1 00:00:00,160 --> 00:00:03,480 Speaker 1: Hello the Internet, and welcome to this episode of The 2 00:00:03,560 --> 00:00:07,880 Speaker 1: Weekly Zeitgeist. Uh These are some of our favorite segments 3 00:00:08,119 --> 00:00:14,880 Speaker 1: from this week, all edited together into one NonStop infotainment 4 00:00:16,040 --> 00:00:22,440 Speaker 1: laugh stravaganza. Uh yeah, So, without further ado, here is 5 00:00:22,680 --> 00:00:26,560 Speaker 1: the Weekly Zeitgeist. Really well, we are throwed to be 6 00:00:26,640 --> 00:00:30,440 Speaker 1: joined in our third seat by the hilarious and talented 7 00:00:30,560 --> 00:00:34,600 Speaker 1: Kyle Air. Thank you, thank you. You know it's Christie. 8 00:00:34,640 --> 00:00:37,960 Speaker 1: I'm a Gucci Maine. That's art. That name is art. Yeah, 9 00:00:38,240 --> 00:00:40,239 Speaker 1: it's I mean, I would expect no less from that. 10 00:00:40,280 --> 00:00:43,120 Speaker 1: I would be so happy that I will wouldn't do 11 00:00:43,159 --> 00:00:47,200 Speaker 1: anything the rest of that day. I've done, I've done 12 00:00:47,240 --> 00:00:52,600 Speaker 1: some stuff that he persists. The hustle. You gotta admire it. 13 00:00:52,920 --> 00:00:55,680 Speaker 1: How is your week? How is that Super Bowl for you? Kyle? 14 00:00:55,800 --> 00:00:57,960 Speaker 1: Oh it's bad, you know, as far as like one 15 00:00:58,280 --> 00:01:02,400 Speaker 1: isolated game. I'm Chiefs fans. Remember it was fun to 16 00:01:02,440 --> 00:01:06,919 Speaker 1: answer the question does football have to be a team sport? 17 00:01:07,920 --> 00:01:10,399 Speaker 1: We all got to answer it, and it turns out, yeah, 18 00:01:10,760 --> 00:01:14,319 Speaker 1: you need a team because can one man do it? No? 19 00:01:14,520 --> 00:01:18,520 Speaker 1: Will that stop him from trying? Absolutely not. Man. That 20 00:01:18,640 --> 00:01:22,640 Speaker 1: was like as bad as that game was for the Chiefs, 21 00:01:22,680 --> 00:01:25,920 Speaker 1: like just some of the throws he was making, uh 22 00:01:26,200 --> 00:01:29,040 Speaker 1: Patrick mahomes like as he was like there there was 23 00:01:29,120 --> 00:01:32,160 Speaker 1: one throw. You know, he was just running around for 24 00:01:32,280 --> 00:01:36,160 Speaker 1: his life behind the line of scrimmage. But he was 25 00:01:36,200 --> 00:01:40,039 Speaker 1: like making throws like with his head like almost on 26 00:01:40,120 --> 00:01:45,040 Speaker 1: the greatest ever seen. And it sounds dumb to be like, 27 00:01:45,040 --> 00:01:49,720 Speaker 1: what a great incomplete but had he had that were dropped, 28 00:01:49,800 --> 00:01:52,080 Speaker 1: that's what the most always straining parts. Hit a man 29 00:01:52,200 --> 00:01:54,760 Speaker 1: in the face mask in the end zone while throwing 30 00:01:54,760 --> 00:01:58,200 Speaker 1: the ball while he's parallel to the ground. Had he 31 00:01:58,240 --> 00:02:00,480 Speaker 1: caught that, the highlights still would have kind of disappeared 32 00:02:00,480 --> 00:02:05,880 Speaker 1: because they lost. But I don't think it's hyperbole for 33 00:02:05,920 --> 00:02:07,960 Speaker 1: me to say that might been the greatest throw I've 34 00:02:08,000 --> 00:02:10,520 Speaker 1: ever seen in my life. And it doesn't matter because 35 00:02:10,560 --> 00:02:13,760 Speaker 1: you know how like you always hear like like the 36 00:02:13,800 --> 00:02:16,120 Speaker 1: best This the funniest thing that's ever been said was 37 00:02:16,160 --> 00:02:18,760 Speaker 1: probably not during a stand up show. The greatest basketball 38 00:02:18,760 --> 00:02:21,280 Speaker 1: shot that's ever been made was probably a backyard horse shot. 39 00:02:21,320 --> 00:02:23,440 Speaker 1: None of us saw that was the greatest throw I've 40 00:02:23,440 --> 00:02:25,160 Speaker 1: ever seen in my life, and it got dropped. It 41 00:02:25,240 --> 00:02:26,880 Speaker 1: hit a dude in the face, It was hit a 42 00:02:26,919 --> 00:02:29,080 Speaker 1: guy in the face, hitting people in the hands and 43 00:02:29,080 --> 00:02:32,480 Speaker 1: the face mask and they were dropping it. It is 44 00:02:32,520 --> 00:02:35,799 Speaker 1: like if all of the catchable balls he threw had 45 00:02:35,840 --> 00:02:39,440 Speaker 1: been caught, I don't know that you guys would have 46 00:02:39,520 --> 00:02:42,359 Speaker 1: lost the game. Maybe goes in a different path. Too 47 00:02:42,400 --> 00:02:45,120 Speaker 1: many things went wrong to say that, Like, there were 48 00:02:45,120 --> 00:02:47,240 Speaker 1: a lot of bad penalties that I disagreed with for 49 00:02:47,280 --> 00:02:49,799 Speaker 1: the first quarter and a half, but then they did 50 00:02:49,840 --> 00:02:53,800 Speaker 1: not have an offensive line, which you need, you need. Yeah, 51 00:02:53,840 --> 00:02:55,919 Speaker 1: it felt like have you ever played a video game 52 00:02:55,960 --> 00:03:00,600 Speaker 1: against someone who knew the buttons right? This is like 53 00:03:00,639 --> 00:03:03,760 Speaker 1: if I've never played Madden, but I picked the best team, 54 00:03:03,840 --> 00:03:07,440 Speaker 1: I'm gonna get some weird plays by just hitting you 55 00:03:07,440 --> 00:03:10,040 Speaker 1: know what I mean? What's going on? That's kind of 56 00:03:10,040 --> 00:03:12,240 Speaker 1: what it felt like, and it was not fun to watch, 57 00:03:12,280 --> 00:03:15,080 Speaker 1: but I'm still you try and keep things in perspective. 58 00:03:15,120 --> 00:03:18,280 Speaker 1: Sports fandom is such a bizarre thing if you think 59 00:03:18,280 --> 00:03:20,400 Speaker 1: about it, like it's a reality show. I've been watching 60 00:03:20,440 --> 00:03:25,720 Speaker 1: my whole life, and they finally rewarded my character last 61 00:03:25,800 --> 00:03:29,480 Speaker 1: year after thirty years of them not you know, Susan 62 00:03:29,520 --> 00:03:34,800 Speaker 1: Lucci Emmy win. It felt more like the Peter Otool 63 00:03:34,880 --> 00:03:38,040 Speaker 1: Oscar win where we were a hundred and forty years 64 00:03:38,040 --> 00:03:39,800 Speaker 1: in and they were like, he might not be here 65 00:03:39,800 --> 00:03:44,400 Speaker 1: next year, and so this is I still have to 66 00:03:44,400 --> 00:03:47,120 Speaker 1: be like I could. I can't believe that guy's the 67 00:03:47,200 --> 00:03:49,920 Speaker 1: quarterback of the team I watched. He's the most fun. 68 00:03:50,240 --> 00:03:53,000 Speaker 1: Kansas City has never had the most fun player in 69 00:03:53,080 --> 00:03:57,000 Speaker 1: any sport. Now they have Steph Curry, which is like 70 00:03:57,200 --> 00:04:01,520 Speaker 1: he's probably the best, and he's by far the most fun. Yeah. Absolutely, 71 00:04:01,840 --> 00:04:03,440 Speaker 1: So I just gotta be happy to be there. I'm 72 00:04:03,480 --> 00:04:06,560 Speaker 1: just I am tired of Tom Brady and that's not 73 00:04:06,600 --> 00:04:09,480 Speaker 1: even his fault, well it is, but a negative thing 74 00:04:09,520 --> 00:04:14,320 Speaker 1: to him. What is something you think is underrated? Okay? Good? 75 00:04:14,400 --> 00:04:17,000 Speaker 1: Both of these are in honor of the twenty one 76 00:04:17,200 --> 00:04:22,960 Speaker 1: anniversary of Jim Varney's death. I'm gonna say underrated, Ernest 77 00:04:23,000 --> 00:04:31,200 Speaker 1: scared stupid, Okay, overrated. Ernest saves Christmas, and I love 78 00:04:31,279 --> 00:04:35,400 Speaker 1: Christmas and Christmas movies, but I don't know, it's not 79 00:04:35,520 --> 00:04:38,080 Speaker 1: I think I think, honestly, maybe Earnest Goes to Jail 80 00:04:38,120 --> 00:04:42,520 Speaker 1: would be the my favorite. But Christmas gets a lot 81 00:04:42,560 --> 00:04:46,040 Speaker 1: of shine, and I feel like Halloween really is earnest 82 00:04:46,600 --> 00:04:50,880 Speaker 1: true holiday, and that's scared stupid as a Halloween Philip 83 00:04:51,520 --> 00:04:53,960 Speaker 1: that's the one, like the Pumpkin cover. I just know 84 00:04:54,040 --> 00:04:57,200 Speaker 1: every Earnest film just had Jim Varney just given that 85 00:04:57,440 --> 00:05:04,960 Speaker 1: full like I grin. I can't imagine um how delicately 86 00:05:05,000 --> 00:05:08,839 Speaker 1: they handled the carceol system of the United States in 87 00:05:08,960 --> 00:05:12,280 Speaker 1: their analysis to the Ernest Goes to Jail prism from 88 00:05:12,320 --> 00:05:17,000 Speaker 1: the year. This is why I think it needs more 89 00:05:17,040 --> 00:05:20,760 Speaker 1: credit because Ernest, across all of his properties, you would 90 00:05:20,760 --> 00:05:25,000 Speaker 1: think would would go a little bit more racist, and 91 00:05:25,040 --> 00:05:28,240 Speaker 1: he doesn't like at any point. No, yeah, that is true. 92 00:05:28,640 --> 00:05:31,159 Speaker 1: I feel like that was the thing that my first 93 00:05:31,160 --> 00:05:33,920 Speaker 1: assumption about a like Earnest thing because I'm like, hey, 94 00:05:33,920 --> 00:05:36,159 Speaker 1: I'm like, you talk like the scary people from the 95 00:05:36,200 --> 00:05:41,279 Speaker 1: movies my grandpa shows me right right, and then you're like, 96 00:05:41,320 --> 00:05:43,280 Speaker 1: oh wait these are more kid friend, then you really 97 00:05:43,360 --> 00:05:46,240 Speaker 1: like he's like he was like a good guy, right, Yeah, 98 00:05:46,360 --> 00:05:49,359 Speaker 1: he's a really he was a very good guy. Yeah, 99 00:05:49,560 --> 00:05:52,760 Speaker 1: and like pretty diverse casting and yeah, he just never 100 00:05:52,839 --> 00:05:56,720 Speaker 1: goes this like sort of ignorant hillbilly route that he 101 00:05:56,760 --> 00:06:02,359 Speaker 1: could have. Uh but yeah, all right, pee man, Yeah 102 00:06:02,600 --> 00:06:06,880 Speaker 1: I missed. That's an amazing story that that started as 103 00:06:06,920 --> 00:06:15,680 Speaker 1: a radio advertisement and then yeah, it's really crazy is 104 00:06:15,720 --> 00:06:19,360 Speaker 1: he He was like the local commercial guy. It seemed like, 105 00:06:19,880 --> 00:06:23,880 Speaker 1: so he was advertising like a million different places, like 106 00:06:24,000 --> 00:06:26,599 Speaker 1: in these small towns because you're just like, oh, you 107 00:06:26,640 --> 00:06:29,840 Speaker 1: want a commercial, get Earnest. He's the commercial guys. So 108 00:06:30,640 --> 00:06:33,680 Speaker 1: you know you could be like dueling pizza restaurants have 109 00:06:33,839 --> 00:06:36,599 Speaker 1: the same guy in their commercial essentially because he just 110 00:06:36,680 --> 00:06:39,440 Speaker 1: had such a good idea, I should I should do 111 00:06:39,520 --> 00:06:47,560 Speaker 1: this for the neighborhood restaurants, commercial bucks, just some food. Yeah. 112 00:06:47,960 --> 00:06:51,000 Speaker 1: I wonder like if there's a someone has an archive 113 00:06:51,279 --> 00:06:55,520 Speaker 1: of the Jim Varney local adsumentary that needs to be 114 00:06:55,560 --> 00:06:58,960 Speaker 1: made there on a Latimore on YouTube on YouTube, okay, 115 00:06:59,080 --> 00:07:01,760 Speaker 1: because I'm curiously see like what because it's such a 116 00:07:01,800 --> 00:07:04,680 Speaker 1: specific flavor, because like the whole hey vern thing was 117 00:07:04,760 --> 00:07:07,440 Speaker 1: him breaking the fourth wall? Wasn't it like about like 118 00:07:07,720 --> 00:07:10,360 Speaker 1: Verne was the person on the other side of the camera, 119 00:07:10,440 --> 00:07:14,600 Speaker 1: wasn't it Verne was all of us smiles. Oh my, 120 00:07:16,280 --> 00:07:19,679 Speaker 1: Verne is like really stupid, Like he's way dumber than Earnest. 121 00:07:19,800 --> 00:07:22,520 Speaker 1: So yeah, as a kid, you're like, I guess I'm verned, 122 00:07:22,560 --> 00:07:27,720 Speaker 1: I'm burned, I'm Verne. Was Verne? Did we ever meet 123 00:07:27,920 --> 00:07:31,600 Speaker 1: Verne in the films. I mean you see his hands 124 00:07:31,640 --> 00:07:35,040 Speaker 1: and stuff like he you know, he's like Claw from 125 00:07:35,400 --> 00:07:38,840 Speaker 1: Inspector Gadget. It's like a very dumb version of Claw, 126 00:07:39,080 --> 00:07:41,960 Speaker 1: you know what I mean. Verne, Yeah, he trademarked that thing. Yeah, 127 00:07:41,960 --> 00:07:45,960 Speaker 1: shout out to him. Uh and and the Earnest films, 128 00:07:46,720 --> 00:07:48,920 Speaker 1: which none of which I saw for some reason that 129 00:07:48,960 --> 00:07:51,560 Speaker 1: missed me. Um So I need to I need to 130 00:07:51,600 --> 00:07:53,680 Speaker 1: do my work. I'm yeah, I'm interious to see because 131 00:07:53,960 --> 00:07:56,440 Speaker 1: it's funny that I know. The last thing, the last 132 00:07:56,480 --> 00:07:58,720 Speaker 1: Jim Varney thing I sought out to watch was the 133 00:07:58,760 --> 00:08:01,920 Speaker 1: Beverly Hill Billies. Right, it was like two years ago. 134 00:08:02,520 --> 00:08:05,800 Speaker 1: A lot of people's like introduction to him and then 135 00:08:05,840 --> 00:08:09,480 Speaker 1: they were like, oh, he's got all these other right, yeah, 136 00:08:09,600 --> 00:08:11,640 Speaker 1: but in the South, you know, it was a superstar 137 00:08:11,720 --> 00:08:18,000 Speaker 1: for him. He's like Killer Bees. Do you guys know 138 00:08:18,120 --> 00:08:21,840 Speaker 1: that comedian? Oh no, I thought you were talking about 139 00:08:21,880 --> 00:08:28,000 Speaker 1: the actual phenomenon of Southern comedian name Killer Bees. And 140 00:08:28,120 --> 00:08:32,920 Speaker 1: his tagline is save up, you better save up. It 141 00:08:33,000 --> 00:08:38,160 Speaker 1: is just like solid conservative financial advice pretty much. Wait, 142 00:08:38,200 --> 00:08:41,680 Speaker 1: what did Killer Bees look like? Did he dress like him? Like? 143 00:08:41,720 --> 00:08:44,000 Speaker 1: He had to have dressed in black and yellow? Right? No, 144 00:08:44,320 --> 00:08:46,400 Speaker 1: he just looks like an old white guy. I don't know, 145 00:08:46,720 --> 00:08:51,680 Speaker 1: he's really funny. I can't. I didn't. Killer Bees is 146 00:08:51,720 --> 00:08:54,880 Speaker 1: just the comedian's name. Yeah, it's pretty tight, right, Like 147 00:08:54,960 --> 00:09:00,760 Speaker 1: he's not a rapper, he's b E A Z Killer Bees. Okay, 148 00:09:00,800 --> 00:09:04,000 Speaker 1: I mean that's that is like one of those nicknames 149 00:09:04,480 --> 00:09:07,760 Speaker 1: that like, yeah, that that's his name is like bees, 150 00:09:08,320 --> 00:09:10,600 Speaker 1: his last name is Bees something. They're like, hey, it's 151 00:09:10,679 --> 00:09:14,000 Speaker 1: killer Bees. Hey it's true. At S. Beasley Jr. Just 152 00:09:14,040 --> 00:09:18,080 Speaker 1: started killing so hard people started calling killer Bees. Oh yeah, yeah, 153 00:09:18,760 --> 00:09:23,480 Speaker 1: that dude crushes. Yeah. They say it stemmed from an 154 00:09:23,480 --> 00:09:26,280 Speaker 1: incident in his childhood where a friend went into anaphylactic 155 00:09:26,360 --> 00:09:29,600 Speaker 1: shock after a series of beastings. Beasley then threw his 156 00:09:29,679 --> 00:09:33,440 Speaker 1: epinephrin pen into the river. Uh, and then his friend died, 157 00:09:33,559 --> 00:09:42,199 Speaker 1: giving him the name Killer Bees. Up. I'll leeg you. 158 00:09:42,360 --> 00:09:45,319 Speaker 1: I just made that up on a joke podcast. Okay. 159 00:09:45,360 --> 00:09:54,440 Speaker 1: That was so it was, Oh, that's amazing for anybody who, 160 00:09:54,559 --> 00:09:56,560 Speaker 1: like I was confused why they thought they could make 161 00:09:56,600 --> 00:09:59,840 Speaker 1: a TV show out of the Geiko cave Man. They 162 00:10:00,120 --> 00:10:05,160 Speaker 1: trying to recreate the magic of earnest, you know, just 163 00:10:06,440 --> 00:10:08,920 Speaker 1: that that's but that's the next level. That's the next 164 00:10:09,000 --> 00:10:11,720 Speaker 1: level talent. I mean it's also hot. Kind of a 165 00:10:11,760 --> 00:10:15,679 Speaker 1: hot young dude. Uh back in the day, like obviously, Oh, 166 00:10:16,000 --> 00:10:20,120 Speaker 1: I think he's very attractive. Oh yeah, when he was unverned, 167 00:10:20,360 --> 00:10:26,480 Speaker 1: You're like, okay, Jim Varney, Yeah, exactly what I said. Yeah, 168 00:10:26,480 --> 00:10:28,480 Speaker 1: there's a young there's a picture of him as a 169 00:10:28,480 --> 00:10:31,600 Speaker 1: young man, just like, you know, making love to the camera, 170 00:10:32,080 --> 00:10:35,839 Speaker 1: uh and through his eye, not literally, just like you know, 171 00:10:36,360 --> 00:10:40,360 Speaker 1: he's given the camera look. That's like, damn. When I 172 00:10:40,400 --> 00:10:48,120 Speaker 1: knew was vern were a yeah, I wish we were burned. 173 00:10:48,840 --> 00:10:51,640 Speaker 1: Vern Verne always kept his hands visible, so we know 174 00:10:51,760 --> 00:10:57,360 Speaker 1: he wasn't touching. Yeah, we were talking about Mike, but 175 00:10:57,480 --> 00:10:59,959 Speaker 1: we were talking about the fact that the Wiggles keep 176 00:11:00,480 --> 00:11:03,160 Speaker 1: give the thumbs up and all their pictures because they 177 00:11:03,200 --> 00:11:07,280 Speaker 1: want uh people, the parents to know that their hands 178 00:11:07,559 --> 00:11:11,319 Speaker 1: are not up to any shenanigans. They're not doing anything, 179 00:11:12,400 --> 00:11:16,640 Speaker 1: which is important. Yeah, good policy. Winger around children constantly 180 00:11:16,679 --> 00:11:19,160 Speaker 1: for a living, right and then just any and like 181 00:11:19,240 --> 00:11:24,040 Speaker 1: and just there will always anything that could look improper untoward. 182 00:11:24,160 --> 00:11:26,040 Speaker 1: You never want to be in a situation where you're like, no, 183 00:11:26,200 --> 00:11:28,640 Speaker 1: I I just had my hand in my pocket and 184 00:11:28,679 --> 00:11:31,520 Speaker 1: they're like, we don't know, buddy, yeah, and you're like, okay, 185 00:11:31,559 --> 00:11:32,840 Speaker 1: this is why I do this all the time. Now. 186 00:11:32,920 --> 00:11:38,880 Speaker 1: It's always thumbs up, Like, but what's in their palms? Yeah? Exactly? 187 00:11:39,720 --> 00:11:44,320 Speaker 1: What is something you think is underrated? So I I think? 188 00:11:45,000 --> 00:11:48,400 Speaker 1: I I asked this morning while I was eating breakfast. 189 00:11:48,400 --> 00:11:50,719 Speaker 1: I asked my girlfriend both underrated and what are things 190 00:11:50,720 --> 00:11:52,400 Speaker 1: I think are underrating? Overrated? She goes, oh, you think 191 00:11:52,440 --> 00:11:54,439 Speaker 1: everything's overrated? And I was like, okay, what's something I 192 00:11:54,480 --> 00:11:56,640 Speaker 1: think I was underrated? She goes, oh, you think everything 193 00:11:56,720 --> 00:11:59,360 Speaker 1: is underrated. It's like, I can't be both. And then 194 00:11:59,360 --> 00:12:01,120 Speaker 1: I was like, give me a specific example of either. 195 00:12:01,240 --> 00:12:02,640 Speaker 1: She goes, I can't think of any and I was like, 196 00:12:02,640 --> 00:12:04,920 Speaker 1: this sounds like a youth thing. That sounds like something 197 00:12:04,920 --> 00:12:09,560 Speaker 1: that projecting on to me. No details, But I think 198 00:12:09,960 --> 00:12:16,080 Speaker 1: comedy acting is so underrated, yes, actual art form. I 199 00:12:16,120 --> 00:12:19,560 Speaker 1: think that acting in a comedy is hard, and I 200 00:12:19,600 --> 00:12:22,040 Speaker 1: think it is underrated because people are like, look at 201 00:12:22,040 --> 00:12:26,040 Speaker 1: the funny person being funny, I think, and I will 202 00:12:26,280 --> 00:12:29,480 Speaker 1: I say to this day often. Rachel McAdams deserved an 203 00:12:29,480 --> 00:12:32,880 Speaker 1: OSCAR nomination for Mean Girls, and there are ten equivalent 204 00:12:32,920 --> 00:12:36,400 Speaker 1: performances every ten years in comedy that no one else 205 00:12:36,400 --> 00:12:39,400 Speaker 1: could do. It's so funny too, because it's it's even 206 00:12:39,440 --> 00:12:42,240 Speaker 1: the thing that actors acknowledge is harder than the thing 207 00:12:42,400 --> 00:12:46,200 Speaker 1: they're constantly like lauded for. You know, when people are like, 208 00:12:46,240 --> 00:12:48,319 Speaker 1: oh my god, the dramatic forms like I'm gonna be 209 00:12:48,320 --> 00:12:50,800 Speaker 1: honest with do comedy is way harder than It's so 210 00:12:50,920 --> 00:12:53,560 Speaker 1: much harder to be funny than it is to pretend 211 00:12:53,559 --> 00:13:00,960 Speaker 1: to be Lyndon Johnson or whatever. It's actually hard to 212 00:13:01,080 --> 00:13:03,800 Speaker 1: pretend to be Lyndon Johnson and that not be funny. 213 00:13:03,920 --> 00:13:07,240 Speaker 1: As since he was about the new movie Lyndon b laughing, 214 00:13:09,200 --> 00:13:13,880 Speaker 1: he did use his aids as a pis screens. Yeah, 215 00:13:13,960 --> 00:13:15,599 Speaker 1: just like those calls. I mean, how do you do 216 00:13:15,679 --> 00:13:18,880 Speaker 1: with a straight faced say bung hole like he does, 217 00:13:19,160 --> 00:13:22,560 Speaker 1: and like try and while being sworn in? Had that 218 00:13:22,640 --> 00:13:28,480 Speaker 1: delivered while being sworn in with Jackie standing right there, 219 00:13:29,640 --> 00:13:32,040 Speaker 1: bung hole. I'm just saying it's a funny word. Faithfully 220 00:13:32,040 --> 00:13:35,439 Speaker 1: execute the duties of this office upon my bung hole 221 00:13:37,240 --> 00:13:39,920 Speaker 1: has this entire suit pulled up over the top of 222 00:13:39,960 --> 00:13:45,880 Speaker 1: his head like Beavis Cornelio. Cornelio pulled up over his head. 223 00:13:46,640 --> 00:13:51,400 Speaker 1: That dude is one of my Like, uh, Daniel O'Brien 224 00:13:52,520 --> 00:13:57,319 Speaker 1: from Cracked and now last week Tonight used to uh 225 00:13:57,720 --> 00:14:01,280 Speaker 1: talk about like just there's all these wild stories behind 226 00:14:01,280 --> 00:14:04,760 Speaker 1: the scenes. He would make reporters do interviews with him 227 00:14:04,760 --> 00:14:08,080 Speaker 1: while he was pooping on the toilet, like because it 228 00:14:08,160 --> 00:14:10,920 Speaker 1: was like a power move of something sort um. He 229 00:14:10,920 --> 00:14:15,280 Speaker 1: would show people his what he called big jumbo because 230 00:14:15,280 --> 00:14:18,000 Speaker 1: I guess he had a big a big penis. He 231 00:14:18,080 --> 00:14:22,120 Speaker 1: exposed himself a lot to people. Yeah, tons, Uh what 232 00:14:22,160 --> 00:14:25,080 Speaker 1: am I? Why am I surprised at someone who runs 233 00:14:25,120 --> 00:14:31,040 Speaker 1: the United States isn't also flashing their dick. Imagine running 234 00:14:31,040 --> 00:14:33,480 Speaker 1: a country because a guy died and not having a 235 00:14:33,520 --> 00:14:38,040 Speaker 1: weird ego exactly and then being like, well he left 236 00:14:38,040 --> 00:14:41,280 Speaker 1: me with a fucking mess up a country right now? Well, 237 00:14:41,600 --> 00:14:43,800 Speaker 1: I mean that's assuming that he had nothing to do 238 00:14:43,880 --> 00:14:49,040 Speaker 1: with it, which now you've seen the picture. Why was 239 00:14:49,080 --> 00:14:53,640 Speaker 1: he ever smiling? Um? The he's like looking at looking 240 00:14:53,680 --> 00:14:59,720 Speaker 1: over JFK Like, uh, but sorry, I distracted from your point. 241 00:15:00,120 --> 00:15:02,960 Speaker 1: I think is a really good one. The like it's 242 00:15:03,000 --> 00:15:06,120 Speaker 1: definitely harder to pull off and like in the case 243 00:15:06,120 --> 00:15:09,400 Speaker 1: of Rachel McAdams, like that is a more lasting performance 244 00:15:09,520 --> 00:15:14,200 Speaker 1: than any dramatic performance from that year, like culturally impactful. 245 00:15:14,880 --> 00:15:20,160 Speaker 1: Uh sorry, my son is Ramsey or take he's He's 246 00:15:20,160 --> 00:15:24,520 Speaker 1: been honestly laying on the ground and like stage yawning 247 00:15:25,320 --> 00:15:31,240 Speaker 1: during like every time I talk just being oh man, um, 248 00:15:31,240 --> 00:15:37,480 Speaker 1: oh man, you're on that one again. But it's all 249 00:15:37,560 --> 00:15:41,840 Speaker 1: just about how like that's a youth like the audience 250 00:15:41,880 --> 00:15:44,840 Speaker 1: thing wanting to feel when when they won't nominate any 251 00:15:44,880 --> 00:15:49,120 Speaker 1: comedy movies for Oscars, that's just because the Academy voters 252 00:15:49,200 --> 00:15:52,240 Speaker 1: watching it want to feel like they're doing something serious 253 00:15:52,400 --> 00:15:55,880 Speaker 1: and therefore like it's them. It's it has nothing to 254 00:15:55,880 --> 00:16:00,000 Speaker 1: do with like the actual power or cultural impact or 255 00:16:00,200 --> 00:16:03,920 Speaker 1: feels like uh jet, you're right, it is jealousy. I 256 00:16:03,960 --> 00:16:07,120 Speaker 1: will say that I don't I don't know what comedies 257 00:16:07,120 --> 00:16:09,520 Speaker 1: came out the year Manchester by the Sea came out, 258 00:16:09,760 --> 00:16:11,480 Speaker 1: but I bet they're a bunch of comedians who are 259 00:16:11,480 --> 00:16:13,920 Speaker 1: good at being funny and can look like sad sex 260 00:16:14,000 --> 00:16:16,680 Speaker 1: as ship and so I think that I Nope, I 261 00:16:16,760 --> 00:16:19,000 Speaker 1: don't know much about Casey Affleck. I don't care to 262 00:16:19,080 --> 00:16:21,440 Speaker 1: learn anything more about him, and I think he's been 263 00:16:21,440 --> 00:16:23,160 Speaker 1: better in other movies. But that movie was just a 264 00:16:23,160 --> 00:16:25,680 Speaker 1: guy being sad, and he it's and his version of 265 00:16:25,720 --> 00:16:28,800 Speaker 1: sad was being quiet, and so he want to Oscar 266 00:16:28,880 --> 00:16:35,880 Speaker 1: because uh cinematographer was good at making him look sad. Yeah, yeah, 267 00:16:36,560 --> 00:16:39,640 Speaker 1: give me, give me Bill Murray and groundhog Day, which 268 00:16:39,680 --> 00:16:42,920 Speaker 1: is comedic and dramatic. Give me Rachel McAdams and Mean Girls. 269 00:16:43,120 --> 00:16:46,400 Speaker 1: Give me everyone in Bridesmaids. I don't know, Will Ferrell 270 00:16:46,400 --> 00:16:48,400 Speaker 1: probably should have want to Oscar Francor Man. We're still 271 00:16:48,400 --> 00:16:49,880 Speaker 1: talking about it, and no one else could have done 272 00:16:49,920 --> 00:16:53,480 Speaker 1: it like that. It's people just don't value it as 273 00:16:53,600 --> 00:16:55,720 Speaker 1: as an art form. But then if they when they 274 00:16:55,720 --> 00:16:58,920 Speaker 1: try and do it, they look a fool or they're 275 00:16:58,960 --> 00:17:04,240 Speaker 1: just yeahs like using a baseball glove for cleanup, Like 276 00:17:04,280 --> 00:17:08,080 Speaker 1: I'll take that over Manchruster by the city. Yeah, And 277 00:17:08,080 --> 00:17:10,480 Speaker 1: I wonder if it's you know, like they they're like 278 00:17:10,520 --> 00:17:14,240 Speaker 1: you're saying, Jack, Like they can't really acknowledge how significant 279 00:17:14,359 --> 00:17:18,080 Speaker 1: comedy is to culture and like how how much of 280 00:17:18,080 --> 00:17:21,320 Speaker 1: a lasting impression that leaves on the audience, Like more 281 00:17:21,400 --> 00:17:23,760 Speaker 1: people quote you know, not that it's I'm saying this 282 00:17:23,880 --> 00:17:25,600 Speaker 1: needs to get an academy where, but more people will 283 00:17:25,680 --> 00:17:29,720 Speaker 1: quote dumb and dumber then fucking saving Private Ryan or 284 00:17:29,760 --> 00:17:32,639 Speaker 1: something like that. Like there's there's something about comedy that, 285 00:17:32,680 --> 00:17:35,640 Speaker 1: like it really uplifts us and like we can draw 286 00:17:35,760 --> 00:17:39,560 Speaker 1: upon something positive just like with a recollection of it. 287 00:17:39,800 --> 00:17:42,399 Speaker 1: And granted, of course, like dramatic acting is an art 288 00:17:42,440 --> 00:17:47,520 Speaker 1: form in and of itself as well, but art form right, 289 00:17:47,600 --> 00:17:51,040 Speaker 1: and it's also wild. Yeah, Like so to not hold 290 00:17:51,080 --> 00:17:52,520 Speaker 1: them up and be able to say, like it's like 291 00:17:52,560 --> 00:17:57,440 Speaker 1: the Grammys saying like the only music is classical music. Yeah, yeah, exactly, No, 292 00:17:57,600 --> 00:17:59,440 Speaker 1: you idiot, what are you talking about? Like people turn 293 00:17:59,560 --> 00:18:01,560 Speaker 1: up to all this other I don't know if we 294 00:18:01,640 --> 00:18:03,800 Speaker 1: need to just do like oscars need to do what 295 00:18:03,840 --> 00:18:06,760 Speaker 1: the Golden Globes do. But then generally the Golden Globes 296 00:18:06,800 --> 00:18:10,000 Speaker 1: gives the best comedic or musical performance to whatever is 297 00:18:10,040 --> 00:18:12,439 Speaker 1: the most dramatic thing that pretends to be a comedy 298 00:18:14,280 --> 00:18:18,440 Speaker 1: or something. Yeah yeah, the most dramatic movie that also 299 00:18:18,520 --> 00:18:21,480 Speaker 1: made us laugh this year. I also wonder if there's 300 00:18:21,520 --> 00:18:25,960 Speaker 1: something changing because like, uh not, to keep harkening back 301 00:18:26,000 --> 00:18:30,159 Speaker 1: to Cracked, I have cracked on my brain. But the 302 00:18:30,200 --> 00:18:35,119 Speaker 1: first podcast we did on for the Cracked podcast was 303 00:18:35,160 --> 00:18:40,040 Speaker 1: about like how um comedy like ages poorly compared to drama, 304 00:18:40,320 --> 00:18:44,439 Speaker 1: and like old comedy movies aren't really funny anymore, except 305 00:18:44,520 --> 00:18:47,719 Speaker 1: for like the Marx Brothers, because they went town to 306 00:18:47,720 --> 00:18:53,200 Speaker 1: town and just like honed these jokes that were like funny, 307 00:18:53,240 --> 00:18:56,160 Speaker 1: irrelevant of what town they were doing it in. Um. 308 00:18:56,440 --> 00:18:59,679 Speaker 1: I I just wonder if, like now, it seems like 309 00:19:00,160 --> 00:19:03,440 Speaker 1: things have, like we still think Anchorman is funny. I 310 00:19:03,440 --> 00:19:05,119 Speaker 1: don't know, you guys are younger than me, but like 311 00:19:05,160 --> 00:19:09,280 Speaker 1: it seems like people fewer I think. I do think 312 00:19:09,320 --> 00:19:13,400 Speaker 1: that fewer comedies hold up over long term than dramas 313 00:19:13,440 --> 00:19:16,639 Speaker 1: that do. And I think even fewer dramas hold up 314 00:19:16,680 --> 00:19:18,960 Speaker 1: than like an action like die Hard is so old 315 00:19:19,040 --> 00:19:21,040 Speaker 1: at this point by movie standards and feels like a 316 00:19:21,080 --> 00:19:22,879 Speaker 1: movie that could have come out a year ago, but 317 00:19:23,000 --> 00:19:25,879 Speaker 1: comedies from that year. There's like a Naked Gun sequel, 318 00:19:25,960 --> 00:19:28,119 Speaker 1: which has probably kind of funny, but doesn't. I just 319 00:19:28,240 --> 00:19:29,760 Speaker 1: you know, it doesn't hold up as much as these 320 00:19:29,760 --> 00:19:32,119 Speaker 1: other things. So it seems to be like this, the 321 00:19:32,560 --> 00:19:35,399 Speaker 1: couple of comedies for most years that hold up, whether 322 00:19:35,400 --> 00:19:38,320 Speaker 1: it's like Groundhog Day or Airplane or movies like that 323 00:19:38,320 --> 00:19:40,480 Speaker 1: that they'll hold up for a while, but I kind 324 00:19:40,480 --> 00:19:43,359 Speaker 1: of think blockbusters tend to hold up the best. We 325 00:19:43,400 --> 00:19:47,159 Speaker 1: still watch Jurassic Park, you know, everything that is an 326 00:19:47,160 --> 00:19:50,160 Speaker 1: avatar will still go back and watch Jaws. I think 327 00:19:50,320 --> 00:19:53,280 Speaker 1: is often cited as one of the movies that holds 328 00:19:53,359 --> 00:19:55,399 Speaker 1: up the best, and that's a whole Another gripe that 329 00:19:55,440 --> 00:19:58,359 Speaker 1: I have is, uh, you know who, we don't acknowledge 330 00:19:58,359 --> 00:20:01,240 Speaker 1: that these movies that influence ulture more than anything else 331 00:20:01,760 --> 00:20:04,400 Speaker 1: should get any sort of nomination for this stuff, let 332 00:20:04,400 --> 00:20:08,520 Speaker 1: alone stunt people in movies, let alone acknowledging that computers 333 00:20:08,560 --> 00:20:12,040 Speaker 1: helped make movies. Now, Academy Awards could be so much 334 00:20:12,080 --> 00:20:15,200 Speaker 1: more fun. Yeah, it feels like the Major League Baseball 335 00:20:15,280 --> 00:20:21,000 Speaker 1: of of of Awards comind where like the MTV Movie 336 00:20:21,040 --> 00:20:23,600 Speaker 1: Awards got it right where they would get super specifically 337 00:20:23,640 --> 00:20:28,280 Speaker 1: like wow, this fucking fight scene and then it actually 338 00:20:28,320 --> 00:20:31,760 Speaker 1: gave you something like really, you're like actually comparing like 339 00:20:31,840 --> 00:20:34,600 Speaker 1: from Blade two. I'm like, okay, let's like watch this 340 00:20:34,720 --> 00:20:36,920 Speaker 1: fight scene and trying to even I remember watching the 341 00:20:36,960 --> 00:20:38,880 Speaker 1: ship and like talking to my friends like you really 342 00:20:38,920 --> 00:20:42,199 Speaker 1: thought that was better from Matrix? Okay? What okay, Like 343 00:20:42,400 --> 00:20:44,640 Speaker 1: just make some more awards. I don't know what John 344 00:20:44,640 --> 00:20:46,800 Speaker 1: Wick getting nominated for nothing. We all talked about it 345 00:20:46,840 --> 00:20:50,080 Speaker 1: for four years, right, yeah, exactly, Yeah, But I guess 346 00:20:50,080 --> 00:20:52,400 Speaker 1: that's where it's like, what, Yeah, I wonder if if 347 00:20:52,400 --> 00:20:55,320 Speaker 1: the Academy can take itself a little less seriously and 348 00:20:55,400 --> 00:20:58,360 Speaker 1: understand that, like film itself is something much larger than 349 00:20:58,400 --> 00:21:01,400 Speaker 1: like the people who call themselves the Academy can take 350 00:21:01,440 --> 00:21:06,119 Speaker 1: themselves less seriously. It's you're talking about a bunch of 351 00:21:06,160 --> 00:21:08,760 Speaker 1: people who work in something they call the industry, and 352 00:21:08,800 --> 00:21:12,359 Speaker 1: I say they I'm part of that the industry. Maybe 353 00:21:12,400 --> 00:21:21,399 Speaker 1: doctors should be the industry that poison our brains, like 354 00:21:21,440 --> 00:21:23,080 Speaker 1: you think, because like also too, you look at a 355 00:21:23,160 --> 00:21:26,000 Speaker 1: movie like Crash, that one best picture in two thousand six, 356 00:21:26,119 --> 00:21:31,520 Speaker 1: that motherfucker doesn't hold up at of course. I mean 357 00:21:31,600 --> 00:21:33,720 Speaker 1: for people who had half a brain in two thousand six, 358 00:21:33,760 --> 00:21:36,200 Speaker 1: you're like, are y'all seeing this? And then that you're like, okay, 359 00:21:36,240 --> 00:21:38,679 Speaker 1: so white people are in charge of everything, and like 360 00:21:38,720 --> 00:21:41,239 Speaker 1: it was hitting a little ally cord. So people like, oh, 361 00:21:41,240 --> 00:21:43,360 Speaker 1: they're so good, it's so good, so good. Yeah, yeah, 362 00:21:43,440 --> 00:21:46,120 Speaker 1: they would never make that mistake again two years ago 363 00:21:46,119 --> 00:21:51,760 Speaker 1: with Green Book. I mean, how I would be so 364 00:21:51,840 --> 00:21:54,080 Speaker 1: much more Like they keep talking about like people aren't 365 00:21:54,080 --> 00:21:56,840 Speaker 1: as interested in the oscars anymore. Like if they just 366 00:21:56,920 --> 00:22:01,320 Speaker 1: did an award that was the best uh special effect 367 00:22:01,640 --> 00:22:04,080 Speaker 1: in movie, in any movie, and you just got to 368 00:22:04,080 --> 00:22:06,640 Speaker 1: see like how they did it, I would love that. 369 00:22:06,640 --> 00:22:08,919 Speaker 1: That would be so fun, like because they do that 370 00:22:09,000 --> 00:22:11,480 Speaker 1: with like they have the like behind the scenes costuming 371 00:22:11,560 --> 00:22:14,680 Speaker 1: and like all these things they do to honor those arts. 372 00:22:14,720 --> 00:22:17,720 Speaker 1: But like I don't know that would be behind the 373 00:22:17,720 --> 00:22:19,359 Speaker 1: scene because you know what I feel. I feel like 374 00:22:19,400 --> 00:22:22,439 Speaker 1: we lost like we sort of lost the magic of 375 00:22:22,520 --> 00:22:25,480 Speaker 1: filmmaking too, because we don't see as much behind the 376 00:22:25,520 --> 00:22:28,399 Speaker 1: scenes stuff. I remember, like on HBO, part of the 377 00:22:28,400 --> 00:22:31,560 Speaker 1: whole marketing thing would be a fifteen minute behind inside 378 00:22:31,600 --> 00:22:34,080 Speaker 1: look at the making of a film that was coming 379 00:22:34,080 --> 00:22:36,639 Speaker 1: out and you get to see like them between takes, 380 00:22:36,720 --> 00:22:38,960 Speaker 1: the technology being used in that. For me as a child, 381 00:22:39,280 --> 00:22:42,760 Speaker 1: like anything that was behind the scenes anything always had 382 00:22:42,800 --> 00:22:45,439 Speaker 1: my imagination going even further because I'm like, oh, wow, 383 00:22:45,440 --> 00:22:47,040 Speaker 1: like this is how you do it. These are jobs 384 00:22:47,040 --> 00:22:48,760 Speaker 1: you could have this, that and the other. And I 385 00:22:48,800 --> 00:22:52,480 Speaker 1: think because like with that content being less there, it's 386 00:22:52,520 --> 00:22:55,800 Speaker 1: like we're just focusing like the actors more and really think, 387 00:22:55,880 --> 00:22:57,879 Speaker 1: like the one thing you do is be pretty in 388 00:22:57,920 --> 00:23:01,639 Speaker 1: front of camera and talk like the other. You always 389 00:23:01,640 --> 00:23:03,560 Speaker 1: hear stories about how those behind the scenes are what 390 00:23:03,640 --> 00:23:06,600 Speaker 1: prompted so and so to become a filmmaker or so 391 00:23:06,680 --> 00:23:09,160 Speaker 1: and so to get every time you ever see any 392 00:23:09,359 --> 00:23:11,359 Speaker 1: visual effects person there, Like, I saw a ten minute 393 00:23:11,400 --> 00:23:13,760 Speaker 1: behind the scenes about how a head exploded an evil 394 00:23:13,800 --> 00:23:15,800 Speaker 1: dead and I wanted to do this and now I'm 395 00:23:15,840 --> 00:23:20,040 Speaker 1: and I'm that's beautiful. The credits are so long, right, yeah, 396 00:23:20,080 --> 00:23:23,000 Speaker 1: the credits are so long. All right, let's take a 397 00:23:23,200 --> 00:23:36,240 Speaker 1: quick break and we will be right back. And we're back. 398 00:23:36,560 --> 00:23:39,280 Speaker 1: We are thrilled to be joined in our third seat 399 00:23:39,359 --> 00:23:46,240 Speaker 1: by the brilliant, the talented Tests Lynch. Hello, you're back. 400 00:23:46,800 --> 00:23:49,480 Speaker 1: Thank you for having me. Also, your son is so cute. 401 00:23:49,560 --> 00:23:53,680 Speaker 1: High Ray gonna say hi to Test and Joel Hi 402 00:23:53,840 --> 00:24:03,280 Speaker 1: Captain Joel. Yeah every time. Uh, Test, How have you 403 00:24:03,359 --> 00:24:06,480 Speaker 1: been What have you been up to? Oh my god, nothing, 404 00:24:06,720 --> 00:24:10,399 Speaker 1: I've been up to nothing. Um. Just like everybody else, 405 00:24:10,640 --> 00:24:14,480 Speaker 1: I my main like story arc over the past ten 406 00:24:14,560 --> 00:24:17,399 Speaker 1: months or whatever. We UM. I had a podcast with 407 00:24:17,440 --> 00:24:20,280 Speaker 1: my friends Molly and Emily, and since we ended that podcast, 408 00:24:20,760 --> 00:24:25,159 Speaker 1: I have just been doing nothing. I know. Boo yes 409 00:24:25,200 --> 00:24:28,520 Speaker 1: boother we ended it the podcast was yea uh, but 410 00:24:28,680 --> 00:24:31,720 Speaker 1: I've been mostly sitting in my backyard with my kids 411 00:24:31,920 --> 00:24:36,040 Speaker 1: while my neighbors um have been playing the Billy Jewel 412 00:24:36,080 --> 00:24:39,000 Speaker 1: album The Stranger, and it's it's taken up my entire 413 00:24:39,040 --> 00:24:43,200 Speaker 1: brain for that. However, Lost for a while has Yeah, 414 00:24:43,359 --> 00:24:47,040 Speaker 1: it's started in March, and it's at least once a week, 415 00:24:47,200 --> 00:24:50,439 Speaker 1: and they play The Stranger in its entirety, usually on 416 00:24:50,480 --> 00:24:52,760 Speaker 1: Friday nights, but they'll mix it up now. I mean, 417 00:24:53,040 --> 00:24:55,840 Speaker 1: over the past three weeks they've played it maybe three 418 00:24:55,840 --> 00:24:58,360 Speaker 1: times a week and sometimes at random times of day. 419 00:24:59,160 --> 00:25:04,520 Speaker 1: And it's never you're never the whole album though, Jack 420 00:25:04,600 --> 00:25:11,320 Speaker 1: the whole album It's leaving Scenes from an Italian Restaurant 421 00:25:11,320 --> 00:25:15,200 Speaker 1: is the best song on that album. Yeah, I'm never 422 00:25:15,280 --> 00:25:17,240 Speaker 1: not in the mood for that one. But I mean 423 00:25:17,280 --> 00:25:20,520 Speaker 1: then they're you know, there's a lot at the end, 424 00:25:20,600 --> 00:25:22,920 Speaker 1: the final song, which I like, forget the title. It's 425 00:25:22,920 --> 00:25:26,280 Speaker 1: also it's it's not super loud, so it's just enough 426 00:25:26,359 --> 00:25:29,280 Speaker 1: that it like makes you feel a certain way. But 427 00:25:29,400 --> 00:25:31,920 Speaker 1: sometimes you can't even like identify it. Sometimes they'll play 428 00:25:31,920 --> 00:25:34,520 Speaker 1: it super quietly and you're just like, why do I 429 00:25:34,600 --> 00:25:37,960 Speaker 1: feel like there's like a weird New York City jazz 430 00:25:38,280 --> 00:25:41,120 Speaker 1: kind of vibe in the air, and they, ah, it's 431 00:25:41,160 --> 00:25:50,160 Speaker 1: the stranger Yeah, moving Out, Yeah, they incible Anthony song, 432 00:25:50,480 --> 00:25:52,439 Speaker 1: but you know what, it doesn't hold up as well 433 00:25:52,480 --> 00:25:55,680 Speaker 1: after like thirty plays moving Out. Moving Out was one 434 00:25:55,680 --> 00:25:58,320 Speaker 1: of my top ten Billy Joel songs, and now too, 435 00:25:58,440 --> 00:26:01,159 Speaker 1: I'm like digging into the you know Later catalog just 436 00:26:01,200 --> 00:26:03,399 Speaker 1: to balance it out. So I'm doing like I go 437 00:26:03,480 --> 00:26:07,280 Speaker 1: to extremes, keeping the faith? Yeah. Yeah. Do you ever 438 00:26:07,320 --> 00:26:15,320 Speaker 1: find yourself just accidentally going into like like, hey, could 439 00:26:15,359 --> 00:26:20,760 Speaker 1: you turn that back to Anthony's song? Sorry, guys, I'm 440 00:26:20,800 --> 00:26:25,800 Speaker 1: Anthony now Joel. What are you gonna say? Just that 441 00:26:26,160 --> 00:26:28,920 Speaker 1: I'm really sorry they're ruining like some of my favorite 442 00:26:28,920 --> 00:26:32,320 Speaker 1: Billy Jwel songs are on this album, like Vienna. It's great, 443 00:26:32,600 --> 00:26:35,199 Speaker 1: like Jams, And I feel like it's unfair that they 444 00:26:35,240 --> 00:26:37,359 Speaker 1: are ruining it for you, But I'm glad that you 445 00:26:37,400 --> 00:26:40,360 Speaker 1: have found a way to bring a balance to your 446 00:26:40,359 --> 00:26:43,160 Speaker 1: Billy Jewel dysmography. Also, do you think after a year 447 00:26:43,160 --> 00:26:45,160 Speaker 1: they're gonna get tired of it? Is there any like 448 00:26:45,720 --> 00:26:48,480 Speaker 1: slowing down of the progression of their listening? No, it's 449 00:26:48,520 --> 00:26:51,200 Speaker 1: picking up it's picking up and they'll add other things 450 00:26:51,240 --> 00:26:53,480 Speaker 1: like it's book ended. It's often like they book ended 451 00:26:53,640 --> 00:26:56,159 Speaker 1: um Elton John might be a lead in E l 452 00:26:56,240 --> 00:26:59,679 Speaker 1: O might follow, but there's variation there, you know, it's 453 00:26:59,520 --> 00:27:02,720 Speaker 1: a strange anger remains the same UM. But I do 454 00:27:02,800 --> 00:27:05,879 Speaker 1: have to say I like Vienna also, and it's you know, 455 00:27:06,240 --> 00:27:10,160 Speaker 1: I mostly associated with thirteen going on thirty where it's 456 00:27:10,160 --> 00:27:15,520 Speaker 1: employed to great effect. But it inspired an episode of Taxi. 457 00:27:16,119 --> 00:27:18,680 Speaker 1: I did not know this, yeah, and it's in the Wikipedia, 458 00:27:18,680 --> 00:27:20,159 Speaker 1: and I was like, oh, now I should like go 459 00:27:20,240 --> 00:27:22,560 Speaker 1: back and watch that episode of Taxi. But then I 460 00:27:22,600 --> 00:27:24,960 Speaker 1: was like, no, I've had enough. I don't need to 461 00:27:25,000 --> 00:27:32,080 Speaker 1: do this to myself. Degrees by j Yeah, totally take 462 00:27:32,160 --> 00:27:35,000 Speaker 1: over someone's life with by just playing a Billy Joel 463 00:27:35,000 --> 00:27:38,320 Speaker 1: album over over. It is a method of control, absolutely 464 00:27:38,440 --> 00:27:45,120 Speaker 1: psychologically at war with your neighbors. See gang helpful hints 465 00:27:45,160 --> 00:27:48,360 Speaker 1: here for you just start playing that album. It's torture, 466 00:27:48,640 --> 00:27:50,879 Speaker 1: it is. But have you ever thought about how like 467 00:27:51,000 --> 00:27:53,960 Speaker 1: sometimes you look in the mirror and the person looking 468 00:27:54,000 --> 00:27:58,399 Speaker 1: back is a stranger to you. The stranger is yourself. Yeah, 469 00:27:58,600 --> 00:28:01,400 Speaker 1: like we're all like we all and this is gonna 470 00:28:01,440 --> 00:28:03,119 Speaker 1: blow your mind. But it's all it's almost like we 471 00:28:03,160 --> 00:28:09,879 Speaker 1: all wear masks sometimes. Oh man, but that does seem 472 00:28:10,440 --> 00:28:12,480 Speaker 1: pathological At this point, I don't think they're going to 473 00:28:12,520 --> 00:28:14,679 Speaker 1: be like, yeah, okay, we've had enough. It seems like 474 00:28:14,760 --> 00:28:17,440 Speaker 1: it's no. Now it's a whole. Now it's a lifestyle. 475 00:28:17,560 --> 00:28:20,040 Speaker 1: It went from like a fun thing to like, now 476 00:28:20,080 --> 00:28:22,520 Speaker 1: it's a joke, and now it's like we were jumping 477 00:28:22,560 --> 00:28:25,760 Speaker 1: the shark and now it's just an earnest commitment. Yeah, 478 00:28:26,080 --> 00:28:31,080 Speaker 1: there's no turning back. We'll speaking to of white supremacy. 479 00:28:31,640 --> 00:28:35,800 Speaker 1: Let's talk about the uh, you know, long term trend 480 00:28:35,920 --> 00:28:41,880 Speaker 1: but recently even more troubling trend of anti Asian racism 481 00:28:42,080 --> 00:28:46,360 Speaker 1: in America. Um. Yeah, there's you know, I hate crime 482 00:28:46,840 --> 00:28:51,880 Speaker 1: that happened recently in the Bay Area. Uh, and it's 483 00:28:51,960 --> 00:28:57,320 Speaker 1: part of a broader trend to uh, Asian American actors 484 00:28:57,400 --> 00:29:01,760 Speaker 1: got involved with, um, you know, offering a reward to 485 00:29:01,840 --> 00:29:05,080 Speaker 1: solve the case and like, so it's finally getting some attention. 486 00:29:05,200 --> 00:29:10,200 Speaker 1: But this has been a long term issue. It's it's 487 00:29:10,240 --> 00:29:15,920 Speaker 1: just anti anti Asian racism is really it's wild of 488 00:29:15,960 --> 00:29:20,360 Speaker 1: being black and Japanese American. Like I've it's weird to 489 00:29:20,560 --> 00:29:24,200 Speaker 1: kind of reconcile what it means to even be American, 490 00:29:24,400 --> 00:29:27,719 Speaker 1: like looking through the lens lenses of the collective experiences 491 00:29:27,760 --> 00:29:32,680 Speaker 1: of like Asian Americans and African Americans. Um, you know, obviously, 492 00:29:33,160 --> 00:29:35,200 Speaker 1: like we had been saying at the beginning of the pandemic, 493 00:29:35,280 --> 00:29:38,520 Speaker 1: when motherfucker's are out here calling ship wuhan flew or 494 00:29:38,640 --> 00:29:43,640 Speaker 1: China virus, that racist rhetoric was just helping to laser 495 00:29:43,760 --> 00:29:46,400 Speaker 1: focus all that hatred into what we're now seeings like 496 00:29:46,680 --> 00:29:50,560 Speaker 1: just record year of hate crimes against Asian Americans. And 497 00:29:51,200 --> 00:29:53,520 Speaker 1: you know, it's nothing new, but it occupies a very 498 00:29:53,600 --> 00:29:57,680 Speaker 1: unique blind spot in American society and media, just because 499 00:29:57,920 --> 00:30:01,240 Speaker 1: especially through like the evolution of like the the model minority, 500 00:30:01,360 --> 00:30:04,520 Speaker 1: the Asian model minority that was was emerging in like 501 00:30:04,600 --> 00:30:07,920 Speaker 1: the middle of the last century. But like you know, 502 00:30:08,240 --> 00:30:09,640 Speaker 1: well we kind of have to start at the gold 503 00:30:09,720 --> 00:30:12,800 Speaker 1: Rush because you kind of gotta see, you're not gonna understand, 504 00:30:12,840 --> 00:30:15,400 Speaker 1: like you can't understand anti black racism. We're not talking 505 00:30:15,400 --> 00:30:17,800 Speaker 1: about slavery, right, So you can't talk you can't understand 506 00:30:17,800 --> 00:30:22,840 Speaker 1: anti Asian racism without understanding the beginnings of immigration from 507 00:30:22,840 --> 00:30:26,120 Speaker 1: from Asia into into America. So in the beginning the 508 00:30:26,200 --> 00:30:29,120 Speaker 1: gold Rush. Okay, that's when it all kicked off. Everybody 509 00:30:29,200 --> 00:30:31,239 Speaker 1: was trying to get to California in the forties and 510 00:30:31,240 --> 00:30:33,680 Speaker 1: fifties to fucking strike gold. That was one of the 511 00:30:33,720 --> 00:30:37,400 Speaker 1: first significant influxes of Asian immigrants and Chinese people specifically, 512 00:30:37,440 --> 00:30:40,720 Speaker 1: they were about one fourth of the miners during the 513 00:30:40,760 --> 00:30:45,320 Speaker 1: gold Rush. But obviously because you have a white majority 514 00:30:45,400 --> 00:30:49,719 Speaker 1: or dominant class, they looked at these perceived intruders and 515 00:30:49,800 --> 00:30:53,920 Speaker 1: started engaging in violent, terroristic acts of racism to base 516 00:30:54,040 --> 00:30:57,400 Speaker 1: to oust them from the mining, and that relegated a 517 00:30:57,440 --> 00:30:59,640 Speaker 1: lot of these Chinese immigrants to lower wage jobs, which 518 00:30:59,680 --> 00:31:01,960 Speaker 1: is the l road and farming and things like that. 519 00:31:02,200 --> 00:31:05,880 Speaker 1: And then then slowly they began codifying these into like 520 00:31:06,080 --> 00:31:09,000 Speaker 1: Chinese Exclusion Act and saying, you know what you can 521 00:31:09,120 --> 00:31:11,520 Speaker 1: if you want to kick a motherfucker out because they're Chinese, 522 00:31:11,520 --> 00:31:14,600 Speaker 1: go to do you, honey, because this is a law now. 523 00:31:15,040 --> 00:31:18,920 Speaker 1: And that sort of momentum evolved. So once there was 524 00:31:18,960 --> 00:31:22,800 Speaker 1: a smaller population of uh Chinese workers to work farms 525 00:31:22,800 --> 00:31:25,120 Speaker 1: and things like that, the Japanese came in and that 526 00:31:25,200 --> 00:31:27,640 Speaker 1: was the next and then that's the next group who Okay, 527 00:31:27,680 --> 00:31:29,480 Speaker 1: they're gonna work the farms, Like damn. They did a 528 00:31:29,480 --> 00:31:31,400 Speaker 1: lot with all that little bit, and now they're starting 529 00:31:31,400 --> 00:31:32,760 Speaker 1: to succeed a little bit. Okay, well, now we need 530 00:31:32,840 --> 00:31:34,840 Speaker 1: new laws to kind of make ship hot for them. 531 00:31:34,880 --> 00:31:37,120 Speaker 1: And then Filipino Americans came in, and they liked that 532 00:31:37,160 --> 00:31:39,280 Speaker 1: better because Filipinos were part of a country that was 533 00:31:39,320 --> 00:31:41,520 Speaker 1: annexed by the United States and felt like there was 534 00:31:41,560 --> 00:31:44,600 Speaker 1: a little bit more of a parallel crossover to work 535 00:31:44,600 --> 00:31:47,040 Speaker 1: in the United States from the Philippines. So all this 536 00:31:47,200 --> 00:31:49,600 Speaker 1: like moment, it's it's been happening since, you know, the 537 00:31:49,640 --> 00:31:54,160 Speaker 1: beginnings of of Asian immigration, and that essentially leads to 538 00:31:54,880 --> 00:31:58,400 Speaker 1: fucking what we saw during World War Two. Japanese people, 539 00:31:58,520 --> 00:32:03,080 Speaker 1: Japanese Americans literal early put in concentration camps for years 540 00:32:03,160 --> 00:32:07,680 Speaker 1: because of Pearl Harbor. Yet Italian and German Americans you know, 541 00:32:07,760 --> 00:32:10,000 Speaker 1: do your thing, you know what I mean, because because 542 00:32:10,000 --> 00:32:12,320 Speaker 1: you're white, um, and that's just how that's just how 543 00:32:12,400 --> 00:32:15,280 Speaker 1: it goes out here. So it's just like this, you know, 544 00:32:15,560 --> 00:32:18,240 Speaker 1: looking through all of this, you're like, it's always a 545 00:32:18,360 --> 00:32:21,760 Speaker 1: thing that has existed, but we don't teach it, so 546 00:32:21,840 --> 00:32:24,400 Speaker 1: we don't really think of it as a huge part 547 00:32:24,400 --> 00:32:27,440 Speaker 1: of our American cultural history. But it's also like this 548 00:32:27,520 --> 00:32:30,160 Speaker 1: evolution of like the model minority in the sixties because 549 00:32:30,160 --> 00:32:32,600 Speaker 1: a lot of people were pointing at Asian Americans who 550 00:32:32,600 --> 00:32:35,440 Speaker 1: are succeeding as a way to sort of funk up 551 00:32:35,480 --> 00:32:39,160 Speaker 1: the dialogue or conversation around the pursuit of civil rights 552 00:32:39,200 --> 00:32:42,800 Speaker 1: for black people, because they're like, well, these Japanese people 553 00:32:42,840 --> 00:32:45,000 Speaker 1: are like they have their own businesses and are going 554 00:32:45,040 --> 00:32:48,040 Speaker 1: to colleges and they're doing so well, like minorities are 555 00:32:48,080 --> 00:32:50,360 Speaker 1: able to succeed in this country. Like as this count 556 00:32:50,360 --> 00:32:53,760 Speaker 1: fucked up counterpoint, and I think that has also led 557 00:32:53,760 --> 00:32:57,200 Speaker 1: to this very weird, you know, monolithic perception of what 558 00:32:57,240 --> 00:33:00,400 Speaker 1: an Asian American person is, which is typically like, oh, 559 00:33:00,440 --> 00:33:03,680 Speaker 1: there are people who can make money, who are maybe 560 00:33:04,440 --> 00:33:09,720 Speaker 1: uh achieving hot higher levels demographically academically or higher incomes. 561 00:33:09,760 --> 00:33:13,440 Speaker 1: So it also like what that also does, is it 562 00:33:13,440 --> 00:33:15,960 Speaker 1: it sort of erases the nuance of what the Asian 563 00:33:15,960 --> 00:33:19,720 Speaker 1: American community looks like. It's like Nepalese Americans face all 564 00:33:19,800 --> 00:33:22,680 Speaker 1: kinds of high levels of of poverty and unemployment, same 565 00:33:22,720 --> 00:33:27,400 Speaker 1: with Hmong people. Like it's it's not just Chinese, Japanese 566 00:33:27,400 --> 00:33:30,120 Speaker 1: and Indian Americans, which I think everyone's just like see 567 00:33:30,120 --> 00:33:32,720 Speaker 1: Asians are good, They're good. You see them, their doctors 568 00:33:32,760 --> 00:33:36,760 Speaker 1: they got and so it when we have all these 569 00:33:36,800 --> 00:33:41,400 Speaker 1: acts of racism, it's it's not quite registering for people, 570 00:33:41,520 --> 00:33:45,080 Speaker 1: like it's like, oh, oh, that's awful, but it's not 571 00:33:45,200 --> 00:33:48,400 Speaker 1: sort of I don't think seen as the same uh 572 00:33:48,720 --> 00:33:51,560 Speaker 1: level of violence or the sheer terror it causes for 573 00:33:51,560 --> 00:33:54,760 Speaker 1: a community because of these other examples, it's not part 574 00:33:54,800 --> 00:33:57,000 Speaker 1: of the narrative of what the experiences for an Asian 575 00:33:57,040 --> 00:34:00,560 Speaker 1: American person. So I mean when you look at like 576 00:34:00,600 --> 00:34:04,000 Speaker 1: what's happening, especially with in the Bay Area, Um, you 577 00:34:04,000 --> 00:34:06,560 Speaker 1: know in San Francisco, eighty four year old man from Thailand, 578 00:34:06,600 --> 00:34:09,839 Speaker 1: he died after being attacked on his morning walk. There 579 00:34:09,920 --> 00:34:12,640 Speaker 1: was an Oakland a few people in Chinatown and Oakland 580 00:34:12,640 --> 00:34:15,760 Speaker 1: there we're getting shoved, attacked, robbed. You know that people 581 00:34:15,760 --> 00:34:18,160 Speaker 1: were taking cash out for Lunar New Year. So people 582 00:34:18,160 --> 00:34:20,560 Speaker 1: were like they're gonna get got Like that's just the 583 00:34:20,600 --> 00:34:22,879 Speaker 1: thing people were thinking. Because people have are walking around 584 00:34:22,920 --> 00:34:26,680 Speaker 1: with more cash. Um, and all of this is still 585 00:34:26,800 --> 00:34:28,920 Speaker 1: happening even when you look at what's happening like in 586 00:34:28,920 --> 00:34:31,080 Speaker 1: our schools, because there is this report that came out, 587 00:34:31,600 --> 00:34:35,000 Speaker 1: um that like Asian American Pacific Islander students in California 588 00:34:35,080 --> 00:34:38,120 Speaker 1: were the group that were most likely to experience bullying. 589 00:34:38,640 --> 00:34:41,279 Speaker 1: And on top of it, uh, like a majority of 590 00:34:41,280 --> 00:34:44,000 Speaker 1: students when they were talking about what kind of racist 591 00:34:44,120 --> 00:34:47,680 Speaker 1: rhetoric is normalized, it seemed to be that a surprising 592 00:34:47,680 --> 00:34:50,160 Speaker 1: amount of students are like, it seems like Asian jokes 593 00:34:50,560 --> 00:34:53,719 Speaker 1: are like, are not as offensive even though it's the 594 00:34:53,800 --> 00:34:57,600 Speaker 1: same territory of it as a racial joke. Um, so 595 00:34:57,680 --> 00:35:01,560 Speaker 1: we're having to have this real reckoning with what it 596 00:35:01,840 --> 00:35:05,319 Speaker 1: what this what the conversation has been between America and 597 00:35:05,400 --> 00:35:09,040 Speaker 1: Asian Americans because no one is actually I think because 598 00:35:09,160 --> 00:35:11,799 Speaker 1: for me, I wasn't taught about any of this ship 599 00:35:11,840 --> 00:35:14,160 Speaker 1: in school and I grew up in California. It took 600 00:35:14,200 --> 00:35:17,680 Speaker 1: my parents to be like, do you what what you 601 00:35:17,719 --> 00:35:19,919 Speaker 1: said in the gold Rush? What they're saying about Asian people? 602 00:35:21,040 --> 00:35:27,880 Speaker 1: Huh what that they like to do laundry? Yeah, okay, No, 603 00:35:28,280 --> 00:35:31,520 Speaker 1: But I'm saying like, because we don't have these uh, 604 00:35:31,680 --> 00:35:35,120 Speaker 1: real conversations about our history, our history as a nation. 605 00:35:35,160 --> 00:35:38,400 Speaker 1: For the mistreatment of any group, be it Indigenous people, 606 00:35:38,880 --> 00:35:42,440 Speaker 1: Latin x whoever, like we're only we're only doomed to 607 00:35:42,520 --> 00:35:44,880 Speaker 1: keep repeating these sort of things. And I feel like 608 00:35:44,920 --> 00:35:48,759 Speaker 1: it's really happening again right now because this isn't This 609 00:35:48,800 --> 00:35:51,960 Speaker 1: isn't it's not a conversation that's had enough about like 610 00:35:52,120 --> 00:35:54,960 Speaker 1: observing anti Asian racism and what that means and what 611 00:35:55,000 --> 00:35:58,399 Speaker 1: everyone's part is in trying to come back that. Um 612 00:35:58,440 --> 00:36:01,279 Speaker 1: so yeah, it's there. Just seems to be better. I 613 00:36:01,320 --> 00:36:05,000 Speaker 1: think education too across minority groups, right, like because if 614 00:36:05,000 --> 00:36:06,480 Speaker 1: you want to take a look back and you you're 615 00:36:06,520 --> 00:36:09,200 Speaker 1: talking about the Japanese tournament camps, right I think it's 616 00:36:09,239 --> 00:36:11,000 Speaker 1: something I didn't even know until I was in college 617 00:36:11,000 --> 00:36:13,400 Speaker 1: and actually kind of like really diving deeper and studying 618 00:36:13,480 --> 00:36:15,280 Speaker 1: different things. And one of the things that I studied 619 00:36:15,280 --> 00:36:17,280 Speaker 1: in college, I have a degree in Latin American history, 620 00:36:17,680 --> 00:36:19,400 Speaker 1: and one of the things that I had no idea 621 00:36:19,440 --> 00:36:22,120 Speaker 1: about until I literally took Latin American history was something 622 00:36:22,120 --> 00:36:25,400 Speaker 1: called the Brossero program. The Brossero program happened around the 623 00:36:25,480 --> 00:36:29,919 Speaker 1: nineteen forty ninety five, which is coincidentally the exact same 624 00:36:29,960 --> 00:36:32,920 Speaker 1: time that we are in turning Japanese Americans, who at 625 00:36:32,960 --> 00:36:36,640 Speaker 1: that time were the primary source of agricultural labor. So 626 00:36:36,800 --> 00:36:39,000 Speaker 1: the United States government had to figure out a way 627 00:36:39,040 --> 00:36:41,000 Speaker 1: to pick all these crops because they had put people 628 00:36:41,120 --> 00:36:43,799 Speaker 1: in internment camps they were picking these crops. So what 629 00:36:43,840 --> 00:36:45,880 Speaker 1: they did is they made a deal with Mexico to 630 00:36:45,960 --> 00:36:49,600 Speaker 1: allow workers to come north to work for seasonal portions 631 00:36:49,640 --> 00:36:52,880 Speaker 1: of time, so sort of temporary ability to come in 632 00:36:52,920 --> 00:36:55,719 Speaker 1: and primarily up and down the state of California specifically. 633 00:36:56,200 --> 00:36:59,480 Speaker 1: So you also started seeing animosity between groups because you 634 00:36:59,520 --> 00:37:02,560 Speaker 1: were seeing Mexican people coming in taking work from Asian jobs. 635 00:37:02,560 --> 00:37:04,239 Speaker 1: You have to kind of look at how all these 636 00:37:04,280 --> 00:37:07,600 Speaker 1: pieces sort of pattern and network together, you know, And 637 00:37:07,600 --> 00:37:10,360 Speaker 1: and it's important because the country, you know, our governments 638 00:37:10,440 --> 00:37:13,440 Speaker 1: have done the same thing to all of these groups. 639 00:37:13,440 --> 00:37:15,600 Speaker 1: Like you said, what we've seen with Native American people, 640 00:37:15,760 --> 00:37:18,200 Speaker 1: what we've seen with Asian people, what we've seen with Latinos, 641 00:37:18,239 --> 00:37:20,680 Speaker 1: what we've seen with black people, Like it's the same playbook, 642 00:37:21,040 --> 00:37:24,280 Speaker 1: but it's done in a way that sort of silos 643 00:37:24,280 --> 00:37:27,480 Speaker 1: and makes these communities more wary of other communities and 644 00:37:27,520 --> 00:37:30,480 Speaker 1: other minorities and white people in general. And until we 645 00:37:30,520 --> 00:37:34,560 Speaker 1: start putting this together and really speaking openly and really 646 00:37:34,600 --> 00:37:38,280 Speaker 1: start leveraging and understanding that we need to speak up 647 00:37:38,680 --> 00:37:41,320 Speaker 1: as within our own racial groups and also as racial 648 00:37:41,320 --> 00:37:43,600 Speaker 1: groups as a whole against the government. Like we're never 649 00:37:43,640 --> 00:37:46,040 Speaker 1: going to get anywhere. There has to be acknowledgement of 650 00:37:46,040 --> 00:37:48,920 Speaker 1: the stuff. There needs to be education. And that's one example. 651 00:37:48,920 --> 00:37:51,799 Speaker 1: There's been so many examples of that that basically our 652 00:37:51,840 --> 00:37:56,880 Speaker 1: institutionalized racism. And it's wild because even within communities, right 653 00:37:56,880 --> 00:37:59,960 Speaker 1: because even with my black cousins, I was Jackie Chance 654 00:38:00,040 --> 00:38:04,120 Speaker 1: and you know, I was Jetly or whatever, and but 655 00:38:04,200 --> 00:38:05,800 Speaker 1: then I don't I'm I don't let my cup what 656 00:38:06,000 --> 00:38:07,880 Speaker 1: from my fani? What? Then am I gonna say, you know, 657 00:38:07,960 --> 00:38:10,479 Speaker 1: like it's it's love or whatever. But then you get older, 658 00:38:10,480 --> 00:38:12,839 Speaker 1: you gotta actually really like we actually have. It's so 659 00:38:13,000 --> 00:38:16,359 Speaker 1: casually said, there's never a checking of it's like, you're 660 00:38:16,400 --> 00:38:19,920 Speaker 1: not gonna reduce me to this one version of a 661 00:38:19,960 --> 00:38:23,799 Speaker 1: celebrity or whatever. You you're touchstone for Asian culture. Like 662 00:38:23,880 --> 00:38:26,279 Speaker 1: it's the same ship. Like if someone comes to human 663 00:38:26,560 --> 00:38:28,560 Speaker 1: some white guy called this, oh hey, what's up Kobe 664 00:38:28,560 --> 00:38:32,600 Speaker 1: Bryant or some fucking dumb shit about whatever black celebrity, 665 00:38:32,800 --> 00:38:35,439 Speaker 1: it's the same ship, and I think, yeah, it's it's 666 00:38:35,960 --> 00:38:38,600 Speaker 1: it's just like over the summer where you know, I 667 00:38:38,640 --> 00:38:44,760 Speaker 1: found myself imploring people to check anti black racist talk 668 00:38:44,920 --> 00:38:48,959 Speaker 1: or any kind of fucking discriminatory language, that it has 669 00:38:49,000 --> 00:38:52,200 Speaker 1: to start within where you were at, because you don't 670 00:38:52,200 --> 00:38:54,439 Speaker 1: want people to think you're somebody who you can say 671 00:38:54,440 --> 00:38:56,839 Speaker 1: ship like that, or you can you can perpetuate these 672 00:38:56,920 --> 00:39:02,400 Speaker 1: kind of um discriminatory respect races, fucking racism called racism, 673 00:39:02,480 --> 00:39:05,040 Speaker 1: you know what I mean? Um so, and now it's 674 00:39:05,040 --> 00:39:06,960 Speaker 1: the same thing, but I think it's now it's like 675 00:39:07,160 --> 00:39:08,800 Speaker 1: do we have to keep pointing out it's like, okay, 676 00:39:08,840 --> 00:39:13,480 Speaker 1: so the summers for black anti black racism, for Asian 677 00:39:14,760 --> 00:39:23,560 Speaker 1: awareness around anti Asian racism when it's like racism, yeah, 678 00:39:23,600 --> 00:39:25,640 Speaker 1: and it's not again and it's not it's not always 679 00:39:25,719 --> 00:39:29,160 Speaker 1: necessarily about white supremacy, but it can because it can 680 00:39:29,200 --> 00:39:32,360 Speaker 1: happen within groups that aren't white. But in terms of 681 00:39:32,520 --> 00:39:34,880 Speaker 1: understanding like what we're seeing, like we also have to know, 682 00:39:34,960 --> 00:39:37,600 Speaker 1: like this country was also letting Americans know like we 683 00:39:37,640 --> 00:39:40,000 Speaker 1: don't really get a funk about Asian people, you know 684 00:39:40,040 --> 00:39:42,880 Speaker 1: what I mean? And that's the thing that taste is 685 00:39:43,120 --> 00:39:45,600 Speaker 1: historically still in the you know, sort of the back 686 00:39:45,640 --> 00:39:48,800 Speaker 1: of everyone's mouths, whether they know it or not. And 687 00:39:49,320 --> 00:39:52,080 Speaker 1: you know, and in that Bay Area, you know, where 688 00:39:52,200 --> 00:39:55,600 Speaker 1: the first you know, significant group of Asian immigrants are 689 00:39:55,640 --> 00:39:59,680 Speaker 1: coming to We're still seeing this play out centuries later, 690 00:40:00,480 --> 00:40:02,319 Speaker 1: and I think that's what's important is and even in 691 00:40:02,320 --> 00:40:05,280 Speaker 1: the United States, we're still replaying the same things because 692 00:40:05,280 --> 00:40:08,839 Speaker 1: we're not actually taking the second to be like, I 693 00:40:08,880 --> 00:40:11,920 Speaker 1: can't believe we did that as a country, and we 694 00:40:12,200 --> 00:40:18,200 Speaker 1: really should have never done that. Acknowledgment. Yeah, don't try 695 00:40:18,200 --> 00:40:22,040 Speaker 1: to explain it, don't try to contextualize it, just acknowledgement 696 00:40:22,120 --> 00:40:27,120 Speaker 1: and reflection. Yes, this occurred, and no, that is not good. 697 00:40:27,320 --> 00:40:31,399 Speaker 1: It is how can we make sure this never happens again? Right? Yeah, 698 00:40:33,000 --> 00:40:36,120 Speaker 1: it took like the eighties for a congressional fucking committee 699 00:40:36,120 --> 00:40:39,480 Speaker 1: to be like, I think the Japanese internment program was 700 00:40:39,520 --> 00:40:45,600 Speaker 1: based on racial prejudice, Like God, but that's that's the 701 00:40:45,640 --> 00:40:48,719 Speaker 1: pace at which we have these mini reckonings that you know, 702 00:40:48,760 --> 00:40:50,440 Speaker 1: at the end don't seem to have the effects that 703 00:40:50,440 --> 00:40:54,200 Speaker 1: we need them to the I mean, it does go 704 00:40:54,280 --> 00:40:58,520 Speaker 1: back to white supremacy because like even you know, if no, 705 00:40:58,520 --> 00:41:03,120 Speaker 1: no matter what group you are that's being discriminated against, 706 00:41:03,280 --> 00:41:07,480 Speaker 1: like it's impossible not to let that poison like seep 707 00:41:07,560 --> 00:41:10,840 Speaker 1: in let that lie. Yeah, I mean I meant that, 708 00:41:10,920 --> 00:41:14,160 Speaker 1: not that it's like obviously internalized white supremacy, but not 709 00:41:14,200 --> 00:41:16,720 Speaker 1: to say that this is only occurring with white people 710 00:41:16,800 --> 00:41:22,120 Speaker 1: against whoever, you know what I mean. So, yeah, from colonialism, right, 711 00:41:22,200 --> 00:41:25,960 Speaker 1: exact concept of coming here and that now that there 712 00:41:26,040 --> 00:41:29,239 Speaker 1: was a white person from a European country, that oh, 713 00:41:29,400 --> 00:41:31,799 Speaker 1: now we have brought civility, you know what I mean, 714 00:41:31,840 --> 00:41:35,600 Speaker 1: and and shooting any native cultures that are there to 715 00:41:35,680 --> 00:41:37,759 Speaker 1: begin with, right, and it just gets replaced. It just 716 00:41:37,760 --> 00:41:40,439 Speaker 1: gets replaced. It just gets replaced. The way is the 717 00:41:40,520 --> 00:41:44,960 Speaker 1: Germans were treated like the the go to villain of 718 00:41:45,120 --> 00:41:50,960 Speaker 1: history because they are, you know, the they symbolize evil, right, 719 00:41:51,080 --> 00:41:55,800 Speaker 1: like the German Nazis. The way German Nazis were treated 720 00:41:56,400 --> 00:41:59,839 Speaker 1: in pow camps. There's a pow camp in Alabama where 721 00:41:59,840 --> 00:42:03,160 Speaker 1: they were treated like a part of the community, welcomed 722 00:42:03,160 --> 00:42:07,640 Speaker 1: into the community. Uh naz POWs, you know, after the fact, 723 00:42:07,960 --> 00:42:12,000 Speaker 1: like actual like people who had roles within the Nazi 724 00:42:12,040 --> 00:42:16,120 Speaker 1: government and the Nazi war effort were welcomed into the 725 00:42:16,200 --> 00:42:20,040 Speaker 1: US government like that. It's they make sure that you 726 00:42:20,120 --> 00:42:25,759 Speaker 1: can't miss the message. You know, it's it's like, well, yeah, 727 00:42:25,760 --> 00:42:27,560 Speaker 1: they were on some funk shoot a couple of years ago, 728 00:42:27,640 --> 00:42:30,080 Speaker 1: but they're going to help us make big bang bangs now, 729 00:42:30,440 --> 00:42:34,120 Speaker 1: so you know all is all is forgiven. But yeah, 730 00:42:34,120 --> 00:42:36,520 Speaker 1: it's it's I I didn't really even realize, you know, 731 00:42:36,640 --> 00:42:40,520 Speaker 1: like that even California, right that groups of kids who 732 00:42:40,520 --> 00:42:43,480 Speaker 1: are most likely to experienced that were Asian American, Like, 733 00:42:43,600 --> 00:42:47,600 Speaker 1: it's yeah, And I think that's really indicative of the 734 00:42:47,760 --> 00:42:49,880 Speaker 1: work that still has to be done, because that's what 735 00:42:50,000 --> 00:42:53,480 Speaker 1: you're seeing. If if that's happening in schools now, this 736 00:42:53,520 --> 00:42:56,640 Speaker 1: ship is not going away for at least fifty years, 737 00:42:57,360 --> 00:42:59,200 Speaker 1: you know what I mean, Like that's you and if so, 738 00:42:59,320 --> 00:43:01,000 Speaker 1: we have to act. Actually, we have to do all 739 00:43:01,040 --> 00:43:04,160 Speaker 1: this work now to ensure a better future for ever. 740 00:43:04,440 --> 00:43:05,920 Speaker 1: You know, we might see it, we might see a 741 00:43:05,920 --> 00:43:07,799 Speaker 1: glimpse of it, but at least we got to do 742 00:43:07,880 --> 00:43:11,000 Speaker 1: something to let leave something good for the next generations 743 00:43:11,200 --> 00:43:13,040 Speaker 1: to come along and not have to deal with this ship. 744 00:43:13,800 --> 00:43:16,600 Speaker 1: All right, Let's take a quick break and we will 745 00:43:16,640 --> 00:43:29,919 Speaker 1: be right back and we're back. What is something from 746 00:43:29,960 --> 00:43:33,440 Speaker 1: your search history that's revealing about who you are? Honestly, 747 00:43:33,520 --> 00:43:36,200 Speaker 1: let's take a look I don't even know. I can't 748 00:43:36,200 --> 00:43:41,120 Speaker 1: even tell you. Oh gosh, what you know what? The 749 00:43:41,239 --> 00:43:47,160 Speaker 1: last thing that I searched was disposal and recycling because 750 00:43:47,280 --> 00:43:50,320 Speaker 1: I live in an unincorporated county. So I need to 751 00:43:50,360 --> 00:43:52,400 Speaker 1: figure out how the hell you get rid of trash 752 00:43:52,440 --> 00:43:54,680 Speaker 1: when the city doesn't come and get it. Because I've 753 00:43:54,719 --> 00:43:56,680 Speaker 1: never done that before. I'm a city girl. I'm used 754 00:43:56,680 --> 00:43:58,759 Speaker 1: to like they there's a trash can and they come 755 00:43:58,800 --> 00:44:02,360 Speaker 1: and right out here. They're like, yeah, you're gonna have 756 00:44:02,400 --> 00:44:04,440 Speaker 1: to figure that out. So I gotta I need a 757 00:44:04,520 --> 00:44:06,960 Speaker 1: line on the trash hustle out here. Man. I was 758 00:44:07,239 --> 00:44:09,000 Speaker 1: looking at various places. I need someone to come and 759 00:44:09,000 --> 00:44:11,320 Speaker 1: get my get my trash. What what are the rates 760 00:44:11,360 --> 00:44:14,359 Speaker 1: like when you got a high you gotta come. That's 761 00:44:14,400 --> 00:44:16,320 Speaker 1: what I want to find out. I have no idea. 762 00:44:16,440 --> 00:44:18,279 Speaker 1: I'm thinking, like, I don't know. In l A, it 763 00:44:18,320 --> 00:44:22,520 Speaker 1: was like seventy bucks a month for trash. So I 764 00:44:22,600 --> 00:44:26,319 Speaker 1: figured truck, Yeah, you ran a truck once a month 765 00:44:26,320 --> 00:44:29,880 Speaker 1: and take to take the trash in. Yo. You know what, Jack, 766 00:44:30,160 --> 00:44:32,200 Speaker 1: you might be on some ship. I need to slip 767 00:44:32,200 --> 00:44:34,520 Speaker 1: this around. Why am I paying someone to pick up 768 00:44:34,560 --> 00:44:39,879 Speaker 1: my trash when I could buy a truck and get 769 00:44:39,920 --> 00:44:43,400 Speaker 1: your hustle and then I get free trash and you 770 00:44:43,480 --> 00:44:45,480 Speaker 1: learn all kinds of weird ship about them because you 771 00:44:45,480 --> 00:44:48,720 Speaker 1: go through the trash. Thank you drive that sick ass truck? 772 00:44:48,760 --> 00:44:51,120 Speaker 1: Are you kidding? Me? Me on yellow all day? That's 773 00:44:51,120 --> 00:44:53,840 Speaker 1: my new favorite color. Going through the trash thing is 774 00:44:53,880 --> 00:44:56,840 Speaker 1: like a cliche and spy movies and ship and like 775 00:44:56,960 --> 00:44:59,520 Speaker 1: eighties movies had people going through other people's trash like 776 00:44:59,520 --> 00:45:01,520 Speaker 1: when they were trying to find stuff out about them, 777 00:45:01,760 --> 00:45:05,160 Speaker 1: but that is like real deal, like they actually that's 778 00:45:05,200 --> 00:45:09,759 Speaker 1: like the way to find out ship must Yeah, does 779 00:45:09,800 --> 00:45:11,640 Speaker 1: that mean that all of the homeless people who go 780 00:45:11,680 --> 00:45:16,840 Speaker 1: through trash in Los Angeles are secretly CIA agents? Say? 781 00:45:17,560 --> 00:45:21,880 Speaker 1: You said ever know? You never know? I was watching 782 00:45:21,920 --> 00:45:26,640 Speaker 1: that Um the Devil Next Store about a dude who 783 00:45:26,680 --> 00:45:30,720 Speaker 1: has suspected in Cleveland and like the late seventies early eighties, 784 00:45:30,800 --> 00:45:35,359 Speaker 1: is suspected of being Ivan the Terrible, like the one 785 00:45:35,400 --> 00:45:40,759 Speaker 1: of the prison camp cars. Yeah, and like his defense 786 00:45:41,000 --> 00:45:45,000 Speaker 1: just like starts getting all these documents from one of 787 00:45:45,000 --> 00:45:48,360 Speaker 1: the committees that's investigating him. And it was just somebody 788 00:45:48,360 --> 00:45:50,960 Speaker 1: going through their trash like outside of a New York 789 00:45:51,040 --> 00:45:53,240 Speaker 1: building and they were like Yeah, we taped this together. 790 00:45:53,880 --> 00:45:56,160 Speaker 1: We have all these documents and that holds up in court. 791 00:45:56,280 --> 00:46:00,560 Speaker 1: Apparently you threw it out right. So it's just street, 792 00:46:00,600 --> 00:46:04,160 Speaker 1: it's trash. It's trash. Where you're telling me as I 793 00:46:04,160 --> 00:46:06,640 Speaker 1: should burn all of my trash, Well, that's what I 794 00:46:06,680 --> 00:46:10,080 Speaker 1: was gonna say. That trash fires. Uh. That's when I 795 00:46:10,160 --> 00:46:14,160 Speaker 1: lived when I was very young. Uh, in West Virginian 796 00:46:14,680 --> 00:46:18,480 Speaker 1: Unincorporated area. That was how people got got rid of 797 00:46:18,480 --> 00:46:22,240 Speaker 1: their trash. Trash fires. Yeah, like you know other spots 798 00:46:22,280 --> 00:46:23,560 Speaker 1: in the world. You know, it's still like, you know, 799 00:46:24,160 --> 00:46:26,960 Speaker 1: I am the I am the trash people. I burned 800 00:46:27,000 --> 00:46:30,879 Speaker 1: my ship right here in my backyard. Yeah, I gotta 801 00:46:30,880 --> 00:46:33,520 Speaker 1: look at the burning trash. Yeah. So trash that gang 802 00:46:33,560 --> 00:46:36,520 Speaker 1: to holler Lydia you got you're either plug for or 803 00:46:36,600 --> 00:46:38,440 Speaker 1: you know, maybe you got a truck connect so she 804 00:46:38,480 --> 00:46:40,719 Speaker 1: could start her business there you go. I have a 805 00:46:40,760 --> 00:46:47,120 Speaker 1: little hype on the idea of driving around a garbage truck. Yeah, 806 00:46:47,320 --> 00:46:49,600 Speaker 1: and just the wildest vibe though if I'm not saying 807 00:46:49,600 --> 00:46:51,759 Speaker 1: you are, but you were low key going through their 808 00:46:51,800 --> 00:46:54,799 Speaker 1: trash and creating like blackmail dossiers on them and be like, no, man, 809 00:46:54,880 --> 00:46:57,560 Speaker 1: you don't get it. This trash thing paid for itself 810 00:46:57,600 --> 00:47:00,960 Speaker 1: in the first month when I started getting money payments 811 00:47:00,960 --> 00:47:05,120 Speaker 1: from Now I'm gonna need the east half of your land. 812 00:47:06,760 --> 00:47:09,960 Speaker 1: These cracker barrel receipts and these Zaxby's receipts. And what 813 00:47:10,080 --> 00:47:14,960 Speaker 1: this tells me is he has another bitch. When you 814 00:47:14,960 --> 00:47:19,400 Speaker 1: start going to Crystal yeah, because there isn't one in 815 00:47:19,440 --> 00:47:22,319 Speaker 1: this county. So if you go on huh. I think 816 00:47:22,360 --> 00:47:24,239 Speaker 1: I should do my own version of Snapped, but like 817 00:47:24,320 --> 00:47:28,400 Speaker 1: garbage trash based only and just try to find people 818 00:47:28,680 --> 00:47:31,320 Speaker 1: just cheating on each other. That would be a funked 819 00:47:31,360 --> 00:47:34,240 Speaker 1: up podcast where it's like someone goes through the trash 820 00:47:34,280 --> 00:47:37,040 Speaker 1: of a random building and then talks to a person 821 00:47:37,080 --> 00:47:39,080 Speaker 1: based on what they know from going through their trash 822 00:47:39,120 --> 00:47:41,760 Speaker 1: and just freaks him out. Probably better YouTube prank video, 823 00:47:41,880 --> 00:47:50,520 Speaker 1: but somebody's a good podcast or awful one, or just 824 00:47:50,600 --> 00:47:55,600 Speaker 1: a career as a clairvoyant you know, Oh yes, the 825 00:47:55,800 --> 00:47:59,279 Speaker 1: scam psychics. Oh that Lydia, that's the wave you go 826 00:47:59,560 --> 00:48:02,120 Speaker 1: through the am and then you know the little details 827 00:48:02,120 --> 00:48:05,000 Speaker 1: and like, do you want a reading that's got a 828 00:48:05,000 --> 00:48:08,240 Speaker 1: feeling from you? Please sit in my vibe corner. People 829 00:48:08,760 --> 00:48:12,520 Speaker 1: people in the South are love to believe. They they're 830 00:48:12,560 --> 00:48:15,120 Speaker 1: like Molder and Scully. They just want to believe. So 831 00:48:15,239 --> 00:48:17,640 Speaker 1: you get just give him an excuse to believe. The 832 00:48:17,640 --> 00:48:20,520 Speaker 1: truth is out there though. Yeah, man, it's somewhere somewhere. 833 00:48:20,520 --> 00:48:22,640 Speaker 1: It's out here. It's out here, somewhere. I'm gonna find it, 834 00:48:25,360 --> 00:48:27,560 Speaker 1: all right. Well, we're throwed to be joined in our 835 00:48:27,600 --> 00:48:30,520 Speaker 1: third seat by one of the very faces on Mount Zitemore. 836 00:48:30,920 --> 00:48:37,200 Speaker 1: He is the hilarious, the talented billy Wayne David. Hey, guys, 837 00:48:38,840 --> 00:48:43,800 Speaker 1: listen to that rich baritone. Hello, hey, bike expert. I 838 00:48:43,840 --> 00:48:45,200 Speaker 1: see you got a lot of bikes hanging up in 839 00:48:45,239 --> 00:48:49,880 Speaker 1: your garage. Image there you gotta I think, Okay, anyway, 840 00:48:49,880 --> 00:48:51,920 Speaker 1: we'll talk later. I need is that gang. Let me know. 841 00:48:52,000 --> 00:48:53,480 Speaker 1: I need a I need a mountain bike. But I'm 842 00:48:53,520 --> 00:48:57,960 Speaker 1: not trying to spend a lot of money. I'm I'm 843 00:48:58,000 --> 00:49:00,680 Speaker 1: a mountain boy. I don't know. I'm Oh, you have 844 00:49:00,719 --> 00:49:04,200 Speaker 1: like Roady your road man. It's just it's all about 845 00:49:04,719 --> 00:49:07,440 Speaker 1: I'm not like going down the mountain. I have a 846 00:49:07,440 --> 00:49:09,799 Speaker 1: mountain bike that I bought out a yard sale and 847 00:49:09,880 --> 00:49:14,400 Speaker 1: I've been told it's really good. Um, But like it 848 00:49:14,560 --> 00:49:16,520 Speaker 1: isn't that always funny when you have a thing you're 849 00:49:16,560 --> 00:49:18,520 Speaker 1: not sure if it's good, and then someone else is like, 850 00:49:18,560 --> 00:49:21,799 Speaker 1: hey man, whoa was that a Cannondale And you're like, well, 851 00:49:21,880 --> 00:49:24,200 Speaker 1: I don't know. I gotta are like that's a good bike. 852 00:49:24,280 --> 00:49:26,719 Speaker 1: And you're like, oh, really, I have a I have 853 00:49:26,760 --> 00:49:30,240 Speaker 1: a grill and it's like it has a smoker, has 854 00:49:30,320 --> 00:49:34,279 Speaker 1: the charcoal, and it has the propane and then a 855 00:49:34,400 --> 00:49:37,200 Speaker 1: burner on it. And I bought it for sixty dollars 856 00:49:37,400 --> 00:49:41,359 Speaker 1: on Craigslist. I knew that was pretty cheap. But my 857 00:49:41,480 --> 00:49:44,759 Speaker 1: friend who really loves meat and smoking and all that, 858 00:49:44,840 --> 00:49:46,919 Speaker 1: came over and he was he was like, man, that's 859 00:49:46,920 --> 00:49:48,840 Speaker 1: so nice. I was like, yeah, I got that for 860 00:49:48,880 --> 00:49:52,120 Speaker 1: sixty dollars, and I thought he was going to punch me. Oh. 861 00:49:52,160 --> 00:49:55,120 Speaker 1: He was so angry at that deal. At the savings. Yeah, 862 00:49:55,120 --> 00:49:57,000 Speaker 1: because he was like that's six That thing is six 863 00:49:57,080 --> 00:50:02,239 Speaker 1: hundred dollars and he and you paid I was like sixty. Yeah. 864 00:50:04,200 --> 00:50:07,319 Speaker 1: Like anytime heause he stares at it, anytime he's over, 865 00:50:07,360 --> 00:50:09,200 Speaker 1: you can see it like it eats him up. Like 866 00:50:09,200 --> 00:50:11,719 Speaker 1: one day I'll just give it to you. Catch him 867 00:50:11,760 --> 00:50:14,600 Speaker 1: using by binoculars from across the street, looking into your 868 00:50:14,600 --> 00:50:17,640 Speaker 1: back like he's still got Well, just anytime he's over there, 869 00:50:17,719 --> 00:50:19,960 Speaker 1: you just there's like there's like at least one time 870 00:50:20,000 --> 00:50:22,080 Speaker 1: anytime he comes over, I'll just catch him just looking 871 00:50:22,120 --> 00:50:25,239 Speaker 1: at it, kind of shaking his head, just like right. 872 00:50:25,280 --> 00:50:28,120 Speaker 1: Because it's one of those things too that gives you appreciation, like, oh, ship, 873 00:50:28,200 --> 00:50:30,880 Speaker 1: somebody who knows their ship says this is it, and 874 00:50:30,920 --> 00:50:33,280 Speaker 1: then you're then you're like, I got the deal, baby 875 00:50:33,840 --> 00:50:37,480 Speaker 1: winning all day. Yeah, And it was like it was 876 00:50:37,560 --> 00:50:39,440 Speaker 1: like I just knew. I was like sixty dollars for 877 00:50:39,520 --> 00:50:42,960 Speaker 1: that's pretty cheap. I knew that, and I was like, 878 00:50:43,040 --> 00:50:46,920 Speaker 1: that'll be fine. I needed real. He loves that. He 879 00:50:46,920 --> 00:50:48,480 Speaker 1: he's like, so, what have you smoked in it? And 880 00:50:48,520 --> 00:50:52,440 Speaker 1: I was like nothing, and you just say, just just 881 00:50:52,440 --> 00:50:57,040 Speaker 1: just pure rage, just just just cooking these kicking on 882 00:50:57,080 --> 00:51:01,239 Speaker 1: it sometimes for the kids. Yeah, these frozen Tyson chicken 883 00:51:01,280 --> 00:51:02,840 Speaker 1: breast patties. I just throw a couple of those on 884 00:51:02,840 --> 00:51:06,839 Speaker 1: their Yeah. I think they're reformed from like rip meat 885 00:51:06,840 --> 00:51:12,520 Speaker 1: and stuff. They're really cheap, they're great. Kids love them 886 00:51:12,520 --> 00:51:17,160 Speaker 1: all right. That's gonna do it for this week's weekly Zeite. Guys, 887 00:51:17,280 --> 00:51:21,120 Speaker 1: please like and review the show. If you like the show, 888 00:51:21,719 --> 00:51:26,120 Speaker 1: uh means the world to Miles. He needs your validation. Folks, 889 00:51:26,719 --> 00:51:29,759 Speaker 1: I hope you're having a great weekend and I will 890 00:51:29,800 --> 00:52:17,680 Speaker 1: talk to you Monday. By unto that