WEBVTT - Taylor Swift vs. The World

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<v Speaker 1>Welcome to Crash Course, a podcast about business, political, and

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<v Speaker 1>social disruption and what we can learn from it. I'm

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<v Speaker 1>Tim O'Brien. Before we get started, a note to you

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<v Speaker 1>wonderful listeners. This will be Crash Course's final episode. Keeping

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<v Speaker 1>the show afloat while juggling a million other things prove

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<v Speaker 1>to be a challenge. I'm grateful you've tuned in, so

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<v Speaker 1>back to it. Today's Crash Course Taylor Swift versus the World.

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<v Speaker 1>This is hardly an original thought. Taylor Swift embodies a

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<v Speaker 1>rare cultural presence and moment, and she's everywhere. She inhabits

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<v Speaker 1>her presence amid an unusual amount of glare with an

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<v Speaker 1>unusual amount of grace. But now, and this is what

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<v Speaker 1>feels oddly fresh to me, a lot of weirdness has

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<v Speaker 1>attached itself to her. She's encouraged voters to register without

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<v Speaker 1>offering specifics about the twenty twenty four presidential election, but

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<v Speaker 1>Fox and several of its commentators keep warning her to

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<v Speaker 1>stay out of politics. Others in Fox's ranks say she's

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<v Speaker 1>a military embed the federal government is using for psychological

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<v Speaker 1>warfare against who and for what you might ask. In

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<v Speaker 1>her romance with Kansas City Chief star Travis Kelcey it's fake.

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<v Speaker 1>The same crowd says it's part of a different conspiracy,

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<v Speaker 1>one crafted to get Joe Biden elected or boost football ratings.

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<v Speaker 1>Loved simply can't be the reason they're together. I guess

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<v Speaker 1>I don't know. Isn't Taylor Swift a singer? She's also

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<v Speaker 1>a shrewd businesswoman, a conscientious manager of the people who

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<v Speaker 1>work for and with her, responsive and responsible to her fans,

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<v Speaker 1>and has kept her wits about her when everyone else

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<v Speaker 1>is losing theirs. Joining me today to examine all of

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<v Speaker 1>this is Emma Gray. Emma co writes a culture substack

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<v Speaker 1>called rich Text, and she's the author of A Girl's

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<v Speaker 1>Guide to Joining the Resistance. She's also a columnist with MSNBC.

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<v Speaker 1>Greeting z Emma, and welcome back to the show.

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<v Speaker 2>I'm so excited to be back to talk about all

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<v Speaker 2>of this Maga meltdown surrounding Taylor Swift. What a delight.

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<v Speaker 1>Yeah. Well, the last time you joined, you schooled me

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<v Speaker 1>about the meaning of Barbie the movie, and we talked

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<v Speaker 1>about all of the ins and outs of Barbie, and

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<v Speaker 1>so when I wanted to get into this topic, I

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<v Speaker 1>thought who will be my guide on this little journey.

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<v Speaker 1>You automatically popped up in my mind.

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<v Speaker 2>I'm honored.

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<v Speaker 3>You know.

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<v Speaker 1>There's so many ways into a Taylor Swift discussion, but

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<v Speaker 1>let's start oddly, perhaps with football. The Super Bowl was

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<v Speaker 1>played last weekend. I'm not sure what the viewer tallies were,

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<v Speaker 1>but last year one hundred and fifteen million people watched it.

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<v Speaker 1>So it's one of these centerpiece events in American culture,

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<v Speaker 1>for better or for worse. And this thought has emerged

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<v Speaker 1>that this thirty four year old star is an intruder,

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<v Speaker 1>and that she doesn't deserve the attention she gets when

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<v Speaker 1>her boyfriend's football team plays, and that it distracts people

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<v Speaker 1>from the game, and it distracts people, I guess, from

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<v Speaker 1>the meaning of life, even though I think she's lending

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<v Speaker 1>in disputable brand value to the NFL and the Kansas

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<v Speaker 1>City Chiefs and her boyfriend. What do you make of

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<v Speaker 1>this when you see this sort of miasma of weird

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<v Speaker 1>observations about their romance and football come into our purview?

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<v Speaker 2>It is such a rich tapestry to dig into, honestly,

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<v Speaker 2>and this is something that I've been mulling over for

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<v Speaker 2>the last couple months watching, as you said, the profound

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<v Speaker 2>weirdness of right wing white men turning against the NFL

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<v Speaker 2>and a white football player who is dating a white

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<v Speaker 2>former country singer. And I think what we're seeing, in

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<v Speaker 2>part is this profound discomfort with girls and women having

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<v Speaker 2>any sort of centrality to culture. Like I think that

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<v Speaker 2>there are a segment of conservative men who see football

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<v Speaker 2>as their purview, as the place that they are king,

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<v Speaker 2>and they are profoundly threatened by the fact that this

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<v Speaker 2>woman is getting any attention in that venue that they

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<v Speaker 2>perceived to be theirs, which first of all, is ridiculous

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<v Speaker 2>on its face, because there have always been women football fans,

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<v Speaker 2>so it has never been only a venue for men.

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<v Speaker 2>But I think that there has been that cultural perception,

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<v Speaker 2>and Taylor's presence and the fact that she is bringing

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<v Speaker 2>more people to these football games feels like evidence that like,

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<v Speaker 2>it's not theirs anymore. And I think that there is

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<v Speaker 2>this desire to create a wider justification for why that's happening.

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<v Speaker 2>And it can't just be that Taylor Swift is dating

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<v Speaker 2>Travis Kelcey and wants to show up to support her

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<v Speaker 2>boyfriend as he has showed up to her air tour

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<v Speaker 2>and they want to have a cute little public romance

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<v Speaker 2>that is mutually beneficial, probably both personally and professionally for

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<v Speaker 2>both of them. It has to be that Joe Biden

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<v Speaker 2>and the Pentagon are conspiring, you know, in some sort

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<v Speaker 2>of deep state operation, right, And at the end of

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<v Speaker 2>the day, I think it all comes back to the

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<v Speaker 2>fact that there are a lot of men who are

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<v Speaker 2>really uncomfortable and have a lot of anxiety about the

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<v Speaker 2>giralification of popular culture.

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<v Speaker 1>The same men, by the way, who are very content

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<v Speaker 1>to look at rows of cheerleaders. Female cheerleaders stand on

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<v Speaker 1>the field and dance and do other things, and they

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<v Speaker 1>don't call it a distraction. They actually think of it

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<v Speaker 1>as a fundamental part of the game. This is the

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<v Speaker 1>same group of men, largely men who can't wait for

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<v Speaker 1>a variety of bonkers ads that air during the Super

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<v Speaker 1>Bowl and take time away from the game itself. This

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<v Speaker 1>is the same group of men who watch and can't

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<v Speaker 1>wait for halftime shows that often also feature female stars,

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<v Speaker 1>and yet a woman in a red jacket cheering for

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<v Speaker 1>her boyfriend in a skybox who on average, I think

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<v Speaker 1>the New York Times did a breakdown. I think in

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<v Speaker 1>most games that Taylor Swift has attended, the average amount

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<v Speaker 1>of actual airtime she gets is in the neighborhood of

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<v Speaker 1>twenty five seconds.

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<v Speaker 2>Well it's too much, tim Okay, frankly, it's too much.

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<v Speaker 1>And it's like just you know, bury your head in

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<v Speaker 1>your nachos and look away from the screen, right, or

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<v Speaker 1>shoot some beer on your buddy on the couch, not

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<v Speaker 1>a bunch light.

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<v Speaker 2>Very threatened by blud bud lights.

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<v Speaker 1>Well that's bad. Bud Light's bad. But you know, the

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<v Speaker 1>interesting like as a case study, so beyond these things

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<v Speaker 1>that I think are obviously ridiculous and speak more to

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<v Speaker 1>men's insecurity about their own identities and their openness to

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<v Speaker 1>being in the presence of empowered and powerful women. That

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<v Speaker 1>feels like really obvious to me as sort of ten

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<v Speaker 1>pole things for men to consider here rather than Taylor Swift.

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<v Speaker 1>But there have always been political and social controversies that

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<v Speaker 1>have wrapped themselves around football. Aaron Rodgers, at the time

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<v Speaker 1>he was the Green Bay Packers quarterback, didn't want to

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<v Speaker 1>get veaxed in the middle of a pandemic and the

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<v Speaker 1>COVID lockdowns, And he knew he was making a statement.

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<v Speaker 1>He himself was politicizing the sport. And then famously, when

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<v Speaker 1>a number of different black NFL players took knees during

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<v Speaker 1>the National Anthem to protest violence against blacks by the police,

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<v Speaker 1>that was considered a no no. No one really felt

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<v Speaker 1>that Aaron Rodgers should quiet down, but other forms of

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<v Speaker 1>protests were deemed not part of the game, you know.

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<v Speaker 1>And then in the kind of the back lot of

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<v Speaker 1>the football industry, there's been a lot of misogyny. There's

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<v Speaker 1>been problems with players assaulting women, sexism in the NFL offices.

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<v Speaker 1>And so I think this is such an interesting tableat

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<v Speaker 1>and then suddenly you have Taylor Swift table and she's

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<v Speaker 1>become a pinata. Do you think that's just going to

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<v Speaker 1>be a permanent feature of football discussions? Is its collision

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<v Speaker 1>with the popular culture?

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<v Speaker 2>I think so, And I think that it makes a

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<v Speaker 2>lot of sense to me. I think we have this

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<v Speaker 2>fantasy in certain segments of American life that we can

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<v Speaker 2>just take politics out of something, when politics is inherently

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<v Speaker 2>embedded in everything in our lives, and certainly in football,

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<v Speaker 2>which is seen as a fundamentally American sport which makes

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<v Speaker 2>a ton of money for a ton of people, which

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<v Speaker 2>creates celebrity which interacts with celebrity. I mean, this is

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<v Speaker 2>a hotbed for political and cultural analysis and the way

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<v Speaker 2>that they intersect with each other. And so I think, yeah,

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<v Speaker 2>as you said, Taylor Swift is kind of just the

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<v Speaker 2>latest iteration of this. And because she has become this

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<v Speaker 2>I think stratospherically famous individual in a way that few

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<v Speaker 2>people do. Her presence, there is just rife for commentary

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<v Speaker 2>on both sides, for adoration from certain segments of the

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<v Speaker 2>population and for vilification from other segments. And I think

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<v Speaker 2>just a lot is projected onto her. And it is

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<v Speaker 2>interesting to me the way that certain segments of the population,

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<v Speaker 2>you know, for example, the right are very selective about

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<v Speaker 2>their desire for celebrity to intrude into the NFL. As

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<v Speaker 2>you said, Aaron Rodgers being anti vax that was great,

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<v Speaker 2>But Colin Kaepernick, you've gone too far.

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<v Speaker 1>Or the camera panning to Matthew McConaughey in the stands, well,

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<v Speaker 1>that's Patriots alone. You know, like no one says, hey,

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<v Speaker 1>you're distracting me from the game right now? Why is

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<v Speaker 1>that movie star on my screen for a nanosecond.

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<v Speaker 2>There is just also it's so distinctly embedded in our

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<v Speaker 2>ideas of gender to consider a fully covered up woman

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<v Speaker 2>who's merely there to be a distraction, Like it gives

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<v Speaker 2>me shades of a very juvenile reading of girls at

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<v Speaker 2>school can't show their shoulders because they will distract the boys,

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<v Speaker 2>Like there is this fundamental kind of underestimation of men

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<v Speaker 2>built into that, Like, sir, your cognitive skills are being

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<v Speaker 2>strained by four seconds of a blonde lady in the stands,

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<v Speaker 2>Like unpack that for a minute.

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<v Speaker 1>Dropping f bombs sometimes too, by the way up there

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<v Speaker 1>in the stands. You know. Another factor in this I

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<v Speaker 1>think is very interesting is that the football player capital

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<v Speaker 1>T capital F capital P occupies this place in American

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<v Speaker 1>men's imaginations about what being masculine entails and living large

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<v Speaker 1>in the world and playing a sport in which you're

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<v Speaker 1>going up against other very big men and trying to

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<v Speaker 1>beat them on the battlefield of football. You have someone

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<v Speaker 1>who is a primo example of that specimen in Travis Kelsey,

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<v Speaker 1>and he's very comfortable being with an in charge woman

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<v Speaker 1>who makes much more money than he does and has

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<v Speaker 1>much more celebrity traction than he does, and he's happy

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<v Speaker 1>with that. And I sort of that is a challenge

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<v Speaker 1>to men as well. Travis Kelcey in this combination, I

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<v Speaker 1>think is also as threatening to you know, the male

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<v Speaker 1>viewership as Taylor Swift is.

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<v Speaker 2>Yeah, I absolutely agree. I think there is something that

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<v Speaker 2>feels unsettling to some men to see this guy who

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<v Speaker 2>in so many ways embodies the platonic ideal of American masculinity,

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<v Speaker 2>and yet that is confounded to an extent by his relationship.

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<v Speaker 2>And yeah, his comfort with being with someone who is

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<v Speaker 2>more famous and you know, having a billion dollar tour.

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<v Speaker 2>Travis Kelsey is about as famous as a football player

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<v Speaker 2>can get, but he is not Taylor Swift. That is

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<v Speaker 2>simply a different level. And yeah, I think that there

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<v Speaker 2>are a lot of male fantasies, specifically white male fantasies,

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<v Speaker 2>that are contained within the game of football, and any

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<v Speaker 2>deviation from that feels threatening.

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<v Speaker 1>If it's a deviation that doesn't encompass the already acceptable.

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<v Speaker 1>So it's okay to have a male star on the

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<v Speaker 1>camera but not a female star. It's okay to have

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<v Speaker 1>female cheerleaders but not successful female musicians.

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<v Speaker 2>Because they're not overshadowy, they're just objects for male entertainment.

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<v Speaker 3>Tim see the thing?

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<v Speaker 1>Oh, now I get it. See, that's why I needed

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<v Speaker 1>you here today. You know. In a similar vein, there

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<v Speaker 1>was this recent New York Times essay about Taylor Swift's

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<v Speaker 1>sexual identity, and in a piece that I regarded as

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<v Speaker 1>poorly put together and I don't like taking other journalists

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<v Speaker 1>to task on the air, but it was an empirically

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<v Speaker 1>dubious piece in terms of I think the goal of

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<v Speaker 1>the piece was to say, Taylor Swift is a closeted

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<v Speaker 1>gay woman and it would be healthy for her to

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<v Speaker 1>come out of the closet because it would be empowering

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<v Speaker 1>for other members of the gay community. That's fine, I

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<v Speaker 1>think as a goal, But then I think, if you're

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<v Speaker 1>going to prove your case, you really have to assemble

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<v Speaker 1>the argument. And getting back to our theme of the

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<v Speaker 1>weird conspiracy theories that attached themselves to Taylor Swift, I

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<v Speaker 1>felt the writer of that particular piece was sort of

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<v Speaker 1>finding coded meanings in the titles of albums or things

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<v Speaker 1>that Taylor Swift had set on stage and sort of

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<v Speaker 1>plucking cues out of somewhat thin air to make a

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<v Speaker 1>case for her and for her own needs and her

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<v Speaker 1>own argument. And again that feels thematically of a fit

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<v Speaker 1>of why do these kinds of theories attach themselves to her?

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<v Speaker 2>Yeah, I mean I think that part of it is

0:14:02.040 --> 0:14:07.240
<v Speaker 2>that she is someone who is known to include Easter

0:14:07.400 --> 0:14:11.560
<v Speaker 2>eggs in her lyrics and her videos. She plays with

0:14:11.640 --> 0:14:14.240
<v Speaker 2>that that is part of the fun. In my understanding

0:14:14.360 --> 0:14:18.959
<v Speaker 2>of being a hardcore swiftye is to try to glean

0:14:19.000 --> 0:14:22.040
<v Speaker 2>greater understanding about this artist that you admire through all

0:14:22.080 --> 0:14:26.080
<v Speaker 2>of these things. And I feel like what that piece

0:14:26.640 --> 0:14:31.680
<v Speaker 2>misunderstood is that there is a difference between speculating about

0:14:32.160 --> 0:14:38.120
<v Speaker 2>Taylor's sexuality in the New York Times versus being on

0:14:38.160 --> 0:14:43.040
<v Speaker 2>TikTok as a fan and allowing yourself a queer reading

0:14:43.400 --> 0:14:49.240
<v Speaker 2>of her persona or her lyrics like that seems fun

0:14:49.400 --> 0:14:54.200
<v Speaker 2>and healthy and fair and the other.

0:14:54.480 --> 0:14:57.200
<v Speaker 1>There's one of the powerful things music does exactly right,

0:14:57.280 --> 0:15:00.720
<v Speaker 1>exactly It allows people to feel seen right way right.

0:15:00.880 --> 0:15:03.080
<v Speaker 2>And I'm sure for her some of that is intentional,

0:15:03.160 --> 0:15:04.960
<v Speaker 2>But to put it in an op ed in the

0:15:05.000 --> 0:15:08.640
<v Speaker 2>New York Times, to me said, we as a public

0:15:08.840 --> 0:15:13.000
<v Speaker 2>are entitled to you, Taylor Swift, disclosing every bit of

0:15:13.040 --> 0:15:15.880
<v Speaker 2>your sexual identity to us. And I don't think that's

0:15:15.920 --> 0:15:20.080
<v Speaker 2>something that we can ask of our celebrities, and.

0:15:20.080 --> 0:15:22.280
<v Speaker 1>In fact, you owe us that right. You not only

0:15:22.320 --> 0:15:25.040
<v Speaker 1>should do this, but you owe it to society because

0:15:25.040 --> 0:15:28.560
<v Speaker 1>with fame comes power, and with power comes responsibility. Therefore,

0:15:28.880 --> 0:15:32.480
<v Speaker 1>out yourself, right out yourself. Damn it. Let's take a

0:15:32.520 --> 0:15:34.120
<v Speaker 1>quick break and hear from a sponsor and that I

0:15:34.160 --> 0:15:37.360
<v Speaker 1>want to come back with the other odd intersection Taylor

0:15:37.400 --> 0:15:40.840
<v Speaker 1>Swift and her intersection with American politics. After this break,

0:15:48.160 --> 0:15:50.840
<v Speaker 1>I'm back with emmcgray, who's helping me sort out some

0:15:50.880 --> 0:15:54.720
<v Speaker 1>of the madness surrounding Taylor Swift. Emma, I'm going to

0:15:54.800 --> 0:15:57.040
<v Speaker 1>quote one of the more lunar members of the Fox

0:15:57.120 --> 0:16:00.600
<v Speaker 1>talk show The Five, Jeanine Piro, on a recent episode,

0:16:00.680 --> 0:16:04.120
<v Speaker 1>speaking of Taylor Swift, she said, why would someone as

0:16:04.120 --> 0:16:08.120
<v Speaker 1>popular as she is alienate your fans, the Swifties. So

0:16:08.200 --> 0:16:11.320
<v Speaker 1>don't get involved. Don't get involved in politics. We don't

0:16:11.400 --> 0:16:15.440
<v Speaker 1>want to see you there. So others in MAGA media

0:16:15.480 --> 0:16:18.800
<v Speaker 1>have said similar things about Again, you know, in the

0:16:18.800 --> 0:16:21.840
<v Speaker 1>prior section we're talking about her intrusion onto the American

0:16:21.840 --> 0:16:25.440
<v Speaker 1>pastime of football. This is now warning her that she

0:16:25.480 --> 0:16:30.280
<v Speaker 1>shouldn't intrude on the civic virtue of participatory politics. What

0:16:30.360 --> 0:16:31.480
<v Speaker 1>do you make of that.

0:16:31.960 --> 0:16:36.160
<v Speaker 2>It really is giving strong shades of shut up and

0:16:36.200 --> 0:16:41.160
<v Speaker 2>singing to the Dixie Chicks after they made a statement

0:16:41.480 --> 0:16:44.760
<v Speaker 2>about the Iraq War, Like, I think that there is

0:16:44.960 --> 0:16:50.280
<v Speaker 2>this desire, certainly on the right, to look at cultural

0:16:50.280 --> 0:16:54.120
<v Speaker 2>figures who are inconvenient for their narratives and say, stay

0:16:54.160 --> 0:16:58.960
<v Speaker 2>in your lane. But Donald Trump is a celebrity. He

0:16:59.160 --> 0:17:03.640
<v Speaker 2>was a celebrity before he was elected president. Ronald Reagan

0:17:03.760 --> 0:17:08.080
<v Speaker 2>was right, like, this is the party that has actively

0:17:08.119 --> 0:17:13.199
<v Speaker 2>elected presidents who are boosted by their celebrity. And so

0:17:13.480 --> 0:17:18.600
<v Speaker 2>again we're seeing that very selective feeling about celebrity. If

0:17:18.640 --> 0:17:23.199
<v Speaker 2>you are going to disagree with the maga politics, you

0:17:23.280 --> 0:17:25.480
<v Speaker 2>need to shut up. You need to stay in your land.

0:17:25.600 --> 0:17:28.200
<v Speaker 2>Don't go to football games, don't ask people to vote,

0:17:28.520 --> 0:17:33.639
<v Speaker 2>don't endorse anyone, don't state to political opinion. But if

0:17:33.720 --> 0:17:39.359
<v Speaker 2>you are going to boost the conspiracy theory that COVID

0:17:39.400 --> 0:17:46.240
<v Speaker 2>vaccines are evil, then great, use that platform. We need you.

0:17:46.240 --> 0:17:49.040
<v Speaker 1>You know, you just got me thinking about a very

0:17:49.040 --> 0:17:50.840
<v Speaker 1>interesting thing that I hadn't been thinking about before we

0:17:50.840 --> 0:17:54.040
<v Speaker 1>been talking, which is what kind of celebrity has allowed

0:17:54.040 --> 0:17:56.320
<v Speaker 1>to intersect with politics and what kind isn't. And I'm

0:17:56.800 --> 0:17:59.719
<v Speaker 1>thinking back to the twenty sixteen presidential election, and I

0:17:59.760 --> 0:18:01.639
<v Speaker 1>was in a green room at NBC and I was

0:18:01.680 --> 0:18:05.679
<v Speaker 1>speaking with a political consultant about what the chances of

0:18:05.800 --> 0:18:09.320
<v Speaker 1>Trump winning the election were and I was dubious, totally wrong,

0:18:09.840 --> 0:18:13.680
<v Speaker 1>And he said, you really can't underestimate the power of celebrity.

0:18:13.800 --> 0:18:16.840
<v Speaker 1>He said, if you looked at the Arnold Schwarzenegger candidacy

0:18:16.880 --> 0:18:21.359
<v Speaker 1>for governor in California and Jesse Ventura ex wrestlers run

0:18:21.720 --> 0:18:25.480
<v Speaker 1>for the governorship in Minnesota. In both of those races,

0:18:25.600 --> 0:18:29.280
<v Speaker 1>he said, towards the very end of the election, both

0:18:29.280 --> 0:18:33.640
<v Speaker 1>of them enjoyed these huge spikes in voter attention, voter allegiance,

0:18:33.680 --> 0:18:37.719
<v Speaker 1>and then raw voting because of their celebrity. And he said,

0:18:37.840 --> 0:18:39.879
<v Speaker 1>you know that could just accrue to Donald Trump in

0:18:39.920 --> 0:18:43.400
<v Speaker 1>this election too. And of course the maga wright knows

0:18:43.440 --> 0:18:47.040
<v Speaker 1>it's one of his secret powers now and Fox knows

0:18:47.040 --> 0:18:49.680
<v Speaker 1>that about him. And I think when they see it

0:18:49.720 --> 0:18:53.360
<v Speaker 1>in others, it's come out in Fox's opposition to more

0:18:53.440 --> 0:18:58.439
<v Speaker 1>charismatic democratic politicians. They identify them early. I think of

0:18:58.480 --> 0:19:03.000
<v Speaker 1>AOC as Bill example of that. Within minutes of being elected,

0:19:03.080 --> 0:19:05.520
<v Speaker 1>she became kind of a target for beware you know

0:19:05.640 --> 0:19:08.000
<v Speaker 1>she's part of the woke left, progressive la la la

0:19:08.040 --> 0:19:11.240
<v Speaker 1>la la, and I think that's what's insenting this kind

0:19:11.280 --> 0:19:15.200
<v Speaker 1>of fear of Taylor Swift's entry into the political landscape.

0:19:15.440 --> 0:19:17.360
<v Speaker 2>That's such a good point, that's such a good way

0:19:17.400 --> 0:19:19.560
<v Speaker 2>to put it. And I think that's exactly right because

0:19:19.600 --> 0:19:22.760
<v Speaker 2>you look at, for example, something that really set off

0:19:22.800 --> 0:19:26.680
<v Speaker 2>the MAGA right, which is that Taylor Swift encouraged her

0:19:26.720 --> 0:19:29.960
<v Speaker 2>fans on Instagram to register to vote. She did not

0:19:30.040 --> 0:19:33.040
<v Speaker 2>say registered to vote as a Democrat. She simply said

0:19:33.080 --> 0:19:38.000
<v Speaker 2>registered to vote, and that was deeply threatening to segments

0:19:38.000 --> 0:19:39.800
<v Speaker 2>of the right. And what I think that tells us

0:19:39.800 --> 0:19:43.199
<v Speaker 2>a couple of things. One that the Republican Party is

0:19:43.680 --> 0:19:47.280
<v Speaker 2>deeply invested in as few people participating in our political

0:19:47.320 --> 0:19:52.640
<v Speaker 2>system as possible. And second that, yeah, that they perceive

0:19:53.440 --> 0:19:58.840
<v Speaker 2>Taylor Swift's celebrity and platform to be a fundamental threat

0:19:59.040 --> 0:20:03.200
<v Speaker 2>to their political ends. And I think that, yeah, that's

0:20:03.240 --> 0:20:04.760
<v Speaker 2>exactly that's exactly it.

0:20:05.800 --> 0:20:08.160
<v Speaker 1>I'm glad you brought up that Instagram post because there's

0:20:08.200 --> 0:20:11.119
<v Speaker 1>interesting data to be had around that. She doesn't have

0:20:11.280 --> 0:20:14.359
<v Speaker 1>just any old Instagram platform. She has nearly two hundred

0:20:14.359 --> 0:20:17.800
<v Speaker 1>and eighty million followers on Instagram. It's kind of a

0:20:17.840 --> 0:20:22.880
<v Speaker 1>mind boggling number, and after she encouraged people to register

0:20:23.520 --> 0:20:26.720
<v Speaker 1>vote dot Org at the time said I think within

0:20:26.720 --> 0:20:29.800
<v Speaker 1>a relatively short period of time, thirty five thousand people

0:20:30.520 --> 0:20:34.320
<v Speaker 1>registered to vote, you know, in response to her entreaties, which,

0:20:34.359 --> 0:20:37.679
<v Speaker 1>by the way, has always been in every history class

0:20:37.680 --> 0:20:41.520
<v Speaker 1>anyone takes, and in any of the mythology or literature

0:20:41.640 --> 0:20:46.320
<v Speaker 1>surrounding the American journey and the American experiences, that voting

0:20:46.359 --> 0:20:50.720
<v Speaker 1>is for everyone. Everyone should register. It's good civic duty

0:20:50.720 --> 0:20:53.880
<v Speaker 1>to do so. It's not about partisanship or ideology. It's

0:20:53.880 --> 0:20:57.359
<v Speaker 1>just about participating in the life of your country. And

0:20:57.440 --> 0:21:01.560
<v Speaker 1>this woman suggests, yeah, everybody should do that, and Maga

0:21:01.560 --> 0:21:05.639
<v Speaker 1>world freaks out exactly, you know, I think, beyond her

0:21:05.680 --> 0:21:10.280
<v Speaker 1>celebrity though they know, she's also has positioned herself publicly

0:21:10.320 --> 0:21:14.119
<v Speaker 1>around certain issues. In twenty eighteen, she posted something to

0:21:14.160 --> 0:21:15.960
<v Speaker 1>social media that I want to quote at length because

0:21:15.960 --> 0:21:18.320
<v Speaker 1>I think it shows where her head is at and

0:21:18.359 --> 0:21:21.840
<v Speaker 1>what she's willing to do with her celebrity. She said,

0:21:21.920 --> 0:21:24.760
<v Speaker 1>I have and always will cast my vote based on

0:21:24.800 --> 0:21:27.639
<v Speaker 1>which candidate will protect and fight for the human rights.

0:21:27.680 --> 0:21:30.560
<v Speaker 1>I believe we all deserve in this country. I believe

0:21:30.560 --> 0:21:33.960
<v Speaker 1>in the fight for LGBTQ rights and that any form

0:21:34.000 --> 0:21:37.960
<v Speaker 1>of discrimination based on sexual orientation and gender is wrong.

0:21:38.680 --> 0:21:41.600
<v Speaker 1>I believe that the systemic racism we still see in

0:21:41.600 --> 0:21:46.360
<v Speaker 1>this country towards people of color is terrifying, sickening, and prevalent.

0:21:47.600 --> 0:21:50.080
<v Speaker 1>It's very clear where she stands. She's got a lot

0:21:50.119 --> 0:21:54.119
<v Speaker 1>of courage, she's articulate, and there's probably in what I

0:21:54.200 --> 0:21:56.800
<v Speaker 1>just read at least a dozen words that would make

0:21:57.280 --> 0:22:01.159
<v Speaker 1>Maga lands head explode. Yes, she had to expect some

0:22:01.240 --> 0:22:03.240
<v Speaker 1>of this to come at her. How do you think

0:22:03.359 --> 0:22:07.119
<v Speaker 1>she's comported herself amid all these things that cling to her.

0:22:07.480 --> 0:22:10.119
<v Speaker 2>I think she's handled it remarkably well. And you know,

0:22:10.160 --> 0:22:13.360
<v Speaker 2>she has a great team surrounding her, who I think

0:22:13.480 --> 0:22:17.000
<v Speaker 2>probably I'm assuming that probably helps kind of insulate from

0:22:17.280 --> 0:22:20.880
<v Speaker 2>some of it. But we know from everything that she's

0:22:20.920 --> 0:22:26.320
<v Speaker 2>said and her documentary like that her deciding to for

0:22:26.359 --> 0:22:30.400
<v Speaker 2>the first time be publicly political was not a decision

0:22:30.440 --> 0:22:33.919
<v Speaker 2>taken lightly, and it was certainly something that a lot

0:22:34.000 --> 0:22:37.760
<v Speaker 2>of people around her thought she shouldn't do. And early

0:22:37.840 --> 0:22:41.680
<v Speaker 2>in her career there were a lot of questions swirling

0:22:41.720 --> 0:22:45.120
<v Speaker 2>around her. You know, this white blonde woman who comes

0:22:45.119 --> 0:22:48.960
<v Speaker 2>from the country world. Is she conservative? Is she getting

0:22:49.040 --> 0:22:51.840
<v Speaker 2>all of these liberal fans to come and support her?

0:22:51.880 --> 0:22:55.040
<v Speaker 2>And she actually is opposed to the human rights that

0:22:55.080 --> 0:22:58.760
<v Speaker 2>feel core to a lot of her fan base. And

0:22:59.760 --> 0:23:03.639
<v Speaker 2>she answered the question with this statement, and you know,

0:23:03.680 --> 0:23:08.600
<v Speaker 2>with her subsequent endorsement of Biden in twenty twenty. And

0:23:08.680 --> 0:23:10.879
<v Speaker 2>I think that, yeah, as you said, she has a

0:23:10.960 --> 0:23:15.040
<v Speaker 2>huge platform, and she has been able to maintain and

0:23:15.119 --> 0:23:20.119
<v Speaker 2>grow her celebrity in the wake of being open about

0:23:20.160 --> 0:23:23.200
<v Speaker 2>her political stances. And I think that that is probably

0:23:23.280 --> 0:23:26.760
<v Speaker 2>also what makes segments of the right very scared of her.

0:23:27.440 --> 0:23:31.240
<v Speaker 2>She has not crumbled, right, She has not received the

0:23:31.280 --> 0:23:34.240
<v Speaker 2>backlash that has affected her bottom line in the way that,

0:23:34.280 --> 0:23:35.920
<v Speaker 2>for example, the Dixie Chicks did.

0:23:36.600 --> 0:23:38.240
<v Speaker 1>That is completely true, and I think we're going to

0:23:38.280 --> 0:23:39.960
<v Speaker 1>get it in the back end of the show. We'll

0:23:39.960 --> 0:23:42.720
<v Speaker 1>get into the kind of financial power and independence she's

0:23:42.800 --> 0:23:45.720
<v Speaker 1>established for herself that other artists haven't enjoyed when they've

0:23:45.720 --> 0:23:50.200
<v Speaker 1>spoken out. When you mentioned before about she's also scaring

0:23:50.240 --> 0:23:53.240
<v Speaker 1>the right. One of my favorite recent examples of the

0:23:53.320 --> 0:23:57.639
<v Speaker 1>kind of imaginative and conspiratorial lengths her critics will go

0:23:57.760 --> 0:24:00.719
<v Speaker 1>to to sort of build up. Pair noy about her

0:24:00.840 --> 0:24:05.000
<v Speaker 1>was when when Jesse Waters, another Fox bro, recently speculated

0:24:05.080 --> 0:24:08.760
<v Speaker 1>that she's a government plant waging a form of psychological

0:24:08.800 --> 0:24:13.200
<v Speaker 1>warfare and that her Era's concert tour. I'm sorry, it's

0:24:13.200 --> 0:24:16.000
<v Speaker 1>so hard for me to even just state this without laughing,

0:24:16.000 --> 0:24:18.480
<v Speaker 1>because it's sort of fun and funny, but it's like,

0:24:18.560 --> 0:24:21.560
<v Speaker 1>don't people have better things to do? Anyway? He warned

0:24:21.600 --> 0:24:25.199
<v Speaker 1>that her Era's concert tour was a phenomenon because the

0:24:25.240 --> 0:24:28.960
<v Speaker 1>Defense Department was backing it. Have you found evid evidence

0:24:29.000 --> 0:24:31.800
<v Speaker 1>in your own reporting that the Defense Department is using

0:24:31.800 --> 0:24:34.439
<v Speaker 1>her as an embed to wage psychological warfare on the

0:24:34.440 --> 0:24:37.240
<v Speaker 1>American people? And if so, tell us now, Emma, I

0:24:37.280 --> 0:24:37.680
<v Speaker 1>have not.

0:24:37.800 --> 0:24:40.440
<v Speaker 2>It just truly cracks me up, this idea that that

0:24:40.640 --> 0:24:43.679
<v Speaker 2>would be the more likely explanation than just that like

0:24:44.480 --> 0:24:48.240
<v Speaker 2>a lot of women and girls are interested to see

0:24:48.280 --> 0:24:52.880
<v Speaker 2>an artist reflect their emotional experiences, Like couldn't be that

0:24:53.400 --> 0:24:57.080
<v Speaker 2>has to be like the Department of Defense. It's just

0:24:57.200 --> 0:25:02.520
<v Speaker 2>it's beyond wakado. And yet it is kind of chilling

0:25:02.560 --> 0:25:04.359
<v Speaker 2>that there are a lot of people who are so

0:25:04.520 --> 0:25:07.320
<v Speaker 2>invested in these ideas that they are willing to buy

0:25:07.400 --> 0:25:12.399
<v Speaker 2>into them and take them. Seriously. I keep thinking about

0:25:12.520 --> 0:25:15.120
<v Speaker 2>Charlie Kirk going on a rant about her in which

0:25:15.160 --> 0:25:19.119
<v Speaker 2>he said all the swifties want is a swift abortion.

0:25:20.920 --> 0:25:24.000
<v Speaker 1>It's like, yeah, yeah, Charlie Kirk.

0:25:24.240 --> 0:25:28.360
<v Speaker 2>Okay again there is just it's like these men and

0:25:28.720 --> 0:25:33.320
<v Speaker 2>some of these women cannot grasp a world in which

0:25:33.480 --> 0:25:38.840
<v Speaker 2>young people might just want to see their lived experiences

0:25:38.880 --> 0:25:44.520
<v Speaker 2>reflected back at them or want to participate in the

0:25:44.520 --> 0:25:47.399
<v Speaker 2>government of the country that they live in. Like that

0:25:47.560 --> 0:25:51.359
<v Speaker 2>is too hard to believe. So it has to be

0:25:51.560 --> 0:25:55.520
<v Speaker 2>a conspiracy. It can't just be that these ideas or

0:25:55.560 --> 0:25:58.240
<v Speaker 2>this person is genuinely popular.

0:25:58.680 --> 0:26:03.280
<v Speaker 1>And confident can destructive. Policy oriented political parties don't freak

0:26:03.320 --> 0:26:08.040
<v Speaker 1>out about talented and influential pop stars, but cults do, yes.

0:26:08.080 --> 0:26:11.000
<v Speaker 1>And I think one of the other collisions you're seeing

0:26:11.080 --> 0:26:13.800
<v Speaker 1>here is that I think the Republican Party, particularly the

0:26:13.800 --> 0:26:17.120
<v Speaker 1>MAGA wing, I think there's a lot of traditional conservatives

0:26:17.119 --> 0:26:20.640
<v Speaker 1>who are policy oriented, think the best for the country,

0:26:20.840 --> 0:26:24.359
<v Speaker 1>want to have public dialogues about the economy in the future.

0:26:24.720 --> 0:26:26.840
<v Speaker 1>But that's certainly not where the Maga wing of the

0:26:26.880 --> 0:26:30.199
<v Speaker 1>party rights. And they've actually gotten their strongest traction as

0:26:30.240 --> 0:26:33.760
<v Speaker 1>a cultural force, not a policy force, but to appeal

0:26:33.800 --> 0:26:37.440
<v Speaker 1>to people's emotions, to their fears, to a variety of

0:26:37.520 --> 0:26:40.560
<v Speaker 1>other desires, which, of course artists always explore. You know,

0:26:40.600 --> 0:26:45.119
<v Speaker 1>every great artist is exploring people's emotional landscape and their needs.

0:26:45.520 --> 0:26:48.440
<v Speaker 1>And so that's another reason why at this particular point

0:26:48.440 --> 0:26:51.400
<v Speaker 1>in time, I think an influential pop star is threatening

0:26:51.440 --> 0:26:55.040
<v Speaker 1>to a party that has tethered its future to culture,

0:26:55.040 --> 0:26:55.919
<v Speaker 1>war and emotion.

0:26:56.600 --> 0:26:59.720
<v Speaker 2>That's such a good point. Yeah, Maga really just goes

0:26:59.720 --> 0:27:03.359
<v Speaker 2>on vibes. They're worried. They're worried about the vibe shift

0:27:03.520 --> 0:27:04.320
<v Speaker 2>not in their favor.

0:27:05.600 --> 0:27:08.879
<v Speaker 1>Yeah, bad political vibes. On that note, I'm going to

0:27:08.920 --> 0:27:10.680
<v Speaker 1>take another quick break to hear from a sponsor, and

0:27:10.720 --> 0:27:13.320
<v Speaker 1>then we'll come back and we will stop talking about emotion,

0:27:13.440 --> 0:27:22.760
<v Speaker 1>stop talking about conspiracies, and we will talk about the money.

0:27:23.000 --> 0:27:25.560
<v Speaker 1>I'm back in having a great conversation with the great

0:27:25.600 --> 0:27:29.840
<v Speaker 1>Emma Gray about the great Taylor Swift. Everyone's great, everyone's great. Today,

0:27:30.160 --> 0:27:32.320
<v Speaker 1>I want to point out two things about Taylor Swift's

0:27:32.400 --> 0:27:35.600
<v Speaker 1>Eras tour last year. First, I became a hero in

0:27:35.600 --> 0:27:39.840
<v Speaker 1>my household by getting two tickets for my wife. And second,

0:27:40.200 --> 0:27:44.200
<v Speaker 1>Taylor Swift became a billionaire through the Era's tour. By

0:27:44.240 --> 0:27:47.600
<v Speaker 1>the way, my pal and partner in crime here Anamazerakus,

0:27:47.640 --> 0:27:52.440
<v Speaker 1>has been to three Taylor Swift concerts. What is Taylor

0:27:52.520 --> 0:27:53.280
<v Speaker 1>Me to you, Anna?

0:27:53.920 --> 0:27:56.840
<v Speaker 3>I mean, I think that she's incredibly talented, but I

0:27:56.880 --> 0:27:59.480
<v Speaker 3>also think, as Emma has brought up in this conversation,

0:27:59.760 --> 0:28:04.399
<v Speaker 3>she is a strong independent woman who has built an

0:28:04.400 --> 0:28:07.919
<v Speaker 3>incredibly strong business and that's threatening to a lot of people.

0:28:07.960 --> 0:28:10.560
<v Speaker 3>And it's kind of interesting to watch how she has

0:28:10.600 --> 0:28:13.880
<v Speaker 3>handled that and gone through the roller coaster of it

0:28:13.920 --> 0:28:18.040
<v Speaker 3>from you know, really wanting people's approval to then also

0:28:18.200 --> 0:28:21.159
<v Speaker 3>having like a song called shake It Off where she's like, whatever,

0:28:21.200 --> 0:28:23.200
<v Speaker 3>I'm just going to live my life now. She keeps

0:28:23.200 --> 0:28:23.800
<v Speaker 3>going through that.

0:28:23.880 --> 0:28:27.159
<v Speaker 1>It's interesting, it's interesting, and it's a learning experience. And

0:28:27.200 --> 0:28:30.680
<v Speaker 1>I think one of the things that's interesting about what's

0:28:30.720 --> 0:28:33.359
<v Speaker 1>given her traction and sort of fortitude amidst all this

0:28:33.440 --> 0:28:35.960
<v Speaker 1>is that she's a great business woman. That's just a

0:28:36.000 --> 0:28:38.840
<v Speaker 1>really practical day in and day out level. There are

0:28:38.840 --> 0:28:41.120
<v Speaker 1>so many highlights to talk about, you know. She just

0:28:41.200 --> 0:28:43.920
<v Speaker 1>took her fourth award for Album of the Year at

0:28:43.960 --> 0:28:45.800
<v Speaker 1>the Grammy. She's the first artist to ever do that.

0:28:46.480 --> 0:28:50.200
<v Speaker 1>She's the highest grossing female touring act, the most streamed

0:28:50.240 --> 0:28:53.160
<v Speaker 1>woman on Spotify and Apple Music, the first person to

0:28:53.160 --> 0:28:56.840
<v Speaker 1>become a billionaire with a fortune primarily derived from music,

0:28:57.280 --> 0:29:00.280
<v Speaker 1>and she's sold two hundred million records, and on and

0:29:00.320 --> 0:29:02.680
<v Speaker 1>on and on. What do you make of her as

0:29:02.720 --> 0:29:05.280
<v Speaker 1>a business force in that context?

0:29:05.360 --> 0:29:11.400
<v Speaker 2>Nowah, I mean, I'm impressed. It's very impressive to be

0:29:11.480 --> 0:29:16.320
<v Speaker 2>a creative who is able to build that like that

0:29:16.520 --> 0:29:18.760
<v Speaker 2>is just using a whole different brain. And you have

0:29:18.840 --> 0:29:21.880
<v Speaker 2>to be very savvy in order to build a brand

0:29:22.000 --> 0:29:26.360
<v Speaker 2>that sustains that long that you are tapping and growing

0:29:26.400 --> 0:29:30.800
<v Speaker 2>into this audience who you are so endeared to that

0:29:30.880 --> 0:29:34.360
<v Speaker 2>they will shell out a lot of money to see

0:29:35.080 --> 0:29:38.040
<v Speaker 2>The Era's Tour. I have friends who have seen like

0:29:38.160 --> 0:29:42.160
<v Speaker 2>three different stops on The Era's tour because it is

0:29:42.240 --> 0:29:45.640
<v Speaker 2>just a thrill every single time. And so she is

0:29:45.760 --> 0:29:49.680
<v Speaker 2>both a savvy businesswoman and also creating a product that

0:29:49.720 --> 0:29:51.960
<v Speaker 2>people want to come back for, which I think is

0:29:52.120 --> 0:29:55.040
<v Speaker 2>key to having a sustainable business when it comes to

0:29:55.120 --> 0:29:56.520
<v Speaker 2>music or any creative work.

0:29:57.120 --> 0:30:00.440
<v Speaker 1>Yeah, I'm going to quote Billboard Magazine here Taylor Swift's

0:30:00.560 --> 0:30:04.080
<v Speaker 1>quote seismic impact on the music industry over the past

0:30:04.080 --> 0:30:07.920
<v Speaker 1>seventeen years since her debut isn't limited to her unparalleled

0:30:07.920 --> 0:30:12.600
<v Speaker 1>commercial success, but also encompasses her influence on everything from artists'

0:30:12.680 --> 0:30:16.600
<v Speaker 1>rights to smashing the traditional album release model to changing

0:30:16.600 --> 0:30:20.680
<v Speaker 1>the conversation about songwrights and ownership. You know. Famously, she

0:30:20.760 --> 0:30:24.360
<v Speaker 1>pulled her catalog from Spotify for three years twenty fourteen

0:30:24.400 --> 0:30:27.840
<v Speaker 1>to twenty seventeen in order to get a fair financial

0:30:27.840 --> 0:30:31.720
<v Speaker 1>deal from that platform. She fought Apple for better royalty payments.

0:30:32.360 --> 0:30:34.560
<v Speaker 1>But this always seemed like the boss moved to me.

0:30:34.840 --> 0:30:38.360
<v Speaker 1>After her master recordings for her first six albums and

0:30:38.400 --> 0:30:41.560
<v Speaker 1>her former label were sold to another company in twenty nineteen,

0:30:41.960 --> 0:30:44.960
<v Speaker 1>she re recorded the songs that were part of the

0:30:45.000 --> 0:30:48.440
<v Speaker 1>sale so she could regain ownership of her own masters.

0:30:48.920 --> 0:30:51.560
<v Speaker 1>And I just thought, as well, like that was it's

0:30:51.600 --> 0:30:55.080
<v Speaker 1>so in charge and business savvy, and I thought it

0:30:55.080 --> 0:30:55.920
<v Speaker 1>was really impressive.

0:30:56.160 --> 0:31:02.480
<v Speaker 2>It's so impressive. The tailor's version universe of albums is incredible.

0:31:02.520 --> 0:31:07.120
<v Speaker 2>It's also allowed her to revisit material and introduce newer

0:31:07.200 --> 0:31:11.560
<v Speaker 2>fans to that back catalog to bring I think more

0:31:11.560 --> 0:31:16.080
<v Speaker 2>of her adult sensibility into that music. And yeah, I

0:31:16.120 --> 0:31:21.120
<v Speaker 2>think she is showcasing a model for artists and creatives

0:31:21.160 --> 0:31:25.920
<v Speaker 2>that says you deserve to own your work, you do

0:31:26.040 --> 0:31:30.400
<v Speaker 2>not have to be a slave to these traditional gatekeepers.

0:31:30.920 --> 0:31:34.680
<v Speaker 2>And I think that it puts this question into the ether,

0:31:34.800 --> 0:31:38.240
<v Speaker 2>which is, maybe these systems are broken and maybe we

0:31:38.280 --> 0:31:42.480
<v Speaker 2>should all be revisiting them. And she has the financial

0:31:42.560 --> 0:31:46.800
<v Speaker 2>and cultural power to make a move as an individual

0:31:46.960 --> 0:31:50.760
<v Speaker 2>and change a whole system, which virtually no one else,

0:31:50.920 --> 0:31:52.680
<v Speaker 2>very few other people have that power.

0:31:53.520 --> 0:31:57.720
<v Speaker 1>And it doesn't stop there. She leverages very shrewdly her

0:31:57.760 --> 0:32:01.880
<v Speaker 1>own image and brand on social media, around album drops,

0:32:01.960 --> 0:32:05.000
<v Speaker 1>around who she is, what her life entails, and then

0:32:05.000 --> 0:32:08.520
<v Speaker 1>she has a whole merch line attached to all this clothing,

0:32:08.640 --> 0:32:12.880
<v Speaker 1>phone cases, jewelry, et cetera, et cetera. I guess I

0:32:12.920 --> 0:32:14.920
<v Speaker 1>know the answer is, but does it surprise you that

0:32:15.000 --> 0:32:19.960
<v Speaker 1>she's also able to excel in all of these different facets?

0:32:20.120 --> 0:32:22.280
<v Speaker 1>And what do you think explains it?

0:32:22.880 --> 0:32:25.920
<v Speaker 2>Oh gosh, I don't exactly know what explains it, but

0:32:25.960 --> 0:32:29.080
<v Speaker 2>I am not surprised, just in the sense that she's

0:32:29.120 --> 0:32:31.760
<v Speaker 2>been in this business for a long time. She has

0:32:32.400 --> 0:32:38.160
<v Speaker 2>stayed quite true to herself and her own evolution, and

0:32:38.520 --> 0:32:41.960
<v Speaker 2>I think she has been an eager learner throughout all

0:32:42.000 --> 0:32:45.640
<v Speaker 2>of it, and obviously we can't pretend that it's just

0:32:45.760 --> 0:32:52.120
<v Speaker 2>her like she has found collaborators who understand her and

0:32:52.800 --> 0:32:57.120
<v Speaker 2>want to work with her to build out this brand.

0:32:57.880 --> 0:33:00.880
<v Speaker 2>I am like less familiar admittedly with some of her

0:33:01.160 --> 0:33:05.520
<v Speaker 2>business practices, but as an observer and admirer of her,

0:33:05.720 --> 0:33:08.840
<v Speaker 2>I find it all to be pretty impressive. And also

0:33:08.920 --> 0:33:12.800
<v Speaker 2>I wonder how shocked we would be by it if

0:33:12.840 --> 0:33:16.760
<v Speaker 2>she wasn't an artist, like in a pretty woman's.

0:33:16.400 --> 0:33:19.240
<v Speaker 1>Body, right, you know. I also think that just artists

0:33:19.320 --> 0:33:23.680
<v Speaker 1>historically have not been good negotiators for their own financial wellbeing.

0:33:23.840 --> 0:33:26.600
<v Speaker 2>I mean, yeah, a totally different skill set. So it

0:33:26.680 --> 0:33:28.200
<v Speaker 2>is very impressive in that sense.

0:33:28.720 --> 0:33:31.840
<v Speaker 1>And then she uses it all responsibly and isn't going

0:33:31.880 --> 0:33:35.320
<v Speaker 1>crazy and is hanging in there. Let me ask you

0:33:35.320 --> 0:33:38.720
<v Speaker 1>one last question, you know, and watching the arc of

0:33:38.760 --> 0:33:42.000
<v Speaker 1>Taylor's journey, and maybe specifically over the last several months,

0:33:42.000 --> 0:33:44.760
<v Speaker 1>with the conspiracy theories floating around her, what have you

0:33:44.920 --> 0:33:49.120
<v Speaker 1>learned about what she represents in the world that you

0:33:49.240 --> 0:33:53.440
<v Speaker 1>didn't know before this most recent installment of Taylor Mania.

0:33:54.280 --> 0:33:57.760
<v Speaker 2>That's a great question. I think I learned that a

0:33:57.840 --> 0:34:01.320
<v Speaker 2>lot of people that I assumed and wouldn't be paying

0:34:01.320 --> 0:34:04.400
<v Speaker 2>attention to Taylor Swift really are like. That is what

0:34:04.480 --> 0:34:07.560
<v Speaker 2>the MAGA backlash to an extent has taught me. That

0:34:08.120 --> 0:34:11.480
<v Speaker 2>she lives rent free in a lot of people's heads,

0:34:12.200 --> 0:34:16.600
<v Speaker 2>and a woman who is operating in all of these

0:34:16.680 --> 0:34:20.880
<v Speaker 2>different realms and has what seems to be total control

0:34:21.239 --> 0:34:25.319
<v Speaker 2>and a grasp on her own platform and power is

0:34:25.520 --> 0:34:29.520
<v Speaker 2>very scary to a lot of people. And that's certainly

0:34:29.560 --> 0:34:32.560
<v Speaker 2>not to lift Taylor up as some perfect figure who

0:34:32.640 --> 0:34:35.319
<v Speaker 2>is not deserving ever of criticism. I don't think that

0:34:35.320 --> 0:34:39.120
<v Speaker 2>that's true, but I do think that for certain segments

0:34:39.120 --> 0:34:43.560
<v Speaker 2>of the culture, a lot of derangement is projected onto her,

0:34:43.640 --> 0:34:47.400
<v Speaker 2>and she is kind of treated as this blank space

0:34:48.120 --> 0:34:54.440
<v Speaker 2>where maga fantasies and dreams and fears can be played

0:34:54.440 --> 0:34:56.359
<v Speaker 2>out upon TDS.

0:34:56.520 --> 0:35:01.439
<v Speaker 1>Taylor Derangement syndrome coin new We've got a new term here.

0:35:01.800 --> 0:35:03.920
<v Speaker 1>We've run out of time. Emma, I really appreciate you

0:35:03.960 --> 0:35:04.600
<v Speaker 1>coming on today.

0:35:05.080 --> 0:35:07.200
<v Speaker 2>Thank you so much for having me. It's always a pleasure.

0:35:07.920 --> 0:35:10.080
<v Speaker 1>Emma Gray is the co host of a podcast that

0:35:10.120 --> 0:35:13.320
<v Speaker 1>recaps dating reality shows, Love to See It, co writes

0:35:13.320 --> 0:35:16.440
<v Speaker 1>a culture substact called rich Text, and is the author

0:35:16.480 --> 0:35:19.680
<v Speaker 1>of A Girl's Guide to joining the Resistance. She's also

0:35:19.719 --> 0:35:22.600
<v Speaker 1>a columnist with MSNBC and you can find her on

0:35:22.640 --> 0:35:27.319
<v Speaker 1>Twitter at Emma Lady Rose. Here at Crash Course, we

0:35:27.480 --> 0:35:31.920
<v Speaker 1>believed the collisions can be messy, impressive, challenging, surprising, and

0:35:32.120 --> 0:35:35.600
<v Speaker 1>always instructive. But all good things must come to an end,

0:35:35.920 --> 0:35:39.400
<v Speaker 1>so we're bringing down the curtain on Crash Course. This episode,

0:35:39.640 --> 0:35:43.040
<v Speaker 1>like all of our episodes, was produced by the indispensable

0:35:43.080 --> 0:35:47.160
<v Speaker 1>and wildly talented Anna Masarakus. She has been a stellar

0:35:47.160 --> 0:35:50.480
<v Speaker 1>collaborator and I will miss co creating this show with her.

0:35:51.239 --> 0:35:54.880
<v Speaker 1>Our supervising producer has been Magnus Hendrickson, and we've had

0:35:55.000 --> 0:35:59.160
<v Speaker 1>editing help from Sagebauman, Jeff Grocot, Mike Nizza, and Christine

0:35:59.239 --> 0:36:03.080
<v Speaker 1>Vanden Bilar. Blake Maples has done all of our sound engineering,

0:36:03.360 --> 0:36:07.880
<v Speaker 1>and he's capable of doing superhero things with sound. Our original

0:36:07.840 --> 0:36:11.520
<v Speaker 1>theme song was composed by Luis Garra and I'm Tim O'Brien.

0:36:12.000 --> 0:36:13.480
<v Speaker 1>Thanks for hanging out with Crash Course.