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Speaker 1: This is a headgun podcast. Celebrity book Club. Who's that

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Speaker 1: knocking at the door. It's all your friends, you filthy whore.

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Speaker 1: Your husband's gone, and we've got books and a bottle

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Speaker 1: of wine to kill. It's Hollywood, it's books, it's gossip.

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Speaker 1: I'm shook. It's memoirs, it's Martini's, it's Studio fifty four,

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Speaker 1: it's Felini. Celebrity book Club. Come read it while it's hot.

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Speaker 1: Celebrity book Club, tell your secrets. We won't talk. Celebrity

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Speaker 1: book Club. No, boys are a loud Celebrity book Club.

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Speaker 1: Say it loud. I'm proud, Celebrity book Club. Buzz me in.

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Speaker 1: I've got the quervo. Oh, I love that. I really

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Speaker 1: liked best friend. Um, So, what you just heard was

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Speaker 1: a journey through spoken word, which is an Asian art

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Speaker 1: form that we have been practicing for many years, Asian ancient.

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Speaker 1: I was like, I don't think it's Asian. It's deeply human. Yeah,

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Speaker 1: it's just a human art form, I would say, which

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Speaker 1: we really bonded over. Not to bring it up again,

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Speaker 1: but high school we would go to one of the

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Speaker 1: most famous spoken word places in the nation. It's called

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Speaker 1: Cantab Lounge. It's in Central scoring Cambridge. R I p

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Speaker 1: rest In Powered is now closed, and we would just

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Speaker 1: go see performances there. I mean it was you know,

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Speaker 1: you didn't have to have a fake to get in

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Speaker 1: the top you needed to be twenty one to drink,

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Speaker 1: but the bottom you could be eighteen. And so we

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Speaker 1: did want Yes, we did use fakes. On every Wednesday. Yes,

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Speaker 1: they had a spoken word night hosted by this woman

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Speaker 1: named Simone, and she kind of she was small and

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Speaker 1: like this because the name Simone is like one of

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Speaker 1: the sort of like big jokes in our well, it's

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Speaker 1: a big joke in our relationship. I feel like before

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Speaker 1: Simone became this kind of like meta name, is that

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Speaker 1: the right word for like a kind of just like

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Speaker 1: a girl you're not that close with whose birthday party

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Speaker 1: you have to go to all the time. All the time,

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Speaker 1: it was constantly having like a going away drinks like

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Speaker 1: for her PhD or whatever. Simone growing up to me,

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Speaker 1: was the most like jazzy name. It was so trombone

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Speaker 1: and I was just like, well, also maybe it rhymes

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Speaker 1: of trombone, but I was like, yes, it sounds like yeah,

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Speaker 1: a woman Simone. Oh, you want to sing tonight, baby,

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Speaker 1: go see Simone at the end of the bob exactly.

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Speaker 1: And then this Simone who hosted the poetry night was

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Speaker 1: neither of those things and was just like super nerdy,

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Speaker 1: super Cambridge in that way where you're like super high voice.

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Speaker 1: And so we always thought, Okay, this is just a

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Speaker 1: hilarious poetry night that we stumbled upon, and we became

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Speaker 1: obsessed with spoken word. But I later learned from one

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Speaker 1: of my cleaning gigs there was a random man there

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Speaker 1: doing it and his name was like Zorb, and it

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Speaker 1: came up that he did spoken word and I started

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Speaker 1: telling him. I was like, oh, I used to go

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Speaker 1: to this place. I can't tap and he was like, oh,

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Speaker 1: of course can't tap. Simone. Wait, you were cleaning where

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Speaker 1: and sangers, oh, okay, your client And he was doing

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Speaker 1: it for this just like rich yes, and he was

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Speaker 1: like that an apartment needs its own it specialists as interesting.

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Speaker 1: I mean, I think it's right. I think if you're rich,

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Speaker 1: And just like she needed her password change instead of

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Speaker 1: being like some moms who would just be like calling

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Speaker 1: their children just being like I mom the apple and

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Speaker 1: the apple I d and I'm gonna have to go

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Speaker 1: to the Genius Bar. Like she's not going to the

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Speaker 1: Genius Bar. So she just has Zorbe to set up

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Speaker 1: the modem. And he was like very Cambridge Ultimate's way

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Speaker 1: where he was like black t shirts, so comp us

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Speaker 1: a frizzy ponytail. Name was Zorb and told me that

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Speaker 1: he did spoken word and I'm like dead at you

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Speaker 1: doing spoken word and yeah, and it turns out that

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Speaker 1: the Can't Have Lunch Knight that we you know, are

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Speaker 1: formative years. That's like that was known special space for

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Speaker 1: him as well. It's kind of a it's a hub

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Speaker 1: for some around the country. Yes, you know, in New

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Speaker 1: York you have the New Urecan Poets Cafe in the

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Speaker 1: East Village, and then in Boston you got Nights I

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Speaker 1: Can't Have. And we saw some iconic performances there. There

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Speaker 1: was a girl who we always cloud. There was a

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Speaker 1: poem about someone had died of heroine I believe, and

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Speaker 1: she had moved tattooed on her rest and so a

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Speaker 1: big portion of her p formance was holding up her

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Speaker 1: wrist and going move because she goes and I had

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Speaker 1: to move, and she incorporated the word move like into

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Speaker 1: her poem. A lot we saw that originally on like

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Speaker 1: Duff Poetry Jam and then we saw her in real

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Speaker 1: life to the same piece. Yes, and then we also

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Speaker 1: had a huge poetry wakening because of a CD that

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Speaker 1: my brother found at the bottom of the lake this

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Speaker 1: is where it all began, which is called The United

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Speaker 1: States of Poetry, and that is an incredible piece that

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Speaker 1: I encourage everyone to seek out. Friend of the Pot

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Speaker 1: of Physical Therapy has sampled a lot of those tracks

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Speaker 1: on his tech No Songs, Appropriation much Wow. Yeah, it

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Speaker 1: was produced by PBS. It's basically just a compilation. I

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Speaker 1: don't know if you guys are familiar with Back on Side,

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Speaker 1: so you know, and yes, it hows you know you're

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Speaker 1: Alan Ginsberg's on it. But also all these iconic nineties

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Speaker 1: spoken word people such as Beth lest Sick, who we

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Speaker 1: then became in love with and obsessed with who is

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Speaker 1: and then I had her on my show once and

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Speaker 1: that was such an iconic moment for me when she

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Speaker 1: did talkle very funny San Francisco based writer. She was

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Speaker 1: kind of part of the Sister Spit scene, which was

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Speaker 1: this totally nineties feminist, feminist, anarchist writers, poets, you know,

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Speaker 1: A Van and Michelle t is in Sister Spit, she's

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Speaker 1: like the head of Sister's spect Okay, she's Mama's spec Yeah,

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Speaker 1: she's Mama's Spit. And beth Leist Sick was like kind

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Speaker 1: of the only like straight one, I think in Sister Spit,

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Speaker 1: which is probably why we like gravitated towards her. Also

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Speaker 1: because yes and Anyway, Beth Letstick has so many amazing

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Speaker 1: poetry books, but also that funny memoir too to promote

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Speaker 1: her book where she like tries all those self help things.

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Speaker 1: She has two memoirs, There's Everybody in the Pool, which

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Speaker 1: is like just essays yeah, and then there's Anyway her

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Speaker 1: assass With this one, it's how I help helping myself.

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Speaker 1: You're a year of helping myself or something. But she

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Speaker 1: tries all these self health methods over the course of

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Speaker 1: a year. Hilarity ensues, shall we say the results so

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Speaker 1: just so many iconic I feel like people on that album.

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Speaker 1: I feel like you can find it on YouTube for sure.

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Speaker 1: United States of Poetry, Secret Oh, support your local Sam Goodie,

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Speaker 1: go get the CD. I feel like that CD and

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Speaker 1: the Spoken Word. It's like, yes, I was into John

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Speaker 1: Rivers and Lily Tomlin and you know Rosey, O'donna, you

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Speaker 1: know Catron, But I feel like that's kind of what

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Speaker 1: got me into being like, wait, I do want to

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Speaker 1: be on stage. I do want to be performing, Like

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Speaker 1: maybe I do want to be a spoken word poet,

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Speaker 1: but then that just transition to comedy. But yeah, it's

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Speaker 1: well backed something on us. I remember like performing once

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Speaker 1: at can tab Oh, but that was when we were

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Speaker 1: in college, and that was this track which I do

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Speaker 1: want to play for you. Wait, I actually pulled it out.

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Speaker 1: I'm just gonna play it out the track and I'll

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Speaker 1: say it now. The reason why we're talking about all

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Speaker 1: this poetry is because today we are talking about singer

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Speaker 1: songwriter Jewels book of poetry which is called A Night

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Speaker 1: Without Armor Poems Jewel and this came out really, I

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Speaker 1: think in her hey day. Yeah, all right, now we're

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Speaker 1: going to listen. I made this track like nine years ago.

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Speaker 1: It is a spoken word piece. America is a whore whore.

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Speaker 1: I heard that tonight, and I've heard it before, and

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Speaker 1: I can't help but think that there's something wrong with

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Speaker 1: this equivalency. When I think of America, I think of

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Speaker 1: America Ferrera, the real woman whose curves brought ugly Betty

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Speaker 1: to five seasons of acceptable ratings, the real woman whose

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Speaker 1: interpretation of sisterhood led a generation of girls to believe

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Speaker 1: that one pair of pants could fit four women of

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Speaker 1: different body types, as our America sacrificed her body so

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Speaker 1: wholly to the altar of capitalists pursuit, that she can

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Speaker 1: understand the exchange of power known only to society's most

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Speaker 1: discarded individuals. Because when I think of a who, I

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Speaker 1: think of the woman in the window in Amsterdam, who

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Speaker 1: would lock eyes with me as I drove home on

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Speaker 1: my bike that I purchased from a junkie, on a

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Speaker 1: bridge on Princeton, rocked the whore with her lined face,

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Speaker 1: the whore with her hair that defied the dull red

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Speaker 1: light of her window with its brilliance, the whore with

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Speaker 1: her leg casually draped across the wooded leg of her

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Speaker 1: ikea chair. And when I drove home on my jokie's bike,

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Speaker 1: when her eyes met mine, they were searching, searching for desire,

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Speaker 1: searching for desperation, searching for money to pay the rent

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Speaker 1: on her own window, hoping in vain that I were heterosexual.

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Speaker 1: And when I saw America Ferrera on the corner request

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Speaker 1: fourth when she stared at me from the cover of

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Speaker 1: w magazine, plum colored lipstick in a dress she'd never

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Speaker 1: imagine she'd wear and hair she never imagined would shine

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Speaker 1: so brilliant. When her eyes met mine, they weren't searching

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Speaker 1: for anything more than tacit approval. Wow, may I first

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Speaker 1: hold on classica? Please snap? If you don't know, that's

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Speaker 1: kind of the poet audience way to approve because it

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Speaker 1: is acquired her art form, So you don't want to No,

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Speaker 1: I wouldn't want to clap. Wow, that was insane. I mean,

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Speaker 1: what's so crazy? Because I feel like it is this

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Speaker 1: pro balance of obviously like you're roasting the spoken word

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Speaker 1: art form and like you know what to do and

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Speaker 1: you know to talk about like hors and junkies. But

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Speaker 1: at the same time I can also tell that like

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Speaker 1: you do earnestly want to be like yeah, yeah, yeah,

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Speaker 1: like it is right Rover, you do want to be like,

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Speaker 1: yeah I am an amster. Damn I did buy a

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Speaker 1: bike from a junkie out how badasses. I'm still being

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Speaker 1: so study abroad as a rod in amster magazines, and

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Speaker 1: I'm like capital I've just been like Westward. This is

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Speaker 1: also kind of you coming into your Adbuster's phase. I mean,

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Speaker 1: my Adbuster's face started in middle school and it's never stopped.

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Speaker 1: I feel like your Adbuster's face started in like way later,

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Speaker 1: not of a friend. I feel like I've always been

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Speaker 1: so episodes she's been because I remember when our like

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Speaker 1: middle school art teacher, remember that lesbian like wait, no,

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Speaker 1: that's my high school that has been our teacher, Miss Fernando.

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Speaker 1: Oh my, you're kind of in a thing. Actually, well,

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Speaker 1: she like gave me rides to school in her jedda,

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Speaker 1: so that's grooming. She was like riste grad. No, I

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Speaker 1: know it's insane. How like parents of lesbian children or

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Speaker 1: awesome people of masculine experience. Um, just yeah, if your

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Speaker 1: child is going for a rhyde to school with a

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Speaker 1: fem with a pixie cut in a jedda, something's all right. Anyway.

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Speaker 1: I wish something happened. But and yeah, you've soaked those

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Speaker 1: jettasies flooded. That was when did you make that? Stupid?

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Speaker 1: That's a really good question. I want to say that

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Speaker 1: I made that in like twenty eleven or something, so

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Speaker 1: maybe that was about ten years ago, So maybe I

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Speaker 1: was about twenty four because when you played I was like,

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Speaker 1: oh that's and that's yeah, that's my piano. I was like,

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Speaker 1: I know I've heard this before. Yeah, what was it?

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Speaker 1: Four Daniel again stuff? It was DJ stuff. He was

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Speaker 1: doing some weird mixed compilation thing and wanted like a

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Speaker 1: spoken word piece four And I was like, I've heard

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Speaker 1: this piece that I already wrote, like for fun once. Yeah,

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Speaker 1: I'm going to set it to music and put some

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Speaker 1: effects on items. Yeah, get a little weird with it.

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Speaker 1: But in terms of Adbusters, yeah, I guess I just

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Speaker 1: think of you in high school. So Mark Jacobs and

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Speaker 1: I was going to my Adbusters high school. I mean,

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Speaker 1: and you were sketched by the ad Okay. But that's

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Speaker 1: the thing about being Adbusters is that does not preclude

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Speaker 1: not being Mark Jacobs. Like you can be Mark Jacobs

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Speaker 1: and Adbusters at the same time. Yeah. The who point

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Speaker 1: of it being Adbusters is that you're just being like,

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Speaker 1: think about the fucking world for a second, and like

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Speaker 1: how it's advertising to you and just like question everything.

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Speaker 1: But you're also like still shopping. Oh I know, I

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Speaker 1: guess we were roasting that sense. Like the people I

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Speaker 1: was surrounded by were so Adbusters, and we're just like, hey, um,

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Speaker 1: I don't know if you've heard of this magazine. It's

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Speaker 1: called Adbusters. It's like basically is life. And like so

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Speaker 1: many people with their elbeing backpacks had pins in the

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Speaker 1: Nike symbol that said slavery underneath you were. That's what

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Speaker 1: I'm saying. It's like, that's I've never been that because

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Speaker 1: I've always liked writ an instanct climb between like reading

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Speaker 1: Adbusters and being like I'm going to make art that's

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Speaker 1: like critical and then being so like, I guess I'm saying,

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Speaker 1: were you did you know what Adbusters was? In high school?

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Speaker 1: That's what I'm saying, is that Miss Fernando told us

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Speaker 1: what Adbusters was. I remember now that was transform a book. Yes,

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Speaker 1: and I took an Atlas because huge gay nerd obsessed

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Speaker 1: with atlass And I remember, well, can you sing this song?

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Speaker 1: Because the first time Stephen and I hung out, you

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Speaker 1: said me your Capitals of Southeast Asia song. I'm not

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Speaker 1: going that's actually too far, too personal, and I'm sorry

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Speaker 1: I brought that up. Okay, No, I mean that's a

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Speaker 1: beautiful song and I've sung it for people and I

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Speaker 1: will sing it and it goes like thim Poo, cat Man,

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Speaker 1: do who Dhaka, islam a bad New Delhi, Rangoon, Bangkok

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Speaker 1: nam pen the anti oh no, and it goes on.

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Speaker 1: But the point is actually once performed that I camp

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Speaker 1: at the All Camp Talent Show, the way I can

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Speaker 1: manipulate you. I mean, yes, I love atlass but I

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Speaker 1: do remember that we had to transform like a book,

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Speaker 1: and so I was just like, on like one of

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Speaker 1: the Africa Matt pages, wow wow, you transformed Africa to

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Speaker 1: something already saying wow, I had like pictures of just

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Speaker 1: like big cats, and then I had like I put

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Speaker 1: black glitter on it and then bars over it because

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Speaker 1: I was trying to say, like zoos are bad. Oh okay,

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Speaker 1: that'd be like they glorify the imprisonment of animals. So

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Speaker 1: like that was the black glitter was supposed to be,

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Speaker 1: like it's glamorous but like evil. Why is our podcast

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Speaker 1: so heavily anti poacher? Like it's like, okay, our main activism. Okay,

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Speaker 1: I guess we are. So when people are on Twitter

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Speaker 1: are just like white people, why do you care more

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Speaker 1: about the killing of elephants? Cut to us that we're

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Speaker 1: just like changing ourselves. I have an insane. I knew

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Speaker 1: we have to give this book of poetry, but I

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Speaker 1: have an insane reserve story for you. Lay it on me.

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Speaker 1: I was in Dampton's again cancel may not to brag,

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Speaker 1: and I passed by this bench on a dock. I'm

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Speaker 1: kind of some swat, gorgeous, small, didn't have such a

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Speaker 1: little plaque, and it was dedicated. So it had two

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Speaker 1: plaques and it said, should not be dedicated by the

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Speaker 1: way every fucking bench lately is fucking dedicated. Well, do

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Speaker 1: you know at the cost of building a bench, someone

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Speaker 1: has to pay for it, you're going to dedicate it.

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Speaker 1: So it was two plaques of a man with the

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Speaker 1: same name, and it was a junior and a senior. Oh, father,

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Speaker 1: father's son. So I look also of the dates. You

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Speaker 1: see they died the same day. No googled it. Father's son,

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Speaker 1: Hampton socialite On a Safarian Namibia zebra ran into their car.

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Speaker 1: Car turned over. Tour guide survived and the mother survived. No, yes,

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Speaker 1: so she fled to her native Austria to recover. Of course, wow,

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Speaker 1: I wonder if, like maybe way if she actually fell

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Speaker 1: in love with the tour guide, like has the way

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Speaker 1: to heal because they both survived the accident. Um, that's so, yeah,

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Speaker 1: it's not really sad night kill. No, I know, maybe

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Speaker 1: one person survives a car that anyone doesn't well too,

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Speaker 1: but yeah, remember, yeah, the surviving person and a car accident,

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Speaker 1: like that's her husband and it was her birthday trope

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Speaker 1: or something like that. Oh God, And you know you

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Speaker 1: think zebras right, I mean, they're the ones you don't

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Speaker 1: have to worry about. You don't think they're charging. No, well,

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Speaker 1: that's something it calls into question tourism and so far

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Speaker 1: absolutely and at Buzzers, and it does raise the question

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Speaker 1: like should we even be there, like in the game

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Speaker 1: preserve and this is their natural habitat and so like

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Speaker 1: what do you expect, Like you play with fire, you're

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Speaker 1: gonna get burnt. Not saying not to victim blame, but yeah, yeah,

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Speaker 1: I mean, okay, we should talk about this jewel booka

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Speaker 1: tree so jewel jewel famous singer who is saying and

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Speaker 1: it comes to me, I remember buying the CD that

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Speaker 1: that track is on at Newbray Comics and Harvard Square, Yes,

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Speaker 1: and being like I'm kind of into this check jewel

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Speaker 1: and I'm going to like go to a Backctalog because

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Speaker 1: that came out of like ninety eight or something. Right

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Speaker 1: by the time you bought it was back catalog. I

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Speaker 1: bought it in like high school. I was just like,

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Speaker 1: let me get into jewel for a minute. Oh yeah,

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Speaker 1: support women. Yeah. Now, of course my sister was so

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Speaker 1: Lili fair and had like purchased that. I feel like

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Speaker 1: when I came out and you, I mean, yeah, you

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Speaker 1: had like every ani different the Sarah McLaughlin the jewel. Well,

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Speaker 1: but I was very paranided about squirrels, I should write,

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Speaker 1: because my grandmother had put me in the sphere, but

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Speaker 1: then all squirrels of rabies, and I was terrified of squirrels.

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Speaker 1: And sometimes I wouldn't leave the house if I thought

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Speaker 1: some squirrels were outside. Really, yes, I had a deep

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Speaker 1: I thought I was going to get instant rabies. Huh.

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Speaker 1: But that's because you trusted Yanna. Yeah, trust in mine, Nona.

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Speaker 1: No one is always right, right, I mean, squirrels are everywhere, baby,

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Speaker 1: and yeah, so I had to finally get over because

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Speaker 1: I was like, well, squirrels be literally everywhere indoors all day. No,

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Speaker 1: I had to My dad was always so like shut

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Speaker 1: your shade. He's very sure of shades. He was such

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Speaker 1: an inside man. He thinks that you have probably had

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Speaker 1: a series of stalkers over your career. I think once

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Speaker 1: he said women shouldn't drive alone it night. I mean

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Speaker 1: he was always like, are you going out in a group? Yeah,

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Speaker 1: and you were like, my friend Stephen is with me,

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Speaker 1: I'm saying yeah, And then he'd be like, oh god,

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Speaker 1: the hyphen. So you were exposed to Jewel. I was

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Speaker 1: exposed to Jewel. Another flash memory high school actually post

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Speaker 1: kind of Who Will Save Your Soul? Probably more when

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Speaker 1: you bought that album because she came out with some

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Speaker 1: pop songs when we were wait, okay, I feel like

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Speaker 1: we maybe talked about this already on the pod. But

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Speaker 1: remember when her album H three oh four came out

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Speaker 1: and someone maybe it was even my dad was just like, oh,

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Speaker 1: so she's doing the pop thing now. And I remember

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Speaker 1: thinking like, oh, so this is someone who's like kind

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Speaker 1: of shifting their image to like fit whatbusters market it

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Speaker 1: wants and like what the market is interested in. And

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Speaker 1: I was like seeing an artist kind of like change

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Speaker 1: their style to comport to whatever the contemporary were. Insane

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Speaker 1: that you bring that up and not necessarily being judgmental,

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Speaker 1: but just like you know, because I had another interaction

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Speaker 1: with the middle aged man this being a stranger. Not

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Speaker 1: your father said it in a much more intellectual way,

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Speaker 1: but I mean this is another maybe just like she

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Speaker 1: looks pretty good to me. Well, so, yeah, it's like

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Speaker 1: this guy I was at like stamack into something and

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Speaker 1: she was like on the cover of Rolling Stone, and

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Speaker 1: I think just a little I'm sure, just maybe a

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Speaker 1: bikini top, little denim skirt. I'm definitely in high school.

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Speaker 1: And this guy just goes to me, looks like a

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Speaker 1: fucking slought. Am I right, you were just like so

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Speaker 1: men were noticing, and yeah, to just get right into

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Speaker 1: the poetry. I think this is something that Jewel has

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Speaker 1: really dealt with, as in just right being perceived and

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Speaker 1: perceived the eye of a man, right rape right. Yeah,

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Speaker 1: So just so our listener, So this is again a

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Speaker 1: book of poetry, highly agaman. Most of the poems are

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Speaker 1: just one page a couple go over to two. It

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Speaker 1: deals with womanhood, puberty, puberty, Alaska obviously, so she's from Alaska,

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Speaker 1: one of the freak states as we know, and she um, yeah,

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Speaker 1: she's weird. Well, she famously lived in her car for

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Speaker 1: a few years before coming famous car. I always picture

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Speaker 1: it kind of like a VW Bus. I know, I

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Speaker 1: feel like I have visions of her and a VW Bus,

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Speaker 1: but also visions of her in this because that's two Corolla.

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Speaker 1: I mean, I wish it were ninety two Corolla. It's

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Speaker 1: stuffed with stuff. But also I do feel like Alaska

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Speaker 1: is a little bit like VW Bus because it's like

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Speaker 1: it takes a while for things to get up there

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Speaker 1: to the ark Onemore sixties right there, So you know,

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Speaker 1: we'll have someone fact checked that. Yeah, we'll get our researchers,

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Speaker 1: but just to get into one of these poems that

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Speaker 1: is really about womanhood and you know, and I think

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Speaker 1: she just started writing lyrics in the car, yeah, and that,

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Speaker 1: and that's what came these beautiful songs that hit the

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Speaker 1: market right at ninety eight, you know, in this little

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Speaker 1: fair time. So I'm reading from about to read from

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Speaker 1: a poem called I Look at Young Girls Now. And

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Speaker 1: here's what we were doing, all the spoken word stuff.

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Speaker 1: But I don't think her stuff is so well. I mean,

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Speaker 1: I think you can read and pretty spoken more I can.

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Speaker 1: I'm just saying like I feel like she's being a

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Speaker 1: little more and if she was to read it be

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Speaker 1: a little more like present day girl at a poetry

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Speaker 1: reading would be present day girl at poetry And let

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Speaker 1: me just say something about present day girls at poetry

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Speaker 1: reading where I'm just like, bitch, speak up, yeah serious,

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Speaker 1: latest bitches on earth are like getting together at these

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Speaker 1: Bushwick basements and just being like everyone is like, oh, no,

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Speaker 1: spoken word is embarrassing. Now they're like, so we're going

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Speaker 1: to do the opposite and act like we've never read

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Speaker 1: a book before, right. I might just just like, like,

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Speaker 1: let's stop the volume. I need some energy please. Okay.

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Speaker 1: I look at young girls now in their tight crush

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Speaker 1: floor skin tight sky blue hip huggers with the baby

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Speaker 1: doll tank tops, and I think I've been there, God,

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Speaker 1: have I been there? Now? Since this is a poetry book,

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Speaker 1: I think it'd be fun if we kind of really

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00:23:15,000 --> 00:23:20,800
Speaker 1: talked about each stunts one terminologize. Okay, I mean seeing

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Speaker 1: this outfit, could it be more li tight crush floor,

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Speaker 1: skin tight baby blue hip huggers with the baby doll

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Speaker 1: tank tops. Everything is baby Yeah? No, I that's why

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Speaker 1: everyone was like everyone I guess in ninety eight was like, yes,

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00:23:39,560 --> 00:23:42,639
Speaker 1: jewel be this like little affair and then she became

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00:23:42,680 --> 00:23:45,359
Speaker 1: so baby doll at Eli. That was the moment, and

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00:23:45,440 --> 00:23:47,480
Speaker 1: of course now we're back in this moment where everyone

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Speaker 1: is also now doint was like low rise and spaghetti strap,

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Speaker 1: No I know which are rediscovering of Like the Amanda

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Speaker 1: Binds is that every outfit described in this is like

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Speaker 1: being dropped now at like a soo too, And you're

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Speaker 1: like sister styles coming back and fashion because she's always

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Speaker 1: just wearing my Yeah, it's like she's stayed. My sister

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00:24:08,119 --> 00:24:12,480
Speaker 1: has stayed at this time style and now it's coming back,

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Speaker 1: and I feel like she doesn't even know. Okay, wait,

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Speaker 1: this poem is so my America forever a poem it's

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Speaker 1: called Pretty. There is a pretty girl on the face

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Speaker 1: of the magazine and all I can see are my

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Speaker 1: dirty hands turning the page, just being like she's perfect

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Speaker 1: and air brashed. Yes, she says, perfect girl, unattainable beauty

422
00:24:42,400 --> 00:24:46,240
Speaker 1: standards And who am I just a dirty Alaskan troll.

423
00:24:47,680 --> 00:24:52,280
Speaker 1: I mean, I don't think Jewell felt pretty in her

424
00:24:52,359 --> 00:24:57,320
Speaker 1: VW bug in Alaska, but clearly she is like horny

425
00:24:58,320 --> 00:25:01,760
Speaker 1: in this early poem, the bo Ribs of Atom I

426
00:25:01,960 --> 00:25:04,440
Speaker 1: left the bony ribs of atom for the fruit of

427
00:25:04,600 --> 00:25:09,960
Speaker 1: my own personal desire, biblical stuff. It's sent still heavy

428
00:25:10,200 --> 00:25:14,200
Speaker 1: upon my flesh, my absence still thorn in his side,

429
00:25:15,160 --> 00:25:20,159
Speaker 1: But now how my belly hollows and aches. Craving seed.

430
00:25:23,000 --> 00:25:33,199
Speaker 1: Sorry to crave seed. I'm literally opens grind. Craving can

431
00:25:33,359 --> 00:25:37,639
Speaker 1: changed that your your bio. Craving seed a lot of

432
00:25:37,680 --> 00:25:50,680
Speaker 1: people's bio. This episode is sponsored by zok Doc. You're

433
00:25:50,760 --> 00:25:54,879
Speaker 1: trying to find a cause for your symptoms achy back, headache, running,

434
00:25:54,960 --> 00:25:59,159
Speaker 1: nose itchy. I worked on my genitals, so let me

435
00:25:59,240 --> 00:26:02,160
Speaker 1: guess you still well down a TikTok rabbit hole full

436
00:26:02,160 --> 00:26:06,320
Speaker 1: of questionable advice from so called experts. Suddenly I have cancer. No,

437
00:26:06,520 --> 00:26:10,560
Speaker 1: thank you. There are better ways to get the answers

438
00:26:10,640 --> 00:26:13,760
Speaker 1: you want and the care you deserve, from trusted professionals

439
00:26:13,840 --> 00:26:17,520
Speaker 1: and not random people on the internet. Though randoms, I

440
00:26:17,640 --> 00:26:21,080
Speaker 1: love you and my TikTok connection. Yeah it stands, but

441
00:26:21,200 --> 00:26:24,280
Speaker 1: I'm sorry. You shouldn't be getting medical advice from some

442
00:26:24,520 --> 00:26:28,640
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443
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444
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445
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Speaker 1: That's right, Ditch the talk, Get the doc. Zoktok is

446
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450
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452
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Speaker 1: I love a trusted guide, like the time I climbed

453
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454
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456
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457
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458
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459
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460
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461
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462
00:27:35,000 --> 00:27:39,680
Speaker 1: slash book Club, zok dot dot com slash book Club.

463
00:27:40,200 --> 00:27:53,680
Speaker 1: Ditch the talk. What's also saying about craving seed is

464
00:27:54,400 --> 00:27:56,639
Speaker 1: her feeling it and her stomach. I just feel like

465
00:27:57,080 --> 00:28:01,040
Speaker 1: when I'm horny, I'm not like her actually like ungry boats. Yeah.

466
00:28:01,440 --> 00:28:03,920
Speaker 1: Well but actually though, because I feel like when I'm full,

467
00:28:04,119 --> 00:28:06,760
Speaker 1: I'm not that Horney. So it's like maybe I am. Yeah,

468
00:28:06,800 --> 00:28:10,439
Speaker 1: that's such a weird quirk about you knock Corney when

469
00:28:10,480 --> 00:28:14,800
Speaker 1: you're full of just like eighteen subs. I'm just correcting

470
00:28:14,880 --> 00:28:16,840
Speaker 1: myself that. It's like, I guess she is right, because

471
00:28:17,160 --> 00:28:18,840
Speaker 1: at first I was like, are you really feeling that

472
00:28:19,000 --> 00:28:21,719
Speaker 1: your your belly aching for seed? I mean I think

473
00:28:21,800 --> 00:28:24,680
Speaker 1: she's using belly in the kind of like metaphor sense

474
00:28:24,840 --> 00:28:27,600
Speaker 1: of like the part of you that that that is

475
00:28:27,800 --> 00:28:30,119
Speaker 1: that crave, that is hunger. Yeah, you know what I mean,

476
00:28:30,200 --> 00:28:32,760
Speaker 1: where it's like it's not the actual like food stomach

477
00:28:33,040 --> 00:28:35,520
Speaker 1: portion totally. Where it's like, you know, when you say

478
00:28:35,560 --> 00:28:37,520
Speaker 1: soul or when you say heart, you know you're not

479
00:28:37,640 --> 00:28:42,640
Speaker 1: talking about the actual blood pumping factory. You're talking about

480
00:28:43,400 --> 00:28:47,040
Speaker 1: this fucking Hollywood. Noan I do, Okay, some of the

481
00:28:47,120 --> 00:28:49,000
Speaker 1: I'm like been to some of the poems. No, they're

482
00:28:50,200 --> 00:28:52,360
Speaker 1: I think this book is people are like, oh, that's

483
00:28:52,400 --> 00:28:57,000
Speaker 1: so ridiculous. Joel as a poetry book this one. This

484
00:28:57,120 --> 00:29:02,160
Speaker 1: poem is called Austin, Texas Sheraton Hotel two am. His

485
00:29:02,400 --> 00:29:07,440
Speaker 1: empty vodka tonic stand like rotted tree trunks, emptied of

486
00:29:07,560 --> 00:29:12,040
Speaker 1: their core. They are on the table where my altar rests,

487
00:29:12,400 --> 00:29:17,280
Speaker 1: sharing space with my sacred things, my rocks, and reminders

488
00:29:17,400 --> 00:29:21,560
Speaker 1: of home. Should I fear you? Okay, we need to

489
00:29:21,600 --> 00:29:24,520
Speaker 1: come up with a poetry book. Yeah, I'm reminded by

490
00:29:24,560 --> 00:29:27,320
Speaker 1: reading this book and we're like, oh, like I think again.

491
00:29:27,760 --> 00:29:31,720
Speaker 1: Sometimes people assume, because you know, we're comedians, we're podcasters,

492
00:29:31,840 --> 00:29:34,840
Speaker 1: that we like poetry because it's a joke. And whenever

493
00:29:34,920 --> 00:29:36,960
Speaker 1: I say, you know, oh I love spoken word and

494
00:29:37,200 --> 00:29:39,720
Speaker 1: you know, we do the impressions. Yeah, jokes are real.

495
00:29:40,000 --> 00:29:42,680
Speaker 1: All jokes are real. But like writing a poem about

496
00:29:42,760 --> 00:29:46,640
Speaker 1: like the Sheraton and and just the vodka on. Well, okay,

497
00:29:46,840 --> 00:29:51,760
Speaker 1: here's the thing about Poemtry like that's pretty easy. Well yeah,

498
00:29:51,800 --> 00:29:53,760
Speaker 1: I know, I'm just so like this, like you just

499
00:29:54,280 --> 00:29:57,040
Speaker 1: it's just line words. Yeah, so what makes it not

500
00:29:57,240 --> 00:29:59,440
Speaker 1: It's like it doesn't have to like follow any of

501
00:29:59,440 --> 00:30:02,120
Speaker 1: the rules of like pros or just like being compelling

502
00:30:02,240 --> 00:30:04,280
Speaker 1: or interesting or making sense or like being factual or

503
00:30:04,360 --> 00:30:06,400
Speaker 1: being funny because It's like it literally can just be

504
00:30:06,560 --> 00:30:09,880
Speaker 1: any words you want. You just like throw. It's just

505
00:30:09,960 --> 00:30:12,120
Speaker 1: a scramble, and like where you choose to make the line.

506
00:30:12,120 --> 00:30:17,000
Speaker 1: Branks is like so brave and bold and it's like wow,

507
00:30:17,320 --> 00:30:20,560
Speaker 1: you like just put the word vodka on one line,

508
00:30:20,680 --> 00:30:23,920
Speaker 1: Like that makes it really meaning. You just put fear

509
00:30:24,080 --> 00:30:26,600
Speaker 1: on one line. I mean some of them are a

510
00:30:26,680 --> 00:30:30,480
Speaker 1: little bit a little bit more like stories about Alaska

511
00:30:31,160 --> 00:30:33,080
Speaker 1: and like those way did you eat this one? Crazy cow?

512
00:30:33,960 --> 00:30:36,440
Speaker 1: No ridd to me. Shane came back in from evening

513
00:30:36,560 --> 00:30:41,000
Speaker 1: feed and said crazy cow was missing. Dad finally finished

514
00:30:41,040 --> 00:30:44,240
Speaker 1: whatever he was eating and casually said she's probably calving.

515
00:30:44,960 --> 00:30:46,880
Speaker 1: We all knew the odds of finding the cow and

516
00:30:47,000 --> 00:30:49,720
Speaker 1: eighty acres of wooded pasture at night were slim, but

517
00:30:49,880 --> 00:30:52,160
Speaker 1: still we pulled on our boots and coats and headed

518
00:30:52,200 --> 00:30:55,600
Speaker 1: out with flashlights into the frozen night. It was Shane,

519
00:30:55,680 --> 00:30:57,520
Speaker 1: I think, who found the calf, tangled up in a

520
00:30:57,600 --> 00:31:00,880
Speaker 1: snow bank, half alive. Dad picked up in one swoop

521
00:31:00,880 --> 00:31:04,400
Speaker 1: and looked over his shoulder at the cow. Stupid cow,

522
00:31:04,800 --> 00:31:09,000
Speaker 1: he said, stupid cow. The three of us chimed, trying

523
00:31:09,120 --> 00:31:12,600
Speaker 1: not to act amazed, on the way back to the cabin.

524
00:31:12,920 --> 00:31:15,280
Speaker 1: The calf quit breathing. We ran the rest of the

525
00:31:15,320 --> 00:31:17,400
Speaker 1: way to the front porch, the cold air preecing my

526
00:31:17,480 --> 00:31:20,080
Speaker 1: lungs and freezing the little hairs and my nostrils. Orders

527
00:31:20,120 --> 00:31:22,560
Speaker 1: were given, Build up the fire, rubbed the calf's limbs,

528
00:31:22,640 --> 00:31:25,040
Speaker 1: get the blood going. On the rough wood floor of

529
00:31:25,120 --> 00:31:27,080
Speaker 1: that one room cabin. I watched Dad leaned down and

530
00:31:27,120 --> 00:31:29,440
Speaker 1: wrap his mouth around the calf's tiny pink nose, fill

531
00:31:29,440 --> 00:31:33,280
Speaker 1: its lungs, and then repeat. His big hands handled the

532
00:31:33,360 --> 00:31:37,440
Speaker 1: tiny animal expertly. The same hands I feared now seemed

533
00:31:37,520 --> 00:31:41,640
Speaker 1: more powerful and merciful than gods. The Chinese lantern above

534
00:31:41,720 --> 00:31:43,640
Speaker 1: us threw a warm glow across the room. The calf

535
00:31:43,720 --> 00:31:46,960
Speaker 1: came to, coughing and spitting. My brothers and I stupid

536
00:31:47,040 --> 00:31:50,360
Speaker 1: with giddy emotion. That night, I took a mattress off

537
00:31:50,440 --> 00:31:52,880
Speaker 1: my bread and laid it on the floor between ats

538
00:31:52,960 --> 00:31:55,880
Speaker 1: Lee and me. We all watched the calf sleep and

539
00:31:56,000 --> 00:31:58,680
Speaker 1: took turns to make sure it was still breathing, And

540
00:31:58,880 --> 00:32:01,880
Speaker 1: all night we dreamt of all the impossible things we

541
00:32:01,960 --> 00:32:07,440
Speaker 1: would do when we grew up. Wow, I'm breathless, right,

542
00:32:08,160 --> 00:32:10,920
Speaker 1: I was, like they said, Okay, when you say, poetry

543
00:32:11,000 --> 00:32:13,400
Speaker 1: is easy. Not everyone can write that. It's an economy

544
00:32:13,440 --> 00:32:15,720
Speaker 1: of language. You know, you have to take out what

545
00:32:15,880 --> 00:32:26,480
Speaker 1: shouldn't be there, and also co writing leave only what

546
00:32:26,840 --> 00:32:32,640
Speaker 1: is necessary, yes, very necessary. Yeah, salt and peppa um

547
00:32:33,560 --> 00:32:37,520
Speaker 1: sorry sorry preference, but I'm kind of war into like

548
00:32:37,600 --> 00:32:40,800
Speaker 1: John Mayern, like Britney Spears, like I only know pop right,

549
00:32:40,880 --> 00:32:44,560
Speaker 1: and you know hip hop is poetry, yes, But with that,

550
00:32:44,760 --> 00:32:48,200
Speaker 1: I mean when you have those repetitions what was it? Cow?

551
00:32:48,560 --> 00:32:52,880
Speaker 1: Stupid cow, stupid cow, it makes you think like, oh

552
00:32:52,960 --> 00:32:55,120
Speaker 1: what a stupid cow? Mean? Right? Like is it? You know,

553
00:32:55,240 --> 00:32:56,880
Speaker 1: and then you start to get into the sort of

554
00:32:56,920 --> 00:33:02,560
Speaker 1: the feminist undertones. And in the body Madge Well and

555
00:33:02,720 --> 00:33:04,800
Speaker 1: the reference to the to the father, you're like, oh,

556
00:33:04,880 --> 00:33:07,000
Speaker 1: so their father beat her. But it's maybe it's like

557
00:33:07,880 --> 00:33:11,640
Speaker 1: super you know, it's that much more powerful because it's

558
00:33:11,640 --> 00:33:14,520
Speaker 1: almost mentioned in past. I want to say she was

559
00:33:15,040 --> 00:33:17,200
Speaker 1: her mother left and she was raised by her father,

560
00:33:17,360 --> 00:33:20,880
Speaker 1: and she's so girl who grew up in Alaska with

561
00:33:21,120 --> 00:33:24,560
Speaker 1: like five brothers and just like oh, sorry me, I've

562
00:33:24,680 --> 00:33:28,360
Speaker 1: grass stains on my knee. Yeah, tom boy, yeah, tom boy,

563
00:33:28,440 --> 00:33:30,680
Speaker 1: I have five brothers and a dad. This is all

564
00:33:30,760 --> 00:33:34,320
Speaker 1: I know Okay, I guess it's just like Juel's thing

565
00:33:34,520 --> 00:33:38,440
Speaker 1: is being, you know, a singer songwriter, very singer songwriter,

566
00:33:38,640 --> 00:33:43,400
Speaker 1: which means that you are sensitive and you're a little

567
00:33:43,440 --> 00:33:47,600
Speaker 1: bit you know, it's truly about the lyrics serious. We

568
00:33:47,760 --> 00:33:51,480
Speaker 1: think coffee shop, right, we think guitar on the back,

569
00:33:51,680 --> 00:33:55,160
Speaker 1: We think like songs, poems and songs in your pocket,

570
00:33:55,280 --> 00:33:57,120
Speaker 1: you know, we think living out of your car, which

571
00:33:57,160 --> 00:33:59,640
Speaker 1: she did, and she did all this stuff, and I

572
00:33:59,720 --> 00:34:03,920
Speaker 1: guess it's like in some ways, you know, Alaska gives

573
00:34:03,960 --> 00:34:07,600
Speaker 1: her legitimacy. Have you ever been to Alaska? So I've

574
00:34:07,640 --> 00:34:11,640
Speaker 1: never been. I have absolutely no desire to go. Really well,

575
00:34:11,760 --> 00:34:13,640
Speaker 1: I mean, I mean I'm a travelist. I guess I

576
00:34:13,719 --> 00:34:15,279
Speaker 1: do want to go, but I would love to go

577
00:34:15,360 --> 00:34:17,880
Speaker 1: to Alaska. It's so alesbian. I mean, it's just like

578
00:34:18,000 --> 00:34:21,320
Speaker 1: it's such a lesbian crew assassination. And like, obviously people

579
00:34:21,400 --> 00:34:25,320
Speaker 1: love to be cold, and obviously my girlfriend when we

580
00:34:25,520 --> 00:34:28,840
Speaker 1: went to Key West, she went to Alaska, which I

581
00:34:28,920 --> 00:34:33,080
Speaker 1: think perfectly kind of describes her skin temperatures. Yeah for sure. Yeah,

582
00:34:33,080 --> 00:34:35,600
Speaker 1: and she was like, oh I got hot in Alaska.

583
00:34:35,960 --> 00:34:40,000
Speaker 1: She literal least a wedding in Alaska. But it sounds.

584
00:34:40,080 --> 00:34:43,319
Speaker 1: You know, you're seeing whales everywhere, you're seeing moose. The landscape,

585
00:34:43,680 --> 00:34:49,399
Speaker 1: you know, it's eels, it's it's fishing villages, but it's

586
00:34:49,560 --> 00:34:54,520
Speaker 1: so it's very depressed and it's very very working class

587
00:34:55,520 --> 00:35:00,160
Speaker 1: eel hunter. I don't think it's like, yeah, it's I

588
00:35:00,200 --> 00:35:02,920
Speaker 1: don't know, it's it's like there's something really sad about it.

589
00:35:03,200 --> 00:35:05,920
Speaker 1: I'm not saying it's my first destination, but I'm saying,

590
00:35:06,040 --> 00:35:09,080
Speaker 1: like you know, buckle list, sure, I mean to see

591
00:35:09,160 --> 00:35:12,360
Speaker 1: the sunrise over to Nally right. Who doesn't want that?

592
00:35:12,560 --> 00:35:15,160
Speaker 1: Who doesn't want to go salmon fishing? And anchord? No?

593
00:35:15,280 --> 00:35:17,960
Speaker 1: And who doesn't want to just like, you know, spend

594
00:35:18,120 --> 00:35:22,280
Speaker 1: a couple weeks like living in a condo and was sola?

595
00:35:23,160 --> 00:35:25,719
Speaker 1: I hear real estate is actually really hard to come

596
00:35:25,800 --> 00:35:29,520
Speaker 1: by downtown Anchorage in Yeah does and stuff doesn't come

597
00:35:29,640 --> 00:35:32,200
Speaker 1: up a lot. Okay, I want to read another very

598
00:35:32,280 --> 00:35:35,840
Speaker 1: of the time poem. As you said, coffee shop, and

599
00:35:35,920 --> 00:35:40,080
Speaker 1: this is something called coffee shop. Young girls wrapped themselves

600
00:35:40,239 --> 00:35:44,480
Speaker 1: tightly in bright smiles and denim. No more patent leather

601
00:35:44,560 --> 00:35:48,280
Speaker 1: and pigtails here, so we have a change in the fashion.

602
00:35:48,400 --> 00:35:50,640
Speaker 1: This is actually the reverse of Jewel. It's like in

603
00:35:50,840 --> 00:35:54,160
Speaker 1: with the regular jeans, out with this eighties, you know,

604
00:35:54,239 --> 00:35:58,239
Speaker 1: early nineties patent leather shoes. They suck on coffee with

605
00:35:58,360 --> 00:36:04,960
Speaker 1: great indifference through young thighs. Weapons they have cocked, hardly

606
00:36:05,040 --> 00:36:12,200
Speaker 1: comprehending the potency which lies in suggestion, tight dark dark

607
00:36:12,400 --> 00:36:21,239
Speaker 1: blue wrangler jeans and lonely smiles like latent prophecies. Now

608
00:36:21,360 --> 00:36:26,319
Speaker 1: she married a rodeo star. Okay, so I didn't know this. Yeah,

609
00:36:26,320 --> 00:36:28,800
Speaker 1: they all together. No, she's a single mother now. And

610
00:36:28,840 --> 00:36:32,360
Speaker 1: I read something like over COVID, like how is Jewel

611
00:36:32,560 --> 00:36:37,040
Speaker 1: like raising her two kids like Lakesom and like Latham

612
00:36:37,719 --> 00:36:40,720
Speaker 1: and her in the rodeo Star. I think we're married

613
00:36:40,760 --> 00:36:43,080
Speaker 1: for a while. But and it was like the kids

614
00:36:43,200 --> 00:36:47,680
Speaker 1: like because of COVID, haven't seen their dad, like Darren

615
00:36:47,880 --> 00:36:51,520
Speaker 1: something something. So she's like, I'm a cowgirl. I married

616
00:36:51,520 --> 00:36:55,120
Speaker 1: a rodeo guy. Yes, because I think she went pop,

617
00:36:55,440 --> 00:36:58,360
Speaker 1: but is just she is a down home cowgirl and

618
00:36:58,480 --> 00:37:00,719
Speaker 1: now she's been so Cheryl Cruw and just like I'm

619
00:37:00,800 --> 00:37:03,400
Speaker 1: raising Wyatt on my own and this is my truth.

620
00:37:03,680 --> 00:37:06,480
Speaker 1: And I've got my guitar, and I've got my home

621
00:37:06,520 --> 00:37:10,440
Speaker 1: recording studio, and I've got my horses, and I'm happy,

622
00:37:10,719 --> 00:37:13,080
Speaker 1: and we take the kids outside and we do you know,

623
00:37:13,280 --> 00:37:18,880
Speaker 1: learning stuff outside and she's living just like she's in

624
00:37:19,080 --> 00:37:23,040
Speaker 1: Alaska or like Austin. Maybe I think she's in Austin.

625
00:37:23,960 --> 00:37:27,320
Speaker 1: The life of marrying a rodeo star. Do you know

626
00:37:27,360 --> 00:37:32,759
Speaker 1: that growth Brook song rodeos that damno rodeo And it's

627
00:37:32,800 --> 00:37:36,279
Speaker 1: about this woman being like, I hope he comes home

628
00:37:36,320 --> 00:37:38,000
Speaker 1: and if he, if he comes home for a night,

629
00:37:38,520 --> 00:37:40,719
Speaker 1: he's got to leave, right. It's like, no, mean, it's

630
00:37:40,719 --> 00:37:43,560
Speaker 1: like being married to a fucking cop or a sailor,

631
00:37:43,800 --> 00:37:46,040
Speaker 1: a servist member, and you know, you don't know if

632
00:37:46,080 --> 00:37:48,400
Speaker 1: they're going to survive the night. It's such a dangerous

633
00:37:48,400 --> 00:37:52,240
Speaker 1: position that it's even more than being married to a cop.

634
00:37:52,360 --> 00:37:54,840
Speaker 1: Though being married to a rodeo star is a bigger

635
00:37:54,920 --> 00:37:57,160
Speaker 1: risk than being married to a cop because they're always

636
00:37:57,200 --> 00:37:59,279
Speaker 1: on the hunt. It's always about that prize money, right,

637
00:37:59,480 --> 00:38:02,760
Speaker 1: So the fort Worth they're going up, you know, Dallas

638
00:38:02,880 --> 00:38:08,840
Speaker 1: and Marilla, Marilla. By morning fort Worth, you're on the

639
00:38:09,000 --> 00:38:13,919
Speaker 1: circuit and you're chasing this, you know, a surprise. Yeah,

640
00:38:14,040 --> 00:38:16,359
Speaker 1: and so anything could happen on the road, Anything could

641
00:38:16,360 --> 00:38:19,120
Speaker 1: happen on any different bowl anywhere. I mean, it's um,

642
00:38:19,480 --> 00:38:21,800
Speaker 1: it's it's a lot, and I could imagine that to

643
00:38:21,920 --> 00:38:24,480
Speaker 1: put a strain on her marriage. I think so. I

644
00:38:24,600 --> 00:38:27,320
Speaker 1: just love to think it was also maybe like cheated

645
00:38:27,360 --> 00:38:31,239
Speaker 1: by a successful woman, though oh intimidated by well there

646
00:38:31,400 --> 00:38:34,600
Speaker 1: probably were both powerful in their own arenas. But do

647
00:38:34,640 --> 00:38:36,400
Speaker 1: you think he wanted to be the rodeo star that

648
00:38:36,440 --> 00:38:38,440
Speaker 1: comes home to his little lady. It probably took a

649
00:38:38,480 --> 00:38:42,000
Speaker 1: little bit of the sweat off his brow that it

650
00:38:42,200 --> 00:38:44,120
Speaker 1: wasn't some that he didn't have to be the bread

651
00:38:44,200 --> 00:38:48,799
Speaker 1: runner down home, Debbie Dallas being like when he coming home, Jim, Yeah,

652
00:38:48,880 --> 00:38:51,879
Speaker 1: because she was just like, I'm touring, touring or whatever.

653
00:38:52,640 --> 00:38:54,839
Speaker 1: Maybe it was just both their schedules. In Hollywood, it's

654
00:38:55,160 --> 00:38:57,879
Speaker 1: really know and you actually really have to meet time

655
00:38:57,920 --> 00:39:01,440
Speaker 1: and like a relationship requires work. And curiously that's why

656
00:39:01,480 --> 00:39:04,560
Speaker 1: whenever my husband's on set, like we make sure to fly,

657
00:39:04,800 --> 00:39:07,640
Speaker 1: even if it's around the world, Like I will never

658
00:39:07,840 --> 00:39:09,880
Speaker 1: do two weeks and Mars apart, and like if that

659
00:39:09,960 --> 00:39:11,839
Speaker 1: means renting a hotel room in London for two days,

660
00:39:11,880 --> 00:39:13,600
Speaker 1: like that means renting a hotel room, and like we

661
00:39:13,680 --> 00:39:15,759
Speaker 1: will do it, and like that's just something that is

662
00:39:15,840 --> 00:39:17,959
Speaker 1: so critical to us, and that's why we're still together

663
00:39:18,160 --> 00:39:22,200
Speaker 1: seventeen years later. My name is Kelly Rippa and Mark

664
00:39:22,239 --> 00:39:26,000
Speaker 1: Consolis and I have a very exciting sex life. We

665
00:39:26,160 --> 00:39:28,640
Speaker 1: make love seven to nine times a week and it

666
00:39:28,840 --> 00:39:32,320
Speaker 1: is extremely passionate, and we always switch it up because

667
00:39:32,360 --> 00:39:34,359
Speaker 1: you gotta keep it spicy if you're in a long

668
00:39:34,480 --> 00:39:37,799
Speaker 1: term marriage. Not to not talk about Jule and talk

669
00:39:37,800 --> 00:39:40,279
Speaker 1: about Kelly Ripper for a second, but what time do

670
00:39:40,360 --> 00:39:42,560
Speaker 1: you think Kelly rip and Mark Consoelas have sex? Do

671
00:39:42,640 --> 00:39:46,239
Speaker 1: you think it's after Live with Kelly? She wakes up

672
00:39:46,239 --> 00:39:51,640
Speaker 1: probably at four am. Three's thirty am. It's those going

673
00:39:51,640 --> 00:39:54,960
Speaker 1: on about at eight pm, Like, I think they're having

674
00:39:55,120 --> 00:39:59,600
Speaker 1: sex at noon. Yeah, when she gets home, the kids

675
00:39:59,640 --> 00:40:02,680
Speaker 1: are at school, she's done taping. Yeah, they have sex.

676
00:40:02,800 --> 00:40:05,640
Speaker 1: Then she gets in a quick workout totally. I think

677
00:40:05,680 --> 00:40:08,960
Speaker 1: she does her workout before she too. She does one

678
00:40:09,239 --> 00:40:12,560
Speaker 1: like she's souring eighteen. Yeah, she's like I do pilates

679
00:40:12,600 --> 00:40:16,279
Speaker 1: at three thirty am, and then I do a hit

680
00:40:16,360 --> 00:40:19,200
Speaker 1: workout at twelve thirty. You get in a quick twenty

681
00:40:19,239 --> 00:40:23,120
Speaker 1: five minute head um. Yeah, and then they're having amazing

682
00:40:23,200 --> 00:40:26,880
Speaker 1: thirteen minute sex. How do they do it and then

683
00:40:26,960 --> 00:40:32,320
Speaker 1: just like having a couple of mangoes after work, feeding

684
00:40:32,520 --> 00:40:39,279
Speaker 1: for their mango, so mangoes after Um. Okay, this is poetry, buck,

685
00:40:40,160 --> 00:40:43,160
Speaker 1: Let's talk about some more poems. Oh wait, there's a

686
00:40:43,200 --> 00:40:47,080
Speaker 1: pump called Lovers for Lily. Oh wait, I saw that. Wait,

687
00:40:47,120 --> 00:40:50,080
Speaker 1: let's see if it's about your lovers. Okay, boys with

688
00:40:50,239 --> 00:40:54,480
Speaker 1: faces like calm puddles, begging to be messied up, stirred,

689
00:40:55,360 --> 00:41:02,360
Speaker 1: aroused delivers themselves to her doorstep. Messy hair, morning mouth. Okay,

690
00:41:02,400 --> 00:41:05,120
Speaker 1: already this is about me because my hair can get

691
00:41:05,200 --> 00:41:09,359
Speaker 1: totally messy while I sleep, right, because it's thin. It's

692
00:41:09,400 --> 00:41:12,279
Speaker 1: just so me. And when I wake up a lot

693
00:41:12,360 --> 00:41:15,440
Speaker 1: of the times I have tons of dried blood on

694
00:41:15,600 --> 00:41:19,719
Speaker 1: my two front teeth. Right, Sorry, do I scare you

695
00:41:19,880 --> 00:41:24,160
Speaker 1: with my sexuality? You have dried blood sometimes out your

696
00:41:24,160 --> 00:41:27,560
Speaker 1: girlfriend on her period? No, I think it's just like I, oh,

697
00:41:27,640 --> 00:41:30,520
Speaker 1: you know my mouth either, So I'm like, I don't

698
00:41:30,520 --> 00:41:32,160
Speaker 1: know what's going on with my gums, and I need

699
00:41:32,200 --> 00:41:33,600
Speaker 1: to go to the dentist. I know you just got

700
00:41:33,680 --> 00:41:36,760
Speaker 1: a root canal, but I'll wake up with dried blood

701
00:41:36,800 --> 00:41:40,359
Speaker 1: on my front to teeth and it more. Actually, that's

702
00:41:40,480 --> 00:41:45,480
Speaker 1: not Okay, that's not normal. That actually work stops me

703
00:41:45,640 --> 00:41:48,480
Speaker 1: from meeting my girlfriend out. This is why I always

704
00:41:48,520 --> 00:41:51,880
Speaker 1: say you have a colonial mouth, like you need to

705
00:41:52,000 --> 00:41:55,360
Speaker 1: get that checked out. Waking up with dried blood on

706
00:41:55,440 --> 00:41:57,799
Speaker 1: your teeth is not just like yeah, that's my thing.

707
00:42:00,280 --> 00:42:02,880
Speaker 1: You shouldn't be bleeding that much. I know it doesn't

708
00:42:02,920 --> 00:42:07,200
Speaker 1: happen all the time. Just sometimes more winter, right, your

709
00:42:07,200 --> 00:42:11,319
Speaker 1: gums get super dry and they're actually bleeding to self lupercave. Yeah,

710
00:42:11,520 --> 00:42:14,960
Speaker 1: and then my girlfriend's like, please go dig hero of that.

711
00:42:15,320 --> 00:42:21,160
Speaker 1: Oh God, now I'm gonna go to them. I feel

712
00:42:21,520 --> 00:42:27,480
Speaker 1: a sponsored by ten sponsor fay time. Now, your grandfather

713
00:42:27,560 --> 00:42:32,400
Speaker 1: has tentast I have that Irish mouth DNA that just

714
00:42:32,560 --> 00:42:35,719
Speaker 1: means like, teeth are fucked up. I had, right, I had.

715
00:42:36,120 --> 00:42:39,600
Speaker 1: There's lace curtain Irish and there's bleeding gums Irish. You're

716
00:42:39,640 --> 00:42:43,080
Speaker 1: the ladder or double tooth Irish because as a kid,

717
00:42:44,280 --> 00:42:46,480
Speaker 1: I had about ten teeth pulled and one of them

718
00:42:46,560 --> 00:42:51,719
Speaker 1: was a double tooth. Not your shark ass, yeah, just

719
00:42:52,000 --> 00:42:55,680
Speaker 1: full shark, a double tooth, double tooth. It was too

720
00:42:55,800 --> 00:42:58,440
Speaker 1: fine for the same spot. It was that corner. You know,

721
00:42:58,560 --> 00:43:00,719
Speaker 1: you're kind of fang tooth and then in the back

722
00:43:00,840 --> 00:43:06,640
Speaker 1: there was a whole other tooth connected Siamese teeth, crazy crazy,

723
00:43:07,920 --> 00:43:12,680
Speaker 1: I just can't bite. But okay, this poem is really

724
00:43:12,800 --> 00:43:16,440
Speaker 1: about us. It's called red roof in Boston. Wait, literally

725
00:43:16,480 --> 00:43:18,080
Speaker 1: about us? Wait do you know I feel like she's

726
00:43:18,080 --> 00:43:19,640
Speaker 1: alway about that red roof and that's like on one

727
00:43:19,680 --> 00:43:22,799
Speaker 1: twenty eight. Well, I know, because all red roof ins

728
00:43:22,920 --> 00:43:26,880
Speaker 1: are on a highway. I miss you miserably, dear, and

729
00:43:27,040 --> 00:43:31,600
Speaker 1: I can't quite manage to face this unbearably large bed alone.

730
00:43:32,360 --> 00:43:35,799
Speaker 1: It's just an ad for like the King's side beds

731
00:43:35,800 --> 00:43:39,680
Speaker 1: are huge and red roof in. I find myself avoiding sleep,

732
00:43:40,200 --> 00:43:44,520
Speaker 1: busying myself with menial chores. So I pick up my guitar,

733
00:43:45,320 --> 00:43:50,240
Speaker 1: stare at books with bleary eyes, get restless, then shave

734
00:43:50,480 --> 00:43:56,360
Speaker 1: my armpits with your razor and cheap hotel soap. So

735
00:43:56,480 --> 00:43:58,719
Speaker 1: I guess that's just like when you're a lover, like

736
00:43:59,239 --> 00:44:01,800
Speaker 1: wet out to his job or whatever, and you're just

737
00:44:01,880 --> 00:44:04,719
Speaker 1: like in the hotel. Yeah, let's really break this down.

738
00:44:04,800 --> 00:44:07,080
Speaker 1: It could be about a few things. Here is she

739
00:44:07,680 --> 00:44:10,359
Speaker 1: on tour or something and staying at a red roof

740
00:44:10,440 --> 00:44:13,600
Speaker 1: in and she's like weirdly brought his razor to the hotel.

741
00:44:14,040 --> 00:44:17,200
Speaker 1: Is she staying with her lover because her lover's back home. Yes,

742
00:44:17,440 --> 00:44:19,719
Speaker 1: and she's like packed up like the way you like

743
00:44:19,920 --> 00:44:23,520
Speaker 1: pack up your boyfriend's tea or are they kind of

744
00:44:23,560 --> 00:44:27,360
Speaker 1: this down and now couple like staying there and he's

745
00:44:27,440 --> 00:44:31,560
Speaker 1: like working the late night oil rig in Boston and

746
00:44:31,800 --> 00:44:36,520
Speaker 1: she's using his gaser. The thing about the amount of

747
00:44:36,600 --> 00:44:42,239
Speaker 1: oil that is it's pretty low and so really built.

748
00:44:42,280 --> 00:44:44,800
Speaker 1: Any maybe he's doing the rodeo show at the Garden

749
00:44:44,880 --> 00:44:46,600
Speaker 1: just something like well, but that was what I Maybe

750
00:44:46,680 --> 00:44:48,439
Speaker 1: she was like just dating this guy she's on tour

751
00:44:48,520 --> 00:44:52,080
Speaker 1: with and it's like he's like a manager or some

752
00:44:52,520 --> 00:44:55,680
Speaker 1: sort of like sound person and he has to go

753
00:44:56,280 --> 00:45:00,120
Speaker 1: like to the venue first. Oh, so he's just just

754
00:45:00,280 --> 00:45:02,719
Speaker 1: hitting up the orpheum or earlier. He's getting to the

755
00:45:02,760 --> 00:45:05,080
Speaker 1: oor fum earlier, and she's like, oh, I can't bear

756
00:45:05,200 --> 00:45:06,760
Speaker 1: to be in this bad while you're at the orpam

757
00:45:06,920 --> 00:45:09,320
Speaker 1: frame because it's like they just crave each other's bodies

758
00:45:09,400 --> 00:45:15,160
Speaker 1: so much. Also, Okay, her first album was huge, but

759
00:45:15,760 --> 00:45:18,919
Speaker 1: the Red roof In, I mean, what is its staying

760
00:45:18,960 --> 00:45:21,120
Speaker 1: at the Red roof In, Like that's what I'm saying,

761
00:45:21,160 --> 00:45:23,440
Speaker 1: that must be an older poem where maybe she's more

762
00:45:23,520 --> 00:45:30,840
Speaker 1: playing Club pass Seem, which is the famous folk m cafe.

763
00:45:30,920 --> 00:45:32,680
Speaker 1: Because you're like Jewel and her heyday like would have

764
00:45:32,760 --> 00:45:34,600
Speaker 1: been they would have put her up at the four season.

765
00:45:34,640 --> 00:45:36,400
Speaker 1: They're like at least a Hilton. She Yeah, if she

766
00:45:36,560 --> 00:45:38,200
Speaker 1: was playing at the Garden in the orphum on the

767
00:45:38,280 --> 00:45:40,920
Speaker 1: big like after who will save her soul? Yeah, she's

768
00:45:40,920 --> 00:45:43,160
Speaker 1: not at the Red roof in like on one twenty eight, right, No,

769
00:45:43,280 --> 00:45:45,040
Speaker 1: But if that's what I'm saying, she was like doing

770
00:45:45,080 --> 00:45:48,520
Speaker 1: the cafes in Boston because Boston was a very big

771
00:45:48,640 --> 00:45:52,480
Speaker 1: place for folk in the sixties seventies. Because in the

772
00:45:52,600 --> 00:45:55,759
Speaker 1: beginning of Dylan joan By really oh, I mean, as

773
00:45:55,800 --> 00:45:58,080
Speaker 1: you know, my parents saw Bonnie Rate at a bar

774
00:45:58,280 --> 00:46:02,120
Speaker 1: in New Hampshire in the seventies. Get out of town.

775
00:46:02,360 --> 00:46:06,240
Speaker 1: He's so jealous. That's like fully jealous of my parents,

776
00:46:06,680 --> 00:46:09,280
Speaker 1: Like that would be so cool. Did they buy tickets

777
00:46:09,400 --> 00:46:13,040
Speaker 1: or they're like it was like they just populate ducked it,

778
00:46:14,000 --> 00:46:17,440
Speaker 1: I know, beyond epic. So before we go into segments,

779
00:46:17,600 --> 00:46:21,640
Speaker 1: there's a poem that's um again literally about us. I'm

780
00:46:21,719 --> 00:46:29,160
Speaker 1: listening it's called couple sitting on bench. Okay, spirit because

781
00:46:29,200 --> 00:46:32,239
Speaker 1: we literally talking about it. We already talked about benches one.

782
00:46:33,320 --> 00:46:37,560
Speaker 1: He's the skinny one of the two. He reminds her

783
00:46:37,680 --> 00:46:42,719
Speaker 1: of it constantly. He's a very funny guy that way,

784
00:46:43,600 --> 00:46:50,160
Speaker 1: ha ha as she wobbles to walk, wobbles to walk. Okay,

785
00:46:50,200 --> 00:46:55,759
Speaker 1: I don't think I'm that fowk me. I mean you

786
00:46:56,000 --> 00:47:00,200
Speaker 1: kind of offered yourself up as the penguin. I'm just

787
00:47:00,200 --> 00:47:05,080
Speaker 1: saying I do have a sturdy lesbian wall, and you

788
00:47:05,160 --> 00:47:12,480
Speaker 1: are the skinnier one always reminds her of it. No,

789
00:47:12,640 --> 00:47:14,759
Speaker 1: And I don't think you are not a body sham er.

790
00:47:15,000 --> 00:47:22,239
Speaker 1: I really don't. Yes, hell, yes, celebrate bodies. I just

791
00:47:22,400 --> 00:47:24,640
Speaker 1: learned from this account. I follow the curvy fashion needs

792
00:47:24,680 --> 00:47:27,480
Speaker 1: to that. July is fat Liberation month, so I am

793
00:47:27,560 --> 00:47:36,359
Speaker 1: celebrating all of my partners. Huh. I guess I think

794
00:47:36,440 --> 00:47:40,719
Speaker 1: of myself as you know. I mean, Joel gets into

795
00:47:40,760 --> 00:47:45,040
Speaker 1: body image and again, I am trying to lose ten pounds,

796
00:47:45,760 --> 00:47:48,839
Speaker 1: ideally fifteen, but I'll just start with ten. Sure, Yeah,

797
00:47:49,200 --> 00:47:52,080
Speaker 1: attainable goals. I think it's yeah, great thing. Yeah, I

798
00:47:52,239 --> 00:47:56,200
Speaker 1: feel identify more as sturdy. Right, you've never identified. Well,

799
00:47:56,239 --> 00:47:58,719
Speaker 1: I mean, I mean, I do feel like fat is

800
00:47:58,719 --> 00:48:02,040
Speaker 1: a more of a fam kind of yes word in

801
00:48:02,200 --> 00:48:04,000
Speaker 1: the sense that it is like in the positive like

802
00:48:04,160 --> 00:48:07,920
Speaker 1: body positivity movement sense, right, Like fat is kind of

803
00:48:08,040 --> 00:48:11,400
Speaker 1: like more used in a fam positive sense. Yeah, I

804
00:48:11,480 --> 00:48:15,800
Speaker 1: guess I don't consider myself right right, Yeah, and nothing

805
00:48:15,960 --> 00:48:20,040
Speaker 1: wrong if you do consider yourself yes, okay, but it

806
00:48:20,200 --> 00:48:22,560
Speaker 1: is that thing when you go to doctors and you know,

807
00:48:22,719 --> 00:48:25,239
Speaker 1: like doctors think obese is like a totally different thing

808
00:48:25,320 --> 00:48:27,600
Speaker 1: than what we think of as obese. Right, And I

809
00:48:27,719 --> 00:48:30,680
Speaker 1: have this doctor be like you're not that obese? Right

810
00:48:31,880 --> 00:48:38,120
Speaker 1: that I was like, bitch, Yeah, doctors are weird. Yeah,

811
00:48:38,239 --> 00:48:41,840
Speaker 1: doctors are weird. And that's the thing. As you know,

812
00:48:42,320 --> 00:48:46,280
Speaker 1: people born with female identified parts like me and jewel

813
00:48:47,080 --> 00:48:50,200
Speaker 1: men have this eye on you rather you know, they're

814
00:48:50,280 --> 00:48:52,200
Speaker 1: gazing at Wait did you see that poem that was

815
00:48:52,239 --> 00:48:55,640
Speaker 1: like saying a female doctor has never called you that obese? No,

816
00:48:55,760 --> 00:48:58,040
Speaker 1: I mean all dot Like I had that Russian doctor

817
00:48:58,200 --> 00:49:01,160
Speaker 1: in Ridgewood. She didn't she didn't weigh me. They're like,

818
00:49:01,239 --> 00:49:06,880
Speaker 1: we don't have from whatever? Did she that's a country

819
00:49:08,200 --> 00:49:15,680
Speaker 1: Gurgstan because whatever? And she did not weigh me. She

820
00:49:15,840 --> 00:49:17,759
Speaker 1: just kind of felt around my back and then she

821
00:49:17,960 --> 00:49:21,040
Speaker 1: was just like, you need to those twenty pounds. Okay,

822
00:49:21,160 --> 00:49:25,120
Speaker 1: So she did like a quick just kind of like

823
00:49:25,239 --> 00:49:28,120
Speaker 1: a I'm at the supermarket. Let me see y'all. Yeah,

824
00:49:28,239 --> 00:49:30,319
Speaker 1: let me see how rippies have a cottage. I was like, oh,

825
00:49:30,440 --> 00:49:31,640
Speaker 1: I know. I was like, I need to go to

826
00:49:31,680 --> 00:49:34,439
Speaker 1: the gym. She goes, don't pay for gym, go walk

827
00:49:34,640 --> 00:49:37,960
Speaker 1: Jonah park walking circles. We listen. She's not wrong. They

828
00:49:37,960 --> 00:49:40,200
Speaker 1: have amazing extra secrement out there, but I do find

829
00:49:40,239 --> 00:49:43,520
Speaker 1: that working at an American team can be a little

830
00:49:43,560 --> 00:49:46,360
Speaker 1: bit more. It's tiring. But again, Adbusters, I like that.

831
00:49:46,440 --> 00:49:48,879
Speaker 1: She's like, don't give your money to Planet Fitness. Oh yeah,

832
00:49:48,920 --> 00:49:51,279
Speaker 1: fuck that, go to our public Parker and Blank does

833
00:49:51,320 --> 00:49:55,080
Speaker 1: support like child war and absolutely whatever. I'm sure they're

834
00:49:55,120 --> 00:49:59,160
Speaker 1: propoaching over there. Um, did you read that poem where

835
00:49:59,200 --> 00:50:02,480
Speaker 1: she talks about this father and son like staring at

836
00:50:02,560 --> 00:50:05,640
Speaker 1: her and she's like they're bonding over like them checking

837
00:50:05,760 --> 00:50:08,160
Speaker 1: me out. No, but this comes back to the theme

838
00:50:08,239 --> 00:50:10,640
Speaker 1: about how my dad was sort of intimated to me

839
00:50:10,719 --> 00:50:12,520
Speaker 1: that he thought Jewel was hot, right, and were you

840
00:50:12,640 --> 00:50:15,040
Speaker 1: around the time of her rebrand here's my question, did

841
00:50:15,120 --> 00:50:18,040
Speaker 1: your dad kind of you think always know or was

842
00:50:18,080 --> 00:50:21,399
Speaker 1: the time where he was like, son, that's a good

843
00:50:21,480 --> 00:50:24,200
Speaker 1: looking ticket over there. I think that he was coming

844
00:50:24,239 --> 00:50:26,560
Speaker 1: in the fact that he maybe hadn't noticed Jewel before

845
00:50:26,840 --> 00:50:29,360
Speaker 1: and then he was looking at her hot little outfit

846
00:50:29,400 --> 00:50:33,320
Speaker 1: and her straightened hair and was just like okay, daddy,

847
00:50:33,400 --> 00:50:37,160
Speaker 1: Like I don't know, maybe in some way he was

848
00:50:37,200 --> 00:50:40,080
Speaker 1: telling me like, hey, like step it up, it right,

849
00:50:40,120 --> 00:50:42,680
Speaker 1: he was telling you to like wear more baby doll

850
00:50:42,719 --> 00:50:45,520
Speaker 1: tank tops. Yeah, yeah, and kind of like slot it

851
00:50:45,600 --> 00:50:47,560
Speaker 1: up a bit, and you have stepped it up. You're

852
00:50:47,600 --> 00:50:49,680
Speaker 1: in a crop top right now. No, I'm like so,

853
00:50:49,840 --> 00:50:52,360
Speaker 1: And I literally self crop this car Hart team because

854
00:50:52,400 --> 00:50:56,759
Speaker 1: I'm yes, but yeah, I contain multitudes yet of her

855
00:50:56,840 --> 00:51:00,799
Speaker 1: sisters that all of a sudden you're a fashion d designer.

856
00:51:01,719 --> 00:51:04,080
Speaker 1: I'm just like, I'm taking something that's traditionally mask a

857
00:51:04,160 --> 00:51:09,279
Speaker 1: car Hart and I'm turning into this like gay higham,

858
00:51:10,040 --> 00:51:14,440
Speaker 1: super high pham high waisted higham. I mean I remember

859
00:51:15,000 --> 00:51:17,520
Speaker 1: this is again. I mean, Jewel is really bringing back

860
00:51:17,560 --> 00:51:19,839
Speaker 1: to her time of ninety eight. I was wearing these

861
00:51:20,080 --> 00:51:24,799
Speaker 1: totally goofy boxers, goofy as in the character and um

862
00:51:25,000 --> 00:51:26,920
Speaker 1: because I feel like that was such a girl like

863
00:51:27,160 --> 00:51:30,440
Speaker 1: jewel esque style to like wear boxers and like a

864
00:51:30,560 --> 00:51:33,880
Speaker 1: te okay, this is a jewel This is just like

865
00:51:34,040 --> 00:51:37,080
Speaker 1: any teen girls wearing Disney pajamas were like Disney boxers.

866
00:51:37,960 --> 00:51:40,600
Speaker 1: It's of that time ninety eight or whatever, like late nineties,

867
00:51:40,640 --> 00:51:42,759
Speaker 1: so it's like to wear a total guy's boxer and

868
00:51:42,920 --> 00:51:45,200
Speaker 1: the thing. And I wore these like boxers, and then

869
00:51:45,560 --> 00:51:47,640
Speaker 1: I feel like my sister told me to wear the boxers.

870
00:51:47,680 --> 00:51:49,840
Speaker 1: But then also was like, here's the thing. If you

871
00:51:49,960 --> 00:51:57,320
Speaker 1: wear boxers, it's gonna make guys think of bed. I

872
00:51:57,480 --> 00:52:01,560
Speaker 1: mean that's true, which is true word good fashion tip.

873
00:52:01,719 --> 00:52:04,480
Speaker 1: I mean that. So yeah, then they'll get really sleepy

874
00:52:04,520 --> 00:52:06,480
Speaker 1: when they look at you. I do, and g men like, oh,

875
00:52:06,480 --> 00:52:10,000
Speaker 1: they gets a horny and like beware because like guys

876
00:52:10,040 --> 00:52:12,600
Speaker 1: will get too horny if you're like being thirteen wearing

877
00:52:12,640 --> 00:52:17,040
Speaker 1: goofy boxers to CBS. Yeah, and maybe yeah, I was

878
00:52:17,160 --> 00:52:22,319
Speaker 1: making mad Man horny with me wearing goofy boxers. Oh yeah.

879
00:52:22,400 --> 00:52:24,320
Speaker 1: Every Man on the Street and Porter Square was just

880
00:52:24,440 --> 00:52:27,960
Speaker 1: like show we as you walked home with your secret

881
00:52:28,120 --> 00:52:43,280
Speaker 1: sub vinegar dripping down your maw. This is a segment

882
00:52:44,040 --> 00:52:48,520
Speaker 1: how does she live, what does she wear? What does

883
00:52:48,600 --> 00:52:59,239
Speaker 1: she eat? Okay, what does she eat? Drawing a black hair? Truly?

884
00:52:59,440 --> 00:53:03,680
Speaker 1: Like I think traditionally, like maybe she does eat something

885
00:53:03,680 --> 00:53:08,800
Speaker 1: like Alaskan okay, so ale, I mean the Alaskan diet

886
00:53:08,920 --> 00:53:13,440
Speaker 1: is so like okay, trout nuts, just like salmon, salmon,

887
00:53:13,960 --> 00:53:18,800
Speaker 1: Like what are y'all foraging? I think they eat jerky

888
00:53:18,800 --> 00:53:21,279
Speaker 1: eats smoked salmon. So she's doing salmon. I think she's

889
00:53:21,640 --> 00:53:26,520
Speaker 1: transferred kind of the salmon lifestyle to just probably being

890
00:53:26,600 --> 00:53:30,040
Speaker 1: more la and seleb and like salmon salad. I mean,

891
00:53:30,360 --> 00:53:32,600
Speaker 1: we've decided she lives in Austin. That may be fully

892
00:53:32,719 --> 00:53:37,080
Speaker 1: not true, but if that is indeed the case, Like, yeah,

893
00:53:37,200 --> 00:53:43,040
Speaker 1: she probably is liking some tex smax, like she's doing tacos.

894
00:53:43,400 --> 00:53:46,840
Speaker 1: She's doing she's probably more like a no you know

895
00:53:46,880 --> 00:53:49,800
Speaker 1: what I mean, like cactus or whatever. Yeah, she's like

896
00:53:50,000 --> 00:53:53,120
Speaker 1: I could see her maybe being because she's a horse girl,

897
00:53:53,280 --> 00:53:56,239
Speaker 1: maybe being Vecan. Okay, this is what I was gonna

898
00:53:56,239 --> 00:53:58,840
Speaker 1: ask you, Is she actually vecan? There's something about her.

899
00:53:58,880 --> 00:54:01,680
Speaker 1: I almost think she's like pre vegan in this way.

900
00:54:03,360 --> 00:54:05,799
Speaker 1: I feel like she has no like specific diet thing

901
00:54:05,880 --> 00:54:08,120
Speaker 1: where like because when she was coming of age, like

902
00:54:08,280 --> 00:54:11,759
Speaker 1: only Moby was vegan, and it's like it wasn't this

903
00:54:11,920 --> 00:54:14,279
Speaker 1: thing where like vegan was. I mean like in terms

904
00:54:14,320 --> 00:54:18,600
Speaker 1: of celebrities, like so it was like not such a

905
00:54:18,920 --> 00:54:21,160
Speaker 1: thing and such a trend. Yeah, And I feel like

906
00:54:21,239 --> 00:54:25,040
Speaker 1: because she's not like she's anti trend. She's from Alaska. Right.

907
00:54:25,239 --> 00:54:29,520
Speaker 1: She's also married to citer A Bull was married to

908
00:54:29,880 --> 00:54:33,440
Speaker 1: like a famous bull writer writer, You're not vegan, you know.

909
00:54:34,160 --> 00:54:37,279
Speaker 1: I really she is eating steak, yeah, but probably like

910
00:54:37,480 --> 00:54:39,879
Speaker 1: once a month, once everything. Most of the time, it's

911
00:54:39,920 --> 00:54:44,840
Speaker 1: just like classics celebrities, salmon, celebrity sam and salad. I

912
00:54:44,920 --> 00:54:47,919
Speaker 1: mean maybe she's like, yeah, like I have a really

913
00:54:47,960 --> 00:54:51,200
Speaker 1: good elk recipes that her mom did not teach her

914
00:54:51,280 --> 00:54:53,719
Speaker 1: because her mom departed. But and she was the one

915
00:54:53,760 --> 00:54:56,800
Speaker 1: because I bet she had to cook for her five

916
00:54:57,040 --> 00:54:59,640
Speaker 1: brothers or five hungry brothers, and she knows how to

917
00:54:59,680 --> 00:55:02,840
Speaker 1: cook big elks and she makes something really weird. She's like,

918
00:55:02,880 --> 00:55:05,480
Speaker 1: I'm making a milk pie or like something. Yeah, and

919
00:55:05,560 --> 00:55:08,160
Speaker 1: she's like, oh, this has passed down through my Alaskan family.

920
00:55:08,280 --> 00:55:17,200
Speaker 1: And it's like milk cornmeal, elk ground by some pabolano peppers, right,

921
00:55:17,280 --> 00:55:19,760
Speaker 1: and that's the sort of Tex next influences he's bringing

922
00:55:19,880 --> 00:55:21,960
Speaker 1: from her time living in Austin over the past twenty

923
00:55:22,080 --> 00:55:27,080
Speaker 1: years us making up this full Alaskan tex cuisine. I'm

924
00:55:27,160 --> 00:55:35,840
Speaker 1: opening up a fusion and it's called like El Salmon. Okay,

925
00:55:36,280 --> 00:55:39,000
Speaker 1: there's a line out the door. Um, and there's like

926
00:55:39,120 --> 00:55:41,640
Speaker 1: jerky tea on the menu, and everyone's like, trust me,

927
00:55:41,719 --> 00:55:43,440
Speaker 1: you have to try their jerky tea. It's weird, but

928
00:55:43,520 --> 00:55:46,759
Speaker 1: it's really good. And then it's bloody Mary's also with

929
00:55:46,880 --> 00:55:50,080
Speaker 1: jerky is. They're doing like a baby que pit and

930
00:55:50,160 --> 00:55:55,920
Speaker 1: an igloo in the back. It's like reverse grilling or

931
00:55:55,960 --> 00:55:58,680
Speaker 1: something now and the flash chilling of the igloo actually

932
00:55:58,840 --> 00:56:01,680
Speaker 1: like makes the bye send like that much. It's so cold,

933
00:56:01,760 --> 00:56:04,799
Speaker 1: it's hot you can braise it in a certain way

934
00:56:04,920 --> 00:56:08,879
Speaker 1: when it goes into an igloo. Okay, what does she wear?

935
00:56:09,320 --> 00:56:11,960
Speaker 1: I mean I think she still is in like wranglers,

936
00:56:12,160 --> 00:56:15,320
Speaker 1: and she puts on like I imagine he put spaghetti

937
00:56:15,320 --> 00:56:17,360
Speaker 1: strap like crop top. Yeah, and she's like, I had

938
00:56:17,400 --> 00:56:19,480
Speaker 1: these jeans. I've had these jeans for twenty five years

939
00:56:20,360 --> 00:56:25,600
Speaker 1: and it's this amazing crafted belt. I do feel like though,

940
00:56:26,040 --> 00:56:29,200
Speaker 1: if and when Jewel has some appearance like she's going

941
00:56:29,239 --> 00:56:32,640
Speaker 1: a good morning America. She's doing like some just like

942
00:56:33,440 --> 00:56:41,240
Speaker 1: Reese Witherspoons peacock cooking eight minutes show. No, like she's

943
00:56:41,400 --> 00:56:45,680
Speaker 1: on this whatever just like sad peacock zoom with esspoon,

944
00:56:46,280 --> 00:56:51,200
Speaker 1: like not the sad peacock zoom um, the Wither zoom.

945
00:56:51,320 --> 00:56:54,319
Speaker 1: And then like she's in like I feel like they're

946
00:56:54,320 --> 00:56:57,840
Speaker 1: stalling her in just like the widest belt like some

947
00:56:58,120 --> 00:57:01,520
Speaker 1: weird kind of like kerchief silk top that like she's

948
00:57:01,719 --> 00:57:04,520
Speaker 1: very silk. Yeah. I think she's like a kirchik silk

949
00:57:04,640 --> 00:57:07,480
Speaker 1: like tucked in top with this like wide red belt

950
00:57:07,520 --> 00:57:09,040
Speaker 1: and like she feels kind of awkward in it. And

951
00:57:09,080 --> 00:57:11,960
Speaker 1: then they're like, no, put the blazer on. Put the blazers. Good,

952
00:57:12,040 --> 00:57:15,600
Speaker 1: where the blazers? Where the blazer? And she's just like okay, y'all,

953
00:57:15,719 --> 00:57:18,160
Speaker 1: like I'm putting this blazer and she's not like sorry,

954
00:57:18,200 --> 00:57:20,080
Speaker 1: I have to stop either. I don't actually don't even

955
00:57:20,160 --> 00:57:22,240
Speaker 1: think she's putting on the blazer on the Wither zoom.

956
00:57:23,040 --> 00:57:25,040
Speaker 1: I think it's silk, and I think it's a belt,

957
00:57:25,320 --> 00:57:29,280
Speaker 1: and I'm stop it. You have blazer armed, ye bear armed?

958
00:57:29,480 --> 00:57:31,680
Speaker 1: I hope so for her sake, and I think in

959
00:57:31,800 --> 00:57:35,560
Speaker 1: a Grammy appearance when like she's a new album that

960
00:57:35,640 --> 00:57:37,640
Speaker 1: we're like, oh, random, Jewel came out with an album.

961
00:57:37,720 --> 00:57:39,640
Speaker 1: I think it's again. I do think it is a

962
00:57:39,840 --> 00:57:43,080
Speaker 1: baby blue silk dress. The way that she is so

963
00:57:43,200 --> 00:57:46,280
Speaker 1: associated with baby blue on my mind, it's insane. That

964
00:57:46,480 --> 00:57:49,320
Speaker 1: is her color. It's truly her color. And she must

965
00:57:49,360 --> 00:57:52,280
Speaker 1: have just warned a lot and it's just like printed

966
00:57:52,560 --> 00:57:56,080
Speaker 1: in our minds. But I can remember the album cover

967
00:57:56,280 --> 00:57:58,720
Speaker 1: of the Who Will Save Your So album and like

968
00:57:58,960 --> 00:58:02,120
Speaker 1: there's baby blue on it somewhere the oath her sexy

969
00:58:02,200 --> 00:58:05,400
Speaker 1: pop album cover, the whole color baby blow. And I

970
00:58:05,480 --> 00:58:09,600
Speaker 1: want to say, in that iconic video where her Jusica

971
00:58:09,680 --> 00:58:11,640
Speaker 1: Simpson dad and Who Will Save Your Soul, it's like

972
00:58:12,400 --> 00:58:16,920
Speaker 1: literally the funniest video on the Internet. It's hilarious. No,

973
00:58:17,120 --> 00:58:19,040
Speaker 1: definitely watch it then talk to your coworkers about it

974
00:58:19,080 --> 00:58:22,680
Speaker 1: at the water cooler where they're duetting, and like Jewel

975
00:58:22,880 --> 00:58:26,560
Speaker 1: is like literally so sketched by Chelsea. It's like, Wow,

976
00:58:26,600 --> 00:58:30,440
Speaker 1: you're going all the way off. I want to say

977
00:58:30,480 --> 00:58:32,160
Speaker 1: she's in a baby bluetop. Yeah, I want to say

978
00:58:32,200 --> 00:58:35,240
Speaker 1: that too. Okay, Okay, how does she live does she

979
00:58:35,480 --> 00:58:38,880
Speaker 1: live Austin single mom ranch? So I feel like that

980
00:58:39,560 --> 00:58:42,960
Speaker 1: she has like a VW bug on the ranch in

981
00:58:43,040 --> 00:58:45,960
Speaker 1: this way, but she only drives her on the property. Yeah,

982
00:58:46,040 --> 00:58:48,160
Speaker 1: it's to drive around. I think she has chickens, and

983
00:58:48,200 --> 00:58:50,400
Speaker 1: I bet she has a ton of animals and goats,

984
00:58:50,440 --> 00:58:53,400
Speaker 1: and like she doesn't want her son to grow up

985
00:58:53,480 --> 00:58:55,360
Speaker 1: and that's why they live in Austin in our minds,

986
00:58:55,600 --> 00:58:57,200
Speaker 1: because she doesn't want to grow up in this you know.

987
00:58:58,320 --> 00:59:02,280
Speaker 1: Oh wait a second, she lives in Nashville. I bet oh,

988
00:59:02,760 --> 00:59:05,520
Speaker 1: because it's just music stuff whatever, a little bit different

989
00:59:05,560 --> 00:59:07,680
Speaker 1: because I think it's actually just a little bit closer

990
00:59:07,800 --> 00:59:10,080
Speaker 1: to I mean, it's closer to whatever, like the heart

991
00:59:10,120 --> 00:59:14,520
Speaker 1: of music industry, but it is a difference. And she's like, no,

992
00:59:14,880 --> 00:59:16,560
Speaker 1: he needs to learn how to get up at five,

993
00:59:16,800 --> 00:59:19,240
Speaker 1: like feed the goats like I did. But I feel

994
00:59:19,240 --> 00:59:22,400
Speaker 1: like she's being so like fake chores about it, where

995
00:59:22,480 --> 00:59:24,720
Speaker 1: the kid is like giving one bottle to one goat

996
00:59:24,760 --> 00:59:27,720
Speaker 1: and then like the actual landskeeper is doing the rest

997
00:59:27,800 --> 00:59:30,160
Speaker 1: of the chores. Oh for sure, Like he's not getting

998
00:59:30,360 --> 00:59:32,600
Speaker 1: spanked if he missed his goat feeding. And it's not

999
00:59:32,640 --> 00:59:35,200
Speaker 1: like her uppering Alaska where they're like go strap down

1000
00:59:35,320 --> 00:59:37,040
Speaker 1: in the middle of the night trying to find this

1001
00:59:37,200 --> 00:59:39,040
Speaker 1: like dead calf and then bring it back to life

1002
00:59:39,040 --> 00:59:42,280
Speaker 1: in the born. I also think her house is just

1003
00:59:43,200 --> 00:59:46,640
Speaker 1: so skull and you think it's so Dave of the

1004
00:59:46,760 --> 00:59:49,040
Speaker 1: Dad and no, let's day of da. I think it's

1005
00:59:49,080 --> 00:59:51,640
Speaker 1: just more Western and just like so many Amilers. Oh

1006
00:59:51,760 --> 00:59:54,040
Speaker 1: you mean like animal skull. Yeah, I think it's animal

1007
00:59:54,120 --> 00:59:59,200
Speaker 1: skull and raw coffee tables and dining room tables, jagged

1008
00:59:59,600 --> 01:00:03,480
Speaker 1: raw a lot of jagged raw wood. Okay, I see that.

1009
01:00:03,680 --> 01:00:06,400
Speaker 1: So you think there's nothing I mean, I'm like, obviously

1010
01:00:06,440 --> 01:00:08,760
Speaker 1: we're really sort of hitting a wall with our concept

1011
01:00:08,800 --> 01:00:12,000
Speaker 1: of Alaskan design and culture. I think she's gone much

1012
01:00:12,280 --> 01:00:15,480
Speaker 1: more Western. I think it's Navajo. Yeah, well, I mean

1013
01:00:15,600 --> 01:00:21,440
Speaker 1: Alaskan's very Native, American's indigenous. Yeah, it's First Nations people. Yeah,

1014
01:00:21,480 --> 01:00:24,240
Speaker 1: it's Indian. And so I think she's getting Innuit, yes,

1015
01:00:24,520 --> 01:00:29,600
Speaker 1: getting a lot of fabrics pendleton Navajo blankets. Yeah. With that,

1016
01:00:29,720 --> 01:00:32,640
Speaker 1: but that's all we claimed. Rod would I could see

1017
01:00:32,720 --> 01:00:38,440
Speaker 1: her having like one hanging carved wooden like Inuit sculpture

1018
01:00:38,560 --> 01:00:43,640
Speaker 1: whatever that she like got from her town, and she's

1019
01:00:43,720 --> 01:00:46,400
Speaker 1: just like, oh, this is like a really beautiful sculpture

1020
01:00:46,560 --> 01:00:48,560
Speaker 1: and just like the Native people like for sure this

1021
01:00:48,680 --> 01:00:51,440
Speaker 1: and she has this one piece, but it's not I

1022
01:00:51,520 --> 01:00:55,120
Speaker 1: don't think she's been so Alaskan stuff. No, that's what

1023
01:00:55,160 --> 01:00:57,480
Speaker 1: I'm saying. I think she's gone because she's gotten a

1024
01:00:57,480 --> 01:01:00,760
Speaker 1: little more country western. I think it is more horns

1025
01:01:01,720 --> 01:01:06,520
Speaker 1: and skull and pendleton than so Alaskan. Yeah, like I've

1026
01:01:06,520 --> 01:01:09,160
Speaker 1: been watching a lot lately and she doesn't have like

1027
01:01:09,680 --> 01:01:12,080
Speaker 1: fishing well. I was going to say, is there one

1028
01:01:12,440 --> 01:01:16,160
Speaker 1: ice fishing spear? I mean, we're old sort of just

1029
01:01:16,280 --> 01:01:20,280
Speaker 1: being like, what is Alaska? So did she come from

1030
01:01:20,480 --> 01:01:24,800
Speaker 1: ice fishing? Eel? I keep on saying eel? Is that

1031
01:01:25,080 --> 01:01:28,080
Speaker 1: what they're fishing out there? I want to say no,

1032
01:01:28,440 --> 01:01:30,720
Speaker 1: But I like that eel has really occupied such a

1033
01:01:30,760 --> 01:01:32,920
Speaker 1: prominent space in your mind because I want to say,

1034
01:01:33,000 --> 01:01:35,960
Speaker 1: I watched like one thing on the Travel Channel where

1035
01:01:36,000 --> 01:01:39,440
Speaker 1: it was like that guy Andrew Zimmerman or whatever, who's

1036
01:01:39,760 --> 01:01:45,280
Speaker 1: like kind of a like more intellectual fiery Okay, so

1037
01:01:45,480 --> 01:01:48,680
Speaker 1: like an Anthony Bourdain. He's still fat, so he's like

1038
01:01:50,080 --> 01:01:52,000
Speaker 1: he's being a little more like, yeah, come with me,

1039
01:01:52,240 --> 01:01:55,560
Speaker 1: And he was like at this big old eel cookout

1040
01:01:56,160 --> 01:02:01,160
Speaker 1: in Alaska. Okay. Well, then there's there's Little I'm Too Yours. Yeah,

1041
01:02:01,200 --> 01:02:04,439
Speaker 1: that's where I get the heel stuff from. Remember that show,

1042
01:02:04,960 --> 01:02:07,760
Speaker 1: that Alaska show we watched with the lesbian who was

1043
01:02:07,840 --> 01:02:12,760
Speaker 1: just like, yes, I filmed that for you, like in

1044
01:02:12,840 --> 01:02:15,360
Speaker 1: a hotel, I think, yeah. And it was about this

1045
01:02:15,640 --> 01:02:19,920
Speaker 1: lesbian who was like plowing a snow perimeter for something.

1046
01:02:21,320 --> 01:02:25,680
Speaker 1: She's gotta get my perimeter and gear, and it was like,

1047
01:02:25,880 --> 01:02:29,320
Speaker 1: it's gonna take two days for me to build this perimeter.

1048
01:02:31,720 --> 01:02:34,680
Speaker 1: I do love all Alaska reality shows because nothing happens.

1049
01:02:34,920 --> 01:02:39,480
Speaker 1: My favorite, my favorite reality show of all this was

1050
01:02:39,720 --> 01:02:44,280
Speaker 1: very like pre Top Model, pre Bachelor, called Bachelorettes in Alaska,

1051
01:02:44,760 --> 01:02:48,960
Speaker 1: and it was about women who couldn't find men in

1052
01:02:49,160 --> 01:02:52,520
Speaker 1: kind of the regular you know, more state side and

1053
01:02:52,640 --> 01:02:54,520
Speaker 1: because you know, the ratio of men to women in

1054
01:02:54,600 --> 01:02:58,200
Speaker 1: Alaska it is a consay, it's like ten to eighty. Wait, damn,

1055
01:02:58,360 --> 01:03:01,280
Speaker 1: I'm moving to Alaska. Yeah. So it was like, but

1056
01:03:01,440 --> 01:03:04,000
Speaker 1: all these women going to Alaska to meet all these

1057
01:03:04,080 --> 01:03:06,600
Speaker 1: hot Alaskan men because there's so many men out there.

1058
01:03:06,960 --> 01:03:09,920
Speaker 1: Oh that's so okay. Yeah. It was on Fox one

1059
01:03:09,960 --> 01:03:13,200
Speaker 1: season probably in like two thousand. This is very that

1060
01:03:13,360 --> 01:03:15,160
Speaker 1: trend of like women who go on trips to Italy

1061
01:03:15,280 --> 01:03:17,680
Speaker 1: to like meet Italian men because the time minister Horney,

1062
01:03:18,480 --> 01:03:29,840
Speaker 1: or women who moved to Denver aka Menver not Menver. Wait,

1063
01:03:29,880 --> 01:03:33,520
Speaker 1: because it's so just like like we'd start up there

1064
01:03:33,680 --> 01:03:36,880
Speaker 1: and again, I think the ratio is insane there. I

1065
01:03:36,960 --> 01:03:39,000
Speaker 1: think there's much more because I always think of Denver,

1066
01:03:39,160 --> 01:03:41,760
Speaker 1: somewhere you move once you're already in a heterosexual relationship.

1067
01:03:41,840 --> 01:03:46,240
Speaker 1: You would think, but it's a good place to go

1068
01:03:46,680 --> 01:03:50,800
Speaker 1: hunt for men. Okay, Wait, this pound thought, this poem

1069
01:03:51,120 --> 01:03:56,800
Speaker 1: is so me, so me love poem. We made love

1070
01:03:57,000 --> 01:04:01,880
Speaker 1: last night beneath the stars, the moon cycloptic eye on blinking,

1071
01:04:02,080 --> 01:04:05,240
Speaker 1: staring us down, uncovering our bodies of the darkness. Like

1072
01:04:05,440 --> 01:04:10,640
Speaker 1: naked roots, we tangled ourselves thighs and elbows, heavy fruit,

1073
01:04:11,320 --> 01:04:15,840
Speaker 1: shiny as winter chestnuts, body of the man. I love,

1074
01:04:16,520 --> 01:04:20,040
Speaker 1: bitten mouth, tangerine, lips, rose, petal, surprise of tongue. I

1075
01:04:20,120 --> 01:04:23,880
Speaker 1: could wander the continent of your golden valleys without ceasing

1076
01:04:24,200 --> 01:04:28,480
Speaker 1: and delight each day, and discovering a new dawn rising

1077
01:04:28,680 --> 01:04:34,120
Speaker 1: from the depths of your mysterious being. M that palm

1078
01:04:34,480 --> 01:04:36,520
Speaker 1: I died, and I did think of you when I

1079
01:04:36,560 --> 01:04:39,640
Speaker 1: was reading that when the way the way. She also says, sorry,

1080
01:04:39,720 --> 01:04:45,800
Speaker 1: poetry isn't easy when she says the moon with the cycle, well,

1081
01:04:45,960 --> 01:04:49,080
Speaker 1: I mean, yeah, the moon is just one circle, so

1082
01:04:49,160 --> 01:04:51,920
Speaker 1: it's not going to be two eyes. Sometimes I see

1083
01:04:51,960 --> 01:04:53,919
Speaker 1: two eyes. But this is so me because I did.

1084
01:04:54,440 --> 01:04:56,600
Speaker 1: I feel like it's so you, because like anytime you

1085
01:04:56,720 --> 01:04:59,000
Speaker 1: have sex, you're just being well. And I told you

1086
01:04:59,080 --> 01:05:02,320
Speaker 1: that I did fuck that guy his roof last week. No,

1087
01:05:02,880 --> 01:05:05,040
Speaker 1: and I did do my trick that like I try

1088
01:05:05,080 --> 01:05:09,520
Speaker 1: to Oh my god, no, you did the Milky Way thing.

1089
01:05:10,600 --> 01:05:14,040
Speaker 1: You're literally the cheesiest bitch like on the face of

1090
01:05:14,120 --> 01:05:16,480
Speaker 1: the earth. One just being like, yeah, I bought a

1091
01:05:16,600 --> 01:05:19,880
Speaker 1: bike from a junkie and amsterdamn and then like with

1092
01:05:20,120 --> 01:05:22,880
Speaker 1: a guy and a roof, just being like, yeah, that's sound.

1093
01:05:24,240 --> 01:05:27,880
Speaker 1: You see that. That's the Milky Way. See see it

1094
01:05:27,960 --> 01:05:32,000
Speaker 1: Ago nor Ryan's belt. It's kind of your version. You're

1095
01:05:32,120 --> 01:05:35,400
Speaker 1: being you behind a girl with a pool queue. Yeah,

1096
01:05:35,480 --> 01:05:38,480
Speaker 1: I mean that is my version of Ribolt's in winter constolations,

1097
01:05:38,480 --> 01:05:40,240
Speaker 1: so you wouldn't see it in the summer. No, I

1098
01:05:40,280 --> 01:05:43,320
Speaker 1: mean I don't know consolations honestly, I yes, end when

1099
01:05:43,360 --> 01:05:47,400
Speaker 1: people point a consolation sometimes to mee because I don't

1100
01:05:47,440 --> 01:05:50,360
Speaker 1: need to get into it because if they're like, don't

1101
01:05:50,400 --> 01:05:52,000
Speaker 1: you see it? There's a Ryan's belt and if you

1102
01:05:52,040 --> 01:05:54,840
Speaker 1: don't say yes, right, they're not going to stop until

1103
01:05:54,960 --> 01:05:59,360
Speaker 1: you see it. And it's like, I'm actually bored by this.

1104
01:06:00,280 --> 01:06:02,440
Speaker 1: I'm just gonna cut this off now and say, oh

1105
01:06:02,600 --> 01:06:05,040
Speaker 1: my god, yeah I see it. It's pretty wise, and

1106
01:06:05,160 --> 01:06:08,920
Speaker 1: you're right, and we won't we literally won't, as astronomy

1107
01:06:09,000 --> 01:06:11,160
Speaker 1: pilled folk like are actually insane. We'll be like, no,

1108
01:06:11,320 --> 01:06:13,200
Speaker 1: you need to see the swan and it's just like, well,

1109
01:06:13,240 --> 01:06:17,240
Speaker 1: it's completely random and made up anyway, right, So so

1110
01:06:17,480 --> 01:06:19,800
Speaker 1: that's that's wise. But yeah, I mean obviously he wasn't

1111
01:06:19,800 --> 01:06:22,080
Speaker 1: even that into it. But I feel like you answer

1112
01:06:22,400 --> 01:06:24,640
Speaker 1: your who am I in the book because that was

1113
01:06:24,720 --> 01:06:28,440
Speaker 1: kind of poem yeah, and I, well, are you like

1114
01:06:29,000 --> 01:06:31,920
Speaker 1: Lily's lover or whatever? Well, I there's actually another poem

1115
01:06:32,000 --> 01:06:35,720
Speaker 1: that I think is me and just give me truly

1116
01:06:35,800 --> 01:06:38,760
Speaker 1: one second. Oh, here I found it. It's called SAUSAGEE.

1117
01:06:41,560 --> 01:06:46,640
Speaker 1: It's short, Okay, I'll preface it. It's so me because

1118
01:06:46,680 --> 01:06:54,960
Speaker 1: I'm a total people watcher. Yeah, while leaving the airport,

1119
01:06:55,160 --> 01:06:59,160
Speaker 1: a gypsy woman stole my luggage. A side note problematic.

1120
01:07:00,400 --> 01:07:03,760
Speaker 1: She wore a rice paper mask over her eyes. A

1121
01:07:04,000 --> 01:07:08,800
Speaker 1: mole showed neatly on her chin, hairless. She laughed while

1122
01:07:08,960 --> 01:07:14,200
Speaker 1: sausages fell from her pockets in heavy shivers. I hope

1123
01:07:14,440 --> 01:07:18,120
Speaker 1: she misses them sorely. You definitely wouldn't miss your sausage,

1124
01:07:20,320 --> 01:07:22,920
Speaker 1: gypsy woman, because it's like I would miss them. But

1125
01:07:22,960 --> 01:07:25,440
Speaker 1: I also would be like laughing hysterically if I was

1126
01:07:25,480 --> 01:07:27,800
Speaker 1: at an airport and sausages were falling out. Oh no,

1127
01:07:27,920 --> 01:07:30,840
Speaker 1: I definitely laugh. You would see that this was ridiculous,

1128
01:07:30,920 --> 01:07:35,560
Speaker 1: totally ridiculous. Okay, well I give this book. I would

1129
01:07:35,600 --> 01:07:38,880
Speaker 1: say four out of five salmons. I mean, it's really

1130
01:07:38,960 --> 01:07:42,080
Speaker 1: easy to just flip through. Poetry is fun. It's you know,

1131
01:07:42,160 --> 01:07:44,840
Speaker 1: it's fun to do read poetry to your lover. Oh

1132
01:07:45,080 --> 01:07:47,640
Speaker 1: and it's and it's it's yeah, it's just sink her

1133
01:07:47,720 --> 01:07:50,720
Speaker 1: teeth right in, you know. I remember my mother told

1134
01:07:50,760 --> 01:07:54,200
Speaker 1: me she was on a date once in Newburyport, Massachusetts,

1135
01:07:54,320 --> 01:08:00,120
Speaker 1: and wait with that Mexican guy, yes, Jewish Mexican. She

1136
01:08:00,280 --> 01:08:04,440
Speaker 1: was like her favorite type, and they just read Pablo

1137
01:08:04,600 --> 01:08:08,320
Speaker 1: Naruda pumps to each other, which is Pablo Naruda is

1138
01:08:08,360 --> 01:08:11,880
Speaker 1: one of jules favorite poets. She says in the preface, Yes,

1139
01:08:12,040 --> 01:08:15,919
Speaker 1: I read the preface the way you keep pronouncing it prefaces.

1140
01:08:16,960 --> 01:08:22,920
Speaker 1: Oh it's freface. Yeah. Oh, I'm sorry to me, mister

1141
01:08:23,400 --> 01:08:27,519
Speaker 1: study abroad. I know a couple of languages. Fucking Magaret

1142
01:08:27,640 --> 01:08:30,640
Speaker 1: Thatch over here. I think she's Queen of English language.

1143
01:08:30,960 --> 01:08:37,080
Speaker 1: William fucking Shakespeare. Pre fucking face. Okay, I got your

1144
01:08:37,120 --> 01:08:40,040
Speaker 1: preface and I got your post face. Poetry is meant

1145
01:08:40,080 --> 01:08:43,439
Speaker 1: to be shared. It's meant to be read to each other. Yes,

1146
01:08:43,680 --> 01:08:47,680
Speaker 1: it's meant to be lived out loud and spoken with

1147
01:08:47,920 --> 01:08:51,760
Speaker 1: the tongues, the same tongues that we let our lovers. Well,

1148
01:08:52,320 --> 01:08:55,320
Speaker 1: read a pump to your lover, then kiss your lover.

1149
01:08:55,520 --> 01:09:01,200
Speaker 1: Yet your tongues intertwine like the words that we're constructed

1150
01:09:01,280 --> 01:09:05,040
Speaker 1: together in the words and the poem, the same way

1151
01:09:05,200 --> 01:09:09,559
Speaker 1: you inhale the scent from her. Oops, I just went

1152
01:09:09,720 --> 01:09:17,280
Speaker 1: there places anyway, Yeah, Readial's book. Next week we shall

1153
01:09:17,320 --> 01:09:21,400
Speaker 1: be reading none other than famous lesbian talk show hosts

1154
01:09:22,040 --> 01:09:27,639
Speaker 1: Rosie O'Donnell. Picture me throwing a couch right now. Her

1155
01:09:27,640 --> 01:09:31,080
Speaker 1: book is called Finding Me. Finding Me. It's um, it's

1156
01:09:31,120 --> 01:09:33,400
Speaker 1: not what you think, and that's all I'm gonna say. Yeah,

1157
01:09:34,920 --> 01:09:39,439
Speaker 1: it's definitely not what you're expecting, so buckle the fuck up, bitch.

1158
01:09:39,800 --> 01:09:46,080
Speaker 1: Back to the unexpected Hyatt adventure weeks. So, yeah, rate

1159
01:09:46,200 --> 01:09:50,240
Speaker 1: us the works at CBC, the pod, do the whole thing. Um,

1160
01:09:50,320 --> 01:09:54,760
Speaker 1: thank you for all your incredible reviews. Actually we're rocking now.

1161
01:09:54,840 --> 01:09:56,880
Speaker 1: They decided not to cancel Lestaates on everything you said,

1162
01:09:56,880 --> 01:09:59,080
Speaker 1: So now everyone was a little bit worried. But yeah,

1163
01:09:59,200 --> 01:10:02,519
Speaker 1: ad scared you, claud We scared you because the campaign

1164
01:10:02,600 --> 01:10:07,120
Speaker 1: worked and that's amazing campaign and that's branding and that's

1165
01:10:07,160 --> 01:10:09,080
Speaker 1: branding and also that's love. You know what I mean.

1166
01:10:09,200 --> 01:10:11,360
Speaker 1: You have to terrify your partner into thinking that you

1167
01:10:11,439 --> 01:10:13,800
Speaker 1: might leave them for them to show affection. Apparently, No,

1168
01:10:13,960 --> 01:10:16,160
Speaker 1: it's true. I feel like we did such like an

1169
01:10:16,200 --> 01:10:20,840
Speaker 1: insane girl move where we like got mad to make

1170
01:10:20,880 --> 01:10:23,240
Speaker 1: sure our boyfriends like really like us what they do

1171
01:10:23,360 --> 01:10:30,120
Speaker 1: and like it feels. It feels really good. I'm really touched.

1172
01:10:32,720 --> 01:10:35,360
Speaker 1: It's really beautiful and I'm not the Cartoparton regret something

1173
01:10:35,680 --> 01:10:40,720
Speaker 1: roll about my walls are down time for the first

1174
01:10:40,760 --> 01:10:47,799
Speaker 1: time ever. Okay, see you next week. Best Best Celebrity

1175
01:10:47,840 --> 01:10:52,960
Speaker 1: book Club is presented by Prolog Projects and head Gum.

1176
01:10:53,520 --> 01:10:58,240
Speaker 1: The show is produced by Meg Burnane, with editorial support

1177
01:10:58,680 --> 01:11:04,600
Speaker 1: from Leon Nafa, Andrew Parsons and Mada Lynn Kaplan or

1178
01:11:04,800 --> 01:11:13,599
Speaker 1: Production manager is Persia Verlin. Engineering by Ferris Manchy. How

1179
01:11:13,680 --> 01:11:18,360
Speaker 1: I Wish You would Have Called Me Back? Original theme

1180
01:11:18,479 --> 01:11:24,559
Speaker 1: song by Stephen Phillip's Horse written in nineteen seventy one.

1181
01:11:25,280 --> 01:11:28,840
Speaker 1: Artwork by Teddy Blanks at Chips and Why I Can

1182
01:11:29,000 --> 01:11:33,360
Speaker 1: Still taste the scent of your skin on my lips.

1183
01:11:33,800 --> 01:11:39,160
Speaker 1: I beg. You Follow us on Twitter, at CBC the Pod,

1184
01:11:39,640 --> 01:11:44,120
Speaker 1: subscribe on your favorite podcast app, leave us a review

1185
01:11:44,600 --> 01:11:51,200
Speaker 1: with pen or paper or email or whatever instrument feels

1186
01:11:51,280 --> 01:11:56,960
Speaker 1: comfortable for you. And I beg, and I beg. Don't

1187
01:11:57,840 --> 01:12:05,320
Speaker 1: forget to tell all your friends about us. That was

1188
01:12:05,360 --> 01:12:06,439
Speaker 1: a hit Gum Podcast