeah yet,

0:45:24.320 --> 0:45:25.480
<v Speaker 2>but what did you think?

0:45:26.600 --> 0:45:31.360
<v Speaker 1>I did think it was missing? I thought I agreed

0:45:31.440 --> 0:45:34.520
<v Speaker 1>that it was missing the moment that Daniella was there

0:45:34.600 --> 0:45:36.640
<v Speaker 1>to show them how to do, and I see the

0:45:36.680 --> 0:45:39.439
<v Speaker 1>importance of that for Dancing with the Stars as far

0:45:39.480 --> 0:45:42.400
<v Speaker 1>as a dance, was it a moving contemporary dance that

0:45:42.560 --> 0:45:45.799
<v Speaker 1>outside of the spectacle of Dancing with the Stars would

0:45:45.840 --> 0:45:51.799
<v Speaker 1>have been a ten. Absolutely, But knowing how important virality

0:45:51.960 --> 0:45:55.319
<v Speaker 1>is and special things and this being a challenge for

0:45:55.400 --> 0:45:57.840
<v Speaker 1>this week, I thought they were the only couple lacking.

0:45:57.880 --> 0:46:01.440
<v Speaker 1>It would not have put both of them in the

0:46:01.440 --> 0:46:06.160
<v Speaker 1>bottom too. Honestly, I thought aj and Ninas was by

0:46:06.200 --> 0:46:11.080
<v Speaker 1>far the weakest performance for me. I am also a

0:46:11.120 --> 0:46:13.280
<v Speaker 1>hard sell for this week because I don't love contemporary.

0:46:13.360 --> 0:46:15.680
<v Speaker 2>Canna ask you a question, yes, please? Were you wowed

0:46:15.800 --> 0:46:16.520
<v Speaker 2>by the koala?

0:46:17.320 --> 0:46:18.920
<v Speaker 3>I was not wowed by the did you?

0:46:19.000 --> 0:46:21.520
<v Speaker 2>Were you wowed by the other wow moment that they had?

0:46:22.080 --> 0:46:26.160
<v Speaker 1>I I am wowed by, Uh, yeah, I'm wowed.

0:46:26.200 --> 0:46:28.680
<v Speaker 3>I'm wowed by the alan coopter because.

0:46:28.400 --> 0:46:32.760
<v Speaker 2>That's what I'm saying, right. It's like, yes, Eric should

0:46:32.840 --> 0:46:37.800
<v Speaker 2>have been not apprehended whatever, Like there was an assignment,

0:46:37.920 --> 0:46:40.640
<v Speaker 2>you didn't do it, Yeah, you chose to do something else,

0:46:41.040 --> 0:46:44.520
<v Speaker 2>but the assignment is wow, Like to wow somebody not

0:46:44.640 --> 0:46:50.400
<v Speaker 2>to do something that is unconventional yeah, and is supposed

0:46:50.480 --> 0:46:52.200
<v Speaker 2>to be a wow moment, But.

0:46:53.680 --> 0:46:54.600
<v Speaker 3>Is it yeah?

0:46:54.640 --> 0:46:56.920
<v Speaker 2>You know, because because I think in the process that

0:46:57.080 --> 0:47:01.440
<v Speaker 2>too was some of maybe Eric thinking it's like yo,

0:47:02.080 --> 0:47:04.960
<v Speaker 2>I could attempt a wow moment and look like trash,

0:47:05.400 --> 0:47:09.280
<v Speaker 2>or I could think about the bigger just the picture

0:47:09.400 --> 0:47:12.120
<v Speaker 2>that I'm presenting, and you know what I'm saying, it's like,

0:47:12.160 --> 0:47:15.560
<v Speaker 2>why introduce a flavor that isn't going to be executed?

0:47:15.920 --> 0:47:19.000
<v Speaker 2>Not to say that maybe that that's the case, But

0:47:19.040 --> 0:47:21.880
<v Speaker 2>like I said, they did these moments that were unique.

0:47:22.520 --> 0:47:25.400
<v Speaker 2>But were they wow moments yeah? Or were they just

0:47:25.960 --> 0:47:29.920
<v Speaker 2>unique placeholders for what's supposed to really take your breath away?

0:47:30.200 --> 0:47:35.400
<v Speaker 2>Because for me, when when Eric touches Selena or helps

0:47:35.520 --> 0:47:37.960
<v Speaker 2>move her and her quality and the way she know

0:47:38.400 --> 0:47:40.760
<v Speaker 2>she you know, the texture of the way she moved,

0:47:41.120 --> 0:47:43.520
<v Speaker 2>that to me was wow, like yo, I want to

0:47:43.560 --> 0:47:46.160
<v Speaker 2>see that again. I don't want to see that again.

0:47:46.320 --> 0:47:50.960
<v Speaker 2>So that's why the formality of a move that is

0:47:51.600 --> 0:47:56.720
<v Speaker 2>abstract cool, you didn't do that. They did that for sure.

0:47:57.040 --> 0:47:59.680
<v Speaker 1>I wonder too, how much of like Eric knowing, because

0:48:00.280 --> 0:48:01.880
<v Speaker 1>we know that they don't get to see the others

0:48:02.040 --> 0:48:04.920
<v Speaker 1>the other performances before shown because.

0:48:04.680 --> 0:48:08.920
<v Speaker 2>They'll tell you something else. There are those like you know,

0:48:10.160 --> 0:48:14.120
<v Speaker 2>those go to moves that have been done a hundred

0:48:14.200 --> 0:48:18.920
<v Speaker 2>times and they continue to get the wow, but they

0:48:18.960 --> 0:48:21.399
<v Speaker 2>shouldn't because they've been done a hundred times and they're

0:48:21.400 --> 0:48:24.359
<v Speaker 2>not wow moments at all. Yeah, it just played out

0:48:24.719 --> 0:48:28.400
<v Speaker 2>abstract pictures that we've already seen a hundred million times.

0:48:28.640 --> 0:48:30.480
<v Speaker 2>I think that this also should be part of the

0:48:30.520 --> 0:48:34.080
<v Speaker 2>equation because I think at some point potentially in that room,

0:48:34.120 --> 0:48:36.400
<v Speaker 2>they were like, well, look, we have a limited amount

0:48:36.440 --> 0:48:39.560
<v Speaker 2>of time. We're not going to reinvent the wheel right now,

0:48:41.280 --> 0:48:43.560
<v Speaker 2>so let's lean in on something that we could really

0:48:43.600 --> 0:48:46.480
<v Speaker 2>deliver so that it's a plus plus from beginning to

0:48:46.480 --> 0:48:46.799
<v Speaker 2>the end.

0:48:47.280 --> 0:48:52.880
<v Speaker 1>And Eric knew he was with the only female pro there,

0:48:52.920 --> 0:48:56.680
<v Speaker 1>the only pro there who's a contemporary dancer. He knows

0:48:56.719 --> 0:49:01.719
<v Speaker 1>another couple has never done contemporary before Aj and Nina,

0:49:01.800 --> 0:49:06.480
<v Speaker 1>so he could be thinking totally in well within his

0:49:06.560 --> 0:49:14.319
<v Speaker 1>rights to think us just delivering a beautiful contemporary is

0:49:14.400 --> 0:49:17.360
<v Speaker 1>going to be wow when everyone else is going to

0:49:17.360 --> 0:49:22.440
<v Speaker 1>be taking big swings with leaps And so I do

0:49:22.480 --> 0:49:24.040
<v Speaker 1>see that, and I don't think it was the weakest

0:49:24.080 --> 0:49:24.640
<v Speaker 1>dance of the night.

0:49:25.920 --> 0:49:29.319
<v Speaker 2>But yeah, but but but like again, that's why I was,

0:49:29.440 --> 0:49:31.800
<v Speaker 2>you know, my opinion on this episode as an asterisk

0:49:31.800 --> 0:49:35.600
<v Speaker 2>to it because I see beyond the just the assignment,

0:49:36.600 --> 0:49:39.040
<v Speaker 2>but totally understand the assignment. I think the other thing

0:49:39.040 --> 0:49:42.040
<v Speaker 2>that we just they don't see each other's dances. I

0:49:42.040 --> 0:49:45.280
<v Speaker 2>think had he seen what it would be relative to others,

0:49:45.320 --> 0:49:49.400
<v Speaker 2>he would have been like, oh, forget that silence. It's easy,

0:49:49.480 --> 0:49:52.360
<v Speaker 2>let's pick it up. We don't even gotta do it. Well,

0:49:53.120 --> 0:49:55.799
<v Speaker 2>we just got to do it because these guys are

0:49:55.840 --> 0:49:59.879
<v Speaker 2>doing it. Yes, And that's that's the part. And again

0:50:00.120 --> 0:50:02.920
<v Speaker 2>I guess that is also important. Yeah, you know, sometimes

0:50:02.960 --> 0:50:04.600
<v Speaker 2>you've got to do it for the fact that you

0:50:04.680 --> 0:50:08.560
<v Speaker 2>just need to sprinkle that. From my own experience, I

0:50:08.640 --> 0:50:11.560
<v Speaker 2>always run into trouble with that because I paced my

0:50:11.640 --> 0:50:15.600
<v Speaker 2>routine with the with the flow that feels right for

0:50:15.760 --> 0:50:17.880
<v Speaker 2>me right, and then I look at it and I'm like,

0:50:18.120 --> 0:50:20.560
<v Speaker 2>it doesn't have the moment, it doesn't have that thing

0:50:20.640 --> 0:50:25.160
<v Speaker 2>that everybody's the thing that good Steady came around. Everybody

0:50:25.200 --> 0:50:27.239
<v Speaker 2>loses their mind, what is that thing? And then I

0:50:27.320 --> 0:50:30.200
<v Speaker 2>force the thing into the routine, and then when I

0:50:30.239 --> 0:50:31.080
<v Speaker 2>watch it back.

0:50:30.960 --> 0:50:32.359
<v Speaker 3>I'm like, you didn't need that thing.

0:50:32.360 --> 0:50:36.200
<v Speaker 2>They didn't need that thing at all. Right, that's where

0:50:36.239 --> 0:50:41.640
<v Speaker 2>I'm coming from, got it, I get that the thing.

0:50:41.920 --> 0:50:44.600
<v Speaker 3>So Shirley announces the final decision.

0:50:44.320 --> 0:50:49.120
<v Speaker 1>With a heavy heart. Eric the dark Horse is sent home.

0:50:51.880 --> 0:50:57.560
<v Speaker 1>Alan is visibly very upset. The cast says goodbye to Eric,

0:50:57.840 --> 0:51:02.600
<v Speaker 1>all of them crying. Selena especially feels very hurt and

0:51:02.960 --> 0:51:05.920
<v Speaker 1>she feels like she let him down since this was

0:51:06.040 --> 0:51:10.080
<v Speaker 1>her specific style of dance. And then Robert gives his

0:51:10.120 --> 0:51:14.280
<v Speaker 1>final words with everyone perfectly placed behind him having emotional

0:51:14.280 --> 0:51:16.080
<v Speaker 1>breakdowns in the back.

0:51:16.840 --> 0:51:18.000
<v Speaker 2>And it's a good show.

0:51:18.440 --> 0:51:19.760
<v Speaker 3>It's a good show.

0:51:20.280 --> 0:51:24.760
<v Speaker 2>Five left, It's a good show. It's a great show

0:51:24.800 --> 0:51:27.600
<v Speaker 2>because it's so different from Dancing with the Stars. Yeah,

0:51:27.640 --> 0:51:30.040
<v Speaker 2>it really is. I mean again, obviously they share a

0:51:30.080 --> 0:51:30.879
<v Speaker 2>common thread, but.

0:51:31.400 --> 0:51:32.880
<v Speaker 3>It's so different, it really is.

0:51:33.840 --> 0:51:37.359
<v Speaker 2>And I don't really watch other shows or you know,

0:51:37.520 --> 0:51:41.640
<v Speaker 2>a lot of reality shows actually outside of like documentaries

0:51:41.760 --> 0:51:45.480
<v Speaker 2>or whatever. Right, But so I don't know the structure

0:51:45.520 --> 0:51:48.160
<v Speaker 2>of all the shows. Obviously that's why they're so popular

0:51:48.200 --> 0:51:52.000
<v Speaker 2>because they get you with these characters. But this show

0:51:52.040 --> 0:51:54.680
<v Speaker 2>got me, like, I'm you know, it's not a format

0:51:54.719 --> 0:51:57.600
<v Speaker 2>that I would watch outside of the dancing part, and

0:51:57.640 --> 0:51:59.919
<v Speaker 2>I like it. It's fun. I mean it's again, it's

0:52:00.040 --> 0:52:01.600
<v Speaker 2>it's fun TV. It's really good.

0:52:01.760 --> 0:52:06.120
<v Speaker 1>I'm definitely at that point now where I'm like, who

0:52:06.280 --> 0:52:06.480
<v Speaker 1>is it.

0:52:06.600 --> 0:52:09.440
<v Speaker 3>Who's gonna like there's no obvious go homes.

0:52:10.520 --> 0:52:13.160
<v Speaker 2>Yeah, well we're okay. Yeah.

0:52:13.200 --> 0:52:15.200
<v Speaker 3>Thank you all for joining us for this episode. We

0:52:15.239 --> 0:52:16.359
<v Speaker 3>will catch you next time.